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a corpus-based approach to the language of audio description

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2007). During <strong>the</strong> 1990‟s, many more films were <strong>audio</strong> described, even<br />

though not on a regular basis.<br />

The Andalusian Au<strong>to</strong>nomous Channel started in 1995, <strong>audio</strong>describing<br />

76 films; it was <strong>the</strong>n followed by <strong>the</strong> Cine para <strong>to</strong>dos project broadcasting<br />

132 <strong>audio</strong> described films until 2001. Sitcoms started <strong>to</strong> be <strong>audio</strong> described<br />

in 1999 by Channel TV3 (<strong>the</strong> CCRTV's main channel) broadcasting “Plats<br />

bruts” with AD in Catalan. TV3 and ONCE also worked <strong>to</strong>ge<strong>the</strong>r on <strong>the</strong><br />

sitcoms “Majoria absoluta” and “L‟un per l‟altre”. In 2002 RTVE produced<br />

<strong>the</strong> <strong>audio</strong> <strong>description</strong> for “Nicòlas”, an animated series for children, whose<br />

protagonist was a blind child. As <strong>to</strong> cinemas, though Spain cannot rely on<br />

DTS or Dolby, some films are provided with open <strong>audio</strong> <strong>description</strong>, a type<br />

<strong>of</strong> <strong>description</strong> that can be heard by all cinemagoers (Orero, Pereira and Utray<br />

2007). The first <strong>audio</strong> described film shown in public dates back <strong>to</strong> 2006<br />

(“Something <strong>to</strong> talk about” followed by “The Majestic” and “The Pledge”)<br />

and was part <strong>of</strong> a bigger ambitious project, La Gran Pelicula, which aimed at<br />

<strong>audio</strong>describing one film per week. In 1994 already <strong>the</strong> film “The<br />

Mo<strong>to</strong>rcycle Diaries” had been shown in a commercial movie <strong>the</strong>atre by <strong>the</strong><br />

Catalan Association for <strong>the</strong> Blind; however, <strong>the</strong> AD was in Spanish and not<br />

in Catalan because <strong>the</strong> film was in Spanish itself (Matamala 2007). This<br />

experience had been followed by “Mar adentro” and “Amor idiota”, both<br />

screened in 2005. On <strong>the</strong> festival side, some films are also <strong>audio</strong> described<br />

since 2002 for <strong>the</strong> International Badonet Festival in Spain, for which, in 2005<br />

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