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One-Line Type Specimens Third Edition - Font Bureau

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FONT BUREAU<br />

<strong>One</strong>-<strong>Line</strong> <strong>Type</strong> <strong>Specimens</strong><br />

THIRD EDITION


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FONT BUREAU<br />

<strong>One</strong>-<strong>Line</strong> <strong>Type</strong> <strong>Specimens</strong><br />

THIRD EDITION<br />

Boston, Massachusetts, 2008


©2008 The <strong>Font</strong> bureau, Inc.<br />

all rights reserved.<br />

Printed in the U.S.a.


This compact and portable third edition<br />

of our <strong>One</strong>-<strong>Line</strong> <strong>Type</strong> <strong>Specimens</strong> is the<br />

quickest way to reference the entire <strong>Font</strong><br />

<strong>Bureau</strong> Retail collection: 1,385 fonts. <strong>One</strong> line of<br />

type is shown in each style of each family for easy<br />

comparison of weight, width, copyfit and aesthetic.<br />

The <strong>Font</strong> <strong>Bureau</strong> has been specializing in<br />

custom fonts for our clients’ stylistic and technical<br />

requirements for 20 years. Our library continues to<br />

grow as we select the best designs from our work,<br />

comb the globe for type, and o≠er fonts as retail<br />

products to our growing community of users.<br />

For more thorough showings, our web site,<br />

www.fontbureau.com, o≠ers downloadable<br />

specimens with complete showings of even the<br />

largest <strong>Font</strong> <strong>Bureau</strong> font families. Come see it all<br />

with the most up-to-date information, and speedy<br />

access to your new favorite font selections, today!<br />

David Berlow, President<br />

Spring 2008<br />

PreFace


About <strong>Font</strong> <strong>Bureau</strong> 6<br />

<strong>Type</strong> <strong>Specimens</strong><br />

I. Serif, text and headline 9<br />

II. Sans Serif, text and headline 25<br />

III. Script, display 49<br />

IV. Decorative, display and ornament 55<br />

Addenda<br />

Family Index 60<br />

Designer Index 62<br />

Licensing Information and Quick Pricing Chart 64<br />

<strong>Font</strong> Format Information 66<br />

Latin-1 Character Set 67<br />

Copyright and Trademark Information 68<br />

Colophon 69<br />

conTenTS


6<br />

aboUT FonT bUreaU<br />

<strong>Font</strong> <strong>Bureau</strong>’s sta≠ includes:<br />

David Berlow & Roger Black<br />

Founders<br />

Sam Berlow<br />

General Manager<br />

Cyrus Highsmith & Jill Pichotta<br />

Senior Designers<br />

PhoTo?<br />

Richard Lipton, Dyana Weissman & David Jonathan Ross<br />

Sta≠ Designers<br />

Mark Record<br />

Technical Gentleman<br />

Harry Parker, Samantha Grimsley-Franklin & Michael Manfredi<br />

Sales Team<br />

Mary Louise Marino, Robb Ogle, Aleah MacNelly & Andre Grimsley<br />

Marketing Team<br />

Mike Parker<br />

<strong>Type</strong> Historian<br />

Jonathan Corum<br />

Web Designer


aboUT FonT bUreaU<br />

<strong>Font</strong> <strong>Bureau</strong> was founded in 1989 by noted publications designer and<br />

consultant Roger Black and type designer David Berlow to serve<br />

the emerging needs of microcomputer-based magazine and newspaper<br />

publishers seeking unique typographic identities. During the past 19 years,<br />

<strong>Font</strong> <strong>Bureau</strong> has designed over 1,500 fonts for over 300 publications, many<br />

that have become part of <strong>Font</strong> <strong>Bureau</strong>’s Retail Library.<br />

The company remains small and privately held, with freelance and<br />

independent designers providing infusions of creativity. Full-time sta≠<br />

and designers direct the studio operations in Boston, which serves as the<br />

company’s headquarters.<br />

The <strong>Font</strong> <strong>Bureau</strong>, Inc.<br />

p.o. box 51550<br />

25 Dorchester Avenue<br />

Boston, Massachusetts 02205<br />

tel 617 423 8770<br />

fax 617 423 8771<br />

www.fontbureau.com<br />

info@fontbureau.com<br />

7


ISERiF


10<br />

SerIF a–b<br />

ANTiqUE cONdENSEd 4 styles Jim Parkinson<br />

TOWN’S SMALLEST 35 saloons cater to boomers<br />

black<br />

TOWN’S SMALLEST 35 saloons cater to boisterous afters<br />

bold<br />

TOWN’S SMALLEST 35 saloons cater to boisterous afternoon o≠ recitals<br />

regUlar<br />

TOWN’S SMALLEST 35 saloons cater to boisterous afternoon of recitals in mellifluous washes<br />

exTra lIghT<br />

BEliziO 8 styles david berlow<br />

LOVER’S 13 wind socks<br />

black<br />

LOVER’S 13 wind soccer<br />

bold<br />

LOVER’S 13 wind solvent<br />

medIUm<br />

LOVER’S 13 wind solution<br />

regUlar<br />

BElUciAN 5 styles david berlow<br />

FACTS OBSCURING 4 o∞cious leviathan<br />

UlTra<br />

FACTS obscure 4 o∞cer FACTS obscure 4 o∞cial<br />

demI<br />

demI ITalIc<br />

FACTS obscure 4 o∞ces FACTS obscure 4 o∞ciate<br />

book<br />

book ITalIc<br />

BENTON mOdERN diSplAy 36 styles dyana Weissman and richard lipton<br />

MARGIN 65 broach<br />

UlTra<br />

MARGIN 65 bashful<br />

black<br />

MARGIN 65 beached<br />

bold<br />

MARGIN 65 blockade<br />

SemIbold<br />

MARGIN 65 bleachers<br />

regUlar<br />

MARGIN 65 beneficent<br />

lIghT<br />

MARGIN 65 blockades<br />

condenSed bold<br />

MARGIN 65 benefactor<br />

condenSed SemIbold<br />

MARGIN 65 beneficence<br />

condenSed regUlar<br />

MARGIN 65 boastfulness<br />

condenSed lIghT<br />

LOVER’S 13 wind sails<br />

black ITalIc<br />

LOVER’S 13 wind solved<br />

bold ITalIc<br />

LOVER’S 13 wind solution<br />

medIUm ITalIc<br />

LOVER’S 13 wind socks true<br />

regUlar ITalIc<br />

MARGIN 65 broach<br />

UlTra ITalIc<br />

MARGIN 65 bashful<br />

black ITalIc<br />

MARGIN 65 blockers<br />

bold ITalIc<br />

MARGIN 65 breached<br />

SemIbold ITalIc<br />

MARGIN 65 benefactor<br />

roman ITalIc<br />

MARGIN 65 breakfasted<br />

lIghT ITalIc<br />

MARGIN 65 beneficent<br />

condenSed bold ITalIc<br />

MARGIN 65 beneficence<br />

condenSed SemIbold ITalIc<br />

MARGIN 65 bicentennial<br />

condenSed regUlar ITalIc<br />

MARGIN 65 bifurcated ton<br />

condenSed lIghT ITalIc Continued


BENTON mOdERN diSplAy Continued<br />

MARGIN 65 broken intel<br />

exTra condenSed bold<br />

MARGIN 65 broken intuit<br />

exTra condenSed SemIbold<br />

MARGIN 65 broken into it<br />

exTra condenSed regUlar<br />

MARGIN 65 broken into as<br />

exTra condenSed lIghT<br />

MARGIN 65 broken into as<br />

comPreSSed bold<br />

MARGIN 65 broken into ale<br />

comPreSSed SemIbold<br />

MARGIN 65 broken into ales<br />

comPreSSed regUlar<br />

MARGIN 65 broken into after<br />

comPreSSed lIghT<br />

For more InFormaTIon go To www.fontbureau.Com<br />

BiG cASlON 4 styles matthew carter<br />

FORTUNE donates 206<br />

medIUm<br />

FORTUNE donates 26<br />

Small caPS<br />

Fø≈“„∂† ìæ∏ÖTõ KÂÇ<br />

alTernaTe<br />

fortune DONATES %…@ÀÃ◊ÿŸ⁄“ª‹ º¡<br />

exPerT<br />

BOdEGA SERiF 9 styles greg Thompson<br />

DINER MENU hasN’t bEEN altERED since June of 1961, when the tunnels<br />

black<br />

DINER MENU hasn’t been altered 29<br />

black oldSTyle<br />

DINER MENU hasN’t bEEN altERED since June of 1961, when the double tuna melt wit<br />

medIUm<br />

DINER MENU hasn’t been altered since 1961<br />

medIUm oldSTyle<br />

DINER MENU hasN’t bEEN altERED since June of 1961, when the double tuna melt club was invented after a<br />

lIghT<br />

DINER MENU hasn’t been altered since 1961, when the<br />

lIghT oldSTyle<br />

MARGIN 65 broken intro<br />

exTra condenSed bold ITalIc<br />

MARGIN 65 broken intuits<br />

exTra condenSed SemIbold ITalIc<br />

MARGIN 65 broken into ails<br />

exTra condenSed regUlar ITalIc<br />

MARGIN 65 broken into a≠air<br />

exTra condenSed lIghT ITalIc<br />

MARGIN 65 broken into an<br />

comPreSSed bold ITalIc<br />

MARGIN 65 broken into axel<br />

comPreSSed SemIbold ITalIc<br />

MARGIN 65 broken into annex<br />

comPreSSed regUlar ITalIc<br />

MARGIN 65 broken into aviation<br />

comPreSSed lIghT ITalIc<br />

DINER MENU hasn’t been altered 13<br />

black Small caPS<br />

DINER MENU hasn’t been altered since 491<br />

medIUm Small caPS<br />

DINER MENU hasn’t been altered since 1961 when the<br />

lIghT Small caPS<br />

FB BOdONi 2 styles richard lipton<br />

SCOURED ALMOST 79 architecture as<br />

condenSed bold<br />

SCOURED ALMOST 79 architectural ruins of<br />

comPreSSed bold<br />

11


12<br />

SerIF b–e<br />

FB cAliFORNiAN 15 styles david berlow, richard lipton, and Jill Pichotta<br />

SCIENTIST denies 231 of natures<br />

dISPlay black<br />

SCIENTIST denies 231 of nature’s a<br />

dISPlay bold<br />

SCIENTIST denies 231 of nature’s lad<br />

dISPlay roman<br />

SCIENCE deny 25 SCIENCE denies 2 of<br />

dISPlay exPerT<br />

dISPlay ITalIc<br />

SCIENTIST DENIES 231 of nature’s laws with latest crated<br />

black<br />

SCIENTIST DENIES 231 of nature’s laws with latest creations<br />

bold<br />

SCIENTIST DENIES 231 of nature’s laws with latest creation bad<br />

roman<br />

SCIENTIST denies 213 of match<br />

exPerT<br />

SCIENTIST DENIES 231 OF NATURE’S LAWS with latest creation but collaboration di∞cult<br />

TexT black<br />

SCIENTIST DENIES 231 OF NATURE’S LAWS with latest creation but collaboration di∞culties<br />

TexT bold<br />

SCIENTIST DENIES 231 OF NATURE’S LAWS with latest creation but collaboration di∞cult an<br />

TexT roman<br />

SCIENTIST DENIES 231 of nature’s laws wash<br />

TexT exPerT<br />

FB cASlON 2 styles Jill Pichotta<br />

91 BRAKES SCREECHED to a halt in avoidance of<br />

bold condenSed<br />

91 BRAKES SCREECHED to a halt in avoidance of a reckless duck<br />

bold exTra condenSed<br />

FB cENTURy 1 style greg Thompson<br />

EnTROPY BLAMED FOR 4 ISSUES faced under civilised situation<br />

condenSed bold<br />

FB chElTENhAm 1 style david berlow<br />

CONSULATE AWAKENS TO 450 hostile sounds of scant thumb wrestler<br />

condenSed bold<br />

cONSTRUcTA 7 styles elizabeth cory holzman<br />

SKYSCRAPER 45B dominates the urban environments fount<br />

black<br />

SKYSCRAPER 45B dominates the urban environments flatten<br />

exTra bold<br />

SKYSCRAPER 45B dominates the urban environments founded<br />

bold<br />

SKYSCRAPER 45B dominates the urban environments flatterers<br />

regUlar<br />

SKYSCRAPER 45B dominates the urban environments flattened on<br />

lIghT<br />

SKYSCRAPER 45B dominates the urban environments flattened even<br />

exTra lIghT<br />

SKYSCRAPER 45B dominates the urban environments flattened & even<br />

ThIn<br />

SCIENTIST denies 213 of nature’s lad<br />

ITalIc<br />

SCIENTIST DENIES 231 of nature’s laws with latest ace<br />

TexT ITalIc


For more InFormaTIon go To www.fontbureau.Com<br />

diSpATch 16 styles cyrus highsmith<br />

MONSTER terrified 56 rests<br />

exTended black<br />

MONSTER terrified 56 reveal<br />

exTended bold<br />

MONSTER terrified 56 résumé<br />

exTended regUlar<br />

MONSTER terrified 56 residers<br />

exTended lIghT<br />

MONSTER terrified 56 residents of mountains<br />

black<br />

MONSTER terrified 56 residents of mountain tin<br />

bold<br />

MONSTER terrified 56 residents of mountains sale<br />

regUlar<br />

MONSTER terrified 56 residents of mountainside tel<br />

lIghT<br />

MONSTER terrified 56 residents of mountainside towl<br />

condenSed black<br />

MONSTER terrified 56 residents of mountainside town re<br />

condenSed bold<br />

MONSTER terrified 56 residents of mountainside town went<br />

condenSed regUlar<br />

MONSTER terrified 56 residents of mountainside towns where<br />

condenSed lIghT<br />

MONSTER terrified 56 residents of mountainside towns whence<br />

comPreSSed black<br />

MONSTER terrified 56 residents of mountainside towns whom belief<br />

comPreSSed bold<br />

MONSTER terrified 56 residents of mountainside towns whom believed it<br />

comPreSSed regUlar<br />

MONSTER terrified 56 residents of mountainside towns whom believed a tale<br />

comPreSSed lIghT<br />

EldORAdO 16 styles david berlow, Tobias Frere-Jones, and Thomas rickner<br />

NEW MINT 2 silver cons<br />

dISPlay roman<br />

NEW MINT 2 silver sic<br />

dISPlay roman Small caPS<br />

NEWLY MINTING 28 silver coins limited it<br />

TexT bold<br />

NEWLY MINTING 28 silver coins limited court<br />

TexT roman<br />

NEWLY MINTING 28 silver coins limited a<br />

TexT roman Small caPS<br />

NEWLY MINTING 28 silver coins limited counter<br />

TexT lIghT<br />

NEWLY MINTING 28 silver coins limiting an<br />

TexT lIghT Small caPS<br />

NEWLY MINTING 28 silver coins limited counterfeiters aim<br />

mIcro roman<br />

ElmhURST 7 styles christopher Slye<br />

BLINTZES FOR 762 brunch waiters air<br />

black<br />

BLINTZES FOR 762 brunch waiters even<br />

bold<br />

BLINTZES FOR 762 brunch waiters eaten without notice as boss labored over the check<br />

regUlar<br />

BLINTZES FOR 762 brunch waiters ame<br />

Small caPS<br />

NEW MINT 2 silver coin<br />

dISPlay ITalIc<br />

NEW MINT 2 silver as<br />

dISPlay ITalIc Small caPS<br />

NEWLY MINTING 93 silver coins limited etc<br />

TexT bold ITalIc<br />

NEWLY MINTING 28 silver coins limited curtain<br />

TexT ITalIc<br />

NEWLY MINTING 28 silver coins limited in<br />

TexT ITalIc Small caPS<br />

NEWLY MINTING 28 silver coins limited countries<br />

TexT lIghT ITalIc<br />

NEWLY MINTING 28 silver coins limited con<br />

TexT lIghT ITalIc Small caPS<br />

NEWLY MINTING 28 silver coins limited counterfeiters almost<br />

mIcro ITalIc<br />

BLINTZES FOR 762 brunch waiters eaten<br />

black ITalIc<br />

BLINTZES FOR 762 brunch waiters eat with<br />

bold ITalIc<br />

BLINTZES FOR 762 brunch waiters eaten win<br />

ITalIc<br />

13


14<br />

SerIF e–g<br />

NICKEL 5 dean<br />

black<br />

NICKEL 5 dead<br />

bold<br />

NICKEL 5 delve<br />

SemIbold<br />

NICKEL 5 dears<br />

roman<br />

NICKEL 5 devils<br />

lIghT<br />

NICKEL 5 defined<br />

condenSed black<br />

NICKEL 5 devalue<br />

condenSed bold<br />

NICKEL 5 defends<br />

condenSed SemIbold<br />

NICKEL 5 descend<br />

condenSed roman<br />

NICKEL 5 devalues<br />

condenSed lIghT<br />

NICKEL 5 devalues it<br />

comPreSSed black<br />

NICKEL 5 devalues at<br />

comPreSSed bold<br />

NICKEL 5 devalues an<br />

EScROw 44 styles cyrus highsmith<br />

comPreSSed SemIbold<br />

NICKEL 5 devalues air<br />

comPreSSed roman<br />

NICKEL devalues 5¢ aimed<br />

TexT black<br />

NICKEL devalues 5¢ alm<br />

TexT black Small caPS<br />

NICKEL devalues 5¢ after it<br />

TexT bold<br />

NICKEL devalues 5¢ ante<br />

TexT bold Small caPS<br />

NICKEL devalues 5¢ after in<br />

TexT SemIbold<br />

NICKEL devalues 5¢ ante<br />

TexT SemIbold Small caPS<br />

NICKEL devalues 5¢ after an<br />

TexT roman<br />

NICKEL devalues 5¢ alms<br />

TexT roman Small caPS<br />

NICKEL 5 defile<br />

black ITalIc<br />

NICKEL 5 devils<br />

bold ITalIc<br />

NICKEL 5 device<br />

SemIbold ITalIc<br />

NICKEL 5 delved<br />

ITalIc<br />

NICKEL 5 decent<br />

lIghT ITalIc<br />

NICKEL 5 descend<br />

condenSed black ITalIc<br />

NICKEL 5 devalues<br />

condenSed bold ITalIc<br />

NICKEL 5 defended<br />

condenSed SemIbold ITalIc<br />

NICKEL 5 desertion<br />

condenSed ITalIc<br />

NICKEL 5 defenders<br />

condenSed lIghT ITalIc<br />

NICKEL 5 devalues on<br />

comPreSSed black ITalIc<br />

NICKEL 5 devalues are<br />

comPreSSed bold ITalIc<br />

NICKEL 5 devalues ant<br />

comPreSSed SemIbold ITalIc<br />

NICKEL 5 devalues aim<br />

comPreSSed ITalIc<br />

NICKEL devalues 5¢ after in<br />

TexT black ITalIc<br />

NICKEL devalues 5¢ attic<br />

TexT black ITalIc Small caPS<br />

NICKEL devalues 5¢ after car<br />

TexT bold ITalIc<br />

NICKEL devalues 5¢ alter<br />

TexT bold ITalIc Small caPS<br />

NICKEL devalues 5¢ after can<br />

TexT SemIbold ITalIc<br />

NICKEL devalues 5¢ after<br />

TexT SemIbold ITalIc Small caPS<br />

NICKEL devalues 5¢ after cane<br />

TexT ITalIc<br />

NICKEL devalue 5¢ after i<br />

TexT ITalIc roman Small caPS


For more InFormaTIon go To www.fontbureau.Com<br />

FARNhAm 25 styles christian Schwartz<br />

STORM 9 railed brick islanders wit<br />

dISPlay black<br />

STORM 9 rifles STORM 9 railed it<br />

dISPlay black Small caPS<br />

dISPlay black ITalIc<br />

STORM 9 railed brick islanders with<br />

dISPlay bold<br />

STORM 9 railed STORM 9 railed be<br />

dISPlay bold Small caPS<br />

dISPlay bold ITalIc<br />

STORM 9 railed brick islanders wade<br />

dISPlay medIUm<br />

STORM 9 rafter STORM 9 railed bit<br />

dISPlay medIUm Small caPS<br />

dISPlay medIUm ITalIc<br />

STORM 9 railed brick islanders wilted<br />

dISPlay regUlar<br />

STORM 9 riflers STORM 9 railed bar<br />

dISPlay regUlar Small caPS<br />

dISPlay regUlar ITalIc<br />

Storm 9 Railed With Storm 9 Railed With<br />

dISPlay regUlar ITalIc SWaSh<br />

dISPlay regUlar ITalIc SWaSh alTernaTe<br />

STORM 9 railed brick islanders whittle<br />

dISPlay lIghT<br />

STORM 9 rafters STORM 9 railed barn<br />

dISPlay lIghT Small caPS<br />

dISPlay lIghT ITalIc<br />

STORM WATCH 1982 railed brick islanders with druid levels of boredoms<br />

TexT bold<br />

STORM WATCH 1982 railed burn<br />

TexT bold Small caPS<br />

STORM WATCH 1982 railed brick islanders with druid levels of boredom wet<br />

TexT SemIbold<br />

STORM WATCH 1982 railed bricks<br />

TexT SemIbold Small caPS<br />

STORMWATCH 1982 railed brick islanders with druid levels of boredom without<br />

TexT regUlar<br />

STORMWATCH 1982 railed brickers<br />

TexT regUlar Small caPS<br />

DRIVE class 9 aunt<br />

dISPlay bold<br />

DRIVE class 9 artist<br />

dISPlay SemIbold<br />

DRIVE class 9 antics<br />

FB GARAmONd 16 styles Jill Pichotta<br />

dISPlay regUlar<br />

DRIVE class 9 auntie<br />

dISPlay lIghT<br />

DRIVE CLASSIC ’93 automobile said dim<br />

TexT bold<br />

DRIVE CLASSIC ’93 automobile said dime<br />

TexT SemIbold<br />

DRIVE CLASSIC ’93 automobile said dusters<br />

TexT regUlar<br />

DRIVE CLASSIC ’93 automobile said dumb in<br />

TexT lIghT<br />

STORM WATCH 1982 railed brick isles<br />

TexT bold ITalIc<br />

STORM WATCH 1982 railed brick insert<br />

TexT SemIbold ITalIc<br />

STORMWATCH 1982 railed brick islander<br />

TexT regUlar ITalIc<br />

DRIVE class 9 aunts<br />

dISPlay bold ITalIc<br />

DRIVE class 9 auntie<br />

dISPlay SemIbold ITalIc<br />

DRIVE class 9 abilities<br />

dISPlay regUlar ITalIc<br />

DRIVE class 9 architects<br />

dISPlay lIghT ITalIc<br />

DRIVE CLASSIC ’93 automobile said dumb<br />

TexT bold ITalIc<br />

DRIVE CLASSIC ’93 automobile said dumbed<br />

TexT SemIbold ITalIc<br />

DRIVE CLASSIC ’93 automobile said dumb motor<br />

TexT regUlar ITalIc<br />

DRIVE CLASSIC ’93 automobile said dumb motorist<br />

TexT lIghT ITalIc<br />

15


16<br />

SerIF g–m<br />

GizA 16 styles david berlow<br />

SIGNED 19 bone<br />

Seven nIne<br />

SIGNED 19 buffed<br />

Seven Seven<br />

SIGNED 19 blasts<br />

FIve Seven<br />

SIGNED 19 buffalos<br />

nIne FIve<br />

SIGNED 19 boasted<br />

SIGNED 19 bounces<br />

SIGNED 11 buffoons<br />

Seven FIve<br />

FIve FIve<br />

Three FIve<br />

SIGNED 11 bouffant<br />

one FIve<br />

SIGNED 19 bouffant as<br />

nIne Three<br />

SIGNED 19 bouffant ox<br />

SIGNED 19 bouffants it<br />

SIGNED 19 bouffant call<br />

Seven Three<br />

FIve Three<br />

Three Three<br />

SIGNED 19 bouffants cad<br />

one Three<br />

SIGNED 19 bouffants called<br />

nIne one<br />

SIGNED 19 bouffants comb win<br />

SIGNED 19 bouffants combed white<br />

Three one<br />

one one


For more InFormaTIon go To www.fontbureau.Com<br />

GRANd cENTRAl 2 styles Tobias Frere-Jones<br />

FREqUENT PLATFORM 71<br />

bold<br />

FREqUENt PLATform 41<br />

lIghT<br />

hiGhTOwER 3 styles Tobias Frere-Jones<br />

DOMESTIC CHORES under 209 maniacal children turn unchecked warfare<br />

TexT roman<br />

DOMESTIC chores under 209 mid<br />

TexT roman Small caPS<br />

iRONmONGER 5 styles John downer<br />

FANCY 8 HANDLE<br />

black<br />

FANCY 8 HAvocs<br />

exTended<br />

FANCY 8 harkIn<br />

Three d<br />

FANCY 8 HALTER<br />

InlaId<br />

FANCY 729 HANDLEBAR MOUSTACHES VERY IMPRESSIVE FEED<br />

exTra condenSed<br />

lAFAyETTE 1 style otto Schnaap<br />

SUBPAR 78 DRESSING flavors curses their lush soirée<br />

exTra condenSed<br />

mANTiNiA 1 style matthew carter<br />

SEC|e@ArY Iπ|o VEs 4th<br />

regUlar<br />

mENO 15 styles richard lipton<br />

598 CLAY Ovens used to cook<br />

TITlIng Small caPS<br />

598 CLAY ovens cook used too<br />

black<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ∫ËÎÂÁÊ<br />

black & black exPerT<br />

598 CLAY ovens cook used toad<br />

bold<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ∫ËÎÂÁÊÏ<br />

bold & bold exPerT<br />

598 CLAY ovens cook used towels<br />

roman<br />

598 CLAY ovens cook used towel<br />

Small caPS<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ∫ËÎÂÁÊÏÌ<br />

roman & roman exPerT<br />

DOMESTIC chores under 209 mechanic<br />

TexT ITalIc<br />

598 CLAY ovens cook used toast<br />

black ITalIc<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ∫ ËÎÂÁÊ<br />

black ITalIc exPerT<br />

598 CLAY ovens cook used torture<br />

bold ITalIc<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ∫ËÎÂÁÊÏ<br />

bold ITalIc exPerT<br />

598 CLAY ovens cook used turtles in<br />

ITalIc<br />

598 CLAY Ovens Cook Used To Six<br />

ITalIc and SWaSh ITalIc<br />

∂µπ∏⁄∆≈…»¢ DANISH ABILITIES ËÍÎÂÁÊÏÌ<br />

ITalIc exPerT<br />

17


18<br />

SerIF m–P<br />

mEyER TwO 2 styles david berlow<br />

SUBTITLES make 43 films<br />

regUlar<br />

SUBTITLES make sense of 41 films<br />

condenSed<br />

millER 15 styles matthew carter, Tobias Frere-Jones, and cyrus highsmith<br />

SPIN DOCTORS rework 812 new<br />

dISPlay bold<br />

SPIN doctors 82 SPIN doctor’s 82<br />

dISPlay SemIbold<br />

dISPlay SemIbold<br />

SPIN doctors 82 SPIN doctor’s 82<br />

dISPlay roman<br />

dISPlay roman<br />

SPIN doctors 1 SPIN doctor’s 1<br />

dISPlay roman Small caPS<br />

SPIN doctors 811<br />

dISPlay lIghT<br />

SPIN DOCTOR’S reworked 812<br />

TexT bold<br />

SPIN DOCTOR’S reworked 812 it<br />

TexT roman<br />

SPIN DOCTOR’S reworked 812<br />

TexT roman Small caPS<br />

RAGS 3 warm<br />

bold<br />

RAGS 3 watch<br />

SemIbold<br />

RAGS 3 waiter<br />

regUlar<br />

RAGS 3 warms<br />

lIghT<br />

RAGS 3 waiters<br />

condenSed bold<br />

RAGS 3 waivers<br />

condenSed SemIbold<br />

RAGS 3 warmed<br />

condenSed regUlar<br />

RAGS 3 warmers<br />

FB mOdERNO 32 styles david berlow and richard lipton<br />

condenSed lIghT<br />

dISPlay roman Small caPS<br />

SPIN doctor’s 812<br />

dISPlay lIghT<br />

SPIN DOCTOR’S reworked 811 a<br />

TexT bold ITalIc<br />

SPIN DOCTOR’S reworked 812 an<br />

TexT ITalIc<br />

SPIN DOCTOR’S reworking 812<br />

TexT ITalIc Small caPS<br />

RAGS 3 warns<br />

bold ITalIc<br />

RAGS 3 wafted<br />

SemIbold ITalIc<br />

RAGS 3 waiters<br />

regUlar ITalIc<br />

RAGS 3 wa±ers<br />

lIghT ITalIc<br />

RAGS 3 walkers<br />

condenSed bold ITalIc<br />

RAGS 3 watched<br />

condenSed SemIbold ITalIc<br />

RAGS 3 workable<br />

condenSed regUlar ITalIc<br />

RAGS 3 warheads<br />

condenSed lIghT ITalIc Continued


FB mOdERNO Continued<br />

RAGS 3 watchful<br />

exTra condenSed bold<br />

RAGS 3 waters or<br />

exTra condenSed SemIbold<br />

RAGS 3 waters om<br />

exTra condenSed regUlar<br />

RAGS 3 waters owl<br />

exTra condenSed lIghT<br />

RAGS 3 waters ovals<br />

comPreSSed bold<br />

RAGS 3 waters ounce<br />

comPreSSed SemIbold<br />

RAGS 3 waters ousters<br />

comPreSSed regUlar<br />

RAGS 3 waters overture<br />

comPreSSed lIghT<br />

For more InFormaTIon go To www.fontbureau.Com<br />

pARkiNSON 10 styles Jim Parkinson<br />

HEARTS beat 74 times in minute<br />

black<br />

HEARTS beats 11 HEARTS beat 79<br />

bold<br />

bold ITalIc<br />

HEARTS beats 78 HEARTS beat 731<br />

medIUm<br />

HEARTS beats 781<br />

roman<br />

HEARTS BEAUTIFIED 74 times with heaviest on<br />

condenSed bold<br />

HEARTS BEAUTIFIED 74 times with heaviest mail<br />

condenSed<br />

HEARTS BEAUTIFIED 74 times with heaviest metals from<br />

condenSed lIghT<br />

pENNSylvANiA 8 styles christian Schwartz<br />

FACTORY remakes 12 towns<br />

bold<br />

FACTORY remakes 12 towns<br />

bold Small caPS<br />

FACTORY remakes 12 towns<br />

regUlar<br />

FACTORY remakes 12 towns<br />

regUlar Small caPS<br />

RAGS 3 waters its<br />

exTra condenSed bold ITalIc<br />

RAGS 3 waters oni<br />

exTra condenSed SemIbold ITalIc<br />

RAGS 3 waters orbs<br />

exTra condenSed regUlar ITalIc<br />

RAGS 3 waters ovals<br />

exTra condenSed lIghT ITalIc<br />

RAGS 3 waters owes<br />

comPreSSed bold ITalIc<br />

RAGS 3 waters occult<br />

comPreSSed SemIbold ITalIc<br />

RAGS 3 waters owners<br />

comPreSSed regUlar ITalIc<br />

RAGS 3 waters ousted it<br />

comPreSSed lIghT ITalIc<br />

medIUm ITalIc<br />

HEARTS beat 78 it<br />

ITalIc<br />

FACTORY remakes 12 towns<br />

bold ITalIc<br />

FACTORY remakes 12 towns<br />

bold ITalIc Small caPS<br />

FACTORY remakes 12 towns<br />

ITalIc<br />

FACTORY remakes 12 towns<br />

ITalIc Small caPS<br />

19


20<br />

SerIF P–S<br />

phAiSTOS 3 styles david berlow and Just van rossum<br />

LAND OR SEAS infinitesimal at 2 horizons value<br />

bold<br />

LAND or sea infinite at 2 LAND or sea infinite at 215<br />

ITalIc<br />

roman<br />

pRENSA 24 styles cyrus highsmith<br />

BIOGRAPHERS mark 309th<br />

black<br />

BIOGRAPHERS mark 30th<br />

black Small caPS<br />

BIOGRAPHERS mark 309 an<br />

bold<br />

BIOGRAPHERS mark 319th<br />

bold Small caPS<br />

BIOGRAPHERS mark 309 rut<br />

SemIbold<br />

BIOGRAPHERS mark 309th<br />

SemIbold Small caPS<br />

BIOGRAPHERS mark 309 hen<br />

regUlar<br />

BIOGRAPHERS mark 309 as<br />

regUlar Small caPS<br />

BIOGRAPHERS mark 309 vert<br />

book<br />

BIOGRAPHERS mark 309 sit<br />

book Small caPS<br />

BIOGRAPHERS mark 309 wart<br />

lIghT<br />

BIOGRAPHERS mark 309 lb<br />

lIghT Small caPS<br />

pROFORmA 24 styles Petr van blokland<br />

POCKET lint 92 kindle<br />

bold<br />

POCKET lint 92 kindle<br />

bold Small caPS<br />

POCKET lint 92 kindled<br />

SemIbold<br />

POCKET lint 92 kindles<br />

SemIbold Small caPS<br />

POCKET lint 92 kindle if<br />

medIUm<br />

POCKET lint 92 kindlers<br />

medIUm Small caPS<br />

POCKET lint 92 kindle fit<br />

book<br />

POCKET lint 92 kindler’s<br />

book Small caPS<br />

POCKET lint 92 kindle fin<br />

lIghT<br />

POCKET lint 92 kindles if<br />

lIghT Small caPS<br />

POCKET lint 92 kindle file<br />

UlTra lIghT<br />

POCKET lint 92 kindles in<br />

UlTra lIghT Small caPS<br />

BIOGRAPHERS mark 309 we<br />

black ITalIc<br />

BIOGRAPHERS mark 309 in<br />

black ITalIc Small caPS<br />

BIOGRAPHERS mark 309 wet<br />

bold ITalIc<br />

BIOGRAPHERS mark 309 lb<br />

bold ITalIc Small caPS<br />

BIOGRAPHERS mark 309 wire<br />

SemIbold ITalIc<br />

BIOGRAPHERS mark 3093rd<br />

SemIbold ITalIc Small caPS<br />

BIOGRAPHERS mark 309 worn<br />

regUlar ITalIc<br />

BIOGRAPHERS mark 309 fan<br />

regUlar ITalIc Small caPS<br />

BIOGRAPHERS mark 309 warm<br />

book ITalIc<br />

BIOGRAPHERS mark 309 firs<br />

book ITalIc Small caPS<br />

BIOGRAPHERS mark 309 writer<br />

lIghT ITalIc<br />

BIOGRAPHERS mark 309 far<br />

lIghT ITalIc Small caPS<br />

POCKET lint 92 kindlers<br />

bold ITalIc<br />

POCKET lint 92 king as<br />

bold ITalIc Small caPS<br />

POCKET lint 92 kindle fit<br />

SemIbold ITalIc<br />

POCKET lint 92 kindler<br />

SemIbold ITalIc Small caPS<br />

POCKET lint 92 kindle firs<br />

medIUm ITalIc<br />

POCKET lint 92 kind lad<br />

medIUm ITalIc Small caPS<br />

POCKET lint 92 kindle film<br />

book ITalIc<br />

POCKET lint 92 king liar<br />

book ITalIc Small caPS<br />

POCKET lint 92 kindle firm<br />

lIghT ITalIc<br />

POCKET lint 92 king dear<br />

lIghT ITalIc Small caPS<br />

POCKET lint 92 kindle films<br />

UlTra lIghT ITalIc<br />

POCKET lint 92 king team<br />

UlTra lIghT ITalIc Small caPS


For more InFormaTIon go To www.fontbureau.Com<br />

ROcky 40 styles matthew carter and richard lipton<br />

PHONETIC 75 chances<br />

black<br />

PHONETIC 75 chutneys<br />

bold<br />

PHONETIC 75 children’s<br />

medIUm<br />

PHONETIC 75 children is<br />

regUlar<br />

PHONETIC 75 children no<br />

lIghT<br />

PHONETIC 75 child rend<br />

condenSed black<br />

PHONETIC 75 children’s it<br />

condenSed bold<br />

PHONETIC 75 children’s vet<br />

condenSed medIUm<br />

PHONETIC 75 children’s valet<br />

condenSed regUlar<br />

PHONETIC 75 children’s venues<br />

condenSed lIghT<br />

PHONETIC 75 children veal<br />

exTra condenSed black<br />

PHONETIC 75 children’s venu<br />

exTra condenSed bold<br />

PHONETIC 75 children’s verbose<br />

exTra condenSed medIUm<br />

PHONETIC 75 children’s verbal cone<br />

exTra condenSed regUlar<br />

PHONETIC 75 children’s verbal contracts<br />

exTra condenSed lIghT<br />

PHONETIC 75 children’s voted<br />

comPreSSed black<br />

PHONETIC 75 children’s verbs car<br />

comPreSSed bold<br />

PHONETIC 75 children’s verbal control<br />

comPreSSed medIUm<br />

PHONETIC 75 children’s verbal contract dove<br />

comPreSSed regUlar<br />

PHONETIC 75 children’s verbal contract defenestration<br />

comPreSSed lIghT<br />

PHONETIC 75 childless<br />

black ITalIc<br />

PHONETIC 75 charcoals<br />

bold ITalIc<br />

PHONETIC 75 children lo<br />

medIUm ITalIc<br />

PHONETIC 75 children sin<br />

regUlar ITalIc<br />

PHONETIC 75 children’s an<br />

lIghT ITalIc<br />

PHONETIC 75 children to<br />

condenSed black ITalIc<br />

PHONETIC 75 children’s at<br />

condenSed bold ITalIc<br />

PHONETIC 75 children’s vote<br />

condenSed medIUm ITalIc<br />

PHONETIC 75 children’s verses<br />

condenSed regUlar ITalIc<br />

PHONETIC 75 children’s verbal is<br />

condenSed lIghT ITalIc<br />

PHONETIC 75 children’s vet<br />

exTra condenSed black ITalIc<br />

PHONETIC 75 children’s venus<br />

exTra condenSed bold ITalIc<br />

PHONETIC 75 children’s verbal at<br />

exTra condenSed medIUm ITalIc<br />

PHONETIC 75 children’s verbal contra<br />

exTra condenSed regUlar ITalIc<br />

PHONETIC 75 children’s verbal contracts to<br />

exTra condenSed lIghT ITalIc<br />

PHONETIC 75 children’s voted<br />

comPreSSed black ITalIc<br />

PHONETIC 75 children’s verbal an<br />

comPreSSed bold ITalIc<br />

PHONETIC 75 children’s verbal contras<br />

comPreSSed medIUm ITalIc<br />

PHONETIC 75 children’s verbal contract defers<br />

comPreSSed regUlar ITalIc<br />

PHONETIC 75 children’s verbal contract defended as law<br />

comPreSSed lIghT ITalIc<br />

ShOwcARd mOdERNE 1 style Jim Parkinson<br />

187 DISCOMFORTED but kind substitute zebras<br />

regUlar<br />

CATALOG<br />

SkyliNE 2 styles<br />

aficionado refused<br />

Jane<br />

35<br />

Patterson<br />

CATALOG<br />

black<br />

AFICIONADO refused to leave 35th condo<br />

bold condenSed<br />

21


22<br />

SerIF S–z<br />

SOphiA 1 style matthew carter<br />

RATE 6 feELINGS OF MINUTIÆ<br />

regUlar<br />

SpiRA 7 styles andy Stockley<br />

PRINCESS CHOOSES 61 trite and nervous horses not stabilized<br />

bold<br />

PRINCESS CHOOSES 61 trite and nervous horses not stabilized it<br />

regUlar<br />

PRINCESS chooses 61 tritons PRINCESS ChooSES 61 white horse<br />

regUlar Small caPS<br />

regUlar ITalIc<br />

PRINCESS CHOOSES 61 trite and nervous horses not stabilized win<br />

lIghT<br />

PRINCESS chooses 61 trivial & PRINCESS ChooSES 61 brown horses<br />

lIghT Small caPS<br />

lIghT ITalIc<br />

BIG chase 21 all<br />

Pen roman<br />

ThROhANd 12 styles david berlow<br />

BIG chase 2 at<br />

Pen roman exPerT<br />

BIG chase 21 tamers<br />

regUlar roman<br />

BIG chase 21 time<br />

regUlar roman exPerT<br />

BIG CHASE 21 times around<br />

Ink roman<br />

BIG CHASE 21 tamed lion<br />

Ink roman exPerT<br />

villAGE 10 styles david berlow<br />

MADE OUTSIDE 486 factories<br />

TITlIng bold<br />

MADE outer 41 MADE outside 42<br />

TITlIng roman<br />

TITlIng ITalIc<br />

MADE outer 4 MADE outer 42<br />

TITlIng roman Small caPS<br />

TITlIng ITalIc Small caPS<br />

MADE OUTER 46 factories’ builders seethe with cemented imbalance<br />

bold<br />

MADE OUTER 46 factories’ bolded<br />

roman<br />

MADE OUTER 46 factory’s bulge<br />

roman Small caPS<br />

wESSEx 5 styles matthew butterick<br />

BARGES PEltEd with 8<br />

roman TITlIng<br />

BARGE CARRIES 812 excitable bovines across the lakeside terrace, with hidden welt<br />

SemIbold<br />

BARGE CARRIES 812 excitable bovines across the lakeside terrace with hidden wheels<br />

roman<br />

BARGE CARRIES 812 excitable bovines<br />

roman Small caPS<br />

BIG chase 21 tons<br />

Pen ITalIc<br />

BIG chase 2 an<br />

Pen ITalIc exPerT<br />

BIG chase 21 times all<br />

regUlar ITalIc<br />

BIG chase 21 tamed<br />

ITalIc exPerT<br />

BIG CHASE 21 tamed male lion<br />

Ink ITalIc<br />

BIG CHASE 21 times around<br />

Ink ITalIc exPerT<br />

MADE OUTER 46 factories’ builders set<br />

ITalIc<br />

MADE OUTER 46 factory’s building<br />

ITalIc Small caPS<br />

BARGE CARRIES 812 excitable bovines am<br />

ITalIc


For more InFormaTIon go To www.fontbureau.Com<br />

whiTmAN 37 styles kent lew<br />

FILING 58 cabinets with untold finances<br />

dISPlay exTra black<br />

FILING 58 cabinets with untold financials<br />

dISPlay black<br />

FILING 58 cabinets with untold financial as<br />

dISPlay exTra bold<br />

FILING 58 cabinets with untold financial sin<br />

dISPlay bold<br />

FILING 58 cabinets with untold financial seals<br />

dISPlay SemIbold<br />

FILING 58 cabinets with untold financial secret<br />

dISPlay regUlar<br />

FILING 58 cabinets with untold financial secrete<br />

dISPlay lIghT<br />

FILING 58 cabinets an FILING 58 cabinets whom<br />

dISPlay condenSed exTra black<br />

FILING 58 cabinets wit<br />

dISPlay comPreSSed exTra black<br />

FILING 58 cabinets wreath<br />

dISPlay condenSed black<br />

FILING 58 cabinets who<br />

dISPlay comPreSSed black<br />

FILING 58 cabinets with sin<br />

dISPlay condenSed exTra bold<br />

FILING 58 cabinets whir<br />

dISPlay comPreSSed exTra bold<br />

FILING 58 cabinets with ante<br />

dISPlay condenSed bold<br />

FILING 58 cabinets white<br />

dISPlay comPreSSed bold<br />

FILING 58 cabinets with units<br />

dISPlay condenSed SemIbold<br />

FILING 58 cabinets whiter<br />

dISPlay comPreSSed SemIbold<br />

FILING 58 cabinets with untold<br />

dISPlay condenSed regUlar<br />

FILING 58 cabinets waister<br />

dISPlay comPreSSed regUlar<br />

FILING 58 cabinets with unions<br />

dISPlay condenSed lIghT<br />

FILING 58 cabinets with 58 untold finalize<br />

bold lInIng and old STyle FIgUreS<br />

FILING 58 cabinets with 58 untold financial<br />

SemIbold lInIng and old STyle FIgUreS<br />

FILING 58 cabinets with 58 untold financials<br />

roman lInIng and old STyle FIgUreS<br />

FILING 58 cabinets with 58 untold finals<br />

Small caPS lInIng and old STyle FIgUreS<br />

ziNGhA 14 styles xavier dupré<br />

KINGS outflank 715 rid<br />

bold<br />

KINGS outflanked 72<br />

bold Small caPS<br />

KINGS outflanked 7150<br />

bold deco<br />

KINGS outflank 715 rids<br />

medIUm<br />

KINGS outflanked 710<br />

medIUm Small caPS<br />

KINGS outflanked 715 as<br />

regUlar<br />

KINGS outflanked 7150<br />

regUlar Small caPS<br />

dISPlay comPreSSed lIghT<br />

FILING 58 cabinets with 58 untold financiers<br />

bold ITalIc lInIng and old STyle FIgUreS<br />

FILING 58 cabinets with 58 untold financial set<br />

SemIbold ITalIc lInIng and old STyle FIgUreS<br />

FILING 58 cabinets with 58 untold financial sect<br />

ITalIc lInIng and old STyle FIgUreS<br />

FILING cabinets with 58 untold financial as<br />

ITalIc Small caPS old STyle FIgUreS<br />

KINGS outflanked 715 sit<br />

bold ITalIc<br />

Kind Out Flanked 715 Sin<br />

bold ITalIc SWaSh<br />

Kind Out Flanked 715 Sin<br />

bold ITalIc SWaSh deco<br />

KINGS outflanked 715 saw<br />

medIUm ITalIc<br />

Kind Outflanked 715 Saves<br />

medIUm Small caPS<br />

KINGS outflanked 715 saver<br />

regUlar ITalIc<br />

Kind Outflanked 715 Savoir<br />

regUlar ITalIc SWaSh<br />

23


II<br />

SANS SERiF


26<br />

SanS SerIF a<br />

AARdvARk 2 styles John benson<br />

UNUSUAL WEATHER PATTERNS BEWILDER 89 in<br />

bold<br />

UNUSUAL WEATHER PATTERNS BEWILDER 89 RESIDing<br />

regUlar<br />

FB AGENcy 25 styles david berlow<br />

DAZZLING 93 silverware settled<br />

black exTended<br />

DAZZLING 93 silverware sets red<br />

bold exTended<br />

DAZZLING 93 silverware sets read<br />

regUlar exTended<br />

DAZZLING 93 silverware sets relax<br />

lIghT exTended<br />

DAZZLING 93 silverware received a<br />

ThIn exTended<br />

DAZZLING 93 silverware sets received net<br />

black WIde<br />

DAZZLING 93 silverware sets received meals<br />

bold WIde<br />

DAZZLING 93 silverware sets received meter a<br />

regUlar WIde<br />

DAZZLING 93 silverware sets received medals to<br />

lIghT WIde<br />

DAZZLING 93 silverware received medals of honor<br />

ThIn WIde<br />

DAZZLING 93 SILVERWARE sets received medals of honor over<br />

black<br />

DAZZLING 93 SILVERWARE sets received medals of honor over limbs<br />

bold<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time whirls<br />

regUlar<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time which tonic<br />

lIghT<br />

DAZZLING 93 SILVERWARE received medals of honor over time which touches on eat<br />

ThIn<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time which tour<br />

black condenSed<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time which touches on ear<br />

bold condenSed<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time which touches on editorial talked<br />

regUlar condenSed<br />

DAZZLING 93 SILVERWARE sets received medals of honor over time which touches on editorial toleration of so<br />

lIghT condenSed<br />

DAZZLING 93 SILVERWARE received medals of honor over time which touches on editorial toleration of saucier’s stark<br />

ThIn condenSed<br />

DAZZLING 93 SILVERWARE SETS received medals of honor over time which touches on editorial toleration a<br />

black comPreSSed<br />

DAZZLING 93 SILVERWARE SETS received medals of honor over time which touches on editorial toleration of saucier’s satirization<br />

bold comPreSSed<br />

DAZZLING 93 SILVERWARE SETS received medals of honor over time which touches on editorial toleration of saucier’s satirization heard on international radios<br />

regUlar comPreSSed<br />

DAZZLING 93 sILverwAre sets received medals of honor over time which touches on editorial toleration of saucier’s satirization heard on international radio broadcast out front<br />

lIghT comPreSSed<br />

DAZZLING 93 sILverwAre sets received medals of honor over time which touches on editorial toleration of saucier’s satirization heard on international radio broadcast out from her secret bunker in<br />

ThIn comPreSSed


For more InFormaTIon go To www.fontbureau.Com<br />

AGENdA 54 styles greg Thompson<br />

51 CHEMICAL containers lit<br />

black<br />

51 CHEMICAL containers rat<br />

bold<br />

51 CHEMICAL containers rail<br />

SemIbold<br />

51 CHEMICAL containers run<br />

medIUm<br />

51 CHEMICAL containers rise<br />

regUlar<br />

51 CHEMICAL containers rust<br />

lIghT<br />

51 CHEMICAL containers ruler<br />

ThIn<br />

51 CHEMICAL containers rust an<br />

condenSed black<br />

51 CHEMICAL containers rust and<br />

condenSed bold<br />

51 CHEMICAL containers rust ants<br />

condenSed SemIbold<br />

51 CHEMICAL containers rust anvil<br />

condenSed medIUm<br />

51 CHEMICAL containers rust anvils<br />

condenSed regUlar<br />

51 CHEMICAL containers rust ancho<br />

condenSed lIghT<br />

51 CHEMICAL containers rust answer<br />

condenSed ThIn<br />

51 CHEMICAL containers rust and leak<br />

exTra condenSed black<br />

51 CHEMICAL containers rust and leak all<br />

exTra condenSed bold<br />

51 CHEMICAL containers rust and leak also<br />

exTra condenSed SemIbold<br />

51 CHEMICAL containers rust and leak all on<br />

exTra condenSed medIUm<br />

51 CHEMICAL containers rust and leak all oils<br />

exTra condenSed regUlar<br />

51 CHEMICAL containers rust and leak all oven<br />

exTra condenSed lIghT<br />

51 CHEMICAL containers rust and leak all over tie<br />

exTra condenSed ThIn<br />

51 CHEMICAL containers rust and leak all over the cat<br />

UlTra condenSed bold<br />

51 CHEMICAL containers rust and leak all over the closet<br />

UlTra condenSed SemIbold<br />

51 CHEMICAL containers rust and leak all over the closet sin<br />

UlTra condenSed medIUm<br />

51 CHEMICAL containers rust and leak all over the closet shells<br />

UlTra condenSed regUlar<br />

51 CHEMICAL containers rust and leak all over the closet sherbert<br />

UlTra condenSed lIghT<br />

51 CHEMICAL containers rust and leak all over the closet shelves, luck lords<br />

UlTra condenSed ThIn<br />

51 CHEMICAL containers et<br />

black ITalIc<br />

51 CHEMICAL containers an<br />

bold ITalIc<br />

51 CHEMICAL containers rid<br />

SemIbold ITalIc<br />

51 CHEMICAL containers rut<br />

medIUm ITalIc<br />

51 CHEMICAL containers rail<br />

regUlar ITalIc<br />

51 CHEMICAL containers rad<br />

lIghT ITalIc<br />

51 CHEMICAL containers rust<br />

ThIn ITalIc<br />

51 CHEMICAL containers rust at<br />

condenSed black ITalIc<br />

51 CHEMICAL containers rust art<br />

condenSed bold ITalIc<br />

51 CHEMICAL containers rust and<br />

condenSed SemIbold ITalIc<br />

51 CHEMICAL containers rust arch<br />

condenSed medIUm ITalIc<br />

51 CHEMICAL containers rust anvil<br />

condenSed regUlar ITalIc<br />

51 CHEMICAL containers rust anvils<br />

condenSed lIghT ITalIc<br />

51 CHEMICAL containers rust and lit<br />

condenSed ThIn ITalIc<br />

51 CHEMICAL containers rust and lean<br />

exTra condenSed black ITalIc<br />

51 CHEMICAL containers rust and leak in<br />

exTra condenSed bold ITalIc<br />

51 CHEMICAL containers rust and leak aid<br />

exTra condenSed SemIbold ITalIc<br />

51 CHEMICAL containers rust and leak alter<br />

exTra condenSed medIUm ITalIc<br />

51 CHEMICAL containers rust and leak all on<br />

exTra condenSed regUlar ITalIc<br />

51 CHEMICAL containers rust and leak all one<br />

exTra condenSed lIghT ITalIc<br />

51 CHEMICAL containers rust and leak all over it<br />

exTra condenSed ThIn ITalIc<br />

51 CHEMICAL containers rust and leak all over the car<br />

UlTra condenSed bold ITalIc<br />

51 CHEMICAL containers rust and leak all over the closet<br />

UlTra condenSed SemIbold ITalIc<br />

51 CHEMICAL containers rust and leak all over the closet sit<br />

UlTra condenSed medIUm ITalIc<br />

51 CHEMICAL containers rust and leak all over the closet shelf<br />

UlTra condenSed regUlar ITalIc<br />

51 CHEMICAL containers rust and leak all over the closet shelvers<br />

UlTra condenSed lIghT ITalIc<br />

51 CHEMICAL containers rust and leak all over the closet shelves, luck low<br />

UlTra condenSed ThIn ITalIc<br />

27


28<br />

SanS SerIF a<br />

AmiRA 10 styles cyrus highsmith<br />

HEALTHIEST foods have 3% mid<br />

black<br />

HEALTHIEST foods have 3% more<br />

bold<br />

HEALTHIEST foods have 3% mulch<br />

SemIbold<br />

HEALTHIEST foods have 3% mousse<br />

regUlar<br />

HEALTHIEST foods have 3% manners<br />

lIghT<br />

HEALTHIEST foods have 3% monk<br />

black ITalIc<br />

HEALTHIEST foods have 3% mousse<br />

bold ITalIc<br />

HEALTHIEST foods have 3% mudslide<br />

SemIbold ITalIc<br />

HEALTHIEST foods have 3% moustache<br />

regUlar ITalIc<br />

HEALTHIEST foods have 3% muenster in<br />

lIghT ITalIc<br />

AmpliTUdE 35 styles christian Schwartz<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless town<br />

WIde UlTra<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sad<br />

WIde black<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to stall<br />

WIde bold<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit ave<br />

WIde medIUm<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit insult<br />

WIde regUlar<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in deal<br />

WIde book<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit due tar<br />

WIde lIghT<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in dude<br />

UlTra<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to<br />

black<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due tri<br />

bold<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to ice<br />

medIUm<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to coals<br />

regUlar<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cache<br />

book<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushier<br />

lIghT<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, ma<br />

condenSed UlTra<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, milk<br />

condenSed black<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, marts<br />

condenSed bold<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, marvelous<br />

condenSed medIUm<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, marvelous an<br />

condenSed regUlar<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, marvelous idles<br />

condenSed book<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, marvelous idea to<br />

condenSed lIghT<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but ill 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit ave<br />

comPreSSed UlTra<br />

exTra comPreSSed UlTra<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but one 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in dire<br />

comPreSSed black<br />

exTra comPreSSed black<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but o≠er 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to<br />

comPreSSed bold<br />

exTra comPreSSed bold<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ort is 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cash<br />

comPreSSed medIUm<br />

exTra comPreSSed medIUm<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to 86 stack PLASTIC CHAIRS but UNCOMFORTABLE e≠ort less to stack but e≠ortless to sit in due to cushions<br />

comPreSSed regUlar<br />

exTra comPreSSed regUlar<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless it 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushion, I’d<br />

comPreSSed book<br />

exTra comPreSSed book<br />

86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless too 86 PLASTIC CHAIRS UNCOMFORTABLE to stack but e≠ortless to sit in due to cushions, mart<br />

comPreSSed lIghT<br />

exTra comPreSSed lIghT


For more InFormaTIon go To www.fontbureau.Com<br />

ANiSETTE 5 styles Jean-Francois Porchez<br />

PLEASANT WEA∑ER maker’s 14 days of<br />

black<br />

PLEASANT WEATHER maker’s 14 day orange<br />

bold<br />

PLEASANT WEATHER maker’s 14 day o≠er disco<br />

medIUm<br />

PLEASANT WEATHER maker’s 14 day o≠er discounts<br />

lIghT<br />

PLEASANT WEATHER maker’s 14 day o≠er discounts fa∂<br />

ThIn<br />

ANTENNA 54 styles cyrus highsmith<br />

SIBLING CURED 46 soured llama in<br />

black<br />

SIBLING CURED 46 soured llama tin<br />

bold<br />

SIBLING CURED 46 soured llama mid<br />

medIUm<br />

SIBLING CURED 46 soured llama milk<br />

regUlar<br />

SIBLING CURED 46 soured llama mids<br />

lIghT<br />

SIBLING CURED 46 soured llama make<br />

exTra lIghT<br />

SIBLING CURED 46 soured llama milker<br />

ThIn<br />

SIBLING CURED 46 soured llama milk can<br />

condenSed black<br />

SIBLING CURED 46 soured llama milk cartel<br />

condenSed bold<br />

SIBLING CURED 46 soured llama milk curtains<br />

condenSed medIUm<br />

SIBLING CURED 46 soured llama milk cartoons<br />

condenSed regUlar<br />

SIBLING CURED 46 soured llama milk cartons as<br />

condenSed lIghT<br />

SIBLING CURED 46 soured llama milk cartons afar<br />

condenSed exTra lIghT<br />

SIBLING CURED 46 soured llama milk cartons waiter<br />

condenSed ThIn<br />

SIBLING CURED 46 soured llama milk cartons with<br />

exTra condenSed black<br />

SIBLING CURED 46 soured llama milk cartons with vial<br />

exTra condenSed bold<br />

SIBLING CURED 46 soured llama milk cartons with voodoos<br />

exTra condenSed medIUm<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tar<br />

exTra condenSed regUlar<br />

SIBLING CURED 46 soured llama milk cartons with voodoo trader<br />

exTra condenSed lIghT<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & its<br />

exTra condenSed exTra lIghT<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & barked<br />

exTra condenSed ThIn<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tickets<br />

comPreSSed black<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & barked<br />

comPreSSed bold<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & beneficial barkers<br />

comPreSSed medIUm<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & beneficial bacteria fronts<br />

comPreSSed regUlar<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & beneficial bacteria from vials, able<br />

comPreSSed lIghT<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & beneficial bacteria from vials, a blend of scent<br />

comPreSSed exTra lIghT<br />

SIBLING CURED 46 soured llama milk cartons with voodoo tricks & beneficial bacteria from vials, a blend of science and faith in<br />

comPreSSed ThIn<br />

SIBLING CURED 46 soured llama its<br />

black ITalIc<br />

SIBLING CURED 46 soured llama mix<br />

bold ITalIc<br />

SIBLING CURED 46 soured llama melt<br />

medIUm ITalIc<br />

SIBLING CURED 46 soured llama must<br />

regUlar ITalIc<br />

SIBLING CURED 46 soured llama mixes<br />

lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk in<br />

exTra lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk an<br />

ThIn ITalIc<br />

SIBLING CURED 46 soured llama milk cam<br />

condenSed black ITalIc<br />

SIBLING CURED 46 soured llama milk carton<br />

condenSed bold ITalIc<br />

SIBLING CURED 46 soured llama milk cartoons<br />

condenSed medIUm ITalIc<br />

SIBLING CURED 46 soured llama milk cartons at<br />

condenSed regUlar ITalIc<br />

SIBLING CURED 46 soured llama milk cartons win<br />

condenSed lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons ward<br />

condenSed exTra lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons walked<br />

condenSed ThIn ITalIc<br />

SIBLING CURED 46 soured llama milk cartons when<br />

exTra condenSed black ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with view<br />

exTra condenSed bold ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo &<br />

exTra condenSed medIUm ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & in<br />

exTra condenSed regUlar ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & bend<br />

exTra condenSed lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & benefiter<br />

exTra condenSed exTra lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bat<br />

exTra condenSed ThIn ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & bend<br />

comPreSSed black ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bat<br />

comPreSSed bold ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bacteria fronts<br />

comPreSSed medIUm ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bacteria from vials, ale<br />

comPreSSed regUlar ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bacteria from vials, a blend o≠er<br />

comPreSSed lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bacteria from vials, a blend of science and fit<br />

comPreSSed exTra lIghT ITalIc<br />

SIBLING CURED 46 soured llama milk cartons with voodoo & beneficial bacteria from vials, a blend of science and faith unlike when<br />

comPreSSed ThIn ITalIc<br />

29


30<br />

SanS SerIF a–b<br />

ARmAdA 15 styles Tobias Frere-Jones<br />

OUTER SPACE beckons 247<br />

black<br />

OUTER SPACE beckons 24 ad<br />

bold<br />

OUTER SPACE beckons 241 tart<br />

regUlar<br />

OUTER SPACE beckons 241 trials<br />

lIghT<br />

OUTER SPACE beckons 241 travel<br />

ThIn<br />

OUTER sauce bed 2<br />

condenSed black<br />

OUTER sauce belted 2<br />

condenSed bold<br />

OUTER sauce beckons 24<br />

condenSed regUlar<br />

OUTER sauce beckons 2411<br />

condenSed lIghT<br />

OUTER sauce beckons 241 tar<br />

condenSed ThIn<br />

OUTER sauce beckons 241 tailors<br />

comPreSSed black<br />

OUTER sauce beckons 241 travelers wallow<br />

comPreSSed bold<br />

OUTER sauce beckons 241 travelers with extraterrestrial erode<br />

comPreSSed regUlar<br />

OUTER sauce beckons 241 travelers with extraterrestrial aromas of licorice bruise<br />

comPreSSed lIghT<br />

OUTER sauce beckons 241 travelers with extraterrestrial aromas of licorice bass notes then Venusian lavender accents<br />

comPreSSed ThIn<br />

ASphAlT 2 styles Tobias Frere-Jones<br />

53 PAVEMENT cracks in the sun<br />

black<br />

53 PAVEMENT CRACKS in the summertime ruin bikes<br />

black condenSed<br />

BIZARRE TWIST of fate results in $24,500 sale of ice cubes to penguins but the check bounced<br />

BARcOdE 5 styles brian lucid<br />

BIZARRE TWIST of fate results in $24,500 sale of ice cubes to penguins but the check bounced<br />

one<br />

TWo<br />

BIZARRE TWIST of fate results in $24,500 sale of ice cubes to penguins but the check bounced<br />

Three<br />

BIZARRE TWIST of fate results in $24,500 sale of ice cubes to penguins but the check bounced<br />

FoUr<br />

BIZARRE TWIST of fate results in $24,500 sale of ice cubes to penguins but the check bounced<br />

FIve


For more InFormaTIon go To www.fontbureau.Com<br />

BENTON SANS 128 styles Tobias Frere-Jones and cyrus highsmith<br />

STRANGE 15th club soda fizzes cel<br />

black<br />

STRANGE 15th club soda fizzings<br />

black Small caPS<br />

STRANGE 15th club soda fizzes calf<br />

bold<br />

STRANGE 15th club soda fizzes on<br />

bold Small caPS<br />

STRANGE 15th club soda fizzes cows<br />

medIUm<br />

STRANGE 15th club soda fizzes cel<br />

medIUm Small caPS<br />

STRANGE 15th club soda fizzes chairs<br />

regUlar<br />

STRANGE 15th club soda fizzes colt<br />

regUlar Small caPS<br />

STRANGE 15th club soda fizzes counts<br />

book<br />

STRANGE 15th club soda fizzes cowl<br />

book Small caPS<br />

STRANGE 15th club soda fizzes council<br />

lIghT<br />

STRANGE 15th club soda fizzes cores<br />

lIghT Small caPS<br />

STRANGE 15th club soda fizzes counter<br />

exTra lIghT<br />

STRANGE 15th club soda fizzes coals<br />

exTra lIghT Small caPS<br />

STRANGE 15th club soda fizzes covered<br />

ThIn<br />

STRANGE 15th club soda fizzes could<br />

ThIn Small caPS<br />

STRANGE 15th club soda fizzes counters<br />

condenSed black<br />

STRANGE 15th club soda fizzes coldest<br />

condenSed black Small caPS<br />

STRANGE 15th club soda fizzes counter it<br />

condenSed bold<br />

STRANGE 15th club soda fizzes counter<br />

condenSed bold Small caPS<br />

STRANGE 15th club soda fizzes counter cat<br />

condenSed medIUm<br />

STRANGE 15th club soda fizzes counters<br />

condenSed medIUm Small caPS<br />

STRANGE 15th club soda fizzes counter chat<br />

condenSed regUlar<br />

STRANGE 15th club soda fizzes counter it<br />

condenSed regUlar Small caPS<br />

STRANGE 15th club soda fizzes counter clock<br />

condenSed book<br />

STRANGE 15th club soda fizzes counter as<br />

condenSed book Small caPS<br />

STRANGE 15th club soda fizzes counter clocks<br />

condenSed lIghT<br />

STRANGE 15th club soda fizzes counter joy<br />

condenSed lIghT Small caPS<br />

STRANGE 15th club soda fizzes counter closets<br />

condenSed exTra lIghT<br />

STRANGE 15th club soda fizzes counter car<br />

condenSed exTra lIghT Small caPS<br />

STRANGE 15th club soda fizzes counter cloisters<br />

condenSed ThIn<br />

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31


32<br />

SanS SerIF b<br />

BENTON SANS Continued<br />

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comPreSSed black ITalIc<br />

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DINER MENU hasn’t been altered 96<br />

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33


34<br />

SanS SerIF b–d<br />

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35


36<br />

SanS SerIF e–h<br />

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medIUm Small caPS<br />

NEWS WAITS for 817th woman & me<br />

lIghT Small caPS<br />

Plummeting 53 tarnish<br />

bold exPerT<br />

Plummeting 53 tornado<br />

roman exPerT<br />

Plummeting 53 tomatoes<br />

book exPerT<br />

Plummeting 53 tomorrow<br />

lIghT exPerT<br />

37


38<br />

SanS SerIF I–P<br />

iNTERSTATE 40 styles Tobias Frere-Jones<br />

RECKLESS 32 draw<br />

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black ITalIc<br />

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reCKLeSS 32 drivers<br />

regUlar ITalIc<br />

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RECKLESS 32 drivers amaze themselves whenever collisions are vile<br />

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RECKLESS 32 drivers amaze themselves whenever collisions are viola<br />

comPreSSed black<br />

RECKLESS 32 drivers amaze themselves whenever collisions are violent<br />

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RECKLESS 32 drivers amaze themselves whenever collisions are aversion<br />

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RECKLESS 32 drivers amaze themselves whenever collisions are avoided in<br />

comPreSSed lIghT<br />

RECKLESS 32 drivers amaze themselves whenever collisions are avoided & chuck<br />

comPreSSed exTra lIghT<br />

RECKLESS 32 drivers amaze themselves whenever collisions are avoided & chuckle too<br />

comPreSSed ThIn<br />

RECKLESS 32 drivers amaze themselves whenever collisions are avoided & chuckle maniac<br />

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591 INERT substances a<br />

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591 INERT substances one<br />

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591 INERT substances unable it<br />

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591 INERT SUBSTANCES UNABLE to combine with inert element in<br />

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591 INERT SUBSTANCES UNABLE to combine with inert elements in tester<br />

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591 INERT SUBSTANCES UNABLE to combine with inert elements in test tumble<br />

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591 INERT SUBSTANCES UNABLE to combine with elements in test tube, leads to milk<br />

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591 INERT SUBSTANCES UNABLE to combine with elements in test tube, leads to milk sad<br />

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591 INERT SUBSTANCES UNABLE to combine with elements in test tube, leads to milkshake of<br />

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OccUpANT GOThic 4 styles cyrus highsmith<br />

CRAZIEST 82 creaks<br />

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CRAZIEST 82 candlers<br />

regUlar<br />

pilSNER 4 styles Tobias Frere-Jones<br />

FERMENTATION occurs after mixture is 81%<br />

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FERMENTATION occurs after mixture is 85% weaker<br />

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591 INERT substances a<br />

black ITalIc<br />

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591 INERT substances unable in<br />

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591 INERT substances unable it<br />

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CRAZIEST 82 creams<br />

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39


40<br />

SanS SerIF P–r<br />

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SWEATER of 918 collared<br />

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BLACKOUT at 3 later<br />

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BLACKOUT at 3 lesson<br />

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BLACKOUT at 3 leads it<br />

black<br />

BLACKOUT at 3 leads in<br />

bold<br />

BLACKOUT at 3 leads ire<br />

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regUlar<br />

BLACKOUT at 3 leads too<br />

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condenSed black<br />

BLACKOUT at 3 leads to build<br />

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BLACKOUT at 3 leads to beads<br />

condenSed medIUm<br />

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condenSed regUlar<br />

BLACKOUT at 3 leads to billions<br />

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comPreSSed regUlar<br />

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SWEATER of 918 collar us<br />

black ITalIc<br />

SWEATER of 918 collars on<br />

bold ITalIc<br />

SWEATER of 918 collars wet<br />

SemIbold ITalIc<br />

SWEATER of 918 collars wilds<br />

medIUm ITalIc<br />

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book ITalIc<br />

BLACKOUT at 3 learn<br />

WIde black ITalIc<br />

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WIde regUlar ITalIc<br />

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black ITalIc<br />

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regUlar ITalIc<br />

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comPreSSed bold ITalIc<br />

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comPreSSed medIUm ITalIc<br />

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exTended SemIbold<br />

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LAGERS brew 37 maker’s<br />

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LAGERS brew 37 minotaur<br />

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LAGERS brew 37 months woe<br />

normal black<br />

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normal bold<br />

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normal SemIbold<br />

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normal medIUm<br />

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RECUMBENT ORANGUTANS have little interest 41<br />

condenSed medIUm<br />

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condenSed SkInny<br />

ROxy 6 styles John downer<br />

507 PASTRIES after nosh<br />

black<br />

507 PASTRIES after noxious<br />

medIUm<br />

507 PASTRIES after noon thud<br />

lIghT<br />

507 PASTRIES after noons<br />

black ITalIc<br />

507 PASTRIES after noon till<br />

medIUm ITalIc<br />

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lIghT ITalIc<br />

41


42<br />

SanS SerIF S–T<br />

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MEMORIAL dedicated to 6 car<br />

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RAPSCALLION BLAMED for mishap involving 956 costly knight<br />

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RAPSCALLION BLAMED for mishap involving 956 costly knicknacks mice<br />

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SHOULDER blades 12th moiré<br />

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SHOULDER blades 12th most valuable tool in ancient<br />

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SODA VENDNG machines’ 674<br />

SqUare black<br />

SODA VENDING machines’ 6432<br />

SqUare lIghT<br />

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SqUare narroW black<br />

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SqUare narroW lIghT<br />

SODA VENDING machines 641<br />

roUnd black<br />

SODA VENDING machines’ 6431<br />

roUnd lIghT<br />

SODA VENDING machines’ 643 varieties of carbide<br />

roUnd narroW black<br />

SODA VENDING machines’ 643 varieties of carbonated colas with milk additive<br />

roUnd narroW lIghT<br />

MEMORIAL dedicated to 6 ire<br />

bold ITalIc<br />

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SHOULDER blades 12th mover<br />

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lIghT ITalIc<br />

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exTra lIghT ITalIc<br />

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ThIn ITalIc<br />

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STAiNlESS 35 styles cyrus highsmith<br />

64 CRATES drains<br />

exTended black<br />

64 CRATES drained<br />

exTended bold<br />

64 CRATES dividend<br />

exTended regUlar<br />

64 CRATES dividends<br />

exTended lIghT<br />

64 CRATES drained of billions<br />

black<br />

64 CRATES drained of bitters in<br />

bold<br />

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regUlar<br />

64 CRATES drained of bitters & lids<br />

lIghT<br />

64 CRATES drained of bitters & cautious amounts of lemon zest, sad to we<br />

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64 CRATES drained of bitters & cautious amounts of lemon zest, sad to waste its<br />

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64 CRATES drained of bitters & call<br />

condenSed black<br />

64 CRATES drained of bitters & citrus<br />

condenSed bold<br />

64 CRATES drained of bitters & cautious<br />

condenSed regUlar<br />

64 CRATES drained of bitters & cautioners<br />

condenSed lIghT<br />

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comPreSSed black<br />

64 CRATES drained of bitters & cautious amid<br />

comPreSSed bold<br />

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comPreSSed regUlar<br />

64 CRATES drained of bitters & cautious amounts of<br />

comPreSSed lIghT<br />

TASSE 20 styles guy Jeffrey nelson<br />

GENIUS INFANT able to solve 623 checkers matches wit<br />

WIde black<br />

GENIUS INFANT able to solve 623 checkers matches with<br />

WIde bold<br />

GENIUS INFANT able to solve 623 checkers matches width<br />

WIde medIUm<br />

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WIde regUlar<br />

64 CRATES drama<br />

exTended black ITalIc<br />

64 CRATES drained<br />

exTended bold ITalIc<br />

64 CRATES dreamed<br />

exTended regUlar ITalIc<br />

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exTended lIghT ITalIc<br />

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black ITalIc<br />

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bold ITalIc<br />

64 CRATES drained of bitters & ice<br />

regUlar ITalIc<br />

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lIghT ITalIc<br />

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condenSed black ITalIc<br />

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64 CRATES drained of bitters & cautious an<br />

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comPreSSed black ITalIc<br />

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comPreSSed bold ITalIc<br />

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comPreSSed regUlar ITalIc<br />

64 CRATES drained of bitters & cautious amounts o≠<br />

comPreSSed lIghT ITalIc<br />

GENIUS INFANT able to solve 623 checkers matches with one hit<br />

exTended black<br />

GENIUS INFANT able to solve 623 checkers matches with one had<br />

exTended bold<br />

GENIUS INFANT able to solve 623 checkers matches with one hand<br />

exTended medIUm<br />

GENIUS INFANT able to solve 623 checkers matches with one home<br />

exTended regUlar Continued<br />

43


44<br />

SanS SerIF T<br />

TASSE Continued<br />

GENIUS INFANT able to solve 623 checkers matches with one hand tied it<br />

black<br />

GENIUS INFANT able to solve 623 checkers matches with one hand tied tail<br />

bold<br />

GENIUS INFANT able to solve 623 checkers matches with one hand tied to an<br />

medIUm<br />

GENIUS INFANT able to solve 623 checkers matches with one hand tied to codes<br />

regUlar<br />

GENIUS INFANT able to solve 623 checker<br />

condenSed black<br />

GENIUS INFANT able to solve 623 chalk tire<br />

condenSed bold<br />

GENIUS INFANT able to solve 623 checkers in<br />

condenSed medIUm<br />

GENIUS INFANT able to solve 623 checkers mate<br />

condenSed regUlar<br />

GENIUS INFANT able to solve 623 checkers mate<br />

comPreSSed black<br />

GENIUS INFANT able to solve 623 checkers matches<br />

comPreSSed bold<br />

GENIUS INFANT able to solve 623 checkers matches wit<br />

comPreSSed medIUm<br />

GENIUS INFANT able to solve 623 checkers matches with ours<br />

comPreSSed regUlar<br />

FB TiTliNG GOThic 49 styles david berlow<br />

NEIGHBOR’S 2 tend<br />

exTended black<br />

NEIGHBOR’S 2 tents<br />

exTended bold<br />

NEIGHBOR’S 2 tense<br />

exTended medIUm<br />

NEIGHBOR’S 2 tester<br />

exTended STandard<br />

NEIGHBOR’S 2 tellers<br />

exTended regUlar<br />

NEIGHBOR’S 2 tenors<br />

exTended lIghT<br />

NEIGHBOR’S 2 tendon<br />

exTended ThIn<br />

NEIGHBOR’S 2 teaches<br />

WIde black<br />

NEIGHBOR’S 2 tenors’ a<br />

WIde bold<br />

NEIGHBOR’S 2 tenors’ air<br />

WIde medIUm<br />

NEIGHBOR’S 2 tenors’ ate<br />

WIde STandard<br />

NEIGHBOR’S 2 tenors’ ave<br />

WIde regUlar<br />

NEIGHBOR’S 2 tenors’ arcs<br />

WIde lIghT<br />

NEIGHBOR’S 2 tenors’ awed<br />

WIde ThIn Continued


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normal black<br />

NEIGHBOR’S 2 tenors’ advent<br />

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normal medIUm<br />

NEIGHBOR’S 2 tenors’ awful deal<br />

normal STandard<br />

NEIGHBOR’S 2 tenors’ awful deals<br />

normal regUlar<br />

NEIGHBOR’S 2 tenors’ awful dentist<br />

normal lIghT<br />

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normal ThIn<br />

NEIGHBOR’S 2 tenors’ awaited<br />

narroW black<br />

NEIGHBOR’S 2 tenors’ awful dues<br />

narroW bold<br />

NEIGHBOR’S 2 tenors’ awful dentists<br />

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narroW STandard<br />

NEIGHBOR’S 2 tenors’ awful dentures an<br />

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NEIGHBOR’S 2 tenors’ awful dentures cake<br />

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NEIGHBOR’S 2 tenors’ awful dentures clacked<br />

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NEIGHBOR’S 2 tenors’ awful distro<br />

condenSed black<br />

NEIGHBOR’S 2 tenors’ awful denture it<br />

condenSed bold<br />

NEIGHBOR’S 2 tenors’ awful dentures class<br />

condenSed medIUm<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & a<br />

condenSed STandard<br />

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condenSed regUlar<br />

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condenSed lIghT<br />

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condenSed ThIn Continued<br />

45


46<br />

SanS SerIF T<br />

FB TiTliNG GOThic Continued<br />

NEIGHBOR’S 2 tenors’ awful dentures an<br />

comPreSSed black<br />

NEIGHBOR’S 2 tenors’ awful dentures clack on<br />

comPreSSed bold<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill those<br />

comPreSSed medIUm<br />

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comPreSSed STandard<br />

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comPreSSed regUlar<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with inventive balls<br />

comPreSSed lIghT<br />

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comPreSSed ThIn<br />

NEIGHBOR’S 2 tenors’ awful dentures clack an<br />

SkylIne black<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill throw<br />

SkylIne bold<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with its<br />

SkylIne medIUm<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with inventive beats cot<br />

SkylIne STandard<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with inventive beats counter to the button<br />

SkylIne regUlar<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with inventive beats counter to the bottom 4 over 4 tim<br />

SkylIne lIghT<br />

NEIGHBOR’S 2 tenors’ awful dentures clack & fill the music with inventive beats counter to the bottom 4 over 4 time like a dancer<br />

SkylIne ThIn<br />

FB TRUTh 7 styles david berlow<br />

51 UNIFYING PRICE reactions die<br />

UlTra<br />

51 UNIFYING PRICE reactions bash<br />

black<br />

51 UNIFYING PRICE reactions basest<br />

bold<br />

51 UNIFYING PRICE reactions based it<br />

medIUm<br />

51 UNIFYING PRICE reactions based oui<br />

regUlar<br />

51 UNIFYING PRICE reactions based on if<br />

lIghT<br />

51 UNIFYING PRICE reactions based on file<br />

ThIn


III<br />

ScRipT


50<br />

ScrIPT a–r<br />

AlhAmBRA 1 style richard lIpton<br />

DECORATED 48 Cups<br />

regUlar<br />

AvAlON 3 styles richard lipton<br />

Acrobatic Whales Entertain 26 at Desha’s Steals<br />

bold<br />

Acrobatic Whales Entertain 26 at Desha’s Sea Con<br />

medIUm<br />

Acrobatic Whales Entertain 26 at Desha’s Sea Cove for<br />

regUlar<br />

BiScOTTi 2 styles cyrus highsmith<br />

Elucidate Dr. Mortimer With 4<br />

bold<br />

Elucidate Dr. Mortimer With 451<br />

regUlar<br />

BREmEN 3 styles richard lipton<br />

PLATES & 67 Gold trawler<br />

black<br />

PLATES & 67 Gold treasuring<br />

bold<br />

PLATES & 67 Gold treasured win<br />

lIghT<br />

cASEy 3 styles leslie cabarga<br />

Senatorial Coffers ≈in 40%<br />

UlTra<br />

Senatorial Coffers Thin 40% Affairs<br />

bold<br />

Senatorial Coffers ≈in 40% After Debaters<br />

claSSIc<br />

cOmmERcE 2 styles greg Thompson and rick valicenti<br />

EVERYTHING sold for 52% it<br />

FaT<br />

EVERYTHING sold for 52% o≠<br />

lean<br />

890 DANCE commanders<br />

regUlar<br />

dizzy 2 styles Jean evans<br />

Elli 1 style Jean evans<br />

Herb Garden Yields 43 Chives & Onion<br />

regUlar<br />

890 DANCE commander<br />

alTernaTe


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FRiTz 5 styles christian Schwartz<br />

NOW ChiCagO’s 32 homes to lumineries wait<br />

robUSTo<br />

NOW CHICAGO’s 32 homes to lumineries wanted<br />

bold<br />

NOW CHICAGO’s 32 homes to lumineries wanted arches<br />

book<br />

NOW CHICAGO’s 32 home NOW CHICAGO’s 38 horrific<br />

book Small caPS<br />

book Small caPS ITalIc<br />

lOUpOT 1 style cyrus highsmith<br />

PRINCE’S DIAMOND mentioned 107 times<br />

bold<br />

mAGNETO 3 styles leslie cabarga<br />

Random 4 at<br />

SUPer bold exTended<br />

Random 4 Numbers<br />

bold exTended<br />

Random 4 Numbers Lock Hid<br />

bold<br />

mESA 4 styles Jon corum<br />

PLEASE INFORM THE MAUVE COUTURE 72nd dressmaker to watch forums on uniform trends<br />

bold<br />

PLEASE INFORM the mauve couture 72 dressmakers to watch fort<br />

bold Tall caPS<br />

PLEASE INFORM THE MAUVE COUTURE 72nd dressmaker to watch forums on uniform trends<br />

regUlar<br />

PLEASE INFORM the mauve couture 72 dressmakers to watch ford<br />

regUlar Tall caPS<br />

NEON STREAm 1 style leslie cabarga<br />

23 Hours Avoid Shift<br />

regUlar<br />

NOviA 2 styles cyrus highsmith<br />

Last 12 Plaid Abs Vex<br />

regUlar<br />

Last 12 Plaid Abs Veer<br />

lIghT<br />

Mocha Flavored With Hint of 3 Chiles To<br />

MochaFlavored ~iO hinT of 34 Chils &<br />

pOUTy 1 style michael clark<br />

regUlar<br />

regUlar & alTernaTe<br />

RAcEwAy 1 style leslie cabarga<br />

Exit 417 Is Unsafe<br />

regUlar<br />

51


52<br />

ScrIPT r–S<br />

RATS 2 styles Jean evans<br />

FACULTY APPROPRIATES tea & 83 cookies as lunch<br />

regUlar<br />

FACULTY APPROPRIATES tea & 83 cookies as lid<br />

alTernaTe<br />

REiNER ScRipT 2 styles Tobias Frere-Jones<br />

Place For 782 Conductors On Dais, Much Noise Ensues<br />

bold<br />

Place For 782 Conductors On Dais, Much Noise Ensues With Her<br />

regUlar<br />

ROckET 1 style leslie cabarga<br />

New 384 Astonished Yeomen<br />

regUlar<br />

SlOOp 9 styles richard lIpton<br />

Fabulous Lives Celebrated on 65th Poker<br />

ScrIPT bold one<br />

Fabulous Lives Celebrated on 65th Po<br />

ScrIPT bold TWo<br />

Fabulous Lives Celebrated on 65th Pokes<br />

ScrIPT bold Three<br />

Fabulous Lives Celebrated on 65th Poker at<br />

ScrIPT medIUm one<br />

Fabulous Lives Celebrated on 65th Poker<br />

ScrIPT medIUm TWo<br />

Fabulous Lives Celebrated on 65th Poker &<br />

ScrIPT medIUm Three<br />

Fabulous Lives Celebrated on 65th Poker & O<br />

ScrIPT one<br />

Fabulous Lives Celebrated on 65th Poker &<br />

ScrIPT TWo<br />

Fabulous Lives Celebrated on 65th Poker & 251<br />

ScrIPT Three<br />

STEREO 1 style Tobias Frere-Jones<br />

SPECIAL 19 FX UNITs<br />

regUlar<br />

STREAmliNE 2 style leslie cabarga<br />

Quiz Shows 2 Favorite<br />

lIghT exTended<br />

Quiz Shows 2 Favo rites<br />

lIghT


IV<br />

dEcORATivE


56<br />

decoraTIve a–n<br />

AlphA BlOc 5 styles clotide olyff<br />

LOST 82 CUTLeRY REAPPEARS<br />

corde<br />

LOST 82 CUTLeRY risen up<br />

dIrecT<br />

LOST CUTLeRY REAPPEARS up<br />

ScUlTPUre<br />

LOST CUTLeRY REAPPEARS up<br />

STencIl<br />

LOST 82 CUTLeRY REAPPEARS<br />

zoom<br />

AlphA GEOmETRiqUE 6 styles clotide olyff<br />

LOST 812 CUTE LOST 812 CUTE<br />

regUlar oUTlIne<br />

LOST 812 CUTE LOST CUTLES<br />

black SqUare<br />

LOST 82 CUTLURY REAPPEARS and then quickly misplaced<br />

comPacT<br />

LOST 82 CUTLURY REAPPEARS<br />

conToUr<br />

AviA 3 styles raphael boguslav<br />

FASHION MAVEN travels for 37 shin<br />

bold<br />

FASHION MAVEN travels for 37 shines<br />

regUlar<br />

FASHION MAVEN travels for 37 shirts &<br />

lIghT<br />

BAdTyp 1 style leslie cabarga<br />

CHEeSE is new 19K gold<br />

regUlar<br />

BRAdlEy iNiTiAlS 1 style glenda de guzman<br />

5 EXtROVerTs<br />

InITIalS<br />

BROk 1 style elizabeth holzman<br />

EAVESDROP 716 PlAcES<br />

regUlar<br />

ciTAdEl 2 styles Tobias Frere-Jones<br />

35 EXPLAINED VARIATIONS to shave o≠ bad vibrations<br />

SolId<br />

35 EXPLAINED VARIATIONS to shave o≠ bad vibrations<br />

InlIne<br />

EcRU 1 style richard lipton<br />

HUSKY EXCELLENT WITH sleds but not 28 chickens<br />

regUlar


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EGGwhiTE 2 styles cyrus highsmith<br />

MIXERS RUN for 218 o∞cial seats on<br />

black<br />

MIXERS RUN for 218 o∞cial seats in<br />

lITe<br />

EpiTAph 1 style Tobias Frere-Jones<br />

57 MEASUREMENTS taken fOr mourned ice<br />

regUlar<br />

FOBiA 1 style daryl roske<br />

LUNATIC lefT 6 asylum<br />

regUlar<br />

GRAFFiTi 1 style leslie cabarga<br />

193 URBAN WORD renewals<br />

regUlar<br />

hiphOp 2 styles Jill Pichotta<br />

DJ MELVIN 24XS on the wheels of steel<br />

demI<br />

DJ MELVIN 24XS on the wheels olds<br />

InlIne<br />

kNiFF 1 style emo risaliti<br />

STUNNING VINTAGE RENOWNED AROUND the world for 45 distinctive colors, not taste<br />

regUlar<br />

mUNich 3 styles richard lipton<br />

ESCALATOR leads 48 floors oil<br />

black<br />

ESCALATOR leads 48 floors down<br />

bold<br />

ESCALATOR leads 48 floors drainage<br />

lIghT<br />

NARciSSUS 1 style brian lucid<br />

PINCE-NEZ on 1873 millionaire fats<br />

lIghT<br />

COMPRESSION decreases 5x worth<br />

SolId<br />

COMPRESSION decreases 5x worth<br />

engraved<br />

COMPRESSION decreases 5x without<br />

lIghT<br />

COMPRESSION decreases 5x without<br />

lIghT engraved<br />

COMPRESSION decreases 5x with also<br />

NiAGARA 10 styles Tobias Frere-Jones<br />

ThIn<br />

COMPRESSION decreases 5x world<br />

SolId Small caPS<br />

COMPRESSION decreases 5x world<br />

engraved Small caPS<br />

COMPRESSION decreases 5x wealth<br />

lIghT Small caPS<br />

COMPRESSION decreases 5x wealth<br />

lIghT engraved Small caPS<br />

COMPRESSION decreases 5x weather<br />

ThIn Small caPS<br />

NUmSkill 1 style david berlow<br />

SONIC DIATRIBE awakens 24 be<br />

bold<br />

57


58<br />

decoraTIve n–T & ornamenTS<br />

NUTcRAckER 1 style richard lIpton<br />

SEASONED CAROLS sound o≠ 73 tuners<br />

regUlar<br />

RAviE 1 style ken o’brien<br />

5 LIQUID dancers move<br />

regUlar<br />

FB REAcTOR 2 styles Tobias Frere-Jones<br />

183X’S RADIOACTIVITY UNPLEASANT<br />

derelIcT<br />

183X’’ S RADIOACTIVITY UNPLEASANT<br />

degradIng<br />

SABER 1 style leslie cabarga<br />

Proved Alchemy Works 58% Rate<br />

regUlar<br />

ShOGUN 6 styles richard lipton<br />

SALTED 4 missiles<br />

black exTended<br />

SALTED 7 machines<br />

bold exTended<br />

SALTED 8 machiners<br />

lIghT exTended<br />

SALTED 4 monsters we<br />

black<br />

SALTED 4 monsters waste<br />

bold<br />

SALTED 11 monsters wild sushi<br />

lIghT<br />

TAlON 1 style richard lipton<br />

CALIFORNIA IS REMARKABLE for 32 climate varieties<br />

regUlar<br />

iNTERSTATE pi 4 styles guy Jeffrey nelson<br />

';:(BDFGOPsRc=xNhde<br />

one<br />

kiut';:q!%=8FGJylde<br />

TWo<br />

710-89bvCOEoq[:GDwd<br />

Three<br />

13;z9=5%lj[terouw0d<br />

FoUr<br />

ORNAmENTS 3 styles david berlow<br />

Ì Ï„Œ# $ " : m o C H È Ò f d w r 8 2 L K<br />

cITy<br />

Ì Ï „ Œ " : CH È Ò f d w r L K m o y c b V<br />

ToWn<br />

" f d ? @ = < [ ` k | 0 # * $ ! - E5(L<br />

vIllage


Addenda


60<br />

FamIly Index<br />

aardvark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />

FB Agency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26<br />

Agenda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27<br />

Alhambra . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

ALPhA bLOC . . . . . . . . . . . . . . . . . . . . . . 56<br />

ALPhA gEOmETRiqUE . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

Amira . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28<br />

Amplitude . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28<br />

Anisette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29<br />

Antenna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29<br />

Antique Condensed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10<br />

Armada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30<br />

Asphalt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30<br />

Avalon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

Avia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

barcode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30<br />

Belizio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10<br />

belucian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10<br />

Benton Modern Display . . . . . . . . . . . 10–11<br />

Benton Sans . . . . . . . . . . . . . . . . . . . . . . . . . . . 31–32<br />

Berlin Sans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33<br />

badtyp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

Big Caslon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11<br />

Biscotti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

bodega sans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33<br />

bodega serif . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11<br />

FB Bodoni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11<br />

Bradley initials. . . . . . . . . . 56<br />

Bremen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

brok . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

<strong>Bureau</strong> Grot . . . . . . . . . . . . . . . . . . . . . . . . . . . 33–34<br />

Cafeteria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34<br />

FB Californian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

Casey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

FB Caslon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

FB Century . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

FB Cheltenham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

Citadel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

Clicker. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34–35<br />

Commerce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

ComRADe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35<br />

Constructa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12<br />

Daley’s Gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35<br />

Dispatch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13<br />

Dizzy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

Eagle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

Ecru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56<br />

Eggwhite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

El GrandE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

Eldorado . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13<br />

E l l i. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50<br />

Elmhurst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13<br />

Empire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

EPitaph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Escrow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14<br />

Farnham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15<br />

Fo b i a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Fritz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51<br />

Gangly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

Garage Gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36<br />

FB Garamond . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15<br />

Giza . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16<br />

Graffiti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Grand Central . . . . . . . . . . . . . . . . . . . . . 17<br />

Gri∞th Gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36–37<br />

Hamilton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37<br />

herald gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37<br />

FB Hermes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37<br />

Hightower . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17<br />

HipHop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57


Ho≠mann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37<br />

Interstate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38<br />

e^sax: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58<br />

Ironmonger . . . . . . . . . . . . 17<br />

Kni≠ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Lafayette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17<br />

Loupot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51<br />

Magneto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51<br />

MantInIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17<br />

Meno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17<br />

Mesa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51<br />

Meyer Two . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18<br />

Miller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18<br />

Minah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39<br />

FB Moderno . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18–19<br />

Munich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Narcissus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Neon Stream . . . . . . . . . . . . . . . . . . . . . 51<br />

Niagara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Nobel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39<br />

Novia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51<br />

Numskill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57<br />

Nutcracker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58<br />

Occupant Gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39<br />

ea`*#"!-


62<br />

deSIgner Index<br />

Benson, John Aardvark (1991), 26<br />

Berlow, david FB Agency (1990–95), 26; Belizio<br />

(1987–98), 10; Belucian (1990–94), 10; Berlin<br />

Sans (1994), 33; <strong>Bureau</strong> Grot (1989–2006),<br />

33–34; FB Californian (1994–99), 12; FB<br />

Cheltenham (1989–92), 12; Eagle (1989–94),<br />

36; Eldorado (1997), 13; Empire (1989–94),<br />

36; Giza (1994), 16; Meyer Two (1994), 18; FB<br />

Moderno (1994–2008), 18–19; Numskill (1990),<br />

57; Ornaments (1990), 58; Phaistos (1990–91),<br />

20; Rhode (1997), 41; Romeo (1990–91), 41;<br />

Skyline (1992), 21; Throhand (1995), 22; FB<br />

Titling Gothic (2005), 44-46; FB Truth (2005),<br />

46; Village (1994), 22<br />

Boguslav, Raphael Avia (2000), 56<br />

Butterick, matthew Herald Gothic (1993), 37;<br />

Hermes (1995), 37; Wessex (1993), 22<br />

cabarga, leslie BadTyp (1993), 56; Casey<br />

(2003–07), 50; Graffiti (1993), 57; Magneto<br />

(1995), 51; Neon Stream (1995), 51; Raceway<br />

(1995), 51; Rocket (1995), 52; Saber (2002), 58;<br />

Streamline (1995), 52<br />

carter, matthew Big Caslon (1994), 11; Mantinia<br />

(1993), 17; Miller (1997–2000), 18; Rocky (2008),<br />

21; Sophia (1993), 22<br />

clark, michael Pouty (2000), 51<br />

corum, Jonathon Eagle (1989–94), 36; Mesa<br />

(1994), 51<br />

de Guzman, Glenda Bradley Initials (1994), 56<br />

downer, John Ironmonger (1991–93), 17; Roxy<br />

(1990–93), 41; SamSans (1993–96), 42<br />

dupré, xavier Zingha (2005), 22<br />

Evans, Jean Dizzy (1995), 50; Elli (1993), 50;<br />

Rats (1997), 52<br />

Frere-Jones, Tobias Armada (1994), 30; Asphalt<br />

(1995), 30; Benton Sans (1995–2008), 31–32;<br />

Cafeteria (1993), 34; Citadel (1995), 56; Epitaph<br />

(1993), 57; Garage Gothic (1992), 36; Grand<br />

Central (2000), 17; Griffith Gothic (1997–2000),<br />

36–37; Hightower (1996), 17; Interstate<br />

(1993–2004), 38; Niagara (1994), 57; Nobel<br />

(1993–2003), 39; Pilsner (1995), 39; FB Reactor<br />

(1996), 58; Reinter Script (1993), 52; Stereo<br />

(1993), 52<br />

highsmith, cyrus Amira (2004), 28; Antenna<br />

(2007), 29; Benton Sans (1995–2008), 31–32;<br />

Biscotti (2007), 50; Daley’s Gothic (1998), 35;<br />

Dispatch (1999–2000), 13; Eggwhite (2000),<br />

57; Escrow (2006), 14; Loupot (1998), 51; Novia<br />

(2007), 51; Occupant Gothic (2000), 39; Prensa<br />

(2003), 20; Relay (2002), 40; Scout (2008), 42;<br />

Stainless (2002–07), 43<br />

holzman, Elizabeth c. Brok (1995), 56;<br />

Constructa (1994–2007), 12


lew, kent Whitman (2003–08), 23<br />

lipton, Richard Alhambra (1993), 50; Avalon<br />

(1995–2002), 50; Benton Modern Display<br />

(1997–2008), 10–11; FB Bodoni (1992), 11; Bremen<br />

(1992), 50; Ecru (1993), 56; Hoffmann (1993),<br />

37; Meno (1994), 17; FB Moderno (1994–2008),<br />

18–19; Munich (1992), 57; Nutcracker (1993), 58;<br />

Shimano (1995), 42; Shogun (1995), 58; Sloop<br />

(1994–2002), 52; Talon (1995), 58<br />

lucid, Brian Barcode (1994), 30; Narcissus<br />

(1995), 57<br />

Nelson, Guy Jeffrey Interstate Pi (1994), 58;<br />

Tasse (1994), 43–44<br />

Olyff, clotilde Alpha Bloc (1994), 56; Alpha<br />

Geometrique (1994), 56<br />

O’Brien, ken Ravie (1994), 58<br />

parkinson, Jim Antique Condensed (1995–<br />

2008), 10; Comrade (1998), 35; El Grande<br />

(1993), 36; Parkinson (1994), 19; Poster Black<br />

(1993), 39; Showcard Gothic (1993), 42;<br />

Showcard Moderne (1995), 21<br />

pichotta, Jill FB Caslon (1992), 12; FB Garamond<br />

(1992–2000), 15; Hip Hop (1993), 57<br />

polevy, Joe Gangly (1998), 36<br />

porchez, Jean-Francois Aniesette (1997), 29<br />

Rickner, Thomas Hamilton (1993), 37<br />

Risaliti, Emo Kniff (1993), 57<br />

Rosenwald, laurie Loupot (1998), 51<br />

Roske, daryl Fobia (1994), 57<br />

deSIgner Index<br />

Sakwa, Jacqueline Minah (2005), 39<br />

Schapp, Onno Lafayette (1995), 17<br />

Schmidt, denyse Scamp (1992), 42<br />

Schwartz, christian Amplitude (2003), 28;<br />

Farnham (2004), 15; Fritz (1997), 51;<br />

Pennsylvania (2000), 19<br />

Slye, christopher Elmhurst (1997–2007), 13<br />

Thompson, Greg Agenda (1993-2000), 27;<br />

Bodega Sans (1990–92), 33; Bodega Serif<br />

(1992), 11; FB Century (1992), 12; Clicker (1992–<br />

2005), 34–35; Commerce (1992), 50<br />

van Blokland, petr Productus (2000), 40;<br />

Proforma (1994), 20<br />

van Rossum, Just Phaistos (1990–91), 20<br />

weissman, dyana Benton Modern Display<br />

(1997–2008), 10–11;<br />

Nobel (1993–2003), 39<br />

63


64<br />

lIcenSIng InFormaTIon<br />

SiNGlE-USER licENSE & mUlTi-wORkSTATiON licENSE<br />

In most cases, your choice of license should be based on the number and location of computers you plan to<br />

install the font on. If at any point in the future your font license is not su∞cient to the number of computers<br />

you will be using the fonts on, you may upgrade your license by contacting <strong>Font</strong> <strong>Bureau</strong>. These license<br />

options are available for automated purchase on our web site.<br />

The single-user license is for one workstation plus limited use on a portable or home computer. A multi-<br />

workstation license allows the user to install the fonts on a specified number of workstations. Licensed<br />

workstations must belong to the entity (company or organization) licensing the fonts.<br />

NON EdiTABlE EmBEddiNG (pdF pUBliShiNG) licENSE UpGRAdE FOR A mUlTi-wORkSTATiON licENSE<br />

This upgrade adds additional embedding rights to a multi-workstation License. The base license permits<br />

embedding of the fonts into non-editable files for output or a limited amount of comping. If you need to<br />

embed our fonts in a non-editable pdf that will be distributed to more than 100 recipients, or if you are using<br />

the fonts in Flash (or any similar technology which embeds font data) on a web site, then you will need this<br />

upgrade. The cost is a one time fee of one third of the original multi-workstation License price.<br />

cORpORATE licENSiNG pROGRAmS<br />

In some cases, your choice of license is more complicated due to the scale of the user base or intended use<br />

for the typefaces. Contact <strong>Font</strong> <strong>Bureau</strong> to discuss these licensing options. Below are some examples of our<br />

corporate licensing programs:<br />

mUlTi-wORkSTATiON licENSE wiTh limiTEd diSTRiBUTiON<br />

License allows installation of the fonts on a specified number of workstations, so long as all of the<br />

licensed workstations belong to the entity (company or organization) licensing the fonts, and to distribute<br />

the fonts to a specified number of users outside their entity with a special End User License Agreement<br />

(eula) that limits use of the fonts to work for the client.<br />

diSTRiBUTiON (OEm) licENSE<br />

If you would like to incorporate our fonts into your software products in a way where the end of<br />

your software product will interact with the font, then you will need to arrange for a special license from<br />

<strong>Font</strong> <strong>Bureau</strong>.<br />

ENTERpRiSE licENSE<br />

This is the broadest license we o≠er. A client purchasing this license is permitted to install the fonts on<br />

all workstations owned by the entity (company or organization) licensing the fonts, and to distribute the<br />

fonts to anyone outside their entity with a special End User License Agreement (eula) that limits use<br />

of the fonts to work for the client. This license is ideal for a corporate identity situation where, in<br />

addition to internal use, the fonts need to be used by a∞liates, dealers, distributors, agents, or suppliers<br />

of the licensee, in order to create and maintain a brand. This license can also work very well for a product<br />

advertising campaign.<br />

Want more answers? Email info@fontbureau.com .


qUIck PrIcIng charT<br />

# of workstations 1 2–5 6–10 11–25 26–50 51–75 76–125<br />

# of fonts 1 $40 80 120 200 240 320 400<br />

2 80 160 240 400 480 640 800<br />

3 105 210 315 525 630 840 1,050<br />

4 140 280 420 700 840 1,120 1,400<br />

5 175 350 525 875 1,050 1,400 1,750<br />

6 180 360 540 900 1,080 1,440 1,800<br />

7 210 420 630 1,050 1,260 1,680 2,100<br />

8 240 480 720 1,200 1,440 1,920 2,400<br />

9 270 540 810 1,350 1,620 2,160 2,700<br />

10 300 600 900 1,500 1,800 2,400 3,000<br />

11 330 660 990 1,650 1,980 2,640 3,300<br />

12 360 720 1,080 1,800 2,160 2,880 3,600<br />

13 390 780 1,170 1,950 2,340 3,120 3,900<br />

14 420 840 1,260 2,100 2,520 3,360 4,200<br />

15 450 900 1,350 2,250 2,700 3,600 4,500<br />

16 480 960 1,400 2,400 2,880 3,840 4,800<br />

17 493 986 1,479 2,465 2,958 3,944 4,930<br />

18 522 1,044 1,566 2,610 3,132 4,176 5,220<br />

19 551 1,102 1,653 2,755 3,306 4,408 5,510<br />

20 560 1,120 1,680 2,800 3,360 4,480 5,600<br />

21 588 1,176 1,764 2,940 3,528 4,704 5,880<br />

22 616 1,232 1,848 3,080 3,696 4,928 6,160<br />

23 621 1,242 1,863 3,105 3,726 4,968 6,210<br />

24 648 1,296 1,944 3,240 3,888 5,184 6,480<br />

25 675 1,350 2,025 3,375 4,050 5,400 6,750<br />

26 676 1,352 2,028 3,380 4,056 5,408 6,760<br />

27 702 1,404 2,106 3,510 4,212 5,616 7,020<br />

28 728 1,456 2,184 3,640 4,368 5,824 7,280<br />

qUick pRiciNG FOR STANdARd SiNGlE USER & mUlTi wORkSTATiON licENSEd<br />

When you license <strong>Font</strong> <strong>Bureau</strong> typefaces, you only need to license the fonts you need. Rather than bundle<br />

our typefaces into large packages, all of our fonts are available individually. However, we still o≠er bulk<br />

discounts for larger orders. This chart explains how it works.<br />

Your choice of user license should be based on the number of workstations you plan to install the fonts<br />

on. The number you choose reflects the total number of workstations you will be legally allowed to install the<br />

fonts on. If you need to install the fonts on more workstations than your license permits, you may upgrade<br />

your license at any time by contacting <strong>Font</strong> <strong>Bureau</strong>. You may not, however, downgrade your license once<br />

you have made your purchase.<br />

For orders that exceed the limits of this chart, go to our website, choose your fonts, click the cart<br />

button, and get the price.<br />

65


66<br />

FonT FormaT InFormaTIon<br />

AlmOST 20 yEARS OF ExpERiENcE<br />

As we approach the 20th anniversary of the <strong>Font</strong> <strong>Bureau</strong>, we realize that, while font technologies continue to<br />

evolve, the core design skills required to produce high quality, useful typefaces have not changed. Just as line<br />

casting replaced stick type 150 years ago and photo composition supplanted lead type 50 years ago, new tools<br />

continue to speed production and improve functionality. However, some things are still the same. Decisions<br />

about what designs to produce and how to craft them are best made using a knowledge base which has<br />

changed little in hundreds of years. This remains the essence of what we do and why we are successful.<br />

OpENTypE iS hERE<br />

As we are publishing this volume at a time of a significant change in font technology, we feel it is worthwhile<br />

to share our thoughts on and experience with Open<strong>Type</strong> to date. The most immediate benefit of Open<strong>Type</strong><br />

for our customers is the simple practicality of a single font file that will work on almost all platforms. For this<br />

reason, we have made our fonts available in “simple” Open<strong>Type</strong>, with the same character set as PostScript<br />

or True<strong>Type</strong>, at the same price point we have always o≠ered. This allows our clients to immediately take<br />

advantage of the most basic benefit of the new technology. With this said, we have run into many tech<br />

support situations where the best answer was a PostScript or True<strong>Type</strong> font, which we will be happy to<br />

supply and continue to support for as long as our clients require it.<br />

The second major benefit of Open<strong>Type</strong> is that it is possible to include many more characters in a font.<br />

This is a wonderful evolution that we have begun to routinely use to solve a number of our clients’ font<br />

problems. In the near future we will begin to o≠er o≠-the-shelf fonts that include many of these additions,<br />

including support for more languages, additional figure sets (such as tabular, old-style, or lining), arbitrary<br />

fractions, and other useful features.<br />

Open<strong>Type</strong> also o≠ers the potential for “smart” fonts which will, as standards in application design<br />

and implementation evolve, become more practical and useful. We routinely use these “features” to solve<br />

typographic problems for clients in specific software environments. Soon we expect to be able to incorporate<br />

these features into our retail fonts in a useful way.<br />

cONTAcT US<br />

Once you have used this book and our website to identify the design or designs that will best meet your<br />

needs, contact us if you have any questions. We will be available to o≠er assistance in selecting (and in some<br />

cases customizing) the format that will allow for the best typography in your environment.<br />

Harry Parker, Sales Team<br />

tel 617 423 8770<br />

fax 617 423 8771<br />

info@fontbureau.com


1. Upper and lowercase characters form the core of all <strong>Font</strong><br />

<strong>Bureau</strong> character sets with the rare exception of capitalonly<br />

designs. We provide accented variants for setting most<br />

languages using the Latin script. The dotless lowercase i may<br />

be used to form a tighter fit with T, F or y where required.<br />

2. All fonts with lowercase provide a full set of f-ligatures, Æ<br />

and Œ for upper and lowercase, & and German ß. Additional<br />

ligatures may be provided to meet the requirements of the<br />

design or the inspiration of the designer.<br />

3. All fonts contain at least one basic set of figures. In most<br />

cases these are proportional lining figures. Up to four sets<br />

may be provided.<br />

4. Monetary symbols for the currencies of Latin script<br />

users, basic math symbols and numeral companions like #<br />

accompany the design of each set of figures. We include<br />

“neutral” single and double quotes, often used for foot/inch<br />

and minute/second composition in conjunction with the<br />

degree sign.<br />

5. Punctuation, quotation, parenthetical, reference, legal and<br />

dash characters are designed and included in all fonts for<br />

Latin language setting. Special characters like cap-aligning<br />

hyphen or lowercase apostrophe may be included for use in<br />

fonts with radical intercase relations.<br />

FonT bUreaU’S laTIn-1 characTer SeT<br />

1. ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

abcdefghijklmnopqrstuvwxyz<br />

ÁÀÂÄÃÅÇÐÉÈÊËÍÌÎÏŁÑ<br />

ÓÒÔÖÕØÞŠÚÙÛÜÝŸŽ<br />

áàâäãåçðéèêëíìîïłñóòôöõøþšúùûüýÿž ı<br />

2. fifl≠∞±ÆŒæœ&ß<br />

3. 0123456789 4. $¢£¥ƒ¤ #%‰§ªº=⁄ '"°<br />

5. .,:;¿?¡!…·“”‘’‚„«»‹›()[]{}/|\*†‡®©π-_–—<br />

6. `´¨ˆ˜¯˘˙˚¸˝˛ˇ •√@^~ 7.apple<br />

6. Miscellaneous characters include: floating accents for<br />

manual composition of whatever accented characters may be<br />

required, a bullet and check mark for lists, the now famous @,<br />

and oversized tilde and circumflex.<br />

7. Our very own character designed for each font fills all<br />

remaining blank slots.<br />

Each family is shown in this book with a detailed list of<br />

characters specific to the design. For help in reaching the<br />

more unusual of these and other less used characters, please<br />

visit our website.<br />

Encoding differences between language localized versions of<br />

Apple Macintosh and Microsoft Windows may require special<br />

software to compose all of the characters shown in this<br />

book. Consult your operating system vendor to reach special<br />

characters through their language localized software.<br />

67


68<br />

coPyrIghT & Trademark InFormaTIon<br />

Aardvark®, FB Agency®, Alpha Bloc®, Alpha<br />

Geometrique®, Amira®, Amplitue®, Anisette®,<br />

Antenna®, Antique Condensed, FB Armada®,<br />

Asphalt®, Avalon®, Avia, Badtyp, Barcode,<br />

Belizio®, Belucian®, Benton® Modern,<br />

Benton® Sans, Berlin Sans®, Biscotti, FB<br />

Bodoni, Bradley, Bremen, Brok®, <strong>Bureau</strong><br />

Grot, Cafeteria®, FB Californian®, Casey®,<br />

FB Caslon, FB Century®, FB Cheltenham,<br />

Citadel®, Comrade®, Constructa, Daleys<br />

Gothic®, Dispatch, Dizzy, Eagle, Ecru,<br />

Eggwhite®, El Grande, Elmhurst®, Empire®,<br />

Epitaph®, Escrow®, Farnham®, Fobia®, Fritz®,<br />

Gangly®, Garage GothicTM, FB Garamond,<br />

Giza®, Graffiti, Grand Central®, Griffith<br />

Gothic®, Hamilton®, Herald Gothic, FB<br />

Hermes, Hightower®, HipHop®, Hoffman®,<br />

Interstate®, Interstate Pi, Kniff, Lafayette,<br />

Loupot®, Magneto®, Meno®, Mesa®, Meyer<br />

Two, FB Moderno®, Munich, Narcissus®,<br />

Neon Stream, Niagara®, FB Nobel®, Novia,<br />

Numskill®, Nutcracker, Occupant Gothic®,<br />

Ornaments, Parkinson, Pennsylvania,<br />

Phaistos®, Pilsner®, Poster Black, Pouty®,<br />

Prensa, Productus®, Proforma, Raceway®,<br />

Rats®, Ravie®, FB Reactor, Reiner Script,<br />

Relay, Rhode®, Rocket®, Romeo, Saber®,<br />

Scamp®, Scout, Shimano, Shogun, Showcard<br />

Gothic®, Showcard Moderne, Skyline®, Sloop®,<br />

Spira®, Stainless, Stereo®, Streamline®,<br />

Talon, Tasse®, Throhand®, FB Titling Gothic,<br />

FB Truth®, Village®, Wessex, Whitman® and<br />

Zingha® are trademarks of The <strong>Font</strong> <strong>Bureau</strong>, Inc.<br />

and their respective designers.<br />

Alhambra is a trademark of The <strong>Font</strong> <strong>Bureau</strong>,<br />

Inc. and Richard Lipton. Ironmonger®, Roxy®, and<br />

SamSans® are trademarks of The <strong>Font</strong> <strong>Bureau</strong>,<br />

Inc. and John Downer. Elli is a trademark of<br />

Harvard University, Jean Evans, and The <strong>Font</strong><br />

<strong>Bureau</strong>, Inc. Agenda®, Bodega®, and Clicker<br />

are trademarks of Greg Thompson. Commerce®<br />

is a trademark of The <strong>Font</strong> <strong>Bureau</strong>, Inc., Greg<br />

Thompson and Rick Valicenti. Eldorado®<br />

is a registered trademark of Heidelberger<br />

Druckmaschinen AG or its subsidiaries and is used<br />

with the approval of Linotype GmbH. Mantinia®<br />

and Sophia are registered trademarks of Carter &<br />

Cone <strong>Type</strong>, Inc. The <strong>Font</strong> <strong>Bureau</strong>, Inc. is authorized<br />

by Carter & Cone <strong>Type</strong>, Inc. to distribute Big<br />

Caslon. Miller® was designed by Matthew Carter<br />

with Tobias Frere-Jones and Cyrus Highsmith.<br />

Rocky® was designed by Matthew Carter with<br />

Richard Lipton. Both are distributed by Carter &<br />

Cone <strong>Type</strong>, Inc. and The <strong>Font</strong> <strong>Bureau</strong>, Inc. Miller®<br />

and Rocky® are trademarks of Carter & Cone<br />

<strong>Type</strong>, Inc. and The <strong>Font</strong> <strong>Bureau</strong>, Inc.<br />

PostScript and InDesign are registered trademarks<br />

of Adobe Systems, Incorporated; Macintosh is a<br />

registered trademark of Apple Computer, Inc.;<br />

Open<strong>Type</strong> and Windows are registered trademarks<br />

of Microsoft Corporation.<br />

<strong>Font</strong> <strong>Bureau</strong> and the quotation mark design of<br />

the logo are registered trademarks of The <strong>Font</strong><br />

<strong>Bureau</strong>, Inc.


<strong>Font</strong> <strong>Bureau</strong> <strong>One</strong>-<strong>Line</strong> <strong>Type</strong> <strong>Specimens</strong> <strong>Third</strong> <strong>Edition</strong> is published<br />

by The <strong>Font</strong> <strong>Bureau</strong>, Inc. It was designed by Robb Ogle and Cyrus<br />

Highsmith, based on previous editions, during the winter of 2008 on a<br />

Macintosh® PowerPC G4® computer using Adobe® InDesign® CS3.<br />

O≠set printing by Kirkwood Printing of Wilmington, Massachusetts<br />

on Chorus Art White Silk Cover and Text 100lb recycled paper; 50%<br />

recycled, 25% post consumer waste, acid free, Elemental Chlorine Free<br />

(ecf) and Forest Stewardship Council (fsc) Certified.<br />

The specimens are set with PostScript® <strong>Type</strong> <strong>One</strong> and Open<strong>Type</strong>®<br />

fonts for Macintosh® from <strong>Font</strong> <strong>Bureau</strong>’s Retail Library. Eldorado®,<br />

and Interstate® families are used for text, indices and headings. The<br />

Interstate® and Belizio families are used on the cover, in the section<br />

dividers, and for initial drop caps. The City Ornaments are used for<br />

patterns on inside covers.<br />

coloPhon<br />

69


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The <strong>Font</strong> <strong>Bureau</strong>, Inc.<br />

Po box 51550<br />

25 dorchester avenue<br />

boston, ma 02205<br />

Tel 617 423 8770<br />

Fax 617 423 8771<br />

www.fontbureau.com

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