B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
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Mary M. Patierno<br />
Producer, director, editor; co-founder, Dyke TV<br />
educAtion: BA, University <strong>of</strong> Massachusetts, Amherst<br />
film projects include: The Most Unknowable Thing; Alice<br />
and Lena; Vieques: Worth Every Bit <strong>of</strong> Struggle; Sodom by the<br />
Sea; Rove; Dykes Rule<br />
AwArds include: Best Documentary, Lesbian and Gay Film<br />
Festival, Miami, Los Angeles, Chicago; Silver Plaque, Chicago<br />
International Film Festival; New York Foundation for the Arts<br />
weBsite: www.marypatierno.com<br />
Pamela Patrick<br />
Consultant; storyteller; arts coordinator, founding member, <strong>School</strong><br />
for Excellence, New Century High <strong>School</strong>. Formerly, curriculum<br />
developer, literacy specialist, Liberty Partnerships Program, <strong>School</strong><br />
<strong>of</strong> Visual Arts; educational researcher, Sesame Street<br />
educAtion: BS, cum laude, Emerson College; M.Ed., Harvard<br />
University<br />
projects include: LEAP, Arts Connection, Creative Arts Team,<br />
Solomon R. Guggenheim Museum, Young Audiences New York,<br />
Lincoln Center Institute<br />
AwArd: Outstanding Young Women <strong>of</strong> America, Gold Key Honor<br />
Society<br />
Phil Patton<br />
Author; curator; design journalist; automotive design writer, The<br />
New York Times. Formerly, contributing editor, Esquire, Departures,<br />
I.D., Wired<br />
educAtion: MA, Columbia University<br />
Books Authored inclu de: Made in USA: The Secret Histories <strong>of</strong><br />
the Things That Made America; Autodesign International: Marken,<br />
Modelle und ihre Macher; Open Road: Celebration <strong>of</strong> the American<br />
Highway; Roadside America; Bug: The Strange Mutations <strong>of</strong> the<br />
World’s Most Famous Automobile; Dreamland: Travels Inside the<br />
Secret World <strong>of</strong> Roswell and Area 51; Michael Graves Designs: The<br />
Art <strong>of</strong> the Everyday Object; Razzle-Dazzle: The Curious Marriage<br />
<strong>of</strong> Television and Pr<strong>of</strong>essional Football<br />
puBlicAtions include: Art in America, Connoisseur, Geo,<br />
Harper’s Bazaar, New Republic, Manhattan Inc., Men’s Journal,<br />
ARTnews, Omni, Rolling Stone, Seven Days, The New York Times<br />
Book Review, Condé Nast Traveler, Travel + Leisure, New York<br />
magazine, Vogue, Smithsonian, Washington Post, The Village Voice<br />
consulting curAtor: “Cars, Culture, and the City,” Museum <strong>of</strong><br />
the City <strong>of</strong> New York; “Blobjects and Beyond: The New Fluidity In<br />
Design,” San Jose Museum <strong>of</strong> Art; “Curves <strong>of</strong> Steel: Streamlining the<br />
Automobile,” Phoenix Museum <strong>of</strong> Art; “Different Roads,” Museum<br />
<strong>of</strong> Modern Art. Contributor, “On the Job: Design and the American<br />
Office,” National Building Museum<br />
weBsite: www.philpatton.com<br />
Sean Paul<br />
Fine artist<br />
educAtion: BFA, Maryland Institute College <strong>of</strong> Art;<br />
<strong>MFA</strong>, Columbia University<br />
one-person exhiBitions include: Elizabeth Dee Gallery; Sutton<br />
Lane, London; Centre for Opinions in Music and Art, Berlin<br />
group exhiBitions include: John Connelly Presents;<br />
Art:Concept, Paris; Artnews Projects, Berlin; Le Confort Moderne,<br />
Poitiers, France; Miguel Abreu Gallery, New York; Galerie Asbaek,<br />
Copenhagen; Centro Cultural Andratx, Mallorca, Spain<br />
puBlicAtions include: Miami Herald, Art in America, Go Go<br />
Paris, Fillip, Nouvelle Republique<br />
AwArds include: Brevoort-Eickemeyer Grant, Marshall Glasier<br />
Fellowship, Ellen Gelman Fellowship<br />
andy Pearlman<br />
Digital artist, printer<br />
educAtion: BFA, Ohio State University<br />
former clients include: MSNBC, NBC, Corsair, IBM, Apple<br />
Computer, BMW, Becker, FeedRoom<br />
AwArds include: The One Show<br />
alix Pearlstein<br />
Video, performance, installation artist<br />
educAtion: BS, Cornell University; <strong>MFA</strong>, SUNY Purchase<br />
represented By: On Stellar Rays<br />
one-person exhiBitions include: On Stellar Rays;<br />
Contemporary Art Museum St. Louis, MO; The Kitchen; MIT List<br />
Visual Arts Center, Cambridge, MA; Salon 94; Greenberg Van<br />
Doren Gallery; Grossman Gallery, <strong>School</strong> <strong>of</strong> the Museum <strong>of</strong> Fine<br />
Arts, Boston; Postmasters; Museum <strong>of</strong> Contemporary Art, Chicago<br />
group exhiBitions include: Bat Yam Museum for Contemporary<br />
Art, Israel; Limerick City Gallery <strong>of</strong> Art, Ireland; S.M.A.K., Ghent,<br />
Belgium; Manifestation internationale d’art de Québec; Solomon R.<br />
Guggenheim Museum; Whitney Museum <strong>of</strong> American Art; Pacific<br />
Film Archive, Berkeley, CA; Hirshhorn Museum and Sculpture<br />
Garden, Washington, DC; Institute <strong>of</strong> Contemporary Art,<br />
Philadelphia; Museum <strong>of</strong> Modern Art<br />
puBlicAtions include: Art in America, The New Yorker, Time<br />
Out New York, Artforum, New York magazine, Flash Art, The New<br />
York Times<br />
AwArds include: National Endowment for the Arts, Foundation<br />
for Contemporary Arts, Edward F. Albee Foundation, Art Matters<br />
Inc., Voom HD Lab. Artist residencies include: MacDowell Colony,<br />
Outpost Cuts and Burns Residency, Vroom HD Lab<br />
weBsite: www.alixpearlstein.com<br />
Richard Pels<br />
Writer, creative director. Formerly, Ogilvy & Mather; Ammirati &<br />
Puris; Levine, Huntley, Schmidt & Beaver; Scali, McCabe, Sloves;<br />
BBDO; Saatchi & Saatchi<br />
educAtion: <strong>MFA</strong>, University <strong>of</strong> Oregon<br />
cAmpAigns include: MCI, Hallmark, U.S. Air Force, Kleenex,<br />
Canon<br />
AwArds include: Gold Pencils, Best <strong>of</strong> Show, The One Show;<br />
CLIO; ANDY; Art Directors Club; Cannes Lion<br />
Richard Pepperman<br />
Film editor, author<br />
educAtion: Pratt Institute, The Actors Studio<br />
film credits include: Editor, The Boy From New Orleans: A<br />
Tribute to Louis Armstrong; Touch: The Domain Of The Senses;<br />
The Music People; consulting editor, Say It Isn’t So; Judge Not;<br />
Color <strong>of</strong> Love; Five Wives, Three Secretaries and Me; La Maestra in<br />
the House<br />
Author: The Eye is Quicker; Film Editing: Making a Good Film<br />
Better; Setting Up Your Scenes: The Inner Workings <strong>of</strong> Great<br />
Films; Film <strong>School</strong>: How to Watch DVDs and Learn Everything<br />
About Filmmaking; Film <strong>School</strong>: Memorable Movie Moments<br />
113 • the faculty 2011 www.sva.edu