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B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of

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Mary M. Patierno<br />

Producer, director, editor; co-founder, Dyke TV<br />

educAtion: BA, University <strong>of</strong> Massachusetts, Amherst<br />

film projects include: The Most Unknowable Thing; Alice<br />

and Lena; Vieques: Worth Every Bit <strong>of</strong> Struggle; Sodom by the<br />

Sea; Rove; Dykes Rule<br />

AwArds include: Best Documentary, Lesbian and Gay Film<br />

Festival, Miami, Los Angeles, Chicago; Silver Plaque, Chicago<br />

International Film Festival; New York Foundation for the Arts<br />

weBsite: www.marypatierno.com<br />

Pamela Patrick<br />

Consultant; storyteller; arts coordinator, founding member, <strong>School</strong><br />

for Excellence, New Century High <strong>School</strong>. Formerly, curriculum<br />

developer, literacy specialist, Liberty Partnerships Program, <strong>School</strong><br />

<strong>of</strong> Visual Arts; educational researcher, Sesame Street<br />

educAtion: BS, cum laude, Emerson College; M.Ed., Harvard<br />

University<br />

projects include: LEAP, Arts Connection, Creative Arts Team,<br />

Solomon R. Guggenheim Museum, Young Audiences New York,<br />

Lincoln Center Institute<br />

AwArd: Outstanding Young Women <strong>of</strong> America, Gold Key Honor<br />

Society<br />

Phil Patton<br />

Author; curator; design journalist; automotive design writer, The<br />

New York Times. Formerly, contributing editor, Esquire, Departures,<br />

I.D., Wired<br />

educAtion: MA, Columbia University<br />

Books Authored inclu de: Made in USA: The Secret Histories <strong>of</strong><br />

the Things That Made America; Autodesign International: Marken,<br />

Modelle und ihre Macher; Open Road: Celebration <strong>of</strong> the American<br />

Highway; Roadside America; Bug: The Strange Mutations <strong>of</strong> the<br />

World’s Most Famous Automobile; Dreamland: Travels Inside the<br />

Secret World <strong>of</strong> Roswell and Area 51; Michael Graves Designs: The<br />

Art <strong>of</strong> the Everyday Object; Razzle-Dazzle: The Curious Marriage<br />

<strong>of</strong> Television and Pr<strong>of</strong>essional Football<br />

puBlicAtions include: Art in America, Connoisseur, Geo,<br />

Harper’s Bazaar, New Republic, Manhattan Inc., Men’s Journal,<br />

ARTnews, Omni, Rolling Stone, Seven Days, The New York Times<br />

Book Review, Condé Nast Traveler, Travel + Leisure, New York<br />

magazine, Vogue, Smithsonian, Washington Post, The Village Voice<br />

consulting curAtor: “Cars, Culture, and the City,” Museum <strong>of</strong><br />

the City <strong>of</strong> New York; “Blobjects and Beyond: The New Fluidity In<br />

Design,” San Jose Museum <strong>of</strong> Art; “Curves <strong>of</strong> Steel: Streamlining the<br />

Automobile,” Phoenix Museum <strong>of</strong> Art; “Different Roads,” Museum<br />

<strong>of</strong> Modern Art. Contributor, “On the Job: Design and the American<br />

Office,” National Building Museum<br />

weBsite: www.philpatton.com<br />

Sean Paul<br />

Fine artist<br />

educAtion: BFA, Maryland Institute College <strong>of</strong> Art;<br />

<strong>MFA</strong>, Columbia University<br />

one-person exhiBitions include: Elizabeth Dee Gallery; Sutton<br />

Lane, London; Centre for Opinions in Music and Art, Berlin<br />

group exhiBitions include: John Connelly Presents;<br />

Art:Concept, Paris; Artnews Projects, Berlin; Le Confort Moderne,<br />

Poitiers, France; Miguel Abreu Gallery, New York; Galerie Asbaek,<br />

Copenhagen; Centro Cultural Andratx, Mallorca, Spain<br />

puBlicAtions include: Miami Herald, Art in America, Go Go<br />

Paris, Fillip, Nouvelle Republique<br />

AwArds include: Brevoort-Eickemeyer Grant, Marshall Glasier<br />

Fellowship, Ellen Gelman Fellowship<br />

andy Pearlman<br />

Digital artist, printer<br />

educAtion: BFA, Ohio State University<br />

former clients include: MSNBC, NBC, Corsair, IBM, Apple<br />

Computer, BMW, Becker, FeedRoom<br />

AwArds include: The One Show<br />

alix Pearlstein<br />

Video, performance, installation artist<br />

educAtion: BS, Cornell University; <strong>MFA</strong>, SUNY Purchase<br />

represented By: On Stellar Rays<br />

one-person exhiBitions include: On Stellar Rays;<br />

Contemporary Art Museum St. Louis, MO; The Kitchen; MIT List<br />

Visual Arts Center, Cambridge, MA; Salon 94; Greenberg Van<br />

Doren Gallery; Grossman Gallery, <strong>School</strong> <strong>of</strong> the Museum <strong>of</strong> Fine<br />

Arts, Boston; Postmasters; Museum <strong>of</strong> Contemporary Art, Chicago<br />

group exhiBitions include: Bat Yam Museum for Contemporary<br />

Art, Israel; Limerick City Gallery <strong>of</strong> Art, Ireland; S.M.A.K., Ghent,<br />

Belgium; Manifestation internationale d’art de Québec; Solomon R.<br />

Guggenheim Museum; Whitney Museum <strong>of</strong> American Art; Pacific<br />

Film Archive, Berkeley, CA; Hirshhorn Museum and Sculpture<br />

Garden, Washington, DC; Institute <strong>of</strong> Contemporary Art,<br />

Philadelphia; Museum <strong>of</strong> Modern Art<br />

puBlicAtions include: Art in America, The New Yorker, Time<br />

Out New York, Artforum, New York magazine, Flash Art, The New<br />

York Times<br />

AwArds include: National Endowment for the Arts, Foundation<br />

for Contemporary Arts, Edward F. Albee Foundation, Art Matters<br />

Inc., Voom HD Lab. Artist residencies include: MacDowell Colony,<br />

Outpost Cuts and Burns Residency, Vroom HD Lab<br />

weBsite: www.alixpearlstein.com<br />

Richard Pels<br />

Writer, creative director. Formerly, Ogilvy & Mather; Ammirati &<br />

Puris; Levine, Huntley, Schmidt & Beaver; Scali, McCabe, Sloves;<br />

BBDO; Saatchi & Saatchi<br />

educAtion: <strong>MFA</strong>, University <strong>of</strong> Oregon<br />

cAmpAigns include: MCI, Hallmark, U.S. Air Force, Kleenex,<br />

Canon<br />

AwArds include: Gold Pencils, Best <strong>of</strong> Show, The One Show;<br />

CLIO; ANDY; Art Directors Club; Cannes Lion<br />

Richard Pepperman<br />

Film editor, author<br />

educAtion: Pratt Institute, The Actors Studio<br />

film credits include: Editor, The Boy From New Orleans: A<br />

Tribute to Louis Armstrong; Touch: The Domain Of The Senses;<br />

The Music People; consulting editor, Say It Isn’t So; Judge Not;<br />

Color <strong>of</strong> Love; Five Wives, Three Secretaries and Me; La Maestra in<br />

the House<br />

Author: The Eye is Quicker; Film Editing: Making a Good Film<br />

Better; Setting Up Your Scenes: The Inner Workings <strong>of</strong> Great<br />

Films; Film <strong>School</strong>: How to Watch DVDs and Learn Everything<br />

About Filmmaking; Film <strong>School</strong>: Memorable Movie Moments<br />

113 • the faculty 2011 www.sva.edu

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