B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of

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carin Goldberg
Principal, Carin Goldberg Designs
educAtion: BFA, The Cooper Union
professionAl experience includes: President, AIGA/NY;
board of directors, Alliance Graphique Internationale; staff designer,
CBS Television Network, CBS Records, Atlantic Records; creative
director, Time Inc. Custom Publishing
clients hAve included: Time Warner; HarperCollins; Random
House; Hyperion; Simon & Schuster, Inc.; Gap; Nonesuch Records;
Martha Stewart Living Omnimedia, Inc.; The New York Times;
Gallup, Inc.; Microsoft; New York Stock Exchange; Citigroup
exhiBitions include: Musée Géo-Charles, Échirolles, France;
Walker Art Center, Minneapolis; Chinese Heritage Museum, Hong
Kong; Cooper-Hewitt, National Design Museum
puBlicAtions include: Graphis, Eye, Time, Adweek,
Communication Arts, Metropolis, Print Casebooks, Print. Author,
designer, Catalog
AwArds And honors include: Gold Medal, AIGA; Golden
Pencil, The One Club; Silver Award, Art Directors Club;
Grandmasters Award for Excellence in Education, Art Directors
Club; Print; Type Directors Club; Society of Publication Designers;
Literary Marketplace Award; Presidential Alumni Award, The
Cooper Union
Deborah Goldberg
Art historian; lecturer, Departments of Education, The Metropolitan
Museum of Art, Museum of Modern Art
educAtion: BA, cum laude, Vassar College; MA, PhD, New York
University
puBlicAtions include: Print Collector’s Newsletter; The New
York Times Magazine; Apollo; New Art Examiner; Dictionary
of Women Artists; Artlab23; American National Biography.
Co-editor, contributor: Alexander Archipenko Revisited: An
International Perspective
AwArds include: Art Beyond Sight Recognition Award, Art
Education for the Blind; Travel Award, Chester Dale Fellowship, The
Metropolitan Museum of Art; Samuel F.B. Morse Fellowship, New
York University
Michael Goldfried
Director
educAtion: BA, Vassar College; MFA, Brown University
directing credits include: On the Threshold; Novel; The Rover;
Mama’s Boy; Red, Blue and Purple; Stairway to Paradise, Losing
Louie
AwArds And honors include: Drama League Directors Project,
Manhattan Theatre Club Directing Fellowship, Geva Theatre
Directing Fellowship
weBsite: www.michaelgoldfried.com
Seth Gollub
Animator, Framestore NY
educAtion: BFA, School of Visual Arts
clients include: Geico, FedEx, Coke, Pepsi
AwArd: Visual Effects Society
Regino Gonzales
Tattooist, illustrator
educAtion: BFA, School of Visual Arts
clients include: R.J. Reynolds, Scholastic, Esteé Lauder, Iisli,
Upper Playground, Famous Stars & Straps, Atlantic Records
group exhiBitions include: Art Basel, Miami; White Walls
Gallery, San Francisco; Yves Laroche Gallery, Montreal; Corey
Helford Gallery, Culver City, CA
puBlicAtions include: Juxtapoz Tattoo; Revisited: A Tribute
to Flash from the Past; Bella; We Are Tattoo; Back Piece Tattoo;
Tattoo; Inked
weBsite: www.regnyc.com
Thyrza Nichols Goodeve
Critic, writer. Formerly, research associate, Whitney Museum of
American Art
educAtion: BA, Sarah Lawrence College; MA, New York
University; PhD, University of California, Santa Cruz
puBlicAtions include: How Like A Leaf; The Monster’s Progress:
The Art of James Barsness; When Pain Strikes; The American Art
Book; catalog essays for Tony Oursler Retrospective, Hanover
Gallery, Germany; “PUPPY,” Guggenheim Magazine
Paul Goodrich
Sound designer; mixer; owner, Merlin Studios
films include: Harry Potter and the Goblet of Fire, Bunny,
Artists of Hell’s Kitchen, Quality of Mercy, God Has a Rap
Sheet, Diary of a Young Girl, Jerky Boys II
clients include: MTV, ABC, Sony, Moby, Scholastic, Capitol
Records, Random House, Bantam, Doubleday, Dell, Syfy, Time
Warner, Lucasfilm Ltd.
AwArds include: Grammy, Gold Record, Platinum Record,
Academy Award
Kirby Gookin
Art critic, art historian, public artist, curator
educAtion: BA, MA, M.Phil., Columbia University
group exhiBitions include: Free Manifesta, Frankfurt
curAtoriAl works include: “Summer Read ing,” Printed Matter;
“The Naming of Colors,” White Columns; “Copiacabana,” Museum
of Contemporary Art, Badajoz, Spain; “Disappearing Act,” Bound
& Unbound; co-curator, “Get Off!,” Museum of Sex; “...but I was
only acting,” Museo Nacional Centro de Arte, Reina Sofia, Madrid
puBlic Art projects include: “Help Design! Frederick Douglass
Circle,” Central Park Conservancy; “Isla del Copyright,” Bilbao;
Cordoba Time Capsule, Universal Exposition, Seville; “Copilandia,”
Seville
puBlicAtions include: Artforum; Interview; Parkett; Creative
Time: The Book: 33 Years of Public Art in New York City
Marc Gordon
Principal, Spacesmith LLP
educAtion: B.Arch., Pratt Institute
clients include: DKNY; Hewitt School; Brooklyn Navy Yard
Development Corporation; New York University; AdMedia Partners;
George Weiss Associates; Wilkinson O’Grady; Jack Resnick & Sons;
New York City Economic Development Corporation
68 • the faculty 2011 www.sva.edu