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PIANO MUSIC - Abeille Musique
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PORTRAIT OF FRANZ LISZT<br />
Haags Gemeentemuseum, The Hague, Netherlands / The Bridgeman Art Library<br />
6
PORTRAIT OF FRANZ LISZT Haags Gemeentemuseum, The Hague, Netherlands / The Bridgeman Art Library 6
please refer to CD wallets for more detailed listings DISC AND TRACK INDEX THE COMPLETE LISZT <strong>PIANO</strong> <strong>MUSIC</strong> DISC AND TRACK INDEX Disc 1 The Young Liszt 1 Variation über einen Walzer von Diabelli S147 2 Walzer S208a 3 Fünf Variationen über die Romanze aus der Oper Joseph von Méhul S747a 4 Huit Variations (on an original theme) S148 Op 1 5 Sept Variations brillantes sur un thème de Rossini (from Ermione) S149 Op 2 6 Impromptu brillant sur des thèmes de Rossini et Spontini S150 Op 3 7 Allegro di bravura S151 Op 4 No 1 8 Rondo di bravura S152 Op 4 No 2 Disc 2 1 Douze Études ‘Étude en douze exercices’ S136 Op 6 bo Scherzo S153 bp Two Hungarian Recruiting Dances by László Fáy and János Bihari S241 br Waltz S209a bs Galop de bal S220 bt Marche hongroise S233b bu Klavierstück aus der Bonn Beethoven-Kantate S507 cl Klavierstück S189b cm Klavierstück S189a cn Gestorben war ich S540a co Berceuse S174i cp Feuille d’album No 1 S164 cq Feuille d’album No 2 S167 cr Feuilles d’album S165 cs Apparitions S155 Disc 3 Disc 4 Douze Grandes Études 1 Douze Grandes Études S137 bo Morceau de salon – Étude de perfectionnement S142 Études d’exécution transcendante 1 Douze Études d’exécution transcendante S139 bo Valse de Marie S212a bp Adagio S158d bq Élégie sur des motifs du Prince Louis Ferdinand de Prusse S168ii 7
- Page 1 and 2: THE COMPLETE LISZT PIANO MUSIC INTR
- Page 3 and 4: The Complete Liszt Piano Music CONT
- Page 5: Leslie Howard Leslie Howard THE PER
- Page 9 and 10: please refer to CD wallets for more
- Page 11 and 12: please refer to CD wallets for more
- Page 13 and 14: please refer to CD wallets for more
- Page 15 and 16: please refer to CD wallets for more
- Page 17 and 18: please refer to CD wallets for more
- Page 19 and 20: please refer to CD wallets for more
- Page 21 and 22: please refer to CD wallets for more
- Page 23 and 24: please refer to CD wallets for more
- Page 25 and 26: The Complete Liszt Piano Music INTR
- Page 27 and 28: The Complete Liszt Piano Music INTR
- Page 29 and 30: The Complete Liszt Piano Music INTR
- Page 31 and 32: The Complete Liszt Piano Music INTR
- Page 33 and 34: L’intégrale de la musique pour p
- Page 35 and 36: L’intégrale de la musique pour p
- Page 37 and 38: L’intégrale de la musique pour p
- Page 39 and 40: L’intégrale de la musique pour p
- Page 41 and 42: FRANZ LISZT cover of The Graphic, 1
- Page 43 and 44: Die gesamten Liszt-Klavierwerke EIN
- Page 45 and 46: Die gesamten Liszt-Klavierwerke EIN
- Page 47 and 48: Die gesamten Liszt-Klavierwerke EIN
- Page 49 and 50: Die gesamten Liszt-Klavierwerke EIN
- Page 51 and 52: REPRODUCTION OF A DAGUERROTYPE OF F
- Page 53 and 54: La musica per pianoforte INTRODUZIO
- Page 55 and 56: La musica per pianoforte INTRODUZIO
- Page 57 and 58:
La musica per pianoforte INTRODUZIO
- Page 59 and 60:
La musica per pianoforte INTRODUZIO
- Page 61 and 62:
The Complete Liszt Piano Music INDE
- Page 63 and 64:
ORIGINAL WORKS S30 INDEX BY S NUMBE
- Page 65 and 66:
ORIGINAL WORKS S122 to S132 INDEX B
- Page 67 and 68:
ORIGINAL WORKS S144 to S158 INDEX B
- Page 69 and 70:
ORIGINAL WORKS S163a/1 to S167k IND
- Page 71 and 72:
ORIGINAL WORKS S173 to S181 INDEX B
- Page 73 and 74:
ORIGINAL WORKS S192 to S208 INDEX B
- Page 75 and 76:
ORIGINAL WORKS S234 to S243 INDEX B
- Page 77 and 78:
ORIGINAL WORKS S262 to S350 INDEX B
- Page 79 and 80:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 81 and 82:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 83 and 84:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 85 and 86:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 87 and 88:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 89 and 90:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 91 and 92:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 93 and 94:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 95 and 96:
ARRANGEMENTS, FANTASIES, TRANSCRIPT
- Page 97 and 98:
The Complete Liszt Piano Music ALPH
- Page 99 and 100:
The Complete Liszt Piano Music ALPH
- Page 101 and 102:
The Complete Liszt Piano Music ALPH
- Page 103 and 104:
The Complete Liszt Piano Music ALPH
- Page 105 and 106:
The Complete Liszt Piano Music ALPH
- Page 107 and 108:
The Complete Liszt Piano Music ALPH
- Page 109 and 110:
The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
- Page 117 and 118:
The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
- Page 121 and 122:
The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
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The Complete Liszt Piano Music ALPH
- Page 129 and 130:
THE Young Liszt LESLIE HOWARD
- Page 131 and 132:
he salvaged to introduce the E flat
- Page 133 and 134:
chorus and orchestra, and received
- Page 135 and 136:
fournissent ses thèmes à la premi
- Page 137 and 138:
épéter, le point auquel le da cap
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D IE MEISTERSCHAFT DES JUNGEN LISZT
- Page 141 and 142:
vor, sich rückwärts durch den Zyk
- Page 143 and 144:
Sorglosigkeit und schneidender Sch
- Page 145 and 146:
Liszt Douze Grandes Études (1837)
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3 modern machine, with its ungratef
- Page 149 and 150:
an abandoned continuation of the 18
- Page 151 and 152:
7 se réfère à un « Preludio-Stu
- Page 153 and 154:
abruptement de mètre et devient f
- Page 155 and 156:
gewidmet, und das Anfangsstück ist
- Page 157 and 158:
Jagdmotiv auf dem Fuße folgt, häl
- Page 159 and 160:
Recorded on 17-19 October 1994 Reco
- Page 161 and 162:
Liszt Transcendental Studies Élég
- Page 163 and 164:
transcendental technique arose as a
- Page 165 and 166:
Liszt COMPLETE PAGANINI ÉTUDES Les
- Page 167 and 168:
e a homage to Schumann whom he cons
- Page 169 and 170:
LISZT Intégrale des études de Pag
- Page 171 and 172:
la cinquième étude de Liszt qui e
- Page 173 and 174:
enden Stellen der Einleitung Transp
- Page 175 and 176:
interessant wie ein tropfender Wass
- Page 177 and 178:
Liszt Les Préludes Concert Études
- Page 179 and 180:
event, it is by these Italian title
- Page 181 and 182:
lights are seen through the trees,
- Page 183 and 184:
LISZT Les Préludes A 7 U CENTRE de
- Page 185 and 186:
étudiant et ar ent apologiste de L
- Page 187 and 188:
LISZT Les Préludes S ECHS der wich
- Page 189 and 190:
Präambel eingeschlossen. Lina Rama
- Page 191 and 192:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 193 and 194:
T HE ALBUM D’UN VOYAGEUR is the f
- Page 195 and 196:
water-brooks …’). Like ‘Lyon
- Page 197 and 198:
Album d’un voyageur ET AUTRES MOR
- Page 199 and 200:
inhabituelle. Liszt cite un très l
- Page 201 and 202:
Album d’un voyageur & ANDERE STÜ
- Page 203 and 204:
der überarbeiteten Version und ist
- Page 205 and 206:
lich länger. Der Anfang basiert au
- Page 207 and 208:
Album d’un voyageur and other pie
- Page 209 and 210:
A S WITH THE HUNGARIAN RHAPSODIES a
- Page 211 and 212:
work, introducing an inspired and u
- Page 213 and 214:
Le Childe Harold de Byron fournit
- Page 215 and 216:
G LEICH DEN UNGARISCHEN RHAPSODIEN,
- Page 217 and 218:
die meisten Passagen sind vom zweit
- Page 219 and 220:
Liszt Deuxième Année de Pèlerina
- Page 221 and 222:
described as unpublished. Liszt’s
- Page 223 and 224:
1847)—emerges from the depths, mu
- Page 225 and 226:
LISZT Deuxième Année de Pèlerina
- Page 227 and 228:
vérité, et la pièce est, dans so
- Page 229 and 230:
Grato m’è il sonno, e più l’e
- Page 231 and 232:
Knotenpunkt vernehmbar ist, suggeri
- Page 233 and 234:
THE COMPLETE MUSIC FOR SOLO PIANO -
- Page 235 and 236:
L ISZT’S LATE PIANO WORKS are of
- Page 237 and 238:
almost annual triangular trip throu
- Page 239 and 240:
caractérise beaucoup d’écriture
- Page 241 and 242:
L ISZTS SPÄTE KLAVIERWERKE weisen
- Page 243 and 244:
um Jahre voraus war und bewußt ode
- Page 245 and 246:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 247 and 248:
T HIS SERIES of recordings of Liszt
- Page 249 and 250:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 251 and 252:
Harmonies poétiques et religieuses
- Page 253 and 254:
T HE ABBÉ LISZT has always been a
- Page 255 and 256:
meaning ‘Slavs let us praise the
- Page 257 and 258:
FRANZ LISZT IN 1858 CDA66421/2
- Page 259 and 260:
Early work 1847 1851 1 Élevez-vous
- Page 261 and 262:
described as unfinished but which i
- Page 263 and 264:
augmented triad, and the promised G
- Page 265 and 266:
carnet, qui ne présentent aucun pr
- Page 267 and 268:
Liszt tisse ensemble le chant grég
- Page 269 and 270:
entschieden hat. Außerdem müssen
- Page 271 and 272:
einunddreißig Takten, die andere a
- Page 273 and 274:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 275 and 276:
T HIS THIRD RELEASE in the series o
- Page 277 and 278:
CDA66302 THE COMPLETE MUSIC FOR SOL
- Page 279 and 280:
RITERS ON LISZT ARE UNANIMOUS in th
- Page 281 and 282:
The two Liszt Elegies belong very m
- Page 283 and 284:
LESLIE HOWARD Leslie Howard has giv
- Page 285 and 286:
OUS LES COMMENTATEURS de l’œuvre
- Page 287 and 288:
Les deux Élégies de Liszt ne peuv
- Page 289 and 290:
D IE LITERATUR ZUM SCHAFFEN FRANZ L
- Page 291 and 292:
Die beiden Elegien von Liszt sind d
- Page 293 and 294:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 295 and 296:
A LTHOUGH ALL OF THE PIECES RECORDE
- Page 297 and 298:
lama Sabacthani?’ and ‘In manus
- Page 299 and 300:
Le chef-d’œuvre de la vieillesse
- Page 301 and 302:
O BWOHL ALLE STÜCKE DER VORLIEGEND
- Page 303 and 304:
Darstellungen des Weinens, die wir
- Page 305 and 306:
LISZT THE COMPLETE MUSIC FOR SOLO P
- Page 307 and 308:
L ISZT’S ‘THIRD PERIOD’ may b
- Page 309 and 310:
comfortless piece which Liszt compo
- Page 311 and 312:
La perfection simple de Trübe Wolk
- Page 313 and 314:
LISZT Später Werke L ISZTS „DRIT
- Page 315 and 316:
Orgelpunkt und wilde Dissonanzen, e
- Page 317 and 318:
Liszt THE LATE PIECES † first rec
- Page 319 and 320:
A SIDE FROM JUVENILIA, a few album-
- Page 321 and 322:
version the waltz is preceded by De
- Page 323 and 324:
D LISZT ances and Marches LESLIE HO
- Page 325 and 326:
music and with the three late Csár
- Page 327 and 328:
the piano. But it was not until the
- Page 329 and 330:
© JASON P TAILBY R ENOWNED CONCERT
- Page 331 and 332:
ment mis sur pied un remarquable co
- Page 333 and 334:
voire même sa propre orchestration
- Page 335 and 336:
contre une pièce éblouissante à
- Page 337 and 338:
licherweise nur „Gand 20 et 21 ja
- Page 339 and 340:
omantischen Komponisten von Schuber
- Page 341 and 342:
Bülow-Marsch (trotz seines lobensw
- Page 344:
please note FULL DIGITAL ARTWORK IS
- Page 347 and 348:
introduction to the third number of
- Page 350 and 351:
Volume 1 THE COMPLETE WALTZES Four
- Page 352 and 353:
(que Novello imprimait aussi avec u
- Page 354 and 355:
LESLIE HOWARD La carrière internat
- Page 356 and 357:
Wie zu erwarten, ist der Klavieraus
- Page 358 and 359:
LESLIE HOWARD Leslie Howards intern
- Page 360 and 361:
LISZT Liebesträume and other song
- Page 362 and 363:
Mignons Lied from Goethe’s Wilhel
- Page 364 and 365:
LISZT Liebesträume et les Recueils
- Page 366 and 367:
londes ») et il parut plus tard en
- Page 368 and 369:
Kinderchören so beliebten geschmac
- Page 370 and 371:
Recorded on 30-31 October 1991 Reco
- Page 373:
please note FULL DIGITAL ARTWORK IS
- Page 376 and 377:
final part combines themes from the
- Page 378 and 379:
LESLIE HOWARD With an all-embracing
- Page 380 and 381:
C MUSIQUE COMPLETES POUR PIANO SOLO
- Page 382 and 383:
d'oeuvres pour leur instrument, ne
- Page 384 and 385:
KLAVIERWERKE - Teil 25 DAS CANTICUM
- Page 386 and 387:
Manuskript mit zwei Liniensystemen)
- Page 388 and 389:
^Lsœt/ THE COMPLETE MUSIC FOR SOLO
- Page 390 and 391:
FRANZ LISZT 2
- Page 392 and 393:
acknowledgement) Liszt’s theme fo
- Page 394 and 395:
Leslie Howard AND THE LISZT SERIES
- Page 396 and 397:
Liszt MUSIQUE COMPLÈTES POUR PIANO
- Page 398 and 399:
Les deux petits cycles, Geharnischt
- Page 400 and 401:
Liszt SÄMTLICHE KLAVIERWERKE - 36
- Page 402 and 403:
Die beiden kurzen Zyklen, Geharnisc
- Page 404:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 407 and 408:
I In nativitate Domini Christmas m
- Page 409 and 410:
ISZT'S MUSIC FOR THE CHURCH forms a
- Page 411 and 412:
COMPACT DISC ONE CHRISTMAS Liszt de
- Page 413:
LESLIE HOWARD 'A virtuoso in the tr
- Page 416 and 417:
y. Di-ci-te, quidnam vi-dih s •fi
- Page 418 and 419:
y ^«yd Gló-ri- a Pàtri, et Fí-
- Page 420 and 421:
• • a n v %; in é- est : hie p
- Page 422 and 423:
j* ». : negá-vit Jú- dae ós- cu
- Page 424 and 425:
là- re mé- cum, qui exhortabà- m
- Page 426 and 427:
, • . f ^ ! I 3 1 1 ! % H quos pr
- Page 428 and 429:
V di- e apud vos é- ram in tèmpio
- Page 430 and 431:
mini, et prope-rä- te ad devorän-
- Page 432 and 433:
i — a» a» j • • % « • _
- Page 434 and 435:
K/2 1 • a r s - 5 i-V Erü-sa-lem
- Page 436 and 437:
I AI j _ C r - V •VvV-.-V--..;- '
- Page 438 and 439:
num, et advér-sus Chrf- stum jus.
- Page 440 and 441:
et in novis-simo di- e de tèrra su
- Page 442 and 443:
m J> .. , - - . ~m | . „^a rv 1
- Page 444 and 445:
R77 ? ¡; rH P = Eccäntem me * quo
- Page 446 and 447:
M nebrâ- rum. V. Clamantes et dih
- Page 448 and 449:
I LISZT Répons et antiennes MUSIQU
- Page 450 and 451:
plus complexe, notamment le dernier
- Page 452 and 453:
LISZT Responsorien und Antiphonen M
- Page 454 and 455:
Klavier (Liszt könnte genauso gut
- Page 456 and 457:
Psalme 50, 91 und 63, weiterhin auf
- Page 458 and 459:
Liszt Gaudeamus igitur - Pièces d
- Page 460 and 461:
Majesté le Sultan Abdul Médjid-Kh
- Page 462 and 463:
C E RÉCITAL—un palindrome suivi
- Page 464 and 465:
Vol. 2 de cette série décrit erro
- Page 466 and 467:
auch Giuseppe ein Kapellmeister, un
- Page 468 and 469:
Recorded on 21 & 22 August 1995 Rec
- Page 471 and 472:
L ISZT’S COSMOPOLITAN and gregari
- Page 473 and 474:
Roman Sawycky’s 1984 article on t
- Page 475 and 476:
programme s’intitulait « Young M
- Page 477 and 478:
inconnue. Il n’en reste qu’une
- Page 479 and 480:
Ungarischen Nationalmelodien wieder
- Page 481 and 482:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 483 and 484:
B EFORE saluting the first real con
- Page 485 and 486:
ecame the seventh Hungarian Rhapsod
- Page 487 and 488:
© Jason P Tailby LESLIE HOWARD 6
- Page 489 and 490:
A VANT DE saluer la première contr
- Page 491 and 492:
plus tard engendrera la troisième
- Page 493 and 494:
OR einer Würdigung von Liszt Feren
- Page 495 and 496:
Bestandteile aus der vierzehnten Un
- Page 497 and 498:
FRANZ LISZT THE COMPLETE MUSIC FOR
- Page 499 and 500:
At the close of the notes to this r
- Page 501 and 502:
visatory compositions at this point
- Page 503 and 504:
section opens with a theme apparent
- Page 505 and 506:
Acknowledgements The labour of asse
- Page 507 and 508:
Liszt scholars or enthusiasts have
- Page 509 and 510:
La fin de cette notice m’offre l
- Page 511 and 512:
est noté dans un carnet de Liszt (
- Page 513 and 514:
également inconnu en dehors de cet
- Page 515 and 516:
les Elegáns csárdások (Csárdás
- Page 517 and 518:
der damaligen Zeit gewidmet (Szerda
- Page 519 and 520:
in c-Moll von Müller-Berghaus. Dar
- Page 521 and 522:
24 Rhapsodien gezählt hat—wurde
- Page 523 and 524:
Liszt gewählten Ábrányi-Passagen
- Page 525:
Liszt THE COMPLETE WORKS FOR SOLO P
- Page 528 and 529:
Liszt’s manuscript consists of ei
- Page 530 and 531:
theme written separately at the end
- Page 532 and 533:
LESLIE HOWARD ‘A virtuoso in the
- Page 534 and 535:
(«Danses de recrutement hongroises
- Page 536 and 537:
La Friska constitutive de la n o 12
- Page 538 and 539:
Ungarische Lieder IN DEN MEISTEN LI
- Page 540 and 541:
Bearbeitung hiervon ist relativ vol
- Page 542 and 543:
Nr. 14 basiert auf Vágy Pannónia
- Page 544 and 545:
Liszt CDA67235 THE COMPLETE MUSIC F
- Page 546 and 547:
M USICAL HISPANOPHILIA ought by now
- Page 548 and 549:
LESLIE HOWARD © Jason P Tailby 4
- Page 550 and 551:
LISZT Rapsodie espagnole et autres
- Page 552 and 553:
LISZT Rapsodie espagnole und andere
- Page 554 and 555:
LISZT Rapsodia española y otras ob
- Page 556 and 557:
CDA67145 Liszt THE COMPLETE MUSIC F
- Page 558 and 559:
2 © Jason P Tailby
- Page 560 and 561:
4 A LTHOUGH LISZT ONLY COMPLETED on
- Page 562 and 563:
‘Dante Symphony’) was obliged t
- Page 564 and 565:
COMPACT DISC 1 [78'35] CDA66371/2 1
- Page 566 and 567:
I N THE NOTES TO THE FIRST VOLUME o
- Page 568 and 569:
Liszt’s devotion to Wagner and hi
- Page 570 and 571:
effrénée avant de se transformer
- Page 572 and 573:
jolie transcription de la Berceuse
- Page 574 and 575:
damit die wunderbare Gelegenheit bo
- Page 576 and 577:
Liszt at the Opera II CDA66571/2 CO
- Page 578 and 579:
T HIS THIRD gathering of Liszt’s
- Page 580 and 581:
his homeland. Liszt is really in hi
- Page 582 and 583:
manquante (Liszt improvisa peut-êt
- Page 584 and 585:
fait partie du finale de l’acte I
- Page 586 and 587:
Simon Boccanegra zu (dies ist die l
- Page 588 and 589:
THE COMPLETE MUSIC FOR SOLO PIANO -
- Page 590 and 591:
T HIS FOURTH offering from Liszt’
- Page 592 and 593:
evivals of Le Prophète and L’Afr
- Page 594 and 595:
LISZT À L’OPÉRA - IV Transcript
- Page 596 and 597:
partie, le compositeur s’attache
- Page 598 and 599:
deux textes). Fait inhabituel dans
- Page 600 and 601:
Oper. (Die komplizierte Geschichte
- Page 602 and 603:
Variation ist gänzlich Liszts eige
- Page 604 and 605:
Liszt at the Opera ~ IV COMPACT DIS
- Page 606 and 607:
T HIS PENULTIMATE COLLECTION of Lis
- Page 608 and 609:
first version ‘nouvelle édition,
- Page 610 and 611:
Tarentelle, l’une des danses gran
- Page 612 and 613:
D IESE VORLETZTE ZUSAMMENSTELLUNG a
- Page 614 and 615:
die Fassung von 1861 neu bearbeitet
- Page 616:
Liszt at the Opera - V COMPACT DISC
- Page 619 and 620:
(There are additional kindred works
- Page 621 and 622:
combined. This leads to the coda pr
- Page 623 and 624:
Vol 24) - and that Il giuramento wa
- Page 625 and 626:
Liszt à l’opéra VI ET ULTIME VO
- Page 627 and 628:
mineur est précédée d’une tran
- Page 629 and 630:
décembre 1840, Liszt écrivit à M
- Page 631 and 632:
Liszt an der Oper VI IESE LETZTE SA
- Page 633 and 634:
as-Moll zu f-Moll transponierte Aus
- Page 635 and 636:
noch immer die Opus-Nr. 7 trägt -
- Page 637 and 638:
di Figaro von L. Ricci (!), La soli
- Page 640 and 641:
please note FULL DIGITAL ARTWORK IS
- Page 642 and 643:
evening as the play for which it wa
- Page 644 and 645:
Leslie Howard's most important reco
- Page 646 and 647:
a de nombreuses ressemblances avec
- Page 648 and 649:
O Liszt am Theater Fantasien, Trans
- Page 650 and 651:
läßt) und für eine Reihe der kam
- Page 652 and 653:
Liszt LESLIE HOWARD A la Chapelle S
- Page 654 and 655:
transpositions to allow the hands t
- Page 656 and 657:
l’inévitable conséquence d’un
- Page 658 and 659:
Tönen, wenn die Finger nicht auf D
- Page 660 and 661:
Liszt Hexaméron Symphonie fantasti
- Page 662 and 663:
a third portrait, and Liszt respond
- Page 664 and 665:
de Blocqueville, das einzige andere
- Page 666 and 667:
adulateur qu’en fit Francis Plant
- Page 668 and 669:
Liszt Transcriptions BERLIOZ CHOPIN
- Page 670 and 671:
Liszt’s instant enthusiasm upon f
- Page 672 and 673:
LISZT Arabesques Russian and Hungar
- Page 674 and 675:
Prelude and Polka: it is clear from
- Page 676 and 677:
LISZT Transcriptions russes et hong
- Page 678 and 679:
Liszt. Il est le dédicataire de no
- Page 680 and 681:
anscheinend einige unterschwellige
- Page 682 and 683:
Recorded on 20 & 21 October 1994 Re
- Page 684 and 685:
LISZT Beethoven and Hummel Septets
- Page 686 and 687:
and variations (five of them, plus
- Page 688 and 689:
task in transcribing this work was
- Page 690 and 691:
centre du Trio semblent être des e
- Page 692 and 693:
ajoute son accompagnement rythmique
- Page 694 and 695:
dem Liszts Umsetzung der unablässi
- Page 696 and 697:
einem überzeugenden Triptychon: da
- Page 698:
Liszt THE COMPLETE MUSIC FOR SOLO P
- Page 701 and 702:
LISZT
- Page 703:
absolutely faithful to David's text
- Page 706 and 707:
Liszt MUSIQUE COMPLETE POUR PIANO S
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Liszt Klavierwerke - Teil 16 FERDIN
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LESLIE HOWARD Leslie Howards intern
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Liszt Tanzmomente and other rare Ge
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thought was to extend three bars in
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U N DES TRAITS LES PLUS INTIMIDANTS
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le duc Ernest. Ce morceau a, cepend
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gegenwärtigen Einsamkeit an das Gl
- Page 722 and 723:
Recorded on 11 & 12 March 1995 Reco
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Liszt SongTranscriptions Beethoven
- Page 726 and 727:
COMPACT DISC 2 [73'03] 1 Er ist gek
- Page 728 and 729:
effect in the ‘Song of the Flea
- Page 730:
eally a very simple hymn, and ‘Th
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dans la brume pour éviter la doule
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Hoffman von Fallersleben rétablit
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D LISZT Lieder ohne Worte IESE „L
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des Windes teilen kann, wenn er dur
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gefüllt; und „Frühling und Lieb
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CDA66481/2 Liszt THE COMPLETE MUSIC
- Page 745 and 746:
F ERENC LISZT’s years of travel t
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fiendishly intricate details which
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Que béni soit le jour et le mois e
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piano s’allie à la partie vocale
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Cette exploration du Liszt italien
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dem Gesangspart oder den Gesangspar
- Page 757 and 758:
Klavierstück selbst ist imposant u
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BEETHOVEN-LISZT The Complete Sympho
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COMPACT DISC 3 [78'52] Symphony No
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The obvious desire to propagate int
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the exposition are well worth playi
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orchestral performance and repertoi
- Page 769 and 770:
Similarly, the ‘Shepherds’ Song
- Page 771 and 772:
the Ninth for Breitkopf and submitt
- Page 773 and 774:
« Le nom de Beethoven est un nom c
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Dès le début, la partition de Lis
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alternatives de texture qui paraiss
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abandonne quatre mesures avant l’
- Page 781 and 782:
De même que pour les cas similaire
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l’addition d’un second piano (d
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„Der Name Beethoven ist heilig in
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skriptionen so darzubieten, wie sie
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31 Sinfonie Nr. 3 in Es-Dur Op.55
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is die 4. Sinfonie komponiert war.
- Page 793 and 794:
Höhepunkten der Transkription zäh
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wiederholten Triolen. Manchmal sieh
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Trotz aller Unzulänglichkeiten, di
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LISZT The Early Beethoven Transcrip
- Page 801 and 802:
As we have noted elsewhere, Liszt
- Page 803 and 804:
complied with, as is his inventive
- Page 805 and 806:
Similarly, the ‘Shepherds’ Song
- Page 807 and 808:
The finale, like the first movement
- Page 809 and 810:
LESLIE Howard Annual re-engagements
- Page 811 and 812:
multitude de détails et d’access
- Page 813 and 814:
merveilleusement écrite, tandis qu
- Page 815 and 816:
que les titres français), l’on s
- Page 817 and 818:
que tout le reste doit trouver le m
- Page 819 and 820:
LISZT Die frühen Beethoven-Transkr
- Page 821 and 822:
-repertoires der ersten Hälfte des
- Page 823 and 824:
Gedicht von unerfüllter Liebe stim
- Page 825 and 826:
pianistischer Kunstgriffe bedient.
- Page 827 and 828:
wert, obwohl die neun aufeinanderfo
- Page 829 and 830:
Recorded on 29 February, 1 March an
- Page 831 and 832:
LISZT The Schubert Transcriptions -
- Page 833 and 834:
The present survey of Liszt’s Sch
- Page 835 and 836:
The adventures of the various dance
- Page 837 and 838:
catalogues’ erroneous suggestions
- Page 839 and 840:
Leslie Howard Renowned concert pian
- Page 841 and 842:
Des accompagnateurs spécialisés,
- Page 843 and 844:
L’art de composer ou, en fait, de
- Page 845 and 846:
série, mais possède en plus un se
- Page 847 and 848:
verschafften, den sie seitdem nie m
- Page 849 and 850:
Nr. 3: D145/I/1; D783/I/4; D365/19;
- Page 851 and 852:
hören, und auch Liszt enthält sic
- Page 853 and 854:
Recorded on 28 February, 4 March, 2
- Page 855 and 856:
LISZT The Schubert Transcriptions -
- Page 857 and 858:
COMPACT DISC 2 [75'34] Schwanengesa
- Page 859 and 860:
Chézy, and deals with Light living
- Page 861 and 862:
whole of the third and fourth verse
- Page 863 and 864:
touching in its tranquillity than t
- Page 865 and 866:
11 (Vulgate 18, « Les cieux décla
- Page 867 and 868:
entiers donnés dans l’un ou l’
- Page 869 and 870:
Müller et Schubert, à la bourrasq
- Page 871 and 872:
LISZT Schubert-Transkriptionen - II
- Page 873 and 874:
plappernde Bach, der die Aufmerksam
- Page 875 and 876:
Die zweite Schallplatte schließt m
- Page 877 and 878:
eiden Strophen des Liedes stark ver
- Page 879 and 880:
LISZT The Schubert Transcriptions -
- Page 881 and 882:
COMPACT DISC 2 [74'05] Schwanengesa
- Page 883 and 884:
appreciate that the storm outside i
- Page 885 and 886:
consists of just the first paragrap
- Page 887 and 888:
like approach to the piece, and the
- Page 889 and 890:
LISZT Transcriptions de Schubert -
- Page 891 and 892:
d’une longue et pieuse coda. Pour
- Page 893 and 894:
15 mise en musique touchante par Sc
- Page 895 and 896:
LISZT Schubert-Transkriptionen - II
- Page 897 and 898:
LESLIE HOWARD © Adam Scott ersten
- Page 899 and 900:
asende Mittelteil einen ganz andere
- Page 901 and 902:
deutlich erkennbar, daß diese Ausg
- Page 903 and 904:
Liszt WEBER AND SCHUBERT Transcript
- Page 905 and 906:
vary repeated phrases that the extr
- Page 907 and 908:
LISZT Transcriptions de Schubert et
- Page 909 and 910:
exécution avec orchestre; elles ap
- Page 911 and 912:
heutzutage vorwiegend Schuberts Tex
- Page 913 and 914:
Recorded on 2 May, 26 June and 19 A
- Page 916 and 917:
LISZT THE COMPLETE MUSIC FOR SOLO P
- Page 918 and 919:
p À la chapelle Sixtine - Miserere
- Page 920 and 921:
Liszt composed his Grand Solo de co
- Page 922 and 923:
(see Volume 13) it is interesting t
- Page 924 and 925:
Paralipomènes La Dante-Sonate à d
- Page 926 and 927:
la première, est la plus insaisiss
- Page 928 and 929:
Paralipomènes Die ursprüngliche D
- Page 930 and 931:
pathétique.) Der Begräbnismarsch
- Page 932 and 933:
Nummern um einen Halbton nach unten
- Page 935 and 936:
please note FULL DIGITAL ARTWORK IS
- Page 937 and 938:
H] Troisième Valse oubliée with a
- Page 939 and 940:
which makes much use of reckless le
- Page 941 and 942:
Further variant versions of waltzes
- Page 943 and 944:
The first version of Huldigungsmars
- Page 945 and 946:
of the Breitkopf version, which is
- Page 947 and 948:
LESLIE HOWARD 'A virtuoso in the tr
- Page 949 and 950:
(volume 26), sans pour autant aspir
- Page 951 and 952:
D'autres variantes de valses suiven
- Page 953 and 954:
La version simplifiée du Grand Gal
- Page 955 and 956:
Liszt à sa pièce pour piano origi
- Page 957 and 958:
cycle, et il est douteux qu'une per
- Page 959 and 960:
(Teil 26) vorausahnen, noch ohne de
- Page 961 and 962:
Das unbetitelte Blatt mit einer pol
- Page 963 and 964:
aufgeführt, und die Bearbeitung f
- Page 965 and 966:
Themen umfaßt, und in den Schlußt
- Page 967 and 968:
und mit demselben blauen Stift hat
- Page 970 and 971:
Liszt THE COMPLETE WORKS FOR SOLO P
- Page 972 and 973:
COMPACT DISC 3 - 65'45 1 Gaudeamus
- Page 974 and 975:
THE FIFTY-SEVENTH and last volume o
- Page 976 and 977:
COMPACT DISC TWO The second disc of
- Page 978 and 979:
Magyar theme bq we know from the te
- Page 980 and 981:
It is very sad indeed that La Mandr
- Page 982 and 983:
The Ländler 3, Dumka 4, and Air co
- Page 984 and 985:
LESLIE HOWARD Embracing the reperto
- Page 986 and 987:
gentillesse et pour nous avoir auto
- Page 988 and 989:
dans la même tonalité - même si
- Page 990 and 991:
DISQUE COMPACT 3 La seconde version
- Page 992 and 993:
L’Harmonie nach Rossinis Carità
- Page 994 and 995:
La Marche funèbre 6 fut la premiè
- Page 996 and 997:
Raritäten, Kuriositäten, Albumbl
- Page 998 and 999:
Der erste Entwurf einer Klavierfass
- Page 1000 and 1001:
Das Programm wird mit achtzehn Albu
- Page 1002 and 1003:
eine, auf der vorliegenden CD einge
- Page 1004 and 1005:
gleichen Namens in der Suite Weihna
- Page 1006 and 1007:
unvollendeten Arrangement dar. Wie
- Page 1008:
FRANZ LISZT Drawing by George T Tob
- Page 1011 and 1012:
Three early drafts of pieces in the
- Page 1013 and 1014:
day players in Hungarian orchestras
- Page 1015 and 1016:
The rest of the manuscript contains
- Page 1017 and 1018:
pianist: the complete solo piano mu
- Page 1019 and 1020:
utilise le chant Hry„ dans le pre
- Page 1021 and 1022:
Il est impossible de savoir combien
- Page 1023 and 1024:
Liszt - Neuentdeckungen ls 1999 die
- Page 1025 and 1026:
mittelschweren Sammlung aufgab. Das
- Page 1027 and 1028:
die vorliegende Musik die erste uns
- Page 1029 and 1030:
Liszt NEW DISCOVERIES - 2 LESLIE HO
- Page 1031 and 1032:
the 1853 set - as part of Bénédic
- Page 1033 and 1034:
mentioned in the check-list above.
- Page 1035 and 1036:
Postcript: an unfortunate glitch in
- Page 1037 and 1038:
Leslie Howard was born in Australia
- Page 1039 and 1040:
s’affirma au fil des ans. Après
- Page 1041 and 1042:
dans la liste supra. La septième p
- Page 1043 and 1044:
Post-scriptum: une malheureuse mala
- Page 1045 and 1046:
mit dem Einzelstück von 1833/34 (s
- Page 1047 and 1048:
7 Chopin [das Stück konnte nicht i
- Page 1049 and 1050:
Auf den letzten Blättern des Skizz
- Page 1051 and 1052:
Wenn Ihnen die vorliegende Aufnahme
- Page 1053 and 1054:
Liszt NEW DISCOVERIES VOLUME 3 LESL
- Page 1055 and 1056:
COMPACT DISC 2 [62'00] 1 de Wielho
- Page 1057 and 1058:
LISZT wrote two major works on Span
- Page 1059 and 1060:
“Pretty girl from Tisza district
- Page 1061 and 1062:
LESLIE Howard Annual re-engagements
- Page 1063 and 1064:
avez peu de foi ? Alors il se leva,
- Page 1065 and 1066:
Le manuscrit de Wilde Jagd : Scherz
- Page 1067 and 1068:
erleben. Das Wunder stellt folgende
- Page 1069 and 1070:
diese Version erschien zum ersten M
- Page 1071 and 1072:
Recorded in All Saints’ Church, E
- Page 1074 and 1075:
T THE RECITATIONS HE WORKS recorded
- Page 1076 and 1077:
itself runs to some thirty verses a
- Page 1078 and 1079:
L LES RECITATIONS E MÉLODRAME de s
- Page 1080 and 1081:
Der traurige Mönch (Ballade von Ni
- Page 1082 and 1083:
en lui-même contient une trentaine
- Page 1084 and 1085:
Die Werke, die hier in der Aufnahme
- Page 1086 and 1087:
omantisch, und die Fingerabdrücke
- Page 1088 and 1089:
4 A holt k¤ltapple szerelme Zeng a
- Page 1090 and 1091:
JÔ hosszı az Âj ott, meszzi a ha
- Page 1092 and 1093:
5 Sl¨poj I Knqz; vy¨xal, rano6 sr
- Page 1094 and 1095:
XIV XV XVI I lnk, ozaren, ego t¨m,
- Page 1096 and 1097:
XXVIIIQ mnil,5 zti gusli dlq knqzq
- Page 1098 and 1099:
LISZT HAROLD IN ITALY BERLIOZ, GOUN
- Page 1100 and 1101:
it for the viola virtuoso Hermann R
- Page 1102 and 1103:
trouve à la fin de la Marche des P
- Page 1104 and 1105:
am Ende des Pilgermarschs in Harold
- Page 1106 and 1107:
Music for Piano and Orchestra - 1 L
- Page 1108 and 1109:
COMPACT DISC 2 - 79'07 Concerto in
- Page 1110 and 1111:
Concerto No 2 was finally ready in
- Page 1112 and 1113:
irae in his Symphonie fantastique,
- Page 1114 and 1115:
the tutti the coda begins with a re
- Page 1116 and 1117:
from the manuscripts—one for solo
- Page 1118 and 1119:
LISZT Musique pour piano et orchest
- Page 1120 and 1121:
développement par transformation d
- Page 1122 and 1123:
occurrence des deux premières phra
- Page 1124 and 1125:
développement et récapitulation,
- Page 1126 and 1127:
avait déjà réalisé une copie po
- Page 1128 and 1129:
LISZT Musik für Klavier und Orches
- Page 1130 and 1131:
Tradition erhalten, zum Beispiel zu
- Page 1132 and 1133:
gesamte Orchester eine Rolle spielt
- Page 1134 and 1135:
Manuskripte belegen, daß er im Zei
- Page 1136 and 1137:
Scherzando-Form mit eingeschobenen
- Page 1138 and 1139:
Music for Piano and Orchestra - 2 L
- Page 1140 and 1141:
COMPACT DISC 2 - 77'47 Concerto pat
- Page 1142 and 1143:
eady in 1861, but by this stage Lis
- Page 1144 and 1145:
the form of a polonaise, and ending
- Page 1146 and 1147:
eing replaced by more solid chords
- Page 1148 and 1149:
obvious to the ear: the introductor
- Page 1150 and 1151:
that will not return 1, and a piano
- Page 1152 and 1153:
15 rendre plus maître de son art),
- Page 1154 and 1155:
Sayn-Wittgenstein. Ce cas est néan
- Page 1156 and 1157:
du scherzo et la dernière page d
- Page 1158 and 1159:
l’interruption du glissando (le b
- Page 1160 and 1161:
comme le Concerto en style hongrois
- Page 1162 and 1163:
aber da er später die Soloversion
- Page 1164 and 1165:
locken. Wie Iwo und Pamela ZaÏuski
- Page 1166 and 1167:
einen Ganzschluß folgt das Scherzo
- Page 1168 and 1169:
die Musik wieder der Fassung für z
- Page 1170 and 1171:
abschließende Allegro con fuoco cl
- Page 1172 and 1173:
Particular thanks are due to Orches
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