- Page 1 and 2: MiDlllilllilhllllHIinilllilllltlill
- Page 3 and 4: Cornell University Library ML 100.G
- Page 8 and 9: FEANZ PETER SCHUBERT
- Page 10 and 11: \ aas~'^'^q By the MACMILLAN COMPAN
- Page 12 and 13: . LIST OF CONTRIBUTORS Sir George G
- Page 15: LIST OF ILLUSTRATIONS Franz Peter S
- Page 18 and 19: QUALITY basso eontinuo. In 1606 he
- Page 20 and 21: name 4 QUARTET growth of the sympho
- Page 22 and 23: — 6 QUARTET of instrumental music
- Page 24 and 25: — —' — ' 8 QUICK-STEP QUINTE
- Page 26 and 27: ' — 10 QUINT^US occurs in the ' G
- Page 28 and 29: ; — 12 KACKET EADZIWILL (Includin
- Page 31 and 32: BAFF EAFP 13 Beethoven to subscribe
- Page 33 and 34: ' ; ' RAFF RAFF 15 phonies in G min
- Page 35 and 36: ' ; EAINFOETH EALLENTANDO 17 Cappel
- Page 37 and 38: — RAMEAU RAMEAU 19 pieces de clav
- Page 39 and 40: ' ; EAMEAU RAMEAU 21 Pastoral (The3
- Page 41 and 42: , RAMSEY EAM)EGGEE D '23 lessons be
- Page 43 and 44: ' rowed about in boats. Eanelagh wa
- Page 45: JEAN PHILIPPE BAMEAU
- Page 48 and 49: 28 RASOUMOWSKY KAUZZINI Quartet in
- Page 50 and 51: — 30 RAYMOND AND AGNES KEADE Thom
- Page 52 and 53: 32 REBEC REBEL and over the cavity
- Page 54 and 55: 34 RECITATIVE RECITATIVE of art, th
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—' 36 RECITATIVE EECITING-NOTE co
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which — ' : a 38 EECORDER KEOOEDE
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— —; — — ' 40 KECTE ET RETE
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— 42 REDOWA EEED and others priva
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' Back ' A ' A ' — ' "While the e
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' —' 46 REEVES BEEVES 1803; 'The
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. handles the ' ' " 48 KEGAN REGER
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50 REGNART EEGONDl Collection of th
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; 52 REICHA EEICHARDT Theresa was o
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; , REINACH, ; 56 EEIMANN EEINAOH i
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58 REINER EEINHOLD 1872 he made ext
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— ' 60 REISSMANN RELATION at Dres
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EELATIVE EELLSTABB adjustment of su
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64 E^MY RENAUD ment ; the connectio
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06 REPORTS effective use of repetit
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— 68 RESOLUTION RESOLUTION sonano
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— ' 70 EESOLUTION BBSPONSE The mi
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— -fj — ; — — — ; 72 KESP
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. ; — 74 RESPONSORIAL PSALMODY EE
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— is — 76 RESULTANT TONES RESUL
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' 78 EESZKE EEUTTEE his intention o
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' 80 REY BEYER same year the King d
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; was EEYER EEZNICEK 81 1854. (Revi
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' EHAW EHEINBEEGER 83 The last move
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. . . . Fantasia, . . 7 . Ist , 4 ,
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; RHYTHM RHYTHM 87 barring of their
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' EIBIBLE BICCI 89 it foi- ever in
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;' RICHAFOET RICHARDS 91 Weaver (ad
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HANS BICHTER
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Richter — 94 EICHTER RIDDELL much
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— — 96 KIEMSDIJK EIES masterpie
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' ; — ; 98 RIES RIETEE-BIEDEBMANN
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; 100 RIGADOON EIGBY As a composer
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102 EIMSKY-KOESAKOV EIMSKY-KOESAKOV
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' ' . EIMSKY-KORSAKOV RIMSKY-KOESAK
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. time ' — and ' ; — RINALDO RI
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— RINFOEZANDO EIOTTE 107 period,
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—— ' ' EITTER RITTER 109 in 160
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— ' — ROAST BEEF OF OLD ENGLAND
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ROBINSON ROBINSON 113 ; ' inasmuch
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, Do. . Do. , Do. , Vittoria. . Do.
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:! ;' RODE RODWELL 117 achieved his
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a ;' and ' KOGEL ROGER 119 His son,
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— ' ROGUES' MARCH, THE EOI DES VI
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— ROKITANSKY EOLLE 123 'Aida,' 'F
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— — — ROMANTIC EOMANTIC 125 s
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ROMANTIC ROMANTIC 127 to lis from a
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; EOMBEEG IIOMBERG 129 qualities ar
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ROME ROME 131 papal choir received
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ROME ROMEO AND JULIET 133 tenance o
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— — RONDEAU RONDO 135 popularit
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' ROOT ROOT 137 He died Oct. 14, 18
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— ' — EOPAETZ EOSA 139 entitle
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' EOSA ROSALIA 141 and devote himse
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' EOSE ROSEINGRAVE 143 oulars'see N
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' ' ; KOSEINGRAVE EOSELLEN 145 ' Hi
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ROSENTHAL ROSIN 147 style of instru
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ROSSI KOSSI 149 Hebrew and Italian,
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GIOACCHIXO AXTOXIO K06SIXI
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' —; 152 EOSSINI ROSSINI was brou
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154 ROSSINI BOSSINI to invent a hap
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' 156 ROSSINI ROSSINI opponents in
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;' wine from the cellar, which it i
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' leo ROSSINI ROSSINI (Edipus. Thes
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' ' ROSSINI ROSSINI more morement,
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; —; 164 ROSSINI ROTA G. Carpani.
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' , 166 ROUND EOUSSEAU popular. Amo
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— ; 168 EOUSSEAU'S DREAM ROVESCIO
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170 EOYAL ACADEMY OF MUSIC ROYAL AC
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172 ROYAL ACADEMY OF MUSIC ROYAL CH
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; ' 174 EOYAL COLLEGE OF ORGANISTS
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176 ETJBATO EUBINI ' when she sang
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EUBINI celebrity, a Frenchwoman by
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ANTON GREGOR RUBINSTEIN
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180 RUBINSTEIN EUCKEKS ' Op. Op. .
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. 182 RUCKERS EUCKERS Kareest, schi
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184 EUCKERS RUCKERS There is also e
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186 EUCKERS No.
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188 RUCKEES So.
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; ' 190 RUDOLPHy ARCHDUKE RUDOLPH,
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192 RUCKAUF EULE, BRITANNIA! (Sea J
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A 194 RUMMEL RUSSELL Vogler. In 1 8
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196 KUTHEBFOED RYAN works by Bach a
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— — — : 198 SABBATINI SAOCHIN
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; ' 200 SACCHINI SACKBUT in very mu
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'; ; 202 SACRED HARMONIC SOCIETY SA
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' 204 SAINT ANNE'S TUNE SAINT-AUBIN
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' 206 SAINT HUBERTY ST. JAMES'S HAL
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— ST. PATRICK'S DAY SAINT-SAENS 2
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. Fantaisie . SAINTON SAINTON-DOLBY
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ANTONIO SALIERI
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' 212 SALIEEI SALIEEI While Gaasman
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— ; 214 SALMON SALO Boyal, May 28
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s 216 SALOME SALOMON doubtless coun
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— '' 218 SALVE EEGINA SAMARA perf
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' ; objection may be urged, with eq
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' '; 222 SANTLEY SANTLEY collection
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— ' 224 SARASATE SAEASATE Coverle
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' SAERUSOPHONE SARTI 225 in life he
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' SARTOEIS SAURET 227 able to prono
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— ; SAVART SAVILE 229 ateliers of
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SAX SAX 231 and then set up in Brus
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' — — SAXHOEN SAXHORN 233 Schem
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— ; SCALCHI SCALE 235 ornaments.
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— — SCALE SCALE 237 C to G, , P
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SCANDELLO SCANDELLO 239 quartet, th
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ALESSANDKO SCARLATTI
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' and ' 242 SCARLATTI SCARLATTI by
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' 244 SOAELATTI SCARLATTI what grea
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; . 246 SCARLATTI SCARLATTI was unw
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248 SCENARIO SCHARWENKA place of pu
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— — 250 SCHAUSPIELDIEECTOR, DER
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; 252 SCHEIDEMANN SCHEIDEMANTEL and
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' 254 SCHEIDT SCHEIDT III. Tertiaet
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6 256 SCHEIN SCHELBLE Sohein is chi
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258 SCHENK SCHERZO director to Prin
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' f260 SCHERZO SCHEEZO ^called Minu
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' 262 SCHIEVEE SCHIKANEDEE of this
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264 SCHINDLER SOHIEA a French music
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— ' 266 SCHLAGINSTRUMENTEN SCHLIC
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'; 268 SCHMELTZL SCHMITT and then c
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— 270 SCHNELLER SCHOBEET the seco
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272 SCHONBEKGER SCHOLA CANTOEUM, TH
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274 SCHOTTISCHE SCHRADIECK brother,
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' ' 276 SCHRODER-DEVEIENT SCHRODER-
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' SCHRODEE-DEVRIENT SCHROTER 277 or
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SCHUBAET SCHUBERT 279 Winterfeld sa
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; —' 1 SOS- SCHUBERT —1810 2S1
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a 1814 SCHUBERT 1814 283 To avoid a
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' ;' —; f 1815 SCHUBERT 1815 285
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; 6; 1816 SCHUBERT 1816 287 ' Diego
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1816— SCHUBERT -1817 289 througho
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—' ; ' 1818 SCHUBERT 1818 291 are
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was 3 — 1819- SCHUBERT —1820 29
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He 1821 SCHUBERT 1821 295 ' Waldesn
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1821- SCHUBERT -1822 297 so impossi
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— , 1822- SCHUBEET -1823 299 •
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' 1823— SCHUBERT —1824 301 it i
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! ' 1824- SCHUBEET -1825 303 party.
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— ' 1825- SOHUBEET -1826 305 good
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—; ; 1826 SCHUBERT 1826 307 this
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' ' 1827 SCHUBERT 1827 309 Schubert
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— —; 1827- SCHUBERT —1828 311
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— ' 1828 SCHUBERT 1828 313 warm a
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— ; ' 1828'' SCHUBERT 16 315 The
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; ' ; ' Euryanthe ' and Rosamunde,'
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— ' well-known ' Schwanengesang,'
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—' ; ; SCHUBERT 321 programmes of
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y the small things of life. He had
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—' ' SCHUBERT 325 traces appear i
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— — SCHUBERT 327 other parts of
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Fac-simile page of the manuscript o
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— —; 118, 6), are strophio song
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'; element which it contains, the J
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— Such faets as these reduce the
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Date. SCHUBEET SCHUBERTH 335
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' SCHUTZ SCHUTZ 337 education in th
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' SCHUTZ SOHUTZ 339 twice in the fo
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— ; SCHULHOFF SCHULTHESIUS 341 Bt
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' — By this means, with a compara
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CLARA JOSEPHINE SCHUMANN
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— 346 1810- SCHUMANN -1828 modern
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—: 348 1829- SCHUMANN -1830 origi
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' ' 350 1832- SCHUMANN -1834 ciicum
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: ; 352 1835 SCHUMANN 1835 1836 : '
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354 1835- SCHUMANN —1839 scratch
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356 1838— SCHUMANN -1840 work, fo
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— 358 1840— SCHUMANN -1843 ol'
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'; ' 360 1844— SCHUMANN -1847 his
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; — 1848- SCHUMANN —1850 societ
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' ' 364 1850— SCHUMANN -1852 was
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' ; 366 1853- SCHUMANN -1854 So far
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368 SCHUMANN musical periodicals of
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more than he would afterwards have
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' SCHUMANN 371 a, es, c, h (A, E|>,
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' SCHUMANN 373 positions of the fir
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: ' ' SCHUMANN 3V5 'Warte, warte, w
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It contains much enchanting beauty,
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' ' and a few really good musical s
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;' Sohiimann inserted all the instr
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Wllhelm . , — . . SCHUMANN SCHUMA
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' SCHWARBEOOK SCHWENKE 385 events a
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:; SCOEDATURA SCORE 387 the third w
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;; SCOEE SCOTCH SNAP 389 natural de
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; — SCOTT SCOTTISH MUSIC 391 SCOT
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' ' ' fyrst hed ane drone bag pipe,
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' — SCOTTISH MUSIO SCOTTISH MUSIC
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— ! ; SCOTTISH MUSIC SCOTTISH MUS
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— — SCOTTISH MUSIC SCOTTISH MUS
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' ' A ' A SCOTTISH MUSIC SCOTTISH M
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' — : — SCEIBE SCRIPTOEES 403 1
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, SEBASTIANI SECHTER 405 In 1813 Cl
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— . : SEELING SEGUIDILLA 407 bett
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ANTON SKIDL
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' 410 SEMELE SEMIBREVE original MS.
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a: in the Gregorian system of notat
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' ' ' SENESINO SENESINO 413 Leclair
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— — — — SEQUENCE SEQUENCE 4
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' ' SEQUENTIA SEEAPHIN 417 it is ca
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' SEEES SEEMISY 419 lated equivalen
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' SEROV SEEOV 421 eleven were compo
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^ SEEPENT SERPETTE 423 discovery of
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'; — SERVICE SERVICE 425 The orig
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SESTET SEVOIK 427 8, 1809, as 'one
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; SEVENTH SEVENTH 429 stituting how
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' ' SFOGATO SGAMBATI 431 Winter, li
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— — . SGAMBATI SHAKE 433 the si
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' SHAKE SHAKE 435 Bach, Prelude No.
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' SHAKE SHAKE 437 g^^F^^^P leaps fr
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'' SHAMUS O'BRIEN SHAW 439 theMaryi
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— ; and . SHEPHERD SHERWOOD 441 w
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' SHIFT SHIKREPF 443 demonstrates i
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; ; SHRUBSOLE SHUDI 445 not exceed
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' SI CONTRA PA SIBELIUS 447 but, ha
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fashion in England and to have been
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— — —; SIGNATURE SIGNATUEE 45
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! — SILBEEMANN SILOTI 453 nliat m
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; — SIMONE BOCCANEGRA SIMPSON 455
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at 266 Regent Street. F. K. SIMPSON
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SINGING SINGING 459 August Grell, w
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SINGING SINGING 461 subsidence of t
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SINGING SINGING 463 slight cough *
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— SINGING SINGING 465 By various
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' SINGING SINGING 467 been confused
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' ' SINGSPIEL SINGSPIEL 469 ' Der T
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— SIR ROGER DE COVERLY SIREN 471
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— SIEMEN SISTINE CHOIR 473 ' Juda
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— SISTINE CHOIR SISTINE CHOIR 475
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SIVOEI SIVORI 477 classical player.
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; SJOGREN SKENE MANUSCRIPT 479 20th
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— SLIDE SLIDE 481 from the slight
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SLIDE SLUE 483 way to a truer mode
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' SMART SMETANA 485 musical profess
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FKIEDRICH SlIETAXA
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; 488 SMITH SMITH course of the twe
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; 490 SMITH SMYTH In 1828 he brough
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' 492 SOOIETA ARMONICA SOCIETY OF B
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— ; 494 SOGGETTO SOLESMES which i
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' ' 496 SOLESMES SOLESMKS however,
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'; ' 498 SOLFEGGIO SOLFEGGIO of oom
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500 SOLMISATION SOLMISATION with ou
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' 502 SOLMISATION SOLO ORGAN method
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' ; 504 SOMIS SONATA 'The Power of
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506 SONATA early attained to a crud
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508 SONATA for violin and violoncel
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' 510 SONATA seems to be distinctly
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512 SONATA fugue, illustrated with
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—; Vivacity, humour, genuine fun,
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516 SONATA W ^i^J-?=£3=J:^*^ :JaJ=
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; 518 SONATA which, alone made it e
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520 SONATA major. Each movement has
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, 522 SONATA the minor of the princ
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; 524 SONATA and the broadening of
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; 526 SONATA preternaturally formid
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528 SONATA Two other composers of s
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530 SONATA No. 6 in D. They are gen
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532 SONATA first subject reappears
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; . ; 534 SONATA one more in accord
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— 536 SONG the simpler rules of c
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—' 538 SONG of Charlemagne, 8 IS.
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540 SONG 17th centuries than the ch
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' ' 542 SONG in structure and chara
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; ' . ; 544 SONG ' Chansons Fopulai
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546 SONG nature and its elements, o
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— — 548 SONG J'rologo des milag
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' — — — — — . 550 SONG Or
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— 552 SONG played an important pa
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; 554 SONG Nunes, Pires, Joao Leal,
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— ^ — 556 SONG Fragmenit of a M
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558 SONG Ex. 4. Madrigcde a voce so
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' 560 SONG very loosely and indiscr
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562 SONG Looking back on the past h
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— 564 SONG Caudella. The latter w
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; 566 SONG produced no effect on th
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' :' ; 568 SONG Gurilev, Vassilev,
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— — ' — — 570 SONG The chie
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572 SONG (Historical Songs with Mus
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' 574 SONG important factor in musi
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I J-J-J and /J — — 576 SONG bet
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— 578 SONG the old and modern fol
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; 580 SONG treasures of poetry and
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— 582 SONG The northern melodies
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• 584 SONG Songs, ' and more espe
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'; ; . 586 SONG folk-song spirit, a
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— 588 SONG The Netherland masters
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— 590 SONG Ex 5 SpotUed op da Bos
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' ' 592 SONG writer and a great fav
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: — 594 SONG contemptuously terme
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8 ' 596 SONG style of their solo so
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598 SONG years younger than Ariie.
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600 SONG treated effectively is ope
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— ' 602 SONG divided into three p
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— ' : 604 SONG reproduced the bea
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a ; ' 606 SONG the Song-booka the a
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' ; 608 SONG Among the writers of t
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; to be mentioned as representatiTe
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; ' 612 SONG runner of Schubert and
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614 SONG The founder of the true Ba
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616 SONG all have shown tliat if th
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— ' 618 SONG-SCHOOL SONNLEITHNER
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' 620 SONTAG SONTAG production in 1
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SONTAG SOPEANO 621 was tempted to r
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' SORDINO SORIANO 623 damper pedal
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SOTO SOUND-HOLES 625 grand ') and t
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— ; SOUND-HOLES SOUND-POST 627 of
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— — ; SPAGNOLETTI SPARK 629 bro
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, SPEYER SPINET 631 ?th Fsalm. Marc
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— —— SPINET SPINET 633 refere
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SPINET SPINET 635 divergence of hig
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— SPINET SPITTA 637 April 4, 1668
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LOUIS SPOHE
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; 640 SPOHR SPOHR soon afterwards,
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—' From 642 SPOHR SPOHR of the ne
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' ; 644 SPOHR SPOHE days most rarel
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'; 646 SPONTINI SPONTINI, Gasparo L
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^ SPONTINI 647 out success) in Berl
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— SPONTINI 649 the singularly hap
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— SPONTINI 651 was again revised,
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' from inherent reasons, it never c
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SPONTINI 655 might not have discour
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' show how far he fell short of the
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' SPONTINI 659 very graceful compos
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Aug. 25, on terms of royal generosi
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— SQUIEE STABAT MATER 663 early c
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— STADEN STADEN 665 are sustained
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. — ; ' STANDCHEN STAINER 667 ser
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—; — STAINER STAINEE 669 out ;
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' ; ; STAMATY STANFORD 671 STAMATY,
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— ' . STANFORD STANFORD 673 have
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—' STAECK STASSOV 675 than once f
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' — STAVE STEFFANI 611 definitely
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1; STEPFANI STEFFANI 679 were paid
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' STEFFANI STEFFANI 681 composition
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STEIBELT STEIBELT 683 as u full-fle
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' STEIBELT STEIBELT 685 issued very
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I 3 6 Grand _ , . 6 ' 2 ' I 2 Sonat
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1 STEIN STEIN 689 engraving was by
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STEINBACH STEINWAY & SONS 691 speed
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; STEPHENS STEELING 693 Cipriani Po
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'; '; STEVENS STEWART 695 Of somewh
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STIEHL STOBAEUS 697 STIEHL, Hbinkic
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) STOCKFLOTE STOCKHAUSEN 699 conduc
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' STOKES STOLTZER 701 STOKES, Chael
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STOPS (HARPSICHORD) STORAGE 703 by
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1794 ; STORNELLO STEADA DEL PO 705
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' ' —" STEADELLA STRADIVARI 707 t
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: STRADIVARI STRADIVARI 709 violin-
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' STEADIVARI STRADIVARI 711 about 1
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STRAIGHT & SKILLERN STEATHSPEY 713
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STRAUSS STRAUSS 715 14, 1804. As a
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' STRAUSS STRAUSS 717 and published
- Page 783:
KICHAKD STRAUSS
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; . 720 STEBET 16. Aus Italieu, Sym
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— — E — 722 STKIOT COUNTERPOI
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724 STRICT COUNTEEPOINT STRICT COUN
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— ; ' 72^ STRIGGIO STRINASACCHI 1
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' 728 STRING STRONG Concert Grands,
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' ' 730 STEUNQK SUBJECT the usual f
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in 732 SUBJECT SUBJECT Subject, on
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; 734 SUBJECT SUBJECT these constan
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— — ' 736 SUCCENTOR SUCHER Equa
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; ' 738 SUITE SUITE Padnans and Gai
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• — 740 SUITE SUITE the subdomi
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742 SUITE SUITE that it may be well
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744 SULLIVAN SULLIVAN He then retur
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' — 746 SULLIVAN SULLIVAN was rea
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i. 1 '^MlUr. 1 I ' ' I.., ' ' ..' I
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' r 750 SUMER IS Cantus I. i [l]g^S
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— —; ; 752 SUMER IS ICUMEN IN i
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754 SUMER IS ICUMEN IN SUNDERLAND a
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'; ,' 756 SURIANO SUSPENSION SURIAN
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a 758 SUSPENSION SVENDSEN of rules
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; — 760 SWEELINOK SWELL (HARPSICH
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' ; ' 762 SWINEY SYMPATHETIC TONE H
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' 764 SYMPHONY forth were still sym
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766 SYMPHONY terien. The form of th
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768 SYMPHONY ; ^^g^l g gttB^g^pggS
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770 SYMPHONY Mozart's work, therefo
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772 SYMPHONY Presto. Comi in E. Vio
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' 774 SYMPHONY and appropriateness
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ideas — 776 SYMPHONY Haydn in the
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778 SYMPHONY the muaic. The step to
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; 780 SYMPHONY and fascinating wilf
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782 SYMPHONY days at the Convict ;
- Page 850 and 851:
784 SYMPHONY The work approaches mo
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to — : 786 SYMPHONY called Saltar
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— 788 SYMPHONy of technical defic
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; 790 SYMPHONY Symphony being defin
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792 SYMPHONY idiosyncrasies. On the
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' —; ' 794 SYMPHONY times, is Lis
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796 SYMPHONY perfection as the othe
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798 SYMPHONY CONCERTS SYMPHONY CONC
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800 SYMPHONY CONCERTS IN U.S. SYMPH
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802 SYMPHONY CONCERTS IN U.S. SYMPH
- Page 870 and 871:
; ; £04 SYMPHONY CONCERTS IN U.S.
- Page 872 and 873:
806 SYMPHONY CONCERTS IN U.S. SYMPH
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' ' 808 SYEINX SZYMANOWSKA SYRINX.
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' ' ' read ' ' ADDENDA ET CORRIGEND
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