barbara jansen - BADA

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Dear Reader, I am delighted you are my audience today. Warm welcome to a journey through my thesis work. Please view the interactive thesis on the CD first. Enjoy, ISBN 978-91-85659-94-4 Handle-id http://hdl.handle.net/2320/12236 Published: May 2013 Printed and bound: Responstryck AB, Borås Copyright 2013 Barbara Jansen Editor: Lars Hallnäs
Composing over time, temporal patterns – in Textile Design BARBARA JANSEN UNIVERSITY OF BORÅS STUDIES IN ARTISTIC RESEARCH NO 5 2013
Page 1: Composing over time, temporal patte
Page 5 and 6: PRELUDE. . . . . . . . . . . . . .
Page 7 and 8: Textiles With the beginning of the
Page 9 and 10: on the circadian dominated body pro
Page 11 and 12: in Light Shell (2008) and Light and
Page 13 and 14: quickly became my main goal. Explor
Page 15 and 16: This form of physical involvement i
Page 17 and 18: physical objects, viz. the developm
Page 19 and 20: “The work of designing light is a
Page 22 and 23: experiments
Page 24 and 25: experiments Experimental Set-up: La
Page 26 and 27: experiments There are two ways in w
Page 28 and 29: experiments There are two ways in w
Page 30 and 31: experiments colour flow_part 1 The
Page 34 and 35: experiments The graphics below, rep
Page 38 and 39: experiments colour flow_part 1 In t
Page 40 and 41: experiments colour flow_part 2 Expe
Page 42 and 43: experiments colour flow_part 2 scen
Page 44 and 45: experiments colour flow_part 2 Scen
Page 46 and 47: experiments colour flow_part 2 Rese
Page 48 and 49: EXPERIMENTS such a solution is an o
Page 50: experiments colour flow_part 2 The
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ate complex patterns, compositions
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experiments rhythm exercise Experim
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experiments There are two ways in w
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experiments There are two ways in w
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experiments rhythm exercise_part 1
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experiments rhythm exercise_part 1_
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hythm exercise_part 2 “step by st
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1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,
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1 2 3 4 5 6 7 8 9 10 11 12 13 Movem
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play 83
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Third Set-up First Second Third Set
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Phrase 12 ... ... ... 87
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Third Set-up: Code Microcontroler D
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The thirteen voices are now playing
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experiments avoiding making them ap
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experiments The following descripti
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experiments The element in Part 1 w
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Third Set-up Fourth Set-up gives th
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Creating timing/timeline for each L
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Expressions - achieved The research
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Timing order: Voice/LED 3 Voice/LED
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Time - Light Warum ziehen gewisse D
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Composition Research Diary Note (rh
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∞ ∞ elements unit composition =
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Non-physical Variables: Notions: Li
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Design process: Instrument + Compos
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come of my work in the form of text
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Research Results Concluding the res
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acknowledgements
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eferences
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eferences HEMMINGS, J. 2012. Warp +
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efernces NOSAD. N.D. NOSAD. Availab
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Page: 10 Graphics: DEHOFF, P. 2008.
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Optical Fibres “What are optical
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woven light - powered by sun energy
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Industrial weaving MA Studies, 2006
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Industrial weaving MA Studies, 2006
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Light Shell MA Thesis, 2008 The Swe
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Esparteria EL Puerto de Santa Maria
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Esparteria Pilas, Andaluzia, Spain,
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Textiles, between 2005-2008. Many t
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Figure 1 Figure 2 Figure 3 on indus
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Figure 4 Figure 5 Figure 6 a heat s
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into knitted structures 3D knitting
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cepts incorporating dynamic lightin
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This paper has discussed a varying
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SMART TEXTILES BARBARA JANSEN rhyth
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of designing textiles using a new v
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SMART TEXTILES BARBARA JANSEN, MARI
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206 52
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DESIGN PROCESS The starting point o
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barbara jansen - BADA

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