poiranga handloom cluster kamrup - Designclinicsmsme.org

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• The Weaver The Poiranga area has a cross section of weavers from different communities and castes. There is also a fair distribution between tribal and non-tribal weavers. In fact <strong>handloom</strong> weaving is more or less a household activity. Out of the entire weaving population only a very small percentage of them have been able to provide a good living standard to their families, i.e. providing education or necessary consumables. Only some families have been able to undertake loom up gradation Design Clinic 5 Band Workshop Report : Poiranga Handloom Cluster, Boko | 2011 | Dibakar Choudhury 26
• Contribution of Women Weavers: Women are engaged in the weaving industry in a major way even though their contribution is either unpaid or poorly paid for the ancillary activities if performed by her outside family weaving. It is estimated that about 99% of the weavers are women. ● Women are mainly confined to the house, although there are some examples of women going for cultivation work. Design Clinic 5 Band Workshop Report : Poiranga Handloom Cluster, Boko | 2011 | Dibakar Choudhury 27
Page 1 and 2: Interactive Design Study Cluster Le
Page 3 and 4: • Interactive Design Study | Ront
Page 5 and 6: MINISTRY OF MSME MSMEs. The total s
Page 7 and 8: IIE • The approach of the Indian
Page 9 and 10: POIRANGA AND ADJOINING AREAS OF •
Page 11 and 12: • Palashbari: The old Palashbari
Page 13 and 14: • Boko: Boko is also a trading ce
Page 15 and 16: The last 100 years have seen the gr
Page 17 and 18: POIRANGA located in South Kamrup Di
Page 19 and 20: THE HANDLOOM SECTOR IN INDIA- A RET
Page 21 and 22: • At the time of independence, th
Page 23 and 24: • strategic interventions to enab
Page 25: • The Master wavers Decades back,
Page 29 and 30: • The self-sufficient weaver spen
Page 31 and 32: Life cycle of silk worms has four s
Page 33 and 34: Rearing schedule for eri silkworm:
Page 35 and 36: • Autumn season: 5 th batch Septe
Page 37 and 38: De-gumming of eri cocoons: Cocoon c
Page 39 and 40: Eri is not a continuous filament an
Page 41 and 42: Charka type spinning machine The ch
Page 43 and 44: • Spinning on a `takli` also brin
Page 45 and 46: 6 Season for raising plantation Cas
Page 47 and 48: • 1. Procurement of raw material:
Page 49 and 50: Eri culture: The silk produced by P
Page 51 and 52: Raw Material: The basic raw materia
Page 53 and 54: eakthrough in terms of requirement
Page 55 and 56: Market size and destination: Design
Page 57 and 58: mainly Nepal from where it is marke
Page 59 and 60: • Some weavers directly sell the
Page 61 and 62: • If there are any significant co
Page 63 and 64: It is in relation to the external b
Page 65 and 66: 3 Master Weavers earning between Rs
Page 67 and 68: Branding and effective use of Geogr
Page 69 and 70: Six treadle and design development
Page 71 and 72: DRAFT ACTION PLAN • The strategy
Page 73 and 74: Creation of social capital: ● Cre
Page 75 and 76: • Unit 2 • Name of the owner: T
Page 77 and 78:
• Unit 5 • Name of the owner: B
Page 79 and 80:
• Unit 9 • Name of the owner: R
Page 81 and 82:
• Unit 13 • Name of the owner:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
5. The existing product Makhela-cha
Page 89 and 90:
• Marketing & Designing: • The
Page 91 and 92:
The Resource centers in the state t
Page 93 and 94:
c. Existing status and opportunity
Page 95 and 96:
d. Scope of technology, modernizati
Page 97 and 98:
OPPORTUNITIES: . 1. The production
Page 99 and 100:
g. Details of market and competitio
Page 101 and 102:
h. Study for the need of training a
Page 103 and 104:
j. Packaging and logistics related
Page 105 and 106:
k. Exhibition/ Display design oppor
Page 107 and 108:
l. Study of infrastructure set up f
Page 109 and 110:
CONCLUSION • The visit to Poirang
Page 111 and 112:
• A single family may rear, spin,
Page 113 and 114:
• Weakness & Implications: • 1.
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After Workshop Report DCS MSME Sche
Page 117 and 118:
Interactive Design Study • They a
Page 119 and 120:
DCS MSME Scheme MSME clusters over
Page 121 and 122:
• The attempt of this NAS is to i
Page 123 and 124:
As for the socio-cultural milieu, S
Page 125 and 126:
Design Clinic 5 Band Workshop Repor
Page 127 and 128:
Raw Material: Design Clinic 5 Band
Page 129 and 130:
Design Clinic 5 Band Workshop Repor
Page 131 and 132:
Six treadle and design development
Page 133 and 134:
ESSENTIAL ACTION PLAN • The strat
Page 135 and 136:
Creation of social capital: ● Cre
Page 137 and 138:
5. The existing product Makhela-cha
Page 139 and 140:
Scope of Design Project As the Poir
Page 141 and 142:
* The domestic market for handloom
Page 143 and 144:
Schedule of 5 Day design Workshop u
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