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narratives of three generations of urban middle-class - eTheses ...

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embedded in culture and history and is constituted by these shared meanings that pose<br />

limits to its unbounded creativity and reflexivity.<br />

In this context, it is pertinent to bring in Smart’s (2007) ‘connectedness thesis’ that is<br />

sociologically grounded in many <strong>of</strong> her empirical research projects. Connectedness is<br />

not a normative concept but is important for defining the ‘personal’ in personal life that<br />

incorporates all sorts <strong>of</strong> families, relationships and intimacies, diverse sexualities,<br />

friendships and acquaintanceships. The personal here is significant in denoting the<br />

importance <strong>of</strong> the individual, yet avoids the sense <strong>of</strong> separateness and autonomy that<br />

overlook its socio-cultural embeddedness (Smart, 2007: 188). The individualization<br />

thesis which focuses solely on fragmentation and differentiation needs to be counter<br />

balanced by an awareness <strong>of</strong> reciprocal emotion, entwinement, memory, history and all<br />

forms <strong>of</strong> sociality that keeps people connected (Smart, 2007: 189).<br />

A very important sociological contribution made by Smart’s (2007) theorization <strong>of</strong><br />

personal lives is the social significance <strong>of</strong> the ‘imaginary’, memory and nostalgia. She<br />

argues after Misztal (2003) that individual memory is pr<strong>of</strong>oundly collective and social as<br />

it relies on specific contexts to be meaningful and on communication to become a<br />

memory (39). The imaginary therefore is connected with memory and is not limited to<br />

individual or personal imaginings but also connects with the social and cultural level<br />

(Smart, 2007: 49). Her novel contribution lies in the sociological acknowledgement that<br />

although recall is <strong>of</strong>ten a largely conscious process, what is recalled may come with<br />

multiple layers <strong>of</strong> desire, meanings and imagination that may go beyond the simple<br />

rational or conscious (39). Her conceptualization <strong>of</strong> the imaginary is sociologically<br />

radical because it establishes both the imaginary and the irrational as highly socio-<br />

30

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