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Prospectus Master's in Photographic Studies 2009-2010 Leiden 2009

Prospectus Master's in Photographic Studies 2009-2010 Leiden 2009

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Susan Meiselas received her Master’s <strong>in</strong> Visual Education from Harvard University (USA)<br />

<strong>in</strong> 1971. Her first photo book, Carnival Strippers, appeared <strong>in</strong> 1976. She became a member<br />

of the photographers’ collective Magnum Photos <strong>in</strong> that same year, and has worked as a<br />

freelance photographer s<strong>in</strong>ce then. She is well known for her photographs of the<br />

Nicaraguan <strong>in</strong>surrection, her documentation of human rights issues <strong>in</strong> Lat<strong>in</strong> America, and<br />

her projects Kurdistan: In the Shadow of History (1997, repr<strong>in</strong>ted 2008) and Encounters<br />

with the Dani (2003). In addition to her work as an editor and her contributions to<br />

numerous photo books, Meiselas has had various solo exhibitions <strong>in</strong> Rotterdam, Paris,<br />

Madrid, Amsterdam, Los Angeles, London, Chicago and New York. She has taught at the<br />

University of California, Berkeley and has received two honorary doctorates. Her<br />

photographs are <strong>in</strong>cluded <strong>in</strong> several <strong>in</strong>ternational collections and she has received a<br />

number of renowned prizes. Her chair at <strong>Leiden</strong> is sponsored by the Nederlands<br />

Fotomuseum <strong>in</strong> Rotterdam.<br />

- Dr. Rachel Esner<br />

Lecturer <strong>in</strong> Photography<br />

Chair of the Master’s <strong>in</strong> <strong>Photographic</strong> <strong>Studies</strong><br />

Rapenburg 38, 2311 EX <strong>Leiden</strong><br />

Telephone: +31 (0)71 527 30 35/18 05<br />

Email: r.esner@hum.leidenuniv.nl<br />

Rachel Esner is an art historian lectur<strong>in</strong>g <strong>in</strong> modern art and the history of photography. Her<br />

<strong>in</strong>terests focus on the history and theory of documentary photography from the<br />

n<strong>in</strong>eteenth century to today, on questions of the relationship between photography and<br />

art, and on issues of the <strong>in</strong>stitutionalization of photography through museum and<br />

curatorial practice.<br />

- T<strong>in</strong>eke de Ruiter, MA<br />

Lecturer <strong>in</strong> Photography and Applied Arts<br />

Doelensteeg 16, 2311 VL <strong>Leiden</strong> (room: 1174-220b)<br />

Telephone: +31 (0)71 527 27 52<br />

Email: m.a.de.ruiter@hum.leidenuniv.nl<br />

T<strong>in</strong>eke de Ruiter is an art historian and is affiliated with the Department of Art History and<br />

the Master’s <strong>in</strong> <strong>Photographic</strong> <strong>Studies</strong> as a lecturer <strong>in</strong> Modern Visual Arts and Photography.<br />

She is research<strong>in</strong>g the photographic oeuvre of the pa<strong>in</strong>ter George Hendrik Breitner. De<br />

Ruiter is a board member of the Sticht<strong>in</strong>g Fonds Anna Cornelis (chair) as well as FOAM,<br />

Amsterdam.<br />

- Bas Vroege<br />

Coord<strong>in</strong>ator Curatorial Tra<strong>in</strong><strong>in</strong>g Programme<br />

KABK, Pr<strong>in</strong>sessegracht 4, 2514 AN The Hague<br />

Telephone: +31 (0)70 315 47 77/(0)299 31 50 83<br />

Email: bv@paradox.nl<br />

Bas Vroege studied economics at Erasmus University Rotterdam and photography at St.<br />

Joost Academy <strong>in</strong> Breda. From 1981-1993 he was director of Perspektief, centre for<br />

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