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close up - Monoskop

close up - Monoskop

close up -

  • Page 2: CLOSE UP 1927-1933
  • Page 6: CLOSE UP 1927-1933 Cinema and Moder
  • Page 10: CONTENTS Preface vii Introduction:
  • Page 14: PREFACE The journal Close Up, edite
  • Page 18: 4 A valued tribute from S.M. Eisens
  • Page 22: INTRODUCTION Reading Close Up, 1927
  • Page 26: INTRODUCTION 3 'entirely new struct
  • Page 30: INTRODUCTION 5 Cover wrapper, 'We W
  • Page 34: INTRODUCTION 7 Hanns Sachs and Barb
  • Page 38: INTRODUCTION 9 the 1930s - one of t
  • Page 42: Kenneth Macpherson in Oswell Blakes
  • Page 46: INTRODUCTION 13 Close Up was initia
  • Page 50: INTRODUCTION 15 certainly that she
  • Page 54:

    H.D. in Wing Beat (Vol. I, no. 1, J

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    INTRODUCTION 19 battleground with s

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    INTRODUCTION 21 cinematic elements

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    INTRODUCTION 23 The letter also pro

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    INTRODUCTION 25 Midway in Close Up'

  • Page 74:

    PART 1 Enthusiasms and Execrations

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    ENTHUSIASMS AND EXECRATIONS 29 Magg

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    ENTHUSIASMS AND EXKCRATIONS 31 of s

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    ENTHUSIASMS AND EXECRATIONS 33 comp

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    ENTHUSIASMS AND EXECRATIONS 35 In 1

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    ENTHUSIASMS AND EXECRATIONS 37 was

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    ENTHUSIASMS AND EXECRATIONS 39 swif

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    ENTHUSIASMS AND EXECRATIONS 41 Vol.

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    ENTHUSIASMS AND EXECRATIONS 43 Brit

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    Emak Bakia (ibid.). ENTHUSIASMS AND

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    Emak Bakia (ibid.). ENTHUSIASMS AND

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    ENTHUSIASMS AND EXECRATIONS 49 'Won

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    ENTHUSIASMS AND EXECRATIONS 57 gram

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    Impatience (Vol. V, no. 4, October

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    ENTHUSIASMS AND EXECRATIONS 55 resc

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    ENTHUSIASMS AND EXECRATIONS 57 bein

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    The Fall of the House of Usher (ibi

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    ENTHUSIASMS AND EXECRATIONS 61 befo

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    ENTHUSIASMS AND EXECRATIONS 63 Crow

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    ENTHUSIASMS AND EXECRATIONS 65 Vol.

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    Director King Vidor on the set of H

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    ENTHUSIASMS AND EXKCRATIONS 69 Haml

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    ENTHUSIASMS AND EXECRATIONS Paul Ro

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    ENTHUSIASMS AND EXKCRATIONS 73 suff

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    ENTHUSIASMS AND EXECRATIONS 75 by w

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    PART 2 From Silence to Sound

  • Page 178:

    INTRODUCTION James Donald Close Up

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    FROM SILENCE TO SOUND 81 is transla

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    FROM SILENCE TO SOUND 83 Vol. Ill,

  • Page 190:

    Germaine Dulac's Disque 957: 'an ex

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    FROM SILKNCK TO SOUND 87 Vol. IV, n

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    FROM SILENCE TO SOUND 89 Vol. IV, n

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    FROM SILENCK 'ix) SOUND 91 trailing

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    FROM SILKNCI: TO SOUND 93 unresolva

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    PART 3 The Contribution of H.D.

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    THE CONTRIBUTION OF H.D. 97 The int

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    THK, CONTRIBUTION OF H.D. 99 experi

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    THK CONTRIBUTION or H.D. 101 situat

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    THE CONTRIBUTION OF H.D. 103 the wo

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    THK CONTRIBUTION OK H.D. 105 Vol. I

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    THE CONTRIBUTION OF H.D. 107 Greta

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    THE CONTRIBUTION OF H.D. 109 she ne

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    THE CONTRIBUTION OF H.D. /// succes

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    THK CONTRIBUTION or H.D. 113 slight

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    THE CONTRIBUTION OF H.D. 115 trapez

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    THE CONTRIBUTION OF H.D. 117 won't

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    THK CONTRIBUTION OF H.D. 779 exagge

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    THE CONTRIBUTION OF H.D. 121 little

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    THI: CONTRIBUTION OF H.D. 123 one's

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    THI: CONTRIBUTION OF H.D. 725 Vol.

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    THE CONTRIBUTION OF H.D. 127 iron b

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    THI, CONTRIBUTION OF H.D. 729 candl

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    THE CONTRIBUTION OF H.D. 131 be def

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    THE CONTRIBUTION OF H.D. 133 her by

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    THE CONTRIBUTION OF H.D. 135 Russia

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    THI-; CONTRIBUTION OF H.D. 137 but

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    THE CONTRIBUTION OF H.D. 139 consis

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    THK CONTRIBUTION OF H.D. 141 4 Lulu

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    THI: CONTRIBUTION OF H.D. 143 Now,

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    THE CONTRIBUTION OF H.D. 145 could

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    THE CONTRIBUTION OF H.D. 147 trance

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    PART 4 Continuous Performance: Doro

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

  • Page 374:

    CONTINUOUS PERFORMANCE DOROTHY RICH

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE DOROTHY RICH

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    I 3 a' ^ v.-^ ^

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

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    CONTINUOUS PKRFORMANCK: DOROTHY RIC

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    CONTINUOUS PERFORMANCE: DOROTHY RIC

  • Page 442:

    PART 5 Borderline and the POOL Film

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    BORDERLINE AND THK POOL FILMS 213 '

  • Page 450:

    Foothills, directed by Kenneth Macp

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    Borderline: Taul Robeson enjoying h

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    BORDERLINE AND THE POOL FILMS 279 B

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    BORDERLINE AND THE POOL Fu .MS 227

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    BORDERLINE AND THK POOL FILMS 223 M

  • Page 470:

    BORDERLINE A N D THH POOL FILMS 225

  • Page 474:

    BORDERLINE AND THE POOL FILMS 227 L

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    BORDERLINE AND THK POOL FILMS 229 d

  • Page 482:

    BORDERLINE AND THE POOL FILMS 231 M

  • Page 486:

    BORDERLINE AND THK POOL FILMS 233 h

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    BORDERLINE AND THE POOL FILMS 235 1

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    BORDERLINE AND THK POOL FILMS 237 i

  • Page 498:

    PART 6 Cinema and Psychoanalysis

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    CINEMA AND PSYCHOANALYSIS 241 Eric

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    ClNKMA AND PSYCHOANALYSIS 243 space

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    ClNKMA AND PSYCHOANALYSIS 245 that

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    CINEMA AND PSYCHOANALYSIS 247 Vol.

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    ClNKMA AND PSYCHOANALYSIS 249 achie

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    ClNKMA AND PSYCHOANALYSIS 257 mimic

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    CINEMA AND PSYCHOANALYSIS 253 has c

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    ClNKMA AND PSYCHOANALYSIS 255 setti

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    ClNKMA AND PSYCHOANALYSIS 257 But m

  • Page 538:

    Pandora's Box: 'Lulu and Jack' (Vol

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    CINEMA AND PSYCHOANALYSIS 261 If, i

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    ClNKMA AND PSYCHOANALYSIS 263 stimu

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    CINEMA AND PSYCHOANALYSIS 265 prono

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    CINEMA AND PSYCHOANALYSIS 267 like

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    PART 7 Cinema Culture

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    ClNKMA GUI TURK 277 distributed for

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    CINKMA CULTURE 273 The petition was

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    Tusalava, a film by Len Lye: 'A fil

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    CINEMA CULTURE 277 the co-operative

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    Eisenstein's The General Line (Vol.

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    CINEMA CULTURE 281 Vol. VI, no. 1 J

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    GIN KM A GUI .TURK 283 Vol. Ill, no

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    ClN KM A GUI TURK 285 are by their

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    ClNKMA CULTURK 287 scenes with Elle

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    CINEMA CULTURE 289 Advertisement fo

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    CINEMA CULTURE 297 There is another

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    CINEMA CULTURE 293 'Sketches for st

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    CINEMA CULTURE 295" And to admit th

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    CINEMA CULTURE 297 contrast with th

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    CINEMA CULTURE 299 Vol. IV, no. 5 M

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    CINEMA CULTURE 301 Censorship is on

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    CINEMA CULTURE 303 Act5 These extra

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    PART 8 Fade

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    FADK 307 be honorable on the part o

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    FADK 309 the pressure of mass feeli

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    CONTENTS OF CLOSE UP, 1927-1933 311

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    CONTENTS OF CLOSE UP, 1927-1933 313

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    APPENDIX 2 Notes on the Contributor

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    CONTRIBUTORS AND CORRESPONDENTS 317

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    APPENDIX 4 A Chronology of Close Up

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    CHRONOLOGY OF CLOSE UP IN CONTEXT E

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    NOTES TO INTRODUCTION 323 \\Close U

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    NOTES TO INTRODUCTION 325 Delluc, M

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    NOTKS TO INTRODUCTION TO PART 3 327

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    NOTES TO INTRODUCTION TO PART 3 329

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    NOTES TO INTRODUCTION TO PART 4 331

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    NOTKS TO INTRODUCTION TO PART 5 333

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    NOTES TO INTRODUCTION TO PART 6 JJ5

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    337 INDEX NOTE: Titles of films are

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    INDEX 339 I Do Love to Be Beside th

  • Page 702:

    INDEX 341 Wages of Sin, The (Michea

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