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MASTER DRUMMER OF AFROBEAT - Duke University Press

MASTER DRUMMER OF AFROBEAT - Duke University Press

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“Tony Allen is best known as the hands and feet behind<br />

Fela Kuti’s explosive Afrobeat, and his playing is both<br />

fabulously propulsive and melodic, in a way that might<br />

seem paradoxical, but makes perfect sense once you’ve got<br />

your feet in motion. . . . Simultaneously breaking up the<br />

rhythms and reassembling them in one loose- limbed, easy<br />

rocking motion, his playing is at once apparently effortless<br />

and breathtaking.”<br />

—Mark Hudson, The Daily Telegraph<br />

“Were someone to lend me a time- machine to catch<br />

great bands of the past, Fela and Allen’s Afrika 70 band<br />

in Lagos circa 1972 would be one of the first stops. It was<br />

then [that] Bootsy Collins, James Brown’s bass player, went<br />

backstage and told [band members that] they were ‘the<br />

funkiest cats on the planet’ and Paul McCartney, in Lagos<br />

to record Band on the Run, said they were the best live<br />

band he’d ever seen.”<br />

—Peter Culshaw, The Observer<br />

“An octopus- like polyrhythmic machine, Allen was to<br />

Fela and Afrobeat what Melvin Parker/Jabo Starks/Clyde<br />

Stubblefield were to James Brown and funk: These drummers<br />

simply deepened and changed the pocket of popular<br />

music forever.”<br />

—Matt Rogers, The Village Voice<br />

“Few percussionists . . . can claim to have invented a<br />

rhythm—but that’s what Allen did when he added his<br />

propulsive rhythms to the music of Kuti and together they<br />

created the sound the world came to know as Afrobeat.”<br />

—Nigel Williamson, The Independent

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