Behm CV (pdf) - Golden Gallery
Behm CV (pdf) - Golden Gallery
Behm CV (pdf) - Golden Gallery
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Anthea <strong>Behm</strong><br />
Born 1977, Sydney, Australia<br />
Lives and works in New York City<br />
Education<br />
2011-12 Core Program, Museum of Fine Arts Houston<br />
2010-11 Whitney Museum of American Art Independent Study Program, New York<br />
2009 Master of Fine Arts, Studio Art (Department of Film, Video & New Media)<br />
School of the Art Institute of Chicago<br />
2005 Bachelor of Fine Arts (Department of Photography), First Class Honours,<br />
College of Fine Arts, University of New South Wales, Australia<br />
Solo Exhibitions<br />
2011 Objective Confess, <strong>Golden</strong> <strong>Gallery</strong>, Chicago<br />
2010 The Chrissy Diaries, Dubbo Regional <strong>Gallery</strong>, Dubbo, Australia<br />
Australia, db <strong>Gallery</strong>, Sydney, Australia<br />
2007 Don’t call me, I’ll call you, 1213 Sharp, School of the Art Institute of Chicago<br />
2006 I like the way you move, Artbox, Sherman Galleries, Sydney, Australia<br />
2001 0293808430, Room 35, Gitte Weise <strong>Gallery</strong>, Sydney, Australia<br />
GOLDEN<br />
Selected Group Exhibitions<br />
2011 Whitney Independent Study Program Group Exhibition, 161 Bowery, New York<br />
2009 Australia, Concertina <strong>Gallery</strong>, Chicago<br />
The Niche, Fine Arts Library, University of Virginia, Virginia<br />
MFA Thesis Show, Sullivan Galleries, Chicago<br />
X-RAY, Perseverance, London, UK<br />
Group Show, Breenspace, Sydney, Australia<br />
2008 Performing for the Camera, Firstdraft, Sydney, Australia<br />
The New Newness, Chicago Film Forum, Chicago<br />
MFA Thesis Show Opening Night Exhibition, G2, Chicago<br />
2007 Girl Parade, Australian Centre for Photography, Sydney, Australia<br />
This is not a Self Portrait, G2, Chicago<br />
Video Works, Freemantle Arts Centre, Freemantle, Australia<br />
Identity Thieves, <strong>Gallery</strong> 4A, Sydney, Australia<br />
Postcards from the Edge, Back Loft <strong>Gallery</strong>, Dublin<br />
2006 Projector, Four <strong>Gallery</strong>, Dublin<br />
2005 Sold Out, Truck Art, London, UK<br />
Graduation Show, College of Fine Arts, University of New South Wales, Sydney, Australia<br />
Performance for Richard Bell’s Settling Old Scores, Artspace, Sydney, Australia<br />
2004 Containers Project, in collaboration with Firstdraft <strong>Gallery</strong>, Next Wave Festival, Melbourne, Australia<br />
Grants and Awards<br />
2010 Ian Potter Cultural Trust Fund, The Ian Potter Foundation<br />
Dame Joan Sutherland Fund, American Australian Association<br />
Skills and Arts Development Grant, Board of Visual Arts, Australia Council for the Arts<br />
2009 New Work Grant, Board of Visual Arts, Australia Council for the Arts<br />
Travel Grant, School of the Art Institute of Chicago<br />
2008 Dean of Graduate Studies Tuition Scholarship, School of the Art Institute of Chicago<br />
2007 Anne and Gordon Samstag International Visual Arts Scholarship<br />
2006 University Postgraduate Award, University of New South Wales<br />
1999 Photo Technica Award for New Australian Photo Artist of the Year<br />
Kodak Australia Award for Best Undergraduate Black and White Photography<br />
Artist Lectures/ Symposium<br />
2010 “The Chirssy Diaries”, Dubbo Regional <strong>Gallery</strong>, Australia<br />
Bordering on Fiction, School of the Art Institute of Chicago<br />
2009 “Australia”, Concertina <strong>Gallery</strong>, Chicago<br />
Visiting Artists Program, University of Plymouth, UK
2008 Bordering on Fiction, University of Illinois at Chicago<br />
Artist Lecture, Loyola University of Chicago<br />
Guest Speaker, “The Chrissy Diaries” at Difference Reframed: Feminist Art History and Visual<br />
Culture, Keynote speaker: Professor Griselda Pollock, University of Sussex, UK<br />
GOLDEN<br />
Bibliography<br />
2010 Jones, Amelia. “The Return of Feminism(s) and the Visual Arts, 1970/2009”, Feminisms is still our<br />
name, ed. M. Hedlin Hayden & J. Sjoholm Skrubbe, Cambridge Scholars Publishing, London, pp 11-56<br />
Hunstdale, Justine. “Bikini’s and Cheerleading – Challenging Stereotypes”, Australian Broadcasting<br />
Company Western Plains, August 2 nd (on-line)<br />
2009 Ruiz, Steve Kush, “Australia at Concertina <strong>Gallery</strong>”, Chicago Art Review, October 26 th<br />
Weinstein, Michael. “Anthea <strong>Behm</strong> and Aron Gent”, New City Art, November 2 nd<br />
Candice Webber, “Australia and Concertina <strong>Gallery</strong>”, Chicago Art Map, October 31 st<br />
Critics Roundtable: Lisa Wainwright, Michael Newman, and Michele Grabner, School of the Art<br />
Institute of Chicago (video)<br />
2008 Jones, Amelia. “Feminism”, EXIT BOOK, no. 9, pp 8-15<br />
Jones, Amelia. “The Return of Feminist Art”, X-TRA, vol. 10, no. 4, pp 4-18<br />
Doley, Kelly & Smith, Di. “Performing for the camera”, Exhibition Catalogue Essay<br />
White, Emma. “Girl Parade”, Art & Australia, vol. 45, no. 3, Autumn, pp 164<br />
Dean, Bec. “Girl Parade”, exhibition catalogue<br />
Walker, Tara G. “This is not a self-portrait”, F news magazine, October, pp 25<br />
Morrell, Timothy. “Loose connections”, Samstag Scholarship Catalogue<br />
2001 Glass, Alexie. “Naked Ambition”, Oyster, Issue 37, pp. 54-57
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