Speech of Mr Nazim Samadov, Deputy Minister of Culture and ...
Speech of Mr Nazim Samadov, Deputy Minister of Culture and ...
Speech of Mr Nazim Samadov, Deputy Minister of Culture and ...
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<strong>Speech</strong> <strong>of</strong> <strong>Mr</strong> <strong>Nazim</strong> <strong>Samadov</strong>,<br />
<strong>Deputy</strong> <strong>Minister</strong> <strong>of</strong> <strong>Culture</strong> <strong>and</strong> Tourism <strong>of</strong> Azerbaijan during the Panel 2 session <strong>of</strong> the<br />
seminar on<br />
“TOURISM AT WORLD HERITAGE SITES: CHALLENGES AND OPPORTUNITIES”<br />
ÇESME (IZMIR, TURKEY), 26-27 MARCH 2013<br />
Dear Ladies <strong>and</strong> Gentlemen,<br />
Let me start with thanking the participants <strong>of</strong> the Panel 1 discussion for fruitful debates. We do share<br />
your vision on the things as they st<strong>and</strong>. Tourism is clearly a driver for preservation <strong>and</strong> conservation <strong>of</strong><br />
cultural <strong>and</strong> natural heritage <strong>and</strong> a vehicle for sustainable development. At the same time, as we saw,<br />
successful national policies <strong>and</strong> international legally binding or advisory instruments related to heritage<br />
sites do not limit themselves to management <strong>of</strong> the sites as an individual activity. Communication <strong>and</strong><br />
raising awareness about the heritage sites <strong>and</strong> intangible heritage elements are also important in<br />
terms <strong>of</strong> tourism strategies, as it is generally known that it is not primarily the way you manage cultural<br />
assets that give people the first impression, but the way you are communicating about them.<br />
For the small country like Azerbaijan communication <strong>of</strong> all <strong>of</strong> its features to the world is always an<br />
issue. When the country has become independent upon the collapse <strong>of</strong> the Soviet Union, nobody<br />
even knew what Azerbaijan is or where it is located. Gradually, with time <strong>and</strong> via intensive cultural,<br />
political <strong>and</strong> economic integration <strong>of</strong> the country into world community this issue has faded, <strong>and</strong> since<br />
now people are more <strong>of</strong> less aware about what Azerbaijan represents <strong>and</strong> what part in world’s cultural<br />
diversity it occupies.<br />
It is true that due to historical links with greater nations around us, we had to position ourselves as<br />
having features in our culture making us different from larger <strong>and</strong> more recognized neighbor nations<br />
around us. Over the years, this has resulted in gradual <strong>and</strong> multi-scope communication on cultural,<br />
archeological <strong>and</strong> natural sites <strong>and</strong> monuments, as well as our living traditions, national arts <strong>and</strong><br />
crafts, as they are an indispensable part <strong>of</strong> <strong>and</strong> contribute to the heritage aspect as a whole.<br />
On the way to today’s recognition <strong>of</strong> Azerbaijani culture we, as a country have passed the long way <strong>of</strong><br />
raising awareness about heritage among expatriate communities <strong>of</strong> Baku, diplomats, employees <strong>of</strong><br />
international missions <strong>and</strong> foreign companies. Soon, we have seen them going far beyond Baku,<br />
exploring the culture <strong>of</strong> Azerbaijan in the unique towns <strong>and</strong> villages, such as Sheki with its silk<br />
production <strong>and</strong> special sweets produced nowhere else in the world, as well as Lahic, perhaps the only<br />
village in the world populated by the national minority <strong>of</strong> tats <strong>and</strong> never involved in agriculture but<br />
production <strong>of</strong> h<strong>and</strong>made items, crafting <strong>of</strong> timber, metals, producing unique pottery <strong>and</strong> even firearms.<br />
Positioning <strong>of</strong> internal communication as ones <strong>of</strong> the first priorities was a very vital stage, as during our<br />
first years <strong>of</strong> independence, with occupation <strong>of</strong> 20% <strong>of</strong> l<strong>and</strong>s by Armenia, one million refugees,<br />
economic collapse, high unemployment <strong>and</strong> poverty rates, government had things more important<br />
than launching foreign communication measures on the national culture <strong>and</strong> heritage. At the same<br />
time we know that this personal involvement <strong>of</strong> expatriate community was important to set the<br />
international agenda <strong>of</strong> promotion <strong>of</strong> Azerbaijani culture <strong>and</strong> attraction <strong>of</strong> international tourism arrivals.<br />
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Stage two <strong>of</strong> the promotion process was even more challenging <strong>and</strong> exciting. It required deep<br />
institutional <strong>and</strong> organizational reforms, development <strong>of</strong> human potential capable <strong>of</strong> representing<br />
Azerbaijani culture worldwide, at international forums, organizations, exhibitions <strong>and</strong> similar<br />
gatherings. This was when the national Ministry <strong>of</strong> <strong>Culture</strong> has established the special departments on<br />
Cultural Heritage, International Affairs <strong>and</strong> Projects, National Culinary Center, National Carpet<br />
Museum <strong>and</strong> other centers for establishment <strong>of</strong> systematic approach to development <strong>of</strong> sensible<br />
projects <strong>and</strong> promotion <strong>of</strong> national culture.<br />
These immediate measures have been the first policy steps to ensure awareness-raising, as the<br />
scope <strong>of</strong> the heritage potential in Azerbaijan is huge. Despite <strong>of</strong> the size <strong>of</strong> country, the culture <strong>and</strong><br />
heritage <strong>of</strong> Azerbaijan is very diverse <strong>and</strong> colorful, ranging from petroglyphs <strong>of</strong> Stone Age to Fireworshippers’<br />
Temple, from burning mountains to 12 hectares <strong>of</strong> open air museum <strong>of</strong> Old City,<br />
representing the Middle Age town with city walls, bastions, gates, narrow streets <strong>and</strong> unique<br />
architectural patterns. Despite <strong>of</strong> being the Muslim state today, Azerbaijan has a lot to <strong>of</strong>fer for people<br />
<strong>of</strong> all major religions around the world.<br />
In terms <strong>of</strong> living traditions Azerbaijan can <strong>of</strong>fer the unique ancient music <strong>of</strong> mugam <strong>and</strong> ashugs.<br />
Carpet making has always been well integrated into Azerbaijan’s society, existing as a point <strong>of</strong> pride, a<br />
defining element <strong>of</strong> culture. That is why at stage three <strong>of</strong> communication we have started active<br />
promotion <strong>of</strong> cultural elements <strong>and</strong> heritage at UNESCO. As a result <strong>of</strong> this active work Petroglyphs <strong>of</strong><br />
Gobustan, Old City, Maidens’ Tower entered UNESCO World Heritage List, while music <strong>of</strong> mugam,<br />
ashugs, Novruz holiday <strong>of</strong> spring, Azerbaijani carpet, art <strong>of</strong> performance on national instrument tar<br />
were inscribed on the UNESCO Representative List <strong>of</strong> Intangible Cultural Heritage <strong>of</strong> Humanity.<br />
This gave the Azerbaijani cultural heritage the <strong>of</strong>ficial recognition globally <strong>and</strong> brought the wide<br />
perspectives for its further promotion. Today, based on this achievements coming from cooperation<br />
with UNESCO <strong>and</strong> other international organizations we can proudly promote Azerbaijan as a l<strong>and</strong> <strong>of</strong><br />
rich <strong>and</strong> unique culture.<br />
Being part <strong>of</strong> the Great Silk Way project we are cooperating with UNWTO to enhance our contribution<br />
to the project. With kind support <strong>and</strong> active involvement <strong>of</strong> UNWTO <strong>and</strong> personally <strong>Mr</strong>. Taleb Rifai, the<br />
Great Silk Way became the international br<strong>and</strong> many want to be associated with, which for us is a<br />
great opportunity to promote ourselves, specifically various parts <strong>of</strong> our heritage <strong>and</strong> our<br />
underst<strong>and</strong>ing <strong>of</strong> other cultures <strong>and</strong> tolerance between peoples.<br />
We have always tried to make most <strong>of</strong> many other events held in Azerbaijan in terms <strong>of</strong> telling to the<br />
world about our heritage. Eurovision 2012 was a complete surprise to many Europeans, who have<br />
seen the country that was totally different from their initial impressions <strong>and</strong> expectations. Held in May,<br />
Eurovision was followed by the International Gabala Festival <strong>of</strong> Classic Music, then by the U17<br />
Women Football World Cup in September 2012, International Jazz Festival <strong>and</strong> International<br />
Humanitarian Forum in October, International Mugam Festival held bi-annually, International Theatre<br />
Conference in November, International Rostropovich Festival in December.<br />
In 2013 we have a number <strong>of</strong> major events including II International Baku Forum on Intercultural<br />
Dialogue, UNESCO Intangible Heritage Committee Meeting <strong>and</strong> III Baku International Humanitarian<br />
Forum.<br />
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It is in the spirit <strong>of</strong> these achievements <strong>and</strong> its commitment to a multi-aspect approach to synergies<br />
between tourism <strong>and</strong> heritage that Azerbaijan would like to present its c<strong>and</strong>idacy to represent the<br />
region at the UNWTO Executive Council. We do believe that the methodology <strong>and</strong> strategies <strong>of</strong> the<br />
European region can be shared <strong>and</strong> enriched through the work <strong>of</strong> the Executive Council <strong>and</strong> we do<br />
count on the support <strong>of</strong> our European colleagues.<br />
Speaking <strong>of</strong> culture in the context <strong>of</strong> tourism, we have approached the most important stage involving<br />
two-way traffic: develop tourism via culture <strong>and</strong> heritage <strong>and</strong> use tourism to promote culture <strong>and</strong><br />
heritage. Many efforts have been done in this direction, some examples <strong>of</strong> them are: Gobustan<br />
Museum at the UNESCO protected site <strong>of</strong> pre-historic rock paintings, establishment <strong>of</strong> the State<br />
Department <strong>of</strong> the Historical-Architectural Reserve Icheri Sheher, responsible for the World Heritage<br />
Site Walled City <strong>of</strong> Baku with the Shirvanshah's Palace <strong>and</strong> Maiden Tower. Other measures include<br />
concerete activities for promoting intangible heritage traditions. The Governement has funded the<br />
establishment <strong>of</strong> a new carpet museum combining the old traditions <strong>and</strong> modern technologies, h<strong>and</strong>son<br />
experience <strong>and</strong> encyclopedic knowledge about all major carpet schools <strong>and</strong> individual carpets<br />
known to the world, as well as the new Mugam center, made in the shape <strong>of</strong> the musical instruments<br />
<strong>and</strong> used for mugam performances <strong>and</strong> many others.<br />
<strong>Culture</strong> <strong>and</strong> heritage are an integral attribute <strong>of</strong> our promotion <strong>of</strong> Azerbaijan as tourism destination,<br />
advertisement campaigns at CNN, Euronews, Travel Channel <strong>and</strong> Eurosport. Another important<br />
aspect is communication through more than 20 tourism exhibitions that we attend every year.<br />
Exhibitions are particularly important as Azerbaijani dancers in national costumes are treated as<br />
celebrities with hundreds <strong>of</strong> people attending their brief shows <strong>and</strong> taking pictures with them. Another<br />
line <strong>of</strong> Government policies focuses on communicating on heritage as part <strong>of</strong> the bigger picture <strong>of</strong><br />
entertainment opportunities, rather than sole element. This picture includes activities based on ethnic<br />
<strong>and</strong> religious belonging, interest in local cuisines <strong>and</strong> other aspects. As we see that some segments <strong>of</strong><br />
tourists want to see the part <strong>of</strong> their culture in the foreign country, we work on elaboration <strong>of</strong> cultural<br />
routes that make this possible, especially through the newly established routes on German<br />
settlements, Polish traces, Wine routes etc. We underst<strong>and</strong> that people in many cases want to<br />
associate their experience in Azerbaijan with their childhood memories <strong>and</strong> we <strong>of</strong>fer them products<br />
that bring their past <strong>and</strong> presence together. For instance, there are several famous Soviet comedies<br />
filmed in Baku <strong>and</strong> this is one <strong>of</strong> top attractions for tourists from Russia <strong>and</strong> CIS.<br />
Ladies <strong>and</strong> Genlemen,<br />
The social aspect <strong>of</strong> tourism enhances its value as a communicative process because tourism is an<br />
industry with a difference. There is an undeniable exchange between places <strong>and</strong> people. This<br />
exchange is what is meant by communication.<br />
Communication happens at many levels. The interaction <strong>of</strong> the tourist with the places he visits <strong>and</strong><br />
the people he meets is therefore, a form <strong>of</strong> communication in which both the visitor <strong>and</strong> the visited<br />
form a communication cycle. A considerable amount <strong>of</strong> efforts is given to the power <strong>of</strong> impressions on<br />
the mind <strong>of</strong> a person living in the twenty-first century. We have to recognize that one <strong>of</strong> the most<br />
important aspects <strong>of</strong> tourism is the communication <strong>of</strong> the impressions created in the minds <strong>of</strong> tourists.<br />
These include non-verbal aspects, such as sights <strong>and</strong> sounds that communicate a general impression,<br />
<strong>and</strong> the verbal aspect <strong>of</strong> communication as language plays an important role in creating impressions.<br />
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In the field <strong>of</strong> tourism, communication, both non-verbal <strong>and</strong> verbal, can play a vital role in the<br />
promotion <strong>and</strong> pr<strong>of</strong>itability <strong>of</strong> this socio-economic process.<br />
It is good to know that tourism through national heritage aspect has good grounds to contribute to the<br />
socio-economic process. Historical <strong>and</strong> cultural heritage always <strong>of</strong>fers interesting opportunities to the<br />
world <strong>and</strong> unique experiences that are becoming more <strong>and</strong> more difficult to find under the stressful<br />
pressure <strong>of</strong> globalization.<br />
At this stage, it is also important to recall that the significance <strong>of</strong> developing synergies between<br />
tourism <strong>and</strong> world heritage sites has been recognized not only by UNWTO, but also by UNESCO, at<br />
the level <strong>of</strong> its Executive Board decisions <strong>and</strong> sessions <strong>of</strong> the World Heritage Committee. In this light<br />
we see a clear commitment <strong>of</strong> international community to make tourism stakeholders aware <strong>of</strong> <strong>and</strong><br />
appreciate the heritage values as a key to communicate on the World Heritage properties.<br />
Let me conclude my speech with a phrase that sounded at the last World Heritage Committee in Saint<br />
Petersburg in June-July 2012, “World Heritage properties attract significant tourism interest <strong>and</strong> form<br />
important tourist destinations <strong>and</strong> there is a need to communicate on these values in a way as to<br />
ensure that they are readily understood <strong>and</strong> explain their significance within a local, national <strong>and</strong><br />
international context.”<br />
So let us communicate on the values <strong>of</strong> the World Heritage <strong>and</strong> intangible heritage properties in the<br />
most proper manner <strong>and</strong> with full consideration <strong>of</strong> cultural diversity <strong>and</strong> mutual respect between<br />
countries. The heritage we have today is the heritage we transmit to the next generation tomorrow. In<br />
this context it is crucial to ensure that tourism we initiate, manage <strong>and</strong> communicate on is driven in the<br />
most sustainable manner.<br />
Thank you.<br />
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