daily conference schedule - Schwob School of Music - Columbus ...
daily conference schedule - Schwob School of Music - Columbus ...
daily conference schedule - Schwob School of Music - Columbus ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
The Thirty-Seventh<br />
ANNUAL CONFERENCE<br />
OF THE INTERNATIONAL TRUMPET GUILD<br />
MAY 22-26, 2012<br />
COLUMBUS, GA
ITG 2012 Conference Schedule • Tuesday, May 22, 2012 • Youth Day<br />
8:30-9:20am Scott Meredith: College Audition Preparation Studio Theatre<br />
9:00-11:00am Youth Competition, Jennifer Dearden, chair Legacy Hall<br />
Under 14 Participants<br />
Daniel Chae - Calle Mayor Middle <strong>School</strong>, Private Instructor: June Thean Teoh/ Caster<br />
Gavin Gunkel - Scoggins Middle <strong>School</strong>, Private Instructor: Laura Alleman<br />
Forrest Johnston - Colvin Run Elementary <strong>School</strong>, Private Instructor: Richard Johnston<br />
Thomas Levesque - Indiana Connections Academy, Private Instructor: Kim Stephans<br />
Joshua Weckerly - Penndale Middle <strong>School</strong>, Private Instructor: Frank Ferraro<br />
Judges<br />
Jim Sherry, University <strong>of</strong> Dubuque<br />
Larry Wells, Methodist University<br />
Kelly Deklinski, Choctawhatchee High <strong>School</strong><br />
9:30-10:15am Chris Waters: Teaching Brass-A Unique Alternative Studio Theatre<br />
Chris was Classical FM's <strong>Music</strong> Teacher <strong>of</strong> the Year 2009/10 in the United Kingdom.<br />
In this 30 minute presentation he will talk about his unique concept for teaching<br />
children to play instruments from a UK perspective.<br />
10:45am-12:00pm Amy Schendel: Appetite for Learning Studio Theatre<br />
Appetite for Learning: a prospective on developing the willingness, desire,<br />
work ethic, and acceptance for joyful learning<br />
Performance program to be selected from:<br />
Frühlings-Sonatine für Trompete und Piano Bernhard Krol (b. 1920)<br />
Andantino<br />
Larghetto<br />
Allegretto<br />
Sonatine in drei Sätzen für Trompete, op. 42a Hans Erich Apostel (1901-1972)<br />
Adagio sostenuto, più mosso<br />
Thema und 7 variationen über eine deutsche schnulze<br />
Olla podrida<br />
Abe Lincoln’s Song Book Douglas Hill (b. 1946)<br />
Todd Schendel, trombone arr. Patrick Schulz (b. 1975)<br />
12:00-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />
12:30-3:30pm Youth Competition Legacy Hall<br />
Age 14-17 Participants<br />
John Burton - Walker Valley High <strong>School</strong>, Private Instructor: Tina Erickson<br />
Patrick Nolan - Omaha Central High <strong>School</strong>, Private Instructor: Rebecca Stromquist<br />
Dean Oaks - University <strong>of</strong> North Carolina <strong>School</strong> <strong>of</strong> the Arts, Private Instructor: Judith Saxton<br />
Chris Pate - Youth Performing Arts <strong>School</strong>, Private Instructor: Stacy Simpson<br />
Robin Seitz - Sunset High <strong>School</strong>, Private Instructor: Fred Sautter<br />
Judges<br />
Marc Reese, Empire Brass, Lynn Univeristy<br />
Raquel Rodriguez, Northern Kentucky University<br />
Aaron Witek, Florida State University (DMA Student)<br />
14
ITG 2012 Conference Schedule • Tuesday, May 22, 2012 • Youth Day<br />
1:30-2:15pm Kevin Whalen: Getting Started with Jazz Improv Studio Theatre<br />
“Getting Started with Jazz Improvisation for the Young Trumpet Player: Learning to Play Freely”<br />
“Jazz improvisation is <strong>of</strong>ten presented to beginning students through a complicated sequence <strong>of</strong> foreign vocabulary,<br />
rules, and guidelines. This educational workshop, tailored for beginning jazz trumpet players, will present<br />
straightforward and accessible methods for learning jazz improvisation that are easily approachable. Focusing on<br />
playing simple musical phrases within familiar harmonic contexts, any player can learn to play freely and become a<br />
successful improviser almost immediately!”<br />
2:20-3:05 pm Alex Noppe: Improvisation Games Studio Theatre<br />
3:30-4:30pm Timothy Leisure: Pedagogy and the Trumpet Ensemble Studio Theatre<br />
With the Ohio State University Trumpet Ensemble<br />
4:00-5:00pm Southeast Chamber Brass: Recital Legacy Hall<br />
Judith Saxton and Amanda Pepping, Trumpets<br />
Michael Hrivnak, Horn Michael Kris, Trombone Tom McCaslin, Tuba<br />
Brazen Overture (2000) Libby Larsen (b. 1959)<br />
A Fantasy about Purcell’s “Fantasia upon One Note” Elliot Carter (b. 1908)<br />
Divertimento Karel Husa (b. 1921)<br />
Overture<br />
Scherzo<br />
Song<br />
Slovak Dance<br />
Laudes Jan Bach (b. 1937)<br />
Reveille<br />
Three Little Pieces for Brass Quintet, Book Two Ludwig Mauer (1789-1878)<br />
La Sentinelle<br />
Maestoso<br />
Andante espressivo<br />
Eensy Weensy (itsy bitsy) Spider<br />
Trad./ arr. Brendan Collins<br />
Selected 2012 Student Brass Quintet compositions<br />
Mean to Me Roy Turk/ Fred Ahlert (1929)<br />
Summon the Heroes<br />
John Williams,<br />
arr. TSgt Bill Bjornes, Jr.<br />
5:30-6:30pm Woody Shaw III: Lecture Performance Legacy Hall<br />
Tomorrow’s Destiny: The Legacy <strong>of</strong> Trumpeter/Composer Woody Shaw (1944-1989)<br />
Woody Louis Armstrong Shaw III, Founder, The Woody Shaw Global Arts Foundation<br />
7:30-9:00pm Scotty Barnhart and his Trio: Lecture Performance Legacy Hall<br />
“The History <strong>of</strong> Jazz Trumpet: The First 120 Years”<br />
Based on the book The World <strong>of</strong> Jazz Trumpet—A Comprehensive History and Practical Philosophy by Scotty<br />
Barnhart. Published by Hal Leonard.<br />
Featuring:<br />
Scotty Barnhart- cornet and trumpet<br />
Bill Peterson-piano, Kevin Smith-bass, Leon Anderson-drums,<br />
Presentation will touch on every major style <strong>of</strong> jazz trumpet from Ragtime, The Blues, Early Jazz, Swing, Bebop,<br />
Modern Jazz, Avante-Garde, and beyond.<br />
15
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
7:30-8:15am Warm Up Session: John Wacker <strong>Schwob</strong> 1714<br />
8:25am Trumpet Prelude: The University <strong>of</strong> South Alabama Trumpet Ensemble Studio Theatre<br />
Dr. Peter Wood, director<br />
Carillon (2003) Robert J. Bradshaw (b. 1970)<br />
Ave Maria (2010)<br />
César Alejandro Carrillo (b. 1957) ed. Rob Roy McGregor<br />
Conquest (2012) [World Premier] Erik Morales (b. 1976)<br />
8:30-9:20am Andy Kozar: Lecture Recital: “Performing with Electronics” Studio Theatre<br />
Performing Excerpts from:<br />
Flutter - Tyler Harrison<br />
Blister - Quinn Collins<br />
Nameless Ones - Andy Kozar<br />
Still Life - Scott Worthington<br />
* All pieces written for Andy Kozar<br />
8:55am Trumpet Prelude: Loyola University New Orleans Trumpet Ensemble Legacy Hall<br />
Dr. Nick Volz, director<br />
Fanfare for the Protean Age (2003) Stephen Suber (b. 1950)<br />
Three Statements (2001) Kevin Houben (b. 1977)<br />
I. Don’t Hold Back<br />
II. Be Relaxed<br />
III. Don’t Waste Your Time<br />
9:00-9:50am Adam Gordon: Baroque Trumpet Presentation Legacy Hall<br />
“Augmenting your trumpet experience with the Baroque trumpet”<br />
Joseph Golden, organ Michelle DeBruyn, soprano<br />
Trumpet Overture from The Indian Queen<br />
H. Purcell<br />
Destero dall’empia dite from Amadigi<br />
G.F. Handel<br />
Quien Primero que la Fama from La Guerra de los Gigantes Duron<br />
Experience the<br />
Sound <strong>of</strong> Quality<br />
<strong>Music</strong>ians who play our<br />
Custom Brass Instruments:<br />
Dontae Winslow, Lance Powlis, Frank Greene,<br />
Amik Guerra, Terell Stafford, Jean Caze, Heinz Graaf,<br />
Freddie Hendrix, Hans-Peter Salentin, Keyon Harrold,<br />
Joe Pino, Trent Austin, Guido Segers, Randell Heye,<br />
Patches Stewart, Laurence Parry, Matt Tropman,<br />
Matthew van Emmerik, Nicolao Valiensi, Olivier Haas,<br />
Hans-Reiner Schmidt, Fernando Deddos, Bob Birch,<br />
Scott Wendholt, Dave Chisholm, Christian Scott,<br />
Angel Serrano, Philip Dizack... and many more...<br />
RawBrassTrumpets.com<br />
Ben Zagrean<br />
(503) 720 - 7361<br />
- raw brass restoration<br />
- custom sheet bracing<br />
- sales<br />
Check our website and become a<br />
member <strong>of</strong> the Adams Family...<br />
ADAMS MUSICAL INSTRUMENTS AZIËSTRAAT 17-19 6014 DA ITTERVOORT<br />
T +31 (0)475 56 07 00 INFO@ADAMS.NL WWW.ADAMS-MUSIC.COM<br />
ben@rawbrasstrumpets.com<br />
6911 SE 151st Ave, Portland OR 97236<br />
ADV 3.5x4.5.indd 1 30-03-12 09:30
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />
9:25am Trumpet Prelude: The Ohio State University Trumpet Ensemble Heard Theatre<br />
Dr. Timothy Leasure, director<br />
Flourish for Six Trumpets (2012) Jack Normain Kimmel<br />
Fanfare Ighusu Vechi (2012)<br />
Gregory Pascuzzi<br />
Gilded Fanfare (2012)<br />
James Stephenson<br />
9:30-10:45am United States Naval Academy Brass Quintet: Recital Heard Theatre<br />
Christopher Buchanan and Davy DeArmond, Trumpets<br />
Nathanial Wilson, Horn Clint Woltering, Trombone Travis Siehndel, Tuba<br />
Entrance David Sampson (b. 1951)<br />
Quintet no. 1, Circus Clint Needham (b. 1981)<br />
1. Entry<br />
2. Clowns<br />
3. The Ringleader<br />
4. The Contortionist<br />
5. Finale<br />
Quintet Michael Kamen (1948-2003)<br />
Florentiner March Julius Fucik (1872-1916)<br />
arr. Jari Villanueva<br />
Street Song Michael Tilson Thomas (1944-)<br />
Escape Kevin McKee (b. 1980)<br />
9:30-10:20am Ivano Ascari: Recital: “New <strong>Music</strong> for Trumpet” Studio Theatre<br />
Suite for Trumpet Solo Constantine A. Lignos (b. 1948)<br />
Preludio<br />
La melodia ritrovata <br />
Concerto for Trumpet & file audio Giuseppe Calì (b. 1958)<br />
Lo squillabario for Trumpet Solo Giorgio Gaslini (b. 1929)<br />
Farfalle e cannoni<br />
L’étudiant et l’artiste<br />
Marcette e sermoni<br />
Lo sfascia fanfare<br />
Il balcone di Giulietta<br />
from “Book <strong>of</strong> friends” Beppe for Flugelhorn Solo Davide Zannoni (b. 1958)<br />
Spaces and Landscapes for Trumpet & audio file Fabrizio Festa (b. 1960)<br />
from “L’histore d’un jeune soldat” Peter Anthony Monk (b. 1946)<br />
Mullā Rahim Kalāy for Trumpet Solo<br />
For the Fallen for Trumpet & audio file Judith Shatin (b. 1949)<br />
19
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
10:00-10:50am Victor Silverstone: Lecture Recital Legacy Hall<br />
Yien Wang, piano<br />
Etude<br />
A.Skrjabin trans. T.Dokshitser<br />
Sonata<br />
D.Schnyder<br />
Concertino<br />
A.Jolivet<br />
10:55am Trumpet Prelude: University <strong>of</strong> North Carolina Pembroke Trumpet Ensemble Studio Theatre<br />
Dr. Timothy Altman, director<br />
Canzon from “Sacrae Symphoniae” (1597) Giovanni Gabrieli ed. Jay Arnold/Charles Linday, Jr.<br />
Canzon per Sonare #4 (1597)<br />
Giovanni Gabrieli arr. David Marlatt<br />
Canzon VI (1597)<br />
Giovanni Gabrieli arr. David Marlatt<br />
11:00am-12:30pm Jari Villanueva: Lecture Performance Studio Theatre<br />
Janie Lee Bullock, piano<br />
THE MILITARY BUGLE DURING THE CIVIL WAR<br />
Armies have used signaling instruments ever since there have been organized militaries. Trumpets and bugles<br />
have always been utilized to relay important information and as a function in everyday military life. The calls,<br />
sounded on predominantly brass horns, were crucial as they contained, with their musical notes, important<br />
commands to troops preparing for battle and were essential for maneuvering bodies <strong>of</strong> soldiers on the battlefield.<br />
Historical records tell <strong>of</strong> great battles heralded by trumpet blasts. As the American military came into existence,<br />
English and French bugle calls were borrowed for use by the United States Army. Jari Villanueva will<br />
demonstrate many <strong>of</strong> the calls and explain their usage during the Civil War. Villanueva, considered the foremost<br />
authority on "Taps", will discuss the origin <strong>of</strong> the famous call, performance practices and the myths associated<br />
with it.<br />
10:55am Trumpet Ensemble: Middle Tennessee State University Trumpet Ensemble Legacy Hall<br />
Dr. Michael Arndt<br />
“Satchmo” from Rememberances (2006) Jamey Simmons<br />
Infinite Ascent (2008)<br />
Eric Morales<br />
11:00am-12:15pm New Works Recital I—Dr. Kurt Gorman, coordinator Legacy Hall<br />
Sketches for solo trumpet<br />
Jennifer Edmonson<br />
1.Promenade<br />
2.Song<br />
3.Waltz<br />
4.Elegy<br />
5.Gigue<br />
Kate Umble Campos, trumpet<br />
Sonata for Trumpet and Piano Wayne Lu (b. 1970)<br />
The Early Years<br />
Divergence<br />
A New Life<br />
Kurt Gorman, trumpet Yien Wang, piano<br />
Jocaan Trio Anthony Plog (b. 1948)<br />
Andante/Allegro vivace/Andante<br />
Moderato<br />
Adagio<br />
Allegro moderato<br />
Adagio, with freedom<br />
Freely/Allegro/Twice as slow/A tempo<br />
Joel Treybig, trumpet Carolyn Treybig, flute<br />
Polly Brecht, organ<br />
20
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
(New Works recital continued)<br />
FLASH! for trumpet and electronics<br />
I. Overture<br />
II. Aria<br />
III. Interlude<br />
IV. Finale<br />
Richard Tirk, trumpet<br />
Brooke Joyce<br />
This Is<br />
42 Years Later<br />
Under the Rug<br />
It Was Too Late<br />
John Adler, trumpet<br />
James Miley<br />
Two Metric Studies<br />
I. No Beat<br />
II. Beat<br />
David Amlung, trumpet<br />
Nick Lang, drum set<br />
Gabriel Lubell<br />
10:55am Trumpet Prelude: University <strong>of</strong> Wisconsin-Platteville Trumpet Ensemble Heard Theatre<br />
Dr. David Cooper, director<br />
Go! (2012)<br />
Michael Forbes<br />
Fanfare for an Angel (2010)<br />
James Stephenson<br />
The Duxbury Fanfare (1997) Lauren Bern<strong>of</strong>sky 1997 arr. for trumpet ensemble 2012<br />
11:00am-12:00pm David Cooper: Lecture Recital Heard Theatre<br />
“Concertos by Bern<strong>of</strong>sky and Stephenson”<br />
Caryl Conger, piano<br />
Concerto for Trumpet (1997)<br />
Lauren Bern<strong>of</strong>sky<br />
Allegro<br />
Cantilena<br />
Allegro Leggiero<br />
Concerto for Trumpet (2003)<br />
Adagio<br />
Allegro con brio<br />
James M. Stephenson III<br />
11:30am-12:30pm Fred Sautter: Clinic/Master Class <strong>Schwob</strong> 1714<br />
“Fred’s greatest talent is problem solving. Most solutions are simple—discussions<br />
in Fred’s sessions are consistently lively.”<br />
1:10pm Trumpet Prelude: Troy University Trumpet Ensemble Heard Theatre<br />
Dr. Mike Huff, director<br />
Fanfare der Stadt Wien<br />
Richard Strauss (1864-1949) arr. M. Huff<br />
Ye Banks and Braes O’ Bonnie Doon Percy Grainger (1882-1961) arr. B. Ford<br />
A H<strong>of</strong>fnung Fanfare<br />
Malcolm Arnold (1921-2006) arr. J. Olcott<br />
1:15-2:30pm Southeast Showcase I Heard Theatre<br />
“Trumpet and Dance”<br />
Etesian Traveler [World Premiere] Amy Dunker (b. 1964)<br />
I. Allegro<br />
II. Slowly<br />
III. Allegro<br />
Adam Hayes, trumpet; Kris Carlisle, piano; John David, percussion<br />
The Berry College Dance Troupe<br />
21
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
(Southeast Showcase concert continued)<br />
Ballet No. 1 "The Girl in White" Robert J. Bradshaw (b. 1970)<br />
James Ackley, trumpet; Clifford Leaman, soprano saxophone;<br />
Scott Herring, percussion; Lynn Kompass and Joseph Rackers, piano<br />
The <strong>Columbus</strong> Ballet, Maria Hirsch, director<br />
Overture<br />
Scene III - The Final Evening<br />
Scene I - The First Evening<br />
I. Grand Entrance<br />
I. Fiesta! II. Seduction<br />
II. Grand Entrance<br />
III. The Girl in White<br />
III. Lost in Her Beauty<br />
IV. Forever Yours<br />
IV. The Spell, Broken<br />
Scene II - The Second Evening<br />
I. Empty Streets<br />
II. Gathering<br />
III. Hand in Hand<br />
IV. No One to Dance With<br />
1:25pm Trumpet Prelude: Dennis Schneider Alumni Ensemble Legacy Hall<br />
Dr. Grant Peters, director<br />
Legacy: Welcome to the Circle (2012) [world premiere]<br />
Kelly Rossum<br />
Presented in honor <strong>of</strong> ITG's 2012 Award <strong>of</strong> Merit recipient Dennis Schneider, Pr<strong>of</strong>essor Emeritus at the<br />
University <strong>of</strong> Nebraska – Lincoln. This ensemble performs on behalf <strong>of</strong> all Denny's former students, in<br />
admiration and respect for him as a mentor, musician and beautiful cat.<br />
1:30-2:20pm Michael Tunnell: Recital Legacy Hall<br />
“New <strong>Music</strong> for the Modern Corno de Caccia”<br />
Nevolution (2010) Steve Rouse (b. 1953)<br />
Echo Migration<br />
Starquiet<br />
Morphic Resonance<br />
Paradigms (2012) [World Premiere] Anthony Plog (b. 1947)<br />
The Drover Trilogy (2011) [World Premiere] John LaBarbera (b. 1945)<br />
1. Round Up piano reduction by Rene Orth<br />
3. Big Sky<br />
August Evening with Corno da Caccia (2010) Marc Satterwhite (b. 1954)<br />
Skidrococo (2010) Stanley Friedman (b. 1951)<br />
The Modern Corno da Caccia<br />
I am pleased to introduce this exciting new instrument to you. The modern corno da caccia is a hybrid innovative instrument<br />
somewhere between a fugelhorn and a horn, and is played by trumpeters and horn players. I discovered the instrument in the 1980’s<br />
with recordings <strong>of</strong> Ludwig Güttler playing baroque repertoire. Since 1988, I had been asked to perform on flugelhorn high horn parts <strong>of</strong><br />
Bach and Handel in the Louisville Bach Society. I love playing the flugelhorn, but in the extreme upper register, the flugel can be very<br />
scary in terms <strong>of</strong> accuracy, much like waking a tightrope. The modern corno da caccia is sometimes called a piccolo horn, and it<br />
allows players to explore the upper register <strong>of</strong> the horn timbre and to perform Bach and Handel as well as more obscure Baroque<br />
repertoire that is currently neglected by modern horn players.<br />
In the 1990’s, I discovered the incredible German Brass and the playing <strong>of</strong> Matthis Höfs. Höfs, in addition to performing<br />
trumpet magnificently, played the corno da caccia in the group, and I fell in love with sound. The maker <strong>of</strong> his instrument, the Thein<br />
Company <strong>of</strong> Bremen, Germany, has undertaken to develop and introduce a modernized version <strong>of</strong> the corno da caccia, which allows a<br />
player to perform all types <strong>of</strong> repertoire with a superior sound and accuracy. I am proud to perform today on a Thein corno.<br />
At this point in time, I have traveled far and wide playing this instrument, and have recorded 2 CD albums, a la Chasse, and<br />
Out <strong>of</strong> the Forest, both on the Centaur label. And now I am embarking on a commissioning project to show the instrument’s<br />
capabilities in modern repertoire.<br />
------ Michael Tunnell<br />
22
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
2:00-3:30pm ITG Solo Competition, Adam Hayes, Chair Studio Theatre<br />
Finalists (in alphabetical order):<br />
William Cooper - Northwestern University<br />
Chai Lin - Central Conservatory <strong>of</strong> <strong>Music</strong>, Beijing<br />
Peter Stammer - University <strong>of</strong> Michigan<br />
The Final Round Judges:<br />
Peter Bond, Metropolitan Opera<br />
Dennis Edelbrock, George Mason University<br />
Marc Reese, Empire Brass<br />
The Preliminary Round Judges:<br />
Dr. John Cord, Texas A&M-Kingsville<br />
Dr. Michael Huff, Troy University<br />
Dr. Brad Ulrich, Western Carolina University<br />
2:30-3:20pm Frank Campos: Recital Legacy Hall<br />
“Art <strong>of</strong> the Single Line” (all selections will be announced from the stage)<br />
3:50pm Trumpet Prelude: Auburn University Trumpet Ensemble Studio Theatre<br />
Dr. Mark DeGoti, director<br />
Congratulamini Mihi Giovanni Palestrina (1525-1594)<br />
Canon After Bach, BWV 1078 [world premiere]<br />
Jonathon Kirk (b.1975)<br />
4:00-4:50pm Keith Johnson: Master Class Studio Theatre<br />
“A <strong>Music</strong>al Approach to Better Trumpet Technique”<br />
3:55pm Trumpet Prelude: Oklahoma State University Trumpet Ensemble Legacy Hall<br />
Dr. Ryan Gardner, director<br />
Suite for 6 Trumpets Anthony Plog (b. 1947)<br />
Maestoso<br />
Chorale<br />
Finale<br />
Dürrenhorn Passage Kevin McKee (b. 1980)<br />
4:00-4:50 Tamir Akta: Recital Legacy Hall<br />
with: Ina Rubin, piano Wendy Warner, cello<br />
Introduction and Tarantella<br />
Sarasate<br />
Legend<br />
Rondo de la Lutins<br />
Ma belle<br />
Gabriel<br />
Hope<br />
Childhood<br />
Lonliness<br />
First Step<br />
Winiavski<br />
Bazzini<br />
T. Akta<br />
T. Akta<br />
T. Akta<br />
T. Akta<br />
T. Akta<br />
T. Akta<br />
23
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
5:00-5:50pm Raquel Rodriquez: Cornet Lecture Recital Studio Theatre<br />
Caryl Conger, piano<br />
“Cincinnati Virtuosity, The <strong>Music</strong> <strong>of</strong> Herman Bellstedt and Frank Simon”<br />
Willow Echoes (1920) Frank Simon (1889-1967)<br />
Princess Alice (1932) Herman Bellstedt (1858-1926)<br />
Miss Blue Bonnet (1932)<br />
Fantasia No. 1 (1942)<br />
The American Boy (1932)<br />
Frank Simon<br />
Herman Bellstedt<br />
Herman Bellstedt<br />
5:00-5:50pm Stiletto Brass Quintet: Recital Legacy Hall<br />
Amy Gilreath, trumpet, Cathy Leach, trumpet<br />
Kelly Langenberg, horn<br />
Jeannie Little, trombone<br />
Velvet Brown, tuba<br />
from Centone No. 10 Pieter Hellendael (172-1799)<br />
IV March.<br />
arr. Verne Reynolds<br />
Mini Overture Witold Lutoslawski (1913-1994)<br />
Mosaics Anthony Plog ( b 1947)<br />
Allegro-Adagio-Allegro<br />
Allegro vivace<br />
Adagio<br />
Allegro<br />
Concert Etude Alexander Goedicke (1877-1957)<br />
from Armenian Scenes Alexander Arutiunian (1920-2012)<br />
1. Morning Song<br />
Brazen Overture Libby Larsen (b. 1950)<br />
'Round Midnight<br />
Speak S<strong>of</strong>tly<br />
Thelonius Monk/Cootie Williams<br />
(1917-1982)/(1911-1985)<br />
arr. Ingo Luis<br />
Robert Elkjer<br />
Sweet Georgia Brown Maceo Pinkard (1897-1962)<br />
arr. James Jenkins<br />
24
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
7:25pm Trumpet Prelude: <strong>Columbus</strong> State University Heard Theatre<br />
Dr. Robert Murray, director<br />
Flight <strong>of</strong> the Bumble Bee (2012) Rimsky-Korsakov arr. David Marlett<br />
7:30-9:00pm Opening Concert featuring Michael Martin, Marvin Stamm, Heard Theatre<br />
Robert Murray and Lauren Murray<br />
United States Army Maneuver Center <strong>of</strong> Excellence Concert Band<br />
National Anthem<br />
Pas Redoublé (1887)<br />
Camille Saint-Saëns, arr. Frackenpohl<br />
Concertino “Harmonie Del Sur” (2012) [world premiere]<br />
Robert Murray, trumpet Lauren Murray, oboe<br />
Bugler’s Holiday (1954)<br />
Christopher Tucker<br />
Leroy Anderson<br />
Song and Dance (1984)<br />
Michael Martin, trumpet<br />
-Intermission-<br />
Philip Sparke, arr. Ge<strong>of</strong>frey Brand<br />
United States Army Maneuver Center <strong>of</strong> Excellence Stage Band<br />
Boogie Woogie Bugle Boy (As performed by the Andrews Sisters)<br />
America The Beautiful (As performed by Ray Charles)<br />
United States Army Maneuver Center <strong>of</strong> Excellence Concert Band<br />
The Twain Have Met (1999)<br />
Greg McLean<br />
Marvin Stamm and Robert Murray, trumpets Bill Mays, piano<br />
March <strong>of</strong> the Belgian Paratroopers (1946)<br />
Let Freedom Ring<br />
Pierre Leemans, arr. Charles A. Wiley<br />
Barry Manilow, arr. Arocho<br />
US Armed Forces Medley<br />
Semper Paratus (US Coast Guard)<br />
The U.S. Air Force (US Air Force) (Informally known as “Into the Wild Blue Yonder”)<br />
Anchors Aweigh (US Navy)<br />
Marines Hymn (US Marines)<br />
The Army Goes Rolling Along (US Army)<br />
The Stars and Stripes Forever (1896), John Philip Sousa<br />
Flute<br />
SFC Jennifer Staggs Gainsville, FL<br />
SSG Samantha Lee Mercersburg, PA<br />
Clarinet<br />
SFC Robert Moore Colonal Heights, VA<br />
SGT Molly Stoklosa Ely, MN<br />
SPC Joseph O'Kelly Farmington Hills, MI<br />
SPC Steven Schulster Long Beach, NY<br />
SPC Malyn Smith Springfield, MO<br />
Oboe<br />
SPC Michael Cohen Ft. Eustis TRADOC Band<br />
Saxophone<br />
SGT Edward Stoklosa III Chicago, IL<br />
SGT Daniel Kelley Chattanooga, TN<br />
SPC Christopher Barnes Columbia, SC<br />
Bassoon<br />
1SG Wesley P. Nikitiuk Zielona Gora, Poland<br />
SGT David P. Thompson Jefferson City, MO<br />
Trumpet<br />
SFC Ryan Staggs San Antonio, TX<br />
SFC William Baez Caguas, PR<br />
SSG Sam Hunte Queens, NY<br />
SSG George Eleazer Decatur, AL<br />
SPC Julia Brett West Hempstead, NY<br />
SPC Steven Leeper Portage, IN<br />
French Horn<br />
SFC Eric D. Lee Great Falls, MT<br />
SSG Miriam Cornett Aberdeen, SD<br />
SPC Robin Carlson Ft. Eustis TRADOC Band<br />
Trombone<br />
SPC Francisco Arocho San Juan, PR<br />
SPC George M. Kaiser Fort Wayne, IN<br />
SSG Derrick C. Reed Louisville, KY<br />
Tuba<br />
SGT Marcus Davis Virginia Beach, VA<br />
SGT Robert McCarty Scituate, MA<br />
Euphonium<br />
SPC Stuart Jackson Raleigh, NC<br />
Bass<br />
SGT Joee Nagem Atlanta, GA<br />
SPC Patrick O'Hara South Bend, IN<br />
Guitar<br />
SFC John A. Verner Deerfield Beach, FL<br />
SPC Oleg A. Galanin Potsdam, GER<br />
SGT Gregory S. Finkbeiner Shannock, RI<br />
Percussion<br />
SSG Phillip Allison Decatur, GA<br />
SGT James M. Brewer Cayce, SC<br />
SGT Ronald Edwards Philadelphia, PA<br />
SPC Michael A. Sera White Lake, MI<br />
Piano<br />
SPC Esther Na Seoul, South Korea<br />
SPC Gordon Garraway Jr. Buffalo, NY<br />
25
ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />
9:30-11:00pm Late Night Jazz: TRPTS RiverCenter Festival Stage<br />
Mike Vax, leader<br />
with Jeff Jarvis, Claudio Roditi, Andrea T<strong>of</strong>anelli<br />
LICKETYSPLIT<br />
Phil Field, Arr. Mike Vax<br />
CORNET CHOP SUEY Louis Armstrong, Arr. Mike Vax<br />
SOPHISTICATED LADY Billy Strayhorn, Arr. Curtis Wilson<br />
SHORT STOP<br />
Shorty Rogers, Arr. Curtis Wilson<br />
ONE FOOT IN THE GUTTER Clark Terry, Arr. Mike Vax<br />
LOUIS MEETS THE BIRD Charlie Parker, Louis Armstrong, Arr. Mike Vax<br />
I REMEMBER CLIFFORD Benny Golson, Arr. Mike Vax<br />
DAAHOOD<br />
Clifford Brown<br />
SWEET EMMA<br />
Nat Adderly, Arr. Mike Vax<br />
Additional selections announced from the stage<br />
So Much Gear<br />
Bach<br />
B & S<br />
Best Brass<br />
Denis Wick<br />
GR<br />
Getzen<br />
Marcus Bonna<br />
Monette<br />
Schilke<br />
S.E. Shires<br />
Sonaré<br />
Stomvi<br />
Stork<br />
Tom Crown<br />
TrumCor<br />
Warburton<br />
And More...<br />
So Little T ime!<br />
Compare it all in one location. Visit us in Room MR-101<br />
20275 Honeysuckle Drive<br />
Elkhorn, NE 68022<br />
(402) 289-9699<br />
www.thompsonmusic.com<br />
We don’t just sell this stuff, we play it!
ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />
7:30-8:15am Karen Hangsterfer: Yoga for Brass Players Heard Theatre<br />
8:25am Trumpet Prelude: Bowling Green State University Trumpet Ensemble Studio Theatre<br />
Charles Saenz, director<br />
Gilded Fanfare*<br />
James Stephenson<br />
*premiered at Ohio Trumpet Guild Conference by BGSU Trumpet Ensemble, March 31, 2012<br />
El Regalo [world premiere]<br />
David Bixler<br />
8:30-9:15am Anatoly Selainin : Lecture—“The Russian Sound in the US” Studio Theatre<br />
9:00-10:30am David Monette: Lecture—“Thirty Years <strong>of</strong> Innovation” Legacy Hall<br />
9:20-10:10am Judith Saxon: Lecture Studio Theatre<br />
Judith Saxton: 2011 ITG Recording project. Notes from behind the bell:<br />
Practical pointers for a successful recording project.<br />
9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />
9:30-10:45am United States Army Brass Quintet: Recital Heard Theatre<br />
SFC Terry Bingham and SFC Christian Hinkle,Trumpets<br />
SFC Rick Lee, Horn MSG Matt Niess, Trombone<br />
SFC Jon Voth, Tuba<br />
Program To Be Selected From:<br />
Fugace (from Suite for Flute and Jazz Piano)<br />
Claude Bolling arr. Mike Tomaro<br />
Overture and Allegro (from Royal Fireworks <strong>Music</strong>)<br />
Second Prelude<br />
The Marriage <strong>of</strong> Figaro Overture<br />
A Fairy Tale <strong>of</strong> the Priest and the Knockhead his Servant<br />
Overture<br />
The Demons Marching<br />
Merry Go Round<br />
The Metropolitan Priest<br />
The Priest's Wife's Romance<br />
Galop<br />
Bluebells <strong>of</strong> Scotland<br />
O Magnum Mysterium<br />
The Chant<br />
Czardas<br />
Some Skunk Funk<br />
Rounds and Dances<br />
Carioca<br />
Galop<br />
G. F. Handel arr. Chuck Seipp<br />
George Gershwin arr. Cohen<br />
Mozart arr. Chuck Seipp<br />
D. Shostakovich arr. A Serebrennikov<br />
Trad/Arthur Pryor arr. David Werden<br />
Morten Lauridsen arr. William Schmid<br />
Mel Stitzel arr. Zack Smith<br />
Vittorio Monti arr. Karl Hinterbichler<br />
Randy Brecker arr. William Schmid<br />
Jan Bach<br />
28
ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />
10:25am Trumpet Prelude: Temple University Trumpet Ensemble Studio Theatre<br />
Eric Schweingruber, director<br />
Essay for Five Trumpets (2010)<br />
Wesley Nance<br />
10:30-11:20am K.O. Skinsnes: Seminar Studio Theatre<br />
“The Mouthpiece - Trumpet Annulus (Gap)”<br />
The correct gap is the key to the best sound, range, pitch, and endurance your equipment can give you. Adjusting it<br />
by as little as 1/32” can turn a bad trumpet into a great one and can make or break your performance.<br />
10:55am Trumpet Prelude: Georgia State Trumpet Ensemble Legacy Hall<br />
Amanda Pepping, director<br />
Big, Bright & Beautiful Noise (2012) Nickitas Demos (b. 1962)<br />
Trumpet Concerto (1899) Oskar Boehme (1870-1938)<br />
mvt. 1. Allegro Moderato, featuring GSU alumnus Peter Bond <strong>of</strong> the Metropolitan Opera<br />
11:00am-12:15pm The Inventions Trio with Marvin Stamm: Recital Legacy Hall<br />
Selections to be announced from the stage<br />
11:00am-12:00pm Bryan G<strong>of</strong>f: Comeback Session <strong>Schwob</strong> 1714<br />
“Planning, Structuring, and Adapting—Things I’ve Learned”<br />
11:10am Trumpet Prelude: University <strong>of</strong> Louisville Trumpet Ensemble Heard Theatre<br />
Fanfare No. 2 from Book <strong>of</strong> Fanfares (2012) * Joseph Meibers (b. 1991)<br />
A Flying Leap! (1994) Steve Rouse (b. 1953)<br />
Main Chute (2012) for solo corno da caccia and 4 trumpets* Frederick Speck (b. 1955)<br />
Michael Tunnell, solo corno da caccia<br />
*World Premiere<br />
11:15am-12:15pm Andrea Giuffredi: Recital Heard Theatre<br />
“Tromba Cantabile”—<strong>Music</strong> from the Italian Cinema<br />
and International Pop <strong>Music</strong><br />
11:30am-12:20pm Dennis Edelbrock: Lecture Studio Theatre<br />
“Hyperflexibility—Embouchure Control and Mantainence”<br />
1:25pm Trumpet Prelude: Indiana University Alumni Trumpet Ensemble Legacy Hall<br />
Dr. Mark Dulin, director<br />
Vienna Philharmonic Fanfare Richard Strauss 1864-1949<br />
Feierlicher Einzug Richard Strauss 1864-1949<br />
Edmund Cord Pr<strong>of</strong>essor <strong>of</strong> Trumpet Indiana University, Conductor<br />
1:30-3:10pm Dan Mendelow and Marc Reece: Trumpet and Organ Recital Legacy Hall<br />
Joseph Golden, Organ<br />
Marche<br />
Andre Fleury.<br />
Preludes<br />
Sonata for Trumpet and Organ.<br />
Concerto in Eb<br />
"At the going down <strong>of</strong> the Sun".<br />
“Larghetto” from Clarinet Quintet k. 581<br />
Impromptu.<br />
Heroic <strong>Music</strong> Selections<br />
Johann Sebastian Bach<br />
Barry McKimm<br />
Johann Baptist Georg Neruda<br />
Brenton Broadstock<br />
Wolfgang Amadeus Mozart<br />
Hermann Schroeder<br />
Georg Philipp Telemann<br />
29
ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />
<br />
1:30-2:20pm Michael Martin: Lecture—“National Brass Symposium” <strong>Schwob</strong> 1714<br />
2:00-3:00pm Louise Baranger: Lecture—“The Legacy <strong>of</strong> Fred Mills” Studio Theatre<br />
With Fred’s musical colleagues and students as special guests<br />
“Those attending should bring their horns. We will be playing Fred’s warm up and technical exercises.”<br />
2:30-3:45pm Mike Vax: Clinic—“Basics <strong>of</strong> Lead Trumpet Playing” <strong>Schwob</strong> 1714<br />
3:25pm Trumpet Prelude: Lee University Trumpet Ensemble Studio Theatre<br />
Tina Erickson, director<br />
Scherzino<br />
J. Kimmell<br />
The Ascension<br />
P. Basler<br />
For the Beauty <strong>of</strong> the Earth<br />
C. Kocher arr. B. Walker<br />
3:30-4:20pm H.M. Lewis: Cornet Lecture Recital Studio Theatre<br />
Caryl Conger, piano<br />
I’ve Made My Plans for the Summer (1907) John Philip Sousa (1854-1932)<br />
Flirtation Polka (1891) C. I. Barnhouse (1865-1927)<br />
Sweet Bye and Bye (1894)<br />
J. S. Cox<br />
The Devil’s Tongue<br />
Hugo Schmidt<br />
Miss Blue Bonnet (1932) Frank Simon (1890-1967)<br />
The Three Kings (1932) Walter M. Smith (1859-1937)<br />
Joe van Fleet, H. M. Lewis, and Wayne Collier, cornets<br />
from Modern Suite (1940) R. Barnard Fitzgerald (1911-2005)<br />
3:55pm Trumpet Prelude: Valdosta State University Trumpet Ensemble Legacy Hall<br />
Dr. Kenneth Kirk, director<br />
Stereophonics for Sextet (2012) Anthony Chapman (b. 1985)<br />
Knights <strong>of</strong> Gallipoli (2012) Justin Powell (b. 1986)<br />
I. Uncertain Commute<br />
II. Skirmish <strong>of</strong> the Lionhearted<br />
III. Vapors <strong>of</strong> the Departed<br />
4:00-5:30pm Georgia Brass Band: Recital Legacy Hall<br />
Prelude for an Occasion<br />
Edward Gregson<br />
Horizons<br />
Temple in the Clouds<br />
Tango<br />
Gaelforce<br />
Thomas Hooten, soloist<br />
Paul Lovatt-Cooper<br />
David Marlatt<br />
Gavin Higgins<br />
Peter Graham<br />
Concertino Classico<br />
Con brio<br />
Larghetto<br />
Allegro rustico<br />
Michael Tiscione & Brandon Craswell, soloists<br />
Concertino, Opus 94<br />
Cossack Fire Dance<br />
Joseph Horovitz<br />
Dimitri Shostakovich arr. Mark Freeh<br />
Peter Graham<br />
30
ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />
The Georgia Brass Band<br />
Joe Johnson, <strong>Music</strong> Director<br />
Eb Cornet Tenor Horn Euphonium<br />
Peter Bentz Joshua Crook Matthew Shipes<br />
Andrew Baillie<br />
Jason Casanova<br />
Tom Day<br />
Bb Cornet<br />
Paul Poovey Baritone Eb Tuba<br />
John Bryant Gary Garvin Thomas Peacock<br />
Alex Rodiek Louie Lugo Jerry McEver<br />
Adam Decker<br />
Jerry Pollard Trombone Bb Tuba<br />
Clark Hunt Hollie Lawing Robert Coulter<br />
Reid Lyons Jennifer Mitchell William Pritchard<br />
Bryan Kershner<br />
Travis Cottle<br />
Percussion<br />
Flugelhorn Bass Trombone Matthew McCullough<br />
William Southwood Garett Arrowood Caleb Herron<br />
Paige Barber<br />
4:30-5:20pm David Klein: Lecture Demonstration Studio Theatre<br />
“The Role <strong>of</strong> the Trumpet in Klezmer <strong>Music</strong>”<br />
5:30-7:30pm ITG Legacy Endowment Reception Patron’s Room-RiverCenter<br />
Former, present, and future donors welcome<br />
7:30-9:00pm Joe Gransden Big Band Heard Theatre<br />
Headlining Artists to include:<br />
Jeff Jarvis, Vaughn Nark, Claudio Roditi, Andrea T<strong>of</strong>anelli, Mike Vax, Patrick Hession<br />
9:30-11:00pm ITG Jazz Competition, Ansyn Banks, Chair Legacy Hall<br />
Finalists (in alphabetical order):<br />
Marquis Hill – DePaul University<br />
Josh Shpak – Berklee College <strong>of</strong> <strong>Music</strong><br />
Anthony Stanco – Michigan State University<br />
The Final Round Judges:<br />
Michael Hackett, UNC Charlotte<br />
Clay Jenkins, Eastman <strong>School</strong> <strong>of</strong> <strong>Music</strong><br />
Claudio Roditi, International Jazz Artist<br />
The Preliminary Round Judges:<br />
Scott Belck, Cincinnatti Conservatory<br />
Lenny Foy, DePauw University<br />
John La Barbera, University <strong>of</strong> Louisville<br />
31
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
7:30-8:15am Rich Willey: Warm up session <strong>Schwob</strong> 1714<br />
“Warm up a-la Reinhardt”<br />
8:25am Trumpet Prelude: Central Michigan University Trumpet Ensemble Studio Theatre<br />
Dr. Neil Mueller, director<br />
<strong>Music</strong> for Seven Trumpets [World Premiere]<br />
Evan T. Boegehold<br />
I. Adagio<br />
II. Parody<br />
III.Fantasy<br />
IV. Fleeting<br />
Evan T. Boegehold, conductor<br />
8:30-10:00am David Spencer and Charles Schlueter: Lecture Demonstration Studio Theatre<br />
“Trumpet Pedagogy in Brazil; the dedication and influence <strong>of</strong> Charles Schlueter”<br />
With Nailson Simões, Paulo Ronqui, Heinz Schwebel, Maico Lopes, Aquiles Moraes<br />
Uma Fantasia Brasileira Jose Ursicino da Silva “Duda” (1935- )<br />
Seventy Springs (2009)<br />
Gilson Santos<br />
8:55am Trumpet Prelude: University <strong>of</strong> Alabama Trumpet Ensemble Legacy Hall<br />
Dr. Eric Yates, Director<br />
Fanfare 2012 (2012)<br />
Justin R. Langham<br />
<strong>Music</strong> from Strange Places (2007) Erik Morales<br />
Ledama Tajeu, soloist<br />
Dürrenhorn Passage (2009)<br />
Kevin McKee<br />
9:00-10:15am New Works Recital II—Dr. Kurt Gorman, coordinator Legacy Hall<br />
French Suite for Brass Trio<br />
Joseph Blaha<br />
Allemande<br />
Sarabande<br />
Courante<br />
Gigue<br />
Contrapunctus Brass Trio<br />
Amy Schendel, trumpet Bernhard Scully, horn Todd Schendel, trombone<br />
Caccia<br />
James Wintle<br />
Iskander Akhmadullin, David Spencer, trumpets<br />
Concertino<br />
Judith Saxton, trumpet<br />
Brendan Collins<br />
Bright Moonlight and Meditation<br />
Tao Ge, trumpet and Yien Wang, piano<br />
Chen Yi<br />
Roshi<br />
Kelly Rossum<br />
Kelley Rossum, trumpet Paul Vaillancourt, marimba<br />
Sonata for Trumpet and Piano: Mvt II<br />
Alan Seibert, trumpet<br />
Gordon Goodwin<br />
Hymn<br />
Michael Elzey, trumpet<br />
Michael Sitton<br />
Of Innocence and Experience<br />
Hendrik Pienaar H<strong>of</strong>meyr<br />
Spring<br />
A Cradle Song<br />
The Sick Rose<br />
Serafini Brillanti<br />
Randall Tinnin, trumpet Rhonda Nus Tinnin, soprano<br />
Erin K. Bennett, piano<br />
34
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
9:25am Trumpet Prelude: University <strong>of</strong> Southern Mississippi Trumpet Ensemble Heard Theatre<br />
Dr. Jason Bergman, director<br />
Arrastão (2006)<br />
Edu Lobo/Vinícius de Moraes arr. Fernando Dissenha<br />
Cyclone (2008)<br />
Erik Morales<br />
9:30-11:00am Atlanta Symphony Orchestra Trumpet Section: Clinic Heard Theatre<br />
9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />
10:25am Trumpet Prelude: University <strong>of</strong> Wyoming Trumpet Ensemble Legacy Hall<br />
Dr. Scott Meredith, director<br />
Kayee Fanfare (2000) Jack Stamp (b. 1954)<br />
The last Rose <strong>of</strong> Summer (2012) [world premiere] Traditional Irish Song arr. Robert Elkjer (b. 1957)<br />
Fantasia Brasileira (2003)<br />
Josè Ursicino da Silva “Duda” (b. 1953) ed. Luis Engelke<br />
10:30-11:00am Fred Sautter: Trumpet and Organ Lecture Recital Legacy Hall<br />
Joseph Golden, Organ<br />
DuoConcerto by Tomas Svoboda, Premier May 30, 1997 in Portland, Organ.<br />
Performers: Fred Sautter - Trumpet and Tomas Svoboda - Organ, Trinity Episcopal Cathedral.<br />
As with any piece, this major work for trumpet and organ benefits greatly by understanding it. Fred will present: musical<br />
examples, its history, the story <strong>of</strong> the piece and an assortment <strong>of</strong> enhancing experiences culminating in a complete<br />
performance. The DuoConcerto was commissioned by friends <strong>of</strong> Richard Thornburg, long time trumpeter in Portland in<br />
memory <strong>of</strong> his life. Hi sudden death in March <strong>of</strong> 1994, and on his 50th Birthday created a sense <strong>of</strong> loss in the entire<br />
community because <strong>of</strong> his quiet but consistent presence as one <strong>of</strong> the finest people.<br />
"Audience participation with reactions, questions and anything which further exposes the subject is encouraged"<br />
11:00am-12:00pm Vaughn Nark: Clinic Studio Theatre<br />
11:00am-12:00pm Bill Pfund: Master Class for Comeback Players <strong>Schwob</strong> 1714<br />
11:15am-12:15pm Clarion: Recital Legacy Hall<br />
Keith Benjamin, Trumpet Melissa Steed, Organ<br />
Metamorphosis (1977) Vaclav Nelhybel (1919-1996)<br />
Clarion Calls (1995) Samuel Adler (b. 1928)<br />
Dialogue<br />
Soliloquy (In Memory <strong>of</strong> Yitzchak Rabin)<br />
Okna (1976) Petr Eben (1929-2007)<br />
Modré Okno (The Blue Window - Ruben)<br />
Zelené Okno (The Green Window - Issachar)<br />
Červené Okno (The Red Window - Zebulon)<br />
Zlaté Okno (The Gold Window - Levi)<br />
Eine Kleine Yiddishe Spaß (1998) Stephen David Beck (b. 1959)<br />
11:30am-12:30pm ITG Orchestral Excerpts Competition, Scott Meredith, Chair Studio Theatre<br />
Finalists (in alphabetical order):<br />
William Cooper - Northwestern University<br />
George Goad - Curtis Institute <strong>of</strong> <strong>Music</strong><br />
Chris Haas - Western Illinois<br />
The Final Round Judges:<br />
The Preliminary Round Judges:<br />
Thomas Hooten, Principal Trumpet, Atlanta Symphony<br />
Ryan Anthony, Principal Trumpet, Dallas Symphony<br />
Paul Hostetter, Director <strong>of</strong> Orchestral Activities, <strong>Columbus</strong> State Univ. Justin Bartels, Principal Trumpet, Colorado Symphony<br />
Dan Mendelow, Principal Trumpet (ret), Sydney Symphony<br />
Chris Still, Second Trumpet, Los Angeles Philharmonic<br />
Fred Sautter, Principal Trumpet (ret), Oregon Symphony<br />
35
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
12:55pm Trumpet Prelude: Florida State University Trumpet Ensemble Legacy Hall<br />
Dr. Christopher Moore, director<br />
Labyrinth<br />
Joseph Turrin<br />
Commissioned by the 2011 Florida State University Trumpet Ensemble for the 2012 ITG Conference.<br />
1:00-1:50pm David Krauss: Lecture Recital Legacy Hall<br />
Caryl Conger, piano<br />
“Deconstructing Hindemtih, a <strong>Music</strong>al Exploration <strong>of</strong> his Sonata for Trumpet and Piano”<br />
1:25pm Trumpet Prelude: Trumpet Mates Gang Studio Theatre<br />
Jorge Almeida, director<br />
Concertpiece (1999)<br />
B. Broughtn<br />
Tico Tico (2003)<br />
Z. Abreu<br />
Jorge Almeida, soloist<br />
There’s a Great Day Coming (1994) L. Thompson<br />
Jorge Almeida, soloist<br />
1:30-2:20pm Andrea T<strong>of</strong>anelli: Clinic Studio Theatre<br />
1:55pm Trumpet Prelude: Tri-State Trumpet Ensemble Heard Theatre<br />
Bryan Crisp, director<br />
Fanfare (2005)<br />
Bernie Walker<br />
Three Snapshots (2011)<br />
Nicole Piunno<br />
Fractured Fanfare (1993)<br />
Charles Decker<br />
2:00-3:30pm Bala Brass: Recital Heard Theatre<br />
James Ackley, trumpet, Seelan Manickam, trumpet<br />
Kristen Dirmeler, horn<br />
Martin Wittenberg, trombone<br />
Adam Porter, tuba<br />
Bells Ian McDougall (b. 1938)<br />
Suite for Brass Quintet Phil Snedecor (b. 1963)<br />
I. Fanfare<br />
II. Nursery Rhyme<br />
III. Day In The Park<br />
IV. Wild Ride<br />
Brass Quintet Daniel Schnyder (b. 1961)<br />
I. Ardito<br />
II. Lento<br />
III. Prestissimo<br />
IV. Ricercar<br />
V. Lento/Tempo Rubato<br />
Pause<br />
Revealed Robert Bradshaw (b. 1970)<br />
I. dingy dinghies<br />
II. vermont son<br />
III. patiently waiting<br />
IV. yard flowers<br />
V. kissimmee sky<br />
Cavatina Pacifica Ian McDougall (b. 1938)<br />
Vuelta del Fuego Kevin McKee (b. 1980)<br />
36
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
2:10-3:10pm The Romm Trio-Recital Legacy Hall<br />
Ronald and Aaron Romm, Trumpets Avis Romm, Piano<br />
Program to be chosen from the following:<br />
Jubilation<br />
Avis and Ronald Romm<br />
Danse Rituelle Du Feu<br />
Times for Solo Trumpet<br />
Good Times<br />
Hard Times<br />
Time to Go<br />
Vocalise<br />
Hansel and Gretel Fantasie<br />
Flight <strong>of</strong> the Bumblebee<br />
En Forme de Habanera<br />
Toccata and Fugue in D Minor, BWV565<br />
Fantasy Impromptu<br />
Over the Rainbow<br />
De Falla/Arr Avis, Ronald and Aaron Romm<br />
Frank Campo<br />
Rachmanin<strong>of</strong>f/Arr Lee Norris<br />
Humperdinck/Arr Avis and Ronald Romm<br />
Korsakov/Arr Avis and Ronald Romm<br />
Ravel/Arr Avis and Ronald Romm<br />
Bach/Arr Aaron Romm<br />
Chopin/Arr Avis and RonaldRomm<br />
Arlen/Arr. Lee Norris<br />
Libertango<br />
Piazzolla/Arr Lee Norris<br />
Ronald Romm is a Yamaha Performing Artist/Clinician<br />
Avis Romm is a Steinway Piano Artist<br />
2:30-3:20pm Claudio Roditi: Clinic Studio Theatre<br />
3:25pm Trumpet Prelude: University <strong>of</strong> Tennessee Trumpet Ensemble Legacy Hall<br />
Dr. Cathy Leach, director<br />
Ars Postera (2011) [world premiere]<br />
Bobby L. Collins<br />
I. Vallum Aelium<br />
II. Via Lactea<br />
III. Dux Bellorum<br />
3:30-4:00pm Harmonie del Sur: Recital Legacy Hall<br />
Robert Murray, Trumpet Lauren Murray, Oboe<br />
with Paul Vaillancourt, Percussion<br />
Kinesis (the activity <strong>of</strong> a cell in response to stimulus) [world premiere]<br />
Kineses 1 Kineses 4<br />
Kineses 2 Kineses 5<br />
Kineses 3<br />
True Minds for Oboe, Trumpet, and Percussion [world premiere]<br />
“let me not to the marriage <strong>of</strong> true minds admit impediments”<br />
I. <strong>of</strong> true minds<br />
II. the marriage<br />
III. impediments<br />
IV. to the edge <strong>of</strong> doom<br />
John Steffa<br />
Allen Cohen<br />
37
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
4:00-5:15 Southeast Showcase Concert II Legacy Hall<br />
Sonata for Trumpet and Piano (2010)<br />
Anthony Plog<br />
I. Moderato<br />
II. Lento with Freedom<br />
III. Moderato<br />
Richard Rulli, trumpet Caryl Conger, piano<br />
Jason Bergman, trumpet<br />
Parable for XIV for Solo Trumpet, op.127 (1973)<br />
Jason Bergman, trumpet<br />
Centennial Horizon for trumpet and piano (2011)<br />
I. Aspen Grove<br />
II. Roaring Gunnison<br />
Christopher Wilson, trumpet<br />
Caryl Conger, piano<br />
Vincent Persichetti<br />
Kevin McKee<br />
Afrika (2001)<br />
Peter Wood, trumpet<br />
Robert Holm, piano<br />
Raffaele Bellafronte<br />
“Diversions” for Trumpet and Piano (2012)<br />
Paul Basler<br />
Prologue<br />
Waltz<br />
Nocturne<br />
Presto<br />
Christopher Moore, trumpet<br />
Diversions was commissioned by and written for Christopher Moore, Pr<strong>of</strong>essor <strong>of</strong> Trumpet at Florida<br />
3:55pm Trumpet Prelude: Alabama State University Trumpet Ensemble Studio Theatre<br />
Dr. Carly Johnson, director<br />
Sound the Charge( 2012)<br />
Doug Bristol<br />
DeepRiver Traditional Spiritual, arr. Carly Johnson (2012)<br />
Sometimes I Feel Like a Motherless Child Traditional Spiritual, arr. Carly Johnson (2011)<br />
Straight Life Freddie Hubbard, arr. Hardin Butcher (2012)<br />
4:00-5:30pm Benny Benack III: 2011 Carmine Caruso Competition Winner Recital Studio Theatre<br />
“Steel” - Benny Benack III<br />
“Mack the Knife” - Kurt Weill<br />
“Ceora” - Lee Morgan<br />
“Departure” - Benny Benack III<br />
“In a Mellow Tone” - Duke Ellington<br />
“Waterflow” - Benny Benack III<br />
“Joy Spring” - Clifford Brown<br />
“In a Sentimental Mood” - Duke Ellington<br />
“Bennyʼs Bossa” - Benny Benack III<br />
“Bye Bye Blackbird” - Ray Henderson<br />
“Centerpiece” - Harry Edison<br />
5:30-7:30pm Reception: Keith Johnson Alumni Patron’s Room—RiverCenter<br />
38
ITG 2012 Conference Schedule • Friday, May 25, 2012<br />
7:30-9:00pm Orchestra Concert Heard Theatre<br />
Featuring: Eric Berlin, Andrea Giuffredi, Sergei Nakariakov, Victor Silverstone<br />
Trumpet Concerto No. 1 in D Major<br />
Adagio<br />
Allegro<br />
Grave<br />
Allegro<br />
Victor Silverstone, trumpet<br />
True Colors<br />
1. Echoing<br />
2. Magic Act<br />
Eric Berlin, trumpet<br />
Concerto in D<br />
Allegro<br />
Andante<br />
Allegro grazioso<br />
John Holt, trumpet<br />
Rossini “Trumpet Virtuoso”<br />
Sleepy Lagoon<br />
Granada<br />
G.P Telemann<br />
George Tsontakis<br />
Giuseppe Tartini ed. John Holt<br />
G. Rossini trans. F. Codeluppi<br />
Eric Coates arr. Paich<br />
A. Lara trans. F. Codeluppi<br />
Andrea Giuffredi, trumpet<br />
ITG Festival Orchestra<br />
George Del Gobbo, Conductor<br />
Violin Viola Flute French Horn<br />
Boris Abramov Elizabeth Hostetter Jeana Melilli Adam Pandolfi<br />
Barbara Careaga Zoran Jakovcic Jessica Shearer Anna Dodd<br />
David Edwards Sherrod Mitchell James Baker<br />
Diego Gabete Sarah Park Oboe<br />
Howard Goldstein Susan Tomkiewicz Trumpet<br />
Thomas Mohr Cello Eric Thomas Nate Locke<br />
Celeste Myall Mary Del Gobbo Clayton Chastain<br />
Thomas Pearson Daniel Holloway Clarinet<br />
Patrick Ryan Wendy Warner Lisa Oberlander Trombone<br />
Sylvia Wehr Manuel Ramos Bradley Palmer<br />
Lorna Wood Bass Matthew Wood<br />
Jaqueline Pickett Bassoon<br />
Ronald Wirt<br />
Tuba<br />
Dumitriu Bogdan Eric Bubacz<br />
Percussion<br />
Paul Vaillancourt<br />
9:30-11:30pm Jazz Headliners: Clay Jenkins and Dominick Farinacci RiverCenter Festival Stage<br />
39
ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />
7:30-8:15am Warm Up Session: Kurt Gorman <strong>Schwob</strong> 1714<br />
8:30-10:00am Research Room 2012 – Chair: Kelly A. Parkes, Ph.D. Virginia Tech. <strong>Schwob</strong> 1714<br />
The primary aim <strong>of</strong> this session is to provide a blind peer-reviewed forum for current higher education / tertiary pr<strong>of</strong>essors/ researchers<br />
to present experimental, action, qualitative, historical, or quantitative research about trumpet performance, study, or pedagogy.<br />
Research topics include those that test and illustrate best practice in regards to performing, studying, or teaching the trumpet. Presenters<br />
will benefit from sharing their work with other researchers in the room, informally, and pr<strong>of</strong>essionally have access to future<br />
collaboration nationally, and internationally. The Chair wishes to take this opportunity to thank the reviewers for their service to the<br />
ITG and to encourage interested and qualified ITG members to become involved with the Research Room.<br />
Reviewers for 2012: Dr. Michael Hengst, Metropolitan State College <strong>of</strong> Denver; Dr. Jonathan Kruger, SUNY Geneseo; Dr. Barry<br />
Long, Bucknell University; Dr. James Moore, West Virginia Wesleyan College; Dr. Tracy Parish, University <strong>of</strong> Illinois at Urbana-<br />
Champaign<br />
Presentations:<br />
Dr. Dale Misenhelter: University <strong>of</strong> Arkansas<br />
Choices in the Undergraduate Brass Methods Course in <strong>Music</strong> Education: A Critical Look at Content and Materials<br />
Among the most common university teaching responsibilities are (brass) pedagogical courses in the music education curriculum for<br />
undergraduates. Faculty charged with teaching these classes may or may not have public school experience, and a wide variety <strong>of</strong><br />
perspectives are to be expected. Indeed, many different approaches typically result. One variable in these situations is a course text,<br />
as the content and progression <strong>of</strong> a collegiate brass methods class is sometimes dependent on a particular source written to address a<br />
variety <strong>of</strong> needs and accommodate numerous instruments. Conversely, method books used in the public school classrooms in which<br />
graduating undergraduates will teach can approach objectives quite differently. While the two environments may not share all goals<br />
and objectives, some relationship and reasonable amount <strong>of</strong> experience in the pedagogical materials for the young player would seem<br />
to be a common expectation. This session will present a brief overview and comparison <strong>of</strong> a variety <strong>of</strong> method books written for use in<br />
public schools, focusing on broader musical content and research-based approaches. Brief content analysis will be presented, with a<br />
particular emphasis on approaches to melodic material (sound-to-symbol, for example), song selections and the historical relevance and<br />
inclusion <strong>of</strong> folk and original source materials, as well as the use <strong>of</strong> solfege, differentiated rhythmic counting systems,<br />
accompaniments, and improvisation. Select specific method book examples will be critically viewed and considered. Extant research<br />
on specific method book(s) utilization by public school teachers will also be presented.<br />
Dr. Ronnie Ingle: University <strong>of</strong> North Dakota<br />
Francois Dauverne’s Collection de VI Solos pour la Trompette Chromatique: A Modern Performance Edition<br />
François Georges Auguste Dauverné (1799-1874) was a considerably influential nineteenth century pedagogue and trumpeter. In 1833<br />
he was appointed as the first trumpet instructor at the Paris Conservatory, where he remained for over thirty-five years. His students<br />
included Jean-Baptiste Arban and Louis Saint-Jacome, both <strong>of</strong> whom became well-known in their own right for their contributions to<br />
the development <strong>of</strong> the trumpet and the standardization <strong>of</strong> modern trumpet technique. As a performer, Dauverné held several posts,<br />
including a prestigious position as first trumpeter with the Paris Opera Orchestra, for which he held for over thirty years. In 1827, he<br />
performed a concert in Paris on an F trumpet with a newly-developed valve system, becoming the first individual to use valved trumpet<br />
in a public setting (referred to as trompette modern or trompette chromatique).<br />
It is for this instrument that Dauverné composed his Collection de VI Solos pour la Trompette Chromatique for solo trumpet and<br />
chamber orchestra, which I have compiled in a modern edition for trumpet with piano reduction. This edition has been accepted for<br />
production by Carl Fischer <strong>Music</strong>, and will be released in March <strong>of</strong> this year with accompanying recording, foreword, preface, and<br />
biography. This edition takes on special importance for modern trumpeters for the following reasons:<br />
• Dauverne’s position as the first trumpet instructor at the Paris Conservatory (teaching Arban and St. Jacome), and his importance<br />
in the promotion <strong>of</strong> modern trumpet technique.<br />
• Dauverne’s method book, Methode pour la Trompette, has been recently translated and includes the most comprehensive history<br />
<strong>of</strong> the trumpet to that time (1857).<br />
• A thorough biography <strong>of</strong> Dauverne has not been written, but it is my understanding that one is currently being done, which will<br />
cause much interest in his music.<br />
• There is very little music known by this very important pedagogue, composer, and performer, and no solo music has been<br />
uncovered until this project.<br />
Adding Dauverne’s solos to the body <strong>of</strong> available trumpet literature has been a very important and worthwhile endeavor, and I am<br />
interested in presenting this music, for the first time in public, at this year’s ITG <strong>conference</strong>. I will discuss the aspects <strong>of</strong> these works<br />
which define the idiom <strong>of</strong> chromatic trumpet music, and how these solos influenced other solo and chamber works for trumpet in<br />
subsequent years. I propose to show the music, together with representatives from Carl Fischer <strong>Music</strong>, and also briefly discuss the<br />
process <strong>of</strong> compiling and editing. I will address such questions as: 1) Why make the edition, 2) Why is a piano reduction important<br />
(from original chamber ensemble), 3) What was the process <strong>of</strong> making the reduction, 4) How did I locate the music, and 5) What was<br />
the process <strong>of</strong> publishing (acquiring a publisher, formatting, etc.). I believe this music will prove to be one <strong>of</strong> the most significant finds<br />
for solo trumpet in recent years, due to the stature <strong>of</strong> the composer and quality <strong>of</strong> the music, and the presentation (together with<br />
accompanying handouts and materials) will provide participants with an exciting view <strong>of</strong> a trumpet legend, his previously unknown<br />
music, and the process <strong>of</strong> making the music into an edition that can be shared throughout the world.<br />
42
ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />
Clayton Miranda: University <strong>of</strong> North Dakota<br />
Uncovering New Solo Trumpet <strong>Music</strong> from Minas Gerais, Brazil<br />
Although academic research with regard to Brazilian music is becoming more intensive and productive each year, little is still known<br />
about trumpet music produced in Minas Gerais and the composers residing there, and almost nothing has been written concerning<br />
technical suggestions on the performance <strong>of</strong> these works. As a direct result <strong>of</strong> this deficiency, this presentation aims to reveal new<br />
trumpet works written by composers from Minas Gerais, Brazil since the mid-19 th century, and to discuss the technical interpretation <strong>of</strong><br />
these works. The presentation will explain my research, which is being conducted in three main steps:<br />
• A survey <strong>of</strong> materials by Minas Gerais composers <strong>of</strong> trumpet music<br />
• A technical/analytical interpretation <strong>of</strong> two selected works<br />
• A performance <strong>of</strong> the music being studied<br />
Of the 17 works that I have uncovered to date, I will be presenting two specific works as representatives <strong>of</strong> the body <strong>of</strong> literature that is<br />
being studied: Concerto No. 1 para Trompete e Banda Sinfonica, by Edmundo Villani Cortes (b. 1930), and Concerto para Trompete e<br />
Orquestra, by Jose Felipe de Carvalho Torres (1912-2004). These works require advanced technical abilities and musical concepts, and<br />
combines these requirements with Brazilian styles not normally part <strong>of</strong> the body <strong>of</strong> literature available to modern trumpeters. Specific<br />
and unique music devices contained in these pieces include Brazilian popular musical concepts in rhythm and style, unusual intervallic<br />
content, and distinctive sound concepts. Specific examples <strong>of</strong> this will be provided in the lecture.<br />
The purpose <strong>of</strong> my presentation is: 1) to introduce works written for solo trumpet by Minas Gerais composers, 2) to further introduce<br />
two specific compositions representative <strong>of</strong> quality Brazilian solo trumpet music, and 3) to provide a performer’s guide for these<br />
works. In so doing, it is my hope that awareness will be raised about the existence and quality <strong>of</strong> this wonderful music. The<br />
International Trumpet Guild Conference is an important venue to present a new discovery such as this, and is especially significant this<br />
year because <strong>of</strong> the concert featuring Brazilian trumpet pr<strong>of</strong>essors. It is my wish that this presentation coincide nicely with this event,<br />
and serve to collectively represent the wonderful music and musicians from Brazil at the same venue.<br />
Zeynep Cilingir: College-Conservatory <strong>of</strong> <strong>Music</strong>, University <strong>of</strong> Cincinnati<br />
Oral Anatomy <strong>of</strong> a Trumpet Player: Prediction <strong>of</strong> Physical Talent<br />
In this study, the relationship <strong>of</strong> the oral anatomy to performance skills <strong>of</strong> trumpet players is examined. Seventy-one subjects were<br />
recruited from trumpet students at 12 universities in the Midwestern United States. After being given a questionnaire, participants<br />
played a series <strong>of</strong> exercises demonstrating selected performance skills on their instrument while being audio and video recorded. The<br />
questionnaire was designed to ascertain musical and medical background <strong>of</strong> the participants, and includes questions pertaining to<br />
practice routine, equipment used, placement <strong>of</strong> the mouthpiece, technical strengths and weaknesses, as well as history <strong>of</strong> allergies and<br />
dental procedures. Performance skills were assessed via an audio and video recorded skills test that includes exercises demonstrating<br />
tone production, flexibility, articulation, range, intonation, and endurance. MatLAB s<strong>of</strong>tware was used to analyze the audio recordings<br />
on characteristics such as frequency, harmonic content, and amplitude. During the second phase <strong>of</strong> data collection, oral anatomy<br />
characteristics (dental structure, volume <strong>of</strong> airways, and facial figure−see figures for sample images) <strong>of</strong> participants were examined<br />
using 3D cone-beam tomograms (three dimensional x-rays) and 3D photographs, taken by orthodontics specialists at a collaborating<br />
<strong>School</strong> <strong>of</strong> Dentistry. Images obtained have provided crani<strong>of</strong>acial measures such as length, width, inclination, and crowding <strong>of</strong> the teeth;<br />
volume <strong>of</strong> the oral and nasal cavity, sinuses, and pharynx; thickness and width <strong>of</strong> the lips; and distances across the face. Data collection<br />
has recently been completed and this presentation will provide some initial results. Results focusing on relationships among the oral<br />
anatomy measures, questionnaire items, and the performance skills test are planned.<br />
Dr. Donald Robertson and Dr. Kevin Eisensmith: Indiana University <strong>of</strong> Pennsylvania<br />
Effects <strong>of</strong> Expertise on Intra-oral Air Pressure during Trumpet Playing<br />
Playing trumpet is a physically demanding activity that involves generation <strong>of</strong> exceptionally high levels <strong>of</strong> intra-thoracic pressure.<br />
High intra-thoracic pressure is associated with cardiovascular changes such as increased heart rate. Previous research has shown<br />
distinct differences in cardiac responses <strong>of</strong> trumpet players as a function <strong>of</strong> expertise. The purpose <strong>of</strong> this study was to explore the<br />
possibility that those differences might be accounted for by differences in intra-thoracic pressure (as indexed by intra-oral air pressure)<br />
between the two groups. Four pr<strong>of</strong>essional and six college student trumpet players played a standard series <strong>of</strong> exercises, the same eight<br />
segments in two keys. The exercises ranged from a sequence <strong>of</strong> sustained tones to major scales and arpeggios, slurred and articulated.<br />
Data collected were intra-oral air pressure, mouthpiece air pressure, and loudness. Intra-oral pressure was measured from a small<br />
capillary tube placed in the corner <strong>of</strong> the mouth. Air pressure within the mouthpiece was measured by a tube connected to a specially<br />
designed mouthpiece. Each tube was connected to a pressure transducer. Loudness was measured by a sound level meter placed<br />
approximately 6 feet from the trumpeter. All three measures were collected using a Vernier Labpro with Logger Pro s<strong>of</strong>tware. All data<br />
were recorded at a rate <strong>of</strong> 10 samples per second. Total playing time was about 24 minutes; each <strong>of</strong> the 16 exercises took exactly 1<br />
minute and there were 30 second breaks between exercises. Precise timing was maintained by use <strong>of</strong> a metronome. The resulting data<br />
was summarized at the individual level by computing baseline pressure values and obtaining difference scores between baseline and<br />
segments when the participant was playing. Medians and interquartile ranges were used to control for the non-normality <strong>of</strong> the<br />
distributions. An additional measure <strong>of</strong> intra-oral pressure was derived by regressing intra-oral pressure on loudness and computing the<br />
residuals. Analysis <strong>of</strong> intra-oral air pressure and pressure corrected for loudness showed: (a) intra-oral air pressure increases with<br />
pitch; (b) higher pressures are associated with articulated as contrasted with slurred exercises; (c) the effect <strong>of</strong> articulation is more<br />
pronounced at higher pitches. Pr<strong>of</strong>essionals maintained lower intra-oral air pressure than students for slurred exercises especially for<br />
higher pitches. These results suggest that pr<strong>of</strong>essionals are more efficient in use <strong>of</strong> air which in turn may contribute to the lower<br />
cardiovascular reactivity found in previous research.<br />
43
ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />
8:55am Trumpet Prelude: University <strong>of</strong> Missouri Trumpet Ensemble Studio Theatre<br />
Dr. Iskander Akhmadullin, director<br />
Fanfare for 9 Trumpets Mikhail Ippolitov-Ivanov (1859-1935)<br />
Verano Porteño (Tango) (1965) Ástor Pantaleón Piazzolla (1921-1992)<br />
arr. James Ackley & Alexandra M. Signor<br />
Iskander Akhmadullin, trumpet Brad Snow, conductor<br />
Welcome to the Black Parade (2006) My Chemical Romance arr. Alexandra M. Signor<br />
9:00-9:50am Thomas Hooten: Presentation Studio Theatre<br />
9:30am-2:00pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />
10:00-10:50am John Holt: Clinic Studio Theatre<br />
"Keys to efficient trumpet playing for you and your students"<br />
10:30am ITG Members Meeting <strong>Schwob</strong> 1714<br />
10:55am Trumpet Prelude: University <strong>of</strong> Alabama at Birmingham Trumpet Ensemble Legacy Hall<br />
Dr. James Zingara and Dr. Steven Roberts, directors<br />
Red Mountain Fanfare (world premiere)<br />
William Price<br />
Middle Movement (world premiere)<br />
Bryan Page<br />
Penny Lane<br />
Paul McCartney arr. Steven Roberts<br />
11:00am-12:30pm Olde Town Brass Band Concert-- Civil War Brass Band Legacy Hall<br />
Werner Smock, Eb Cornet Bob Baccus, Eb Alto Terry Cornett, Snare Drum<br />
Dale Proctor, Bb Cornet Rory Hamaker, Bb Tenor Steve Androlake, Bass Drum<br />
Bill Deiss, Eb Tuba<br />
Attila Quick Step<br />
1 st Brigade Band Books, Broadhead, Wisconsin<br />
Listen To The Mockingbird<br />
3 rd New Hampshire “Port Royal” Band Books<br />
Quick Step #47 (“Largo al factotum”)<br />
25 th Massachusetts Regiment Band Books<br />
Star <strong>of</strong> the County Down<br />
Original Piano Transcription<br />
Fireman’s Quickstep<br />
1 st Brigade Band Books, Broadhead, Wisconsin<br />
Battle Cry <strong>of</strong> Freedom & Kingdom Coming<br />
1 st Brigade Band Books, Broadhead, Wisconsin<br />
Tiger Quickstep<br />
Stratton Military Band Journal<br />
Chorus from Ernani<br />
Squire’s Cornet Band Olio<br />
Dixie & The Bonnie Blue Flag<br />
26 th North Carolina Regiment Band Books<br />
William Tell Overture (Finale)<br />
Original Piano Transcription<br />
Verdi / Grafulla<br />
Milburn / Ingalls<br />
Rossini<br />
Irish Traditional / Johnston<br />
anon<br />
Root & Work<br />
Antoni<br />
G. Verdi<br />
Emmett & Macarthy<br />
Rossini
Please visit<br />
The Brass Herald booth<br />
at the 2012 ITG Conference<br />
to receive your<br />
discounted copy
ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />
2:00-4:00pm Festival <strong>of</strong> Trumpets, Dr. Eric Swisher Coordinator Legacy Hall<br />
Slancio! (2012) Barry Ford (b. 1964)<br />
Jason Bergman, Logan Place, David McChesney,<br />
Steven Asheim, Anne Berthold, Randolph Love<br />
Marc Reed, Conductor<br />
Spem in alium nunquam habui Thomas Tallis (c. 1505-1585)<br />
Fred Sautter, Brian Evans, John Manning, Stephen Jones, Greg McLean,<br />
Jason Crafton, Frank Campos, Michael Klima, Jim Ketch, Howard Brahmstedt,<br />
Ward Yager, James Wood, Ryan Gardner, Peter Wood, Scott Meredith,<br />
Jennifer Dearden, Judith Saxton, William Pfund, Cara Pollard, Eric Berlin,<br />
Kevin Eisensmith, Jeff Piper, Neil Mueller, John Cord, Nicholas Althouse<br />
Trombone: Bradley Palmer, Matthew Wood, Cory Mixdorf, Doug Bristol, Mark G. McConnell, Trey English, Eric Hale,<br />
Mark Spradley Tuba: Eric Bubacz, Charles Cash, Bernard Flythe, Jimmy Hendricks, Michael King, Ryan KirkConnell,<br />
Nick Psihountas, Robbie Weaver<br />
Jamie Nix, Conductor<br />
Short Stop Shorty Rogers (1924-1994)<br />
arr. Curt Wilson<br />
Tim Weir, Ronnie Ingle, Nick Volz, Ken Trimmins<br />
From La Peri (1911) Paul Dukas (1865-1935)<br />
Fanfare<br />
arr. Marie Speziale<br />
Alan Siebert, Eric Berlin, Kevin Eisensmith,<br />
Richard Tirk, Mike Huff, Carolyn Sanders, John Cord<br />
Peter Wood, Conductor<br />
Compressionism (2012) Mike D’Ambrosio (b. 1974)<br />
Stephen Jones, James Olcott, Scott Hagarty,<br />
Catherine Sheridan, Howard Brahmstedt, John Irish<br />
Mike D'Ambrosio, Conductor<br />
Canzon septimi toni a 8 Giovanni Gabrieli (c. 1555-1612)<br />
arr. David Brown<br />
Eric Willis, Gayle Eaker, Barbara Chickosky, Debra Skripkunis<br />
Dave Brown, Conductor<br />
Suite pour trois trompettes en ut (1957) Henri Tomasi (1901-1971)<br />
Ryan Gardner, William Pfund, Scott Meredith<br />
Two Celebratory Fanfares (1995) David Dzubay (b. 1964)<br />
Eric Berlin, Adam Hayes, John Manning,<br />
Peter Wood, Carolyn Sanders, John Cord<br />
Alan Siebert, Conductor<br />
Con Lenezza (1994) Jack Normain Kimmell (b. 1926)<br />
Jeff Piper, Judith Saxton, Neil Mueller, Brian Walker<br />
James Olcott, Conductor<br />
Rainy Day (1949) James Van Heusen (1913-1990)<br />
arr. James Olcott<br />
Jason Crafton, Cara Pollard, Dean Haist, Biodun Adebiyi,<br />
Ron Ingle, Mark Schwartz, Nick Volz, Stan Engle<br />
Tim Weir, Conductor<br />
46
ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />
Uzuki (2012) Paul Terracini (b. 1957)<br />
Scott Meredith, Ryan Gardner, Jason Bergman, William Pfund,<br />
Logan Place, Marc Reed, Frank Campos, Jennifer Dearden<br />
Brian Evans, Conductor<br />
From Suite bergamasque (1905) Claude Debussy (1862-1918)<br />
Clair de lune<br />
arr. David Marlatt<br />
Mike Huff, Richard Tirk, Lisa Blackmore,<br />
James Zingara, Adam Hayes, Harold Crane<br />
Kevin Eisensmith, Conductor<br />
Florisshen (2011) Amy Dunker (b. 1964)<br />
Neil Mueller, Tina Erickson, John Wacker,<br />
Betty Scott, Brian Walker, Jeff Piper<br />
Judith Saxton, Conductor<br />
Crisis (2008) Freddie Hubbard (1938-2008)<br />
arr. Chris Kase<br />
Mark Schwartz, Phillip Johnson, Greg McLean, Dean Haist<br />
A H<strong>of</strong>fnung Fanfare (1991) Malcolm Arnold (1921-2006)<br />
Massed Ensemble<br />
Robert Murray, Conductor<br />
4:30-6:30pm ITG Awards Banquet <strong>Columbus</strong> Convention and Trade Center-Ballroom C<br />
7:30pm Closing Concert Heard Theatre<br />
“Chano Y Dizzy”<br />
Made possible through the generous support <strong>of</strong> Gold Sponsors<br />
Dan T. and Rhonda P. Cathy<br />
Terence Blanchard with Poncho Sanchez and his Latin Cubano Big Band<br />
9:30-11:30pm Jazz Jam Session RiverCenter Festival Stage<br />
Ansyn Banks and David Champouillon, leaders<br />
47