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The Thirty-Seventh<br />

ANNUAL CONFERENCE<br />

OF THE INTERNATIONAL TRUMPET GUILD<br />

MAY 22-26, 2012<br />

COLUMBUS, GA


ITG 2012 Conference Schedule • Tuesday, May 22, 2012 • Youth Day<br />

8:30-9:20am Scott Meredith: College Audition Preparation Studio Theatre<br />

9:00-11:00am Youth Competition, Jennifer Dearden, chair Legacy Hall<br />

Under 14 Participants<br />

Daniel Chae - Calle Mayor Middle <strong>School</strong>, Private Instructor: June Thean Teoh/ Caster<br />

Gavin Gunkel - Scoggins Middle <strong>School</strong>, Private Instructor: Laura Alleman<br />

Forrest Johnston - Colvin Run Elementary <strong>School</strong>, Private Instructor: Richard Johnston<br />

Thomas Levesque - Indiana Connections Academy, Private Instructor: Kim Stephans<br />

Joshua Weckerly - Penndale Middle <strong>School</strong>, Private Instructor: Frank Ferraro<br />

Judges<br />

Jim Sherry, University <strong>of</strong> Dubuque<br />

Larry Wells, Methodist University<br />

Kelly Deklinski, Choctawhatchee High <strong>School</strong><br />

9:30-10:15am Chris Waters: Teaching Brass-A Unique Alternative Studio Theatre<br />

Chris was Classical FM's <strong>Music</strong> Teacher <strong>of</strong> the Year 2009/10 in the United Kingdom.<br />

In this 30 minute presentation he will talk about his unique concept for teaching<br />

children to play instruments from a UK perspective.<br />

10:45am-12:00pm Amy Schendel: Appetite for Learning Studio Theatre<br />

Appetite for Learning: a prospective on developing the willingness, desire,<br />

work ethic, and acceptance for joyful learning<br />

Performance program to be selected from:<br />

Frühlings-Sonatine für Trompete und Piano Bernhard Krol (b. 1920)<br />

Andantino<br />

Larghetto<br />

Allegretto<br />

Sonatine in drei Sätzen für Trompete, op. 42a Hans Erich Apostel (1901-1972)<br />

Adagio sostenuto, più mosso<br />

Thema und 7 variationen über eine deutsche schnulze<br />

Olla podrida<br />

Abe Lincoln’s Song Book Douglas Hill (b. 1946)<br />

Todd Schendel, trombone arr. Patrick Schulz (b. 1975)<br />

12:00-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />

12:30-3:30pm Youth Competition Legacy Hall<br />

Age 14-17 Participants<br />

John Burton - Walker Valley High <strong>School</strong>, Private Instructor: Tina Erickson<br />

Patrick Nolan - Omaha Central High <strong>School</strong>, Private Instructor: Rebecca Stromquist<br />

Dean Oaks - University <strong>of</strong> North Carolina <strong>School</strong> <strong>of</strong> the Arts, Private Instructor: Judith Saxton<br />

Chris Pate - Youth Performing Arts <strong>School</strong>, Private Instructor: Stacy Simpson<br />

Robin Seitz - Sunset High <strong>School</strong>, Private Instructor: Fred Sautter<br />

Judges<br />

Marc Reese, Empire Brass, Lynn Univeristy<br />

Raquel Rodriguez, Northern Kentucky University<br />

Aaron Witek, Florida State University (DMA Student)<br />

14


ITG 2012 Conference Schedule • Tuesday, May 22, 2012 • Youth Day<br />

1:30-2:15pm Kevin Whalen: Getting Started with Jazz Improv Studio Theatre<br />

“Getting Started with Jazz Improvisation for the Young Trumpet Player: Learning to Play Freely”<br />

“Jazz improvisation is <strong>of</strong>ten presented to beginning students through a complicated sequence <strong>of</strong> foreign vocabulary,<br />

rules, and guidelines. This educational workshop, tailored for beginning jazz trumpet players, will present<br />

straightforward and accessible methods for learning jazz improvisation that are easily approachable. Focusing on<br />

playing simple musical phrases within familiar harmonic contexts, any player can learn to play freely and become a<br />

successful improviser almost immediately!”<br />

2:20-3:05 pm Alex Noppe: Improvisation Games Studio Theatre<br />

3:30-4:30pm Timothy Leisure: Pedagogy and the Trumpet Ensemble Studio Theatre<br />

With the Ohio State University Trumpet Ensemble<br />

4:00-5:00pm Southeast Chamber Brass: Recital Legacy Hall<br />

Judith Saxton and Amanda Pepping, Trumpets<br />

Michael Hrivnak, Horn Michael Kris, Trombone Tom McCaslin, Tuba<br />

Brazen Overture (2000) Libby Larsen (b. 1959)<br />

A Fantasy about Purcell’s “Fantasia upon One Note” Elliot Carter (b. 1908)<br />

Divertimento Karel Husa (b. 1921)<br />

Overture<br />

Scherzo<br />

Song<br />

Slovak Dance<br />

Laudes Jan Bach (b. 1937)<br />

Reveille<br />

Three Little Pieces for Brass Quintet, Book Two Ludwig Mauer (1789-1878)<br />

La Sentinelle<br />

Maestoso<br />

Andante espressivo<br />

Eensy Weensy (itsy bitsy) Spider<br />

Trad./ arr. Brendan Collins<br />

Selected 2012 Student Brass Quintet compositions<br />

Mean to Me Roy Turk/ Fred Ahlert (1929)<br />

Summon the Heroes<br />

John Williams,<br />

arr. TSgt Bill Bjornes, Jr.<br />

5:30-6:30pm Woody Shaw III: Lecture Performance Legacy Hall<br />

Tomorrow’s Destiny: The Legacy <strong>of</strong> Trumpeter/Composer Woody Shaw (1944-1989)<br />

Woody Louis Armstrong Shaw III, Founder, The Woody Shaw Global Arts Foundation<br />

7:30-9:00pm Scotty Barnhart and his Trio: Lecture Performance Legacy Hall<br />

“The History <strong>of</strong> Jazz Trumpet: The First 120 Years”<br />

Based on the book The World <strong>of</strong> Jazz Trumpet—A Comprehensive History and Practical Philosophy by Scotty<br />

Barnhart. Published by Hal Leonard.<br />

Featuring:<br />

Scotty Barnhart- cornet and trumpet<br />

Bill Peterson-piano, Kevin Smith-bass, Leon Anderson-drums,<br />

Presentation will touch on every major style <strong>of</strong> jazz trumpet from Ragtime, The Blues, Early Jazz, Swing, Bebop,<br />

Modern Jazz, Avante-Garde, and beyond.<br />

15


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

7:30-8:15am Warm Up Session: John Wacker <strong>Schwob</strong> 1714<br />

8:25am Trumpet Prelude: The University <strong>of</strong> South Alabama Trumpet Ensemble Studio Theatre<br />

Dr. Peter Wood, director<br />

Carillon (2003) Robert J. Bradshaw (b. 1970)<br />

Ave Maria (2010)<br />

César Alejandro Carrillo (b. 1957) ed. Rob Roy McGregor<br />

Conquest (2012) [World Premier] Erik Morales (b. 1976)<br />

8:30-9:20am Andy Kozar: Lecture Recital: “Performing with Electronics” Studio Theatre<br />

Performing Excerpts from:<br />

Flutter - Tyler Harrison<br />

Blister - Quinn Collins<br />

Nameless Ones - Andy Kozar<br />

Still Life - Scott Worthington<br />

* All pieces written for Andy Kozar<br />

8:55am Trumpet Prelude: Loyola University New Orleans Trumpet Ensemble Legacy Hall<br />

Dr. Nick Volz, director<br />

Fanfare for the Protean Age (2003) Stephen Suber (b. 1950)<br />

Three Statements (2001) Kevin Houben (b. 1977)<br />

I. Don’t Hold Back<br />

II. Be Relaxed<br />

III. Don’t Waste Your Time<br />

9:00-9:50am Adam Gordon: Baroque Trumpet Presentation Legacy Hall<br />

“Augmenting your trumpet experience with the Baroque trumpet”<br />

Joseph Golden, organ Michelle DeBruyn, soprano<br />

Trumpet Overture from The Indian Queen<br />

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ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />

9:25am Trumpet Prelude: The Ohio State University Trumpet Ensemble Heard Theatre<br />

Dr. Timothy Leasure, director<br />

Flourish for Six Trumpets (2012) Jack Normain Kimmel<br />

Fanfare Ighusu Vechi (2012)<br />

Gregory Pascuzzi<br />

Gilded Fanfare (2012)<br />

James Stephenson<br />

9:30-10:45am United States Naval Academy Brass Quintet: Recital Heard Theatre<br />

Christopher Buchanan and Davy DeArmond, Trumpets<br />

Nathanial Wilson, Horn Clint Woltering, Trombone Travis Siehndel, Tuba<br />

Entrance David Sampson (b. 1951)<br />

Quintet no. 1, Circus Clint Needham (b. 1981)<br />

1. Entry<br />

2. Clowns<br />

3. The Ringleader<br />

4. The Contortionist<br />

5. Finale<br />

Quintet Michael Kamen (1948-2003)<br />

Florentiner March Julius Fucik (1872-1916)<br />

arr. Jari Villanueva<br />

Street Song Michael Tilson Thomas (1944-)<br />

Escape Kevin McKee (b. 1980)<br />

9:30-10:20am Ivano Ascari: Recital: “New <strong>Music</strong> for Trumpet” Studio Theatre<br />

Suite for Trumpet Solo Constantine A. Lignos (b. 1948)<br />

Preludio<br />

La melodia ritrovata <br />

Concerto for Trumpet & file audio Giuseppe Calì (b. 1958)<br />

Lo squillabario for Trumpet Solo Giorgio Gaslini (b. 1929)<br />

Farfalle e cannoni<br />

L’étudiant et l’artiste<br />

Marcette e sermoni<br />

Lo sfascia fanfare<br />

Il balcone di Giulietta<br />

from “Book <strong>of</strong> friends” Beppe for Flugelhorn Solo Davide Zannoni (b. 1958)<br />

Spaces and Landscapes for Trumpet & audio file Fabrizio Festa (b. 1960)<br />

from “L’histore d’un jeune soldat” Peter Anthony Monk (b. 1946)<br />

Mullā Rahim Kalāy for Trumpet Solo<br />

For the Fallen for Trumpet & audio file Judith Shatin (b. 1949)<br />

19


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

10:00-10:50am Victor Silverstone: Lecture Recital Legacy Hall<br />

Yien Wang, piano<br />

Etude<br />

A.Skrjabin trans. T.Dokshitser<br />

Sonata<br />

D.Schnyder<br />

Concertino<br />

A.Jolivet<br />

10:55am Trumpet Prelude: University <strong>of</strong> North Carolina Pembroke Trumpet Ensemble Studio Theatre<br />

Dr. Timothy Altman, director<br />

Canzon from “Sacrae Symphoniae” (1597) Giovanni Gabrieli ed. Jay Arnold/Charles Linday, Jr.<br />

Canzon per Sonare #4 (1597)<br />

Giovanni Gabrieli arr. David Marlatt<br />

Canzon VI (1597)<br />

Giovanni Gabrieli arr. David Marlatt<br />

11:00am-12:30pm Jari Villanueva: Lecture Performance Studio Theatre<br />

Janie Lee Bullock, piano<br />

THE MILITARY BUGLE DURING THE CIVIL WAR<br />

Armies have used signaling instruments ever since there have been organized militaries. Trumpets and bugles<br />

have always been utilized to relay important information and as a function in everyday military life. The calls,<br />

sounded on predominantly brass horns, were crucial as they contained, with their musical notes, important<br />

commands to troops preparing for battle and were essential for maneuvering bodies <strong>of</strong> soldiers on the battlefield.<br />

Historical records tell <strong>of</strong> great battles heralded by trumpet blasts. As the American military came into existence,<br />

English and French bugle calls were borrowed for use by the United States Army. Jari Villanueva will<br />

demonstrate many <strong>of</strong> the calls and explain their usage during the Civil War. Villanueva, considered the foremost<br />

authority on "Taps", will discuss the origin <strong>of</strong> the famous call, performance practices and the myths associated<br />

with it.<br />

10:55am Trumpet Ensemble: Middle Tennessee State University Trumpet Ensemble Legacy Hall<br />

Dr. Michael Arndt<br />

“Satchmo” from Rememberances (2006) Jamey Simmons<br />

Infinite Ascent (2008)<br />

Eric Morales<br />

11:00am-12:15pm New Works Recital I—Dr. Kurt Gorman, coordinator Legacy Hall<br />

Sketches for solo trumpet<br />

Jennifer Edmonson<br />

1.Promenade<br />

2.Song<br />

3.Waltz<br />

4.Elegy<br />

5.Gigue<br />

Kate Umble Campos, trumpet<br />

Sonata for Trumpet and Piano Wayne Lu (b. 1970)<br />

The Early Years<br />

Divergence<br />

A New Life<br />

Kurt Gorman, trumpet Yien Wang, piano<br />

Jocaan Trio Anthony Plog (b. 1948)<br />

Andante/Allegro vivace/Andante<br />

Moderato<br />

Adagio<br />

Allegro moderato<br />

Adagio, with freedom<br />

Freely/Allegro/Twice as slow/A tempo<br />

Joel Treybig, trumpet Carolyn Treybig, flute<br />

Polly Brecht, organ<br />

20


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

(New Works recital continued)<br />

FLASH! for trumpet and electronics<br />

I. Overture<br />

II. Aria<br />

III. Interlude<br />

IV. Finale<br />

Richard Tirk, trumpet<br />

Brooke Joyce<br />

This Is<br />

42 Years Later<br />

Under the Rug<br />

It Was Too Late<br />

John Adler, trumpet<br />

James Miley<br />

Two Metric Studies<br />

I. No Beat<br />

II. Beat<br />

David Amlung, trumpet<br />

Nick Lang, drum set<br />

Gabriel Lubell<br />

10:55am Trumpet Prelude: University <strong>of</strong> Wisconsin-Platteville Trumpet Ensemble Heard Theatre<br />

Dr. David Cooper, director<br />

Go! (2012)<br />

Michael Forbes<br />

Fanfare for an Angel (2010)<br />

James Stephenson<br />

The Duxbury Fanfare (1997) Lauren Bern<strong>of</strong>sky 1997 arr. for trumpet ensemble 2012<br />

11:00am-12:00pm David Cooper: Lecture Recital Heard Theatre<br />

“Concertos by Bern<strong>of</strong>sky and Stephenson”<br />

Caryl Conger, piano<br />

Concerto for Trumpet (1997)<br />

Lauren Bern<strong>of</strong>sky<br />

Allegro<br />

Cantilena<br />

Allegro Leggiero<br />

Concerto for Trumpet (2003)<br />

Adagio<br />

Allegro con brio<br />

James M. Stephenson III<br />

11:30am-12:30pm Fred Sautter: Clinic/Master Class <strong>Schwob</strong> 1714<br />

“Fred’s greatest talent is problem solving. Most solutions are simple—discussions<br />

in Fred’s sessions are consistently lively.”<br />

1:10pm Trumpet Prelude: Troy University Trumpet Ensemble Heard Theatre<br />

Dr. Mike Huff, director<br />

Fanfare der Stadt Wien<br />

Richard Strauss (1864-1949) arr. M. Huff<br />

Ye Banks and Braes O’ Bonnie Doon Percy Grainger (1882-1961) arr. B. Ford<br />

A H<strong>of</strong>fnung Fanfare<br />

Malcolm Arnold (1921-2006) arr. J. Olcott<br />

1:15-2:30pm Southeast Showcase I Heard Theatre<br />

“Trumpet and Dance”<br />

Etesian Traveler [World Premiere] Amy Dunker (b. 1964)<br />

I. Allegro<br />

II. Slowly<br />

III. Allegro<br />

Adam Hayes, trumpet; Kris Carlisle, piano; John David, percussion<br />

The Berry College Dance Troupe<br />

21


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

(Southeast Showcase concert continued)<br />

Ballet No. 1 "The Girl in White" Robert J. Bradshaw (b. 1970)<br />

James Ackley, trumpet; Clifford Leaman, soprano saxophone;<br />

Scott Herring, percussion; Lynn Kompass and Joseph Rackers, piano<br />

The <strong>Columbus</strong> Ballet, Maria Hirsch, director<br />

Overture<br />

Scene III - The Final Evening<br />

Scene I - The First Evening<br />

I. Grand Entrance<br />

I. Fiesta! II. Seduction<br />

II. Grand Entrance<br />

III. The Girl in White<br />

III. Lost in Her Beauty<br />

IV. Forever Yours<br />

IV. The Spell, Broken<br />

Scene II - The Second Evening<br />

I. Empty Streets<br />

II. Gathering<br />

III. Hand in Hand<br />

IV. No One to Dance With<br />

1:25pm Trumpet Prelude: Dennis Schneider Alumni Ensemble Legacy Hall<br />

Dr. Grant Peters, director<br />

Legacy: Welcome to the Circle (2012) [world premiere]<br />

Kelly Rossum<br />

Presented in honor <strong>of</strong> ITG's 2012 Award <strong>of</strong> Merit recipient Dennis Schneider, Pr<strong>of</strong>essor Emeritus at the<br />

University <strong>of</strong> Nebraska – Lincoln. This ensemble performs on behalf <strong>of</strong> all Denny's former students, in<br />

admiration and respect for him as a mentor, musician and beautiful cat.<br />

1:30-2:20pm Michael Tunnell: Recital Legacy Hall<br />

“New <strong>Music</strong> for the Modern Corno de Caccia”<br />

Nevolution (2010) Steve Rouse (b. 1953)<br />

Echo Migration<br />

Starquiet<br />

Morphic Resonance<br />

Paradigms (2012) [World Premiere] Anthony Plog (b. 1947)<br />

The Drover Trilogy (2011) [World Premiere] John LaBarbera (b. 1945)<br />

1. Round Up piano reduction by Rene Orth<br />

3. Big Sky<br />

August Evening with Corno da Caccia (2010) Marc Satterwhite (b. 1954)<br />

Skidrococo (2010) Stanley Friedman (b. 1951)<br />

The Modern Corno da Caccia<br />

I am pleased to introduce this exciting new instrument to you. The modern corno da caccia is a hybrid innovative instrument<br />

somewhere between a fugelhorn and a horn, and is played by trumpeters and horn players. I discovered the instrument in the 1980’s<br />

with recordings <strong>of</strong> Ludwig Güttler playing baroque repertoire. Since 1988, I had been asked to perform on flugelhorn high horn parts <strong>of</strong><br />

Bach and Handel in the Louisville Bach Society. I love playing the flugelhorn, but in the extreme upper register, the flugel can be very<br />

scary in terms <strong>of</strong> accuracy, much like waking a tightrope. The modern corno da caccia is sometimes called a piccolo horn, and it<br />

allows players to explore the upper register <strong>of</strong> the horn timbre and to perform Bach and Handel as well as more obscure Baroque<br />

repertoire that is currently neglected by modern horn players.<br />

In the 1990’s, I discovered the incredible German Brass and the playing <strong>of</strong> Matthis Höfs. Höfs, in addition to performing<br />

trumpet magnificently, played the corno da caccia in the group, and I fell in love with sound. The maker <strong>of</strong> his instrument, the Thein<br />

Company <strong>of</strong> Bremen, Germany, has undertaken to develop and introduce a modernized version <strong>of</strong> the corno da caccia, which allows a<br />

player to perform all types <strong>of</strong> repertoire with a superior sound and accuracy. I am proud to perform today on a Thein corno.<br />

At this point in time, I have traveled far and wide playing this instrument, and have recorded 2 CD albums, a la Chasse, and<br />

Out <strong>of</strong> the Forest, both on the Centaur label. And now I am embarking on a commissioning project to show the instrument’s<br />

capabilities in modern repertoire.<br />

------ Michael Tunnell<br />

22


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

2:00-3:30pm ITG Solo Competition, Adam Hayes, Chair Studio Theatre<br />

Finalists (in alphabetical order):<br />

William Cooper - Northwestern University<br />

Chai Lin - Central Conservatory <strong>of</strong> <strong>Music</strong>, Beijing<br />

Peter Stammer - University <strong>of</strong> Michigan<br />

The Final Round Judges:<br />

Peter Bond, Metropolitan Opera<br />

Dennis Edelbrock, George Mason University<br />

Marc Reese, Empire Brass<br />

The Preliminary Round Judges:<br />

Dr. John Cord, Texas A&M-Kingsville<br />

Dr. Michael Huff, Troy University<br />

Dr. Brad Ulrich, Western Carolina University<br />

2:30-3:20pm Frank Campos: Recital Legacy Hall<br />

“Art <strong>of</strong> the Single Line” (all selections will be announced from the stage)<br />

3:50pm Trumpet Prelude: Auburn University Trumpet Ensemble Studio Theatre<br />

Dr. Mark DeGoti, director<br />

Congratulamini Mihi Giovanni Palestrina (1525-1594)<br />

Canon After Bach, BWV 1078 [world premiere]<br />

Jonathon Kirk (b.1975)<br />

4:00-4:50pm Keith Johnson: Master Class Studio Theatre<br />

“A <strong>Music</strong>al Approach to Better Trumpet Technique”<br />

3:55pm Trumpet Prelude: Oklahoma State University Trumpet Ensemble Legacy Hall<br />

Dr. Ryan Gardner, director<br />

Suite for 6 Trumpets Anthony Plog (b. 1947)<br />

Maestoso<br />

Chorale<br />

Finale<br />

Dürrenhorn Passage Kevin McKee (b. 1980)<br />

4:00-4:50 Tamir Akta: Recital Legacy Hall<br />

with: Ina Rubin, piano Wendy Warner, cello<br />

Introduction and Tarantella<br />

Sarasate<br />

Legend<br />

Rondo de la Lutins<br />

Ma belle<br />

Gabriel<br />

Hope<br />

Childhood<br />

Lonliness<br />

First Step<br />

Winiavski<br />

Bazzini<br />

T. Akta<br />

T. Akta<br />

T. Akta<br />

T. Akta<br />

T. Akta<br />

T. Akta<br />

23


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

5:00-5:50pm Raquel Rodriquez: Cornet Lecture Recital Studio Theatre<br />

Caryl Conger, piano<br />

“Cincinnati Virtuosity, The <strong>Music</strong> <strong>of</strong> Herman Bellstedt and Frank Simon”<br />

Willow Echoes (1920) Frank Simon (1889-1967)<br />

Princess Alice (1932) Herman Bellstedt (1858-1926)<br />

Miss Blue Bonnet (1932)<br />

Fantasia No. 1 (1942)<br />

The American Boy (1932)<br />

Frank Simon<br />

Herman Bellstedt<br />

Herman Bellstedt<br />

5:00-5:50pm Stiletto Brass Quintet: Recital Legacy Hall<br />

Amy Gilreath, trumpet, Cathy Leach, trumpet<br />

Kelly Langenberg, horn<br />

Jeannie Little, trombone<br />

Velvet Brown, tuba<br />

from Centone No. 10 Pieter Hellendael (172-1799)<br />

IV March.<br />

arr. Verne Reynolds<br />

Mini Overture Witold Lutoslawski (1913-1994)<br />

Mosaics Anthony Plog ( b 1947)<br />

Allegro-Adagio-Allegro<br />

Allegro vivace<br />

Adagio<br />

Allegro<br />

Concert Etude Alexander Goedicke (1877-1957)<br />

from Armenian Scenes Alexander Arutiunian (1920-2012)<br />

1. Morning Song<br />

Brazen Overture Libby Larsen (b. 1950)<br />

'Round Midnight<br />

Speak S<strong>of</strong>tly<br />

Thelonius Monk/Cootie Williams<br />

(1917-1982)/(1911-1985)<br />

arr. Ingo Luis<br />

Robert Elkjer<br />

Sweet Georgia Brown Maceo Pinkard (1897-1962)<br />

arr. James Jenkins<br />

24


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

7:25pm Trumpet Prelude: <strong>Columbus</strong> State University Heard Theatre<br />

Dr. Robert Murray, director<br />

Flight <strong>of</strong> the Bumble Bee (2012) Rimsky-Korsakov arr. David Marlett<br />

7:30-9:00pm Opening Concert featuring Michael Martin, Marvin Stamm, Heard Theatre<br />

Robert Murray and Lauren Murray<br />

United States Army Maneuver Center <strong>of</strong> Excellence Concert Band<br />

National Anthem<br />

Pas Redoublé (1887)<br />

Camille Saint-Saëns, arr. Frackenpohl<br />

Concertino “Harmonie Del Sur” (2012) [world premiere]<br />

Robert Murray, trumpet Lauren Murray, oboe<br />

Bugler’s Holiday (1954)<br />

Christopher Tucker<br />

Leroy Anderson<br />

Song and Dance (1984)<br />

Michael Martin, trumpet<br />

-Intermission-<br />

Philip Sparke, arr. Ge<strong>of</strong>frey Brand<br />

United States Army Maneuver Center <strong>of</strong> Excellence Stage Band<br />

Boogie Woogie Bugle Boy (As performed by the Andrews Sisters)<br />

America The Beautiful (As performed by Ray Charles)<br />

United States Army Maneuver Center <strong>of</strong> Excellence Concert Band<br />

The Twain Have Met (1999)<br />

Greg McLean<br />

Marvin Stamm and Robert Murray, trumpets Bill Mays, piano<br />

March <strong>of</strong> the Belgian Paratroopers (1946)<br />

Let Freedom Ring<br />

Pierre Leemans, arr. Charles A. Wiley<br />

Barry Manilow, arr. Arocho<br />

US Armed Forces Medley<br />

Semper Paratus (US Coast Guard)<br />

The U.S. Air Force (US Air Force) (Informally known as “Into the Wild Blue Yonder”)<br />

Anchors Aweigh (US Navy)<br />

Marines Hymn (US Marines)<br />

The Army Goes Rolling Along (US Army)<br />

The Stars and Stripes Forever (1896), John Philip Sousa<br />

Flute<br />

SFC Jennifer Staggs Gainsville, FL<br />

SSG Samantha Lee Mercersburg, PA<br />

Clarinet<br />

SFC Robert Moore Colonal Heights, VA<br />

SGT Molly Stoklosa Ely, MN<br />

SPC Joseph O'Kelly Farmington Hills, MI<br />

SPC Steven Schulster Long Beach, NY<br />

SPC Malyn Smith Springfield, MO<br />

Oboe<br />

SPC Michael Cohen Ft. Eustis TRADOC Band<br />

Saxophone<br />

SGT Edward Stoklosa III Chicago, IL<br />

SGT Daniel Kelley Chattanooga, TN<br />

SPC Christopher Barnes Columbia, SC<br />

Bassoon<br />

1SG Wesley P. Nikitiuk Zielona Gora, Poland<br />

SGT David P. Thompson Jefferson City, MO<br />

Trumpet<br />

SFC Ryan Staggs San Antonio, TX<br />

SFC William Baez Caguas, PR<br />

SSG Sam Hunte Queens, NY<br />

SSG George Eleazer Decatur, AL<br />

SPC Julia Brett West Hempstead, NY<br />

SPC Steven Leeper Portage, IN<br />

French Horn<br />

SFC Eric D. Lee Great Falls, MT<br />

SSG Miriam Cornett Aberdeen, SD<br />

SPC Robin Carlson Ft. Eustis TRADOC Band<br />

Trombone<br />

SPC Francisco Arocho San Juan, PR<br />

SPC George M. Kaiser Fort Wayne, IN<br />

SSG Derrick C. Reed Louisville, KY<br />

Tuba<br />

SGT Marcus Davis Virginia Beach, VA<br />

SGT Robert McCarty Scituate, MA<br />

Euphonium<br />

SPC Stuart Jackson Raleigh, NC<br />

Bass<br />

SGT Joee Nagem Atlanta, GA<br />

SPC Patrick O'Hara South Bend, IN<br />

Guitar<br />

SFC John A. Verner Deerfield Beach, FL<br />

SPC Oleg A. Galanin Potsdam, GER<br />

SGT Gregory S. Finkbeiner Shannock, RI<br />

Percussion<br />

SSG Phillip Allison Decatur, GA<br />

SGT James M. Brewer Cayce, SC<br />

SGT Ronald Edwards Philadelphia, PA<br />

SPC Michael A. Sera White Lake, MI<br />

Piano<br />

SPC Esther Na Seoul, South Korea<br />

SPC Gordon Garraway Jr. Buffalo, NY<br />

25


ITG 2012 Conference Schedule • Wednesday, May 23, 2012<br />

9:30-11:00pm Late Night Jazz: TRPTS RiverCenter Festival Stage<br />

Mike Vax, leader<br />

with Jeff Jarvis, Claudio Roditi, Andrea T<strong>of</strong>anelli<br />

LICKETYSPLIT<br />

Phil Field, Arr. Mike Vax<br />

CORNET CHOP SUEY Louis Armstrong, Arr. Mike Vax<br />

SOPHISTICATED LADY Billy Strayhorn, Arr. Curtis Wilson<br />

SHORT STOP<br />

Shorty Rogers, Arr. Curtis Wilson<br />

ONE FOOT IN THE GUTTER Clark Terry, Arr. Mike Vax<br />

LOUIS MEETS THE BIRD Charlie Parker, Louis Armstrong, Arr. Mike Vax<br />

I REMEMBER CLIFFORD Benny Golson, Arr. Mike Vax<br />

DAAHOOD<br />

Clifford Brown<br />

SWEET EMMA<br />

Nat Adderly, Arr. Mike Vax<br />

Additional selections announced from the stage<br />

So Much Gear<br />

Bach<br />

B & S<br />

Best Brass<br />

Denis Wick<br />

GR<br />

Getzen<br />

Marcus Bonna<br />

Monette<br />

Schilke<br />

S.E. Shires<br />

Sonaré<br />

Stomvi<br />

Stork<br />

Tom Crown<br />

TrumCor<br />

Warburton<br />

And More...<br />

So Little T ime!<br />

Compare it all in one location. Visit us in Room MR-101<br />

20275 Honeysuckle Drive<br />

Elkhorn, NE 68022<br />

(402) 289-9699<br />

www.thompsonmusic.com<br />

We don’t just sell this stuff, we play it!


ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />

7:30-8:15am Karen Hangsterfer: Yoga for Brass Players Heard Theatre<br />

8:25am Trumpet Prelude: Bowling Green State University Trumpet Ensemble Studio Theatre<br />

Charles Saenz, director<br />

Gilded Fanfare*<br />

James Stephenson<br />

*premiered at Ohio Trumpet Guild Conference by BGSU Trumpet Ensemble, March 31, 2012<br />

El Regalo [world premiere]<br />

David Bixler<br />

8:30-9:15am Anatoly Selainin : Lecture—“The Russian Sound in the US” Studio Theatre<br />

9:00-10:30am David Monette: Lecture—“Thirty Years <strong>of</strong> Innovation” Legacy Hall<br />

9:20-10:10am Judith Saxon: Lecture Studio Theatre<br />

Judith Saxton: 2011 ITG Recording project. Notes from behind the bell:<br />

Practical pointers for a successful recording project.<br />

9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />

9:30-10:45am United States Army Brass Quintet: Recital Heard Theatre<br />

SFC Terry Bingham and SFC Christian Hinkle,Trumpets<br />

SFC Rick Lee, Horn MSG Matt Niess, Trombone<br />

SFC Jon Voth, Tuba<br />

Program To Be Selected From:<br />

Fugace (from Suite for Flute and Jazz Piano)<br />

Claude Bolling arr. Mike Tomaro<br />

Overture and Allegro (from Royal Fireworks <strong>Music</strong>)<br />

Second Prelude<br />

The Marriage <strong>of</strong> Figaro Overture<br />

A Fairy Tale <strong>of</strong> the Priest and the Knockhead his Servant<br />

Overture<br />

The Demons Marching<br />

Merry Go Round<br />

The Metropolitan Priest<br />

The Priest's Wife's Romance<br />

Galop<br />

Bluebells <strong>of</strong> Scotland<br />

O Magnum Mysterium<br />

The Chant<br />

Czardas<br />

Some Skunk Funk<br />

Rounds and Dances<br />

Carioca<br />

Galop<br />

G. F. Handel arr. Chuck Seipp<br />

George Gershwin arr. Cohen<br />

Mozart arr. Chuck Seipp<br />

D. Shostakovich arr. A Serebrennikov<br />

Trad/Arthur Pryor arr. David Werden<br />

Morten Lauridsen arr. William Schmid<br />

Mel Stitzel arr. Zack Smith<br />

Vittorio Monti arr. Karl Hinterbichler<br />

Randy Brecker arr. William Schmid<br />

Jan Bach<br />

28


ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />

10:25am Trumpet Prelude: Temple University Trumpet Ensemble Studio Theatre<br />

Eric Schweingruber, director<br />

Essay for Five Trumpets (2010)<br />

Wesley Nance<br />

10:30-11:20am K.O. Skinsnes: Seminar Studio Theatre<br />

“The Mouthpiece - Trumpet Annulus (Gap)”<br />

The correct gap is the key to the best sound, range, pitch, and endurance your equipment can give you. Adjusting it<br />

by as little as 1/32” can turn a bad trumpet into a great one and can make or break your performance.<br />

10:55am Trumpet Prelude: Georgia State Trumpet Ensemble Legacy Hall<br />

Amanda Pepping, director<br />

Big, Bright & Beautiful Noise (2012) Nickitas Demos (b. 1962)<br />

Trumpet Concerto (1899) Oskar Boehme (1870-1938)<br />

mvt. 1. Allegro Moderato, featuring GSU alumnus Peter Bond <strong>of</strong> the Metropolitan Opera<br />

11:00am-12:15pm The Inventions Trio with Marvin Stamm: Recital Legacy Hall<br />

Selections to be announced from the stage<br />

11:00am-12:00pm Bryan G<strong>of</strong>f: Comeback Session <strong>Schwob</strong> 1714<br />

“Planning, Structuring, and Adapting—Things I’ve Learned”<br />

11:10am Trumpet Prelude: University <strong>of</strong> Louisville Trumpet Ensemble Heard Theatre<br />

Fanfare No. 2 from Book <strong>of</strong> Fanfares (2012) * Joseph Meibers (b. 1991)<br />

A Flying Leap! (1994) Steve Rouse (b. 1953)<br />

Main Chute (2012) for solo corno da caccia and 4 trumpets* Frederick Speck (b. 1955)<br />

Michael Tunnell, solo corno da caccia<br />

*World Premiere<br />

11:15am-12:15pm Andrea Giuffredi: Recital Heard Theatre<br />

“Tromba Cantabile”—<strong>Music</strong> from the Italian Cinema<br />

and International Pop <strong>Music</strong><br />

11:30am-12:20pm Dennis Edelbrock: Lecture Studio Theatre<br />

“Hyperflexibility—Embouchure Control and Mantainence”<br />

1:25pm Trumpet Prelude: Indiana University Alumni Trumpet Ensemble Legacy Hall<br />

Dr. Mark Dulin, director<br />

Vienna Philharmonic Fanfare Richard Strauss 1864-1949<br />

Feierlicher Einzug Richard Strauss 1864-1949<br />

Edmund Cord Pr<strong>of</strong>essor <strong>of</strong> Trumpet Indiana University, Conductor<br />

1:30-3:10pm Dan Mendelow and Marc Reece: Trumpet and Organ Recital Legacy Hall<br />

Joseph Golden, Organ<br />

Marche<br />

Andre Fleury.<br />

Preludes<br />

Sonata for Trumpet and Organ.<br />

Concerto in Eb<br />

"At the going down <strong>of</strong> the Sun".<br />

“Larghetto” from Clarinet Quintet k. 581<br />

Impromptu.<br />

Heroic <strong>Music</strong> Selections<br />

Johann Sebastian Bach<br />

Barry McKimm<br />

Johann Baptist Georg Neruda<br />

Brenton Broadstock<br />

Wolfgang Amadeus Mozart<br />

Hermann Schroeder<br />

Georg Philipp Telemann<br />

29


ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />

<br />

1:30-2:20pm Michael Martin: Lecture—“National Brass Symposium” <strong>Schwob</strong> 1714<br />

2:00-3:00pm Louise Baranger: Lecture—“The Legacy <strong>of</strong> Fred Mills” Studio Theatre<br />

With Fred’s musical colleagues and students as special guests<br />

“Those attending should bring their horns. We will be playing Fred’s warm up and technical exercises.”<br />

2:30-3:45pm Mike Vax: Clinic—“Basics <strong>of</strong> Lead Trumpet Playing” <strong>Schwob</strong> 1714<br />

3:25pm Trumpet Prelude: Lee University Trumpet Ensemble Studio Theatre<br />

Tina Erickson, director<br />

Scherzino<br />

J. Kimmell<br />

The Ascension<br />

P. Basler<br />

For the Beauty <strong>of</strong> the Earth<br />

C. Kocher arr. B. Walker<br />

3:30-4:20pm H.M. Lewis: Cornet Lecture Recital Studio Theatre<br />

Caryl Conger, piano<br />

I’ve Made My Plans for the Summer (1907) John Philip Sousa (1854-1932)<br />

Flirtation Polka (1891) C. I. Barnhouse (1865-1927)<br />

Sweet Bye and Bye (1894)<br />

J. S. Cox<br />

The Devil’s Tongue<br />

Hugo Schmidt<br />

Miss Blue Bonnet (1932) Frank Simon (1890-1967)<br />

The Three Kings (1932) Walter M. Smith (1859-1937)<br />

Joe van Fleet, H. M. Lewis, and Wayne Collier, cornets<br />

from Modern Suite (1940) R. Barnard Fitzgerald (1911-2005)<br />

3:55pm Trumpet Prelude: Valdosta State University Trumpet Ensemble Legacy Hall<br />

Dr. Kenneth Kirk, director<br />

Stereophonics for Sextet (2012) Anthony Chapman (b. 1985)<br />

Knights <strong>of</strong> Gallipoli (2012) Justin Powell (b. 1986)<br />

I. Uncertain Commute<br />

II. Skirmish <strong>of</strong> the Lionhearted<br />

III. Vapors <strong>of</strong> the Departed<br />

4:00-5:30pm Georgia Brass Band: Recital Legacy Hall<br />

Prelude for an Occasion<br />

Edward Gregson<br />

Horizons<br />

Temple in the Clouds<br />

Tango<br />

Gaelforce<br />

Thomas Hooten, soloist<br />

Paul Lovatt-Cooper<br />

David Marlatt<br />

Gavin Higgins<br />

Peter Graham<br />

Concertino Classico<br />

Con brio<br />

Larghetto<br />

Allegro rustico<br />

Michael Tiscione & Brandon Craswell, soloists<br />

Concertino, Opus 94<br />

Cossack Fire Dance<br />

Joseph Horovitz<br />

Dimitri Shostakovich arr. Mark Freeh<br />

Peter Graham<br />

30


ITG 2012 Conference Schedule • Thursday, May 24, 2012<br />

The Georgia Brass Band<br />

Joe Johnson, <strong>Music</strong> Director<br />

Eb Cornet Tenor Horn Euphonium<br />

Peter Bentz Joshua Crook Matthew Shipes<br />

Andrew Baillie<br />

Jason Casanova<br />

Tom Day<br />

Bb Cornet<br />

Paul Poovey Baritone Eb Tuba<br />

John Bryant Gary Garvin Thomas Peacock<br />

Alex Rodiek Louie Lugo Jerry McEver<br />

Adam Decker<br />

Jerry Pollard Trombone Bb Tuba<br />

Clark Hunt Hollie Lawing Robert Coulter<br />

Reid Lyons Jennifer Mitchell William Pritchard<br />

Bryan Kershner<br />

Travis Cottle<br />

Percussion<br />

Flugelhorn Bass Trombone Matthew McCullough<br />

William Southwood Garett Arrowood Caleb Herron<br />

Paige Barber<br />

4:30-5:20pm David Klein: Lecture Demonstration Studio Theatre<br />

“The Role <strong>of</strong> the Trumpet in Klezmer <strong>Music</strong>”<br />

5:30-7:30pm ITG Legacy Endowment Reception Patron’s Room-RiverCenter<br />

Former, present, and future donors welcome<br />

7:30-9:00pm Joe Gransden Big Band Heard Theatre<br />

Headlining Artists to include:<br />

Jeff Jarvis, Vaughn Nark, Claudio Roditi, Andrea T<strong>of</strong>anelli, Mike Vax, Patrick Hession<br />

9:30-11:00pm ITG Jazz Competition, Ansyn Banks, Chair Legacy Hall<br />

Finalists (in alphabetical order):<br />

Marquis Hill – DePaul University<br />

Josh Shpak – Berklee College <strong>of</strong> <strong>Music</strong><br />

Anthony Stanco – Michigan State University<br />

The Final Round Judges:<br />

Michael Hackett, UNC Charlotte<br />

Clay Jenkins, Eastman <strong>School</strong> <strong>of</strong> <strong>Music</strong><br />

Claudio Roditi, International Jazz Artist<br />

The Preliminary Round Judges:<br />

Scott Belck, Cincinnatti Conservatory<br />

Lenny Foy, DePauw University<br />

John La Barbera, University <strong>of</strong> Louisville<br />

31


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

7:30-8:15am Rich Willey: Warm up session <strong>Schwob</strong> 1714<br />

“Warm up a-la Reinhardt”<br />

8:25am Trumpet Prelude: Central Michigan University Trumpet Ensemble Studio Theatre<br />

Dr. Neil Mueller, director<br />

<strong>Music</strong> for Seven Trumpets [World Premiere]<br />

Evan T. Boegehold<br />

I. Adagio<br />

II. Parody<br />

III.Fantasy<br />

IV. Fleeting<br />

Evan T. Boegehold, conductor<br />

8:30-10:00am David Spencer and Charles Schlueter: Lecture Demonstration Studio Theatre<br />

“Trumpet Pedagogy in Brazil; the dedication and influence <strong>of</strong> Charles Schlueter”<br />

With Nailson Simões, Paulo Ronqui, Heinz Schwebel, Maico Lopes, Aquiles Moraes<br />

Uma Fantasia Brasileira Jose Ursicino da Silva “Duda” (1935- )<br />

Seventy Springs (2009)<br />

Gilson Santos<br />

8:55am Trumpet Prelude: University <strong>of</strong> Alabama Trumpet Ensemble Legacy Hall<br />

Dr. Eric Yates, Director<br />

Fanfare 2012 (2012)<br />

Justin R. Langham<br />

<strong>Music</strong> from Strange Places (2007) Erik Morales<br />

Ledama Tajeu, soloist<br />

Dürrenhorn Passage (2009)<br />

Kevin McKee<br />

9:00-10:15am New Works Recital II—Dr. Kurt Gorman, coordinator Legacy Hall<br />

French Suite for Brass Trio<br />

Joseph Blaha<br />

Allemande<br />

Sarabande<br />

Courante<br />

Gigue<br />

Contrapunctus Brass Trio<br />

Amy Schendel, trumpet Bernhard Scully, horn Todd Schendel, trombone<br />

Caccia<br />

James Wintle<br />

Iskander Akhmadullin, David Spencer, trumpets<br />

Concertino<br />

Judith Saxton, trumpet<br />

Brendan Collins<br />

Bright Moonlight and Meditation<br />

Tao Ge, trumpet and Yien Wang, piano<br />

Chen Yi<br />

Roshi<br />

Kelly Rossum<br />

Kelley Rossum, trumpet Paul Vaillancourt, marimba<br />

Sonata for Trumpet and Piano: Mvt II<br />

Alan Seibert, trumpet<br />

Gordon Goodwin<br />

Hymn<br />

Michael Elzey, trumpet<br />

Michael Sitton<br />

Of Innocence and Experience<br />

Hendrik Pienaar H<strong>of</strong>meyr<br />

Spring<br />

A Cradle Song<br />

The Sick Rose<br />

Serafini Brillanti<br />

Randall Tinnin, trumpet Rhonda Nus Tinnin, soprano<br />

Erin K. Bennett, piano<br />

34


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

9:25am Trumpet Prelude: University <strong>of</strong> Southern Mississippi Trumpet Ensemble Heard Theatre<br />

Dr. Jason Bergman, director<br />

Arrastão (2006)<br />

Edu Lobo/Vinícius de Moraes arr. Fernando Dissenha<br />

Cyclone (2008)<br />

Erik Morales<br />

9:30-11:00am Atlanta Symphony Orchestra Trumpet Section: Clinic Heard Theatre<br />

9:30am-5:30pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />

10:25am Trumpet Prelude: University <strong>of</strong> Wyoming Trumpet Ensemble Legacy Hall<br />

Dr. Scott Meredith, director<br />

Kayee Fanfare (2000) Jack Stamp (b. 1954)<br />

The last Rose <strong>of</strong> Summer (2012) [world premiere] Traditional Irish Song arr. Robert Elkjer (b. 1957)<br />

Fantasia Brasileira (2003)<br />

Josè Ursicino da Silva “Duda” (b. 1953) ed. Luis Engelke<br />

10:30-11:00am Fred Sautter: Trumpet and Organ Lecture Recital Legacy Hall<br />

Joseph Golden, Organ<br />

DuoConcerto by Tomas Svoboda, Premier May 30, 1997 in Portland, Organ.<br />

Performers: Fred Sautter - Trumpet and Tomas Svoboda - Organ, Trinity Episcopal Cathedral.<br />

As with any piece, this major work for trumpet and organ benefits greatly by understanding it. Fred will present: musical<br />

examples, its history, the story <strong>of</strong> the piece and an assortment <strong>of</strong> enhancing experiences culminating in a complete<br />

performance. The DuoConcerto was commissioned by friends <strong>of</strong> Richard Thornburg, long time trumpeter in Portland in<br />

memory <strong>of</strong> his life. Hi sudden death in March <strong>of</strong> 1994, and on his 50th Birthday created a sense <strong>of</strong> loss in the entire<br />

community because <strong>of</strong> his quiet but consistent presence as one <strong>of</strong> the finest people.<br />

"Audience participation with reactions, questions and anything which further exposes the subject is encouraged"<br />

11:00am-12:00pm Vaughn Nark: Clinic Studio Theatre<br />

11:00am-12:00pm Bill Pfund: Master Class for Comeback Players <strong>Schwob</strong> 1714<br />

11:15am-12:15pm Clarion: Recital Legacy Hall<br />

Keith Benjamin, Trumpet Melissa Steed, Organ<br />

Metamorphosis (1977) Vaclav Nelhybel (1919-1996)<br />

Clarion Calls (1995) Samuel Adler (b. 1928)<br />

Dialogue<br />

Soliloquy (In Memory <strong>of</strong> Yitzchak Rabin)<br />

Okna (1976) Petr Eben (1929-2007)<br />

Modré Okno (The Blue Window - Ruben)<br />

Zelené Okno (The Green Window - Issachar)<br />

Červené Okno (The Red Window - Zebulon)<br />

Zlaté Okno (The Gold Window - Levi)<br />

Eine Kleine Yiddishe Spaß (1998) Stephen David Beck (b. 1959)<br />

11:30am-12:30pm ITG Orchestral Excerpts Competition, Scott Meredith, Chair Studio Theatre<br />

Finalists (in alphabetical order):<br />

William Cooper - Northwestern University<br />

George Goad - Curtis Institute <strong>of</strong> <strong>Music</strong><br />

Chris Haas - Western Illinois<br />

The Final Round Judges:<br />

The Preliminary Round Judges:<br />

Thomas Hooten, Principal Trumpet, Atlanta Symphony<br />

Ryan Anthony, Principal Trumpet, Dallas Symphony<br />

Paul Hostetter, Director <strong>of</strong> Orchestral Activities, <strong>Columbus</strong> State Univ. Justin Bartels, Principal Trumpet, Colorado Symphony<br />

Dan Mendelow, Principal Trumpet (ret), Sydney Symphony<br />

Chris Still, Second Trumpet, Los Angeles Philharmonic<br />

Fred Sautter, Principal Trumpet (ret), Oregon Symphony<br />

35


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

12:55pm Trumpet Prelude: Florida State University Trumpet Ensemble Legacy Hall<br />

Dr. Christopher Moore, director<br />

Labyrinth<br />

Joseph Turrin<br />

Commissioned by the 2011 Florida State University Trumpet Ensemble for the 2012 ITG Conference.<br />

1:00-1:50pm David Krauss: Lecture Recital Legacy Hall<br />

Caryl Conger, piano<br />

“Deconstructing Hindemtih, a <strong>Music</strong>al Exploration <strong>of</strong> his Sonata for Trumpet and Piano”<br />

1:25pm Trumpet Prelude: Trumpet Mates Gang Studio Theatre<br />

Jorge Almeida, director<br />

Concertpiece (1999)<br />

B. Broughtn<br />

Tico Tico (2003)<br />

Z. Abreu<br />

Jorge Almeida, soloist<br />

There’s a Great Day Coming (1994) L. Thompson<br />

Jorge Almeida, soloist<br />

1:30-2:20pm Andrea T<strong>of</strong>anelli: Clinic Studio Theatre<br />

1:55pm Trumpet Prelude: Tri-State Trumpet Ensemble Heard Theatre<br />

Bryan Crisp, director<br />

Fanfare (2005)<br />

Bernie Walker<br />

Three Snapshots (2011)<br />

Nicole Piunno<br />

Fractured Fanfare (1993)<br />

Charles Decker<br />

2:00-3:30pm Bala Brass: Recital Heard Theatre<br />

James Ackley, trumpet, Seelan Manickam, trumpet<br />

Kristen Dirmeler, horn<br />

Martin Wittenberg, trombone<br />

Adam Porter, tuba<br />

Bells Ian McDougall (b. 1938)<br />

Suite for Brass Quintet Phil Snedecor (b. 1963)<br />

I. Fanfare<br />

II. Nursery Rhyme<br />

III. Day In The Park<br />

IV. Wild Ride<br />

Brass Quintet Daniel Schnyder (b. 1961)<br />

I. Ardito<br />

II. Lento<br />

III. Prestissimo<br />

IV. Ricercar<br />

V. Lento/Tempo Rubato<br />

Pause<br />

Revealed Robert Bradshaw (b. 1970)<br />

I. dingy dinghies<br />

II. vermont son<br />

III. patiently waiting<br />

IV. yard flowers<br />

V. kissimmee sky<br />

Cavatina Pacifica Ian McDougall (b. 1938)<br />

Vuelta del Fuego Kevin McKee (b. 1980)<br />

36


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

2:10-3:10pm The Romm Trio-Recital Legacy Hall<br />

Ronald and Aaron Romm, Trumpets Avis Romm, Piano<br />

Program to be chosen from the following:<br />

Jubilation<br />

Avis and Ronald Romm<br />

Danse Rituelle Du Feu<br />

Times for Solo Trumpet<br />

Good Times<br />

Hard Times<br />

Time to Go<br />

Vocalise<br />

Hansel and Gretel Fantasie<br />

Flight <strong>of</strong> the Bumblebee<br />

En Forme de Habanera<br />

Toccata and Fugue in D Minor, BWV565<br />

Fantasy Impromptu<br />

Over the Rainbow<br />

De Falla/Arr Avis, Ronald and Aaron Romm<br />

Frank Campo<br />

Rachmanin<strong>of</strong>f/Arr Lee Norris<br />

Humperdinck/Arr Avis and Ronald Romm<br />

Korsakov/Arr Avis and Ronald Romm<br />

Ravel/Arr Avis and Ronald Romm<br />

Bach/Arr Aaron Romm<br />

Chopin/Arr Avis and RonaldRomm<br />

Arlen/Arr. Lee Norris<br />

Libertango<br />

Piazzolla/Arr Lee Norris<br />

Ronald Romm is a Yamaha Performing Artist/Clinician<br />

Avis Romm is a Steinway Piano Artist<br />

2:30-3:20pm Claudio Roditi: Clinic Studio Theatre<br />

3:25pm Trumpet Prelude: University <strong>of</strong> Tennessee Trumpet Ensemble Legacy Hall<br />

Dr. Cathy Leach, director<br />

Ars Postera (2011) [world premiere]<br />

Bobby L. Collins<br />

I. Vallum Aelium<br />

II. Via Lactea<br />

III. Dux Bellorum<br />

3:30-4:00pm Harmonie del Sur: Recital Legacy Hall<br />

Robert Murray, Trumpet Lauren Murray, Oboe<br />

with Paul Vaillancourt, Percussion<br />

Kinesis (the activity <strong>of</strong> a cell in response to stimulus) [world premiere]<br />

Kineses 1 Kineses 4<br />

Kineses 2 Kineses 5<br />

Kineses 3<br />

True Minds for Oboe, Trumpet, and Percussion [world premiere]<br />

“let me not to the marriage <strong>of</strong> true minds admit impediments”<br />

I. <strong>of</strong> true minds<br />

II. the marriage<br />

III. impediments<br />

IV. to the edge <strong>of</strong> doom<br />

John Steffa<br />

Allen Cohen<br />

37


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

4:00-5:15 Southeast Showcase Concert II Legacy Hall<br />

Sonata for Trumpet and Piano (2010)<br />

Anthony Plog<br />

I. Moderato<br />

II. Lento with Freedom<br />

III. Moderato<br />

Richard Rulli, trumpet Caryl Conger, piano<br />

Jason Bergman, trumpet<br />

Parable for XIV for Solo Trumpet, op.127 (1973)<br />

Jason Bergman, trumpet<br />

Centennial Horizon for trumpet and piano (2011)<br />

I. Aspen Grove<br />

II. Roaring Gunnison<br />

Christopher Wilson, trumpet<br />

Caryl Conger, piano<br />

Vincent Persichetti<br />

Kevin McKee<br />

Afrika (2001)<br />

Peter Wood, trumpet<br />

Robert Holm, piano<br />

Raffaele Bellafronte<br />

“Diversions” for Trumpet and Piano (2012)<br />

Paul Basler<br />

Prologue<br />

Waltz<br />

Nocturne<br />

Presto<br />

Christopher Moore, trumpet<br />

Diversions was commissioned by and written for Christopher Moore, Pr<strong>of</strong>essor <strong>of</strong> Trumpet at Florida<br />

3:55pm Trumpet Prelude: Alabama State University Trumpet Ensemble Studio Theatre<br />

Dr. Carly Johnson, director<br />

Sound the Charge( 2012)<br />

Doug Bristol<br />

DeepRiver Traditional Spiritual, arr. Carly Johnson (2012)<br />

Sometimes I Feel Like a Motherless Child Traditional Spiritual, arr. Carly Johnson (2011)<br />

Straight Life Freddie Hubbard, arr. Hardin Butcher (2012)<br />

4:00-5:30pm Benny Benack III: 2011 Carmine Caruso Competition Winner Recital Studio Theatre<br />

“Steel” - Benny Benack III<br />

“Mack the Knife” - Kurt Weill<br />

“Ceora” - Lee Morgan<br />

“Departure” - Benny Benack III<br />

“In a Mellow Tone” - Duke Ellington<br />

“Waterflow” - Benny Benack III<br />

“Joy Spring” - Clifford Brown<br />

“In a Sentimental Mood” - Duke Ellington<br />

“Bennyʼs Bossa” - Benny Benack III<br />

“Bye Bye Blackbird” - Ray Henderson<br />

“Centerpiece” - Harry Edison<br />

5:30-7:30pm Reception: Keith Johnson Alumni Patron’s Room—RiverCenter<br />

38


ITG 2012 Conference Schedule • Friday, May 25, 2012<br />

7:30-9:00pm Orchestra Concert Heard Theatre<br />

Featuring: Eric Berlin, Andrea Giuffredi, Sergei Nakariakov, Victor Silverstone<br />

Trumpet Concerto No. 1 in D Major<br />

Adagio<br />

Allegro<br />

Grave<br />

Allegro<br />

Victor Silverstone, trumpet<br />

True Colors<br />

1. Echoing<br />

2. Magic Act<br />

Eric Berlin, trumpet<br />

Concerto in D<br />

Allegro<br />

Andante<br />

Allegro grazioso<br />

John Holt, trumpet<br />

Rossini “Trumpet Virtuoso”<br />

Sleepy Lagoon<br />

Granada<br />

G.P Telemann<br />

George Tsontakis<br />

Giuseppe Tartini ed. John Holt<br />

G. Rossini trans. F. Codeluppi<br />

Eric Coates arr. Paich<br />

A. Lara trans. F. Codeluppi<br />

Andrea Giuffredi, trumpet<br />

ITG Festival Orchestra<br />

George Del Gobbo, Conductor<br />

Violin Viola Flute French Horn<br />

Boris Abramov Elizabeth Hostetter Jeana Melilli Adam Pandolfi<br />

Barbara Careaga Zoran Jakovcic Jessica Shearer Anna Dodd<br />

David Edwards Sherrod Mitchell James Baker<br />

Diego Gabete Sarah Park Oboe<br />

Howard Goldstein Susan Tomkiewicz Trumpet<br />

Thomas Mohr Cello Eric Thomas Nate Locke<br />

Celeste Myall Mary Del Gobbo Clayton Chastain<br />

Thomas Pearson Daniel Holloway Clarinet<br />

Patrick Ryan Wendy Warner Lisa Oberlander Trombone<br />

Sylvia Wehr Manuel Ramos Bradley Palmer<br />

Lorna Wood Bass Matthew Wood<br />

Jaqueline Pickett Bassoon<br />

Ronald Wirt<br />

Tuba<br />

Dumitriu Bogdan Eric Bubacz<br />

Percussion<br />

Paul Vaillancourt<br />

9:30-11:30pm Jazz Headliners: Clay Jenkins and Dominick Farinacci RiverCenter Festival Stage<br />

39


ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />

7:30-8:15am Warm Up Session: Kurt Gorman <strong>Schwob</strong> 1714<br />

8:30-10:00am Research Room 2012 – Chair: Kelly A. Parkes, Ph.D. Virginia Tech. <strong>Schwob</strong> 1714<br />

The primary aim <strong>of</strong> this session is to provide a blind peer-reviewed forum for current higher education / tertiary pr<strong>of</strong>essors/ researchers<br />

to present experimental, action, qualitative, historical, or quantitative research about trumpet performance, study, or pedagogy.<br />

Research topics include those that test and illustrate best practice in regards to performing, studying, or teaching the trumpet. Presenters<br />

will benefit from sharing their work with other researchers in the room, informally, and pr<strong>of</strong>essionally have access to future<br />

collaboration nationally, and internationally. The Chair wishes to take this opportunity to thank the reviewers for their service to the<br />

ITG and to encourage interested and qualified ITG members to become involved with the Research Room.<br />

Reviewers for 2012: Dr. Michael Hengst, Metropolitan State College <strong>of</strong> Denver; Dr. Jonathan Kruger, SUNY Geneseo; Dr. Barry<br />

Long, Bucknell University; Dr. James Moore, West Virginia Wesleyan College; Dr. Tracy Parish, University <strong>of</strong> Illinois at Urbana-<br />

Champaign<br />

Presentations:<br />

Dr. Dale Misenhelter: University <strong>of</strong> Arkansas<br />

Choices in the Undergraduate Brass Methods Course in <strong>Music</strong> Education: A Critical Look at Content and Materials<br />

Among the most common university teaching responsibilities are (brass) pedagogical courses in the music education curriculum for<br />

undergraduates. Faculty charged with teaching these classes may or may not have public school experience, and a wide variety <strong>of</strong><br />

perspectives are to be expected. Indeed, many different approaches typically result. One variable in these situations is a course text,<br />

as the content and progression <strong>of</strong> a collegiate brass methods class is sometimes dependent on a particular source written to address a<br />

variety <strong>of</strong> needs and accommodate numerous instruments. Conversely, method books used in the public school classrooms in which<br />

graduating undergraduates will teach can approach objectives quite differently. While the two environments may not share all goals<br />

and objectives, some relationship and reasonable amount <strong>of</strong> experience in the pedagogical materials for the young player would seem<br />

to be a common expectation. This session will present a brief overview and comparison <strong>of</strong> a variety <strong>of</strong> method books written for use in<br />

public schools, focusing on broader musical content and research-based approaches. Brief content analysis will be presented, with a<br />

particular emphasis on approaches to melodic material (sound-to-symbol, for example), song selections and the historical relevance and<br />

inclusion <strong>of</strong> folk and original source materials, as well as the use <strong>of</strong> solfege, differentiated rhythmic counting systems,<br />

accompaniments, and improvisation. Select specific method book examples will be critically viewed and considered. Extant research<br />

on specific method book(s) utilization by public school teachers will also be presented.<br />

Dr. Ronnie Ingle: University <strong>of</strong> North Dakota<br />

Francois Dauverne’s Collection de VI Solos pour la Trompette Chromatique: A Modern Performance Edition<br />

François Georges Auguste Dauverné (1799-1874) was a considerably influential nineteenth century pedagogue and trumpeter. In 1833<br />

he was appointed as the first trumpet instructor at the Paris Conservatory, where he remained for over thirty-five years. His students<br />

included Jean-Baptiste Arban and Louis Saint-Jacome, both <strong>of</strong> whom became well-known in their own right for their contributions to<br />

the development <strong>of</strong> the trumpet and the standardization <strong>of</strong> modern trumpet technique. As a performer, Dauverné held several posts,<br />

including a prestigious position as first trumpeter with the Paris Opera Orchestra, for which he held for over thirty years. In 1827, he<br />

performed a concert in Paris on an F trumpet with a newly-developed valve system, becoming the first individual to use valved trumpet<br />

in a public setting (referred to as trompette modern or trompette chromatique).<br />

It is for this instrument that Dauverné composed his Collection de VI Solos pour la Trompette Chromatique for solo trumpet and<br />

chamber orchestra, which I have compiled in a modern edition for trumpet with piano reduction. This edition has been accepted for<br />

production by Carl Fischer <strong>Music</strong>, and will be released in March <strong>of</strong> this year with accompanying recording, foreword, preface, and<br />

biography. This edition takes on special importance for modern trumpeters for the following reasons:<br />

• Dauverne’s position as the first trumpet instructor at the Paris Conservatory (teaching Arban and St. Jacome), and his importance<br />

in the promotion <strong>of</strong> modern trumpet technique.<br />

• Dauverne’s method book, Methode pour la Trompette, has been recently translated and includes the most comprehensive history<br />

<strong>of</strong> the trumpet to that time (1857).<br />

• A thorough biography <strong>of</strong> Dauverne has not been written, but it is my understanding that one is currently being done, which will<br />

cause much interest in his music.<br />

• There is very little music known by this very important pedagogue, composer, and performer, and no solo music has been<br />

uncovered until this project.<br />

Adding Dauverne’s solos to the body <strong>of</strong> available trumpet literature has been a very important and worthwhile endeavor, and I am<br />

interested in presenting this music, for the first time in public, at this year’s ITG <strong>conference</strong>. I will discuss the aspects <strong>of</strong> these works<br />

which define the idiom <strong>of</strong> chromatic trumpet music, and how these solos influenced other solo and chamber works for trumpet in<br />

subsequent years. I propose to show the music, together with representatives from Carl Fischer <strong>Music</strong>, and also briefly discuss the<br />

process <strong>of</strong> compiling and editing. I will address such questions as: 1) Why make the edition, 2) Why is a piano reduction important<br />

(from original chamber ensemble), 3) What was the process <strong>of</strong> making the reduction, 4) How did I locate the music, and 5) What was<br />

the process <strong>of</strong> publishing (acquiring a publisher, formatting, etc.). I believe this music will prove to be one <strong>of</strong> the most significant finds<br />

for solo trumpet in recent years, due to the stature <strong>of</strong> the composer and quality <strong>of</strong> the music, and the presentation (together with<br />

accompanying handouts and materials) will provide participants with an exciting view <strong>of</strong> a trumpet legend, his previously unknown<br />

music, and the process <strong>of</strong> making the music into an edition that can be shared throughout the world.<br />

42


ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />

Clayton Miranda: University <strong>of</strong> North Dakota<br />

Uncovering New Solo Trumpet <strong>Music</strong> from Minas Gerais, Brazil<br />

Although academic research with regard to Brazilian music is becoming more intensive and productive each year, little is still known<br />

about trumpet music produced in Minas Gerais and the composers residing there, and almost nothing has been written concerning<br />

technical suggestions on the performance <strong>of</strong> these works. As a direct result <strong>of</strong> this deficiency, this presentation aims to reveal new<br />

trumpet works written by composers from Minas Gerais, Brazil since the mid-19 th century, and to discuss the technical interpretation <strong>of</strong><br />

these works. The presentation will explain my research, which is being conducted in three main steps:<br />

• A survey <strong>of</strong> materials by Minas Gerais composers <strong>of</strong> trumpet music<br />

• A technical/analytical interpretation <strong>of</strong> two selected works<br />

• A performance <strong>of</strong> the music being studied<br />

Of the 17 works that I have uncovered to date, I will be presenting two specific works as representatives <strong>of</strong> the body <strong>of</strong> literature that is<br />

being studied: Concerto No. 1 para Trompete e Banda Sinfonica, by Edmundo Villani Cortes (b. 1930), and Concerto para Trompete e<br />

Orquestra, by Jose Felipe de Carvalho Torres (1912-2004). These works require advanced technical abilities and musical concepts, and<br />

combines these requirements with Brazilian styles not normally part <strong>of</strong> the body <strong>of</strong> literature available to modern trumpeters. Specific<br />

and unique music devices contained in these pieces include Brazilian popular musical concepts in rhythm and style, unusual intervallic<br />

content, and distinctive sound concepts. Specific examples <strong>of</strong> this will be provided in the lecture.<br />

The purpose <strong>of</strong> my presentation is: 1) to introduce works written for solo trumpet by Minas Gerais composers, 2) to further introduce<br />

two specific compositions representative <strong>of</strong> quality Brazilian solo trumpet music, and 3) to provide a performer’s guide for these<br />

works. In so doing, it is my hope that awareness will be raised about the existence and quality <strong>of</strong> this wonderful music. The<br />

International Trumpet Guild Conference is an important venue to present a new discovery such as this, and is especially significant this<br />

year because <strong>of</strong> the concert featuring Brazilian trumpet pr<strong>of</strong>essors. It is my wish that this presentation coincide nicely with this event,<br />

and serve to collectively represent the wonderful music and musicians from Brazil at the same venue.<br />

Zeynep Cilingir: College-Conservatory <strong>of</strong> <strong>Music</strong>, University <strong>of</strong> Cincinnati<br />

Oral Anatomy <strong>of</strong> a Trumpet Player: Prediction <strong>of</strong> Physical Talent<br />

In this study, the relationship <strong>of</strong> the oral anatomy to performance skills <strong>of</strong> trumpet players is examined. Seventy-one subjects were<br />

recruited from trumpet students at 12 universities in the Midwestern United States. After being given a questionnaire, participants<br />

played a series <strong>of</strong> exercises demonstrating selected performance skills on their instrument while being audio and video recorded. The<br />

questionnaire was designed to ascertain musical and medical background <strong>of</strong> the participants, and includes questions pertaining to<br />

practice routine, equipment used, placement <strong>of</strong> the mouthpiece, technical strengths and weaknesses, as well as history <strong>of</strong> allergies and<br />

dental procedures. Performance skills were assessed via an audio and video recorded skills test that includes exercises demonstrating<br />

tone production, flexibility, articulation, range, intonation, and endurance. MatLAB s<strong>of</strong>tware was used to analyze the audio recordings<br />

on characteristics such as frequency, harmonic content, and amplitude. During the second phase <strong>of</strong> data collection, oral anatomy<br />

characteristics (dental structure, volume <strong>of</strong> airways, and facial figure−see figures for sample images) <strong>of</strong> participants were examined<br />

using 3D cone-beam tomograms (three dimensional x-rays) and 3D photographs, taken by orthodontics specialists at a collaborating<br />

<strong>School</strong> <strong>of</strong> Dentistry. Images obtained have provided crani<strong>of</strong>acial measures such as length, width, inclination, and crowding <strong>of</strong> the teeth;<br />

volume <strong>of</strong> the oral and nasal cavity, sinuses, and pharynx; thickness and width <strong>of</strong> the lips; and distances across the face. Data collection<br />

has recently been completed and this presentation will provide some initial results. Results focusing on relationships among the oral<br />

anatomy measures, questionnaire items, and the performance skills test are planned.<br />

Dr. Donald Robertson and Dr. Kevin Eisensmith: Indiana University <strong>of</strong> Pennsylvania<br />

Effects <strong>of</strong> Expertise on Intra-oral Air Pressure during Trumpet Playing<br />

Playing trumpet is a physically demanding activity that involves generation <strong>of</strong> exceptionally high levels <strong>of</strong> intra-thoracic pressure.<br />

High intra-thoracic pressure is associated with cardiovascular changes such as increased heart rate. Previous research has shown<br />

distinct differences in cardiac responses <strong>of</strong> trumpet players as a function <strong>of</strong> expertise. The purpose <strong>of</strong> this study was to explore the<br />

possibility that those differences might be accounted for by differences in intra-thoracic pressure (as indexed by intra-oral air pressure)<br />

between the two groups. Four pr<strong>of</strong>essional and six college student trumpet players played a standard series <strong>of</strong> exercises, the same eight<br />

segments in two keys. The exercises ranged from a sequence <strong>of</strong> sustained tones to major scales and arpeggios, slurred and articulated.<br />

Data collected were intra-oral air pressure, mouthpiece air pressure, and loudness. Intra-oral pressure was measured from a small<br />

capillary tube placed in the corner <strong>of</strong> the mouth. Air pressure within the mouthpiece was measured by a tube connected to a specially<br />

designed mouthpiece. Each tube was connected to a pressure transducer. Loudness was measured by a sound level meter placed<br />

approximately 6 feet from the trumpeter. All three measures were collected using a Vernier Labpro with Logger Pro s<strong>of</strong>tware. All data<br />

were recorded at a rate <strong>of</strong> 10 samples per second. Total playing time was about 24 minutes; each <strong>of</strong> the 16 exercises took exactly 1<br />

minute and there were 30 second breaks between exercises. Precise timing was maintained by use <strong>of</strong> a metronome. The resulting data<br />

was summarized at the individual level by computing baseline pressure values and obtaining difference scores between baseline and<br />

segments when the participant was playing. Medians and interquartile ranges were used to control for the non-normality <strong>of</strong> the<br />

distributions. An additional measure <strong>of</strong> intra-oral pressure was derived by regressing intra-oral pressure on loudness and computing the<br />

residuals. Analysis <strong>of</strong> intra-oral air pressure and pressure corrected for loudness showed: (a) intra-oral air pressure increases with<br />

pitch; (b) higher pressures are associated with articulated as contrasted with slurred exercises; (c) the effect <strong>of</strong> articulation is more<br />

pronounced at higher pitches. Pr<strong>of</strong>essionals maintained lower intra-oral air pressure than students for slurred exercises especially for<br />

higher pitches. These results suggest that pr<strong>of</strong>essionals are more efficient in use <strong>of</strong> air which in turn may contribute to the lower<br />

cardiovascular reactivity found in previous research.<br />

43


ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />

8:55am Trumpet Prelude: University <strong>of</strong> Missouri Trumpet Ensemble Studio Theatre<br />

Dr. Iskander Akhmadullin, director<br />

Fanfare for 9 Trumpets Mikhail Ippolitov-Ivanov (1859-1935)<br />

Verano Porteño (Tango) (1965) Ástor Pantaleón Piazzolla (1921-1992)<br />

arr. James Ackley & Alexandra M. Signor<br />

Iskander Akhmadullin, trumpet Brad Snow, conductor<br />

Welcome to the Black Parade (2006) My Chemical Romance arr. Alexandra M. Signor<br />

9:00-9:50am Thomas Hooten: Presentation Studio Theatre<br />

9:30am-2:00pm Exhibits Open <strong>Columbus</strong> Convention and Trade Center<br />

10:00-10:50am John Holt: Clinic Studio Theatre<br />

"Keys to efficient trumpet playing for you and your students"<br />

10:30am ITG Members Meeting <strong>Schwob</strong> 1714<br />

10:55am Trumpet Prelude: University <strong>of</strong> Alabama at Birmingham Trumpet Ensemble Legacy Hall<br />

Dr. James Zingara and Dr. Steven Roberts, directors<br />

Red Mountain Fanfare (world premiere)<br />

William Price<br />

Middle Movement (world premiere)<br />

Bryan Page<br />

Penny Lane<br />

Paul McCartney arr. Steven Roberts<br />

11:00am-12:30pm Olde Town Brass Band Concert-- Civil War Brass Band Legacy Hall<br />

Werner Smock, Eb Cornet Bob Baccus, Eb Alto Terry Cornett, Snare Drum<br />

Dale Proctor, Bb Cornet Rory Hamaker, Bb Tenor Steve Androlake, Bass Drum<br />

Bill Deiss, Eb Tuba<br />

Attila Quick Step<br />

1 st Brigade Band Books, Broadhead, Wisconsin<br />

Listen To The Mockingbird<br />

3 rd New Hampshire “Port Royal” Band Books<br />

Quick Step #47 (“Largo al factotum”)<br />

25 th Massachusetts Regiment Band Books<br />

Star <strong>of</strong> the County Down<br />

Original Piano Transcription<br />

Fireman’s Quickstep<br />

1 st Brigade Band Books, Broadhead, Wisconsin<br />

Battle Cry <strong>of</strong> Freedom & Kingdom Coming<br />

1 st Brigade Band Books, Broadhead, Wisconsin<br />

Tiger Quickstep<br />

Stratton Military Band Journal<br />

Chorus from Ernani<br />

Squire’s Cornet Band Olio<br />

Dixie & The Bonnie Blue Flag<br />

26 th North Carolina Regiment Band Books<br />

William Tell Overture (Finale)<br />

Original Piano Transcription<br />

Verdi / Grafulla<br />

Milburn / Ingalls<br />

Rossini<br />

Irish Traditional / Johnston<br />

anon<br />

Root & Work<br />

Antoni<br />

G. Verdi<br />

Emmett & Macarthy<br />

Rossini


Please visit<br />

The Brass Herald booth<br />

at the 2012 ITG Conference<br />

to receive your<br />

discounted copy


ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />

2:00-4:00pm Festival <strong>of</strong> Trumpets, Dr. Eric Swisher Coordinator Legacy Hall<br />

Slancio! (2012) Barry Ford (b. 1964)<br />

Jason Bergman, Logan Place, David McChesney,<br />

Steven Asheim, Anne Berthold, Randolph Love<br />

Marc Reed, Conductor<br />

Spem in alium nunquam habui Thomas Tallis (c. 1505-1585)<br />

Fred Sautter, Brian Evans, John Manning, Stephen Jones, Greg McLean,<br />

Jason Crafton, Frank Campos, Michael Klima, Jim Ketch, Howard Brahmstedt,<br />

Ward Yager, James Wood, Ryan Gardner, Peter Wood, Scott Meredith,<br />

Jennifer Dearden, Judith Saxton, William Pfund, Cara Pollard, Eric Berlin,<br />

Kevin Eisensmith, Jeff Piper, Neil Mueller, John Cord, Nicholas Althouse<br />

Trombone: Bradley Palmer, Matthew Wood, Cory Mixdorf, Doug Bristol, Mark G. McConnell, Trey English, Eric Hale,<br />

Mark Spradley Tuba: Eric Bubacz, Charles Cash, Bernard Flythe, Jimmy Hendricks, Michael King, Ryan KirkConnell,<br />

Nick Psihountas, Robbie Weaver<br />

Jamie Nix, Conductor<br />

Short Stop Shorty Rogers (1924-1994)<br />

arr. Curt Wilson<br />

Tim Weir, Ronnie Ingle, Nick Volz, Ken Trimmins<br />

From La Peri (1911) Paul Dukas (1865-1935)<br />

Fanfare<br />

arr. Marie Speziale<br />

Alan Siebert, Eric Berlin, Kevin Eisensmith,<br />

Richard Tirk, Mike Huff, Carolyn Sanders, John Cord<br />

Peter Wood, Conductor<br />

Compressionism (2012) Mike D’Ambrosio (b. 1974)<br />

Stephen Jones, James Olcott, Scott Hagarty,<br />

Catherine Sheridan, Howard Brahmstedt, John Irish<br />

Mike D'Ambrosio, Conductor<br />

Canzon septimi toni a 8 Giovanni Gabrieli (c. 1555-1612)<br />

arr. David Brown<br />

Eric Willis, Gayle Eaker, Barbara Chickosky, Debra Skripkunis<br />

Dave Brown, Conductor<br />

Suite pour trois trompettes en ut (1957) Henri Tomasi (1901-1971)<br />

Ryan Gardner, William Pfund, Scott Meredith<br />

Two Celebratory Fanfares (1995) David Dzubay (b. 1964)<br />

Eric Berlin, Adam Hayes, John Manning,<br />

Peter Wood, Carolyn Sanders, John Cord<br />

Alan Siebert, Conductor<br />

Con Lenezza (1994) Jack Normain Kimmell (b. 1926)<br />

Jeff Piper, Judith Saxton, Neil Mueller, Brian Walker<br />

James Olcott, Conductor<br />

Rainy Day (1949) James Van Heusen (1913-1990)<br />

arr. James Olcott<br />

Jason Crafton, Cara Pollard, Dean Haist, Biodun Adebiyi,<br />

Ron Ingle, Mark Schwartz, Nick Volz, Stan Engle<br />

Tim Weir, Conductor<br />

46


ITG 2012 Conference Schedule • Saturday, May 26, 2012<br />

Uzuki (2012) Paul Terracini (b. 1957)<br />

Scott Meredith, Ryan Gardner, Jason Bergman, William Pfund,<br />

Logan Place, Marc Reed, Frank Campos, Jennifer Dearden<br />

Brian Evans, Conductor<br />

From Suite bergamasque (1905) Claude Debussy (1862-1918)<br />

Clair de lune<br />

arr. David Marlatt<br />

Mike Huff, Richard Tirk, Lisa Blackmore,<br />

James Zingara, Adam Hayes, Harold Crane<br />

Kevin Eisensmith, Conductor<br />

Florisshen (2011) Amy Dunker (b. 1964)<br />

Neil Mueller, Tina Erickson, John Wacker,<br />

Betty Scott, Brian Walker, Jeff Piper<br />

Judith Saxton, Conductor<br />

Crisis (2008) Freddie Hubbard (1938-2008)<br />

arr. Chris Kase<br />

Mark Schwartz, Phillip Johnson, Greg McLean, Dean Haist<br />

A H<strong>of</strong>fnung Fanfare (1991) Malcolm Arnold (1921-2006)<br />

Massed Ensemble<br />

Robert Murray, Conductor<br />

4:30-6:30pm ITG Awards Banquet <strong>Columbus</strong> Convention and Trade Center-Ballroom C<br />

7:30pm Closing Concert Heard Theatre<br />

“Chano Y Dizzy”<br />

Made possible through the generous support <strong>of</strong> Gold Sponsors<br />

Dan T. and Rhonda P. Cathy<br />

Terence Blanchard with Poncho Sanchez and his Latin Cubano Big Band<br />

9:30-11:30pm Jazz Jam Session RiverCenter Festival Stage<br />

Ansyn Banks and David Champouillon, leaders<br />

47

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