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<strong>Spotlight</strong><br />
82013<br />
Deutschland € 6,90|CH sfr 12,40|A·E· I·L·SK: € 7,50<br />
EINFACH ENGLISCH!<br />
Crime time:<br />
bestselling writer<br />
Paul Cleave on<br />
murder mysteries<br />
Great British<br />
crisps: a nation’s<br />
favourite snack<br />
A look at Islam:<br />
how a world<br />
religion is being<br />
misunderstood<br />
DISCOVER<br />
DUBLIN
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EDITORIAL | August 2013<br />
Read any good<br />
books lately?<br />
Every summer before the holidays, I stand in<br />
front of my overloaded bookshelves and consider<br />
this question: should I take an old<br />
favourite read with me, or should I try something<br />
new and different? This year, <strong>Spotlight</strong><br />
Inez Sharp, editor-in-chief<br />
has answered the questions for me. When I pack my hand luggage this summer,<br />
one of Paul Cleave’s novels will be in there along with my beach hat and sunglasses.<br />
The New Zealand author writes dark tales of crime and suspense, spiced<br />
up with good humour and salty language. This month, he talks to us about his<br />
writing career and the authors he likes to read. “Crime time” begins on page 14.<br />
<strong>Dublin</strong> in summer. <strong>Dublin</strong> is one of the top 20 city destinations for German<br />
tourists and is popular with other nations, too, for its hospitality and beautiful<br />
historic buildings. Toby Skingsley, who visited the Irish capital, was charmed<br />
by its Georgian architecture and captivated by its musical residents — and by<br />
the quality of the local Guinness. “<strong>Discover</strong>ing <strong>Dublin</strong>” starts on page 30.<br />
Lawrence of Arabia is a name familiar to many people. But what did this<br />
clever and brave Englishman really stand for? In our history column this month,<br />
we explore the life and work of T. E. Lawrence — a man who singlehandedly<br />
tried to shape the future of the Arab world and paid a high price for doing so.<br />
Find out more about Thomas Edward Lawrence on pages 40–41.<br />
BESTSELLER<br />
Reclams Rote Reihe<br />
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Mit praktischen Übersetzungshilfen.<br />
Über 180 Bände lieferbar!<br />
KLASSIKER<br />
i.sharp@spotlight-verlag.de<br />
Crime scene:<br />
you’ll find<br />
the evidence<br />
on page 14<br />
Titelfoto: vario images; Fotos Editorial: Getty Images; LOOK; plainpicture<br />
<strong>Spotlight</strong> 8|13<br />
SPRACHTRAINING<br />
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Titelverzeichnis der Roten Reihe!<br />
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CONTENTS | August 2013<br />
Who’s afraid of Islam?<br />
The Western view of Islam as a unified whole is<br />
extremely harmful, says a bestselling author.<br />
24 30<br />
<strong>Discover</strong>ing <strong>Dublin</strong><br />
Toby Skingsley visits Ireland’s capital city to enjoy<br />
select museums, “trad” music and the Guinness tour.<br />
6 People<br />
Names and faces from around the world<br />
8 A Day in My Life<br />
A manager at a software firm in Scotland<br />
10 World View<br />
What’s news and what’s hot<br />
40 History<br />
Lawrence of Arabia, desert legend<br />
42 Press Gallery<br />
A look at the English-language media<br />
44 Arts<br />
Films, apps, books, culture and a short story<br />
13 Britain Today<br />
Colin Beaven on pub names<br />
22 Food<br />
Kettle crisps — made in Britain<br />
28 I Ask Myself<br />
Amy Argetsinger on Angelina Jolie<br />
36 Around Oz<br />
Peter Flynn on a time of transition<br />
38 Debate<br />
Are citizen’s arrests a good idea?<br />
People in Canada have their say<br />
66 The Lighter Side<br />
Jokes and cartoons<br />
67 American Life<br />
Ginger Kuenzel on a summertime problem<br />
68 Feedback & Impressum<br />
Your letters to <strong>Spotlight</strong> — and our responses<br />
69 Next Month<br />
What’s coming next month in <strong>Spotlight</strong><br />
70 My Life in English<br />
Model Luisa Hartema on why and where<br />
she needs English<br />
Fotos: agefotostock; Ingram Publishing; iStockphoto; vario images<br />
THE SPOTLIGHT FAMILY<br />
<strong>Spotlight</strong> plus<br />
Every month, you can explore<br />
and practise the language and<br />
grammar of <strong>Spotlight</strong> with the<br />
exercise booklet plus.<br />
Find out more at:<br />
www.spotlight-online.de/plus<br />
<strong>Spotlight</strong> Audio<br />
This monthly 60-minute CD/download<br />
brings the world of <strong>Spotlight</strong><br />
to your ears. Enjoy interviews and<br />
travel stories and try the exercises.<br />
Find out more at:<br />
www.spotlight-online.de/audio<br />
4 <strong>Spotlight</strong> 8|13
14<br />
Summer crime<br />
New Zealand crime writer Paul Cleave talks about the<br />
art of dark humour and gives his summer reading tips.<br />
37<br />
Easy English<br />
Need to brush up the basics? Then Green Light is for<br />
you — an eight-page booklet with essential English.<br />
IN THIS MAGAZINE: 14 LANGUAGE PAGES<br />
50 Vocabulary<br />
Words to talk about the theatre<br />
52 Travel Talk<br />
Visit an American county fair<br />
53 Language Cards<br />
Pull out and practise<br />
55 Everyday English<br />
Having a baby<br />
57 The Grammar Page<br />
Using the past perfect simple<br />
58 Peggy’s Place: The Soap<br />
The latest from a London pub<br />
59 English at Work<br />
Ken Taylor answers your questions<br />
60 Spoken English<br />
Using the word “make”<br />
61 Word Builder<br />
A focus on the words in <strong>Spotlight</strong><br />
62 Perfectionists Only!<br />
Nuances of English<br />
63 Crossword<br />
Find the words and win a prize<br />
IMPROVE YOUR ENGLISH WITH SPOTLIGHT PRODUCTS<br />
<strong>Spotlight</strong> Audio: hear texts and interviews on our CD or<br />
download. See www.spotlight-online.de/hoeren<br />
OUR LANGUAGE LEVELS<br />
The levels of difficulty in <strong>Spotlight</strong> magazine correspond roughly to<br />
The Common European Framework of Reference for Languages:<br />
A2 B1– B2 C1– C2<br />
To find your level, visit Sprachtest.de<br />
<strong>Spotlight</strong> plus: 24 pages of language exercises related<br />
to the magazine. See www.spotlight-online.de/ueben<br />
<strong>Spotlight</strong> in the classroom: free of charge to teachers who<br />
subscribe to <strong>Spotlight</strong>. See www.spotlight-online.de/teachers<br />
Readers’ service: abo@spotlight-verlag.de · www.spotlight-online.de<br />
Tel.: +49 (0)89 / 85681-16 · Fax: +49 (0)89 / 85681-159<br />
www.SprachenShop.de: order products<br />
from our online shop (see page 48).<br />
<strong>Spotlight</strong><br />
in the classroom<br />
Teachers: if you use <strong>Spotlight</strong> in<br />
your lessons, this six-page supplement<br />
will provide great ideas for<br />
classroom activities around the<br />
magazine. Free for all teachers<br />
who subscribe to <strong>Spotlight</strong>.<br />
www.spotlight-online.de<br />
<strong>Spotlight</strong> Online will help you to improve<br />
your English every day. Try our language<br />
exercises or read about current events<br />
and fascinating places to visit. Subscribers<br />
will also find a list of all the glossed vocabulary<br />
from each issue of the magazine.<br />
8|13 <strong>Spotlight</strong><br />
5
PEOPLE | Names and Faces<br />
The painter<br />
Who exactly is…<br />
Robert<br />
Bateman?<br />
For more than 70 years, the artist<br />
Robert Bateman has been<br />
painting wildlife — wolves,<br />
dolphins, birds and buffalo. His work<br />
is realistic and detailed. Critics often<br />
call it kitschy, but the public loves it.<br />
It is estimated that one million of his<br />
prints are in circulation. Maclean’s<br />
calls him Canada’s most popular living<br />
artist.<br />
Bateman was born in Toronto in<br />
1930. When he was 12 years old, he<br />
painted an elk from a photograph in<br />
National Geographic. After studying<br />
geography, he travelled around Africa<br />
and Asia and had the chance to see<br />
wild animals in real life instead of on<br />
the pages of a magazine.<br />
He taught geography and art to<br />
high-school students for 20 years, before<br />
focusing exclusively on his painting.<br />
Through his art, Bateman<br />
appreciate sth. [E(pri:SieIt]<br />
become extinct [bi)kVm Ik(stINkt]<br />
gloomy [(glu:mi]<br />
great outdoors: the ~ [)greIt )aUt(dO:z]<br />
in for: be ~ sth. [(In fE]<br />
lizard [(lIzEd]<br />
mankind [mÄn(kaInd]<br />
nickname [(nIkneIm]<br />
pay attention to sth. [)peI E(tenS&n tE]<br />
role model [(rEUl )mQd&l]<br />
wildlife [(waI&ldlaIf]<br />
6 <strong>Spotlight</strong> 8|13<br />
reminds people of the beauty of nature<br />
and of the importance of protecting<br />
it. He believes that the<br />
relationship between young people<br />
and the great outdoors is too small<br />
today and that this urgently needs to<br />
be changed. “If people have no contact<br />
with nature, not only nature but<br />
mankind is in for a very gloomy future,”<br />
he says on his website. “I have<br />
no doubt in my mind the world<br />
would be a better place if everybody<br />
knew about nature, appreciated it ...<br />
and paid attention to it.”<br />
Earlier this year, the Robert Bateman<br />
Centre opened its doors in the<br />
city of Victoria, the capital of British<br />
Columbia. It is home to a permanent<br />
exhibition of Bateman’s paintings and<br />
is also an education centre. About<br />
3,000 people visited it on the first<br />
weekend.<br />
etw. (hoch)schätzen<br />
aussterben<br />
düster<br />
die freie Natur<br />
etw. zu erwarten haben<br />
Eidechse, Echse<br />
die Menschheit<br />
Spitzname<br />
auf etw. achten<br />
Vorbild<br />
wilde Tiere<br />
In the news<br />
Alice Walker, the influential author<br />
of The Color Purple, is a role model for<br />
many people. But is she a bad mother?<br />
Her daughter, Rebecca, has criticized<br />
Walker’s “fanatical feminism” and said<br />
that their relationship was poisonous.<br />
Alice prefers not to talk about her family<br />
life. Speaking to<br />
The Globe and Mail,<br />
however, she said<br />
that true motherhood<br />
means “accepting<br />
that everything<br />
needs to be<br />
cared for, not just<br />
your own child”.<br />
Jim Morrison, lead singer of The<br />
Doors, died in 1971. His nickname was<br />
“The Lizard King”. Scientists have now<br />
honoured the singer in a special way:<br />
by naming one of the biggest lizards<br />
in history after him. The lizard grew to<br />
be six feet long, scientists say. It became<br />
extinct some<br />
40 million years<br />
ago. Jason Head<br />
told the BBC that<br />
he listened to Morrison’s<br />
music while<br />
researching the<br />
lizard and decided<br />
to name it Barbaturex<br />
morrisoni.<br />
Like many girls, Lisa Fernandez’s<br />
daughter loves playing with her Barbie<br />
doll. Fernandez became concerned,<br />
however, when her daughter said she<br />
thought Mummy would be more beautiful<br />
if she wore clothes like the doll.<br />
The radio presenter from Perth, therefore,<br />
tried wearing<br />
Barbie outfits in<br />
public. “People<br />
were horrified,”<br />
she<br />
told The<br />
Sydney<br />
Morning<br />
Herald. “They<br />
said: ‘I wouldn’t<br />
want my child<br />
playing with a<br />
doll like that.’”
Fotos: action press; Corbis; facebook; Getty Images<br />
Out of the ordinary<br />
Agent Moran: it’s not<br />
like in the films<br />
London’s bicycle couriers don’t have an easy life. No one knows that<br />
better than Steve Hamilton. He cycles between 85 and 100 miles<br />
(135 to 160 kilometres) every day, making 20 to 30 deliveries. The<br />
job is dangerous — nine couriers have been killed on London’s<br />
streets — and it is impossible to get life insurance. But Hamilton<br />
told the BBC that he likes the “adventure” of racing around the city,<br />
cycling between buses and taxis. The Institute of Couriers honoured<br />
him as the 2012 courier of the year. “I just love what I’m doing so<br />
far,” he said. “It’s absolute fun!”<br />
Although Daphne Selfe has worked as a model all her life, she<br />
became really successful only when she was 70. Now 85, she has<br />
been on the pages of Vogue magazine and is the world’s oldest supermodel.<br />
Selfe believes that her long grey hair helped her stand<br />
out from the crowd and become<br />
well known. She told The Independent<br />
that she hopes to live to<br />
100, and she does not seem to<br />
have any plans for retirement. “If<br />
... prancing about in funny outfits<br />
is going to amuse people, I’ll keep<br />
on doing it,” she said.<br />
Selfe: ageless beauty<br />
assassinate sb. [E(sÄsIneIt]<br />
audition [O:(dIS&n]<br />
Daphne [(dÄfni]<br />
entrepreneur [)QntrEprE(n§:]<br />
genocide [(dZenEsaId]<br />
Harry Potter and the Deathly<br />
Hallows [)hÄri (pQtE End DE<br />
)deTli (hÄlEUz]<br />
Hertfordshire [(hA:tfEdSE]<br />
initially [I(nIS&li]<br />
leisure time [(leZE taIm]<br />
messaging [(mesIdZIN]<br />
prance about [)prA:ns E(baUt]<br />
released: be ~ [ri(li:st]<br />
siblings [(sIblINz]<br />
stand out [)stÄnd (aUt]<br />
torture sb. [(tO:tSE]<br />
American Lindsay Moran studied<br />
at Harvard, then worked as a teacher of<br />
English literature. But from 1998 to<br />
2003, she had a more exciting career,<br />
working for the CIA. Moran recently<br />
spoke to The Telegraph about her experiences,<br />
saying that the James Bond<br />
stereotypes are false. “You’re not going<br />
out assassinating people and torturing<br />
them,” she said. “You’re trying to make<br />
friends with people.” Moran believes<br />
that women are better able to do that<br />
than men: “The CIA’s biggest secret is<br />
that the best guys are women.”<br />
jmdn. ermorden<br />
Vorsprechen, Probespiel<br />
Unternehmer(in)<br />
Völkermord<br />
Harry Potter und die<br />
Heiligtümer des Todes<br />
anfangs<br />
Freizeit<br />
SMS<br />
umherstolzieren<br />
in die Kinos kommen<br />
Geschwister<br />
sich abheben, hervorstechen<br />
jmdn. foltern<br />
Texts by RITA FORBES<br />
The newcomer<br />
• Name: Ashish Thakkar<br />
• Age: 32 on 5 August<br />
• Occupation: entrepreneur<br />
• Founded: The Mara Group<br />
• Background: Thakkar was born in the UK to African<br />
parents. His family moved to Rwanda just before<br />
the genocide in 1994, and then escaped to Uganda.<br />
• In the news for: Starting “Mara Online”, which<br />
provides free phone calls and messaging services to<br />
people in Africa.<br />
• Fortune: around $200 million, according to Forbes<br />
• What’s next: Thakkar wants to help small<br />
businesses in Africa succeed.<br />
Happy birthday!<br />
The red-headed actor Rupert Grint will be 25 years old<br />
on 24 August. Grint began playing Ron Weasley in the<br />
Harry Potter series when he was just 11. He grew up with<br />
his parents and four younger siblings in Hertfordshire,<br />
north of London. At school, he performed in several plays.<br />
A big fan of J. K. Rowling’s Harry Potter books,<br />
he was excited to hear about an open casting<br />
call for the films. He made his own audition<br />
video, which included a rap song with<br />
the line: “Hello, there! My name’s Rupert<br />
Grint. I hope you like this and<br />
don’t think I stink!”<br />
Grint got the part and was busy<br />
with Harry Potter for the next 10<br />
years. He has said that he was initially<br />
“quite surprised” to learn that<br />
he would be paid for acting in the<br />
films. Imagine how he felt when he<br />
earned $30 million for his work in the<br />
two-part Harry Potter and the Deathly<br />
Hallows, released in 2010 and 2011.<br />
He has appeared in several films since<br />
then, including Into the White, a Second<br />
World War drama. Grint told the Daily Mail<br />
that he likes his new freedom: “I can afford<br />
to choose my acting roles carefully, and I’m<br />
able to enjoy my leisure time.”
A DAY IN MY LIFE | Scotland<br />
Working as a<br />
team: a good<br />
group dynamic is<br />
the key<br />
Office life:<br />
caffeine and<br />
crisps<br />
Ideas man:<br />
Fergus Bruce,<br />
operations<br />
man ager of<br />
Viasoft<br />
Keeping<br />
creativity<br />
alive<br />
Der Betriebsleiter einer schottischen Software-Firma stellt<br />
unter Beweis, dass eine Tätigkeit im technologischen Bereich<br />
Kreativität nicht ausschließen muss. Von COLM FLYNN<br />
My name is<br />
Fergus Bruce.<br />
I’m 31 years old,<br />
and I work in Glasgow. I’m originally<br />
from a beautiful island called Lewis off the<br />
west coast of Scotland. The people there still speak<br />
the Gaelic language. It’s one of the few places in Scotland<br />
where Gaelic is still spoken.<br />
I’m the operations manager of a small software company<br />
in Glasgow called Viasoft Ltd. It’s part of a larger<br />
group of companies that specialize in CGI visualization.<br />
If you watch the news on TV and they show, for example,<br />
a hospital — not yet built — in a 3D visualization, that’s<br />
what we create.<br />
I try to get up at 8.45 in the morning. When I arrive<br />
at the office, the first thing I do is check my e-mails. Then<br />
I take a look at what our development team is doing.<br />
This is the group of people who develop the software we<br />
produce.<br />
I refer to my office as the “blue mind cube”. It’s a cool<br />
space where I can focus my thoughts. Often, when I’m<br />
feeling a little stressed, I’ll put on a latex horse’s head and<br />
wear that for an hour. I find it helps me think around<br />
problems that I wasn’t able to solve before I put it on.<br />
CGI (computer-generated imagery)<br />
visualization [)si: )dZi: )aI )vIZuElaI(zeIS&n]<br />
cube [kju:b]<br />
3-D Visualisierung<br />
Würfel; hier: Büro<br />
8 <strong>Spotlight</strong> 8|13
INFO TO GO<br />
Fotos: Colm Flynn; iStockphoto<br />
There’s a Mexican restaurant around the corner from<br />
work. I like their burritos, so I often go there for lunch. If<br />
we have the time, we’ll go out as a group and exchange the<br />
banter of the day.<br />
Most of our meetings are in the afternoon. The people<br />
working for our company are very creative, which means<br />
they’re able to generate a lot of ideas and discuss things in<br />
great depth, but often without sticking to the meeting<br />
agenda. A positive thing about working for a small technology<br />
company is that your voice is likely to be heard.<br />
Most of the time, I enjoy my job, but I think it’s rare<br />
to meet someone who’s entirely happy with what he or she<br />
does. It’s difficult to stay motivated if you’re doing the<br />
same sort of thing over and over again. I try to keep my<br />
finger on the pulse of activities in terms of what I can be<br />
doing to improve my day.<br />
When a deadline comes, it can be very stressful. If I’m<br />
delivering for a client, I could be up until four or five in the<br />
morning; but thankfully, that’s not very often. I generally<br />
leave the office between half past five and seven o’clock.<br />
I take the train home. It’s a very short journey. I get<br />
to walk through the park on the way home, which fills me<br />
with intense joy. I live in a sandstone tenement building<br />
from the Victorian era on the south side of the city, near<br />
Scotland’s national football stadium, Hampden Park.<br />
When I get home, having stared at a computer screen<br />
all day, it’s quite easy just to slump in front of the television<br />
and watch rubbish — although I try to do that as little as<br />
possible. I like to get out and exercise, take a walk or go to<br />
the gym.<br />
I stay up far too late, normally until after midnight,<br />
which is directly related to my nearly missing the train<br />
every morning. If only I went to bed a little earlier, I’d be<br />
happier and get more work done. But I find it difficult to<br />
shut my mind down in the evening. Often, I lie awake<br />
wondering at the complexity of being, and that’s a problem<br />
which is rather difficult to solve. I’ll normally take a<br />
little look on the internet and read some news or watch<br />
something online that helps me get to sleep.<br />
banter [(bÄntE]<br />
burrito [bE(ri:tEU]<br />
deliver [di(lIvE]<br />
entirely [In(taIEli]<br />
exercise [(eksEsaIz]<br />
generate [(dZenEreIt]<br />
get to do sth. [)get tE (du:] ifml.<br />
gym [dZIm]<br />
in terms of... [In (t§:mz Ev]<br />
likely [(laIkli]<br />
slump [slVmp]<br />
stick to sth. [(stIk tE]<br />
tenement building<br />
[(tenEmEnt )bIldIN]<br />
Geplänkel<br />
gefüllter Tortillafladen<br />
hier: einen Auftrag erledigen<br />
voll und ganz<br />
Sport machen<br />
entwickeln<br />
die Möglichkeit haben, etw. zu tun<br />
(➝ p. 61)<br />
Fitness-Studio<br />
bezüglich...<br />
wahrscheinlich<br />
sich fallen lassen<br />
sich an etw. halten<br />
Wohnhaus<br />
Answers<br />
keep a finger on the pulse of things: both sentences are correct;<br />
rubbish: a) rubbished; b) rubbish; c) rubbish<br />
Lewis<br />
Lewis is the northern part of Lewis and Harris, an island<br />
which belongs to an archipelago called the Outer Heb -<br />
rides [(hebrEdi:z] off the west coast of Scotland.<br />
Lewis’s population of 18,500 relies on fishing, some<br />
light industry and tourism. Visitors can reach the island<br />
of stone cottages and majestic coastal views by boat<br />
from the popular Scottish resort town of Ullapool. The<br />
trip takes about three hours.<br />
keep a finger on the pulse of things<br />
If you keep your finger on the pulse of something, you<br />
try to stay aware of the latest developments. For example,<br />
a news organization may claim to have its finger<br />
on the pulse of global events — in other words, it is<br />
constantly checking on developments around the<br />
world to remain in touch with what is going on. The expression<br />
brings to mind the image of a doctor placing<br />
a finger on a patient’s pulse to find out how fast that<br />
person’s heart is beating.<br />
In which of the following sentences is this expression<br />
used correctly — in (a), (b) or both?<br />
a) Brian likes to keep his finger on the pulse of the IT<br />
world. He knows all the latest developments.<br />
b) I try to keep my finger on the pulse of popular<br />
culture. That’s why I know what happened to<br />
Angelina Jolie recently.<br />
rubbish<br />
Putting out the rubbish [(rVbIS] means removing the<br />
waste material from your household bins and placing<br />
it outside to be collected. Figuratively, “rubbish”, a<br />
chiefly British word, can be used to describe something<br />
that is useless or absurd: “Have you seen the<br />
latest Star Trek film? My mum loved it, but my dad<br />
thought it was rubbish.” The word can also be used as<br />
an adjective (“She is rubbish at science”) and informally<br />
as a verb (“My boss rubbished the idea of getting a software<br />
update”). Try using “rubbish” in the following<br />
sentences:<br />
a) Agnes _________ my plans to move to California.<br />
She said I’d never find a job there.<br />
b) These shoes are _________. They are falling apart<br />
already.<br />
c) Do I really have to take the _________<br />
out again this week?<br />
bin [bIn]<br />
claim [kleIm]<br />
resort town [ri(zO:t taUn]<br />
Mülleimer<br />
behaupten<br />
Urlaubsort
WORLD VIEW | News in Brief<br />
Inspiring city:<br />
Melbourne<br />
attracts writers<br />
It’s a good month to...<br />
AUSTRALIA Australia is celebrating good<br />
writing this month. The Melbourne Writers Festival, held<br />
from 22 August to 1 September, brings readers and writers<br />
together from around the world.<br />
The festival began in 1986 and has grown steadily since<br />
then. More than 350 writers will be in Melbourne this<br />
year, taking part in panel discussions and interviews, reading<br />
from their books and leading workshops. Thousands<br />
of people will go to watch, listen and exchange ideas.<br />
In addition, the Schools’ Program, from 26 to 29 August,<br />
encourages children to read and write.<br />
enjoy books<br />
Melbourne is the perfect place for all of this to happen:<br />
it is recognized as a UNESCO City of Literature. According<br />
to the Wheeler Centre for Books, Writing and Ideas<br />
in Melbourne, almost a third of Australian writers live<br />
in that city, and nearly 100,000 people there write as a<br />
hobby.<br />
Festival director Lisa Dempster spoke to The Age last<br />
year about the importance of books to the city. “I have a<br />
great passion for Melbourne as a city of literature,” she<br />
said. “I want to activate its citizens to see themselves as citizens<br />
of literature.”<br />
Entzündung<br />
Podiums-<br />
Bandscheibenvorfall<br />
Wirbelsäulenoperation<br />
stetig, ununterbrochen<br />
enorm<br />
inflammation [)InflE(meIS&n]<br />
panel [(pÄn&l]<br />
slipped disc [)slIpt (dIsk]<br />
spinal surgery [)spaIn&l (s§:dZEri]<br />
steadily [(stedIli]<br />
vast [vA:st]<br />
Pills to cure back pain<br />
BRITAIN A certain type of back pain may soon<br />
be a thing of the past. Doctors in Britain are extremely excited about<br />
recent news that antibiotics could cure chronic lower-back pain in<br />
up to 40 per cent of sufferers.<br />
“This is vast. We are talking about probably half of all spinal surgery<br />
for back pain being replaced by taking antibiotics,” said Peter<br />
Hamlyn of University College London Hospital. Hamlyn, one of the<br />
top spinal surgeons in the UK, told The Guardian that the team behind<br />
the development, which was recently announced in the European<br />
Spine Journal, “deserve a Nobel Prize”.<br />
Scientists have long known that bacteria cause certain kinds of<br />
back problems; but these were thought to be the exception, not the<br />
10 <strong>Spotlight</strong> 8|13<br />
rule. Working with patients in England, researchers from Denmark<br />
have completed a ten-year study that shows how common a bacterial<br />
cause can be.<br />
They discovered that bacteria<br />
found in teeth and hair, and usually<br />
associated with acne, can make their<br />
way into back injuries such as<br />
slipped discs. The resulting infection<br />
causes painful, small breaks in the<br />
bones of the back, as well as<br />
inflammation. The scientists<br />
also showed that<br />
antibiotics taken over<br />
100 days can cure<br />
such conditions,<br />
allowing people to<br />
avoid a stay in<br />
hospital.<br />
A new<br />
medical<br />
breakthrough<br />
for the back
Fotos: Getty Images; Ingram Publishing; iStockphoto<br />
An Irish mystery solved<br />
IRELAND When a disease called potato blight spread from the<br />
US to Europe in the 1840s, one result was the Irish potato famine. About a<br />
million people died between 1846 and 1851, and another two million were<br />
forced to leave Ireland.<br />
Scientists have now identified the exact strain of the<br />
pathogen that caused the famine. They found it in dried<br />
leaves that had been kept in museums in England and<br />
Germany since the 19th century.<br />
Potato blight is still a problem around the world<br />
today. It had been thought that the modern strain of<br />
Phytophthora infestans, known as US-1, was responsible<br />
for the famine in Ireland. But when the researchers<br />
analysed the DNA they found in the<br />
leaves, they discovered something else: a strain that<br />
they’ve named HERB-1. They believe that it is<br />
now extinct.<br />
Scientist Kentaro Yoshida told the BBC that<br />
the research is not just about history. “These<br />
findings will greatly help us to understand the<br />
dynamics of emerging pathogens,” he said.<br />
beverage [(bevErIdZ]<br />
caffeinated [(kÄfIneItId]<br />
dietary supplement<br />
[US )daIEteri (sVplImEnt]<br />
emerging [i(m§:dZIN]<br />
extinct: be ~ [Ik(stINkt]<br />
Food and Drug Administration (FDA)<br />
[)fu:d End (drVg EdmInI)streIS&n]<br />
pathogen [(pÄTEdZEn]<br />
potato blight [pE(teItEU )blaIt]<br />
potato famine [pE(teItEU )fÄmIn]<br />
strain [streIn]<br />
waffle [US (wA:f&l]<br />
Getränk<br />
koffeinhaltig<br />
Nahrungsergänzungsmittel<br />
The potato:<br />
an important<br />
food<br />
neu entstehend<br />
hier: nicht mehr existieren<br />
US-Bundesbehörde für Lebensmittel- und<br />
Arzneimittelsicherheit<br />
(Krankheits)Erreger<br />
Kartoffelfäule<br />
Große Hungersnot<br />
hier: Erregerstamm<br />
Monster<br />
in a can?<br />
UNITED STATES<br />
Americans love energy drinks. They spent<br />
$8.6 billion (€6.6 billion) on beverages such<br />
as Red Bull and Monster last year, and now<br />
the market is expanding to include caffeinated<br />
candy — and even waffles.<br />
Too much caffeine, however,<br />
can cause anxiety, headaches, and<br />
even heart attacks. In the US, the<br />
law limits how much caffeine soft<br />
drinks may contain. Because most<br />
energy drinks are considered to be<br />
“dietary supplements,” however, the<br />
rules are not considered relevant to<br />
them.<br />
The Economist reports that the laws<br />
governing caffeine may be about to<br />
change. The US Food and Drug Administration<br />
(FDA) has announced that it is investigating<br />
the health risks of energy<br />
drinks. Consumers may well wonder if Starbucks<br />
will be next. After all, a large cup of<br />
coffee from the chain contains at least<br />
twice as much caffeine as a can of Monster.<br />
How much<br />
caffeine<br />
should you<br />
drink?<br />
„Mein Briefkasten steht<br />
auf meinem Schreibtisch.“<br />
Bequem und sicher im Netz – der .<br />
Informieren und kostenlos registrieren:<br />
www.epost.de<br />
Mit dem E-POSTBRIEF profitieren Sie im Internet von den zuverlässigen<br />
Leistungen der Deutschen Post. Denn jetzt können Sie<br />
Ihre Briefpost sicher, schnell und bequem auch online erledigen.
WORLD VIEW | News in Brief<br />
Little China<br />
LESOTHO The Kingdom of Lesotho, which is located within<br />
South Africa, is a mountainous land about the size of Belgium. Known for<br />
poverty and a high rate of HIV/AIDS, this nation of two million is now in<br />
the news because of a strange invasion — of Chinese shopkeepers.<br />
As The Christian Science Monitor reports, thousands of people from the<br />
province of Fujian have arrived in Lesotho — many illegally — to open<br />
shops. The Chinese sell a huge variety of things, including food, clothing,<br />
manufactured goods and mobile-phone airtime. Their businesses can be<br />
found all over the country, from the capital city of Maseru to very small<br />
villages that are located high up in the mountains.<br />
Some in Lesotho are happy about<br />
being able to get cheap goods. One<br />
local told Think Africa Press: “If there<br />
were no Chinese in Teyateyaneng [a<br />
town of 75,000 close to the capital],<br />
where would I buy?”<br />
Others are less enthusiastic about<br />
the presence of outsiders and dislike the<br />
fact that the Chinese have such a good<br />
trading network in Africa that they can<br />
be so successful so far from home.<br />
airtime [(eEtaIm]<br />
cuddly [(kVd&li]<br />
dorsal fin [US (dO:rs&l fIn]<br />
endangered [US In(deIndZ&rd]<br />
fescue grass [(feskju: )grA:s]<br />
HIV [)eItS aI (vi:]<br />
hybrid [(haIbrId]<br />
livestock [(laIvstQk]<br />
Macleod [mE(klaUd]<br />
pillow [US (pIloU]<br />
poverty [(pQvEti]<br />
rye [raI]<br />
shark [US SA:rk]<br />
shopkeeper [(SQp)ki:pE]<br />
sleeping bag [(sli:pIN bÄg]<br />
At home in Africa: Chinese<br />
business people are doing well<br />
Gesprächszeit<br />
hier: zum Liebhaben<br />
Rückenflosse<br />
vom Aussterben bedroht<br />
Schwingelgras<br />
Kreuzung<br />
Vieh<br />
(Kopf)Kissen<br />
Armut<br />
Roggen<br />
Hai<br />
Ladenbesitzer(in)<br />
Schlafsack<br />
WHAT’S HOT<br />
Soft sharks<br />
UNITED STATES<br />
Want to see your kid being eaten by<br />
a shark? Of course not — unless the<br />
big fish is the unusual sleeping bag<br />
designed by artist Kendra Phillips.<br />
Phillips told www.treehugger.com,<br />
a website that follows trends in product<br />
design, that she created the<br />
sleeping bag “in an effort to make<br />
sharks — a very misunderstood animal<br />
that also happens to be one of<br />
my favorites — more cuddly.”<br />
Many kinds of shark are among<br />
the world’s most endangered animals.<br />
Because of deadly attacks on<br />
swimmers, though, they are also<br />
among the most hated and feared.<br />
Phillips hopes that the sleeping<br />
bag will give sharks a bit of positive<br />
attention, and children a naturefriendly<br />
way to have fun. The dorsal<br />
fin can be taken off the shark’s body<br />
and used as a pillow.<br />
For more information, go to<br />
www.mychumbuddies.com and<br />
www.kendora.blogspot.de<br />
Save me!<br />
No, don’t<br />
save me!<br />
“Super grass” to the rescue<br />
BRITAIN The Guardian reports that 2012 was<br />
recorded as being the wettest year ever in England. More than 8,000<br />
buildings were damaged by flooding, and £600 million worth of<br />
food was lost. Experts worldwide agree that flooding is one of the<br />
biggest effects of climate<br />
change, but how can it be<br />
brought under control?<br />
Scientists in the UK may<br />
have found a way to help.<br />
They have developed a natural<br />
hybrid of rye and fescue<br />
grass that reduces by half<br />
12 <strong>Spotlight</strong> 8|13<br />
the volume of water running off fields. The roots of the new plant<br />
grow deeper than traditional types of grass, creating more pores in<br />
the earth — and the extra pores help the earth hold on to water.<br />
After tests made in fields in Devon for two years, the results have<br />
recently been published in Scientific Reports.<br />
Kit Macleod, a hydrologist who worked on the project,<br />
said that in addition to reducing the volume of<br />
water running off the fields, the grass also provides<br />
good food for livestock. Since nearly 70 per cent of the<br />
world’s farmland is planted with grass, the innovation<br />
is welcome news — in more ways than one.<br />
By RITA FORBES and CLAUDINE WEBER-HOF<br />
Fotos: iStockphoto; laif; PR
Britain Today | COLIN BEAVEN<br />
Foto: Alamy<br />
How do<br />
pubs get their<br />
“ names?<br />
”<br />
Pubs are great places to meet your<br />
friends and enjoy yourself.<br />
There’s nothing better than a<br />
chance to put the world to rights over<br />
a few beers.<br />
So how do you choose a pub?<br />
There are so many, though not as<br />
many as there were: lots have closed.<br />
But there are still enough to make it<br />
hard to remember the arrangements<br />
you made when you planned your<br />
night out. “Where did we say we<br />
would meet? Was it The Dog and<br />
Duck or The Lion and Lamb? Well,<br />
we can always start at one and all go<br />
on to the other.”<br />
You can see how quickly people<br />
get the idea of going on a pub crawl<br />
— a traditional journey from pub to<br />
pub, with pauses to drink in each of<br />
them. What starts as a walk soon becomes<br />
a crawl.<br />
Do people still do this? Up to a<br />
point, yes, though the British now<br />
buy much of their booze in shops,<br />
where it’s cheaper — so much so that<br />
the government has thought of introducing<br />
a minimum price for alcohol.<br />
arrangement [E(reIndZmEnt] Verabredung, Abmachung<br />
boar [bO:]<br />
Wildschwein<br />
booze [bu:z] ifml.<br />
Fusel, Alkohol<br />
breakthrough [(breIkTru:]<br />
Durchbruch<br />
call in at [)kO:l (In Et]<br />
einen Abstecher machen in/zu<br />
circumstance [(s§:kEmstÄns] Umstand<br />
come up with sth. [)kVm (Vp wID] sich etw. ausdenken<br />
crawl [krO:l]<br />
eigentlich: „Gekrieche“<br />
dragon [(drÄgEn]<br />
Drache<br />
lamb [lÄm]<br />
No. 10 Downing Street<br />
Amtswohnung des britischen Premierministers<br />
[)nVmbE )ten (daUnIN stri:t]<br />
pink elephant [)pINk (elIfEnt] ifml. Symbol für eine Halluzination im Alkoholrausch<br />
sober [(sEUbE] nüchtern (➝ p. 61)<br />
swan [swQn]<br />
up to a point [)Vp tE E (pOInt] bis zu einem gewissen Grad<br />
world: put the ~ to rights [w§:ld] die Welt in Ordnung bringen<br />
Last night at the pub<br />
Still, a recent film has<br />
meant fresh interest in the idea<br />
of an old-fashioned pub crawl. If<br />
you feel the need to see how it works,<br />
watch The World’s End, which has just<br />
come to British cinemas (showing in<br />
Germany from 12 September).<br />
The name of the film is taken<br />
from the name of the pub where the<br />
drinkers plan to finish the evening.<br />
How do pubs get their names?<br />
Many of them clearly want to sound<br />
patriotic, such as The Prince of Wales.<br />
Others seem purely zoological. They<br />
have names like The Swan, The<br />
Cuckoo, The Otter or The Fox.<br />
In fact, a pub crawl can easily start<br />
to sound like a trip round a safari<br />
park. You can start at The White<br />
Horse, move to The Black Bull, then<br />
walk over to The Blue Boar, call in at<br />
Eine Kneipentour in Groß britannien kann sich<br />
schnell in eine Safarireise verwandeln.<br />
The Red Lion and finish up at The<br />
Green Dragon.<br />
This is all a bit colourful. There<br />
are even pubs and bars called The<br />
Chameleon, though how they know<br />
what colour to paint the sign outside<br />
I’m really not sure. But the idea is that<br />
all these pubs are named after animals<br />
you see when you walk through the<br />
countryside, even if some are the sort<br />
you can see only when you’ve drunk<br />
a lot of beer.<br />
Is any of this important? Well, pub<br />
crawls are clearly the time when politicians<br />
think up new laws. If we’re lucky,<br />
the laws that reach parliament are the<br />
ones they dream up in The White<br />
Horse, where they’re all sober — like<br />
the idea of a minimum price for alcohol.<br />
It’s when we get Green Dragon<br />
laws — the ones that seemed a good<br />
idea at the end of a long evening’s<br />
drinking — that we’re in trouble.<br />
When the Cabinet meets at No.<br />
10 Downing Street, these are no doubt<br />
the sort of comments one hears:<br />
“We’ve come up with a plan to<br />
improve the economy, Mr Cameron.”<br />
“I see. So you spent last night at<br />
The Green Dragon.”<br />
“How did you guess?”<br />
“That’s where all our reforms seem<br />
to come from — schools, the police,<br />
the health service. What finally led to<br />
the breakthrough?”<br />
“Well, I got chatting to a pink<br />
elephant.”<br />
Perhaps we need to relax. Even if<br />
the government does bring in some<br />
of its crazier ideas, it won’t be the end<br />
of the world. And if it is, there are<br />
pubs called The World’s End —<br />
probably the best place to go in the<br />
circumstances.<br />
Colin Beaven is a freelance writer who lives<br />
and works in Southampton on the south<br />
coast of England.<br />
8|13 <strong>Spotlight</strong><br />
13
LANGUAGE | Detective Fiction<br />
Crime time<br />
in New Zealand<br />
Wer ist Opfer, wer ist Täter? In den spannenden Krimis von<br />
Paul Cleave stößt jeder an seine Grenzen – auch der Leser.<br />
BARBARA HILLER sprach mit dem neuseeländischen<br />
Erfolgsautor über seine Schaffensweise sowie die deutschen Krimileser.<br />
What are you reading this summer? Whether you’re<br />
heading for the beach or planning to soak up the<br />
sunshine in your own backyard, a good book is<br />
the perfect companion. If you haven’t picked one yet and<br />
would like to practise your English at the same time, why<br />
not try a crime novel from the other side of the world?<br />
Paul Cleave is a bestselling, prizewinning New Zealand<br />
crime writer whose six books have so far been translated<br />
into 12 languages. You may know them already: his first<br />
book The Cleaner (Der siebte Tod) sold 300,000 copies in<br />
Germany alone. The story is about Joe, who works as a<br />
cleaner for the police department by day and kills people<br />
both by day and by night. He’ll be reappearing as a main<br />
character in Cleave’s seventh book, Joe Victim (Opferzeit),<br />
which comes out in English on 3 September (and in German<br />
on 14 October) this year.<br />
copy [(kQpi] Exemplar (➝ p. 61)<br />
head for [(hed fE] sich aufmachen nach / zu,<br />
gehen / fahren nach / zu<br />
pick [pIk]<br />
auswählen<br />
soak up [)sEUk (Vp] aufsaugen<br />
Fotos: laif; LOOK<br />
14 <strong>Spotlight</strong> 8|13
How did you become a writer?<br />
I decided I wanted to be a writer when I was still at school,<br />
but that’s like deciding to be a fireman or an astronaut.<br />
Then, when I was 19, a friend of mine asked me what I’d<br />
do if I could do anything. I said I’d like to be a writer. She<br />
asked me why I didn’t try. Weirdly enough, I just needed<br />
someone to point that out. So, I sat down and wrote a real -<br />
ly terrible novel about this kid who couldn’t die. That was<br />
step one; and then came step two. About seven or eight<br />
steps later, I started writing novels that got published. And<br />
suddenly, the first book became an international bestseller,<br />
and I was a full-time writer.<br />
So what did you do in the meantime, before you<br />
started earning money with your writing?<br />
First, I worked in retail, and when I was 21, I bought a<br />
house. The property boom struck a few years later. I’d just<br />
left my job, and suddenly my house had gone up in value<br />
by a lot of money. So I renovated it, sold it, bought another<br />
house, renovated it, sold it... I did that four times<br />
over a period of ten years or so, until the writing took over<br />
and I didn’t need to work on houses any more.<br />
Your books are very popular in Germany. Why do<br />
you think your books sell so well there?<br />
Ah, it’s the dark humour. It’s really dark and morbid in<br />
my books. I think Germans love that. They just get it. I<br />
wouldn’t say it’s a typically Kiwi sense of humour — that’s<br />
more self-deprecating. I think, too, that the location of the<br />
books, Christchurch, is quite exotic for European readers.<br />
It’s a cool setting.<br />
Paul Cleave:<br />
master of darkness<br />
In this exclusive interview, Barbara Hiller speaks to<br />
Paul Cleave about his life, his writing and his favourite<br />
reading. If you’re looking for a chilling read for a hot summer’s<br />
day, if you want to get your blood pumping as you<br />
relax on your deckchair, turn to pages 18 and 21, where<br />
you will find a review of Cleave’s third book, Cemetery<br />
Lake (Die Toten schweigen nicht), as well as of books by<br />
three of his favourite writers, as reviewed by members of<br />
<strong>Spotlight</strong>’s editorial team.<br />
In what way does New Zealand influence the stories<br />
you write?<br />
It influences them only in the sense that I know how a<br />
character can get from A to B, and which route he will<br />
take. This means that I can set a scene, and you can picture<br />
it. I can describe something, and you’ll be right there, because<br />
I know what it looks like. Apart from that, you could<br />
pick up any one of my stories and move it to another part<br />
of the world. We sold the movie rights for the first book,<br />
The Cleaner, in 2011, and it looks as if it will be set somewhere<br />
in Europe. There are no plans to set it in Christ -<br />
church, even though the city is the most often recurring<br />
character in all the novels.<br />
chilling [(tSIlIN]<br />
deckchair [(dektSeE]<br />
get [get] ifml.<br />
Kiwi [(ki:wi:] ifml.<br />
morbid [(mO:bId]<br />
pick up [)pIk (Vp]<br />
picture sth. [(pIktSE]<br />
point sth. out [)pOInt (aUt]<br />
property boom [(prQpEti bu:m]<br />
abkühlend; hier auch: schaurig<br />
Liegestuhl<br />
verstehen, kapieren<br />
Spitzname für Neuseeländer<br />
düster, kohlrabenschwarz<br />
(zur Hand) nehmen<br />
sich etw. vorstellen<br />
auf etw. hinweisen<br />
Immobilienboom<br />
recurring [ri(k§:rIN]<br />
retail [(ri:teI&l]<br />
self-deprecating [)self (deprEkeItIN]<br />
set: be ~ [set]<br />
set a scene [)set E (si:n]<br />
strike [straIk]<br />
take over [)teIk (EUvE]<br />
weirdly enough [)wIEdli E(nVf]<br />
wiederkehrend<br />
Einzelhandel<br />
selbstironisch<br />
spielen<br />
den Handlungsrahmen<br />
abstecken<br />
hier: ausbrechen<br />
die Überhand gewinnen<br />
sonderbarerweise<br />
8|13 <strong>Spotlight</strong> 15
LANGUAGE | Detective Fiction<br />
A CLOSER LOOK<br />
On 4 September 2010, an earthquake with a magnitude<br />
of 7.1 hit Christchurch and the surrounding<br />
area. No direct deaths were recorded, mostly because<br />
it happened at 4.30 a.m. when nobody was out on the<br />
streets. The second big earthquake, however, struck<br />
at noon on 22 February 2011. Its magnitude was<br />
lower, at 6.3, but because its epicentre was closer to<br />
the city, the tremors were more violent, and 181 people<br />
were killed. Christchurch still suffers aftershocks<br />
today, and the repair work, especially the rebuilding<br />
of the heavily damaged city centre, will continue for<br />
many years to come.<br />
not the Kiwi sales that pay my mortgage, the food in my<br />
fridge and my travel.” The good thing is that I can get away<br />
with more. For example, Collecting Cooper (Die Totensammler)<br />
starts with Theodore Tate coming out of jail for<br />
things that he did in Cemetery Lake (Die Toten schweigen<br />
nicht) — he has a drink-driving conviction. In The Laughterhouse<br />
(Das Haus des Todes), he’s trying to get back into<br />
the police force. But because of his conviction, that’s not<br />
realistic. So, people in New Zealand will go: “Uh! That’s<br />
not going to happen.” But people in France, Germany,<br />
Turkey, Russia or wherever, they won’t even<br />
blink an eye.<br />
How does the Christchurch in your books compare<br />
to the real city?<br />
I have my own version of Christchurch. My books are set<br />
only in its dark places. This is because the city is seen from<br />
the perspective of characters whose view of the world is<br />
very bleak. Also, in my version, the earthquakes in<br />
Christchurch did not happen, and I’m not planning ever<br />
to include them. My books share a timeline, and the way<br />
this is set, I’d have to wait for at least another year before<br />
I could make it work. Probably five out of ten people overseas<br />
don’t know about the earthquakes anyway. They just<br />
didn’t happen in their circle of reality.<br />
Could you tell us more about your main detective<br />
character, Theodore Tate?<br />
Tate is a guy who’s always trying to do the right thing, but<br />
will do wrong things to get there. He has his own version<br />
of what the law should be, which is probably my own version<br />
and that of most of us: that bad people shouldn’t be<br />
able to get away with bad things, even if this is not necessarily<br />
the way the justice system works. Tate’s the kind of<br />
man who gets the guy who did it.<br />
What do people in New Zealand think about your<br />
books?<br />
The sad reality is that my books don’t sell well in New<br />
Zealand, though I learned the other day that they are very<br />
popular in prisons there, which is quite creepy. When I<br />
get crap from New Zealand reviewers, I think, “Well, it’s<br />
16 <strong>Spotlight</strong> 8|13<br />
How do you do your research?<br />
I don’t. The only thing I’ve ever done is to look up things<br />
like schizophrenia or guns on Wikipedia, to answer questions<br />
like: “What kind of gun could do this?” I would say<br />
my combined research for the six books that have been<br />
published so far was an hour and a half.<br />
In your books, the same characters keep appearing<br />
and disappearing. Is it hard to keep track of them all?<br />
Oh, absolutely! The Cleaner came out in 2006, but I wrote<br />
it 13 years ago, and at that stage, I didn’t know what was<br />
going to follow. As I was writing the next books, the<br />
aftershock [(A:ftESQk]<br />
bleak [bli:k]<br />
blink an eye [)blINk En (aI]<br />
conviction [kEn(vIkS&n]<br />
creepy [(kri:pi] ifml.<br />
get away with sth. [)get E(weI wID]<br />
get crap [get (krÄp] ifml.<br />
go [gEU] ifml.<br />
keep track of sb. [)ki:p (trÄk Ev]<br />
look up [)lUk (Vp]<br />
magnitude [(mÄgnItju:d]<br />
mortgage [(mO:gIdZ]<br />
overseas [)EUvE(si:z]<br />
police force [pE(li:s fO:s]<br />
schizophrenia [)skItsEU(fri:niE]<br />
stage: at that ~ [steIdZ]<br />
the other day [Di )VDE (deI]<br />
timeline [(taImlaIn]<br />
tremor [(tremE]<br />
Nachbeben<br />
düster<br />
mit der Wimper zucken<br />
Verurteilung<br />
gruselig<br />
mit etw. (ungeschoren)<br />
davonkommen<br />
hier: schlechte Kritiken<br />
bekommen<br />
hier: sagen<br />
jmdn. im Auge behalten<br />
nachschlagen, nachschauen<br />
(Erdbeben)Stärke<br />
Hypothek<br />
im Ausland<br />
Polizei<br />
damals, zu der Zeit<br />
kürzlich<br />
Zeitschiene<br />
Beben<br />
Fotos: Getty Images; plainpicture
chronology got mixed up in a few places. I was able to<br />
make a few corrections when America signed me up. I<br />
went through the books and found, for example, that in<br />
one of them, a guy is 40 years old and in the other 35,<br />
while his son is six months old in the one and a year old<br />
in the other. It was a nightmare! But now, every story is<br />
what it is, and I don’t think people are too concerned.<br />
Who are your favourite crime writers?<br />
Lee Child and John Connolly are two of my favourites,<br />
and when you have a favourite author, you love all his or<br />
her books. I recently reread R. J. Ellory’s Bad Signs, and I<br />
was so drained from reading it, I felt like I<br />
needed to take up<br />
drinking or<br />
something. It’s very intense, and<br />
R. J. has no mercy on his characters. God, it’s a good book.<br />
Of your books, do you have a favourite?<br />
For a long time, it was Blood Men (Der Tod in mir), even<br />
though it didn’t sell so well. Everyone else’s favourite is The<br />
Cleaner. I’d write a new book and would think it was really<br />
good, like The Laughterhouse (Das Haus des Todes), and people<br />
would say: “It’s a good book, but I still love The Cleaner.”<br />
People love Joe, the main character in The Cleaner. It’s “Joe,<br />
Joe, Joe”, and “When’s Joe coming back?”<br />
What do you do when you’re not writing?<br />
Writing is more or less all I do. I travel a lot — that’s part<br />
of it. When I’m at home, I just write, go to the gym, write,<br />
go over to a friend’s house and play some Xbox, come<br />
home, write. It’s become my life.<br />
As a writer, do you find time to read?<br />
Reading’s really, really important. I think for anyone who<br />
wants to start writing, you’ve got to read and read and read<br />
and read, especially in your genre. I used to try to read a<br />
couple of books a week. Now, I just don’t have time. But<br />
I still read as much as I can.<br />
admire [Ed(maIE]<br />
break down [)breIk (daUn]<br />
contemporary [kEn(temp&rEri]<br />
drained [dreInd]<br />
faith: have ~ that... [feIT]<br />
get to do sth. [)get tE (du:]<br />
gym [dZIm]<br />
in the first place [)In DE (f§:st )pleIs]<br />
mercy [(m§:si]<br />
mixed up: get ~ [)mIkst (Vp]<br />
nightmare [(naItmeE]<br />
sign sb. up [)saIn (Vp]<br />
take sth. up [)teIk (Vp]<br />
work out [)w§:k (aUt]<br />
bewundern<br />
kaputt gehen<br />
Zeitgenosse<br />
erschöpft<br />
daran glauben, dass...<br />
die Möglichkeit haben, etw.<br />
zu tun (➝ p. 61)<br />
Fitnesscenter<br />
überhaupt erst<br />
Gnade<br />
durcheinander geraten<br />
Alptraum<br />
jmdn. unter Vertrag nehmen<br />
mit etw. anfangen<br />
funktionieren, klappen<br />
You’ve met a few of your favourite authors personally,<br />
haven’t you?<br />
Oh, yes. The coolest thing about being a writer is that you<br />
get to meet your favourite writers. And the next coolest is<br />
becoming friends with them. Like John Connolly. He’s<br />
gone from being an idol who I wanted to be like, to being<br />
a contemporary, to being a friend. He’s been to<br />
Christchurch, and he took me round <strong>Dublin</strong> when I was<br />
there. I’ve met Lee Child, and R. J. Ellory, too. It’s amazing<br />
to be friends with these guys who I admire so much.<br />
What else do you enjoy about being<br />
a published writer?<br />
My friends have been so great to me over<br />
the years, and especially in the beginning,<br />
before I was published. Now, I finally get<br />
to help them out, too. For example, one<br />
of my best friends got married in Boston<br />
last year, and another friend couldn’t afford<br />
to go. I paid for him. I took him<br />
to New York for a couple of days,<br />
and then to Boston for the wedding,<br />
and then we went to the<br />
Niagara Falls. Five or six years<br />
ago, when I didn’t have a job or<br />
money and nothing was really<br />
working out, my computer<br />
broke down. It was this friend<br />
who went and bought me a<br />
new one, because he had<br />
faith that the writing was<br />
going to work out for me.<br />
In a way, my friends<br />
are the ones who got<br />
me published in the<br />
first place.
LANGUAGE | Detective Fiction<br />
In October, Paul Cleave<br />
will be touring<br />
Germany with his new<br />
book. See his website<br />
and Facebook page for<br />
more information:<br />
paulcleave.co.nz<br />
and facebook.com<br />
/PaulCleave<br />
As you read in the interview<br />
on pages 15–17,<br />
Paul Cleave is a fan of<br />
crime writers Lee Child, John Connolly and R. J. Ellory.<br />
Here, <strong>Spotlight</strong> staff review a recent book by each of these<br />
authors, as well as Cleave’s third book, Cemetery Lake.<br />
Cemetery Lake<br />
If you like crime stories that are dark,<br />
bloody and macabre, then Paul Cleave’s<br />
third novel should be on your holiday<br />
reading list. Cemetery Lake is the<br />
first book by Cleave that features the private<br />
detective Theodore Tate. The former<br />
police detective has been asked to investigate<br />
the death of a man who died two<br />
years earlier. The story begins with the<br />
exhumation of a corpse in a Christchurch<br />
cemetery. As the gravediggers do their grisly work, three bodies float<br />
to the surface of the nearby cemetery lake, and Tate suddenly becomes<br />
involved in a complex and violent investigation.<br />
Tate is already a troubled man. His young daughter was killed<br />
by a drink-driver — an accident that also left his wife in a kind of<br />
waking coma — and we discover that it is Tate’s behaviour after this<br />
tragedy that led to his departure from the police force. Misery, loneliness<br />
and guilt are his companions, as he works feverishly to discover<br />
the truth about the bodies in the cemetery lake.<br />
There is not much to like about Theodore Tate. He won’t help<br />
the police, even though he has some vital clues concerning the bodies.<br />
He also has no problem using violence to get the information<br />
he needs or stealing evidence from a corpse. And as the story progresses,<br />
he begins to drink, until he becomes exactly like the worthless<br />
drunk who took his daughter’s life. The reader follows Tate’s<br />
story from page to page in horrified fascination, hoping that the<br />
detective will find the murderer before the search kills him. There<br />
is little relief from pain. Even the attactive city of Christchurch is<br />
described as a bleak and depressing place.<br />
Cemetery Lake is a brutal tale of what can happen to an ordinary<br />
man pushed to the edge of sanity by events he can’t control. The<br />
second and third stories featuring Tate are Collecting Cooper and<br />
The Laughterhouse.<br />
Inez Sharp<br />
Cemetery Lake, Paul Cleave, Arrow, ISBN 978-0-09-953673-4<br />
18 <strong>Spotlight</strong> 8|13<br />
A Wanted Man<br />
How can you talk for a minute without using<br />
the letter “A”? Lee Child’s main character Jack<br />
Reacher knows. A huge, ex-military policeman,<br />
a thinker and doer with a dry sense of humour,<br />
Reacher has no home and nothing in his<br />
pocket except a toothbrush and a bank card.<br />
The highways and open spaces of the<br />
American Midwest are the setting for the 17th<br />
Jack Reacher thriller, A Wanted Man. How<br />
many miles of road does the story cover, how<br />
many hours of driving? Ask Jack Reacher. He’d<br />
know. At the beginning of A Wanted Man, he waits at the side of a<br />
road somewhere in Nebraska, “just a guy, hitching rides”, trying to<br />
get to Virginia to find a woman who sounded nice on the phone. His<br />
nose is broken, his face is a mess: “You should have seen the other<br />
guy.” After 93 minutes, a car stops, and he’s driven into his favourite<br />
sort of trouble — a carjacking, some potential bad guys, attractive<br />
female government agents and lots of borrowed hardware: guns.<br />
He knows how to smart-talk the truth out of shop assistants and<br />
ten-year-old girls. He knows his American history and the populations<br />
of its major cities. He knows how to get a motel room for an<br />
hour. He understands how minds and organizations work. He can<br />
get a 911 operator to put him through to the FBI, and the head of a<br />
criminal gang to put down his gun.<br />
Lee Child’s writing, like Reacher, is always patient, always controlled.<br />
He describes precisely the spaces that his hero has to negotiate,<br />
the distances and coordinates he has to calculate. There is<br />
violence and death, but it is described objectively, and relatively<br />
bloodlessly. The characters are as full as they need to be, the dialogues<br />
as long as necessary. There is some humour. Short chapters<br />
end in short lines like: “It wasn’t empty” and “He turned the lights<br />
on”, leaving you no choice but to turn the page and read on. Child<br />
uses repetition, which pulls you along from one sentence to the<br />
next. A Wanted Man is an enjoyable, easy-to-read thriller.<br />
And how do you talk for a minute without using the letter “A”?<br />
Just start counting, one, two, three — slowly and thoughtfully, just<br />
as Reacher would.<br />
Jo Westcombe<br />
A Wanted Man, Lee Child, Random House,<br />
ISBN 978-0-593-06572-3<br />
911 operator Notruf-Telefonist(in)<br />
[)naIn )wVn (wVn )QpEreItE] N. Am.<br />
carjacking [(kA:dZÄkIN]<br />
Autoraub<br />
cemetery [(semEtri]<br />
Friedhof<br />
corpse [kO:ps]<br />
Leiche<br />
edge [edZ]<br />
Rand<br />
float [flEUt]<br />
treiben<br />
gravedigger [(greIv)dIgE] Totengräber<br />
grisly [(grIzli]<br />
grausig<br />
hitch a ride [)hItS E (raId] per Anhalter fahren, trampen<br />
relief [ri(li:f]<br />
Linderung<br />
sanity [(sÄnEti]<br />
Verstand, geistige Gesundheit<br />
smart-talk: ~ sth. out of sb. etw. mit schlauen Sprüchen<br />
[(smA:t )tO:k]<br />
aus jmdm. herauskriegen<br />
surface [(s§:fIs]<br />
Oberfläche<br />
vital [(vaIt&l]<br />
wichtig, entscheidend<br />
continued on page 21
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continued from page 18<br />
Bad Signs<br />
Born under an unlucky star, the half-brothers Clay and Digger grow<br />
up in state institutions where they experience abuse and violence.<br />
As teenagers, they dream of freedom. Their opportunity comes<br />
when they are kidnapped by a death-row escapee on his way to be<br />
hanged. He takes them on a bloody, brutal killing spree. As hostages,<br />
the two brothers take two very different journeys, both fateful and<br />
irreversible.<br />
R. J. Ellory’s Bad Signs is set in<br />
rural California and Texas around the<br />
beginning of the 1960s. It is the sort of<br />
“slow-motion thriller” for which the author<br />
— who actually lives in England —<br />
has become famous. It focuses on nine<br />
tragic days in the lives of two young<br />
brothers and a scared teenage girl. It is<br />
also the psychological study of a young<br />
man on a dark and downward path.<br />
Ellory’s victims are not faceless characters:<br />
before they meet their violent deaths, we get to know them<br />
closely. The interweaving of shocking plot layers with the personal<br />
stories of a handful of people makes this book horribly fascinating.<br />
The human drama in Bad Signs will please not only fans of crime<br />
fiction, but also those interested in epic stories of injustice, violence,<br />
and not least hope and love.<br />
Timea Thomas<br />
Bad Signs, R. J. Ellory, Orion Publishing Group,<br />
ISBN 978-1-4091-1859-6<br />
abuse [E(bju:s]<br />
assassin [E(sÄsIn]<br />
damnation [dÄm(neIS&n]<br />
death-row escapee<br />
[)deT )rEU I)skeI(pi:]<br />
(death row<br />
dedicate [(dedIkeIt]<br />
dull [dVl]<br />
eternal [I(t§:n&l]<br />
fateful [(feItf&l]<br />
finale [fI(nA:li]<br />
flash [flÄS]<br />
fusion [(fju:Z&n]<br />
gruesome [(gru:sEm]<br />
hermit [(h§:mIt]<br />
hostage [(hQstIdZ]<br />
interweaving [)IntE(wi:vIN]<br />
irreversible [)Iri(v§:sEb&l]<br />
killing spree [(kIlIN )spri:]<br />
likeable [(laIkEb&l]<br />
NYPD [)en )waI )pi: (di:]<br />
plot layer [(plQt )leIE]<br />
predictable [pri(dIktEb&l]<br />
pretty [(prIti] ifml.<br />
rabbi [(rÄbaI]<br />
redemption [ri(dempS&n]<br />
reincarnation [)ri:)InkA:(neIS&n]<br />
rewarding [ri(wO:dIN]<br />
rural [(rUErEl]<br />
Missbrauch<br />
Mörder<br />
Verdammung<br />
zum Tode verurteilter Sträfling<br />
auf der Flucht<br />
Todestrakt)<br />
widmen<br />
öde<br />
ewig<br />
verhängnisvoll<br />
Augenblick<br />
Verschmelzung<br />
grausig<br />
Einsiedler(in)<br />
Geisel<br />
Verflechtung<br />
unumkehrbar<br />
Tötungsorgie<br />
liebenswert, sympathisch<br />
New Yorker Polizei(dienst)<br />
Erzählstrang<br />
vorhersehbar<br />
ziemlich<br />
Erlösung<br />
Wiedergeburt<br />
bereichernd<br />
ländlich<br />
The Wrath of Angels<br />
Deep in the Great North Woods, in the US state<br />
of Maine, lies the wreckage of an aeroplane. On<br />
board are a bag full of money and a list of names<br />
— the names of people who have sold their souls<br />
to the devil. Protecting the plane from those<br />
who would like to find the list are a ghostly little<br />
girl and a dark and dangerous hermit.<br />
The Wrath of Angels is the eleventh book in John Connolly’s<br />
Charlie Parker series. Don’t worry if you’re new to Parker’s world.<br />
Connolly gives just enough backstory for readers to understand it.<br />
In Parker, <strong>Dublin</strong>-born Connolly has created an ideal anti-hero for<br />
the 21st century. An ex-NYPD cop with a tragic past, Parker works as<br />
a private detective based in Portland, Maine. He specializes in cases<br />
of a supernatural nature, and works on both sides of the law.<br />
As he races to find the missing plane, Parker once again finds<br />
himself at the centre of the eternal struggle between good and evil.<br />
Supported by two likeable assassins and a New York rabbi, Parker<br />
has to deal with fallen angels in the form of a scarred woman and<br />
her son — who turns out to be the reincarnation of one of Parker’s<br />
worst enemies. Another threat comes from the violent serial killer<br />
“the Collector”, who has dedicated his life to murdering just the kind<br />
of people whose names are on that list.<br />
The Wrath of Angels is not a simple story, but Connolly pulls the<br />
many threads together and maintains the tension all the way to its<br />
terrifying finale. Though the Parker series has its roots in detective<br />
fiction, the books have always been a fusion of horror, mystery and<br />
thriller. Perhaps that’s as much a warning as a recommendation —<br />
The Wrath of Angels can get pretty gruesome in places.<br />
One of the writer’s great strengths is his ability to create fully<br />
formed, believable characters. This, along with the horrific aspects<br />
of the story and the Maine setting, reminded me of Stephen King at<br />
his finest. In Parker’s shadowy world of lost souls and heartless cruelty,<br />
there are also flashes of comedy, love and friendship.<br />
If you are a fan of horror and stories of the supernatural, I’m<br />
sure you’ll find The Wrath of Angels a highly entertaining, rewarding<br />
read. The prose flows smoothly and often reaches the heights of<br />
great literature. For a book that deals with the well-worn themes<br />
of redemption and damnation, there’s not one dull or<br />
predictable moment.<br />
Owen Connors<br />
The Wrath of Angels, John Connolly,<br />
Hodder & Stoughton, ISBN 978-1-4447-5645-6<br />
All books reviewed are available at:<br />
scarred [skA:d]<br />
slow-motion thriller<br />
[)slEU )mEUS&n (TrIlE]<br />
supernatural [)su:pE(nÄtS&rEl]<br />
tension [(tenS&n]<br />
thread [Tred]<br />
turn out to be sth. [)t§:n (aUt tE )bi:]<br />
well-worn [)wel (wO:n]<br />
wrath [rQT]<br />
wreckage [(rekIdZ]<br />
durch Narben entstellt<br />
Thriller, in dem die Handlung<br />
in Zeitlupe voranschreitet<br />
übernatürlich<br />
Spannung<br />
hier: Handlungsstrang<br />
sich als etw. entpuppen<br />
abgedroschen<br />
Zorn<br />
Wrack<br />
8|13 <strong>Spotlight</strong><br />
21
FOOD | Snacks<br />
Nice<br />
and<br />
crisp<br />
Kartoffelchips<br />
werden weltweit<br />
oft und gern<br />
genascht.<br />
Knabberzeug<br />
der besonderen<br />
Art hat JULIAN<br />
EARWAKER in<br />
Ostengland<br />
gekostet.<br />
Chris Barnard is hard<br />
at work in his<br />
kitchen, mixing a<br />
variety of powders like an<br />
ancient alchemist. It isn’t<br />
gold he’s after, however,<br />
but flavour. Barnard, 67, is<br />
head chef at Britain’s gourmet crisp company, Kettle<br />
Foods, near Norwich in the east of England. Barnard is<br />
passionate about his goal to produce the perfect taste for<br />
Kettle Chips. “We want a good-tasting potato crisp without<br />
additives,” he says. “So my chef’s skills are useful, because<br />
essentially, in terms of putting dried powders<br />
together, what I am doing is making a dish.”<br />
Potato crisps are one of the world’s best-loved snack<br />
foods, and the global crisp market is worth more than<br />
€13 billion. The US is the biggest consumer. UK snacklovers,<br />
however, eat some 300,000 tonnes of crisps every<br />
year — that’s around 260 billion crisps.<br />
According to legend, the very first potato crisps were<br />
created in 1853 in Saratoga Springs, New York. Frustrated<br />
by a customer who rejected his fries for being too thick and<br />
tasteless, chef George Crum reacted by cooking extra thin<br />
slices of potato. Much to Crum’s surprise, the customer was<br />
delighted, and “Saratoga Chips” were added to the menu.<br />
Proudly sold under the slogan<br />
“Absolutely Nothing Artificial”,<br />
Kettle Chips are actually an American<br />
invention. In 1982, businessman<br />
Cameron Healy was holidaying<br />
in Hawaii when he tasted<br />
fresh potato chips being hand-fried<br />
in a metal drum by the beach. He<br />
took the idea back home to Oregon<br />
and started cooking potato<br />
slices by hand in small batches.<br />
Kettle Foods still uses the same<br />
recipe today.<br />
Gourmet gold: crisps have never tasted this good<br />
Chris Barnard: king of the crisp-makers<br />
What makes a<br />
great crisp? “A good<br />
potato,” answers<br />
Barnard, “plus the<br />
fact that you process<br />
it correctly. You’ve got<br />
to slice it right; you’ve<br />
got to fry it correctly, for the right amount of time, to get<br />
the right colour. It’s all about the base product: all I’m<br />
doing is improving that experience.”<br />
The process begins in the rich earth of East Anglia,<br />
where Kettle Chips sources 90 per cent of its potatoes:<br />
1,000 tonnes of them every week. The potatoes arrive in<br />
large wooden boxes and are quality checked, sorted and<br />
washed ready for production. Their specific gravity and<br />
starch content are essential, explains Barnard.<br />
After being washed, the potatoes are sliced with their<br />
skins on and then transported along giant tubes to the<br />
cooking area. Here, they are hand-fried in stainless-steel<br />
vats of sunflower oil. An operative keeps the crisps moving<br />
to prevent them from sticking together. Fresh from<br />
the boiling oil, the warm, unflavoured crisp tastes, as the<br />
advertising says, deliciously simple. “Simple is always<br />
best,” says Barnard. “And that’s really what it’s all about<br />
with our food.”<br />
additives [(ÄdEtIvz]<br />
artificial [)A:tI(fIS&l]<br />
batch [bÄtS]<br />
billion [(bIljEn]<br />
delighted [di(laItId]<br />
dish [dIS]<br />
drum [drVm]<br />
in terms of... [)In (t§:mz Ev]<br />
Norwich [(nQrIdZ]<br />
operative [(QpErEtIv]<br />
slice [slaIs]<br />
source [sO:s]<br />
specific gravity [spE)sIfIk (grÄvEti]<br />
stainless steel [)steInlEs (sti:&l]<br />
starch content [(stA:tS )kQntent]<br />
vat [vÄt]<br />
Zusatzstoffe<br />
künstlich, synthetisch<br />
Charge, Menge<br />
Milliarde(n)<br />
hoch erfreut<br />
Speise, Gericht<br />
Tonne<br />
was...angeht<br />
(Fabrik)Arbeiter(in)<br />
Scheibe; in Scheiben schneiden<br />
beziehen<br />
spezifisches Gewicht<br />
Edelstahl<br />
Stärkegehalt<br />
Bottich<br />
Fotos: Alamy; Dorling Kindersley; iStockphoto; Kettle Foods<br />
22 <strong>Spotlight</strong> 8|13
Essential: you’ll<br />
need good potatoes<br />
Special conveyor belts shake off excess oil and move<br />
the crisps along for drying, seasoning, weighing and packaging.<br />
At every step, they are inspected technologically and<br />
by human eye to check for any pieces of poor quality,<br />
which are removed. These are collected in huge drums and<br />
end up as food for lucky local pigs.<br />
It took half a century for crisps to be produced commercially,<br />
and it wasn’t until the 1950s that Irish crisp<br />
manufacturer Tayto produced the world’s first flavoured<br />
crisps: cheese and onion, and salt and vinegar. When Kettle<br />
Chips brought hand-cooking to the UK in the late<br />
1980s, Barnard was running his own restaurant in the<br />
lovely landscape of the Norfolk Broads. Cameron Healy<br />
came by for a meal, and the two men got talking. The rest,<br />
as they say, is history.<br />
Barnard gets all the seasonings for Kettle Chips from<br />
raw natural ingredients, which are “atomized” and dried<br />
into powder form. Over a period of more than 20 years<br />
with Kettle Foods, he has personally invented the flavours<br />
that have made the company one of the UK’s “Top 100<br />
Grocery Brands” as well as being voted one of Britain’s<br />
“Cool Brands”. Traditional US flavours such as salsa with<br />
mesquite, New York Cheddar and Jalapeno Jack have been<br />
“anglicized” for the UK market. But Kettle is not afraid to<br />
innovate: in Continental Europe, where paprika is king,<br />
it has achieved great success with new flavours such as sea<br />
salt and cracked black pepper. Barnard also created the<br />
concept of seasonal favourites such as blue Stilton and port<br />
(winter), and mozzarella and pesto (summer); and he produces<br />
recipes for a range of dips to match the crisps.<br />
Each new seasoning can take up to 12 months to perfect.<br />
“One of my proudest moments was the creation of<br />
our sea salt and balsamic vinegar,” says Barnard. “I sourced<br />
the balsamic directly from Modena in Italy to deliver those<br />
lovely warm, rich notes, instead of the sharp taste you<br />
get from traditional salt and vinegar crisps. I’ve designed<br />
thousands of flavours over the years. Innovation takes a lot<br />
CRISPS OR CHIPS?<br />
In the UK and Ireland, potato crisps<br />
are a thinly sliced deep-fried snack<br />
product sold cold in bags, while chips<br />
are thickly-sliced potatoes served<br />
hot. French fries are a thinner version<br />
of chips. In the US, crisps are known<br />
as “chips” and chips are called<br />
“French fries” or simply “fries”. In<br />
Australia, parts of South Africa, New<br />
Zealand, India and the West Indies,<br />
both forms of potato product are<br />
called chips. In both Australia and<br />
New Zealand, a distinction is sometimes<br />
made between hot chips (fried<br />
potatoes) and potato chips (crisps).<br />
In Germany, chips are Pommes or<br />
Fritten, and crisps are Chips.<br />
of working at — very, very rarely do you get it right first<br />
time round.”<br />
Crisps are not the healthiest of food, he admits, although<br />
the sunflower oil used by Kettle Chips means that<br />
their cholesterol content is very low. “We are a snack product,<br />
and yes, we are a fried product,” says Barnard. “But<br />
we do not use artificial flavourings. This is not about<br />
chemistry. It’s all about food. From our point of view, if<br />
you are going to snack, why not snack well?”<br />
www.kettlefoods.co.uk<br />
BLUE STILTON CHEESE LEMON JUICE CREAM CHEESE<br />
atomized [(ÄtEmaIzd]<br />
blue Stilton [)blu: (stIltEn]<br />
brand [brÄnd]<br />
conveyor belt [kEn(veIE belt]<br />
cracked [krÄkt]<br />
end up as [)end (Vp Ez]<br />
grocery [(grEUsEri]<br />
Jalapeno Jack<br />
[hÄlE)peInjEU (dZÄk]<br />
mesquite [me(ski:t]<br />
note [nEUt]<br />
paprika [(pÄprIkE]<br />
port [pO:t]<br />
run [rVn]<br />
salsa [(sÄlsE]<br />
seasoning [(si:z&nIN]<br />
vinegar [(vInIgE]<br />
(zu Pulver) fein zerstäubt<br />
englischer Blauschimmelkäse<br />
Marke<br />
Förderband<br />
grobschrotig<br />
schließlich dienen als<br />
Lebensmittel<br />
Schnittkäse mit scharfen<br />
Chilistückchen<br />
Rauchgeschmack nach<br />
Mesquite-Holzspänen<br />
Geschmacksnote<br />
Pulverpaprika<br />
Portwein<br />
betreiben<br />
scharfe Soße<br />
Würzen<br />
Essig<br />
Make a great dip:<br />
all you need are<br />
these ingredients<br />
SALT AND PEPPER SOUR CREAM SPRING ONION<br />
8|13 <strong>Spotlight</strong> 23
SOCIETY | World Cultures<br />
Examining<br />
Islamo<br />
phobia<br />
Warum werfen wir mehr als<br />
eine Milliarde Menschen mit<br />
unterschiedlichen Lebensauffassungen<br />
in einen Topf?<br />
MOHSIN HAMID geht der<br />
Sache auf den Grund.<br />
24 <strong>Spotlight</strong> 8|13<br />
Protesters in<br />
New York City:<br />
after the attacks<br />
of 9/11, many<br />
Americans began<br />
to see Muslims<br />
as the enemy<br />
In 2007, six years after the terrorist attacks of 11 September<br />
2001, I was travelling through Europe and North<br />
America. I had just published a novel, The Reluctant<br />
Fundamentalist, and I was surprised by the large number<br />
of interviewers and of audience members at<br />
question-and-answer sessions who spoke of Islam as a<br />
monolithic thing. It was as if Islam referred to a selfcontained<br />
and clearly defined world — a sort of Microsoft<br />
Windows, obviously different from and incompatible with<br />
the Apple OS X-like operating system of “the West”.<br />
I remember one reading in Germany in particular.<br />
Again and again, people asked questions relating to how<br />
“we Europeans” see things, in contrast to how “you Muslims”<br />
do. At one point, I became so frustrated that I pulled<br />
my British passport out of my jacket and started waving<br />
it around my head. “While it’s true the UK hasn’t yet<br />
joined the eurozone,” I said, “I hope we can all agree that<br />
the country is in fact in Europe.”<br />
Six years on, a film inspired by the novel is appearing<br />
on screens around the world, and I am pleased to report<br />
that this sort of question is a little rarer now than it was in<br />
2007. This represents progress; but it is not very much<br />
progress, for the sense of Islam as a monolith hangs on, in<br />
places both expected and unexpected.<br />
monolithic [)mQnE(lITIk]<br />
self-contained [)self kEn(teInd]<br />
wave sth. around [)weIv E(raUnd]<br />
monumental, gigantisch<br />
in sich geschlossen<br />
mit etw. herumwedeln<br />
Fotos: age fotostock/Avenue Images; dpa/picture alliance; Visum
Recently, I was told by a well-travelled<br />
friend in London that while Muslims can be<br />
aggressive, they are united by a sense of deep<br />
hospitality. I replied that I remembered being<br />
in Riyadh airport, standing in line, when a<br />
Saudi immigration officer threw the passport<br />
of a Pakistani labourer right into his face. If<br />
that was hospitality, I wasn’t sure we had the<br />
same definition.<br />
Islam is not a race, yet Islamophobia has<br />
racist characteristics. Most Muslims do not<br />
“choose” Islam in the way that they choose to<br />
become doctors or lawyers, nor even in the<br />
way that they choose to become fans of Coldplay<br />
or Radiohead. Most Muslims, like people<br />
of any faith, are born into their religion.<br />
They then develop their own relationship<br />
with it, their own individual view of life, their<br />
own microreligion, so to speak.<br />
There are more than a billion variations of lived belief<br />
among people who define themselves as Muslim — one for<br />
each human being — just as there are among those who describe<br />
themselves as Christian, or Buddhist or Hindu. Islamophobia<br />
represents a refusal to recognize these variations<br />
or to see individual humanities, a desire to paint members<br />
of a perceived group with the same brush. In that sense, it<br />
is indeed like racism. It credits Muslims with too much and<br />
too little agency: too much agency in choosing their<br />
religion, and too little in choosing what to make of it.<br />
Islamophobia can be found proudly raising its head in<br />
militaristic American think tanks, xenophobic European<br />
political parties and even in atheistic discourse, where<br />
somehow “Islam” can be characterized as “more bad” than<br />
ABOUT THE AUTHOR<br />
Born in Pakistan in 1971, Mohsin Hamid lived in the US as a<br />
child for several years. He later studied at Princeton University<br />
under famous writers such as Toni Morrison. After studying<br />
law at Harvard, he worked in New York City before<br />
publishing his first novel, Moth Smoke, in 2000. His second<br />
book, The Reluctant Fundamentalist of 2007, was a bestseller<br />
and has now been made into a film. His most recent<br />
novel is this year’s How to Get Filthy Rich in Rising Asia.<br />
religion generally — in the<br />
way one might say that a<br />
mugger is bad, but a black<br />
mugger is worse, because black people are held to be more<br />
innately violent. Islamophobia shows up repeatedly in<br />
public debate, such as over the planned Islamic cultural<br />
centre in downtown Manhattan — the so-called “Ground<br />
Zero mosque” — or the ban on minarets in Switzerland.<br />
And it shows up in private interactions as well.<br />
In my early twenties, I remember being seated next to<br />
a pretty Frenchwoman at a friend’s birthday dinner in<br />
Manila. Shortly after we were introduced, she announced<br />
to the table: “I’d never marry a Muslim man.” “It’s a little<br />
soon for us to be discussing marriage,” I joked. I was annoyed<br />
— perhaps even disappointed, I realize now, since<br />
I still remember the incident almost two decades later. In<br />
the cosmopolitan bit of pre-9/11 America where I then<br />
lived, local norms of politeness meant that I’d never before<br />
heard such a remark, however widely held the woman’s<br />
perspective might have been.<br />
agency [(eIdZEnsi]<br />
atheistic [)eITi(IstIk]<br />
brush: paint with<br />
the same ~ [brVS]<br />
cosmopolitan bit<br />
[)kQzmE(pQlItEn )bIt]<br />
credit sb. with sth. [(kredIt wID]<br />
discourse [(dIskO:s]<br />
hospitality [)hQspI(tÄlEti]<br />
innately [)I(neItli]<br />
mosque [mQsk]<br />
mugger [(mVgE]<br />
perceived [pE(si:vd]<br />
think tank [(TINk tÄNk]<br />
xenophobic [)zenE(fEUbIk]<br />
Mohsin Hamid’s new<br />
film and latest book<br />
Handlungsfähigkeit<br />
über einen Kamm scheren<br />
weltbürgerlicher Teil<br />
jmdm. etw. zuschreiben<br />
Diskussion<br />
Gastfreundschaft<br />
von Haus aus<br />
Moschee<br />
Straßenräuber<br />
wahrgenommen, bestimmt<br />
Expertenkommission<br />
ausländerfeindlich<br />
8|13 <strong>Spotlight</strong><br />
25
SOCIETY | World Cultures<br />
Islamophobia, in all its forms, tries to minimize the importance<br />
of the individual and maximize the importance<br />
of the group. Yet our instinctive position ought to be one<br />
of suspicion towards such endeavours, for individuals are<br />
undeniably real. Groups, on the other hand, are expressions<br />
of opinion.<br />
We ought to look more closely at the supposed monolith<br />
to which we apply the word “Islam”. It is said that Muslims<br />
believe in female genital mutilation, the surgical removal of<br />
all or part of a girl’s clitoris. Yet I have never, in my 41 years,<br />
had a conversation with anyone who described himself as<br />
Muslim and believed this practice to be anything other than<br />
an inhuman abomination. Until I first read about it in a<br />
newspaper, probably in my twenties, I would have thought<br />
it impossible that such a ritual could even exist.<br />
Similarly, many millions of Muslims apparently believe<br />
that women should play no role in politics; but many millions<br />
more have had no problem electing women prime<br />
ministers in Muslim-majority countries such as Pakistan<br />
and Bangladesh. Indeed, the recent Pakistani elections witnessed<br />
a record 448 women running for seats in the national<br />
and provincial assemblies.<br />
abomination [E(bQmI(neIS&n]<br />
apply [E(plaI]<br />
assembly [E(sembli]<br />
dedicate [(dedIkeIt]<br />
endeavour [In(devE]<br />
mutilation [)mju:tI(leIS&n]<br />
run for [(rVn fE]<br />
unified [(ju:nIfaId]<br />
witness [(wItnEs]<br />
Gräueltat<br />
benutzen<br />
Versammlung<br />
hier: in den Dienst stellen von<br />
Bemühung, Unterfangen<br />
Verstümmelung<br />
kandidieren für<br />
gemeinsam<br />
miterleben<br />
A “holy war”:<br />
some think that<br />
Islam is battling<br />
the West<br />
Two of my great-grandparents sent all their daughters<br />
to university. One of them, my grandmother, was the<br />
chairperson of the All Pakistan Women’s Association and<br />
dedicated her life to expanding women’s rights in the<br />
country. Among those belonging to the same line are<br />
women who do not work and who refuse to meet men<br />
who are not their blood relatives. I have female relatives<br />
my age who cover their heads, others who wear miniskirts,<br />
some who are university professors or run businesses,<br />
others who choose rarely to leave their homes. I<br />
think that if you were to ask them their religion, all would<br />
say “Islam”. But if you were to use that term to define their<br />
politics, careers or social values, you would struggle to find<br />
a unified concept.<br />
Karachi, Pakistan:<br />
McDonald’s next to<br />
the symbol of Allah<br />
26
Fotos: Corbus; Redux/laif<br />
Lived religion is a very different thing from strict textual<br />
analysis. Few people of any faith live their lives as literalist<br />
interpretations of scripture. Many people have little<br />
or no knowledge of scripture at all. Many others who have<br />
more knowledge choose to interpret what they know in<br />
ways that are convenient, or that fit their own moral sense<br />
of what is good. Still others view their religion as a kind<br />
of self-accepted ethnicity, but live lives without any sense<br />
of faith.<br />
When the Pakistani Taliban were filmed beating a<br />
young woman in Swat as punishment for her “amoral” behaviour,<br />
there was such a strong feeling of revulsion in Pakistan<br />
that the army started a military campaign to retake<br />
the region. As my parents’ driver told me, “They say they<br />
beat her because of Islam. This isn’t Islam. Islam says to do<br />
good things. So how can this be Islam?” He offered no<br />
complex hermeneutics to support his position. His Islamic<br />
moral compass was not textual; it was internal, his own<br />
sense of right and wrong.<br />
I often hear it said, at readings or talks from Lahore to<br />
Louisiana, that The Reluctant Fundamentalist is about a<br />
man who becomes an Islamic fundamentalist. I’m not sure<br />
what that term means exactly, but I have a reasonable idea<br />
about the sentences and paragraphs that are actually in the<br />
book. Changez, the main character, is a Pakistani student<br />
at Princeton. When he gets his dream job at a high-paying<br />
valuation firm in New York, he exclaims, “Thank you,<br />
God!” And that’s it. Other than that common figure<br />
of speech, there’s<br />
no resal evidence<br />
that Changez is<br />
religious.<br />
He doesn’t<br />
quote from scripture.<br />
He never<br />
Muslims praying in New York City<br />
asks himself<br />
about heaven or<br />
hell or the divine.<br />
He drinks.<br />
He has sex out of<br />
marriage. His beliefs<br />
could be<br />
those of a secular<br />
humanist. And yet he calls himself a Muslim and is angry<br />
with US foreign policy and grows a beard — and that<br />
seems to be enough. Changez may well be an agnostic or<br />
even an atheist.<br />
Yet he is somehow read by many people as a character<br />
who is an Islamic fundamentalist. Why? The novel carefully<br />
separates the politics of self-identification from any<br />
underlying religious faith or spirituality. It sets out to show<br />
that the former can exist in the absence of the latter. Yet<br />
we tend to read the world otherwise, to imagine religious<br />
operating systems like computer software, where perhaps<br />
none exist.<br />
Near Ground Zero:<br />
the Islamic Community<br />
Center in New York<br />
In so doing, it is we who create the monolith. If we<br />
look at religion as practised in the world outside, we see<br />
multiplicity. It is from inside us that the need to unify<br />
arises. A dozen years after 2001, we are perhaps getting<br />
better at resisting this impulse. But we still have a long,<br />
long way to go.<br />
© Guardian News & Media 2013<br />
divine: the ~ [dI(vaIn]<br />
das Göttliche<br />
exclaim [Ik(skleIm]<br />
ausrufen<br />
former: the ~ [(fO:mE] Erstere(s, r)<br />
hermeneutics<br />
Auslegung<br />
[)h§:mE(nju:tIks]<br />
latter: the ~ [(lÄtE] Letztere(s, r)<br />
multiplicity [)mVltI(plIsEti] Vielfalt<br />
revulsion [ri(vVlS&n]<br />
Abscheu<br />
scripture [(skrIptSE]<br />
heilige Schrift<br />
secular [(sekjUlE]<br />
weltlich<br />
set out: ~ to do sth. [)set (aUt] das Ziel verfolgen, etw. zu tun<br />
unify [(ju:nIfaI]<br />
vereinheitlichen,<br />
verallgemeinern<br />
valuation firm<br />
Wirtschaftsprüfungsgesellschaft<br />
[)vÄlju(eIS&n )f§:m]<br />
8|13 <strong>Spotlight</strong><br />
27
AMY ARGETSINGER | I Ask Myself<br />
How do we see<br />
Angelina Jolie now?<br />
Nach ihrer Brustamputation hat sich das Bild Angelina Jolies in der<br />
amerikanischen Öffentlichkeit stark verändert.<br />
“<br />
She is a<br />
fascinating<br />
and<br />
polarizing<br />
figure<br />
”<br />
The big stories in the US this<br />
spring included White House<br />
scandals, a terrible tornado that<br />
killed dozens of people in Oklahoma...<br />
and Angelina Jolie’s mastectomy.<br />
The actress had both of her breasts<br />
surgically removed because of a gene<br />
mutation that put her at very high<br />
risk of breast cancer. It’s hard to explain<br />
exactly why<br />
Jolie’s announcement<br />
was such big<br />
news. If it had<br />
been any other actress,<br />
or any other<br />
part of Jolie’s body,<br />
there would have<br />
been much less<br />
discussion.<br />
There has never<br />
been a star like Angelina<br />
Jolie. She<br />
was launched onto<br />
Angelina Jolie:<br />
making hard decisions<br />
the scene 15 years<br />
ago, a powerfully<br />
sexual wild-child<br />
Council on Foreign Relations Rat für auswärtige<br />
[)kaUns&l A:n )fO:rEn ri(leIS&nz] US Beziehungen<br />
drag [drÄg] zerren, tragen (➝ p. 61)<br />
hereditary [hE(redEteri]<br />
erblich bedingt,<br />
vererbbar<br />
inescapable [)InI(skeIpEb&l] unvermeidlich<br />
mastectomy [mÄ(stektEmi] Brustamputation<br />
ordeal [O:r(di:&l]<br />
Leidensweg, Strapazen<br />
promote [prE(moUt]<br />
hier: ins Rollen bringen<br />
public persona<br />
Persönlichkeit in der<br />
[)pVblIk )p&r(soUnE]<br />
Öffentlichkeit<br />
reconstructive surgery<br />
wiederaufbauende<br />
[ri:kEn)strVktIv (s§:dZEri]<br />
Chirurgie<br />
role model [(roUl )mA:d&l]<br />
Vorbild<br />
seek [si:k]<br />
suchen, auf etw. aus sein<br />
spotlight [(spA:tlaIt]<br />
Scheinwerferlicht<br />
telling [(telIN]<br />
hier: aufschlussreich<br />
under wraps: keep sth. ~<br />
etw. verheimlichen<br />
[)Vnd&r (rÄps]<br />
vial [(vaI&l]<br />
Phiole, Fläschchen<br />
starlet who made a show of wearing a<br />
vial of her husband’s blood around<br />
her neck. But she was talented, too,<br />
winning an Oscar at 24. And even<br />
before the world was shocked by her<br />
relationship with married actor Brad<br />
Pitt, she had slowly begun to transform<br />
her public persona.<br />
She became a humanitarian, traveling<br />
the world to call attention to<br />
suffering in conflict zones and taking<br />
part in meetings at the Council on<br />
Foreign Relations and the United<br />
Nations. She also became a mother,<br />
adopting three children from Cambodia,<br />
Ethiopia, and Vietnam, and<br />
having three more kids with Pitt, to<br />
whom she is now engaged.<br />
She is a fascinating and polarizing<br />
figure — but does she throw herself<br />
into high-profile causes to glorify herself,<br />
or is she determined to use her<br />
Hollywood wealth and inescapable<br />
fame for the good of others? Are all<br />
these children serving as human accessories<br />
for one of the world’s most<br />
photographed wom -<br />
en? Or is she simply a<br />
mom lucky enough to<br />
afford six children,<br />
trying to lead a normal<br />
life as if the spotlight<br />
weren’t there?<br />
Similar debates<br />
broke out when Jolie<br />
told the world about<br />
her medical condition.<br />
She explained<br />
that she announced<br />
her surgery because<br />
she wanted to help<br />
make other women<br />
aware of the risks of<br />
hereditary cancer, the<br />
possibility of genetic<br />
testing, and the life-saving potential<br />
of preventive surgery. Yet many people<br />
remained suspicious of her motives.<br />
Must all stars drag their<br />
personal problems into the public?<br />
Was Jolie simply seeking publicity?<br />
Well, Angelina Jolie hardly needs<br />
the publicity. It could be argued that<br />
one of the most watched women in<br />
the world had no choice but to go<br />
public with such major surgery at<br />
some point — so why not try to<br />
make something good out of it?<br />
Perhaps she didn’t really have to<br />
go public: remarkably, Jolie managed<br />
to keep her three months of surgeries<br />
under wraps. But I assume she had<br />
the same emotional response to her<br />
ordeal as the non-famous breastcancer<br />
survivors I know: a desire to<br />
talk, to find solidarity, and to help<br />
other women.<br />
Others complained that Jolie was<br />
not a useful role model: not all<br />
women can afford the expensive testing<br />
or the presumably high-quality<br />
reconstructive surgery she had. Well,<br />
that’s not really her fault, is it? By raising<br />
these issues, however, she is at<br />
least promoting a discussion of the<br />
complex medical costs.<br />
For me, the most telling thing<br />
came in the way Jolie made the news<br />
public. She announced it in an essay<br />
for The New York Times that she wrote<br />
herself. She did not give an interview<br />
to the paper; nor did she agree to be<br />
interviewed by anyone else in the<br />
days that followed. It was her story,<br />
and she had already told it the way<br />
she wanted to.<br />
Amy Argetsinger is a co-author of “The Reliable<br />
Source,” a column in The Washington<br />
Post about personalities.<br />
Foto: Getty Images<br />
28<br />
<strong>Spotlight</strong> 8|13
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den Kopf!<br />
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verstehen – und nebenbei die Sprache<br />
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(€ 18,60 / SFR 27,90 – Business <strong>Spotlight</strong> € 34,50 / SFR 51,75).
TRAVEL | Ireland<br />
The city lights up at night:<br />
a view of the Ha’penny<br />
Bridge over the River Liffey<br />
Foto: laif<br />
admire [Ed(maIE]<br />
bewundern<br />
buzz [bVz]<br />
lebendig sein, pulsieren<br />
Easter Rising [)i:stE (raIzIN] Aufstand militanter irischer<br />
Republikaner<br />
Georgian [(dZO:dZEn] Architekturstil, der zwischen 1720<br />
und 1840 in englischsprachigen<br />
Ländern zu finden war<br />
heritage [(herItIdZ]<br />
Erbe<br />
lane [leIn]<br />
Weg, Gasse<br />
layout [(leIaUt]<br />
hier: Stadtbild<br />
medieval [)medi(i:v&l] mittelalterlich<br />
no partying matter<br />
keine Angelegenheit zum Feiern<br />
[)nEU )pA:tiIN (mÄtE] ifml.<br />
pour [pO:]<br />
strömen<br />
tidal pool [)taId&l (pu:l] Flutmulde<br />
30 <strong>Spotlight</strong> 8|13
<strong>Discover</strong>ing<br />
<strong>Dublin</strong><br />
Machen Sie mit TOBY SKINGSLEY einen Spaziergang durch die<br />
irische Hauptstadt und entdecken Sie neben ungewöhnlichen Orten<br />
viele historische und moderne Wahrzeichen.<br />
Night has fallen on <strong>Dublin</strong>, but the city is still<br />
buzzing. The lanes south of the River Liffey are<br />
alive with laughter, and Irish melodies pour out of<br />
colourful pubs on to the streets, so welcoming that I’d stop<br />
to listen if I didn’t have a hotel to find.<br />
<strong>Dublin</strong>ers may know how to have a good time, but<br />
their city’s history has been no partying matter. Its past has<br />
been dominated by invaders. The Vikings are said to have<br />
created the first permanent settlement here in the ninth<br />
century at the dark tidal pool where the River Poddle and<br />
River Liffey met. It was called dubh linn, Irish for “black<br />
pool”. The Vikings remained until the Norman invasion<br />
of Ireland, which began in 1169. In 1171, King Henry II<br />
arrived in <strong>Dublin</strong> to establish English rule.<br />
By the 17th century, Britain had complete control of<br />
Ireland. The British disliked <strong>Dublin</strong>’s medieval layout and<br />
built broad streets, big squares and fine Georgian homes.<br />
By the 18th century, <strong>Dublin</strong> was the second-largest city in<br />
the British Empire and very rich. But with few rights under<br />
the Protestant British, most Catholics lived in poverty.<br />
<strong>Dublin</strong>’s status suffered greatly in 1801, when Britain<br />
closed the Irish parliament and governed the land from<br />
London. Increased poverty, awful living conditions and<br />
growing bitterness led to rebellion in the city, including<br />
the 1916 Easter Rising. This failed, but after further fighting,<br />
26 counties of Ireland achieved independence in<br />
1922, forming today’s republic.<br />
This past has undoubtedly shaped the city’s present.<br />
Today, <strong>Dublin</strong> is filled with beautiful architecture, from<br />
churches founded by the Vikings to the grand buildings<br />
of the British. History, combined with Ireland’s love of language,<br />
is reflected in its literary heritage and a music scene<br />
admired by people around the world. Visitors can’t miss<br />
the city’s welcoming pubs and warm, friendly people who<br />
always seem ready for a chat.<br />
8|13 <strong>Spotlight</strong><br />
31
TRAVEL | Ireland<br />
DAY ONE<br />
10 a.m.<br />
It’s a sunny morning, and I’m ready to get out into the<br />
city. I head for O’Connell Street, <strong>Dublin</strong>’s main boulevard.<br />
Roughly 50 metres across, it is one of Europe’s widest —<br />
an enormous space filled with grand neoclassical facades<br />
and impressive statues, including one of Daniel O’Connell<br />
himself. Known as the “Liberator”, the 19th-century political<br />
leader fought for Roman Catholic rights, including<br />
the right to hold public office.<br />
O’Connell Street is, however, dominated by a 21stcentury<br />
creation. Completed in 2003, the Spire is a huge<br />
steel needle pointing 120 metres into the air. It’s certainly<br />
unusual, and I can’t take my eyes off it: its simple, futuristic<br />
design forms a striking contrast to the surrounding buildings<br />
and monuments. To the Spire’s right, I notice the<br />
statue of <strong>Dublin</strong> author James Joyce. I wonder what he<br />
would have thought of this modern addition.<br />
Sign of the times:<br />
the tall, steel<br />
Spire of <strong>Dublin</strong><br />
Georgian flair: inside the <strong>Dublin</strong> Writers Museum<br />
11 a.m.<br />
This meeting with Joyce inspires my first stop — at the<br />
<strong>Dublin</strong> Writers Museum. With literary greats like Oscar<br />
Wilde, George Bernard Shaw, Samuel Beckett and<br />
William Butler Yeats, <strong>Dublin</strong> has made an enormous contribution<br />
to world literature. But instead of a huge building,<br />
I find a small museum inside a pretty, 18th-century<br />
Georgian house. It is fascinating, and I spend an hour<br />
looking at the information and exhibits, which include a<br />
first edition of Dracula by Bram Stoker.<br />
12.30 p.m.<br />
Sunshine has been replaced by grey cloud. Feeling raindrops<br />
on my skin, I take shelter under the pillared portico<br />
of the General Post Office (GPO) on O’Connell Street.<br />
In 1916, Patrick Pearse, James Connolly and other leaders<br />
of the Easter Rising made the building their headquarters<br />
and tried to declare independence before its doors. The rising<br />
failed and was actually unpopular with many <strong>Dublin</strong>ers,<br />
but public support increased when the British<br />
executed 14 of the rebels in <strong>Dublin</strong>’s Kilmainham Gaol.<br />
The prison was closed in 1924, but still offers fascinating<br />
tours today.<br />
I enter the GPO and find a beautiful, open hall with<br />
dark wooden post boxes and a high, decorated ceiling. It’s<br />
strange to see people queuing for stamps in a building of<br />
such significance, but I do discover a tribute to its past —<br />
a small museum with a section on the uprising.<br />
exhibit [Ig(zIbIt]<br />
head for [hed fE]<br />
hold public office<br />
[)hEUld )pVblIk (QfIs]<br />
Kilmainham Gaol<br />
[kIl)meInEm (dZeI&l]<br />
pillared portico<br />
[)pIlEd (pO:tIkEU]<br />
point [pOInt]<br />
spire [(spaIE]<br />
take shelter [)teIk (SeltE]<br />
uprising [(Vp)raIzIN]<br />
Ausstellungsstück<br />
sich begeben zu<br />
ein öffentliches Amt bekleiden<br />
Gefängnis im <strong>Dublin</strong>er Stadtteil<br />
Kilmainham<br />
Säulenhalle<br />
zeigen; hier: ragen<br />
Turm, Spitze, Säule<br />
Schutz suchen<br />
Aufstand<br />
32 <strong>Spotlight</strong> 8|13
Temple Bar: a district<br />
loved for its nightlife<br />
1.30 p.m.<br />
If there were a prize for changeable weather, <strong>Dublin</strong> would<br />
probably win it. With the sun out once more, I walk along<br />
the Liffey to the shining white Ha’penny Bridge. Built in<br />
1816, the footbridge gets its name from the halfpenny<br />
people had to pay to use it. Nowadays, it’s free, and I cross<br />
through its cast-iron arches. On the other side, I wander<br />
into Temple Bar, the <strong>Dublin</strong> district so well known for its<br />
nightlife. There I find tidy cobbled<br />
lanes, colourful cafes, small galleries<br />
and bookshops. Bouquets of flowers<br />
hang from pub windows, making<br />
them look all the more welcoming.<br />
Time for a pint, I think to myself.<br />
3 p.m.<br />
After a beer and a beef pie, I take the<br />
short walk to Trinity College. With<br />
grand buildings and broad lawns,<br />
Ireland’s most famous university is<br />
one of <strong>Dublin</strong>’s quietest places. It is<br />
also home to two major attractions.<br />
At Trinity: the Long Room<br />
and the Book of Kells<br />
The first is the Long<br />
Room, a 65-metre-long<br />
library hall containing<br />
200,000 of Trinity’s oldest<br />
works. Endless rows of<br />
wooden bookshelves<br />
reach up over an upper<br />
gallery to the barrelvaulted<br />
ceiling. Built in<br />
the 18th century, it’s one<br />
of the loveliest libraries<br />
I’ve ever seen.<br />
Trinity’s second attraction<br />
is the Book of Kells.<br />
Probably written by<br />
Celtic monks around<br />
AD 800, the Latin manuscript of the four Gospels contains<br />
beautiful illustrations. Today, it is in four volumes,<br />
two of which are on show. Expecting a fragile, faded book,<br />
I find instead a colourful work of art. Decorating the text<br />
— or even filling whole pages — are playful drawings of<br />
people, animals and mythical creatures. The book shows<br />
the influence of Christianity on life in Ireland and has been<br />
an inspiration for many artists and authors.<br />
Fotos: Bilderberg; Huber; Vario Images; Zoonar<br />
anthem [(ÄnTEm]<br />
arch [A:tS]<br />
barrel-vaulted ceiling<br />
[)bÄrEl )vO:ltId (si:lIN]<br />
cast-iron [)kA:st (aIEn]<br />
Celtic [(keltIk]<br />
cobbled lane [)kQb&ld (leIn]<br />
faded [(feIdId]<br />
fishmonger [(fIS)mVNgE]<br />
fragile [(frÄdZaI&l]<br />
Gospel [(gQsp&l]<br />
Ha’penny [(heIpni] UK<br />
lawn [lO:n]<br />
pint [paInt] UK<br />
Sinead [SI(neId]<br />
volume [(vQlju:m]<br />
Hymne<br />
(Brücken)Bogen<br />
Tonnengewölbe<br />
Gusseisen<br />
gepflasterte Gasse<br />
verblasst<br />
Fischhändler(in)<br />
brüchig<br />
Evangelium<br />
Rasen<br />
hier: Glas Bier<br />
Band<br />
5 p.m.<br />
From Trinity, I head down Grafton Street, <strong>Dublin</strong>’s main<br />
shopping mile, and pass the statue of Molly Malone.<br />
Legend describes her as a beautiful girl who lived in 17thcentury<br />
<strong>Dublin</strong> and died tragically young. Other<br />
versions of the legend say she was a fishmonger<br />
who worked at night as a prostitute. Some doubt<br />
that she existed at all. Whatever the truth, she survives<br />
today in the city’s unofficial anthem: “Molly<br />
Malone” has been performed by U2, Sinead<br />
O’Connor and The <strong>Dublin</strong>ers. As I walk<br />
back to my hotel, I realize that I’m singing<br />
quietly to myself.<br />
Molly Malone:<br />
a <strong>Dublin</strong>er with<br />
a tragic story
TRAVEL | Ireland<br />
DAY TWO<br />
New and old: the modern Samuel<br />
Beckett Bridge; the traditions of<br />
Guinness and good music in the pub<br />
10.30 a.m.<br />
The next morning, having already seen some of <strong>Dublin</strong>’s<br />
major attractions, I’m looking for something a bit unusual.<br />
So I visit The Little Museum of <strong>Dublin</strong> on St Stephen’s<br />
Green. This wonderful museum is covered from floor to<br />
ceiling with 20th-century <strong>Dublin</strong> memorabilia. There are<br />
political campaign posters, old photos and letters, historic<br />
household objects, and tickets to famous <strong>Dublin</strong> events.<br />
There is even the podium used by John F. Kennedy on his<br />
visit to <strong>Dublin</strong> in 1963. Each of their stories is explained<br />
by our guide. I talk to a friendly museum assistant, who<br />
tells me that many of the artefacts were given to the collection<br />
by the public. I leave, feeling I have found a real<br />
gem — a people’s history of modern <strong>Dublin</strong>.<br />
12.30 p.m.<br />
The area around St Stephen’s Green is <strong>Dublin</strong>’s Georgian<br />
highlight. I walk along Merrion Row and see some wellpreserved<br />
brown-brick buildings, complete with the roofs<br />
and sash windows typical of the 18th-century style. I fall<br />
in love with the brightly coloured doors — deep yellows,<br />
bright reds and brilliant blues.<br />
My next stop is Merrion Square, smaller than St<br />
Stephen’s, but with Georgian terraces that seem more complete.<br />
My favourite, however, is Fitzwilliam Square. Here,<br />
Time for a pint at The Oliver St John Gogarty pub<br />
I spend some time admiring a beautiful terrace covered in<br />
a thick layer of red-and-green ivy. I finish my Georgian<br />
tour north of the Liffey in Henrietta Street. Built in the<br />
1720s, this cobbled road is home to some of <strong>Dublin</strong>’s oldest<br />
Georgian houses.<br />
3 p.m.<br />
After lunch, I walk along Thomas Street into The Liberties,<br />
one of <strong>Dublin</strong>’s oldest surviving districts. There is a familiar<br />
aroma of Guinness in the air, so I know I’m getting<br />
close to my next stop. In 1759, Arthur Guinness signed a<br />
9,000-year lease on an old brewery at St James’s Gate.<br />
Today, the creamy stout is sold in more than 150 countries<br />
around the world.<br />
Brauerei<br />
Backstein-<br />
Juwel<br />
Efeu<br />
Pachtvertrag<br />
Erinnerungsstücke<br />
erhalten<br />
Schiebefenster<br />
dunkles Bier<br />
Häuserreihe<br />
brewery [(bru:Eri]<br />
brown-brick [)braUn (brIk]<br />
gem [dZem]<br />
ivy [(aIvi]<br />
lease [li:s]<br />
memorabilia [)memErE(bIliE]<br />
preserved [pri(z§:vd]<br />
sash window [)sÄS (wIndEU]<br />
stout [staUt]<br />
terrace [(terEs] UK<br />
Fotos: A1Pix; F1online; Mauritius; Karte: Nic Murphy<br />
34
IF YOU GO...<br />
I pass brown and grey stone warehouses as I head towards<br />
the Guinness Storehouse, a seven-floor museum that<br />
explains all about “the black stuff”. Here, I meet Fergal<br />
Murray, Guinness Master Brewer. Fergal is not only responsible<br />
for the beer’s quality; he also travels the world<br />
to talk about this symbol of Ireland. “Guinness is an Irish<br />
iconic brand,” Fergal tells me, “and the Irish community<br />
all over the world latch on to it because it is a part of<br />
home.” Few Guinness fans doubt where the beer tastes<br />
best. “Many people have stories about the best Guinness<br />
they’ve had and how it can’t be as good as in <strong>Dublin</strong>,” Fergal<br />
explains. “They are probably all true. But if you went<br />
to Tuscany for a Chianti, it would also probably be the<br />
best you’ve had, even though it isn’t necessarily different.”<br />
7.30 p.m.<br />
I consider this over a beer in The Oliver St John Gogarty<br />
pub in Temple Bar, where two “trad” musicians — one<br />
with a fiddle, the other with a guitar — have started the<br />
Traditional Irish Musical Pub Crawl. I smile at the clever<br />
words of songs like “Johnny Jump Up”. The musicians explain<br />
the story behind each tune and talk about traditional<br />
instruments like the bodhrán, a kind of Irish drum. I learn<br />
that music in a pub is called a<br />
“session”. At an “open session”,<br />
anyone can come along and<br />
play. And “jigs” and “reels”<br />
refer to different rhythms of<br />
song. We visit two other pubs,<br />
and by the end, I feel I’ve<br />
really learned something.<br />
I talk to a few others in<br />
the tour group, and an hour<br />
later, we’re all in another pub<br />
for more music. I’m leaving<br />
tomorrow, but I won’t let that<br />
ruin my evening. Let the<br />
party begin!<br />
Executive Language Services<br />
Learning English in Stuttgart<br />
Living English in <strong>Dublin</strong><br />
Goezstr. 5, 70599 Stuttgart<br />
www.oconnell.de<br />
info@oconnell.de<br />
Getting there and around<br />
Aer Lingus offers direct flights to <strong>Dublin</strong> from several<br />
German cities. See www.aerlingus.com<br />
<strong>Dublin</strong>’s city centre is very walkable. See the sights on the<br />
Hop on Hop Off <strong>Dublin</strong> Bus Tour. www.dublinsightseeing.ie<br />
Where to stay<br />
The Brooks Hotel, with double rooms from €110. Drury<br />
Street; tel. (00353) 1-670 4000. www.brookshotel.ie<br />
Where to eat<br />
The Pepper Pot cafe, South William Street; tel. (00353) 1-<br />
707 1610. www.thepepperpot.ie<br />
For lunch, try Munchies, with several locations around<br />
<strong>Dublin</strong>; tel. (00353) 1-613 7707. www.munchies.ie<br />
Sights<br />
<strong>Dublin</strong> Castle. www.dublincastle.ie<br />
Chester Beatty Library. www.cbl.ie<br />
The National Museum. www.museum.ie<br />
Marsh’s Library. www.marshlibrary.ie<br />
Leinster House, Custom House and the Four Courts.<br />
www.visitdublin.com<br />
Music and events<br />
For Irish music, go to O’Donoghue’s, 15 Merrion Row; tel.<br />
(00353) 1-660 7194. www.odonoghues.ie<br />
The <strong>Dublin</strong> Fringe Festival takes place in September; tel.<br />
(00353) 1-670 6106. www.fringefest.com<br />
The Temple Bar TradFest celebrates Irish music in January;<br />
tel. (00353) 1-703 0709; www.templebartrad.com<br />
More information<br />
See www.ireland.com<br />
Marke<br />
Geige<br />
Kult-<br />
an etw. hängen<br />
Kneipentour<br />
traditionell, Folklore-<br />
Melodie<br />
Toskana<br />
Lagerhaus<br />
brand [brÄnd]<br />
fiddle [(fId&l] ifml.<br />
iconic [aI(kQnIk]<br />
latch on to sth. [)lÄtS (Qn tE] ifml.<br />
pub crawl [(pVb krO:l] UK ifml.<br />
trad [trÄd] ifml.<br />
tune [tju:n]<br />
Tuscany [(tVskEni]<br />
warehouse [(weEhaUs]<br />
Escorted Excursions<br />
Stout & Synonyms<br />
Whiskey & Words<br />
<strong>Dublin</strong> Days<br />
8|13 <strong>Spotlight</strong><br />
35
PETER FLYNN | Around Oz<br />
A time of transition<br />
Die Anhebung des Mindestlohns könnte Australiens<br />
Wirtschaft ankurbeln – oder zum Erliegen bringen.<br />
“<br />
It’s strange<br />
to be arguing<br />
about a small<br />
pay rise<br />
”<br />
The minimum wage in Australia<br />
was increased last month by 2.6<br />
per cent to A$ 16.40 (€11.70)<br />
per hour. The mixed reactions to this<br />
underscore how confused everyone is<br />
about where the country is going.<br />
Some employer groups complained<br />
that the increase would be<br />
deadly to many small and mediumsized<br />
businesses. Others, though, said<br />
an extra A$ 15 a week in the hands of<br />
cleaners, shop assistants and waiters<br />
would encourage spending and be<br />
good for the economy.<br />
Nothing to build upon? The Australian<br />
economy may be coming to a halt<br />
The trade unions had wanted a<br />
30-dollar-a-week pay rise for Australia’s<br />
1.5 million low-paid workers.<br />
Earlier this year, however, Britain’s<br />
Low Pay Commission reported that<br />
Australia clearly had the highest minimum<br />
wage anywhere, with the possible<br />
exception of France if calculated<br />
according to local buying power.<br />
At almost A$ 32,500 (€23,200) a<br />
year, the guaranteed minimum is<br />
more than double what low-paid<br />
workers get in the United States. It’s<br />
also half of the average Australian<br />
salary. Half the workforce in this<br />
country earns more than A$ 65,000,<br />
and many workers earn much more<br />
than that.<br />
This is the dilemma for many Australians<br />
who, for the past six months,<br />
have been repeatedly told that the<br />
country and the economy are “in<br />
transition”. Hundreds of billions of<br />
dollars of mining projects have been<br />
put on hold. We are told by some that<br />
the boom is over and by others that<br />
this is a transition from a phase of<br />
mining-related development to one of<br />
production using natural resources.<br />
Chinese demand for iron ore is<br />
falling, along with the price of iron<br />
ore, coal and almost every other mineral<br />
on the planet. Lower commodity<br />
prices will force some mines out of<br />
business, while others will have to<br />
postpone operations for years.<br />
Some argue that this is another<br />
transition — from exporting iron ore<br />
and coal to exporting natural gas, the<br />
production of which is likely to<br />
double in the coming years. Future<br />
processing of liquefied natural gas,<br />
though, will be done offshore on<br />
floating production platforms. The<br />
world’s biggest gas producers say it is<br />
just too expensive to do business in<br />
Australia.<br />
The Ford Motor Company announced<br />
recently that it would stop<br />
commodity [kE(mQdEti]<br />
elephant in the room: the ~ [(elIfEnt In DE )ru:m]<br />
in tatters: be ~ [)In (tÄtEz]<br />
iron ore [(aIEn O:]<br />
liquefied natural gas [)lIkwIfaId )nÄtS&rEl (gÄs]<br />
natural gas [)nÄtS&rEl (gÄs]<br />
offshore [)Qf(SO:]<br />
processing [(prEUsesIN]<br />
production [prE(dVkS&n]<br />
put on hold [)pUt Qn (hEUld]<br />
reserve bank [ri(z§:v )bÄNk] Aus.<br />
retailers [(ri:teI&lEz]<br />
trade union [)treId (ju:niEn]<br />
underscore [)VndE(skO:]<br />
making cars here after more than 90<br />
years of production. Manufacturing<br />
generally is in rapid decline, and unemployment<br />
is starting to rise. After<br />
23 years of growth, economic commentators<br />
are using the “R” word.<br />
Perhaps they should say we are in a<br />
transition to recession.<br />
Government budgets are in tatters<br />
everywhere, with deficits likely to<br />
continue for years. The Reserve Bank<br />
here is so worried that it has cut interest<br />
rates to a 50-year low of 2.5 per<br />
cent. Shoppers are simply not spending<br />
money, and retailers say they can’t<br />
compete with online shopping, especially<br />
from overseas. The elephant in<br />
the room is the federal election in<br />
mid-September, at which the Labor<br />
government will clearly be voted out.<br />
It is strange, then, that we should<br />
be having such a discussion about a<br />
small wage rise for the lowest-paid.<br />
Maybe they are part of the transition,<br />
too, depending on what you believe:<br />
that a pay rise will either kill the<br />
economy or assist a consumer-led<br />
recovery.<br />
Rohstoff<br />
Problem, worüber keiner reden will<br />
zerfetzt sein; hier: heruntergekommen<br />
sein<br />
Eisenerz<br />
Flüssiggas<br />
Erdgas<br />
vor der Küste<br />
Verarbeitung<br />
hier: Förderung<br />
auf Eis legen<br />
Notenbank<br />
der Einzelhandel<br />
Gewerkschaft<br />
unterstreichen<br />
Peter Flynn is a public-relations consultant and social commentator who lives in Perth,<br />
Western Australia.<br />
Foto: Getty Images<br />
36<br />
<strong>Spotlight</strong> 8|13
GET STARTED NOW!<br />
<strong>Spotlight</strong>’s easy-English<br />
booklet<br />
Einfaches Englisch<br />
für Alltagssituationen<br />
Green Light
DEBATE | Canada<br />
The right to arrest<br />
In Kanada sorgt ein neues Gesetz für Kontroverse: Soll es einfachen Bürgern erlaubt sein,<br />
vermeintliche Verbrecher „festzunehmen“?<br />
In Canada, a new law allows normal citizens to arrest<br />
people they believe have committed a crime. An earlier<br />
law allowed citizen’s arrests only when a criminal was<br />
caught red-handed. Now, arrests can be made within a<br />
“reasonable” amount of time after a crime has been committed.<br />
The law applies only when police are not on the<br />
scene to make the arrest.<br />
The change in the law comes after an occurrence in<br />
Toronto’s Chinatown in 2009. In May of that year, the<br />
owner of the Lucky Moose store, David Chen, recognized<br />
a man he had previously seen stealing from his shop. With<br />
two employees, Chen followed the man down the street,<br />
caught him and tied him up.<br />
As Chen and his employees pushed the man<br />
into a van to await the police, people on the street<br />
thought the man was being kidnapped. They also<br />
called the police, who then arrested Chen for assault.<br />
Many Canadians believed Chen was right to<br />
defend his property in this way, and 18 months<br />
later, he was acquitted in court.<br />
Soon, public support for a change in the law<br />
began to grow. Those in favour said that when police<br />
protection is not available, the law should be<br />
on the side of those protecting themselves and their<br />
property. People against the change were worried<br />
that a more relaxed law could lead to vigilantism,<br />
put citizens into dangerous situations and allow<br />
false accusations to be made against others.<br />
In March, the new law (known as the Lucky<br />
Moose Bill) received royal assent. An important<br />
condition is that a person making a citizen’s arrest<br />
has to call the police as soon as possible once the<br />
arrest has been made. If not, such an arrest could<br />
be illegal.<br />
The law also includes a list of factors to help a<br />
court decide whether the force used when making<br />
the arrest was excessive. Critics think that the new law is<br />
not clear enough in its limits and will lead to subjective<br />
interpretation in court.<br />
The case of another Toronto businessman has led to<br />
further debate on the subject. In August 2011, restaurant<br />
owner Naveen Polapady threw masala spice powder into<br />
the face of Manuel Belo and then attacked him with a<br />
stick, which led to Belo needing hospital treatment. Polapady,<br />
called the “Spice Man” by the Canadian media, said<br />
that some days earlier, goods had been stolen from his van<br />
by Belo. However, CCTV footage later showed that it was<br />
a case of mistaken identity, and that another individual<br />
was responsible for the crime.<br />
accusation [)Äkju(zeIS&n]<br />
acquit sb. [E(kwIt]<br />
apply [E(plaI]<br />
assault [E(sO:lt]<br />
bill [bIl]<br />
catch sb. red-handed<br />
[)kÄtS )red (hÄndId]<br />
CCTV footage<br />
[)si: )si: )ti: (vi: )fUtIdZ]<br />
commit a crime [kE)mIt E (kraIm]<br />
Anschuldigung<br />
jmdn. freisprechen<br />
hier: gelten; walten lassen<br />
Körperverletzung<br />
Gesetz<br />
jmdn. auf frischer Tat<br />
ertappen<br />
Bildmaterial einer<br />
Überwachungskamera<br />
eine Straftat begehen<br />
masala spice powder<br />
[mE)sA:lE (spaIs )paUdE]<br />
mistaken identity<br />
[mI)steIkEn aI(dentEti]<br />
moose [mu:s]<br />
royal assent [)rOIEl E(sent]<br />
tie sb. up [)taI (Vp]<br />
vigilantism [)vIdZI(lÄnt)IzEm]<br />
Masala-Gewürzpulver<br />
(indisches Gewürz)<br />
Personenverwechslung<br />
Elch<br />
königliche Genehmigung zu<br />
einem vom Parlament<br />
verabschiedeten Gesetz<br />
jmdn. festbinden<br />
Selbstjustiz<br />
Fotos: Olaf Furniss; Jannica Honey; iStockphoto<br />
38 <strong>Spotlight</strong> 8|13
Olaf Furniss asked people in Toronto, Canada:<br />
Are citizen’s arrests a good idea?<br />
Listen to Ruth, Stuart, Jean and Karina<br />
Ruth Kendrick, 38,<br />
IT manager<br />
Stuart Douglas, 46,<br />
farmer<br />
Jean Sinclar, 32,<br />
scientist<br />
Karina Lapierre, 39,<br />
artist<br />
Tamara Orlowski, 44,<br />
marketing manager<br />
Paul Richards, 28,<br />
bookshop manager<br />
Dustin Jackson, 26,<br />
mechanic<br />
Keeley Eaton, 24,<br />
teacher<br />
benefit [(benIfIt]<br />
cautious [(kO:SEs]<br />
citizen participation<br />
[)sItIzEn pA:)tIsI(peIS&n]<br />
common sense [)kQmEn (sens]<br />
Vorteil<br />
vorsichtig<br />
Bürgerbeteiligung<br />
gesunder Menschenverstand<br />
dire [(daIE]<br />
miscarriage of justice<br />
[mIs)kÄrIdZ Ev (dZVstIs]<br />
take down [)teIk (daUn]<br />
vigilance [(vIdZElEns]<br />
schlimm, schwerwiegend<br />
Fehlurteil, Justizirrtum<br />
aufschreiben, notieren<br />
Wachsamkeit<br />
8|13 <strong>Spotlight</strong><br />
39
HISTORY | 125 Years Ago<br />
T. E. Lawrence as portrayed in<br />
film (left) and during the First<br />
World War (right and below)<br />
Lawrence of Arabia<br />
Der spätere britische Offizier, Archäologe und Geheimagent<br />
kam vor 125 Jahren auf die Welt. MIKE PILEWSKI erinnert an sein<br />
legendäres Leben.<br />
The name itself is legend: Lawrence of Arabia. What<br />
sounds like a fictional character, however, was a real<br />
person: an Englishman in Arab robes, an expert on<br />
Middle Eastern culture, a guerrilla leader and a brilliant<br />
tactician. T. E. Lawrence was born 125 years ago this<br />
month, on 15 August 1888.<br />
Lawrence’s father, Thomas Chapman, had been a<br />
wealthy landowner in Ireland, but he left his wife for Sarah<br />
Lawrence, the governess of his four daughters. Calling<br />
themselves “Mr and Mrs Lawrence”, the couple moved to<br />
wherever people would not recognize them — to Scotland,<br />
France, southern England and the Isle of Wight. During<br />
this time, in the 1880s and 90s, “the Lawrences” had six<br />
children, one of whom was Thomas Edward Lawrence.<br />
The family finally settled in Oxford, where young<br />
“T. E.” went to school and studied history at university.<br />
His thesis on crusader castles in France, Syria and Palestine<br />
earned him first-class honours. From 1911 to 1914, T. E.<br />
Lawrence participated in two archaeological expeditions<br />
on the edge of the Ottoman Empire, using the opportunity<br />
to learn the local language and culture. His exploration<br />
of the eastern Sinai, for the purpose of drawing a<br />
map from Gaza to Aqaba, suddenly became important<br />
when the Ottomans allied themselves with Germany in<br />
the First World War.<br />
Lawrence was immediately hired by the British War<br />
Office and given the task of drawing a map of Sinai. He<br />
did much more than that, however. By December 1914,<br />
he was working for British military intelligence, sharing<br />
his knowledge of the Ottoman Empire. The British, ope -<br />
rating from Egypt, were having little success in battling<br />
the Ottomans. But on a 1916 mission to Arabia, Lawrence<br />
learned that there were other paths to victory. The emir of<br />
Mecca and the emir’s son Faysal, who commanded a small<br />
army, had been leading a revolt against Ottoman rule.<br />
40 <strong>Spotlight</strong> 8|13<br />
Lawrence convinced the<br />
British to support the Arabs<br />
with guns and gold.<br />
On the Arabian peninsula,<br />
Lawrence helped to organize<br />
Faysal’s army and<br />
coordinate its activities with<br />
British military headquarters<br />
in Cairo. By blowing up<br />
bridges and sabotaging<br />
trains, Lawrence and the<br />
Arab fighters kept Ottoman<br />
troops busy and made it impossible for reinforcements to<br />
arrive. The man the Arabs admiringly called “Emir Dynamite”<br />
kept the local sheikhs on his side, promising them<br />
they would receive financial and other rewards.<br />
In July 1917, Lawrence’s guerrillas took the city of<br />
Aqaba, and by December, they were steadily moving<br />
north. Lawrence, aged 29, was given the rank of lieutenant<br />
colonel and the Distinguished Service Order. He pressed<br />
on towards Damascus, which he and his army reached in<br />
October 1918.<br />
blow up [)blEU (Vp]<br />
crusader [kru:(seIdE]<br />
Distinguished Service Order<br />
[dI)stINgwISt (s§:vIs )O:dE]<br />
intelligence [In(telIdZEns]<br />
lieutenant colonel<br />
[lef)tenEnt (k§:n&l]<br />
Ottoman [(QtEmEn]<br />
peninsula [pE(nInsjUlE]<br />
press on [)pres (Qn]<br />
robe [rEUb]<br />
thesis [(Ti:sIs]<br />
in die Luft jagen<br />
Kreuzritter<br />
britische Kriegsauszeichnung<br />
Spionagedienst<br />
Oberstleutnant<br />
osmanisch, Osmane<br />
Halbinsel<br />
weiterziehen<br />
Gewand<br />
Abschlussarbeit<br />
Fotos: Bridgeman; dpa/picture alliance
Victory came at a high price. During months of fighting,<br />
Lawrence had been wounded, captured and tortured;<br />
he had suffered from illness, hunger and extreme weather<br />
conditions. In Damascus, the Arabs for whom he had been<br />
fighting argued amongst themselves instead of uniting in<br />
victory. Lawrence had had enough. He returned to England<br />
to receive a medal from King George V, but he politely<br />
refused the honour. The king said Lawrence had left<br />
him “holding the box in my hand”.<br />
Lawrence attended the peace conference the following<br />
year, wearing Arab robes. He opposed the plan to turn<br />
Syria and Lebanon into a French mandate and argued in<br />
favour of a unified Arab state, but to no avail.<br />
Returning to Oxford to write his memoirs, Lawrence<br />
found he was already becoming famous. An American<br />
journalist had been holding lectures in London about<br />
“Lawrence in Arabia”, showing photos of him in his robes.<br />
Finally, in 1922, Lawrence published his ten-volume<br />
memoirs, titled The Seven Pillars of Wisdom, in a limited<br />
print run. Hoping to find material for another book, he<br />
enlisted in the Royal Air Force (RAF) under an assumed<br />
name, John Hume Ross. Journalists found him there after<br />
only a few months, however, and he was forced to leave.<br />
Lawrence then enlisted as a private in the Royal Tank<br />
Corps, this time using a name that he later decided to keep<br />
as his own: T. E. Shaw. The pseudonym was inspired by<br />
Lawrence’s friendship with George Bernard Shaw. The<br />
dramatist advised Lawrence to create a shorter edition of<br />
The Seven Pillars, called Revolt in the Desert, which became<br />
very popular. Shaw also helped him to rejoin the RAF.<br />
T. E. Shaw retired in 1935, hoping to write more<br />
books and add to his motorcycle collection. But only two<br />
months later, he died as the result of a motorbike accident,<br />
having swerved to avoid two boys on bicycles.<br />
In life, T. E. Lawrence was an extraordinary figure; but<br />
in death, he became a legend. His adventures were made<br />
into the 1962 film Lawrence of Arabia, with Peter O’Toole<br />
in the title role.<br />
assumed name [E)sju:md (neIm]<br />
corps [kO:]<br />
enlist [In(lIst]<br />
limited print run<br />
[)lImItId (prInt rVn]<br />
pillar [(pIlE]<br />
Deckname, Pseudonym<br />
Einheit<br />
beitreten, sich melden<br />
begrenzte Auflage<br />
Säule<br />
private [(praIvEt]<br />
pseudonym [(sju:dEnIm]<br />
swerve to avoid [)sw§:v tE E(vOId]<br />
to no avail [tE )nEU E(veI&l]<br />
-volume [(vQlju:m]<br />
wisdom [(wIzdEm]<br />
Gefreite(r)<br />
ausweichen<br />
vergebens<br />
hier: -bändig<br />
Weisheit<br />
Perfektion lässt sich leicht üben.<br />
Mit dem Übungsheft <strong>Spotlight</strong> plus passend zum aktuellen Magazin.<br />
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Zusammen mit dem Magazin <strong>Spotlight</strong> steht Ihnen<br />
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Am besten, Sie probieren es gleich aus!<br />
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PRESS GALLERY | Comment<br />
One big database: the<br />
NSA offices in Maryland<br />
Land<br />
of the<br />
free?<br />
Trotz vieler gegensätz licher<br />
Anzeichen würden sich die<br />
allerwenigsten Amerikaner als<br />
Bürger eines Überwachungs -<br />
staats sehen.<br />
The revelation that a secret order, issued by the secret<br />
Foreign Intelligence Surveillance Court, requires<br />
one of the largest telecoms providers in the US to<br />
provide a daily diet of millions of US phone records to the<br />
FBI, poses Americans with a major civil liberties challenge.<br />
Under the terms of the order, everything about every call<br />
made during a three month period — excepting only the<br />
calls’ actual contents<br />
— is offered<br />
up to the bureau<br />
and the NSA on a<br />
No Big Brother:<br />
protesters in Washington<br />
gargantuan routine<br />
basis.<br />
It seems improbable<br />
that the<br />
order ... is the<br />
only one of its<br />
kind. So the assumption<br />
has to<br />
be that this is the new normality of American state surveillance.<br />
... Few Americans believe that they live in a police<br />
state; indeed many would be outraged at the<br />
suggestion. Yet the everyday fact that the police have the<br />
right to monitor the communications of all its citizens —<br />
in secret — is a classic hallmark of a state that fears freedom<br />
as well as cham pioning it. ...<br />
Ever since 9/11, the US has allowed the war on terror<br />
to frame a new domestic authoritarianism that is strikingly<br />
at odds with America’s passionate sense of its own freedom.<br />
[These] revelations have stunned millions of Americans<br />
whose justified outrage against 9/11 surely never led them<br />
to expect such routine and unrestrained surveillance on<br />
such a massive scale. ... [T]his is an existential challenge<br />
to American freedom. That it has been so relentlessly prosecuted<br />
by [Barack Obama,] a leader who once promised<br />
to stand up against such authority, makes the challenge<br />
more pressing, not less.<br />
© Guardian News & Media 2013<br />
bureau [(bjUErEU]<br />
challenge [(tSÄlIndZ]<br />
champion sth. [(tSÄmpjEn]<br />
civil liberties [)sIv&l (lIbEtiz]<br />
diet [(daIEt]<br />
Foreign Intelligence<br />
Surveillance Court<br />
[)fQrEn In)telIdZEns<br />
sE(veIlEns )kO:t]<br />
frame [freIm]<br />
gargantuan<br />
[gA:(gÄntjuEn]<br />
hallmark: to be a ~ of sth.<br />
[(hO:lmA:k]<br />
issue [(ISu:]<br />
Behörde; hier: das FBI<br />
hier: Problem<br />
für etw. eintreten;<br />
hier: etw. verteidigen<br />
Freiheitsrechte<br />
hier: Portion, Dosis<br />
Bundesgericht zur Regelung<br />
der Überwachungsaktionen<br />
der US-amerikanischen<br />
Auslandsgeheimdienste<br />
gestalten<br />
gewaltig<br />
hier: ein Merkmal / Anzeichen<br />
für etw. sein<br />
erlassen, erteilen<br />
NSA (National Security Agency)<br />
[)en es (eI]<br />
order [(O:dE]<br />
outraged [(aUtreIdZd]<br />
pose sb. with sth. [(pEUz wID]<br />
pressing [(presIN]<br />
prosecute [(prQsIkju:t]<br />
relentlessly [ri(lentlEsli]<br />
revelation [)revE(leIS&n]<br />
scale: on a massive ~ [skeI&l]<br />
strikingly at odds with<br />
[)straIkINli Et (Qdz wID]<br />
stun [stVn]<br />
surveillance [sE(veIlEns]<br />
terms: under the ~ of [t§:mz]<br />
unrestrained [)Vnri(streInd]<br />
hier: (gerichtl.) Beschluss<br />
empört<br />
jmdn. vor etw. stellen<br />
dringend<br />
hier: durchführen<br />
unaufhörlich, ständig<br />
Enthüllung<br />
im gewaltigen Stil<br />
deutlich im Widerspruch<br />
stehen zu<br />
vor den Kopf stoßen<br />
Überwachung, Kontrolle<br />
gemäß<br />
uneingeschränkt<br />
Fotos: Getty Images<br />
42 <strong>Spotlight</strong> 8|13
INFO TO GO<br />
monitor<br />
The article reports that the police have the right to<br />
monitor US citizens’ communications. In other<br />
words, the police are permitted to observe and check<br />
the progress of these communications. We read that<br />
the police do their monitoring “in secret”; things can<br />
also be monitored “carefully”, “strictly”, “systematic -<br />
ally” or “continuously” — to name just a few of the alternative<br />
adverbs.<br />
A monitor, apart from being a television or computer<br />
screen, is the name for a piece of equipment<br />
that checks and displays things such as heart rate,<br />
temperature, levels of radiation, etc. The noun can<br />
also refer to a person whose job it is to check that<br />
something is being done properly; for example, that<br />
an election is being carried out correctly.<br />
attorney general [E)t§:ni (dZen&rEl] N. Am.<br />
carry out [)kÄri (aUt]<br />
gambling addiction [(gÄmblIN E)dIkS&n]<br />
radiation [)reIdi(eIS&n]<br />
Justizminister(in)<br />
durchführen<br />
Spielsucht<br />
UV-Strahlung<br />
IN THE HEADLINES<br />
Listen to more news<br />
items in Replay<br />
Playing our cards right Maclean’s<br />
The idiom used in this headline compares life to a game<br />
of cards. Both offer a limited number of opportunities,<br />
which should be used well. “If I play my cards right, I could<br />
get that promotion.” In an opinion article for the Canadian<br />
weekly news magazine Maclean’s, former Ontario Attorney<br />
General Michael Bryant describes how more and more<br />
casinos are being built in Canada. Bryant, once an alcoholic,<br />
sees this negatively, saying that most people “have<br />
no idea how harmful casinos are” to society. However, he<br />
also says the trend can’t be stopped. He argues that casinos<br />
should at least be used to study gambling addiction<br />
and to help those who suffer from it. That way, the earnings<br />
of such institutions would not be profits from people’s<br />
misery, but an investment in a better society.<br />
Mehr Sprache<br />
können Sie<br />
nirgendwo shoppen.<br />
Kompetent. Persönlich. Individuell.<br />
Alles, was Sie wirklich brauchen, um eine Sprache zu lernen:<br />
Bücher und DVDs in Originalsprache, Lernsoftware<br />
und vieles mehr.<br />
Klicken und Produktvielfalt entdecken:<br />
www.sprachenshop.de
ARTS | What’s New<br />
| Drama<br />
Young and crazy:<br />
how far will they<br />
go to get rich?<br />
Generation bling<br />
| Thriller<br />
Trance is the new film by Slumdog<br />
Millionaire (2008) director Danny<br />
Boyle. A group of thieves steal a<br />
painting from a London auction<br />
house. Simon (James McAvoy), the<br />
group’s “inside man”, is hit on the<br />
head and can’t remember where he<br />
put the painting. So the group hires<br />
hypnotist Elizabeth (Rosario Dawson)<br />
to help get back Simon’s memory.<br />
Boyle’s exploration of what the mind can do when it wants to<br />
hide something strange is made with colourful style. This<br />
clever and surprisingly thoughtful film starts on 8 August.<br />
Sofia Coppola has made a name for herself directing<br />
films about confused young women (Marie Antoinette,<br />
The Virgin Suicides). Her most recent movie,<br />
The Bling Ring, takes this to new levels. It is a story about<br />
young adults living around Los Angeles and their obsessive<br />
fascination with people-watching — on reality TV, the social<br />
media and celebrity gossip websites.<br />
Marc (Israel Broussard) is a young man with confidence<br />
problems. When he joins a new school, he’s happy<br />
to make friends with pretty Rebecca (Katie Chang) and<br />
sexy Chloe (Claire Julien). Going to wild parties and taking<br />
drugs become a way of life. Then he and Rebecca steal<br />
a car and find that crime can also be fun. Joined by Nicki<br />
(Emma Watson) and Sam (Taissa Farmiga), the group<br />
starts to break into the homes of Hollywood celebrities<br />
such as Paris Hilton and Orlando Bloom, to “shop” for expensive<br />
bling: sunglasses, jewellery, shoes and bags.<br />
Based on a series of robberies that took place in Hollywood<br />
in 2008 and 2009, Coppola’s film is careful not to<br />
pass judgement. There’s no need. Performed by excellent<br />
young actors, this disturbing story on the latest variety of<br />
a “lost generation” speaks for itself. Starts 15 August.<br />
| Drama<br />
Bringing Salman Rushdie’s award-winning novel Midnight’s<br />
Children (1981) to the screen was never going to be simple.<br />
The plot is set in the political troubles following India’s independence<br />
in 1947. Much of the action focuses<br />
on Saleem, a boy born on 15 August,<br />
the day of independence, but it weaves its<br />
way through the lives of many others involved<br />
in the political maelstrom. The film<br />
is held together by Rushdie as the narrator.<br />
The Times of India called it “a love letter”<br />
to the country, and this is how the<br />
violent, colourful and unruly story feels.<br />
On sale from 19 August.<br />
bling [blIN] ifml.<br />
Chloe [(klEUi]<br />
confidence [(kQnfIdEns]<br />
disturbing [dI(st§:bIN]<br />
gossip [(gQsIp]<br />
maelstrom [(meI&lstrQm]<br />
narrator [nE(reItE]<br />
Klunker, Modeaccessoires<br />
Selbstvertrauen<br />
aufwühlend<br />
Klatsch<br />
Sog, Turbulenzen<br />
Erzähler(in)<br />
obsessive [Eb(sesIv]<br />
pass judgement [)pA:s (dZVdZmEnt]<br />
plot [plQt]<br />
robbery [(rQbEri]<br />
set: is ~ [set]<br />
unruly [Vn(ru:li]<br />
weave [wi:v]<br />
zwanghaft<br />
urteilen<br />
Handlung<br />
Raub<br />
spielen<br />
unbändig, wild<br />
sich verweben<br />
Fotos: PR<br />
44 <strong>Spotlight</strong> 8|13
| Food<br />
| Global affairs<br />
What’s for dinner this evening? If you’re short of ideas,<br />
AllRecipes suggests lots of inspiring meals. The app offers<br />
six main options. The “ingredients” option, for example, allows<br />
you to choose a meal using what you already have in the fridge,<br />
while the “time” option provides ideas for fast — and slow —<br />
meals. If you like your food cooked in a certain way, go to the<br />
option “method” and browse through recipes that are prepared<br />
in this way. The 44,000 recipes include vegetarian and vegan<br />
dishes, as well as some for people on a low-calorie diet. You<br />
need to be online to use AllRecipes, but the simple layout and<br />
step-by-step approach to preparing meals means that you can<br />
shop, plan, cook and improve your<br />
English at the<br />
same time.<br />
Available for<br />
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and phones,<br />
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Every year, millions of<br />
people leave their homes<br />
and go in search of a new<br />
and — hopefully — better<br />
life in another country.<br />
What is the impact of this<br />
mass movement of individuals?<br />
Is it simply a<br />
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left behind, or do the<br />
migrants learn skills and<br />
earn money that will benefit<br />
their families at<br />
Challenging: global topics<br />
home? These questions<br />
were considered recently in one of the Global Development<br />
Podcasts created by The Guardian newspaper. The<br />
podcasts, which cover topics such as migration, housing and<br />
family planning at a global level, are panel discussions — sometimes<br />
live — with experts from around the world. The presentations<br />
are dynamic and often controversial. Each free podcast<br />
in iTunes comes with a transcript that can be found on The<br />
Guardian website: www.guardian.co.uk<br />
What’s for lunch: AllRecipes has great ideas in English<br />
| Exhibition<br />
Anish<br />
Kapoor’s<br />
work: a man<br />
of our time<br />
Indian-born sculptor Anish Kapoor is recognized as one of Britain’s top<br />
artists. He represented Britain at the Venice Biennale in 1990, was awarded<br />
the Turner Prize in 1991 and produced a giant work of sculpture for the London<br />
Olympics. Using a wide variety of natural and man-made materials such<br />
as wax, steel, stone and concrete, Kapoor’s art draws attention to the physical<br />
aspects of objects, while playing with abstract concepts such as space and<br />
time, or chaos and perfection. Some of his most famous works and some new<br />
pieces are on show until 24 November at Berlin’s Martin-Gropius-Bau. This<br />
is a rare chance to experience Kapoor’s unique vision of art as an essential reflection<br />
of the modern, material world. For details, go to www.gropiusbau.de<br />
approach [E(prEUtS]<br />
benefit [(benIfIt]<br />
brain drain [(breIn dreIn]<br />
browse through<br />
[(braUz Tru:]<br />
concrete [(kQNkri:t]<br />
dish [dIS]<br />
draw attention to<br />
[)drO: E(tenS&n tE]<br />
Vorgehensweise, Methode<br />
nutzen<br />
Abwanderung hochqualifizierter<br />
Arbeitskräfte<br />
durchsuchen<br />
Beton<br />
Speise, Gericht<br />
die Aufmerksamkeit<br />
lenken auf<br />
impact [(ImpÄkt]<br />
panel discussion<br />
[(pÄn&l dI)skVS&n]<br />
recipe [(resEpi]<br />
recognize [(rekEgnaIz]<br />
sculptor [(skVlptE]<br />
short of ideas: be ~<br />
[)SO:t Ev aI(dIEz]<br />
unique [ju(ni:k]<br />
Venice [(venIs]<br />
Wirkung, Folge<br />
Podiumsdiskussion<br />
(Koch)Rezept<br />
anerkennen<br />
Bildhauer(in)<br />
keine Ideen haben<br />
einzigartig, besonders<br />
Venedig<br />
Reviews by EVE LUCAS<br />
8|13 <strong>Spotlight</strong><br />
45
ARTS | Short Story and Books<br />
Not your sister<br />
Eine junge Frau fühlt sich schwach und verloren. Doch die Zuwendung, die sie bekommt,<br />
könnte einen hohen Preis haben. CLARISSA ANN MASTIN erzählt.<br />
Look at your watch during<br />
the break. It’s after one<br />
o’clock in the morning.<br />
Pick up your notebook, jacket,<br />
purse. Say: “I’m going to bed<br />
now.” Try to sound apologetic and<br />
matter-of-fact at the same time.<br />
Don’t change your expression,<br />
even as you see anger in<br />
Theresa’s eyes. Watch the large<br />
features of her face grow harder.<br />
Wait as she pulls a sweet smile together.<br />
Feel her fold you into an<br />
iron embrace. Hear those words<br />
again: “My dear sister.” Shiver.<br />
Theresa is not your sister,<br />
but everyone here calls you “sister.”<br />
“This is your first seminar?<br />
Oh, sister, how wonderful for<br />
you!” they all say. They look at<br />
you with smiles that never seem<br />
to fade. Here, at the seminar<br />
with them, you will finally understand<br />
the meaning of life.<br />
Here, you will find not only authentic<br />
community, but peace and love.<br />
Even with your streak of skepticism, you have to admit<br />
that there’s something to these claims. It’s been only three<br />
days, and you’ve already felt peace and joy — emotions<br />
you didn’t ask for. With each passing day and night, you’ve<br />
been given less time to sleep. The world outside is getting<br />
hazier. You could almost believe that you’ve been wrong<br />
about everything all your life — but only almost, because<br />
in your emotion-drugged, love-bombed brain, alarm bells<br />
are going off. Who are these people?<br />
You met Theresa four months<br />
ago. Her little house-church welcomed<br />
you in when you were new<br />
to the city. You were charmed by<br />
how caring this small group of<br />
people were to each other — and<br />
to you as well.<br />
A few alarm bells went off<br />
even then. Questions about denomination<br />
seemed to confuse<br />
them. “We’re Christian,” they always<br />
answered. On the phone<br />
with a friend, you joked that you<br />
hoped this wasn’t a cult. But you<br />
didn’t listen to those alarm bells.<br />
And here you are now.<br />
Where are you exactly? It’s a<br />
good question. You’re in the<br />
woods. “Brother” Lewis drove.<br />
You don’t have cell-phone reception.<br />
You know this sounds like a<br />
horror movie, but you don’t think<br />
there’s any need to worry. There<br />
are only a few more days until the<br />
seminar is over, and then you’ll get<br />
back in the car with Theresa and Lewis, and they will take<br />
you home.<br />
When you’re back home, and you’ve had a few full<br />
nights of sleep, you’ll be able to think things over. You’ll<br />
think then about the things you don’t know. To start with,<br />
you don’t know what these people believe. When you ask<br />
questions, they start muttering about “deep truths.” They<br />
tell you to trust — and you want to. Why can’t you drop<br />
this feeling that there’s something hiding underneath all<br />
the love and acceptance?<br />
charm sb. [tSA:rm]<br />
claim [kleIm]<br />
cult [kVlt]<br />
denomination<br />
[di)nA:mI(neIS&n]<br />
drugged [drVgd]<br />
fade [feId]<br />
features [(fi:tS&rz]<br />
go off [)goU (O:f]<br />
hazy [(heIzi]<br />
jmdn. verzaubern<br />
Behauptung<br />
Sekte<br />
Konfession,<br />
Religionszugehörigkeit<br />
betäubt<br />
schwächer werden, schwinden<br />
hier: Gesichtszüge<br />
losgehen<br />
verschwommen<br />
iron embrace: fold sb.<br />
into an ~ [)aIEn Im(breIs]<br />
matter-of-fact<br />
[)mÄtEr Ev (fÄkt]<br />
mutter [(mVt&r]<br />
pick up [)pIk (Vp]<br />
purse [p§:s] N. Am.<br />
reception [ri(sepS&n]<br />
shiver [(SIv&r]<br />
streak [stri:k]<br />
jmdn. fest umarmen<br />
sachlich, bestimmt<br />
murmeln<br />
hier: nehmen<br />
(Hand)Tasche<br />
Empfang<br />
(er)schaudern<br />
Anflug<br />
Fotos: iStockphoto; Top Photo Group<br />
46 <strong>Spotlight</strong> 8|13
Short Story<br />
When Theresa finally lets go, walk carefully past the<br />
rows of seated people. See the peace shining from their<br />
faces. Some of them are first-timers like you. They’re not<br />
asking questions, as Theresa has pointed out. Look down<br />
at the floor. Keep walking until you get to the door.<br />
Look over your shoulder as you walk down the path to<br />
your cabin. See that no one is following you. Feel silly for<br />
worrying. Feel paranoid. Crawl into bed. Don’t open your<br />
eyes when Theresa comes in at three o’clock and lies down<br />
in the bed next to yours. Wake up at five to see her standing<br />
over you. “It’s time to go to morning prayer, sister.”<br />
Think about spending an hour and a half praying in<br />
that trance-inducing room. Think fast. Say: “Oh,<br />
Theresa... I think I’m getting a cold. My throat hurts.”<br />
Move over to give Theresa space to sit down next to<br />
you. See the look of concern in her eyes. Remember when<br />
you were sick and she called every day to check on you.<br />
Tell her you’ll be fine, that you need a little more sleep.<br />
And then freeze. Feel her fingers closing around your neck,<br />
pressing into your skin. You remember this iron grip. She<br />
won’t let go until she’s ready. Hear her strangely pitched<br />
prayer voice fill the room.<br />
“Oh, God above in heaven, my sister is weak. She is<br />
not fighting against the Devil’s attack, oh, God. Teach my<br />
sister to be strong against the flesh, oh, God in heaven.<br />
Oh, God, teach her that she must not waste any of this<br />
precious time at the seminar.”<br />
Nod when Theresa asks if you feel better. Take a breath<br />
as she releases your throat. Follow her to the prayer room<br />
without saying a word.<br />
Remember, it’s only a few more days until the seminar<br />
is over. Be strong.<br />
Thriller<br />
John le Carré is best known for<br />
thrillers that quietly pull back the<br />
curtains to show the nasty secrets<br />
behind international politics. His<br />
latest novel, A Delicate<br />
Truth, keeps things British in a<br />
story that starts with Kit Probyn, a<br />
senior Foreign Office official, taking<br />
part in an undercover plan to<br />
kidnap a jihadi arms dealer in Gibraltar. The operation seems<br />
to go well. Probyn gets a nice final posting and retires. Three<br />
years later, a trail of evidence and bodies indicates that things<br />
actually went very wrong and somebody is covering it up.<br />
Probyn starts asking himself — and his country — some uncomfortable<br />
questions. Le Carré’s look at the new Britain and<br />
its morality is both entertaining and sinister. Viking Adult,<br />
ISBN 978-0-241-96516-0, €19.50.<br />
Easy reader<br />
Is there life after death? And if so,<br />
what will it be like? In The Five<br />
People You Meet in<br />
Heaven, US writer Mitch Albom<br />
describes the real life and the ima -<br />
gined afterlife of a favorite uncle.<br />
Eddie is an elderly widower who<br />
thinks his life has been a failure. He<br />
has disappointed his family and<br />
loved ones and not made the most of his opportunities. When<br />
Eddie dies in an accident, the author explores what could await<br />
an ordinary man like him. The Five People You Meet in Heaven<br />
is an examination of what counts in life and what Albom believes<br />
will count in death: love and courage. The adaptation of<br />
this novel is at the upper-intermediate level, and the book<br />
includes exercises and a vocabulary list. Pearson Longman,<br />
ISBN 978-1-4082-6387-7, €7.99.<br />
cabin [(kÄbIn]<br />
concern [kEn(s§:n]<br />
cover sth. up [UK )kVvE (Vp]<br />
crawl [krO:l]<br />
elderly [(eld&rli]<br />
Foreign Office [UK (fQrEn )QfIs]<br />
freeze [fri:z]<br />
grip [grIp]<br />
let go [)let (goU]<br />
nasty [UK (nA:sti]<br />
Hütte<br />
Besorgnis<br />
vertuschen<br />
kriechen<br />
älter, betagt<br />
britisches Außenministerium<br />
erstarren<br />
Griff<br />
loslassen<br />
übel, schlimm<br />
point out [)pOInt (aUt]<br />
precious [(preSEs]<br />
senior [UK (si:niE]<br />
sinister [UK (sInIstE]<br />
strangely pitched<br />
[)streIndZli (pItSt]<br />
trail [treI&l]<br />
trance-inducing [)trÄns In(du:sIN]<br />
widower [(wIdoU&r]<br />
betonen, hervorheben<br />
kostbar<br />
leitend<br />
finster, düster und<br />
bedrohlich<br />
mit sonderbarer Tonhöhe<br />
Spur<br />
in Trance bringend<br />
Witwer<br />
Reviews by EVE LUCAS<br />
8|13 <strong>Spotlight</strong><br />
47
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LANGUAGE | Vocabulary<br />
Theatre<br />
A trip to the theatre is always a special event. ANNA HOCHSIEDER presents words that are<br />
used to talk about the experience.<br />
4<br />
6<br />
7<br />
8<br />
3<br />
9<br />
2<br />
5<br />
1<br />
14<br />
10<br />
15<br />
12<br />
13<br />
11<br />
1. stage<br />
2. curtain<br />
3. set, scenery [(si:nEri]<br />
4. actor (actress)<br />
5. costume<br />
6. spotlight<br />
7. wings<br />
8. box<br />
9. usher [(VSE]<br />
10. stalls [stO:lz], orchestra (US)<br />
11. aisle [aI&l]<br />
12. audience<br />
13. programme<br />
14. front row [)frVnt (rEU]<br />
15. balcony<br />
Critic’s tip<br />
Following last year’s inspiring performance of A Midsummer<br />
Night’s Dream, which was unforgettably set in a<br />
modern-day circus, the University Theatre Group has<br />
now put together a charming production of Romeo and<br />
Juliet. Imaginatively staged by director Gregory Pitt with<br />
an all-student cast, this realization of the drama reveals<br />
extraordinary acting skills in a classic production.<br />
Bob Motherwell’s minimalist stage design ensures<br />
that the audience’s attention is drawn fully to the actors<br />
(in costumes beautifully designed by Camilla Borden)<br />
and the story. The action takes place in a set consisting<br />
of no more than a few walls and some greenery, and with<br />
only a few flowers and swords as props.<br />
On the opening night, the theatrical experience be -<br />
gan before the curtain rose, when costumed ushers directed<br />
us to our seats. What followed was entertainment<br />
at its best. Amy Smith’s portrayal of Juliet was moving<br />
and convincing, while Tony Gordon in the role of Juliet’s<br />
nurse provided some welcome comic relief. Additional<br />
tension was created by the onstage fighting, which<br />
spilled over into the front row. The audience seemed<br />
thoroughly to enjoy this outstanding performance.<br />
Illustration: Bernhard Förth<br />
50<br />
<strong>Spotlight</strong> 8|13
Wollen Sie noch mehr Tipps und Übungen? Abonnieren Sie <strong>Spotlight</strong> plus! www.spotlight-online.de/ueben<br />
Practice<br />
Now try the exercises below to practise talking about the theatre.<br />
1. Match the theatrical words (a–f) to their definitions (1–6) below.<br />
a) The stage...<br />
b) The props...<br />
c) The set...<br />
d) The wings...<br />
e) The curtain...<br />
f) The stalls...<br />
a ➯<br />
b ➯<br />
c ➯<br />
d ➯<br />
e ➯<br />
f ➯<br />
1. are the two sides of a stage from which the actors walk on.<br />
2. is the raised part of a theatre where the actors perform.<br />
3. is the heavy cloth that goes up when the performance begins.<br />
4. are the seats on the lowest level of a theatre.<br />
5. are the onstage objects used by the actors in a play.<br />
6. is the scenery and furnishings on the stage.<br />
2. Who’s who? Find the missing words on the opposite page.<br />
a) The group of performers in a play or film are the _______________.<br />
b) The person who tells actors and theatre staff what to do in a play is the _______________.<br />
c) The people watching a play are the _______________.<br />
d) A member of staff who shows the audience to their seats is an _______________.<br />
e) Someone whose job is to write about stage productions is a theatre _______________.<br />
Answers<br />
1. a–2; b–5; c–6 (scenery:<br />
Bühnenbild, Kulissen); d–1;<br />
e–3 (cloth [klQT]: Stoff ); f–4<br />
2. a) actors / cast; b) director;<br />
c) audience; d) usher; e) critic<br />
3. a) imaginatively; b) tension;<br />
c) portrayal; d) comic relief<br />
4. a) staged (aufführen, inszenieren);<br />
b) directed; c) was set (fondly:<br />
gern); d) were designed<br />
(outstanding: außerordentlich);<br />
e) portrayed<br />
3. Complete the definitions below by filling in the missing letters in the following sentences.<br />
You can find all the words in the text on the opposite page.<br />
a) If a play is _ _ _ g _ n _ _ _ v _ ly staged, the director has put a lot of new and original ideas into the production.<br />
b) If a theatre performance creates _ _ _ s _ _ n, the people in the audience feel nervous because they are watching<br />
something exciting or frightening.<br />
c) If an actor’s _ o _ _ _ ay _ _ of a character is convincing, this character appears like a real person to the audience.<br />
d) If an actor or a character in a play provides c _ _ _ _ r _ _ _ _ _, he or she makes people laugh in an otherwise<br />
serious play.<br />
4. Complete the text with the correct form of the verbs in the<br />
list. You will need to use the passive in some cases.<br />
design | direct | portray | set | stage<br />
Last year, the University Theatre Group (a) _______________ another of<br />
Shakespeare’s most popular plays, A Midsummer Night’s Dream. Also<br />
(b) _______________ by Gregory Pitt, the story (c) _______________ in a<br />
modern-day circus. The production is fondly remembered for its imaginative<br />
costumes, which (d) _______________ by Helena Thompson, and for the<br />
outstanding performance of Tony Gordon, who (e) _______________ Puck<br />
and received standing ovations for his brilliant acting.<br />
You can leave out the definite article<br />
when referring to the theatre as an art<br />
form or a field of work:<br />
• Are you interested in (the) theatre?<br />
• He’s been working in (the) theatre<br />
since he was 16.<br />
You need the definite article when<br />
referring to a particular theatre performance<br />
or to the building where a<br />
work is staged:<br />
• We’re going to the theatre this<br />
evening to see King Lear.<br />
• They’re putting on a play by John<br />
Osborne at the theatre in Henley.<br />
Tips<br />
8|13 <strong>Spotlight</strong><br />
51
LANGUAGE | Travel Talk<br />
A county fair<br />
In the US, summertime means a visit to a<br />
county fair. RITA FORBES takes you inside an<br />
American tradition.<br />
Arriving at the fair<br />
I’ve never seen the county fair so crowded. Everyone<br />
in town must be here.<br />
This is obviously the place to be. What do you<br />
want to do first?<br />
I promised Karen I’d meet her at the exhibition<br />
building. The judging is about to start, and she’s<br />
hoping her quilt will win a blue ribbon.<br />
Go ahead! I’ll take a look at the livestock. You can<br />
come and find me when you’re done.<br />
Food and drink<br />
This is the hottest day we’ve had all summer.<br />
Might be time for a snow cone.<br />
Good idea! Should we get something deep-fried,<br />
while we’re at it?<br />
Well, the fair is only once a year. Let’s get a couple<br />
of corn dogs and a funnel cake to share.<br />
Decisions, decisions!<br />
Bad news! The pig-calling contest is at the same<br />
time as the square dance. We’ll have to pick one.<br />
You know I love to dance with you, but I’ve been<br />
practicing calling “sooey” for weeks. I might win<br />
this year! I can see the trophy in our living room<br />
now.<br />
OK, OK! But after you’ve won, I’m going to beat<br />
you at bumper cars.<br />
about to: be ~ do sth. [E(baUt tE]<br />
judging [(dZVdZIN]<br />
pick sth. [pIk]<br />
gleich beginnen, etw. zu tun<br />
Bewertung<br />
sich für etw. entscheiden<br />
Fotos: Alamy; Dorling Kindersley<br />
Tips<br />
• A county fair is a yearly<br />
event where people can play games<br />
and win prizes for animals they have raised<br />
(züchten) or things they have made. There is also entertainment,<br />
such as rodeos and concerts. In the US,<br />
the 50 states are divided into smaller areas called<br />
“counties.” There are about 3,000 in total.<br />
• If a location is popular or fashionable, you can say it<br />
is the place to be (ifml.).<br />
• At the exhibition building, you can look at things<br />
people have made and brought to the fair to be<br />
judged by experts. These things include handicrafts<br />
(Handarbeit), artwork, and food.<br />
• A quilt [kwIlt] is a kind of blanket, made by<br />
sewing [soU] (nähen) together two pieces of fabric<br />
(Stoff) with a layer [(leI&r] (Schicht) of stuffing (Füllmaterial,<br />
Polsterung) between them. Quilts are often<br />
colorful and decorative.<br />
• The winner of a competition gets a blue ribbon<br />
(blaues Band). A red ribbon is for second place, and a<br />
yellow ribbon for third.<br />
• People also bring livestock — farm animals like<br />
cows, sheep, and pigs — to be judged at the fair.<br />
• A snow cone is made from shaved ice (von einem<br />
Block geschabte schneeartige Eissplitter) or crushed ice<br />
with flavored syrup.<br />
• Food that is deep-fried has been cooked in a deep pan<br />
full of hot oil. The food is often covered with a batter<br />
(Backteig) or breading (Panade) first. You can find many<br />
types of deep-fried food at a county fair — everything<br />
from vegetables to candy bars (Schokoriegel).<br />
• The expression while we’re at it means: “If we’re<br />
doing one thing, we might as well do the other, too.”<br />
• It is common to eat food on a stick at a fair. Corn<br />
dogs are hot dogs on a stick that have been coated<br />
with a batter made from cornmeal (Maismehl) and<br />
then deep-fried.<br />
• A funnel cake is also fried in oil. It’s made by pouring<br />
a thin batter in a circular pattern (Form, Muster) into<br />
the oil, and it is usually covered with powdered sugar.<br />
• In a pig-calling contest, people make loud, highpitched<br />
noises to attract pigs. They often try to sound<br />
like piglets (baby pigs), or shout the word sooey.<br />
• A square dance is a traditional American country<br />
dance, in which groups of four couples follow the<br />
steps that a caller announces.<br />
• Bumper cars are the small electric cars that people<br />
drive around in an enclosed<br />
(umzäunt) area, trying to run<br />
into each other. A bumper is<br />
the plastic or metal piece that is<br />
fixed to the front or back of a car<br />
to protect it.<br />
52<br />
<strong>Spotlight</strong> 8|13
Cards | LANGUAGE<br />
showroom(ing)<br />
NEW WORDS<br />
I’m going to showroom the latest smartphones<br />
before I order one online.<br />
GLOBAL ENGLISH<br />
What would a speaker of British<br />
English say?<br />
North American: “I wrote the date on the first line:<br />
4/10/2013.”<br />
<strong>Spotlight</strong> 8|13<br />
<strong>Spotlight</strong> 8|13<br />
(IN)FORMAL ENGLISH<br />
Make these statements sound less<br />
idiomatic:<br />
1. You look like a million dollars tonight, Helen!<br />
2. I feel like a million dollars today.<br />
Translate:<br />
TRANSLATION<br />
1. Meine Schwester will sich scheiden lassen.<br />
2. Meine Eltern haben sich letztes Jahr scheiden<br />
lassen.<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />
PRONUNCIATION<br />
IDIOM MAGIC<br />
Read the following words aloud, paying<br />
particular attention to the letter “v”:<br />
invalid<br />
invisible<br />
Ching Yee Smithback<br />
valley<br />
virgin<br />
victim<br />
vodka<br />
seed money<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />
FALSE FRIENDS<br />
GRAMMAR<br />
rump / Rumpf<br />
Translate the following sentences:<br />
1. I’ll cut you a piece of meat from the rump.<br />
2. Das Einzige, was von der Leiche übrig blieb,<br />
war der Rumpf.<br />
Correct these wrongly formed sentences:<br />
1. Instead of to go home after work, we went to a<br />
bar.<br />
2. I solved the problem, without to understand<br />
how.<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13
LANGUAGE | Cards<br />
GLOBAL ENGLISH<br />
British speaker: “I wrote the date on the first line:<br />
10/4/2013.”<br />
In both cases, the date is the tenth of April. In<br />
British English, the date is written in the same<br />
order as in German: the day before the month.<br />
North Americans place the month before the day,<br />
as one can see in their name for the terrorist<br />
attacks of 11 September 2001: “9/11”.<br />
NEW WORDS<br />
A showroom is a large space where objects that<br />
are for sale are on display (ausgestellt sein) —<br />
objects such as cars or furniture. If you<br />
showroom something, you go to shops to look<br />
at or test products and then buy them more<br />
cheaply online. That makes you a showroomer.<br />
<strong>Spotlight</strong> 8|13<br />
<strong>Spotlight</strong> 8|13<br />
TRANSLATION<br />
1. My sister wants to get divorced / get a<br />
divorce.<br />
2. My parents divorced / got divorced / got a<br />
divorce last year.<br />
Intransitive “divorce” can be used only with a plu -<br />
ral subject, as in example (2), in other words, when<br />
both partners are referred to in the sentence.<br />
(IN)FORMAL ENGLISH<br />
1. You look amazing / fantastic tonight, Helen!<br />
2. I feel great / fantastic today.<br />
In this idiomatic expression, “like a million dollars”<br />
is used to mean “look or feel extremely good”.<br />
Even in the UK, the word “dollars” is used here,<br />
not pounds.<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />
IDIOM MAGIC<br />
Seed money is money that is made available<br />
to start a new project, in allusion to (in Anspielung<br />
auf) seeds from which plants can grow.<br />
In German, it is called Startkapital or Gründungskapital.<br />
“Local corporations will provide seed money for a<br />
new research centre outside the town.”<br />
[(InvEli:d]<br />
[(vÄli]<br />
[(v§:dZIn]<br />
PRONUNCIATION<br />
[In(vIzEb&l]<br />
[(vIktIm]<br />
[(vQdkE]<br />
Many native speakers of German replace the<br />
sound [v] with [w] when they see the English<br />
letter “v”. This is surprising, as the sound [w]<br />
doesn’t exist in German. English “v” has the same<br />
sound as German “w”, as in Wodka.<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />
GRAMMAR<br />
1. Instead of going home after work, we went to a<br />
bar.<br />
2. I solved the problem, without understanding<br />
how.<br />
Subjectless clauses introduced by a preposition<br />
always take an -ing form of the verb, not an<br />
infinitive.<br />
FALSE FRIENDS<br />
1. Ich schneide dir ein Stück Fleisch aus der Hüfte.<br />
2. The only thing left of the corpse was the<br />
torso.<br />
German Rumpf is the main part of the body<br />
(without head, legs and arms). English “rump”<br />
refers to the Hinterteil of an animal — or,<br />
humorously, of a person.<br />
<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13
Having a baby<br />
Listen to dialogues 3 and 4<br />
This month, DAGMAR TAYLOR looks at the<br />
words and phrases people use when they talk<br />
about expecting a child.<br />
Everyday English | LANGUAGE<br />
Fotos: iStockphoto<br />
1. The news<br />
Katy has just found out that she will be having a<br />
baby. She calls her parents, Audrey and Jeff.<br />
Audrey: Hello?<br />
Katy: Mum? It’s Katy.<br />
Audrey: Hello, Katy, darling. How are you?<br />
Katy: I’m fine, Mum. And you?<br />
Audrey: We’re fine, love.<br />
Katy: Mum, I’ve got some news...<br />
Audrey: Ooh, what is it?<br />
Katy: You and Dad are going to be grandparents.<br />
Audrey: What? You mean you’re expecting? Oh, Katy,<br />
that’s lovely! (calls to husband) Jeff, come here<br />
quick! Katy is having a baby!<br />
Jeff: What? Now?<br />
Audrey: No, not now. (to Katy) When are you due?<br />
Katy: I’m 12 weeks gone, so the baby should be<br />
born at the end of January or the beginning<br />
of February.<br />
• Most people just say Hello? when they answer<br />
the phone at home.<br />
• Darling and love are things to call people you love. In<br />
the UK, love (ifml.) is also used generally to address<br />
(ansprechen) someone in a friendly way.<br />
• Be careful when you use the word news — it’s<br />
uncountable.<br />
• When you want to make sure you have understood<br />
correctly what someone has said, you can begin the<br />
question with You mean...?<br />
• Another way of saying that someone is pregnant<br />
(schwanger) is to say that she is expecting<br />
(a baby).<br />
• To ask when the baby will be born, you can say:<br />
“When is the baby due?” or “When are you due<br />
(to give birth)?”<br />
• You can also use gone (UK ifml.) to say or ask how<br />
long a person has been pregnant: “How far gone are<br />
you?”<br />
• Be born is used only in the passive form. “Born” is the<br />
past participle of the verb “bear” ((aus)tragen).<br />
baby: have a ~ [(beIbi]<br />
ein Baby bekommen<br />
Tips<br />
2. The nitty-gritty<br />
Katy is talking to her dad, Jeff, on the phone.<br />
Jeff: Well, that’s fantastic news, love. I’ll pass you<br />
back to Mum now. I’m sure you’ll want to<br />
talk to her about the... nitty-gritty.<br />
Katy: Don’t you want to hear about my sore boobs<br />
and my morning sickness?<br />
Jeff: No, I don’t! Here’s your Mum.<br />
Audrey: So how are you feeling? Any cravings yet?<br />
Katy: I’m fine. Really I am.<br />
Audrey: Lucky you! You probably aren’t showing yet,<br />
are you?<br />
Katy: No, it’s too early for “maternity fashion”.<br />
Audrey: You’ll look lovely. Have you had a scan?<br />
Katy: Yes, this morning. We even got a picture. I’m<br />
afraid your grandchild looks like a peanut.<br />
Audrey: We’ll love it no matter what it looks like!<br />
• The most important or practical details of a<br />
situation are known as the nitty-gritty (ifml.).<br />
• If part of your body is sore, it hurts. Women’s breasts<br />
are informally known as boobs.<br />
• Morning sickness is the nausea [(nO:siE] (Übelkeit)<br />
felt by many women in the early months of<br />
pregnancy.<br />
• Many pregnant women have cravings, a strong<br />
desire (Wunsch, Verlangen) to eat certain foods.<br />
• When the baby bump (Babybauch) can be seen, we<br />
say a woman is showing.<br />
• There are many word partnerships with maternity,<br />
the state of being or becoming a mother: maternity<br />
clothes, maternity hospital, maternity leave<br />
(Mutterschaftsurlaub), etc.<br />
• No matter what (who, where, etc.) is used to say that<br />
something is always true, whatever the situation.<br />
pass sb. back to sb.<br />
[)pA:s (bÄk tE]<br />
scan [skÄn]<br />
jmdn. jmdm. wiedergeben<br />
Ultraschalluntersuchung<br />
Tips<br />
8|13 <strong>Spotlight</strong><br />
55
LANGUAGE | Everyday English<br />
EXERCISES<br />
3. Getting ready 4. Read all about it<br />
Katy and her husband, Bill, are at home. Katy is looking<br />
through a catalogue of products for babies.<br />
Katy: I think we should get a bedside crib first, rather<br />
than a cot.<br />
Bill: What’s the difference?<br />
Katy: The crib fits on the side of our bed. The baby<br />
sleeps separately, but I don’t have to get up in the<br />
night for feeds.<br />
Bill: Let’s have a look. Have you decided which pram,<br />
or buggy, or whatever it’s called, to get yet?<br />
Katy: Pram. Yes, a colleague of mine said she’d sell me<br />
hers. It’s still in great condition. She’s also got a<br />
changing table and a car seat, although they say<br />
you should buy those new...<br />
Bill: Have you seen the price of these crib things? Ask<br />
your colleague if she’s flogging one of those, too.<br />
• A cot (US: crib) is a small bed with high sides for a<br />
baby or small child.<br />
• Here, a feed is a drink of milk. Katy is talking about<br />
getting up in the night to breastfeed (stillen) her child.<br />
• A pram (US: baby carriage) is a small covered bed on<br />
four wheels for outdoor use.<br />
• A buggy (US: stroller) is a folding seat on wheels in<br />
which a child sits and is pushed along.<br />
• In English, “a colleague of me” is incorrect. Instead, we<br />
say: a colleague of mine.<br />
• If something is in good or great condition, it doesn’t<br />
look as if it has been used very much.<br />
• A changing table is a piece of furniture on which a<br />
baby is placed to have its nappy (UK) (Windel) changed.<br />
• Flog (UK) is an informal word for “sell”.<br />
1. What did they say? Fill in the missing letters.<br />
a) When are you d _ _?<br />
b) Have you had any c _ _ _ _ _ _ _ yet?<br />
c) We should get a bedside crib first, rather than a c _ _.<br />
d) I’ve just been reading about l _ _ _ _ _.<br />
Tips<br />
Bill is in the kitchen. Katy joins him.<br />
Bill: You look a bit pale. Are you OK?<br />
Katy: I’m fine. I’ve just been reading about labour,<br />
contractions and complications.<br />
Bill: Oh, dear! Sit down. I’ll make you a cup of tea.<br />
Katy: I don’t know if I’ll be able to handle the pain.<br />
Maybe I should have a caesarean — or an<br />
epidural.<br />
Bill: Isn’t that the thing they inject into your lower<br />
back? I don’t like the sound of that.<br />
Katy: Well, you’re not the one who has to give birth.<br />
Bill: It’ll be fine. And you’re going to be a great mum.<br />
Katy: Really?<br />
Bill: Of course! Oh, the midwife called about the<br />
antenatal classes. I told her you’d call back.<br />
Tips<br />
• The process of giving birth (entbinden) is known<br />
as labour: “She was in labour for ten hours.”<br />
• Contractions are the sudden and painful shortening<br />
of the muscles around the womb [wu:m] (Gebärmutter)<br />
before a woman gives birth.<br />
• If you can handle something, you can accept and deal<br />
with an unpleasant or difficult situation.<br />
• A caesarean [sI(zeEriEn] or C-section (US: cesarean<br />
[sI(zeriEn]) is an operation in which a baby is taken<br />
out of a woman’s womb.<br />
• Midwives help women give birth and support them in<br />
the weeks after the birth.<br />
• Antenatal classes [)Änti(neIt&l )klA:s] help parentsto-be<br />
prepare for labour, birth and parenthood. Postnatal<br />
classes are available to support new mothers.<br />
Oh, dear! [)EU (dIE] Ach je!<br />
pale [peI&l] blass (➝ p. 61)<br />
3. Rearrange the letters to form words and<br />
expressions from the scenes.<br />
a) a a d e g n n p r r s t _______________<br />
b) g i m n n o r c e i k n s s s _______________<br />
c) a c g g h i n n a b e l t _______________<br />
d) d e f i i m w _______________<br />
2. What did they actually say?<br />
a) You mean you’re pregnant? _______<br />
b) Don’t you want to hear about my painful boobs? ____<br />
c) Ask your colleague if she’s selling one of those, too.<br />
_______<br />
d) I don’t know if I’ll be able to deal with the pain. ______<br />
4. Add the missing words from the scenes.<br />
a) The baby should be born ______ the end of January.<br />
b) I’ll pass you back ______ Mum now.<br />
c) It’s still ______ great condition.<br />
d) I don’t like the sound ______ that.<br />
56 <strong>Spotlight</strong> 8|13<br />
Answers: 1. a) due; b) cravings; c) cot; d) labour; 2. a) expecting; b) sore; c) flogging; d) handle;<br />
3. a) grandparents; b) morning sickness; c) changing table; d) midwife; 4. a) at; b) to; c) in; d) of
The Grammar Page | LANGUAGE<br />
The past perfect simple<br />
ADRIAN DOFF uses notes on a short dialogue to present and<br />
explain a key point of grammar.<br />
Clare is chatting to her<br />
friend Fiona.<br />
Clare: When you leave home to go on holiday, do you<br />
ever get that funny feeling that you’ve forgotten<br />
something? 1<br />
Fiona: Yes, and I usually have forgotten something.<br />
Clare: Same with me. It happened when I flew to London<br />
last week. As soon as I got 2 into the car,<br />
I knew I’d forgotten 3 something, but I couldn’t<br />
think what it was. It was really strange.<br />
Fiona: And had you? 4<br />
Clare: Well, I couldn’t think what. Then, halfway to the<br />
airport, I realized what it was. I’d left 5 the iron on.<br />
I was in such a hurry that I hadn’t noticed. 6<br />
Fiona: Oh, no! What did you do?<br />
Clare: Well, there was only one thing I could do. I turned<br />
round and went straight back home.<br />
Fiona: That’s awful! Did you miss your flight?<br />
Clare: No. The flight had been delayed 7 anyway, so in the<br />
end, I had to wait another four hours at the airport.<br />
Fiona: Hmm! You were lucky.<br />
Clare: I suppose (denken, annehmen) you could say that.<br />
1 When people tell stories about their lives, several tenses<br />
are used. Clare is talking in general here (not about the<br />
past), so she uses the present simple and present perfect<br />
tenses.<br />
2 Now Clare uses the past simple tense to tell the main<br />
events of her story.<br />
3 Clare uses the verb “know” with the past perfect simple<br />
to “go back” from the events of her story to talk about an<br />
earlier, background action. The past perfect is formed<br />
with had (or ’d) + past participle.<br />
4 To make a question, the subject and the verb “had” are<br />
changed round.<br />
5 This is another example of the use of the past perfect<br />
simple to talk about an earlier event.<br />
6 To form the negative, not (or n’t) is added after had.<br />
7 This is the past perfect passive. It is formed with<br />
had been + past participle. Instead, Clare could say:<br />
“They had delayed the flight.” Again, she is talking about<br />
an earlier event. The flight had been delayed even before<br />
she got to the airport.<br />
Remember!<br />
1. The past perfect passive<br />
The passive is always formed with be + past participle.<br />
The past perfect passive is formed with the past perfect<br />
of “be”: had been + past participle.<br />
2. The short form: ’d<br />
In speaking and informal writing, had is usually reduced<br />
to ’d:<br />
• I’d left the iron on. (= I had left)<br />
Beyond the basics<br />
The past perfect tense is often used after reporting<br />
verbs (for example, said, told) and after verbs like<br />
discovered, knew, noticed, realized and was sure:<br />
• She called me and said she’d missed the train.<br />
• I suddenly discovered that I’d lost my phone.<br />
• I was sure I’d seen him somewhere before.<br />
In all these examples, the speaker is talking about earlier<br />
events.<br />
EXERCISE<br />
Complete the sentences below, using verbs from the box in the past perfect simple (active or passive).<br />
cancel | change | clean | die | go | leave | wake up<br />
d) She was 70 years old and living alone. Her husband<br />
__________ the year before.<br />
a) I didn’t recognize her at first, because she __________ e) It was Friday, so everyone __________ home early.<br />
her hair colour.<br />
f) I took him breakfast at nine o’clock, but he still<br />
b) I went to meet them, but they __________ already<br />
__________.<br />
__________.<br />
g) Our hotel room was disgusting. It __________ for<br />
c) I arrived to find that all the classes __________.<br />
weeks.<br />
Answers: a) had changed; b) had already left / gone; c) had been cancelled; d) had died; e) had gone; f) hadn’t woken up; g) hadn’t been cleaned<br />
8|13 <strong>Spotlight</strong><br />
57
LANGUAGE | The Soap<br />
Helen<br />
Phil<br />
Peggy<br />
FOCUS<br />
Afternoon tea,<br />
anyone?<br />
Join us at Peggy’s Place — <strong>Spotlight</strong> ’s very<br />
own London pub. By INEZ SHARP<br />
Phil: Well, you’re a sight for sore eyes!<br />
Peggy: You don’t think I’m too dressed up, do you?<br />
Phil: You want me to be honest? I’d ditch the hat.<br />
Peggy: But I never wear my hats, and if I can’t put one on<br />
for a visit to Buckingham Palace, when can I?<br />
Helen: Wow! Peggy, you look amazing. Should I go home<br />
and put on something else?<br />
Peggy: No. You look great. But perhaps you should brush<br />
your hair before we leave.<br />
Phil: So what exactly happens when you get to the palace?<br />
Will you meet any members of the royal family?<br />
Helen: That would be nice, but it’s really just a tour of the<br />
staterooms.<br />
Phil: Then I’d definitely ditch the hat. It’s not like you’ve<br />
got a personal invite. You’re just normal tourists...<br />
Peggy: ...visiting parts of the palace that are only open to<br />
the public for two months of the year. You never know<br />
who we might meet in the corridor.<br />
Sean: You two ladies are looking particularly lovely today.<br />
Peggy: We’re going to visit Buckingham Palace.<br />
Helen: Yes. We’re taking a special tour.<br />
Sean: Why would you do that? Wasting good money to<br />
ogle the elite lifestyle of a family of spongers.<br />
Peggy: Sean!<br />
Phil: I keep forgetting that you haven’t been with us for<br />
very long, Sean. Otherwise you’d know that my wife is<br />
an ardent royalist.<br />
Sean: Of course I’ve noticed the pictures everywhere, but<br />
I thought they were just there to please the customers.<br />
Peggy: No. They’re there to please me.<br />
Sean: Sorry. I didn’t mean to hurt your feelings. Actually,<br />
I came out to talk about the menu.<br />
Peggy: Well, I haven’t got any time now, but I would like<br />
you to think about the idea of serving afternoon tea.<br />
Sean: Afternoon tea?<br />
Phil: Yeah. We thought it would be a nice way to bring in<br />
more people during the day.<br />
When Peggy calls Sean a cheeky little blighter (Bengel, Mistkerl),<br />
she is using an informal British expression that has<br />
been known for around 100 years. The Oxford English Dictionary<br />
says the term comes from the verb to blight, which<br />
means to “have a negative effect on something or someone”:<br />
“His life was blighted by illness and poverty.” Today,<br />
the word “blighter” is used mainly by the older generation.<br />
58 <strong>Spotlight</strong> 8|13<br />
George<br />
Eddy<br />
Sean<br />
“ ”<br />
We need to bring in more customers<br />
Jane<br />
Sean: I’ll tell you right here and now: I think the idea is<br />
naff and pretentious.<br />
Peggy: I’m sorry, I can’t agree. We need more customers,<br />
and I think afternoon tea is the way to go.<br />
Sean: A good gastropub concentrates on serving top-end<br />
food, not dinky little sandwiches and cups of tea.<br />
Phil: Maybe you’ve got an alternative.<br />
Sean: We could vary our menu. Next week, it’s the Notting<br />
Hill Carnival. We could have a carnival special.<br />
Peggy: That sounds naff to me.<br />
Sean: Look, Peggy! It’s my kitchen, and I decide what<br />
comes in and goes out of there. Takings have gone up<br />
by almost 20 per cent since I started. I’d say that speaks<br />
for itself.<br />
Peggy: That might be the case, but I am still the one paying<br />
your wages, and what I say goes.<br />
Sean: If that’s your attitude, then I will have to take the<br />
afternoon off to think about my future. You’ll find the<br />
menu on the table. Good luck with the cooking. I’ll<br />
see you tomorrow.<br />
Peggy: The cheeky little blighter!<br />
Helen: I suppose that means we won’t be going to Buckingham<br />
Palace today.<br />
Phil: Let me take your hat, love. You won’t be needing that<br />
in the kitchen.<br />
ardent [(A:d&nt]<br />
cheeky [(tSi:ki]<br />
dinky [(dINki] UK ifml.<br />
ditch [dItS] ifml.<br />
dressed up [)drest (Vp]<br />
gastropub [(gÄstrEUpVb] UK<br />
leidenschaftlich, begeistert<br />
unverschämt, frech<br />
hübsch, niedlich<br />
hier: weglassen<br />
aufgedonnert<br />
Pub, in dem hochwertige<br />
Gerichte serviert werden<br />
bescheuert<br />
begaffen<br />
protzig<br />
eine Augenweide,<br />
ein göttlicher Anblick<br />
Schmarotzer, Schnorrer<br />
Prunkgemach<br />
denken, meinen<br />
Einnahmen<br />
Spitzen-<br />
Lohn<br />
naff [nÄf] UK ifml.<br />
ogle [(EUg&l]<br />
pretentious [pri(tenSEs]<br />
sore eyes: a sight for ~<br />
[)sO: (aIz] ifml.<br />
sponger [(spVndZE] ifml.<br />
stateroom [(steItru:m]<br />
suppose [sE(pEUz]<br />
takings [(teIkINz]<br />
top-end [(tQp end]<br />
wages [(weIdZIz]<br />
Have a look at all the characters from Peggy’s Place at<br />
www.spotlight-online.de/peggy
English at Work | LANGUAGE<br />
Dear Ken: How can I improve<br />
my listening skills?<br />
Dear Ken<br />
I have problems understanding native speakers and my<br />
English-speaking colleagues from India and China. How<br />
can I improve my listening skills? Can you give me some<br />
advice?<br />
Thanks.<br />
Konrad M.<br />
Dear Konrad<br />
Thank you for your e-mail about listening skills. I’d like<br />
to answer your question in two parts, because there are<br />
two key areas you should think about: firstly, practising<br />
listening, and secondly, controlling conversations.<br />
Part 1<br />
How can you practise listening? Here are a few things you<br />
can do:<br />
• The BBC and CNN television news channels have business<br />
news slots with an international angle. Use them<br />
to practise listening to both native and non-native<br />
speakers with various accents talking about business.<br />
• Subscribe to the audio CD from <strong>Spotlight</strong> magazine. You<br />
will hear a variety of accents and have the chance to practise<br />
some “active listening” by doing the oral exercises.<br />
• Work on your own professional development by choosing<br />
business courses in English at a training centre, university<br />
or business school. With a bit of luck, there will<br />
be participants from other countries, which will also<br />
give you valuable listening practice.<br />
• Buy some “talking books”. There are a lot of audiobooks<br />
on CD, including many on business. Listen to<br />
them on your journey to work.<br />
• Use your DVD player for listening practice. Try the<br />
British comedy The Office or the American series Mad<br />
Men for a business angle. You could also choose a film<br />
with Indian speakers such as Slum Dog Millionaire or<br />
All in Good Time. Start watching with German or, better<br />
still, English subtitles. After a while, switch off the<br />
subtitles altogether if you can.<br />
All in Good Time [)O:l In )gUd (taIm] Hochzeitsnacht mit<br />
Hindernissen<br />
angle [(ÄNg&l]<br />
Blick(winkel), Perspektive<br />
model [(mQd&l] Beispiel, Vorbild (➝ p. 61)<br />
news slot [(nju:z )slQt]<br />
Nachrichtensendung<br />
physical exercise [)fIzIk&l (eksEsaIz] körperliche Betätigung, Sport<br />
speak up [)spi:k (Vp]<br />
lauter sprechen<br />
subscribe to sth. [sEb(skraIb tE] etw. abonnieren<br />
subtitles [(sVb)taIt&lz]<br />
Untertitel<br />
Send your questions<br />
about business English<br />
by e-mail with “Dear<br />
Ken” in the subject line to<br />
language@spotlight-verlag.de.<br />
Each month, I answer two questions<br />
<strong>Spotlight</strong> readers have sent in. If one of<br />
them is your question, you’ll receive a<br />
copy of my book: Fifty Ways to Improve<br />
Your Business English. So don’t forget<br />
to add your mailing address!<br />
• Subscribe to a regular podcast. Choose a one- to twominute<br />
section and listen to it intensively. Listen as<br />
many times as you need to understand every single<br />
word. Use it for dictation practice, too. Ask a native<br />
speaker for help or corrections if necessary.<br />
Choose one or two of the above ideas and create a personal<br />
training plan for yourself — as you would for physical exercise<br />
— for a week. Make the plan practical and achievable.<br />
Check your progress at the end of the week, then<br />
revise your plan for the following week.<br />
Part 2<br />
Now let’s think about controlling conversations. Indian<br />
speakers in particular may speak very fast. Slow speakers<br />
down when they are talking too quickly. Be a good model.<br />
Speak slowly and clearly yourself. If that doesn’t work, say:<br />
• Could you speak a little more slowly, please?<br />
If you can’t hear what people are saying, ask them:<br />
• Could you speak up a bit, please?<br />
Summarize the conversation at regular intervals. This is<br />
good practice in any foreign language, of course:<br />
• So what we’ve said so far is...<br />
• Perhaps I could summarize what we’ve said so far, to<br />
make sure I’ve understood everything.<br />
In my book Fifty Ways to Improve Your Telephoning and<br />
Teleconferencing Skills (Summertown Publishing), I go into<br />
these problems in more detail. The book includes a CD<br />
with listening exercises containing a variety of accents.<br />
Hope this is of some help.<br />
All the best<br />
Ken<br />
Ken Taylor is the director of Taylor Consultancy Ltd, an international<br />
communication-skills consultancy in London. He regularly<br />
runs seminars in Germany.<br />
8|13 <strong>Spotlight</strong><br />
59
LANGUAGE | Spoken English<br />
60<br />
We’ve made it!<br />
ADRIAN DOFF looks at the way we use the<br />
word “make” in spoken English.<br />
• Just relax. I’ll make us something to eat.<br />
• I love your pictures of India. They make me want<br />
to go there myself.<br />
As you can see from the first example in the box, a common<br />
meaning of “make” is to create or produce something.<br />
In this sense, “make” is followed by a noun or a<br />
noun phrase. In the morning, for example, you might<br />
make some coffee, and then you might make a list of<br />
things to do and make plans for the day. If you run a business,<br />
you will need to make decisions so that your company<br />
makes a profit. If you make a success of things, you<br />
might make lots of money.<br />
As the second example shows, “make” can also mean to<br />
cause something to happen. In this sense, it is followed by<br />
a verb or an adjective. If you see a comedy film in the cinema,<br />
it may make you laugh. A romantic film may make<br />
you sad or may even make you cry.<br />
Other common uses of “make” are listed below.<br />
“Make” can mean have the right qualities for:<br />
• This room would make a good bedroom. (= It isn’t one<br />
now, but it could become one.)<br />
• She thinks very logically. She’d make a good lawyer.<br />
(= She has the ability for it.)<br />
The expression have the makings of is used in a similar<br />
way:<br />
• She’s still very young, but she has the makings of a<br />
good lawyer.<br />
“Make” can mean arrive, usually used in the expression<br />
make it:<br />
• The train leaves in ten minutes. We should just make it<br />
(= get there in time).<br />
• Sorry, I can’t make it to the meeting. I’m too busy.<br />
(= I’m not able to come.)<br />
“Make it” is also used to talk about succeeding in a career:<br />
• They say that if you don’t make it in business by the<br />
age of 40, you never will.<br />
In British English, “make” can mean calculate:<br />
• I think the bill’s wrong. I make it £53.50, not £63.50.<br />
• Is my watch right? I make it 6.30 p.m.<br />
A common way to ask the time in the UK is:<br />
• What time do you make it? (= What does your watch say?)<br />
<strong>Spotlight</strong> 8|13<br />
The phrasal verbs make of and make out can mean<br />
understand or interpret:<br />
• I’ve just received an e-mail from my boss. I don’t know<br />
what to make of it. (= I don’t understand what he’s trying<br />
to say.)<br />
• Her new boyfriend is very strange. I can’t make him<br />
out at all. (= I don’t understand his character.)<br />
• What does that sign say? I can’t make it out.<br />
(= I can’t read it.)<br />
“Make” is also used as a phrasal verb with up:<br />
make up = invent<br />
• I don’t believe he met the queen. I think he was just<br />
making it up. (= He invented the story.)<br />
make (it) up = be friends again<br />
• He had a terrible fight with his girlfriend, but now<br />
they’ve made (it) up.<br />
make up for = compensate for<br />
• He spent the holiday relaxing, but now he’s studying<br />
hard to make up for it.<br />
Another common expression with “make” is make sure.<br />
It means to check or be certain:<br />
• Wait a minute. I just need to make sure all the windows<br />
are closed.<br />
“Make sure” is often used to remind people to do things:<br />
• Make sure you phone me when you arrive.<br />
• You will make sure to wear something warm, won’t<br />
you?<br />
Add one word from the list in the box to complete<br />
each sentence below.<br />
a | it | it | out | sure | up<br />
a) The bus is still there — we’ve just made.<br />
b) Make all the lights are off before you leave.<br />
c) She speaks with such a strong accent, I can’t make<br />
anything she says.<br />
d) Why don’t you say you’re sorry and try to make<br />
with her?<br />
e) What time do you make?<br />
f) The company has made profit every year so far.<br />
Answers: a) We’ve just made it. b) Make sure all the lights are off...; c) I can’t<br />
make out...; d) ...make (it) up with her; e) ...make it; f) ...has made a profit...<br />
EXERCISE<br />
Foto: iStockphoto
Word Builder | LANGUAGE<br />
Build your vocabulary<br />
JOANNA WESTCOMBE presents useful words and phrases from this issue of <strong>Spotlight</strong> and their<br />
collocations. The words may also have other meanings that are not listed here.<br />
copy [(kQpi] noun p. 14<br />
model [(mQd&l] noun p. 59<br />
a single book, newspaper, etc. that is one of many<br />
that have been produced<br />
Exemplar<br />
I lent my copy of Margaret Thatcher’s<br />
biography to a friend and never got it back.<br />
a good example of sth.<br />
Beispiel; Vorbild<br />
It’s hard to be a good model for your<br />
children when you love sweets and chocolate<br />
as much as I do.<br />
A hard copy is a printed copy of information taken from a<br />
computer.<br />
Model is also an adjective: “He’s a model father /<br />
businessman.”<br />
drag [drÄg] verb p. 28<br />
get to do sth. [)get tE (du:] verb pp. 9, 17<br />
to pull something or someone with difficulty<br />
be able to, have the chance to do sth.<br />
zerren, tragen<br />
die Möglichkeit haben, etw. zu tun<br />
Jack has nothing to do with this. Please<br />
don’t drag him into the discussion.<br />
I got to read two whole books while I was<br />
on holiday last week. It was lovely!<br />
See the extra notes below on how to use this word.<br />
get to doing (ifml.) = start doing: “I got to thinking about<br />
my childhood.”<br />
pale [peI&l] adjective p. 56<br />
with skin that is lighter than usual (of a person who is<br />
worried, ill, etc.)<br />
blass<br />
When he heard the news, he turned pale and<br />
began to shake.<br />
“Pale” also describes colour: pale blue, pale green, etc.<br />
sober [(sEUbE] adjective p. 13<br />
not drunk<br />
nüchtern<br />
I need to talk to you when you’re sober, not<br />
after three beers. It’s important.<br />
sober up = become sober again after being drunk<br />
Foto: iStockphoto<br />
How to use the verb drag<br />
When you’re talking about time, the verb drag is the<br />
opposite of fly. On holiday, time really flies. A boring<br />
meeting might drag on, however. There are many useful<br />
expressions with the verb drag and a preposition:<br />
• Don’t let it drag you down. (= make your<br />
position worse)<br />
• Don’t let him drag you into this. (= involve you in a<br />
situation against your will)<br />
• He dragged the details out of me. (= make you talk<br />
about something when you don’t want to)<br />
• He dragged up the old story about... (= talk about<br />
sth. from the past that you hoped was forgotten)<br />
• I couldn’t drag myself away from my book. (= stop<br />
doing something enjoyable)<br />
You can practise using drag in <strong>Spotlight</strong> plus.<br />
Complete the following sentences with words<br />
from this page in their correct form.<br />
a) This business is a ___________ of good practice.<br />
b) I hope the rain will stop so we can ___________ to go<br />
out for a walk later.<br />
c) Have you got a ___________ of yesterday’s Times?<br />
d) My colleagues all drank wine at lunch. I’m the only<br />
___________ person in the office.<br />
e) Auntie Sue always manages to ___________ her<br />
health problems into the conversation.<br />
f) You look a bit ___________. Are you feeling OK?<br />
g) If Roger Federer is playing, you’ll have to drag me<br />
___________ from the TV.<br />
Answers: a) model; b) get; c) copy; d) sober; e) drag; f) pale; g) away<br />
OVER TO YOU!<br />
8|13 <strong>Spotlight</strong><br />
61
LANGUAGE | Perfectionists Only!<br />
WILL O’RYAN explains developments in the English language and<br />
examines some of the finer points of grammar.<br />
Beer glasses<br />
Before you order a beer in<br />
an Australian pub, think<br />
carefully about how thirsty you are<br />
and where exactly you are. The only<br />
glass size everyone agrees on is the<br />
pint, at 570 ml — well, nearly everyone<br />
agrees on it. In Adelaide, the capital<br />
of South Australia, it’s called an<br />
“imperial pint” and is 425 ml. In the<br />
rest of the country, this smaller glass<br />
is called a “schooner” [(sku:nE]. In<br />
Adelaide, a schooner is a 285 ml glass<br />
— called a “middy”, a “half pint” or<br />
a “pot” in other cities. A 200 ml glass,<br />
which is seven fluid ounces in English<br />
measure, is a “seven” in Sydney, Darwin<br />
and Brisbane, and simply a<br />
“glass” in Melbourne and Perth. Adelaidians<br />
call this a “butcher”. General<br />
agreement exists only on the 140 ml<br />
glass, which is called a “pony” nearly<br />
everywhere, including Adelaide.<br />
Back to the roots<br />
The Germanic languages are a subgroup<br />
of the Indo-European languages;<br />
one could say that Proto-<br />
Germanic is a daughter of the Proto-<br />
Indo-European mother. Interestingly,<br />
they share a substratum (Basis) of<br />
basic vocabulary that is not of Indo-<br />
European origin — more than their<br />
sister language groups (Romance,<br />
Celtic, Slavic, etc.). This includes the<br />
names of plants (berry / Beere, leek /<br />
Lauch), animals (dove / Taube, sheep /<br />
Schaf ), body parts (liver / Leber, toe /<br />
Zehe), common adjectives (broad /<br />
breit, dear / teuer), verbs (begin / beginnen,<br />
drink / trinken) and nouns<br />
(dream / Traum, ice / Eis). Presumably,<br />
these words were borrowed from<br />
languages spoken by peoples living<br />
in northern Europe before Indo-<br />
Europeans arrived.<br />
Nouns and verbs<br />
Grammar<br />
There are rarely clear-cut boundaries between the different parts of<br />
speech (Wortart). Here, we will be looking at several instances of the word<br />
“drawing”, moving from a pure noun to a pure verb. We’ll start with the<br />
pure noun:<br />
a) Martin’s famous drawings of Mt Vesuvius were sold for a high price.<br />
“Drawings” is phonologically, morphologically and semantically related to<br />
the verb “draw”. In (a), however, it is a normal, concrete, countable noun.<br />
It is preceded by a genitive form (which could be replaced by the possessive<br />
determiner “His”), it is modified by an adjective, it is in the plural and<br />
is followed by an “of” complement. The nouns “pictures” and “sketches”<br />
could be used in its place. “Drawings” in (a) is what is known as a deverbal<br />
noun.<br />
“Drawing” in (b) is also a noun, but an abstract, uncountable noun that cannot<br />
be replaced by “sketch” or “picture”. It is known as a verbal noun:<br />
b) Martin’s effortless drawing of a landscape is a joy to watch.<br />
Verbal nouns can be formed from any verb by adding “-ing” and inserting<br />
“of” before an object, if one is present (for example, in “draw a landscape”).<br />
Semantically, the noun is directly related to the process expressed in the<br />
verb “draw” — in contrast to (a), where “drawing” refers to the result of<br />
drawing rather than the process of carrying it out.<br />
In the next examples, “drawing” displays a mixture of nominal and verbal<br />
properties. This is traditionally called a gerund:<br />
c) Martin’s effortlessly drawing a landscape is a joy to watch.<br />
Many people disapprove of his drawing naked women.<br />
We now have the adverb “effortlessly” instead of the adjective. Also, there<br />
is a noun phrase directly following “drawing” without “of”. Both indicate<br />
that “drawing” is more of a verb than a noun. On the other hand, the genitive<br />
form “Martin’s” and the possessive determiner “his” are indications<br />
that “drawing” is a noun. Interestingly, many — or even most — speakers<br />
of modern English tend to use “Martin” and “him” in the sentences of (c),<br />
in keeping with the view that “drawing” is a verb. After all, the subject of a<br />
verb does not appear in the genitive / possessive. Strict usage experts reject<br />
this formulation, arguing that gerunds are nouns — but this viewpoint<br />
is more dogma than fact.<br />
In the examples of (d), “drawing” is traditionally referred to as a participle:<br />
d) Drawing Mt Vesuvius, Martin realized that his hand was shaking.<br />
The man drawing Mt Vesuvius is Martin.<br />
While participles are verbal in nature, they can also be used as adjectives:<br />
e) The silently drawing man in the corner was Martin.<br />
Finally, we have the “drawing” in (f), which, although normally referred to<br />
as a participle, is in fact a pure verb:<br />
f) Martin is drawing a still life in his studio at the moment.<br />
In which sentence below is “painting” clearly being used as a noun?<br />
1. I watched his skilful painting of the ocean yesterday with fascination.<br />
2. His skilfully painting the ocean was a pleasure to observe.<br />
Fotos: iStockphoto; wikicolors<br />
62<br />
Answer: sentence 1
Crossword | LANGUAGE<br />
The words in this puzzle have been taken from our History article about<br />
Lawrence of Arabia. You may wish to refer to the text on pages 40–41.<br />
Competition!<br />
Form a single word from the letters in the coloured squares.<br />
Send that word on a postcard to: Redaktion <strong>Spotlight</strong>, Kennwort<br />
“August Prize Puzzle”, Postfach 1565, 82144 Pla negg, Deutsch -<br />
land. Two winners will be chosen from the entries we receive<br />
by 19 August 2013.<br />
Each winner will be sent <strong>Spotlight</strong>’s new<br />
board game, Are You Joking?, by courtesy<br />
of <strong>Spotlight</strong> Verlag and Grubbe Media.<br />
Learn vocabulary from 400 jokes, tonguetwisters<br />
and funny lines.<br />
The answer to the puzzle in the June 2013<br />
issue of <strong>Spotlight</strong> was develop. Congratulations<br />
to Anja Richtmann (Tirschenreuth)<br />
and Almuth Hülsebusch (Wittmund). Both<br />
readers have won the game Are You Joking?<br />
Mike Pilewski<br />
Lord of the desert<br />
Across<br />
2. Got someone else to believe that one’s own<br />
idea was correct: “Lawrence ______ the British<br />
to support the Arabs.”<br />
6. Was present at an event.<br />
7. A place where people learn.<br />
10. (Of a person) very well known.<br />
12. A part in a film or theatre production:<br />
“Peter O’Toole played the ______ of Lawrence.”<br />
13. “What are you doing ______ Saturday?”<br />
14. Performed an action.<br />
16. There are 12 ______ in a year.<br />
18. Belonging to him.<br />
19. Loose-fitting clothing, like a dress, but worn by<br />
men and women (plural).<br />
21. Someone who owns land.<br />
24. A word that identifies a person: “His ______ was<br />
Lawrence.”<br />
Down<br />
1. A state in which nobody is fighting; not war.<br />
3. From the outside to the inside of a place:<br />
“Lawrence led the fighters ______ Syria.”<br />
4. A large meeting.<br />
5. Stopped living.<br />
6. In addition.<br />
8. An individual.<br />
9. A high-ranking military officer.<br />
11. To put in something extra.<br />
15. Belonging to it.<br />
17. At that time.<br />
19. Lawrence’s book was published in a limited<br />
print ______. (Not many books were published.)<br />
20. Lawrence of Arabia was ______ 125 years ago<br />
this month, in August 1888.<br />
22. A word of comparison.<br />
23. Belonging to.<br />
Solution to<br />
puzzle 7/13:<br />
LEGEND<br />
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Der Jahrgang 2012.<br />
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THE LIGHTER SIDE | Wit and Wisdom<br />
“<br />
An original idea? That can’t<br />
be too hard. The library must be<br />
full of them.<br />
”<br />
Stephen Fry (born 1957), British actor, comedian and writer<br />
Loyal supporters<br />
A football manager is very angry when he catches two fans<br />
climbing over the wall of his team’s stadium.<br />
He pulls them down by their shirts and shouts at them: “Stop!<br />
You two are going to stay here like everyone else and watch<br />
the match until it’s over!”<br />
© Bulls<br />
Man and machine<br />
“A computer once beat me at chess, but it had no chance<br />
against me at kick-boxing.”<br />
bitch [bItS] ifml.<br />
chess [tSes]<br />
clomp [klQmp]<br />
cut [kVt]<br />
leak [li:k]<br />
nurturing [(n§:tSErIN]<br />
outlive sb. [)aUt(lIv]<br />
THE ARGYLE SWEATER<br />
Plant life<br />
“I bought a cactus. A week later, it died. Then I thought: ‘Oh,<br />
no! I’m even less nurturing than a desert.’”<br />
Miststück, Luder<br />
Schach<br />
Stampf-Stampf<br />
schneiden; auch: Schnitt (beim Filmen)<br />
Leck, undichte Stelle<br />
nährend; auch: fürsorglich<br />
jmdn. überleben, länger leben als jmd.<br />
In the soup<br />
Water is coming through Mr Mitchell’s dining-room ceiling,<br />
so he calls a repairman to fix it.<br />
When the repairman arrives, he asks: “When did you first notice<br />
the leak?”<br />
“Last night,” replies Mr Mitchell, “when it took me two hours<br />
to finish my soup.”<br />
Older and wiser<br />
One Sunday in church, the pastor asks: “How many of you<br />
have forgiven your enemies?” All the people raise their hands<br />
— except one old woman. The pastor is surprised.<br />
“Mrs Jones, are you not willing to forgive your enemies?” he<br />
asks.<br />
“I don’t have any enemies,” Mrs Jones replies, smiling sweetly.<br />
The pastor looks impressed. “Mrs Jones, that’s very unusual.<br />
How old are you, if I might ask?”<br />
“Ninety-eight,” she answers.<br />
“Mrs Jones, would you please come to the front of the church<br />
and tell us how a person can live 98 years and not have an<br />
enemy in the world?”<br />
Mrs Jones walks slowly to the front of the church, smiles at<br />
the pastor and says: “I outlived the bitches.”<br />
PEANUTS<br />
66 <strong>Spotlight</strong> 8|13
Why<br />
shouldn’t our<br />
town be able to<br />
profit from its<br />
geese?<br />
“<br />
”<br />
American Life | GINGER KUENZEL<br />
My summer plans<br />
Ein Städtchen wird von Gänsen belagert und verunreinigt.<br />
Wie könnte man gegen diese Plage vorgehen?<br />
Foto: Zoonar<br />
Summertime is here, and, as the<br />
song goes, the living is easy. It<br />
wasn’t too long ago that we were<br />
wishing that the warm months would<br />
hurry up and arrive. That got me<br />
thinking about the future.<br />
Punxsutawney, Pennsylvania, has<br />
Phil, the groundhog who tells us each<br />
February just how much longer the<br />
winter is going to last. If Punxsutawney<br />
can gain fame and fortune from a silly<br />
animal, why shouldn’t our town of<br />
Hague, New York, be able to turn its<br />
geese into a profitable business?<br />
Everyone here complains about<br />
the geese. Their numbers are growing,<br />
a fact we observe with dismay when<br />
the birds return each summer — at<br />
about the same time as our valued<br />
tourists. The big birds pollute the<br />
lake, mess up people’s gardens, and<br />
make our park the best-fertilized field<br />
in the state. Need I say more? To<br />
make something positive out of this,<br />
I’ve come up with a few ideas. I’m<br />
convinced that the federal govern-<br />
ment’s Small Business Administration<br />
will be happy to give us all the support<br />
we need — perhaps even a small<br />
business loan.<br />
One idea for a new business is<br />
goose down. It could be called<br />
“Down-Town Hague.” We would<br />
produce comforters and jackets. The<br />
possibilities are downright endless.<br />
And although few of us want to think<br />
about down clothing at this time of<br />
year, it’s a sure bet that, come November,<br />
people will be happy that they<br />
did. I can’t see the downside.<br />
If that idea doesn’t get the interest<br />
it deserves, we could start a cooking<br />
school. We’ll call it “Your Goose is<br />
Cooked.” People would attend from<br />
all over the country. We could offer<br />
classes in foreign languages and bring<br />
in tourists from around the world,<br />
too. Maybe we’d create a special cookbook<br />
of recipes that use goose meat.<br />
Of course, all of Hague’s goose meat<br />
is organic and raised on the best water<br />
in the world, so we do have something<br />
with which to impress foodies.<br />
Another idea is to start bottling our<br />
own Grey Goose vodka. What goes<br />
come up with [)kVm (Vp )wIT]<br />
sich einfallen lassen<br />
comforter [(kVmf&rt&r] N. Am.<br />
Daunendecke<br />
cook: ~ sb.’s goose [kUk] ifml.<br />
auch: jmdn. ruinieren<br />
dismay [dIs(meI]<br />
Entsetzen<br />
downright [(daUnraIt]<br />
geradezu<br />
downside [(daUnsaId]<br />
Kehrseite, Nachteil<br />
fertilized [(f§:t&laIzd]<br />
gedüngt<br />
foodie [(fu:di] ifml.<br />
Feinschmecker, Gourmet<br />
goose down [(gu:s daUn]<br />
Gänsedaunen<br />
Grey Goose vodka [)greI )gu:s (vA:dkE] renommierte Wodka-Marke<br />
groundhog [(graUndhA:g] N. Am. Murmeltier<br />
pollute [pE(lu:t]<br />
verschmutzen<br />
Prohibition [)proUE(bIS&n] Alkoholverbot in den USA, 1920–1933<br />
Punxsutawney [)pVNksE(tO:ni]<br />
raise [reIz]<br />
hier: züchten<br />
recipe [(resEpi]<br />
(Koch)Rezept<br />
Small Business Administration<br />
US-Bundesbehörde für kleine und mittel-<br />
[)smO:l (bIznEs EdmInI)streIS&n] US ständische Unternehmen<br />
snoop around [)snu:p E(raUnd]<br />
herumschnüffeln<br />
still [stIl]<br />
Schnapsbrennerei<br />
into vodka, anyway? Potatoes, water<br />
— anything else? I believe that the<br />
definition of distilling is that you take<br />
a large quantity of something and<br />
make it more concentrated. We have<br />
plenty of water and potatoes. I don’t<br />
know if the original Grey Goose vodka<br />
actually contains geese, but if so, we<br />
certainly have a huge number of them.<br />
I understand that the Russians<br />
will travel to any place that serves<br />
good vodka, so that’s one group of<br />
visitors we can count on. Now we just<br />
need to talk to the makers of Grey<br />
Goose and let them know that we can<br />
manu facture it for them much more<br />
cheaply.<br />
We might be able to use some of<br />
the equipment from the old mines in<br />
town, and even run the business from<br />
one of them. That way, the still would<br />
be out of sight — just in case those<br />
annoying tax men start snooping<br />
around as they did in the days of Prohibition.<br />
And if need be, we can just<br />
hide everything deeper in the mines<br />
until the danger has passed.<br />
For now, I think I’ll pour myself<br />
my favorite summer drink — a glass<br />
of Grey Goose and tonic — and keep<br />
thinking about other uses for all those<br />
geese. I’m quite sure that I’ll be able to<br />
dream up a few more creative ideas.<br />
Ginger Kuenzel is a freelance writer who<br />
lived in Munich for 20 years. She now calls<br />
a small town in upstate New York home.<br />
8|13 <strong>Spotlight</strong><br />
67
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The Editor<br />
So far away, so near<br />
<strong>Spotlight</strong> 6/13 — World View: “It’s a good time to be...<br />
far away from Earth”. I have been a subscriber for almost<br />
20 years now, and I read most of the articles. Fortunately,<br />
there are not many printing errors in the texts, but when<br />
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Sieglinde Seibold, Rheinzabern<br />
Thank you. Voyager 1 is indeed 18 billion kilometres away.<br />
The Editor<br />
A compliment for Colin<br />
<strong>Spotlight</strong> 5/13 — Britain Today: “What’s in that pie?” A<br />
good writer knows how to use language, and Mr Beaven<br />
did this very well by using wordplay like “main courses /<br />
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I am happy with the whole magazine and love to read it.<br />
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Katja Pomp, by e-mail<br />
Interessanter Wortschatz<br />
<strong>Spotlight</strong> Online — Picture It: “Money”. Das fand ich<br />
höchst interessant!<br />
Rim Hamdaoui, on <strong>Spotlight</strong> Online<br />
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E-Mail Redaktion: spotlight@spot light-ver lag.de<br />
GESCHÄFTSFÜHRER:<br />
Dr. Wolfgang Stock, Markus Schunk<br />
VERTRIEBSLEITUNG:<br />
Monika Wohlgemuth<br />
MARKETINGLEITUNG:<br />
Holger Hofmann<br />
LESERSERVICE:<br />
Birgit Hess<br />
PR UND KOOPERATIONEN:<br />
Heidi Kral<br />
KEY ACCOUNT MANAGEMENT:<br />
Corinna Hepke<br />
VERTRIEB HANDEL:<br />
MZV, Ohmstr. 1, 85716 Unterschleißheim<br />
BANKVERBINDUNGEN:<br />
• Commerzbank AG, Düsseldorf<br />
(BLZ 300 800 00) Konto-Nummer 02 128 652 00<br />
• Credit Suisse AG, Zürich<br />
(BC 48 35) Konto-Nummer 554 833 41<br />
• Bank Austria AG, Wien<br />
(BLZ 12 000) Konto-Nummer 10810 814 700<br />
© 2013 <strong>Spotlight</strong> Verlag, auch für alle genannten<br />
Autoren, Fotografen und Mitarbeiter.<br />
Erscheinungsweise: monatlich<br />
ISSN 0944-1972<br />
Im <strong>Spotlight</strong> Verlag erscheinen:<br />
<strong>Spotlight</strong>, Business <strong>Spotlight</strong>, Écoute,<br />
Ecos, Adesso, Deutsch perfekt<br />
GESAMT-ANZEIGENLEITUNG:<br />
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Fax +49 (0)89/8 56 81-139<br />
E-Mail: anzeige@spotlight-verlag.de<br />
SPRACH- & REISEMARKT CROSSMEDIA:<br />
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Fax +49 (0)89/8 56 81-139<br />
E-Mail: e.markus@spotlight-verlag.de<br />
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MEDIA CONSULTANT:<br />
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E-Mail: m.konrad@spotlight-verlag.de<br />
E-Mail: anzeige@spotlight-verlag.de<br />
REPRÄSENTANZ EMPFEHLUNGSANZEIGEN:<br />
Patrick Priesmann, iq media marketing gmbh<br />
Leiter Marketing, Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2315; Fax +49 (0)211/8 87-97-2315<br />
E-Mail: patrick.priesmann@iqm.de<br />
Lina Cicelyte, Product Manager, iq media marketing<br />
gmbh, Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2367; Fax +49 (0)211/8 87-97-2367<br />
E-Mail: lina.cicelyte@iqm.de<br />
Nielsen 1, 2, 5, 6, 7<br />
iq media marketing gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2053; Fax +49 (0)211/8 87-97-2099<br />
E-Mail: marion.weskamp@iqm.de<br />
Nielsen 3a<br />
iq media marketing gmbh<br />
Eschersheimer Landstraße 50, 60322 Frankfurt<br />
Tel. +49 (0)69/24 24-4510; Fax +49 (0)69/ 24 24-4555<br />
E-Mail: eva-maria.glaser@iqm.de<br />
Nielsen 3b, 4<br />
iq media marketing gmbh<br />
Nymphenburger Straße 14, 80335 München<br />
Tel. +49 (0)89/54 59 07-26; Fax +49 (0)89/54 59 07-24<br />
E-Mail: katja.foell@iqm.de<br />
Sales Lifestyle<br />
iq media marketing gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-3582; Fax +49 (0)211/8 87-97-3582<br />
E-Mail: christian.gericke@iqm.de<br />
Benelux, Skandinavien<br />
iq media marketing gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-1332; Fax +49 (0)211/8 87-97-1332<br />
E-Mail: neil.frankland@iqm.de<br />
Österreich<br />
Internationale Medienvertretung & Service proxymedia<br />
e.U., Wiesengasse 3, 2801 Katzelsdorf<br />
Tel. +43 (0)2662/367 55; Fax +43 (0)125-330-333-989<br />
E-Mail: michael.schachinger@proxymedia.at<br />
Schweiz<br />
Top Media Sales GmbH<br />
Chamerstrasse 56, 6300 Zug<br />
Tel. +41 (0)41/7 10 57 01; Fax +41 (0)41/7 10 57 03<br />
E-Mail: walter.vonsiebenthal@topmediasales.ch<br />
International Sales<br />
iq media marketing gmbh<br />
Gerda Gavric-Hollender<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2343; Fax +49 (0)211/8 87-97-2343<br />
E-Mail: gerda.gavric@iqm.de<br />
ANZEIGENPREISLISTE: Es gilt die Anzeigenpreisliste<br />
Nr. 29 ab Ausgabe 1/13.<br />
IVW-Meldung 2. Quartal 2013:<br />
70.960 verbreitete Exemplare <strong>Spotlight</strong><br />
68 <strong>Spotlight</strong> 8|13
September 2013 | NEXT MONTH<br />
Features<br />
Test your listening<br />
We team up with IELTS, the world’s<br />
most popular English testing service,<br />
to bring you an exclusive listening<br />
test. Practise your skills and improve<br />
them with our six-page feature and<br />
accompanying online audio material.<br />
Journey<br />
to India<br />
Experience the<br />
beauty and cultural<br />
diversity of India’s<br />
north: Jessica Mann<br />
visits its grand<br />
monuments and<br />
temples, such as<br />
the majestic Taj<br />
Mahal in Agra and<br />
the shining Golden<br />
Temple of Amritsar.<br />
Australia’s<br />
Aboriginal<br />
people<br />
After more than 200<br />
years of suffering and<br />
repression, has<br />
Australian society finally<br />
started to treat the<br />
Aboriginal community<br />
fairly? Correspondent<br />
Julie Collins asks people<br />
in Queensland for their<br />
opinions.<br />
Language<br />
Grammar<br />
Learn how to form and use the<br />
past perfect continuous tense<br />
correctly — with an exercise for<br />
additional practice.<br />
Spoken English<br />
How do you do? “Do” is one of<br />
the most commonly occurring<br />
verbs in English. See how it’s<br />
used in everyday conversation.<br />
Vocabulary<br />
No matter how you travel from<br />
A to B, take <strong>Spotlight</strong> with you.<br />
Learn the words for all the dif -<br />
ferent types of public transport.<br />
Fotos: iStockphoto; Stockbyte<br />
<strong>Spotlight</strong> 9/13 is on sale from<br />
28 August<br />
8|13 <strong>Spotlight</strong><br />
69
QUESTIONS AND ANSWERS | My Life in English<br />
Luisa Hartema<br />
„Germany’s Next Topmodel“ 2012 arbeitet<br />
fleißig an ihrer internationalen Karriere. Dabei<br />
sind Englischkenntnisse unabdingbar.<br />
As a model, what makes English important to you?<br />
English is the world language. You can’t have success<br />
without communication, so English is very important<br />
to me.<br />
When was your first English lesson, and<br />
what do you remember about it?<br />
I had my first English lesson in primary<br />
school. I don’t remember very much about<br />
it, but I think we had to introduce ourselves.<br />
Who is your favourite English-language<br />
author, actor or musician?<br />
J. K. Rowling is my favourite author. I<br />
loved the Harry Potter books when I was<br />
young. Today, they remind me of my<br />
childhood.<br />
What is your favourite food from<br />
the English-speaking world?<br />
I love hamburgers — preferably<br />
from Shake Shack in New York.<br />
Which person from the Englishspeaking<br />
world (living or dead)<br />
would you most like to meet<br />
and why?<br />
I’d like to meet Margaret<br />
Thatcher. She was such a strong<br />
woman, and this impressed me.<br />
What special tip would you give a friend who was going<br />
to visit this city?<br />
My special tip for a friend: you have to go to Shake<br />
Shack, either in Madison Square Park or the Theater<br />
District. They have the best burgers in America. Trust<br />
me. You’ll fall in love with the food the very first time.<br />
Which song could you sing at least a few lines of in<br />
English?<br />
“Wherever You Go” by the American singer Ron Pope.<br />
Have you ever worked in an English-speaking environment?<br />
If so, for how long, and what was it like?<br />
I haven’t worked in an English-speaking environment,<br />
but I’d like to do so in the near future.<br />
When did you last use English (before answering this<br />
questionnaire)?<br />
I used English just 20 minutes ago. I’m in New York<br />
right now, and I had a little problem with my room key,<br />
so I was talking to a person at the hotel reception.<br />
What was your funniest experience in English?<br />
My funny stories are mostly slapstick, so it’s difficult to<br />
translate them into words.<br />
What is your favourite English word?<br />
I don’t have a favourite word yet. Maybe I will when my<br />
English is a little bit better.<br />
Which phrase do you use most when you talk in English?<br />
“I’m fine” — because everywhere you go in the US,<br />
people always ask: “How are you today?” So, “I’m fine,<br />
thanks” is definitely the phrase that I use the most.<br />
If you could be any place in the<br />
English-speaking world right now,<br />
where would it be?<br />
I think I would choose New York<br />
City.<br />
What is your favourite city in the<br />
English-speaking world?<br />
At the moment, New York is my<br />
favourite city in the Englishspeaking<br />
world. It offers so many<br />
options for working as a model.<br />
I’d like to stay there for a longer<br />
time.<br />
If you suddenly found yourself with a free afternoon in<br />
London or New York, what would you do?<br />
I think I would like to go shopping.<br />
Is there anything in your home from the Englishspeaking<br />
world?<br />
I just bought a dreamcatcher for my bedroom.<br />
What would be your motto in English?<br />
What doesn’t kill you makes you stronger.<br />
dreamcatcher<br />
[(dri:m)kÄtSE]<br />
primary school [(praImEri sku:l] UK<br />
Traumfänger (Kunstobjekt<br />
einiger Stämme der Ureinwohner<br />
Nordamerikas)<br />
Grundschule<br />
Foto: action press<br />
70<br />
<strong>Spotlight</strong> 8|13
Sprachen lernen für alle!<br />
NEU!<br />
KOSTENLOS UND<br />
UNVERBINDLICH<br />
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605<br />
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781 NEU<br />
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<br />
www.sgd.de<br />
Studiengemeinschaft Darmstadt GmbH · Abt. BS 45 · Ostendstraße 3 · 64319 Pfungstadt bei Darmstadt
Green Light<br />
82013<br />
ENGLISCH LEICHT GEMACHT!<br />
Find out about<br />
the saguaro<br />
cactus<br />
Learn words<br />
for things you<br />
have in your<br />
fridge<br />
Practise talking<br />
about temperatures
GREEN LIGHT | News<br />
This month…<br />
Was beschäftigt die englischsprachige<br />
Welt im August? VANESSA CLARK<br />
spürt die heißen Storys für Sie auf.<br />
Music in the bushveld<br />
Music The Oppikoppi Bushveld Festival in Limpopo Prov -<br />
ince, South Africa, is a very popular event, with three days of<br />
non-stop music and comedy at Oppikoppi Farm. The name<br />
comes from the Afrikaans phrase “op die koppie” or “on the hill”.<br />
Oppikoppi attracts music fans from all over the world and has<br />
helped the careers of many South African musicians. It’s not for the<br />
weak, though. This is real bushveld — hot and dry, with red dust<br />
everywhere. You’ll need a good, long shower when you get home!<br />
attract [E(trÄkt]<br />
bushveld [(bUSfelt]<br />
car [kA:]<br />
co-star with... [(kEU stA: wID]<br />
couple [(kVp&l]<br />
directed by [)daI&(rektId baI]<br />
dust [dVst]<br />
godfather [(gQd)fA:DE]<br />
remain [ri(meIn]<br />
steep [sti:p]<br />
weak [wi:k]<br />
Hollywood friends<br />
Cinema British actress Helena Bonham Carter co-stars<br />
with her old friend Johnny Depp in The Lone Ranger,<br />
which comes out this month. The two actors have<br />
worked together in many films before (Sweeney Todd,<br />
Alice in Wonderland, Charlie and the Chocolate Factory),<br />
often directed by Bonham Carter’s husband, Tim Burton.<br />
Depp is also godfather to the couple’s son.<br />
Although she is a big Hollywood star, Helena Bonham<br />
Carter has never had any training as an actor. Of<br />
Johnny Depp, she says, “He’s very cool. Whatever<br />
Johnny does, there’s something cool about it.” Who<br />
could disagree?<br />
anziehen, anlocken<br />
Buschland<br />
Waggon<br />
eine der Hauptrollen spielen neben...<br />
(Ehe)Paar<br />
unter der Regie von<br />
Staub<br />
(Tauf)Pate<br />
übrig sein<br />
steil<br />
Schwache(r); hier: zart Besaitete(r)<br />
140<br />
years<br />
ago 1873<br />
San Francisco The first line of<br />
the famous cable-car system was<br />
opened in Clay Street — a very<br />
steep street. Nothing remains of the<br />
original line today, but you can see<br />
one of the original cars in the San<br />
Francisco Cable Car Museum.<br />
Titel: Purestock; Fotos Doppelseite: africamediaonline/images.de; Disney; Illustrationen: Bernhard Förth<br />
2<br />
<strong>Spotlight</strong> 8|13
In the fridge<br />
8 pictures | GREEN LIGHT<br />
STEPHANIE SHELLABEAR presents words for some things you might<br />
have in your fridge.<br />
1<br />
8<br />
2<br />
7<br />
3<br />
4<br />
6<br />
5<br />
Write the words below next to the pictures.<br />
1. ice cubes<br />
[(aIs )kju:bz]<br />
2. fruit juice<br />
[(fru:t dZu:s]<br />
3. margarine<br />
[)mA:dZE(ri:n]<br />
4. salad<br />
[(sÄlEd]<br />
5. ice cream<br />
[)aIs (kri:m]<br />
6. mayonnaise<br />
[)meIE(neIz]<br />
7. fruit yogurt<br />
[)fru:t (jQgEt]<br />
8. ready meal [)redi (mi:&l]<br />
(UK) / TV dinner<br />
Complete the sentences with words from this list.<br />
a) I like vanilla _______ _______ best.<br />
b) If I come home late in the evening, I warm up a _______ _______.<br />
c) In my fridge, the _____________ vegetables stay fresh for a week.<br />
d) Butter is not good for me, so I use _____________ instead.<br />
e) I like to put both tomato ketchup and _____________ on my chips.<br />
f) I drink a glass of _______ _______ with my breakfast every day.<br />
Answers<br />
a) ice cream; b) ready meal / TV dinner; c) salad; d) margarine; e) mayonnaise; f) fruit juice<br />
The word<br />
“salad” is used<br />
for vegetables<br />
[(vedZtEb&lz]<br />
that are eaten<br />
uncooked. The<br />
green, leafy<br />
vegetable called<br />
Kopfsalat in<br />
German is called<br />
“lettuce” [(letIs]<br />
in English.<br />
Tips<br />
8|13 <strong>Spotlight</strong><br />
3
GREEN LIGHT | Grammar elements<br />
Possessive pronouns<br />
STEPHANIE SHELLABEAR presents basic grammar.<br />
Practise how to say who the owner or possessing person(s) is / are.<br />
Person Possessive pronoun Person Possessive pronoun<br />
I my we our<br />
you your you your<br />
he /she / it his / her / its they their<br />
Here are some examples of how to use this type of pronoun:<br />
• This is my book.<br />
• The missing money is your problem.<br />
• Charlie often sends postcards to his grandmother.<br />
• The queen greeted (begrüßen) her guests.<br />
• The new football club has won its first match.<br />
• We want to spend our holiday in America this year.<br />
• It’s so nice to see you! Can I take your coat?<br />
• Donna and Andrew are visiting their friends.<br />
When we ask to whom something belongs, we begin the question with whose, followed<br />
by the object and then the verb. Here is an example:<br />
• Whose car is this?<br />
A typical answer would be:<br />
• The red Mini? It’s my car.<br />
In English, when talking about body parts, we use a possessive pronoun:<br />
• Mick has broken his leg.<br />
• My cat has an infection in its left ear.<br />
Tips<br />
Which possessive pronoun is best? Complete the sentences below.<br />
a) I don’t have time to wash ________ hair in the morning.<br />
b) Children! Please open ________ books now!<br />
c) We want to take ________ dog on holiday with us this year.<br />
d) Jim is not happy. He has lost ________ keys.<br />
e) The neighbours asked me to water ________ plants while they are on holiday.<br />
f) You look tired. Sit down and close ________ eyes for ten minutes.<br />
Fotos: iStockphoto<br />
Answers: a) my; b) your; c) our; d) his; e) their; f) your<br />
4<br />
<strong>Spotlight</strong> 8|13
In the restaurant<br />
Donna and Andrew are having dinner in a restaurant.<br />
By DAGMAR TAYLOR<br />
Andrew: Would you like a starter?<br />
Donna: No. I’d rather share a dessert.<br />
They’ve got sticky toffee pudding... Ah,<br />
here’s the waiter.<br />
Waiter: Right, then. Are you ready to order?<br />
Andrew: Yes, I think so. I’ll have a Pils,<br />
please. Did you say you wanted a white<br />
wine, Donna?<br />
Waiter: A Sancerre or a Chardonnay, maybe?<br />
Donna: A glass of Sancerre. And I’ll have the<br />
fishcakes, please.<br />
Andrew: I’ll have the lamb burger, please.<br />
Waiter: OK. Would you like any salads or<br />
sides with those?<br />
Donna: No. That’s everything, thanks. We<br />
want to leave room for pudding!<br />
fishcake [(fISkeIk]<br />
lamb [lÄm]<br />
share [SeE]<br />
sticky toffee pudding<br />
[)stIki )tQfi (pUdIN]<br />
True or false?<br />
Fischfrikadelle<br />
Lamm<br />
teilen<br />
warmer Dattelkuchen<br />
mit Karamellsoße<br />
The Greens | GREEN LIGHT<br />
• The dish (Speise, Gericht) eaten<br />
before the main course (Hauptgang) is<br />
the starter (US: appetizer).<br />
• Dessert [di(z§:t] is the sweet dish that<br />
is eaten at the end of a meal. In the UK,<br />
it’s sometimes called pudding.<br />
• It’s perfectly polite (höflich) to order<br />
food in a restaurant by saying I’ll<br />
have...<br />
• You might see the word sides written<br />
on a menu (Speisekarte). It’s short for<br />
“side dishes” (Beilagen).<br />
• When a waiter asks you if you want to<br />
order anything else, you can say:<br />
That’s everything, thanks.<br />
• By saying she wants to leave room<br />
for pudding, Donna means she doesn’t<br />
want to eat too much so that she will<br />
have space in her stomach for dessert.<br />
Donna<br />
Tips<br />
a) Donna wants to order a starter. ___<br />
b) Andrew orders a glass of<br />
white wine. ___<br />
c) Donna orders the fishcakes. ___<br />
d) Andrew orders the lamb burger. ___<br />
Andrew<br />
Answers<br />
a) false (Donna wants to share a dessert.)<br />
b) false (Andrew orders a Pils.)<br />
c) true; d) true<br />
Listen to the dialogue at<br />
www.spotlight-online.de/<br />
products/green-light
GREEN LIGHT | Get writing<br />
Describing an item for sale<br />
VANESSA CLARK helps you to write letters, e-mails and more in English.<br />
Let’s look at how to list an item on an auction site.<br />
Leather handbag BNWT<br />
Brand-new leather handbag. Beautiful quality.<br />
Unwanted gift.<br />
P. & P.: £6 UK, £10 Europe, £20 rest of world.<br />
Payment by PayPal or bank transfer. Please<br />
pay within seven days of the end of the<br />
auction. I will post within 24 hours of payment.<br />
From a smoke-free, pet-free home.<br />
Any questions, please ask.<br />
Happy bidding!<br />
hayley1034<br />
• The thing you’re selling is called<br />
“the item” and the description<br />
(Beschreibung) of your item is called<br />
“the listing”.<br />
• You should say if the item is “new” or<br />
“used”. If it still has the labels (Preisschild)<br />
from the shop, you can say it is<br />
BNWT (brand new with tags (Preisschild,<br />
Etikett)). If it’s used, you can say<br />
it’s “vgc” (in very good condition (Zustand)).<br />
If it’s very old, you can say it’s<br />
“vintage” [(vIntIdZ].<br />
• Remember to say how much the<br />
p. & p. (postage and packing) will cost<br />
and how quickly you can post the item<br />
after payment.<br />
• Many private sellers describe their<br />
home as smoke-free and / or pet-free<br />
to show that the item won’t smell bad.<br />
Tips<br />
auction [(O:kS&n]<br />
gift [gIft]<br />
happy bidding<br />
[)hÄpi (bIdIN]<br />
transfer [(trÄnsf§:]<br />
Use<br />
it!<br />
Versteigerung<br />
Geschenk<br />
viel Spaß beim (Mit)Bieten<br />
Überweisung<br />
Highlight the key words and phrases<br />
that you would use if you wanted to write a<br />
listing like this yourself.<br />
Fotos: iStockphoto; Photodisc<br />
6 <strong>Spotlight</strong> 8|13
I like…<br />
the saguaro cactus<br />
Jeden Monat stellt ein Redakteur etwas Besonderes<br />
aus der englischsprachigen Welt vor. Diesen Monat<br />
präsentiert <strong>Spotlight</strong>-Online-Redakteur MIKE PILEWSKI<br />
seine Lieblingspflanze.<br />
Culture corner | GREEN LIGHT<br />
What it is<br />
The saguaro is what we usually think of when we imagine a cactus. It looks like a large person<br />
with his arms in the air. A saguaro can grow to be 20 meters tall and live to be 200<br />
years old. However, they grow only in southern Arizona and parts of California and Mexico.<br />
I lived among the saguaro in Tucson, Arizona, when I went to university. They are<br />
most beautiful between April and June, when they produce white and yellow flowers.<br />
Why I like it<br />
Deserts look empty, but they are actually<br />
full of life. A saguaro cactus waits up to a<br />
year for rain, then stores water inside itself.<br />
Little birds and owls make holes in the<br />
cacti, where they build nests. These protect<br />
them from the heat and give them a<br />
chance to drink some of the water inside.<br />
Together, the cacti form a forest. From a<br />
distance, they look<br />
like an army protecting<br />
this unusual<br />
ecosystem.<br />
Unfortunately,<br />
not everyone respects<br />
this. Some<br />
of the cacti have<br />
bullet holes<br />
in them.<br />
Arizona is home to two big cities,<br />
Phoenix and Tucson. Because it does<br />
not rain very often, most people who<br />
live there have cacti instead of trees in<br />
front of their houses. When Christmas<br />
comes, they decorate the large cacti<br />
with coloured lights, the way we would<br />
decorate a tree for the holidays.<br />
bullet [(bUlIt]<br />
cacti [(kÄktaI] pl.<br />
desert [(dez&rt]<br />
distance [(dIstEns]<br />
holidays [(hA:lEdeIz]<br />
imagine [I(mÄdZIn]<br />
owl [aUl]<br />
Phoenix [(fi:nIks]<br />
protect [prE(tekt]<br />
saguaro [sE(gwA:roU]<br />
store [stO:r]<br />
Tucson [(tu:sA:n]<br />
unfortunately<br />
[Vn(fO:rtSEnEtli]<br />
(Gewehr-, Pistolen)Kugel<br />
Kakteen<br />
Wüste<br />
Entfernung<br />
hier: Weihnachtsfeiertage<br />
sich vorstellen<br />
Eule<br />
schützen<br />
speichern<br />
leider<br />
Fun<br />
facts<br />
8|13 <strong>Spotlight</strong><br />
7
GREEN LIGHT | Notes and numbers<br />
Temperature<br />
The Celsius [(selsiEs] or centigrade scale (°C)<br />
is used to measure [(meZE] (messen) temperature<br />
in the UK:<br />
• Temperatures should reach (erreichen)<br />
30 °C today.<br />
The Fahrenheit scale is used in the US:<br />
• Set the oven to 400 °F.<br />
If it’s clear which scale is being used, we just<br />
say, “...four hundred degrees”.<br />
To convert Celsius to Fahrenheit, multiply<br />
the Celsius temperature by 1.8, and then<br />
add 32 degrees.<br />
Your notes<br />
Use this space for your own notes.<br />
Write the following temperatures as<br />
you would say them.<br />
a) 37 °C _______________________________<br />
thirty-seven degrees (Celsius)<br />
b) 180 °C ______________________________<br />
c) 350 °F ______________________________<br />
d) 102 °F ______________________________<br />
e) 18 °C _______________________________<br />
Rise and fall<br />
When the temperature goes up, it rises.<br />
When it goes down, it falls:<br />
• Temperatures will rise to 35 °C in<br />
London today.<br />
Answers: b) a / one hundred and eighty degrees (Celsius /<br />
centigrade); c) three hundred and fifty degrees (Fahrenheit);<br />
d) a / one hundred and two degrees (Fahrenheit); e) eighteen<br />
degrees (Celsius / centigrade)<br />
Fotos: iStockphoto<br />
IMPRESSUM<br />
Herausgeber und Verlagsleiter: Dr. Wolfgang Stock<br />
Chefredakteurin: Inez Sharp<br />
Stellvertretende Chefredakteurin: Claudine Weber-Hof<br />
Chefin vom Dienst: Susanne Pfeifer<br />
Autoren: Vanessa Clark, Dagmar Taylor<br />
Redaktion: Owen Connors, Elisabeth Erpf,<br />
Peter Green, Reinhild Luk, Michael Pilewski (Online),<br />
Stephanie Shellabear, Timea Thomas,<br />
Michele Tilgner, Joanna Westcombe<br />
Bildredaktion: Sarah Gough (Leitung), Thorsten Mansch<br />
Gestaltung: Marion Sauer/Johannes Reiner<br />
www.vor-zeichen.de<br />
Anzeigenleitung: Axel Zettler<br />
Marketingleitung: Holger Hofmann<br />
Produktionsleitung: Ingrid Sturm<br />
Vertriebsleitung: Monika Wohlgemuth<br />
Verlag und Redaktion: <strong>Spotlight</strong> Verlag GmbH<br />
Postanschrift: Postfach 1565, 82144 Planegg, Deutschland<br />
Telefon +49(0)89/8 56 81-0, Fax +49(0)89/8 56 81-105<br />
Internet: www.spotlight-online.de<br />
Litho: HWM GmbH, 82152 Planegg<br />
Druck: Medienhaus Ortmeier, 48369 Saerbeck<br />
© 2013 <strong>Spotlight</strong> Verlag, auch für alle genannten Autoren,<br />
Fotografen und Mitarbeiter.<br />
UNSER SPRACHNIVEAU: Das Sprachniveau in Green Light entspricht ungefähr Stufe A2 des<br />
Gemeinsamen Europäischen Referenzrahmens für Sprachen.