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Spotlight Discover Dublin (Vorschau)

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<strong>Spotlight</strong><br />

82013<br />

Deutschland € 6,90|CH sfr 12,40|A·E· I·L·SK: € 7,50<br />

EINFACH ENGLISCH!<br />

Crime time:<br />

bestselling writer<br />

Paul Cleave on<br />

murder mysteries<br />

Great British<br />

crisps: a nation’s<br />

favourite snack<br />

A look at Islam:<br />

how a world<br />

religion is being<br />

misunderstood<br />

DISCOVER<br />

DUBLIN


Deutsch hat<br />

viele Gesichter!<br />

Einfach Deutsch lernen: Kultur entdecken und<br />

Menschen verstehen. Jeden Monat neu.<br />

4<br />

Magazine<br />

zum Preis<br />

von 3!*<br />

Bestellen Sie jetzt!<br />

www.deutsch-perfekt.com/4fuer3 +49 (0)89/8 56 81-16<br />

* Kennenlern-Angebot für Neu-Abonnenten: 4 Ausgaben Deutsch perfekt zum Preis von 3 (EUR 18,60 / Sfr 27,90).


EDITORIAL | August 2013<br />

Read any good<br />

books lately?<br />

Every summer before the holidays, I stand in<br />

front of my overloaded bookshelves and consider<br />

this question: should I take an old<br />

favourite read with me, or should I try something<br />

new and different? This year, <strong>Spotlight</strong><br />

Inez Sharp, editor-in-chief<br />

has answered the questions for me. When I pack my hand luggage this summer,<br />

one of Paul Cleave’s novels will be in there along with my beach hat and sunglasses.<br />

The New Zealand author writes dark tales of crime and suspense, spiced<br />

up with good humour and salty language. This month, he talks to us about his<br />

writing career and the authors he likes to read. “Crime time” begins on page 14.<br />

<strong>Dublin</strong> in summer. <strong>Dublin</strong> is one of the top 20 city destinations for German<br />

tourists and is popular with other nations, too, for its hospitality and beautiful<br />

historic buildings. Toby Skingsley, who visited the Irish capital, was charmed<br />

by its Georgian architecture and captivated by its musical residents — and by<br />

the quality of the local Guinness. “<strong>Discover</strong>ing <strong>Dublin</strong>” starts on page 30.<br />

Lawrence of Arabia is a name familiar to many people. But what did this<br />

clever and brave Englishman really stand for? In our history column this month,<br />

we explore the life and work of T. E. Lawrence — a man who singlehandedly<br />

tried to shape the future of the Arab world and paid a high price for doing so.<br />

Find out more about Thomas Edward Lawrence on pages 40–41.<br />

BESTSELLER<br />

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i.sharp@spotlight-verlag.de<br />

Crime scene:<br />

you’ll find<br />

the evidence<br />

on page 14<br />

Titelfoto: vario images; Fotos Editorial: Getty Images; LOOK; plainpicture<br />

<strong>Spotlight</strong> 8|13<br />

SPRACHTRAINING<br />

Bestellen Sie kostenlos das aktuelle<br />

Titelverzeichnis der Roten Reihe!<br />

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CONTENTS | August 2013<br />

Who’s afraid of Islam?<br />

The Western view of Islam as a unified whole is<br />

extremely harmful, says a bestselling author.<br />

24 30<br />

<strong>Discover</strong>ing <strong>Dublin</strong><br />

Toby Skingsley visits Ireland’s capital city to enjoy<br />

select museums, “trad” music and the Guinness tour.<br />

6 People<br />

Names and faces from around the world<br />

8 A Day in My Life<br />

A manager at a software firm in Scotland<br />

10 World View<br />

What’s news and what’s hot<br />

40 History<br />

Lawrence of Arabia, desert legend<br />

42 Press Gallery<br />

A look at the English-language media<br />

44 Arts<br />

Films, apps, books, culture and a short story<br />

13 Britain Today<br />

Colin Beaven on pub names<br />

22 Food<br />

Kettle crisps — made in Britain<br />

28 I Ask Myself<br />

Amy Argetsinger on Angelina Jolie<br />

36 Around Oz<br />

Peter Flynn on a time of transition<br />

38 Debate<br />

Are citizen’s arrests a good idea?<br />

People in Canada have their say<br />

66 The Lighter Side<br />

Jokes and cartoons<br />

67 American Life<br />

Ginger Kuenzel on a summertime problem<br />

68 Feedback & Impressum<br />

Your letters to <strong>Spotlight</strong> — and our responses<br />

69 Next Month<br />

What’s coming next month in <strong>Spotlight</strong><br />

70 My Life in English<br />

Model Luisa Hartema on why and where<br />

she needs English<br />

Fotos: agefotostock; Ingram Publishing; iStockphoto; vario images<br />

THE SPOTLIGHT FAMILY<br />

<strong>Spotlight</strong> plus<br />

Every month, you can explore<br />

and practise the language and<br />

grammar of <strong>Spotlight</strong> with the<br />

exercise booklet plus.<br />

Find out more at:<br />

www.spotlight-online.de/plus<br />

<strong>Spotlight</strong> Audio<br />

This monthly 60-minute CD/download<br />

brings the world of <strong>Spotlight</strong><br />

to your ears. Enjoy interviews and<br />

travel stories and try the exercises.<br />

Find out more at:<br />

www.spotlight-online.de/audio<br />

4 <strong>Spotlight</strong> 8|13


14<br />

Summer crime<br />

New Zealand crime writer Paul Cleave talks about the<br />

art of dark humour and gives his summer reading tips.<br />

37<br />

Easy English<br />

Need to brush up the basics? Then Green Light is for<br />

you — an eight-page booklet with essential English.<br />

IN THIS MAGAZINE: 14 LANGUAGE PAGES<br />

50 Vocabulary<br />

Words to talk about the theatre<br />

52 Travel Talk<br />

Visit an American county fair<br />

53 Language Cards<br />

Pull out and practise<br />

55 Everyday English<br />

Having a baby<br />

57 The Grammar Page<br />

Using the past perfect simple<br />

58 Peggy’s Place: The Soap<br />

The latest from a London pub<br />

59 English at Work<br />

Ken Taylor answers your questions<br />

60 Spoken English<br />

Using the word “make”<br />

61 Word Builder<br />

A focus on the words in <strong>Spotlight</strong><br />

62 Perfectionists Only!<br />

Nuances of English<br />

63 Crossword<br />

Find the words and win a prize<br />

IMPROVE YOUR ENGLISH WITH SPOTLIGHT PRODUCTS<br />

<strong>Spotlight</strong> Audio: hear texts and interviews on our CD or<br />

download. See www.spotlight-online.de/hoeren<br />

OUR LANGUAGE LEVELS<br />

The levels of difficulty in <strong>Spotlight</strong> magazine correspond roughly to<br />

The Common European Framework of Reference for Languages:<br />

A2 B1– B2 C1– C2<br />

To find your level, visit Sprachtest.de<br />

<strong>Spotlight</strong> plus: 24 pages of language exercises related<br />

to the magazine. See www.spotlight-online.de/ueben<br />

<strong>Spotlight</strong> in the classroom: free of charge to teachers who<br />

subscribe to <strong>Spotlight</strong>. See www.spotlight-online.de/teachers<br />

Readers’ service: abo@spotlight-verlag.de · www.spotlight-online.de<br />

Tel.: +49 (0)89 / 85681-16 · Fax: +49 (0)89 / 85681-159<br />

www.SprachenShop.de: order products<br />

from our online shop (see page 48).<br />

<strong>Spotlight</strong><br />

in the classroom<br />

Teachers: if you use <strong>Spotlight</strong> in<br />

your lessons, this six-page supplement<br />

will provide great ideas for<br />

classroom activities around the<br />

magazine. Free for all teachers<br />

who subscribe to <strong>Spotlight</strong>.<br />

www.spotlight-online.de<br />

<strong>Spotlight</strong> Online will help you to improve<br />

your English every day. Try our language<br />

exercises or read about current events<br />

and fascinating places to visit. Subscribers<br />

will also find a list of all the glossed vocabulary<br />

from each issue of the magazine.<br />

8|13 <strong>Spotlight</strong><br />

5


PEOPLE | Names and Faces<br />

The painter<br />

Who exactly is…<br />

Robert<br />

Bateman?<br />

For more than 70 years, the artist<br />

Robert Bateman has been<br />

painting wildlife — wolves,<br />

dolphins, birds and buffalo. His work<br />

is realistic and detailed. Critics often<br />

call it kitschy, but the public loves it.<br />

It is estimated that one million of his<br />

prints are in circulation. Maclean’s<br />

calls him Canada’s most popular living<br />

artist.<br />

Bateman was born in Toronto in<br />

1930. When he was 12 years old, he<br />

painted an elk from a photograph in<br />

National Geographic. After studying<br />

geography, he travelled around Africa<br />

and Asia and had the chance to see<br />

wild animals in real life instead of on<br />

the pages of a magazine.<br />

He taught geography and art to<br />

high-school students for 20 years, before<br />

focusing exclusively on his painting.<br />

Through his art, Bateman<br />

appreciate sth. [E(pri:SieIt]<br />

become extinct [bi)kVm Ik(stINkt]<br />

gloomy [(glu:mi]<br />

great outdoors: the ~ [)greIt )aUt(dO:z]<br />

in for: be ~ sth. [(In fE]<br />

lizard [(lIzEd]<br />

mankind [mÄn(kaInd]<br />

nickname [(nIkneIm]<br />

pay attention to sth. [)peI E(tenS&n tE]<br />

role model [(rEUl )mQd&l]<br />

wildlife [(waI&ldlaIf]<br />

6 <strong>Spotlight</strong> 8|13<br />

reminds people of the beauty of nature<br />

and of the importance of protecting<br />

it. He believes that the<br />

relationship between young people<br />

and the great outdoors is too small<br />

today and that this urgently needs to<br />

be changed. “If people have no contact<br />

with nature, not only nature but<br />

mankind is in for a very gloomy future,”<br />

he says on his website. “I have<br />

no doubt in my mind the world<br />

would be a better place if everybody<br />

knew about nature, appreciated it ...<br />

and paid attention to it.”<br />

Earlier this year, the Robert Bateman<br />

Centre opened its doors in the<br />

city of Victoria, the capital of British<br />

Columbia. It is home to a permanent<br />

exhibition of Bateman’s paintings and<br />

is also an education centre. About<br />

3,000 people visited it on the first<br />

weekend.<br />

etw. (hoch)schätzen<br />

aussterben<br />

düster<br />

die freie Natur<br />

etw. zu erwarten haben<br />

Eidechse, Echse<br />

die Menschheit<br />

Spitzname<br />

auf etw. achten<br />

Vorbild<br />

wilde Tiere<br />

In the news<br />

Alice Walker, the influential author<br />

of The Color Purple, is a role model for<br />

many people. But is she a bad mother?<br />

Her daughter, Rebecca, has criticized<br />

Walker’s “fanatical feminism” and said<br />

that their relationship was poisonous.<br />

Alice prefers not to talk about her family<br />

life. Speaking to<br />

The Globe and Mail,<br />

however, she said<br />

that true motherhood<br />

means “accepting<br />

that everything<br />

needs to be<br />

cared for, not just<br />

your own child”.<br />

Jim Morrison, lead singer of The<br />

Doors, died in 1971. His nickname was<br />

“The Lizard King”. Scientists have now<br />

honoured the singer in a special way:<br />

by naming one of the biggest lizards<br />

in history after him. The lizard grew to<br />

be six feet long, scientists say. It became<br />

extinct some<br />

40 million years<br />

ago. Jason Head<br />

told the BBC that<br />

he listened to Morrison’s<br />

music while<br />

researching the<br />

lizard and decided<br />

to name it Barbaturex<br />

morrisoni.<br />

Like many girls, Lisa Fernandez’s<br />

daughter loves playing with her Barbie<br />

doll. Fernandez became concerned,<br />

however, when her daughter said she<br />

thought Mummy would be more beautiful<br />

if she wore clothes like the doll.<br />

The radio presenter from Perth, therefore,<br />

tried wearing<br />

Barbie outfits in<br />

public. “People<br />

were horrified,”<br />

she<br />

told The<br />

Sydney<br />

Morning<br />

Herald. “They<br />

said: ‘I wouldn’t<br />

want my child<br />

playing with a<br />

doll like that.’”


Fotos: action press; Corbis; facebook; Getty Images<br />

Out of the ordinary<br />

Agent Moran: it’s not<br />

like in the films<br />

London’s bicycle couriers don’t have an easy life. No one knows that<br />

better than Steve Hamilton. He cycles between 85 and 100 miles<br />

(135 to 160 kilometres) every day, making 20 to 30 deliveries. The<br />

job is dangerous — nine couriers have been killed on London’s<br />

streets — and it is impossible to get life insurance. But Hamilton<br />

told the BBC that he likes the “adventure” of racing around the city,<br />

cycling between buses and taxis. The Institute of Couriers honoured<br />

him as the 2012 courier of the year. “I just love what I’m doing so<br />

far,” he said. “It’s absolute fun!”<br />

Although Daphne Selfe has worked as a model all her life, she<br />

became really successful only when she was 70. Now 85, she has<br />

been on the pages of Vogue magazine and is the world’s oldest supermodel.<br />

Selfe believes that her long grey hair helped her stand<br />

out from the crowd and become<br />

well known. She told The Independent<br />

that she hopes to live to<br />

100, and she does not seem to<br />

have any plans for retirement. “If<br />

... prancing about in funny outfits<br />

is going to amuse people, I’ll keep<br />

on doing it,” she said.<br />

Selfe: ageless beauty<br />

assassinate sb. [E(sÄsIneIt]<br />

audition [O:(dIS&n]<br />

Daphne [(dÄfni]<br />

entrepreneur [)QntrEprE(n§:]<br />

genocide [(dZenEsaId]<br />

Harry Potter and the Deathly<br />

Hallows [)hÄri (pQtE End DE<br />

)deTli (hÄlEUz]<br />

Hertfordshire [(hA:tfEdSE]<br />

initially [I(nIS&li]<br />

leisure time [(leZE taIm]<br />

messaging [(mesIdZIN]<br />

prance about [)prA:ns E(baUt]<br />

released: be ~ [ri(li:st]<br />

siblings [(sIblINz]<br />

stand out [)stÄnd (aUt]<br />

torture sb. [(tO:tSE]<br />

American Lindsay Moran studied<br />

at Harvard, then worked as a teacher of<br />

English literature. But from 1998 to<br />

2003, she had a more exciting career,<br />

working for the CIA. Moran recently<br />

spoke to The Telegraph about her experiences,<br />

saying that the James Bond<br />

stereotypes are false. “You’re not going<br />

out assassinating people and torturing<br />

them,” she said. “You’re trying to make<br />

friends with people.” Moran believes<br />

that women are better able to do that<br />

than men: “The CIA’s biggest secret is<br />

that the best guys are women.”<br />

jmdn. ermorden<br />

Vorsprechen, Probespiel<br />

Unternehmer(in)<br />

Völkermord<br />

Harry Potter und die<br />

Heiligtümer des Todes<br />

anfangs<br />

Freizeit<br />

SMS<br />

umherstolzieren<br />

in die Kinos kommen<br />

Geschwister<br />

sich abheben, hervorstechen<br />

jmdn. foltern<br />

Texts by RITA FORBES<br />

The newcomer<br />

• Name: Ashish Thakkar<br />

• Age: 32 on 5 August<br />

• Occupation: entrepreneur<br />

• Founded: The Mara Group<br />

• Background: Thakkar was born in the UK to African<br />

parents. His family moved to Rwanda just before<br />

the genocide in 1994, and then escaped to Uganda.<br />

• In the news for: Starting “Mara Online”, which<br />

provides free phone calls and messaging services to<br />

people in Africa.<br />

• Fortune: around $200 million, according to Forbes<br />

• What’s next: Thakkar wants to help small<br />

businesses in Africa succeed.<br />

Happy birthday!<br />

The red-headed actor Rupert Grint will be 25 years old<br />

on 24 August. Grint began playing Ron Weasley in the<br />

Harry Potter series when he was just 11. He grew up with<br />

his parents and four younger siblings in Hertfordshire,<br />

north of London. At school, he performed in several plays.<br />

A big fan of J. K. Rowling’s Harry Potter books,<br />

he was excited to hear about an open casting<br />

call for the films. He made his own audition<br />

video, which included a rap song with<br />

the line: “Hello, there! My name’s Rupert<br />

Grint. I hope you like this and<br />

don’t think I stink!”<br />

Grint got the part and was busy<br />

with Harry Potter for the next 10<br />

years. He has said that he was initially<br />

“quite surprised” to learn that<br />

he would be paid for acting in the<br />

films. Imagine how he felt when he<br />

earned $30 million for his work in the<br />

two-part Harry Potter and the Deathly<br />

Hallows, released in 2010 and 2011.<br />

He has appeared in several films since<br />

then, including Into the White, a Second<br />

World War drama. Grint told the Daily Mail<br />

that he likes his new freedom: “I can afford<br />

to choose my acting roles carefully, and I’m<br />

able to enjoy my leisure time.”


A DAY IN MY LIFE | Scotland<br />

Working as a<br />

team: a good<br />

group dynamic is<br />

the key<br />

Office life:<br />

caffeine and<br />

crisps<br />

Ideas man:<br />

Fergus Bruce,<br />

operations<br />

man ager of<br />

Viasoft<br />

Keeping<br />

creativity<br />

alive<br />

Der Betriebsleiter einer schottischen Software-Firma stellt<br />

unter Beweis, dass eine Tätigkeit im technologischen Bereich<br />

Kreativität nicht ausschließen muss. Von COLM FLYNN<br />

My name is<br />

Fergus Bruce.<br />

I’m 31 years old,<br />

and I work in Glasgow. I’m originally<br />

from a beautiful island called Lewis off the<br />

west coast of Scotland. The people there still speak<br />

the Gaelic language. It’s one of the few places in Scotland<br />

where Gaelic is still spoken.<br />

I’m the operations manager of a small software company<br />

in Glasgow called Viasoft Ltd. It’s part of a larger<br />

group of companies that specialize in CGI visualization.<br />

If you watch the news on TV and they show, for example,<br />

a hospital — not yet built — in a 3D visualization, that’s<br />

what we create.<br />

I try to get up at 8.45 in the morning. When I arrive<br />

at the office, the first thing I do is check my e-mails. Then<br />

I take a look at what our development team is doing.<br />

This is the group of people who develop the software we<br />

produce.<br />

I refer to my office as the “blue mind cube”. It’s a cool<br />

space where I can focus my thoughts. Often, when I’m<br />

feeling a little stressed, I’ll put on a latex horse’s head and<br />

wear that for an hour. I find it helps me think around<br />

problems that I wasn’t able to solve before I put it on.<br />

CGI (computer-generated imagery)<br />

visualization [)si: )dZi: )aI )vIZuElaI(zeIS&n]<br />

cube [kju:b]<br />

3-D Visualisierung<br />

Würfel; hier: Büro<br />

8 <strong>Spotlight</strong> 8|13


INFO TO GO<br />

Fotos: Colm Flynn; iStockphoto<br />

There’s a Mexican restaurant around the corner from<br />

work. I like their burritos, so I often go there for lunch. If<br />

we have the time, we’ll go out as a group and exchange the<br />

banter of the day.<br />

Most of our meetings are in the afternoon. The people<br />

working for our company are very creative, which means<br />

they’re able to generate a lot of ideas and discuss things in<br />

great depth, but often without sticking to the meeting<br />

agenda. A positive thing about working for a small technology<br />

company is that your voice is likely to be heard.<br />

Most of the time, I enjoy my job, but I think it’s rare<br />

to meet someone who’s entirely happy with what he or she<br />

does. It’s difficult to stay motivated if you’re doing the<br />

same sort of thing over and over again. I try to keep my<br />

finger on the pulse of activities in terms of what I can be<br />

doing to improve my day.<br />

When a deadline comes, it can be very stressful. If I’m<br />

delivering for a client, I could be up until four or five in the<br />

morning; but thankfully, that’s not very often. I generally<br />

leave the office between half past five and seven o’clock.<br />

I take the train home. It’s a very short journey. I get<br />

to walk through the park on the way home, which fills me<br />

with intense joy. I live in a sandstone tenement building<br />

from the Victorian era on the south side of the city, near<br />

Scotland’s national football stadium, Hampden Park.<br />

When I get home, having stared at a computer screen<br />

all day, it’s quite easy just to slump in front of the television<br />

and watch rubbish — although I try to do that as little as<br />

possible. I like to get out and exercise, take a walk or go to<br />

the gym.<br />

I stay up far too late, normally until after midnight,<br />

which is directly related to my nearly missing the train<br />

every morning. If only I went to bed a little earlier, I’d be<br />

happier and get more work done. But I find it difficult to<br />

shut my mind down in the evening. Often, I lie awake<br />

wondering at the complexity of being, and that’s a problem<br />

which is rather difficult to solve. I’ll normally take a<br />

little look on the internet and read some news or watch<br />

something online that helps me get to sleep.<br />

banter [(bÄntE]<br />

burrito [bE(ri:tEU]<br />

deliver [di(lIvE]<br />

entirely [In(taIEli]<br />

exercise [(eksEsaIz]<br />

generate [(dZenEreIt]<br />

get to do sth. [)get tE (du:] ifml.<br />

gym [dZIm]<br />

in terms of... [In (t§:mz Ev]<br />

likely [(laIkli]<br />

slump [slVmp]<br />

stick to sth. [(stIk tE]<br />

tenement building<br />

[(tenEmEnt )bIldIN]<br />

Geplänkel<br />

gefüllter Tortillafladen<br />

hier: einen Auftrag erledigen<br />

voll und ganz<br />

Sport machen<br />

entwickeln<br />

die Möglichkeit haben, etw. zu tun<br />

(➝ p. 61)<br />

Fitness-Studio<br />

bezüglich...<br />

wahrscheinlich<br />

sich fallen lassen<br />

sich an etw. halten<br />

Wohnhaus<br />

Answers<br />

keep a finger on the pulse of things: both sentences are correct;<br />

rubbish: a) rubbished; b) rubbish; c) rubbish<br />

Lewis<br />

Lewis is the northern part of Lewis and Harris, an island<br />

which belongs to an archipelago called the Outer Heb -<br />

rides [(hebrEdi:z] off the west coast of Scotland.<br />

Lewis’s population of 18,500 relies on fishing, some<br />

light industry and tourism. Visitors can reach the island<br />

of stone cottages and majestic coastal views by boat<br />

from the popular Scottish resort town of Ullapool. The<br />

trip takes about three hours.<br />

keep a finger on the pulse of things<br />

If you keep your finger on the pulse of something, you<br />

try to stay aware of the latest developments. For example,<br />

a news organization may claim to have its finger<br />

on the pulse of global events — in other words, it is<br />

constantly checking on developments around the<br />

world to remain in touch with what is going on. The expression<br />

brings to mind the image of a doctor placing<br />

a finger on a patient’s pulse to find out how fast that<br />

person’s heart is beating.<br />

In which of the following sentences is this expression<br />

used correctly — in (a), (b) or both?<br />

a) Brian likes to keep his finger on the pulse of the IT<br />

world. He knows all the latest developments.<br />

b) I try to keep my finger on the pulse of popular<br />

culture. That’s why I know what happened to<br />

Angelina Jolie recently.<br />

rubbish<br />

Putting out the rubbish [(rVbIS] means removing the<br />

waste material from your household bins and placing<br />

it outside to be collected. Figuratively, “rubbish”, a<br />

chiefly British word, can be used to describe something<br />

that is useless or absurd: “Have you seen the<br />

latest Star Trek film? My mum loved it, but my dad<br />

thought it was rubbish.” The word can also be used as<br />

an adjective (“She is rubbish at science”) and informally<br />

as a verb (“My boss rubbished the idea of getting a software<br />

update”). Try using “rubbish” in the following<br />

sentences:<br />

a) Agnes _________ my plans to move to California.<br />

She said I’d never find a job there.<br />

b) These shoes are _________. They are falling apart<br />

already.<br />

c) Do I really have to take the _________<br />

out again this week?<br />

bin [bIn]<br />

claim [kleIm]<br />

resort town [ri(zO:t taUn]<br />

Mülleimer<br />

behaupten<br />

Urlaubsort


WORLD VIEW | News in Brief<br />

Inspiring city:<br />

Melbourne<br />

attracts writers<br />

It’s a good month to...<br />

AUSTRALIA Australia is celebrating good<br />

writing this month. The Melbourne Writers Festival, held<br />

from 22 August to 1 September, brings readers and writers<br />

together from around the world.<br />

The festival began in 1986 and has grown steadily since<br />

then. More than 350 writers will be in Melbourne this<br />

year, taking part in panel discussions and interviews, reading<br />

from their books and leading workshops. Thousands<br />

of people will go to watch, listen and exchange ideas.<br />

In addition, the Schools’ Program, from 26 to 29 August,<br />

encourages children to read and write.<br />

enjoy books<br />

Melbourne is the perfect place for all of this to happen:<br />

it is recognized as a UNESCO City of Literature. According<br />

to the Wheeler Centre for Books, Writing and Ideas<br />

in Melbourne, almost a third of Australian writers live<br />

in that city, and nearly 100,000 people there write as a<br />

hobby.<br />

Festival director Lisa Dempster spoke to The Age last<br />

year about the importance of books to the city. “I have a<br />

great passion for Melbourne as a city of literature,” she<br />

said. “I want to activate its citizens to see themselves as citizens<br />

of literature.”<br />

Entzündung<br />

Podiums-<br />

Bandscheibenvorfall<br />

Wirbelsäulenoperation<br />

stetig, ununterbrochen<br />

enorm<br />

inflammation [)InflE(meIS&n]<br />

panel [(pÄn&l]<br />

slipped disc [)slIpt (dIsk]<br />

spinal surgery [)spaIn&l (s§:dZEri]<br />

steadily [(stedIli]<br />

vast [vA:st]<br />

Pills to cure back pain<br />

BRITAIN A certain type of back pain may soon<br />

be a thing of the past. Doctors in Britain are extremely excited about<br />

recent news that antibiotics could cure chronic lower-back pain in<br />

up to 40 per cent of sufferers.<br />

“This is vast. We are talking about probably half of all spinal surgery<br />

for back pain being replaced by taking antibiotics,” said Peter<br />

Hamlyn of University College London Hospital. Hamlyn, one of the<br />

top spinal surgeons in the UK, told The Guardian that the team behind<br />

the development, which was recently announced in the European<br />

Spine Journal, “deserve a Nobel Prize”.<br />

Scientists have long known that bacteria cause certain kinds of<br />

back problems; but these were thought to be the exception, not the<br />

10 <strong>Spotlight</strong> 8|13<br />

rule. Working with patients in England, researchers from Denmark<br />

have completed a ten-year study that shows how common a bacterial<br />

cause can be.<br />

They discovered that bacteria<br />

found in teeth and hair, and usually<br />

associated with acne, can make their<br />

way into back injuries such as<br />

slipped discs. The resulting infection<br />

causes painful, small breaks in the<br />

bones of the back, as well as<br />

inflammation. The scientists<br />

also showed that<br />

antibiotics taken over<br />

100 days can cure<br />

such conditions,<br />

allowing people to<br />

avoid a stay in<br />

hospital.<br />

A new<br />

medical<br />

breakthrough<br />

for the back


Fotos: Getty Images; Ingram Publishing; iStockphoto<br />

An Irish mystery solved<br />

IRELAND When a disease called potato blight spread from the<br />

US to Europe in the 1840s, one result was the Irish potato famine. About a<br />

million people died between 1846 and 1851, and another two million were<br />

forced to leave Ireland.<br />

Scientists have now identified the exact strain of the<br />

pathogen that caused the famine. They found it in dried<br />

leaves that had been kept in museums in England and<br />

Germany since the 19th century.<br />

Potato blight is still a problem around the world<br />

today. It had been thought that the modern strain of<br />

Phytophthora infestans, known as US-1, was responsible<br />

for the famine in Ireland. But when the researchers<br />

analysed the DNA they found in the<br />

leaves, they discovered something else: a strain that<br />

they’ve named HERB-1. They believe that it is<br />

now extinct.<br />

Scientist Kentaro Yoshida told the BBC that<br />

the research is not just about history. “These<br />

findings will greatly help us to understand the<br />

dynamics of emerging pathogens,” he said.<br />

beverage [(bevErIdZ]<br />

caffeinated [(kÄfIneItId]<br />

dietary supplement<br />

[US )daIEteri (sVplImEnt]<br />

emerging [i(m§:dZIN]<br />

extinct: be ~ [Ik(stINkt]<br />

Food and Drug Administration (FDA)<br />

[)fu:d End (drVg EdmInI)streIS&n]<br />

pathogen [(pÄTEdZEn]<br />

potato blight [pE(teItEU )blaIt]<br />

potato famine [pE(teItEU )fÄmIn]<br />

strain [streIn]<br />

waffle [US (wA:f&l]<br />

Getränk<br />

koffeinhaltig<br />

Nahrungsergänzungsmittel<br />

The potato:<br />

an important<br />

food<br />

neu entstehend<br />

hier: nicht mehr existieren<br />

US-Bundesbehörde für Lebensmittel- und<br />

Arzneimittelsicherheit<br />

(Krankheits)Erreger<br />

Kartoffelfäule<br />

Große Hungersnot<br />

hier: Erregerstamm<br />

Monster<br />

in a can?<br />

UNITED STATES<br />

Americans love energy drinks. They spent<br />

$8.6 billion (€6.6 billion) on beverages such<br />

as Red Bull and Monster last year, and now<br />

the market is expanding to include caffeinated<br />

candy — and even waffles.<br />

Too much caffeine, however,<br />

can cause anxiety, headaches, and<br />

even heart attacks. In the US, the<br />

law limits how much caffeine soft<br />

drinks may contain. Because most<br />

energy drinks are considered to be<br />

“dietary supplements,” however, the<br />

rules are not considered relevant to<br />

them.<br />

The Economist reports that the laws<br />

governing caffeine may be about to<br />

change. The US Food and Drug Administration<br />

(FDA) has announced that it is investigating<br />

the health risks of energy<br />

drinks. Consumers may well wonder if Starbucks<br />

will be next. After all, a large cup of<br />

coffee from the chain contains at least<br />

twice as much caffeine as a can of Monster.<br />

How much<br />

caffeine<br />

should you<br />

drink?<br />

„Mein Briefkasten steht<br />

auf meinem Schreibtisch.“<br />

Bequem und sicher im Netz – der .<br />

Informieren und kostenlos registrieren:<br />

www.epost.de<br />

Mit dem E-POSTBRIEF profitieren Sie im Internet von den zuverlässigen<br />

Leistungen der Deutschen Post. Denn jetzt können Sie<br />

Ihre Briefpost sicher, schnell und bequem auch online erledigen.


WORLD VIEW | News in Brief<br />

Little China<br />

LESOTHO The Kingdom of Lesotho, which is located within<br />

South Africa, is a mountainous land about the size of Belgium. Known for<br />

poverty and a high rate of HIV/AIDS, this nation of two million is now in<br />

the news because of a strange invasion — of Chinese shopkeepers.<br />

As The Christian Science Monitor reports, thousands of people from the<br />

province of Fujian have arrived in Lesotho — many illegally — to open<br />

shops. The Chinese sell a huge variety of things, including food, clothing,<br />

manufactured goods and mobile-phone airtime. Their businesses can be<br />

found all over the country, from the capital city of Maseru to very small<br />

villages that are located high up in the mountains.<br />

Some in Lesotho are happy about<br />

being able to get cheap goods. One<br />

local told Think Africa Press: “If there<br />

were no Chinese in Teyateyaneng [a<br />

town of 75,000 close to the capital],<br />

where would I buy?”<br />

Others are less enthusiastic about<br />

the presence of outsiders and dislike the<br />

fact that the Chinese have such a good<br />

trading network in Africa that they can<br />

be so successful so far from home.<br />

airtime [(eEtaIm]<br />

cuddly [(kVd&li]<br />

dorsal fin [US (dO:rs&l fIn]<br />

endangered [US In(deIndZ&rd]<br />

fescue grass [(feskju: )grA:s]<br />

HIV [)eItS aI (vi:]<br />

hybrid [(haIbrId]<br />

livestock [(laIvstQk]<br />

Macleod [mE(klaUd]<br />

pillow [US (pIloU]<br />

poverty [(pQvEti]<br />

rye [raI]<br />

shark [US SA:rk]<br />

shopkeeper [(SQp)ki:pE]<br />

sleeping bag [(sli:pIN bÄg]<br />

At home in Africa: Chinese<br />

business people are doing well<br />

Gesprächszeit<br />

hier: zum Liebhaben<br />

Rückenflosse<br />

vom Aussterben bedroht<br />

Schwingelgras<br />

Kreuzung<br />

Vieh<br />

(Kopf)Kissen<br />

Armut<br />

Roggen<br />

Hai<br />

Ladenbesitzer(in)<br />

Schlafsack<br />

WHAT’S HOT<br />

Soft sharks<br />

UNITED STATES<br />

Want to see your kid being eaten by<br />

a shark? Of course not — unless the<br />

big fish is the unusual sleeping bag<br />

designed by artist Kendra Phillips.<br />

Phillips told www.treehugger.com,<br />

a website that follows trends in product<br />

design, that she created the<br />

sleeping bag “in an effort to make<br />

sharks — a very misunderstood animal<br />

that also happens to be one of<br />

my favorites — more cuddly.”<br />

Many kinds of shark are among<br />

the world’s most endangered animals.<br />

Because of deadly attacks on<br />

swimmers, though, they are also<br />

among the most hated and feared.<br />

Phillips hopes that the sleeping<br />

bag will give sharks a bit of positive<br />

attention, and children a naturefriendly<br />

way to have fun. The dorsal<br />

fin can be taken off the shark’s body<br />

and used as a pillow.<br />

For more information, go to<br />

www.mychumbuddies.com and<br />

www.kendora.blogspot.de<br />

Save me!<br />

No, don’t<br />

save me!<br />

“Super grass” to the rescue<br />

BRITAIN The Guardian reports that 2012 was<br />

recorded as being the wettest year ever in England. More than 8,000<br />

buildings were damaged by flooding, and £600 million worth of<br />

food was lost. Experts worldwide agree that flooding is one of the<br />

biggest effects of climate<br />

change, but how can it be<br />

brought under control?<br />

Scientists in the UK may<br />

have found a way to help.<br />

They have developed a natural<br />

hybrid of rye and fescue<br />

grass that reduces by half<br />

12 <strong>Spotlight</strong> 8|13<br />

the volume of water running off fields. The roots of the new plant<br />

grow deeper than traditional types of grass, creating more pores in<br />

the earth — and the extra pores help the earth hold on to water.<br />

After tests made in fields in Devon for two years, the results have<br />

recently been published in Scientific Reports.<br />

Kit Macleod, a hydrologist who worked on the project,<br />

said that in addition to reducing the volume of<br />

water running off the fields, the grass also provides<br />

good food for livestock. Since nearly 70 per cent of the<br />

world’s farmland is planted with grass, the innovation<br />

is welcome news — in more ways than one.<br />

By RITA FORBES and CLAUDINE WEBER-HOF<br />

Fotos: iStockphoto; laif; PR


Britain Today | COLIN BEAVEN<br />

Foto: Alamy<br />

How do<br />

pubs get their<br />

“ names?<br />

”<br />

Pubs are great places to meet your<br />

friends and enjoy yourself.<br />

There’s nothing better than a<br />

chance to put the world to rights over<br />

a few beers.<br />

So how do you choose a pub?<br />

There are so many, though not as<br />

many as there were: lots have closed.<br />

But there are still enough to make it<br />

hard to remember the arrangements<br />

you made when you planned your<br />

night out. “Where did we say we<br />

would meet? Was it The Dog and<br />

Duck or The Lion and Lamb? Well,<br />

we can always start at one and all go<br />

on to the other.”<br />

You can see how quickly people<br />

get the idea of going on a pub crawl<br />

— a traditional journey from pub to<br />

pub, with pauses to drink in each of<br />

them. What starts as a walk soon becomes<br />

a crawl.<br />

Do people still do this? Up to a<br />

point, yes, though the British now<br />

buy much of their booze in shops,<br />

where it’s cheaper — so much so that<br />

the government has thought of introducing<br />

a minimum price for alcohol.<br />

arrangement [E(reIndZmEnt] Verabredung, Abmachung<br />

boar [bO:]<br />

Wildschwein<br />

booze [bu:z] ifml.<br />

Fusel, Alkohol<br />

breakthrough [(breIkTru:]<br />

Durchbruch<br />

call in at [)kO:l (In Et]<br />

einen Abstecher machen in/zu<br />

circumstance [(s§:kEmstÄns] Umstand<br />

come up with sth. [)kVm (Vp wID] sich etw. ausdenken<br />

crawl [krO:l]<br />

eigentlich: „Gekrieche“<br />

dragon [(drÄgEn]<br />

Drache<br />

lamb [lÄm]<br />

No. 10 Downing Street<br />

Amtswohnung des britischen Premierministers<br />

[)nVmbE )ten (daUnIN stri:t]<br />

pink elephant [)pINk (elIfEnt] ifml. Symbol für eine Halluzination im Alkoholrausch<br />

sober [(sEUbE] nüchtern (➝ p. 61)<br />

swan [swQn]<br />

up to a point [)Vp tE E (pOInt] bis zu einem gewissen Grad<br />

world: put the ~ to rights [w§:ld] die Welt in Ordnung bringen<br />

Last night at the pub<br />

Still, a recent film has<br />

meant fresh interest in the idea<br />

of an old-fashioned pub crawl. If<br />

you feel the need to see how it works,<br />

watch The World’s End, which has just<br />

come to British cinemas (showing in<br />

Germany from 12 September).<br />

The name of the film is taken<br />

from the name of the pub where the<br />

drinkers plan to finish the evening.<br />

How do pubs get their names?<br />

Many of them clearly want to sound<br />

patriotic, such as The Prince of Wales.<br />

Others seem purely zoological. They<br />

have names like The Swan, The<br />

Cuckoo, The Otter or The Fox.<br />

In fact, a pub crawl can easily start<br />

to sound like a trip round a safari<br />

park. You can start at The White<br />

Horse, move to The Black Bull, then<br />

walk over to The Blue Boar, call in at<br />

Eine Kneipentour in Groß britannien kann sich<br />

schnell in eine Safarireise verwandeln.<br />

The Red Lion and finish up at The<br />

Green Dragon.<br />

This is all a bit colourful. There<br />

are even pubs and bars called The<br />

Chameleon, though how they know<br />

what colour to paint the sign outside<br />

I’m really not sure. But the idea is that<br />

all these pubs are named after animals<br />

you see when you walk through the<br />

countryside, even if some are the sort<br />

you can see only when you’ve drunk<br />

a lot of beer.<br />

Is any of this important? Well, pub<br />

crawls are clearly the time when politicians<br />

think up new laws. If we’re lucky,<br />

the laws that reach parliament are the<br />

ones they dream up in The White<br />

Horse, where they’re all sober — like<br />

the idea of a minimum price for alcohol.<br />

It’s when we get Green Dragon<br />

laws — the ones that seemed a good<br />

idea at the end of a long evening’s<br />

drinking — that we’re in trouble.<br />

When the Cabinet meets at No.<br />

10 Downing Street, these are no doubt<br />

the sort of comments one hears:<br />

“We’ve come up with a plan to<br />

improve the economy, Mr Cameron.”<br />

“I see. So you spent last night at<br />

The Green Dragon.”<br />

“How did you guess?”<br />

“That’s where all our reforms seem<br />

to come from — schools, the police,<br />

the health service. What finally led to<br />

the breakthrough?”<br />

“Well, I got chatting to a pink<br />

elephant.”<br />

Perhaps we need to relax. Even if<br />

the government does bring in some<br />

of its crazier ideas, it won’t be the end<br />

of the world. And if it is, there are<br />

pubs called The World’s End —<br />

probably the best place to go in the<br />

circumstances.<br />

Colin Beaven is a freelance writer who lives<br />

and works in Southampton on the south<br />

coast of England.<br />

8|13 <strong>Spotlight</strong><br />

13


LANGUAGE | Detective Fiction<br />

Crime time<br />

in New Zealand<br />

Wer ist Opfer, wer ist Täter? In den spannenden Krimis von<br />

Paul Cleave stößt jeder an seine Grenzen – auch der Leser.<br />

BARBARA HILLER sprach mit dem neuseeländischen<br />

Erfolgsautor über seine Schaffensweise sowie die deutschen Krimileser.<br />

What are you reading this summer? Whether you’re<br />

heading for the beach or planning to soak up the<br />

sunshine in your own backyard, a good book is<br />

the perfect companion. If you haven’t picked one yet and<br />

would like to practise your English at the same time, why<br />

not try a crime novel from the other side of the world?<br />

Paul Cleave is a bestselling, prizewinning New Zealand<br />

crime writer whose six books have so far been translated<br />

into 12 languages. You may know them already: his first<br />

book The Cleaner (Der siebte Tod) sold 300,000 copies in<br />

Germany alone. The story is about Joe, who works as a<br />

cleaner for the police department by day and kills people<br />

both by day and by night. He’ll be reappearing as a main<br />

character in Cleave’s seventh book, Joe Victim (Opferzeit),<br />

which comes out in English on 3 September (and in German<br />

on 14 October) this year.<br />

copy [(kQpi] Exemplar (➝ p. 61)<br />

head for [(hed fE] sich aufmachen nach / zu,<br />

gehen / fahren nach / zu<br />

pick [pIk]<br />

auswählen<br />

soak up [)sEUk (Vp] aufsaugen<br />

Fotos: laif; LOOK<br />

14 <strong>Spotlight</strong> 8|13


How did you become a writer?<br />

I decided I wanted to be a writer when I was still at school,<br />

but that’s like deciding to be a fireman or an astronaut.<br />

Then, when I was 19, a friend of mine asked me what I’d<br />

do if I could do anything. I said I’d like to be a writer. She<br />

asked me why I didn’t try. Weirdly enough, I just needed<br />

someone to point that out. So, I sat down and wrote a real -<br />

ly terrible novel about this kid who couldn’t die. That was<br />

step one; and then came step two. About seven or eight<br />

steps later, I started writing novels that got published. And<br />

suddenly, the first book became an international bestseller,<br />

and I was a full-time writer.<br />

So what did you do in the meantime, before you<br />

started earning money with your writing?<br />

First, I worked in retail, and when I was 21, I bought a<br />

house. The property boom struck a few years later. I’d just<br />

left my job, and suddenly my house had gone up in value<br />

by a lot of money. So I renovated it, sold it, bought another<br />

house, renovated it, sold it... I did that four times<br />

over a period of ten years or so, until the writing took over<br />

and I didn’t need to work on houses any more.<br />

Your books are very popular in Germany. Why do<br />

you think your books sell so well there?<br />

Ah, it’s the dark humour. It’s really dark and morbid in<br />

my books. I think Germans love that. They just get it. I<br />

wouldn’t say it’s a typically Kiwi sense of humour — that’s<br />

more self-deprecating. I think, too, that the location of the<br />

books, Christchurch, is quite exotic for European readers.<br />

It’s a cool setting.<br />

Paul Cleave:<br />

master of darkness<br />

In this exclusive interview, Barbara Hiller speaks to<br />

Paul Cleave about his life, his writing and his favourite<br />

reading. If you’re looking for a chilling read for a hot summer’s<br />

day, if you want to get your blood pumping as you<br />

relax on your deckchair, turn to pages 18 and 21, where<br />

you will find a review of Cleave’s third book, Cemetery<br />

Lake (Die Toten schweigen nicht), as well as of books by<br />

three of his favourite writers, as reviewed by members of<br />

<strong>Spotlight</strong>’s editorial team.<br />

In what way does New Zealand influence the stories<br />

you write?<br />

It influences them only in the sense that I know how a<br />

character can get from A to B, and which route he will<br />

take. This means that I can set a scene, and you can picture<br />

it. I can describe something, and you’ll be right there, because<br />

I know what it looks like. Apart from that, you could<br />

pick up any one of my stories and move it to another part<br />

of the world. We sold the movie rights for the first book,<br />

The Cleaner, in 2011, and it looks as if it will be set somewhere<br />

in Europe. There are no plans to set it in Christ -<br />

church, even though the city is the most often recurring<br />

character in all the novels.<br />

chilling [(tSIlIN]<br />

deckchair [(dektSeE]<br />

get [get] ifml.<br />

Kiwi [(ki:wi:] ifml.<br />

morbid [(mO:bId]<br />

pick up [)pIk (Vp]<br />

picture sth. [(pIktSE]<br />

point sth. out [)pOInt (aUt]<br />

property boom [(prQpEti bu:m]<br />

abkühlend; hier auch: schaurig<br />

Liegestuhl<br />

verstehen, kapieren<br />

Spitzname für Neuseeländer<br />

düster, kohlrabenschwarz<br />

(zur Hand) nehmen<br />

sich etw. vorstellen<br />

auf etw. hinweisen<br />

Immobilienboom<br />

recurring [ri(k§:rIN]<br />

retail [(ri:teI&l]<br />

self-deprecating [)self (deprEkeItIN]<br />

set: be ~ [set]<br />

set a scene [)set E (si:n]<br />

strike [straIk]<br />

take over [)teIk (EUvE]<br />

weirdly enough [)wIEdli E(nVf]<br />

wiederkehrend<br />

Einzelhandel<br />

selbstironisch<br />

spielen<br />

den Handlungsrahmen<br />

abstecken<br />

hier: ausbrechen<br />

die Überhand gewinnen<br />

sonderbarerweise<br />

8|13 <strong>Spotlight</strong> 15


LANGUAGE | Detective Fiction<br />

A CLOSER LOOK<br />

On 4 September 2010, an earthquake with a magnitude<br />

of 7.1 hit Christchurch and the surrounding<br />

area. No direct deaths were recorded, mostly because<br />

it happened at 4.30 a.m. when nobody was out on the<br />

streets. The second big earthquake, however, struck<br />

at noon on 22 February 2011. Its magnitude was<br />

lower, at 6.3, but because its epicentre was closer to<br />

the city, the tremors were more violent, and 181 people<br />

were killed. Christchurch still suffers aftershocks<br />

today, and the repair work, especially the rebuilding<br />

of the heavily damaged city centre, will continue for<br />

many years to come.<br />

not the Kiwi sales that pay my mortgage, the food in my<br />

fridge and my travel.” The good thing is that I can get away<br />

with more. For example, Collecting Cooper (Die Totensammler)<br />

starts with Theodore Tate coming out of jail for<br />

things that he did in Cemetery Lake (Die Toten schweigen<br />

nicht) — he has a drink-driving conviction. In The Laughterhouse<br />

(Das Haus des Todes), he’s trying to get back into<br />

the police force. But because of his conviction, that’s not<br />

realistic. So, people in New Zealand will go: “Uh! That’s<br />

not going to happen.” But people in France, Germany,<br />

Turkey, Russia or wherever, they won’t even<br />

blink an eye.<br />

How does the Christchurch in your books compare<br />

to the real city?<br />

I have my own version of Christchurch. My books are set<br />

only in its dark places. This is because the city is seen from<br />

the perspective of characters whose view of the world is<br />

very bleak. Also, in my version, the earthquakes in<br />

Christchurch did not happen, and I’m not planning ever<br />

to include them. My books share a timeline, and the way<br />

this is set, I’d have to wait for at least another year before<br />

I could make it work. Probably five out of ten people overseas<br />

don’t know about the earthquakes anyway. They just<br />

didn’t happen in their circle of reality.<br />

Could you tell us more about your main detective<br />

character, Theodore Tate?<br />

Tate is a guy who’s always trying to do the right thing, but<br />

will do wrong things to get there. He has his own version<br />

of what the law should be, which is probably my own version<br />

and that of most of us: that bad people shouldn’t be<br />

able to get away with bad things, even if this is not necessarily<br />

the way the justice system works. Tate’s the kind of<br />

man who gets the guy who did it.<br />

What do people in New Zealand think about your<br />

books?<br />

The sad reality is that my books don’t sell well in New<br />

Zealand, though I learned the other day that they are very<br />

popular in prisons there, which is quite creepy. When I<br />

get crap from New Zealand reviewers, I think, “Well, it’s<br />

16 <strong>Spotlight</strong> 8|13<br />

How do you do your research?<br />

I don’t. The only thing I’ve ever done is to look up things<br />

like schizophrenia or guns on Wikipedia, to answer questions<br />

like: “What kind of gun could do this?” I would say<br />

my combined research for the six books that have been<br />

published so far was an hour and a half.<br />

In your books, the same characters keep appearing<br />

and disappearing. Is it hard to keep track of them all?<br />

Oh, absolutely! The Cleaner came out in 2006, but I wrote<br />

it 13 years ago, and at that stage, I didn’t know what was<br />

going to follow. As I was writing the next books, the<br />

aftershock [(A:ftESQk]<br />

bleak [bli:k]<br />

blink an eye [)blINk En (aI]<br />

conviction [kEn(vIkS&n]<br />

creepy [(kri:pi] ifml.<br />

get away with sth. [)get E(weI wID]<br />

get crap [get (krÄp] ifml.<br />

go [gEU] ifml.<br />

keep track of sb. [)ki:p (trÄk Ev]<br />

look up [)lUk (Vp]<br />

magnitude [(mÄgnItju:d]<br />

mortgage [(mO:gIdZ]<br />

overseas [)EUvE(si:z]<br />

police force [pE(li:s fO:s]<br />

schizophrenia [)skItsEU(fri:niE]<br />

stage: at that ~ [steIdZ]<br />

the other day [Di )VDE (deI]<br />

timeline [(taImlaIn]<br />

tremor [(tremE]<br />

Nachbeben<br />

düster<br />

mit der Wimper zucken<br />

Verurteilung<br />

gruselig<br />

mit etw. (ungeschoren)<br />

davonkommen<br />

hier: schlechte Kritiken<br />

bekommen<br />

hier: sagen<br />

jmdn. im Auge behalten<br />

nachschlagen, nachschauen<br />

(Erdbeben)Stärke<br />

Hypothek<br />

im Ausland<br />

Polizei<br />

damals, zu der Zeit<br />

kürzlich<br />

Zeitschiene<br />

Beben<br />

Fotos: Getty Images; plainpicture


chronology got mixed up in a few places. I was able to<br />

make a few corrections when America signed me up. I<br />

went through the books and found, for example, that in<br />

one of them, a guy is 40 years old and in the other 35,<br />

while his son is six months old in the one and a year old<br />

in the other. It was a nightmare! But now, every story is<br />

what it is, and I don’t think people are too concerned.<br />

Who are your favourite crime writers?<br />

Lee Child and John Connolly are two of my favourites,<br />

and when you have a favourite author, you love all his or<br />

her books. I recently reread R. J. Ellory’s Bad Signs, and I<br />

was so drained from reading it, I felt like I<br />

needed to take up<br />

drinking or<br />

something. It’s very intense, and<br />

R. J. has no mercy on his characters. God, it’s a good book.<br />

Of your books, do you have a favourite?<br />

For a long time, it was Blood Men (Der Tod in mir), even<br />

though it didn’t sell so well. Everyone else’s favourite is The<br />

Cleaner. I’d write a new book and would think it was really<br />

good, like The Laughterhouse (Das Haus des Todes), and people<br />

would say: “It’s a good book, but I still love The Cleaner.”<br />

People love Joe, the main character in The Cleaner. It’s “Joe,<br />

Joe, Joe”, and “When’s Joe coming back?”<br />

What do you do when you’re not writing?<br />

Writing is more or less all I do. I travel a lot — that’s part<br />

of it. When I’m at home, I just write, go to the gym, write,<br />

go over to a friend’s house and play some Xbox, come<br />

home, write. It’s become my life.<br />

As a writer, do you find time to read?<br />

Reading’s really, really important. I think for anyone who<br />

wants to start writing, you’ve got to read and read and read<br />

and read, especially in your genre. I used to try to read a<br />

couple of books a week. Now, I just don’t have time. But<br />

I still read as much as I can.<br />

admire [Ed(maIE]<br />

break down [)breIk (daUn]<br />

contemporary [kEn(temp&rEri]<br />

drained [dreInd]<br />

faith: have ~ that... [feIT]<br />

get to do sth. [)get tE (du:]<br />

gym [dZIm]<br />

in the first place [)In DE (f§:st )pleIs]<br />

mercy [(m§:si]<br />

mixed up: get ~ [)mIkst (Vp]<br />

nightmare [(naItmeE]<br />

sign sb. up [)saIn (Vp]<br />

take sth. up [)teIk (Vp]<br />

work out [)w§:k (aUt]<br />

bewundern<br />

kaputt gehen<br />

Zeitgenosse<br />

erschöpft<br />

daran glauben, dass...<br />

die Möglichkeit haben, etw.<br />

zu tun (➝ p. 61)<br />

Fitnesscenter<br />

überhaupt erst<br />

Gnade<br />

durcheinander geraten<br />

Alptraum<br />

jmdn. unter Vertrag nehmen<br />

mit etw. anfangen<br />

funktionieren, klappen<br />

You’ve met a few of your favourite authors personally,<br />

haven’t you?<br />

Oh, yes. The coolest thing about being a writer is that you<br />

get to meet your favourite writers. And the next coolest is<br />

becoming friends with them. Like John Connolly. He’s<br />

gone from being an idol who I wanted to be like, to being<br />

a contemporary, to being a friend. He’s been to<br />

Christchurch, and he took me round <strong>Dublin</strong> when I was<br />

there. I’ve met Lee Child, and R. J. Ellory, too. It’s amazing<br />

to be friends with these guys who I admire so much.<br />

What else do you enjoy about being<br />

a published writer?<br />

My friends have been so great to me over<br />

the years, and especially in the beginning,<br />

before I was published. Now, I finally get<br />

to help them out, too. For example, one<br />

of my best friends got married in Boston<br />

last year, and another friend couldn’t afford<br />

to go. I paid for him. I took him<br />

to New York for a couple of days,<br />

and then to Boston for the wedding,<br />

and then we went to the<br />

Niagara Falls. Five or six years<br />

ago, when I didn’t have a job or<br />

money and nothing was really<br />

working out, my computer<br />

broke down. It was this friend<br />

who went and bought me a<br />

new one, because he had<br />

faith that the writing was<br />

going to work out for me.<br />

In a way, my friends<br />

are the ones who got<br />

me published in the<br />

first place.


LANGUAGE | Detective Fiction<br />

In October, Paul Cleave<br />

will be touring<br />

Germany with his new<br />

book. See his website<br />

and Facebook page for<br />

more information:<br />

paulcleave.co.nz<br />

and facebook.com<br />

/PaulCleave<br />

As you read in the interview<br />

on pages 15–17,<br />

Paul Cleave is a fan of<br />

crime writers Lee Child, John Connolly and R. J. Ellory.<br />

Here, <strong>Spotlight</strong> staff review a recent book by each of these<br />

authors, as well as Cleave’s third book, Cemetery Lake.<br />

Cemetery Lake<br />

If you like crime stories that are dark,<br />

bloody and macabre, then Paul Cleave’s<br />

third novel should be on your holiday<br />

reading list. Cemetery Lake is the<br />

first book by Cleave that features the private<br />

detective Theodore Tate. The former<br />

police detective has been asked to investigate<br />

the death of a man who died two<br />

years earlier. The story begins with the<br />

exhumation of a corpse in a Christchurch<br />

cemetery. As the gravediggers do their grisly work, three bodies float<br />

to the surface of the nearby cemetery lake, and Tate suddenly becomes<br />

involved in a complex and violent investigation.<br />

Tate is already a troubled man. His young daughter was killed<br />

by a drink-driver — an accident that also left his wife in a kind of<br />

waking coma — and we discover that it is Tate’s behaviour after this<br />

tragedy that led to his departure from the police force. Misery, loneliness<br />

and guilt are his companions, as he works feverishly to discover<br />

the truth about the bodies in the cemetery lake.<br />

There is not much to like about Theodore Tate. He won’t help<br />

the police, even though he has some vital clues concerning the bodies.<br />

He also has no problem using violence to get the information<br />

he needs or stealing evidence from a corpse. And as the story progresses,<br />

he begins to drink, until he becomes exactly like the worthless<br />

drunk who took his daughter’s life. The reader follows Tate’s<br />

story from page to page in horrified fascination, hoping that the<br />

detective will find the murderer before the search kills him. There<br />

is little relief from pain. Even the attactive city of Christchurch is<br />

described as a bleak and depressing place.<br />

Cemetery Lake is a brutal tale of what can happen to an ordinary<br />

man pushed to the edge of sanity by events he can’t control. The<br />

second and third stories featuring Tate are Collecting Cooper and<br />

The Laughterhouse.<br />

Inez Sharp<br />

Cemetery Lake, Paul Cleave, Arrow, ISBN 978-0-09-953673-4<br />

18 <strong>Spotlight</strong> 8|13<br />

A Wanted Man<br />

How can you talk for a minute without using<br />

the letter “A”? Lee Child’s main character Jack<br />

Reacher knows. A huge, ex-military policeman,<br />

a thinker and doer with a dry sense of humour,<br />

Reacher has no home and nothing in his<br />

pocket except a toothbrush and a bank card.<br />

The highways and open spaces of the<br />

American Midwest are the setting for the 17th<br />

Jack Reacher thriller, A Wanted Man. How<br />

many miles of road does the story cover, how<br />

many hours of driving? Ask Jack Reacher. He’d<br />

know. At the beginning of A Wanted Man, he waits at the side of a<br />

road somewhere in Nebraska, “just a guy, hitching rides”, trying to<br />

get to Virginia to find a woman who sounded nice on the phone. His<br />

nose is broken, his face is a mess: “You should have seen the other<br />

guy.” After 93 minutes, a car stops, and he’s driven into his favourite<br />

sort of trouble — a carjacking, some potential bad guys, attractive<br />

female government agents and lots of borrowed hardware: guns.<br />

He knows how to smart-talk the truth out of shop assistants and<br />

ten-year-old girls. He knows his American history and the populations<br />

of its major cities. He knows how to get a motel room for an<br />

hour. He understands how minds and organizations work. He can<br />

get a 911 operator to put him through to the FBI, and the head of a<br />

criminal gang to put down his gun.<br />

Lee Child’s writing, like Reacher, is always patient, always controlled.<br />

He describes precisely the spaces that his hero has to negotiate,<br />

the distances and coordinates he has to calculate. There is<br />

violence and death, but it is described objectively, and relatively<br />

bloodlessly. The characters are as full as they need to be, the dialogues<br />

as long as necessary. There is some humour. Short chapters<br />

end in short lines like: “It wasn’t empty” and “He turned the lights<br />

on”, leaving you no choice but to turn the page and read on. Child<br />

uses repetition, which pulls you along from one sentence to the<br />

next. A Wanted Man is an enjoyable, easy-to-read thriller.<br />

And how do you talk for a minute without using the letter “A”?<br />

Just start counting, one, two, three — slowly and thoughtfully, just<br />

as Reacher would.<br />

Jo Westcombe<br />

A Wanted Man, Lee Child, Random House,<br />

ISBN 978-0-593-06572-3<br />

911 operator Notruf-Telefonist(in)<br />

[)naIn )wVn (wVn )QpEreItE] N. Am.<br />

carjacking [(kA:dZÄkIN]<br />

Autoraub<br />

cemetery [(semEtri]<br />

Friedhof<br />

corpse [kO:ps]<br />

Leiche<br />

edge [edZ]<br />

Rand<br />

float [flEUt]<br />

treiben<br />

gravedigger [(greIv)dIgE] Totengräber<br />

grisly [(grIzli]<br />

grausig<br />

hitch a ride [)hItS E (raId] per Anhalter fahren, trampen<br />

relief [ri(li:f]<br />

Linderung<br />

sanity [(sÄnEti]<br />

Verstand, geistige Gesundheit<br />

smart-talk: ~ sth. out of sb. etw. mit schlauen Sprüchen<br />

[(smA:t )tO:k]<br />

aus jmdm. herauskriegen<br />

surface [(s§:fIs]<br />

Oberfläche<br />

vital [(vaIt&l]<br />

wichtig, entscheidend<br />

continued on page 21


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continued from page 18<br />

Bad Signs<br />

Born under an unlucky star, the half-brothers Clay and Digger grow<br />

up in state institutions where they experience abuse and violence.<br />

As teenagers, they dream of freedom. Their opportunity comes<br />

when they are kidnapped by a death-row escapee on his way to be<br />

hanged. He takes them on a bloody, brutal killing spree. As hostages,<br />

the two brothers take two very different journeys, both fateful and<br />

irreversible.<br />

R. J. Ellory’s Bad Signs is set in<br />

rural California and Texas around the<br />

beginning of the 1960s. It is the sort of<br />

“slow-motion thriller” for which the author<br />

— who actually lives in England —<br />

has become famous. It focuses on nine<br />

tragic days in the lives of two young<br />

brothers and a scared teenage girl. It is<br />

also the psychological study of a young<br />

man on a dark and downward path.<br />

Ellory’s victims are not faceless characters:<br />

before they meet their violent deaths, we get to know them<br />

closely. The interweaving of shocking plot layers with the personal<br />

stories of a handful of people makes this book horribly fascinating.<br />

The human drama in Bad Signs will please not only fans of crime<br />

fiction, but also those interested in epic stories of injustice, violence,<br />

and not least hope and love.<br />

Timea Thomas<br />

Bad Signs, R. J. Ellory, Orion Publishing Group,<br />

ISBN 978-1-4091-1859-6<br />

abuse [E(bju:s]<br />

assassin [E(sÄsIn]<br />

damnation [dÄm(neIS&n]<br />

death-row escapee<br />

[)deT )rEU I)skeI(pi:]<br />

(death row<br />

dedicate [(dedIkeIt]<br />

dull [dVl]<br />

eternal [I(t§:n&l]<br />

fateful [(feItf&l]<br />

finale [fI(nA:li]<br />

flash [flÄS]<br />

fusion [(fju:Z&n]<br />

gruesome [(gru:sEm]<br />

hermit [(h§:mIt]<br />

hostage [(hQstIdZ]<br />

interweaving [)IntE(wi:vIN]<br />

irreversible [)Iri(v§:sEb&l]<br />

killing spree [(kIlIN )spri:]<br />

likeable [(laIkEb&l]<br />

NYPD [)en )waI )pi: (di:]<br />

plot layer [(plQt )leIE]<br />

predictable [pri(dIktEb&l]<br />

pretty [(prIti] ifml.<br />

rabbi [(rÄbaI]<br />

redemption [ri(dempS&n]<br />

reincarnation [)ri:)InkA:(neIS&n]<br />

rewarding [ri(wO:dIN]<br />

rural [(rUErEl]<br />

Missbrauch<br />

Mörder<br />

Verdammung<br />

zum Tode verurteilter Sträfling<br />

auf der Flucht<br />

Todestrakt)<br />

widmen<br />

öde<br />

ewig<br />

verhängnisvoll<br />

Augenblick<br />

Verschmelzung<br />

grausig<br />

Einsiedler(in)<br />

Geisel<br />

Verflechtung<br />

unumkehrbar<br />

Tötungsorgie<br />

liebenswert, sympathisch<br />

New Yorker Polizei(dienst)<br />

Erzählstrang<br />

vorhersehbar<br />

ziemlich<br />

Erlösung<br />

Wiedergeburt<br />

bereichernd<br />

ländlich<br />

The Wrath of Angels<br />

Deep in the Great North Woods, in the US state<br />

of Maine, lies the wreckage of an aeroplane. On<br />

board are a bag full of money and a list of names<br />

— the names of people who have sold their souls<br />

to the devil. Protecting the plane from those<br />

who would like to find the list are a ghostly little<br />

girl and a dark and dangerous hermit.<br />

The Wrath of Angels is the eleventh book in John Connolly’s<br />

Charlie Parker series. Don’t worry if you’re new to Parker’s world.<br />

Connolly gives just enough backstory for readers to understand it.<br />

In Parker, <strong>Dublin</strong>-born Connolly has created an ideal anti-hero for<br />

the 21st century. An ex-NYPD cop with a tragic past, Parker works as<br />

a private detective based in Portland, Maine. He specializes in cases<br />

of a supernatural nature, and works on both sides of the law.<br />

As he races to find the missing plane, Parker once again finds<br />

himself at the centre of the eternal struggle between good and evil.<br />

Supported by two likeable assassins and a New York rabbi, Parker<br />

has to deal with fallen angels in the form of a scarred woman and<br />

her son — who turns out to be the reincarnation of one of Parker’s<br />

worst enemies. Another threat comes from the violent serial killer<br />

“the Collector”, who has dedicated his life to murdering just the kind<br />

of people whose names are on that list.<br />

The Wrath of Angels is not a simple story, but Connolly pulls the<br />

many threads together and maintains the tension all the way to its<br />

terrifying finale. Though the Parker series has its roots in detective<br />

fiction, the books have always been a fusion of horror, mystery and<br />

thriller. Perhaps that’s as much a warning as a recommendation —<br />

The Wrath of Angels can get pretty gruesome in places.<br />

One of the writer’s great strengths is his ability to create fully<br />

formed, believable characters. This, along with the horrific aspects<br />

of the story and the Maine setting, reminded me of Stephen King at<br />

his finest. In Parker’s shadowy world of lost souls and heartless cruelty,<br />

there are also flashes of comedy, love and friendship.<br />

If you are a fan of horror and stories of the supernatural, I’m<br />

sure you’ll find The Wrath of Angels a highly entertaining, rewarding<br />

read. The prose flows smoothly and often reaches the heights of<br />

great literature. For a book that deals with the well-worn themes<br />

of redemption and damnation, there’s not one dull or<br />

predictable moment.<br />

Owen Connors<br />

The Wrath of Angels, John Connolly,<br />

Hodder & Stoughton, ISBN 978-1-4447-5645-6<br />

All books reviewed are available at:<br />

scarred [skA:d]<br />

slow-motion thriller<br />

[)slEU )mEUS&n (TrIlE]<br />

supernatural [)su:pE(nÄtS&rEl]<br />

tension [(tenS&n]<br />

thread [Tred]<br />

turn out to be sth. [)t§:n (aUt tE )bi:]<br />

well-worn [)wel (wO:n]<br />

wrath [rQT]<br />

wreckage [(rekIdZ]<br />

durch Narben entstellt<br />

Thriller, in dem die Handlung<br />

in Zeitlupe voranschreitet<br />

übernatürlich<br />

Spannung<br />

hier: Handlungsstrang<br />

sich als etw. entpuppen<br />

abgedroschen<br />

Zorn<br />

Wrack<br />

8|13 <strong>Spotlight</strong><br />

21


FOOD | Snacks<br />

Nice<br />

and<br />

crisp<br />

Kartoffelchips<br />

werden weltweit<br />

oft und gern<br />

genascht.<br />

Knabberzeug<br />

der besonderen<br />

Art hat JULIAN<br />

EARWAKER in<br />

Ostengland<br />

gekostet.<br />

Chris Barnard is hard<br />

at work in his<br />

kitchen, mixing a<br />

variety of powders like an<br />

ancient alchemist. It isn’t<br />

gold he’s after, however,<br />

but flavour. Barnard, 67, is<br />

head chef at Britain’s gourmet crisp company, Kettle<br />

Foods, near Norwich in the east of England. Barnard is<br />

passionate about his goal to produce the perfect taste for<br />

Kettle Chips. “We want a good-tasting potato crisp without<br />

additives,” he says. “So my chef’s skills are useful, because<br />

essentially, in terms of putting dried powders<br />

together, what I am doing is making a dish.”<br />

Potato crisps are one of the world’s best-loved snack<br />

foods, and the global crisp market is worth more than<br />

€13 billion. The US is the biggest consumer. UK snacklovers,<br />

however, eat some 300,000 tonnes of crisps every<br />

year — that’s around 260 billion crisps.<br />

According to legend, the very first potato crisps were<br />

created in 1853 in Saratoga Springs, New York. Frustrated<br />

by a customer who rejected his fries for being too thick and<br />

tasteless, chef George Crum reacted by cooking extra thin<br />

slices of potato. Much to Crum’s surprise, the customer was<br />

delighted, and “Saratoga Chips” were added to the menu.<br />

Proudly sold under the slogan<br />

“Absolutely Nothing Artificial”,<br />

Kettle Chips are actually an American<br />

invention. In 1982, businessman<br />

Cameron Healy was holidaying<br />

in Hawaii when he tasted<br />

fresh potato chips being hand-fried<br />

in a metal drum by the beach. He<br />

took the idea back home to Oregon<br />

and started cooking potato<br />

slices by hand in small batches.<br />

Kettle Foods still uses the same<br />

recipe today.<br />

Gourmet gold: crisps have never tasted this good<br />

Chris Barnard: king of the crisp-makers<br />

What makes a<br />

great crisp? “A good<br />

potato,” answers<br />

Barnard, “plus the<br />

fact that you process<br />

it correctly. You’ve got<br />

to slice it right; you’ve<br />

got to fry it correctly, for the right amount of time, to get<br />

the right colour. It’s all about the base product: all I’m<br />

doing is improving that experience.”<br />

The process begins in the rich earth of East Anglia,<br />

where Kettle Chips sources 90 per cent of its potatoes:<br />

1,000 tonnes of them every week. The potatoes arrive in<br />

large wooden boxes and are quality checked, sorted and<br />

washed ready for production. Their specific gravity and<br />

starch content are essential, explains Barnard.<br />

After being washed, the potatoes are sliced with their<br />

skins on and then transported along giant tubes to the<br />

cooking area. Here, they are hand-fried in stainless-steel<br />

vats of sunflower oil. An operative keeps the crisps moving<br />

to prevent them from sticking together. Fresh from<br />

the boiling oil, the warm, unflavoured crisp tastes, as the<br />

advertising says, deliciously simple. “Simple is always<br />

best,” says Barnard. “And that’s really what it’s all about<br />

with our food.”<br />

additives [(ÄdEtIvz]<br />

artificial [)A:tI(fIS&l]<br />

batch [bÄtS]<br />

billion [(bIljEn]<br />

delighted [di(laItId]<br />

dish [dIS]<br />

drum [drVm]<br />

in terms of... [)In (t§:mz Ev]<br />

Norwich [(nQrIdZ]<br />

operative [(QpErEtIv]<br />

slice [slaIs]<br />

source [sO:s]<br />

specific gravity [spE)sIfIk (grÄvEti]<br />

stainless steel [)steInlEs (sti:&l]<br />

starch content [(stA:tS )kQntent]<br />

vat [vÄt]<br />

Zusatzstoffe<br />

künstlich, synthetisch<br />

Charge, Menge<br />

Milliarde(n)<br />

hoch erfreut<br />

Speise, Gericht<br />

Tonne<br />

was...angeht<br />

(Fabrik)Arbeiter(in)<br />

Scheibe; in Scheiben schneiden<br />

beziehen<br />

spezifisches Gewicht<br />

Edelstahl<br />

Stärkegehalt<br />

Bottich<br />

Fotos: Alamy; Dorling Kindersley; iStockphoto; Kettle Foods<br />

22 <strong>Spotlight</strong> 8|13


Essential: you’ll<br />

need good potatoes<br />

Special conveyor belts shake off excess oil and move<br />

the crisps along for drying, seasoning, weighing and packaging.<br />

At every step, they are inspected technologically and<br />

by human eye to check for any pieces of poor quality,<br />

which are removed. These are collected in huge drums and<br />

end up as food for lucky local pigs.<br />

It took half a century for crisps to be produced commercially,<br />

and it wasn’t until the 1950s that Irish crisp<br />

manufacturer Tayto produced the world’s first flavoured<br />

crisps: cheese and onion, and salt and vinegar. When Kettle<br />

Chips brought hand-cooking to the UK in the late<br />

1980s, Barnard was running his own restaurant in the<br />

lovely landscape of the Norfolk Broads. Cameron Healy<br />

came by for a meal, and the two men got talking. The rest,<br />

as they say, is history.<br />

Barnard gets all the seasonings for Kettle Chips from<br />

raw natural ingredients, which are “atomized” and dried<br />

into powder form. Over a period of more than 20 years<br />

with Kettle Foods, he has personally invented the flavours<br />

that have made the company one of the UK’s “Top 100<br />

Grocery Brands” as well as being voted one of Britain’s<br />

“Cool Brands”. Traditional US flavours such as salsa with<br />

mesquite, New York Cheddar and Jalapeno Jack have been<br />

“anglicized” for the UK market. But Kettle is not afraid to<br />

innovate: in Continental Europe, where paprika is king,<br />

it has achieved great success with new flavours such as sea<br />

salt and cracked black pepper. Barnard also created the<br />

concept of seasonal favourites such as blue Stilton and port<br />

(winter), and mozzarella and pesto (summer); and he produces<br />

recipes for a range of dips to match the crisps.<br />

Each new seasoning can take up to 12 months to perfect.<br />

“One of my proudest moments was the creation of<br />

our sea salt and balsamic vinegar,” says Barnard. “I sourced<br />

the balsamic directly from Modena in Italy to deliver those<br />

lovely warm, rich notes, instead of the sharp taste you<br />

get from traditional salt and vinegar crisps. I’ve designed<br />

thousands of flavours over the years. Innovation takes a lot<br />

CRISPS OR CHIPS?<br />

In the UK and Ireland, potato crisps<br />

are a thinly sliced deep-fried snack<br />

product sold cold in bags, while chips<br />

are thickly-sliced potatoes served<br />

hot. French fries are a thinner version<br />

of chips. In the US, crisps are known<br />

as “chips” and chips are called<br />

“French fries” or simply “fries”. In<br />

Australia, parts of South Africa, New<br />

Zealand, India and the West Indies,<br />

both forms of potato product are<br />

called chips. In both Australia and<br />

New Zealand, a distinction is sometimes<br />

made between hot chips (fried<br />

potatoes) and potato chips (crisps).<br />

In Germany, chips are Pommes or<br />

Fritten, and crisps are Chips.<br />

of working at — very, very rarely do you get it right first<br />

time round.”<br />

Crisps are not the healthiest of food, he admits, although<br />

the sunflower oil used by Kettle Chips means that<br />

their cholesterol content is very low. “We are a snack product,<br />

and yes, we are a fried product,” says Barnard. “But<br />

we do not use artificial flavourings. This is not about<br />

chemistry. It’s all about food. From our point of view, if<br />

you are going to snack, why not snack well?”<br />

www.kettlefoods.co.uk<br />

BLUE STILTON CHEESE LEMON JUICE CREAM CHEESE<br />

atomized [(ÄtEmaIzd]<br />

blue Stilton [)blu: (stIltEn]<br />

brand [brÄnd]<br />

conveyor belt [kEn(veIE belt]<br />

cracked [krÄkt]<br />

end up as [)end (Vp Ez]<br />

grocery [(grEUsEri]<br />

Jalapeno Jack<br />

[hÄlE)peInjEU (dZÄk]<br />

mesquite [me(ski:t]<br />

note [nEUt]<br />

paprika [(pÄprIkE]<br />

port [pO:t]<br />

run [rVn]<br />

salsa [(sÄlsE]<br />

seasoning [(si:z&nIN]<br />

vinegar [(vInIgE]<br />

(zu Pulver) fein zerstäubt<br />

englischer Blauschimmelkäse<br />

Marke<br />

Förderband<br />

grobschrotig<br />

schließlich dienen als<br />

Lebensmittel<br />

Schnittkäse mit scharfen<br />

Chilistückchen<br />

Rauchgeschmack nach<br />

Mesquite-Holzspänen<br />

Geschmacksnote<br />

Pulverpaprika<br />

Portwein<br />

betreiben<br />

scharfe Soße<br />

Würzen<br />

Essig<br />

Make a great dip:<br />

all you need are<br />

these ingredients<br />

SALT AND PEPPER SOUR CREAM SPRING ONION<br />

8|13 <strong>Spotlight</strong> 23


SOCIETY | World Cultures<br />

Examining<br />

Islamo<br />

phobia<br />

Warum werfen wir mehr als<br />

eine Milliarde Menschen mit<br />

unterschiedlichen Lebensauffassungen<br />

in einen Topf?<br />

MOHSIN HAMID geht der<br />

Sache auf den Grund.<br />

24 <strong>Spotlight</strong> 8|13<br />

Protesters in<br />

New York City:<br />

after the attacks<br />

of 9/11, many<br />

Americans began<br />

to see Muslims<br />

as the enemy<br />

In 2007, six years after the terrorist attacks of 11 September<br />

2001, I was travelling through Europe and North<br />

America. I had just published a novel, The Reluctant<br />

Fundamentalist, and I was surprised by the large number<br />

of interviewers and of audience members at<br />

question-and-answer sessions who spoke of Islam as a<br />

monolithic thing. It was as if Islam referred to a selfcontained<br />

and clearly defined world — a sort of Microsoft<br />

Windows, obviously different from and incompatible with<br />

the Apple OS X-like operating system of “the West”.<br />

I remember one reading in Germany in particular.<br />

Again and again, people asked questions relating to how<br />

“we Europeans” see things, in contrast to how “you Muslims”<br />

do. At one point, I became so frustrated that I pulled<br />

my British passport out of my jacket and started waving<br />

it around my head. “While it’s true the UK hasn’t yet<br />

joined the eurozone,” I said, “I hope we can all agree that<br />

the country is in fact in Europe.”<br />

Six years on, a film inspired by the novel is appearing<br />

on screens around the world, and I am pleased to report<br />

that this sort of question is a little rarer now than it was in<br />

2007. This represents progress; but it is not very much<br />

progress, for the sense of Islam as a monolith hangs on, in<br />

places both expected and unexpected.<br />

monolithic [)mQnE(lITIk]<br />

self-contained [)self kEn(teInd]<br />

wave sth. around [)weIv E(raUnd]<br />

monumental, gigantisch<br />

in sich geschlossen<br />

mit etw. herumwedeln<br />

Fotos: age fotostock/Avenue Images; dpa/picture alliance; Visum


Recently, I was told by a well-travelled<br />

friend in London that while Muslims can be<br />

aggressive, they are united by a sense of deep<br />

hospitality. I replied that I remembered being<br />

in Riyadh airport, standing in line, when a<br />

Saudi immigration officer threw the passport<br />

of a Pakistani labourer right into his face. If<br />

that was hospitality, I wasn’t sure we had the<br />

same definition.<br />

Islam is not a race, yet Islamophobia has<br />

racist characteristics. Most Muslims do not<br />

“choose” Islam in the way that they choose to<br />

become doctors or lawyers, nor even in the<br />

way that they choose to become fans of Coldplay<br />

or Radiohead. Most Muslims, like people<br />

of any faith, are born into their religion.<br />

They then develop their own relationship<br />

with it, their own individual view of life, their<br />

own microreligion, so to speak.<br />

There are more than a billion variations of lived belief<br />

among people who define themselves as Muslim — one for<br />

each human being — just as there are among those who describe<br />

themselves as Christian, or Buddhist or Hindu. Islamophobia<br />

represents a refusal to recognize these variations<br />

or to see individual humanities, a desire to paint members<br />

of a perceived group with the same brush. In that sense, it<br />

is indeed like racism. It credits Muslims with too much and<br />

too little agency: too much agency in choosing their<br />

religion, and too little in choosing what to make of it.<br />

Islamophobia can be found proudly raising its head in<br />

militaristic American think tanks, xenophobic European<br />

political parties and even in atheistic discourse, where<br />

somehow “Islam” can be characterized as “more bad” than<br />

ABOUT THE AUTHOR<br />

Born in Pakistan in 1971, Mohsin Hamid lived in the US as a<br />

child for several years. He later studied at Princeton University<br />

under famous writers such as Toni Morrison. After studying<br />

law at Harvard, he worked in New York City before<br />

publishing his first novel, Moth Smoke, in 2000. His second<br />

book, The Reluctant Fundamentalist of 2007, was a bestseller<br />

and has now been made into a film. His most recent<br />

novel is this year’s How to Get Filthy Rich in Rising Asia.<br />

religion generally — in the<br />

way one might say that a<br />

mugger is bad, but a black<br />

mugger is worse, because black people are held to be more<br />

innately violent. Islamophobia shows up repeatedly in<br />

public debate, such as over the planned Islamic cultural<br />

centre in downtown Manhattan — the so-called “Ground<br />

Zero mosque” — or the ban on minarets in Switzerland.<br />

And it shows up in private interactions as well.<br />

In my early twenties, I remember being seated next to<br />

a pretty Frenchwoman at a friend’s birthday dinner in<br />

Manila. Shortly after we were introduced, she announced<br />

to the table: “I’d never marry a Muslim man.” “It’s a little<br />

soon for us to be discussing marriage,” I joked. I was annoyed<br />

— perhaps even disappointed, I realize now, since<br />

I still remember the incident almost two decades later. In<br />

the cosmopolitan bit of pre-9/11 America where I then<br />

lived, local norms of politeness meant that I’d never before<br />

heard such a remark, however widely held the woman’s<br />

perspective might have been.<br />

agency [(eIdZEnsi]<br />

atheistic [)eITi(IstIk]<br />

brush: paint with<br />

the same ~ [brVS]<br />

cosmopolitan bit<br />

[)kQzmE(pQlItEn )bIt]<br />

credit sb. with sth. [(kredIt wID]<br />

discourse [(dIskO:s]<br />

hospitality [)hQspI(tÄlEti]<br />

innately [)I(neItli]<br />

mosque [mQsk]<br />

mugger [(mVgE]<br />

perceived [pE(si:vd]<br />

think tank [(TINk tÄNk]<br />

xenophobic [)zenE(fEUbIk]<br />

Mohsin Hamid’s new<br />

film and latest book<br />

Handlungsfähigkeit<br />

über einen Kamm scheren<br />

weltbürgerlicher Teil<br />

jmdm. etw. zuschreiben<br />

Diskussion<br />

Gastfreundschaft<br />

von Haus aus<br />

Moschee<br />

Straßenräuber<br />

wahrgenommen, bestimmt<br />

Expertenkommission<br />

ausländerfeindlich<br />

8|13 <strong>Spotlight</strong><br />

25


SOCIETY | World Cultures<br />

Islamophobia, in all its forms, tries to minimize the importance<br />

of the individual and maximize the importance<br />

of the group. Yet our instinctive position ought to be one<br />

of suspicion towards such endeavours, for individuals are<br />

undeniably real. Groups, on the other hand, are expressions<br />

of opinion.<br />

We ought to look more closely at the supposed monolith<br />

to which we apply the word “Islam”. It is said that Muslims<br />

believe in female genital mutilation, the surgical removal of<br />

all or part of a girl’s clitoris. Yet I have never, in my 41 years,<br />

had a conversation with anyone who described himself as<br />

Muslim and believed this practice to be anything other than<br />

an inhuman abomination. Until I first read about it in a<br />

newspaper, probably in my twenties, I would have thought<br />

it impossible that such a ritual could even exist.<br />

Similarly, many millions of Muslims apparently believe<br />

that women should play no role in politics; but many millions<br />

more have had no problem electing women prime<br />

ministers in Muslim-majority countries such as Pakistan<br />

and Bangladesh. Indeed, the recent Pakistani elections witnessed<br />

a record 448 women running for seats in the national<br />

and provincial assemblies.<br />

abomination [E(bQmI(neIS&n]<br />

apply [E(plaI]<br />

assembly [E(sembli]<br />

dedicate [(dedIkeIt]<br />

endeavour [In(devE]<br />

mutilation [)mju:tI(leIS&n]<br />

run for [(rVn fE]<br />

unified [(ju:nIfaId]<br />

witness [(wItnEs]<br />

Gräueltat<br />

benutzen<br />

Versammlung<br />

hier: in den Dienst stellen von<br />

Bemühung, Unterfangen<br />

Verstümmelung<br />

kandidieren für<br />

gemeinsam<br />

miterleben<br />

A “holy war”:<br />

some think that<br />

Islam is battling<br />

the West<br />

Two of my great-grandparents sent all their daughters<br />

to university. One of them, my grandmother, was the<br />

chairperson of the All Pakistan Women’s Association and<br />

dedicated her life to expanding women’s rights in the<br />

country. Among those belonging to the same line are<br />

women who do not work and who refuse to meet men<br />

who are not their blood relatives. I have female relatives<br />

my age who cover their heads, others who wear miniskirts,<br />

some who are university professors or run businesses,<br />

others who choose rarely to leave their homes. I<br />

think that if you were to ask them their religion, all would<br />

say “Islam”. But if you were to use that term to define their<br />

politics, careers or social values, you would struggle to find<br />

a unified concept.<br />

Karachi, Pakistan:<br />

McDonald’s next to<br />

the symbol of Allah<br />

26


Fotos: Corbus; Redux/laif<br />

Lived religion is a very different thing from strict textual<br />

analysis. Few people of any faith live their lives as literalist<br />

interpretations of scripture. Many people have little<br />

or no knowledge of scripture at all. Many others who have<br />

more knowledge choose to interpret what they know in<br />

ways that are convenient, or that fit their own moral sense<br />

of what is good. Still others view their religion as a kind<br />

of self-accepted ethnicity, but live lives without any sense<br />

of faith.<br />

When the Pakistani Taliban were filmed beating a<br />

young woman in Swat as punishment for her “amoral” behaviour,<br />

there was such a strong feeling of revulsion in Pakistan<br />

that the army started a military campaign to retake<br />

the region. As my parents’ driver told me, “They say they<br />

beat her because of Islam. This isn’t Islam. Islam says to do<br />

good things. So how can this be Islam?” He offered no<br />

complex hermeneutics to support his position. His Islamic<br />

moral compass was not textual; it was internal, his own<br />

sense of right and wrong.<br />

I often hear it said, at readings or talks from Lahore to<br />

Louisiana, that The Reluctant Fundamentalist is about a<br />

man who becomes an Islamic fundamentalist. I’m not sure<br />

what that term means exactly, but I have a reasonable idea<br />

about the sentences and paragraphs that are actually in the<br />

book. Changez, the main character, is a Pakistani student<br />

at Princeton. When he gets his dream job at a high-paying<br />

valuation firm in New York, he exclaims, “Thank you,<br />

God!” And that’s it. Other than that common figure<br />

of speech, there’s<br />

no resal evidence<br />

that Changez is<br />

religious.<br />

He doesn’t<br />

quote from scripture.<br />

He never<br />

Muslims praying in New York City<br />

asks himself<br />

about heaven or<br />

hell or the divine.<br />

He drinks.<br />

He has sex out of<br />

marriage. His beliefs<br />

could be<br />

those of a secular<br />

humanist. And yet he calls himself a Muslim and is angry<br />

with US foreign policy and grows a beard — and that<br />

seems to be enough. Changez may well be an agnostic or<br />

even an atheist.<br />

Yet he is somehow read by many people as a character<br />

who is an Islamic fundamentalist. Why? The novel carefully<br />

separates the politics of self-identification from any<br />

underlying religious faith or spirituality. It sets out to show<br />

that the former can exist in the absence of the latter. Yet<br />

we tend to read the world otherwise, to imagine religious<br />

operating systems like computer software, where perhaps<br />

none exist.<br />

Near Ground Zero:<br />

the Islamic Community<br />

Center in New York<br />

In so doing, it is we who create the monolith. If we<br />

look at religion as practised in the world outside, we see<br />

multiplicity. It is from inside us that the need to unify<br />

arises. A dozen years after 2001, we are perhaps getting<br />

better at resisting this impulse. But we still have a long,<br />

long way to go.<br />

© Guardian News & Media 2013<br />

divine: the ~ [dI(vaIn]<br />

das Göttliche<br />

exclaim [Ik(skleIm]<br />

ausrufen<br />

former: the ~ [(fO:mE] Erstere(s, r)<br />

hermeneutics<br />

Auslegung<br />

[)h§:mE(nju:tIks]<br />

latter: the ~ [(lÄtE] Letztere(s, r)<br />

multiplicity [)mVltI(plIsEti] Vielfalt<br />

revulsion [ri(vVlS&n]<br />

Abscheu<br />

scripture [(skrIptSE]<br />

heilige Schrift<br />

secular [(sekjUlE]<br />

weltlich<br />

set out: ~ to do sth. [)set (aUt] das Ziel verfolgen, etw. zu tun<br />

unify [(ju:nIfaI]<br />

vereinheitlichen,<br />

verallgemeinern<br />

valuation firm<br />

Wirtschaftsprüfungsgesellschaft<br />

[)vÄlju(eIS&n )f§:m]<br />

8|13 <strong>Spotlight</strong><br />

27


AMY ARGETSINGER | I Ask Myself<br />

How do we see<br />

Angelina Jolie now?<br />

Nach ihrer Brustamputation hat sich das Bild Angelina Jolies in der<br />

amerikanischen Öffentlichkeit stark verändert.<br />

“<br />

She is a<br />

fascinating<br />

and<br />

polarizing<br />

figure<br />

”<br />

The big stories in the US this<br />

spring included White House<br />

scandals, a terrible tornado that<br />

killed dozens of people in Oklahoma...<br />

and Angelina Jolie’s mastectomy.<br />

The actress had both of her breasts<br />

surgically removed because of a gene<br />

mutation that put her at very high<br />

risk of breast cancer. It’s hard to explain<br />

exactly why<br />

Jolie’s announcement<br />

was such big<br />

news. If it had<br />

been any other actress,<br />

or any other<br />

part of Jolie’s body,<br />

there would have<br />

been much less<br />

discussion.<br />

There has never<br />

been a star like Angelina<br />

Jolie. She<br />

was launched onto<br />

Angelina Jolie:<br />

making hard decisions<br />

the scene 15 years<br />

ago, a powerfully<br />

sexual wild-child<br />

Council on Foreign Relations Rat für auswärtige<br />

[)kaUns&l A:n )fO:rEn ri(leIS&nz] US Beziehungen<br />

drag [drÄg] zerren, tragen (➝ p. 61)<br />

hereditary [hE(redEteri]<br />

erblich bedingt,<br />

vererbbar<br />

inescapable [)InI(skeIpEb&l] unvermeidlich<br />

mastectomy [mÄ(stektEmi] Brustamputation<br />

ordeal [O:r(di:&l]<br />

Leidensweg, Strapazen<br />

promote [prE(moUt]<br />

hier: ins Rollen bringen<br />

public persona<br />

Persönlichkeit in der<br />

[)pVblIk )p&r(soUnE]<br />

Öffentlichkeit<br />

reconstructive surgery<br />

wiederaufbauende<br />

[ri:kEn)strVktIv (s§:dZEri]<br />

Chirurgie<br />

role model [(roUl )mA:d&l]<br />

Vorbild<br />

seek [si:k]<br />

suchen, auf etw. aus sein<br />

spotlight [(spA:tlaIt]<br />

Scheinwerferlicht<br />

telling [(telIN]<br />

hier: aufschlussreich<br />

under wraps: keep sth. ~<br />

etw. verheimlichen<br />

[)Vnd&r (rÄps]<br />

vial [(vaI&l]<br />

Phiole, Fläschchen<br />

starlet who made a show of wearing a<br />

vial of her husband’s blood around<br />

her neck. But she was talented, too,<br />

winning an Oscar at 24. And even<br />

before the world was shocked by her<br />

relationship with married actor Brad<br />

Pitt, she had slowly begun to transform<br />

her public persona.<br />

She became a humanitarian, traveling<br />

the world to call attention to<br />

suffering in conflict zones and taking<br />

part in meetings at the Council on<br />

Foreign Relations and the United<br />

Nations. She also became a mother,<br />

adopting three children from Cambodia,<br />

Ethiopia, and Vietnam, and<br />

having three more kids with Pitt, to<br />

whom she is now engaged.<br />

She is a fascinating and polarizing<br />

figure — but does she throw herself<br />

into high-profile causes to glorify herself,<br />

or is she determined to use her<br />

Hollywood wealth and inescapable<br />

fame for the good of others? Are all<br />

these children serving as human accessories<br />

for one of the world’s most<br />

photographed wom -<br />

en? Or is she simply a<br />

mom lucky enough to<br />

afford six children,<br />

trying to lead a normal<br />

life as if the spotlight<br />

weren’t there?<br />

Similar debates<br />

broke out when Jolie<br />

told the world about<br />

her medical condition.<br />

She explained<br />

that she announced<br />

her surgery because<br />

she wanted to help<br />

make other women<br />

aware of the risks of<br />

hereditary cancer, the<br />

possibility of genetic<br />

testing, and the life-saving potential<br />

of preventive surgery. Yet many people<br />

remained suspicious of her motives.<br />

Must all stars drag their<br />

personal problems into the public?<br />

Was Jolie simply seeking publicity?<br />

Well, Angelina Jolie hardly needs<br />

the publicity. It could be argued that<br />

one of the most watched women in<br />

the world had no choice but to go<br />

public with such major surgery at<br />

some point — so why not try to<br />

make something good out of it?<br />

Perhaps she didn’t really have to<br />

go public: remarkably, Jolie managed<br />

to keep her three months of surgeries<br />

under wraps. But I assume she had<br />

the same emotional response to her<br />

ordeal as the non-famous breastcancer<br />

survivors I know: a desire to<br />

talk, to find solidarity, and to help<br />

other women.<br />

Others complained that Jolie was<br />

not a useful role model: not all<br />

women can afford the expensive testing<br />

or the presumably high-quality<br />

reconstructive surgery she had. Well,<br />

that’s not really her fault, is it? By raising<br />

these issues, however, she is at<br />

least promoting a discussion of the<br />

complex medical costs.<br />

For me, the most telling thing<br />

came in the way Jolie made the news<br />

public. She announced it in an essay<br />

for The New York Times that she wrote<br />

herself. She did not give an interview<br />

to the paper; nor did she agree to be<br />

interviewed by anyone else in the<br />

days that followed. It was her story,<br />

and she had already told it the way<br />

she wanted to.<br />

Amy Argetsinger is a co-author of “The Reliable<br />

Source,” a column in The Washington<br />

Post about personalities.<br />

Foto: Getty Images<br />

28<br />

<strong>Spotlight</strong> 8|13


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TRAVEL | Ireland<br />

The city lights up at night:<br />

a view of the Ha’penny<br />

Bridge over the River Liffey<br />

Foto: laif<br />

admire [Ed(maIE]<br />

bewundern<br />

buzz [bVz]<br />

lebendig sein, pulsieren<br />

Easter Rising [)i:stE (raIzIN] Aufstand militanter irischer<br />

Republikaner<br />

Georgian [(dZO:dZEn] Architekturstil, der zwischen 1720<br />

und 1840 in englischsprachigen<br />

Ländern zu finden war<br />

heritage [(herItIdZ]<br />

Erbe<br />

lane [leIn]<br />

Weg, Gasse<br />

layout [(leIaUt]<br />

hier: Stadtbild<br />

medieval [)medi(i:v&l] mittelalterlich<br />

no partying matter<br />

keine Angelegenheit zum Feiern<br />

[)nEU )pA:tiIN (mÄtE] ifml.<br />

pour [pO:]<br />

strömen<br />

tidal pool [)taId&l (pu:l] Flutmulde<br />

30 <strong>Spotlight</strong> 8|13


<strong>Discover</strong>ing<br />

<strong>Dublin</strong><br />

Machen Sie mit TOBY SKINGSLEY einen Spaziergang durch die<br />

irische Hauptstadt und entdecken Sie neben ungewöhnlichen Orten<br />

viele historische und moderne Wahrzeichen.<br />

Night has fallen on <strong>Dublin</strong>, but the city is still<br />

buzzing. The lanes south of the River Liffey are<br />

alive with laughter, and Irish melodies pour out of<br />

colourful pubs on to the streets, so welcoming that I’d stop<br />

to listen if I didn’t have a hotel to find.<br />

<strong>Dublin</strong>ers may know how to have a good time, but<br />

their city’s history has been no partying matter. Its past has<br />

been dominated by invaders. The Vikings are said to have<br />

created the first permanent settlement here in the ninth<br />

century at the dark tidal pool where the River Poddle and<br />

River Liffey met. It was called dubh linn, Irish for “black<br />

pool”. The Vikings remained until the Norman invasion<br />

of Ireland, which began in 1169. In 1171, King Henry II<br />

arrived in <strong>Dublin</strong> to establish English rule.<br />

By the 17th century, Britain had complete control of<br />

Ireland. The British disliked <strong>Dublin</strong>’s medieval layout and<br />

built broad streets, big squares and fine Georgian homes.<br />

By the 18th century, <strong>Dublin</strong> was the second-largest city in<br />

the British Empire and very rich. But with few rights under<br />

the Protestant British, most Catholics lived in poverty.<br />

<strong>Dublin</strong>’s status suffered greatly in 1801, when Britain<br />

closed the Irish parliament and governed the land from<br />

London. Increased poverty, awful living conditions and<br />

growing bitterness led to rebellion in the city, including<br />

the 1916 Easter Rising. This failed, but after further fighting,<br />

26 counties of Ireland achieved independence in<br />

1922, forming today’s republic.<br />

This past has undoubtedly shaped the city’s present.<br />

Today, <strong>Dublin</strong> is filled with beautiful architecture, from<br />

churches founded by the Vikings to the grand buildings<br />

of the British. History, combined with Ireland’s love of language,<br />

is reflected in its literary heritage and a music scene<br />

admired by people around the world. Visitors can’t miss<br />

the city’s welcoming pubs and warm, friendly people who<br />

always seem ready for a chat.<br />

8|13 <strong>Spotlight</strong><br />

31


TRAVEL | Ireland<br />

DAY ONE<br />

10 a.m.<br />

It’s a sunny morning, and I’m ready to get out into the<br />

city. I head for O’Connell Street, <strong>Dublin</strong>’s main boulevard.<br />

Roughly 50 metres across, it is one of Europe’s widest —<br />

an enormous space filled with grand neoclassical facades<br />

and impressive statues, including one of Daniel O’Connell<br />

himself. Known as the “Liberator”, the 19th-century political<br />

leader fought for Roman Catholic rights, including<br />

the right to hold public office.<br />

O’Connell Street is, however, dominated by a 21stcentury<br />

creation. Completed in 2003, the Spire is a huge<br />

steel needle pointing 120 metres into the air. It’s certainly<br />

unusual, and I can’t take my eyes off it: its simple, futuristic<br />

design forms a striking contrast to the surrounding buildings<br />

and monuments. To the Spire’s right, I notice the<br />

statue of <strong>Dublin</strong> author James Joyce. I wonder what he<br />

would have thought of this modern addition.<br />

Sign of the times:<br />

the tall, steel<br />

Spire of <strong>Dublin</strong><br />

Georgian flair: inside the <strong>Dublin</strong> Writers Museum<br />

11 a.m.<br />

This meeting with Joyce inspires my first stop — at the<br />

<strong>Dublin</strong> Writers Museum. With literary greats like Oscar<br />

Wilde, George Bernard Shaw, Samuel Beckett and<br />

William Butler Yeats, <strong>Dublin</strong> has made an enormous contribution<br />

to world literature. But instead of a huge building,<br />

I find a small museum inside a pretty, 18th-century<br />

Georgian house. It is fascinating, and I spend an hour<br />

looking at the information and exhibits, which include a<br />

first edition of Dracula by Bram Stoker.<br />

12.30 p.m.<br />

Sunshine has been replaced by grey cloud. Feeling raindrops<br />

on my skin, I take shelter under the pillared portico<br />

of the General Post Office (GPO) on O’Connell Street.<br />

In 1916, Patrick Pearse, James Connolly and other leaders<br />

of the Easter Rising made the building their headquarters<br />

and tried to declare independence before its doors. The rising<br />

failed and was actually unpopular with many <strong>Dublin</strong>ers,<br />

but public support increased when the British<br />

executed 14 of the rebels in <strong>Dublin</strong>’s Kilmainham Gaol.<br />

The prison was closed in 1924, but still offers fascinating<br />

tours today.<br />

I enter the GPO and find a beautiful, open hall with<br />

dark wooden post boxes and a high, decorated ceiling. It’s<br />

strange to see people queuing for stamps in a building of<br />

such significance, but I do discover a tribute to its past —<br />

a small museum with a section on the uprising.<br />

exhibit [Ig(zIbIt]<br />

head for [hed fE]<br />

hold public office<br />

[)hEUld )pVblIk (QfIs]<br />

Kilmainham Gaol<br />

[kIl)meInEm (dZeI&l]<br />

pillared portico<br />

[)pIlEd (pO:tIkEU]<br />

point [pOInt]<br />

spire [(spaIE]<br />

take shelter [)teIk (SeltE]<br />

uprising [(Vp)raIzIN]<br />

Ausstellungsstück<br />

sich begeben zu<br />

ein öffentliches Amt bekleiden<br />

Gefängnis im <strong>Dublin</strong>er Stadtteil<br />

Kilmainham<br />

Säulenhalle<br />

zeigen; hier: ragen<br />

Turm, Spitze, Säule<br />

Schutz suchen<br />

Aufstand<br />

32 <strong>Spotlight</strong> 8|13


Temple Bar: a district<br />

loved for its nightlife<br />

1.30 p.m.<br />

If there were a prize for changeable weather, <strong>Dublin</strong> would<br />

probably win it. With the sun out once more, I walk along<br />

the Liffey to the shining white Ha’penny Bridge. Built in<br />

1816, the footbridge gets its name from the halfpenny<br />

people had to pay to use it. Nowadays, it’s free, and I cross<br />

through its cast-iron arches. On the other side, I wander<br />

into Temple Bar, the <strong>Dublin</strong> district so well known for its<br />

nightlife. There I find tidy cobbled<br />

lanes, colourful cafes, small galleries<br />

and bookshops. Bouquets of flowers<br />

hang from pub windows, making<br />

them look all the more welcoming.<br />

Time for a pint, I think to myself.<br />

3 p.m.<br />

After a beer and a beef pie, I take the<br />

short walk to Trinity College. With<br />

grand buildings and broad lawns,<br />

Ireland’s most famous university is<br />

one of <strong>Dublin</strong>’s quietest places. It is<br />

also home to two major attractions.<br />

At Trinity: the Long Room<br />

and the Book of Kells<br />

The first is the Long<br />

Room, a 65-metre-long<br />

library hall containing<br />

200,000 of Trinity’s oldest<br />

works. Endless rows of<br />

wooden bookshelves<br />

reach up over an upper<br />

gallery to the barrelvaulted<br />

ceiling. Built in<br />

the 18th century, it’s one<br />

of the loveliest libraries<br />

I’ve ever seen.<br />

Trinity’s second attraction<br />

is the Book of Kells.<br />

Probably written by<br />

Celtic monks around<br />

AD 800, the Latin manuscript of the four Gospels contains<br />

beautiful illustrations. Today, it is in four volumes,<br />

two of which are on show. Expecting a fragile, faded book,<br />

I find instead a colourful work of art. Decorating the text<br />

— or even filling whole pages — are playful drawings of<br />

people, animals and mythical creatures. The book shows<br />

the influence of Christianity on life in Ireland and has been<br />

an inspiration for many artists and authors.<br />

Fotos: Bilderberg; Huber; Vario Images; Zoonar<br />

anthem [(ÄnTEm]<br />

arch [A:tS]<br />

barrel-vaulted ceiling<br />

[)bÄrEl )vO:ltId (si:lIN]<br />

cast-iron [)kA:st (aIEn]<br />

Celtic [(keltIk]<br />

cobbled lane [)kQb&ld (leIn]<br />

faded [(feIdId]<br />

fishmonger [(fIS)mVNgE]<br />

fragile [(frÄdZaI&l]<br />

Gospel [(gQsp&l]<br />

Ha’penny [(heIpni] UK<br />

lawn [lO:n]<br />

pint [paInt] UK<br />

Sinead [SI(neId]<br />

volume [(vQlju:m]<br />

Hymne<br />

(Brücken)Bogen<br />

Tonnengewölbe<br />

Gusseisen<br />

gepflasterte Gasse<br />

verblasst<br />

Fischhändler(in)<br />

brüchig<br />

Evangelium<br />

Rasen<br />

hier: Glas Bier<br />

Band<br />

5 p.m.<br />

From Trinity, I head down Grafton Street, <strong>Dublin</strong>’s main<br />

shopping mile, and pass the statue of Molly Malone.<br />

Legend describes her as a beautiful girl who lived in 17thcentury<br />

<strong>Dublin</strong> and died tragically young. Other<br />

versions of the legend say she was a fishmonger<br />

who worked at night as a prostitute. Some doubt<br />

that she existed at all. Whatever the truth, she survives<br />

today in the city’s unofficial anthem: “Molly<br />

Malone” has been performed by U2, Sinead<br />

O’Connor and The <strong>Dublin</strong>ers. As I walk<br />

back to my hotel, I realize that I’m singing<br />

quietly to myself.<br />

Molly Malone:<br />

a <strong>Dublin</strong>er with<br />

a tragic story


TRAVEL | Ireland<br />

DAY TWO<br />

New and old: the modern Samuel<br />

Beckett Bridge; the traditions of<br />

Guinness and good music in the pub<br />

10.30 a.m.<br />

The next morning, having already seen some of <strong>Dublin</strong>’s<br />

major attractions, I’m looking for something a bit unusual.<br />

So I visit The Little Museum of <strong>Dublin</strong> on St Stephen’s<br />

Green. This wonderful museum is covered from floor to<br />

ceiling with 20th-century <strong>Dublin</strong> memorabilia. There are<br />

political campaign posters, old photos and letters, historic<br />

household objects, and tickets to famous <strong>Dublin</strong> events.<br />

There is even the podium used by John F. Kennedy on his<br />

visit to <strong>Dublin</strong> in 1963. Each of their stories is explained<br />

by our guide. I talk to a friendly museum assistant, who<br />

tells me that many of the artefacts were given to the collection<br />

by the public. I leave, feeling I have found a real<br />

gem — a people’s history of modern <strong>Dublin</strong>.<br />

12.30 p.m.<br />

The area around St Stephen’s Green is <strong>Dublin</strong>’s Georgian<br />

highlight. I walk along Merrion Row and see some wellpreserved<br />

brown-brick buildings, complete with the roofs<br />

and sash windows typical of the 18th-century style. I fall<br />

in love with the brightly coloured doors — deep yellows,<br />

bright reds and brilliant blues.<br />

My next stop is Merrion Square, smaller than St<br />

Stephen’s, but with Georgian terraces that seem more complete.<br />

My favourite, however, is Fitzwilliam Square. Here,<br />

Time for a pint at The Oliver St John Gogarty pub<br />

I spend some time admiring a beautiful terrace covered in<br />

a thick layer of red-and-green ivy. I finish my Georgian<br />

tour north of the Liffey in Henrietta Street. Built in the<br />

1720s, this cobbled road is home to some of <strong>Dublin</strong>’s oldest<br />

Georgian houses.<br />

3 p.m.<br />

After lunch, I walk along Thomas Street into The Liberties,<br />

one of <strong>Dublin</strong>’s oldest surviving districts. There is a familiar<br />

aroma of Guinness in the air, so I know I’m getting<br />

close to my next stop. In 1759, Arthur Guinness signed a<br />

9,000-year lease on an old brewery at St James’s Gate.<br />

Today, the creamy stout is sold in more than 150 countries<br />

around the world.<br />

Brauerei<br />

Backstein-<br />

Juwel<br />

Efeu<br />

Pachtvertrag<br />

Erinnerungsstücke<br />

erhalten<br />

Schiebefenster<br />

dunkles Bier<br />

Häuserreihe<br />

brewery [(bru:Eri]<br />

brown-brick [)braUn (brIk]<br />

gem [dZem]<br />

ivy [(aIvi]<br />

lease [li:s]<br />

memorabilia [)memErE(bIliE]<br />

preserved [pri(z§:vd]<br />

sash window [)sÄS (wIndEU]<br />

stout [staUt]<br />

terrace [(terEs] UK<br />

Fotos: A1Pix; F1online; Mauritius; Karte: Nic Murphy<br />

34


IF YOU GO...<br />

I pass brown and grey stone warehouses as I head towards<br />

the Guinness Storehouse, a seven-floor museum that<br />

explains all about “the black stuff”. Here, I meet Fergal<br />

Murray, Guinness Master Brewer. Fergal is not only responsible<br />

for the beer’s quality; he also travels the world<br />

to talk about this symbol of Ireland. “Guinness is an Irish<br />

iconic brand,” Fergal tells me, “and the Irish community<br />

all over the world latch on to it because it is a part of<br />

home.” Few Guinness fans doubt where the beer tastes<br />

best. “Many people have stories about the best Guinness<br />

they’ve had and how it can’t be as good as in <strong>Dublin</strong>,” Fergal<br />

explains. “They are probably all true. But if you went<br />

to Tuscany for a Chianti, it would also probably be the<br />

best you’ve had, even though it isn’t necessarily different.”<br />

7.30 p.m.<br />

I consider this over a beer in The Oliver St John Gogarty<br />

pub in Temple Bar, where two “trad” musicians — one<br />

with a fiddle, the other with a guitar — have started the<br />

Traditional Irish Musical Pub Crawl. I smile at the clever<br />

words of songs like “Johnny Jump Up”. The musicians explain<br />

the story behind each tune and talk about traditional<br />

instruments like the bodhrán, a kind of Irish drum. I learn<br />

that music in a pub is called a<br />

“session”. At an “open session”,<br />

anyone can come along and<br />

play. And “jigs” and “reels”<br />

refer to different rhythms of<br />

song. We visit two other pubs,<br />

and by the end, I feel I’ve<br />

really learned something.<br />

I talk to a few others in<br />

the tour group, and an hour<br />

later, we’re all in another pub<br />

for more music. I’m leaving<br />

tomorrow, but I won’t let that<br />

ruin my evening. Let the<br />

party begin!<br />

Executive Language Services<br />

Learning English in Stuttgart<br />

Living English in <strong>Dublin</strong><br />

Goezstr. 5, 70599 Stuttgart<br />

www.oconnell.de<br />

info@oconnell.de<br />

Getting there and around<br />

Aer Lingus offers direct flights to <strong>Dublin</strong> from several<br />

German cities. See www.aerlingus.com<br />

<strong>Dublin</strong>’s city centre is very walkable. See the sights on the<br />

Hop on Hop Off <strong>Dublin</strong> Bus Tour. www.dublinsightseeing.ie<br />

Where to stay<br />

The Brooks Hotel, with double rooms from €110. Drury<br />

Street; tel. (00353) 1-670 4000. www.brookshotel.ie<br />

Where to eat<br />

The Pepper Pot cafe, South William Street; tel. (00353) 1-<br />

707 1610. www.thepepperpot.ie<br />

For lunch, try Munchies, with several locations around<br />

<strong>Dublin</strong>; tel. (00353) 1-613 7707. www.munchies.ie<br />

Sights<br />

<strong>Dublin</strong> Castle. www.dublincastle.ie<br />

Chester Beatty Library. www.cbl.ie<br />

The National Museum. www.museum.ie<br />

Marsh’s Library. www.marshlibrary.ie<br />

Leinster House, Custom House and the Four Courts.<br />

www.visitdublin.com<br />

Music and events<br />

For Irish music, go to O’Donoghue’s, 15 Merrion Row; tel.<br />

(00353) 1-660 7194. www.odonoghues.ie<br />

The <strong>Dublin</strong> Fringe Festival takes place in September; tel.<br />

(00353) 1-670 6106. www.fringefest.com<br />

The Temple Bar TradFest celebrates Irish music in January;<br />

tel. (00353) 1-703 0709; www.templebartrad.com<br />

More information<br />

See www.ireland.com<br />

Marke<br />

Geige<br />

Kult-<br />

an etw. hängen<br />

Kneipentour<br />

traditionell, Folklore-<br />

Melodie<br />

Toskana<br />

Lagerhaus<br />

brand [brÄnd]<br />

fiddle [(fId&l] ifml.<br />

iconic [aI(kQnIk]<br />

latch on to sth. [)lÄtS (Qn tE] ifml.<br />

pub crawl [(pVb krO:l] UK ifml.<br />

trad [trÄd] ifml.<br />

tune [tju:n]<br />

Tuscany [(tVskEni]<br />

warehouse [(weEhaUs]<br />

Escorted Excursions<br />

Stout & Synonyms<br />

Whiskey & Words<br />

<strong>Dublin</strong> Days<br />

8|13 <strong>Spotlight</strong><br />

35


PETER FLYNN | Around Oz<br />

A time of transition<br />

Die Anhebung des Mindestlohns könnte Australiens<br />

Wirtschaft ankurbeln – oder zum Erliegen bringen.<br />

“<br />

It’s strange<br />

to be arguing<br />

about a small<br />

pay rise<br />

”<br />

The minimum wage in Australia<br />

was increased last month by 2.6<br />

per cent to A$ 16.40 (€11.70)<br />

per hour. The mixed reactions to this<br />

underscore how confused everyone is<br />

about where the country is going.<br />

Some employer groups complained<br />

that the increase would be<br />

deadly to many small and mediumsized<br />

businesses. Others, though, said<br />

an extra A$ 15 a week in the hands of<br />

cleaners, shop assistants and waiters<br />

would encourage spending and be<br />

good for the economy.<br />

Nothing to build upon? The Australian<br />

economy may be coming to a halt<br />

The trade unions had wanted a<br />

30-dollar-a-week pay rise for Australia’s<br />

1.5 million low-paid workers.<br />

Earlier this year, however, Britain’s<br />

Low Pay Commission reported that<br />

Australia clearly had the highest minimum<br />

wage anywhere, with the possible<br />

exception of France if calculated<br />

according to local buying power.<br />

At almost A$ 32,500 (€23,200) a<br />

year, the guaranteed minimum is<br />

more than double what low-paid<br />

workers get in the United States. It’s<br />

also half of the average Australian<br />

salary. Half the workforce in this<br />

country earns more than A$ 65,000,<br />

and many workers earn much more<br />

than that.<br />

This is the dilemma for many Australians<br />

who, for the past six months,<br />

have been repeatedly told that the<br />

country and the economy are “in<br />

transition”. Hundreds of billions of<br />

dollars of mining projects have been<br />

put on hold. We are told by some that<br />

the boom is over and by others that<br />

this is a transition from a phase of<br />

mining-related development to one of<br />

production using natural resources.<br />

Chinese demand for iron ore is<br />

falling, along with the price of iron<br />

ore, coal and almost every other mineral<br />

on the planet. Lower commodity<br />

prices will force some mines out of<br />

business, while others will have to<br />

postpone operations for years.<br />

Some argue that this is another<br />

transition — from exporting iron ore<br />

and coal to exporting natural gas, the<br />

production of which is likely to<br />

double in the coming years. Future<br />

processing of liquefied natural gas,<br />

though, will be done offshore on<br />

floating production platforms. The<br />

world’s biggest gas producers say it is<br />

just too expensive to do business in<br />

Australia.<br />

The Ford Motor Company announced<br />

recently that it would stop<br />

commodity [kE(mQdEti]<br />

elephant in the room: the ~ [(elIfEnt In DE )ru:m]<br />

in tatters: be ~ [)In (tÄtEz]<br />

iron ore [(aIEn O:]<br />

liquefied natural gas [)lIkwIfaId )nÄtS&rEl (gÄs]<br />

natural gas [)nÄtS&rEl (gÄs]<br />

offshore [)Qf(SO:]<br />

processing [(prEUsesIN]<br />

production [prE(dVkS&n]<br />

put on hold [)pUt Qn (hEUld]<br />

reserve bank [ri(z§:v )bÄNk] Aus.<br />

retailers [(ri:teI&lEz]<br />

trade union [)treId (ju:niEn]<br />

underscore [)VndE(skO:]<br />

making cars here after more than 90<br />

years of production. Manufacturing<br />

generally is in rapid decline, and unemployment<br />

is starting to rise. After<br />

23 years of growth, economic commentators<br />

are using the “R” word.<br />

Perhaps they should say we are in a<br />

transition to recession.<br />

Government budgets are in tatters<br />

everywhere, with deficits likely to<br />

continue for years. The Reserve Bank<br />

here is so worried that it has cut interest<br />

rates to a 50-year low of 2.5 per<br />

cent. Shoppers are simply not spending<br />

money, and retailers say they can’t<br />

compete with online shopping, especially<br />

from overseas. The elephant in<br />

the room is the federal election in<br />

mid-September, at which the Labor<br />

government will clearly be voted out.<br />

It is strange, then, that we should<br />

be having such a discussion about a<br />

small wage rise for the lowest-paid.<br />

Maybe they are part of the transition,<br />

too, depending on what you believe:<br />

that a pay rise will either kill the<br />

economy or assist a consumer-led<br />

recovery.<br />

Rohstoff<br />

Problem, worüber keiner reden will<br />

zerfetzt sein; hier: heruntergekommen<br />

sein<br />

Eisenerz<br />

Flüssiggas<br />

Erdgas<br />

vor der Küste<br />

Verarbeitung<br />

hier: Förderung<br />

auf Eis legen<br />

Notenbank<br />

der Einzelhandel<br />

Gewerkschaft<br />

unterstreichen<br />

Peter Flynn is a public-relations consultant and social commentator who lives in Perth,<br />

Western Australia.<br />

Foto: Getty Images<br />

36<br />

<strong>Spotlight</strong> 8|13


GET STARTED NOW!<br />

<strong>Spotlight</strong>’s easy-English<br />

booklet<br />

Einfaches Englisch<br />

für Alltagssituationen<br />

Green Light


DEBATE | Canada<br />

The right to arrest<br />

In Kanada sorgt ein neues Gesetz für Kontroverse: Soll es einfachen Bürgern erlaubt sein,<br />

vermeintliche Verbrecher „festzunehmen“?<br />

In Canada, a new law allows normal citizens to arrest<br />

people they believe have committed a crime. An earlier<br />

law allowed citizen’s arrests only when a criminal was<br />

caught red-handed. Now, arrests can be made within a<br />

“reasonable” amount of time after a crime has been committed.<br />

The law applies only when police are not on the<br />

scene to make the arrest.<br />

The change in the law comes after an occurrence in<br />

Toronto’s Chinatown in 2009. In May of that year, the<br />

owner of the Lucky Moose store, David Chen, recognized<br />

a man he had previously seen stealing from his shop. With<br />

two employees, Chen followed the man down the street,<br />

caught him and tied him up.<br />

As Chen and his employees pushed the man<br />

into a van to await the police, people on the street<br />

thought the man was being kidnapped. They also<br />

called the police, who then arrested Chen for assault.<br />

Many Canadians believed Chen was right to<br />

defend his property in this way, and 18 months<br />

later, he was acquitted in court.<br />

Soon, public support for a change in the law<br />

began to grow. Those in favour said that when police<br />

protection is not available, the law should be<br />

on the side of those protecting themselves and their<br />

property. People against the change were worried<br />

that a more relaxed law could lead to vigilantism,<br />

put citizens into dangerous situations and allow<br />

false accusations to be made against others.<br />

In March, the new law (known as the Lucky<br />

Moose Bill) received royal assent. An important<br />

condition is that a person making a citizen’s arrest<br />

has to call the police as soon as possible once the<br />

arrest has been made. If not, such an arrest could<br />

be illegal.<br />

The law also includes a list of factors to help a<br />

court decide whether the force used when making<br />

the arrest was excessive. Critics think that the new law is<br />

not clear enough in its limits and will lead to subjective<br />

interpretation in court.<br />

The case of another Toronto businessman has led to<br />

further debate on the subject. In August 2011, restaurant<br />

owner Naveen Polapady threw masala spice powder into<br />

the face of Manuel Belo and then attacked him with a<br />

stick, which led to Belo needing hospital treatment. Polapady,<br />

called the “Spice Man” by the Canadian media, said<br />

that some days earlier, goods had been stolen from his van<br />

by Belo. However, CCTV footage later showed that it was<br />

a case of mistaken identity, and that another individual<br />

was responsible for the crime.<br />

accusation [)Äkju(zeIS&n]<br />

acquit sb. [E(kwIt]<br />

apply [E(plaI]<br />

assault [E(sO:lt]<br />

bill [bIl]<br />

catch sb. red-handed<br />

[)kÄtS )red (hÄndId]<br />

CCTV footage<br />

[)si: )si: )ti: (vi: )fUtIdZ]<br />

commit a crime [kE)mIt E (kraIm]<br />

Anschuldigung<br />

jmdn. freisprechen<br />

hier: gelten; walten lassen<br />

Körperverletzung<br />

Gesetz<br />

jmdn. auf frischer Tat<br />

ertappen<br />

Bildmaterial einer<br />

Überwachungskamera<br />

eine Straftat begehen<br />

masala spice powder<br />

[mE)sA:lE (spaIs )paUdE]<br />

mistaken identity<br />

[mI)steIkEn aI(dentEti]<br />

moose [mu:s]<br />

royal assent [)rOIEl E(sent]<br />

tie sb. up [)taI (Vp]<br />

vigilantism [)vIdZI(lÄnt)IzEm]<br />

Masala-Gewürzpulver<br />

(indisches Gewürz)<br />

Personenverwechslung<br />

Elch<br />

königliche Genehmigung zu<br />

einem vom Parlament<br />

verabschiedeten Gesetz<br />

jmdn. festbinden<br />

Selbstjustiz<br />

Fotos: Olaf Furniss; Jannica Honey; iStockphoto<br />

38 <strong>Spotlight</strong> 8|13


Olaf Furniss asked people in Toronto, Canada:<br />

Are citizen’s arrests a good idea?<br />

Listen to Ruth, Stuart, Jean and Karina<br />

Ruth Kendrick, 38,<br />

IT manager<br />

Stuart Douglas, 46,<br />

farmer<br />

Jean Sinclar, 32,<br />

scientist<br />

Karina Lapierre, 39,<br />

artist<br />

Tamara Orlowski, 44,<br />

marketing manager<br />

Paul Richards, 28,<br />

bookshop manager<br />

Dustin Jackson, 26,<br />

mechanic<br />

Keeley Eaton, 24,<br />

teacher<br />

benefit [(benIfIt]<br />

cautious [(kO:SEs]<br />

citizen participation<br />

[)sItIzEn pA:)tIsI(peIS&n]<br />

common sense [)kQmEn (sens]<br />

Vorteil<br />

vorsichtig<br />

Bürgerbeteiligung<br />

gesunder Menschenverstand<br />

dire [(daIE]<br />

miscarriage of justice<br />

[mIs)kÄrIdZ Ev (dZVstIs]<br />

take down [)teIk (daUn]<br />

vigilance [(vIdZElEns]<br />

schlimm, schwerwiegend<br />

Fehlurteil, Justizirrtum<br />

aufschreiben, notieren<br />

Wachsamkeit<br />

8|13 <strong>Spotlight</strong><br />

39


HISTORY | 125 Years Ago<br />

T. E. Lawrence as portrayed in<br />

film (left) and during the First<br />

World War (right and below)<br />

Lawrence of Arabia<br />

Der spätere britische Offizier, Archäologe und Geheimagent<br />

kam vor 125 Jahren auf die Welt. MIKE PILEWSKI erinnert an sein<br />

legendäres Leben.<br />

The name itself is legend: Lawrence of Arabia. What<br />

sounds like a fictional character, however, was a real<br />

person: an Englishman in Arab robes, an expert on<br />

Middle Eastern culture, a guerrilla leader and a brilliant<br />

tactician. T. E. Lawrence was born 125 years ago this<br />

month, on 15 August 1888.<br />

Lawrence’s father, Thomas Chapman, had been a<br />

wealthy landowner in Ireland, but he left his wife for Sarah<br />

Lawrence, the governess of his four daughters. Calling<br />

themselves “Mr and Mrs Lawrence”, the couple moved to<br />

wherever people would not recognize them — to Scotland,<br />

France, southern England and the Isle of Wight. During<br />

this time, in the 1880s and 90s, “the Lawrences” had six<br />

children, one of whom was Thomas Edward Lawrence.<br />

The family finally settled in Oxford, where young<br />

“T. E.” went to school and studied history at university.<br />

His thesis on crusader castles in France, Syria and Palestine<br />

earned him first-class honours. From 1911 to 1914, T. E.<br />

Lawrence participated in two archaeological expeditions<br />

on the edge of the Ottoman Empire, using the opportunity<br />

to learn the local language and culture. His exploration<br />

of the eastern Sinai, for the purpose of drawing a<br />

map from Gaza to Aqaba, suddenly became important<br />

when the Ottomans allied themselves with Germany in<br />

the First World War.<br />

Lawrence was immediately hired by the British War<br />

Office and given the task of drawing a map of Sinai. He<br />

did much more than that, however. By December 1914,<br />

he was working for British military intelligence, sharing<br />

his knowledge of the Ottoman Empire. The British, ope -<br />

rating from Egypt, were having little success in battling<br />

the Ottomans. But on a 1916 mission to Arabia, Lawrence<br />

learned that there were other paths to victory. The emir of<br />

Mecca and the emir’s son Faysal, who commanded a small<br />

army, had been leading a revolt against Ottoman rule.<br />

40 <strong>Spotlight</strong> 8|13<br />

Lawrence convinced the<br />

British to support the Arabs<br />

with guns and gold.<br />

On the Arabian peninsula,<br />

Lawrence helped to organize<br />

Faysal’s army and<br />

coordinate its activities with<br />

British military headquarters<br />

in Cairo. By blowing up<br />

bridges and sabotaging<br />

trains, Lawrence and the<br />

Arab fighters kept Ottoman<br />

troops busy and made it impossible for reinforcements to<br />

arrive. The man the Arabs admiringly called “Emir Dynamite”<br />

kept the local sheikhs on his side, promising them<br />

they would receive financial and other rewards.<br />

In July 1917, Lawrence’s guerrillas took the city of<br />

Aqaba, and by December, they were steadily moving<br />

north. Lawrence, aged 29, was given the rank of lieutenant<br />

colonel and the Distinguished Service Order. He pressed<br />

on towards Damascus, which he and his army reached in<br />

October 1918.<br />

blow up [)blEU (Vp]<br />

crusader [kru:(seIdE]<br />

Distinguished Service Order<br />

[dI)stINgwISt (s§:vIs )O:dE]<br />

intelligence [In(telIdZEns]<br />

lieutenant colonel<br />

[lef)tenEnt (k§:n&l]<br />

Ottoman [(QtEmEn]<br />

peninsula [pE(nInsjUlE]<br />

press on [)pres (Qn]<br />

robe [rEUb]<br />

thesis [(Ti:sIs]<br />

in die Luft jagen<br />

Kreuzritter<br />

britische Kriegsauszeichnung<br />

Spionagedienst<br />

Oberstleutnant<br />

osmanisch, Osmane<br />

Halbinsel<br />

weiterziehen<br />

Gewand<br />

Abschlussarbeit<br />

Fotos: Bridgeman; dpa/picture alliance


Victory came at a high price. During months of fighting,<br />

Lawrence had been wounded, captured and tortured;<br />

he had suffered from illness, hunger and extreme weather<br />

conditions. In Damascus, the Arabs for whom he had been<br />

fighting argued amongst themselves instead of uniting in<br />

victory. Lawrence had had enough. He returned to England<br />

to receive a medal from King George V, but he politely<br />

refused the honour. The king said Lawrence had left<br />

him “holding the box in my hand”.<br />

Lawrence attended the peace conference the following<br />

year, wearing Arab robes. He opposed the plan to turn<br />

Syria and Lebanon into a French mandate and argued in<br />

favour of a unified Arab state, but to no avail.<br />

Returning to Oxford to write his memoirs, Lawrence<br />

found he was already becoming famous. An American<br />

journalist had been holding lectures in London about<br />

“Lawrence in Arabia”, showing photos of him in his robes.<br />

Finally, in 1922, Lawrence published his ten-volume<br />

memoirs, titled The Seven Pillars of Wisdom, in a limited<br />

print run. Hoping to find material for another book, he<br />

enlisted in the Royal Air Force (RAF) under an assumed<br />

name, John Hume Ross. Journalists found him there after<br />

only a few months, however, and he was forced to leave.<br />

Lawrence then enlisted as a private in the Royal Tank<br />

Corps, this time using a name that he later decided to keep<br />

as his own: T. E. Shaw. The pseudonym was inspired by<br />

Lawrence’s friendship with George Bernard Shaw. The<br />

dramatist advised Lawrence to create a shorter edition of<br />

The Seven Pillars, called Revolt in the Desert, which became<br />

very popular. Shaw also helped him to rejoin the RAF.<br />

T. E. Shaw retired in 1935, hoping to write more<br />

books and add to his motorcycle collection. But only two<br />

months later, he died as the result of a motorbike accident,<br />

having swerved to avoid two boys on bicycles.<br />

In life, T. E. Lawrence was an extraordinary figure; but<br />

in death, he became a legend. His adventures were made<br />

into the 1962 film Lawrence of Arabia, with Peter O’Toole<br />

in the title role.<br />

assumed name [E)sju:md (neIm]<br />

corps [kO:]<br />

enlist [In(lIst]<br />

limited print run<br />

[)lImItId (prInt rVn]<br />

pillar [(pIlE]<br />

Deckname, Pseudonym<br />

Einheit<br />

beitreten, sich melden<br />

begrenzte Auflage<br />

Säule<br />

private [(praIvEt]<br />

pseudonym [(sju:dEnIm]<br />

swerve to avoid [)sw§:v tE E(vOId]<br />

to no avail [tE )nEU E(veI&l]<br />

-volume [(vQlju:m]<br />

wisdom [(wIzdEm]<br />

Gefreite(r)<br />

ausweichen<br />

vergebens<br />

hier: -bändig<br />

Weisheit<br />

Perfektion lässt sich leicht üben.<br />

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Am besten, Sie probieren es gleich aus!<br />

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PRESS GALLERY | Comment<br />

One big database: the<br />

NSA offices in Maryland<br />

Land<br />

of the<br />

free?<br />

Trotz vieler gegensätz licher<br />

Anzeichen würden sich die<br />

allerwenigsten Amerikaner als<br />

Bürger eines Überwachungs -<br />

staats sehen.<br />

The revelation that a secret order, issued by the secret<br />

Foreign Intelligence Surveillance Court, requires<br />

one of the largest telecoms providers in the US to<br />

provide a daily diet of millions of US phone records to the<br />

FBI, poses Americans with a major civil liberties challenge.<br />

Under the terms of the order, everything about every call<br />

made during a three month period — excepting only the<br />

calls’ actual contents<br />

— is offered<br />

up to the bureau<br />

and the NSA on a<br />

No Big Brother:<br />

protesters in Washington<br />

gargantuan routine<br />

basis.<br />

It seems improbable<br />

that the<br />

order ... is the<br />

only one of its<br />

kind. So the assumption<br />

has to<br />

be that this is the new normality of American state surveillance.<br />

... Few Americans believe that they live in a police<br />

state; indeed many would be outraged at the<br />

suggestion. Yet the everyday fact that the police have the<br />

right to monitor the communications of all its citizens —<br />

in secret — is a classic hallmark of a state that fears freedom<br />

as well as cham pioning it. ...<br />

Ever since 9/11, the US has allowed the war on terror<br />

to frame a new domestic authoritarianism that is strikingly<br />

at odds with America’s passionate sense of its own freedom.<br />

[These] revelations have stunned millions of Americans<br />

whose justified outrage against 9/11 surely never led them<br />

to expect such routine and unrestrained surveillance on<br />

such a massive scale. ... [T]his is an existential challenge<br />

to American freedom. That it has been so relentlessly prosecuted<br />

by [Barack Obama,] a leader who once promised<br />

to stand up against such authority, makes the challenge<br />

more pressing, not less.<br />

© Guardian News & Media 2013<br />

bureau [(bjUErEU]<br />

challenge [(tSÄlIndZ]<br />

champion sth. [(tSÄmpjEn]<br />

civil liberties [)sIv&l (lIbEtiz]<br />

diet [(daIEt]<br />

Foreign Intelligence<br />

Surveillance Court<br />

[)fQrEn In)telIdZEns<br />

sE(veIlEns )kO:t]<br />

frame [freIm]<br />

gargantuan<br />

[gA:(gÄntjuEn]<br />

hallmark: to be a ~ of sth.<br />

[(hO:lmA:k]<br />

issue [(ISu:]<br />

Behörde; hier: das FBI<br />

hier: Problem<br />

für etw. eintreten;<br />

hier: etw. verteidigen<br />

Freiheitsrechte<br />

hier: Portion, Dosis<br />

Bundesgericht zur Regelung<br />

der Überwachungsaktionen<br />

der US-amerikanischen<br />

Auslandsgeheimdienste<br />

gestalten<br />

gewaltig<br />

hier: ein Merkmal / Anzeichen<br />

für etw. sein<br />

erlassen, erteilen<br />

NSA (National Security Agency)<br />

[)en es (eI]<br />

order [(O:dE]<br />

outraged [(aUtreIdZd]<br />

pose sb. with sth. [(pEUz wID]<br />

pressing [(presIN]<br />

prosecute [(prQsIkju:t]<br />

relentlessly [ri(lentlEsli]<br />

revelation [)revE(leIS&n]<br />

scale: on a massive ~ [skeI&l]<br />

strikingly at odds with<br />

[)straIkINli Et (Qdz wID]<br />

stun [stVn]<br />

surveillance [sE(veIlEns]<br />

terms: under the ~ of [t§:mz]<br />

unrestrained [)Vnri(streInd]<br />

hier: (gerichtl.) Beschluss<br />

empört<br />

jmdn. vor etw. stellen<br />

dringend<br />

hier: durchführen<br />

unaufhörlich, ständig<br />

Enthüllung<br />

im gewaltigen Stil<br />

deutlich im Widerspruch<br />

stehen zu<br />

vor den Kopf stoßen<br />

Überwachung, Kontrolle<br />

gemäß<br />

uneingeschränkt<br />

Fotos: Getty Images<br />

42 <strong>Spotlight</strong> 8|13


INFO TO GO<br />

monitor<br />

The article reports that the police have the right to<br />

monitor US citizens’ communications. In other<br />

words, the police are permitted to observe and check<br />

the progress of these communications. We read that<br />

the police do their monitoring “in secret”; things can<br />

also be monitored “carefully”, “strictly”, “systematic -<br />

ally” or “continuously” — to name just a few of the alternative<br />

adverbs.<br />

A monitor, apart from being a television or computer<br />

screen, is the name for a piece of equipment<br />

that checks and displays things such as heart rate,<br />

temperature, levels of radiation, etc. The noun can<br />

also refer to a person whose job it is to check that<br />

something is being done properly; for example, that<br />

an election is being carried out correctly.<br />

attorney general [E)t§:ni (dZen&rEl] N. Am.<br />

carry out [)kÄri (aUt]<br />

gambling addiction [(gÄmblIN E)dIkS&n]<br />

radiation [)reIdi(eIS&n]<br />

Justizminister(in)<br />

durchführen<br />

Spielsucht<br />

UV-Strahlung<br />

IN THE HEADLINES<br />

Listen to more news<br />

items in Replay<br />

Playing our cards right Maclean’s<br />

The idiom used in this headline compares life to a game<br />

of cards. Both offer a limited number of opportunities,<br />

which should be used well. “If I play my cards right, I could<br />

get that promotion.” In an opinion article for the Canadian<br />

weekly news magazine Maclean’s, former Ontario Attorney<br />

General Michael Bryant describes how more and more<br />

casinos are being built in Canada. Bryant, once an alcoholic,<br />

sees this negatively, saying that most people “have<br />

no idea how harmful casinos are” to society. However, he<br />

also says the trend can’t be stopped. He argues that casinos<br />

should at least be used to study gambling addiction<br />

and to help those who suffer from it. That way, the earnings<br />

of such institutions would not be profits from people’s<br />

misery, but an investment in a better society.<br />

Mehr Sprache<br />

können Sie<br />

nirgendwo shoppen.<br />

Kompetent. Persönlich. Individuell.<br />

Alles, was Sie wirklich brauchen, um eine Sprache zu lernen:<br />

Bücher und DVDs in Originalsprache, Lernsoftware<br />

und vieles mehr.<br />

Klicken und Produktvielfalt entdecken:<br />

www.sprachenshop.de


ARTS | What’s New<br />

| Drama<br />

Young and crazy:<br />

how far will they<br />

go to get rich?<br />

Generation bling<br />

| Thriller<br />

Trance is the new film by Slumdog<br />

Millionaire (2008) director Danny<br />

Boyle. A group of thieves steal a<br />

painting from a London auction<br />

house. Simon (James McAvoy), the<br />

group’s “inside man”, is hit on the<br />

head and can’t remember where he<br />

put the painting. So the group hires<br />

hypnotist Elizabeth (Rosario Dawson)<br />

to help get back Simon’s memory.<br />

Boyle’s exploration of what the mind can do when it wants to<br />

hide something strange is made with colourful style. This<br />

clever and surprisingly thoughtful film starts on 8 August.<br />

Sofia Coppola has made a name for herself directing<br />

films about confused young women (Marie Antoinette,<br />

The Virgin Suicides). Her most recent movie,<br />

The Bling Ring, takes this to new levels. It is a story about<br />

young adults living around Los Angeles and their obsessive<br />

fascination with people-watching — on reality TV, the social<br />

media and celebrity gossip websites.<br />

Marc (Israel Broussard) is a young man with confidence<br />

problems. When he joins a new school, he’s happy<br />

to make friends with pretty Rebecca (Katie Chang) and<br />

sexy Chloe (Claire Julien). Going to wild parties and taking<br />

drugs become a way of life. Then he and Rebecca steal<br />

a car and find that crime can also be fun. Joined by Nicki<br />

(Emma Watson) and Sam (Taissa Farmiga), the group<br />

starts to break into the homes of Hollywood celebrities<br />

such as Paris Hilton and Orlando Bloom, to “shop” for expensive<br />

bling: sunglasses, jewellery, shoes and bags.<br />

Based on a series of robberies that took place in Hollywood<br />

in 2008 and 2009, Coppola’s film is careful not to<br />

pass judgement. There’s no need. Performed by excellent<br />

young actors, this disturbing story on the latest variety of<br />

a “lost generation” speaks for itself. Starts 15 August.<br />

| Drama<br />

Bringing Salman Rushdie’s award-winning novel Midnight’s<br />

Children (1981) to the screen was never going to be simple.<br />

The plot is set in the political troubles following India’s independence<br />

in 1947. Much of the action focuses<br />

on Saleem, a boy born on 15 August,<br />

the day of independence, but it weaves its<br />

way through the lives of many others involved<br />

in the political maelstrom. The film<br />

is held together by Rushdie as the narrator.<br />

The Times of India called it “a love letter”<br />

to the country, and this is how the<br />

violent, colourful and unruly story feels.<br />

On sale from 19 August.<br />

bling [blIN] ifml.<br />

Chloe [(klEUi]<br />

confidence [(kQnfIdEns]<br />

disturbing [dI(st§:bIN]<br />

gossip [(gQsIp]<br />

maelstrom [(meI&lstrQm]<br />

narrator [nE(reItE]<br />

Klunker, Modeaccessoires<br />

Selbstvertrauen<br />

aufwühlend<br />

Klatsch<br />

Sog, Turbulenzen<br />

Erzähler(in)<br />

obsessive [Eb(sesIv]<br />

pass judgement [)pA:s (dZVdZmEnt]<br />

plot [plQt]<br />

robbery [(rQbEri]<br />

set: is ~ [set]<br />

unruly [Vn(ru:li]<br />

weave [wi:v]<br />

zwanghaft<br />

urteilen<br />

Handlung<br />

Raub<br />

spielen<br />

unbändig, wild<br />

sich verweben<br />

Fotos: PR<br />

44 <strong>Spotlight</strong> 8|13


| Food<br />

| Global affairs<br />

What’s for dinner this evening? If you’re short of ideas,<br />

AllRecipes suggests lots of inspiring meals. The app offers<br />

six main options. The “ingredients” option, for example, allows<br />

you to choose a meal using what you already have in the fridge,<br />

while the “time” option provides ideas for fast — and slow —<br />

meals. If you like your food cooked in a certain way, go to the<br />

option “method” and browse through recipes that are prepared<br />

in this way. The 44,000 recipes include vegetarian and vegan<br />

dishes, as well as some for people on a low-calorie diet. You<br />

need to be online to use AllRecipes, but the simple layout and<br />

step-by-step approach to preparing meals means that you can<br />

shop, plan, cook and improve your<br />

English at the<br />

same time.<br />

Available for<br />

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and phones,<br />

the app is free.<br />

Every year, millions of<br />

people leave their homes<br />

and go in search of a new<br />

and — hopefully — better<br />

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What is the impact of this<br />

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Is it simply a<br />

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left behind, or do the<br />

migrants learn skills and<br />

earn money that will benefit<br />

their families at<br />

Challenging: global topics<br />

home? These questions<br />

were considered recently in one of the Global Development<br />

Podcasts created by The Guardian newspaper. The<br />

podcasts, which cover topics such as migration, housing and<br />

family planning at a global level, are panel discussions — sometimes<br />

live — with experts from around the world. The presentations<br />

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in iTunes comes with a transcript that can be found on The<br />

Guardian website: www.guardian.co.uk<br />

What’s for lunch: AllRecipes has great ideas in English<br />

| Exhibition<br />

Anish<br />

Kapoor’s<br />

work: a man<br />

of our time<br />

Indian-born sculptor Anish Kapoor is recognized as one of Britain’s top<br />

artists. He represented Britain at the Venice Biennale in 1990, was awarded<br />

the Turner Prize in 1991 and produced a giant work of sculpture for the London<br />

Olympics. Using a wide variety of natural and man-made materials such<br />

as wax, steel, stone and concrete, Kapoor’s art draws attention to the physical<br />

aspects of objects, while playing with abstract concepts such as space and<br />

time, or chaos and perfection. Some of his most famous works and some new<br />

pieces are on show until 24 November at Berlin’s Martin-Gropius-Bau. This<br />

is a rare chance to experience Kapoor’s unique vision of art as an essential reflection<br />

of the modern, material world. For details, go to www.gropiusbau.de<br />

approach [E(prEUtS]<br />

benefit [(benIfIt]<br />

brain drain [(breIn dreIn]<br />

browse through<br />

[(braUz Tru:]<br />

concrete [(kQNkri:t]<br />

dish [dIS]<br />

draw attention to<br />

[)drO: E(tenS&n tE]<br />

Vorgehensweise, Methode<br />

nutzen<br />

Abwanderung hochqualifizierter<br />

Arbeitskräfte<br />

durchsuchen<br />

Beton<br />

Speise, Gericht<br />

die Aufmerksamkeit<br />

lenken auf<br />

impact [(ImpÄkt]<br />

panel discussion<br />

[(pÄn&l dI)skVS&n]<br />

recipe [(resEpi]<br />

recognize [(rekEgnaIz]<br />

sculptor [(skVlptE]<br />

short of ideas: be ~<br />

[)SO:t Ev aI(dIEz]<br />

unique [ju(ni:k]<br />

Venice [(venIs]<br />

Wirkung, Folge<br />

Podiumsdiskussion<br />

(Koch)Rezept<br />

anerkennen<br />

Bildhauer(in)<br />

keine Ideen haben<br />

einzigartig, besonders<br />

Venedig<br />

Reviews by EVE LUCAS<br />

8|13 <strong>Spotlight</strong><br />

45


ARTS | Short Story and Books<br />

Not your sister<br />

Eine junge Frau fühlt sich schwach und verloren. Doch die Zuwendung, die sie bekommt,<br />

könnte einen hohen Preis haben. CLARISSA ANN MASTIN erzählt.<br />

Look at your watch during<br />

the break. It’s after one<br />

o’clock in the morning.<br />

Pick up your notebook, jacket,<br />

purse. Say: “I’m going to bed<br />

now.” Try to sound apologetic and<br />

matter-of-fact at the same time.<br />

Don’t change your expression,<br />

even as you see anger in<br />

Theresa’s eyes. Watch the large<br />

features of her face grow harder.<br />

Wait as she pulls a sweet smile together.<br />

Feel her fold you into an<br />

iron embrace. Hear those words<br />

again: “My dear sister.” Shiver.<br />

Theresa is not your sister,<br />

but everyone here calls you “sister.”<br />

“This is your first seminar?<br />

Oh, sister, how wonderful for<br />

you!” they all say. They look at<br />

you with smiles that never seem<br />

to fade. Here, at the seminar<br />

with them, you will finally understand<br />

the meaning of life.<br />

Here, you will find not only authentic<br />

community, but peace and love.<br />

Even with your streak of skepticism, you have to admit<br />

that there’s something to these claims. It’s been only three<br />

days, and you’ve already felt peace and joy — emotions<br />

you didn’t ask for. With each passing day and night, you’ve<br />

been given less time to sleep. The world outside is getting<br />

hazier. You could almost believe that you’ve been wrong<br />

about everything all your life — but only almost, because<br />

in your emotion-drugged, love-bombed brain, alarm bells<br />

are going off. Who are these people?<br />

You met Theresa four months<br />

ago. Her little house-church welcomed<br />

you in when you were new<br />

to the city. You were charmed by<br />

how caring this small group of<br />

people were to each other — and<br />

to you as well.<br />

A few alarm bells went off<br />

even then. Questions about denomination<br />

seemed to confuse<br />

them. “We’re Christian,” they always<br />

answered. On the phone<br />

with a friend, you joked that you<br />

hoped this wasn’t a cult. But you<br />

didn’t listen to those alarm bells.<br />

And here you are now.<br />

Where are you exactly? It’s a<br />

good question. You’re in the<br />

woods. “Brother” Lewis drove.<br />

You don’t have cell-phone reception.<br />

You know this sounds like a<br />

horror movie, but you don’t think<br />

there’s any need to worry. There<br />

are only a few more days until the<br />

seminar is over, and then you’ll get<br />

back in the car with Theresa and Lewis, and they will take<br />

you home.<br />

When you’re back home, and you’ve had a few full<br />

nights of sleep, you’ll be able to think things over. You’ll<br />

think then about the things you don’t know. To start with,<br />

you don’t know what these people believe. When you ask<br />

questions, they start muttering about “deep truths.” They<br />

tell you to trust — and you want to. Why can’t you drop<br />

this feeling that there’s something hiding underneath all<br />

the love and acceptance?<br />

charm sb. [tSA:rm]<br />

claim [kleIm]<br />

cult [kVlt]<br />

denomination<br />

[di)nA:mI(neIS&n]<br />

drugged [drVgd]<br />

fade [feId]<br />

features [(fi:tS&rz]<br />

go off [)goU (O:f]<br />

hazy [(heIzi]<br />

jmdn. verzaubern<br />

Behauptung<br />

Sekte<br />

Konfession,<br />

Religionszugehörigkeit<br />

betäubt<br />

schwächer werden, schwinden<br />

hier: Gesichtszüge<br />

losgehen<br />

verschwommen<br />

iron embrace: fold sb.<br />

into an ~ [)aIEn Im(breIs]<br />

matter-of-fact<br />

[)mÄtEr Ev (fÄkt]<br />

mutter [(mVt&r]<br />

pick up [)pIk (Vp]<br />

purse [p§:s] N. Am.<br />

reception [ri(sepS&n]<br />

shiver [(SIv&r]<br />

streak [stri:k]<br />

jmdn. fest umarmen<br />

sachlich, bestimmt<br />

murmeln<br />

hier: nehmen<br />

(Hand)Tasche<br />

Empfang<br />

(er)schaudern<br />

Anflug<br />

Fotos: iStockphoto; Top Photo Group<br />

46 <strong>Spotlight</strong> 8|13


Short Story<br />

When Theresa finally lets go, walk carefully past the<br />

rows of seated people. See the peace shining from their<br />

faces. Some of them are first-timers like you. They’re not<br />

asking questions, as Theresa has pointed out. Look down<br />

at the floor. Keep walking until you get to the door.<br />

Look over your shoulder as you walk down the path to<br />

your cabin. See that no one is following you. Feel silly for<br />

worrying. Feel paranoid. Crawl into bed. Don’t open your<br />

eyes when Theresa comes in at three o’clock and lies down<br />

in the bed next to yours. Wake up at five to see her standing<br />

over you. “It’s time to go to morning prayer, sister.”<br />

Think about spending an hour and a half praying in<br />

that trance-inducing room. Think fast. Say: “Oh,<br />

Theresa... I think I’m getting a cold. My throat hurts.”<br />

Move over to give Theresa space to sit down next to<br />

you. See the look of concern in her eyes. Remember when<br />

you were sick and she called every day to check on you.<br />

Tell her you’ll be fine, that you need a little more sleep.<br />

And then freeze. Feel her fingers closing around your neck,<br />

pressing into your skin. You remember this iron grip. She<br />

won’t let go until she’s ready. Hear her strangely pitched<br />

prayer voice fill the room.<br />

“Oh, God above in heaven, my sister is weak. She is<br />

not fighting against the Devil’s attack, oh, God. Teach my<br />

sister to be strong against the flesh, oh, God in heaven.<br />

Oh, God, teach her that she must not waste any of this<br />

precious time at the seminar.”<br />

Nod when Theresa asks if you feel better. Take a breath<br />

as she releases your throat. Follow her to the prayer room<br />

without saying a word.<br />

Remember, it’s only a few more days until the seminar<br />

is over. Be strong.<br />

Thriller<br />

John le Carré is best known for<br />

thrillers that quietly pull back the<br />

curtains to show the nasty secrets<br />

behind international politics. His<br />

latest novel, A Delicate<br />

Truth, keeps things British in a<br />

story that starts with Kit Probyn, a<br />

senior Foreign Office official, taking<br />

part in an undercover plan to<br />

kidnap a jihadi arms dealer in Gibraltar. The operation seems<br />

to go well. Probyn gets a nice final posting and retires. Three<br />

years later, a trail of evidence and bodies indicates that things<br />

actually went very wrong and somebody is covering it up.<br />

Probyn starts asking himself — and his country — some uncomfortable<br />

questions. Le Carré’s look at the new Britain and<br />

its morality is both entertaining and sinister. Viking Adult,<br />

ISBN 978-0-241-96516-0, €19.50.<br />

Easy reader<br />

Is there life after death? And if so,<br />

what will it be like? In The Five<br />

People You Meet in<br />

Heaven, US writer Mitch Albom<br />

describes the real life and the ima -<br />

gined afterlife of a favorite uncle.<br />

Eddie is an elderly widower who<br />

thinks his life has been a failure. He<br />

has disappointed his family and<br />

loved ones and not made the most of his opportunities. When<br />

Eddie dies in an accident, the author explores what could await<br />

an ordinary man like him. The Five People You Meet in Heaven<br />

is an examination of what counts in life and what Albom believes<br />

will count in death: love and courage. The adaptation of<br />

this novel is at the upper-intermediate level, and the book<br />

includes exercises and a vocabulary list. Pearson Longman,<br />

ISBN 978-1-4082-6387-7, €7.99.<br />

cabin [(kÄbIn]<br />

concern [kEn(s§:n]<br />

cover sth. up [UK )kVvE (Vp]<br />

crawl [krO:l]<br />

elderly [(eld&rli]<br />

Foreign Office [UK (fQrEn )QfIs]<br />

freeze [fri:z]<br />

grip [grIp]<br />

let go [)let (goU]<br />

nasty [UK (nA:sti]<br />

Hütte<br />

Besorgnis<br />

vertuschen<br />

kriechen<br />

älter, betagt<br />

britisches Außenministerium<br />

erstarren<br />

Griff<br />

loslassen<br />

übel, schlimm<br />

point out [)pOInt (aUt]<br />

precious [(preSEs]<br />

senior [UK (si:niE]<br />

sinister [UK (sInIstE]<br />

strangely pitched<br />

[)streIndZli (pItSt]<br />

trail [treI&l]<br />

trance-inducing [)trÄns In(du:sIN]<br />

widower [(wIdoU&r]<br />

betonen, hervorheben<br />

kostbar<br />

leitend<br />

finster, düster und<br />

bedrohlich<br />

mit sonderbarer Tonhöhe<br />

Spur<br />

in Trance bringend<br />

Witwer<br />

Reviews by EVE LUCAS<br />

8|13 <strong>Spotlight</strong><br />

47


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LANGUAGE | Vocabulary<br />

Theatre<br />

A trip to the theatre is always a special event. ANNA HOCHSIEDER presents words that are<br />

used to talk about the experience.<br />

4<br />

6<br />

7<br />

8<br />

3<br />

9<br />

2<br />

5<br />

1<br />

14<br />

10<br />

15<br />

12<br />

13<br />

11<br />

1. stage<br />

2. curtain<br />

3. set, scenery [(si:nEri]<br />

4. actor (actress)<br />

5. costume<br />

6. spotlight<br />

7. wings<br />

8. box<br />

9. usher [(VSE]<br />

10. stalls [stO:lz], orchestra (US)<br />

11. aisle [aI&l]<br />

12. audience<br />

13. programme<br />

14. front row [)frVnt (rEU]<br />

15. balcony<br />

Critic’s tip<br />

Following last year’s inspiring performance of A Midsummer<br />

Night’s Dream, which was unforgettably set in a<br />

modern-day circus, the University Theatre Group has<br />

now put together a charming production of Romeo and<br />

Juliet. Imaginatively staged by director Gregory Pitt with<br />

an all-student cast, this realization of the drama reveals<br />

extraordinary acting skills in a classic production.<br />

Bob Motherwell’s minimalist stage design ensures<br />

that the audience’s attention is drawn fully to the actors<br />

(in costumes beautifully designed by Camilla Borden)<br />

and the story. The action takes place in a set consisting<br />

of no more than a few walls and some greenery, and with<br />

only a few flowers and swords as props.<br />

On the opening night, the theatrical experience be -<br />

gan before the curtain rose, when costumed ushers directed<br />

us to our seats. What followed was entertainment<br />

at its best. Amy Smith’s portrayal of Juliet was moving<br />

and convincing, while Tony Gordon in the role of Juliet’s<br />

nurse provided some welcome comic relief. Additional<br />

tension was created by the onstage fighting, which<br />

spilled over into the front row. The audience seemed<br />

thoroughly to enjoy this outstanding performance.<br />

Illustration: Bernhard Förth<br />

50<br />

<strong>Spotlight</strong> 8|13


Wollen Sie noch mehr Tipps und Übungen? Abonnieren Sie <strong>Spotlight</strong> plus! www.spotlight-online.de/ueben<br />

Practice<br />

Now try the exercises below to practise talking about the theatre.<br />

1. Match the theatrical words (a–f) to their definitions (1–6) below.<br />

a) The stage...<br />

b) The props...<br />

c) The set...<br />

d) The wings...<br />

e) The curtain...<br />

f) The stalls...<br />

a ➯<br />

b ➯<br />

c ➯<br />

d ➯<br />

e ➯<br />

f ➯<br />

1. are the two sides of a stage from which the actors walk on.<br />

2. is the raised part of a theatre where the actors perform.<br />

3. is the heavy cloth that goes up when the performance begins.<br />

4. are the seats on the lowest level of a theatre.<br />

5. are the onstage objects used by the actors in a play.<br />

6. is the scenery and furnishings on the stage.<br />

2. Who’s who? Find the missing words on the opposite page.<br />

a) The group of performers in a play or film are the _______________.<br />

b) The person who tells actors and theatre staff what to do in a play is the _______________.<br />

c) The people watching a play are the _______________.<br />

d) A member of staff who shows the audience to their seats is an _______________.<br />

e) Someone whose job is to write about stage productions is a theatre _______________.<br />

Answers<br />

1. a–2; b–5; c–6 (scenery:<br />

Bühnenbild, Kulissen); d–1;<br />

e–3 (cloth [klQT]: Stoff ); f–4<br />

2. a) actors / cast; b) director;<br />

c) audience; d) usher; e) critic<br />

3. a) imaginatively; b) tension;<br />

c) portrayal; d) comic relief<br />

4. a) staged (aufführen, inszenieren);<br />

b) directed; c) was set (fondly:<br />

gern); d) were designed<br />

(outstanding: außerordentlich);<br />

e) portrayed<br />

3. Complete the definitions below by filling in the missing letters in the following sentences.<br />

You can find all the words in the text on the opposite page.<br />

a) If a play is _ _ _ g _ n _ _ _ v _ ly staged, the director has put a lot of new and original ideas into the production.<br />

b) If a theatre performance creates _ _ _ s _ _ n, the people in the audience feel nervous because they are watching<br />

something exciting or frightening.<br />

c) If an actor’s _ o _ _ _ ay _ _ of a character is convincing, this character appears like a real person to the audience.<br />

d) If an actor or a character in a play provides c _ _ _ _ r _ _ _ _ _, he or she makes people laugh in an otherwise<br />

serious play.<br />

4. Complete the text with the correct form of the verbs in the<br />

list. You will need to use the passive in some cases.<br />

design | direct | portray | set | stage<br />

Last year, the University Theatre Group (a) _______________ another of<br />

Shakespeare’s most popular plays, A Midsummer Night’s Dream. Also<br />

(b) _______________ by Gregory Pitt, the story (c) _______________ in a<br />

modern-day circus. The production is fondly remembered for its imaginative<br />

costumes, which (d) _______________ by Helena Thompson, and for the<br />

outstanding performance of Tony Gordon, who (e) _______________ Puck<br />

and received standing ovations for his brilliant acting.<br />

You can leave out the definite article<br />

when referring to the theatre as an art<br />

form or a field of work:<br />

• Are you interested in (the) theatre?<br />

• He’s been working in (the) theatre<br />

since he was 16.<br />

You need the definite article when<br />

referring to a particular theatre performance<br />

or to the building where a<br />

work is staged:<br />

• We’re going to the theatre this<br />

evening to see King Lear.<br />

• They’re putting on a play by John<br />

Osborne at the theatre in Henley.<br />

Tips<br />

8|13 <strong>Spotlight</strong><br />

51


LANGUAGE | Travel Talk<br />

A county fair<br />

In the US, summertime means a visit to a<br />

county fair. RITA FORBES takes you inside an<br />

American tradition.<br />

Arriving at the fair<br />

I’ve never seen the county fair so crowded. Everyone<br />

in town must be here.<br />

This is obviously the place to be. What do you<br />

want to do first?<br />

I promised Karen I’d meet her at the exhibition<br />

building. The judging is about to start, and she’s<br />

hoping her quilt will win a blue ribbon.<br />

Go ahead! I’ll take a look at the livestock. You can<br />

come and find me when you’re done.<br />

Food and drink<br />

This is the hottest day we’ve had all summer.<br />

Might be time for a snow cone.<br />

Good idea! Should we get something deep-fried,<br />

while we’re at it?<br />

Well, the fair is only once a year. Let’s get a couple<br />

of corn dogs and a funnel cake to share.<br />

Decisions, decisions!<br />

Bad news! The pig-calling contest is at the same<br />

time as the square dance. We’ll have to pick one.<br />

You know I love to dance with you, but I’ve been<br />

practicing calling “sooey” for weeks. I might win<br />

this year! I can see the trophy in our living room<br />

now.<br />

OK, OK! But after you’ve won, I’m going to beat<br />

you at bumper cars.<br />

about to: be ~ do sth. [E(baUt tE]<br />

judging [(dZVdZIN]<br />

pick sth. [pIk]<br />

gleich beginnen, etw. zu tun<br />

Bewertung<br />

sich für etw. entscheiden<br />

Fotos: Alamy; Dorling Kindersley<br />

Tips<br />

• A county fair is a yearly<br />

event where people can play games<br />

and win prizes for animals they have raised<br />

(züchten) or things they have made. There is also entertainment,<br />

such as rodeos and concerts. In the US,<br />

the 50 states are divided into smaller areas called<br />

“counties.” There are about 3,000 in total.<br />

• If a location is popular or fashionable, you can say it<br />

is the place to be (ifml.).<br />

• At the exhibition building, you can look at things<br />

people have made and brought to the fair to be<br />

judged by experts. These things include handicrafts<br />

(Handarbeit), artwork, and food.<br />

• A quilt [kwIlt] is a kind of blanket, made by<br />

sewing [soU] (nähen) together two pieces of fabric<br />

(Stoff) with a layer [(leI&r] (Schicht) of stuffing (Füllmaterial,<br />

Polsterung) between them. Quilts are often<br />

colorful and decorative.<br />

• The winner of a competition gets a blue ribbon<br />

(blaues Band). A red ribbon is for second place, and a<br />

yellow ribbon for third.<br />

• People also bring livestock — farm animals like<br />

cows, sheep, and pigs — to be judged at the fair.<br />

• A snow cone is made from shaved ice (von einem<br />

Block geschabte schneeartige Eissplitter) or crushed ice<br />

with flavored syrup.<br />

• Food that is deep-fried has been cooked in a deep pan<br />

full of hot oil. The food is often covered with a batter<br />

(Backteig) or breading (Panade) first. You can find many<br />

types of deep-fried food at a county fair — everything<br />

from vegetables to candy bars (Schokoriegel).<br />

• The expression while we’re at it means: “If we’re<br />

doing one thing, we might as well do the other, too.”<br />

• It is common to eat food on a stick at a fair. Corn<br />

dogs are hot dogs on a stick that have been coated<br />

with a batter made from cornmeal (Maismehl) and<br />

then deep-fried.<br />

• A funnel cake is also fried in oil. It’s made by pouring<br />

a thin batter in a circular pattern (Form, Muster) into<br />

the oil, and it is usually covered with powdered sugar.<br />

• In a pig-calling contest, people make loud, highpitched<br />

noises to attract pigs. They often try to sound<br />

like piglets (baby pigs), or shout the word sooey.<br />

• A square dance is a traditional American country<br />

dance, in which groups of four couples follow the<br />

steps that a caller announces.<br />

• Bumper cars are the small electric cars that people<br />

drive around in an enclosed<br />

(umzäunt) area, trying to run<br />

into each other. A bumper is<br />

the plastic or metal piece that is<br />

fixed to the front or back of a car<br />

to protect it.<br />

52<br />

<strong>Spotlight</strong> 8|13


Cards | LANGUAGE<br />

showroom(ing)<br />

NEW WORDS<br />

I’m going to showroom the latest smartphones<br />

before I order one online.<br />

GLOBAL ENGLISH<br />

What would a speaker of British<br />

English say?<br />

North American: “I wrote the date on the first line:<br />

4/10/2013.”<br />

<strong>Spotlight</strong> 8|13<br />

<strong>Spotlight</strong> 8|13<br />

(IN)FORMAL ENGLISH<br />

Make these statements sound less<br />

idiomatic:<br />

1. You look like a million dollars tonight, Helen!<br />

2. I feel like a million dollars today.<br />

Translate:<br />

TRANSLATION<br />

1. Meine Schwester will sich scheiden lassen.<br />

2. Meine Eltern haben sich letztes Jahr scheiden<br />

lassen.<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />

PRONUNCIATION<br />

IDIOM MAGIC<br />

Read the following words aloud, paying<br />

particular attention to the letter “v”:<br />

invalid<br />

invisible<br />

Ching Yee Smithback<br />

valley<br />

virgin<br />

victim<br />

vodka<br />

seed money<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />

FALSE FRIENDS<br />

GRAMMAR<br />

rump / Rumpf<br />

Translate the following sentences:<br />

1. I’ll cut you a piece of meat from the rump.<br />

2. Das Einzige, was von der Leiche übrig blieb,<br />

war der Rumpf.<br />

Correct these wrongly formed sentences:<br />

1. Instead of to go home after work, we went to a<br />

bar.<br />

2. I solved the problem, without to understand<br />

how.<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13


LANGUAGE | Cards<br />

GLOBAL ENGLISH<br />

British speaker: “I wrote the date on the first line:<br />

10/4/2013.”<br />

In both cases, the date is the tenth of April. In<br />

British English, the date is written in the same<br />

order as in German: the day before the month.<br />

North Americans place the month before the day,<br />

as one can see in their name for the terrorist<br />

attacks of 11 September 2001: “9/11”.<br />

NEW WORDS<br />

A showroom is a large space where objects that<br />

are for sale are on display (ausgestellt sein) —<br />

objects such as cars or furniture. If you<br />

showroom something, you go to shops to look<br />

at or test products and then buy them more<br />

cheaply online. That makes you a showroomer.<br />

<strong>Spotlight</strong> 8|13<br />

<strong>Spotlight</strong> 8|13<br />

TRANSLATION<br />

1. My sister wants to get divorced / get a<br />

divorce.<br />

2. My parents divorced / got divorced / got a<br />

divorce last year.<br />

Intransitive “divorce” can be used only with a plu -<br />

ral subject, as in example (2), in other words, when<br />

both partners are referred to in the sentence.<br />

(IN)FORMAL ENGLISH<br />

1. You look amazing / fantastic tonight, Helen!<br />

2. I feel great / fantastic today.<br />

In this idiomatic expression, “like a million dollars”<br />

is used to mean “look or feel extremely good”.<br />

Even in the UK, the word “dollars” is used here,<br />

not pounds.<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />

IDIOM MAGIC<br />

Seed money is money that is made available<br />

to start a new project, in allusion to (in Anspielung<br />

auf) seeds from which plants can grow.<br />

In German, it is called Startkapital or Gründungskapital.<br />

“Local corporations will provide seed money for a<br />

new research centre outside the town.”<br />

[(InvEli:d]<br />

[(vÄli]<br />

[(v§:dZIn]<br />

PRONUNCIATION<br />

[In(vIzEb&l]<br />

[(vIktIm]<br />

[(vQdkE]<br />

Many native speakers of German replace the<br />

sound [v] with [w] when they see the English<br />

letter “v”. This is surprising, as the sound [w]<br />

doesn’t exist in German. English “v” has the same<br />

sound as German “w”, as in Wodka.<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13<br />

GRAMMAR<br />

1. Instead of going home after work, we went to a<br />

bar.<br />

2. I solved the problem, without understanding<br />

how.<br />

Subjectless clauses introduced by a preposition<br />

always take an -ing form of the verb, not an<br />

infinitive.<br />

FALSE FRIENDS<br />

1. Ich schneide dir ein Stück Fleisch aus der Hüfte.<br />

2. The only thing left of the corpse was the<br />

torso.<br />

German Rumpf is the main part of the body<br />

(without head, legs and arms). English “rump”<br />

refers to the Hinterteil of an animal — or,<br />

humorously, of a person.<br />

<strong>Spotlight</strong> 8|13 <strong>Spotlight</strong> 8|13


Having a baby<br />

Listen to dialogues 3 and 4<br />

This month, DAGMAR TAYLOR looks at the<br />

words and phrases people use when they talk<br />

about expecting a child.<br />

Everyday English | LANGUAGE<br />

Fotos: iStockphoto<br />

1. The news<br />

Katy has just found out that she will be having a<br />

baby. She calls her parents, Audrey and Jeff.<br />

Audrey: Hello?<br />

Katy: Mum? It’s Katy.<br />

Audrey: Hello, Katy, darling. How are you?<br />

Katy: I’m fine, Mum. And you?<br />

Audrey: We’re fine, love.<br />

Katy: Mum, I’ve got some news...<br />

Audrey: Ooh, what is it?<br />

Katy: You and Dad are going to be grandparents.<br />

Audrey: What? You mean you’re expecting? Oh, Katy,<br />

that’s lovely! (calls to husband) Jeff, come here<br />

quick! Katy is having a baby!<br />

Jeff: What? Now?<br />

Audrey: No, not now. (to Katy) When are you due?<br />

Katy: I’m 12 weeks gone, so the baby should be<br />

born at the end of January or the beginning<br />

of February.<br />

• Most people just say Hello? when they answer<br />

the phone at home.<br />

• Darling and love are things to call people you love. In<br />

the UK, love (ifml.) is also used generally to address<br />

(ansprechen) someone in a friendly way.<br />

• Be careful when you use the word news — it’s<br />

uncountable.<br />

• When you want to make sure you have understood<br />

correctly what someone has said, you can begin the<br />

question with You mean...?<br />

• Another way of saying that someone is pregnant<br />

(schwanger) is to say that she is expecting<br />

(a baby).<br />

• To ask when the baby will be born, you can say:<br />

“When is the baby due?” or “When are you due<br />

(to give birth)?”<br />

• You can also use gone (UK ifml.) to say or ask how<br />

long a person has been pregnant: “How far gone are<br />

you?”<br />

• Be born is used only in the passive form. “Born” is the<br />

past participle of the verb “bear” ((aus)tragen).<br />

baby: have a ~ [(beIbi]<br />

ein Baby bekommen<br />

Tips<br />

2. The nitty-gritty<br />

Katy is talking to her dad, Jeff, on the phone.<br />

Jeff: Well, that’s fantastic news, love. I’ll pass you<br />

back to Mum now. I’m sure you’ll want to<br />

talk to her about the... nitty-gritty.<br />

Katy: Don’t you want to hear about my sore boobs<br />

and my morning sickness?<br />

Jeff: No, I don’t! Here’s your Mum.<br />

Audrey: So how are you feeling? Any cravings yet?<br />

Katy: I’m fine. Really I am.<br />

Audrey: Lucky you! You probably aren’t showing yet,<br />

are you?<br />

Katy: No, it’s too early for “maternity fashion”.<br />

Audrey: You’ll look lovely. Have you had a scan?<br />

Katy: Yes, this morning. We even got a picture. I’m<br />

afraid your grandchild looks like a peanut.<br />

Audrey: We’ll love it no matter what it looks like!<br />

• The most important or practical details of a<br />

situation are known as the nitty-gritty (ifml.).<br />

• If part of your body is sore, it hurts. Women’s breasts<br />

are informally known as boobs.<br />

• Morning sickness is the nausea [(nO:siE] (Übelkeit)<br />

felt by many women in the early months of<br />

pregnancy.<br />

• Many pregnant women have cravings, a strong<br />

desire (Wunsch, Verlangen) to eat certain foods.<br />

• When the baby bump (Babybauch) can be seen, we<br />

say a woman is showing.<br />

• There are many word partnerships with maternity,<br />

the state of being or becoming a mother: maternity<br />

clothes, maternity hospital, maternity leave<br />

(Mutterschaftsurlaub), etc.<br />

• No matter what (who, where, etc.) is used to say that<br />

something is always true, whatever the situation.<br />

pass sb. back to sb.<br />

[)pA:s (bÄk tE]<br />

scan [skÄn]<br />

jmdn. jmdm. wiedergeben<br />

Ultraschalluntersuchung<br />

Tips<br />

8|13 <strong>Spotlight</strong><br />

55


LANGUAGE | Everyday English<br />

EXERCISES<br />

3. Getting ready 4. Read all about it<br />

Katy and her husband, Bill, are at home. Katy is looking<br />

through a catalogue of products for babies.<br />

Katy: I think we should get a bedside crib first, rather<br />

than a cot.<br />

Bill: What’s the difference?<br />

Katy: The crib fits on the side of our bed. The baby<br />

sleeps separately, but I don’t have to get up in the<br />

night for feeds.<br />

Bill: Let’s have a look. Have you decided which pram,<br />

or buggy, or whatever it’s called, to get yet?<br />

Katy: Pram. Yes, a colleague of mine said she’d sell me<br />

hers. It’s still in great condition. She’s also got a<br />

changing table and a car seat, although they say<br />

you should buy those new...<br />

Bill: Have you seen the price of these crib things? Ask<br />

your colleague if she’s flogging one of those, too.<br />

• A cot (US: crib) is a small bed with high sides for a<br />

baby or small child.<br />

• Here, a feed is a drink of milk. Katy is talking about<br />

getting up in the night to breastfeed (stillen) her child.<br />

• A pram (US: baby carriage) is a small covered bed on<br />

four wheels for outdoor use.<br />

• A buggy (US: stroller) is a folding seat on wheels in<br />

which a child sits and is pushed along.<br />

• In English, “a colleague of me” is incorrect. Instead, we<br />

say: a colleague of mine.<br />

• If something is in good or great condition, it doesn’t<br />

look as if it has been used very much.<br />

• A changing table is a piece of furniture on which a<br />

baby is placed to have its nappy (UK) (Windel) changed.<br />

• Flog (UK) is an informal word for “sell”.<br />

1. What did they say? Fill in the missing letters.<br />

a) When are you d _ _?<br />

b) Have you had any c _ _ _ _ _ _ _ yet?<br />

c) We should get a bedside crib first, rather than a c _ _.<br />

d) I’ve just been reading about l _ _ _ _ _.<br />

Tips<br />

Bill is in the kitchen. Katy joins him.<br />

Bill: You look a bit pale. Are you OK?<br />

Katy: I’m fine. I’ve just been reading about labour,<br />

contractions and complications.<br />

Bill: Oh, dear! Sit down. I’ll make you a cup of tea.<br />

Katy: I don’t know if I’ll be able to handle the pain.<br />

Maybe I should have a caesarean — or an<br />

epidural.<br />

Bill: Isn’t that the thing they inject into your lower<br />

back? I don’t like the sound of that.<br />

Katy: Well, you’re not the one who has to give birth.<br />

Bill: It’ll be fine. And you’re going to be a great mum.<br />

Katy: Really?<br />

Bill: Of course! Oh, the midwife called about the<br />

antenatal classes. I told her you’d call back.<br />

Tips<br />

• The process of giving birth (entbinden) is known<br />

as labour: “She was in labour for ten hours.”<br />

• Contractions are the sudden and painful shortening<br />

of the muscles around the womb [wu:m] (Gebärmutter)<br />

before a woman gives birth.<br />

• If you can handle something, you can accept and deal<br />

with an unpleasant or difficult situation.<br />

• A caesarean [sI(zeEriEn] or C-section (US: cesarean<br />

[sI(zeriEn]) is an operation in which a baby is taken<br />

out of a woman’s womb.<br />

• Midwives help women give birth and support them in<br />

the weeks after the birth.<br />

• Antenatal classes [)Änti(neIt&l )klA:s] help parentsto-be<br />

prepare for labour, birth and parenthood. Postnatal<br />

classes are available to support new mothers.<br />

Oh, dear! [)EU (dIE] Ach je!<br />

pale [peI&l] blass (➝ p. 61)<br />

3. Rearrange the letters to form words and<br />

expressions from the scenes.<br />

a) a a d e g n n p r r s t _______________<br />

b) g i m n n o r c e i k n s s s _______________<br />

c) a c g g h i n n a b e l t _______________<br />

d) d e f i i m w _______________<br />

2. What did they actually say?<br />

a) You mean you’re pregnant? _______<br />

b) Don’t you want to hear about my painful boobs? ____<br />

c) Ask your colleague if she’s selling one of those, too.<br />

_______<br />

d) I don’t know if I’ll be able to deal with the pain. ______<br />

4. Add the missing words from the scenes.<br />

a) The baby should be born ______ the end of January.<br />

b) I’ll pass you back ______ Mum now.<br />

c) It’s still ______ great condition.<br />

d) I don’t like the sound ______ that.<br />

56 <strong>Spotlight</strong> 8|13<br />

Answers: 1. a) due; b) cravings; c) cot; d) labour; 2. a) expecting; b) sore; c) flogging; d) handle;<br />

3. a) grandparents; b) morning sickness; c) changing table; d) midwife; 4. a) at; b) to; c) in; d) of


The Grammar Page | LANGUAGE<br />

The past perfect simple<br />

ADRIAN DOFF uses notes on a short dialogue to present and<br />

explain a key point of grammar.<br />

Clare is chatting to her<br />

friend Fiona.<br />

Clare: When you leave home to go on holiday, do you<br />

ever get that funny feeling that you’ve forgotten<br />

something? 1<br />

Fiona: Yes, and I usually have forgotten something.<br />

Clare: Same with me. It happened when I flew to London<br />

last week. As soon as I got 2 into the car,<br />

I knew I’d forgotten 3 something, but I couldn’t<br />

think what it was. It was really strange.<br />

Fiona: And had you? 4<br />

Clare: Well, I couldn’t think what. Then, halfway to the<br />

airport, I realized what it was. I’d left 5 the iron on.<br />

I was in such a hurry that I hadn’t noticed. 6<br />

Fiona: Oh, no! What did you do?<br />

Clare: Well, there was only one thing I could do. I turned<br />

round and went straight back home.<br />

Fiona: That’s awful! Did you miss your flight?<br />

Clare: No. The flight had been delayed 7 anyway, so in the<br />

end, I had to wait another four hours at the airport.<br />

Fiona: Hmm! You were lucky.<br />

Clare: I suppose (denken, annehmen) you could say that.<br />

1 When people tell stories about their lives, several tenses<br />

are used. Clare is talking in general here (not about the<br />

past), so she uses the present simple and present perfect<br />

tenses.<br />

2 Now Clare uses the past simple tense to tell the main<br />

events of her story.<br />

3 Clare uses the verb “know” with the past perfect simple<br />

to “go back” from the events of her story to talk about an<br />

earlier, background action. The past perfect is formed<br />

with had (or ’d) + past participle.<br />

4 To make a question, the subject and the verb “had” are<br />

changed round.<br />

5 This is another example of the use of the past perfect<br />

simple to talk about an earlier event.<br />

6 To form the negative, not (or n’t) is added after had.<br />

7 This is the past perfect passive. It is formed with<br />

had been + past participle. Instead, Clare could say:<br />

“They had delayed the flight.” Again, she is talking about<br />

an earlier event. The flight had been delayed even before<br />

she got to the airport.<br />

Remember!<br />

1. The past perfect passive<br />

The passive is always formed with be + past participle.<br />

The past perfect passive is formed with the past perfect<br />

of “be”: had been + past participle.<br />

2. The short form: ’d<br />

In speaking and informal writing, had is usually reduced<br />

to ’d:<br />

• I’d left the iron on. (= I had left)<br />

Beyond the basics<br />

The past perfect tense is often used after reporting<br />

verbs (for example, said, told) and after verbs like<br />

discovered, knew, noticed, realized and was sure:<br />

• She called me and said she’d missed the train.<br />

• I suddenly discovered that I’d lost my phone.<br />

• I was sure I’d seen him somewhere before.<br />

In all these examples, the speaker is talking about earlier<br />

events.<br />

EXERCISE<br />

Complete the sentences below, using verbs from the box in the past perfect simple (active or passive).<br />

cancel | change | clean | die | go | leave | wake up<br />

d) She was 70 years old and living alone. Her husband<br />

__________ the year before.<br />

a) I didn’t recognize her at first, because she __________ e) It was Friday, so everyone __________ home early.<br />

her hair colour.<br />

f) I took him breakfast at nine o’clock, but he still<br />

b) I went to meet them, but they __________ already<br />

__________.<br />

__________.<br />

g) Our hotel room was disgusting. It __________ for<br />

c) I arrived to find that all the classes __________.<br />

weeks.<br />

Answers: a) had changed; b) had already left / gone; c) had been cancelled; d) had died; e) had gone; f) hadn’t woken up; g) hadn’t been cleaned<br />

8|13 <strong>Spotlight</strong><br />

57


LANGUAGE | The Soap<br />

Helen<br />

Phil<br />

Peggy<br />

FOCUS<br />

Afternoon tea,<br />

anyone?<br />

Join us at Peggy’s Place — <strong>Spotlight</strong> ’s very<br />

own London pub. By INEZ SHARP<br />

Phil: Well, you’re a sight for sore eyes!<br />

Peggy: You don’t think I’m too dressed up, do you?<br />

Phil: You want me to be honest? I’d ditch the hat.<br />

Peggy: But I never wear my hats, and if I can’t put one on<br />

for a visit to Buckingham Palace, when can I?<br />

Helen: Wow! Peggy, you look amazing. Should I go home<br />

and put on something else?<br />

Peggy: No. You look great. But perhaps you should brush<br />

your hair before we leave.<br />

Phil: So what exactly happens when you get to the palace?<br />

Will you meet any members of the royal family?<br />

Helen: That would be nice, but it’s really just a tour of the<br />

staterooms.<br />

Phil: Then I’d definitely ditch the hat. It’s not like you’ve<br />

got a personal invite. You’re just normal tourists...<br />

Peggy: ...visiting parts of the palace that are only open to<br />

the public for two months of the year. You never know<br />

who we might meet in the corridor.<br />

Sean: You two ladies are looking particularly lovely today.<br />

Peggy: We’re going to visit Buckingham Palace.<br />

Helen: Yes. We’re taking a special tour.<br />

Sean: Why would you do that? Wasting good money to<br />

ogle the elite lifestyle of a family of spongers.<br />

Peggy: Sean!<br />

Phil: I keep forgetting that you haven’t been with us for<br />

very long, Sean. Otherwise you’d know that my wife is<br />

an ardent royalist.<br />

Sean: Of course I’ve noticed the pictures everywhere, but<br />

I thought they were just there to please the customers.<br />

Peggy: No. They’re there to please me.<br />

Sean: Sorry. I didn’t mean to hurt your feelings. Actually,<br />

I came out to talk about the menu.<br />

Peggy: Well, I haven’t got any time now, but I would like<br />

you to think about the idea of serving afternoon tea.<br />

Sean: Afternoon tea?<br />

Phil: Yeah. We thought it would be a nice way to bring in<br />

more people during the day.<br />

When Peggy calls Sean a cheeky little blighter (Bengel, Mistkerl),<br />

she is using an informal British expression that has<br />

been known for around 100 years. The Oxford English Dictionary<br />

says the term comes from the verb to blight, which<br />

means to “have a negative effect on something or someone”:<br />

“His life was blighted by illness and poverty.” Today,<br />

the word “blighter” is used mainly by the older generation.<br />

58 <strong>Spotlight</strong> 8|13<br />

George<br />

Eddy<br />

Sean<br />

“ ”<br />

We need to bring in more customers<br />

Jane<br />

Sean: I’ll tell you right here and now: I think the idea is<br />

naff and pretentious.<br />

Peggy: I’m sorry, I can’t agree. We need more customers,<br />

and I think afternoon tea is the way to go.<br />

Sean: A good gastropub concentrates on serving top-end<br />

food, not dinky little sandwiches and cups of tea.<br />

Phil: Maybe you’ve got an alternative.<br />

Sean: We could vary our menu. Next week, it’s the Notting<br />

Hill Carnival. We could have a carnival special.<br />

Peggy: That sounds naff to me.<br />

Sean: Look, Peggy! It’s my kitchen, and I decide what<br />

comes in and goes out of there. Takings have gone up<br />

by almost 20 per cent since I started. I’d say that speaks<br />

for itself.<br />

Peggy: That might be the case, but I am still the one paying<br />

your wages, and what I say goes.<br />

Sean: If that’s your attitude, then I will have to take the<br />

afternoon off to think about my future. You’ll find the<br />

menu on the table. Good luck with the cooking. I’ll<br />

see you tomorrow.<br />

Peggy: The cheeky little blighter!<br />

Helen: I suppose that means we won’t be going to Buckingham<br />

Palace today.<br />

Phil: Let me take your hat, love. You won’t be needing that<br />

in the kitchen.<br />

ardent [(A:d&nt]<br />

cheeky [(tSi:ki]<br />

dinky [(dINki] UK ifml.<br />

ditch [dItS] ifml.<br />

dressed up [)drest (Vp]<br />

gastropub [(gÄstrEUpVb] UK<br />

leidenschaftlich, begeistert<br />

unverschämt, frech<br />

hübsch, niedlich<br />

hier: weglassen<br />

aufgedonnert<br />

Pub, in dem hochwertige<br />

Gerichte serviert werden<br />

bescheuert<br />

begaffen<br />

protzig<br />

eine Augenweide,<br />

ein göttlicher Anblick<br />

Schmarotzer, Schnorrer<br />

Prunkgemach<br />

denken, meinen<br />

Einnahmen<br />

Spitzen-<br />

Lohn<br />

naff [nÄf] UK ifml.<br />

ogle [(EUg&l]<br />

pretentious [pri(tenSEs]<br />

sore eyes: a sight for ~<br />

[)sO: (aIz] ifml.<br />

sponger [(spVndZE] ifml.<br />

stateroom [(steItru:m]<br />

suppose [sE(pEUz]<br />

takings [(teIkINz]<br />

top-end [(tQp end]<br />

wages [(weIdZIz]<br />

Have a look at all the characters from Peggy’s Place at<br />

www.spotlight-online.de/peggy


English at Work | LANGUAGE<br />

Dear Ken: How can I improve<br />

my listening skills?<br />

Dear Ken<br />

I have problems understanding native speakers and my<br />

English-speaking colleagues from India and China. How<br />

can I improve my listening skills? Can you give me some<br />

advice?<br />

Thanks.<br />

Konrad M.<br />

Dear Konrad<br />

Thank you for your e-mail about listening skills. I’d like<br />

to answer your question in two parts, because there are<br />

two key areas you should think about: firstly, practising<br />

listening, and secondly, controlling conversations.<br />

Part 1<br />

How can you practise listening? Here are a few things you<br />

can do:<br />

• The BBC and CNN television news channels have business<br />

news slots with an international angle. Use them<br />

to practise listening to both native and non-native<br />

speakers with various accents talking about business.<br />

• Subscribe to the audio CD from <strong>Spotlight</strong> magazine. You<br />

will hear a variety of accents and have the chance to practise<br />

some “active listening” by doing the oral exercises.<br />

• Work on your own professional development by choosing<br />

business courses in English at a training centre, university<br />

or business school. With a bit of luck, there will<br />

be participants from other countries, which will also<br />

give you valuable listening practice.<br />

• Buy some “talking books”. There are a lot of audiobooks<br />

on CD, including many on business. Listen to<br />

them on your journey to work.<br />

• Use your DVD player for listening practice. Try the<br />

British comedy The Office or the American series Mad<br />

Men for a business angle. You could also choose a film<br />

with Indian speakers such as Slum Dog Millionaire or<br />

All in Good Time. Start watching with German or, better<br />

still, English subtitles. After a while, switch off the<br />

subtitles altogether if you can.<br />

All in Good Time [)O:l In )gUd (taIm] Hochzeitsnacht mit<br />

Hindernissen<br />

angle [(ÄNg&l]<br />

Blick(winkel), Perspektive<br />

model [(mQd&l] Beispiel, Vorbild (➝ p. 61)<br />

news slot [(nju:z )slQt]<br />

Nachrichtensendung<br />

physical exercise [)fIzIk&l (eksEsaIz] körperliche Betätigung, Sport<br />

speak up [)spi:k (Vp]<br />

lauter sprechen<br />

subscribe to sth. [sEb(skraIb tE] etw. abonnieren<br />

subtitles [(sVb)taIt&lz]<br />

Untertitel<br />

Send your questions<br />

about business English<br />

by e-mail with “Dear<br />

Ken” in the subject line to<br />

language@spotlight-verlag.de.<br />

Each month, I answer two questions<br />

<strong>Spotlight</strong> readers have sent in. If one of<br />

them is your question, you’ll receive a<br />

copy of my book: Fifty Ways to Improve<br />

Your Business English. So don’t forget<br />

to add your mailing address!<br />

• Subscribe to a regular podcast. Choose a one- to twominute<br />

section and listen to it intensively. Listen as<br />

many times as you need to understand every single<br />

word. Use it for dictation practice, too. Ask a native<br />

speaker for help or corrections if necessary.<br />

Choose one or two of the above ideas and create a personal<br />

training plan for yourself — as you would for physical exercise<br />

— for a week. Make the plan practical and achievable.<br />

Check your progress at the end of the week, then<br />

revise your plan for the following week.<br />

Part 2<br />

Now let’s think about controlling conversations. Indian<br />

speakers in particular may speak very fast. Slow speakers<br />

down when they are talking too quickly. Be a good model.<br />

Speak slowly and clearly yourself. If that doesn’t work, say:<br />

• Could you speak a little more slowly, please?<br />

If you can’t hear what people are saying, ask them:<br />

• Could you speak up a bit, please?<br />

Summarize the conversation at regular intervals. This is<br />

good practice in any foreign language, of course:<br />

• So what we’ve said so far is...<br />

• Perhaps I could summarize what we’ve said so far, to<br />

make sure I’ve understood everything.<br />

In my book Fifty Ways to Improve Your Telephoning and<br />

Teleconferencing Skills (Summertown Publishing), I go into<br />

these problems in more detail. The book includes a CD<br />

with listening exercises containing a variety of accents.<br />

Hope this is of some help.<br />

All the best<br />

Ken<br />

Ken Taylor is the director of Taylor Consultancy Ltd, an international<br />

communication-skills consultancy in London. He regularly<br />

runs seminars in Germany.<br />

8|13 <strong>Spotlight</strong><br />

59


LANGUAGE | Spoken English<br />

60<br />

We’ve made it!<br />

ADRIAN DOFF looks at the way we use the<br />

word “make” in spoken English.<br />

• Just relax. I’ll make us something to eat.<br />

• I love your pictures of India. They make me want<br />

to go there myself.<br />

As you can see from the first example in the box, a common<br />

meaning of “make” is to create or produce something.<br />

In this sense, “make” is followed by a noun or a<br />

noun phrase. In the morning, for example, you might<br />

make some coffee, and then you might make a list of<br />

things to do and make plans for the day. If you run a business,<br />

you will need to make decisions so that your company<br />

makes a profit. If you make a success of things, you<br />

might make lots of money.<br />

As the second example shows, “make” can also mean to<br />

cause something to happen. In this sense, it is followed by<br />

a verb or an adjective. If you see a comedy film in the cinema,<br />

it may make you laugh. A romantic film may make<br />

you sad or may even make you cry.<br />

Other common uses of “make” are listed below.<br />

“Make” can mean have the right qualities for:<br />

• This room would make a good bedroom. (= It isn’t one<br />

now, but it could become one.)<br />

• She thinks very logically. She’d make a good lawyer.<br />

(= She has the ability for it.)<br />

The expression have the makings of is used in a similar<br />

way:<br />

• She’s still very young, but she has the makings of a<br />

good lawyer.<br />

“Make” can mean arrive, usually used in the expression<br />

make it:<br />

• The train leaves in ten minutes. We should just make it<br />

(= get there in time).<br />

• Sorry, I can’t make it to the meeting. I’m too busy.<br />

(= I’m not able to come.)<br />

“Make it” is also used to talk about succeeding in a career:<br />

• They say that if you don’t make it in business by the<br />

age of 40, you never will.<br />

In British English, “make” can mean calculate:<br />

• I think the bill’s wrong. I make it £53.50, not £63.50.<br />

• Is my watch right? I make it 6.30 p.m.<br />

A common way to ask the time in the UK is:<br />

• What time do you make it? (= What does your watch say?)<br />

<strong>Spotlight</strong> 8|13<br />

The phrasal verbs make of and make out can mean<br />

understand or interpret:<br />

• I’ve just received an e-mail from my boss. I don’t know<br />

what to make of it. (= I don’t understand what he’s trying<br />

to say.)<br />

• Her new boyfriend is very strange. I can’t make him<br />

out at all. (= I don’t understand his character.)<br />

• What does that sign say? I can’t make it out.<br />

(= I can’t read it.)<br />

“Make” is also used as a phrasal verb with up:<br />

make up = invent<br />

• I don’t believe he met the queen. I think he was just<br />

making it up. (= He invented the story.)<br />

make (it) up = be friends again<br />

• He had a terrible fight with his girlfriend, but now<br />

they’ve made (it) up.<br />

make up for = compensate for<br />

• He spent the holiday relaxing, but now he’s studying<br />

hard to make up for it.<br />

Another common expression with “make” is make sure.<br />

It means to check or be certain:<br />

• Wait a minute. I just need to make sure all the windows<br />

are closed.<br />

“Make sure” is often used to remind people to do things:<br />

• Make sure you phone me when you arrive.<br />

• You will make sure to wear something warm, won’t<br />

you?<br />

Add one word from the list in the box to complete<br />

each sentence below.<br />

a | it | it | out | sure | up<br />

a) The bus is still there — we’ve just made.<br />

b) Make all the lights are off before you leave.<br />

c) She speaks with such a strong accent, I can’t make<br />

anything she says.<br />

d) Why don’t you say you’re sorry and try to make<br />

with her?<br />

e) What time do you make?<br />

f) The company has made profit every year so far.<br />

Answers: a) We’ve just made it. b) Make sure all the lights are off...; c) I can’t<br />

make out...; d) ...make (it) up with her; e) ...make it; f) ...has made a profit...<br />

EXERCISE<br />

Foto: iStockphoto


Word Builder | LANGUAGE<br />

Build your vocabulary<br />

JOANNA WESTCOMBE presents useful words and phrases from this issue of <strong>Spotlight</strong> and their<br />

collocations. The words may also have other meanings that are not listed here.<br />

copy [(kQpi] noun p. 14<br />

model [(mQd&l] noun p. 59<br />

a single book, newspaper, etc. that is one of many<br />

that have been produced<br />

Exemplar<br />

I lent my copy of Margaret Thatcher’s<br />

biography to a friend and never got it back.<br />

a good example of sth.<br />

Beispiel; Vorbild<br />

It’s hard to be a good model for your<br />

children when you love sweets and chocolate<br />

as much as I do.<br />

A hard copy is a printed copy of information taken from a<br />

computer.<br />

Model is also an adjective: “He’s a model father /<br />

businessman.”<br />

drag [drÄg] verb p. 28<br />

get to do sth. [)get tE (du:] verb pp. 9, 17<br />

to pull something or someone with difficulty<br />

be able to, have the chance to do sth.<br />

zerren, tragen<br />

die Möglichkeit haben, etw. zu tun<br />

Jack has nothing to do with this. Please<br />

don’t drag him into the discussion.<br />

I got to read two whole books while I was<br />

on holiday last week. It was lovely!<br />

See the extra notes below on how to use this word.<br />

get to doing (ifml.) = start doing: “I got to thinking about<br />

my childhood.”<br />

pale [peI&l] adjective p. 56<br />

with skin that is lighter than usual (of a person who is<br />

worried, ill, etc.)<br />

blass<br />

When he heard the news, he turned pale and<br />

began to shake.<br />

“Pale” also describes colour: pale blue, pale green, etc.<br />

sober [(sEUbE] adjective p. 13<br />

not drunk<br />

nüchtern<br />

I need to talk to you when you’re sober, not<br />

after three beers. It’s important.<br />

sober up = become sober again after being drunk<br />

Foto: iStockphoto<br />

How to use the verb drag<br />

When you’re talking about time, the verb drag is the<br />

opposite of fly. On holiday, time really flies. A boring<br />

meeting might drag on, however. There are many useful<br />

expressions with the verb drag and a preposition:<br />

• Don’t let it drag you down. (= make your<br />

position worse)<br />

• Don’t let him drag you into this. (= involve you in a<br />

situation against your will)<br />

• He dragged the details out of me. (= make you talk<br />

about something when you don’t want to)<br />

• He dragged up the old story about... (= talk about<br />

sth. from the past that you hoped was forgotten)<br />

• I couldn’t drag myself away from my book. (= stop<br />

doing something enjoyable)<br />

You can practise using drag in <strong>Spotlight</strong> plus.<br />

Complete the following sentences with words<br />

from this page in their correct form.<br />

a) This business is a ___________ of good practice.<br />

b) I hope the rain will stop so we can ___________ to go<br />

out for a walk later.<br />

c) Have you got a ___________ of yesterday’s Times?<br />

d) My colleagues all drank wine at lunch. I’m the only<br />

___________ person in the office.<br />

e) Auntie Sue always manages to ___________ her<br />

health problems into the conversation.<br />

f) You look a bit ___________. Are you feeling OK?<br />

g) If Roger Federer is playing, you’ll have to drag me<br />

___________ from the TV.<br />

Answers: a) model; b) get; c) copy; d) sober; e) drag; f) pale; g) away<br />

OVER TO YOU!<br />

8|13 <strong>Spotlight</strong><br />

61


LANGUAGE | Perfectionists Only!<br />

WILL O’RYAN explains developments in the English language and<br />

examines some of the finer points of grammar.<br />

Beer glasses<br />

Before you order a beer in<br />

an Australian pub, think<br />

carefully about how thirsty you are<br />

and where exactly you are. The only<br />

glass size everyone agrees on is the<br />

pint, at 570 ml — well, nearly everyone<br />

agrees on it. In Adelaide, the capital<br />

of South Australia, it’s called an<br />

“imperial pint” and is 425 ml. In the<br />

rest of the country, this smaller glass<br />

is called a “schooner” [(sku:nE]. In<br />

Adelaide, a schooner is a 285 ml glass<br />

— called a “middy”, a “half pint” or<br />

a “pot” in other cities. A 200 ml glass,<br />

which is seven fluid ounces in English<br />

measure, is a “seven” in Sydney, Darwin<br />

and Brisbane, and simply a<br />

“glass” in Melbourne and Perth. Adelaidians<br />

call this a “butcher”. General<br />

agreement exists only on the 140 ml<br />

glass, which is called a “pony” nearly<br />

everywhere, including Adelaide.<br />

Back to the roots<br />

The Germanic languages are a subgroup<br />

of the Indo-European languages;<br />

one could say that Proto-<br />

Germanic is a daughter of the Proto-<br />

Indo-European mother. Interestingly,<br />

they share a substratum (Basis) of<br />

basic vocabulary that is not of Indo-<br />

European origin — more than their<br />

sister language groups (Romance,<br />

Celtic, Slavic, etc.). This includes the<br />

names of plants (berry / Beere, leek /<br />

Lauch), animals (dove / Taube, sheep /<br />

Schaf ), body parts (liver / Leber, toe /<br />

Zehe), common adjectives (broad /<br />

breit, dear / teuer), verbs (begin / beginnen,<br />

drink / trinken) and nouns<br />

(dream / Traum, ice / Eis). Presumably,<br />

these words were borrowed from<br />

languages spoken by peoples living<br />

in northern Europe before Indo-<br />

Europeans arrived.<br />

Nouns and verbs<br />

Grammar<br />

There are rarely clear-cut boundaries between the different parts of<br />

speech (Wortart). Here, we will be looking at several instances of the word<br />

“drawing”, moving from a pure noun to a pure verb. We’ll start with the<br />

pure noun:<br />

a) Martin’s famous drawings of Mt Vesuvius were sold for a high price.<br />

“Drawings” is phonologically, morphologically and semantically related to<br />

the verb “draw”. In (a), however, it is a normal, concrete, countable noun.<br />

It is preceded by a genitive form (which could be replaced by the possessive<br />

determiner “His”), it is modified by an adjective, it is in the plural and<br />

is followed by an “of” complement. The nouns “pictures” and “sketches”<br />

could be used in its place. “Drawings” in (a) is what is known as a deverbal<br />

noun.<br />

“Drawing” in (b) is also a noun, but an abstract, uncountable noun that cannot<br />

be replaced by “sketch” or “picture”. It is known as a verbal noun:<br />

b) Martin’s effortless drawing of a landscape is a joy to watch.<br />

Verbal nouns can be formed from any verb by adding “-ing” and inserting<br />

“of” before an object, if one is present (for example, in “draw a landscape”).<br />

Semantically, the noun is directly related to the process expressed in the<br />

verb “draw” — in contrast to (a), where “drawing” refers to the result of<br />

drawing rather than the process of carrying it out.<br />

In the next examples, “drawing” displays a mixture of nominal and verbal<br />

properties. This is traditionally called a gerund:<br />

c) Martin’s effortlessly drawing a landscape is a joy to watch.<br />

Many people disapprove of his drawing naked women.<br />

We now have the adverb “effortlessly” instead of the adjective. Also, there<br />

is a noun phrase directly following “drawing” without “of”. Both indicate<br />

that “drawing” is more of a verb than a noun. On the other hand, the genitive<br />

form “Martin’s” and the possessive determiner “his” are indications<br />

that “drawing” is a noun. Interestingly, many — or even most — speakers<br />

of modern English tend to use “Martin” and “him” in the sentences of (c),<br />

in keeping with the view that “drawing” is a verb. After all, the subject of a<br />

verb does not appear in the genitive / possessive. Strict usage experts reject<br />

this formulation, arguing that gerunds are nouns — but this viewpoint<br />

is more dogma than fact.<br />

In the examples of (d), “drawing” is traditionally referred to as a participle:<br />

d) Drawing Mt Vesuvius, Martin realized that his hand was shaking.<br />

The man drawing Mt Vesuvius is Martin.<br />

While participles are verbal in nature, they can also be used as adjectives:<br />

e) The silently drawing man in the corner was Martin.<br />

Finally, we have the “drawing” in (f), which, although normally referred to<br />

as a participle, is in fact a pure verb:<br />

f) Martin is drawing a still life in his studio at the moment.<br />

In which sentence below is “painting” clearly being used as a noun?<br />

1. I watched his skilful painting of the ocean yesterday with fascination.<br />

2. His skilfully painting the ocean was a pleasure to observe.<br />

Fotos: iStockphoto; wikicolors<br />

62<br />

Answer: sentence 1


Crossword | LANGUAGE<br />

The words in this puzzle have been taken from our History article about<br />

Lawrence of Arabia. You may wish to refer to the text on pages 40–41.<br />

Competition!<br />

Form a single word from the letters in the coloured squares.<br />

Send that word on a postcard to: Redaktion <strong>Spotlight</strong>, Kennwort<br />

“August Prize Puzzle”, Postfach 1565, 82144 Pla negg, Deutsch -<br />

land. Two winners will be chosen from the entries we receive<br />

by 19 August 2013.<br />

Each winner will be sent <strong>Spotlight</strong>’s new<br />

board game, Are You Joking?, by courtesy<br />

of <strong>Spotlight</strong> Verlag and Grubbe Media.<br />

Learn vocabulary from 400 jokes, tonguetwisters<br />

and funny lines.<br />

The answer to the puzzle in the June 2013<br />

issue of <strong>Spotlight</strong> was develop. Congratulations<br />

to Anja Richtmann (Tirschenreuth)<br />

and Almuth Hülsebusch (Wittmund). Both<br />

readers have won the game Are You Joking?<br />

Mike Pilewski<br />

Lord of the desert<br />

Across<br />

2. Got someone else to believe that one’s own<br />

idea was correct: “Lawrence ______ the British<br />

to support the Arabs.”<br />

6. Was present at an event.<br />

7. A place where people learn.<br />

10. (Of a person) very well known.<br />

12. A part in a film or theatre production:<br />

“Peter O’Toole played the ______ of Lawrence.”<br />

13. “What are you doing ______ Saturday?”<br />

14. Performed an action.<br />

16. There are 12 ______ in a year.<br />

18. Belonging to him.<br />

19. Loose-fitting clothing, like a dress, but worn by<br />

men and women (plural).<br />

21. Someone who owns land.<br />

24. A word that identifies a person: “His ______ was<br />

Lawrence.”<br />

Down<br />

1. A state in which nobody is fighting; not war.<br />

3. From the outside to the inside of a place:<br />

“Lawrence led the fighters ______ Syria.”<br />

4. A large meeting.<br />

5. Stopped living.<br />

6. In addition.<br />

8. An individual.<br />

9. A high-ranking military officer.<br />

11. To put in something extra.<br />

15. Belonging to it.<br />

17. At that time.<br />

19. Lawrence’s book was published in a limited<br />

print ______. (Not many books were published.)<br />

20. Lawrence of Arabia was ______ 125 years ago<br />

this month, in August 1888.<br />

22. A word of comparison.<br />

23. Belonging to.<br />

Solution to<br />

puzzle 7/13:<br />

LEGEND<br />

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THE LIGHTER SIDE | Wit and Wisdom<br />

“<br />

An original idea? That can’t<br />

be too hard. The library must be<br />

full of them.<br />

”<br />

Stephen Fry (born 1957), British actor, comedian and writer<br />

Loyal supporters<br />

A football manager is very angry when he catches two fans<br />

climbing over the wall of his team’s stadium.<br />

He pulls them down by their shirts and shouts at them: “Stop!<br />

You two are going to stay here like everyone else and watch<br />

the match until it’s over!”<br />

© Bulls<br />

Man and machine<br />

“A computer once beat me at chess, but it had no chance<br />

against me at kick-boxing.”<br />

bitch [bItS] ifml.<br />

chess [tSes]<br />

clomp [klQmp]<br />

cut [kVt]<br />

leak [li:k]<br />

nurturing [(n§:tSErIN]<br />

outlive sb. [)aUt(lIv]<br />

THE ARGYLE SWEATER<br />

Plant life<br />

“I bought a cactus. A week later, it died. Then I thought: ‘Oh,<br />

no! I’m even less nurturing than a desert.’”<br />

Miststück, Luder<br />

Schach<br />

Stampf-Stampf<br />

schneiden; auch: Schnitt (beim Filmen)<br />

Leck, undichte Stelle<br />

nährend; auch: fürsorglich<br />

jmdn. überleben, länger leben als jmd.<br />

In the soup<br />

Water is coming through Mr Mitchell’s dining-room ceiling,<br />

so he calls a repairman to fix it.<br />

When the repairman arrives, he asks: “When did you first notice<br />

the leak?”<br />

“Last night,” replies Mr Mitchell, “when it took me two hours<br />

to finish my soup.”<br />

Older and wiser<br />

One Sunday in church, the pastor asks: “How many of you<br />

have forgiven your enemies?” All the people raise their hands<br />

— except one old woman. The pastor is surprised.<br />

“Mrs Jones, are you not willing to forgive your enemies?” he<br />

asks.<br />

“I don’t have any enemies,” Mrs Jones replies, smiling sweetly.<br />

The pastor looks impressed. “Mrs Jones, that’s very unusual.<br />

How old are you, if I might ask?”<br />

“Ninety-eight,” she answers.<br />

“Mrs Jones, would you please come to the front of the church<br />

and tell us how a person can live 98 years and not have an<br />

enemy in the world?”<br />

Mrs Jones walks slowly to the front of the church, smiles at<br />

the pastor and says: “I outlived the bitches.”<br />

PEANUTS<br />

66 <strong>Spotlight</strong> 8|13


Why<br />

shouldn’t our<br />

town be able to<br />

profit from its<br />

geese?<br />

“<br />

”<br />

American Life | GINGER KUENZEL<br />

My summer plans<br />

Ein Städtchen wird von Gänsen belagert und verunreinigt.<br />

Wie könnte man gegen diese Plage vorgehen?<br />

Foto: Zoonar<br />

Summertime is here, and, as the<br />

song goes, the living is easy. It<br />

wasn’t too long ago that we were<br />

wishing that the warm months would<br />

hurry up and arrive. That got me<br />

thinking about the future.<br />

Punxsutawney, Pennsylvania, has<br />

Phil, the groundhog who tells us each<br />

February just how much longer the<br />

winter is going to last. If Punxsutawney<br />

can gain fame and fortune from a silly<br />

animal, why shouldn’t our town of<br />

Hague, New York, be able to turn its<br />

geese into a profitable business?<br />

Everyone here complains about<br />

the geese. Their numbers are growing,<br />

a fact we observe with dismay when<br />

the birds return each summer — at<br />

about the same time as our valued<br />

tourists. The big birds pollute the<br />

lake, mess up people’s gardens, and<br />

make our park the best-fertilized field<br />

in the state. Need I say more? To<br />

make something positive out of this,<br />

I’ve come up with a few ideas. I’m<br />

convinced that the federal govern-<br />

ment’s Small Business Administration<br />

will be happy to give us all the support<br />

we need — perhaps even a small<br />

business loan.<br />

One idea for a new business is<br />

goose down. It could be called<br />

“Down-Town Hague.” We would<br />

produce comforters and jackets. The<br />

possibilities are downright endless.<br />

And although few of us want to think<br />

about down clothing at this time of<br />

year, it’s a sure bet that, come November,<br />

people will be happy that they<br />

did. I can’t see the downside.<br />

If that idea doesn’t get the interest<br />

it deserves, we could start a cooking<br />

school. We’ll call it “Your Goose is<br />

Cooked.” People would attend from<br />

all over the country. We could offer<br />

classes in foreign languages and bring<br />

in tourists from around the world,<br />

too. Maybe we’d create a special cookbook<br />

of recipes that use goose meat.<br />

Of course, all of Hague’s goose meat<br />

is organic and raised on the best water<br />

in the world, so we do have something<br />

with which to impress foodies.<br />

Another idea is to start bottling our<br />

own Grey Goose vodka. What goes<br />

come up with [)kVm (Vp )wIT]<br />

sich einfallen lassen<br />

comforter [(kVmf&rt&r] N. Am.<br />

Daunendecke<br />

cook: ~ sb.’s goose [kUk] ifml.<br />

auch: jmdn. ruinieren<br />

dismay [dIs(meI]<br />

Entsetzen<br />

downright [(daUnraIt]<br />

geradezu<br />

downside [(daUnsaId]<br />

Kehrseite, Nachteil<br />

fertilized [(f§:t&laIzd]<br />

gedüngt<br />

foodie [(fu:di] ifml.<br />

Feinschmecker, Gourmet<br />

goose down [(gu:s daUn]<br />

Gänsedaunen<br />

Grey Goose vodka [)greI )gu:s (vA:dkE] renommierte Wodka-Marke<br />

groundhog [(graUndhA:g] N. Am. Murmeltier<br />

pollute [pE(lu:t]<br />

verschmutzen<br />

Prohibition [)proUE(bIS&n] Alkoholverbot in den USA, 1920–1933<br />

Punxsutawney [)pVNksE(tO:ni]<br />

raise [reIz]<br />

hier: züchten<br />

recipe [(resEpi]<br />

(Koch)Rezept<br />

Small Business Administration<br />

US-Bundesbehörde für kleine und mittel-<br />

[)smO:l (bIznEs EdmInI)streIS&n] US ständische Unternehmen<br />

snoop around [)snu:p E(raUnd]<br />

herumschnüffeln<br />

still [stIl]<br />

Schnapsbrennerei<br />

into vodka, anyway? Potatoes, water<br />

— anything else? I believe that the<br />

definition of distilling is that you take<br />

a large quantity of something and<br />

make it more concentrated. We have<br />

plenty of water and potatoes. I don’t<br />

know if the original Grey Goose vodka<br />

actually contains geese, but if so, we<br />

certainly have a huge number of them.<br />

I understand that the Russians<br />

will travel to any place that serves<br />

good vodka, so that’s one group of<br />

visitors we can count on. Now we just<br />

need to talk to the makers of Grey<br />

Goose and let them know that we can<br />

manu facture it for them much more<br />

cheaply.<br />

We might be able to use some of<br />

the equipment from the old mines in<br />

town, and even run the business from<br />

one of them. That way, the still would<br />

be out of sight — just in case those<br />

annoying tax men start snooping<br />

around as they did in the days of Prohibition.<br />

And if need be, we can just<br />

hide everything deeper in the mines<br />

until the danger has passed.<br />

For now, I think I’ll pour myself<br />

my favorite summer drink — a glass<br />

of Grey Goose and tonic — and keep<br />

thinking about other uses for all those<br />

geese. I’m quite sure that I’ll be able to<br />

dream up a few more creative ideas.<br />

Ginger Kuenzel is a freelance writer who<br />

lived in Munich for 20 years. She now calls<br />

a small town in upstate New York home.<br />

8|13 <strong>Spotlight</strong><br />

67


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<strong>Spotlight</strong> 6/13 — World View: “It’s a good time to be...<br />

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E-Mail Redaktion: spotlight@spot light-ver lag.de<br />

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Dr. Wolfgang Stock, Markus Schunk<br />

VERTRIEBSLEITUNG:<br />

Monika Wohlgemuth<br />

MARKETINGLEITUNG:<br />

Holger Hofmann<br />

LESERSERVICE:<br />

Birgit Hess<br />

PR UND KOOPERATIONEN:<br />

Heidi Kral<br />

KEY ACCOUNT MANAGEMENT:<br />

Corinna Hepke<br />

VERTRIEB HANDEL:<br />

MZV, Ohmstr. 1, 85716 Unterschleißheim<br />

BANKVERBINDUNGEN:<br />

• Commerzbank AG, Düsseldorf<br />

(BLZ 300 800 00) Konto-Nummer 02 128 652 00<br />

• Credit Suisse AG, Zürich<br />

(BC 48 35) Konto-Nummer 554 833 41<br />

• Bank Austria AG, Wien<br />

(BLZ 12 000) Konto-Nummer 10810 814 700<br />

© 2013 <strong>Spotlight</strong> Verlag, auch für alle genannten<br />

Autoren, Fotografen und Mitarbeiter.<br />

Erscheinungsweise: monatlich<br />

ISSN 0944-1972<br />

Im <strong>Spotlight</strong> Verlag erscheinen:<br />

<strong>Spotlight</strong>, Business <strong>Spotlight</strong>, Écoute,<br />

Ecos, Adesso, Deutsch perfekt<br />

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Fax +49 (0)89/8 56 81-139<br />

E-Mail: anzeige@spotlight-verlag.de<br />

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E-Mail: m.konrad@spotlight-verlag.de<br />

E-Mail: anzeige@spotlight-verlag.de<br />

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Tel. +49 (0)211/8 87-2315; Fax +49 (0)211/8 87-97-2315<br />

E-Mail: patrick.priesmann@iqm.de<br />

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gmbh, Kasernenstraße 67, 40213 Düsseldorf<br />

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Österreich<br />

Internationale Medienvertretung & Service proxymedia<br />

e.U., Wiesengasse 3, 2801 Katzelsdorf<br />

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ANZEIGENPREISLISTE: Es gilt die Anzeigenpreisliste<br />

Nr. 29 ab Ausgabe 1/13.<br />

IVW-Meldung 2. Quartal 2013:<br />

70.960 verbreitete Exemplare <strong>Spotlight</strong><br />

68 <strong>Spotlight</strong> 8|13


September 2013 | NEXT MONTH<br />

Features<br />

Test your listening<br />

We team up with IELTS, the world’s<br />

most popular English testing service,<br />

to bring you an exclusive listening<br />

test. Practise your skills and improve<br />

them with our six-page feature and<br />

accompanying online audio material.<br />

Journey<br />

to India<br />

Experience the<br />

beauty and cultural<br />

diversity of India’s<br />

north: Jessica Mann<br />

visits its grand<br />

monuments and<br />

temples, such as<br />

the majestic Taj<br />

Mahal in Agra and<br />

the shining Golden<br />

Temple of Amritsar.<br />

Australia’s<br />

Aboriginal<br />

people<br />

After more than 200<br />

years of suffering and<br />

repression, has<br />

Australian society finally<br />

started to treat the<br />

Aboriginal community<br />

fairly? Correspondent<br />

Julie Collins asks people<br />

in Queensland for their<br />

opinions.<br />

Language<br />

Grammar<br />

Learn how to form and use the<br />

past perfect continuous tense<br />

correctly — with an exercise for<br />

additional practice.<br />

Spoken English<br />

How do you do? “Do” is one of<br />

the most commonly occurring<br />

verbs in English. See how it’s<br />

used in everyday conversation.<br />

Vocabulary<br />

No matter how you travel from<br />

A to B, take <strong>Spotlight</strong> with you.<br />

Learn the words for all the dif -<br />

ferent types of public transport.<br />

Fotos: iStockphoto; Stockbyte<br />

<strong>Spotlight</strong> 9/13 is on sale from<br />

28 August<br />

8|13 <strong>Spotlight</strong><br />

69


QUESTIONS AND ANSWERS | My Life in English<br />

Luisa Hartema<br />

„Germany’s Next Topmodel“ 2012 arbeitet<br />

fleißig an ihrer internationalen Karriere. Dabei<br />

sind Englischkenntnisse unabdingbar.<br />

As a model, what makes English important to you?<br />

English is the world language. You can’t have success<br />

without communication, so English is very important<br />

to me.<br />

When was your first English lesson, and<br />

what do you remember about it?<br />

I had my first English lesson in primary<br />

school. I don’t remember very much about<br />

it, but I think we had to introduce ourselves.<br />

Who is your favourite English-language<br />

author, actor or musician?<br />

J. K. Rowling is my favourite author. I<br />

loved the Harry Potter books when I was<br />

young. Today, they remind me of my<br />

childhood.<br />

What is your favourite food from<br />

the English-speaking world?<br />

I love hamburgers — preferably<br />

from Shake Shack in New York.<br />

Which person from the Englishspeaking<br />

world (living or dead)<br />

would you most like to meet<br />

and why?<br />

I’d like to meet Margaret<br />

Thatcher. She was such a strong<br />

woman, and this impressed me.<br />

What special tip would you give a friend who was going<br />

to visit this city?<br />

My special tip for a friend: you have to go to Shake<br />

Shack, either in Madison Square Park or the Theater<br />

District. They have the best burgers in America. Trust<br />

me. You’ll fall in love with the food the very first time.<br />

Which song could you sing at least a few lines of in<br />

English?<br />

“Wherever You Go” by the American singer Ron Pope.<br />

Have you ever worked in an English-speaking environment?<br />

If so, for how long, and what was it like?<br />

I haven’t worked in an English-speaking environment,<br />

but I’d like to do so in the near future.<br />

When did you last use English (before answering this<br />

questionnaire)?<br />

I used English just 20 minutes ago. I’m in New York<br />

right now, and I had a little problem with my room key,<br />

so I was talking to a person at the hotel reception.<br />

What was your funniest experience in English?<br />

My funny stories are mostly slapstick, so it’s difficult to<br />

translate them into words.<br />

What is your favourite English word?<br />

I don’t have a favourite word yet. Maybe I will when my<br />

English is a little bit better.<br />

Which phrase do you use most when you talk in English?<br />

“I’m fine” — because everywhere you go in the US,<br />

people always ask: “How are you today?” So, “I’m fine,<br />

thanks” is definitely the phrase that I use the most.<br />

If you could be any place in the<br />

English-speaking world right now,<br />

where would it be?<br />

I think I would choose New York<br />

City.<br />

What is your favourite city in the<br />

English-speaking world?<br />

At the moment, New York is my<br />

favourite city in the Englishspeaking<br />

world. It offers so many<br />

options for working as a model.<br />

I’d like to stay there for a longer<br />

time.<br />

If you suddenly found yourself with a free afternoon in<br />

London or New York, what would you do?<br />

I think I would like to go shopping.<br />

Is there anything in your home from the Englishspeaking<br />

world?<br />

I just bought a dreamcatcher for my bedroom.<br />

What would be your motto in English?<br />

What doesn’t kill you makes you stronger.<br />

dreamcatcher<br />

[(dri:m)kÄtSE]<br />

primary school [(praImEri sku:l] UK<br />

Traumfänger (Kunstobjekt<br />

einiger Stämme der Ureinwohner<br />

Nordamerikas)<br />

Grundschule<br />

Foto: action press<br />

70<br />

<strong>Spotlight</strong> 8|13


Sprachen lernen für alle!<br />

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919 NEU 918 NEU<br />

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<br />

www.sgd.de<br />

Studiengemeinschaft Darmstadt GmbH · Abt. BS 45 · Ostendstraße 3 · 64319 Pfungstadt bei Darmstadt


Green Light<br />

82013<br />

ENGLISCH LEICHT GEMACHT!<br />

Find out about<br />

the saguaro<br />

cactus<br />

Learn words<br />

for things you<br />

have in your<br />

fridge<br />

Practise talking<br />

about temperatures


GREEN LIGHT | News<br />

This month…<br />

Was beschäftigt die englischsprachige<br />

Welt im August? VANESSA CLARK<br />

spürt die heißen Storys für Sie auf.<br />

Music in the bushveld<br />

Music The Oppikoppi Bushveld Festival in Limpopo Prov -<br />

ince, South Africa, is a very popular event, with three days of<br />

non-stop music and comedy at Oppikoppi Farm. The name<br />

comes from the Afrikaans phrase “op die koppie” or “on the hill”.<br />

Oppikoppi attracts music fans from all over the world and has<br />

helped the careers of many South African musicians. It’s not for the<br />

weak, though. This is real bushveld — hot and dry, with red dust<br />

everywhere. You’ll need a good, long shower when you get home!<br />

attract [E(trÄkt]<br />

bushveld [(bUSfelt]<br />

car [kA:]<br />

co-star with... [(kEU stA: wID]<br />

couple [(kVp&l]<br />

directed by [)daI&(rektId baI]<br />

dust [dVst]<br />

godfather [(gQd)fA:DE]<br />

remain [ri(meIn]<br />

steep [sti:p]<br />

weak [wi:k]<br />

Hollywood friends<br />

Cinema British actress Helena Bonham Carter co-stars<br />

with her old friend Johnny Depp in The Lone Ranger,<br />

which comes out this month. The two actors have<br />

worked together in many films before (Sweeney Todd,<br />

Alice in Wonderland, Charlie and the Chocolate Factory),<br />

often directed by Bonham Carter’s husband, Tim Burton.<br />

Depp is also godfather to the couple’s son.<br />

Although she is a big Hollywood star, Helena Bonham<br />

Carter has never had any training as an actor. Of<br />

Johnny Depp, she says, “He’s very cool. Whatever<br />

Johnny does, there’s something cool about it.” Who<br />

could disagree?<br />

anziehen, anlocken<br />

Buschland<br />

Waggon<br />

eine der Hauptrollen spielen neben...<br />

(Ehe)Paar<br />

unter der Regie von<br />

Staub<br />

(Tauf)Pate<br />

übrig sein<br />

steil<br />

Schwache(r); hier: zart Besaitete(r)<br />

140<br />

years<br />

ago 1873<br />

San Francisco The first line of<br />

the famous cable-car system was<br />

opened in Clay Street — a very<br />

steep street. Nothing remains of the<br />

original line today, but you can see<br />

one of the original cars in the San<br />

Francisco Cable Car Museum.<br />

Titel: Purestock; Fotos Doppelseite: africamediaonline/images.de; Disney; Illustrationen: Bernhard Förth<br />

2<br />

<strong>Spotlight</strong> 8|13


In the fridge<br />

8 pictures | GREEN LIGHT<br />

STEPHANIE SHELLABEAR presents words for some things you might<br />

have in your fridge.<br />

1<br />

8<br />

2<br />

7<br />

3<br />

4<br />

6<br />

5<br />

Write the words below next to the pictures.<br />

1. ice cubes<br />

[(aIs )kju:bz]<br />

2. fruit juice<br />

[(fru:t dZu:s]<br />

3. margarine<br />

[)mA:dZE(ri:n]<br />

4. salad<br />

[(sÄlEd]<br />

5. ice cream<br />

[)aIs (kri:m]<br />

6. mayonnaise<br />

[)meIE(neIz]<br />

7. fruit yogurt<br />

[)fru:t (jQgEt]<br />

8. ready meal [)redi (mi:&l]<br />

(UK) / TV dinner<br />

Complete the sentences with words from this list.<br />

a) I like vanilla _______ _______ best.<br />

b) If I come home late in the evening, I warm up a _______ _______.<br />

c) In my fridge, the _____________ vegetables stay fresh for a week.<br />

d) Butter is not good for me, so I use _____________ instead.<br />

e) I like to put both tomato ketchup and _____________ on my chips.<br />

f) I drink a glass of _______ _______ with my breakfast every day.<br />

Answers<br />

a) ice cream; b) ready meal / TV dinner; c) salad; d) margarine; e) mayonnaise; f) fruit juice<br />

The word<br />

“salad” is used<br />

for vegetables<br />

[(vedZtEb&lz]<br />

that are eaten<br />

uncooked. The<br />

green, leafy<br />

vegetable called<br />

Kopfsalat in<br />

German is called<br />

“lettuce” [(letIs]<br />

in English.<br />

Tips<br />

8|13 <strong>Spotlight</strong><br />

3


GREEN LIGHT | Grammar elements<br />

Possessive pronouns<br />

STEPHANIE SHELLABEAR presents basic grammar.<br />

Practise how to say who the owner or possessing person(s) is / are.<br />

Person Possessive pronoun Person Possessive pronoun<br />

I my we our<br />

you your you your<br />

he /she / it his / her / its they their<br />

Here are some examples of how to use this type of pronoun:<br />

• This is my book.<br />

• The missing money is your problem.<br />

• Charlie often sends postcards to his grandmother.<br />

• The queen greeted (begrüßen) her guests.<br />

• The new football club has won its first match.<br />

• We want to spend our holiday in America this year.<br />

• It’s so nice to see you! Can I take your coat?<br />

• Donna and Andrew are visiting their friends.<br />

When we ask to whom something belongs, we begin the question with whose, followed<br />

by the object and then the verb. Here is an example:<br />

• Whose car is this?<br />

A typical answer would be:<br />

• The red Mini? It’s my car.<br />

In English, when talking about body parts, we use a possessive pronoun:<br />

• Mick has broken his leg.<br />

• My cat has an infection in its left ear.<br />

Tips<br />

Which possessive pronoun is best? Complete the sentences below.<br />

a) I don’t have time to wash ________ hair in the morning.<br />

b) Children! Please open ________ books now!<br />

c) We want to take ________ dog on holiday with us this year.<br />

d) Jim is not happy. He has lost ________ keys.<br />

e) The neighbours asked me to water ________ plants while they are on holiday.<br />

f) You look tired. Sit down and close ________ eyes for ten minutes.<br />

Fotos: iStockphoto<br />

Answers: a) my; b) your; c) our; d) his; e) their; f) your<br />

4<br />

<strong>Spotlight</strong> 8|13


In the restaurant<br />

Donna and Andrew are having dinner in a restaurant.<br />

By DAGMAR TAYLOR<br />

Andrew: Would you like a starter?<br />

Donna: No. I’d rather share a dessert.<br />

They’ve got sticky toffee pudding... Ah,<br />

here’s the waiter.<br />

Waiter: Right, then. Are you ready to order?<br />

Andrew: Yes, I think so. I’ll have a Pils,<br />

please. Did you say you wanted a white<br />

wine, Donna?<br />

Waiter: A Sancerre or a Chardonnay, maybe?<br />

Donna: A glass of Sancerre. And I’ll have the<br />

fishcakes, please.<br />

Andrew: I’ll have the lamb burger, please.<br />

Waiter: OK. Would you like any salads or<br />

sides with those?<br />

Donna: No. That’s everything, thanks. We<br />

want to leave room for pudding!<br />

fishcake [(fISkeIk]<br />

lamb [lÄm]<br />

share [SeE]<br />

sticky toffee pudding<br />

[)stIki )tQfi (pUdIN]<br />

True or false?<br />

Fischfrikadelle<br />

Lamm<br />

teilen<br />

warmer Dattelkuchen<br />

mit Karamellsoße<br />

The Greens | GREEN LIGHT<br />

• The dish (Speise, Gericht) eaten<br />

before the main course (Hauptgang) is<br />

the starter (US: appetizer).<br />

• Dessert [di(z§:t] is the sweet dish that<br />

is eaten at the end of a meal. In the UK,<br />

it’s sometimes called pudding.<br />

• It’s perfectly polite (höflich) to order<br />

food in a restaurant by saying I’ll<br />

have...<br />

• You might see the word sides written<br />

on a menu (Speisekarte). It’s short for<br />

“side dishes” (Beilagen).<br />

• When a waiter asks you if you want to<br />

order anything else, you can say:<br />

That’s everything, thanks.<br />

• By saying she wants to leave room<br />

for pudding, Donna means she doesn’t<br />

want to eat too much so that she will<br />

have space in her stomach for dessert.<br />

Donna<br />

Tips<br />

a) Donna wants to order a starter. ___<br />

b) Andrew orders a glass of<br />

white wine. ___<br />

c) Donna orders the fishcakes. ___<br />

d) Andrew orders the lamb burger. ___<br />

Andrew<br />

Answers<br />

a) false (Donna wants to share a dessert.)<br />

b) false (Andrew orders a Pils.)<br />

c) true; d) true<br />

Listen to the dialogue at<br />

www.spotlight-online.de/<br />

products/green-light


GREEN LIGHT | Get writing<br />

Describing an item for sale<br />

VANESSA CLARK helps you to write letters, e-mails and more in English.<br />

Let’s look at how to list an item on an auction site.<br />

Leather handbag BNWT<br />

Brand-new leather handbag. Beautiful quality.<br />

Unwanted gift.<br />

P. & P.: £6 UK, £10 Europe, £20 rest of world.<br />

Payment by PayPal or bank transfer. Please<br />

pay within seven days of the end of the<br />

auction. I will post within 24 hours of payment.<br />

From a smoke-free, pet-free home.<br />

Any questions, please ask.<br />

Happy bidding!<br />

hayley1034<br />

• The thing you’re selling is called<br />

“the item” and the description<br />

(Beschreibung) of your item is called<br />

“the listing”.<br />

• You should say if the item is “new” or<br />

“used”. If it still has the labels (Preisschild)<br />

from the shop, you can say it is<br />

BNWT (brand new with tags (Preisschild,<br />

Etikett)). If it’s used, you can say<br />

it’s “vgc” (in very good condition (Zustand)).<br />

If it’s very old, you can say it’s<br />

“vintage” [(vIntIdZ].<br />

• Remember to say how much the<br />

p. & p. (postage and packing) will cost<br />

and how quickly you can post the item<br />

after payment.<br />

• Many private sellers describe their<br />

home as smoke-free and / or pet-free<br />

to show that the item won’t smell bad.<br />

Tips<br />

auction [(O:kS&n]<br />

gift [gIft]<br />

happy bidding<br />

[)hÄpi (bIdIN]<br />

transfer [(trÄnsf§:]<br />

Use<br />

it!<br />

Versteigerung<br />

Geschenk<br />

viel Spaß beim (Mit)Bieten<br />

Überweisung<br />

Highlight the key words and phrases<br />

that you would use if you wanted to write a<br />

listing like this yourself.<br />

Fotos: iStockphoto; Photodisc<br />

6 <strong>Spotlight</strong> 8|13


I like…<br />

the saguaro cactus<br />

Jeden Monat stellt ein Redakteur etwas Besonderes<br />

aus der englischsprachigen Welt vor. Diesen Monat<br />

präsentiert <strong>Spotlight</strong>-Online-Redakteur MIKE PILEWSKI<br />

seine Lieblingspflanze.<br />

Culture corner | GREEN LIGHT<br />

What it is<br />

The saguaro is what we usually think of when we imagine a cactus. It looks like a large person<br />

with his arms in the air. A saguaro can grow to be 20 meters tall and live to be 200<br />

years old. However, they grow only in southern Arizona and parts of California and Mexico.<br />

I lived among the saguaro in Tucson, Arizona, when I went to university. They are<br />

most beautiful between April and June, when they produce white and yellow flowers.<br />

Why I like it<br />

Deserts look empty, but they are actually<br />

full of life. A saguaro cactus waits up to a<br />

year for rain, then stores water inside itself.<br />

Little birds and owls make holes in the<br />

cacti, where they build nests. These protect<br />

them from the heat and give them a<br />

chance to drink some of the water inside.<br />

Together, the cacti form a forest. From a<br />

distance, they look<br />

like an army protecting<br />

this unusual<br />

ecosystem.<br />

Unfortunately,<br />

not everyone respects<br />

this. Some<br />

of the cacti have<br />

bullet holes<br />

in them.<br />

Arizona is home to two big cities,<br />

Phoenix and Tucson. Because it does<br />

not rain very often, most people who<br />

live there have cacti instead of trees in<br />

front of their houses. When Christmas<br />

comes, they decorate the large cacti<br />

with coloured lights, the way we would<br />

decorate a tree for the holidays.<br />

bullet [(bUlIt]<br />

cacti [(kÄktaI] pl.<br />

desert [(dez&rt]<br />

distance [(dIstEns]<br />

holidays [(hA:lEdeIz]<br />

imagine [I(mÄdZIn]<br />

owl [aUl]<br />

Phoenix [(fi:nIks]<br />

protect [prE(tekt]<br />

saguaro [sE(gwA:roU]<br />

store [stO:r]<br />

Tucson [(tu:sA:n]<br />

unfortunately<br />

[Vn(fO:rtSEnEtli]<br />

(Gewehr-, Pistolen)Kugel<br />

Kakteen<br />

Wüste<br />

Entfernung<br />

hier: Weihnachtsfeiertage<br />

sich vorstellen<br />

Eule<br />

schützen<br />

speichern<br />

leider<br />

Fun<br />

facts<br />

8|13 <strong>Spotlight</strong><br />

7


GREEN LIGHT | Notes and numbers<br />

Temperature<br />

The Celsius [(selsiEs] or centigrade scale (°C)<br />

is used to measure [(meZE] (messen) temperature<br />

in the UK:<br />

• Temperatures should reach (erreichen)<br />

30 °C today.<br />

The Fahrenheit scale is used in the US:<br />

• Set the oven to 400 °F.<br />

If it’s clear which scale is being used, we just<br />

say, “...four hundred degrees”.<br />

To convert Celsius to Fahrenheit, multiply<br />

the Celsius temperature by 1.8, and then<br />

add 32 degrees.<br />

Your notes<br />

Use this space for your own notes.<br />

Write the following temperatures as<br />

you would say them.<br />

a) 37 °C _______________________________<br />

thirty-seven degrees (Celsius)<br />

b) 180 °C ______________________________<br />

c) 350 °F ______________________________<br />

d) 102 °F ______________________________<br />

e) 18 °C _______________________________<br />

Rise and fall<br />

When the temperature goes up, it rises.<br />

When it goes down, it falls:<br />

• Temperatures will rise to 35 °C in<br />

London today.<br />

Answers: b) a / one hundred and eighty degrees (Celsius /<br />

centigrade); c) three hundred and fifty degrees (Fahrenheit);<br />

d) a / one hundred and two degrees (Fahrenheit); e) eighteen<br />

degrees (Celsius / centigrade)<br />

Fotos: iStockphoto<br />

IMPRESSUM<br />

Herausgeber und Verlagsleiter: Dr. Wolfgang Stock<br />

Chefredakteurin: Inez Sharp<br />

Stellvertretende Chefredakteurin: Claudine Weber-Hof<br />

Chefin vom Dienst: Susanne Pfeifer<br />

Autoren: Vanessa Clark, Dagmar Taylor<br />

Redaktion: Owen Connors, Elisabeth Erpf,<br />

Peter Green, Reinhild Luk, Michael Pilewski (Online),<br />

Stephanie Shellabear, Timea Thomas,<br />

Michele Tilgner, Joanna Westcombe<br />

Bildredaktion: Sarah Gough (Leitung), Thorsten Mansch<br />

Gestaltung: Marion Sauer/Johannes Reiner<br />

www.vor-zeichen.de<br />

Anzeigenleitung: Axel Zettler<br />

Marketingleitung: Holger Hofmann<br />

Produktionsleitung: Ingrid Sturm<br />

Vertriebsleitung: Monika Wohlgemuth<br />

Verlag und Redaktion: <strong>Spotlight</strong> Verlag GmbH<br />

Postanschrift: Postfach 1565, 82144 Planegg, Deutschland<br />

Telefon +49(0)89/8 56 81-0, Fax +49(0)89/8 56 81-105<br />

Internet: www.spotlight-online.de<br />

Litho: HWM GmbH, 82152 Planegg<br />

Druck: Medienhaus Ortmeier, 48369 Saerbeck<br />

© 2013 <strong>Spotlight</strong> Verlag, auch für alle genannten Autoren,<br />

Fotografen und Mitarbeiter.<br />

UNSER SPRACHNIVEAU: Das Sprachniveau in Green Light entspricht ungefähr Stufe A2 des<br />

Gemeinsamen Europäischen Referenzrahmens für Sprachen.

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