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Next Level Bassist Teaching and Inspiration

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Publisher’s Note<br />

Welcome to another issue of <strong>Next</strong> <strong>Level</strong> <strong>Bassist</strong>. We<br />

are covering two topics that every bass player in the<br />

entire world will deal with on one level or another,<br />

the idea of inspiration <strong>and</strong> the art of teaching.<br />

These two topics combine so well because in many<br />

ways the longest <strong>and</strong> most challenging phase of our<br />

musical lives is that of being a student. The greatest<br />

players never truly peak, because they devote their entire lives to the study <strong>and</strong><br />

development of the craft. Finding the source of your inspiration can happen at<br />

any time, but for most people it happens under the guidance of a teacher. This<br />

close relationship can lead you to many of the most profound discoveries you<br />

will have in your life, <strong>and</strong> can set you on the path to success.<br />

There is no secret: success comes from hard work <strong>and</strong> most importantly, smart<br />

work. Every single musician past, present, <strong>and</strong> future will have to push himself<br />

or herself to extremes in order to achieve artistic satisfaction, to find the truths<br />

inside that make truly magical music. Where do we find the fuel to propel<br />

ourselves forward? How do we take it to the next level? I think that the answer<br />

to these questions is both incredibly individual, <strong>and</strong> strangely universal too.<br />

Ultimately, it all comes from the music. Transitioning from playing jazz<br />

piano, Harvie S felt the calling of the bass to make his fellow musicians sound<br />

better, <strong>and</strong> he taught himself to play from the examples of the greats that came<br />

before him. Leigh Mesh continues to draw on the beauty <strong>and</strong> power of the<br />

music he has been playing for 20 years with the Metropolitan Opera Orchestra.<br />

Alex Hanna points to the incredible support of family that allowed him<br />

to rise to the top of the orchestral world as principal bassist of the Chicago<br />

Symphony Orchestra!<br />

johnson<br />

string instrument<br />

VIOLINS, VIOLAS, CELLOS, BASSES & GUITARS<br />

As a student in Philadelphia, I learned so much from the Philadelphia Orchestra.<br />

For decades their bass section has set st<strong>and</strong>ards of interpretation, sound, <strong>and</strong><br />

overall musicality. Besides being my hometown orchestra, I have performed<br />

in the bass section <strong>and</strong> in front of this incredible orchestra, <strong>and</strong> I am so excited<br />

to share with you all the wisdom <strong>and</strong> perspective of these great players.<br />

Finally, I am thrilled to mention the launching of a new journal, <strong>Next</strong> <strong>Level</strong><br />

Cellist, which coincides with this journal for bass players. The duet I wrote,<br />

Just One Dance, is featured in both issues, <strong>and</strong> I hope it is only the tip of the<br />

iceberg when it comes to collaborating with the cello community. We as bass<br />

players have been lucky the last year to have this place to come together <strong>and</strong><br />

learn, <strong>and</strong> I know the cello community will be just as enthusiastic <strong>and</strong> generous.<br />

Encourage your friends in the low string world to check it out. And don’t worry<br />

- we’ve still got the lowest notes here!<br />

RANAAN MEYER<br />

Publisher <strong>Next</strong> <strong>Level</strong> Journals<br />

www.johnsonstring.com<br />

THE BASS SHOP<br />

26 Fox Road<br />

Waltham, MA 02451<br />

800-359-9351<br />

susanwilsonphoto.com<br />

sales • rentals • antique • contemporary • electrics<br />

SPRING 2014 NEXT LEVEL BASSIST<br />

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