Next Level Bassist Teaching and Inspiration
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Harvie S<br />
The Fundamentals of a Bass Player<br />
Harvie S is an<br />
award winning<br />
bassist, educator,<br />
composer, arranger,<br />
<strong>and</strong> producer.<br />
I<br />
have been teaching for a long time. I started teaching at the<br />
Manhattan School of Music in 1984, <strong>and</strong> I had previously taught<br />
extensively with a private studio <strong>and</strong> through workshops. I have<br />
improved as I’ve been teaching, <strong>and</strong> my teaching has improved as well.<br />
Quite truthfully, the process of teaching has taught me a great deal.<br />
It is a very difficult thing to teach the bass, <strong>and</strong> it’s taken a lot of<br />
thought <strong>and</strong> soul-searching to figure out how I could make myself<br />
a worthwhile source of information.<br />
I started on the piano, <strong>and</strong> didn’t play the bass until I was 18.<br />
Everything in my life was geared toward playing <strong>and</strong> performing.<br />
In fact, I had no aspirations to become a teacher. My true love is<br />
certainly getting out with other musicians <strong>and</strong> playing - I won’t say any<br />
differently! <strong>Teaching</strong> came as people who heard me performing started<br />
to ask me to teach them. I used to feel taken aback, <strong>and</strong> I wasn’t that<br />
excited about it. People would come over for lessons, <strong>and</strong> my teaching<br />
was very scattered - I think I helped in some ways, but not nearly as<br />
much as I can today.<br />
It was a wakeup call for me when students would ask questions that I<br />
had never considered before. My default answer at the start was “I just<br />
do it!” I never had a bass teacher, I taught myself <strong>and</strong> figured out what<br />
I needed. When a student would come at me with questions, I had to<br />
analyze <strong>and</strong> codify all the things I was doing <strong>and</strong> be able to verbalize<br />
them. Up to the point where I started to teach, I worked on things<br />
with little inward questioning. Once I started to figure out what I was<br />
doing, I think I started playing on a higher level. There a tremendous<br />
benefit to teaching, because the more I taught, the better I played <strong>and</strong><br />
the better I taught. I found teaching to be naturally parallel to playing.<br />
The combination feeds off itself. One of the reasons for enjoying<br />
teaching is I feel I’ve learned more than I taught! <strong>Teaching</strong> is about<br />
making life a better place to be, <strong>and</strong> it makes me happy when I find it<br />
appearing in other parts of my life.<br />
Establishing a baseline for the bass line<br />
I approach teaching on many levels. The first thing I do is watch<br />
a student <strong>and</strong> analyze what they do - not only the notes they play,<br />
but their posture, their left <strong>and</strong> right h<strong>and</strong>s, their technique. Beyond<br />
that, I analyze their bass lines <strong>and</strong> we can begin figuring out how their<br />
playing can help a b<strong>and</strong> sound better. Knowing all of the rules, <strong>and</strong><br />
knowing how to break those rules, makes you a great bass player.<br />
Honestly, I think being a great bass player is not as easy as some<br />
people like to say. It’s not about playing this or that scale, or approaching<br />
the root from a certain note - those things aren’t it. Are these<br />
things completely wrong? Of course not! This seems to me like saying<br />
all a great basketball player does is dribble <strong>and</strong> shoot - I don’t think<br />
that’s the case.<br />
To me, there’s a whole science of playing the bass, <strong>and</strong> it’s quite<br />
involved. Truthfully, I love it, I love talking about it, <strong>and</strong> I love helping<br />
people discover this. When I work with a young player <strong>and</strong> show<br />
them the things they need for those light-bulb moments, it’s enjoyable.<br />
I have a set of basic fundamentals that I teach to all my students, but<br />
I approach every person I work with as an individual. The bass differs<br />
from other instruments because we don’t simply think differently,<br />
but the bass <strong>and</strong> the person playing it make a unique combination<br />
SPRING 2014 NEXT LEVEL BASSIST<br />
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