10.03.2014 Views

Indiana Indiana - Indiana University Press

Indiana Indiana - Indiana University Press

Indiana Indiana - Indiana University Press

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Pages from a farmwife’s Journal<br />

the swan<br />

LAST FOLIO<br />

Amer icA’s New r egioNAl r AilroAd<br />

the<br />

<strong>Indiana</strong><br />

Rail a Road novel<br />

Company Jim Cohee<br />

Beethoven<br />

i n A m e r i c A<br />

TEXTURES OF JEWISH LIFE IN SLOVAKIA<br />

Yuri Dojc and Katya Krausova<br />

Photographs by Yuri Dojc<br />

Speak to the Earth<br />

R a d i a t i o n H i s t o l o g y B i o l o g y<br />

F o r e r u n n e r s<br />

o F<br />

R evised M and a Mexpanded M aedition<br />

l s<br />

fall<br />

Chr istopher rund Fr ed W. Fr ailey er iC poW ell<br />

M i c h a e l B r oyl e s<br />

011<br />

David Baker<br />

FDR, Dewey,<br />

A L e g A c y i n M u s i c<br />

E d i t E d b y a n u s u ya C H i n s a m y- t u R a n<br />

anD the election oF 1944<br />

David M. Jordan<br />

Monika Herzig With contributions by J.B. Dyas, John<br />

Edward Hasse, Willard Jenkins, Lissa May, Brent Wallarab,<br />

and David Ward-Steinmann Foreword by Quincy Jones<br />

Expressive<br />

intersections in BraHmS<br />

Essays in analysis and meaning<br />

RACHEL PEDEN<br />

foreword by SCOTT RUSSELL SANDERS<br />

Edited by<br />

PEtEr H. SmitH and HEatHEr a. Platt


indiana university press<br />

I N D I A N A U N I V E R S I T Y P R E S S<br />

fall 2011<br />

catalog<br />

Amer icA’s New r egioNAl r AilroAd<br />

R a d i a t i o n H i s t o l o g y B i o l o g y<br />

the<br />

F o r e r u n n e r s<br />

o F<br />

<strong>Indiana</strong><br />

Rail Road Company<br />

M a M M a l s<br />

E d i t E d b y a n u s u ya C H i n s a m y- t u R a n<br />

R evised and expanded edition<br />

Chr istopher rund Fr ed W. Fr ailey er iC poW ell<br />

the swan<br />

a novel Jim Cohee<br />

Africa..................................................................39-43<br />

African American................................................29<br />

Anthropology.......................27, 39, 40-42, 44-47<br />

Ar t.............................................................................16<br />

Asia..................................................................4,47,49<br />

Biography........................................................4,14,15<br />

Contemporary Issues...........................5,10,11,29<br />

Cultural Studies.....................................................44<br />

Eastern Europe........................................11, 12, 15<br />

Education...........................................................16,28<br />

Environmental........................................................47<br />

Ethnomusicology............................................42, 43<br />

Feminist....................................................................39<br />

Fiction.......................................................................19<br />

Film & Media......................................................4, 43<br />

Food Studies...........................................................47<br />

Folklore....................................................................48<br />

Gender......................................................................44<br />

Holocaust.........................................................12, 31<br />

Home Design.........................................................17<br />

<strong>Indiana</strong>...............................................................24-26<br />

Islam............................................................40, 41, 44<br />

Judaica.................................................10, 13, 30, 45<br />

Language & Linguistics.........................................49<br />

Latin America & the Caribbean.......................47<br />

Literary Criticism & Theory........................28, 42<br />

Literature.................................................................30<br />

Nor th America.........................................................4<br />

Media............................................................5, 40, 41<br />

Memoir.........................................................1, 18, 23<br />

Middle East.............................................. 30, 43, 45<br />

Music..................................................1-3, 17, 32-35<br />

New Age.................................................................27<br />

Outdoors & Nature.............................................23<br />

Paleontology...........................................................22<br />

Performing Ar ts..............................................15, 34<br />

Philosophy.........................................................36-39<br />

Photography.........................................2, 12, 24, 25<br />

Political Science................................................6, 29<br />

Popular Culture........................................................3<br />

Railroads & Transpor tation..................20, 21, 27<br />

Religion........................................13, 37, 38, 41, 45<br />

Russia & Eastern Europe....................................45<br />

Science..............................................................22, 26<br />

U.S. History....................................................6, 7, 29<br />

War & Military.....................................................8, 9<br />

Women’s Studies..................................................11<br />

2 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

David Baker<br />

A Legacy in Music<br />

Monika Herzig<br />

With contributions by J. B. Dyas, John Edward Hasse, Willard Jenkins,<br />

Lissa May, Brent Wallarab, and David Ward-Steinmann<br />

Foreword by Quincy Jones<br />

From studio to stage with one of the world’s<br />

best-loved jazz musicians<br />

A Living Jazz Legend, musician and composer David Baker has made a distinctive mark<br />

on the world of music in his nearly 60-year career—as player (chiefly on trombone<br />

and cello), composer, and educator. In this richly illustrated volume, Monika Herzig<br />

explores Baker’s artistic legacy, from his days as a jazz musician in <strong>Indiana</strong>polis to his<br />

long-term gig as Distinguished Professor of Music at <strong>Indiana</strong> <strong>University</strong> and Chairman<br />

of the Jazz Studies department that he founded. Baker’s credits are striking: in the<br />

1960s he was a member of George Russell’s “out there” sextet and orchestra; by the<br />

1980s he was in the jazz educator’s hall of fame. His compositions have been recorded<br />

by performers as diverse as Dexter Gordon and Janos Starker, the Composer’s String<br />

Quartet, and the Czech Philharmonic. Featuring enlightening interviews with Baker<br />

and a CD of unreleased recordings and Baker compositions, this book brings a jazz<br />

legend into clear view.<br />

Monika Herzig is a recording artist for Owl Studios and a touring jazz pianist. Her music<br />

has received awards from Down Beat, ASCAP, and Billboard. Herzig teaches classes on the music<br />

industry and community arts organizations at <strong>Indiana</strong> <strong>University</strong> Bloomington.<br />

David Baker<br />

A L e g A c y i n M u s i c<br />

Monika Herzig With contributions by J.B. Dyas, John<br />

Edward Hasse, Willard Jenkins, Lissa May, Brent Wallarab,<br />

and David Ward-Steinmann Foreword by Quincy Jones<br />

“Herzig provides a thoroughly researched account<br />

of Baker’s compelling life and his influential<br />

pedagogical approach filled with contributions<br />

and heartfelt remembrances from the people who<br />

know him best.” —David Borgo, author of Sync or<br />

Swarm: Improvising Music in a Complex Age<br />

CD included<br />

Also of Interest<br />

The World of Music According to Starker<br />

Cloth 978-0-253-34452-6 $29.95t<br />

Menahem <strong>Press</strong>ler<br />

Cloth 978-0-253-35241-5 $24.95t<br />

October 2011<br />

Music, Memoir<br />

World<br />

344 pages, 44 b&w illus., 44 music exx., 6 x 9<br />

Cloth 978-0-253-35657-4 $29.95t £19.99<br />

eBook 978-0-253-00524-3 $24.95 £16.99<br />

iupress.indiana.edu 1


indiana university press<br />

K e y s t o n e<br />

portrait of a jazz club<br />

K o r n e r<br />

“...a welcome and much-needed addition to the<br />

documentation of jazz in America.”—Nat Hentoff,<br />

record producer, photographer, and author of The<br />

Ghosts of Harlem, among many other books<br />

Photographs and Interviews by Kathy Sloane Edited by Sascha Feinstein and Kathy Sloane<br />

Keystone Korner<br />

Portrait of a Jazz Club<br />

Photographs and Interviews by Kathy Sloane<br />

Edited by Sascha Feinstein and Kathy Sloane<br />

Looking back at a West Coast Jazz oasis<br />

During the 1970s, when jazz clubs all over America were folding under the onslaught<br />

of rock ‘n’ roll and disco, San Francisco’s Keystone Korner was an oasis for jazz<br />

musicians and patrons. Tucked next to a police station in the city’s North Beach area,<br />

the Korner became known as one of the most important jazz spots in the United States.<br />

It was so beloved by musicians that superstars McCoy Tyner, Freddie Hubbard, Ron<br />

Carter, and Elvin Jones played a benefit concert just so the club could buy a liquor<br />

license. In this book, more than 100 black-and-white photographs and a marvelous<br />

collage of oral histories chronicle the Keystone experience.<br />

Kathy Sloane has been a freelance photographer for 35 years and has exhibited her jazz<br />

images in San Francisco, Oakland, and Los Angeles. In New York, she exhibited together with<br />

bassist/photographer Milt Hinton. A portfolio of her work was featured in Jazz Times, and five of<br />

her images appeared in Ken Burns’s PBS miniseries Jazz.<br />

The<br />

Jazz Fiction<br />

AnThology<br />

CD included<br />

EditEd by Sascha Feinstein & David Rife<br />

October 2011<br />

Music, Photography<br />

U.S. and Canada<br />

224 pages, 109 b&w illus., 8 1 / 2 x 10<br />

Paper 978-0-253-35691-8 $40.00t £27.99<br />

2 iupress.typepad.com/blog • 1.800.842.6796<br />

Also of Interest<br />

Jazz in Black and White<br />

Cloth 978-0-253-34400-7 $34.95t<br />

Jazzwomen<br />

Cloth 978-0-253-34436-6 $24.95t<br />

The Jazz Fiction Anthology<br />

Paper 978-0-253-22137-7 $24.95t


indiana university press<br />

Beethoven in America<br />

Michael Broyles<br />

A pop-cultural tour of Beethoven’s America<br />

Beethoven permeates American culture. His image appears on countless busts and<br />

coffee mugs; his music is heard in movie scores, TV soundtracks, commercials, and pop<br />

songs; he is Schroeder’s god in Peanuts and Chuck Berry’s freaked-out parent in “Roll<br />

over Beethoven.” In this book, Michael Broyles seeks to understand the composer as<br />

he exists in the American imagination and explores how Beethoven became a cultural<br />

icon. Broyles examines Beethoven’s appearance in a variety of contexts: American<br />

commercialism, the Afrocentrist and black power movements, and the modernist<br />

critique of Romanticism. He considers portrayals of Beethoven in American film and<br />

theater and the uses of his music in film scores, as well as references to Beethoven<br />

and his music in disco, country, rock, and rap. In the end, he shows that to examine<br />

Beethoven on American soil is to examine America itself.<br />

Beethoven<br />

i n A m e r i c A<br />

M i c h a e l B r oyl e s<br />

Michael Broyles is Professor of Music at Florida State <strong>University</strong> and former Distinguished<br />

Professor of Music and Professor of American History at Pennsylvania State <strong>University</strong>. His most<br />

recent book (with Denise Von Glahn), Leo Ornstein: Modernist Dilemmas, Personal Choices (IUP,<br />

2007), won the Irving Lowens Prize in 2007.<br />

“This book fills a great gap in our understanding<br />

both of Beethoven and of American culture.<br />

The panorama of this narrative encompasses<br />

antebellum rice plantations in South Carolina and<br />

the film studios of Hollywood, music critic John<br />

Dwight and rock star Chuck Berry, Theosophy<br />

and Black Power, Beethoven’s sketches, and<br />

YouTube videos.”<br />

—Christopher Reynolds,<br />

<strong>University</strong> of California, Davis<br />

Also of Interest<br />

Leo Ornstein<br />

Cloth 978-0-253-34894-4 $34.95s<br />

The Great American Symphony<br />

Cloth 978-0-253-35305-4 $24.95t<br />

November 2011<br />

Music, Popular Culture<br />

World<br />

376 pages, 61 b&w illus., 6 x 9<br />

Cloth 978-0-253-35704-5 $29.95t £19.99<br />

iupress.indiana.edu 3


indiana university press<br />

John Coates<br />

The Man who Built The Snowman<br />

Marie Beardmore<br />

Foreword by Raymond Briggs<br />

A vivid portrayal of a celebrated figure in animation<br />

John Coates is best known as the producer of The Snowman, When the Wind Blows,<br />

Wind in the Willows, Willows in Winter, and Famous Fred, and as the man behind<br />

the Beatles film Yellow Submarine. This intimate biography takes the reader on a<br />

journey through Coates’s early life, his years as an army officer in the 11th Hussars<br />

in World War II, and his postwar life as a distributor for Rank films throughout Asia,<br />

before returning to England and eventually taking over TV Cartoons. With a foreword<br />

by Raymond Briggs and an epilogue by Coates himself, this abundantly illustrated<br />

work also includes a DVD of selections from Coates’s work.<br />

Marie Beardmore is a former media journalist based in Paris, where she writes for TV and is<br />

working on her own projects, including the adult animation Umbilical Man and a graphic novel, Rose.<br />

DVD included<br />

august 2011<br />

Biography, Film & Media<br />

North America, Asia<br />

160 pages, 40 color illus., 60 b&w illus., 6 x 8<br />

Paper 978-0-86196-682-0 $24.95t<br />

Distributed for John Libbey Publishing<br />

Also of Interest<br />

British Animation<br />

Paper 978-0-253-22096-7 $29.95t<br />

4 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Murder, the Media,<br />

and the Politics of Public Feelings<br />

Remembering Matthew Shepard and James Byrd Jr.<br />

Jennifer Petersen<br />

Marshaling public emotions into political action<br />

In 1998, the horrific murders of Matthew Shepard—a gay man living in Laramie,<br />

Wyoming—and James Byrd Jr.—an African American man dragged to his death in<br />

Jasper, Texas—provoked a passionate public outrage. The intense media coverage<br />

of the murders made moments of violence based in racism and homophobia highly<br />

visible, which eventually led to the passage of the Matthew Shepard and James Byrd<br />

Jr. Hate Crimes Prevention Act in 2009. The role the media played in cultivating,<br />

shaping, and directing the collective emotional response toward these crimes is<br />

the subject of this gripping new book by Jennifer Petersen. Tracing the emotional<br />

exchange from news stories to the creation of law, Petersen calls for an approach to<br />

media and democratic politics that takes into account the role of affect in the political<br />

and legal life of the nation.<br />

Jennifer Petersen is Assistant Professor of Media Studies at the <strong>University</strong> of Virginia. Her<br />

work has appeared in numerous journals including Media, Culture & Society and Critical Studies in<br />

Media Communication.<br />

Murder, the Media,<br />

and the Politics<br />

of Public Feelings<br />

Remembering Matthew Shepard and James Byrd Jr.<br />

J E N N I F E R P E T E R S E N<br />

“[Peterson] breaks new ground by showing how<br />

national and local media coverage interact and<br />

how popular emotion and public legislation work<br />

together.”—John D. Peters, author of Courting the<br />

Abyss: Free Speech and the Liberal Tradition<br />

“...engrossing and expertly-argued reading.<br />

Petersen gracefully blends theoretical investigations<br />

with narrative recountings of the two cases.”<br />

—Beth Loffreda, author of Losing Matt Shepard: Life<br />

and Politics in the Aftermath of Anti-Gay Murder<br />

Also of Interest<br />

Ugly War, Pretty Package<br />

Paper 978-0-253-22122-3 $22.95t<br />

September 2011<br />

Media, Contemporary Issues<br />

World<br />

218 pages, 6 x 9<br />

Cloth 978-0-253-35659-8 $70.00L £52.00<br />

Paper 978-0-253-22339-5 $24.95t £16.99<br />

eBook 978-0-253-00521-2 $20.95 £14.99<br />

iupress.indiana.edu 5


indiana university press<br />

FDR<br />

Dewey<br />

and the election<br />

of 1944<br />

FDR, Dewey, and the Election of 1944<br />

David M. Jordan<br />

A gripping narrative of politics and the presidency<br />

in time of war<br />

DaviD<br />

★ M. ★<br />

JorDa n<br />

“All presidential elections are important—and<br />

interesting. The 1944 election is no exception. It’s<br />

a good story and Jordan tells it well.”<br />

—Gary Donaldson, author of Truman Defeats Dewey<br />

Although the presidential election of 1944 placed FDR in the White House for<br />

an unprecedented fourth term, historical memory of the election itself has been<br />

overshadowed by the war, Roosevelt’s health and his death the following April,<br />

Truman’s ascendancy, and the decision to drop the atomic bomb. Today most people<br />

assume that FDR’s reelection was assured. Yet, as David M. Jordan’s engrossing<br />

account reveals, neither the outcome of the campaign nor even the choice of candidates<br />

was certain. Just a week before Election Day, pollster George Gallup thought a small<br />

shift in votes in a few key states would award the election to Thomas E. Dewey. Though<br />

the Democrats urged voters not to “change horses in midstream,” the Republicans<br />

countered that the war would be won “quicker with Dewey and Bricker.” With its<br />

insider tales and accounts of party politics and campaigning for votes in the shadow<br />

of war and an uncertain future, FDR, Dewey, and the Election of 1944 makes for a<br />

fascinating chapter in American political history.<br />

David M. Jordan is author of Roscoe Conkling of New York: Voice in the Senate; Winfield<br />

Scott Hancock: A Soldier’s Life (IUP, 1988); “Happiness Is Not My Companion”: The Life of<br />

General G. K. Warren (IUP, 2001); and Occasional Glory: A History of the Philadelphia Phillies.<br />

October 2011<br />

U.S. History, Political Science<br />

World<br />

380 pages, 24 b&w illus., 6 x 9<br />

Cloth 978-0-253-35683-3 $29.95t £19.99<br />

eBook 978-0-253-00562-5 $24.95 £16.99<br />

Also of Interest<br />

Louis Johnson and the Arming of America<br />

Cloth 978-0-253-34626-1 $35.00t<br />

Truman and MacArthur<br />

Cloth 978-0-253-35066-4 $29.95t<br />

6 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Fighting for America<br />

The Struggle for Mastery in North America, 1519–1871<br />

Jeremy Black<br />

A sweeping history of nations grappling for control<br />

of a continent<br />

Fig hting<br />

For<br />

AmericA<br />

Prize-winning author Jeremy Black traces the competition for control of North<br />

America from the landing of Spanish troops under Hernan Cortés in modern Mexico in<br />

1519 to 1871 when, with the Treaty of Washington and the withdrawal of most British<br />

garrisons, Britain accepted American mastery in North America. In this wide-ranging<br />

narrative, Black makes clear that the process by which America gained supremacy<br />

was far from inevitable. The story Black tells is one of conflict, diplomacy, geopolitics,<br />

and politics. The eventual result was the creation of a United States of America<br />

that stretched from Atlantic to Pacific and dominated North America. The gradual<br />

withdrawal of France and Spain, the British accommodation to the expanding U.S.<br />

reality, the impact of the American Civil War, and the subjugation of Native peoples<br />

are all carefully drawn out. Black emphasizes contingency not Manifest Destiny and<br />

reconceptualizes American exceptionalism to take note of the pressures and impact of<br />

international competition.<br />

Jeremy Black is a British historian and Professor of History at the <strong>University</strong> of Exeter. He is<br />

author of more than 100 books and received the Samuel Eliot Morison Prize from the Society<br />

for Military History in 2008.<br />

The Struggle for<br />

Mastery in North<br />

America, 1519-1871<br />

Jeremy Black<br />

“A refreshing take on Manifest Destiny. . . .<br />

American (and Canadian) readers will learn a<br />

lot of new things and be led into new ways of<br />

viewing old ones. An important contribution.”<br />

—Walter Nugent, author of Into the West: The<br />

Story of Its People<br />

Also of Interest<br />

From All Points<br />

Cloth 978-0-253-34851-7 $39.95t<br />

American Confluence<br />

Paper 978-0-253-20011-2 $21.95t<br />

October 2011<br />

U.S. History<br />

World<br />

432 pages, 6 x 9<br />

Cloth 978-0-253-35660-4 $39.95t £26.99<br />

eBook 978-0-253-00561-8 $33.95 £23.99<br />

iupress.indiana.edu 7


indiana university press<br />

Warfare<br />

in Woods and<br />

forests QQQ<br />

Anthony ClAyton<br />

Warfare in Woods and Forests<br />

Anthony Clayton<br />

Foreword by General Charles Guthrie, Lord Guthrie of Craigiebank<br />

(formerly Chief of Defence Staff, UK)<br />

The wartime horrors lurking in woods and forests<br />

Fighting in woods and forests is a very special form of war. Avoided by military<br />

commanders unless such terrain is to their advantage, for soldiers forest battles are<br />

a chaotic mix of dread, determination, and, all too often, death. Adversaries remain<br />

in constant fear of concealed ambush, casualties usually must be abandoned, and<br />

prisoners who cannot be guarded are killed. Heightened fear can lead to excesses.<br />

Too often, armies have been badly prepared and trained for such warfare and have<br />

suffered severely for it. In Warfare in Woods and Forests, noted military historian<br />

Anthony Clayton describes major events in woods and forest warfare from the first<br />

century CE to the 21st. These events involve Roman soldiers in Germany 2,000 years<br />

ago; North Americans in 18th- and 19th-century conflicts; invaders of Russia in 1812<br />

and 1941; British, French, and Americans in France in 1916 and 1918; Americans in<br />

the Hürtgen Forest in 1944; and modern-day Russian soldiers in Chechnya.<br />

Anthony Clayton is a retired official of the British Colonial Government of Kenya,<br />

former Senior Lecturer at the Royal Military Academy, Sandhurst, and former Associate<br />

Lecturer at the <strong>University</strong> of Surrey. He is author of 15 books including Paths of Glory: The<br />

French Army,1914–1918; The British Officer: Leaders of the Army from 1660 to the Present; and<br />

Defeat: When Nations Lose a War.<br />

November 2011<br />

War & Military<br />

World<br />

176 pages, 12 b&w illus., 13 maps, 6 x 9<br />

Cloth 978-0-253-35688-8 $29.95t £19.99<br />

eBook 978-0-253-00553-3 $24.95 £16.99<br />

Also of Interest<br />

The Age of Battles<br />

Paper 978-0-253-21707-3 $24.95s<br />

The Second Battle of the Marne<br />

Cloth 978-0-253-35146-3 $27.95t<br />

8 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

“An important book. One of the most compelling<br />

and thoughtful ARVN [Army of the Republic of<br />

Viet Nam] accounts I have ever read. . . . It is an<br />

unblinking, unflinching account . . . a very honest<br />

book, the author’s integrity comes through on<br />

every page.” —David T. Zabecki, Maj. Gen., U.S.<br />

Army (ret.)<br />

The Battle of<br />

An Loc An Loc<br />

JAM E S H. W I L LBAN K S<br />

Also of Interest<br />

The Battle of An Loc<br />

Cloth 978-0-253-34481-6 $29.95t<br />

The American War in Contemporary Vietnam<br />

Paper 978-0-253-22076-9 $24.95s<br />

January 2012<br />

War & Military<br />

World<br />

608 pages, 1 map, 6 x 9<br />

Cloth 978-0-253-35687-1 $39.95t £26.99<br />

eBook 978-0-253-00548-9 $33.95 £23.99<br />

iupress.indiana.edu 9


indiana university press<br />

A Prophetic Peace<br />

Judaism, Religion, and Politics<br />

Alick Isaacs<br />

P e r s o n a l r e f l e c t i o n s o n J u d a i s m a n d w a r<br />

A<br />

Prophetic<br />

Peace<br />

JudAism, Religion, And Politics<br />

Alick Isaacs<br />

“A timely, highly original, and important work. . . .<br />

What renders this book quite unique is its powerful<br />

and truly engaging autobiographical setting that<br />

lends Isaacs’s argument a compelling first person<br />

urgency.” —Menachem Fisch, author of Rational<br />

Rabbis: Science and Talmudic Culture (IUP, 1997)<br />

Challenging deeply held convictions about Judaism, Zionism, war, and peace, Alick<br />

Isaacs’s combat experience in the second Lebanon war provoked him to search for a way<br />

of reconciling the belligerence of religion with its messages of peace. In his insightful<br />

readings of the texts of biblical prophecy and rabbinic law, Isaacs draws on the writings<br />

of Ludwig Wittgenstein, Jacques Derrida, Abraham Joshua Heschel, and Martin Buber,<br />

among others, to propose an ambitious vision of religiously inspired peace. Rejecting<br />

the notion of Jewish theology as partial to war and vengeance, this eloquent and moving<br />

work points to the ways in which Judaism can be a path to peace. A Prophetic Peace<br />

describes an educational project called Talking Peace whose aim is to bring individuals<br />

of different views together to share varying understandings of peace.<br />

Alick Isaacs is a research fellow at the Hartman Institute’s Kogod Center for Contemporary<br />

Jewish Thought and teaches at the Melton Center for Jewish Education and Rothberg School for<br />

Overseas Students, both at the Hebrew <strong>University</strong> of Jerusalem. He is co-director of the Talking<br />

Peace project sponsored by Mishkenot Sha’ananim in Jerusalem.<br />

Israeli<br />

and<br />

Palestinian<br />

Narratives<br />

of<br />

Conflict<br />

History’s Double Helix<br />

Edited by<br />

Robert I. Rotberg<br />

October 2011<br />

Contemporary Issues, Judaica<br />

World<br />

232 pages, 6 x 9<br />

Cloth 978-0-253-35684-0 $27.95t £18.99<br />

eBook 978-0-253-00564-9 $22.95 £15.99<br />

Also of Interest<br />

A History of the Israeli-Palestinian Conflict, Second Edition<br />

Paper 978-0-253-22070-7 $29.95s<br />

Israeli and Palestinian Narratives of Conflict<br />

Paper 978-0-253-21857-5 $24.95s<br />

10 iupress.typepad.com/blog • 1.800.842.6796


her highly<br />

e Yugoslavs’<br />

tury. Ramet<br />

nd that the<br />

meticulous<br />

succumbed<br />

ctional syshus<br />

College<br />

on of a liferians<br />

of the<br />

dge and inreading<br />

on<br />

the layman,<br />

iversity<br />

rically welld<br />

of Balkan<br />

history and<br />

ides a grip-<br />

”<br />

6-8<br />

ugoslavia exploded onto the front pages<br />

of world newspapers in the early 1990s.<br />

The War of Yugoslav Succession of<br />

1991–95 convinced many that interethnic violence<br />

was endemic to politics in Yugoslavia and<br />

that the Yugoslav meltdown had occurred<br />

because of ancient hatreds. In this thematic history<br />

of Yugoslavia in the twentieth century, Sabrina<br />

P. Ramet demonstrates that, on the contrary,<br />

the instability of the three twentieth-century<br />

Yugoslav states—the interwar kingdom<br />

(1918–41), socialist Yugoslavia (1945–91), and<br />

the rump Yugoslav state created in 1992 out<br />

of Serbia and Montenegro—can be attributed<br />

to the failure of succeeding governments to<br />

establish the rule of law and political legitimacy.<br />

Ramet places emphasis on the failure of the<br />

state-building project and the absence of political<br />

legitimation, rather than on ineluctable or<br />

abstract historical forces. Based on extensive<br />

archival research and fieldwork and the culmination<br />

of more than two decades of study, The<br />

Three Yugoslavias is a major contribution to an<br />

understanding of Yugoslavia and its successor<br />

states.<br />

Jacket photo: Belgrade, Yugoslavia © Corbis<br />

indiana university press<br />

Surviving the Bosnian Genocide<br />

The Women of Srebrenica Speak<br />

Selma Leydesdorff<br />

Translated by Kay Richardson<br />

The 1 995 Srebrenica massacre and its impact on women<br />

survivors<br />

Surviving<br />

the<br />

BoSnian<br />

genocide<br />

The Women of Srebrenica Speak<br />

In July 1995, the Army of the Serbian Republic killed some 8,000 Bosnian men and<br />

boys in and around the town of Srebrenica—the largest mass murder in Europe since<br />

World War II. Surviving the Bosnian Genocide is based on the testimonies of 60<br />

female survivors of the massacre who were interviewed by Dutch historian Selma<br />

Leydesdorff. The women, many of whom still live in refugee camps, talk about their<br />

lives before the Bosnian war, the events of the massacre, and the ways they have tried<br />

to cope with their fate. Drawing on their memories, though fragmented by trauma, the<br />

women tell of life and survival under extreme conditions, while recalling a time before<br />

the war when Muslims, Croats, and Serbs lived together peaceably. By giving them a<br />

voice, this book looks beyond the rapes, murders, and atrocities of that dark time to<br />

show the agency of these women during and after the war and their fight to uncover<br />

the truth of what happened at Srebrenica and why.<br />

Selma Leydesdorff is Professor of Oral History and Culture at the <strong>University</strong> of Amsterdam.<br />

She is author of We Lived with Dignity: The Jewish Proletariat of Amsterdam, 1900–1940 and editor<br />

(with Nanci Adler, Mary Chamberlain, and Leyla Neyzi) of Memories of Mass Repression: Narrating<br />

Life Stories in the Aftermath of Atrocity.<br />

Selma Leydesdorff<br />

TranSLaTed by<br />

Kay richardSon<br />

“A book of remarkable integrity that gives the<br />

victims voices, faces, families, and lives. . . .<br />

The author succeeds in creating an honest and<br />

sensitive picture from the jumble of stories,<br />

emotions, and reminiscences. . . . A work of great<br />

social relevance.” —Internationale Spectator<br />

Kay Richardson is a retired editor with 30 years of experience in international scholarly<br />

publishing. During her 13 years of residence in the Netherlands, she gained fluency in Dutch and<br />

developed an abiding interest in Dutch history and culture.<br />

Ramet<br />

The<br />

Three<br />

Yugoslavias<br />

State-Building and<br />

Legitimation<br />

1918–2005<br />

The<br />

Three<br />

Sabrina P. Ramet<br />

Yugoslavias<br />

State-Building and Legitimation, 1918–2005<br />

Y<br />

Also of Interest<br />

The Three Yugoslavias<br />

Cloth 978-0-253-34656-8 $65.00s<br />

Gender and War in Twentieth-Century Eastern Europe<br />

Paper 978-0-253-21844-5 $27.00s<br />

October 2011<br />

Contemporary Issues, Eastern Europe,<br />

Women’s Studies<br />

World<br />

264 pages, 3 maps, 6 x 9<br />

Cloth 978-0-253-35669-7 $29.95t £19.99<br />

eBook 978-0-253-00529-8 $24.95 £16.99<br />

iupress.indiana.edu 11


today. People who have family connections with Polish Galicia will find<br />

this an invaluable sourcebook on their own heritage, but its innovative<br />

approach to understanding the past will appeal to anyone concerned<br />

with questions of history, memory, and identity, and how photography<br />

can make the past accessible.<br />

Jonathan Webber is a British social anthropologist who taught<br />

for many years at Oxford <strong>University</strong> before moving in 2002 to the<br />

<strong>University</strong> of Birmingham, where he holds the UNESCO Chair in<br />

Jewish and Interfaith Studies. He started his anthropological fieldwork<br />

in Galicia in 1988, and in 1993 began a collaboration with Chris<br />

Schwarz on a project which became known as Traces of Memory.<br />

He is a founder member of the Polish government’s International<br />

Auschwitz Council (established in 1990), vice-chairman of the<br />

Institute for Polish–Jewish Studies (established in Oxford in 1984 ),<br />

and chairman of the trustees of the Galicia Jewish Museum. In 1999<br />

he was awarded the Golden Cross of the Order of Merit by the<br />

President of the Republic of Poland for services to Polish–Jewish<br />

relations. His publications include Jewish Identities in the New Europe<br />

(published by the Littman Library) and Auschwitz: A History in<br />

Photographs. He has been a visiting fellow at the Kulturwissenschaftliches<br />

Institut in Essen, the Zentrum für Interdisziplinäre<br />

Forschung in Bielefeld, and Collegium Budapest.<br />

Chris Schwarz was an acclaimed British photojournalist whose<br />

intellectual curiosity led him to travel widely and investigate a great<br />

range of topics. He worked for publications including Time Out and<br />

The Independent; collections of his photographs on social-welfare<br />

issues―including poverty, health issues, involuntary migrations, and<br />

urban ecology―were published in book form and displayed in<br />

exhibitions. His father’s origins in Lwów and his own interest in the<br />

Solidarity movement led him to Poland, where he teamed up with<br />

Jonathan Webber to work on the Traces of Memory project.<br />

Imbued with a passionate sense of social consciousness, in 2004<br />

he opened the Galicia Jewish Museum in Kraków to showcase his<br />

photographs as a way of bringing the story of the Jewish heritage in<br />

Polish Galicia to Poland and to the world. He died in 2007.<br />

Cover illustration: The lion of Judah, derelict and headless, at the entrance to the abandoned,<br />

ruined synagogue of Dąbrowa Tarnowska: a trace of memory poignantly representing the Jewish<br />

world that was destroyed in the Holocaust. Photo Chris Schwarz © Galicia Jewish Museum 2009<br />

‘Polish–Jewish relations have long suffered from stereotypes and false accusations on<br />

both sides, and this is a major attempt to right the wrongs of the past . . . A courageous<br />

and honest work, imbued with spirituality and feeling for the places and the subject.’<br />

Michael Schudrich, Chief Rabbi of Poland<br />

‘Chris Schwarz and Jonathan Webber have poignantly captured the ruins of memory.<br />

Tradition, religion, culture, language, architecture, homes, places of worship, and<br />

cemeteries, all beautifully photographed, clearly explained. Their work is a fitting<br />

memorial to the Jews of Galicia, who survive only through these whispered traces.’<br />

Stephen Smith, Chair, Holocaust Memorial Day Trust, UK<br />

‘Chris Schwarz’s photos draw the eye and stir the heart; Jonathan Webber’s texts are<br />

informative, moving, and written with much wisdom. Altogether, it took a rare combination<br />

of brain, of heart, and of an intelligent and penetrating eye to produce a book that adds<br />

new layers to memory and inspires a yearning for what was lost. It will be a source of<br />

pride for every Jew―whether or not they have Galician roots.’<br />

Shevach Weiss, former Israeli Ambassador to Poland<br />

‘A stunning tribute to the Jewish heritage of Polish Galicia . . . immortalized in this exquisite<br />

photographic record and erudite commentary. A treasure for future generations.’<br />

Barbara Kirshenblatt-Gimblett, New York <strong>University</strong> and Museum of the History of Polish Jews<br />

‘A moving account of what is being done to preserve the memory of what was lost and of<br />

the people, both Poles and Jews, involved in this important undertaking.’<br />

Antony Polonsky, Editor-in-Chief of Polin: Studies in Polish Jewry<br />

‘Chris Schwarz’s photos are remarkable, and Jonathan Webber has a depth of knowledge<br />

about Jewish culture and the Jewish experience in Polish Galicia that few can equal.<br />

His wonderfully detailed―and highly readable―notes in the back section of the book<br />

evoke a rich texture of memory and tradition and loss and even hope.’<br />

Ruth Ellen Gruber, author of National Geographic Jewish Heritage Travel: A Guide to Eastern Europe<br />

‘Travelling with Jonathan Webber in Galicia was one of the most moving experiences of my<br />

life. Now every reader can participate in that journey through this extraordinary book,<br />

revisiting a past that has tragically vanished but continues to move and inspire.’<br />

Rabbi Shmuley Boteach, host of TLC’s Shalom in the Home and founder of This World: The Values Network<br />

Judaica . Eastern Europe<br />

Published for the<br />

www.galiciajewishmuseum.org<br />

by<br />

www.littman.co.uk<br />

and<br />

www.iupress.indiana.edu<br />

$27.95<br />

Since the Holocaust, traces of memory are virtually all that remain in<br />

Poland today after more than eight hundred years of Jewish life there.<br />

This remarkable album, published on behalf of the Galicia Jewish<br />

Museum in Kraków, offers a sensitive way of looking at that past.<br />

Based entirely on arresting, present-day colour photographs of Polish<br />

Galicia, it shows how much of that past can still be seen today if one<br />

knows how to look and how to interpret what one sees.<br />

The traces of the Jewish past in Polish Galicia can be approached<br />

from many angles. Jewish life in Poland was in ruins after the Holocaust,<br />

and so too were most of its synagogues and cemeteries. Much evidence<br />

of ruin remains, but, astonishingly, there are also traces that bear witness<br />

to the great Jewish civilization that once flourished there―synagogues<br />

and cemeteries of astounding beauty in villages and small towns as well<br />

as in the larger cities. One can also see the exact locations where the<br />

Germans murdered the Jews of Galicia in the Holocaust: not only in<br />

the infamous death camps and ghettos, but also in fields, in forests,<br />

and in rivers. The Germans tried to destroy even the memory of the Jews<br />

in Poland, and to a very great extent they succeeded; then came forty<br />

years of communism, including the antisemitic campaign of 1968.<br />

But now that Poland is once again part of a multicultural Europe,<br />

the great Jewish civilization that once flourished on Polish lands is<br />

increasingly being memorialized, by local Poles as well as by foreign<br />

Jews. Synagogues and cemeteries are being renovated, monuments<br />

are being erected, museums are being set up, pilgrimages are taking<br />

place, festivals of Jewish culture are being organized, books about Jews<br />

are being published, and there are once again rabbis and kosher food.<br />

So the traces of memory include how the past is being remembered<br />

in Poland today, and the people doing the remembering.<br />

Given all these perspectives, the contact with contemporary<br />

realities involves a complex emotional journey: grief at a civilization in<br />

ruins; pride in its spiritual and cultural achievements; anger at its<br />

destruction; nostalgia for a past that is gone; hope for the future.<br />

Considering each element in turn and offering cultural insights and<br />

information to support each of these responses, the combination of<br />

photos and text in this book not only informs but also suggests both<br />

how to make sense of the past and how to discover its relevance for<br />

the present.<br />

The seventy-four photographs are all fully captioned, with<br />

additional detailed background notes to explain and contextualize them.<br />

The idea is to help people understand the Jewish civilization of Polish<br />

Galicia in its local context on the basis of what can still be seen there<br />

continued on back flap<br />

indiana university press<br />

LAST FOLIO<br />

Last Folio<br />

Textures of Jewish Life in Slovakia<br />

Yuri Dojc and Katya Krausova<br />

Photographs by Yuri Dojc<br />

Remembrance of a once-thriving Jewish culture in Slovakia<br />

TEXTURES OF JEWISH LIFE IN SLOVAKIA<br />

Yuri Dojc and Katya Krausova<br />

Photographs by Yuri Dojc<br />

“Books in these photographs . . . are possessed by<br />

spirits exorcised through Yuri Dojc’s magical eye: as<br />

they disintegrate into dust, the camera illuminates<br />

how that moment of disintegration is also a moment<br />

of immense energy and movement, one last and<br />

glorious statement of defiance, resisting both death<br />

and oblivion.” —Azar Nafisi, author of Reading<br />

Lolita in Tehran: A Memoir in Books<br />

“In the context of the trauma of the Holocaust, Dojc<br />

has delivered hauntingly beautiful images—jewel-like<br />

tokens—that link us by imagination to a lost world<br />

and time. . . . As we look at these images of all that<br />

remained, we remember all that was lost.” —David G.<br />

Marwell, Director, Museum of Jewish Heritage<br />

Now available<br />

Holocaust, Photography, Eastern Europe<br />

World<br />

128 pages, 6 5 / 8 x 9 1 / 2, 39 color illus., 17 b&w illus., 1 map<br />

Paper 978-0-253-22377-7 $24.95t £16.99<br />

The Galicia Jewish Museum<br />

The Littman Library of<br />

Jewish Civilization<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong><br />

Webber & Schwarz Rediscovering Traces of Memory The Jewish Heritage of Polish Galicia Littman <strong>Indiana</strong><br />

Last Folio features stunning photographs taken by Yuri Dojc of once-vibrant Jewish<br />

communities throughout Slovakia. Dojc’s photographic journey began in an abandoned<br />

school in Bardejov where time had stood still since the day in 1942 when its students<br />

were taken to concentration camps. The books were still there, along with student<br />

essays marked with corrections and school reports—all disintegrating on dusty shelves.<br />

Dojc’s eloquent photographs treat the decaying books as survivors, the last witnesses<br />

to what had been a thriving culture. Last Folio also includes portraits of aging Slovak<br />

Holocaust survivors and images of the poignant ruins of schools, synagogues, mikvahs,<br />

and cemeteries. With texts by Lucia Faltin, Katya Krausova, David G. Marwell, and Azar<br />

Nafisi, Last Folio presents a stirring tribute to a vanished culture.<br />

Yuri Dojc is an internationally acclaimed photographer whose work is included in the<br />

collections of the Library of Congress, the National Gallery of Canada, and the National Museum<br />

of Slovakia. An emigré to Canada from Czechoslovakia, he received a medal of honor from<br />

the Slovak Ambassador to the United States in 2001 for We Endured, a series of portraits of<br />

Holocaust survivors.<br />

Katya Krausova, a television producer who emigrated to Great Britain from Czechoslovakia<br />

in 1968, is a co-founder of Portobello Pictures, an independent film and television production<br />

company in the United Kingdom which won the 1997 Academy Award for Best Foreign Language<br />

Film for Kolya.<br />

Rediscovering Traces of Memory<br />

The Jewish Heritage of Polish Galicia<br />

J o n a t h a n W e b b e r<br />

p h o t o g r a p h s b y<br />

C h r i s S c h w a r z<br />

f r o m t h e p e r m a n e n t e x h i b i t i o n o f<br />

t h e G a l i c i a J e w i s h M u s e u m , K r a k ó w<br />

Also of Interest<br />

Rediscovering Traces of Memory<br />

Paper 978-0-253-22185-8 $27.95t<br />

12 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Today I Am a Woman<br />

Bat Mitzvah around the World<br />

Edited by Barbara Vinick and Shulamit Reinharz<br />

Celebrating bat mitzvah in diverse Jewish cultures<br />

Recollections of the first bat mitzvah at the only synagogue in Indonesia, a poignant<br />

bat mitzvah memory of World War II Italy, and an American bat mitzvah shared with<br />

girls in a Ukrainian orphanage—these are a few of the resonant testimonies about<br />

the transition from Jewish girl to Jewish woman collected in Today I Am a Woman.<br />

Introduced by brief biographical notes and descriptions of Jewish communities around<br />

the world, these stories reveal how Judaism defines this important rite of passage in<br />

a girl’s life in widely disparate settings. The contributions are from bat mitzvah girls<br />

of the past and present, their parents, communities, and religious leaders. Including<br />

evocative family photos—some recent, some from decades past—this rich compilation<br />

is an ideal gift for bat mitzvah celebrants, their families, and friends.<br />

Today<br />

I Am a<br />

Woman<br />

Bat Mitzvah<br />

around the World<br />

edited by<br />

Barbara Vinick & Shulamit Reinharz<br />

Barbara Vinick is affiliated with the Hadassah-Brandeis Institute at Brandeis <strong>University</strong>, where she<br />

has studied gendered rituals in Jewish communities worldwide.<br />

Shulamit Reinharz is the Jacob Potofsky Professor of Sociology at Brandeis <strong>University</strong>, where<br />

she is Director of the Hadassah-Brandeis Institute. Her publications include American Jewish Women<br />

and the Zionist Enterprise, Jewish Intermarriage around the World, and The JGirls’ Guide.<br />

“In Subotica [Serbia] in 1941, my sister Ruža had<br />

her bat mitzvah, along with 14 other girls. The bat<br />

mitzvah was celebrated on the day of the festival of<br />

Shavuot. All 15 girls wore white dresses and white<br />

gloves and each held one white rose. . . . After the<br />

benediction they each received a book of prayers to<br />

remember the day. . . . Then the war broke out. My<br />

sister took that book of prayers with her to forced<br />

labor and managed to bring it back home. I hope<br />

she has it still. She lives in Subotica and I live in<br />

Israel.” —Edita Deri<br />

“But 1938, a year that began with such promise and<br />

happiness, turned into a year of despair. I cannot<br />

think of my bat mitzvah [in Turin] without recalling<br />

every event of that fateful year. It was probably the<br />

most important year of my life for the development of<br />

my character, my personality, and my dreams. That<br />

is why I am telling this story.” —Giorgina Vitale<br />

Also of Interest<br />

Taking Hold of Torah<br />

Paper 978-0-253-21381-5 $17.95s<br />

The Colors of Jews<br />

Paper 978-0-253-21927-5 $24.95t<br />

November 2011<br />

Judaica, Religion<br />

World<br />

264 pages, 68 b&w illus., 6 x 9<br />

Cloth 978-0-253-35693-2 $29.95t £19.99<br />

eBook 978-0-253-00517-5 $24.95 £16.99<br />

iupress.indiana.edu 13


indiana university press<br />

AlvA<br />

vAnderbilt<br />

belmont<br />

Unlikely Champion of Women’s Rights<br />

S y lv i a D. H o f f e rt<br />

Alva Vanderbilt Belmont<br />

Unlikely Champion of Women’s Rights<br />

Sylvia D. Hoffert<br />

•<br />

the biography of a wealthy and strong-willed feminist<br />

A New York socialite and feminist, Alva Vanderbilt Belmont was known to be<br />

domineering, temperamental, and opinionated. Her resolve to get her own way<br />

regardless of the consequences stood her in good stead when she joined the<br />

American woman suffrage movement in 1909. Thereafter, she used her wealth, her<br />

administrative expertise, and her social celebrity to help convince Congress to pass<br />

the 19th Amendment and then to persuade the exhausted leaders of the National<br />

Woman’s Party to initiate a worldwide equal rights campaign. Sylvia D. Hoffert argues<br />

that Belmont was a feminist visionary and that her financial support was crucial to the<br />

success of the suffrage and equal rights movements. She also shows how Belmont’s<br />

activism, and the money she used to support it, enriches our understanding of the<br />

personal dynamics of the American woman’s rights movement. Her analysis of<br />

Belmont’s memoirs illustrates how Belmont went about the complex and collaborative<br />

process of creating her public self.<br />

“A major contribution to our understanding of<br />

the women’s rights movement in America and to<br />

feminist biography and historiography.” —Ruth<br />

Crocker, author of Mrs. Russell Sage: Women’s<br />

Activism and Philanthropy in Gilded Age and<br />

Progressive Era America (IUP, 2006)<br />

Sylvia D. Hoffert is Professor of Women’s History at Texas A&M <strong>University</strong> and author of<br />

A History of Gender in America and Jane Grey Swisshem: An Unconventional Life.<br />

December 2011<br />

Biography<br />

World<br />

312 pages, 20 b&w illus., 6 x 9<br />

Cloth 978-0-253-35661-1 $30.00t £19.99<br />

eBook 978-0-253-00560-1 $25.95 £17.99<br />

Also of Interest<br />

Inez<br />

Cloth 978-0-253-34418-2 $29.95s<br />

Mrs. Russell Sage<br />

Paper 978-0-253-22045-5 $24.95t<br />

14 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Starring Madame Modjeska<br />

On Tour in Poland and America<br />

Beth Holmgren<br />

The life and times of actress Helena Modjeska<br />

In 1876, Poland’s leading actress, Helena Modrzejewska, accompanied by family<br />

and friends, emigrated to southern California to establish a utopian commune that<br />

soon failed. Within a year Modrzejewska made her debut in the title role of Adrienne<br />

Lecouvreur at San Francisco’s California Theatre. She changed her name to Modjeska<br />

and quickly became a leading star on the American stage, where she reigned for the<br />

next 30 years. During this time, she established herself as America’s most esteemed<br />

Shakespearean actress, playing opposite such celebrated actors as Edwin Booth and<br />

Maurice Barrymore. Starring Madame Modjeska traces Modjeska’s fabulous life and<br />

career from her illegitimate birth in Krakow, to her successive reinventions of herself<br />

as a star in both Poland and America, and finally to her enduring legacy.<br />

starring<br />

Madame<br />

Modjeska<br />

On Tour in<br />

Poland and America<br />

(<br />

BeTh hOlmgren<br />

Beth Holmgren is the author of Women’s Works in Stalin’s Time (IUP, 1993), editor (with<br />

Helena Goscilo) of Poles Apart: Women in Modern Polish Culture and Russia Women Culture (IUP,<br />

1996), and translator and editor (with Helena Goscilo) of The Keys to Happiness by Anastasya<br />

Verbitskaya (IUP, 1999). She is Professor of Slavic and Eurasian Studies and Theatre Studies at<br />

Duke <strong>University</strong>.<br />

“Starring Madame Modjeska is a tour de force . . .<br />

Modjeska’s story is conveyed in clear, vivid, witty<br />

prose.” —Bożena Shallcross, author of Through the<br />

Poet’s Eye: The Travels of Zagajewski, Herbert,<br />

and Brodsky<br />

Sh A k eSpe A r e<br />

and the<br />

American<br />

Musical<br />

Irene G. Dash<br />

Also of Interest<br />

African american actresses<br />

Paper 978-0-253-22192-6 $27.95s<br />

shakespeare and the american musical<br />

Paper 978-0-253-22152-0 $24.95t<br />

November 2011<br />

Biography, Performing Arts, Eastern Europe<br />

World<br />

392 pages, 47 b&w illus., 6 x 9<br />

Cloth 978-0-253-35664-2 $39.95t £26.99<br />

eBook 978-0-253-00519-9 $33.95 £23.99<br />

iupress.indiana.edu 15


Teaching in The School Room•prep school english teacher•first grade teacher•fourth grade teacher<br />

math teacher•high school biology and chemistry teacher•special education teacher•Teaching in The<br />

college claSSRoom•physics professor•horticulture professor•theology professor•philosophy prof journalism<br />

professor•humanities professor•Teaching The healeRS•teacher of residents in dermatology•teacher of<br />

neurosurgery residents•teacher of residents in psychiatry•Teaching The cReaToRS and PeRfoRmeRS•circus<br />

arts teacher•ballet teacher•photography teacher•piano teacher•creative writing teacher•acting<br />

teacher•Teaching The fixeRS and makeRS•carpentry teacher•plumbing teacher•professor of baking and<br />

pastry arts•teacher of farriery•Teaching The aThleTeS•teacher of basketball shooting•fencing teac teacher<br />

of alligator wrestling•racecar driving instructor•coach of playing the infield•gRowing The Body and<br />

SPiRiT•tantra teacher•Zen teacher•divinity school professor of homiletics•exotic dance teacher•aZtec<br />

dance teacher•Teaching aT The BoTTom and on The edge•humanities teacher for underserved adul •teacher<br />

in women’s prison•yoga teacher, jails and prisons•teacher in women’s jails•Teaching The PRoTecTo gunnery<br />

sergeant•martial arts instructor•firefighting teacher•instructor, fbi academy•Teaching in The coRRidoRS<br />

of PoweR•corporate consultant•political mentor•professor, executive education•political mentor professor,<br />

newly elected members of congress• Teaching in The School Room•prep school english teacher•first<br />

grade teacher•fourth grade teacher •middle school physical education teacher•seventh and eighth grade<br />

language arts teacher•high school math teacher•high school biology and chemistry teacher•special<br />

education teacher•Teaching in The college claSSRoom•physics professor•horticulture professor•theology<br />

professor•philosophy professor•journalism professor•humanities professor•Teaching The healeRS•teacher<br />

of residents in dermatology•teacher of neurosurgery residents•teacher of residents in pspsychiatrypsychia<br />

try•Teaching The cReaToRS and PeRfoRmeRS•circus arts teacher•ballet teacher•photography teacher•piano<br />

teacher•creative writing teacher•acting teacher•Teaching The fixeRS and makeRS•carpentry teach plumbing<br />

teacher•professor of baking and pastry arts•teacher of farriery•Teaching The aThleTeS•teacher of<br />

basketball shooting•fencing teacher•teacher of alligator wrestling•racecar driving instructor•coach<br />

of playing the infield•gRowing The Body and SPiRiT•tantra teacher•Zen teacher•divinity school professor<br />

of homiletics•exotic dance teacher•aZtec dance teacher•Teaching aT The BoTTom and on The edge humanities<br />

teacher for underserved adults•teacher in women’s prison•yoga teacher, jails and prisons•teacher in<br />

women’s jails•Teaching The PRoTecToRS•gunnery sergeant•martial arts instructor•firefighting<br />

Teaching in The School Room•prep school english teacher•first grade teacher•fourth grade teacher<br />

math teacher•high school biology and chemistry teacher•special education teacher•Teaching in The<br />

college claSSRoom•physics professor•horticulture professor•theology professor•philosophy prof<br />

fessor•journalism professor•humanities professor•Teaching The healeRS•teacher of residents in<br />

dermatology•teacher of neurosurgery residents•teacher of residents in psychiatry•Teaching The cReaToRS<br />

and PeRfoRmeRS•circus arts teacher•ballet teacher•photography teacher•piano teacher•creative writing<br />

teacher•acting teacher•Teaching The fixeRS and makeRS•carpentry teacher•plumbing teacher•professor of<br />

baking and pastry arts•teacher of farriery•Teaching The aThleTeS•teacher of basketball shooting•fencing<br />

teacher•teacher of alligator wrestling•racecar driving instructor•coach of playing the infield•gRowing<br />

The Body and SPiRiT•tantra teacher•Zen teacher•divinity school professor of homiletics•exotic dance<br />

teacher•aZtec dance teacher•Teaching aT The BoTTom and on The edge•humanities teacher for underserved<br />

adults•teacher in women’s prison•yoga teacher, jails and prisons•teacher in women’s jails•Teaching<br />

The PRoTecToRS•gunnery sergeant•martial arts instructor•firefighting teacher•instructor, fbi<br />

academy•Teaching in The coRRidoRS of PoweR•corporate consultant•political mentor•professor, executive<br />

education•political mentor professor, newly elected members of congress• Teaching in The School<br />

Room•prep school english teacher•first grade teacher•fourth grade teacher •middle school physical<br />

education teacher•seventh and eighth grade language arts teacher•high school math teacher•high<br />

school biology and chemistry teacher•special education teacher•Teaching in The college claSSRo<br />

Room•physics professor•horticulture professor•theology professor•philosophy professor•journalism<br />

professor•humanities professor•Teaching The healeRS•teacher of residents in dermatology•teacher of<br />

neurosurgery residents•teacher of residents in psychiatry•Teaching The cReaToRS and PeRfoRmeRS•circus<br />

arts teacher•ballet teacher•photography teacher•piano teacher•creative writing teacher•acting<br />

teacher•Teaching The fixeRS and makeRS•carpentry teacher•plumbing teacher•professor of baking and<br />

pastry arts•teacher of farriery•Teaching The aThleTeS•teacher of basketball shooting•fencing teac<br />

er•teacher of alligator wrestling•racecar driving instructor•coach of playing the infield•gRowing The<br />

Body and SPiRiT•tantra teacher•Zen teacher•divinity school professor of homiletics•exotic dance<br />

teacher•aZtec dance teacher•Teaching aT The BoTTom and on The edge•humanities teacher for underserved<br />

adults•teacher in women’s prison•yoga teacher, jails and prisons•teacher in women’s jails•Teaching<br />

The PRoTecToRS•gunnery sergeant•martial arts instructor•firefighting teacher•instructor, fbi acad<br />

academy•Teaching in The coRRidoRS of PoweR•corporate consultant•political mentor•professor, executive<br />

education•political mentor professor, newly elected members of congress• Teaching in The School<br />

Room•prep school english teacher•first grade teacher•fourth grade teacher •middle school physical<br />

education teacher•seventh and eighth grade language arts teacher•high school math teacher•high<br />

school biology and chemistry teacher•special education teacher•Teaching in The college claSSRo<br />

oom•physics professor•horticulture professor•theology professor•philosophy professor•journalism<br />

professor•humanities professor•Teaching The healeRS•teacher of residents in dermatology•teacher of<br />

neurosurgery residents•teacher of residents in psychiatry•Teaching The cReaToRS and PeRfoRmeRS•circus<br />

arts teacher•ballet teacher•photography teacher•piano teacher•creative writing teacher•acting<br />

teacher•Teaching The fixeRS and makeRS•carpentry teacher•plumbing teacher•professor of baking and<br />

pastry arts•teacher of farriery•Teaching The aThleTeS•teacher of basketball shooting•fencing tea<br />

teacher•teacher of alligator wrestling•racecar driving instructor•coach of playing the infield•gRowing<br />

The Body and SPiRiT•tantra teacher•Zen teacher•divinity school professor of homiletics•exotic dance<br />

er•aZtec dance teacher•Teaching aT The BoTTom and on The edge•humanities teacher for underserved<br />

adults•teacher in women’s prison•yoga teacher, jails and prisons•teacher in women’s jails•Teaching The<br />

PRoTecToRS•gunnery sergeant•martial arts instructor•firefighting teacher•instructor, fbi acade •Teaching<br />

in The coRRidoRS of PoweR•corporate consultant•political mentor•professor, executive educa<br />

tion•political mentor professor, newly elected members of congress•Teaching in The School Room•prep<br />

school english teacher•first grade teacher•fourth grade teacher •middle school physical education<br />

teacher•seventh and eighth grade language arts teacher•high school math teacher•high school biology<br />

and chemistry teacher•special education teacher•Teaching in The college claSSRoom•physics prof<br />

indiana university press<br />

Front cover ATColl.Essays:Maquetación 1 08/02/11 10:28 Página 1<br />

Antoni Tàpies<br />

COLLECTED ESSAYS<br />

Antoni Tàpies<br />

Collected Essays<br />

Volume II<br />

Complete Writings<br />

Antoni Tàpies<br />

Translated by Josep Miquel Sobrer<br />

Introduction by Serge Guilbaut<br />

•middle school physical education teacher•seventh and eighth grade language arts teacher•high school<br />

Conversa-tions<br />

with<br />

Grea-t Tea-chers<br />

teacher•instructor, fbi academy•Teaching in The coRRidoRS of PoweR•corporate consultant•political<br />

mentor•professor, executive education•political mentor professor, newly elected members of congress•<br />

•middle school physical education teacher•seventh and eighth grade language arts teacher•high school<br />

bill smoot<br />

Conversations<br />

with Great<br />

Teachers<br />

Bill Smoot<br />

Writings on art and politics by Catalonia’s<br />

leading contemporary artist<br />

Learning from the best, in and out of the<br />

classroom<br />

In this insightful collection, one of Spain’s most influential artists,<br />

Antoni Tàpies, reflects on art, life, and politics. A companion to A<br />

Personal Memoir (2010), this volume includes essays published<br />

in The Practice of Art, Art against Aesthetic, Reality as Art,<br />

For a Modern and Progressive Art, The Value of Art, Art and<br />

Its Places as well as previously uncollected texts. In these essays<br />

Tàpies reflects on the social role of art and the artist, discusses the<br />

influences on his art, and describes his political and artistic views.<br />

Antoni Tàpies is a leading Spanish artist known for his heavily textured<br />

canvases of great expressive and communicative possibilities. His art is<br />

found in numerous international museums and collections.<br />

Josep Miquel Sobrer is Professor Emeritus in the Department of<br />

Spanish and Portuguese at <strong>Indiana</strong> <strong>University</strong> Bloomington. He is translator<br />

of A Broken Mirror by Mercè Rodoreda.<br />

Serge Guilbault is Professor of Fine Arts at the <strong>University</strong> of British<br />

Columbia and author of How New York Stole the Idea of Modern Art.<br />

“Tàpies’s essays are of great importance in understanding his own work,<br />

but also in the broad philosophical questions he addresses. . . . His use of<br />

humble materials—clay, straw, simple objects—relates to [his] search for<br />

answers to universal questions.” —Kathleen McNerney, co-editor of Visions<br />

and Revisions: Women’s Narrative in Twentieth-Century Spain<br />

In the spirit of Studs Terkel’s Working, Bill Smoot interviews<br />

master teachers in fields ranging from K–12 and higher education<br />

to the arts, trades and professions, sports, and politics. What<br />

is it that passes between the best teachers and their students to<br />

make learning happen? What are the keys to teaching the joys<br />

of literature, shooting a basketball, alligator wrestling, or how to<br />

survive one’s first year in the U.S. Congress? Smoot’s insightful<br />

questions elicit thought-provoking reflections about teaching as a<br />

calling and its aims, frustrations, and satisfactions.<br />

Bill Smoot teaches English at the Castilleja School in Palo Alto, California,<br />

where he has received the Outstanding Teacher Award.<br />

“I have spent most of my adult life talking to great teachers. Every<br />

one of those interviews has been a delight. Read this fine book and you<br />

can get the same thrill.” —Jay Mathews, Washington Post education<br />

columnist and author of Work Hard. Be Nice: How Two Inspired<br />

Teachers Created the Most Promising Schools in America<br />

August 2011<br />

Art<br />

World<br />

600 pages, 6 b&w illus., 6 1 / 8 x 9 1 / 4<br />

Cloth 978-0-253-35503-4 $39.95t £26.99<br />

Published in association with the Fondació Antoni Tàpies, Barcelona<br />

now available<br />

Education<br />

World<br />

272 pages, 6 x 9<br />

Paper 978-0-253-22361-6 $19.95t £12.99<br />

now in paperback<br />

16 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

A Home of Her Own<br />

Nancy R. Hiller<br />

Photographs by Kendall Reeves<br />

Foreword by Patricia Poore<br />

A Home of<br />

Her own<br />

stories of women whose homes reflect their strong<br />

bond to Place<br />

For some, home is simply a place to eat, sleep, and store possessions. For others, home<br />

offers intimate and rewarding opportunities for self-expression, becoming a reflection<br />

of taste, values, and even identity. The activities of constructing and maintaining a<br />

home can provide a sense of existential purpose, of belonging to a particular place<br />

along with others who have cared for that place before.<br />

Illustrated with more than 100 color photographs, A Home of Her Own showcases a<br />

wide variety of homes and tells the stories of their making.<br />

Nancy R. Hiller is a cabinetmaker and owner and principal designer at NR Hiller Design, Inc.<br />

She is author of The Hoosier Cabinet in Kitchen History (IUP, 2009) and has published in numerous<br />

period design and woodworking magazines, including American Bungalow, Old House Interiors, and<br />

Fine Woodworking.<br />

Nancy R. Hiller<br />

p h o t o g r a p h s b y<br />

Kendall Reeves<br />

f o r e w o r d b y p a t r i c i a p o o r e<br />

“I found this book enchanting from the beginning.”<br />

—Kathryn Lofton, author of Oprah:The Gospel of Icon<br />

Kendall Reeves is a professional photographer and owner of Spectrum Studio, Inc., in<br />

Bloomington, <strong>Indiana</strong>. His previous books include Bloomington: A Contemporary Portrait and Terre<br />

Haute: Crossroads of America.<br />

Patricia Poore is a magazine editor and former publisher. She was owner and editor of<br />

Old-House Journal for twenty years and also founded GARBAGE, Old-House Interiors, Arts & Crafts<br />

Homes, and Early Homes magazines.<br />

Also of Interest<br />

The Hoosier Cabinet in Kitchen History<br />

Cloth 978-0-253-31424-6 $34.95t<br />

Stillness and Light<br />

Cloth 978-0-253-35362-7 $39.95t<br />

November 2011<br />

Home Design<br />

World, Photography<br />

248 pages, 100 color photos, 8 1 / 2 x 11<br />

Paper 978-0-253-22353-1 $29.95t £19.99<br />

iupress.indiana.edu 17


indiana university press<br />

the glimpse traveler<br />

The Glimpse Traveler<br />

Marianne Boruch<br />

A cross-country road trip in the tradition of<br />

Zen and the Art of Motorcycle Maintenance<br />

When she joins a pair of hitchhikers on a trip to California, a young Midwestern woman<br />

embarks on a journey about memory and knowledge, beauty and realization. This true<br />

story, set in 1971, recounts a fateful, nine-day trip into the American counterculture<br />

that begins on a whim and quickly becomes a mission to unravel a tragic mystery. The<br />

narrator’s path leads her to Berkeley, San Francisco, Mill Valley, Big Sur, and finally to<br />

an abandoned resort motel, now become a down-on-its-luck commune in the desert<br />

of southern Colorado. Neither a memoir about private misery, nor a shocking exposé<br />

of life in a turbulent era, The Glimpse Traveler describes with wry humor and deep<br />

feeling what it was like to witness a peculiar and impossibly rich time.<br />

Marianne Boruch<br />

“I have not seen another nonfiction book that offers<br />

such a perceptive, engaging, intimate chronicle of<br />

the early 1970s, the road-weary hippie hitchhikers,<br />

the anti-war sentiment, the dope-induced haze.<br />

Boruch. . .captures this very specific, significant<br />

time and place with exquisite clarity and lyric detail<br />

and description.” —Dinty Moore, author of Between<br />

Panic and Desire<br />

“Marianne takes off into the unknown with $10,<br />

carrying her begging bowl and having the artist’s<br />

faith that it will be filled with story. She never<br />

questions it. She’s curious, and she follows that<br />

curiosity. The universe doesn’t disappoint.” —Susan<br />

Neville, author of Sailing the Inland Sea (IUP, 2007)<br />

Marianne Boruch, a poet, is Professor of English at Purdue <strong>University</strong>. She has published<br />

several poetry collections and two books of essays, and has written for the New Yorker, the Nation,<br />

and the Yale Review. She has won two Pushcart Prizes, the Parnassus Terrence DePres Award,<br />

and fellowships from the National Endowment for the Arts and the Guggenheim Foundation.<br />

Michael Martone and Susan Neville, editors<br />

Travels with Mae<br />

Scenes from a New Orleans Girlhood<br />

Eileen M. Julien<br />

September 2011<br />

Memoir<br />

World<br />

208 pages, 5 x 7<br />

Paper 978-0-253-22344-9 $.19.95t £.12.99<br />

eBook 978-0-253-00555-7 $16.95 £11.99<br />

Also of Interest<br />

Travels with Mae<br />

Cloth 978-0-253-35316-0 $19.95t<br />

At Berkeley in the Sixties<br />

Paper 978-0-253-21622-9 $21.95t<br />

18 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

The Swan<br />

A Novel<br />

Jim Cohee<br />

the swan<br />

A young boy’s flights of fantasy triumph over family tragedy<br />

Ten-year-old Aaron Cooper has witnessed the death of his younger sister, Pookie,<br />

and the trauma has left him unwilling to speak. Aaron copes with life’s challenges<br />

by disappearing into his own imagination, envisioning being captain of the Kon-Tiki,<br />

driving his sled in the snowy Klondike, and tiger hunting in India. He is guarded by<br />

secret friends like deposed Hungarian Count Blurtz Shemshoian and Blurtz’s wonder<br />

dog, Nipper, who protect him from the creature from the Black Lagoon–who hides in<br />

Aaron’s closet at night. The tales he constructs for himself, the real-life stories he is<br />

witness to, and his mother’s desperate efforts to bring her son back from the brink, all<br />

come to a head at an emotional family dinner. Set in <strong>Indiana</strong>polis in 1957, The Swan<br />

is a fictional memoir about enduring love and the weighty nature of mortality.<br />

a novel<br />

Jim Cohee<br />

Jim Cohee is a freelance writer, based in San Francisco, who has written for Lonely Planet.<br />

The Swan is his first novel.<br />

Michael Martone and Susan Neville, editors<br />

“It’s all there: eloquence, comedy, a childhood<br />

effectively captured, seriousness, an eccentric<br />

intelligence. The Swan delights.” —William O’Rourke,<br />

author of On Having a Heart Attack: A Medical<br />

Memoir.<br />

“Lively, entertaining, funny, and often moving.”<br />

—Scott Russell Sanders, author of A Conservationist<br />

Manifesto (IUP, 2010)<br />

Also of Interest<br />

Iconography<br />

Paper 978-0-253-21614-4 $15.95t<br />

Not Normal, Illinois<br />

Paper 978-0-253-21022-7 $22.95t<br />

August 2011<br />

Fiction<br />

World<br />

128 pages, 5 x 7<br />

Paper 978-0-253-22343-2 $14.95t £10.99<br />

eBook 978-0-253-00539-7 $11.95 £9.99<br />

iupress.indiana.edu 19


indiana university press<br />

Wet Britches<br />

& Muddy Boots<br />

A History of Travel in Victorian America<br />

Wet Britches<br />

and Muddy<br />

Boots<br />

A History of Travel<br />

in Victorian America<br />

Landmarks on<br />

the Iron Road<br />

Two Centuries of North<br />

American Railroad<br />

Engineering<br />

John H. White, Jr.<br />

William D. Middleton<br />

John H. White, Jr.<br />

The real-life adventure of 19th-century<br />

travel<br />

A lavishly illustrated engineering<br />

history of American railroads<br />

What was travel like in the 1880s? Was it easy to get from place<br />

to place? Were the rides comfortable? How long did journeys<br />

take? Wet Britches and Muddy Boots describes all forms of public<br />

transport from canal boats to oceangoing vessels, passenger trains<br />

to the overland stage. John H. White, Jr., discusses not only the<br />

means of travel but also the people who made the system run–<br />

riverboat pilots, locomotive engineers, stewards, stagecoach<br />

drivers, seamen. He provides a fascinating glimpse into a time<br />

when travel within the United States was a true adventure.<br />

John H. White, Jr., is author of 13 books, including The American Railroad<br />

Passenger Car, a nominee for the National Book Award. White was<br />

Curator for the Smithsonian Institution’s Museum of American History<br />

from 1958 to 1990.<br />

“This book provides a holistic (i.e., by mode of transport) perspective<br />

of the realities of the human experience of travel as the technology and<br />

operational supply of transport service evolved during the Victorian<br />

era and the years immediately preceding and following. I know of<br />

no other extant publication that provides this perspective.” —John<br />

Spychalski, Professor Emeritus, The Pennsylvania State <strong>University</strong><br />

Railroads Past and Present<br />

George M. Smerk, editor<br />

December 2011<br />

Railroads & Transportation<br />

World<br />

416 pages, 280 b/w illus., 7 x 10<br />

Cloth 978-0-253-35696-3 $49.95t £34.00<br />

eBook 978-0-253-00558-8 $41.95 £28.99<br />

American civil engineers were unsurpassed in their ability to build<br />

railroads over great distances and across high mountain passes,<br />

to erect great bridges, or to bore tunnels of prodigious length.<br />

This is a remarkable story of the application of engineering to<br />

the building of a transportation system that civilized and settled<br />

America, and then supported an industrial revolution and created<br />

a world power.<br />

William D. Middleton is the author of more than 20 books and<br />

many hundreds of articles on rail transportation, engineering, and travel<br />

topics. He is editor (with George M. Smerk and Roberta L. Diehl) of<br />

Encyclopedia of North American Railroads (IUP, 2007) and co-author of<br />

Frank Julian Sprague: Electrical Inventor and Engineer (IUP, 2009).<br />

“It’s [Middleton’s] ability to clearly explain the intricacies of civil<br />

engineering to a general-interest audience that really makes<br />

Landmarks on the Iron Road soar. . . . a must-read for anyone<br />

touched by the greatness of railroading.” —Trains<br />

Railroads Past and Present<br />

George M. Smerk, editor<br />

September 2011<br />

Railroads & Transportation<br />

World<br />

208 pages, 240 b&w photos, 8 3 / 8 x 11<br />

Paper 978-0-253-22360-9 $34.95t £22.99<br />

now in paperback<br />

20 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Amer icA’s New r egioNAl r AilroAd<br />

the<br />

<strong>Indiana</strong><br />

Rail Road Company<br />

R evised and expanded edition<br />

Chr istopher rund Fr ed W. Fr ailey er iC poW ell<br />

The <strong>Indiana</strong><br />

Rail Road<br />

Company<br />

America’s New<br />

Regional Railroad<br />

Revised and Expanded Edition<br />

Christopher Rund,<br />

Fred W. Frailey,<br />

and Eric Powell<br />

Jerry Taylor & ray PoTeaT<br />

The<br />

CSX ClinChfield rouTe<br />

in the 21st Century<br />

The CSX<br />

Clinchfield<br />

Route in the<br />

21st Century<br />

Jerry Taylor<br />

and Ray Poteat<br />

The fascinating tale of <strong>Indiana</strong>’s thriving<br />

regional railroad<br />

The <strong>Indiana</strong> Rail Road Company is a story of extraordinary success<br />

among the scores of independent short line and regional railroads<br />

spawned in the wake of railroad deregulation. Christopher Rund<br />

chronicles the development of the company from its origins as part<br />

of America’s first land grant railroad, the Illinois Central, through<br />

the political and financial juggling required by entrepreneur Tom<br />

Hoback to purchase the line when it fell into disrepair. Reborn<br />

as a robust, profitable carrier, the INRD has become a model for<br />

the new American regional railroad. This revised edition, with a<br />

new foreword by acclaimed author Fred W. Frailey and four new<br />

chapters, brings readers up to date on Tom Hoback’s amazing<br />

railroad adventure.<br />

Christopher Rund is a senior marketing communications writer and<br />

Director of Public Relations and Communications for the <strong>Indiana</strong> Rail Road<br />

Company.<br />

Fred W. Frailey is author of Southern Pacific’s Blue Streak Merchandise;<br />

Rolling Thunder; Zephyrs, Chiefs & Other Orphans; and Twilight of the Great<br />

Trains (IUP, 2010).<br />

Eric Powell is a railroad historian and photographer whose work has<br />

appeared in Trains and Railfan and Railroad.<br />

Railroads Past and Present<br />

George M. Smerk, editor<br />

October 2011<br />

Railroads & Transportation<br />

World<br />

264 pages, 25 color illus., 256 b&w illus., 7 maps, 8 1 / 2 x 10<br />

Cloth 978-0-253-35695-6 $39.95t £29.99<br />

new edition<br />

The genesis and challenging construction<br />

of the Clinchfield Route<br />

Jerry Taylor and Ray Poteat take readers on a mile-by-mile trip<br />

through the tunnels and over the bridges of the historic CSX<br />

Clinchfield. Completed in 1915, the Clinchfield Railroad follows<br />

a scenic route through rugged mountain country in the eastern<br />

United States. Facing the challenge of this difficult terrain,<br />

engineers and more than 3,000 laborers built the railroad using<br />

construction standards unheard of at the time. The results were<br />

so durable and forward looking that for nearly a century there<br />

has been no need to enlarge its tunnels or strengthen its bridges.<br />

Though the Clinchfield is not well known outside its territory,<br />

its history and challenging construction have been continuing<br />

sources of fascination for rail fans.<br />

Jerry Taylor, author of Conrail Commodities and A Sampling of Penn<br />

Central: Southern Region on Display (IUP, 2000), is a former operating official<br />

of several railroads.<br />

Ray Poteat is a retired railroader. During his career, which spanned 43<br />

years, he worked in every station and depot on the Clinchfield Railroad.<br />

Railroads Past and Present<br />

George M. Smerk, editor<br />

October 2011<br />

Railroads & Transportation<br />

World<br />

184 pages, 185 color photos, 6 maps, 8 1 / 2 x 11<br />

Paper 978-0-253-22358-6 $27.95t £18.99<br />

now in paperback<br />

iupress.indiana.edu 21


indiana university press<br />

Ga i n i n G G ro u n d<br />

T h e O r i g i n a n d e v O l u T i O n O f T e T r a p O d s<br />

Gaining<br />

Ground<br />

The Origin and<br />

Evolution of Tetrapods<br />

Second Edition<br />

R a d i a t i o n H i s t o l o g y B i o l o g y<br />

F o r e r u n n e r s<br />

o F<br />

M a M M a l s<br />

Forerunners<br />

of Mammals<br />

Radiation • Histology •<br />

Biology<br />

Jennifer A. Clack<br />

E d i t E d b y a n u s u ya C H i n s a m y- t u R a n<br />

Edited by<br />

Anusuya Chinsamy-Turan<br />

s e c O n d e d i T i O n<br />

J e n n i f e r a . c l a c k<br />

Vertebrate life’s emergence from the sea<br />

Around 370 million years ago, a distant relative of a modern lungfish<br />

began a most extraordinary adventure—emerging from the water<br />

and laying claim to the land. This new edition of Jennifer A.Clack’s<br />

groundbreaking book tells the complex story of their emergence<br />

and evolution. Beginning with their closest relatives, the lobefin<br />

fishes such as lungfishes and coelacanths, Clack defines what<br />

a tetrapod is, describes their anatomy, and explains how they are<br />

related to other vertebrates. She looks at the Devonian environment<br />

in which they evolved, describes the known and newly discovered<br />

species, and explores the order and timing of anatomical changes<br />

that occurred during the fish-to-tetrapod transition.<br />

Jennifer A. Clack is Professor and Curator of Vertebrate Palaeontology<br />

at the <strong>University</strong> Museum of Zoology, Cambridge. She was awarded<br />

the 2008 Daniel Giraud Elliot medal by the U.S. National Academy of Sciences<br />

and in 2009 was elected as a Fellow of the Royal Society and a Foreign<br />

Honorary Member by the American Academy of Arts and Sciences.<br />

“A landmark review of some of the most important discoveries in vertebrate<br />

biology and evolution during the close of the past century.”<br />

—PALAIOS<br />

Life of the Past<br />

James O. Farlow, editor<br />

November 2011<br />

Science, Paleontology<br />

World<br />

496 pages, 18 color illus., 238 b&w illus., 7 x 10<br />

Cloth 978-0-253-35675-8 $59.95t £40.00<br />

eBook 978-0-253-00537-3 $50.95 £35.00<br />

new edition<br />

The evolution and paleobiology of the<br />

synapsids<br />

More than 300 million years ago, during the period known as the<br />

Carboniferous, there emerged a group of four-legged animals<br />

known as synapsids. Their descendents, the therapsids, would<br />

eventually give rise to mammals. Beginning with an introduction<br />

to the synapsids, their descendants, and the ancient world in which<br />

they lived, this remarkable book surveys their radiation, histology,<br />

and biology. It documents types of bone microstructure and their<br />

biological implications, provides insights into their biology and<br />

the evolution of endothermy in the group, and highlights areas for<br />

future research. A detailed guide to the synapsids, the book discusses<br />

the interrelationships within the group and their radiation from the<br />

earliest pelycosaurs to the diverse non-mammalian therapsids and<br />

later to the increasingly more mammal-like cynodonts. A chapter on<br />

the Karoo Basin of South Africa documents an unparalleled record<br />

of therapsid evolution and radiation and offers a unique perspective<br />

on therapsid biodiversity and paleoenvironmental analysis.<br />

Anusuya Chinsamy-Turan is author of The Microstructure of Dinosaur<br />

Bone: Deciphering Biology through Fine Scale Analysis and Famous Dinosaurs<br />

of Africa.<br />

Life of the Past<br />

James O. Farlow, editor<br />

November 2011<br />

Science, Paleontology<br />

World<br />

360 pages, 27 color illus., 76 b&w illus., 7 x 10<br />

Cloth 978-0-253-35697-0 $60.00s £40.00<br />

eBook 978-0-253-00533-5 $22.95 £15.99<br />

22 iupress.typepad.com/blog • 1.800.842.6796


D R A W I N G S B Y S I D O N I E C O R Y N<br />

indiana university press<br />

Speak to the Earth<br />

Pages from a Farmwife’s Journal<br />

Rachel Peden<br />

Foreword by Scott Russell Sanders<br />

Speak to the Earth<br />

Pages from a farmwife’s Journal<br />

A book of rural virtues and a naturalist’s philosophy<br />

A farmwife for 45 years, Rachel Peden believed that the family farm’s best crop is a<br />

“harvest of the spirit.” In Speak to the Earth, she looks at life—domestic and wild,<br />

human and critter—through the eyes of someone who witnesses nine seasons of the<br />

year rather than the typical four. Peden views the farm as “a place of opportunity<br />

simultaneous with obligation, an immaculate fitting-together of plant and animal<br />

life.” Each year yields an abundance of small, priceless observations. Through her<br />

writings, Peden encourages readers to appreciate both the simple pleasures in life as<br />

well as the more profound qualities embodied in family and neighbors, mallards and<br />

ladybugs, possums and pigs, and the irresistible characteristics of old houses, local<br />

history, and changing times.<br />

Rachel Peden (1901–1975) was a newspaper columnist who lived in <strong>Indiana</strong>. Her books<br />

Rural Free: A Farmwife’s Almanac of Country Living and The Land, the People were reprinted by<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong> in 2009 and 2010.<br />

RACHEL PEDEN<br />

foreword by SCOTT RUSSELL SANDERS<br />

“Since Peden made her last reports from Monroe<br />

County, the rate of damage to earth’s natural<br />

systems has accelerated. Whether or not cosmic<br />

guidance is available to rescue us from our ruinous<br />

behavior, her three books offer wise counsel about<br />

living in a more respectful, durable, and joyous<br />

manner on this glorious planet.” —From the<br />

Foreword by Scott Russell Sanders, author of A<br />

Conservationist Manifesto, (IUP 2009)<br />

R A C H E L P E D E N<br />

THE LAND,<br />

THE PEOPLE<br />

Also of Interest<br />

Rural Free<br />

Paper 978-0-253-22161-2 $19.95t<br />

The Land, the People<br />

Paper 978-0-253-22229-9 $19.95t<br />

August 2011<br />

Memoir, Outdoors & Nature<br />

World<br />

256 pages, 12 b&w illus., 6 x 8<br />

Paper 978-0-253-22342-5 $19.95t £14.99<br />

back in print<br />

iupress.indiana.edu 23


indiana university press<br />

Ligonier<br />

A Photographic Essay<br />

Jeff Moerchen<br />

Photo record of a Spanish-speaking<br />

community in a rural <strong>Indiana</strong> town<br />

Ligonier<br />

JEff MoErchEn<br />

A PhotogrAPhic EssAy<br />

“The mixture of complexity and simplicity, light and darkness, all provoke<br />

a series of questions which are more important than the affirmation of<br />

any answers—and allow the viewer to momentarily live in a world that<br />

is profoundly in the heart of the nation both geographically, socially,<br />

politically, and humanly. All in all, a very successful and important body<br />

of work meriting publication and the chance to live for others for now<br />

and for time.” —Peter Turnley, author (with David Turnley) of McClellan<br />

Street (IUP, 2007)<br />

With clarity and attention to detail, Jeff Moerchen has captured—<br />

in more than 80 black-and-white photographs—the life of the<br />

Hispanic community of Ligonier, a small town in northern <strong>Indiana</strong>.<br />

Here men and women have worked to make a comfortable home<br />

for themselves, trying to realize their dream of living in America,<br />

while avoiding some of the perils they might have experienced in<br />

borderlands. More than a photographic study of an immigrant<br />

population, Moerchen’s evocative pictures reveal a small town as<br />

it struggles to survive.<br />

Jeff Moerchen is a documentary photograper, splitting his time<br />

between <strong>Indiana</strong> and New York City.<br />

November 2011<br />

Photography, <strong>Indiana</strong><br />

World<br />

172 pages, 85 b&w illus., 11 x 8 1 / 2<br />

Paper 978-0-253-22363-0 $29.95t £21.99<br />

24 iupress.typepad.com/blog • 1.800.842.6796<br />

Also of Interest<br />

Driving to Stony Lonesome<br />

Paper 978-0-253-21866-7 $27.95t<br />

McClellan Street<br />

Cloth 978-0-253-34967-5 $29.95t


indiana university press<br />

New Harmony Then and Now<br />

Text by Donald E. Pitzer<br />

Photographs by Darryl D. Jones<br />

Foreword by Jane Blaffer Owen and Connie Weinzapfel<br />

A bucolic <strong>Indiana</strong> community striving to<br />

maintain the Utopian ideals of its founders<br />

New Harmony Then and Now is a photographic and historic<br />

celebration of two of America’s great Utopian communities located<br />

in New Harmony, <strong>Indiana</strong>. The Harmonists, started by Reverend<br />

George Rapp, labored to provide physical, intellectual, and spiritual<br />

wealth for its members. Ten years later, the Owenites, founded by<br />

Robert Owen and his partner William Maclure, settled there, intent on<br />

improving humanity through innovations in social theory, educational<br />

systems, and discoveries in natural science. Though Owen’s communal<br />

experiment would not endure, a new social frontier prospered. Today,<br />

New Harmony remains a haven of promise, a village that honors its<br />

progressive heart. Intellectuals as well as artisans are drawn to this<br />

place of science and spirit.<br />

New Harmony Then & Now<br />

Text Donald E.Pitzer Photogr aphs Darryl D. Jones For ewor d Jane Blaffer Owen & Connie Weinzapfel<br />

Donald E. Pitzer is Professor Emeritus of History and Director Emeritus<br />

of the Center for Communal Studies at the <strong>University</strong> of Southern <strong>Indiana</strong> in<br />

Evansville.<br />

Darryl D. Jones is a photographer whose work has been exhibited in New<br />

York, Boston, and throughout the Midwest. He is author of Amish Life: Living<br />

Plainly and Serving God (IUP, 2005) and (with Norbert Krapf) Invisible Presence<br />

(IUP, 2006).<br />

Also of Interest<br />

Amish Life<br />

Cloth 978-0-253-34594-3 $29.95t<br />

Stillness and Light<br />

Cloth 978-0-253-35362-7 $39.95t<br />

October 2011<br />

Photography, <strong>Indiana</strong><br />

World<br />

144 pages, 48 halftones, 120 color illus., 11 x 8 1 / 2<br />

Cloth 978-0-253-35645-1 $39.95t £29.99<br />

iupress.indiana.edu 25


indiana university press<br />

Habitats and Ecological<br />

Communities of <strong>Indiana</strong><br />

Pre-settlement to Present<br />

Edited by John O. Whitaker, Jr., and Charles J. Amlaner<br />

Habitats and Ecological<br />

Communities of <strong>Indiana</strong><br />

Pre-settlement to Present<br />

Edited by John O. Whitaker, Jr., and Charles J. Amlaner, Jr.<br />

Marion T. Jackson, George R. Parker, and Peter E. Scott, Associate Editors<br />

A conservationist history of the Hoosier state<br />

In Habitats and Ecological Communities of <strong>Indiana</strong>, leading experts assess the<br />

health and diversity of <strong>Indiana</strong>’s eight wildlife habitats, providing detailed analysis,<br />

data-generated maps, color photographs, and complete lists of flora and fauna. This<br />

groundbreaking reference details the state’s forests, grasslands, wetlands, aquatic<br />

systems, barren lands, and subterranean systems, and describes the nature and<br />

impact of two man-made habitats—agricultural and developed lands. The book<br />

considers extirpated and endangered species alongside invasives and exotics, and<br />

evaluates floral and faunal distribution at century intervals to chart ecological change.<br />

John O. Whitaker, Jr. is Professor of Biology at <strong>Indiana</strong> State <strong>University</strong> and author of<br />

Mammals of <strong>Indiana</strong> (2nd edition with Russell E. Mumford, IUP, 2009); Mammals of <strong>Indiana</strong>: A Field<br />

Guide (IUP, 2010); Keys to the Vertebrates of the Eastern United States; and The Audubon Guide to<br />

Mammals of North America.<br />

Charles J. Amlaner, Jr. is Professor of Physiology and Theodore Dreiser Distinguished<br />

Research Professor at <strong>Indiana</strong> State <strong>University</strong>. He is also a certified senior ecologist with the<br />

Ecological Society of America.<br />

Published with the generous support of the Laura Hare Charitable Trust<br />

<strong>Indiana</strong> Natural Science<br />

Gillian Harris, editor<br />

January 2012<br />

Science, <strong>Indiana</strong><br />

World<br />

448 pages, 116 color illus., 10 b&w illus., 32 maps, 7 3 / 4 x 11<br />

Cloth 978-0-253-35602-4 $29.95s £21.99<br />

eBook 978-0-253-00520-5 $24.95 £24.95<br />

26 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

An Unreal Estate<br />

SuStainability & Freedom<br />

in an evolving<br />

community<br />

An Unreal<br />

Estate<br />

Sustainability<br />

and Freedom in an<br />

Evolving Community<br />

Lucinda Carspecken<br />

<strong>Indiana</strong><br />

Railroad Lines<br />

Graydon M. Meints<br />

Lucinda carspecken<br />

<strong>Indiana</strong><br />

RailRoad lines<br />

G r ay d o n M . M e i n t s<br />

Utopian imagination and community<br />

experiments as forces for change<br />

A complete reference for all railfans<br />

Lucinda Carspecken takes an in-depth look at Lothlorien, a<br />

Southern <strong>Indiana</strong> nature sanctuary, sustainable camping ground,<br />

festival site, collective residence, and experiment in ecological<br />

building, stewardship, and organization. As a unique enclave<br />

within a larger society, it offers to the latter both an implicit critique<br />

and a cluster of alternative values and lifestyles. In addition, it has<br />

created a niche where some participants change, grow, and find<br />

empowerment in an environment that is accepting of difference—<br />

particularly in areas of religion and sexual orientation.<br />

Lucinda Carspecken is Adjunct Professor in Qualitative Research<br />

Methods and Anthropology at <strong>Indiana</strong> <strong>University</strong> Bloomington.<br />

“A significant contribution to the study of intentional communities.”<br />

—Sarah M. Pike, author of New Age and Neopagan Religions in<br />

America<br />

“This is the only study to date of a specifically neo-pagan community<br />

and therefore is a pioneering work.” —Sabina Magliocco, author of<br />

Neo-Pagan Art and Altars<br />

Railroads have played a major role in transportation, logistics,<br />

and development in the state of <strong>Indiana</strong>. A perfect resource for<br />

railroad enthusiasts or students of <strong>Indiana</strong> history, <strong>Indiana</strong><br />

Railroad Lines provides a comprehensive and detailed account of<br />

the railroad companies that operated in the state between 1838<br />

and 1999 and the counties and towns they served. This volume<br />

provides the dates of the contraction, purchase, sale, lease and<br />

abandonment of the various railroad lines and is complete with<br />

charts and maps that provide information on the development<br />

and decline of railroads in the state.<br />

Graydon M. Meints is a former station agent, towerman, and telegraph<br />

operator on the New York Central Railroad. He is author of three<br />

other books about the history of railroads in the Midwest.<br />

“This is a very useful addition to the research tools for railroad<br />

authors and aficionados with an interest in <strong>Indiana</strong> railroads.”<br />

—Francis Parker, author (with Richard S. Simmons) of Railroads of<br />

<strong>Indiana</strong> (IUP, 1997)<br />

Railroads Past and Present<br />

George M. Smerk, editor<br />

November 2011<br />

Anthropology, New Age<br />

World<br />

272 pages, 25 illus., 6 x 9<br />

Cloth 978-0-253-35681-9 $70.00L £52.00<br />

Paper 978-0-253-22349-4 $24.95s £16.99<br />

eBook 978-0-253-00523-6 $20.95 £14.99<br />

August 2011<br />

Railroads & Transportation<br />

World<br />

434 pages, 6 x 9<br />

Paper 978-0-253-22359-3 $35.00s £25.99<br />

iupress.indiana.edu 27


indiana university press<br />

Wa-lden X 40<br />

E s s ay s o n T h o r E a u<br />

Walden x 40<br />

Essays on Thoreau<br />

Robert B. Ray<br />

literary<br />

learning<br />

teaching the english major<br />

Literary<br />

Learning<br />

Teaching<br />

the English Major<br />

Sherry Lee Linkon<br />

R o b e R t b . R a- y<br />

Sherry Lee Linkon<br />

A fresh approach to an American classic<br />

Making literary thinking visible<br />

In 1845, Henry David Thoreau moved from his parents’ house in<br />

Concord, Massachusetts, to a one-room cabin on land owned by his<br />

mentor, Ralph Waldo Emerson. After 26 months he transformed his<br />

stay in the woods into one of the most famous events in American<br />

history. In Walden x 40, adopting Thoreau’s own compositional<br />

method, Robert B. Ray takes up several questions posed in Walden.<br />

Thoreau developed his books from his lectures, and his lectures from<br />

his almost-daily journal notations of the world around him, with its<br />

fluctuating weather and appointed seasons, both forever familiar and<br />

suddenly brand new. Ray derives his 40 brief essays from the details<br />

of Walden itself, reading the book in the way that Thoreau proposed<br />

to explore his own life—deliberately. Ray demonstrates that however<br />

accustomed we have grown to its lessons, Walden continues to be as<br />

surprising as the November snowfall that, Thoreau reports, “covered<br />

the ground . . . and surrounded me suddenly with the scenery of<br />

winter.”<br />

Robert B. Ray is Professor of English at the <strong>University</strong> of Florida. He<br />

is author of A Certain Tendency of the Hollywood Cinema, 1930–1980; The<br />

Avant-Garde Finds Andy Hardy; How a Film Theory Got Lost (IUP, 2001); and<br />

The ABCs of Classic Hollywood.<br />

November 2011<br />

Literary Criticism & Theory<br />

World<br />

216 pages, 5 1 / 2 x 8 1 / 2<br />

Cloth 978-0-253-35686-4 $55.00L £41.00<br />

Paper 978-0-253-22354-8 $19.95s £12.99<br />

eBook 978-0-253-00551-9 $16.95 £11.99<br />

Literary Learning explores the nature of literary knowledge and<br />

offers guidance for effective teaching of literature at the college<br />

level. What do English majors need to learn? How can we help<br />

them develop the skills and knowledge they need? By identifying<br />

the habits of mind that literary scholars use in their own research<br />

and writing, Sherry Lee Linkon articulates the strategic knowledge<br />

that lies at the heart of the discipline, offering important insights<br />

and models for beginning and experienced teachers.<br />

Sherry Lee Linkon is Professor of English and American Studies and<br />

Co-director of the Center for Working-Class Studies at Youngstown State<br />

<strong>University</strong>. Her books include Teaching Working Class; Steeltown USA: Work<br />

and Memory in Youngstown (with John Russo); and New Working-Class<br />

Studies (edited with John Russo).<br />

“Provides a model for thoughtful, reflexive, and well-designed<br />

teaching in any field, at any level, and at any institution.”<br />

—Mariolina Salvatori, <strong>University</strong> of Pittsburgh<br />

Scholarship of Teaching and Learning<br />

Jennifer Meta Robinson, Whitney M. Schlegel,<br />

Mary Taylor Huber, and Pat Hutchings, editors<br />

October 2011<br />

Education<br />

World<br />

184 pages, 6 x 9<br />

Cloth 978-0-253-35699-4 $70.00L £52.00<br />

Paper 978-0-253-22356-2 $24.95s £16.99<br />

eBook 978-0-253-00559-5 $20.95 £14.99<br />

28 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

The<br />

Depression<br />

Comes to the<br />

South Side<br />

Protest and Politics in the Black MetroPolis, 1930–1933<br />

Christopher Robert Reed<br />

The Depression<br />

Comes to the<br />

South Side<br />

Protest and Politics in<br />

the Black Metropolis,<br />

1930–1933<br />

Christopher Robert Reed<br />

Racial<br />

impeRatives<br />

Discipline, performativity,<br />

anD struggles against<br />

subjection<br />

Nadine ehlers<br />

Racial<br />

Imperatives<br />

Discipline, Performativity,<br />

and Struggles against<br />

Subjection<br />

Nadine Ehlers<br />

Economic downturn and local politics on<br />

Chicago’s South Side<br />

In the 1920s, the South Side was looked on as the new Black<br />

Metropolis, but by the turn of the decade that vision was already<br />

in decline—a victim of the Depression. In this timely book,<br />

Christopher Robert Reed explores early Depression-era politics<br />

on Chicago’s South Side. The economic crisis caused diverse<br />

responses from groups in the black community. Some found<br />

expression in mass street demonstrations, militant advocacy of<br />

expanded civil rights, or a complete overhaul of the capitalist<br />

economic system. Reed examines the complex interactions among<br />

these various groups as they played out within the community and<br />

sought to find common ground to address the economic stresses<br />

that threatened to tear the Black Metropolis apart.<br />

Christopher Robert Reed is Professor Emeritus of History at<br />

Roosevelt <strong>University</strong> in Chicago and author of The Emergence of the Black<br />

Metropolis, 1910–1933; Black Chicago’s First Century, 1833–1900; All the<br />

World Is Here: The Black Presence at White City (IUP, 2000); and The Chicago<br />

NAACP and the Rise of Black Professional Leadership (IUP, 1997).<br />

Blacks in the Diaspora<br />

Darlene Clark Hine, John McCluskey, Jr.,<br />

and David Barry Gaspar, founding editors<br />

Tracy Sharpley-Whiting, Herman L. Bennett, Kim D. Butler,<br />

Judith A. Byfield, and Leslie A. Schwalm, editors<br />

October 2011<br />

U.S. History, African American, Political Science<br />

World<br />

218 pages, 8 b&w illus., 6 x 9<br />

Cloth 978-0-253-35652-9 $29.95s £19.99<br />

eBook 978-0-253-00552-6 $24.95 £16.99<br />

Formations of blackness and whiteness in<br />

U.S. culture<br />

Nadine Ehlers examines the constructions of blackness and<br />

whiteness cultivated in the U.S. imaginary and asks, how<br />

do individuals become racial subjects? She analyses antimiscegenation<br />

law, statutory definitions of race, and the rhetoric<br />

surrounding the phenomenon of racial passing to provide critical<br />

accounts of racial categorization and norms, the policing of<br />

racial behavior, and the regulation of racial bodies as they are<br />

underpinned by demarcations of sexuality, gender, and class.<br />

Ehlers places the work of Michel Foucault, Judith Butler’s account<br />

of performativity, and theories of race into conversation to show<br />

how race is a form of discipline, that race is performative, and that<br />

all racial identity can be seen as performative racial passing. She<br />

tests these claims through an excavation of the 1925 “racial fraud”<br />

case of Rhinelander v. Rhinelander and concludes by considering<br />

the possibilities for racial agency, extending Foucault’s later work<br />

on ethics and “technologies of the self” to explore the potential for<br />

racial transformation.<br />

Nadine Ehlers is Assistant Professor of Women’s and Gender Studies<br />

at Georgetown <strong>University</strong>.<br />

November 2011<br />

Contemporary Issues, African American<br />

World<br />

236 pages, 6 x 9<br />

Cloth 978-0-253-35656-7 $70.00L £52.00<br />

Paper 978-0-253-22336-4 $25.00s £16.99<br />

eBook 978-0-253-00536-6 $21.95 £14.99<br />

iupress.indiana.edu 29


indiana university press<br />

Tel-Aviv,<br />

T h e F i r s T C e n T u r y<br />

Visions, Designs, ActuAlities<br />

Visions, Designs, Actualities<br />

Tel-Aviv, the<br />

First Century<br />

Visions, Designs,<br />

Actualities<br />

Edited by Maoz Azaryahu<br />

and S. Ilan Troen<br />

Modern<br />

Ladino<br />

Culture<br />

<strong>Press</strong>, Belles Lettres,<br />

and Theater in the<br />

Late Ottoman Empire<br />

Modern Ladino<br />

Culture<br />

<strong>Press</strong>, Belles Lettres,<br />

and Theater in the Late<br />

Ottoman Empire<br />

Olga Borovaya<br />

edited by Maoz azaryahu and S. ilan troen<br />

Olga Borovaya<br />

Contemporary Tel-Aviv against the<br />

backdrop of its earlier years<br />

The literary culture of the Ottoman<br />

Empire’s Sephardic Jews<br />

Tel-Aviv, the First Century brings together a broad range of disciplinary<br />

approaches and cutting-edge research to trace the development and<br />

paradoxes of Tel-Aviv as an urban center and a national symbol.<br />

Through the lenses of history, literature, urban planning, gender<br />

studies, architecture, art, and other fields, these essays reveal the place<br />

of Tel-Aviv in the life and imagination of its diverse inhabitants. The<br />

careful and insightful tracing of the development of the city’s urban<br />

landscape, the relationship of its varied architecture to its competing<br />

social cultures, and its evolving place in Israel’s literary imagination<br />

come together to offer a vivid and complex picture of Tel-Aviv as a<br />

microcosm of Israeli life and a vibrant modern European city.<br />

Maoz Azaryahu is Professor of Cultural Geography at the <strong>University</strong><br />

of Haifa and author of Tel Aviv: Mythography of a City.<br />

S. Ilan Troen is Stoll Family Professor of Israel Studies and Director of<br />

the Schusterman Center for Israel Studies at Brandeis <strong>University</strong>.<br />

“A serious yet accessible look at the many facets that have come to<br />

constitute the complex personality of a very complicated city and<br />

society.” —Kenneth E. Foote, <strong>University</strong> of Colorado at Boulder<br />

An Israel Studies Book<br />

November 2011<br />

Middle East, Judaica<br />

World<br />

408 pages, 45 b&w illus., 6 x 9<br />

Cloth 978-0-253-35694-9 $70.00L £52.00<br />

Paper 978-0-253-22357-9 $24.95s £16.99<br />

eBook 978-0-253-00563-2 $20.95 £14.99<br />

Olga Borovaya explores the emergence and expansion of print<br />

culture in Ladino (Judeo-Spanish), the mother tongue of the<br />

Sephardic Jews of the Ottoman Empire, in the second half of the<br />

19th and early 20th centuries. She provides the first comprehensive<br />

study of the three major forms of Ladino literary production—the<br />

press, belles lettres, and theater—as a single cultural phenomenon.<br />

The product of meticulous research and innovative methodology,<br />

Modern Ladino Culture offers a new perspective on the history of<br />

the Ladino press, a novel approach to the study of belles lettres in<br />

Ladino and their relationship to their European sources, and a finegrained<br />

critique of Sephardic plays as venues for moral education<br />

and politicization.<br />

Olga Borovaya is a visiting scholar at Stanford <strong>University</strong>. She is author<br />

of Modernization of a Culture (in Russian).<br />

“A superb literary-historical study of Ladino literature . . . that goes<br />

very far in fleshing out, correcting, and innovatively interpreting<br />

the history and substance of Ladino literary production.” —Sarah<br />

Abrevaya Stein, author of Making Jews Modern (IUP, 2003)<br />

<strong>Indiana</strong> Series in Sephardi and Mizrahi Studies<br />

Harvey E. Goldberg and Matthias Lehmann, editors<br />

november 2011<br />

Judaica, Literature<br />

World<br />

288 pages, 8 b&w illus., 6 x 9<br />

Cloth 978-0-253-35672-7 $39.95s £26.99<br />

eBook 978-0-253-00556-4 $33.95 £23.99<br />

30 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

The United States<br />

Holocaust Memorial Museum<br />

Encyclopedia of Camps and Ghettos,<br />

1933–1945<br />

Volume II<br />

Ghettos in German-Occupied Eastern Europe<br />

the unIteD StateS holoCauSt memorIal muSeum<br />

enCyCloPeDIa of<br />

CamPS anD GhettoS<br />

1933–1945<br />

Geoffrey P. Megargee, General Editor<br />

Martin Dean, Volume Editor<br />

Introduction by Christopher R. Browning<br />

The second volume of an award-winning encyclopedia<br />

documents 1,150 ghettos<br />

Volume II offers a comprehensive account of how the Nazis conducted the Holocaust<br />

throughout the scattered towns and villages of Poland and the Soviet Union. It covers<br />

more than 1,150 sites, including both open and closed ghettos. Regional essays<br />

outline the patterns of ghettoization in 19 German administrative regions. Each<br />

entry discusses key events in the history of the ghetto; living and working conditions;<br />

activities of the Jewish Councils; Jewish responses to persecution; demographic<br />

changes; and details of the ghetto’s liquidation. Personal testimonies help convey<br />

the character of each ghetto, while source citations provide a guide to additional<br />

information. Documentation of hundreds of smaller sites—previously unknown<br />

or overlooked in the historiography of the Holocaust—make this an indispensable<br />

reference work on the destroyed Jewish communities of Eastern Europe.<br />

Geoffrey P. Megargee is an applied research scholar at the Center for Advanced Holocaust<br />

Studies, United States Holocaust Memorial Museum.<br />

Volume I I<br />

Ghettos in Germanoccupied<br />

eastern europe<br />

Part a<br />

Geoffrey P. megargee, General editor<br />

martin Dean, Volume editor<br />

Introduction by Christopher r. Browning<br />

“This magnificent collective effort, uniting the<br />

research and expertise of leading scholars from<br />

around the world, provides a fundamental<br />

new reference for the history of the Holocaust.<br />

Anyone who wishes to understand the variety of<br />

Jewish experience in the ghettos and the scale of<br />

the destruction of a whole European world must<br />

consult this encyclopedia.” —Timothy Snyder,<br />

author of Bloodlands<br />

Martin Dean is an applied research scholar at the Center for Advanced Holocaust Studies,<br />

United States Holocaust Memorial Museum.<br />

Published in association with the United States Holocaust Memorial Museum<br />

Also of Interest<br />

The United States Holocaust Memorial Museum<br />

Encyclopedia of Camps and Ghettos, 1933–1945, Volume I<br />

Cloth 978-0-253-35328-3 $295.00s<br />

Lódz Ghetto<br />

Paper 978-0-253-21993-0 $24.95t<br />

January 2012<br />

Holocaust<br />

World<br />

2096 pages, 192 b&w illus., 20 maps, 8 1 / 2 x 11<br />

Cloth 978-0-253-35599-7 $295.00s £198.00<br />

Prepublication Price $236.00<br />

through november 1, 2011<br />

iupress.indiana.edu 31


indiana university press<br />

Motion,<br />

Metaphor, and<br />

Meaning in Music<br />

Musical Forces<br />

Motion, Metaphor,<br />

and Meaning in Music<br />

Music and<br />

the Politics<br />

of Negation<br />

Musical Forces<br />

Steve Larson<br />

James R. Currie<br />

steve Larson<br />

How and why music moves us<br />

Steve Larson draws on his 20 years of research in music theory,<br />

cognitive linguistics, experimental psychology, and artificial<br />

intelligence—as well as his skill as a jazz pianist—to show how the<br />

experience of physical motion can shape one’s musical experience.<br />

Clarifying the roles of analogy, metaphor, grouping, pattern,<br />

hierarchy, and emergence in the explanation of musical meaning,<br />

Larson explains how listeners hear tonal music through the<br />

analogues of physical gravity, magnetism, and inertia. His theory<br />

of melodic expectation goes beyond prior theories in predicting<br />

complete melodic patterns. Larson elegantly demonstrates how<br />

rhythm and meter arise from, and are given meaning by, these<br />

same musical forces.<br />

Steve Larson is the Robert M. Trotter Professor of Music at the<br />

<strong>University</strong> of Oregon and a member of its Institute of Cognitive and<br />

Decision Sciences. He is author of Analyzing Jazz: A Schenkerian Approach.<br />

A radical reassessment of the postmodern<br />

study of music<br />

Over the past quarter century, music studies in the academy<br />

have justified their postmodern credentials by insisting that our<br />

scholarly engagements start and end by placing music firmly<br />

within its various historical and social contexts. In Music and<br />

the Politics of Negation, James R. Currie sets out to disturb the<br />

validity of this now quite orthodox claim. Alternating dialectically<br />

between analytic and historical investigations into the late 18th<br />

century and the present, he poses a set of uncomfortable questions<br />

regarding the limits and complicities of the values that the<br />

academy keeps in circulation by means of its musical encounters.<br />

His overriding thesis is that the forces that have formed us are<br />

not our fate.<br />

James r. Currie is Associate Professor of Music at the <strong>University</strong> of<br />

Buffalo. In addition to his academic work he is also active as a performance<br />

artist and poet.<br />

Musical Meaning and Interpretation<br />

Robert S. Hatten, editor<br />

Musical Meaning and Interpretation<br />

Robert S. Hatten, editor<br />

November 2011<br />

Music<br />

World<br />

328 pages, 10 b&w illus., 71 music exx., 6 x 9<br />

Cloth 978-0-253-35682-6 $44.95s £29.99<br />

eBook 978-0-253-00549-6 $37.95 £25.99<br />

January 2012<br />

Music<br />

World<br />

264 pages, 21 music exx., 6 x 9<br />

Cloth 978-0-253-35703-8 $34.95s £22.99<br />

eBook 978-0-253-00522-9 $28.95 £19.99<br />

32 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Expressive<br />

intersections in BraHmS<br />

Essays in analysis and meaning<br />

Expressive<br />

Intersections<br />

in Brahms<br />

Essays in Analysis<br />

and Meaning<br />

Edited by Peter H. Smith<br />

and Heather A. Platt<br />

Debussy<br />

re d u x<br />

The ImpacT of hIs musIc on popular culTure<br />

Debussy Redux<br />

The Impact of His Music<br />

on Popular Culture<br />

Matthew Brown<br />

Edited by<br />

PEtEr H. SmitH and HEatHEr a. Platt<br />

Matthew Brown<br />

How Brahms organized musical elements<br />

for expressive purposes<br />

Contributors to this exciting new volume examine the intersection<br />

of structure and meaning in Brahms’s music, utilizing a wide range<br />

of approaches, from the theories of Schenker to the most recent<br />

analytical techniques. They combine various viewpoints with<br />

the semiotic-based approaches of Robert Hatten, and address<br />

many of the most important genres in which Brahms composed.<br />

The essays reveal the expressive power of a work through the<br />

comparison of specific passages in one piece to similar works<br />

and through its relationship to other artistic realms such as<br />

literature and painting. The result of this intertextual re-framing<br />

is a new awareness of the meaningfulness of even Brahms’s most<br />

“absolute” works.<br />

Peter H. Smith is Associate Professor of Music at the <strong>University</strong> of<br />

Notre Dame and author of Expressive Forms in Brahms’s Instrumental Music<br />

(IUP, 2005).<br />

Heather Platt is Professor of Music History at Ball State <strong>University</strong><br />

and author of Johannes Brahms: A Research and Information Guide (2nd<br />

edition, 2011).<br />

Musical Meaning and Interpretation<br />

Robert S. Hatten, editor<br />

January 2012<br />

Music<br />

World<br />

336 pages, 1 color illus., 1 b&w illus, 93 music exx., 6 x 9<br />

Cloth 978-0-253-35705-2 $44.95s £29.99<br />

eBook 978-0-253-00525-0 $33.95 £23.99<br />

Debussy’s music in the context of pop culture<br />

The works of Claude Debussy (1862–1918) had a major impact on<br />

the music of the 20th century, influencing a range of figures from<br />

Ravel and Stravinsky to Henri Dutilleux and Toru Takemitsu.<br />

Less well known is Debussy’s influence on the popular culture<br />

of the period. Matthew Brown shows how Debussy’s music has<br />

surfaced in an array of contexts from the film music of the 1940s<br />

to the dance music of the 1990s. It is easy to see how Debussy’s<br />

impressionist soundscapes for orchestra such as La Mer and<br />

Iberia could be perfect models for accompaniments to film<br />

scenes, but as Brown makes clear Debussy’s music and influence<br />

cannot by reduced to dreamy imitations of Clair de Lune. As he<br />

traces the trajectory of Debussy’s stylistic evolution, Brown shows<br />

how facets of this style were reinterpreted in a surprising variety<br />

of popular musical contexts.<br />

Matthew Brown is author of Explaining Tonality, Debussy’s Iberia, and<br />

articles in Integral, Music Theory Spectrum, Understanding Rock, and Journal<br />

of Musicology, among others. He is a Professor of Music Theory at the<br />

Eastman School of Music, <strong>University</strong> of Rochester.<br />

Musical Meaning and Interpretation<br />

Robert S. Hatten, editor<br />

November 2011<br />

Music<br />

World<br />

248 pages, 8 color plates, 41 music exx., 6 x 9<br />

Cloth 978-0-253-35716-8 $34.95s £22.99<br />

iupress.indiana.edu 33


indiana university press<br />

<br />

<br />

<br />

ecoru<br />

inue<br />

eliriu<br />

al<br />

ric e<br />

A Study of Dance*Music Relations in ¾ Time<br />

<br />

Decorum of<br />

the Minuet,<br />

Delirium of<br />

the Waltz<br />

A Study of<br />

Dance-Music Relations<br />

in 3/4 Time<br />

<br />

<br />

Eric McKee<br />

A<br />

Performer’s Guide<br />

to seventeenthcentury<br />

Music<br />

s e c o n d e d i t i o n<br />

Edited by Stewart Carter<br />

revised and expanded by Jeffery Kite-Powell<br />

A Performer’s<br />

Guide to<br />

Seventeenth-<br />

Century Music<br />

Second Edition<br />

Edited by Stewart Carter<br />

Revised and expanded<br />

by Jeffery Kite-Powell<br />

Music and social dance of the 18th and<br />

19th centuries<br />

Much music was written for the two most important dances of the<br />

18th and 19th centuries, the minuet and the waltz. In Decorum<br />

of the Minuet, Delirium of the Waltz, Eric McKee argues that to<br />

better understand the musical structures and expressive meanings<br />

of this dance music, one must be aware of the social contexts<br />

and bodily rhythms of the social dances upon which it is based.<br />

McKee approaches dance music as a component of a multimedia<br />

art form that involves the interaction of physical motion, music,<br />

architecture, and dress. Moreover, the activity of attending a ball<br />

involves a dynamic network of modalities—sight, sound, bodily<br />

awareness, touch, and smell, which can be experienced from<br />

the perspectives of a dancer, a spectator, or a musician. McKee<br />

considers dance music within a larger system of signifiers and<br />

points-of-view that opens new avenues of interpretation.<br />

Eric McKee is Associate Professor of Music Theory at Pennsylvania State<br />

<strong>University</strong>. He is a contributor to The Age of Chopin (IUP, 2004), and his<br />

articles have appeared in such journals as Music Theory Spectrum, Music<br />

Analysis, In Theory Only, College Music Symposium, and Theory and Practice.<br />

Musical Meaning and Interpretation<br />

Robert S. Hatten, editor<br />

November 2011<br />

Performing Arts<br />

World<br />

304 pages, 30 b&w illus., 73 music exx., 6 x 9<br />

Cloth 978-0-253-35692-5 $39.95s £26.99<br />

Comprehensive manual of performance<br />

practice for 17th century music<br />

Revised and expanded, A Performer’s Guide to Seventeenth-<br />

Century Music is a comprehensive reference guide for students<br />

and professional musicians. The book contains useful material on<br />

vocal and choral music and style; instrumentation; performance<br />

practice; ornamentation, tuning, temperament; meter and tempo;<br />

basso continuo; dance; theatrical production; and much more.<br />

The volume includes new chapters on the violin, the violoncello<br />

and violone, and the trombone—as well as updated and expanded<br />

reference materials, internet resources, and other newly available<br />

material. This highly accessible handbook will prove a welcome<br />

reference for any musician or singer interested in historically<br />

informed performance.<br />

Stewart Carter is Chair of the Department of Music at Wake Forest<br />

<strong>University</strong>, Executive Editor of the Historic Brass Society Journal, and former<br />

editor of Historical Performance: The Journal of Early Music America.<br />

Jeffery Kite-Powell is Professor Emeritus at the Florida State<br />

<strong>University</strong> College of Music. He is translator of Michael Praetorius’s<br />

Syntagma Musicum III and editor of A Performer’s Guide to Renaissance<br />

Music, Second Edition (IUP, 2007).<br />

Publications of the Early Music Institute<br />

Paul Elliott, editor<br />

January 2012<br />

Music<br />

World<br />

568 pages, 20 b&w illus., 58 music exx., 6 1 / 8 x 9 1 / 4<br />

Cloth 978-0-253-35706-9 $49.95s £34.00<br />

eBook 978-0-253-00528-1 $41.95 £28.99<br />

NEw edition<br />

34 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

The Symphonic Repertoire<br />

The Eighteenth-Century Symphony<br />

Volume I<br />

A. Peter Brown, Founding Editor<br />

Edited by Mary Sue Morrow and Bathia Churgin<br />

The beginnings of symphonic music in Western culture<br />

Central to the repertoire of Western art music since the 18th century, the symphony<br />

has come to be regarded as one of the ultimate compositional challenges. In his<br />

five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the<br />

symphony from its 18th-century beginnings to the end of the 20th century. In Volume<br />

1, The Eighteenth-Century Symphony, 22 of Brown’s former students and colleagues<br />

collaborate to complete the work that he began on this critical period of development<br />

in symphonic history. The work follows Brown’s outline, is organized by country, and<br />

focuses on major composers. It includes a four-chapter overview and concludes with a<br />

reframing of the symphonic narrative. Contributors address issues of historiography,<br />

the status of research, and questions of attribution and stylistic traits, and provide<br />

background material on the musical context of composition and early performances.<br />

The volume features a CD of recordings from the Bloomington Early Music Festival<br />

Orchestra, highlighting the largely unavailable repertoire discussed in the book.<br />

The<br />

SYMPHONIC<br />

REPERTOIRE<br />

The<br />

Eighteenth-Century<br />

Symphony<br />

v o l u m e i<br />

edited by<br />

Mary Sue Morrow<br />

and<br />

Bathia Churgin<br />

Mary Sue Morrow is Professor of Musicology at the <strong>University</strong> of Cincinnati and author of<br />

Concert Life in Haydn’s Vienna and German Music Criticism in the Late Eighteenth Century.<br />

Bathia Churgin is former chair and founder of the Musicology Department at Bar-Ilan <strong>University</strong>. She<br />

has edited numerous editions of 18th-century instrumental music that include historical and analytical essays.<br />

Published with the generous support of the Allen Whitehill Clowes Charitable Foundation<br />

CD included<br />

Also of Interest<br />

The Symphonic Repertoire, Volume III‚ Part A<br />

Cloth 978-0-253-34801-2 $95.00s<br />

The Symphonic Repertoire, Volume III, Part B<br />

Cloth 978-0-253-34897-5 $95.00s<br />

january 2012<br />

Music<br />

World<br />

928 pages, 165 music exx., 6 3 / 4 x 9 7 / 8<br />

Cloth 978-0-253-35640-6 $95.00s £64.00<br />

eBook 978-0-253-00515-1 $80.95 £62.00<br />

iupress.indiana.edu 35


indiana university press<br />

L e o n a r d L a w L o r<br />

Early<br />

Bergson Freud Husserl Heidegger Merleau-<br />

Ponty Foucault Bergson Freud Husserl Heidegger<br />

Merleau-Ponty Foucault Bergson<br />

Freud Husserl Heidegger Merleau-Ponty<br />

Foucault Bergson Freud Husserl Heidegger<br />

Merleau-Ponty<br />

TwEnTiETh-<br />

Foucault Bergson Freud<br />

Husserl Heidegger Merleau-Ponty Foucault<br />

Bergson Freud Husserl Heidegger Merleau-<br />

Ponty Foucault Bergson Freud Husserl Heidegger<br />

CEnTury<br />

Merleau-Ponty Foucault Bergson<br />

Freud Husserl Heidegger Merleau-Ponty<br />

Foucault Bergson Freud Husserl Heidegger<br />

Merleau-Ponty Foucault Bergson Freud<br />

ConTinEnTal<br />

PhilosoPhy<br />

Husserl Heidegger Merleau-Ponty Foucault<br />

Bergson Freud Husserl Heidegger Merleau-<br />

Ponty Foucault Bergson Freud Husserl Heidegger<br />

Merleau-Ponty Foucault Bergson<br />

Freud Husserl Heidegger Merleau-Ponty<br />

Foucault Bergson Freud Husserl Heidegger<br />

Merleau-Ponty Foucault Bergson Freud<br />

Husserl Heidegger Merleau-Ponty Foucault<br />

Bergson Freud Husserl Heidegger Merleau-<br />

Early<br />

Twentieth-<br />

Century<br />

Continental<br />

Philosophy<br />

Leonard Lawlor<br />

KAnt<br />

and the<br />

Subject of<br />

critique<br />

on the Regulative Role<br />

of the Psychological idea<br />

Avery GoldmAn<br />

Kant and<br />

the Subject<br />

of Critique<br />

On the Regulative Role<br />

of the Psychological Idea<br />

Avery Goldman<br />

The fundamental project of continental philosophy<br />

Early Twentieth-Century Continental Philosophy elaborates<br />

the basic project of contemporary continental philosophy, which<br />

culminates in a movement toward thinking about the awareness<br />

that determines our humanity. Leonard Lawlor interprets key texts<br />

by major figures in the continental tradition, including Bergson,<br />

Foucault, Freud, Heidegger, Husserl, and Merleau-Ponty. His<br />

conception of continental philosophy as a unified project enables<br />

Lawlor to think beyond its European origins and envision a global<br />

sphere of philosophical inquiry that will revitalize the field.<br />

Leonard Lawlor is Edwin Erle Sparks Professor of Philosophy at<br />

Pennsylvania State <strong>University</strong>. He is author of Derrida and Husserl (IUP,<br />

2002) and Thinking through French Philosophy (IUP, 2003).<br />

Brings philosophical and critical unity to the self<br />

Immanuel Kant is strict about the limits of self-knowledge:<br />

our inner sense gives us only appearances, never the reality, of<br />

ourselves. Kant may seem to begin his inquiries with an uncritical<br />

conception of cognitive limits, but in Kant and the Subject of<br />

Critique, Avery Goldman argues that, even for Kant, a reflective<br />

act must take place before any judgment occurs. By establishing a<br />

regulative self, Goldman offers a way to bring unity to the subject<br />

through Kant’s seemingly circular reasoning, allowing for critique<br />

and, ultimately, knowledge.<br />

Avery Goldman is Assistant Professor of Philosophy at DePaul<br />

<strong>University</strong>.<br />

“Leonard Lawlor has proven himself to be one of the most imaginative<br />

and original interpreters of French philosophy.” —Stephen H.<br />

Watson, <strong>University</strong> of Notre Dame<br />

“Original and expertly executed . . . . the regulative idea of the soul<br />

both makes possible the undertaking of critique and follows from it.”<br />

—Bernard Freydberg, Duquesne <strong>University</strong><br />

“Well researched and credible in its sweep through the various<br />

philosophical projects it considers.” —James Risser, Seattle <strong>University</strong><br />

Studies in Continental Thought<br />

John Sallis, editor<br />

Studies in Continental Thought<br />

John Sallis, editor<br />

December 2011<br />

Philosophy<br />

World<br />

264 pages, 6 x 9<br />

Cloth 978-0-253-35702-1 $80.00L £60.00<br />

Paper 978-0-253-22372-2 $27.95s £18.99<br />

eBook 978-0-253-00516-8 $22.95 £15.99<br />

January 2012<br />

Philosophy<br />

World<br />

280 pages, 6 x 9<br />

Cloth 978-0-253-35711-3 $80.00L £60.00<br />

Paper 978-0-253-22366-1 $27.95s £18.99<br />

eBook 978-0-253-00540-3 $22.95 £15.99<br />

36 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

The Origin Of The<br />

LOgic Of SymbOLic<br />

maThemaTicS<br />

edmund huSSerL and JacOb KLein<br />

burT c. hOpKinS<br />

The Origin of<br />

the Logic of<br />

Symbolic<br />

Mathematics<br />

Edmund Husserl<br />

and Jacob Klein<br />

Creation<br />

a n d t H e S o v e r e i g n t y o f g o d<br />

Hugh J. McCann<br />

Creation<br />

and the<br />

Sovereignty<br />

of God<br />

Hugh J. McCann<br />

Burt C. Hopkins<br />

The logic of modern symbolic mathematics<br />

A systematic view of God as Creator<br />

Burt C. Hopkins presents the first in-depth study of the work of<br />

Edmund Husserl and Jacob Klein on the philosophical foundations<br />

of the logic of modern symbolic mathematics. Accounts of<br />

the philosophical origins of formalized concepts—especially<br />

mathematical concepts and the process of mathematical abstraction<br />

that generates them—have been paramount to the development of<br />

phenomenology. Both Husserl and Klein independently concluded<br />

that it is impossible to separate the historical origin of the thought<br />

that generates the basic concepts of mathematics from their<br />

philosophical meanings. Hopkins explores how Husserl and Klein<br />

arrived at their conclusion and its philosophical implications for the<br />

modern project of formalizing all knowledge.<br />

Burt C. Hopkins is Professor of Philosophy at Seattle <strong>University</strong>. He is author<br />

of Intentionality in Husserl and Heidegger and The Philosophy of Husserl. He is<br />

founding editor (with Steven G. Crowell) of The New Yearbook for Phenomenology<br />

and Phenomenological Philosophy and is permanent secretary of the Husserl Circle.<br />

Creation and the Sovereignty of God brings fresh insight to<br />

a defense of God. Traditional theistic belief declared a perfect<br />

being who creates and sustains everything and who exercises<br />

sovereignty over all. Lately, this idea has been contested, but<br />

Hugh J. McCann maintains that God creates the best possible<br />

universe and is completely free to do so; that God is responsible<br />

for human actions, yet humans also have free will; and ultimately,<br />

that divine command must be reconciled with natural law. With<br />

this distinctive approach to understanding God and the universe,<br />

McCann brings new perspective to the evidential argument of evil.<br />

Hugh J. McCann is Professor of Philosophy at Texas A&M <strong>University</strong>.<br />

He is author of The Works of Agency: On Human Action, Will, and Freedom.<br />

“Offers an elaborate, rigorous development and defense of the<br />

medieval Christian view that God as creator is sovereign, free, and<br />

simple.” —Paul K. Moser, Loyola <strong>University</strong> Chicago<br />

“A striking, original study . . . for the history of mathematics, our<br />

understanding of Husserlian phenomenology, and the concepts of<br />

formality and formalization.” —Robert B. Pippin, <strong>University</strong> of Chicago<br />

Studies in Continental Thought<br />

John Sallis, editor<br />

<strong>Indiana</strong> Series in the Philosophy of Religion<br />

Merold Westphal, editor<br />

August 2011<br />

Philosophy<br />

World<br />

568 pages, 6 x 9<br />

Cloth 978-0-253-35671-0 $49.95s £34.00<br />

eBook 978-0-253-00527-4 $41.95 £28.99<br />

January 2012<br />

Philosophy, Religion<br />

World<br />

296 pages, 6 x 9<br />

Cloth 978-0-253-35714-4 $39.95s £26.99<br />

eBook 978-0-253-00546-5 $33.95 £23.99<br />

iupress.indiana.edu 37


indiana university press<br />

Discourses at the<br />

Communion<br />

on Fridays<br />

Søren Kierkegaard<br />

Discourses<br />

at the<br />

Communion<br />

on Fridays<br />

Søren Kierkegaard<br />

Translated by Sylvia Walsh<br />

stokes / buben<br />

Kierkegaard and Death<br />

Kierkegaard<br />

and<br />

Death<br />

Kierkegaard<br />

and Death<br />

Edited by Patrick Stokes<br />

and Adam Buben<br />

TR ANSLATED BY SYLVIA WALSH<br />

INDIANA<br />

edited by<br />

patrick stokes and adam buben<br />

A new translation of Kierkegaard’s communion<br />

discourses<br />

Søren Kierkegaard’s 13 communion discourses constitute a distinct<br />

genre among the various forms of religious writing composed by<br />

Kierkegaard. Originally published at different times and places,<br />

Kierkegaard himself believed that these discourses served as a<br />

unifying element in his work and were crucial for understanding<br />

his religious thought and philosophy as a whole. Written in an<br />

intensely personal liturgical context, the communion discourses<br />

prepare the reader for participation in this rite by emphasizing the<br />

appropriate posture for forgiveness of sins and confession.<br />

Sylvia Walsh is Scholar in Residence at Stetson <strong>University</strong>. She is author<br />

of Kierkegaard: Thinking Christianly in an Existential Mode.<br />

“Putting all these discourses together highlights an important<br />

dimension of Kierkegaard’s thought that is often overlooked or at<br />

least underestimated, by showing the organic connection between<br />

that thought and the Christian practice of confession and the<br />

Christian sacrament of communion. . . . The introduction provided<br />

for the volume is superb.” —C. Stephen Evans, Baylor <strong>University</strong><br />

<strong>Indiana</strong> Series in the Philosophy of Religion<br />

Merold Westphal, editor<br />

September 2011<br />

Philosophy, Religion<br />

World<br />

168 pages, 5 1 / 2 x 8 1 / 2<br />

Cloth 978-0-253-35673-4 $29.95s £19.99<br />

eBook 978-0-253-00557-1 $24.95 £16.99<br />

Death and dying in the work of Søren Kierkegaard<br />

Few philosophers have devoted such sustained, almost obsessive<br />

attention to the topic of death as Søren Kierkegaard. Kierkegaard<br />

and Death brings together new work on Kierkegaard’s multifaceted<br />

discussions of death and provides a thorough guide to the development,<br />

in various texts and contexts, of Kierkegaard’s ideas concerning death,<br />

immortality, suicide, mortality and subjectivity, death and the meaning<br />

of life, and the question of the afterlife. While bringing Kierkegaard’s<br />

philosophy of death into focus, this volume connects Kierkegaard with<br />

important debates in contemporary philosophy.<br />

Patrick Stokes is a Marie Curie Fellow in Philosophy at the <strong>University</strong><br />

of Hertfordshire and an Honorary Fellow in the School of Historical and<br />

Philosophical Studies, <strong>University</strong> of Melbourne. He is author of Kierkegaard’s<br />

Mirrors: Interest, Self, and Moral Vision.<br />

Adam Buben is a Presidential Doctoral Fellow in Philosophy at the<br />

<strong>University</strong> of South Florida and a Kierkegaard House Foundation Fellow in<br />

the Hong Kierkegaard Library at St. Olaf College in Minnesota.<br />

“Starting from living death and the thought of death, and then moving<br />

through dying, recollecting the death of another, and finally future life,<br />

this volume brings together in a coherent way Kierkegaard’s view on<br />

death and dying.” —Andrew J. Burgess, <strong>University</strong> of New Mexico<br />

<strong>Indiana</strong> Series in the Philosophy of Religion<br />

Merold Westphal, editor<br />

November 2011<br />

Philosophy, Religion<br />

World<br />

296 pages, 6 x 9<br />

Cloth 978-0-253-35685-7 $80.00L £60.00<br />

Paper 978-0-253-22352-4 $29.95s £19.99<br />

eBook 978-0-253-00534-2 $24.95 £16.99<br />

38 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

F e m i n i s t<br />

D i s a b i l i t y<br />

s t u D i e s<br />

Feminist<br />

Disability<br />

Studies<br />

Edited by Kim Q. Hall<br />

Edited by<br />

Hansjörg Dilger<br />

Abdoulaye Kane<br />

and Stacey A. Langwick<br />

Medicine, Mobility, and<br />

Power in Global Africa<br />

Transnational Health and Healing<br />

Medicine,<br />

Mobility,<br />

and Power in<br />

Global Africa<br />

Transnational<br />

Health and Healing<br />

E d i t e d b y K i m Q . H a l l<br />

Edited by Hansjörg Dilger,<br />

Abdoulaye Kane, and<br />

Stacey A. Langwick<br />

Integrating feminist theory with disability studies<br />

Africa and medicine in a globalized world<br />

Disability, like questions of race, gender, and class, is one of<br />

the most provocative topics among theorists and philosophers<br />

today. This volume, situated at the intersection of feminist theory<br />

and disability studies, addresses questions about the nature of<br />

embodiment, the meaning of disability, the impact of public policy<br />

on those who have been labeled disabled, and how we define the<br />

norms of mental and physical ability. The essays here bridge the<br />

gap between theory and activism by illuminating structures of<br />

power and showing how historical and cultural perceptions of<br />

the human body have been informed by and contributed to the<br />

oppression of women and disabled people.<br />

Kim Q. Hall is Professor of Philosophy and a faculty member in the<br />

Women’s Studies and Sustainable Development programs at Appalachian<br />

State <strong>University</strong>. She is editor (with Chris Cuomo) of Whiteness: Feminist<br />

Philosophical Reflections.<br />

“Puts feminist theory and disability studies into conversation with one<br />

another, not simply to make for an ‘additive’ approach, but to transform<br />

both fields of inquiry.” —Diane Herndl, Iowa State <strong>University</strong><br />

“A volume of the highest scholarly quality that extends both feminist<br />

theory and disability studies.” —Nancy Tuana, Pennsylvania State <strong>University</strong><br />

October 2011<br />

Philosophy, Feminist<br />

World<br />

296 pages, 11 b&w illus., 6 x 9<br />

Cloth 978-0-253-35662-8 $70.00L £52.00<br />

Paper 978-0-253-22340-1 $24.95s £16.99<br />

eBook 978-0-253-00518-2 $20.95 £13.99<br />

Recent political, social, and economic changes in Africa have provoked<br />

radical shifts in the landscape of health and healthcare. Medicine,<br />

Mobility, and Power in Global Africa captures the multiple dynamics of<br />

a globalized world and its impact on medicine, health, and the delivery of<br />

healthcare in Africa. Essays by an international group of contributors take<br />

on intractable problems such as HIV/AIDS, malaria, the reemergence<br />

of tuberculosis, and the absence of healthcare professionals, drugs,<br />

resources, hospitals, and technologies. The movements of people and<br />

resources described here expose the growing challenges of poverty and<br />

public health while showing how the global movement of people has<br />

created new opportunities for funding healthcare systems.<br />

Hansjörg Dilger is Junior Professor of Social and Cultural Anthropology<br />

at Freie Universität Berlin. He is author of Living with Aids: Illness, Death,<br />

and Social Relationships in Africa (in German).<br />

Abdoulaye Kane is Assistant Professor of Anthropology and African<br />

Studies at the <strong>University</strong> of Florida.<br />

Stacey A. Langwick is Assistant Professor of Anthropology at Cornell<br />

<strong>University</strong>. She is author of Bodies, Politics, and African Healing: The Matter of<br />

Maladies in Tanzania (IUP, 2010).<br />

“Focusing on globalization and Africa . . . this volume underscores the<br />

interconnectedness and the imbalances during a time of neoliberal<br />

reform.” —Elisha P. Renne, <strong>University</strong> of Michigan<br />

January 2012<br />

Anthropology, Africa<br />

World<br />

352 pages, 10 b&w illus. , 6 x 9<br />

Cloth 978-0-253-35709-0 $80.00L £60.00<br />

Paper 978-0-253-22368-5 $27.95s £18.99<br />

eBook 978-0-253-00532-8 $22.95 £15.99<br />

iupress.indiana.edu 39


indiana university press<br />

Muslims and New Media<br />

in West Africa<br />

Pathways to God<br />

Dorothea E. Schulz<br />

Muslims and<br />

New Media in<br />

West Africa<br />

Pathways to God<br />

Dorothea E. Schulz<br />

Muslim Families<br />

in Global Senegal<br />

M o n e y T a k e s C a r e o f S h a m e<br />

Beth Buggenhagen<br />

Muslim Families<br />

in Global<br />

Senegal<br />

Money Takes Care<br />

of Shame<br />

Beth Buggenhagen<br />

Gender, religion, and the new urban economy<br />

Although Islam is not new to West Africa, new patterns of<br />

domestic economies, the promise of political liberalization, and the<br />

proliferation of new media have led to increased scrutiny of Islam in<br />

the public sphere. Dorothea E. Schulz shows how new media have<br />

created religious communities that are far more publicly engaged<br />

than they were in the past. Muslims and New Media in West Africa<br />

expands ideas about religious life in West Africa, women’s roles in<br />

religion, religion and popular culture, the meaning of religious<br />

experience in a charged environment, and how those who consume<br />

both religion and new media view their public and private selves.<br />

Dorothea E. Schulz is Professor in the Department of Cultural and<br />

Social Anthropology at the <strong>University</strong> of Cologne.<br />

“Promises to make a major contribution not only to the study of<br />

women’s involvement in ‘political Islam’ in West Africa, but also<br />

to comparative studies of commodification, mass entertainment,<br />

the global emergence of new religious cultures, masculinity, and<br />

the personal effects of neoliberalism.” —Sean Hanretta, Stanford<br />

<strong>University</strong><br />

Social and moral values in the global<br />

Senegalese community<br />

Senegalese Murid migrants have circulated cargo and currency<br />

through official and unofficial networks in Africa and the world.<br />

Muslim Families in Global Senegal focuses on trade and the<br />

transmission of enduring social value though cloth, videos of<br />

life-cycle rituals, and religious offerings. Highlighting women’s<br />

participation in these networks and the financial strategies they<br />

rely on, Beth Buggenhagen reveals the deep connections between<br />

economic profits and ritual and social authority. Buggenhagen<br />

discovers that these strategies are not responses to a dispersed<br />

community in crisis, but rather produce new roles, wealth, and<br />

worth for Senegalese women in all parts of the globe.<br />

Beth Buggenhagen is Assistant Professor of Anthropology at <strong>Indiana</strong><br />

<strong>University</strong> Bloomington. She is editor (with Anne-Maria Makhulu and Stephen<br />

Jackson) of Hard Work, Hard Times: Global Volatility and African Subjectivities.<br />

“A first-rate ethnography of Muslim women in Dakar. . . . provides<br />

not only a wealth of detail but extremely fine-grained analysis of<br />

women’s exchange networks, both in the domains of commerce<br />

but especially in ritual contexts.” —Robert Launay, Northwestern<br />

<strong>University</strong><br />

December 2011<br />

Africa, Media, Islam<br />

World<br />

320 pages, 6 b&w illus., 1 map, 6 x 9<br />

Cloth 978-0-253-35715-1 $80.00L £60.00<br />

Paper 978-0-253-22362-3 $27.95s £18.99<br />

eBook 978-0-253-00554-0 $22.95 £15.99<br />

December 2011<br />

Anthropology, Africa, Islam<br />

World<br />

240 pages, 21 b&w illus., 4 maps, 6 x 9<br />

Cloth 978-0-253-35710-6 $70.00L £52.00<br />

Paper 978-0-253-22367-8 $24.95s £16.99<br />

eBook 978-0-253-00535-9 $20.95 £14.99<br />

40 iupress.typepad.com/blog • 1.800.842.6796


Spirit<br />

Possession<br />

and Muslim<br />

Practice in<br />

Northern<br />

Nigeria<br />

Susan M. O’Brien<br />

Human rigHts and<br />

african Airwaves<br />

Mediating equalit y on the ChiChewa Radio<br />

HArri Englund<br />

indiana university press<br />

Human Rights<br />

and African<br />

Airwaves<br />

Mediating Equality on<br />

the Chichewa Radio<br />

Harri Englund<br />

Religious practices in a Muslim community<br />

Northern Nigeria is home to the largest concentration of Muslims<br />

in sub-Saharan Africa. However, Susan M. O’Brien finds that<br />

the controversial practice of bori spirit possession often has<br />

challenged the dominant, public face of Islam. O’Brien tracks a<br />

long history of bori ritual persisting through several centuries of<br />

Islamic censure and British colonial suppression—as a healing<br />

practice, a form of entertainment, and a repository of Hausa<br />

memory. O’Brien situates bori spirit mediums as typical, rather<br />

than deviant or marginal members of the Muslim community. She<br />

documents a less orthodox application of Islam that forces new<br />

interpretations of how to be Muslim today.<br />

Susan M. O’Brien is Assistant Professor of History at the <strong>University</strong> of<br />

Florida. Her work has appeared in Africa Today.<br />

“Illuminates major aspects of Hausa society and challenges longheld<br />

assumptions about bori, Islam, and gender.” —John H. Hanson,<br />

<strong>Indiana</strong> <strong>University</strong> Bloomington<br />

Local discourse in the global discussion<br />

of human rights<br />

Human Rights and African Airwaves focuses on Nkhani<br />

Zam’maboma, a popular Chichewa news bulletin broadcast on<br />

Malawi’s public radio. The program often takes authorities to<br />

task and questions much of the human rights rhetoric that comes<br />

from international organizations. Highlighting obligation and<br />

mutual dependence, the program expresses, in popular idioms<br />

and local narrative forms, grievances and injustices that are<br />

closest to Malawi’s impoverished public. Harri Englund reveals<br />

broadcasters’ everyday struggles with state-sponsored biases and<br />

a listening public with strong views and a critical ear. This fresh<br />

look at African-language media shows how Africans effectively<br />

confront inequality, exploitation, and poverty.<br />

Harri Englund is Reader in Social Anthropology at the <strong>University</strong><br />

of Cambridge. He is author of Prisoners of Freedom: Human Rights and<br />

the African Poor, winner of the 2006 Amaury Talbot Prize of the Royal<br />

Anthropological Institute.<br />

“An inspired choice of topic. The conceptual framework within which<br />

it is presented has been worked out with impressive clarity and<br />

delicacy.” —Karin Barber, <strong>University</strong> of Birmingham<br />

October 2011<br />

Religion, Africa, Islam<br />

World<br />

296 pages, 10 b&w illus., 1 map, 6 x 9<br />

Cloth 978-0-253-35678-9 $80.00L £60.00<br />

Paper 978-0-253-22346-3 $27.95s £18.99<br />

eBook 978-0-253-00544-1 $22.95 £15.99<br />

november 2011<br />

Anthropology, Africa, Media<br />

World<br />

280 pages, 9 b&w illus., 6 x 9<br />

Cloth 978-0-253-35677-2 $70.00L £52.00<br />

Paper 978-0-253-22347-0 $24.95s £16.99<br />

eBook 978-0-253-00543-4 $20.95 £14.99<br />

iupress.indiana.edu 41


indiana university press<br />

P o s t c o l o n i A l<br />

A r t i s t s<br />

A n d • G l o b A l<br />

A e s t h e t i c s<br />

Postcolonial<br />

Artists and<br />

Global<br />

Aesthetics<br />

Akin Adesokan<br />

Music and Globalization<br />

Critical Encounters<br />

Music and<br />

Globalization<br />

Critical Encounters<br />

Edited by Bob W. White<br />

A k i n • A d e s o k A n<br />

Edited by Bob W. White<br />

Globalization’s literary and artistic effects<br />

Rethinking globalization through music<br />

What happens when social and political processes such as<br />

globalization shape cultural production? Drawing on a range of<br />

writers and filmmakers from Africa and elsewhere, Akin Adesokan<br />

explores the forces at work in the production and circulation<br />

of culture in a globalized world. He tackles problems such as<br />

artistic representation in the era of decolonization, the uneven<br />

development of aesthetics across the world, and the impact of<br />

location and commodity culture on genres, with a distinctive<br />

approach that exposes the global processes transforming cultural<br />

forms.<br />

Akin Adesokan is Assistant Professor of Comparative Literature at<br />

<strong>Indiana</strong> <strong>University</strong> Bloomington and author of the novel Roots in the Sky. His<br />

writings have appeared in Screen, Textual Practice, Chimurenga, and Research<br />

in African Literatures.<br />

“This book is a significant intervention in debates on Postcolonialism<br />

and a model of intellectual ambition in its constant crossing of<br />

disciplinary and generic boundaries.” —Jonathan Haynes, Long Island<br />

<strong>University</strong><br />

“World music” emerged as a commercial and musical category<br />

in the 1980s, but in some sense music has always been global.<br />

Through the metaphor of encounters, Music and Globalization<br />

explores the dynamics that enable or hinder cross-cultural<br />

communication through music. In the stories told by the<br />

contributors, we meet well-known players such as David Byrne,<br />

Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but<br />

also lesser-known characters such as the Senegalese Afro-Cuban<br />

singer Laba Sosseh and Raramuri fiddle players from northwest<br />

Mexico. This collection demonstrates that careful historical<br />

and ethnographic analysis of global music can show us how<br />

globalization operates and what, if anything, we as consumers<br />

have to do with it.<br />

Bob W. White is Associate Professor in the Department of Anthropology<br />

at the Université de Montréal and author of Rumba Rules: The Politics of<br />

Dance Music in Mobutu’s Zaire.<br />

African Expressive Cultures<br />

Patrick McNaughton, editor<br />

Tracking Globalization<br />

Robert J. Foster, editor<br />

October 2011<br />

Literary Criticism & Theory, Africa<br />

World<br />

248 pages, 8 b&w illus., 6 x 9<br />

Cloth 978-0-253-35679-6 $70.00L £52.00<br />

Paper 978-0-253-22345-6 $24.95s £16.99<br />

eBook 978-0-253-00550-2 $20.95 £14.99<br />

January 2012<br />

Anthropology, Ethnomusicology<br />

World<br />

256 pages, 6 x 9<br />

Cloth 978-0-253-35712-0 $70.00L £52.00<br />

Paper 978-0-253-22365-4 $24.95s £16.99<br />

eBook 978-0-253-00541-0 $20.95 £14.99<br />

42 iupress.typepad.com/blog • 1.800.842.6796


Women’s<br />

Voices from<br />

West<br />

AfricA<br />

An Anthology of Songs from the Sahel<br />

Women’s<br />

Voices from<br />

West Africa<br />

An Anthology of Songs<br />

from the Sahel<br />

Edited by<br />

Aissata G. Sidikou<br />

and Thomas A. Hale<br />

indiana university press<br />

Screens<br />

and Veils<br />

Maghrebi Women’s<br />

Cinema<br />

Florence Martin<br />

Edited by<br />

Aissata G. Sidikou<br />

and Thomas A. Hale<br />

Florence<br />

Martin<br />

African women’s verbal art<br />

Aissata G. Sidikou and Thomas A. Hale reveal the world of<br />

women’s songs and singing in West Africa. This anthology—<br />

collected from 17 ethnic traditions across West Africa—introduces<br />

the power and beauty of the intimate expressions of African<br />

women. The songs, many translated here for the first time, reflect<br />

all stages of the life cycle and all walks of life. They entertain,<br />

give comfort and encouragement, and empower other women to<br />

face the challenges imposed on them by their families, men, and<br />

society. Women’s Voices from West Africa opens a new window<br />

on women’s changing roles in contemporary Africa.<br />

Aissata G. Sidikou is Assistant Professor of French at the United States<br />

Naval Academy. She is author of Recreating Words, Reshaping Worlds: The<br />

Verbal Art of Women from Niger, Mali, and Senegal.<br />

Thomas A. Hale is Liberal Arts Professr of African, French, and Comparative<br />

Literature and Head of the French Department at Pennsylvania<br />

State <strong>University</strong>. He is author of Griots and Griottes: Masters of Words and<br />

Music (IUP, 1999) and editor (with John William Johnson and Stephen<br />

Belcher) of Oral Epics from Africa (IUP, 1997).<br />

The cinematic vision of North African<br />

women directors<br />

Examined within their economic, cultural, and political context,<br />

the work of women Maghrebi filmmakers forms a cohesive body<br />

of work. Florence Martin examines the intersections of nation<br />

and gender in seven films, showing how directors turn around<br />

the politics of the gaze as they play with the various meanings<br />

of the Arabic term hijab (veil, curtain, screen). Martin analyzes<br />

these films on theoretical terms, developing the notion of<br />

“transvergence” to examine how Maghrebi women’s cinema is<br />

flexible, playful, and transgressive. These are distinctive films that<br />

traverse cultures, borrowing from and resisting the discourses<br />

these cultures propose.<br />

Florence Martin is Professor of French and Francophone Literature<br />

and Cinema at Goucher College and Associate Editor of Studies in French<br />

Cinema. She is author (with Isabelle Favre) of Bessie Smith, De la Guyane<br />

à la diaspora africaine and (with Maryse Fauvel and Stéphanie Martin) A<br />

vous de voir!<br />

“A valuable contribution to the corpus of literature on African<br />

women’s verbal art.” —Fiona Mc Laughlin, <strong>University</strong> of Florida<br />

New Directions in National Cinemas<br />

Jacqueline Reich, editor<br />

December 2011<br />

Ethnomusicology, Africa<br />

World<br />

128 pages, 18 maps, 6 x 9<br />

Cloth 978-0-253-35670-3 $34.95s £22.99<br />

november 2011<br />

Film & Media, Middle East<br />

World<br />

240 pages, 25 b&w illus., 6 x 9<br />

Cloth 978-0-253-35668-0 $70.00L £52.00<br />

Paper 978-0-253-22341-8 $24.95s £16.99<br />

eBook 978-0-253-00565-6 $20.95 £14.99<br />

iupress.indiana.edu 43


indiana university press<br />

Political crime and the<br />

memory of loss<br />

Political<br />

Crime and<br />

the Memory<br />

of Loss<br />

John Borneman<br />

Hypersexuality<br />

and Headscarves<br />

Race, Sex, and<br />

Citizenship in the<br />

New Germany<br />

Hypersexuality<br />

and<br />

Headscarves<br />

Race, Sex, and<br />

Citizenship in the<br />

New Germany<br />

John Borneman<br />

Damani J. Partridge<br />

Damani J. Partridge<br />

Reflections on politics, loss, and reconciliation<br />

in Europe and the Middle East<br />

The politics of multiculturalism,<br />

citizenship, and exclusion<br />

Loss is a fundamental human condition that often leads both individuals<br />

and groups to seek redress in the form of violence. But are there possible<br />

modes of redress to reckon with loss that might lead to a departure from<br />

the violence of collective and individual revenge? This book focuses on the<br />

redress of political crime in Germany and Lebanon, extending its analysis<br />

to questions of accountability and democratization. To understand the<br />

proposed modes of redress, John Borneman links the way the actors<br />

define their injuries to the cultural forms of redress and to the social<br />

contexts in which they are open to refiguring. Borneman theorizes modes<br />

of accountability, the American occupation of Iraq, and the mechanisms<br />

of democratic authority in Europe and North America.<br />

John Borneman is Professor of Anthropology at Princeton <strong>University</strong>.<br />

His books include Belonging in the Two Berlins: Kin, State, Nation and Syrian<br />

Episodes: Sons, Fathers, and an Anthropologist in Aleppo.<br />

“Provides insights on the ways these societies are working out the<br />

residues of war and violence. Ground-breaking in its attention to not<br />

only state-sponsored violence but that aimed toward the state.”<br />

—Deborah Reed-Danahay, <strong>University</strong> at Buffalo, SUNY<br />

New Anthropologies of Europe<br />

Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, founding editors<br />

In this compelling study, Damani J. Partridge explores citizenship<br />

and exclusion in Germany since the fall of the Berlin Wall. That<br />

event seemed to usher in a new era of universal freedom, but<br />

post-reunification transformations of German society have in fact<br />

produced noncitizens: non-white and “foreign” Germans who are<br />

simultaneously portrayed as part of the nation and excluded from<br />

full citizenship. Partridge considers the situation of Vietnamese<br />

guest workers “left behind” in the former East Germany; images<br />

of hypersexualized black bodies reproduced in popular culture;<br />

and debates about the use of the headscarf by Muslim students<br />

and teachers. The author’s experiences as an African American<br />

researcher become a substantive part of the analysis.<br />

Damani J. Partridge is Assistant Professor in the Department of<br />

Anthropology and the Center for Afroamerican and African Studies at the<br />

<strong>University</strong> of Michigan.<br />

“Partridge shows how being included in the body politic can be a form of<br />

social control and exclusion. . . . [P]rovides a case study for how one can<br />

look at identity politics in connection with the debates about human or<br />

national rights for citizens.” —Sander L. Gilman, Emory <strong>University</strong><br />

New Anthropologies of Europe<br />

Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, founding editors<br />

December 2011<br />

Anthropology, Cultural Studies<br />

World<br />

288 pages, 6 x 9<br />

Cloth 978-0-253-35689-5 $80.00L £60.00<br />

Paper 978-0-253-22351-7 $27.95s £18.99<br />

January 2012<br />

Anthropology, Gender, Islam<br />

World<br />

208 pages, 9 b&w illus., 6 x 9<br />

Cloth 978-0-253-35708-3 $70.00L £52.00<br />

Paper 978-0-253-22369-2 $24.95s £16.99<br />

eBook 978-0-253-00531-1 $20.95 £14.99<br />

44 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

SECULARISM<br />

SOVIET STYLE<br />

Teaching Atheism<br />

and Religion in<br />

a Volga Republic<br />

Secularism<br />

Soviet Style<br />

Teaching Atheism<br />

and Religion in a<br />

Volga Republic<br />

Sonja Luehrmann<br />

Jewish<br />

Life in<br />

21st-Century<br />

Turkey<br />

The Other Side<br />

of Tolerance<br />

Marcy<br />

Brink-Danan<br />

Jewish Life in<br />

Twenty-First-<br />

Century Turkey<br />

The Other Side<br />

of Tolerance<br />

Marcy Brink-Danan<br />

Sonja<br />

Luehrmann<br />

Secularism and religiosity in Russia,<br />

past and present<br />

Cosmopolitanism and Jewish identity<br />

in Istanbul<br />

Sonja Luehrmann explores the Soviet atheist effort to build a<br />

society without gods or spirits and its afterlife in post-Soviet<br />

religious revival. Combining archival research on atheist<br />

propaganda of the 1960s and 1970s with ethnographic fieldwork<br />

in the autonomous republic of Marij El in Russia’s Volga region,<br />

Luehrmann examines how secularist culture-building reshaped<br />

religious practice and interreligious relations. This didactic trend<br />

has parallels in globalized forms of Protestantism and Islam but<br />

differs from older uses of religious knowledge in rural Russia. At<br />

a time when the secularist modernization projects of the 20th<br />

century are widely perceived to have failed, Secularism Soviet<br />

Style emphasizes the affinities and shared histories of religious<br />

and atheist mobilizations.<br />

Sonja Luehrmann is author of Alutiiq Villages under Russian and U.S. Rule.<br />

“Well conceived from start to finish and likely to become a benchmark<br />

in its field. . . . This deeply thoughtful book should appeal to a wide<br />

range of readers.” —Bruce Grant, New York <strong>University</strong><br />

New Anthropologies of Europe<br />

Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, founding editors<br />

November 2011<br />

Russia & Eastern Europe, Religion<br />

World<br />

288 pages, 14 b&w illus., 2 maps, 6 x 9<br />

Cloth 978-0-253-35698-7 $80.00L £60.00<br />

Paper 978-0-253-22355-5 $27.95s £18.99<br />

eBook 978-0-253-00542-7 $22.95 £15.99<br />

Turkey is famed for a history of tolerance toward minorities,<br />

and there is a growing nostalgia for the “Ottoman mosaic.” In<br />

this richly detailed study, Marcy Brink-Danan examines what it<br />

means for Jews to live as a tolerated minority in contemporary<br />

Istanbul. Often portrayed as the “good minority,” Jews in Turkey<br />

celebrate their long history in the region, yet they are subject to<br />

discrimination and their institutions are regularly threatened and<br />

periodically attacked. Brink-Danan explores the contradictions<br />

and gaps in the popular ideology of Turkey as a land of tolerance,<br />

describing how Turkish Jews manage the tensions between<br />

cosmopolitanism and patriotism, difference as Jews and sameness<br />

as Turkish citizens, tolerance and violence.<br />

Marcy Brink-Danan is Dorot Assistant Professor of Judaic Studies<br />

and Assistant Professor of Anthropology at Brown <strong>University</strong>.<br />

“Successfully struggles with applying anthropology to an urbanized<br />

and diverse community while deftly unraveling the dilemmas faced by<br />

Jews in Istanbul as they balance cosmopolitanism with maintaining a<br />

sense of who they are.” —Harvey E. Goldberg, Hebrew <strong>University</strong><br />

New Anthropologies of Europe<br />

Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, founding editors<br />

<strong>Indiana</strong> series in sephardi and mizrahi studies<br />

Harvey E. Goldberg and Matthias Lehmann, editors<br />

November 2011<br />

Anthropology, Middle East, Judaica<br />

World<br />

216 pages, 10 b&w illus., 6 x 9<br />

Cloth 978-0-253-35690-1 $70.00L £52.00<br />

Paper 978-0-253-22350-0 $24.95s £16.99<br />

eBook 978-0-253-00526-7 $20.95 £14.99<br />

iupress.indiana.edu 45


indiana university press<br />

The AnThropology<br />

of exTincTion<br />

E s s a y s o n C u l t u r E a n d<br />

s p E C i E s d E a t h<br />

The<br />

Anthropology<br />

of Extinction<br />

Essays on Culture<br />

and Species Death<br />

M u lt i t e M p o r a l r e s e a r c h<br />

a n d c o n t e M p o r a r y<br />

a n t h r o polo g y<br />

RetuRns<br />

to the<br />

Field<br />

Returns to<br />

the Field<br />

Multitemporal Research<br />

and Contemporary<br />

Anthropology<br />

Edited by<br />

Genese Marie Sodikoff<br />

Edited by Signe Howell<br />

and Aud Talle<br />

ediTed by<br />

genese MArie sodikoff<br />

EditEd by<br />

signe howell<br />

a n d<br />

aud talle<br />

Extinction as a force shaping<br />

socio-cultural and biological life<br />

We live in an era marked by an accelerating rate of species death, but<br />

since the early days of the discipline, anthropology has contemplated<br />

the death of languages, cultural groups, and ways of life. The essays<br />

in this collection examine processes and understanding of extinction<br />

across various domains. The contributors argue that extinction<br />

events can be catalysts for new cultural, social, and technological<br />

developments—that extinction processes can, paradoxically, be<br />

productive as well as destructive. The essays consider a number of<br />

publicized cases: island species in Galapagos and Madagascar; the<br />

death of Native American languages; ethnic minorities under pressure<br />

to assimilate in China; cloning as a form of species regeneration;<br />

and the tiny hominid Homo floresiensis fossils (“hobbits”) recently<br />

identified in Indonesia. The Anthropology of Extinction offers<br />

compelling explorations of issues of widespread concern.<br />

Genese Marie Sodikoff is Assistant Professor in the Department of<br />

Sociology and Anthropology at Rutgers <strong>University</strong>, Newark.<br />

How revisiting fieldwork sites shapes<br />

anthropologists’ interpretations<br />

Many anthropologists return to their original fieldwork sites<br />

a number of times during their careers, but this experience has<br />

seldom been subjected to analytic and theoretical scrutiny.<br />

The contributors to Returns to the Field have all undertaken<br />

multitemporal fieldwork—repeated visits to the same place—over<br />

periods ranging from 20 to 40 years among minority groups in<br />

Africa, Latin America, Asia, and Melanesia. Over the years of<br />

contact, these anthropologists have witnessed dramatic changes,<br />

but also the perseverance of the people they have worked with. In<br />

vivid and personal essays, the authors examine the ramifications<br />

of this type of fieldwork practice—the kind of knowledge it<br />

produces, what methodological tools are appropriate, and how<br />

relationships with people in the field site change over time.<br />

Signe Howell is Professor of Social Anthropology at the <strong>University</strong> of<br />

Oslo. She is author of The Kinning of Foreigners: Transnational Adoption in a Global<br />

Perspective; The Ethnography of Moralities; Societies at Peace: An Anthropological<br />

Perspective; and Society and Cosmos: Chewong of Peninsular Malaysia.<br />

Aud Talle is Professor of Social Anthropology at the <strong>University</strong> of Oslo.<br />

She is author of (in Norwegian) The Power of Culture: Female Circumcision<br />

as Tradition and Taboo and Women at a Loss: Changes in Maasai Pastoralism<br />

and Their Effects on Gender Relations.<br />

November 2011<br />

Anthropology<br />

World<br />

232 pages, 8 b&w illus., 6 x 9<br />

Cloth 978-0-253-35713-7 $70.00L £52.00<br />

Paper 978-0-253-22364-7 $24.95s £16.99<br />

eBook 978-0-253-00545-8 $20.95 £14.99<br />

December 2011<br />

Anthropology<br />

World<br />

232 pages, 22 b&w illus., 6 x 9<br />

Cloth 978-0-253-35676-5 $70.00L £52.00<br />

Paper 978-0-253-22348-7 $24.95s £16.99<br />

46 iupress.typepad.com/blog • 1.800.842.6796


Rice Talks<br />

F o od & C o m m u n i t y i n a<br />

V i e t n a m e s e to w n<br />

Rice Talks<br />

Food and Community<br />

in a Vietnamese Town<br />

Nir Avieli<br />

Nir Avieli<br />

Nicholas a. RobiNs<br />

MeRcuRy, MiNiNg, aNd eMpiRe<br />

MeRcuRy,<br />

MiNiNg, aNd<br />

eMpiRe<br />

The human and ecological cosT of<br />

colonial silver mining in The andes<br />

indiana university press<br />

Mercury,<br />

Mining,<br />

and Empire<br />

The Human and<br />

Ecological Cost of<br />

Colonial Silver Mining<br />

in the Andes<br />

Nicholas A. Robins<br />

The culinary life of a Vietnamese town<br />

Rice Talks explores the importance of cooking and eating in the<br />

everyday social life of Hoi An, a properous market town in central<br />

Vietnam known for its exceptionally elaborate and sophisticated<br />

local cuisine. In a vivid and highly personal account, Nir Avieli<br />

takes the reader from the private setting of the extended family<br />

meal into the public realm of the festive, extraordinary, and<br />

unique. He shows how foodways relate to class relations, gender<br />

roles, religious practices, cosmology, ethnicity, and even local and<br />

national politics. This evocative study departs from conventional<br />

anthropological research on food by stressing the rich meanings,<br />

generative capacities, and potential subversion embedded in<br />

foodways and eating.<br />

Nir Avieli is Lecturer in the Department of Sociology and Anthropology<br />

at Ben Gurion <strong>University</strong> in Israel.<br />

“In this very engaging narrative Avieli captures the flavour and<br />

richness of everyday lowland Vietnamese life, as well as the trials<br />

and tribulations of attempting to eke out a livelihood, fit within family<br />

hierarchical structures, and correctly pay homage to the necessary<br />

deities and ancestors.” —Sarah Turner, McGill <strong>University</strong><br />

January 2012<br />

Anthropology, Asia, Food Studies<br />

World<br />

336 pages, 14 b&w illus., 1 map, 6 x 9<br />

Cloth 978-0-253-35707-6 $70.00L £52.00<br />

Paper 978-0-253-22370-8 $25.95s £16.99<br />

eBook 978-0-253-00530-4 $21.95 £14.99<br />

Mercury pollution’s effects on the<br />

indigenous peoples of Peru and Bolivia<br />

On the basis of an examination of the colonial mercury and<br />

silver production processes and related labor systems, Mercury,<br />

Mining, and Empire investigates the effects of mercury pollution<br />

in colonial Huancavelica, Peru, and Potosí in present-day Bolivia.<br />

The book presents a multifaceted and interwoven tale of what<br />

colonial exploitation of indigenous peoples and resources left<br />

in its wake. It is a socio-ecological history that explores the<br />

toxic interrelationships between mercury and silver production,<br />

urban environments, and the people who lived and worked in<br />

them. Nicholas A. Robins tells the story of how native peoples<br />

in the region were conscripted into the noxious ranks of foot<br />

soldiers of proto-globalism, and how their fate, and that of their<br />

communities, was—and still is—chained to it.<br />

Nicholas A. Robins is Lecturer in the Department of History at<br />

North Carolina State <strong>University</strong>. He is author of Native Insurgencies and<br />

the Genocidal Impulse in the Americas (IUP, 2005) and editor (with Adam<br />

Jones) of Genocides by the Oppressed: Subaltern Genocide in Theory and<br />

Practice (IUP, 2009), among other works.<br />

“This is interdisciplinary history at its best. A path-breaking study<br />

that . . . will certainly be a ‘must-read’ book.” —David Cahill, <strong>University</strong><br />

of New South Wales<br />

August 2011<br />

Environmental, Latin America & the Caribbean<br />

World<br />

320 pages, 14 maps, 6 x 9<br />

Cloth 978-0-253-35651-2 $45.00s £29.99<br />

eBook 978-0-253-00538-0 $38.95 £26.99<br />

iupress.indiana.edu 47


indiana university press<br />

the<br />

individual<br />

and tradition<br />

F o l k l o r i s t i c P e r s p e c t i v e s<br />

edited by<br />

ray cashman, tom mould,<br />

and pravina shukla<br />

The Individual<br />

and Tradition<br />

Folkloristic<br />

Perspectives<br />

Edited by Ray Cashman,<br />

Tom Mould, and<br />

Pravina Shukla<br />

Storytelling on the<br />

Northern Irish Border<br />

C h a r ac t e r s a n d Com m u n i t y<br />

Ray Cashman<br />

Storytelling<br />

on the<br />

Northern<br />

Irish Border<br />

Characters<br />

and Community<br />

Ray Cashman<br />

Winner,<br />

Donald Murphy Award<br />

for Distinguished First Book,<br />

American Conference<br />

for Irish Studies<br />

Winner, 2009 Chicago<br />

Folklore Prize<br />

Performer-centered studies of folk artists<br />

Profiles of artists and performers from around the world form<br />

the basis of this innovative volume that explores the many ways<br />

individuals engage with, carry on, revive, and create tradition.<br />

Leading scholars in folklore studies consider how the field has<br />

addressed the relationship between performer and tradition and<br />

examine theoretical issues involved in fieldwork and the analysis<br />

and dissemination of scholarship in the context of relationships<br />

with the performers. These vivid case studies exemplify the best<br />

of performer-centered ethnography.<br />

Ray Cashman is Associate Professor of English and Folklore Studies at<br />

Ohio State <strong>University</strong>.<br />

Tom Mould is Associate Professor of Anthropology and director of<br />

PERCS, the Program for Ethnographic Research and Community Studies,<br />

at Elon <strong>University</strong>. He is author of Choctaw Prophecy: A Legacy of the Future<br />

and Choctaw Tales.<br />

Pravina Shukla is Associate Professor of Folklore and Ethnomusicology<br />

at <strong>Indiana</strong> <strong>University</strong> Bloomington and author of The Grace of Four Moons<br />

(IUP, 2007).<br />

Published in association with the Folklore Institute, <strong>Indiana</strong> <strong>University</strong><br />

Special Publications of the Folklore Institute, <strong>Indiana</strong> <strong>University</strong><br />

October 2011<br />

Folklore<br />

World<br />

504 pages, 50 b&w illus., 6 x 9<br />

Cloth 978-0-253-35717-5 $80.00L £60.00<br />

Paper 978-0-253-22373-9 $27.95s £18.99<br />

eBook 978-0-253-00566-3 $22.95 £15.99<br />

Folklore and identity in Northern Ireland<br />

Folklore is crucial to life in Aghyaran, a mixed Catholic-Protestant<br />

border community in Northern Ireland. Neighbors socialize<br />

during wakes and ceilis (informal nighttime gatherings) without<br />

regard to religious, ethnic, or political affiliations. The witty,<br />

sometimes raucous stories swapped on these occasions offer a<br />

window into community and identity in the wake of decades of<br />

violent conflict and change. Through local character anecdotes,<br />

participants explore the nature of community and identity in ways<br />

that may transcend exclusively Catholic or Protestant sectarian<br />

histories and identities.<br />

Ray Cashman is Associate Professor in the Department of English and<br />

the Center for Folklore Studies at Ohio State <strong>University</strong><br />

“An intriguing read for those interested in folklore, ethnography,<br />

and the role of stories in shaping a community. . . .Recommended.”<br />

—Choice<br />

“It is rare to read a book so clearly and intelligently expressed. . . . [A]<br />

n important contribution to both the study of Irish folk culture, and<br />

to the study of artistic speech.” —Jack Santino, Bowling Green State<br />

<strong>University</strong><br />

September 2011<br />

Folklore<br />

World<br />

320 pages, 21 b&w photos, 3 maps, 6 1 / 8 x 9 1 / 4<br />

Paper 978-0-253-22374-6 $24.95s £16.99<br />

eBook 978-0-253-00568-7 $20.95 £14.99<br />

Now in paperback<br />

48 iupress.typepad.com/blog • 1.800.842.6796


indiana university press<br />

Encounters<br />

Audio CD-ROM<br />

A Cognitive Approach to Advanced Chinese<br />

Jennifer Li-chia Liu with Yan Li<br />

A user-friendly study aid for advanced Chinese<br />

Encounters Audio CD-ROM accompanies the lessons in the bestselling textbooks<br />

Encounters I and II: A Cognitive Approach to Advanced Chinese. Chapters<br />

include sections on vocabulary; texts, stories, and dialogues; grammar; listening<br />

comprehension; and songs. The MP3 format makes this a convenient tool for<br />

individualized study alongside the texts.<br />

A user-friendly study aid for intermediate Chinese<br />

ENCOUNTERS<br />

This audio CD-ROM is a study aid to accompany lessons in the bestselling<br />

Connections I and II: A Cognitive Approach to Intermediate Chinese<br />

textbooks and workbooks. Lessons in MP3 format include sections on vocabulary;<br />

texts, Audio stories, and CD-ROM<br />

dialogues; grammar; and listening comprehension.<br />

For use as a study aid to accompany Connections I and II textbooks and workbooks,<br />

Lessons 1–20.<br />

A Cognitive Approach to<br />

Recommended Advanced minimum technical Chinese specifications: PC or Mac computer with a web<br />

browser including the plugin for Flash Player version 7 or higher.<br />

Chinese Jennifer in Context Li-chia Language Liu Learning Series<br />

INDIANA<br />

with Yan Li<br />

<strong>University</strong> <strong>Press</strong><br />

Bloomington & <strong>Indiana</strong>polis<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong><br />

601 North Morton Street<br />

Bloomington, IN 47404-3797 USA<br />

Telephone orders (800) 842-6796<br />

Fax orders (812) 855-7931<br />

E-mail orders iuporder@indiana.edu<br />

www.iupress.indiana.edu<br />

Chinese in Context Language Learning Series<br />

Copyright © 2008 <strong>Indiana</strong> <strong>University</strong> • All rights reserved<br />

CONNECTIONS<br />

Audio CD-ROM<br />

INDIANA<br />

Jennifer Li-chia Liu is Professor of East Asian Languages and Cultures and Director of the<br />

Chinese Language Flagship Program at <strong>Indiana</strong> <strong>University</strong>, Bloomington.<br />

Chinese in Context Language Learning Series<br />

CD included<br />

Also of Interest<br />

Encounters I [text + workbook]<br />

Paper 978-0-253-22101-8 $39.95x<br />

Encounters II [text + workbook]<br />

Paper 978-0-253-22102-5 $39.95x<br />

July 2011<br />

Language & Linguistics, Asia<br />

World<br />

CD-ROM 978-0-253-35674-1 $39.95x £26.99<br />

iupress.indiana.edu 49


indiana university press<br />

B E S T S E L L I N G<br />

TasTing<br />

The<br />

good Life<br />

Wine Tourism in The napa Valley<br />

Caribbean Cooking with Chef Daniel orr<br />

Paradise Kitchen<br />

Daniel Orr<br />

978-0-253-35608-6<br />

Cloth $29.95t<br />

FARMfood<br />

Daniel Orr<br />

978-0-253-22103-2<br />

Paper $29.95t<br />

daniel orr<br />

George Gmelch and<br />

Sharon Bohn Gmelch<br />

Tasting the Good Life<br />

George Gmelch and<br />

Sharon Bohn Gmelch<br />

978-0-253-223272<br />

Paper $21.95t<br />

True<br />

Brew<br />

A Guide to CrAft Beer in indiAnA<br />

riTA T. Kohn<br />

Photographs by Kris Arnold<br />

True Brew<br />

Rita T. Kohn<br />

978-0-253-22214-5<br />

Paper $19.95t<br />

A Life Is More Than a Moment<br />

Text and Photographs by Will Counts<br />

978-0-253-21793-6<br />

Paper $19.95t<br />

—<br />

—<br />

——<br />

—Satire<br />

Dissent +<br />

Interventions<br />

in Contemporary<br />

Political Debate<br />

Amber Day<br />

Satire and Dissent<br />

Amber Day<br />

978-0-253-22281-7<br />

Paper $22.95t<br />

The Time and Place That<br />

Gave Me Life<br />

Janet Cheatham Bell<br />

978-0-253-34877-7<br />

Cloth $29.95t<br />

The Year’s Work in Lebowski Studies<br />

Edited by Edward P. Comentale and<br />

Aaron Jaffe<br />

978-0-253-22136-0<br />

Paper $24.95t<br />

Reid Duffy’s Guide to <strong>Indiana</strong>’s<br />

Favorite Restaurants<br />

Reid Duffy<br />

978-0-253-21879-7<br />

Paper $17.95t<br />

Church, State,<br />

and the Crisis<br />

in American<br />

Secularism<br />

L e e H . Ha m i Lt o n<br />

Strengthening<br />

CongreSS<br />

Bruce Ledewitz<br />

<strong>Indiana</strong> Cooks<br />

Christine Barbour and Scott Feickert<br />

978-0-253-34664-3<br />

The Tao of Cooking<br />

Cloth $29.95t<br />

Sally Pasley<br />

978-0-253-21237-5<br />

50 iupress.typepad.com/blog 1.800.842.6796<br />

• 1.800.842.6796Paper $19.95t<br />

Church, State, and the<br />

Crisis in American<br />

Secularism<br />

Bruce Ledewitz<br />

978-0-253-35634-5<br />

Cloth $29.95t<br />

How Congress<br />

Works and Why You<br />

Should Care<br />

Lee H. Hamilton<br />

978-0-253-21695-3<br />

Paper $14.95t<br />

Strengthening Congress<br />

Lee H. Hamilton<br />

978-0-253-22165-0<br />

Paper $14.95t


B O O K S<br />

indiana university press<br />

Railroad Noir<br />

Linda G. Niemann Photographs by Joel Jensen<br />

978-0-253-35446-4<br />

Cloth $39.95t<br />

Travel by Train<br />

Michael E. Zega and John E. Gruber<br />

978-0-253-34152-5<br />

Cloth $35.00t<br />

Al Capone<br />

π<br />

Aa nd His a mer ica n Boys<br />

Memoirs of a Mobster’s Wife<br />

W illi a m J. Hel mer<br />

With Georgette Winkeler's one of a kind<br />

record of her life with the Chicago mob<br />

Al Capone and<br />

His American Boys<br />

William J. Helmer<br />

978-0-253-35606-2<br />

Cloth $29.95t<br />

A<br />

Dillinger<br />

G. Russell Girardin<br />

and William J. Helmer<br />

978-0-253-22110-0<br />

Paper $21.95t<br />

Boomer<br />

Linda Grant Niemann<br />

978-0-253-22283-1<br />

Paper $24.95t<br />

Still Standing<br />

Christopher Brown<br />

978-0-253-34634-6<br />

Cloth $49.95t<br />

Ugly War, Pretty Package<br />

Deborah L. Jaramillo<br />

978-0-253-22122-3<br />

Paper $22.95t<br />

Sound Targets<br />

Jonathan Pieslak<br />

978-0-253-22087-5<br />

Paper $21.95t<br />

LittLe trains<br />

to f araway p laces<br />

•<br />

k a r l z i m m e r m a n n<br />

Little Trains to Faraway Places<br />

Karl Zimmermann<br />

978-0-253-35447-1<br />

Cloth $39.95t<br />

Moonlight in Duneland<br />

Edited by Ronald D. Cohen<br />

and Stephen G. McShane<br />

978-0-253-21738-7<br />

Paper $24.95t<br />

The Men Who Loved Trains<br />

Rush Loving, Jr.<br />

978-0-253-22031-8<br />

Paper $17.95t<br />

Truman and MacArthur<br />

Michael D. Pearlman<br />

978-0-253-35066-4<br />

Cloth $29.95t<br />

Louis Johnson and<br />

the Arming of America<br />

Keith D. McFarland and David L. Roll<br />

978-0-253-34626-1<br />

Cloth $35.00t<br />

iupress.indiana.edu 51


indiana university press<br />

B E S T S E L L I N G<br />

D e f e a t i n g L e e<br />

•<br />

L aw r e nc e A . K r e i s e r , J r .<br />

A H i st ory of t h e S e c on d C or p s<br />

• A r m y of t h e P o t om ac •<br />

Defeating Lee<br />

Lawrence A. Kreiser, Jr.<br />

978-0-253-35616-1<br />

Cloth $34.95t<br />

The<br />

Darkest<br />

Dawn<br />

LINCOLN, BOOTH, AND<br />

THE GREAT AMERICAN TRAGEDY<br />

Thomas Goodrich<br />

The Darkest Dawn<br />

Thomas Goodrich<br />

978-0-253-21889-6<br />

Paper $21.95t<br />

The<br />

end<br />

of The<br />

holocausT<br />

alvin h. Rosenfeld<br />

The End of the Holocaust<br />

Alvin H. Rosenfeld<br />

978-0-253-35643-7<br />

Cloth $29.95t<br />

The Unknown<br />

Black Book<br />

The holocaUsT in The<br />

German-occUpied sovieT TerriTories<br />

EditEd by Joshua RubEnstEin<br />

and ilya altman<br />

Published in association with the<br />

united states holocaust memorial museum<br />

The Unknown<br />

Black Book<br />

Joshua Rubenstein<br />

and Ilya Altman<br />

978-0-253-22267-1<br />

Paper $24.95t<br />

Orthodox Jews<br />

in America<br />

Jeffrey S. Gurock<br />

978-0-253-22060-8<br />

Paper $24.95t<br />

Advocate for the Doomed<br />

Edited by Richard Breitman,<br />

Barbara McDonald Stewart,<br />

and Severin Hochberg<br />

978-0-253-34862-3<br />

Cloth $39.95t<br />

The Iron Brigade<br />

Alan T. Nolan<br />

978-0-253-20863-7<br />

Paper $19.95t<br />

The Men Stood Like Iron<br />

Lance J. Herdegen<br />

978-0-253-21825-4<br />

Paper $19.95t<br />

Refugees and Rescue<br />

Edited by Richard Breitman,<br />

Barbara McDonald Stewart,<br />

and Severin Hochberg<br />

978-0-253-35307-8<br />

Cloth $29.95t<br />

The Myth of the Lost Cause<br />

and<br />

Civil<br />

War<br />

History<br />

Revenge of the<br />

Women’s<br />

Studies<br />

Professor<br />

Travels with Mae<br />

Travels with Mae<br />

Eileen M. Julien<br />

978-0-253-35316-0<br />

Cloth $19.95t<br />

edited by<br />

Gary W. GallaGher and alan t. nolan<br />

Scenes from a New Orleans Girlhood<br />

Extraordinary Circumstances<br />

Brian K. Burton<br />

978-0-253-22277-0<br />

Paper $29.95t<br />

Gettysburg Heroes<br />

Glenn W. LaFantasie<br />

978-0-253-35071-8<br />

Cloth $24.95t<br />

The Myth of the Lost<br />

Cause and Civil War History<br />

Gary W. Gallagher and Alan T. Nolan<br />

978-0-253-22266-4<br />

Paper $19.95t<br />

GettysburG<br />

Heroes<br />

Perfect SoldierS, Hallowed Ground<br />

Bonnie J. Morris<br />

Revenge of the Women’s<br />

Studies Professor<br />

Bonnie J. Morris<br />

978-0-253-22062-2<br />

Paper $19.95t<br />

Eileen M. Julien<br />

Both Right and<br />

Left Handed<br />

Bouthaina Shaaban<br />

978-0-253-22091-2<br />

Paper $17.95t<br />

52 iupress.typepad.com/blog • 1.800.842.6796<br />

52 1.800.842.6796<br />

Glenn W. L aFantasie


B O O K S<br />

indiana university press<br />

IdolIzed<br />

M u s i c<br />

M e d i a<br />

a n d<br />

i d e n t i t y i n<br />

a m e r Ica n I do l<br />

*<br />

R u s h,<br />

Rock Music,<br />

a n D t h e<br />

Middle<br />

class<br />

D r ea m i n g i n m i DDletow n<br />

Chris MCDonalD<br />

Butler’s Big Dance<br />

Susan S. Neville<br />

978-0-253-22312-8<br />

Paper $14.95t<br />

K a t h e r i n e L . M e i z e L<br />

Idolized<br />

Katherine L. Meizel<br />

978-0-253-22271-8<br />

Paper $22.95t<br />

Rush, Rock Music, and<br />

the Middle Class<br />

Chris McDonald<br />

978-0-253-22149-0<br />

Paper $22.95t<br />

Radiohead and the Resistant<br />

Concept Album<br />

Marianne Tatom Letts<br />

978-0-253-22272-5<br />

Paper $19.95t<br />

Miles Davis, Miles Smiles, and<br />

the Invention of Post Bop<br />

Jeremy Yudkin<br />

978-0-253-21952-7<br />

Paper $19.95t<br />

Johnny Cash and the<br />

Paradox of American Identity<br />

Leigh H. Edwards<br />

978-0-253-22061-5<br />

Paper $19.95t<br />

The Songs of Jimmie Rodgers<br />

Jocelyn R. Neal<br />

978-0-253-22082-0<br />

Paper $21.95t<br />

Getting Open<br />

Tom Graham and<br />

Rachel Graham Cody<br />

978-0-253-22046-2<br />

Paper $14.95t<br />

The Greatest Basketball<br />

Story Ever Told<br />

Greg Guffey<br />

978-0-253-21631-1<br />

Paper $17.95t<br />

the<br />

ethics<br />

of<br />

autism<br />

Matthew’s Enigma<br />

Matei Calinescu<br />

Translated by Angela Jianu<br />

978-0-253-22066-0<br />

Paper $19.95t<br />

among them,<br />

but not of them<br />

Deborah R. Barnbaum<br />

The Ethics of Autism<br />

Deborah R. Barnbaum<br />

978-0-253-22013-4<br />

Paper $21.95t<br />

For Gold and Glory<br />

Todd Gould<br />

978-0-253-21962-6<br />

Paper $14.95t<br />

Taliaferro<br />

Dawn Knight<br />

978-0-253-22224-4<br />

Paper $14.95t<br />

iupress.indiana.edu 53<br />

iupress.indiana.edu 53


Pottery collectors will find a<br />

wealth of photos in “Clay Times<br />

Three,” a representative sampling of<br />

pieces found in each Pottery. There<br />

are also historical photos by Nashville<br />

photographer Frank Hohenberger,<br />

courtesy of Lilly Library, <strong>Indiana</strong><br />

<strong>University</strong>, Bloomington.<br />

Several years of research make this<br />

volume the definitive information<br />

source on all three Potteries and an<br />

indispensable resource for your<br />

library.<br />

KATHY M. MCKIMMIE, <strong>Indiana</strong>polis,<br />

is a freelance writer and editor, and<br />

a long-time admirer of all things<br />

Brown County. Most of her career<br />

has focused on business issues, but<br />

in more recent years she has written<br />

on art and antiques topics, including<br />

<strong>Indiana</strong> art auctions. She is a columnist<br />

for AntiqueWeek, and has written<br />

many feature articles for the publication,<br />

including articles on Karl Martz<br />

and Overbeck Pottery, Cambridge<br />

City, <strong>Indiana</strong>.<br />

Cover design by Jane Tenenbaum<br />

.5 in. .5 in.<br />

BROWN COUNTY POTTERY<br />

MARTZ POTTERIES<br />

BROWN COUNTY HILLS POTTERY<br />

BROWN COUNTY POTTERY<br />

MARTZ POTTERIES<br />

BROWN COUNTY HILLS POTTERY<br />

Kathy M. McKimmie<br />

colony to its early settlers to the<br />

enduring lure of Brown County State<br />

Park.<br />

“Clay Times Three” adds yet<br />

another rich resource for those who<br />

are fascinated by what life was once<br />

like in the beautiful hills and valleys<br />

of Brown County, and are intrigued<br />

by the people who made their livelihood<br />

there. In this case, those<br />

talented and industrious people were<br />

the owners, potters and decorators<br />

who made their living with clay.<br />

The tale takes its players through the<br />

Great Depression of the 1930s,<br />

World War II, and into Nashville of<br />

the 1970s, when development was<br />

forever changing the face of the town.<br />

The story continues when Karl<br />

Martz (who headed <strong>Indiana</strong> <strong>University</strong>’s<br />

ceramics program for 32 years)<br />

and his wife Becky Brown Martz, also<br />

an accomplished potter, move to<br />

Bloomington and carry on their<br />

artistic work through the 1980s.<br />

continued on back flap<br />

indiana university press<br />

B E S T S E L L I N G B O O K S<br />

w<br />

Big<br />

Real Stories of<br />

Cat<br />

ResCues<br />

Tales from the Exotic Feline Rescue Center<br />

Melanie Bowlin<br />

With contributions by<br />

Audra Masternak<br />

Photographs by<br />

Stephen D. McCloud<br />

Foreword by<br />

Camilla Calamandrei<br />

Real Stories of Big Cat Rescues<br />

Melanie Bowlin<br />

978-0-253-22234-3<br />

Paper $19.95t<br />

www.claytimesthree.com<br />

<strong>Indiana</strong> Barns<br />

Marsha Williamson Mohr<br />

978-0-253-35568-3<br />

Cloth $29.95t<br />

I n d I a n a<br />

Barns<br />

M a r s h a W i l l i a M s o n M o h r<br />

Introduction by Duncan Campbell<br />

CLAY TIMES THREE McKIMMIE<br />

Clay Times Three<br />

The tale of three Nashville, <strong>Indiana</strong>, Potteries<br />

Kathy M. McKimmie<br />

Clay Times Three<br />

Kathy M. McKimmie<br />

978-0-253-35589-8<br />

Cloth $29.95t<br />

Clay Times<br />

Three<br />

The tale of three<br />

Nashville, <strong>Indiana</strong>,<br />

Potteries<br />

uch has been written about<br />

MBrown County and Nashville,<br />

<strong>Indiana</strong>, from its renowned artist<br />

The Hoosier Cabinet<br />

in Kitchen History<br />

Nancy R. Hiller<br />

978-0-253-31424-6<br />

Cloth $34.95t<br />

Contemporary Quilt Art<br />

Kate Lenkowsky<br />

978-0-253-35124-1<br />

Cloth $34.95t<br />

A Conservationist<br />

Manifesto<br />

Scott Russell Sanders<br />

978-0-253-22080-6<br />

Paper $19.95t<br />

Bean Blossom Dreams<br />

Sallyann J. Murphey<br />

978-0-253-21987-9<br />

Paper $19.95t<br />

Stillness and Light<br />

Henry Plummer<br />

978-0-253-35362-7<br />

Cloth $39.95t<br />

Perennials Short and Tall<br />

Moya L. Andrews<br />

978-0-253-21976-3<br />

Paper $19.95t<br />

A Guide to the<br />

Knobstone Trail<br />

I n d I a n a ’ s L o n g e s t F o o t p a t h<br />

MaMMals<br />

o<br />

IndIana<br />

Wildflowers<br />

and Ferns of<br />

<strong>Indiana</strong> Forests<br />

A Field Guide<br />

—A Field Guide—<br />

Nathan D. Strange<br />

Foreword by Marion T. Jackson<br />

Michael A. Homoya<br />

Foreword by Marion T. Jackson<br />

John o. Whitaker, Jr.<br />

A Guide to the<br />

Knobstone Trail<br />

Nathan D. Strange<br />

978-0-253-22297-8<br />

Paper $19.95t<br />

<strong>Indiana</strong>’s Weather<br />

and Climate<br />

John E. Oliver<br />

978-0-253-22056-1<br />

Paper $29.95t<br />

Fishes of <strong>Indiana</strong><br />

Thomas P. Simon<br />

Illustrations by<br />

Joseph R. Tomelleri<br />

978-0-253-22308-1<br />

Paper $21.95t<br />

Wildflowers and<br />

Ferns of <strong>Indiana</strong> Forests<br />

Michael A. Homoya<br />

978-0-253-22325-8<br />

Paper $22.95t<br />

101 Trees of <strong>Indiana</strong><br />

Marion T. Jackson<br />

978-0-253-21694-6<br />

Paper $19.95t<br />

Mammals of <strong>Indiana</strong><br />

John O. Whitaker, Jr.<br />

978-0-253-22213-8<br />

Paper $19.95t<br />

54 iupress.typepad.com/blog • 1.800.842.6796<br />

54 1.800.842.6796


indiana university press<br />

ACPR: African Conflict<br />

and Peacebuilding Review<br />

Edited by Abu Bakarr Bah, Mark Davidheiser, Tricia Redeker Hepner, Niklas Hultin<br />

ACPR is a new interdisciplinary forum for creative and rigorous studies of conflict and<br />

peace in Africa and for discussions among scholars, practitioners, and public intellectuals in<br />

Africa, the United States, and other parts of the world. It includes a wide range of theoretical,<br />

methodological, and empirical perspectives on the causes of conflicts and peace processes<br />

including, among others, cultural practices relating to conflict resolution and peacebuilding,<br />

legal and political conflict preventative measures, and the intersection of international, regional,<br />

and local interests and conceptions of conflict and peace.<br />

The journal takes a holistic view of peace and conflict and focuses not only on large-scale<br />

international and armed conflicts but also peace and conflict dynamics at other levels—e.g.,<br />

interpersonal, intra-group, and inter-group—and dispute settlement through customary law and<br />

cultural practices. Its scope encompasses the entire African continent, and it incorporates works<br />

on all of its areas.<br />

In addition to research articles, editorials, comments, and interviews that resonate with scholars,<br />

policy makers, and practitioners, it includes podcasts, photos, and essays that are suitable for<br />

teaching and public discourse, and ACPR is intended to make high-quality scholarship engaging<br />

and easy to use in the classroom.<br />

ACPR is published in partnership with the Africa Peace and Conflict Network and the West<br />

African Research Association.<br />

“The purpose of knowledge is not<br />

knowledge for the sake of knowing, but<br />

knowledge for the sake of improving the<br />

human condition.”<br />

Abu Bakarr Bah, Editor, ACPR<br />

PUBLISHED SEMIANNUALLY | eISSN 2156-7263, pISSN 2156-695X<br />

AFRICAN STUDIES JOURNALS OF INTEREST<br />

Africa Today<br />

Edited by Maria Grosz-Ngaté, Eileen Julien,<br />

Patrick McNaughton, and Samuel Obeng<br />

Africa Today is at the forefront in publishing<br />

Africanist, reform-minded research and<br />

provides multicultural scholarly work from<br />

around the world on a full range of political,<br />

economic, and social issues.<br />

PUBLISHED QUARTERLY<br />

eISSN 1527-1978, pISSN 0001-9887<br />

Research in African<br />

Literatures<br />

Edited by Kwaku Larbi Korang<br />

Research in African Literatures is the premier<br />

journal of African literary studies worldwide<br />

and provides a forum in English for research<br />

on the oral and written literatures of Africa.<br />

PUBLISHED QUARTERLY<br />

eISSN 1527-2044, pISSN 0034-5210<br />

Order Journals: WWW.JSTOR.ORG/R/IUPRESS | 888.388.3574<br />

iupress.indiana.edu 55


indiana university press<br />

Aleph Historical Studies in Science<br />

and Judaism<br />

Edited by Gad Freudenthal<br />

Aleph explores the interface between Judaism<br />

and science throughout history and allows a<br />

comparative view, such as the place of science<br />

in other cultures.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1565-5423, pISSN 1565-1525<br />

Black Camera An International<br />

Film Journal (The New Series)<br />

Edited by Michael T. Martin<br />

Black Camera is a journal of black film<br />

studies that engenders an academic<br />

discussion of black film production, including<br />

historical and contemporary book and film<br />

reviews, interviews with accomplished<br />

film professionals, and editorials on the<br />

development of black creative culture.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1947-4237, pISSN 1536-3155<br />

E-Service Journal A Journal of<br />

Electronic Services in the Public and<br />

Private Sectors<br />

Edited by Ramesh Venkataraman<br />

e-Service Journal provides an important<br />

forum for innovative research on the design,<br />

delivery, and impact of electronic services<br />

via a variety of computing applications and<br />

communications technologies.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1528-8234, pISSN 1528-8226<br />

Ethics & the Environment<br />

Edited by Victoria Davion<br />

Ethics & the Environment is an<br />

interdisciplinary forum for theoretical and<br />

practical articles, discussions, reviews, and<br />

book reviews in the broad area encompassed<br />

by environmental ethics, including conceptual<br />

approaches in ethical theory and ecological<br />

philosophy.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1535-5306, pISSN 1085-6633<br />

Film History<br />

An International Journal<br />

Edited by Richard Koszarski<br />

Film History focuses on the historical<br />

development of the motion picture in its social,<br />

technological, and economic contexts.<br />

PUBLISHED QUARTERLY<br />

eISSN 1553-3905, pISSN 0892-2160<br />

The Global South<br />

Edited by Adetayo Alabi<br />

The Global South is an interdisciplinary<br />

journal that focuses on how world literatures<br />

and cultures respond to globalization on issues<br />

of the environment, poverty, immigration,<br />

gender, cultural formation and transformation,<br />

colonialism and postcolonialism, modernity<br />

and postmodernity, diasporas and resistance,<br />

and counter discourse.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1932-8656, pISSN 1932-8648<br />

History & Memory Studies in<br />

Representation of the Past<br />

Edited by Gadi Algazi<br />

History & Memory explores the ways in which<br />

the past shapes the present and is shaped by<br />

present perceptions; it focuses on questions<br />

relating to the formation of historical<br />

consciousness and collective memory in<br />

different periods, societies, and cultures.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1527-1994, pISSN 0935-560X<br />

<strong>Indiana</strong> Journal of Global<br />

Legal Studies<br />

Edited by Alfred C. Aman, Jr., Hannah L.<br />

Buxbaum, Jost Delbrück, and Christiana<br />

Ochoa<br />

<strong>Indiana</strong> Journal of Global Legal Studies,<br />

IJGLS is instrumental in creating a new and<br />

important body of scholarship, as well as<br />

an analytical framework that will enhance<br />

understanding of the nature of law and society<br />

in the current global era.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1543-0367, pISSN 1080-0727<br />

56 iupress.typepad.com/blog JSTOR.ORG/R/IUPRESS | 888.388.3574<br />

• 1.800.842.6796<br />

IUPJOURNALSBLOG.IUPRESS.ORG


indiana university press<br />

IJFAB: International Journal<br />

of Feminist Approaches to<br />

Bioethics<br />

Edited by Mary C. Rawlinson<br />

The International Journal of Feminist<br />

Approaches to Bioethics, IJFAB provides a<br />

forum within bioethics for feminist thought<br />

and debate on ethical issues related to health,<br />

health care, and the biomedical sciences.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1937-4577, pISSN 1937-4585<br />

Israel Studies<br />

Edited by S. Ilan Troen<br />

Israel Studies presents multidisciplinary<br />

scholarship on Israeli history, politics, society,<br />

and culture, extending to the pre-state<br />

period with emphasis on the State of Israel;<br />

recognition is given to events and phenomena<br />

in diaspora communities.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1527-201X, pISSN 1084-9513<br />

Jewish Social Studies<br />

History, Culture, Society<br />

Edited by Derek Penslar and Steven J.<br />

Zipperstein<br />

Jewish Social Studies advances understanding<br />

of the multiplicities inherent in the evolution<br />

of Jewish societies and cultures around the<br />

world and over time with emphasis on themes<br />

of identity, peoplehood, and gender.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1527-2028, pISSN 0021-6704<br />

JFSR: Journal of Feminist<br />

Studies in Religion<br />

Edited by Elisabeth Schüssler Fiorenza and<br />

Melanie Johnson-Debaufre<br />

The Journal of Feminist Studies in Religion<br />

is a channel for the publication of feminist<br />

scholarship in religion and a forum for<br />

discussion among people of differing feminist<br />

perspectives its analysis is aimed at the<br />

transformation of religious studies as a<br />

discipline and the feminist transformation of<br />

religious and cultural institutions.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1553-3913, pISSN 8755-4178<br />

JFR: Journal of Folklore<br />

Research<br />

An International Journal of Folklore<br />

and Ethnomusicology<br />

Edited by Moira Smith<br />

The Journal of Folklore Research provides<br />

an international forum for current theory<br />

and research among scholars of traditional<br />

cultures, including articles of theoretical<br />

interest to folklore and ethnomusicology as<br />

international disciplines, as well as essays<br />

that address the fieldwork experience and<br />

intellectual history of folklore.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1543-0413, pISSN 0737-7037<br />

JMEWS: Journal of Middle<br />

East Women’s Studies<br />

Edited by Marcia Inhorn<br />

Journal of Middle East Women’s Studies,<br />

JMEWS, the official publication of the<br />

Association for Middle East Women’s<br />

Studies, advances the fields of Middle East<br />

women’s studies, gender studies, and Middle<br />

East studies through contributions from<br />

multiple disciplines in the social sciences and<br />

humanities.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1558-9579, pISSN 1552-5864<br />

jml: Journal of Modern<br />

Literature<br />

Edited by Paula Marantz Cohen,<br />

Rachel Blau DuPlessis, Jean-Michel Rabaté,<br />

Ellen Cronan Rose, Robert Caserio,<br />

and Daniel T. O’Hara<br />

Journal of Modern Literature, jml remains<br />

the most important scholarly serial in the field<br />

and emphasizes scholarly studies of literature<br />

in all languages, as well as related arts and<br />

cultural artifacts, from 1900 to the present.<br />

PUBLISHED QUARTERLY<br />

eISSN 1529-1464, pISSN 0022-281X<br />

iupress.indiana.edu 57


indiana university press<br />

Meridians<br />

feminism, race, transnationalism<br />

Edited by Paula J. Giddings<br />

Meridians provides a forum for the finest<br />

scholarship and creative work by and about<br />

women of color in U.S. and international<br />

contexts; it recognizes that feminism, race,<br />

transnationalism, and women of color are<br />

contested terms and engages in a dialogue<br />

across ethnic and national boundaries.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1547-8424, pISSN 1536-6936<br />

Nashim<br />

A Journal of Jewish Women’s Studies<br />

& Gender Issues<br />

Edited by Renée Levine Melammed and<br />

Deborah Greniman<br />

Nashim provides an international,<br />

interdisciplinary academic forum in<br />

Jewish women’s and gender studies and<br />

includes articles on literature, text studies,<br />

anthropology, archeology, theology,<br />

contemporary thought, sociology, the arts,<br />

and more.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1565-5288, pISSN 0793-8934<br />

Philosophy of Music<br />

Education Review<br />

Edited by Estelle R. Jorgensen<br />

Philosophy of Music Education Review<br />

features research in music education that<br />

addresses philosophical or theoretical issues,<br />

reform initiatives, philosophical writings,<br />

theories, the nature and scope of education<br />

and its goals and purposes, and crossdisciplinary<br />

dialogue relevant to the interests<br />

of music educators.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1543-3412, pISSN 1063-5734<br />

Prooftexts<br />

A Journal of Jewish Literary History<br />

Edited by Barbara Mann<br />

and Jeremy Dauber<br />

Prooftexts provides a forum for the growing<br />

field of Jewish literary studies and brings<br />

together the study of modern Jewish<br />

literatures (in Hebrew, Yiddish, and European<br />

languages) with the literary study of the Jewish<br />

classical tradition as a whole.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1086-3311, pISSN 0272-9601<br />

Race/Ethnicity<br />

Multidisciplinary Global Contexts<br />

Edited by john a. powell and Valerie Lee<br />

Race/Ethnicity offers a multidisciplinary<br />

critical intervention in contemporary thinking<br />

on race and ethnicity by recognizing and<br />

responding to shared challenges on a global<br />

scale, with a willingness simultaneously to<br />

engage theory, practice, and other forms of<br />

knowledge.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1935-8562, pISSN 1935-8644<br />

Textual Cultures<br />

Texts, Contexts, Interpretation<br />

Edited by H. Wayne Storey<br />

and Edward Burns<br />

Textual Cultures is the official publication of<br />

the Society for Textual Scholarship. It brings<br />

together essays by scholars from numerous<br />

disciplines and focuses on issues of textual<br />

editing, redefinitions of textuality, the history<br />

of the book, material culture, and the fusion of<br />

codicology with literary, musicological, and art<br />

historical interpretation and iconography.<br />

PUBLISHED SEMIANNUALLY<br />

eISSN 1933-7418, pISSN 1559-2936<br />

58 JSTOR.ORG/R/IUPRESS iupress.typepad.com/blog | 888.388.3574 • 1.800.842.6796<br />

IUPJOURNALSBLOG.IUPRESS.ORG


indiana university press<br />

Transactions of the<br />

Charles S. Peirce Society<br />

A Quarterly Journal in American<br />

Philosophy<br />

Edited by Douglas R. Anderson, Cornelis<br />

de Waal, Scott Pratt, and Sami Pihlström<br />

Transactions specializes in the history of<br />

American philosophy. American philosophers<br />

of all schools and periods, from the colonial to<br />

the recent past, are extensively discussed.<br />

PUBLISHED QUARTERLY<br />

eISSN 1558-9578, pISSN 0009-1774<br />

Transition<br />

An International Review<br />

Edited by Tommie Shelby, Glenda Carpio,<br />

and Vincent Brown<br />

Transition features an international<br />

review of politics, culture, and ethnicity,<br />

unusual dispatches, unforgettable memoirs,<br />

unorthodox polemics, unlikely conversations,<br />

and unsurpassed original fiction.<br />

PUBLISHED TRIANNUALLY<br />

eISSN 1527-8042, pISSN 0041-1191<br />

Victorian Studies<br />

Edited by Andrew H. Miller<br />

and Ivan Kreilkamp<br />

Victorian Studies, devoted to the study of<br />

British culture of the Victorian age, includes<br />

interdisciplinary articles on comparative<br />

literature, social and political history, and the<br />

histories of education, philosophy, fine arts,<br />

economics, law, and science.<br />

PUBLISHED QUARTERLY<br />

eISSN 1527-2052, pISSN 0042-5222<br />

Journal special issues<br />

Souls<br />

Transition 104<br />

The latest issue of Transition<br />

can be read as a riff on<br />

the word “souls.” It opens<br />

with an uncanny glimpse<br />

into a South African slum<br />

community rocked by<br />

rumors of a ghost and<br />

unfolds from there: three<br />

West Indian Day Parade: Lady in Red. Digital<br />

Photograph. ©2010 Kameelah Rasheed.www.<br />

eulogies in three styles, an kameelahr.com. Transition 104 (pp. 76-92)<br />

untold love story, and a<br />

contemplation of the great book by W. E. B. Du Bois that canonized<br />

soul and soulfulness as the calling card of the African Diaspora.<br />

Throughout the issue, the same questions are asked in different<br />

voices: how can we preserve human dignity across time and space?<br />

How can we give old souls the space to speak? Transition 104<br />

presents the views of a remarkable array of prominent figures in<br />

the Diaspora, past and present: C. L. R. James, Sally Hemings, Fela<br />

Kuti, the Notorious B.I.G., and the Wu-Tang Clan, to name a few.<br />

Approach Transition two ways, the way Du Bois wrote The Souls of<br />

Black Folk: “leap like dancers into infinity,” or “come back down into<br />

the finite world, and land without stumbling and wobbling.”<br />

PRINT SINGLE ISSUES: $18.50<br />

The Intersection of Race and Gender<br />

Race/Ethnicity: Multidisciplinary Global Contexts 4.1<br />

Race/Ethnicity 4.1 explores the varied ways that race and gender<br />

identities interact across the globe and how that interaction<br />

mediates access to social opportunity. It addresses whether gender<br />

discrimination is likely to be more severe in places where racial<br />

discrimination is severe, what the consequences of discriminatory<br />

behavior are, and what can be done about them. The issue also<br />

samples the consequences that attach to the interactions of race and<br />

gender, casts light on those dynamics, and includes interviews with<br />

activists, practitioners, and Columbus, Ohio, residents. The centrality<br />

of visual representation is a common theme in many of the articles.<br />

“The Intersection of Race and Gender” closes with a fact sheet that<br />

compares gender data from across the globe.<br />

Print Single Issues: $29.50<br />

iupress.indiana.edu 59


indiana university press<br />

Journal special issues<br />

Landscapes of Violence: Memory and<br />

Sacred Space<br />

History And Memory 23.1<br />

In this special issue,<br />

guest editor Katharina<br />

Schramm (Martin-<br />

Luther-<strong>University</strong>,<br />

Halle-Wittenberg) brings<br />

together a number of<br />

scholars to reflect on<br />

a specific aspect of the<br />

relationship between<br />

violence, memory,<br />

A Mass for the Victims of the Communist Regime,<br />

body, and landscape, held in autumn 2005 in the Croatian-Bosnian Border<br />

namely, the dynamics Region. Photo by Michaela Schäuble. History and<br />

Memory 23.1(pp. 23-61)<br />

of the sacralization of<br />

memorial space.<br />

Careful not to attribute agency solely to the physical environment,<br />

the authors carve out the shifting interface between symbolic forms,<br />

narrative strategies, and material practices that becomes apparent<br />

in the politically charged realm of commemoration. In order to<br />

account for the underlying complexity, this collection privileges a<br />

comparative and translocal perspective.<br />

contributions of money and time, those organizations survive<br />

and thrive; without them, they fail. Women on the cutting edge of<br />

philanthropic activism are increasingly unwilling to support the<br />

status quo; they want to participate in and support a revisioning of<br />

society that contributes to meaningful change.<br />

Print Single Issues: $23.45<br />

Exploring Ethnological Knowledges<br />

Journal of Folkore Research 47:1&2<br />

In “Exploring Ethnological Knowledges,” scholars suggest how<br />

ways of thinking are transformed into practices and material<br />

representations—into knowledge formats—and investigate the social<br />

consequences of attempts to transfer knowledge. Guest editors<br />

Michaela Fenske (<strong>University</strong> of Göttingen) and Antonia Davidovic-<br />

Walther (<strong>University</strong> of Kiel) bring together essays from researchers<br />

in Germany, Israel, Slovenia, and Switzerland that explore the<br />

construction, representation, and use of ethnological knowledge.<br />

Since knowledge formats and knowledge transfer are subject to<br />

cultural difference, each essay is paired with a response from a<br />

scholar in the United States. The rich intersections of texts, histories,<br />

and perspectives in this collection underscore the possibilities<br />

generated by “the special issue“ as a distinct knowledge format.<br />

Print Single Issues: $18.50<br />

It includes contributions from anthropology and comparative<br />

religion, with case studies from Croatia (Michaela Schäuble, Martin-<br />

Luther-<strong>University</strong>, Halle-Wittenberg), Israel/Palestine (Jackie<br />

Feldman, Ben Gurion <strong>University</strong>, Beer Sheva), Ghana (Katharina<br />

Schramm), and Germany (Insa Eschebach, Ravensbrück Memorial<br />

Museum).<br />

Print Single Issues: $21.45<br />

Jewish Women and Philanthropy<br />

Nashim 20<br />

The contribution of Jewish women to Katrina-linked disaster relief in<br />

the American Gulf Coast region provided the impetus for this issue of<br />

Nashim. Understanding how, why, and to what ends Jewish women<br />

engage in philanthropy is a critical topic for our time. Women in<br />

general, owing to greater longevity, modern inheritance laws, and<br />

higher rates of employment, now control a substantial portion<br />

of assets—a portion that is set only to increase. With women’s<br />

60 JSTOR.ORG/R/IUPRESS iupress.typepad.com/blog | 888.388.3574<br />

• 1.800.842.6796<br />

Janet Shafner, Lot’s Wife (1996). Oil on canvas, 58” × 50”(left) and Azazel: The Scapegoat<br />

(1994). Oil on canvas, 54” × 48”(right). Nashim 20 (pp. 132-139)<br />

IUPJOURNALSBLOG.IUPRESS.ORG


indiana university press<br />

PRINT SINGLE<br />

ISSUES<br />

2011/12 IUP/Journals Prices PRINT ELECTRONIC COMBINED FOREIGN<br />

POSTAGE<br />

First Class/Air Mail Single, Special, Double<br />

Individual<br />

/Institutional<br />

Individual<br />

/Institutional<br />

Individual<br />

/Institutional<br />

ACPR $37.50/$79.50 $33.75/$71.50 $41.25/$111.30 $10.50/$18.00 $20.00<br />

ACPR (Individuals Residing in Africa) $31.88 $28.69 $35.07<br />

Africa Today $53.00/$145.00 $50.00/$130.50 $59.00/$196.50 $18.00/$34.00 $18.50, $23.45, $25.45<br />

Aleph $45.00/$69.00 $40.50/$62.50 $49.50/$94.50 $10.00/$18.00 $24.95<br />

Black Camera $42.00/$85.00 $37.80/76.50 $46.20/$119.00 $10.50/$18.00 $26.00, $29.00<br />

Ethics & the Environment $37.50/$108.50 $33.75/$97.50 $41.00/$146.75 $10.50/$18.00 $20.00, $23.45, $25.45<br />

e-Service Journal $50.00/$143.75 $45.00/$129.50 $55.00/$180.00 $15.50/$27.00 $20.00, $23.45, $25.45<br />

Film History $75.00/$199.50 $67.50/$179.50 $82.50/$273.50 $18.00/$34.00 $21.45, $21.45, $25.45<br />

The Global South NA $34.65/$64.35 NA NA NA<br />

History & Memory $37.50/$70.00 $33.75/$63.00 $41.50/$93.75 $10.50/$18.00 $21.45, $23.45, $25.45<br />

International Journal of Global Legal Studies* NA $37.50/$69.50 NA NA NA<br />

IJFAB $46.50/$93.50 $42.00/$84.50 $51.00/$128.50 $10.50/$18.00 $26.45, $27.45, $28.45<br />

Israel Studies $42.50/$110.50 $38.25/$99.50 $46.75/$150.75 $14.50/$26.00 $18.50, $23.45, $25.45<br />

Jewish Social Studies $41.00/$110.50 $37.00/$99.50 $45.00/$150.50 $14.50/$26.00 $18.50, $23.45, $25.45<br />

JFSR $31.50/$65.50 $28.50/$59.00 $35.00/$89.50 $10.50/$18.00 $18.50, $23.45, $25.45<br />

JFR $35.00/$65.50 $31.50/$58.95 $38.50/$90.75 $14.50/$25.00 $18.50, $23.45, $25.45<br />

JMEWS $42.50/$101.50 $38.25/$91.50 $46.75/$138.50 $15.50/$26.00 $18.50, $23.45<br />

JML $50.00/$140.00 $45.00/$126.25 $55.00/$191.55 $18.00/$34.00 $18.50, $23.45, $25.45<br />

Meridians $37.50/$95.00 $33.75/$85.50 $41.25/$131.50 $10.50/$18.00 $20.00, $23.45, $25.45<br />

Nashim $33.50/$60.00 $30.25/$54.00 $37.00/$85.50 $13.50/$25.00 $23.45, $23.45, $25.45<br />

Philosophy of Music Education Review $32.50/$65.50 $29.25/$59.00 $35.75/$89.50 $10.50/$18.00 $18.50, $23.45, $25.45<br />

Prooftexts $42.50/$109.50 $38.25/$98.50 $46.75/$149.75 $14.50/$25.00 $18.50, $23.45, $25.45<br />

Race/Ethnicity $56.50/$101.50 $50.95/$91.25 $62.25/$136.50 $13.50/$25.00 $29.50, $29.75, $31.75<br />

Research in African Literatures $50.00/$140.00 $45.00/$126.25 $55.00/$191.50 $18.00/$34.00 $18.50, $23.45, $25.45<br />

Textual Cultures $44.50/$77.50 $40.00/$69.75 $49.00/$105.50 $10.00/ $18.00 $23.50<br />

Transactions $44.00/$80.50 $39.50/$72.50 $48.00/$109.50 $18.00/ $34.00 $18.50, $23.45, $25.45<br />

Transition $39.50/$115.00 $35.50/$103.50 $43.50/$156.50 $24.00/ $36.00 $23.95<br />

Victorian Studies $48.50/$147.50 $43.50/$132.75 $53.25/$196.75 $18.00/ $34.00 $18.50, $23.45, $25.45<br />

*Print subscriptions to IJGLS should be directed to the journal at the Maurer School of Law, ijgls@indiana.edu<br />

Order Journals: WWW.JSTOR.ORG/R/IUPRESS | 888.388.3574<br />

iupress.indiana.edu 61


indiana university press<br />

Book Order Form<br />

Name<br />

Street Address<br />

City State Zip<br />

Telephone<br />

Email<br />

Qty. ISBN Title Price<br />

Total Books $<br />

Shipping<br />

$5.00 for first book, $1.00 for each additional book<br />

For orders outside the U.S. add $5.00 for the first<br />

book and $3.50 for each additional book.<br />

Sales tax<br />

<strong>Indiana</strong> residents 7%<br />

Canada 5%<br />

Shipping $<br />

Subtotal $<br />

Sales tax $<br />

TOTAL $<br />

P.O. No.<br />

(institutions only)<br />

Check/Money Order Visa MasterCard Amex Discover<br />

Account No.<br />

Expiration Date<br />

Phone<br />

Signature<br />

62 iupress.typepad.com/blog • 1.800.842.6796<br />

601 Nor th Mor ton Street, Bloomington, IN 47404-3797, USA<br />

Sales Department: Tel: 812.855.6657 Fax: 812.856.0415<br />

To order Journals, please contact JSTOR.ORG/R/IUPRESS | 888.388.3574


Ordering and Prices<br />

Booksellers outside the U.S.:<br />

contact the appropriate representative listed on the inside back cover.<br />

t = trade discount s = short discount<br />

x = text discount L = library discount<br />

Complete discount schedule available<br />

upon request.<br />

All prices and specifications are subject to change without notice.<br />

Our complete catalog of books in print and seasonal catalogs are available on the<br />

<strong>Press</strong>’s website: iupress.indiana.edu<br />

Order inquiries: iuporder@indiana.edu<br />

Returns should be sent via UPS prepaid to:<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong> Warehouse<br />

802 East 13th Street<br />

Bloom ington, IN 47408-2101<br />

Authorization is not required. For full credit, enclose debit memo and invoice numbers<br />

with each shipment. All books must be in print and in “as new” condition. Credit will<br />

be allowed at invoiced discount. If invoice numbers are not supplied, credit will be<br />

issued at the minimum applicable discount.<br />

Any questions regarding eligibility or claims should be referred<br />

to the Customer Service Department at 812-855-8817.<br />

INDIANA UNIVERSITY PRESS<br />

601 North Morton Street<br />

Bloomington, IN 47404-3797 USA<br />

Orders: (812) 855-8817<br />

Toll-Free Orders: (800) 842-6796<br />

Customer Service: (812) 855-8817<br />

Fax: (812) 855-7931<br />

E-mail: iuporder@indiana.edu<br />

Examination Copy Policy<br />

College and university faculty in the U.S. and Canada may request exam copies of books<br />

for consideration as course texts. Payment in full (by cash, money order, or credit card)<br />

must be made in advance.<br />

Paperback Titles: Exam copies of paperbacks priced up to $29.95 are available for a fee<br />

of $7.50. For paperbacks over $29.95, the cloth title policy applies (see below).<br />

Cloth Titles: For books available only in hardcover, the instructor purchases the book at<br />

full price. If the book is adopted and a text order for 10 or more copies is placed within<br />

90 days, payment will be refunded. If the book is not adopted, it may be returned in<br />

saleable condition within 90 days for a refund. Exam copy requests should be limited<br />

to no more than three books per semester. Examination copies of CDs and DVDs are<br />

not available.<br />

Requests for exam copies should be sent by mail or fax on departmental letterhead,<br />

stating title of book, instruc tor’s name, and title of course for which the book is being<br />

considered. Include check or credit card information.<br />

Examination copies are provided at the discretion of <strong>Indiana</strong> <strong>University</strong> <strong>Press</strong>.<br />

indiana university press<br />

Customers in Continental Europe,<br />

the UK, Ireland, Africa,<br />

and the Middle East<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong> is marketed by<br />

Combined Academic Publishers Ltd. in<br />

Continental Europe, the UK, Ireland, Africa,<br />

and the Middle East.<br />

Please contact our distributor<br />

Marston Book Services as follows:<br />

(Alternatively you can log on to<br />

www.pubeasy.com.)<br />

If you have an account with Marston,<br />

please call:<br />

Tel: 44 (0) 1235 465521<br />

Fax: 44 (0) 1235 46555<br />

or e-mail: trade.orders@marston.co.uk<br />

If you do not have an account and wish<br />

to pay by credit card, please call:<br />

Tel: 44 (0) 1235 465500<br />

Fax: 44 (0) 1235 465556<br />

If you wish to pay by pro-forma invoice,<br />

please contact Marston as detailed above.<br />

If you would like to set up an account,<br />

please contact:<br />

UK Credit Control:<br />

Tel: 44 (0) 1235 465589<br />

Fax: 44 (0) 1235 465562<br />

E-mail: wendy.myers@marston.co.uk<br />

Export Credit Control:<br />

Tel: 44 (0) 1235 465590<br />

Fax: 44 (0)1235 465562<br />

E-mail: nick.woods@marston.co.uk<br />

INDIANA UNIVERSITY PRESS<br />

601 Nor th Mor ton Street<br />

Bloomington, IN 47404-3797<br />

USA<br />

Sales Department:<br />

Tel: 812.855.6657<br />

Fax: 812.856.0415<br />

E-mail: iupsales@indiana.edu<br />

Fall 2011 Catalog<br />

iupress.indiana.edu 63


indiana university press<br />

UNITED STATES<br />

New York and Middle Atlantic,<br />

New England:<br />

David K. Brown—<strong>University</strong> Marketing Group<br />

675 Hudson St., 4N<br />

New York, NY 10014<br />

Tel: 212.924.2520 Fax: 212.924.2505<br />

E-mail: davkeibro@mac.com<br />

Jay Bruff—<strong>University</strong> Marketing Group<br />

1404 S. 13th St.<br />

Philadelphia, PA 19147<br />

Tel: 215.389.0995 Fax: 215.389.0995<br />

E-mail: jaybruff@earthlink.net<br />

Midwest<br />

Stu Abraham—Abraham Associates<br />

Juliet Patterson, Office Manager<br />

5120a Cedar Lake Rd.<br />

St. Louis Park, MN 55416<br />

Tel: 952.927.7920 Fax: 952.927.8089<br />

E-mail: stu@abrahamassociatesinc.com<br />

Steve Horwitz—Abraham Associates<br />

2209 Dayton Ave.<br />

St. Paul, MN 55104<br />

Tel: 651.647.1712 Fax: 952.927.8089<br />

E-mail: steve@abrahamassociatesinc.com<br />

Roy Schonfeld—Abraham Associates<br />

2084 Mirimar Blvd.<br />

S. Euclid, OH 44121<br />

Tel: 216.291.3538 Fax: 216.691.0548<br />

E-mail: roy@abrahamassociatesinc.com<br />

John Mesjak—Abraham Associates<br />

509 Edward St.<br />

Sycamore, IL 60178<br />

Tel: 815.899.0079 Fax: 815.261.4114<br />

E-mail: john@abrahamassociatesinc.com<br />

Southeast<br />

Don Morrison—The Morrison Group<br />

Barbara Arendall, Office Manager<br />

294 Barons Rd.<br />

Clemmons, NC 27012<br />

Tel: 336.775.0226 Fax: 336.775.0239<br />

E-mail: msgbooks@aol.com<br />

Amy Willis—The Morrison Group<br />

294 Barons Rd.<br />

Clemmons, NC 27012<br />

Tel: 917.544.1855 Fax: 336.775.0239<br />

E-mail: girlonthemove@gmail.com<br />

64 iupress.typepad.com/blog • 1.800.842.6796<br />

West and Southwest<br />

Ted H. Terry—Collins-Terry Associates<br />

19216 South East 46th Pl.<br />

Issaquah, WA 98027<br />

Tel: 425.747.3411 Fax: 425.747.0366<br />

E-mail: colterryassoc@aol.com<br />

Alan Read—Collins-Terry Associates<br />

2031 North Craig St.<br />

Altadena, CA 91001<br />

Tel: 626.590.6950 Fax: 877.872.9157<br />

E-mail: alanread@earthlink.net<br />

David M. Terry—Collins-Terry Associates<br />

247 Fourth St.<br />

Loft 402<br />

Oakland, CA 94607<br />

Tel: 510.813.9854 Fax: 510.465.7668<br />

E-mail: dmterry@aol.com<br />

CANADA<br />

Mical Moser—Lexa Publishers’ Representatives<br />

12 Park Pl., 2F<br />

Brooklyn, NY 11217<br />

Tel: 718.781.2770 Fax: 514.843.9094<br />

E-mail: mical.moser@verizon.net<br />

Elise Moser—Lexa Publishers’ Representatives<br />

7320 De Lorimier Ave.<br />

Montréal, Québec H2E 2P1 Canada<br />

Tel: 514.843.9371 Fax: 514.843.9094<br />

E-mail: elisem@lostpages.net<br />

EUROPE, MIDDLE EAST,<br />

& AFRICA<br />

Nicholas Esson<br />

Combined Academic Publishers Ltd.<br />

15a Lewin’s Yard / East St.<br />

Chesham<br />

HP5 1HQ Buckinghamshire, England<br />

Tel: 44.1.494.581.601<br />

Fax: 44.1.494.581.602<br />

E-mail:<br />

nickesson@combinedacademic.demon.co.uk<br />

Web: www.combinedacademic.co.uk<br />

Stock is held at:<br />

Marston Book Services<br />

P.O. Box 269<br />

OX14 4YN Abingdon, United Kingdom<br />

Tel: 44.0.1235.465.521<br />

Fax: 44.0.1235.465.555<br />

AUSTRALIA<br />

& NEW ZEALAND<br />

NewSouth Books<br />

<strong>University</strong> of New South Wales<br />

Sydney NSW, 2052 Australia<br />

Tel: +61 0 2 9664 0999<br />

Fax: +61 0 2 9664 5420<br />

E-mail: marketing@newsouthbooks.com.au<br />

ASIA & THE PACIFIC<br />

(excluding Australia & New Zealand)<br />

Royden Muranaka<br />

East West Export Books (EWEB)<br />

<strong>University</strong> of Hawaii <strong>Press</strong><br />

2840 Kolowalu St.<br />

Honolulu, HI 96822<br />

Tel: 808.956.6214<br />

Fax: 808.988.6052<br />

E-mail: royden@hawaii.edu<br />

Main Stockist: — Japan<br />

United Publishers Services Ltd.<br />

1-32-5, Higashi-Shinagawa<br />

Shinagawa-ku, Tokyo 140-0002 Japan<br />

Tel: 81.3.5479.7251<br />

Fax: 81.3.5479.7307<br />

Main Stockist: — India<br />

Affiliated East-West <strong>Press</strong> Pvt. Ltd.<br />

Attn: Sunny Malik<br />

G-1/16, Ansari Rd., Darya Ganj<br />

New Delhi—110 002 India<br />

Tel: 11.3279113<br />

Fax: 11.3260538<br />

ALL OTHER COUNTRIES<br />

International Sales Department<br />

<strong>Indiana</strong> <strong>University</strong> <strong>Press</strong><br />

601 North Morton St.<br />

Bloomington, IN 47404-3797 USA<br />

Tel: 812.855.6657<br />

Fax: 812.856.0415<br />

E-mail: iupsales@indiana.edu<br />

SALES RESTRICTIONS<br />

Titles in this catalog are available for<br />

distribution throughout the world<br />

except where otherwise indicated.<br />

Sales territory restrictions are listed<br />

after those titles with limited sales<br />

rights.<br />

PRICES<br />

All prices and specifications in<br />

this catalog are subject to change<br />

without notice. Please contact the<br />

sales representative in your area for<br />

price and discount information.


indiana university press<br />

INDEx<br />

Alva Vanderbilt Belmont.……………………………………………14<br />

An Unreal Estate.……………………………………………………27<br />

The Anthropology of Extinction……………………………………46<br />

Antoni Tàpies, Complete Writings, Volume II…………………………16<br />

Beethoven in America…………………………………………………3<br />

Conversations with Great Teachers…………………………………16<br />

Creation and the Sovereignty of God………………………………37<br />

The CSX Clinchfield Route in the 21st Century……………………21<br />

David Baker.…………………………………………………………1<br />

Debussy Redux……………………………………………………33<br />

Decorum of the Minuet, Delirium of the Waltz……………………34<br />

The Depression Comes to the South Side…………………………29<br />

Discourses at the Communion on Fridays…………………………38<br />

Early Twentieth-Century Continental Philosophy……………………36<br />

Encounters Audio CD-ROM………………………………………49<br />

Expressive Intersections in Brahms…………………………………33<br />

FDR, Dewey, and the Election of 1944………………………………6<br />

Feminist Disability Studies…………………………………………39<br />

Fighting for America…………………………………………………7<br />

Forerunners of Mammals…………………………………………22<br />

Gaining Ground, Second Edition…………………………………… 22<br />

The Glimpse Traveler………………………………………………18<br />

Habitats and Ecological Communities of <strong>Indiana</strong>……………………26<br />

A Home of Her Own………………………………………………17<br />

Human Rights and African Airwaves………………………………41<br />

Hypersexuality and Headscarves……………………………………44<br />

The <strong>Indiana</strong> Rail Road Company, Revised and Expanded Edition 21<br />

<strong>Indiana</strong> Railroad Lines……………………………………………… 27<br />

The Individual and Tradition…………………………………………48<br />

Jewish Life in Twenty-First-Century Turkey…………………………45<br />

John Coates…………………………………………………………4<br />

Kant and the Subject of Critique……………………………………36<br />

Keystone Korner………………………………………………………2<br />

Kierkegaard and Death………………………………………………38<br />

Landmarks on the Iron Road………………………………………20<br />

Last Folio…………………………………………………………12<br />

Ligonier……………………………………………………………24<br />

Literary Learning……………………………………………………28<br />

Medicine, Mobility, and Power in Global Africa………………………39<br />

Mercury, Mining, and Empire…………………………………………47<br />

Modern Ladino Culture……………………………………………30<br />

Murder, the Media, and the Politics of Public Feelings………………5<br />

Music and Globalization………………………………………………42<br />

Music and the Politics of Negation………………………………………32<br />

Musical Forces…………………………………………………………32<br />

Muslim Families in Global Senegal………………………………………40<br />

Muslims and New Media in West Africa…………………………………40<br />

Nationalist in the Viet Nam Wars…………………………………………9<br />

New Harmony Then and Now…………………………………………25<br />

The Origin of the Logic of Symbolic Mathematics………………………37<br />

A Performer’s Guide to Seventeenth-Century Music, Second Edition…34<br />

Political Crime and the Memory of Loss…………………………………44<br />

Postcolonial Artists and Global Aesthetics………………………………42<br />

A Prophetic Peace……………………………………………………10<br />

Racial Imperatives……………………………………………………29<br />

Returns to the Field……………………………………………………46<br />

Rice Talks………………………………………………………………47<br />

Screens and Veils………………………………………………………43<br />

Secularism Soviet Style…………………………………………………45<br />

Speak to the Earth……………………………………………………23<br />

Spirit Possession and Muslim Practice in Northern Nigeria……………41<br />

Starring Madame Modjeska………………………………………………15<br />

Storytelling on the Northern Irish Border………………………………48<br />

Surviving the Bosnian Genocide…………………………………………11<br />

The Swan………………………………………………………………19<br />

The Symphonic Repertoire, Volume I……………………………………35<br />

Tel-Aviv, the First Century………………………………………………30<br />

Today I Am a Woman…………………………………………………13<br />

The United States Holocaust Memorial Museum Encyclopedia<br />

of Camps and Ghettos, 1933-1945, Volume II…………………………31<br />

Walden x 40…………………………………………………………28<br />

Warfare in Woods and Forests…………………………………………8<br />

Wet Britches and Muddy Boots…………………………………………20<br />

Women’s Voices from West Africa………………………………………43<br />

twitter.com/iupress<br />

facebook.com/iupress<br />

Printed in the USA<br />

iupress.indiana.edu 65


601 North Morton Street<br />

Bloomington, IN 47404-3797<br />

iupress.indiana.edu<br />

n i n G G ro u n d<br />

e O r i g i n a n d e v O l u T i O n O f T e T r a p O d s<br />

Fig hting<br />

For<br />

AmericA<br />

Jerry Taylor & ray PoTeaT<br />

The<br />

CSX ClinChfield rouTe<br />

in the 21st Century<br />

Motion,<br />

Metaphor, and<br />

Meaning in Music<br />

A Home of<br />

Her own<br />

The Struggle for<br />

Mastery in North<br />

America, 1519-1871<br />

P o s t c o l o n i A l<br />

A r t i s t s<br />

A n d • G l o b A l<br />

A e s t h e t i c s<br />

Discourses at the<br />

Communion<br />

on Fridays<br />

Søren Kierkegaard<br />

Musical Forces<br />

Jeremy Black<br />

steve Larson<br />

d i T i O n<br />

J e n n i f e r a . c l a c k<br />

Nancy R. Hiller<br />

f o r e w o r d b y p a t r i c i a p o o r e<br />

p h o t o g r a p h s b y<br />

Kendall Reeves Ligonier<br />

A<br />

JEff MoErchEn<br />

PhotogrAPhic EssAy<br />

TR ANSLATED BY SYLVIA WALSH<br />

A k i n • A d e s o k A n

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!