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KENT_Autumn_06_AW:KENT 1 - University of Kent

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<strong>KENT</strong><br />

The Magazine for The <strong>University</strong> <strong>of</strong> <strong>Kent</strong> <strong>Autumn</strong> 20<strong>06</strong> No. 47


Since the last issue <strong>of</strong> <strong>KENT</strong>, there’s been a lot<br />

to celebrate at the <strong>University</strong> – not least being<br />

shortlisted for the Times Higher Education<br />

Supplement’s Institution <strong>of</strong> the Year Award. The<br />

winner will be announced on 15 November, so<br />

fingers crossed!<br />

There were further celebrations when Dr Dan<br />

Lloyd received his National Teaching Fellowship<br />

Award at a gala dinner in London on 19 September.<br />

Readers <strong>of</strong> the last issue <strong>of</strong> <strong>KENT</strong> will have seen<br />

work by Dr Dan Lloyd’s science communication<br />

students and so won’t be surprised to learn that he<br />

has been awarded a National Teaching Fellowship<br />

Award, one <strong>of</strong> only 50 to be awarded nationwide.<br />

This is the third year running <strong>Kent</strong> lecturers have<br />

won this award.<br />

Having focused on the sciences in the last issue, we<br />

decided that it was high time that we threw open<br />

<strong>KENT</strong> to the <strong>University</strong>’s literary side. <strong>Kent</strong> has<br />

long had a literary bias – underpinned by initiatives<br />

such as the T.S.Eliot prize which supports poetry<br />

writing among students – and work by alumni, staff<br />

and current students is critically acclaimed, both<br />

nationally and internationally.<br />

For example, novelist David Mitchell, who graduated<br />

from <strong>Kent</strong> with a degree in English and American<br />

Literature and an MA in Comparative Literature,<br />

has had two books, number9dream and Cloud Atlas<br />

shortlisted for the Man Booker Prize for fiction.<br />

Delia Jarrett-Macaulay, who did a PhD in English and<br />

taught part-time on the Women’s Studies<br />

programme, won the Orwell prize for her first<br />

novel, Moses, Citizen and Me, about a child soldier<br />

and his family in Sierra Leone. Incidentally, she also<br />

recently made a documentary about Sierra Leone,<br />

broadcast on BBC Radio 4 earlier this year.<br />

We hope you enjoy this issue – we are particularly<br />

pleased to be able to showcase some <strong>of</strong> the work<br />

<strong>of</strong> our Creative Writing students and we would<br />

also like to thank Abdulrazak Gurnah for giving<br />

us permission to reproduce an extract from his<br />

book, Desertion.<br />

And don’t forget, send us any suggestions or<br />

comments you may have about <strong>KENT</strong>, we really<br />

want to hear them.<br />

Killara Burn<br />

Posie Bogan<br />

Editors<br />

Dear Editors<br />

I was quite amused to read the letter from Patricia<br />

Johnson in the Spring 20<strong>06</strong> edition <strong>of</strong> the magazine.<br />

Not directly by its contents, let me hasten to add,<br />

but by the fact that you have printed, in white text<br />

on a coloured background, a letter saying you should<br />

reconsider your practice <strong>of</strong> printing letters in white<br />

text on a coloured background.<br />

Ian Gordon D83<br />

Editors’ reply<br />

Please bear with us – we hoped that by having a<br />

stronger background colour this would make the text<br />

easier to read as, according to the RNIB guidelines,<br />

‘the better the contrast between the background<br />

and the text, the more legible the text will be.’<br />

The guidelines also highlight that the contrast will<br />

be affected by the size and weight <strong>of</strong> the type<br />

which is something we are now paying particular<br />

attention to. A text version <strong>of</strong> <strong>KENT</strong> is available at<br />

www.kent.ac.uk/alumni/news/kent/<br />

Front cover detail: Literature<br />

With the publication <strong>of</strong> Night<br />

Train 4, <strong>KENT</strong> is celebrating<br />

the <strong>University</strong>’s longstanding<br />

literary reputation by focusing<br />

on the achievements <strong>of</strong> alumni,<br />

staff and students in this area.<br />

Special thanks to<br />

Chris Lancaster and Lesley Farr<br />

in the <strong>University</strong> Print Unit;<br />

David Clark (R82); Karen Bayfield<br />

and Karen Donaghay in C&DO.<br />

Photographs by Robert Berry,<br />

Joanna Eldridge Morrissey;<br />

Mark Pringle<br />

Editors<br />

Killara Burn and Posie Bogan<br />

Communications &<br />

Development Office<br />

<strong>University</strong> <strong>of</strong> <strong>Kent</strong><br />

Canterbury CT2 7NZ<br />

Tel. 01227 824345/823581<br />

Fax. 01227 827912<br />

Email kent-the-mag@kent.ac.uk<br />

www.kent.ac.uk/alumni<br />

<strong>KENT</strong> replaces the <strong>Kent</strong> Bulletin<br />

and is published in spring and<br />

autumn every year for alumni,<br />

staff and friends <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> <strong>Kent</strong>. It is sent to all alumni<br />

worldwide who regularly update<br />

or confirm their contact details<br />

with us.<br />

<strong>KENT</strong>, the magazine for alumni,<br />

staff and friends <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> <strong>Kent</strong> – 47<br />

<strong>Autumn</strong> 20<strong>06</strong><br />

Design<br />

Third Eye Design<br />

Tel: 0141 332 3335<br />

www.thirdeyedesign.co.uk<br />

Printers<br />

Broglia Press<br />

Tel: 01202 621621<br />

Opposite<br />

Abdulrazak Gurnah (page 18)<br />

2


Contents<br />

4 News 7 Development News 8 Shaping the<br />

World 10 Constant Gardner 11 Night Train<br />

15 Business Links 16 New Frontiers 18 Best <strong>of</strong><br />

Both Worlds 20 Keeping up with <strong>Kent</strong> Graduates<br />

– Visual Arts 21 Who’s What Where 24 Events<br />

3


1 Drill Hall Library,<br />

Medway campus<br />

2 Jo Brand<br />

3 Pr<strong>of</strong>essor Sir Robert<br />

Worcester<br />

4 David Mitchell<br />

5 Alison Coll<br />

6 Medway Building<br />

1<br />

<strong>Kent</strong> shortlisted as<br />

‘Institution <strong>of</strong> the Year’<br />

<strong>Kent</strong> is one <strong>of</strong> five universities shortlisted for the<br />

Times Higher Education Supplement (THES) ‘Institution<br />

<strong>of</strong> the Year’ 20<strong>06</strong>.<br />

The awards are open to all higher education<br />

institutions in the UK. Their aim is ‘to raise awareness<br />

<strong>of</strong> and reward the huge contribution British<br />

universities make to the economic and cultural health<br />

<strong>of</strong> the country’ and ‘to shine a light on a few <strong>of</strong> the<br />

many achievements that have made UK universities<br />

among the best in the world’.<br />

This, in particular, has been a milestone year for <strong>Kent</strong>,<br />

with its innovative campus development in Medway,<br />

its unique collaboration with France and its great<br />

strides in widening participation while improving<br />

its research performance – all underpinned by its<br />

dynamic approach to partnership in Europe and the<br />

UK. <strong>Kent</strong>’s success is further demonstrated by step<br />

changes in league tables and performance indicators.<br />

Vice-Chancellor Pr<strong>of</strong>essor David Melville said, ‘This<br />

is a year in which the inspired work <strong>of</strong> all our staff<br />

in redefining the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> over the past few<br />

years has come to fruition in so many ways. We are<br />

delighted that this has been recognised in our being<br />

shortlisted for HE Institution <strong>of</strong> the Year 20<strong>06</strong>.’<br />

The 20<strong>06</strong> awards presentation will be held later this<br />

year at the London Hilton Hotel. Many <strong>of</strong> the leading<br />

names in education as well as sponsors and all the<br />

shortlisted category finalists will attend the event.<br />

New Chancellor<br />

Pr<strong>of</strong>essor Sir Robert Worcester was installed as<br />

<strong>Kent</strong>’s new Chancellor during a degree ceremony<br />

held at Canterbury Cathedral in July 20<strong>06</strong>. He took<br />

up his new role on 1 August 20<strong>06</strong>, succeeding Sir<br />

Crispin Tickell, who retired after 10 years as the<br />

<strong>University</strong>’s Chancellor. During a degree ceremony<br />

on Wednesday 12 July, Sir Robert received an<br />

honorary degree from the <strong>University</strong>.<br />

Sir Robert is founder <strong>of</strong> MORI (Market & Opinion<br />

Research International) London, and has well<br />

established links with the <strong>University</strong>. In 2005 he was<br />

appointed a Knight Commander <strong>of</strong> the Most<br />

Excellent Order <strong>of</strong> the British Empire (KBE) by Her<br />

Majesty the Queen. He was appointed Chancellor<br />

following a unanimous decision by the <strong>University</strong><br />

Court earlier this year.<br />

A frequent broadcaster, he is a regular contributor<br />

to national newspapers including the Financial Times<br />

and The Observer and is a columnist for Pr<strong>of</strong>ile and<br />

The Parliamentary Monitor. He has written more than<br />

a dozen books.<br />

Rewriting the<br />

history books<br />

The <strong>University</strong> recently hosted a unique symposium<br />

as part <strong>of</strong> the national programme <strong>of</strong> events to<br />

commemorate the 400th anniversary <strong>of</strong> Jamestown,<br />

the first permanent English settlement in North America.<br />

Rewriting the history books, a one-day public event,<br />

brought together Virginia Indian chiefs and academic<br />

experts and gave those attending the chance to<br />

learn about the history and explore issues <strong>of</strong> cultural<br />

diversity. The Virginia Indian chiefs gave their views<br />

on historical events and on what lessons have been<br />

learnt for the future. Additional speakers included<br />

Helen Rountree, Dr Warren Billings and Dr Peter<br />

Thompson who are historians <strong>of</strong> Virginia.<br />

4<br />

NEWS


2 3<br />

League table rise<br />

Honorary degrees<br />

4<br />

Design awards<br />

for Medway<br />

<strong>Kent</strong> has increased its presence in the Guardian’s 20<strong>06</strong><br />

Higher Education League Tables and now ranks 29<br />

out <strong>of</strong> 122 higher education institutions in the UK, an<br />

increase <strong>of</strong> six places from the 2005 printed rankings.<br />

In the subject rankings, the Department <strong>of</strong> Electronics<br />

is new to the top five for Electrical Engineering, and<br />

Religious Studies has retained its position within the<br />

top five for Theology. American Studies, Anthropology,<br />

Art & Design, Classics and Social Work at <strong>Kent</strong> are<br />

also within their respective top 20, with Archaeology,<br />

Computer Sciences & IT, Drama, Physics and Sociology<br />

new to their top 20 for this year.<br />

Awarding excellence<br />

in teaching<br />

Dr Dan Lloyd, Lecturer in Pharmacology in Biosciences,<br />

has been awarded his National Teaching Fellowship<br />

Award. Funded by the Higher Education Funding<br />

Council for England (HEFCE) and the Department<br />

for Employment and Learning in Northern Ireland,<br />

the National Teaching Fellowship Scheme (NTFS)<br />

recognises and rewards outstanding teachers or<br />

learning support staff in higher education in England<br />

and Northern Ireland.<br />

Dr Lloyd was one <strong>of</strong> 50 <strong>of</strong> the best lecturers and<br />

learning support staff to be recognised for their<br />

excellence at the event. This year’s awards received<br />

a record 242 nominations.<br />

Speaking <strong>of</strong> Dan’s award, Dr Liz Beaty, Director<br />

(Learning and Teaching) <strong>of</strong> HEFCE, said: ‘You have been<br />

recognised by your institution and by a distinguished<br />

panel <strong>of</strong> educationalists for the excellence <strong>of</strong> your<br />

contribution. You have inspired your students and you<br />

have inspired your colleagues. You have won because<br />

you are excellent at influencing others, at inspiring<br />

learners and other teachers.’<br />

Historian Dr David Starkey, composer Sir Richard<br />

Rodney Bennett and Baroness Helena Kennedy were<br />

among those who received honorary degrees from<br />

the <strong>University</strong> at the degree ceremonies held at<br />

Canterbury Cathedral this summer. Honorary degrees<br />

were also awarded to Sir Sandy Bruce-Lockhart,<br />

Chairman <strong>of</strong> the Local Government Association and<br />

County Councillor for Maidstone Rural East; Pr<strong>of</strong>essor<br />

Gabriel Josipovici, novelist, critic and playwright; Dr<br />

Declan Doogan, Senior Vice-President, Head <strong>of</strong><br />

Worldwide Development, Pfizer, and Paul Bennett,<br />

Director <strong>of</strong> the Canterbury Archaeological Trust<br />

The autumn degree ceremonies at Canterbury will<br />

also see honorary degrees awarded to Jo Brand,<br />

who is one <strong>of</strong> the best known comics in the country<br />

and David Mitchell, whose novels which include<br />

Ghostwritten, number9dream, Cloud Atlas and Black<br />

Swan Green have earned him a place among Granta<br />

magazine’s twenty Best Young British Novelists. At the<br />

Rochester Cathedral ceremony, an honorary degree<br />

will also be presented to Hilary Lister who last year<br />

became the first quadriplegic to sail, single-handed,<br />

across the English Channel. She made the crossing<br />

in six hours 13 minutes and now plans to sail<br />

around Britain.<br />

The <strong>University</strong> <strong>of</strong> <strong>Kent</strong> at Medway is celebrating<br />

its double honours in a new award scheme. The<br />

<strong>University</strong>’s flagship Medway Building was twice voted<br />

a winner in the Medway Design Awards, a project<br />

set up by the <strong>Kent</strong> Architecture Centre, on behalf <strong>of</strong><br />

the Medway Renaissance Partnership, to reward the<br />

creators <strong>of</strong> outstanding buildings, places and public<br />

spaces in the region.<br />

The £7 million Medway Building, with its distinctive<br />

brass cladding design, was chosen by Medway Design<br />

Awards judges as the winner in the New Building<br />

category, while planners at Medway Council also<br />

voted it into top place in the Development Control<br />

section. There was more success for the Medway<br />

campus as the Drill Hall Library won a top prize in<br />

the category <strong>of</strong> Refurbishment and Conversion<br />

<strong>of</strong> Historic Buildings. The state-<strong>of</strong>-the-art library is<br />

part <strong>of</strong> the £120m Universities at Medway initiative<br />

and is jointly owned and operated by Greenwich<br />

and <strong>Kent</strong> universities.<br />

The Medway Building, designed by architects RMJM<br />

Ltd, was also shortlisted for a prestigeous RIBA<br />

(Royal Institute <strong>of</strong> British Architects) Award following<br />

a recent visit by members <strong>of</strong> the shortlisting panel.<br />

The Medway campus continues to expand with the<br />

completion <strong>of</strong> <strong>Kent</strong>’s new Gillingham Building, and<br />

staff and students from Greenwich and <strong>Kent</strong> are also<br />

enjoying a range <strong>of</strong> new facilities with the opening <strong>of</strong><br />

the Pilkington Building, jointly run by Greenwich and<br />

<strong>Kent</strong> universities.<br />

5 6<br />

5


1 Pr<strong>of</strong>essor David Melville<br />

2 John Fitzpatrick<br />

3 Music Prize winners<br />

4 Rewriting the<br />

history books<br />

1<br />

2<br />

3<br />

4<br />

<strong>Kent</strong> still top in<br />

South East England<br />

The National Student Survey (NSS) has firmly<br />

reinforced <strong>Kent</strong>’s position at the top <strong>of</strong> universities<br />

in the South East <strong>of</strong> England.<br />

The combined results <strong>of</strong> the 2005 and 20<strong>06</strong> NSS –<br />

both <strong>of</strong> which polled final-year undergraduates in<br />

higher education institutions in the UK – has ranked<br />

<strong>Kent</strong> top alongside the universities <strong>of</strong> Reading and<br />

Southampton for student satisfaction.<br />

These findings have been welcomed by Vice-<br />

Chancellor Pr<strong>of</strong>essor David Melville, who said: ‘Our<br />

position within the National Student Survey is a<br />

tribute to the hard work and dedication <strong>of</strong> all our<br />

staff, and our continuous investment in student<br />

support, new facilities and new staff.’<br />

The NSS was organised by the Higher Education<br />

Funding Council for England (HEFCE) in partnership<br />

with the government and the National Union<br />

<strong>of</strong> Students.<br />

Vice-Chancellor to retire<br />

Vice-Chancellor Pr<strong>of</strong>essor David Melville is to retire<br />

from the <strong>University</strong> with effect from 1 September<br />

2007 after six years in the post. Pr<strong>of</strong>essor Melville,<br />

who is one <strong>of</strong> the country’s leading figures in<br />

education, said, ‘I have thoroughly enjoyed working<br />

with the staff at the <strong>University</strong>, all <strong>of</strong> whom have<br />

played a key role in transforming <strong>Kent</strong> into one <strong>of</strong><br />

the most dynamic universities in the country.’<br />

Music prizes<br />

This year’s <strong>University</strong> music prizes have been<br />

awarded to four outstanding students at a ceremony<br />

attended by Rosie Turner, Director <strong>of</strong> the Canterbury<br />

Festival, Dame Anne Evans, Patron <strong>of</strong> the <strong>University</strong><br />

Music Scholarship Scheme, and Pr<strong>of</strong>essor Keith<br />

Mander, Deputy Vice-Chancellor.<br />

Mariah Mazur won the Canterbury Festival Music<br />

Prize. A fourth-year student from Columbus, Ohio,<br />

she is studying Drama and Italian and is Principal<br />

Harp in the Symphony Orchestra. She has also given<br />

many solo recitals and receives a Music Scholarship.<br />

The 20<strong>06</strong> <strong>University</strong> Music Prize went to second<br />

year Law student Susannah Thackray. She is Principal<br />

Flute in the Symphony Orchestra and also plays flute<br />

and piccolo in the Concert Band. She receives a<br />

Music Scholarship to study with Rosemary Rathbone.<br />

Two students, finalist Robert <strong>Kent</strong> and postgraduate<br />

Jonathan Stott, receive the Colyer-Fergusson Award<br />

for their outstanding contribution to organising music<br />

on campus.<br />

Pharmacy student success<br />

Allison Coll, a first year student from Medway<br />

School <strong>of</strong> Pharmacy, has won the prestigious British<br />

Pharmaceutical Students’ Association (BPSA) student<br />

<strong>of</strong> the year competition. As part <strong>of</strong> her prize, Allison<br />

was invited to be an <strong>of</strong>ficial delegate for the BPSA at<br />

an international conference in Cairns, Australia, in July,<br />

where she met pharmacy students from all over the<br />

world and took part in a range <strong>of</strong> discussions and<br />

social activities while representing Britain.<br />

Allison said she felt ‘humble and honoured’ in winning<br />

the award, but insisted her tutors at the new Medway<br />

School <strong>of</strong> Pharmacy played a big part in her success.<br />

Head <strong>of</strong> School Pr<strong>of</strong>essor Clare Mackie said that<br />

Allison’s achievement was remarkable. The Medway<br />

School <strong>of</strong> Pharmacy is a unique collaboration between<br />

the <strong>University</strong> <strong>of</strong> Greenwich and the <strong>University</strong> <strong>of</strong><br />

<strong>Kent</strong> and opened the doors to its first students in 2004.<br />

OBE for <strong>Kent</strong> Law<br />

Clinic Director<br />

John Fitzpatrick, Director <strong>of</strong> the <strong>Kent</strong> Law Clinic, has<br />

been recommended by the Prime Minister for an<br />

OBE for ‘services to the administration <strong>of</strong> justice’.<br />

John Fitzpatrick has been Director since it was<br />

established in its present form in 1992. He joined<br />

the <strong>University</strong> in 1991, having previously practised as<br />

a solicitor in London. For the past 30 years he has<br />

contributed to the provision <strong>of</strong> public legal services<br />

in this country. Starting in 1976 he has worked<br />

in community law centres in Brixton, and then<br />

Hammersmith, in London, and he still assists with that<br />

work today. He has served for several years recently<br />

on the Executive <strong>of</strong> the Law Centres Federation.<br />

The <strong>Kent</strong> Law Clinic is a partnership between<br />

students, academics and volunteer solicitors and<br />

barristers. John said, ‘If ever an award was for<br />

a collective achievement, this is it. It has been<br />

an honour working with such wonderful students<br />

and colleagues in the <strong>Kent</strong> Law School and such<br />

supportive solicitors and barristers in local practice.’<br />

6


1<br />

2<br />

3 4<br />

1, 2 Phonathon callers<br />

3, 4 Benefactors’<br />

garden party<br />

Class <strong>of</strong> 1993<br />

Reunion Gift<br />

In August, 65 alumni and friends from the graduating<br />

year 1996 (entry year 1993) came back to campus<br />

for a reunion at Keynes. The organisers were Sarah<br />

Ivens K93, Editor in Chief <strong>of</strong> OK! magazine in New<br />

York, and Rose St Louis K93. Rose said, ‘It was a<br />

fantastic event, and we are thrilled to have raised<br />

nearly £400 to give to <strong>Kent</strong>; we just wish it could<br />

have been more!’ This reunion class gift goes to<br />

the Annual Fund, which is made up <strong>of</strong> contributions<br />

from <strong>Kent</strong> alumni and friends and makes awards to<br />

projects that will have a direct impact on student life.<br />

Giving something back<br />

Chris Bellingham K81, Vice-President <strong>of</strong> the Board<br />

<strong>of</strong> the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> in America, Inc (UKA) has<br />

made a generous gift. Chris studied Computers<br />

and Cybernetics and now works as Senior Technical<br />

Officer in the TradeBlade Division <strong>of</strong> Tullett Prebon,<br />

Inc in New York. Chris wrote, ‘The donation was<br />

made possible as a direct result <strong>of</strong> receiving a f irstclass<br />

education at <strong>Kent</strong>, so I am delighted to be able<br />

to give something back.<br />

‘My stepdaughter will be going to college next year<br />

and the preparations are stirring old memories.<br />

I felt barely qualified for entry to <strong>Kent</strong> but admissions<br />

gave me a chance. Then one <strong>of</strong> my tutors helped<br />

me land a job in the financial industry which led to<br />

a job <strong>of</strong>fer in New York. Without the BSc I probably<br />

wouldn’t have got the job or the green card that<br />

followed. I sometimes wonder where I would be if<br />

<strong>Kent</strong> had rejected my application.’<br />

US residents wishing to make a gift tax efficiently can<br />

find out more from Killara Burn, J.K.Burn@kent.ac.uk,<br />

+44 (0)1227 824345 or by writing to the address<br />

on page 2.<br />

Phonathon 20<strong>06</strong><br />

We ended the four-week autumn 20<strong>06</strong> campaign with<br />

a pledged total <strong>of</strong> nearly £22,000. The two student<br />

teams worked very hard to reach that total, and<br />

there was excellent feedback from many <strong>of</strong> the 900<br />

or so alumni the callers reached. The Phonathon<br />

generates important income for the Annual Fund;<br />

it is also an important source <strong>of</strong> information for the<br />

<strong>University</strong>, about the services and benefits that alumni<br />

would like from <strong>Kent</strong>, as well as the sort <strong>of</strong> input<br />

they would like to contribute to the <strong>University</strong> today.<br />

Overwhelmingly, alumni are interested in staying in<br />

touch and in putting something back. Many <strong>of</strong>fer<br />

careers advice and work shadowing opportunities.<br />

And for those who make a financial contribution,<br />

student hardship and projects like UKC Radio (now<br />

Canterbury Community Radio) attract the greatest<br />

interest. If you’d like to make a gift to the Annual<br />

Fund, please contact Sarah Saunders (S.A.Saunders@<br />

kent.ac.uk), Annual Fund Officer or by writing to her<br />

at the address on page 2.<br />

Benefactors’ garden party<br />

Hosted by the Vice-Chancellor, Pr<strong>of</strong>essor David<br />

Melville, and Mrs Lin Melville at their home,<br />

Crossways, this annual event is organised to thank<br />

the year’s donors for their gifts. Of the nearly 700<br />

people and organisations worldwide who made a<br />

financial contribution to the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> in the<br />

current year, 120 attended this year’s Garden Party,<br />

held on 10 September. The harp <strong>of</strong> Crystin Williams<br />

was the ideal musical accompaniment to a perfect<br />

sunny afternoon at a garden party.<br />

Larry Grant Scholarship<br />

in the <strong>Kent</strong> Law School<br />

<strong>Kent</strong> Law alumni from the mid-70s will remember<br />

Larry Grant as the Legal Director <strong>of</strong> the pioneering<br />

<strong>Kent</strong> Law Clinic. Few lawyers have devoted themselves<br />

so steadfastly and effectively as Larry Grant did to<br />

supporting the powerless, to defending fundamental<br />

rights and liberties and to promoting justice and dignity.<br />

Since he died suddenly in January 2003, his friends<br />

and colleagues have been considering how to<br />

memorialise Larry and his achievements as a lawyer,<br />

writer, teacher and judge. This scholarship is the result.<br />

The money raised will help fund one or more<br />

postgraduate students each year to conduct research<br />

in areas related to the interests, principles, and causes<br />

for which Larry worked so hard.<br />

The Law School at <strong>Kent</strong> has warmly welcomed the<br />

initiative and will match the amount awarded to a<br />

student by the Larry Grant Scholarship Fund. Thus if<br />

the fund is able to award a scholarship <strong>of</strong> £1500, the<br />

law school will contribute a similar amount, bringing<br />

the total value <strong>of</strong> the award to £3000.<br />

The Fund already has pledges <strong>of</strong> nearly £5,000, and the<br />

hope is to raise £50,000. If you would like to contribute<br />

or if you would like to know more, please get in touch<br />

with Larry’s widow, Hilary Ives (0207 267 5400 or<br />

07966139004), Richard de Friend (richard.de-friend<br />

@lawcol.co.u), Steve Uglow (S.P.Uglow@kent.ac.uk)<br />

or Killara Burn (J.K.Burn@kent.ac.uk or at the address<br />

on page 2).<br />

The Development and<br />

Alumni Relations Team<br />

The team is growing! We are very keen to increase the<br />

proportion <strong>of</strong> <strong>Kent</strong> graduates on the team. If you are<br />

interested in working at your <strong>University</strong> and you have<br />

interest and a background in fundraising or related areas,<br />

please get in touch with us at the address on page 2.<br />

DEVELOPMENT<br />

NEWS<br />

7


SHAPING<br />

THE WORLD<br />

David Lister<br />

R70: English<br />

Arts Editor, the Independent<br />

How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />

It did. I wrote arts reviews for the university newspaper Incant and ended up in<br />

arts journalism. The first review I wrote was <strong>of</strong> John Lennon’s first solo album. The<br />

then editor <strong>of</strong> Incant who commissioned me was, 25 years later, a freelance<br />

journalist pitching me articles. I returned the commissioning favour, <strong>of</strong> course.<br />

What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />

The weirdest one is <strong>of</strong> being in a Pasolini film, The Canterbury Tales. They were<br />

shooting nearby and came to the campus to recruit extras. Pasolini asked me to<br />

do an English folk dance. I replied that I had no idea how to do that, and he said:<br />

‘But surely all English people know English folk dances.’ I also remember joining<br />

the ents committee on my first day and us getting Led Zeppelin for the next<br />

sports hall concert. Oh, and I met my wife at <strong>Kent</strong>.<br />

Your least favourite?<br />

Failing my Part Ones wasn’t my finest hour. But my tutor said: ‘Don’t worry, stay<br />

cool’ and a quick chat sorted it out. That’s how universities should be.<br />

Please describe a ‘typical’ day (for you now)<br />

Days are long and mainly <strong>of</strong>fice-based. I commission articles for the daily arts<br />

pages <strong>of</strong> the paper, then some more for the weekly arts and books magazine,<br />

then some more for the monthly music magazine, maybe start on my weekly<br />

column, try to negotiate plenty <strong>of</strong> exclusive interviews to annoy my rivals and<br />

try to avoid <strong>of</strong>fice politics. One lives longer.<br />

What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />

I always liked the collegiate system and the relative smallness <strong>of</strong> the place and<br />

the views from the hill.<br />

What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the<br />

nation and the world?<br />

Its graduates.<br />

Could you identify and describe a particularly influential person in your life,<br />

including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />

The teacher <strong>of</strong> my journalism course after I left <strong>Kent</strong> was Sir Tom Hopkinson, the<br />

founder <strong>of</strong> Picture Post. He was a great mentor. I also had some fine teachers at<br />

<strong>Kent</strong> including Michael Irwin, Judith Hattaway and Maurice Shapiro, who appallingly<br />

was later murdered in his home.<br />

Favourite book or film or TV show or actor/celebrity?<br />

I think Simon Russell Beale is the greatest stage actor <strong>of</strong> his generation and I try<br />

to see everything he is in. I also treasure the memory <strong>of</strong> seeing Laurence Olivier<br />

on stage several times in his last years <strong>of</strong> acting.<br />

What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />

The campus was a bit bleak in autumn. All the trendy students were wearing<br />

long black coats. It was still the era <strong>of</strong> long hair and s<strong>of</strong>t drugs. I didn’t have<br />

the coat nor the long hair nor any drugs, so was a bit <strong>of</strong> a curiosity. It was also<br />

disconcerting for me to be studying with girls, having been to a boys’ school.<br />

Maybe that’s why I failed my Part Ones.<br />

Do you have any advice for new graduates?<br />

Don’t be obsessed with careers. Enjoy university for itself. Only think about<br />

what job to get in the last few weeks.<br />

Dean Harmeyer<br />

K83: Junior Year Abroad, Humanities<br />

Director <strong>of</strong> Catalogue, Classical, Jazz, & Associated Labels<br />

Universal Music Group<br />

How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />

The American model <strong>of</strong> undergraduate university education typically puts less<br />

emphasis on individual research in learning than the English model. My studies at<br />

<strong>Kent</strong> really taught me how to approach and solve problems on my own. I find<br />

that being an effective researcher is so valuable to whatever you do. I spend a<br />

great deal <strong>of</strong> time at work trying to solve problems, and I think that <strong>Kent</strong> helped<br />

me in developing processes by which to do so.<br />

What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />

There are many, but I have to mention the many hours <strong>of</strong> socializing with people<br />

from all over the world in the Keynes bar as a kind <strong>of</strong> collective favourite memory.<br />

I learned a great deal there, as well as in the classroom.<br />

Your least favourite?<br />

I wish I’d studied a bit harder!<br />

Please describe a ‘typical’ day (for you now)<br />

I’ve been working in the music business for 17 years, and one <strong>of</strong> the best things<br />

about it is that there have rarely been two days that were exactly the same. I work<br />

with a variety <strong>of</strong> record labels that put out different types <strong>of</strong> music for different<br />

audiences. This week, I’ve been working out sales strategies for Rolling Stones<br />

catalogue titles around their Fall US tour, reacting to the results <strong>of</strong> the MTV Video<br />

Music Awards, and getting ready for the release <strong>of</strong> the new Sting record, which<br />

is a very different project for him, and is coming out through our Classics division.<br />

What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />

I think the sense <strong>of</strong> community at <strong>Kent</strong> is fantastic. And the large international<br />

student body is a wonderful thing, in that you can meet and learn from people<br />

who might come from very different backgrounds than your own.<br />

What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the nation<br />

and the world?<br />

<strong>Kent</strong> was where I really began to develop a broader and more-informed world view,<br />

and I think the atmosphere there was absolutely a part <strong>of</strong> that happening for me.<br />

Could you identify and describe a particularly influential person in your life,<br />

including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />

My father. He served in the military during the conflict in Korea, and it was that<br />

experience that helped define the rest <strong>of</strong> his life. In many ways, I think the experiences<br />

I had while studying abroad, at <strong>Kent</strong>, have helped define the course <strong>of</strong> my life, too.<br />

Favourite book or film or TV show or actor/celebrity?<br />

I couldn’t begin to name a favourite book,or anything to do with music, but I can<br />

name a favourite film. It’s called Local Hero, and it’s about a Texas businessman<br />

whose experiences on a business trip to Scotland challenge his values and alter<br />

his world view in unexpected ways. I love this film because I’d gone through<br />

precisely the same thing during my year at <strong>Kent</strong>, and the film really captures<br />

that experience – which was funny, enlightening, with little surreal touches.<br />

What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />

I still recall the taxi driver who brought me up the hill from the train station<br />

asking me for an oil well when I told him I’d come from Texas. But my first real<br />

impression <strong>of</strong> the <strong>University</strong>, after I’d gotten started with the coursework, was<br />

that this was a place that was going to challenge me intellectually – and it did!<br />

Do you have any advice for new graduates?<br />

Don’t worry about finding the perfect job or the most lucrative field right away.<br />

Find something you love to do, or love being involved with, and everything else<br />

will take care <strong>of</strong> itself.<br />

8


1 David Lister<br />

2 Dean Harmeyer<br />

3 Jonathan Morrish<br />

4 Elizabeth Buchan<br />

1<br />

2 3<br />

4<br />

Jonathan Morrish<br />

K70: English<br />

PR and Media Consultant<br />

How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />

Learning to be assertive in seminars! Being able to form an opinion and<br />

hold to it and express it passionately is a useful asset in the media world.<br />

What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />

Freedom, lack <strong>of</strong> responsibility.<br />

Your least favourite?<br />

Exam stress.<br />

Please describe a ‘typical’ day (for you now)<br />

In a blackberried world, it consists <strong>of</strong> dancing between the demands <strong>of</strong> clients,<br />

meeting their expectations. Keeping up with the pace <strong>of</strong> news, networking<br />

on the phone, lunch, <strong>of</strong>fice, work on the run, having fun.<br />

What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />

Location.<br />

What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region,<br />

the nation and the world?<br />

I’d like to think open minds.<br />

Could you identify and describe a particularly influential person in your<br />

life, including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />

Keith Carabine – top man. Now retired lecturer in English and American<br />

Literature, specialist on Joseph Conrad.<br />

Favourite book or film or TV show or actor/celebrity?<br />

Palace <strong>of</strong> the Peacock – Wilson Harris.<br />

What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />

The labyrinthine masses <strong>of</strong> Eliot and Rutherford.<br />

Do you have any advice for new graduates?<br />

Carpe diem!<br />

Elizabeth Buchan<br />

K67: English and History<br />

Author and Journalist<br />

How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />

In every way possible. In particular ‘Britain and the Contemporary World’<br />

really gave me a key to understanding the world I lived in, for which I am<br />

enduringly grateful.<br />

What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />

Sitting outside Rutherford in the sun with friends, looking down at the<br />

Cathedral and the orchard (sadly no longer there) and thinking how lucky<br />

I was to have got to this place.<br />

Your least favourite?<br />

Waiting, perished with cold, for the bus to take me from my digs in Herne<br />

Bay into the <strong>University</strong> on winter mornings.<br />

Please describe a ‘typical’ day (for you now)<br />

Up early, sometimes 5.30, and I read over breakfast. Then straight to my study<br />

by 8am to begin writing. I take a break for lunch and will either edit or read during<br />

the afternoon. If I am in the last stages <strong>of</strong> finishing a novel, I will write straight<br />

through the day and into the evening but, normally, I finish work about 6pm.<br />

What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />

For me, being at <strong>Kent</strong> provided fantastic educational and intellectual opportunities.<br />

It also gave me the chance to make enduring friendships.<br />

What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the<br />

nation and the world?<br />

Clearly, as its alumni fan out all over the world, they take something <strong>of</strong> the<br />

<strong>University</strong> with them.<br />

Could you identify and describe a particularly influential person in your life,<br />

including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />

I remember Dr Peter Laven with the greatest respect and admiration. His<br />

tutorials on Renaissance Venice and Florence were a high point.<br />

Favourite book or film or TV show or actor/celebrity?<br />

For its wit, cleverness, perception about the nature <strong>of</strong> creativity and its glorious<br />

love affair, my favourite film has to be Shakespeare in Love – not least because<br />

it starred Tom Wilkinson [<strong>Kent</strong> graduate – R67] who is one <strong>of</strong> the great actors.<br />

What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />

Terrifying!<br />

Do you have any advice for new graduates?<br />

Enjoy. It is over very quickly.<br />

Don’t worry about finding the perfect<br />

job right away. Find something you<br />

love to do and everything else will<br />

take care <strong>of</strong> itself.<br />

9


CONSTANT<br />

GARDNER<br />

1 Into the Woods<br />

2 Lyn Gardner<br />

One <strong>of</strong> Lyn Gardner’s<br />

most vivid memories <strong>of</strong><br />

studying at <strong>Kent</strong> is when<br />

she covered the whole<br />

<strong>of</strong> Eliot Junior Common<br />

Room with tinfoil. ‘I was<br />

directing an all-male<br />

version <strong>of</strong> Jean Genet’s<br />

The Maids and the<br />

only lighting we used<br />

was night-lights,’ she<br />

remembers. ‘It was all<br />

very atmospheric, but<br />

I’m sure that health<br />

and safety would never<br />

allow it now.’<br />

Lyn studied at <strong>Kent</strong> in the mid-1970s, when hair<br />

was long, trousers flared (the first time around) and<br />

confrontation between the <strong>University</strong> and its students<br />

common. She remembers joining protest marches<br />

and demonstrations, including nights in her sleeping<br />

bag in the Registry taking part in student occupations.<br />

There was a sense <strong>of</strong> common purpose among the<br />

students, and their relatively small number gave the<br />

<strong>University</strong> ‘a kind <strong>of</strong> intimacy’. ‘In those days, when<br />

you walked across the campus you’d inevitably meet<br />

people you knew,’ she says. ‘It felt a bit like a village,<br />

and I really liked that feeling.’<br />

Lyn, 49, has been a theatre critic on The Guardian<br />

for over a decade. Theatre has dominated her life<br />

since childhood and, encouraged by her parents, she<br />

was already a seasoned theatre goer by her early<br />

teens. At school she wrote, directed, acted and <strong>of</strong>ten<br />

starred in plays before becoming one <strong>of</strong> <strong>Kent</strong>’s first<br />

drama students.<br />

‘We were guinea pigs to a large extent,’ she<br />

remembers. ‘If I’m honest, I was quite sulky during<br />

most <strong>of</strong> my course in a teenage kind <strong>of</strong> way. I was<br />

interested in new approaches to presenting plays,<br />

for example in physical and visual theatre, which<br />

weren’t explored on the syllabus.<br />

‘So I did very little course work, but I directed a lot<br />

<strong>of</strong> plays on staircases and other areas around the<br />

campus, and acted in one in the Cathedral cloisters.<br />

Ironically, the kind <strong>of</strong> theatre that interests me is very<br />

much part <strong>of</strong> the course now.’<br />

Alongside exploring her theatrical interests, Lyn’s<br />

embryonic journalism skills were being developed<br />

– as a broadcaster on UKC Radio, she would do<br />

a weekly round-up <strong>of</strong> the newspapers every<br />

Sunday morning. Her student years also saw the<br />

publication <strong>of</strong> Lyn’s first-ever theatre review, for<br />

a student magazine.<br />

These experiences at <strong>Kent</strong> led directly to her first<br />

job, as one <strong>of</strong> the founder members <strong>of</strong> the nowdefunct<br />

London listings magazine, City Limits. She<br />

became its theatre editor and was associated with it<br />

for many years, going on to become the chair <strong>of</strong> the<br />

board <strong>of</strong> directors <strong>of</strong> what was, at one point, the<br />

largest publishing co-op in Europe.<br />

After she left City Limits, Lyn freelanced for a while<br />

before joining The Guardian in 1993. She has been<br />

a full-time theatre critic there since 1995. ‘It’s not a<br />

job you’d necessarily want to move on from,’ she says,<br />

‘and many people think it’s incredibly glamorous, but<br />

I cover theatre in many different regions, so I spend a<br />

lot <strong>of</strong> time on my own, in hotel rooms and on trains.’<br />

This ‘spare’ time led to a new development: she has<br />

just finished her first novel, Into the Woods. It’s a<br />

children’s book, for eight to 12-year-olds, and follows<br />

the sparky young heroine, Storm Eden, on her<br />

action-packed adventures in a world inspired by fairy<br />

tales. She was encouraged to write it from reading<br />

to her own children. ‘As a parent, you spend so much<br />

time reading bedtime stories. There comes a point<br />

when you just can’t bear to read a particular story<br />

again,’ she says. ‘I wanted to write something that not<br />

only a child could read on their own, but parents<br />

could really enjoy reading to their children.’<br />

It’s <strong>of</strong>ten said that all journalists have a half-written<br />

novel stuffed away in their bottom drawer, but Lyn<br />

never nurtured literary ambitions <strong>of</strong> this kind. ‘It<br />

wasn’t like that for me,’ she says, laughing. ‘I didn’t<br />

think I had a haiku in me, never mind a short story<br />

or a novel!’<br />

She would, however, <strong>of</strong>ten scribble down a few pages<br />

<strong>of</strong> a story here and there, and the first part <strong>of</strong> what<br />

became Into the Woods was written on 11 September<br />

2001. ‘Usually, what I wrote would go in the bin,<br />

but I kept these pages,’ she continues. ‘I had a post-<br />

September 11 feeling <strong>of</strong> wanting to change my life<br />

in some way and when I went on holiday with my<br />

family, I promised my children I would write something<br />

for them every day and read it to them in the<br />

evening – which I did.<br />

‘By the end <strong>of</strong> the holiday I had 12,000 words and<br />

I later showed what I’d written to a friend who is<br />

a children’s writer. Her agent liked it, encouraged me<br />

to finish the book and found a publisher.’<br />

Although Lyn never imagined herself as a novelist,<br />

she has found the process so enjoyable that she’s<br />

already writing a sequel. ‘After all these years <strong>of</strong><br />

journalism, where you have to keep to the facts,<br />

it was wonderful to work with my imagination,’ she<br />

says enthusiastically. ‘I can’t tell you what huge<br />

pleasure I had writing it, but I’m certainly not giving<br />

up the day job.’<br />

Into the Woods, by Lyn Gardner, is published<br />

by David Fickling Books.<br />

Article written by David Clark R82. David<br />

is a senior features writer for IPC Media.<br />

1 2<br />

10


NIGHT<br />

TRAIN<br />

Night Train 4 is the second edited anthology <strong>of</strong> <strong>Kent</strong>’s Creative<br />

Writing Programme. This year, the collection is edited by Dr Susan<br />

Wicks, Senior Lecturer in English and American Literature, who<br />

has selected just some <strong>of</strong> the work for <strong>KENT</strong> readers. She writes:<br />

‘The work here doesn’t need me to speak for it. Every piece speaks<br />

eloquently for itself. I’m happy to see all levels and age-groups<br />

represented, and I am – I hope, forgivably – proud <strong>of</strong> the result,<br />

on the writers’ behalf, on their teachers’, and on my own. I hope<br />

everyone can relate to the work showcased here and remember<br />

its origins – the atmosphere <strong>of</strong> support, and above all the peerinvolvement<br />

that made its development and sometimes even its<br />

genesis possible.’<br />

11


‘The work here doesn’t<br />

need me to speak for<br />

it. Every piece speaks<br />

eloquently for itself. I’m<br />

happy to see all levels<br />

and age-groups<br />

represented, and I am<br />

– I hope, forgivably –<br />

proud <strong>of</strong> the result.’<br />

Saturday<br />

By Allie Furse<br />

It is Saturday. I am one week late.<br />

I am going out <strong>of</strong> my tree with it.<br />

On Tuesday, you asked me if it had come yet. I told you that my cycle was so predictable, I practically knew<br />

the hour it would come, but that I hadn’t even felt any pangs <strong>of</strong> it.<br />

Normally, it would be very unlike me to tell you when it did come, and you know that, but each day this<br />

week, you’ve seen me and just said, well? and then waited for me to shake my head again.<br />

When we realised what we might have done, the morning after, about three weeks ago, you had looked rather<br />

pleased with yourself.<br />

We were standing outside together, having a fag, and you asked me if I had been to the doctor’s yet.<br />

No, I said. Why should I? I lowered my voice to a whisper. About last night?<br />

You nodded.<br />

You pulled out though, didn’t you? I said.<br />

Yeah, but there’s still a chance, you said. I thought you knew.<br />

No, I didn’t, I said.<br />

You grinned to yourself as you took a drag <strong>of</strong> your Marlboro. I might be a Daddy, you said.<br />

I can’t have it, I said. If… my voice failed that sentence. You do understand that, don’t you?<br />

Fathers have rights these days, you said.<br />

That’s true, I said, but it has rights too: and I haven’t got anything to give it, yet, and I’d always promised myself<br />

I would have something stable – at least financially – before I brought a baby into the world. I need to be<br />

in a position to give it something, I explained. I’ve got nothing.<br />

You have, you said. You’ve got you.<br />

I’d be a terrible mother. And I haven’t even got somewhere to live myself in three weeks. If I had a baby…<br />

You’d be the perfect mother.<br />

1, 2 Trevi<br />

I smiled at you. Dropped a hip as I turned and looked at you over my shoulder. If I didn’t think you were trying<br />

to charm yourself back into my pants,I said, I’d believe you.<br />

In the last week, I’ve held a vivid image <strong>of</strong> an Abortion Clinic like a photo in my wallet. I imagine wallpaper<br />

as yellow as an old calendar, the only thing more depressed than the patients. I imagine plastic chairs, spiky<br />

under the seat so they snag your tights on the back <strong>of</strong> your knees. The actual process <strong>of</strong> it must be ten times<br />

easier than sitting in that waiting room. Waiting. The idea creeps up on me. Makes me put my hand on my<br />

belly, just below my stomach. I haven’t told you about any <strong>of</strong> this.<br />

I don’t think I can explain to you well enough how it<br />

feels to know that a life might be forming, inside you.<br />

I don’t know how fast cells multiply, but soon it’d grow<br />

to be as big as a nut, an orange, a melon, and then<br />

I would stop comparing it to objects because it will<br />

have fingers and eyes, and be a little person. My world<br />

might be different forever.<br />

Or, it might not.<br />

I can’t tell you how much I’ve thought about it.<br />

I haven’t stopped smoking. In fact, I think I’ve smoked more. I don’t know what happens to babies if you<br />

smoke when you’re pregnant. I mean, does the baby just get bad lungs, or does it affect them in other ways?<br />

What else gets passed down? That’s the thing about families: some things can never be escaped. A mountain<br />

is in your view. A dark river runs along your veins. I’m just as stubborn as my mother, and now, I’ve decided,<br />

every bit as fertile. Wide hips. Heavy flow. Regular as clockwork.<br />

But today, Saturday, a week late. The other day – I think it was Thursday – I caught five minutes with you.<br />

Private minutes.<br />

I sensed black between us and I know you felt the same.<br />

I think you brought up the subject <strong>of</strong> an interesting name for the baby.<br />

I don’t believe in God, I said, but will you pray for me or something? Get Him to sort me out. You know what<br />

I mean. Come on, now. You know.<br />

You sighed. Hands moving in your pockets. You looked at the sky, I think. I’ll have a word, you said. I’ll do what<br />

I can.<br />

Allie Furse is studying English and American Literature and Creative Writing. She has just finished<br />

her second year.<br />

12


Trevi<br />

By Roger James<br />

‘Look. The cats.’ Lynne points at cats sitting on the stones, kittens, flocks <strong>of</strong> cats staring at the passers-by,<br />

the Roman women, dark eyes, black hair and fake fur. Lynne uses her hands briefly, like a butterfly. If you look<br />

closely, you see where she bites her nails and, fading now, the 18-year mark <strong>of</strong> her wedding ring.<br />

They are in the Via Argentina at 7.00 p.m., Chris and Lynne arm in arm, looking for the Russian tea shop,<br />

both dressed up, Lynne in her high heels and long black dress, Chris in his jeans and leather jacket.<br />

They are so pleased for each other when they find the small shop, hug, pirouette, take in the chrome<br />

samovars, the porcelain tea urns big as Ming vases, buy boxes <strong>of</strong> chocolate-covered orange peel and<br />

middle-eastern teas for Lynne’s mum.<br />

‘Can we go to the Trevi Fountain?’<br />

‘Yes, er... you mean tonight or what about tomorrow? Y’know in the sunshine, like?’<br />

‘Now. Why not?’<br />

And the darkness coming down between them like a curfew, like a stone prison, making it easy for them<br />

to argue.<br />

‘You don’t want to go, do you?’<br />

‘Yeah – I’m OK with it. It’s just, don’t they turn it <strong>of</strong>f or something? It’ll be dark, won’t it?’<br />

Chris is out under sufferance looking for Trevi and it’s<br />

too dark to read his microscopic map and the small<br />

streets in a maze he can not navigate. Passing the<br />

Pantheon, ominous and frowning, Chris knows it’s 9.00<br />

p.m., the Rome cold cutting through his clothes. He<br />

was awake at 6.00. Even the cats have gone to bed.<br />

1<br />

Lynne steps in dog-turd and is angry now. He touches her, but she pushes him away.<br />

‘I’m sorry, Lynne. OK. I can’t read the map. It’s too dark. Let’s wait till tomorrow. It’s not my fault. ‘<br />

‘It’s no-one’s fault.’<br />

‘What do you mean?’<br />

‘I’m tired. I want to go to bed. If you can’t find the Fountain, find the Hotel.’<br />

2<br />

‘What’s got into you?’<br />

‘Don’t shout at me. Don’t touch me.’<br />

Lynne is screaming now, stone-faced, the walls shackling her, everything impossible. Chris feeling, ‘Never again.<br />

Mad fucking women.’ Lynne inside her head, incandescent, repeating, ‘Who the fuck’s he think he is?’<br />

Slightly too far ahead <strong>of</strong> her Chris heads out north-west. He thinks, he feels. Lynne is banging her high heel<br />

on the pavement, aware <strong>of</strong> the turd-smell. Chris feels again. Empty. Bags <strong>of</strong> peeled vegetables. Then a solitary<br />

cat. Turn the corner and there is the Trevi Fountain.<br />

At first they couldn’t believe the brightness. Summer sunlight, an entire wall <strong>of</strong> water. Those figures. You would<br />

believe in Giants. Lifting things, lifting each other. And the noise was deafening. Gallons and gallons <strong>of</strong> tumbling,<br />

cascading water. Hundreds <strong>of</strong> young people sitting around. Some in the fountain. Romans, gesticulating with<br />

cigarettes. Gypsies selling roses. Cats everywhere, waiting for scraps <strong>of</strong> food.<br />

Lynne and Chris were caught up, now on the edge <strong>of</strong> the fountain, feeling the water on their feet.<br />

Chris shouted something to her.<br />

‘What ?’<br />

‘I said make a wish.’<br />

‘OK,’ smiling. ‘I wish someone would clean my smelly shoe.’<br />

‘We found it, Lynne. We found it.’<br />

Lynne fumbled in her bag and reached out her wedding ring. Then she threw it up over the water, the<br />

floodlights catching it and holding it a minute. The world stopped, the fountain stopped. The cats stopped.<br />

The flower seller’s hand stopped and the rose she was holding froze.<br />

Then it had gone. The water surfing, the statues smiling. And the ring, finally, at home in it all.<br />

Chris looked at her but she was weeping, unable to stop, her shoulders shaking, mascara running and her face<br />

all the faces <strong>of</strong> all the broken women he had ever known.<br />

Nothing to say, Chris bent down, took <strong>of</strong>f her little, broken shoe and let the fountain wash away the waste,<br />

the excrement, took her back to the cheap hotel.<br />

Held her till she slept, slept, slept.<br />

Roger James is an aging rocker who has just completed a year <strong>of</strong> the Certificate in Creative Writing.<br />

He moved south from Manchester six years ago. He relaxes by doing Hospital Medicine.<br />

13


Night Train 4 is being launched on 20 November<br />

and will be available by post (£7 each or £11 for 2,<br />

including P&P) from the Centre for Creative<br />

Writing, School <strong>of</strong> English, Rutherford College,<br />

<strong>University</strong> <strong>of</strong> <strong>Kent</strong>, Canterbury CT2 7NX.<br />

Forthcoming books by<br />

Creative Writing teachers:<br />

Susan Wicks’s 5th<br />

collection <strong>of</strong> poems,<br />

De-iced, will shortly be<br />

published by Bloodaxe<br />

and Bluechrome will<br />

shortly be publishing<br />

Patricia Debney’s novella,<br />

Losing You. The End <strong>of</strong><br />

Mr. Y by Scarlett Thomas<br />

has just been published in<br />

America and will be<br />

published in the UK by<br />

Canongate next June<br />

1 Susan Wicks<br />

2 Scarlett Thomas<br />

3 De-iced<br />

A Journey<br />

By Martine Ratcliffe<br />

Once upon a time a woman who is waiting decides<br />

not to wait any longer but to do what she always<br />

does and puts her two toddlers into a pushchair,<br />

feeds them biscuits with nursery rhyme pictures and<br />

drinks <strong>of</strong> blackcurrant from Peter Rabbit beakers,<br />

wipes their s<strong>of</strong>t wet chins, arranges their s<strong>of</strong>t wool<br />

bonnets over their fine white curls, pulls and pushes<br />

them into anoraks from Mothercare, the ones with<br />

fake fur stitched safely round the hoods and down<br />

the zippered fronts, strokes the s<strong>of</strong>t plump toes into<br />

coloured moccasin boots which lace in zigzags across<br />

the front and pushes her waiting body into an old<br />

camel coat which fits perfectly and chooses a scarf<br />

<strong>of</strong> silk to wear around her neck in reds and pinks and<br />

blues, and leather walking shoes, comfortable for all<br />

eventualities, and then she waits to see if she can find<br />

an eye into nothing which means something and<br />

when that doesn’t happen, which seems like a path<br />

to follow, she opens her front door wide to let the<br />

world in but it chooses not to enter so she squeezes<br />

herself and the buggy load <strong>of</strong> toddlers through the<br />

empty space and sets <strong>of</strong>f to follow on to somewhere<br />

where she hums as she goes and soon the toddlers<br />

are asleep and dreaming <strong>of</strong> the sounds <strong>of</strong> the traffic<br />

they can hear so she joins them in King Street because<br />

she thinks if there is one good safe place to do her<br />

waiting it will be King Street and there, there will be<br />

some big noble thing to fill her like magic from a<br />

genie bottle and suddenly she hears something and<br />

she knows immediately that it leads to the eye into<br />

nothing and she twirls in her camel coat and whispers<br />

to her dreaming toddlers to hold tight, they are <strong>of</strong>f<br />

now and they clutch the sides <strong>of</strong> the blue buggy and<br />

shriek with the speed <strong>of</strong> everything passing by and<br />

then she has to hold the magic down slow the magic<br />

down and she is frightened that she can’t hold it<br />

and she whispers again the magic words <strong>of</strong> Lille and<br />

Brussels and Paris and the toddlers laugh and cry<br />

out to go, to go to go and then she hears the sound<br />

that shudders and breaks the day into wide jagged<br />

pieces and when it is whirling around them like thick<br />

candyfloss she calls out loudly, now now now and<br />

then they leap into the pink hard centre and it draws<br />

them up and up and in, and holds them.<br />

Martine Ratcliffe is a part-time student on the MA<br />

in Creative Writing. She is married with six children<br />

and lives in Tunbridge Wells. She has had several<br />

poems accepted for publication.<br />

Looking up<br />

By Frances Rae<br />

Instead, I’m counting<br />

the blues in the campanula by the river.<br />

And there, under the trees, are precise, closing lines<br />

in the water, the bones <strong>of</strong> a cathedral drawing<br />

the eye down.<br />

Will I, like this leaf, sidle up, slip<br />

onto the glassy slope, head down to the rocks<br />

and the foaming for the crash, then glide away<br />

invisible below the waterline?<br />

Or will I in the end fasten to some dark edge,<br />

blown, battered like that stuck one, hanging on<br />

till the final flux? Will I, perhaps, shuffle<br />

into the shallows, amass with my fellows<br />

here on this deadly horizontal,<br />

putting things <strong>of</strong>f for another year?<br />

And all this time the cranes are passing overhead.<br />

Their broken cry<br />

an unpolished fly-wheel somewhere<br />

until it dawns on me. I rush<br />

out <strong>of</strong> the gorge, arms swinging,<br />

and there in the high blue up, oh far above the trees,<br />

is the end, the tail end <strong>of</strong> a ragged V.<br />

The cranes are going home.<br />

Vs on Vs, they tell me later. Thousands, like branches;<br />

hundreds, like the arms <strong>of</strong> a river<br />

and I missed them.<br />

Frances Rae is on the MA programme in Creative<br />

Writing. She began the Certificate course in<br />

Tonbridge in 1998 barely realising how much<br />

it would change her life, and is still considering<br />

changing her name and buying a blond wig so<br />

she can do it all over again.<br />

1<br />

2 3<br />

14


1<br />

2<br />

1 KBS at Canterbury<br />

2 KBS at Wye<br />

MBA alumni scholarships<br />

<strong>Kent</strong> Business School is <strong>of</strong>fering their MBA alumini<br />

a unique opportunity to update their knowledge.<br />

A limited number <strong>of</strong> scholarships are now available<br />

for <strong>Kent</strong> MBA alumni to join the current MBA class<br />

on one <strong>of</strong> the week-long electives. This is a unique<br />

opportunity to refresh your skills and network<br />

with a diverse group <strong>of</strong> business pr<strong>of</strong>essionals. The<br />

scholarships are open to alumni who completed the<br />

<strong>Kent</strong> MBA programme three or more years ago and<br />

who are currently in employment. If you would like<br />

to find out more, please contact MBA programme<br />

director Chris Bristow at C.D.Bristow@kent.ac.uk.<br />

Full information about our programme or our MBA<br />

Briefings can be found at www.kent.ac.uk/kbs.<br />

Dragon’s Den success<br />

A company supported by <strong>Kent</strong> Enterprise and<br />

the Canterbury Enterprise Hub at the <strong>University</strong><br />

has secured £100k on BBC Two’s Dragons’ Den,<br />

a television programme where contestants pitch<br />

for investment from leading enterpreneurs.<br />

First Light Solutions, has developed a world-first<br />

for marine safety with the soon to be released<br />

mermaid-id, a pioneering and affordable sonarbased<br />

Man Overboard system that is destined<br />

to save many lives.<br />

Carole Barron, Director <strong>of</strong> <strong>Kent</strong> Enterprise said, ‘We<br />

are also delighted to have been involved with their<br />

company and product development as the <strong>University</strong>,<br />

through its Great Ideas in Science and Technology<br />

(GRIST) funding, was able to provide financial support<br />

at a time when they needed breathing space to take<br />

the product forward.’<br />

Matthew Hazell <strong>of</strong> First Light Solutions, said, ‘Our<br />

involvement with <strong>Kent</strong> Enterprise and the Canterbury<br />

Enterprise Hub at <strong>Kent</strong> clearly demonstrates that the<br />

<strong>University</strong> is a real world institution, providing practical<br />

solutions and support to the business community.<br />

I firmly believe that their advice, assistance and support<br />

have contributed to our success.’<br />

First Light Solutions aims to launch mermaid-id<br />

at the London Boat Show 2007.<br />

<strong>Kent</strong> Enterprise launches<br />

Inventors’ Club<br />

The <strong>University</strong>’s <strong>Kent</strong> Enterprise is to establish an<br />

Inventors’ Club at its Canterbury campus. The Club<br />

will be open to inventors in the region as well as<br />

students who have an entrepreneurial interest.<br />

Supported by Business Link, the objectives <strong>of</strong> the<br />

club will be: to promote and build an enterprise<br />

culture in East <strong>Kent</strong>; to support graduate retention<br />

by encouraging business start-up; to raise awareness<br />

<strong>of</strong> opportunities and potential issues through<br />

expert presentations; to provide business support<br />

to encourage company start-ups and improve<br />

survival <strong>of</strong> young companies; and to facilitate<br />

knowledge transfer by <strong>of</strong>fering an easily accessible<br />

point <strong>of</strong> contact at the <strong>University</strong>.<br />

Carole Barron, Director <strong>of</strong> <strong>Kent</strong> Enterprise, said:<br />

‘It has been proven that the more support and<br />

encouragement received at the ideas and invention<br />

stage, the greater the survival rate <strong>of</strong> young<br />

companies. The <strong>University</strong> has a strong track record<br />

in assisting students, graduates and the wider<br />

community in supporting and developing ideas<br />

through their involvement in schemes such as Great<br />

Ideas in Science and Technology (GRIST). In addition<br />

the <strong>University</strong> has extensive expertise and knowledge<br />

arising from its national and international reputation<br />

in research to provide additional support for those<br />

seeking advice other than business mentoring.<br />

The East <strong>Kent</strong> Inventors’ Club will provide inventors<br />

with the support they require to develop and take<br />

forward their ideas or inventions into a viable<br />

business proposition.’<br />

To find out more contact Christina Schönleber<br />

at C.M.Schoenleber@kent.ac.uk<br />

<strong>University</strong> <strong>of</strong> <strong>Kent</strong> at Wye<br />

The <strong>University</strong> has joined forces with Imperial<br />

College London in a move which boosts higher<br />

education in <strong>Kent</strong>. As a result <strong>of</strong> this new partnership,<br />

<strong>Kent</strong> Business School is now <strong>of</strong>fering Applied Business<br />

Management programmes at Wye. New students<br />

enrolling from 2007 will receive a <strong>University</strong> <strong>of</strong> <strong>Kent</strong><br />

degree and, in recognition <strong>of</strong> Imperial’s ongoing<br />

involvement, an Associateship <strong>of</strong> Wye College. The<br />

Associateship recognises the site from which the<br />

course is <strong>of</strong>fered, a location for education since 1447.<br />

BUSINESS<br />

LINKS<br />

15


1 Backpackers in Malaysia<br />

2 Rare species<br />

3 Jerzy Grotowski<br />

4 Nanotechnology benefits<br />

frozen food<br />

RARE SPECIES CAUGHT ON CAMERA<br />

Scientists from <strong>Kent</strong> working in the<br />

tropical forests <strong>of</strong> west-central Sumatra<br />

have recorded one <strong>of</strong> Indonesia’s rarest<br />

species <strong>of</strong> bird.<br />

Working as part <strong>of</strong> a joint Indonesian and British team, they were surveying for<br />

tigers in a former logging concession close to Kerinci Seblat National Park and<br />

photographed a species in their camera traps that took them all by surprise.Until<br />

now, the endemic Sumatran Ground Cuckoo Carpococcyx viridis has only been<br />

recorded once since 1916, and then only from southern Sumatra in 1997.‘Refinding<br />

this critically endangered species close to Kerinci Seblat is especially<br />

exciting,’ said project manager Dr Matthew Linkie <strong>of</strong> the Durrell Institute <strong>of</strong><br />

Conservation and Ecology at the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>. ‘We’ve recently shown how<br />

critical Kerinci Seblat is for the long-term survival <strong>of</strong> Sumatran tigers [a reference<br />

to a study published in the latest Journal <strong>of</strong> Applied Ecology] but finding the<br />

Sumatran Ground Cuckoo gives me hope, because it was photographed in<br />

disturbed forest that has been left to recover near the national park, and because<br />

our project has built capacity among young Indonesian scientists to lead camera<br />

trapping teams that undertake routine monitoring. Sumatran rainforests contain<br />

some <strong>of</strong> the world’s richest biodiversity but they are also among the world’s<br />

most threatened forests. The ongoing threat <strong>of</strong> deforestation by farmland<br />

expansion that follows selective logging is <strong>of</strong> greatest concern because it<br />

completely removes forest habitat.<br />

INDIAN MEDICAL RESEARCH STUDY<br />

Dr Pratik Chakrabarti, Wellcome<br />

Lecturer in the History <strong>of</strong> Modern<br />

Medicine, has received funding <strong>of</strong> £220k<br />

for a project titled Laboratory Medical<br />

Research in Colonial India, 1890-1950.<br />

Funded by the Wellcome Trust, Dr<br />

Chakrabarti’s research will provide a<br />

comprehensive analysis <strong>of</strong> laboratory<br />

research in India and further the<br />

historical elucidation <strong>of</strong> modern<br />

medicine there.<br />

His research will focus on three establishments for the period 1890 to the 1950s:<br />

the Plague Research Laboratory at Bombay (established 1899); the Pasteur Institutes<br />

at Kasauli (established 1900), Coonoor (established 1907), Rangoon (established<br />

1916), Shillong (established 1917) and Calcutta (established 1924); and the Central<br />

Research Institute at Kasauli (established 1905). By focusing on these laboratories<br />

Dr Pratik Chakrabarti aims to illustrate how they played a crucial role in research<br />

in tropical diseases and public health and in facilitating international research.<br />

Their history would also unfold the genesis <strong>of</strong> laboratory medical research in<br />

modern India.<br />

BACKPACKERS ARE SERIOUS BUSINESS<br />

For most <strong>of</strong> us,<br />

backpacker holidays<br />

conjure up images <strong>of</strong><br />

carefree tourists seeking<br />

out the best beaches,<br />

bars and youth hostels.<br />

But for academic<br />

Dr Mark Hampton,<br />

backpackers mean<br />

serious business.<br />

Mark, who runs the Tourism Management degree<br />

course at the <strong>University</strong>’s Medway campus, has<br />

been researching t he importance <strong>of</strong> the backpacker<br />

market in the Asia Pacific region in a £50,000 project<br />

funded by the Malaysian Government.<br />

An expert in the field <strong>of</strong> backpacker tourism,<br />

Dr Hampton was invited to take part in the project<br />

by Pr<strong>of</strong>essor Amran Hamzah, <strong>of</strong> Universiti Teknologi<br />

Malaysia in Johor Bahru. The two academics and their<br />

research team spent several weeks in Malaysia,<br />

Bangkok and Vietnam analysing the views,<br />

experiences and spending habits <strong>of</strong> backpackers<br />

before presenting their findings to the Malaysian<br />

Ministry <strong>of</strong> Tourism. The Malaysian government<br />

is the first in the developing world to commission<br />

such major independent research into backpackers.<br />

The project also marks the launch <strong>of</strong> <strong>Kent</strong> Business<br />

School’s latest research centre, CENTICA – the<br />

Centre for Tourism in Islands and Coastal Areas.<br />

Led by Mark Hampton and based at the Medway<br />

campus, CENTICA will provide applied research on<br />

the tourism industry for governments, agencies and<br />

the private sector.<br />

NEW<br />

FRONTIERS<br />

1<br />

16


NANOBIOTECHNOLOGY BENEFITS FROZEN FOOD<br />

<strong>Kent</strong>’s Nanobiotechnology Research Group has received a new grant <strong>of</strong> over<br />

800,000 euros from the European Commission. The grant will help the research<br />

group contribute their expertise to a wider EU consortium that is developing<br />

and integrating novel technologies to improve safety and quality assurance <strong>of</strong><br />

the chilled and frozen food supply chain.<br />

Ian Bruce, Pr<strong>of</strong>essor <strong>of</strong> Nanobiotechnology and leader <strong>of</strong> the research group,<br />

said: ‘New materials and chemistry being developed at <strong>Kent</strong> will significantly<br />

improve the efficiency <strong>of</strong> food testing for identity and therefore improve<br />

consumer confidence and choice.’<br />

BRITAIN SEEN AS EQUAL SOCIETY<br />

Recent terrorist acts have increased suspicion and fear <strong>of</strong> non-Muslim people<br />

towards Muslim people but people broadly share a vision <strong>of</strong> Britain as an equal<br />

society with a common set <strong>of</strong> values according to research by Pr<strong>of</strong>essor Dominic<br />

Abrams and his colleagues from <strong>Kent</strong>’s Centre for the Study <strong>of</strong> Group Processes.<br />

The findings showed that while the<br />

large majority <strong>of</strong> people recognise<br />

that Muslims suffer from discrimination<br />

and prejudice (77%), feelings became<br />

more negative towards Muslims as a<br />

group after the bombings.<br />

This research adds to current debate about multiculturalism in Britain. Survey<br />

respondents generally agreed with the concept <strong>of</strong> an integrated and inclusive Britain.<br />

Pr<strong>of</strong>essor Abrams said: ‘Not surprisingly feelings <strong>of</strong> suspicion and threat elevated<br />

after the bombings, but these feelings can be contrasted strongly with people’s<br />

commitment to a society that broadly shares a set <strong>of</strong> values and principles.’<br />

CONSERVATION FALLOUT<br />

A new book by Dr John Wills, Lecturer in<br />

American History, examines one <strong>of</strong> the<br />

most controversial US atomic projects <strong>of</strong><br />

all time: Pacific Gas and Electric’s decision<br />

to build a nuclear power plant at Diablo<br />

Canyon, a scenic part <strong>of</strong> the central<br />

California coastline and an area just<br />

three miles from a geological fault line.<br />

Despite its significance in the history <strong>of</strong> 20th century environmental issues and<br />

the continuing debate over the safety <strong>of</strong> nuclear power, Dr Wills’ book – titled<br />

‘Conservation Fallout: Nuclear Protest at Diablo Canyon’ (<strong>University</strong> <strong>of</strong> Nevada Press)<br />

– is the first to address the full story <strong>of</strong> Diablo Canyon.<br />

He says, ‘Two competing visions <strong>of</strong> California emerged while the plant underwent<br />

construction. Environmentalists used Diablo as a symbol <strong>of</strong> impending ecological<br />

doomsday, while Pacific Gas and Electric envisioned it as the model that would<br />

usher in a new age <strong>of</strong> energy production.’ The two sides proved irreconcilable. In<br />

1981 a grass roots two-week-long blockade <strong>of</strong> the nuclear plant resulted in 1900<br />

activists being jailed, the largest arrest in the history <strong>of</strong> American nuclear protest.<br />

‘SPIN-OUT’ TO REVOLUTIONISE BIOMEDICAL OPTICS<br />

The <strong>University</strong>’s <strong>Kent</strong> Enterprise unit<br />

and School <strong>of</strong> Physical Sciences have<br />

‘spun out’ a high-tech company that is<br />

set to revolutionise biomedical optics.<br />

Optopod Ltd, the brainchild <strong>of</strong> Adrian Podoleanu, Pr<strong>of</strong>essor <strong>of</strong> Biomedical Optics<br />

and Head <strong>of</strong> the Applied Optics Group, has developed a technique based on<br />

optical coherence tomography that has proved successful in non-destructive imaging<br />

<strong>of</strong> superficial tissue.<br />

Optopod’s new technology has the great advantage that it is non-invasive and<br />

provides high-depth resolution, enabling safe application to different types <strong>of</strong><br />

tissue – such as skin, teeth, gum, internal vessel walls and hair – and to burns.<br />

The technology is also finding applications in biology and art conservation.<br />

MIXED-RACE IDENTITY IN THE UK<br />

Researchers at <strong>Kent</strong> have been awarded<br />

£156,000 by the Economic and Social<br />

Research Council to investigate the range<br />

<strong>of</strong> identity choices potentially available<br />

to mixed-race young people in Britain.<br />

Conducted by Peter Aspinall from the Centre for Health Services Studies (CHSS)<br />

and Dr Miri Song from the School <strong>of</strong> Social Policy, Sociology and Social Research,<br />

together with CHSS’s Ferhana Hashem, this two-year study will be the largest and<br />

most detailed <strong>of</strong> its kind ever undertaken in the UK and will supply the research<br />

community, census agencies and the providers <strong>of</strong> educational, health and other<br />

public services with a comprehensive insight into the personal, group and political<br />

dimensions <strong>of</strong> mixed-race identities. It will also explore how such identities are<br />

constructed and what they mean for the people holding them, the factors contributing<br />

to the possession <strong>of</strong> these identities, how they affect people’s ability to make an<br />

individual life, and how such identities constrain or enable an individual’s freedom.<br />

THE BRITISH GROTOWSKI PROJECT<br />

Paul Allain, Pr<strong>of</strong>essor <strong>of</strong> Theatre and Performance in the School <strong>of</strong> Drama, Film<br />

and Visual Arts, has been awarded a grant <strong>of</strong> £203,000 from the Arts and<br />

Humanities Research Council to conduct the ‘British Grotowski project’, a much<br />

needed re-evaluation <strong>of</strong> the performances, theories and practices <strong>of</strong> acclaimed<br />

Polish theatre director Jerzy Grotowski.<br />

The three-year project will be<br />

completed with the assistance <strong>of</strong> the<br />

Grotowski Centre in Wroclaw, Poland,<br />

as well as other overseas partners.<br />

Pr<strong>of</strong>essor Allain said: ‘Jerzy Grotowski’s contribution to world theatre is widely<br />

acknowledged. He has a central position in Britain in theatre studies and a still vital<br />

influence on theatre-making, especially devising and actor training in physical theatre.’<br />

2<br />

3 4<br />

17


1 Abdulrazak Gurnah<br />

2 Desertion<br />

3 By the Sea<br />

4 Paradise<br />

BEST OF<br />

BOTH<br />

WORLDS<br />

1<br />

Posie Bogan interviews<br />

Abdulrazak Gurnah about<br />

his dual role as a leading<br />

writer and Head <strong>of</strong> the<br />

School <strong>of</strong> English at <strong>Kent</strong>.<br />

Abdulrazak Gurnah is a novelist whose work places him among the best <strong>of</strong><br />

contemporary writers. He is also head <strong>of</strong> the School <strong>of</strong> English at <strong>Kent</strong> – and<br />

somehow appears to combine these two distinct and challenging roles with ease.<br />

Migration and displacement, whether from East Africa to Europe or within Africa,<br />

are integral to his novels. His first book Memory <strong>of</strong> Departure was published in<br />

1987. Subsequent books include Paradise, which was shortlisted for the Booker<br />

prize; By the Sea, shortlisted for the Los Angeles Times Book Prize, and Desertion,<br />

shortlisted for the Commonwealth Writers Prize. Abdulrazak first came to Britain<br />

from Zanzibar after the overthrow <strong>of</strong> the country’s government. He explains:<br />

‘There was great violence in the country; it was in a state <strong>of</strong> terror and<br />

disruption.’ He and his brother literally ran away and, because they had a cousin<br />

studying in Wye, they ended up in Canterbury. ‘It was just chance. It could have<br />

been anywhere.’ Today they would probably have been classed as asylum seekers<br />

but this was the sixties and despite having what he calls ‘strange papers’ they<br />

managed to avoid being categorised as illegal immigrants by throwing themselves<br />

at the mercy <strong>of</strong> <strong>of</strong>ficials. Although he makes it all sound matter-<strong>of</strong>-fact, it can’t have<br />

been an easy time but they remained optimistic about their futures. ‘We were<br />

young – 17, 18 – and reckless. We thought things would just work out.’<br />

Through a combination <strong>of</strong> work and study, Gurnah gained his first degree at<br />

Canterbury Christ Church <strong>University</strong> College. While teaching in Dover, he began<br />

part-time postgraduate study at <strong>Kent</strong>, studying under Lyn Innes, now Emeritus<br />

Pr<strong>of</strong>essor <strong>of</strong> Postcolonial Literatures. A scholarship enabled him to study full-time<br />

and after gaining his PhD in 1980, he took up his first lecturing post in Nigeria.<br />

Returning to the UK, he worked for a time in the voluntary sector in London,<br />

coming back to <strong>Kent</strong> to lecture in English. His first book was published shortly<br />

afterwards. He is now in his second year as head <strong>of</strong> the School <strong>of</strong> English.<br />

The School has what might well be the highest proportion <strong>of</strong> active writers<br />

in any university English department. As well as Abdulrazak, the academic staff<br />

includes novelists such as Scarlett Thomas and Sue Wicks as well as writers such<br />

as Rod Edmond and David Blair. As a result, students, both postgraduate and<br />

undergraduate, have a definite sense <strong>of</strong> gaining ‘added value’ from being in<br />

the department.<br />

According to Abdulrazak, ‘We get good students and we set our standards quite<br />

high. Many undergraduates are no doubt attracted by the prospect <strong>of</strong> being<br />

taught by leading writers – it probably gives them a sense <strong>of</strong> being in good hands.<br />

It certainly impacts on our postgraduates – we do recruit excellent students.’<br />

Since he first started lecturing, he says the nature <strong>of</strong> university education has<br />

changed considerably. ‘For example, my department is now three or four times<br />

bigger than when I first joined, but there are fewer members <strong>of</strong> staff. It’s not<br />

worse but it’s different. You just have to change how you teach. When I first<br />

started you had groups <strong>of</strong> four to six students in tutorials, today you have<br />

seminars and lectures. But the amount <strong>of</strong> personal contact isn’t necessarily less<br />

as you can be in constant contact with students through email.’<br />

Abdulrazak acknowledges that being an academic is harder than it used to be.<br />

‘You have to be really serious about wanting to do it, but what does make a<br />

difference is having good colleagues. They can really make life a lot easier.’<br />

Change is also a feature <strong>of</strong> his writing career. A well-established writer now has<br />

a range <strong>of</strong> extra duties to fulfil besides the actual writing. You are expected to<br />

attend signing sessions and literary festivals and talks. But unlike some, he sees this<br />

increased interaction as a bonus. ‘I enjoy the readers – they ask questions, they<br />

email you, they come back to you.’ It apparently adds to what has always been an<br />

enjoyable process for him.<br />

Writing is something he has done ever since he was young, when he used to do<br />

it to entertain himself and friends. Looking back, he laughs that ‘I used to write so<br />

that I could sob on my own.’ He is clear that there is writing, which is what most<br />

<strong>of</strong> us do, and there is ‘writing’, a process he describes as ‘an art, something you<br />

make, build and shape. You don’t always know when you have moved from one<br />

to another – but it’s when you find yourself asking, “what’s this, where is it going?”’<br />

On a personal level, Abdulrazak is clear about the direction he is heading in.<br />

Luckily, he has no plans to give up the ‘day job’ to write full-time. He has one<br />

more year as head <strong>of</strong> English – the job has a three-year tenure – and next year<br />

he is publishing ‘something on Rushdie for Cambridge <strong>University</strong> Press’ and after<br />

that he has plans for another novel.<br />

To find out more about Abdulrazak Gurnah’s work visit<br />

www.bloomsbury.com/authors/<br />

18


2 3 4<br />

Desertion<br />

Abdulrazak Gurnah’s latest book<br />

Desertion was shortlisted for the 20<strong>06</strong><br />

Commonwealth Writers Prize. This is<br />

an extract from the first chapter.<br />

There was a story <strong>of</strong> his first sighting. In fact, there was more than one, but<br />

elements <strong>of</strong> the stories merged into one with time and telling. In all <strong>of</strong> them<br />

he appeared at dawn, like a figure out <strong>of</strong> a myth. In one story, he was an upright<br />

shadow moving so slowly that in that peculiar underwater light his approach was<br />

almost imperceptible, inching forward like destiny. In another, he was not moving<br />

at all, not a tremor or a quiver, just looming there on the edge <strong>of</strong> town, grey eyes<br />

glittering, waiting for someone to appear, for someone whose unavoidable luck<br />

it was to find him. Then, when someone did, he slid forward towards him, to fulfil<br />

outcomes no one had predicted. Someone else claimed to have heard him<br />

before he was seen, to have heard his beseeching, longing howl in the darkest<br />

hour <strong>of</strong> the night, like that <strong>of</strong> an animal out <strong>of</strong> a legend. What was undisputed –<br />

although there was no real dispute between these stories as they all added to<br />

the strangeness <strong>of</strong> his appearance – was that it was Hassanali the shopseller who<br />

found him, or was found by him.<br />

There is luck in all things, as there was in this first arrival, but luck is not the same<br />

as chance, and even the most unexpected events fulfil a design. That is, there<br />

were consequences in the future that made it seem less than accidental that it<br />

was Hassanali who found the man. At that time, Hassanali was always the first<br />

person about in the morning in this locality. He was up before dawn to open the<br />

doors and the windows <strong>of</strong> the mosque. Then he stood on the steps to call the<br />

people to prayer, pitching his voice to all corners <strong>of</strong> the clearing in front <strong>of</strong> him.<br />

Salla, salla. Sometimes the breeze carried similar calls from nearby mosques, other<br />

cryers chiding the people to wake. As-salatu kharya minannawm. Prayer is better<br />

than sleep. Hassanali probably imagined the sinners turning over irritably at being<br />

disturbed, and probably felt indignant and self-righteous satisfaction. When he<br />

finished calling, he swept the dust and the grit from the mosque steps with a<br />

feathery casuarina broom whose silent efficiency gave him deep pleasure. This<br />

task <strong>of</strong> opening the mosque, cleaning the steps, making the call to prayer, was<br />

one he had appointed himself to for his own reasons. Someone had to do it,<br />

someone had to get up first, open the mosque and make the adhan for the dawn<br />

prayers, and someone always did, for his own reasons. When that person was ill<br />

or grew tired <strong>of</strong> the charge, there was always another person to take over.<br />

The man who preceded him was called Sharif Mdogo, and had come down with<br />

fever so badly in the kaskazi two years ago that he was still bedridden. It was<br />

a little surprising that Hassanali had volunteered himself to take over as the<br />

dawn cryer, though, not least to Hassanali himself. He was not zealous about the<br />

mosque, and it required zeal to rise at every dawn and bully people out <strong>of</strong> sleep.<br />

Sharif Mdogo was like that, the kind <strong>of</strong> man who liked to barge into complacency<br />

and give it a good shake. In addition, Hassanali was a worrying man by nature, or<br />

perhaps experience had made him that way, had made him anxious and cautious.<br />

These semi-nocturnal chores tortured his nerves and disturbed his nights, and<br />

he feared the darkness and the shadows and the scuttlings <strong>of</strong> the deserted lanes.<br />

But then these were also the reasons he <strong>of</strong>fered himself for the task, as a<br />

submission and a penance. He started doing the duty two years before the dawn<br />

<strong>of</strong> this sighting, when his wife Malika first arrived. It was a plea that his marriage<br />

should prosper, and a prayer for his sister’s grief to end. The mosque was only<br />

a short stroll across the clearing from his shop, but when he started making the<br />

dawn call to prayer, he felt obliged to do as his predecessor Sharif Mdogo had<br />

done. He entered nearby lanes, more or less shouting into bedroom windows as<br />

he walked past, bellowing at the sleepers. He worked out a route which avoided<br />

the chasms and caves where the worst <strong>of</strong> the shadowy mischief lurked, but he<br />

was still prone to seeing spectral visions hurrying away into the darkest parts<br />

<strong>of</strong> the streets as he approached, fleeing the prayers and holy words he uttered<br />

as he exhorted the slumbering faithful. These visions were so real – a monster<br />

claw glimpsed at the turning <strong>of</strong> a lane, discontented spirits s<strong>of</strong>tly panting<br />

somewhere behind him, images <strong>of</strong> gross underground creatures which glowed<br />

and faded before he caught proper sight <strong>of</strong> them that <strong>of</strong>ten he performed his<br />

tasks in a sweat despite the dawn chill. One morning, during another anxious,<br />

sweat-drenched round, when the dark lanes pressed in on him like the walls <strong>of</strong><br />

a narrowing tunnel, he felt a rush <strong>of</strong> air on his arm as the shadow <strong>of</strong> a dark wing<br />

caught the corner <strong>of</strong> his eye. He ran, and after that decided to end the torment.<br />

He retreated to the mosque steps to make his call, a short walk across the<br />

clearing. He added the chore <strong>of</strong> sweeping the steps to make amends, even<br />

though the imam told him that calling from the steps was all that was required,<br />

and that Sharif Mdogo had been zealous in his duties.<br />

© Abdulrazak Gurnah 2005<br />

Desertion is published by Bloomsbury.<br />

19


1 Tate Britain<br />

1<br />

KEEPING UP WITH <strong>KENT</strong><br />

GRADUATES: VISUAL ARTS<br />

This issue <strong>of</strong> <strong>KENT</strong> finds out what some <strong>of</strong> our alumni from visual arts<br />

subjects, including History & Theory <strong>of</strong> Art and the History & Philosophy<br />

<strong>of</strong> Art have been up to since they left university.<br />

Sophie Berrebi E91<br />

(History & Theory <strong>of</strong> Art and Philosophy)<br />

The degree I earned at <strong>Kent</strong> confirmed my enthusiasm<br />

for art and its history. My internship at the Museum<br />

<strong>of</strong> Modern Art in the Pompidou Centre in Paris<br />

during the summer following my graduation made<br />

me realise how passionately I wanted to work in the<br />

art world. After completing an MA at the Courtauld<br />

Institute, I took a gap year and returned to the<br />

Pompidou Centre to work as an assistant curator,<br />

while studying at the Sorbonne. I did not want to<br />

choose between academia and the museum world,<br />

and wanted to learn to write, so I embarked upon<br />

a PhD at the Courtauld Institute. I also worked as<br />

an art critic – mainly as a Paris correspondent for<br />

Frieze magazine (Europe’s leading magazine <strong>of</strong><br />

contemporary art and culture). Shortly after completing<br />

my thesis I was appointed as a lecturer at the<br />

<strong>University</strong> <strong>of</strong> Leeds, where I stayed a year. I now have<br />

a permanent position lecturing in the history and<br />

theory <strong>of</strong> art, photography and film at the <strong>University</strong><br />

<strong>of</strong> Amsterdam. This job allows me to continue to<br />

curate exhibitions, write and publish, bringing my<br />

different passions together.<br />

Lucy Brown D95<br />

(History & Theory <strong>of</strong> Art)<br />

After graduating from <strong>Kent</strong> I moved straight to London<br />

with the intention <strong>of</strong> working in the arts. I wasn’t<br />

more specific as my interests were quite broad. Within<br />

six months I started as a secretary in the Old Master,<br />

Modern & Contemporary Print Department at<br />

Christie’s. Eight years later I still work at Christie’s, now<br />

as a Business Manager, and I have worked with a wide<br />

range <strong>of</strong> specialist departments: British Art, 19th<br />

Century European Art, Old Master Drawings, Books,<br />

Silver and Miniatures. I made a conscious decision to<br />

pursue a career in the business side <strong>of</strong> the auction<br />

house, rather than becoming a specialist, as I wanted<br />

to keep my options open. I’m in an enviable position:<br />

I work in a highly commercial international business<br />

with fascinating people who have a great passion for<br />

what they deal with, and I am constantly learning about<br />

the objects and works <strong>of</strong> art we put up for sale.<br />

Walking through our viewing rooms between meetings<br />

and getting to see some <strong>of</strong> the best art produced<br />

is another fantastic advantage.<br />

Julia Beaumont-Jones R96<br />

(History & Theory <strong>of</strong> Art BA and MA)<br />

Following my MA, I took up a post at Bonham’s<br />

auctioneers, which was useful for becoming more<br />

familiar with the fine and decorative arts and the<br />

workings <strong>of</strong> the art market. It gave me a completely<br />

different approach: more commercial, rather than just<br />

theoretical. My enthusiasm was for curatorial work<br />

however and, after a year, I found an opening as<br />

an <strong>of</strong>fice manager in the Imperial War Museum’s<br />

Department <strong>of</strong> Art. Thankfully my job quickly evolved<br />

to include research and information work. Working<br />

with such impressive examples <strong>of</strong> modern British<br />

art, and assisting with projects from beginning to end,<br />

was greatly enjoyable and illuminating. The department<br />

was small, making it possible to learn about the full<br />

range <strong>of</strong> mechanisms involved in maintaining and<br />

interpreting a collection. About a year later, I moved<br />

to Tate Britain to work in the Prints and Drawings<br />

Study Rooms as an Assistant Curator. There I look<br />

after Tate’s works on paper (80% <strong>of</strong> the collection)<br />

and, together with a colleague, we undertake a range<br />

<strong>of</strong> collection management, research and visitor<br />

service duties, including devising displays and giving<br />

talks to groups.<br />

Louise Sorensen R97<br />

(History & Theory <strong>of</strong> Art)<br />

With History <strong>of</strong> Art there are a surprising number<br />

<strong>of</strong> opportunities and many <strong>of</strong> my friends were moving<br />

into jobs in publishing, libraries and local municipalities.<br />

I believed that the best chance <strong>of</strong> working in the<br />

subject <strong>of</strong> my degree was to pursue an MA, so I went<br />

to the Courtauld Institute <strong>of</strong> Art in London, which<br />

is like a small village for art historians. Friends from<br />

<strong>Kent</strong> were also moving to London to work and this<br />

made the transition from my wonderful three years<br />

in Canterbury to the big city much easier! After<br />

finishing my MA I was so engaged with my research<br />

that I embarked on a PhD, partly funded by a Danish<br />

government grant. My focus is 20th century art,<br />

particularly contemporary photography (an interest<br />

which was formed at <strong>Kent</strong>). During the PhD you<br />

have time to pursue other activities and I have been<br />

working on Immediations, an annual publication for<br />

postgraduate writing, which I set up and which is<br />

partially funded by the Institute. The most common<br />

thing to do after the PhD is to move into academia,<br />

and I have already been doing some teaching work<br />

at the Courtauld. Having finished my PhD in the<br />

summer, I continued as a visiting lecturer. My real<br />

ambitions are to work in the museum world, and<br />

continue doing editorial work.<br />

Hannah Schmidt R00<br />

– American Studies (Art and Film)<br />

I specialised in American art and wrote two<br />

dissertations as part <strong>of</strong> my degree, one on the<br />

impressionist artist Mary Cassatt and the other<br />

on the sculptor Alexander Calder.<br />

I now work in the press <strong>of</strong>fice at Christie’s. We deal<br />

with journalists from all over the world and my work<br />

incorporates everything that I am interested in. It<br />

would be misleading to say that it is easy to get a job<br />

in the art world. You need to seize every opportunity,<br />

be ambitious and work very hard, as it is highly<br />

competitive. I obtained an internship at an art gallery<br />

during my year abroad, another one after graduation,<br />

at the Saatchi Gallery in London, and two further<br />

internships at Christie’s. I was determined to get<br />

a first-class degree and worked hard, but I had the<br />

time <strong>of</strong> my life at <strong>Kent</strong>.<br />

20


WHO’S<br />

WHAT<br />

WHERE<br />

1 Congratulations to Sergios<br />

Stamboulous E99 and Evangelia<br />

Bra K99, who were married on<br />

2 September 2005. Sergios has<br />

been working as a lawyer and<br />

as a legal adviser in a private<br />

hospital in Athens since 2000,<br />

and Evangelia is now working<br />

for market research company<br />

AC Nielsen as a consultant.<br />

1960s<br />

Buie, Terence<br />

(RS): I retired from my career<br />

in the Canadian Investment<br />

Business seven years ago,<br />

travelled through India, became<br />

a pilot, and last year returned<br />

to live in the mountains <strong>of</strong><br />

British Columbia. A long and<br />

interesting journey from<br />

Canterbury. Nelson, Canada.<br />

(16/<strong>06</strong>/20<strong>06</strong>)<br />

Clark, Bob<br />

(DS): I am the team leader <strong>of</strong><br />

a countywide Family Link Team<br />

for Warwickshire County Council.<br />

We recruit, assess, train and<br />

support foster carers to provide<br />

short breaks for children with<br />

disabilities. The service gives<br />

families a much-needed break<br />

and gives children new<br />

experiences. We have two<br />

daughters, the eldest <strong>of</strong> whom<br />

is currently studying Geography<br />

at Nottingham and the youngest<br />

is in sixth form wanting to study<br />

Drama; possibly at <strong>Kent</strong>. Still in<br />

touch with two alumni, Mick<br />

Green who teaches English in<br />

Munich Germany and Joe Egan<br />

who has his own solicitors’<br />

firm in Bolton. West Midlands.<br />

(27/05/20<strong>06</strong>)<br />

Keljik, Chris<br />

(KS): Retired as a director <strong>of</strong><br />

Standard Chartered Plc in 2005,<br />

after 29 years <strong>of</strong> constant travel!<br />

Currently a Non Executive<br />

Director <strong>of</strong> Foreign & Colonial<br />

Investment Trust Plc; Jardine<br />

Lloyd Thompson Group Plc; and<br />

Copthorne & Millennium Hotels<br />

Plc. Awarded OBE in January<br />

20<strong>06</strong> for services to British<br />

business interests and to local<br />

communities in Africa and Asia.<br />

London. (17/05/20<strong>06</strong>)<br />

Low, Michael<br />

(RH): Teaching EFL and qualified<br />

recently as a French-English<br />

translator. My wife teaches Food<br />

Technology and does voluntary<br />

work at Fishbourne Roman<br />

Palace near Chichester. Two<br />

children; our daughter is studying<br />

Classics at Oxford and our son<br />

is busy with GCSE preparation.<br />

Hants. (25/<strong>06</strong>/20<strong>06</strong>)<br />

Poole, John<br />

(EN): Still at CERN and starting<br />

to make plans for retirement<br />

back to the UK after 25 years<br />

working in Switzerland. Chevry,<br />

France. (23/05/20<strong>06</strong>)<br />

Sims, Brenda<br />

(RS): Ten years in co-operative<br />

development field, eight as<br />

university lecturer and 25 in<br />

women’s refuge movement.<br />

Sadly husband, Clive Coleman<br />

(E65), died suddenly in 2001.<br />

East Yorks. (23/02/20<strong>06</strong>)<br />

1970s<br />

Attwood, Corinne<br />

(KH): Since gaining PG Diploma<br />

in Vocational Techniques for<br />

Career Linguists at <strong>Kent</strong> (1978)<br />

I have worked as a worldwide<br />

freelance tour leader as well<br />

as translator. I have studied<br />

Mandarin Chinese, and led<br />

many tours <strong>of</strong> China. My<br />

translation (from German to<br />

English) <strong>of</strong> The Empire <strong>of</strong> the<br />

Great Mughals: History, Art<br />

and Culture, by Anne Marie<br />

Schimmel, was published by<br />

Reaktion Books. I’m currently<br />

studying Creative Writing at<br />

Sussex <strong>University</strong>, and translating<br />

Visualising the Revolution: Politics<br />

and the Pictorial Arts in Late<br />

Eighteenth-century France, by Rolf<br />

Reichardt and Hubertus Kohle.<br />

East Sussex. (31/05/20<strong>06</strong>)<br />

Goss, Trevor<br />

(DS): Still slogging away in local<br />

authority social work, taking<br />

students and placing children<br />

with foster carers and adopters.<br />

Living in Somerset. Married;<br />

two girls. Still playing hockey<br />

and cricket, and also very<br />

involved in church children’s<br />

work. Anyone remembering<br />

me from <strong>Kent</strong> can contact me<br />

at: TGoss@somerset.gov.uk.<br />

Somerset. (13/05/20<strong>06</strong>)<br />

Millington, Chris<br />

(KH): Moved in 1993 to Islington<br />

Central Library as Head <strong>of</strong><br />

Audio Visual Services. Still<br />

moonlighting as a Councillor<br />

in Waltham Forest, although I<br />

have managed to lay down the<br />

onerous burden <strong>of</strong> leading the<br />

Liberal Democratic Group. My<br />

acting career goes from strength<br />

to strength. Last year I won Best<br />

Actor award at the Waltham<br />

Forest Drama Festival. Eat your<br />

hearts out <strong>Kent</strong> and Em! In<br />

December I attended the first<br />

meeting <strong>of</strong> the Respighi Society<br />

organised by David Heald,<br />

another <strong>Kent</strong> person. Essex.<br />

(08/03/20<strong>06</strong>)<br />

Starkings, Sue<br />

(EM): Working at London South<br />

Bank <strong>University</strong> since 1991,<br />

I specialise in developing the<br />

skills <strong>of</strong> students entering HE –<br />

particularly those returning<br />

to education – with a view to<br />

enhancing both their experience<br />

and their results. I am also a<br />

visiting lecturer at the Institute<br />

<strong>of</strong> Technology, Finland and<br />

Kinnard College, Lahore, Pakistan.<br />

I teach postgraduate students<br />

in mathematics and information<br />

technology at the Open<br />

<strong>University</strong>, and am involved in<br />

in-service teacher training in the<br />

UK and abroad. I was appointed<br />

the Royal Statistical Society’s<br />

‘Guy Lecturer’ for 20<strong>06</strong>, an<br />

honour recognizing excellence<br />

in teaching pedagogy. I have also<br />

recently been awarded a<br />

National Teaching Fellowship<br />

from the Higher Education<br />

Academy. Ashford, <strong>Kent</strong>.<br />

(31/07/20<strong>06</strong>)<br />

Taylor, Philip<br />

(RT): I continue to work with<br />

computers, being engrossed<br />

in the simulation and training<br />

industry (graphics, sound, and<br />

plenty <strong>of</strong> trigonometry). I<br />

now have four massive flight<br />

simulators sitting within 25m<br />

<strong>of</strong> my desk. Still blowing my<br />

tuba, a musical interest that my<br />

son seems to have inherited!<br />

Celebrating Silver Wedding in<br />

August 20<strong>06</strong> - unbelievable.<br />

East Sussex. (23/02/20<strong>06</strong>)<br />

Weir, Bill<br />

(ES): Since <strong>Kent</strong> I have worked<br />

as a hospital porter (nine<br />

months), van driver (two and<br />

a half years) and s<strong>of</strong>tware<br />

engineer (1978 to date). Lived<br />

in York, London, Aldershot,<br />

Buntingford and now in Ilkley<br />

since 1987. Married to Mary<br />

(Roberts) E71, with two<br />

children. Mary teaches English<br />

at an FE college in Leeds.<br />

Interested in woodwork and<br />

genealogy. Email me at:<br />

mail4@wblweir.org.uk. West<br />

Yorks. (04/03/20<strong>06</strong>)<br />

Woakes, John<br />

(KT): I have been living in<br />

Vancouver since ‘95 working<br />

as a S<strong>of</strong>tware Developer doing<br />

mostly web applications for<br />

Marqui, a local company. I ran<br />

my first marathon in 2003<br />

and my first olympic distance<br />

triathlon in 2004. Now I mainly<br />

cycle in the summer and<br />

snowboard in the winter. In<br />

2004 I bought a condo with<br />

my girlfriend Alexa. I have no<br />

children and like it that way.<br />

You can contact me through<br />

my Flickr account<br />

http://www.flickr.com/<br />

photos/woaksie/. Vancouver,<br />

Canada. (10/<strong>06</strong>/20<strong>06</strong>)<br />

1980s<br />

Burgess, James<br />

(DT): Moved to Santa Cruz CA<br />

in 2005, married Lora Bartlett<br />

E87; three children. I have been<br />

making movies at Pixar the<br />

whole time. USA. (28/05/20<strong>06</strong>)<br />

Eleftheriou, George<br />

(ES): After several posts<br />

overseas, I have settled in<br />

Egypt. Opened a consultancy<br />

<strong>of</strong>fice servicing Europeans<br />

wishing to establish business<br />

in Egypt. We act as a one-stop<br />

shop in a variety <strong>of</strong> fields.<br />

I am looking for <strong>Kent</strong> graduates<br />

who would like to establish a<br />

business network linking their<br />

businesses with the region we<br />

cover: North Africa, Middle East<br />

and Arab Gulf. Alexandria,<br />

Egypt. (08/04/20<strong>06</strong>)<br />

Featherstone, Ray<br />

(KS): I’m still living in <strong>Kent</strong>. I’ve<br />

had various posts; from advising<br />

on sustainable procurement to<br />

importing homes from Europe.<br />

Now I run my own business as<br />

a Mortgage Consultant. We<br />

help first-time buyers purchase<br />

their first home, existing<br />

homeowners remortgage on<br />

to a better package and also<br />

commercial buy-to-lets for<br />

investment. I am happy to <strong>of</strong>fer<br />

free general mortgage advice<br />

to any <strong>Kent</strong> alumni or their<br />

families. Please call me on<br />

01732 361891 or 07881<br />

922779 if you want an informal<br />

chat. Tonbridge, <strong>Kent</strong>.<br />

(22/<strong>06</strong>/20<strong>06</strong>)<br />

21


1,2 The <strong>Kent</strong> Print<br />

Collection was<br />

established by the<br />

School <strong>of</strong> Drama,<br />

Film and Visual Arts<br />

in 2005. Sponsors<br />

include the <strong>Kent</strong><br />

Development Trust.<br />

1<br />

French, James<br />

(RH): Head <strong>of</strong> Drama and<br />

Theatre Studies at Coopers<br />

Company & Coborn School<br />

since ‘99 – now ‘Gifted<br />

&Talented’ co-ordinator as well.<br />

Maria (McDaid) E87 is very<br />

happy teaching History and as<br />

Head <strong>of</strong> Year 7 at King Edward<br />

VI Grammar School in<br />

Chelmsford. Three children: two<br />

girls and a boy. Essex.<br />

(21/05/20<strong>06</strong>)<br />

Hazeldine, Stuart<br />

(DH): Still living in Clapham, still<br />

shuttling back and forth to LA,<br />

still screenwriting. Adapting<br />

‘Paradise Lost’ for Warner Bros.<br />

(no pressure!) and co-writing<br />

‘Knowing’ for ‘I, Robot’ director<br />

Alex Proyas. Also worked on<br />

the upcoming sci-fi actioner<br />

‘Mutant Chronicles’. It’s a long<br />

way from the halycon days <strong>of</strong><br />

<strong>Kent</strong> Film Making Society,<br />

lemme tell ya! London.<br />

(16/05/20<strong>06</strong>)<br />

Upward, Antony<br />

(DT): Moved to London after<br />

<strong>Kent</strong> and joined KPMG<br />

Management Consulting<br />

(S<strong>of</strong>tware Development<br />

Group). Went on assignment to<br />

Paris for three years, where I<br />

met my wife Lyanne. Moved to<br />

USA in ‘92 and then to Toronto<br />

in ‘93 and started the (still<br />

ongoing but oh so nearly<br />

finished) renovation <strong>of</strong> our<br />

house! Currently working for<br />

CGI in IT/Business Process<br />

(mainly around SAP s<strong>of</strong>tware).<br />

Just starting a second career<br />

teaching at Ryerson <strong>University</strong><br />

and I travel to the UK quite<br />

<strong>of</strong>ten. Email me at<br />

antony@theupwards.net and<br />

check out my resume at<br />

http://www.linkedin.com/in/anto<br />

nyupward. Ontario, Canada.<br />

(<strong>06</strong>/<strong>06</strong>/20<strong>06</strong>)<br />

1990s<br />

Castle, Matt<br />

(ES): Hello to all who knew me<br />

at <strong>Kent</strong> during my studies in<br />

Politics (BA and then MA) I am<br />

lucky enough to still be in touch<br />

with many <strong>of</strong> those lovely<br />

people I met but if anyone has<br />

‘slipped through the net’ I’d be<br />

delighted to hear from you at<br />

moth_1968@yahoo.co.uk. East<br />

Sussex. (18/04/20<strong>06</strong>)<br />

Daymon, Christine<br />

(KS): Reader in Communication<br />

and Management in the Media<br />

School at Bournemouth<br />

<strong>University</strong>. Dorset. (23/02/20<strong>06</strong>)<br />

Fassnidge, Tom<br />

(KH): Having fallen into a job<br />

the day after graduation, I find<br />

myself still here after a year and<br />

a half, although thankfully I’m<br />

doing something a bit more<br />

interesting than I was when I<br />

started. I now write for a living<br />

<strong>of</strong> sorts – corporate brochures<br />

and the like. I’m still in London<br />

and would love to hear from<br />

anyone who remembers<br />

Keynestock, Twister in the<br />

courtyard, foolish bomb crater<br />

antics or top campus band<br />

Diamond. Contact me at:<br />

tom_fassnidge@hotmail.com.<br />

Middlesex. (16/03/20<strong>06</strong>)<br />

Gibson, Duncan<br />

(DH) Having spent four years<br />

working for Fortis Bank in<br />

Healthcare and Project Finance,<br />

working between London &<br />

Brussels, I am now working for<br />

Alliance & Leicester<br />

Commercial Finance, with joint<br />

responsibility for setting up their<br />

PFI competence. Enjoying life<br />

with my fiancée and looking<br />

forward to our wedding in Sept<br />

’<strong>06</strong>. Missing Canterbury though!!<br />

Still in touch with Nikki (Nicola)<br />

Packham D97, Paul White D97,<br />

Toby Mills D97, Gavin Mills K97,<br />

Vicky Boraster R97 and Liz<br />

Thorpe D97. Email me at:<br />

spuffington@hotmail.com. Essex.<br />

(11/07/20<strong>06</strong>)<br />

Mahmud, Najam<br />

(ES): Still working for Abbott<br />

Pharmaceuticals, now as<br />

Country Director – Human<br />

Resources. I visited the campus<br />

in July 2005, God it was<br />

nostalgic!!! All those great<br />

memories flashed in front <strong>of</strong> my<br />

eyes. I would love to travel back<br />

in time. <strong>Kent</strong> was a great<br />

experience and I can never<br />

forget the great times I had<br />

during those years. Contact me<br />

at: mahmud_naj@hotmail.com.<br />

Karachi, Pakistan. (04/04/20<strong>06</strong>)<br />

Merry, James<br />

(RS): Living in New Zealand;<br />

married a New Zealand girl in<br />

2003 and we had a baby girl in<br />

August 2005. We own and live<br />

on a 25-acre avocado orchard<br />

near Whangarei in Northland.<br />

Working on the family farm,<br />

milking cows, rearing calves and<br />

all the other things that need<br />

doing on a dairy farm. Currently<br />

studying for a commerce<br />

degree through a NZ <strong>University</strong><br />

and a dairying qualification as<br />

well. Would love to hear from<br />

old friends; contact me at<br />

jnmerry@icqmail.com. New<br />

Zealand. (23/05/20<strong>06</strong>)<br />

McDonald Buckley, Kirstie<br />

(KS): I head up the internal<br />

communications unit for the<br />

Department for Culture, Media<br />

and Sport. I got married last<br />

year and we’re expecting our<br />

first child in September. Would<br />

be great to hear from the gang<br />

who left in ‘96. Contact me at:<br />

kirstiemcdonald@hotmail.com.<br />

West Sussex. (04/04/20<strong>06</strong>)<br />

Rhodes, Danny<br />

(DH): I am now an author, still<br />

based in Canterbury. My novel<br />

‘Asboville’ was published in<br />

October 20<strong>06</strong>. <strong>Kent</strong>.<br />

(15/<strong>06</strong>/20<strong>06</strong>)<br />

Steele, Sam<br />

(DS): After graduating, I stayed<br />

in my part time job at the KCH<br />

and increased to full time<br />

temporarily, with a view to<br />

doing a PCGE course. I then<br />

became pregnant and divorced<br />

and couldn’t continue study<br />

with a young child, so for the<br />

time being I am working parttime<br />

as a community carer,<br />

which I enjoy very much. I am<br />

still looking for part-time<br />

graduate jobs, which seem to<br />

be non-existent, but I’m<br />

optimistic! I’m getting married<br />

again in September and more<br />

babies may well follow so I<br />

don’t think I’m a good potential<br />

employee at the moment! <strong>Kent</strong>.<br />

(26/<strong>06</strong>/20<strong>06</strong>)<br />

Wagner, Barbara<br />

(KS): Running my own business<br />

in International Marketing,<br />

Imports and Exports. Got<br />

married in 2005 and have just<br />

moved to Florianopolis, a<br />

wonderful island in the south <strong>of</strong><br />

Brazil. Florianopolis.<br />

(13/07/20<strong>06</strong>)<br />

2000s<br />

Folland, Lee<br />

(R): Just finishing up MPhil in<br />

Chinese Studies at Cambridge<br />

<strong>University</strong> after which will be<br />

moving to Beijing, China to look<br />

for work. Helsinki, Finland.<br />

(28/05/20<strong>06</strong>)<br />

Hampson, Kat<br />

(R): Having left <strong>Kent</strong> last June I<br />

got myself a job working for the<br />

Youth Offending Service, so<br />

now work with Young<br />

Offenders. I might be mad but I<br />

love it! Essex. (18/02/20<strong>06</strong>)<br />

Jager, Julia<br />

(K): I am working in Germany in<br />

the field <strong>of</strong> peace building and<br />

developmental cooperation,<br />

living with my partner in Trier.<br />

Contact me: jj@julia-jaeger.de<br />

Trier, Germany. (25/07/20<strong>06</strong>)<br />

22


2<br />

Kouroushi, Andria<br />

(E): Currently in London<br />

studying at King’s College<br />

London, Msc International<br />

Management. Had a wonderful<br />

time at <strong>Kent</strong> and I hope I get<br />

to see you guys some time in<br />

the future! Take care xx Paphos,<br />

Cyprus. (26/02/20<strong>06</strong>)<br />

Piperopoulos, Panagiotis<br />

(KS): Currently an Adjunct<br />

Lecturer and Researcher in the<br />

Department <strong>of</strong> Marketing and<br />

Operations Management <strong>of</strong><br />

the <strong>University</strong> <strong>of</strong> Macedonia,<br />

Thessalonica, Greece. My<br />

teaching and research interests<br />

centre on the subjects <strong>of</strong><br />

entrepreneurship, innovation<br />

and business clustering.<br />

I contribute regularly to<br />

Greece’s leading financial<br />

newspaper Imerisia and am<br />

a member <strong>of</strong> the Hellenic<br />

Economic Chamber <strong>of</strong><br />

Commerce. Contact me by<br />

email at panpiper@uom.gr.<br />

Thessaloniki. (23/05/20<strong>06</strong>)<br />

DEATHS<br />

Since the last issue <strong>of</strong> <strong>KENT</strong><br />

went to press, we have learned<br />

<strong>of</strong> the deaths <strong>of</strong> the following<br />

alumni and staff. If you would<br />

like to be put in touch with the<br />

families or friends <strong>of</strong> anyone<br />

listed here, please let us know.<br />

We may be able to help.<br />

Alumni: Norman Benton D75,<br />

Robert Lacey E80, James Ley<br />

R82, Adrian Ritchie R66,<br />

Maureen Ritchie D94.<br />

Staff and friends: Pr<strong>of</strong>essor<br />

Brian Mullen, Department <strong>of</strong><br />

Psychology; Pr<strong>of</strong>essor Sir Hans<br />

Singer Honorary DLitt (<strong>Kent</strong>);<br />

Dr Sasha Roberts, School<br />

<strong>of</strong> English.<br />

ONLY CONNECT<br />

Lost touch with an old friend?<br />

The <strong>Kent</strong> alumni database may<br />

be able to help. If we have<br />

a current address for them,<br />

we would be happy to forward<br />

a message from you. If we too<br />

have lost touch, Only Connect,<br />

which is printed in <strong>KENT</strong> twice<br />

a year and broadcast on the<br />

Web monthly, may get a<br />

response: And please, if you<br />

do connect, let us know.<br />

Ro Annandale-Steiner (D69)<br />

wltf Michael Lawrence (R69);<br />

Manije Nazery (R71) wltf<br />

Anthea Elliott (R72); Merv<br />

Woods (D77) wltf Gill Drillsma<br />

(E77); Jane Gooch (Cunnington)<br />

(K81) wltf Diana Mase (E81);<br />

Sue Oldfield (Hunter) (R81)<br />

wltf Robert Cox (K82); Pearl<br />

Moses (Uche) (D83) wltf Tonya<br />

Zwennes (D83); Sheryl Lindsay<br />

(E84) wltf Catherine Mendez<br />

(E85); Colm Glass (E85) wltf<br />

Isabella Grenfell (E85) and<br />

Simon Grubb (E85); Swee Chua<br />

(E87) wltf Arnold Barrows<br />

(R84) and Martin Goodchild<br />

(K88); Jonathan Yeo (R90) wltf<br />

Julius Locke (R90); Kiran Sagoo<br />

(D93) wltf Eleftheria Trimis<br />

(D93); Rob Price (K94) wltf<br />

Bethen Thorpe (D95) and<br />

Sarah Williams (D95); Kathryn<br />

Wines (D95) wltf Barry<br />

Curling (D95); Shabana Khatun<br />

(R96) wltf Martine Pitch (R96).<br />

3 The <strong>University</strong> marked Sir<br />

Crispin Tickell’s 10 years as<br />

<strong>University</strong> Chancellor with<br />

the unveiling <strong>of</strong> his portrait<br />

by <strong>Kent</strong> graduate (R90)<br />

Jonathan Yeo. The portrait<br />

<strong>of</strong> Sir Crispin hangs<br />

alongside those <strong>of</strong> former<br />

Chancellors, Princess<br />

Marina Duchess <strong>of</strong> <strong>Kent</strong>,<br />

Lord Grimond and Sir<br />

Robert Horton, as well as<br />

previous Vice-Chancellor<br />

Dr Ge<strong>of</strong>frey Templeman,<br />

Dr David Ingram and<br />

Pr<strong>of</strong>essor R Sibson..<br />

23


EVENTS<br />

1 ArtsFest<br />

2 Congregations<br />

Here are some <strong>of</strong> the events planned for the next<br />

few months. Keep an eye on www.kent.ac.uk/alumni<br />

for more information about upcoming alumni events.<br />

15 Nov 20<strong>06</strong><br />

Degree congregations in Rochester Cathedral<br />

www.kent.ac.uk/cdo/congregations/<br />

17 Nov 20<strong>06</strong><br />

Degree congregations in Canterbury Cathedral<br />

www.kent.ac.uk/cdo/congregations/<br />

22 November 20<strong>06</strong><br />

Reading between the lines: discovering the scribes<br />

and their role in Mycenaean administration<br />

a lecture by Dr Evangelos Kyriakidis, Lecturer<br />

in Archaeology at <strong>Kent</strong><br />

SECL Popular Lecture Series<br />

5.15pm Keynes Lecture Theatre 5<br />

For information about any <strong>of</strong> the SECL lectures,<br />

contact: D.Peretti@kent.ac.uk<br />

24 November 20<strong>06</strong><br />

Shostakovitch Festival<br />

Open Lecture<br />

Rt. Hon David Mellor QC<br />

6pm Brabourne Lecture Theatre<br />

Brodsky Quartet<br />

8.15pm Gulbenkian Theatre<br />

25 November 20<strong>06</strong><br />

Shostakovitch Festival<br />

Brodsky Quartet<br />

7.45pm Gulbenkian Theatre<br />

30 November 20<strong>06</strong><br />

First 500 Alumni Dinner<br />

Liberal Club, London<br />

For further information: alumni@kent.ac.uk<br />

1 December 20<strong>06</strong><br />

Open Lecture<br />

In the footsteps <strong>of</strong> Churchill<br />

Pr<strong>of</strong>essor Richard Holmes CBE TD<br />

6pm Brabourne Lecture Theatre<br />

8 December 20<strong>06</strong><br />

Open Lecture<br />

Personal is political: rethinking health and social<br />

care for older people<br />

Pr<strong>of</strong>essor Iain Carpenter, CHSS<br />

6pm Brabourne Lecture Theatre<br />

17 January 2007<br />

Robin Hood and his merry revolutionaries –<br />

Castro, Cuba and the revolutionary myth<br />

William Rowlandson<br />

SECL Popular Lecture Series<br />

5.15pm Keynes Lecture Theatre 5<br />

1 February 2007<br />

Alumni Careers Fair: lunch in Darwin for alumni<br />

and friends at 12 for 12.30pm, followed by the Fair<br />

2-5pm in Eliot Great Hall<br />

Contact: F.L.Jones@kent.ac.uk<br />

7 February 2007<br />

Are some languages ruder than others?<br />

Nicola Schmidt-Renfree<br />

SECL Popular Lecture Series<br />

5.15pm Keynes Lecture Theatre 5<br />

28 February 2007<br />

Traditions <strong>of</strong> representation in Francisco<br />

de Goya’s Los Caprichos (1799)<br />

Antonio Lazaro-Reboll<br />

SECL Popular Lecture Series<br />

5.15pm Keynes Lecture Theatre 5<br />

28 March 2007<br />

A (clear and present/definite) danger<br />

to public health – the new Sicilian mafia<br />

Pr<strong>of</strong>essor Tom Behan:<br />

SECL Popular Lecture Series<br />

5.15pm Keynes Lecture Theatre 5<br />

Spring 2007 (date tbc)<br />

<strong>Kent</strong> Alumni Business Club<br />

London<br />

Spring 2007 (date tbc)<br />

<strong>Kent</strong> Alumni Reception<br />

Canada (venue tbc)<br />

www.kent.ac.uk/alumni/<br />

2 June 2007<br />

ArtsFest<br />

Canterbury Campus<br />

www.kent.ac.uk/music/ArtsFest<br />

20 September 2007<br />

London Alumni Reception<br />

House <strong>of</strong> Lords<br />

1 2<br />

24

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