KENT_Autumn_06_AW:KENT 1 - University of Kent
KENT_Autumn_06_AW:KENT 1 - University of Kent
KENT_Autumn_06_AW:KENT 1 - University of Kent
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<strong>KENT</strong><br />
The Magazine for The <strong>University</strong> <strong>of</strong> <strong>Kent</strong> <strong>Autumn</strong> 20<strong>06</strong> No. 47
Since the last issue <strong>of</strong> <strong>KENT</strong>, there’s been a lot<br />
to celebrate at the <strong>University</strong> – not least being<br />
shortlisted for the Times Higher Education<br />
Supplement’s Institution <strong>of</strong> the Year Award. The<br />
winner will be announced on 15 November, so<br />
fingers crossed!<br />
There were further celebrations when Dr Dan<br />
Lloyd received his National Teaching Fellowship<br />
Award at a gala dinner in London on 19 September.<br />
Readers <strong>of</strong> the last issue <strong>of</strong> <strong>KENT</strong> will have seen<br />
work by Dr Dan Lloyd’s science communication<br />
students and so won’t be surprised to learn that he<br />
has been awarded a National Teaching Fellowship<br />
Award, one <strong>of</strong> only 50 to be awarded nationwide.<br />
This is the third year running <strong>Kent</strong> lecturers have<br />
won this award.<br />
Having focused on the sciences in the last issue, we<br />
decided that it was high time that we threw open<br />
<strong>KENT</strong> to the <strong>University</strong>’s literary side. <strong>Kent</strong> has<br />
long had a literary bias – underpinned by initiatives<br />
such as the T.S.Eliot prize which supports poetry<br />
writing among students – and work by alumni, staff<br />
and current students is critically acclaimed, both<br />
nationally and internationally.<br />
For example, novelist David Mitchell, who graduated<br />
from <strong>Kent</strong> with a degree in English and American<br />
Literature and an MA in Comparative Literature,<br />
has had two books, number9dream and Cloud Atlas<br />
shortlisted for the Man Booker Prize for fiction.<br />
Delia Jarrett-Macaulay, who did a PhD in English and<br />
taught part-time on the Women’s Studies<br />
programme, won the Orwell prize for her first<br />
novel, Moses, Citizen and Me, about a child soldier<br />
and his family in Sierra Leone. Incidentally, she also<br />
recently made a documentary about Sierra Leone,<br />
broadcast on BBC Radio 4 earlier this year.<br />
We hope you enjoy this issue – we are particularly<br />
pleased to be able to showcase some <strong>of</strong> the work<br />
<strong>of</strong> our Creative Writing students and we would<br />
also like to thank Abdulrazak Gurnah for giving<br />
us permission to reproduce an extract from his<br />
book, Desertion.<br />
And don’t forget, send us any suggestions or<br />
comments you may have about <strong>KENT</strong>, we really<br />
want to hear them.<br />
Killara Burn<br />
Posie Bogan<br />
Editors<br />
Dear Editors<br />
I was quite amused to read the letter from Patricia<br />
Johnson in the Spring 20<strong>06</strong> edition <strong>of</strong> the magazine.<br />
Not directly by its contents, let me hasten to add,<br />
but by the fact that you have printed, in white text<br />
on a coloured background, a letter saying you should<br />
reconsider your practice <strong>of</strong> printing letters in white<br />
text on a coloured background.<br />
Ian Gordon D83<br />
Editors’ reply<br />
Please bear with us – we hoped that by having a<br />
stronger background colour this would make the text<br />
easier to read as, according to the RNIB guidelines,<br />
‘the better the contrast between the background<br />
and the text, the more legible the text will be.’<br />
The guidelines also highlight that the contrast will<br />
be affected by the size and weight <strong>of</strong> the type<br />
which is something we are now paying particular<br />
attention to. A text version <strong>of</strong> <strong>KENT</strong> is available at<br />
www.kent.ac.uk/alumni/news/kent/<br />
Front cover detail: Literature<br />
With the publication <strong>of</strong> Night<br />
Train 4, <strong>KENT</strong> is celebrating<br />
the <strong>University</strong>’s longstanding<br />
literary reputation by focusing<br />
on the achievements <strong>of</strong> alumni,<br />
staff and students in this area.<br />
Special thanks to<br />
Chris Lancaster and Lesley Farr<br />
in the <strong>University</strong> Print Unit;<br />
David Clark (R82); Karen Bayfield<br />
and Karen Donaghay in C&DO.<br />
Photographs by Robert Berry,<br />
Joanna Eldridge Morrissey;<br />
Mark Pringle<br />
Editors<br />
Killara Burn and Posie Bogan<br />
Communications &<br />
Development Office<br />
<strong>University</strong> <strong>of</strong> <strong>Kent</strong><br />
Canterbury CT2 7NZ<br />
Tel. 01227 824345/823581<br />
Fax. 01227 827912<br />
Email kent-the-mag@kent.ac.uk<br />
www.kent.ac.uk/alumni<br />
<strong>KENT</strong> replaces the <strong>Kent</strong> Bulletin<br />
and is published in spring and<br />
autumn every year for alumni,<br />
staff and friends <strong>of</strong> the <strong>University</strong><br />
<strong>of</strong> <strong>Kent</strong>. It is sent to all alumni<br />
worldwide who regularly update<br />
or confirm their contact details<br />
with us.<br />
<strong>KENT</strong>, the magazine for alumni,<br />
staff and friends <strong>of</strong> the <strong>University</strong><br />
<strong>of</strong> <strong>Kent</strong> – 47<br />
<strong>Autumn</strong> 20<strong>06</strong><br />
Design<br />
Third Eye Design<br />
Tel: 0141 332 3335<br />
www.thirdeyedesign.co.uk<br />
Printers<br />
Broglia Press<br />
Tel: 01202 621621<br />
Opposite<br />
Abdulrazak Gurnah (page 18)<br />
2
Contents<br />
4 News 7 Development News 8 Shaping the<br />
World 10 Constant Gardner 11 Night Train<br />
15 Business Links 16 New Frontiers 18 Best <strong>of</strong><br />
Both Worlds 20 Keeping up with <strong>Kent</strong> Graduates<br />
– Visual Arts 21 Who’s What Where 24 Events<br />
3
1 Drill Hall Library,<br />
Medway campus<br />
2 Jo Brand<br />
3 Pr<strong>of</strong>essor Sir Robert<br />
Worcester<br />
4 David Mitchell<br />
5 Alison Coll<br />
6 Medway Building<br />
1<br />
<strong>Kent</strong> shortlisted as<br />
‘Institution <strong>of</strong> the Year’<br />
<strong>Kent</strong> is one <strong>of</strong> five universities shortlisted for the<br />
Times Higher Education Supplement (THES) ‘Institution<br />
<strong>of</strong> the Year’ 20<strong>06</strong>.<br />
The awards are open to all higher education<br />
institutions in the UK. Their aim is ‘to raise awareness<br />
<strong>of</strong> and reward the huge contribution British<br />
universities make to the economic and cultural health<br />
<strong>of</strong> the country’ and ‘to shine a light on a few <strong>of</strong> the<br />
many achievements that have made UK universities<br />
among the best in the world’.<br />
This, in particular, has been a milestone year for <strong>Kent</strong>,<br />
with its innovative campus development in Medway,<br />
its unique collaboration with France and its great<br />
strides in widening participation while improving<br />
its research performance – all underpinned by its<br />
dynamic approach to partnership in Europe and the<br />
UK. <strong>Kent</strong>’s success is further demonstrated by step<br />
changes in league tables and performance indicators.<br />
Vice-Chancellor Pr<strong>of</strong>essor David Melville said, ‘This<br />
is a year in which the inspired work <strong>of</strong> all our staff<br />
in redefining the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> over the past few<br />
years has come to fruition in so many ways. We are<br />
delighted that this has been recognised in our being<br />
shortlisted for HE Institution <strong>of</strong> the Year 20<strong>06</strong>.’<br />
The 20<strong>06</strong> awards presentation will be held later this<br />
year at the London Hilton Hotel. Many <strong>of</strong> the leading<br />
names in education as well as sponsors and all the<br />
shortlisted category finalists will attend the event.<br />
New Chancellor<br />
Pr<strong>of</strong>essor Sir Robert Worcester was installed as<br />
<strong>Kent</strong>’s new Chancellor during a degree ceremony<br />
held at Canterbury Cathedral in July 20<strong>06</strong>. He took<br />
up his new role on 1 August 20<strong>06</strong>, succeeding Sir<br />
Crispin Tickell, who retired after 10 years as the<br />
<strong>University</strong>’s Chancellor. During a degree ceremony<br />
on Wednesday 12 July, Sir Robert received an<br />
honorary degree from the <strong>University</strong>.<br />
Sir Robert is founder <strong>of</strong> MORI (Market & Opinion<br />
Research International) London, and has well<br />
established links with the <strong>University</strong>. In 2005 he was<br />
appointed a Knight Commander <strong>of</strong> the Most<br />
Excellent Order <strong>of</strong> the British Empire (KBE) by Her<br />
Majesty the Queen. He was appointed Chancellor<br />
following a unanimous decision by the <strong>University</strong><br />
Court earlier this year.<br />
A frequent broadcaster, he is a regular contributor<br />
to national newspapers including the Financial Times<br />
and The Observer and is a columnist for Pr<strong>of</strong>ile and<br />
The Parliamentary Monitor. He has written more than<br />
a dozen books.<br />
Rewriting the<br />
history books<br />
The <strong>University</strong> recently hosted a unique symposium<br />
as part <strong>of</strong> the national programme <strong>of</strong> events to<br />
commemorate the 400th anniversary <strong>of</strong> Jamestown,<br />
the first permanent English settlement in North America.<br />
Rewriting the history books, a one-day public event,<br />
brought together Virginia Indian chiefs and academic<br />
experts and gave those attending the chance to<br />
learn about the history and explore issues <strong>of</strong> cultural<br />
diversity. The Virginia Indian chiefs gave their views<br />
on historical events and on what lessons have been<br />
learnt for the future. Additional speakers included<br />
Helen Rountree, Dr Warren Billings and Dr Peter<br />
Thompson who are historians <strong>of</strong> Virginia.<br />
4<br />
NEWS
2 3<br />
League table rise<br />
Honorary degrees<br />
4<br />
Design awards<br />
for Medway<br />
<strong>Kent</strong> has increased its presence in the Guardian’s 20<strong>06</strong><br />
Higher Education League Tables and now ranks 29<br />
out <strong>of</strong> 122 higher education institutions in the UK, an<br />
increase <strong>of</strong> six places from the 2005 printed rankings.<br />
In the subject rankings, the Department <strong>of</strong> Electronics<br />
is new to the top five for Electrical Engineering, and<br />
Religious Studies has retained its position within the<br />
top five for Theology. American Studies, Anthropology,<br />
Art & Design, Classics and Social Work at <strong>Kent</strong> are<br />
also within their respective top 20, with Archaeology,<br />
Computer Sciences & IT, Drama, Physics and Sociology<br />
new to their top 20 for this year.<br />
Awarding excellence<br />
in teaching<br />
Dr Dan Lloyd, Lecturer in Pharmacology in Biosciences,<br />
has been awarded his National Teaching Fellowship<br />
Award. Funded by the Higher Education Funding<br />
Council for England (HEFCE) and the Department<br />
for Employment and Learning in Northern Ireland,<br />
the National Teaching Fellowship Scheme (NTFS)<br />
recognises and rewards outstanding teachers or<br />
learning support staff in higher education in England<br />
and Northern Ireland.<br />
Dr Lloyd was one <strong>of</strong> 50 <strong>of</strong> the best lecturers and<br />
learning support staff to be recognised for their<br />
excellence at the event. This year’s awards received<br />
a record 242 nominations.<br />
Speaking <strong>of</strong> Dan’s award, Dr Liz Beaty, Director<br />
(Learning and Teaching) <strong>of</strong> HEFCE, said: ‘You have been<br />
recognised by your institution and by a distinguished<br />
panel <strong>of</strong> educationalists for the excellence <strong>of</strong> your<br />
contribution. You have inspired your students and you<br />
have inspired your colleagues. You have won because<br />
you are excellent at influencing others, at inspiring<br />
learners and other teachers.’<br />
Historian Dr David Starkey, composer Sir Richard<br />
Rodney Bennett and Baroness Helena Kennedy were<br />
among those who received honorary degrees from<br />
the <strong>University</strong> at the degree ceremonies held at<br />
Canterbury Cathedral this summer. Honorary degrees<br />
were also awarded to Sir Sandy Bruce-Lockhart,<br />
Chairman <strong>of</strong> the Local Government Association and<br />
County Councillor for Maidstone Rural East; Pr<strong>of</strong>essor<br />
Gabriel Josipovici, novelist, critic and playwright; Dr<br />
Declan Doogan, Senior Vice-President, Head <strong>of</strong><br />
Worldwide Development, Pfizer, and Paul Bennett,<br />
Director <strong>of</strong> the Canterbury Archaeological Trust<br />
The autumn degree ceremonies at Canterbury will<br />
also see honorary degrees awarded to Jo Brand,<br />
who is one <strong>of</strong> the best known comics in the country<br />
and David Mitchell, whose novels which include<br />
Ghostwritten, number9dream, Cloud Atlas and Black<br />
Swan Green have earned him a place among Granta<br />
magazine’s twenty Best Young British Novelists. At the<br />
Rochester Cathedral ceremony, an honorary degree<br />
will also be presented to Hilary Lister who last year<br />
became the first quadriplegic to sail, single-handed,<br />
across the English Channel. She made the crossing<br />
in six hours 13 minutes and now plans to sail<br />
around Britain.<br />
The <strong>University</strong> <strong>of</strong> <strong>Kent</strong> at Medway is celebrating<br />
its double honours in a new award scheme. The<br />
<strong>University</strong>’s flagship Medway Building was twice voted<br />
a winner in the Medway Design Awards, a project<br />
set up by the <strong>Kent</strong> Architecture Centre, on behalf <strong>of</strong><br />
the Medway Renaissance Partnership, to reward the<br />
creators <strong>of</strong> outstanding buildings, places and public<br />
spaces in the region.<br />
The £7 million Medway Building, with its distinctive<br />
brass cladding design, was chosen by Medway Design<br />
Awards judges as the winner in the New Building<br />
category, while planners at Medway Council also<br />
voted it into top place in the Development Control<br />
section. There was more success for the Medway<br />
campus as the Drill Hall Library won a top prize in<br />
the category <strong>of</strong> Refurbishment and Conversion<br />
<strong>of</strong> Historic Buildings. The state-<strong>of</strong>-the-art library is<br />
part <strong>of</strong> the £120m Universities at Medway initiative<br />
and is jointly owned and operated by Greenwich<br />
and <strong>Kent</strong> universities.<br />
The Medway Building, designed by architects RMJM<br />
Ltd, was also shortlisted for a prestigeous RIBA<br />
(Royal Institute <strong>of</strong> British Architects) Award following<br />
a recent visit by members <strong>of</strong> the shortlisting panel.<br />
The Medway campus continues to expand with the<br />
completion <strong>of</strong> <strong>Kent</strong>’s new Gillingham Building, and<br />
staff and students from Greenwich and <strong>Kent</strong> are also<br />
enjoying a range <strong>of</strong> new facilities with the opening <strong>of</strong><br />
the Pilkington Building, jointly run by Greenwich and<br />
<strong>Kent</strong> universities.<br />
5 6<br />
5
1 Pr<strong>of</strong>essor David Melville<br />
2 John Fitzpatrick<br />
3 Music Prize winners<br />
4 Rewriting the<br />
history books<br />
1<br />
2<br />
3<br />
4<br />
<strong>Kent</strong> still top in<br />
South East England<br />
The National Student Survey (NSS) has firmly<br />
reinforced <strong>Kent</strong>’s position at the top <strong>of</strong> universities<br />
in the South East <strong>of</strong> England.<br />
The combined results <strong>of</strong> the 2005 and 20<strong>06</strong> NSS –<br />
both <strong>of</strong> which polled final-year undergraduates in<br />
higher education institutions in the UK – has ranked<br />
<strong>Kent</strong> top alongside the universities <strong>of</strong> Reading and<br />
Southampton for student satisfaction.<br />
These findings have been welcomed by Vice-<br />
Chancellor Pr<strong>of</strong>essor David Melville, who said: ‘Our<br />
position within the National Student Survey is a<br />
tribute to the hard work and dedication <strong>of</strong> all our<br />
staff, and our continuous investment in student<br />
support, new facilities and new staff.’<br />
The NSS was organised by the Higher Education<br />
Funding Council for England (HEFCE) in partnership<br />
with the government and the National Union<br />
<strong>of</strong> Students.<br />
Vice-Chancellor to retire<br />
Vice-Chancellor Pr<strong>of</strong>essor David Melville is to retire<br />
from the <strong>University</strong> with effect from 1 September<br />
2007 after six years in the post. Pr<strong>of</strong>essor Melville,<br />
who is one <strong>of</strong> the country’s leading figures in<br />
education, said, ‘I have thoroughly enjoyed working<br />
with the staff at the <strong>University</strong>, all <strong>of</strong> whom have<br />
played a key role in transforming <strong>Kent</strong> into one <strong>of</strong><br />
the most dynamic universities in the country.’<br />
Music prizes<br />
This year’s <strong>University</strong> music prizes have been<br />
awarded to four outstanding students at a ceremony<br />
attended by Rosie Turner, Director <strong>of</strong> the Canterbury<br />
Festival, Dame Anne Evans, Patron <strong>of</strong> the <strong>University</strong><br />
Music Scholarship Scheme, and Pr<strong>of</strong>essor Keith<br />
Mander, Deputy Vice-Chancellor.<br />
Mariah Mazur won the Canterbury Festival Music<br />
Prize. A fourth-year student from Columbus, Ohio,<br />
she is studying Drama and Italian and is Principal<br />
Harp in the Symphony Orchestra. She has also given<br />
many solo recitals and receives a Music Scholarship.<br />
The 20<strong>06</strong> <strong>University</strong> Music Prize went to second<br />
year Law student Susannah Thackray. She is Principal<br />
Flute in the Symphony Orchestra and also plays flute<br />
and piccolo in the Concert Band. She receives a<br />
Music Scholarship to study with Rosemary Rathbone.<br />
Two students, finalist Robert <strong>Kent</strong> and postgraduate<br />
Jonathan Stott, receive the Colyer-Fergusson Award<br />
for their outstanding contribution to organising music<br />
on campus.<br />
Pharmacy student success<br />
Allison Coll, a first year student from Medway<br />
School <strong>of</strong> Pharmacy, has won the prestigious British<br />
Pharmaceutical Students’ Association (BPSA) student<br />
<strong>of</strong> the year competition. As part <strong>of</strong> her prize, Allison<br />
was invited to be an <strong>of</strong>ficial delegate for the BPSA at<br />
an international conference in Cairns, Australia, in July,<br />
where she met pharmacy students from all over the<br />
world and took part in a range <strong>of</strong> discussions and<br />
social activities while representing Britain.<br />
Allison said she felt ‘humble and honoured’ in winning<br />
the award, but insisted her tutors at the new Medway<br />
School <strong>of</strong> Pharmacy played a big part in her success.<br />
Head <strong>of</strong> School Pr<strong>of</strong>essor Clare Mackie said that<br />
Allison’s achievement was remarkable. The Medway<br />
School <strong>of</strong> Pharmacy is a unique collaboration between<br />
the <strong>University</strong> <strong>of</strong> Greenwich and the <strong>University</strong> <strong>of</strong><br />
<strong>Kent</strong> and opened the doors to its first students in 2004.<br />
OBE for <strong>Kent</strong> Law<br />
Clinic Director<br />
John Fitzpatrick, Director <strong>of</strong> the <strong>Kent</strong> Law Clinic, has<br />
been recommended by the Prime Minister for an<br />
OBE for ‘services to the administration <strong>of</strong> justice’.<br />
John Fitzpatrick has been Director since it was<br />
established in its present form in 1992. He joined<br />
the <strong>University</strong> in 1991, having previously practised as<br />
a solicitor in London. For the past 30 years he has<br />
contributed to the provision <strong>of</strong> public legal services<br />
in this country. Starting in 1976 he has worked<br />
in community law centres in Brixton, and then<br />
Hammersmith, in London, and he still assists with that<br />
work today. He has served for several years recently<br />
on the Executive <strong>of</strong> the Law Centres Federation.<br />
The <strong>Kent</strong> Law Clinic is a partnership between<br />
students, academics and volunteer solicitors and<br />
barristers. John said, ‘If ever an award was for<br />
a collective achievement, this is it. It has been<br />
an honour working with such wonderful students<br />
and colleagues in the <strong>Kent</strong> Law School and such<br />
supportive solicitors and barristers in local practice.’<br />
6
1<br />
2<br />
3 4<br />
1, 2 Phonathon callers<br />
3, 4 Benefactors’<br />
garden party<br />
Class <strong>of</strong> 1993<br />
Reunion Gift<br />
In August, 65 alumni and friends from the graduating<br />
year 1996 (entry year 1993) came back to campus<br />
for a reunion at Keynes. The organisers were Sarah<br />
Ivens K93, Editor in Chief <strong>of</strong> OK! magazine in New<br />
York, and Rose St Louis K93. Rose said, ‘It was a<br />
fantastic event, and we are thrilled to have raised<br />
nearly £400 to give to <strong>Kent</strong>; we just wish it could<br />
have been more!’ This reunion class gift goes to<br />
the Annual Fund, which is made up <strong>of</strong> contributions<br />
from <strong>Kent</strong> alumni and friends and makes awards to<br />
projects that will have a direct impact on student life.<br />
Giving something back<br />
Chris Bellingham K81, Vice-President <strong>of</strong> the Board<br />
<strong>of</strong> the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> in America, Inc (UKA) has<br />
made a generous gift. Chris studied Computers<br />
and Cybernetics and now works as Senior Technical<br />
Officer in the TradeBlade Division <strong>of</strong> Tullett Prebon,<br />
Inc in New York. Chris wrote, ‘The donation was<br />
made possible as a direct result <strong>of</strong> receiving a f irstclass<br />
education at <strong>Kent</strong>, so I am delighted to be able<br />
to give something back.<br />
‘My stepdaughter will be going to college next year<br />
and the preparations are stirring old memories.<br />
I felt barely qualified for entry to <strong>Kent</strong> but admissions<br />
gave me a chance. Then one <strong>of</strong> my tutors helped<br />
me land a job in the financial industry which led to<br />
a job <strong>of</strong>fer in New York. Without the BSc I probably<br />
wouldn’t have got the job or the green card that<br />
followed. I sometimes wonder where I would be if<br />
<strong>Kent</strong> had rejected my application.’<br />
US residents wishing to make a gift tax efficiently can<br />
find out more from Killara Burn, J.K.Burn@kent.ac.uk,<br />
+44 (0)1227 824345 or by writing to the address<br />
on page 2.<br />
Phonathon 20<strong>06</strong><br />
We ended the four-week autumn 20<strong>06</strong> campaign with<br />
a pledged total <strong>of</strong> nearly £22,000. The two student<br />
teams worked very hard to reach that total, and<br />
there was excellent feedback from many <strong>of</strong> the 900<br />
or so alumni the callers reached. The Phonathon<br />
generates important income for the Annual Fund;<br />
it is also an important source <strong>of</strong> information for the<br />
<strong>University</strong>, about the services and benefits that alumni<br />
would like from <strong>Kent</strong>, as well as the sort <strong>of</strong> input<br />
they would like to contribute to the <strong>University</strong> today.<br />
Overwhelmingly, alumni are interested in staying in<br />
touch and in putting something back. Many <strong>of</strong>fer<br />
careers advice and work shadowing opportunities.<br />
And for those who make a financial contribution,<br />
student hardship and projects like UKC Radio (now<br />
Canterbury Community Radio) attract the greatest<br />
interest. If you’d like to make a gift to the Annual<br />
Fund, please contact Sarah Saunders (S.A.Saunders@<br />
kent.ac.uk), Annual Fund Officer or by writing to her<br />
at the address on page 2.<br />
Benefactors’ garden party<br />
Hosted by the Vice-Chancellor, Pr<strong>of</strong>essor David<br />
Melville, and Mrs Lin Melville at their home,<br />
Crossways, this annual event is organised to thank<br />
the year’s donors for their gifts. Of the nearly 700<br />
people and organisations worldwide who made a<br />
financial contribution to the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> in the<br />
current year, 120 attended this year’s Garden Party,<br />
held on 10 September. The harp <strong>of</strong> Crystin Williams<br />
was the ideal musical accompaniment to a perfect<br />
sunny afternoon at a garden party.<br />
Larry Grant Scholarship<br />
in the <strong>Kent</strong> Law School<br />
<strong>Kent</strong> Law alumni from the mid-70s will remember<br />
Larry Grant as the Legal Director <strong>of</strong> the pioneering<br />
<strong>Kent</strong> Law Clinic. Few lawyers have devoted themselves<br />
so steadfastly and effectively as Larry Grant did to<br />
supporting the powerless, to defending fundamental<br />
rights and liberties and to promoting justice and dignity.<br />
Since he died suddenly in January 2003, his friends<br />
and colleagues have been considering how to<br />
memorialise Larry and his achievements as a lawyer,<br />
writer, teacher and judge. This scholarship is the result.<br />
The money raised will help fund one or more<br />
postgraduate students each year to conduct research<br />
in areas related to the interests, principles, and causes<br />
for which Larry worked so hard.<br />
The Law School at <strong>Kent</strong> has warmly welcomed the<br />
initiative and will match the amount awarded to a<br />
student by the Larry Grant Scholarship Fund. Thus if<br />
the fund is able to award a scholarship <strong>of</strong> £1500, the<br />
law school will contribute a similar amount, bringing<br />
the total value <strong>of</strong> the award to £3000.<br />
The Fund already has pledges <strong>of</strong> nearly £5,000, and the<br />
hope is to raise £50,000. If you would like to contribute<br />
or if you would like to know more, please get in touch<br />
with Larry’s widow, Hilary Ives (0207 267 5400 or<br />
07966139004), Richard de Friend (richard.de-friend<br />
@lawcol.co.u), Steve Uglow (S.P.Uglow@kent.ac.uk)<br />
or Killara Burn (J.K.Burn@kent.ac.uk or at the address<br />
on page 2).<br />
The Development and<br />
Alumni Relations Team<br />
The team is growing! We are very keen to increase the<br />
proportion <strong>of</strong> <strong>Kent</strong> graduates on the team. If you are<br />
interested in working at your <strong>University</strong> and you have<br />
interest and a background in fundraising or related areas,<br />
please get in touch with us at the address on page 2.<br />
DEVELOPMENT<br />
NEWS<br />
7
SHAPING<br />
THE WORLD<br />
David Lister<br />
R70: English<br />
Arts Editor, the Independent<br />
How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />
It did. I wrote arts reviews for the university newspaper Incant and ended up in<br />
arts journalism. The first review I wrote was <strong>of</strong> John Lennon’s first solo album. The<br />
then editor <strong>of</strong> Incant who commissioned me was, 25 years later, a freelance<br />
journalist pitching me articles. I returned the commissioning favour, <strong>of</strong> course.<br />
What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />
The weirdest one is <strong>of</strong> being in a Pasolini film, The Canterbury Tales. They were<br />
shooting nearby and came to the campus to recruit extras. Pasolini asked me to<br />
do an English folk dance. I replied that I had no idea how to do that, and he said:<br />
‘But surely all English people know English folk dances.’ I also remember joining<br />
the ents committee on my first day and us getting Led Zeppelin for the next<br />
sports hall concert. Oh, and I met my wife at <strong>Kent</strong>.<br />
Your least favourite?<br />
Failing my Part Ones wasn’t my finest hour. But my tutor said: ‘Don’t worry, stay<br />
cool’ and a quick chat sorted it out. That’s how universities should be.<br />
Please describe a ‘typical’ day (for you now)<br />
Days are long and mainly <strong>of</strong>fice-based. I commission articles for the daily arts<br />
pages <strong>of</strong> the paper, then some more for the weekly arts and books magazine,<br />
then some more for the monthly music magazine, maybe start on my weekly<br />
column, try to negotiate plenty <strong>of</strong> exclusive interviews to annoy my rivals and<br />
try to avoid <strong>of</strong>fice politics. One lives longer.<br />
What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />
I always liked the collegiate system and the relative smallness <strong>of</strong> the place and<br />
the views from the hill.<br />
What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the<br />
nation and the world?<br />
Its graduates.<br />
Could you identify and describe a particularly influential person in your life,<br />
including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />
The teacher <strong>of</strong> my journalism course after I left <strong>Kent</strong> was Sir Tom Hopkinson, the<br />
founder <strong>of</strong> Picture Post. He was a great mentor. I also had some fine teachers at<br />
<strong>Kent</strong> including Michael Irwin, Judith Hattaway and Maurice Shapiro, who appallingly<br />
was later murdered in his home.<br />
Favourite book or film or TV show or actor/celebrity?<br />
I think Simon Russell Beale is the greatest stage actor <strong>of</strong> his generation and I try<br />
to see everything he is in. I also treasure the memory <strong>of</strong> seeing Laurence Olivier<br />
on stage several times in his last years <strong>of</strong> acting.<br />
What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />
The campus was a bit bleak in autumn. All the trendy students were wearing<br />
long black coats. It was still the era <strong>of</strong> long hair and s<strong>of</strong>t drugs. I didn’t have<br />
the coat nor the long hair nor any drugs, so was a bit <strong>of</strong> a curiosity. It was also<br />
disconcerting for me to be studying with girls, having been to a boys’ school.<br />
Maybe that’s why I failed my Part Ones.<br />
Do you have any advice for new graduates?<br />
Don’t be obsessed with careers. Enjoy university for itself. Only think about<br />
what job to get in the last few weeks.<br />
Dean Harmeyer<br />
K83: Junior Year Abroad, Humanities<br />
Director <strong>of</strong> Catalogue, Classical, Jazz, & Associated Labels<br />
Universal Music Group<br />
How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />
The American model <strong>of</strong> undergraduate university education typically puts less<br />
emphasis on individual research in learning than the English model. My studies at<br />
<strong>Kent</strong> really taught me how to approach and solve problems on my own. I find<br />
that being an effective researcher is so valuable to whatever you do. I spend a<br />
great deal <strong>of</strong> time at work trying to solve problems, and I think that <strong>Kent</strong> helped<br />
me in developing processes by which to do so.<br />
What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />
There are many, but I have to mention the many hours <strong>of</strong> socializing with people<br />
from all over the world in the Keynes bar as a kind <strong>of</strong> collective favourite memory.<br />
I learned a great deal there, as well as in the classroom.<br />
Your least favourite?<br />
I wish I’d studied a bit harder!<br />
Please describe a ‘typical’ day (for you now)<br />
I’ve been working in the music business for 17 years, and one <strong>of</strong> the best things<br />
about it is that there have rarely been two days that were exactly the same. I work<br />
with a variety <strong>of</strong> record labels that put out different types <strong>of</strong> music for different<br />
audiences. This week, I’ve been working out sales strategies for Rolling Stones<br />
catalogue titles around their Fall US tour, reacting to the results <strong>of</strong> the MTV Video<br />
Music Awards, and getting ready for the release <strong>of</strong> the new Sting record, which<br />
is a very different project for him, and is coming out through our Classics division.<br />
What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />
I think the sense <strong>of</strong> community at <strong>Kent</strong> is fantastic. And the large international<br />
student body is a wonderful thing, in that you can meet and learn from people<br />
who might come from very different backgrounds than your own.<br />
What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the nation<br />
and the world?<br />
<strong>Kent</strong> was where I really began to develop a broader and more-informed world view,<br />
and I think the atmosphere there was absolutely a part <strong>of</strong> that happening for me.<br />
Could you identify and describe a particularly influential person in your life,<br />
including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />
My father. He served in the military during the conflict in Korea, and it was that<br />
experience that helped define the rest <strong>of</strong> his life. In many ways, I think the experiences<br />
I had while studying abroad, at <strong>Kent</strong>, have helped define the course <strong>of</strong> my life, too.<br />
Favourite book or film or TV show or actor/celebrity?<br />
I couldn’t begin to name a favourite book,or anything to do with music, but I can<br />
name a favourite film. It’s called Local Hero, and it’s about a Texas businessman<br />
whose experiences on a business trip to Scotland challenge his values and alter<br />
his world view in unexpected ways. I love this film because I’d gone through<br />
precisely the same thing during my year at <strong>Kent</strong>, and the film really captures<br />
that experience – which was funny, enlightening, with little surreal touches.<br />
What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />
I still recall the taxi driver who brought me up the hill from the train station<br />
asking me for an oil well when I told him I’d come from Texas. But my first real<br />
impression <strong>of</strong> the <strong>University</strong>, after I’d gotten started with the coursework, was<br />
that this was a place that was going to challenge me intellectually – and it did!<br />
Do you have any advice for new graduates?<br />
Don’t worry about finding the perfect job or the most lucrative field right away.<br />
Find something you love to do, or love being involved with, and everything else<br />
will take care <strong>of</strong> itself.<br />
8
1 David Lister<br />
2 Dean Harmeyer<br />
3 Jonathan Morrish<br />
4 Elizabeth Buchan<br />
1<br />
2 3<br />
4<br />
Jonathan Morrish<br />
K70: English<br />
PR and Media Consultant<br />
How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />
Learning to be assertive in seminars! Being able to form an opinion and<br />
hold to it and express it passionately is a useful asset in the media world.<br />
What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />
Freedom, lack <strong>of</strong> responsibility.<br />
Your least favourite?<br />
Exam stress.<br />
Please describe a ‘typical’ day (for you now)<br />
In a blackberried world, it consists <strong>of</strong> dancing between the demands <strong>of</strong> clients,<br />
meeting their expectations. Keeping up with the pace <strong>of</strong> news, networking<br />
on the phone, lunch, <strong>of</strong>fice, work on the run, having fun.<br />
What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />
Location.<br />
What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region,<br />
the nation and the world?<br />
I’d like to think open minds.<br />
Could you identify and describe a particularly influential person in your<br />
life, including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />
Keith Carabine – top man. Now retired lecturer in English and American<br />
Literature, specialist on Joseph Conrad.<br />
Favourite book or film or TV show or actor/celebrity?<br />
Palace <strong>of</strong> the Peacock – Wilson Harris.<br />
What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />
The labyrinthine masses <strong>of</strong> Eliot and Rutherford.<br />
Do you have any advice for new graduates?<br />
Carpe diem!<br />
Elizabeth Buchan<br />
K67: English and History<br />
Author and Journalist<br />
How did studying at <strong>Kent</strong> help you in your current work (if it did)?<br />
In every way possible. In particular ‘Britain and the Contemporary World’<br />
really gave me a key to understanding the world I lived in, for which I am<br />
enduringly grateful.<br />
What’s your favourite memory <strong>of</strong> your <strong>University</strong> years?<br />
Sitting outside Rutherford in the sun with friends, looking down at the<br />
Cathedral and the orchard (sadly no longer there) and thinking how lucky<br />
I was to have got to this place.<br />
Your least favourite?<br />
Waiting, perished with cold, for the bus to take me from my digs in Herne<br />
Bay into the <strong>University</strong> on winter mornings.<br />
Please describe a ‘typical’ day (for you now)<br />
Up early, sometimes 5.30, and I read over breakfast. Then straight to my study<br />
by 8am to begin writing. I take a break for lunch and will either edit or read during<br />
the afternoon. If I am in the last stages <strong>of</strong> finishing a novel, I will write straight<br />
through the day and into the evening but, normally, I finish work about 6pm.<br />
What do you think is the best thing about the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>?<br />
For me, being at <strong>Kent</strong> provided fantastic educational and intellectual opportunities.<br />
It also gave me the chance to make enduring friendships.<br />
What do you think the <strong>University</strong> <strong>of</strong> <strong>Kent</strong> contributes to the region, the<br />
nation and the world?<br />
Clearly, as its alumni fan out all over the world, they take something <strong>of</strong> the<br />
<strong>University</strong> with them.<br />
Could you identify and describe a particularly influential person in your life,<br />
including at <strong>Kent</strong> – a kind <strong>of</strong> mentor?<br />
I remember Dr Peter Laven with the greatest respect and admiration. His<br />
tutorials on Renaissance Venice and Florence were a high point.<br />
Favourite book or film or TV show or actor/celebrity?<br />
For its wit, cleverness, perception about the nature <strong>of</strong> creativity and its glorious<br />
love affair, my favourite film has to be Shakespeare in Love – not least because<br />
it starred Tom Wilkinson [<strong>Kent</strong> graduate – R67] who is one <strong>of</strong> the great actors.<br />
What was your first impression <strong>of</strong> the <strong>University</strong> when you arrived?<br />
Terrifying!<br />
Do you have any advice for new graduates?<br />
Enjoy. It is over very quickly.<br />
Don’t worry about finding the perfect<br />
job right away. Find something you<br />
love to do and everything else will<br />
take care <strong>of</strong> itself.<br />
9
CONSTANT<br />
GARDNER<br />
1 Into the Woods<br />
2 Lyn Gardner<br />
One <strong>of</strong> Lyn Gardner’s<br />
most vivid memories <strong>of</strong><br />
studying at <strong>Kent</strong> is when<br />
she covered the whole<br />
<strong>of</strong> Eliot Junior Common<br />
Room with tinfoil. ‘I was<br />
directing an all-male<br />
version <strong>of</strong> Jean Genet’s<br />
The Maids and the<br />
only lighting we used<br />
was night-lights,’ she<br />
remembers. ‘It was all<br />
very atmospheric, but<br />
I’m sure that health<br />
and safety would never<br />
allow it now.’<br />
Lyn studied at <strong>Kent</strong> in the mid-1970s, when hair<br />
was long, trousers flared (the first time around) and<br />
confrontation between the <strong>University</strong> and its students<br />
common. She remembers joining protest marches<br />
and demonstrations, including nights in her sleeping<br />
bag in the Registry taking part in student occupations.<br />
There was a sense <strong>of</strong> common purpose among the<br />
students, and their relatively small number gave the<br />
<strong>University</strong> ‘a kind <strong>of</strong> intimacy’. ‘In those days, when<br />
you walked across the campus you’d inevitably meet<br />
people you knew,’ she says. ‘It felt a bit like a village,<br />
and I really liked that feeling.’<br />
Lyn, 49, has been a theatre critic on The Guardian<br />
for over a decade. Theatre has dominated her life<br />
since childhood and, encouraged by her parents, she<br />
was already a seasoned theatre goer by her early<br />
teens. At school she wrote, directed, acted and <strong>of</strong>ten<br />
starred in plays before becoming one <strong>of</strong> <strong>Kent</strong>’s first<br />
drama students.<br />
‘We were guinea pigs to a large extent,’ she<br />
remembers. ‘If I’m honest, I was quite sulky during<br />
most <strong>of</strong> my course in a teenage kind <strong>of</strong> way. I was<br />
interested in new approaches to presenting plays,<br />
for example in physical and visual theatre, which<br />
weren’t explored on the syllabus.<br />
‘So I did very little course work, but I directed a lot<br />
<strong>of</strong> plays on staircases and other areas around the<br />
campus, and acted in one in the Cathedral cloisters.<br />
Ironically, the kind <strong>of</strong> theatre that interests me is very<br />
much part <strong>of</strong> the course now.’<br />
Alongside exploring her theatrical interests, Lyn’s<br />
embryonic journalism skills were being developed<br />
– as a broadcaster on UKC Radio, she would do<br />
a weekly round-up <strong>of</strong> the newspapers every<br />
Sunday morning. Her student years also saw the<br />
publication <strong>of</strong> Lyn’s first-ever theatre review, for<br />
a student magazine.<br />
These experiences at <strong>Kent</strong> led directly to her first<br />
job, as one <strong>of</strong> the founder members <strong>of</strong> the nowdefunct<br />
London listings magazine, City Limits. She<br />
became its theatre editor and was associated with it<br />
for many years, going on to become the chair <strong>of</strong> the<br />
board <strong>of</strong> directors <strong>of</strong> what was, at one point, the<br />
largest publishing co-op in Europe.<br />
After she left City Limits, Lyn freelanced for a while<br />
before joining The Guardian in 1993. She has been<br />
a full-time theatre critic there since 1995. ‘It’s not a<br />
job you’d necessarily want to move on from,’ she says,<br />
‘and many people think it’s incredibly glamorous, but<br />
I cover theatre in many different regions, so I spend a<br />
lot <strong>of</strong> time on my own, in hotel rooms and on trains.’<br />
This ‘spare’ time led to a new development: she has<br />
just finished her first novel, Into the Woods. It’s a<br />
children’s book, for eight to 12-year-olds, and follows<br />
the sparky young heroine, Storm Eden, on her<br />
action-packed adventures in a world inspired by fairy<br />
tales. She was encouraged to write it from reading<br />
to her own children. ‘As a parent, you spend so much<br />
time reading bedtime stories. There comes a point<br />
when you just can’t bear to read a particular story<br />
again,’ she says. ‘I wanted to write something that not<br />
only a child could read on their own, but parents<br />
could really enjoy reading to their children.’<br />
It’s <strong>of</strong>ten said that all journalists have a half-written<br />
novel stuffed away in their bottom drawer, but Lyn<br />
never nurtured literary ambitions <strong>of</strong> this kind. ‘It<br />
wasn’t like that for me,’ she says, laughing. ‘I didn’t<br />
think I had a haiku in me, never mind a short story<br />
or a novel!’<br />
She would, however, <strong>of</strong>ten scribble down a few pages<br />
<strong>of</strong> a story here and there, and the first part <strong>of</strong> what<br />
became Into the Woods was written on 11 September<br />
2001. ‘Usually, what I wrote would go in the bin,<br />
but I kept these pages,’ she continues. ‘I had a post-<br />
September 11 feeling <strong>of</strong> wanting to change my life<br />
in some way and when I went on holiday with my<br />
family, I promised my children I would write something<br />
for them every day and read it to them in the<br />
evening – which I did.<br />
‘By the end <strong>of</strong> the holiday I had 12,000 words and<br />
I later showed what I’d written to a friend who is<br />
a children’s writer. Her agent liked it, encouraged me<br />
to finish the book and found a publisher.’<br />
Although Lyn never imagined herself as a novelist,<br />
she has found the process so enjoyable that she’s<br />
already writing a sequel. ‘After all these years <strong>of</strong><br />
journalism, where you have to keep to the facts,<br />
it was wonderful to work with my imagination,’ she<br />
says enthusiastically. ‘I can’t tell you what huge<br />
pleasure I had writing it, but I’m certainly not giving<br />
up the day job.’<br />
Into the Woods, by Lyn Gardner, is published<br />
by David Fickling Books.<br />
Article written by David Clark R82. David<br />
is a senior features writer for IPC Media.<br />
1 2<br />
10
NIGHT<br />
TRAIN<br />
Night Train 4 is the second edited anthology <strong>of</strong> <strong>Kent</strong>’s Creative<br />
Writing Programme. This year, the collection is edited by Dr Susan<br />
Wicks, Senior Lecturer in English and American Literature, who<br />
has selected just some <strong>of</strong> the work for <strong>KENT</strong> readers. She writes:<br />
‘The work here doesn’t need me to speak for it. Every piece speaks<br />
eloquently for itself. I’m happy to see all levels and age-groups<br />
represented, and I am – I hope, forgivably – proud <strong>of</strong> the result,<br />
on the writers’ behalf, on their teachers’, and on my own. I hope<br />
everyone can relate to the work showcased here and remember<br />
its origins – the atmosphere <strong>of</strong> support, and above all the peerinvolvement<br />
that made its development and sometimes even its<br />
genesis possible.’<br />
11
‘The work here doesn’t<br />
need me to speak for<br />
it. Every piece speaks<br />
eloquently for itself. I’m<br />
happy to see all levels<br />
and age-groups<br />
represented, and I am<br />
– I hope, forgivably –<br />
proud <strong>of</strong> the result.’<br />
Saturday<br />
By Allie Furse<br />
It is Saturday. I am one week late.<br />
I am going out <strong>of</strong> my tree with it.<br />
On Tuesday, you asked me if it had come yet. I told you that my cycle was so predictable, I practically knew<br />
the hour it would come, but that I hadn’t even felt any pangs <strong>of</strong> it.<br />
Normally, it would be very unlike me to tell you when it did come, and you know that, but each day this<br />
week, you’ve seen me and just said, well? and then waited for me to shake my head again.<br />
When we realised what we might have done, the morning after, about three weeks ago, you had looked rather<br />
pleased with yourself.<br />
We were standing outside together, having a fag, and you asked me if I had been to the doctor’s yet.<br />
No, I said. Why should I? I lowered my voice to a whisper. About last night?<br />
You nodded.<br />
You pulled out though, didn’t you? I said.<br />
Yeah, but there’s still a chance, you said. I thought you knew.<br />
No, I didn’t, I said.<br />
You grinned to yourself as you took a drag <strong>of</strong> your Marlboro. I might be a Daddy, you said.<br />
I can’t have it, I said. If… my voice failed that sentence. You do understand that, don’t you?<br />
Fathers have rights these days, you said.<br />
That’s true, I said, but it has rights too: and I haven’t got anything to give it, yet, and I’d always promised myself<br />
I would have something stable – at least financially – before I brought a baby into the world. I need to be<br />
in a position to give it something, I explained. I’ve got nothing.<br />
You have, you said. You’ve got you.<br />
I’d be a terrible mother. And I haven’t even got somewhere to live myself in three weeks. If I had a baby…<br />
You’d be the perfect mother.<br />
1, 2 Trevi<br />
I smiled at you. Dropped a hip as I turned and looked at you over my shoulder. If I didn’t think you were trying<br />
to charm yourself back into my pants,I said, I’d believe you.<br />
In the last week, I’ve held a vivid image <strong>of</strong> an Abortion Clinic like a photo in my wallet. I imagine wallpaper<br />
as yellow as an old calendar, the only thing more depressed than the patients. I imagine plastic chairs, spiky<br />
under the seat so they snag your tights on the back <strong>of</strong> your knees. The actual process <strong>of</strong> it must be ten times<br />
easier than sitting in that waiting room. Waiting. The idea creeps up on me. Makes me put my hand on my<br />
belly, just below my stomach. I haven’t told you about any <strong>of</strong> this.<br />
I don’t think I can explain to you well enough how it<br />
feels to know that a life might be forming, inside you.<br />
I don’t know how fast cells multiply, but soon it’d grow<br />
to be as big as a nut, an orange, a melon, and then<br />
I would stop comparing it to objects because it will<br />
have fingers and eyes, and be a little person. My world<br />
might be different forever.<br />
Or, it might not.<br />
I can’t tell you how much I’ve thought about it.<br />
I haven’t stopped smoking. In fact, I think I’ve smoked more. I don’t know what happens to babies if you<br />
smoke when you’re pregnant. I mean, does the baby just get bad lungs, or does it affect them in other ways?<br />
What else gets passed down? That’s the thing about families: some things can never be escaped. A mountain<br />
is in your view. A dark river runs along your veins. I’m just as stubborn as my mother, and now, I’ve decided,<br />
every bit as fertile. Wide hips. Heavy flow. Regular as clockwork.<br />
But today, Saturday, a week late. The other day – I think it was Thursday – I caught five minutes with you.<br />
Private minutes.<br />
I sensed black between us and I know you felt the same.<br />
I think you brought up the subject <strong>of</strong> an interesting name for the baby.<br />
I don’t believe in God, I said, but will you pray for me or something? Get Him to sort me out. You know what<br />
I mean. Come on, now. You know.<br />
You sighed. Hands moving in your pockets. You looked at the sky, I think. I’ll have a word, you said. I’ll do what<br />
I can.<br />
Allie Furse is studying English and American Literature and Creative Writing. She has just finished<br />
her second year.<br />
12
Trevi<br />
By Roger James<br />
‘Look. The cats.’ Lynne points at cats sitting on the stones, kittens, flocks <strong>of</strong> cats staring at the passers-by,<br />
the Roman women, dark eyes, black hair and fake fur. Lynne uses her hands briefly, like a butterfly. If you look<br />
closely, you see where she bites her nails and, fading now, the 18-year mark <strong>of</strong> her wedding ring.<br />
They are in the Via Argentina at 7.00 p.m., Chris and Lynne arm in arm, looking for the Russian tea shop,<br />
both dressed up, Lynne in her high heels and long black dress, Chris in his jeans and leather jacket.<br />
They are so pleased for each other when they find the small shop, hug, pirouette, take in the chrome<br />
samovars, the porcelain tea urns big as Ming vases, buy boxes <strong>of</strong> chocolate-covered orange peel and<br />
middle-eastern teas for Lynne’s mum.<br />
‘Can we go to the Trevi Fountain?’<br />
‘Yes, er... you mean tonight or what about tomorrow? Y’know in the sunshine, like?’<br />
‘Now. Why not?’<br />
And the darkness coming down between them like a curfew, like a stone prison, making it easy for them<br />
to argue.<br />
‘You don’t want to go, do you?’<br />
‘Yeah – I’m OK with it. It’s just, don’t they turn it <strong>of</strong>f or something? It’ll be dark, won’t it?’<br />
Chris is out under sufferance looking for Trevi and it’s<br />
too dark to read his microscopic map and the small<br />
streets in a maze he can not navigate. Passing the<br />
Pantheon, ominous and frowning, Chris knows it’s 9.00<br />
p.m., the Rome cold cutting through his clothes. He<br />
was awake at 6.00. Even the cats have gone to bed.<br />
1<br />
Lynne steps in dog-turd and is angry now. He touches her, but she pushes him away.<br />
‘I’m sorry, Lynne. OK. I can’t read the map. It’s too dark. Let’s wait till tomorrow. It’s not my fault. ‘<br />
‘It’s no-one’s fault.’<br />
‘What do you mean?’<br />
‘I’m tired. I want to go to bed. If you can’t find the Fountain, find the Hotel.’<br />
2<br />
‘What’s got into you?’<br />
‘Don’t shout at me. Don’t touch me.’<br />
Lynne is screaming now, stone-faced, the walls shackling her, everything impossible. Chris feeling, ‘Never again.<br />
Mad fucking women.’ Lynne inside her head, incandescent, repeating, ‘Who the fuck’s he think he is?’<br />
Slightly too far ahead <strong>of</strong> her Chris heads out north-west. He thinks, he feels. Lynne is banging her high heel<br />
on the pavement, aware <strong>of</strong> the turd-smell. Chris feels again. Empty. Bags <strong>of</strong> peeled vegetables. Then a solitary<br />
cat. Turn the corner and there is the Trevi Fountain.<br />
At first they couldn’t believe the brightness. Summer sunlight, an entire wall <strong>of</strong> water. Those figures. You would<br />
believe in Giants. Lifting things, lifting each other. And the noise was deafening. Gallons and gallons <strong>of</strong> tumbling,<br />
cascading water. Hundreds <strong>of</strong> young people sitting around. Some in the fountain. Romans, gesticulating with<br />
cigarettes. Gypsies selling roses. Cats everywhere, waiting for scraps <strong>of</strong> food.<br />
Lynne and Chris were caught up, now on the edge <strong>of</strong> the fountain, feeling the water on their feet.<br />
Chris shouted something to her.<br />
‘What ?’<br />
‘I said make a wish.’<br />
‘OK,’ smiling. ‘I wish someone would clean my smelly shoe.’<br />
‘We found it, Lynne. We found it.’<br />
Lynne fumbled in her bag and reached out her wedding ring. Then she threw it up over the water, the<br />
floodlights catching it and holding it a minute. The world stopped, the fountain stopped. The cats stopped.<br />
The flower seller’s hand stopped and the rose she was holding froze.<br />
Then it had gone. The water surfing, the statues smiling. And the ring, finally, at home in it all.<br />
Chris looked at her but she was weeping, unable to stop, her shoulders shaking, mascara running and her face<br />
all the faces <strong>of</strong> all the broken women he had ever known.<br />
Nothing to say, Chris bent down, took <strong>of</strong>f her little, broken shoe and let the fountain wash away the waste,<br />
the excrement, took her back to the cheap hotel.<br />
Held her till she slept, slept, slept.<br />
Roger James is an aging rocker who has just completed a year <strong>of</strong> the Certificate in Creative Writing.<br />
He moved south from Manchester six years ago. He relaxes by doing Hospital Medicine.<br />
13
Night Train 4 is being launched on 20 November<br />
and will be available by post (£7 each or £11 for 2,<br />
including P&P) from the Centre for Creative<br />
Writing, School <strong>of</strong> English, Rutherford College,<br />
<strong>University</strong> <strong>of</strong> <strong>Kent</strong>, Canterbury CT2 7NX.<br />
Forthcoming books by<br />
Creative Writing teachers:<br />
Susan Wicks’s 5th<br />
collection <strong>of</strong> poems,<br />
De-iced, will shortly be<br />
published by Bloodaxe<br />
and Bluechrome will<br />
shortly be publishing<br />
Patricia Debney’s novella,<br />
Losing You. The End <strong>of</strong><br />
Mr. Y by Scarlett Thomas<br />
has just been published in<br />
America and will be<br />
published in the UK by<br />
Canongate next June<br />
1 Susan Wicks<br />
2 Scarlett Thomas<br />
3 De-iced<br />
A Journey<br />
By Martine Ratcliffe<br />
Once upon a time a woman who is waiting decides<br />
not to wait any longer but to do what she always<br />
does and puts her two toddlers into a pushchair,<br />
feeds them biscuits with nursery rhyme pictures and<br />
drinks <strong>of</strong> blackcurrant from Peter Rabbit beakers,<br />
wipes their s<strong>of</strong>t wet chins, arranges their s<strong>of</strong>t wool<br />
bonnets over their fine white curls, pulls and pushes<br />
them into anoraks from Mothercare, the ones with<br />
fake fur stitched safely round the hoods and down<br />
the zippered fronts, strokes the s<strong>of</strong>t plump toes into<br />
coloured moccasin boots which lace in zigzags across<br />
the front and pushes her waiting body into an old<br />
camel coat which fits perfectly and chooses a scarf<br />
<strong>of</strong> silk to wear around her neck in reds and pinks and<br />
blues, and leather walking shoes, comfortable for all<br />
eventualities, and then she waits to see if she can find<br />
an eye into nothing which means something and<br />
when that doesn’t happen, which seems like a path<br />
to follow, she opens her front door wide to let the<br />
world in but it chooses not to enter so she squeezes<br />
herself and the buggy load <strong>of</strong> toddlers through the<br />
empty space and sets <strong>of</strong>f to follow on to somewhere<br />
where she hums as she goes and soon the toddlers<br />
are asleep and dreaming <strong>of</strong> the sounds <strong>of</strong> the traffic<br />
they can hear so she joins them in King Street because<br />
she thinks if there is one good safe place to do her<br />
waiting it will be King Street and there, there will be<br />
some big noble thing to fill her like magic from a<br />
genie bottle and suddenly she hears something and<br />
she knows immediately that it leads to the eye into<br />
nothing and she twirls in her camel coat and whispers<br />
to her dreaming toddlers to hold tight, they are <strong>of</strong>f<br />
now and they clutch the sides <strong>of</strong> the blue buggy and<br />
shriek with the speed <strong>of</strong> everything passing by and<br />
then she has to hold the magic down slow the magic<br />
down and she is frightened that she can’t hold it<br />
and she whispers again the magic words <strong>of</strong> Lille and<br />
Brussels and Paris and the toddlers laugh and cry<br />
out to go, to go to go and then she hears the sound<br />
that shudders and breaks the day into wide jagged<br />
pieces and when it is whirling around them like thick<br />
candyfloss she calls out loudly, now now now and<br />
then they leap into the pink hard centre and it draws<br />
them up and up and in, and holds them.<br />
Martine Ratcliffe is a part-time student on the MA<br />
in Creative Writing. She is married with six children<br />
and lives in Tunbridge Wells. She has had several<br />
poems accepted for publication.<br />
Looking up<br />
By Frances Rae<br />
Instead, I’m counting<br />
the blues in the campanula by the river.<br />
And there, under the trees, are precise, closing lines<br />
in the water, the bones <strong>of</strong> a cathedral drawing<br />
the eye down.<br />
Will I, like this leaf, sidle up, slip<br />
onto the glassy slope, head down to the rocks<br />
and the foaming for the crash, then glide away<br />
invisible below the waterline?<br />
Or will I in the end fasten to some dark edge,<br />
blown, battered like that stuck one, hanging on<br />
till the final flux? Will I, perhaps, shuffle<br />
into the shallows, amass with my fellows<br />
here on this deadly horizontal,<br />
putting things <strong>of</strong>f for another year?<br />
And all this time the cranes are passing overhead.<br />
Their broken cry<br />
an unpolished fly-wheel somewhere<br />
until it dawns on me. I rush<br />
out <strong>of</strong> the gorge, arms swinging,<br />
and there in the high blue up, oh far above the trees,<br />
is the end, the tail end <strong>of</strong> a ragged V.<br />
The cranes are going home.<br />
Vs on Vs, they tell me later. Thousands, like branches;<br />
hundreds, like the arms <strong>of</strong> a river<br />
and I missed them.<br />
Frances Rae is on the MA programme in Creative<br />
Writing. She began the Certificate course in<br />
Tonbridge in 1998 barely realising how much<br />
it would change her life, and is still considering<br />
changing her name and buying a blond wig so<br />
she can do it all over again.<br />
1<br />
2 3<br />
14
1<br />
2<br />
1 KBS at Canterbury<br />
2 KBS at Wye<br />
MBA alumni scholarships<br />
<strong>Kent</strong> Business School is <strong>of</strong>fering their MBA alumini<br />
a unique opportunity to update their knowledge.<br />
A limited number <strong>of</strong> scholarships are now available<br />
for <strong>Kent</strong> MBA alumni to join the current MBA class<br />
on one <strong>of</strong> the week-long electives. This is a unique<br />
opportunity to refresh your skills and network<br />
with a diverse group <strong>of</strong> business pr<strong>of</strong>essionals. The<br />
scholarships are open to alumni who completed the<br />
<strong>Kent</strong> MBA programme three or more years ago and<br />
who are currently in employment. If you would like<br />
to find out more, please contact MBA programme<br />
director Chris Bristow at C.D.Bristow@kent.ac.uk.<br />
Full information about our programme or our MBA<br />
Briefings can be found at www.kent.ac.uk/kbs.<br />
Dragon’s Den success<br />
A company supported by <strong>Kent</strong> Enterprise and<br />
the Canterbury Enterprise Hub at the <strong>University</strong><br />
has secured £100k on BBC Two’s Dragons’ Den,<br />
a television programme where contestants pitch<br />
for investment from leading enterpreneurs.<br />
First Light Solutions, has developed a world-first<br />
for marine safety with the soon to be released<br />
mermaid-id, a pioneering and affordable sonarbased<br />
Man Overboard system that is destined<br />
to save many lives.<br />
Carole Barron, Director <strong>of</strong> <strong>Kent</strong> Enterprise said, ‘We<br />
are also delighted to have been involved with their<br />
company and product development as the <strong>University</strong>,<br />
through its Great Ideas in Science and Technology<br />
(GRIST) funding, was able to provide financial support<br />
at a time when they needed breathing space to take<br />
the product forward.’<br />
Matthew Hazell <strong>of</strong> First Light Solutions, said, ‘Our<br />
involvement with <strong>Kent</strong> Enterprise and the Canterbury<br />
Enterprise Hub at <strong>Kent</strong> clearly demonstrates that the<br />
<strong>University</strong> is a real world institution, providing practical<br />
solutions and support to the business community.<br />
I firmly believe that their advice, assistance and support<br />
have contributed to our success.’<br />
First Light Solutions aims to launch mermaid-id<br />
at the London Boat Show 2007.<br />
<strong>Kent</strong> Enterprise launches<br />
Inventors’ Club<br />
The <strong>University</strong>’s <strong>Kent</strong> Enterprise is to establish an<br />
Inventors’ Club at its Canterbury campus. The Club<br />
will be open to inventors in the region as well as<br />
students who have an entrepreneurial interest.<br />
Supported by Business Link, the objectives <strong>of</strong> the<br />
club will be: to promote and build an enterprise<br />
culture in East <strong>Kent</strong>; to support graduate retention<br />
by encouraging business start-up; to raise awareness<br />
<strong>of</strong> opportunities and potential issues through<br />
expert presentations; to provide business support<br />
to encourage company start-ups and improve<br />
survival <strong>of</strong> young companies; and to facilitate<br />
knowledge transfer by <strong>of</strong>fering an easily accessible<br />
point <strong>of</strong> contact at the <strong>University</strong>.<br />
Carole Barron, Director <strong>of</strong> <strong>Kent</strong> Enterprise, said:<br />
‘It has been proven that the more support and<br />
encouragement received at the ideas and invention<br />
stage, the greater the survival rate <strong>of</strong> young<br />
companies. The <strong>University</strong> has a strong track record<br />
in assisting students, graduates and the wider<br />
community in supporting and developing ideas<br />
through their involvement in schemes such as Great<br />
Ideas in Science and Technology (GRIST). In addition<br />
the <strong>University</strong> has extensive expertise and knowledge<br />
arising from its national and international reputation<br />
in research to provide additional support for those<br />
seeking advice other than business mentoring.<br />
The East <strong>Kent</strong> Inventors’ Club will provide inventors<br />
with the support they require to develop and take<br />
forward their ideas or inventions into a viable<br />
business proposition.’<br />
To find out more contact Christina Schönleber<br />
at C.M.Schoenleber@kent.ac.uk<br />
<strong>University</strong> <strong>of</strong> <strong>Kent</strong> at Wye<br />
The <strong>University</strong> has joined forces with Imperial<br />
College London in a move which boosts higher<br />
education in <strong>Kent</strong>. As a result <strong>of</strong> this new partnership,<br />
<strong>Kent</strong> Business School is now <strong>of</strong>fering Applied Business<br />
Management programmes at Wye. New students<br />
enrolling from 2007 will receive a <strong>University</strong> <strong>of</strong> <strong>Kent</strong><br />
degree and, in recognition <strong>of</strong> Imperial’s ongoing<br />
involvement, an Associateship <strong>of</strong> Wye College. The<br />
Associateship recognises the site from which the<br />
course is <strong>of</strong>fered, a location for education since 1447.<br />
BUSINESS<br />
LINKS<br />
15
1 Backpackers in Malaysia<br />
2 Rare species<br />
3 Jerzy Grotowski<br />
4 Nanotechnology benefits<br />
frozen food<br />
RARE SPECIES CAUGHT ON CAMERA<br />
Scientists from <strong>Kent</strong> working in the<br />
tropical forests <strong>of</strong> west-central Sumatra<br />
have recorded one <strong>of</strong> Indonesia’s rarest<br />
species <strong>of</strong> bird.<br />
Working as part <strong>of</strong> a joint Indonesian and British team, they were surveying for<br />
tigers in a former logging concession close to Kerinci Seblat National Park and<br />
photographed a species in their camera traps that took them all by surprise.Until<br />
now, the endemic Sumatran Ground Cuckoo Carpococcyx viridis has only been<br />
recorded once since 1916, and then only from southern Sumatra in 1997.‘Refinding<br />
this critically endangered species close to Kerinci Seblat is especially<br />
exciting,’ said project manager Dr Matthew Linkie <strong>of</strong> the Durrell Institute <strong>of</strong><br />
Conservation and Ecology at the <strong>University</strong> <strong>of</strong> <strong>Kent</strong>. ‘We’ve recently shown how<br />
critical Kerinci Seblat is for the long-term survival <strong>of</strong> Sumatran tigers [a reference<br />
to a study published in the latest Journal <strong>of</strong> Applied Ecology] but finding the<br />
Sumatran Ground Cuckoo gives me hope, because it was photographed in<br />
disturbed forest that has been left to recover near the national park, and because<br />
our project has built capacity among young Indonesian scientists to lead camera<br />
trapping teams that undertake routine monitoring. Sumatran rainforests contain<br />
some <strong>of</strong> the world’s richest biodiversity but they are also among the world’s<br />
most threatened forests. The ongoing threat <strong>of</strong> deforestation by farmland<br />
expansion that follows selective logging is <strong>of</strong> greatest concern because it<br />
completely removes forest habitat.<br />
INDIAN MEDICAL RESEARCH STUDY<br />
Dr Pratik Chakrabarti, Wellcome<br />
Lecturer in the History <strong>of</strong> Modern<br />
Medicine, has received funding <strong>of</strong> £220k<br />
for a project titled Laboratory Medical<br />
Research in Colonial India, 1890-1950.<br />
Funded by the Wellcome Trust, Dr<br />
Chakrabarti’s research will provide a<br />
comprehensive analysis <strong>of</strong> laboratory<br />
research in India and further the<br />
historical elucidation <strong>of</strong> modern<br />
medicine there.<br />
His research will focus on three establishments for the period 1890 to the 1950s:<br />
the Plague Research Laboratory at Bombay (established 1899); the Pasteur Institutes<br />
at Kasauli (established 1900), Coonoor (established 1907), Rangoon (established<br />
1916), Shillong (established 1917) and Calcutta (established 1924); and the Central<br />
Research Institute at Kasauli (established 1905). By focusing on these laboratories<br />
Dr Pratik Chakrabarti aims to illustrate how they played a crucial role in research<br />
in tropical diseases and public health and in facilitating international research.<br />
Their history would also unfold the genesis <strong>of</strong> laboratory medical research in<br />
modern India.<br />
BACKPACKERS ARE SERIOUS BUSINESS<br />
For most <strong>of</strong> us,<br />
backpacker holidays<br />
conjure up images <strong>of</strong><br />
carefree tourists seeking<br />
out the best beaches,<br />
bars and youth hostels.<br />
But for academic<br />
Dr Mark Hampton,<br />
backpackers mean<br />
serious business.<br />
Mark, who runs the Tourism Management degree<br />
course at the <strong>University</strong>’s Medway campus, has<br />
been researching t he importance <strong>of</strong> the backpacker<br />
market in the Asia Pacific region in a £50,000 project<br />
funded by the Malaysian Government.<br />
An expert in the field <strong>of</strong> backpacker tourism,<br />
Dr Hampton was invited to take part in the project<br />
by Pr<strong>of</strong>essor Amran Hamzah, <strong>of</strong> Universiti Teknologi<br />
Malaysia in Johor Bahru. The two academics and their<br />
research team spent several weeks in Malaysia,<br />
Bangkok and Vietnam analysing the views,<br />
experiences and spending habits <strong>of</strong> backpackers<br />
before presenting their findings to the Malaysian<br />
Ministry <strong>of</strong> Tourism. The Malaysian government<br />
is the first in the developing world to commission<br />
such major independent research into backpackers.<br />
The project also marks the launch <strong>of</strong> <strong>Kent</strong> Business<br />
School’s latest research centre, CENTICA – the<br />
Centre for Tourism in Islands and Coastal Areas.<br />
Led by Mark Hampton and based at the Medway<br />
campus, CENTICA will provide applied research on<br />
the tourism industry for governments, agencies and<br />
the private sector.<br />
NEW<br />
FRONTIERS<br />
1<br />
16
NANOBIOTECHNOLOGY BENEFITS FROZEN FOOD<br />
<strong>Kent</strong>’s Nanobiotechnology Research Group has received a new grant <strong>of</strong> over<br />
800,000 euros from the European Commission. The grant will help the research<br />
group contribute their expertise to a wider EU consortium that is developing<br />
and integrating novel technologies to improve safety and quality assurance <strong>of</strong><br />
the chilled and frozen food supply chain.<br />
Ian Bruce, Pr<strong>of</strong>essor <strong>of</strong> Nanobiotechnology and leader <strong>of</strong> the research group,<br />
said: ‘New materials and chemistry being developed at <strong>Kent</strong> will significantly<br />
improve the efficiency <strong>of</strong> food testing for identity and therefore improve<br />
consumer confidence and choice.’<br />
BRITAIN SEEN AS EQUAL SOCIETY<br />
Recent terrorist acts have increased suspicion and fear <strong>of</strong> non-Muslim people<br />
towards Muslim people but people broadly share a vision <strong>of</strong> Britain as an equal<br />
society with a common set <strong>of</strong> values according to research by Pr<strong>of</strong>essor Dominic<br />
Abrams and his colleagues from <strong>Kent</strong>’s Centre for the Study <strong>of</strong> Group Processes.<br />
The findings showed that while the<br />
large majority <strong>of</strong> people recognise<br />
that Muslims suffer from discrimination<br />
and prejudice (77%), feelings became<br />
more negative towards Muslims as a<br />
group after the bombings.<br />
This research adds to current debate about multiculturalism in Britain. Survey<br />
respondents generally agreed with the concept <strong>of</strong> an integrated and inclusive Britain.<br />
Pr<strong>of</strong>essor Abrams said: ‘Not surprisingly feelings <strong>of</strong> suspicion and threat elevated<br />
after the bombings, but these feelings can be contrasted strongly with people’s<br />
commitment to a society that broadly shares a set <strong>of</strong> values and principles.’<br />
CONSERVATION FALLOUT<br />
A new book by Dr John Wills, Lecturer in<br />
American History, examines one <strong>of</strong> the<br />
most controversial US atomic projects <strong>of</strong><br />
all time: Pacific Gas and Electric’s decision<br />
to build a nuclear power plant at Diablo<br />
Canyon, a scenic part <strong>of</strong> the central<br />
California coastline and an area just<br />
three miles from a geological fault line.<br />
Despite its significance in the history <strong>of</strong> 20th century environmental issues and<br />
the continuing debate over the safety <strong>of</strong> nuclear power, Dr Wills’ book – titled<br />
‘Conservation Fallout: Nuclear Protest at Diablo Canyon’ (<strong>University</strong> <strong>of</strong> Nevada Press)<br />
– is the first to address the full story <strong>of</strong> Diablo Canyon.<br />
He says, ‘Two competing visions <strong>of</strong> California emerged while the plant underwent<br />
construction. Environmentalists used Diablo as a symbol <strong>of</strong> impending ecological<br />
doomsday, while Pacific Gas and Electric envisioned it as the model that would<br />
usher in a new age <strong>of</strong> energy production.’ The two sides proved irreconcilable. In<br />
1981 a grass roots two-week-long blockade <strong>of</strong> the nuclear plant resulted in 1900<br />
activists being jailed, the largest arrest in the history <strong>of</strong> American nuclear protest.<br />
‘SPIN-OUT’ TO REVOLUTIONISE BIOMEDICAL OPTICS<br />
The <strong>University</strong>’s <strong>Kent</strong> Enterprise unit<br />
and School <strong>of</strong> Physical Sciences have<br />
‘spun out’ a high-tech company that is<br />
set to revolutionise biomedical optics.<br />
Optopod Ltd, the brainchild <strong>of</strong> Adrian Podoleanu, Pr<strong>of</strong>essor <strong>of</strong> Biomedical Optics<br />
and Head <strong>of</strong> the Applied Optics Group, has developed a technique based on<br />
optical coherence tomography that has proved successful in non-destructive imaging<br />
<strong>of</strong> superficial tissue.<br />
Optopod’s new technology has the great advantage that it is non-invasive and<br />
provides high-depth resolution, enabling safe application to different types <strong>of</strong><br />
tissue – such as skin, teeth, gum, internal vessel walls and hair – and to burns.<br />
The technology is also finding applications in biology and art conservation.<br />
MIXED-RACE IDENTITY IN THE UK<br />
Researchers at <strong>Kent</strong> have been awarded<br />
£156,000 by the Economic and Social<br />
Research Council to investigate the range<br />
<strong>of</strong> identity choices potentially available<br />
to mixed-race young people in Britain.<br />
Conducted by Peter Aspinall from the Centre for Health Services Studies (CHSS)<br />
and Dr Miri Song from the School <strong>of</strong> Social Policy, Sociology and Social Research,<br />
together with CHSS’s Ferhana Hashem, this two-year study will be the largest and<br />
most detailed <strong>of</strong> its kind ever undertaken in the UK and will supply the research<br />
community, census agencies and the providers <strong>of</strong> educational, health and other<br />
public services with a comprehensive insight into the personal, group and political<br />
dimensions <strong>of</strong> mixed-race identities. It will also explore how such identities are<br />
constructed and what they mean for the people holding them, the factors contributing<br />
to the possession <strong>of</strong> these identities, how they affect people’s ability to make an<br />
individual life, and how such identities constrain or enable an individual’s freedom.<br />
THE BRITISH GROTOWSKI PROJECT<br />
Paul Allain, Pr<strong>of</strong>essor <strong>of</strong> Theatre and Performance in the School <strong>of</strong> Drama, Film<br />
and Visual Arts, has been awarded a grant <strong>of</strong> £203,000 from the Arts and<br />
Humanities Research Council to conduct the ‘British Grotowski project’, a much<br />
needed re-evaluation <strong>of</strong> the performances, theories and practices <strong>of</strong> acclaimed<br />
Polish theatre director Jerzy Grotowski.<br />
The three-year project will be<br />
completed with the assistance <strong>of</strong> the<br />
Grotowski Centre in Wroclaw, Poland,<br />
as well as other overseas partners.<br />
Pr<strong>of</strong>essor Allain said: ‘Jerzy Grotowski’s contribution to world theatre is widely<br />
acknowledged. He has a central position in Britain in theatre studies and a still vital<br />
influence on theatre-making, especially devising and actor training in physical theatre.’<br />
2<br />
3 4<br />
17
1 Abdulrazak Gurnah<br />
2 Desertion<br />
3 By the Sea<br />
4 Paradise<br />
BEST OF<br />
BOTH<br />
WORLDS<br />
1<br />
Posie Bogan interviews<br />
Abdulrazak Gurnah about<br />
his dual role as a leading<br />
writer and Head <strong>of</strong> the<br />
School <strong>of</strong> English at <strong>Kent</strong>.<br />
Abdulrazak Gurnah is a novelist whose work places him among the best <strong>of</strong><br />
contemporary writers. He is also head <strong>of</strong> the School <strong>of</strong> English at <strong>Kent</strong> – and<br />
somehow appears to combine these two distinct and challenging roles with ease.<br />
Migration and displacement, whether from East Africa to Europe or within Africa,<br />
are integral to his novels. His first book Memory <strong>of</strong> Departure was published in<br />
1987. Subsequent books include Paradise, which was shortlisted for the Booker<br />
prize; By the Sea, shortlisted for the Los Angeles Times Book Prize, and Desertion,<br />
shortlisted for the Commonwealth Writers Prize. Abdulrazak first came to Britain<br />
from Zanzibar after the overthrow <strong>of</strong> the country’s government. He explains:<br />
‘There was great violence in the country; it was in a state <strong>of</strong> terror and<br />
disruption.’ He and his brother literally ran away and, because they had a cousin<br />
studying in Wye, they ended up in Canterbury. ‘It was just chance. It could have<br />
been anywhere.’ Today they would probably have been classed as asylum seekers<br />
but this was the sixties and despite having what he calls ‘strange papers’ they<br />
managed to avoid being categorised as illegal immigrants by throwing themselves<br />
at the mercy <strong>of</strong> <strong>of</strong>ficials. Although he makes it all sound matter-<strong>of</strong>-fact, it can’t have<br />
been an easy time but they remained optimistic about their futures. ‘We were<br />
young – 17, 18 – and reckless. We thought things would just work out.’<br />
Through a combination <strong>of</strong> work and study, Gurnah gained his first degree at<br />
Canterbury Christ Church <strong>University</strong> College. While teaching in Dover, he began<br />
part-time postgraduate study at <strong>Kent</strong>, studying under Lyn Innes, now Emeritus<br />
Pr<strong>of</strong>essor <strong>of</strong> Postcolonial Literatures. A scholarship enabled him to study full-time<br />
and after gaining his PhD in 1980, he took up his first lecturing post in Nigeria.<br />
Returning to the UK, he worked for a time in the voluntary sector in London,<br />
coming back to <strong>Kent</strong> to lecture in English. His first book was published shortly<br />
afterwards. He is now in his second year as head <strong>of</strong> the School <strong>of</strong> English.<br />
The School has what might well be the highest proportion <strong>of</strong> active writers<br />
in any university English department. As well as Abdulrazak, the academic staff<br />
includes novelists such as Scarlett Thomas and Sue Wicks as well as writers such<br />
as Rod Edmond and David Blair. As a result, students, both postgraduate and<br />
undergraduate, have a definite sense <strong>of</strong> gaining ‘added value’ from being in<br />
the department.<br />
According to Abdulrazak, ‘We get good students and we set our standards quite<br />
high. Many undergraduates are no doubt attracted by the prospect <strong>of</strong> being<br />
taught by leading writers – it probably gives them a sense <strong>of</strong> being in good hands.<br />
It certainly impacts on our postgraduates – we do recruit excellent students.’<br />
Since he first started lecturing, he says the nature <strong>of</strong> university education has<br />
changed considerably. ‘For example, my department is now three or four times<br />
bigger than when I first joined, but there are fewer members <strong>of</strong> staff. It’s not<br />
worse but it’s different. You just have to change how you teach. When I first<br />
started you had groups <strong>of</strong> four to six students in tutorials, today you have<br />
seminars and lectures. But the amount <strong>of</strong> personal contact isn’t necessarily less<br />
as you can be in constant contact with students through email.’<br />
Abdulrazak acknowledges that being an academic is harder than it used to be.<br />
‘You have to be really serious about wanting to do it, but what does make a<br />
difference is having good colleagues. They can really make life a lot easier.’<br />
Change is also a feature <strong>of</strong> his writing career. A well-established writer now has<br />
a range <strong>of</strong> extra duties to fulfil besides the actual writing. You are expected to<br />
attend signing sessions and literary festivals and talks. But unlike some, he sees this<br />
increased interaction as a bonus. ‘I enjoy the readers – they ask questions, they<br />
email you, they come back to you.’ It apparently adds to what has always been an<br />
enjoyable process for him.<br />
Writing is something he has done ever since he was young, when he used to do<br />
it to entertain himself and friends. Looking back, he laughs that ‘I used to write so<br />
that I could sob on my own.’ He is clear that there is writing, which is what most<br />
<strong>of</strong> us do, and there is ‘writing’, a process he describes as ‘an art, something you<br />
make, build and shape. You don’t always know when you have moved from one<br />
to another – but it’s when you find yourself asking, “what’s this, where is it going?”’<br />
On a personal level, Abdulrazak is clear about the direction he is heading in.<br />
Luckily, he has no plans to give up the ‘day job’ to write full-time. He has one<br />
more year as head <strong>of</strong> English – the job has a three-year tenure – and next year<br />
he is publishing ‘something on Rushdie for Cambridge <strong>University</strong> Press’ and after<br />
that he has plans for another novel.<br />
To find out more about Abdulrazak Gurnah’s work visit<br />
www.bloomsbury.com/authors/<br />
18
2 3 4<br />
Desertion<br />
Abdulrazak Gurnah’s latest book<br />
Desertion was shortlisted for the 20<strong>06</strong><br />
Commonwealth Writers Prize. This is<br />
an extract from the first chapter.<br />
There was a story <strong>of</strong> his first sighting. In fact, there was more than one, but<br />
elements <strong>of</strong> the stories merged into one with time and telling. In all <strong>of</strong> them<br />
he appeared at dawn, like a figure out <strong>of</strong> a myth. In one story, he was an upright<br />
shadow moving so slowly that in that peculiar underwater light his approach was<br />
almost imperceptible, inching forward like destiny. In another, he was not moving<br />
at all, not a tremor or a quiver, just looming there on the edge <strong>of</strong> town, grey eyes<br />
glittering, waiting for someone to appear, for someone whose unavoidable luck<br />
it was to find him. Then, when someone did, he slid forward towards him, to fulfil<br />
outcomes no one had predicted. Someone else claimed to have heard him<br />
before he was seen, to have heard his beseeching, longing howl in the darkest<br />
hour <strong>of</strong> the night, like that <strong>of</strong> an animal out <strong>of</strong> a legend. What was undisputed –<br />
although there was no real dispute between these stories as they all added to<br />
the strangeness <strong>of</strong> his appearance – was that it was Hassanali the shopseller who<br />
found him, or was found by him.<br />
There is luck in all things, as there was in this first arrival, but luck is not the same<br />
as chance, and even the most unexpected events fulfil a design. That is, there<br />
were consequences in the future that made it seem less than accidental that it<br />
was Hassanali who found the man. At that time, Hassanali was always the first<br />
person about in the morning in this locality. He was up before dawn to open the<br />
doors and the windows <strong>of</strong> the mosque. Then he stood on the steps to call the<br />
people to prayer, pitching his voice to all corners <strong>of</strong> the clearing in front <strong>of</strong> him.<br />
Salla, salla. Sometimes the breeze carried similar calls from nearby mosques, other<br />
cryers chiding the people to wake. As-salatu kharya minannawm. Prayer is better<br />
than sleep. Hassanali probably imagined the sinners turning over irritably at being<br />
disturbed, and probably felt indignant and self-righteous satisfaction. When he<br />
finished calling, he swept the dust and the grit from the mosque steps with a<br />
feathery casuarina broom whose silent efficiency gave him deep pleasure. This<br />
task <strong>of</strong> opening the mosque, cleaning the steps, making the call to prayer, was<br />
one he had appointed himself to for his own reasons. Someone had to do it,<br />
someone had to get up first, open the mosque and make the adhan for the dawn<br />
prayers, and someone always did, for his own reasons. When that person was ill<br />
or grew tired <strong>of</strong> the charge, there was always another person to take over.<br />
The man who preceded him was called Sharif Mdogo, and had come down with<br />
fever so badly in the kaskazi two years ago that he was still bedridden. It was<br />
a little surprising that Hassanali had volunteered himself to take over as the<br />
dawn cryer, though, not least to Hassanali himself. He was not zealous about the<br />
mosque, and it required zeal to rise at every dawn and bully people out <strong>of</strong> sleep.<br />
Sharif Mdogo was like that, the kind <strong>of</strong> man who liked to barge into complacency<br />
and give it a good shake. In addition, Hassanali was a worrying man by nature, or<br />
perhaps experience had made him that way, had made him anxious and cautious.<br />
These semi-nocturnal chores tortured his nerves and disturbed his nights, and<br />
he feared the darkness and the shadows and the scuttlings <strong>of</strong> the deserted lanes.<br />
But then these were also the reasons he <strong>of</strong>fered himself for the task, as a<br />
submission and a penance. He started doing the duty two years before the dawn<br />
<strong>of</strong> this sighting, when his wife Malika first arrived. It was a plea that his marriage<br />
should prosper, and a prayer for his sister’s grief to end. The mosque was only<br />
a short stroll across the clearing from his shop, but when he started making the<br />
dawn call to prayer, he felt obliged to do as his predecessor Sharif Mdogo had<br />
done. He entered nearby lanes, more or less shouting into bedroom windows as<br />
he walked past, bellowing at the sleepers. He worked out a route which avoided<br />
the chasms and caves where the worst <strong>of</strong> the shadowy mischief lurked, but he<br />
was still prone to seeing spectral visions hurrying away into the darkest parts<br />
<strong>of</strong> the streets as he approached, fleeing the prayers and holy words he uttered<br />
as he exhorted the slumbering faithful. These visions were so real – a monster<br />
claw glimpsed at the turning <strong>of</strong> a lane, discontented spirits s<strong>of</strong>tly panting<br />
somewhere behind him, images <strong>of</strong> gross underground creatures which glowed<br />
and faded before he caught proper sight <strong>of</strong> them that <strong>of</strong>ten he performed his<br />
tasks in a sweat despite the dawn chill. One morning, during another anxious,<br />
sweat-drenched round, when the dark lanes pressed in on him like the walls <strong>of</strong><br />
a narrowing tunnel, he felt a rush <strong>of</strong> air on his arm as the shadow <strong>of</strong> a dark wing<br />
caught the corner <strong>of</strong> his eye. He ran, and after that decided to end the torment.<br />
He retreated to the mosque steps to make his call, a short walk across the<br />
clearing. He added the chore <strong>of</strong> sweeping the steps to make amends, even<br />
though the imam told him that calling from the steps was all that was required,<br />
and that Sharif Mdogo had been zealous in his duties.<br />
© Abdulrazak Gurnah 2005<br />
Desertion is published by Bloomsbury.<br />
19
1 Tate Britain<br />
1<br />
KEEPING UP WITH <strong>KENT</strong><br />
GRADUATES: VISUAL ARTS<br />
This issue <strong>of</strong> <strong>KENT</strong> finds out what some <strong>of</strong> our alumni from visual arts<br />
subjects, including History & Theory <strong>of</strong> Art and the History & Philosophy<br />
<strong>of</strong> Art have been up to since they left university.<br />
Sophie Berrebi E91<br />
(History & Theory <strong>of</strong> Art and Philosophy)<br />
The degree I earned at <strong>Kent</strong> confirmed my enthusiasm<br />
for art and its history. My internship at the Museum<br />
<strong>of</strong> Modern Art in the Pompidou Centre in Paris<br />
during the summer following my graduation made<br />
me realise how passionately I wanted to work in the<br />
art world. After completing an MA at the Courtauld<br />
Institute, I took a gap year and returned to the<br />
Pompidou Centre to work as an assistant curator,<br />
while studying at the Sorbonne. I did not want to<br />
choose between academia and the museum world,<br />
and wanted to learn to write, so I embarked upon<br />
a PhD at the Courtauld Institute. I also worked as<br />
an art critic – mainly as a Paris correspondent for<br />
Frieze magazine (Europe’s leading magazine <strong>of</strong><br />
contemporary art and culture). Shortly after completing<br />
my thesis I was appointed as a lecturer at the<br />
<strong>University</strong> <strong>of</strong> Leeds, where I stayed a year. I now have<br />
a permanent position lecturing in the history and<br />
theory <strong>of</strong> art, photography and film at the <strong>University</strong><br />
<strong>of</strong> Amsterdam. This job allows me to continue to<br />
curate exhibitions, write and publish, bringing my<br />
different passions together.<br />
Lucy Brown D95<br />
(History & Theory <strong>of</strong> Art)<br />
After graduating from <strong>Kent</strong> I moved straight to London<br />
with the intention <strong>of</strong> working in the arts. I wasn’t<br />
more specific as my interests were quite broad. Within<br />
six months I started as a secretary in the Old Master,<br />
Modern & Contemporary Print Department at<br />
Christie’s. Eight years later I still work at Christie’s, now<br />
as a Business Manager, and I have worked with a wide<br />
range <strong>of</strong> specialist departments: British Art, 19th<br />
Century European Art, Old Master Drawings, Books,<br />
Silver and Miniatures. I made a conscious decision to<br />
pursue a career in the business side <strong>of</strong> the auction<br />
house, rather than becoming a specialist, as I wanted<br />
to keep my options open. I’m in an enviable position:<br />
I work in a highly commercial international business<br />
with fascinating people who have a great passion for<br />
what they deal with, and I am constantly learning about<br />
the objects and works <strong>of</strong> art we put up for sale.<br />
Walking through our viewing rooms between meetings<br />
and getting to see some <strong>of</strong> the best art produced<br />
is another fantastic advantage.<br />
Julia Beaumont-Jones R96<br />
(History & Theory <strong>of</strong> Art BA and MA)<br />
Following my MA, I took up a post at Bonham’s<br />
auctioneers, which was useful for becoming more<br />
familiar with the fine and decorative arts and the<br />
workings <strong>of</strong> the art market. It gave me a completely<br />
different approach: more commercial, rather than just<br />
theoretical. My enthusiasm was for curatorial work<br />
however and, after a year, I found an opening as<br />
an <strong>of</strong>fice manager in the Imperial War Museum’s<br />
Department <strong>of</strong> Art. Thankfully my job quickly evolved<br />
to include research and information work. Working<br />
with such impressive examples <strong>of</strong> modern British<br />
art, and assisting with projects from beginning to end,<br />
was greatly enjoyable and illuminating. The department<br />
was small, making it possible to learn about the full<br />
range <strong>of</strong> mechanisms involved in maintaining and<br />
interpreting a collection. About a year later, I moved<br />
to Tate Britain to work in the Prints and Drawings<br />
Study Rooms as an Assistant Curator. There I look<br />
after Tate’s works on paper (80% <strong>of</strong> the collection)<br />
and, together with a colleague, we undertake a range<br />
<strong>of</strong> collection management, research and visitor<br />
service duties, including devising displays and giving<br />
talks to groups.<br />
Louise Sorensen R97<br />
(History & Theory <strong>of</strong> Art)<br />
With History <strong>of</strong> Art there are a surprising number<br />
<strong>of</strong> opportunities and many <strong>of</strong> my friends were moving<br />
into jobs in publishing, libraries and local municipalities.<br />
I believed that the best chance <strong>of</strong> working in the<br />
subject <strong>of</strong> my degree was to pursue an MA, so I went<br />
to the Courtauld Institute <strong>of</strong> Art in London, which<br />
is like a small village for art historians. Friends from<br />
<strong>Kent</strong> were also moving to London to work and this<br />
made the transition from my wonderful three years<br />
in Canterbury to the big city much easier! After<br />
finishing my MA I was so engaged with my research<br />
that I embarked on a PhD, partly funded by a Danish<br />
government grant. My focus is 20th century art,<br />
particularly contemporary photography (an interest<br />
which was formed at <strong>Kent</strong>). During the PhD you<br />
have time to pursue other activities and I have been<br />
working on Immediations, an annual publication for<br />
postgraduate writing, which I set up and which is<br />
partially funded by the Institute. The most common<br />
thing to do after the PhD is to move into academia,<br />
and I have already been doing some teaching work<br />
at the Courtauld. Having finished my PhD in the<br />
summer, I continued as a visiting lecturer. My real<br />
ambitions are to work in the museum world, and<br />
continue doing editorial work.<br />
Hannah Schmidt R00<br />
– American Studies (Art and Film)<br />
I specialised in American art and wrote two<br />
dissertations as part <strong>of</strong> my degree, one on the<br />
impressionist artist Mary Cassatt and the other<br />
on the sculptor Alexander Calder.<br />
I now work in the press <strong>of</strong>fice at Christie’s. We deal<br />
with journalists from all over the world and my work<br />
incorporates everything that I am interested in. It<br />
would be misleading to say that it is easy to get a job<br />
in the art world. You need to seize every opportunity,<br />
be ambitious and work very hard, as it is highly<br />
competitive. I obtained an internship at an art gallery<br />
during my year abroad, another one after graduation,<br />
at the Saatchi Gallery in London, and two further<br />
internships at Christie’s. I was determined to get<br />
a first-class degree and worked hard, but I had the<br />
time <strong>of</strong> my life at <strong>Kent</strong>.<br />
20
WHO’S<br />
WHAT<br />
WHERE<br />
1 Congratulations to Sergios<br />
Stamboulous E99 and Evangelia<br />
Bra K99, who were married on<br />
2 September 2005. Sergios has<br />
been working as a lawyer and<br />
as a legal adviser in a private<br />
hospital in Athens since 2000,<br />
and Evangelia is now working<br />
for market research company<br />
AC Nielsen as a consultant.<br />
1960s<br />
Buie, Terence<br />
(RS): I retired from my career<br />
in the Canadian Investment<br />
Business seven years ago,<br />
travelled through India, became<br />
a pilot, and last year returned<br />
to live in the mountains <strong>of</strong><br />
British Columbia. A long and<br />
interesting journey from<br />
Canterbury. Nelson, Canada.<br />
(16/<strong>06</strong>/20<strong>06</strong>)<br />
Clark, Bob<br />
(DS): I am the team leader <strong>of</strong><br />
a countywide Family Link Team<br />
for Warwickshire County Council.<br />
We recruit, assess, train and<br />
support foster carers to provide<br />
short breaks for children with<br />
disabilities. The service gives<br />
families a much-needed break<br />
and gives children new<br />
experiences. We have two<br />
daughters, the eldest <strong>of</strong> whom<br />
is currently studying Geography<br />
at Nottingham and the youngest<br />
is in sixth form wanting to study<br />
Drama; possibly at <strong>Kent</strong>. Still in<br />
touch with two alumni, Mick<br />
Green who teaches English in<br />
Munich Germany and Joe Egan<br />
who has his own solicitors’<br />
firm in Bolton. West Midlands.<br />
(27/05/20<strong>06</strong>)<br />
Keljik, Chris<br />
(KS): Retired as a director <strong>of</strong><br />
Standard Chartered Plc in 2005,<br />
after 29 years <strong>of</strong> constant travel!<br />
Currently a Non Executive<br />
Director <strong>of</strong> Foreign & Colonial<br />
Investment Trust Plc; Jardine<br />
Lloyd Thompson Group Plc; and<br />
Copthorne & Millennium Hotels<br />
Plc. Awarded OBE in January<br />
20<strong>06</strong> for services to British<br />
business interests and to local<br />
communities in Africa and Asia.<br />
London. (17/05/20<strong>06</strong>)<br />
Low, Michael<br />
(RH): Teaching EFL and qualified<br />
recently as a French-English<br />
translator. My wife teaches Food<br />
Technology and does voluntary<br />
work at Fishbourne Roman<br />
Palace near Chichester. Two<br />
children; our daughter is studying<br />
Classics at Oxford and our son<br />
is busy with GCSE preparation.<br />
Hants. (25/<strong>06</strong>/20<strong>06</strong>)<br />
Poole, John<br />
(EN): Still at CERN and starting<br />
to make plans for retirement<br />
back to the UK after 25 years<br />
working in Switzerland. Chevry,<br />
France. (23/05/20<strong>06</strong>)<br />
Sims, Brenda<br />
(RS): Ten years in co-operative<br />
development field, eight as<br />
university lecturer and 25 in<br />
women’s refuge movement.<br />
Sadly husband, Clive Coleman<br />
(E65), died suddenly in 2001.<br />
East Yorks. (23/02/20<strong>06</strong>)<br />
1970s<br />
Attwood, Corinne<br />
(KH): Since gaining PG Diploma<br />
in Vocational Techniques for<br />
Career Linguists at <strong>Kent</strong> (1978)<br />
I have worked as a worldwide<br />
freelance tour leader as well<br />
as translator. I have studied<br />
Mandarin Chinese, and led<br />
many tours <strong>of</strong> China. My<br />
translation (from German to<br />
English) <strong>of</strong> The Empire <strong>of</strong> the<br />
Great Mughals: History, Art<br />
and Culture, by Anne Marie<br />
Schimmel, was published by<br />
Reaktion Books. I’m currently<br />
studying Creative Writing at<br />
Sussex <strong>University</strong>, and translating<br />
Visualising the Revolution: Politics<br />
and the Pictorial Arts in Late<br />
Eighteenth-century France, by Rolf<br />
Reichardt and Hubertus Kohle.<br />
East Sussex. (31/05/20<strong>06</strong>)<br />
Goss, Trevor<br />
(DS): Still slogging away in local<br />
authority social work, taking<br />
students and placing children<br />
with foster carers and adopters.<br />
Living in Somerset. Married;<br />
two girls. Still playing hockey<br />
and cricket, and also very<br />
involved in church children’s<br />
work. Anyone remembering<br />
me from <strong>Kent</strong> can contact me<br />
at: TGoss@somerset.gov.uk.<br />
Somerset. (13/05/20<strong>06</strong>)<br />
Millington, Chris<br />
(KH): Moved in 1993 to Islington<br />
Central Library as Head <strong>of</strong><br />
Audio Visual Services. Still<br />
moonlighting as a Councillor<br />
in Waltham Forest, although I<br />
have managed to lay down the<br />
onerous burden <strong>of</strong> leading the<br />
Liberal Democratic Group. My<br />
acting career goes from strength<br />
to strength. Last year I won Best<br />
Actor award at the Waltham<br />
Forest Drama Festival. Eat your<br />
hearts out <strong>Kent</strong> and Em! In<br />
December I attended the first<br />
meeting <strong>of</strong> the Respighi Society<br />
organised by David Heald,<br />
another <strong>Kent</strong> person. Essex.<br />
(08/03/20<strong>06</strong>)<br />
Starkings, Sue<br />
(EM): Working at London South<br />
Bank <strong>University</strong> since 1991,<br />
I specialise in developing the<br />
skills <strong>of</strong> students entering HE –<br />
particularly those returning<br />
to education – with a view to<br />
enhancing both their experience<br />
and their results. I am also a<br />
visiting lecturer at the Institute<br />
<strong>of</strong> Technology, Finland and<br />
Kinnard College, Lahore, Pakistan.<br />
I teach postgraduate students<br />
in mathematics and information<br />
technology at the Open<br />
<strong>University</strong>, and am involved in<br />
in-service teacher training in the<br />
UK and abroad. I was appointed<br />
the Royal Statistical Society’s<br />
‘Guy Lecturer’ for 20<strong>06</strong>, an<br />
honour recognizing excellence<br />
in teaching pedagogy. I have also<br />
recently been awarded a<br />
National Teaching Fellowship<br />
from the Higher Education<br />
Academy. Ashford, <strong>Kent</strong>.<br />
(31/07/20<strong>06</strong>)<br />
Taylor, Philip<br />
(RT): I continue to work with<br />
computers, being engrossed<br />
in the simulation and training<br />
industry (graphics, sound, and<br />
plenty <strong>of</strong> trigonometry). I<br />
now have four massive flight<br />
simulators sitting within 25m<br />
<strong>of</strong> my desk. Still blowing my<br />
tuba, a musical interest that my<br />
son seems to have inherited!<br />
Celebrating Silver Wedding in<br />
August 20<strong>06</strong> - unbelievable.<br />
East Sussex. (23/02/20<strong>06</strong>)<br />
Weir, Bill<br />
(ES): Since <strong>Kent</strong> I have worked<br />
as a hospital porter (nine<br />
months), van driver (two and<br />
a half years) and s<strong>of</strong>tware<br />
engineer (1978 to date). Lived<br />
in York, London, Aldershot,<br />
Buntingford and now in Ilkley<br />
since 1987. Married to Mary<br />
(Roberts) E71, with two<br />
children. Mary teaches English<br />
at an FE college in Leeds.<br />
Interested in woodwork and<br />
genealogy. Email me at:<br />
mail4@wblweir.org.uk. West<br />
Yorks. (04/03/20<strong>06</strong>)<br />
Woakes, John<br />
(KT): I have been living in<br />
Vancouver since ‘95 working<br />
as a S<strong>of</strong>tware Developer doing<br />
mostly web applications for<br />
Marqui, a local company. I ran<br />
my first marathon in 2003<br />
and my first olympic distance<br />
triathlon in 2004. Now I mainly<br />
cycle in the summer and<br />
snowboard in the winter. In<br />
2004 I bought a condo with<br />
my girlfriend Alexa. I have no<br />
children and like it that way.<br />
You can contact me through<br />
my Flickr account<br />
http://www.flickr.com/<br />
photos/woaksie/. Vancouver,<br />
Canada. (10/<strong>06</strong>/20<strong>06</strong>)<br />
1980s<br />
Burgess, James<br />
(DT): Moved to Santa Cruz CA<br />
in 2005, married Lora Bartlett<br />
E87; three children. I have been<br />
making movies at Pixar the<br />
whole time. USA. (28/05/20<strong>06</strong>)<br />
Eleftheriou, George<br />
(ES): After several posts<br />
overseas, I have settled in<br />
Egypt. Opened a consultancy<br />
<strong>of</strong>fice servicing Europeans<br />
wishing to establish business<br />
in Egypt. We act as a one-stop<br />
shop in a variety <strong>of</strong> fields.<br />
I am looking for <strong>Kent</strong> graduates<br />
who would like to establish a<br />
business network linking their<br />
businesses with the region we<br />
cover: North Africa, Middle East<br />
and Arab Gulf. Alexandria,<br />
Egypt. (08/04/20<strong>06</strong>)<br />
Featherstone, Ray<br />
(KS): I’m still living in <strong>Kent</strong>. I’ve<br />
had various posts; from advising<br />
on sustainable procurement to<br />
importing homes from Europe.<br />
Now I run my own business as<br />
a Mortgage Consultant. We<br />
help first-time buyers purchase<br />
their first home, existing<br />
homeowners remortgage on<br />
to a better package and also<br />
commercial buy-to-lets for<br />
investment. I am happy to <strong>of</strong>fer<br />
free general mortgage advice<br />
to any <strong>Kent</strong> alumni or their<br />
families. Please call me on<br />
01732 361891 or 07881<br />
922779 if you want an informal<br />
chat. Tonbridge, <strong>Kent</strong>.<br />
(22/<strong>06</strong>/20<strong>06</strong>)<br />
21
1,2 The <strong>Kent</strong> Print<br />
Collection was<br />
established by the<br />
School <strong>of</strong> Drama,<br />
Film and Visual Arts<br />
in 2005. Sponsors<br />
include the <strong>Kent</strong><br />
Development Trust.<br />
1<br />
French, James<br />
(RH): Head <strong>of</strong> Drama and<br />
Theatre Studies at Coopers<br />
Company & Coborn School<br />
since ‘99 – now ‘Gifted<br />
&Talented’ co-ordinator as well.<br />
Maria (McDaid) E87 is very<br />
happy teaching History and as<br />
Head <strong>of</strong> Year 7 at King Edward<br />
VI Grammar School in<br />
Chelmsford. Three children: two<br />
girls and a boy. Essex.<br />
(21/05/20<strong>06</strong>)<br />
Hazeldine, Stuart<br />
(DH): Still living in Clapham, still<br />
shuttling back and forth to LA,<br />
still screenwriting. Adapting<br />
‘Paradise Lost’ for Warner Bros.<br />
(no pressure!) and co-writing<br />
‘Knowing’ for ‘I, Robot’ director<br />
Alex Proyas. Also worked on<br />
the upcoming sci-fi actioner<br />
‘Mutant Chronicles’. It’s a long<br />
way from the halycon days <strong>of</strong><br />
<strong>Kent</strong> Film Making Society,<br />
lemme tell ya! London.<br />
(16/05/20<strong>06</strong>)<br />
Upward, Antony<br />
(DT): Moved to London after<br />
<strong>Kent</strong> and joined KPMG<br />
Management Consulting<br />
(S<strong>of</strong>tware Development<br />
Group). Went on assignment to<br />
Paris for three years, where I<br />
met my wife Lyanne. Moved to<br />
USA in ‘92 and then to Toronto<br />
in ‘93 and started the (still<br />
ongoing but oh so nearly<br />
finished) renovation <strong>of</strong> our<br />
house! Currently working for<br />
CGI in IT/Business Process<br />
(mainly around SAP s<strong>of</strong>tware).<br />
Just starting a second career<br />
teaching at Ryerson <strong>University</strong><br />
and I travel to the UK quite<br />
<strong>of</strong>ten. Email me at<br />
antony@theupwards.net and<br />
check out my resume at<br />
http://www.linkedin.com/in/anto<br />
nyupward. Ontario, Canada.<br />
(<strong>06</strong>/<strong>06</strong>/20<strong>06</strong>)<br />
1990s<br />
Castle, Matt<br />
(ES): Hello to all who knew me<br />
at <strong>Kent</strong> during my studies in<br />
Politics (BA and then MA) I am<br />
lucky enough to still be in touch<br />
with many <strong>of</strong> those lovely<br />
people I met but if anyone has<br />
‘slipped through the net’ I’d be<br />
delighted to hear from you at<br />
moth_1968@yahoo.co.uk. East<br />
Sussex. (18/04/20<strong>06</strong>)<br />
Daymon, Christine<br />
(KS): Reader in Communication<br />
and Management in the Media<br />
School at Bournemouth<br />
<strong>University</strong>. Dorset. (23/02/20<strong>06</strong>)<br />
Fassnidge, Tom<br />
(KH): Having fallen into a job<br />
the day after graduation, I find<br />
myself still here after a year and<br />
a half, although thankfully I’m<br />
doing something a bit more<br />
interesting than I was when I<br />
started. I now write for a living<br />
<strong>of</strong> sorts – corporate brochures<br />
and the like. I’m still in London<br />
and would love to hear from<br />
anyone who remembers<br />
Keynestock, Twister in the<br />
courtyard, foolish bomb crater<br />
antics or top campus band<br />
Diamond. Contact me at:<br />
tom_fassnidge@hotmail.com.<br />
Middlesex. (16/03/20<strong>06</strong>)<br />
Gibson, Duncan<br />
(DH) Having spent four years<br />
working for Fortis Bank in<br />
Healthcare and Project Finance,<br />
working between London &<br />
Brussels, I am now working for<br />
Alliance & Leicester<br />
Commercial Finance, with joint<br />
responsibility for setting up their<br />
PFI competence. Enjoying life<br />
with my fiancée and looking<br />
forward to our wedding in Sept<br />
’<strong>06</strong>. Missing Canterbury though!!<br />
Still in touch with Nikki (Nicola)<br />
Packham D97, Paul White D97,<br />
Toby Mills D97, Gavin Mills K97,<br />
Vicky Boraster R97 and Liz<br />
Thorpe D97. Email me at:<br />
spuffington@hotmail.com. Essex.<br />
(11/07/20<strong>06</strong>)<br />
Mahmud, Najam<br />
(ES): Still working for Abbott<br />
Pharmaceuticals, now as<br />
Country Director – Human<br />
Resources. I visited the campus<br />
in July 2005, God it was<br />
nostalgic!!! All those great<br />
memories flashed in front <strong>of</strong> my<br />
eyes. I would love to travel back<br />
in time. <strong>Kent</strong> was a great<br />
experience and I can never<br />
forget the great times I had<br />
during those years. Contact me<br />
at: mahmud_naj@hotmail.com.<br />
Karachi, Pakistan. (04/04/20<strong>06</strong>)<br />
Merry, James<br />
(RS): Living in New Zealand;<br />
married a New Zealand girl in<br />
2003 and we had a baby girl in<br />
August 2005. We own and live<br />
on a 25-acre avocado orchard<br />
near Whangarei in Northland.<br />
Working on the family farm,<br />
milking cows, rearing calves and<br />
all the other things that need<br />
doing on a dairy farm. Currently<br />
studying for a commerce<br />
degree through a NZ <strong>University</strong><br />
and a dairying qualification as<br />
well. Would love to hear from<br />
old friends; contact me at<br />
jnmerry@icqmail.com. New<br />
Zealand. (23/05/20<strong>06</strong>)<br />
McDonald Buckley, Kirstie<br />
(KS): I head up the internal<br />
communications unit for the<br />
Department for Culture, Media<br />
and Sport. I got married last<br />
year and we’re expecting our<br />
first child in September. Would<br />
be great to hear from the gang<br />
who left in ‘96. Contact me at:<br />
kirstiemcdonald@hotmail.com.<br />
West Sussex. (04/04/20<strong>06</strong>)<br />
Rhodes, Danny<br />
(DH): I am now an author, still<br />
based in Canterbury. My novel<br />
‘Asboville’ was published in<br />
October 20<strong>06</strong>. <strong>Kent</strong>.<br />
(15/<strong>06</strong>/20<strong>06</strong>)<br />
Steele, Sam<br />
(DS): After graduating, I stayed<br />
in my part time job at the KCH<br />
and increased to full time<br />
temporarily, with a view to<br />
doing a PCGE course. I then<br />
became pregnant and divorced<br />
and couldn’t continue study<br />
with a young child, so for the<br />
time being I am working parttime<br />
as a community carer,<br />
which I enjoy very much. I am<br />
still looking for part-time<br />
graduate jobs, which seem to<br />
be non-existent, but I’m<br />
optimistic! I’m getting married<br />
again in September and more<br />
babies may well follow so I<br />
don’t think I’m a good potential<br />
employee at the moment! <strong>Kent</strong>.<br />
(26/<strong>06</strong>/20<strong>06</strong>)<br />
Wagner, Barbara<br />
(KS): Running my own business<br />
in International Marketing,<br />
Imports and Exports. Got<br />
married in 2005 and have just<br />
moved to Florianopolis, a<br />
wonderful island in the south <strong>of</strong><br />
Brazil. Florianopolis.<br />
(13/07/20<strong>06</strong>)<br />
2000s<br />
Folland, Lee<br />
(R): Just finishing up MPhil in<br />
Chinese Studies at Cambridge<br />
<strong>University</strong> after which will be<br />
moving to Beijing, China to look<br />
for work. Helsinki, Finland.<br />
(28/05/20<strong>06</strong>)<br />
Hampson, Kat<br />
(R): Having left <strong>Kent</strong> last June I<br />
got myself a job working for the<br />
Youth Offending Service, so<br />
now work with Young<br />
Offenders. I might be mad but I<br />
love it! Essex. (18/02/20<strong>06</strong>)<br />
Jager, Julia<br />
(K): I am working in Germany in<br />
the field <strong>of</strong> peace building and<br />
developmental cooperation,<br />
living with my partner in Trier.<br />
Contact me: jj@julia-jaeger.de<br />
Trier, Germany. (25/07/20<strong>06</strong>)<br />
22
2<br />
Kouroushi, Andria<br />
(E): Currently in London<br />
studying at King’s College<br />
London, Msc International<br />
Management. Had a wonderful<br />
time at <strong>Kent</strong> and I hope I get<br />
to see you guys some time in<br />
the future! Take care xx Paphos,<br />
Cyprus. (26/02/20<strong>06</strong>)<br />
Piperopoulos, Panagiotis<br />
(KS): Currently an Adjunct<br />
Lecturer and Researcher in the<br />
Department <strong>of</strong> Marketing and<br />
Operations Management <strong>of</strong><br />
the <strong>University</strong> <strong>of</strong> Macedonia,<br />
Thessalonica, Greece. My<br />
teaching and research interests<br />
centre on the subjects <strong>of</strong><br />
entrepreneurship, innovation<br />
and business clustering.<br />
I contribute regularly to<br />
Greece’s leading financial<br />
newspaper Imerisia and am<br />
a member <strong>of</strong> the Hellenic<br />
Economic Chamber <strong>of</strong><br />
Commerce. Contact me by<br />
email at panpiper@uom.gr.<br />
Thessaloniki. (23/05/20<strong>06</strong>)<br />
DEATHS<br />
Since the last issue <strong>of</strong> <strong>KENT</strong><br />
went to press, we have learned<br />
<strong>of</strong> the deaths <strong>of</strong> the following<br />
alumni and staff. If you would<br />
like to be put in touch with the<br />
families or friends <strong>of</strong> anyone<br />
listed here, please let us know.<br />
We may be able to help.<br />
Alumni: Norman Benton D75,<br />
Robert Lacey E80, James Ley<br />
R82, Adrian Ritchie R66,<br />
Maureen Ritchie D94.<br />
Staff and friends: Pr<strong>of</strong>essor<br />
Brian Mullen, Department <strong>of</strong><br />
Psychology; Pr<strong>of</strong>essor Sir Hans<br />
Singer Honorary DLitt (<strong>Kent</strong>);<br />
Dr Sasha Roberts, School<br />
<strong>of</strong> English.<br />
ONLY CONNECT<br />
Lost touch with an old friend?<br />
The <strong>Kent</strong> alumni database may<br />
be able to help. If we have<br />
a current address for them,<br />
we would be happy to forward<br />
a message from you. If we too<br />
have lost touch, Only Connect,<br />
which is printed in <strong>KENT</strong> twice<br />
a year and broadcast on the<br />
Web monthly, may get a<br />
response: And please, if you<br />
do connect, let us know.<br />
Ro Annandale-Steiner (D69)<br />
wltf Michael Lawrence (R69);<br />
Manije Nazery (R71) wltf<br />
Anthea Elliott (R72); Merv<br />
Woods (D77) wltf Gill Drillsma<br />
(E77); Jane Gooch (Cunnington)<br />
(K81) wltf Diana Mase (E81);<br />
Sue Oldfield (Hunter) (R81)<br />
wltf Robert Cox (K82); Pearl<br />
Moses (Uche) (D83) wltf Tonya<br />
Zwennes (D83); Sheryl Lindsay<br />
(E84) wltf Catherine Mendez<br />
(E85); Colm Glass (E85) wltf<br />
Isabella Grenfell (E85) and<br />
Simon Grubb (E85); Swee Chua<br />
(E87) wltf Arnold Barrows<br />
(R84) and Martin Goodchild<br />
(K88); Jonathan Yeo (R90) wltf<br />
Julius Locke (R90); Kiran Sagoo<br />
(D93) wltf Eleftheria Trimis<br />
(D93); Rob Price (K94) wltf<br />
Bethen Thorpe (D95) and<br />
Sarah Williams (D95); Kathryn<br />
Wines (D95) wltf Barry<br />
Curling (D95); Shabana Khatun<br />
(R96) wltf Martine Pitch (R96).<br />
3 The <strong>University</strong> marked Sir<br />
Crispin Tickell’s 10 years as<br />
<strong>University</strong> Chancellor with<br />
the unveiling <strong>of</strong> his portrait<br />
by <strong>Kent</strong> graduate (R90)<br />
Jonathan Yeo. The portrait<br />
<strong>of</strong> Sir Crispin hangs<br />
alongside those <strong>of</strong> former<br />
Chancellors, Princess<br />
Marina Duchess <strong>of</strong> <strong>Kent</strong>,<br />
Lord Grimond and Sir<br />
Robert Horton, as well as<br />
previous Vice-Chancellor<br />
Dr Ge<strong>of</strong>frey Templeman,<br />
Dr David Ingram and<br />
Pr<strong>of</strong>essor R Sibson..<br />
23
EVENTS<br />
1 ArtsFest<br />
2 Congregations<br />
Here are some <strong>of</strong> the events planned for the next<br />
few months. Keep an eye on www.kent.ac.uk/alumni<br />
for more information about upcoming alumni events.<br />
15 Nov 20<strong>06</strong><br />
Degree congregations in Rochester Cathedral<br />
www.kent.ac.uk/cdo/congregations/<br />
17 Nov 20<strong>06</strong><br />
Degree congregations in Canterbury Cathedral<br />
www.kent.ac.uk/cdo/congregations/<br />
22 November 20<strong>06</strong><br />
Reading between the lines: discovering the scribes<br />
and their role in Mycenaean administration<br />
a lecture by Dr Evangelos Kyriakidis, Lecturer<br />
in Archaeology at <strong>Kent</strong><br />
SECL Popular Lecture Series<br />
5.15pm Keynes Lecture Theatre 5<br />
For information about any <strong>of</strong> the SECL lectures,<br />
contact: D.Peretti@kent.ac.uk<br />
24 November 20<strong>06</strong><br />
Shostakovitch Festival<br />
Open Lecture<br />
Rt. Hon David Mellor QC<br />
6pm Brabourne Lecture Theatre<br />
Brodsky Quartet<br />
8.15pm Gulbenkian Theatre<br />
25 November 20<strong>06</strong><br />
Shostakovitch Festival<br />
Brodsky Quartet<br />
7.45pm Gulbenkian Theatre<br />
30 November 20<strong>06</strong><br />
First 500 Alumni Dinner<br />
Liberal Club, London<br />
For further information: alumni@kent.ac.uk<br />
1 December 20<strong>06</strong><br />
Open Lecture<br />
In the footsteps <strong>of</strong> Churchill<br />
Pr<strong>of</strong>essor Richard Holmes CBE TD<br />
6pm Brabourne Lecture Theatre<br />
8 December 20<strong>06</strong><br />
Open Lecture<br />
Personal is political: rethinking health and social<br />
care for older people<br />
Pr<strong>of</strong>essor Iain Carpenter, CHSS<br />
6pm Brabourne Lecture Theatre<br />
17 January 2007<br />
Robin Hood and his merry revolutionaries –<br />
Castro, Cuba and the revolutionary myth<br />
William Rowlandson<br />
SECL Popular Lecture Series<br />
5.15pm Keynes Lecture Theatre 5<br />
1 February 2007<br />
Alumni Careers Fair: lunch in Darwin for alumni<br />
and friends at 12 for 12.30pm, followed by the Fair<br />
2-5pm in Eliot Great Hall<br />
Contact: F.L.Jones@kent.ac.uk<br />
7 February 2007<br />
Are some languages ruder than others?<br />
Nicola Schmidt-Renfree<br />
SECL Popular Lecture Series<br />
5.15pm Keynes Lecture Theatre 5<br />
28 February 2007<br />
Traditions <strong>of</strong> representation in Francisco<br />
de Goya’s Los Caprichos (1799)<br />
Antonio Lazaro-Reboll<br />
SECL Popular Lecture Series<br />
5.15pm Keynes Lecture Theatre 5<br />
28 March 2007<br />
A (clear and present/definite) danger<br />
to public health – the new Sicilian mafia<br />
Pr<strong>of</strong>essor Tom Behan:<br />
SECL Popular Lecture Series<br />
5.15pm Keynes Lecture Theatre 5<br />
Spring 2007 (date tbc)<br />
<strong>Kent</strong> Alumni Business Club<br />
London<br />
Spring 2007 (date tbc)<br />
<strong>Kent</strong> Alumni Reception<br />
Canada (venue tbc)<br />
www.kent.ac.uk/alumni/<br />
2 June 2007<br />
ArtsFest<br />
Canterbury Campus<br />
www.kent.ac.uk/music/ArtsFest<br />
20 September 2007<br />
London Alumni Reception<br />
House <strong>of</strong> Lords<br />
1 2<br />
24