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Joan Baez - Knowledge Network

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Radio City<br />

San Francisco<br />

Symphony in Concert<br />

Wednesdays at 9pm,<br />

beginning May 4<br />

Repeats at 1am<br />

Classical music lovers will delight in four live<br />

performances by the San Francisco Symphony,<br />

one of the world’s leading orchestras. Conducted<br />

by its Grammy award-winning music director<br />

Michael Tilson Thomas, each week features a<br />

full-length concert played with the precision,<br />

energy and poise for which the SFS is known.<br />

Simply stunning!<br />

May 4 Tchaikovsky’s Symphony No. 4<br />

May 11 Beethoven’s Symphony No. 3, Eroica<br />

May 18 Stravinsky’s The Rite of Spring plus<br />

excerpts from The Firebird<br />

May 25 Berlioz’s Symphonie Fantastique<br />

The Superconductor: Michael Tilson Thomas<br />

Known for his charismatic showmanship and unflagging exuberance, conductor Michael<br />

Tilson Thomas is a music powerhouse. MTT, as he calls himself - sort of a personal “brand”<br />

– has a talent for unconventional thinking that sees him heading up a number of innovative<br />

projects. All of it to keep people interested and engaged in classical music.<br />

As music director of the San Francisco Symphony, he created the television series<br />

Keeping Score – meant to enlighten the masses on classical music - plus a companion<br />

web site, radio series and programs in schools. He also runs the New World Symphony, a<br />

national training orchestra for gifted young musicians, and is the driving force behind their<br />

new Frank Gehry-designed campus in Miami. And then there’s the YouTube Symphony<br />

Orchestra, made up of musicians selected online and brought together for a week-long<br />

festival and concert.<br />

You could say the performing arts are in MTT’s blood. He was born in Los Angeles,<br />

where his parents both worked in the film industry. His grandparents, Boris and Bessie<br />

Thomashefsky, were huge stars in Yiddish theatre.<br />

In a 2010 interview with Mother Jones magazine, MTT shared what drives him: “The<br />

way you survive in the performing arts is by having a sense of your audience, and doing<br />

things which entertain and satisfy the audience, but in a more important way, cause the<br />

audience to question many things. This is what my grandparents did. So part of my mission<br />

is simply that: to bring the world of the arts, particularly classical music, closer to people so<br />

they don’t feel that it is something remote that they have to specially prepare themselves<br />

for, or dress up for.”<br />

6 M AY / J U N E 2 0 1 1 P RO G R A M G U I D E

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