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Intro to Radiology - Department of Radiology, University of ...

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Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

Can we trust our eyes?<br />

Radiologists are Experts in Perception<br />

Eyes are <strong>to</strong>ols we use <strong>to</strong> see images<br />

‣It’s not sufficient just <strong>to</strong> see<br />

the image with our eyes…<br />

‣We need our brains <strong>to</strong><br />

interpret what our eyes see.<br />

Like any <strong>to</strong>ol, we need<br />

www.schreibman.info Click here <strong>to</strong> tips on navigating this ePoster<br />

© 2013 Ken L Schreibman, PhD/MD<br />

3D SPECT<br />

Is this<br />

turning<br />

clockwise<br />

or<br />

counter?<br />

<strong>to</strong> know the limitations <strong>of</strong> our eyes<br />

‣What are the “pitfalls” between the way our<br />

eyes see and our brain interprets?<br />

Can we trust our eyes?<br />

Slide 1 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

page 1 <strong>of</strong> 7<br />

Can we trust our eyes?<br />

Parallel Lines<br />

Seeing parallel articular surfaces is an<br />

important concept in joint imaging<br />

Parallelism = Ana<strong>to</strong>mic<br />

Parallel<br />

Lines<br />

ACJ<br />

Parallel<br />

Arcs<br />

Glenohumeral<br />

Joint<br />

www.schreibman.info A,T 30yoM<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Lack <strong>of</strong> Parallelism<br />

= Dislocation<br />

Posterior Shoulder Dislocation<br />

T,C 35yoM<br />

Slide 3 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Parallel Lines<br />

It’s easy <strong>to</strong> see<br />

these 2 lines<br />

are parallel<br />

But if<br />

we add<br />

diagonal lines,<br />

they no longer<br />

appear parallel<br />

Can we trust our eyes?<br />

Slide 4 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Café Wall Illusion<br />

Straight rows <strong>of</strong> black/white bricks<br />

that don’t appear straight<br />

Can we trust our eyes?<br />

Slide 5 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

Café Wall Illusion<br />

Perception, 1979, vol 8, p 365-380 eyetricks.com<br />

© 2013 Ken L Schreibman, PhD/MD Café at the bot<strong>to</strong>m <strong>of</strong> St Michael's Hill, Bris<strong>to</strong>l, England<br />

Can we trust our eyes?<br />

Slide 6 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Café Wall Illusion<br />

opticalillusioncollection.com<br />

Port 1010 building, Docklands region, Melbourne, Australia<br />

Can we trust our eyes?<br />

Slide 7 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Café Wall Illusion<br />

youtube.com<br />

“10 optical illusions in 2 minutes”<br />

Can we trust our eyes?<br />

Slide 8 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

2007 ARRS, Universal Studios, Orlando…<br />

© 2013 Ken L Schreibman, PhD/MD …Men In Black bathroom floor<br />

page 2 <strong>of</strong> 7<br />

Café Wall Illusion<br />

Can we trust our eyes?<br />

Slide 9 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Orientation is Important<br />

I was taught a<br />

trained observer<br />

could read a<br />

chest radiograph<br />

upside down…<br />

Perhaps I can<br />

convince you<br />

otherwise…<br />

Kartagener Syndrome<br />

Increased markings<br />

both lower lobes<br />

Situs Basically Inversus<br />

normal<br />

Slide 10 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

explora<strong>to</strong>rium.edu<br />

Can we trust our eyes?<br />

Orientation: Inverted<br />

When And inverted, if all you it’s hard had <strong>to</strong> see This a difference is Leonardo<br />

between A & B<br />

da Vinci’s<br />

Mona Lisa (1503)<br />

Arguably the most<br />

recognized<br />

<strong>to</strong> look at was the<br />

inverted B,<br />

like the inverted<br />

chest radiograph,<br />

it’s hard <strong>to</strong> see<br />

anything wrong…<br />

Orientation is<br />

A<br />

important!<br />

But painting oriented correctly, in the there<br />

is something world… obviously<br />

even very upside wrong with down B<br />

easily recognized B<br />

Slide 11 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

Can we trust our eyes?<br />

Orientation: Side-by-Side<br />

<strong>Intro</strong>duction Dragon To me this<br />

Parallel Lines means our<br />

eyes Wall: are<br />

Orientation is sensitive <strong>to</strong><br />

Important A) how Steep we orient<br />

Shapes that our oblique images<br />

aren’t there side-by-side.<br />

view<br />

Motion that’s On our PACS<br />

not there B) I always Another use<br />

Smooth the same<br />

oblique<br />

Motion<br />

side-by-side<br />

arrangement: view…<br />

Perspective<br />

‣ PA vs Lat Views<br />

Colors … or is it?<br />

‣ T1 vs T2 series<br />

Length<br />

A<br />

www.schreibman.info<br />

Forbidden City, Beijing, China<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Dragon Wall: Frontal View<br />

B<br />

Slide 12 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines ‣Pareidolia: random images perceived as significant*<br />

Orientation is<br />

Important ‣Faces<br />

Shapes that Man in Moon Face in Mars Old Man <strong>of</strong> the Mountain<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

1955<br />

Perspective<br />

White Mountains<br />

Colors<br />

New Hampshire<br />

Length<br />

nasa.gov<br />

Viking1 orbiter 1976 pre 2003<br />

www.schreibman.info<br />

*wikipedia.org<br />

Slide 13 <strong>of</strong> 41<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Shapes that aren’t there<br />

Human brain is hardwired <strong>to</strong> see shapes<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Shapes that aren’t there<br />

Cow in the Milk Bottle<br />

Wisconsin Dells<br />

Slide 14 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

page 3 <strong>of</strong> 7<br />

Can we trust our eyes?<br />

There Do you are see no the white white circles circles? here<br />

Rows <strong>of</strong> black crosses<br />

Slide 15 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction Once we see the<br />

Parallel Lines triangle, it’s<br />

Orientation is hard <strong>to</strong> not see<br />

Important<br />

Shapes that the triangle!<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Shapes There there is no aren’t triangle there…<br />

We start with 3 circles (pizzas)<br />

Take a slice out <strong>of</strong> each…<br />

Rotate them…<br />

We now see a triangle…<br />

…that’s not really there<br />

Even if we pull the circles<br />

away from each other…<br />

We still see the<br />

triangle that’s<br />

not there!<br />

Slide 16 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

There are no spirals here<br />

What shapes do<br />

we see here…<br />

Spirals, right?<br />

So we should be<br />

able <strong>to</strong> start at<br />

some point and<br />

trace the spiral in<br />

<strong>to</strong> the center…<br />

ritsumei.ac.jp<br />

wikipedia.org<br />

Slide 17 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

There Motion are that’s no spirals not there…<br />

ritsumei.ac.jp<br />

Slide 18 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction “Rotating rays”<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Motion that’s not there…<br />

ritsumei.ac.jp<br />

Slide 19 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction “Rotating<br />

Parallel Lines Snakes”<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Motion that’s not there…<br />

ritsumei.ac.jp<br />

Slide 20 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction “Rollers”<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

page 4 <strong>of</strong> 7<br />

Can we trust our eyes?<br />

Motion that’s not there…<br />

ritsumei.ac.jp<br />

Slide 21 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction “Pouring<br />

Parallel Lines Water”<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Motion that’s not there…<br />

moillusions.com<br />

Slide 22 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Ultrasound allows for dynamic examinations<br />

Important ‣US is being used increasingly in MSK<br />

Shapes that “Snapping” Ilio-psoas tendon (source <strong>of</strong> hip pain)<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Static US<br />

Dynamic US<br />

Perspective<br />

IP Tendon<br />

Colors<br />

Length<br />

www.schreibman.info<br />

Slide 23 <strong>of</strong> 41<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Smooth Motion<br />

Traditionally, radiologists looked at static pictures<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Smooth Motion: Linear<br />

Black & White squares moving same speed<br />

in smooth linear motion back & forth<br />

Slide 24 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction Purple star…<br />

Parallel Lines<br />

Orientation is surrounded by<br />

Important a blue star…<br />

Shapes that surrounded by<br />

aren’t there a purple star<br />

Motion that’s<br />

not there<br />

Smooth Rotate the<br />

Motion blue star…<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Smooth Motion: Rotational<br />

The blue star<br />

is rotating<br />

smoothly…<br />

But it appears<br />

<strong>to</strong> rotate in<br />

a cog-wheel<br />

fashion!<br />

Slide 25 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction Focus your<br />

attention on<br />

Parallel Lines the blinking<br />

Orientation is green dot<br />

Important We add in<br />

Shapes that 3 yellow<br />

aren’t there dots in the<br />

periphery<br />

Motion that’s<br />

not there Even when we<br />

add in many<br />

Smooth blue crosses,<br />

Motion you can still<br />

Perspective easily see all 3<br />

yellow dots<br />

Colors while focusing<br />

Length on the green dot<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Motion Induced Blindness<br />

But if we make<br />

the crosses<br />

move…<br />

and you stay<br />

focused on the<br />

green dot…<br />

Soon, 1, 2 ,or<br />

even all 3<br />

yellow dots will<br />

briefly<br />

disappear!<br />

Slide 26 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

page 5 <strong>of</strong> 7<br />

Can we trust our eyes?<br />

Importance <strong>of</strong> Multiple Views<br />

We all know<br />

whenever we<br />

Here The I am lateral stabbing view shows<br />

deal with<br />

a I’m steak just knife holding the<br />

through<br />

radiographs<br />

knife in<br />

my<br />

front<br />

skull…<br />

<strong>of</strong> my skull<br />

we need <strong>to</strong><br />

have multiple<br />

views.<br />

Here’s an<br />

example…<br />

We need <strong>to</strong> put the two views <strong>to</strong>gether in our own<br />

brains <strong>to</strong> understand what’s in front and what’s behind.<br />

Not really…<br />

But with only one<br />

view you can’t tell<br />

what’s in front and what’s behind<br />

This is a made up example… Slide 27 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

PA view thumb<br />

Oblique view<br />

…negative …negative<br />

This is a real example<br />

Can we trust our eyes?<br />

For joints need three views<br />

Lateral view<br />

DISLOCATED!<br />

Slide 28 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Forced Perspective<br />

Marty age 8<br />

Can we trust our eyes?<br />

Marty is not taller than<br />

the Sears Tower<br />

Slide 29 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Forced Perspective: Deception<br />

Picture on real<br />

estate site<br />

‣HUGE pool!<br />

epicfail.com<br />

Slide 30 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Forced Perspective: Static<br />

games.yahoo.com<br />

Slide 31 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Forced Perspective: Dynamic<br />

illusioncontest.neuralcorrelate.com<br />

2010 Best Illusion <strong>of</strong> the Year Winner<br />

Slide 32 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction I’ll add in<br />

Parallel Lines some pink<br />

Orientation is circles…<br />

Important but keep<br />

Shapes that focus on<br />

aren’t there the <br />

Motion that’s<br />

not there<br />

Smooth See what<br />

Motion happens<br />

Perspective when we<br />

Colors take away<br />

Length<br />

circles…<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

page 6 <strong>of</strong> 7<br />

<br />

Can we trust our eyes?<br />

Colors that aren’t there<br />

Focus your attention <strong>of</strong> the <br />

It looks like the pink<br />

circles get replaced<br />

by green circles!<br />

or<br />

it looks like there is<br />

a green circle<br />

moving around a<br />

clock face<br />

But there is NO<br />

green circle!<br />

(There’s nothing<br />

green on this slide)<br />

Slide 33 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

We add in<br />

some light<br />

blue bars...<br />

Light blue<br />

&<br />

Dark blue<br />

right?<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Light vs Dark: Blue<br />

We start with black & white bars<br />

Can we trust our eyes?<br />

and<br />

some dark<br />

blue bars...<br />

No, they are<br />

the same<br />

exact shade<br />

<strong>of</strong> blue!<br />

Slide 34 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

This is a gradient.<br />

It contains all<br />

shades <strong>of</strong> gray.<br />

Human eye cannot<br />

assess absolute<br />

values <strong>of</strong> gray,<br />

only lighter or<br />

darker than<br />

background<br />

Can we trust our eyes?<br />

Light vs Dark: Gray<br />

White<br />

Black<br />

So if we change<br />

the background…<br />

It looks like the<br />

gradient changes!<br />

If we change only<br />

½ the background<br />

It looks like ½ the<br />

gradient changes!<br />

Slide 35 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Shadows: Gray<br />

Can you believe<br />

squares A & B<br />

are the same<br />

color?<br />

persci.mit.edu<br />

Can we trust our eyes?<br />

Slide 36 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

What color is<br />

this tile?<br />

What color is<br />

this tile?<br />

Shadows: Color<br />

Can we trust our eyes?<br />

R. Beau Lot<strong>to</strong><br />

www.spiegel.de<br />

Slide 37 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info


Pitfalls in the Human<br />

Visual System<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

Our Eyes are Poor at Judging Length<br />

We’ve all seen questions like this:<br />

Which horizontal line is longer?<br />

Same length<br />

Slide 38 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

page 7 <strong>of</strong> 7<br />

Can we trust our eyes?<br />

Our Eyes are Poor at Judging Length<br />

Width<br />

Width<br />

Length<br />

Length<br />

Two tables <strong>of</strong> very different shape<br />

Green: Rectangular Red: Square<br />

Width<br />

Length<br />

R. Beau Lot<strong>to</strong><br />

www.spiegel.de<br />

Slide 39 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is ‣Need <strong>to</strong> make actual measurements<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Can we trust our eyes?<br />

What have we learned?<br />

We are not good at judging length<br />

We are not good at judging gray levels<br />

‣Need <strong>to</strong> measure Hounsfield Units<br />

How we orient images matters<br />

‣Need <strong>to</strong> hang things the same way every time<br />

Complex backgrounds can fool you<br />

‣All radiology images have complex<br />

backgrounds…<br />

Slide 40 <strong>of</strong> 41<br />

Pitfalls in the Human Visual System<br />

<strong>Intro</strong>duction<br />

Parallel Lines<br />

Orientation is<br />

Important<br />

Shapes that<br />

aren’t there<br />

Motion that’s<br />

not there<br />

Smooth<br />

Motion<br />

Perspective<br />

Colors<br />

Length<br />

www.schreibman.info<br />

© 2013 Ken L Schreibman, PhD/MD<br />

Thank you!<br />

media.pho<strong>to</strong>bucket.com<br />

Can we trust our eyes?<br />

Slide 41 <strong>of</strong> 41<br />

©Ken L Schreibman, PhD/MD 2/1/13<br />

www.schreibman.info

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