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Walter Russell - Sacred Science Institute

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SCIENTIST EVOLVES<br />

NEW SPACE THEORY<br />

•<br />

<strong>Russell</strong>, In Book Out To-Day,<br />

Attacks Present Beliefs<br />

SCIENTIST 'W1ao E'V'ol'V'ed<br />

Theory of Space<br />

'SOLIDS ARE. ELECTRICITY'<br />

Energy Forces Welded Together<br />

by Gravitation,He Says<br />

<strong>Walter</strong> Rus,seU, President of the<br />

Society of Arts and <strong>Science</strong>s, believes<br />

I<br />

he has evolved a. new theory to explain<br />

the laws of splltce and the<br />

heavenly bodies that move in it.<br />

Let our scientists bend their energies<br />

to the understanding of thls<br />

l"simple" principle, according to Mr.<br />

<strong>Russell</strong>, and an ocean steamshlp like<br />

the Leviathan could easily produce<br />

her own fuel from sea water "in a<br />

machine not larger than & newspaper<br />

printing press."<br />

This new theory ls· expounded in<br />

<strong>Russell</strong>'s new book, "The <strong>Russell</strong><br />

Genero-Radiative Concept, or the<br />

Cyclic Theory of Continuous' Motion,"<br />

which is out to-day. It Is an<br />

Ie . elaboration and expansion, he states<br />

in the preface of his book. "The<br />

Universal One," published four years<br />

ago.<br />

•<br />

Criticises Modern <strong>Science</strong><br />

It was in that book, he states. that<br />

he specifically outlined the unity of<br />

electricity and gravitation, which,<br />

three' years later, was .announced- by<br />

Einstein without "crediting hlm with<br />

priority of discover'"<br />

In his new book Mr. <strong>Russell</strong> suggests<br />

that a "major surgical operation<br />

upon the present beliefs" Is the only<br />

salvation for present-day science.<br />

The writer opens his attack upon<br />

these bellefs by challenging Newton's<br />

principle that the planets would fall<br />

a into the sun and the moon into the<br />

earth if their orbital motions were<br />

stayed. This he claims to have proved<br />

untrue by a "solar graVitational" experiment<br />

in whi-ch a miniature modeH<br />

- of the sc-lar system Is set up, with<br />

- 1ts poles Similarly placed. When all<br />

these revolving planets and satellit~s<br />

e are stopped they show no inclination<br />

to fall in to one another.<br />

r other Incorrect Notion!!<br />

1 Even our notions of gravitation and<br />

.. radiation are , incorrect, <strong>Russell</strong><br />

L. further asserts. Solids are composed<br />

I. of electricity and owe their existence<br />

r to the power of gra vi ta tion to keep<br />

1. electrical forces welded together into<br />

- what we term solids. Gravitation he<br />

defines as being the "charging positive<br />

force which pulls inward from<br />

within. while radiation is the discharging<br />

negative force which pushes<br />

outward from within." -~<br />

Betw #3n every two maF \Se~!<br />

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space,<br />

<strong>Russell</strong> maintains, the l d entre<br />

: of gravitation arou~ 0 -:::11 ~h<br />

, 1 revolve In orbit~- 'C"-! Theselti.~<br />

. held together by 'ne pole " ~<br />

. ', -<br />

WALTER RUSSELL<br />

Ie<br />

tl<br />

II<br />

apart by another, these two poles de- a:<br />

ciding the potential relations and Sl<br />

orbital motions of any two heavenly II<br />

bodies.<br />

d<br />

"This hitherto undiscovered spatial CI<br />

control of mass," <strong>Russell</strong> goes 'on, "is fl<br />

the connecting link between mind sj<br />

and matter, the invisible and the<br />

visible universes. All soUds are merely<br />

polarized extensions of the et)ntrolling<br />

poles in space and obey their<br />

w11l, just as man-made machines are<br />

extensions Of men's minds and obey<br />

their will."<br />

,Weight Is • DImension ,<br />

On this theory it follows, according<br />

to Ru.ssell. that moving bodies have<br />

no weight and that weight is a<br />

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dimension of motion, just as temperature<br />

in all Its changes rises from<br />

and settles back to its position of<br />

equilibrium at zero.<br />

The <strong>Russell</strong>' t~ory , tries to disprove<br />

the generally held belief that like<br />

charges repel and OPpOSite charge:;<br />

attract one ,~tnother. In point of fact<br />

he would have us believe all masses<br />

are doubly chiuged, or, to put it dIfferently,<br />

there is no such thing as<br />

a negative charge, for that is but an-<br />

a<br />

other way of designating a discharge,<br />

"Many new metals of great value to S,<br />

industry can be secured," he c'on- v<br />

tends, "by understanding nature's '"<br />

simple but hitherto unknown principlES.<br />

Carbon metals, for example, f(<br />

will have steel. Silicon steel will be- h<br />

come an .. il1eal structural steel, with B<br />

more than double its present strength, e:<br />

and very much cheaper because of 'P ,<br />

the unlimited supply of sand as com- S'<br />

pared with iron ore."<br />

n<br />

Sir Arthur Eddington's theory of a d<br />

"running down universe" is treat-ad d"<br />

satirically by <strong>Russell</strong>, who counters b<br />

with the assertion: "All things are P<br />

growing things, whether stars or ap- Ii ,<br />

pIes, and all growing things tallow t~<br />

the same law,"<br />

"I beJ!eve. there!ore," he says, "th3.t<br />

all motton iI!I the result of setting up<br />

an endless .series of high and low<br />

pressure conditions which are interchanging<br />

in their constant and useless-attempts<br />

to equalize. ThIs can<br />

never be accompliShed &0 long as the<br />

One Force • & Hving, pulsating<br />

orce."<br />

CI<br />

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tc


A'll'! LE ON EXHIBITIth'<br />

UNIVl


V,al ter<strong>Russell</strong> 2<br />

It is a new idea. Until now, the invisible universe ha.; remained<br />

invisible, even to the phy~ic' s who have measured and re-measured it<br />

-- but who do not appear to have arrived at any satisfactory conclusion<br />

about its fundall'enta.la. lor have the physiciits, to date, been able to<br />

break down any of the laws of the Rus.,ell concept of the universal machinery.<br />

They see them. but are dtill un'l'illing to believe.<br />

A well-known ph1 sicist, on t· e staff of a university renowned for<br />

scientific ir.tegrity, said -- after many talks witn the artist -- "I<br />

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can see your !:Joint, r. ~us.;ell. But after a lifetime of training aJ.ong<br />

other lines. I find it difficult to go on seeing it:<br />

To W"1 ich the arti st replied cheerfully -- "7ha t, professor, is exac'ly<br />

why I had to paint these p~ tures. so that you could go on seeing them<br />

until YOll accent my two-y~ theory of the one force of the universe."<br />

As a matte" of fact, it. wad at the sugge.;tion of a scientist that the<br />

pictures were l'ainted. Twelve years ago, ,.alter <strong>Russell</strong> had reached the<br />

top of the artistic ladder in J~eri c~. He had not even begun to think<br />

about how t~e unive1"se works . vixty thc~sand a year was h~s average<br />

earning capacity. for this man's genius is not the kind that starves in<br />

garrets. He is one of the first five Ameri a~ sulptors and portraitpainters,<br />

and has beEn for some time the president of the Jociety of Arts<br />

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and <strong>Science</strong>s. He has been acknowledged as the father of the co-cp erative<br />

apartment idea. for he was one of the first of the experimentalists in<br />

that field to make the sy~tem practical and se~f-supporting. This is tho<br />

man who ten years ago suddenly became convinced that he, through the inner,<br />

awakened eye of the ~rtidt, nad seen the universe e~actly nd it is, in<br />

terms of color, and who, as a result of his vision, threw his career to<br />

the V'i nds and started in to describe what he had seen. He turned, for<br />

the first time, to the study of science. which alone could provide him<br />

with the neces.,ary vocabulary.


<strong>Walter</strong> <strong>Russell</strong> :s<br />

History repeats itself. The first expression of a nev idea invariably<br />

fal~s<br />

on stony ground -- but if a seed of truth be there, it will find<br />

an earth-filled cranny and begin to sprout. <strong>Walter</strong> <strong>Russell</strong> spent a fortune<br />

in the printing of a book which told of his inspired convictions in<br />

Vlord;;, and in diagrams and charts which are at once so sublimely cle ar<br />

and yet 60 complicated that hardly anybOdy can understand them. Mr.<br />

Russe~l<br />

sent copies of thi s book to men prominent in many lines of endeavor.<br />

but at that time science believed the atom to be indestructible.<br />

and the <strong>Russell</strong> concept i s not in agreement with tnat theory.<br />

The books were tossed aside. But the ortist held to his beliefs.<br />

and early in 1931 we find him in the study of an eminent few York<br />

physicist. discussing the winding and unwinding of the universe. Paper<br />

and pencil were called irto action that the artist might prov e to the<br />

professor thnt the machinery is not running down. but is functioning<br />

two ways -- tearing down and building up at the same time through polarisation.<br />

which is the meeting of two opposed forces under the attr ction<br />

of gravitation and the repulsion of radiation for the purJose of reproduction.<br />

And at last :-- "If only." said <strong>Walter</strong> <strong>Russell</strong> passionately. "I<br />

could show it tv you as I see it. in colors!"<br />

"Vlell." said the professor. "you're an artist. aren't yw? ',;hy not<br />

paint it?"<br />

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So it happened th, t in an incredibly short space of time 11alter<br />

<strong>Russell</strong> was back in the study. probably the happiest man in America.<br />

'Ii th him came a canvas. which he said was the first of a series illustrating<br />

in all the colors of the spectrum his ideas of how the universe<br />

works. The scientist saw. and was enthusiastic. He suggested that the<br />

picture be eXhibited, and later he wrote Mr . <strong>Russell</strong> a letter which ran<br />

in part as follows:


'I al. ter Rus sell 4<br />

"If through Rinting you can express your ideas, which you explained<br />

to me briefly in words, I am inclined to think that you have f ound the<br />

basis of a new art, an art which is best fitted to interpret inanimate<br />

nature, rather than animate nature. I believe that anyone capable of<br />

underata~ding<br />

your paintings will have a much clearer conception of<br />

universal :aves than he would through any text-book descriptlon. I<br />

sincerely hope that you wi1 find it possible to complete the series of<br />

sixty or.more pair-tings which you have in mind.<br />

I wish you every succes"."<br />

The eight pictures now hanglnB in the Museum demonstrate the principle<br />

that there is only one force in t he universe, seemingly divided into two,<br />

ever striving for equili brium in the never-ceasing process of creation.<br />

Everything in the universe contains both phases of this force negative<br />

and .ositive, radiative and gravitative, feminine and masculine, expanling<br />

and contracting. The seven colors of the spectrum, being 60 divided, show<br />

all processes of expansion on the blue half, and all contraction on the<br />

red he.lf, with yellow being the high-pressure balancir.g point at the<br />

centre.<br />

If lalter <strong>Russell</strong>-is right, science will have to look to her laurels<br />

and art will score a triumph. He is the younger son of a car ;:>enter in<br />

a 1i ttle assachusetts town, and has risen fro:r.J. the position of carpenter'<br />

s assistanT<br />

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to that of a great artist simply by the power of his<br />

own creative ability. He hes ea.rned his way froll! the bottom up -- the<br />

sale assistance he ever received being a ten dolia bi.!.l from a kindly<br />

uncle when he was determi ned to work his way through art-school. ~Ial ter<br />

<strong>Russell</strong> stands on one side of the startling picture of "s.tence at tne<br />

cross-roads." On the other stands the noble co,npany of Jeans, Eddington,<br />

lUlli.l.


Wa.lter -qussell 5<br />

for television and the younger chi.ldren of the e~ctric fami.ly not yet<br />

born to a generation so accustomed to miracles that It does not even<br />

see them when they come.<br />

Whatever gr0ws out of it all, one thing is clear. Never bet'ore in<br />

history has art in its purest inspirational form joined hands with<br />

science to help humanity understand the structure of the world, of ~an,<br />

and 0 f tile uni verse.<br />

Here is a new thing under theS un, the invisible made visible in<br />

terms of beauty.<br />

Only an artist co ld have accomplished it, and only<br />

an artist could have held to his dream through years of discouragement<br />

until the commg of his opportunity.<br />

A contemporary poet has said that<br />

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every scientist has in him something of the s1)irit


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