Walter Russell - Sacred Science Institute
Walter Russell - Sacred Science Institute
Walter Russell - Sacred Science Institute
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SCIENTIST EVOLVES<br />
NEW SPACE THEORY<br />
•<br />
<strong>Russell</strong>, In Book Out To-Day,<br />
Attacks Present Beliefs<br />
SCIENTIST 'W1ao E'V'ol'V'ed<br />
Theory of Space<br />
'SOLIDS ARE. ELECTRICITY'<br />
Energy Forces Welded Together<br />
by Gravitation,He Says<br />
<strong>Walter</strong> Rus,seU, President of the<br />
Society of Arts and <strong>Science</strong>s, believes<br />
I<br />
he has evolved a. new theory to explain<br />
the laws of splltce and the<br />
heavenly bodies that move in it.<br />
Let our scientists bend their energies<br />
to the understanding of thls<br />
l"simple" principle, according to Mr.<br />
<strong>Russell</strong>, and an ocean steamshlp like<br />
the Leviathan could easily produce<br />
her own fuel from sea water "in a<br />
machine not larger than & newspaper<br />
printing press."<br />
This new theory ls· expounded in<br />
<strong>Russell</strong>'s new book, "The <strong>Russell</strong><br />
Genero-Radiative Concept, or the<br />
Cyclic Theory of Continuous' Motion,"<br />
which is out to-day. It Is an<br />
Ie . elaboration and expansion, he states<br />
in the preface of his book. "The<br />
Universal One," published four years<br />
ago.<br />
•<br />
Criticises Modern <strong>Science</strong><br />
It was in that book, he states. that<br />
he specifically outlined the unity of<br />
electricity and gravitation, which,<br />
three' years later, was .announced- by<br />
Einstein without "crediting hlm with<br />
priority of discover'"<br />
In his new book Mr. <strong>Russell</strong> suggests<br />
that a "major surgical operation<br />
upon the present beliefs" Is the only<br />
salvation for present-day science.<br />
The writer opens his attack upon<br />
these bellefs by challenging Newton's<br />
principle that the planets would fall<br />
a into the sun and the moon into the<br />
earth if their orbital motions were<br />
stayed. This he claims to have proved<br />
untrue by a "solar graVitational" experiment<br />
in whi-ch a miniature modeH<br />
- of the sc-lar system Is set up, with<br />
- 1ts poles Similarly placed. When all<br />
these revolving planets and satellit~s<br />
e are stopped they show no inclination<br />
to fall in to one another.<br />
r other Incorrect Notion!!<br />
1 Even our notions of gravitation and<br />
.. radiation are , incorrect, <strong>Russell</strong><br />
L. further asserts. Solids are composed<br />
I. of electricity and owe their existence<br />
r to the power of gra vi ta tion to keep<br />
1. electrical forces welded together into<br />
- what we term solids. Gravitation he<br />
defines as being the "charging positive<br />
force which pulls inward from<br />
within. while radiation is the discharging<br />
negative force which pushes<br />
outward from within." -~<br />
Betw #3n every two maF \Se~!<br />
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space,<br />
<strong>Russell</strong> maintains, the l d entre<br />
: of gravitation arou~ 0 -:::11 ~h<br />
, 1 revolve In orbit~- 'C"-! Theselti.~<br />
. held together by 'ne pole " ~<br />
. ', -<br />
WALTER RUSSELL<br />
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II<br />
apart by another, these two poles de- a:<br />
ciding the potential relations and Sl<br />
orbital motions of any two heavenly II<br />
bodies.<br />
d<br />
"This hitherto undiscovered spatial CI<br />
control of mass," <strong>Russell</strong> goes 'on, "is fl<br />
the connecting link between mind sj<br />
and matter, the invisible and the<br />
visible universes. All soUds are merely<br />
polarized extensions of the et)ntrolling<br />
poles in space and obey their<br />
w11l, just as man-made machines are<br />
extensions Of men's minds and obey<br />
their will."<br />
,Weight Is • DImension ,<br />
On this theory it follows, according<br />
to Ru.ssell. that moving bodies have<br />
no weight and that weight is a<br />
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dimension of motion, just as temperature<br />
in all Its changes rises from<br />
and settles back to its position of<br />
equilibrium at zero.<br />
The <strong>Russell</strong>' t~ory , tries to disprove<br />
the generally held belief that like<br />
charges repel and OPpOSite charge:;<br />
attract one ,~tnother. In point of fact<br />
he would have us believe all masses<br />
are doubly chiuged, or, to put it dIfferently,<br />
there is no such thing as<br />
a negative charge, for that is but an-<br />
a<br />
other way of designating a discharge,<br />
"Many new metals of great value to S,<br />
industry can be secured," he c'on- v<br />
tends, "by understanding nature's '"<br />
simple but hitherto unknown principlES.<br />
Carbon metals, for example, f(<br />
will have steel. Silicon steel will be- h<br />
come an .. il1eal structural steel, with B<br />
more than double its present strength, e:<br />
and very much cheaper because of 'P ,<br />
the unlimited supply of sand as com- S'<br />
pared with iron ore."<br />
n<br />
Sir Arthur Eddington's theory of a d<br />
"running down universe" is treat-ad d"<br />
satirically by <strong>Russell</strong>, who counters b<br />
with the assertion: "All things are P<br />
growing things, whether stars or ap- Ii ,<br />
pIes, and all growing things tallow t~<br />
the same law,"<br />
"I beJ!eve. there!ore," he says, "th3.t<br />
all motton iI!I the result of setting up<br />
an endless .series of high and low<br />
pressure conditions which are interchanging<br />
in their constant and useless-attempts<br />
to equalize. ThIs can<br />
never be accompliShed &0 long as the<br />
One Force • & Hving, pulsating<br />
orce."<br />
CI<br />
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A'll'! LE ON EXHIBITIth'<br />
UNIVl
V,al ter<strong>Russell</strong> 2<br />
It is a new idea. Until now, the invisible universe ha.; remained<br />
invisible, even to the phy~ic' s who have measured and re-measured it<br />
-- but who do not appear to have arrived at any satisfactory conclusion<br />
about its fundall'enta.la. lor have the physiciits, to date, been able to<br />
break down any of the laws of the Rus.,ell concept of the universal machinery.<br />
They see them. but are dtill un'l'illing to believe.<br />
A well-known ph1 sicist, on t· e staff of a university renowned for<br />
scientific ir.tegrity, said -- after many talks witn the artist -- "I<br />
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can see your !:Joint, r. ~us.;ell. But after a lifetime of training aJ.ong<br />
other lines. I find it difficult to go on seeing it:<br />
To W"1 ich the arti st replied cheerfully -- "7ha t, professor, is exac'ly<br />
why I had to paint these p~ tures. so that you could go on seeing them<br />
until YOll accent my two-y~ theory of the one force of the universe."<br />
As a matte" of fact, it. wad at the sugge.;tion of a scientist that the<br />
pictures were l'ainted. Twelve years ago, ,.alter <strong>Russell</strong> had reached the<br />
top of the artistic ladder in J~eri c~. He had not even begun to think<br />
about how t~e unive1"se works . vixty thc~sand a year was h~s average<br />
earning capacity. for this man's genius is not the kind that starves in<br />
garrets. He is one of the first five Ameri a~ sulptors and portraitpainters,<br />
and has beEn for some time the president of the Jociety of Arts<br />
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and <strong>Science</strong>s. He has been acknowledged as the father of the co-cp erative<br />
apartment idea. for he was one of the first of the experimentalists in<br />
that field to make the sy~tem practical and se~f-supporting. This is tho<br />
man who ten years ago suddenly became convinced that he, through the inner,<br />
awakened eye of the ~rtidt, nad seen the universe e~actly nd it is, in<br />
terms of color, and who, as a result of his vision, threw his career to<br />
the V'i nds and started in to describe what he had seen. He turned, for<br />
the first time, to the study of science. which alone could provide him<br />
with the neces.,ary vocabulary.
<strong>Walter</strong> <strong>Russell</strong> :s<br />
History repeats itself. The first expression of a nev idea invariably<br />
fal~s<br />
on stony ground -- but if a seed of truth be there, it will find<br />
an earth-filled cranny and begin to sprout. <strong>Walter</strong> <strong>Russell</strong> spent a fortune<br />
in the printing of a book which told of his inspired convictions in<br />
Vlord;;, and in diagrams and charts which are at once so sublimely cle ar<br />
and yet 60 complicated that hardly anybOdy can understand them. Mr.<br />
Russe~l<br />
sent copies of thi s book to men prominent in many lines of endeavor.<br />
but at that time science believed the atom to be indestructible.<br />
and the <strong>Russell</strong> concept i s not in agreement with tnat theory.<br />
The books were tossed aside. But the ortist held to his beliefs.<br />
and early in 1931 we find him in the study of an eminent few York<br />
physicist. discussing the winding and unwinding of the universe. Paper<br />
and pencil were called irto action that the artist might prov e to the<br />
professor thnt the machinery is not running down. but is functioning<br />
two ways -- tearing down and building up at the same time through polarisation.<br />
which is the meeting of two opposed forces under the attr ction<br />
of gravitation and the repulsion of radiation for the purJose of reproduction.<br />
And at last :-- "If only." said <strong>Walter</strong> <strong>Russell</strong> passionately. "I<br />
could show it tv you as I see it. in colors!"<br />
"Vlell." said the professor. "you're an artist. aren't yw? ',;hy not<br />
paint it?"<br />
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So it happened th, t in an incredibly short space of time 11alter<br />
<strong>Russell</strong> was back in the study. probably the happiest man in America.<br />
'Ii th him came a canvas. which he said was the first of a series illustrating<br />
in all the colors of the spectrum his ideas of how the universe<br />
works. The scientist saw. and was enthusiastic. He suggested that the<br />
picture be eXhibited, and later he wrote Mr . <strong>Russell</strong> a letter which ran<br />
in part as follows:
'I al. ter Rus sell 4<br />
"If through Rinting you can express your ideas, which you explained<br />
to me briefly in words, I am inclined to think that you have f ound the<br />
basis of a new art, an art which is best fitted to interpret inanimate<br />
nature, rather than animate nature. I believe that anyone capable of<br />
underata~ding<br />
your paintings will have a much clearer conception of<br />
universal :aves than he would through any text-book descriptlon. I<br />
sincerely hope that you wi1 find it possible to complete the series of<br />
sixty or.more pair-tings which you have in mind.<br />
I wish you every succes"."<br />
The eight pictures now hanglnB in the Museum demonstrate the principle<br />
that there is only one force in t he universe, seemingly divided into two,<br />
ever striving for equili brium in the never-ceasing process of creation.<br />
Everything in the universe contains both phases of this force negative<br />
and .ositive, radiative and gravitative, feminine and masculine, expanling<br />
and contracting. The seven colors of the spectrum, being 60 divided, show<br />
all processes of expansion on the blue half, and all contraction on the<br />
red he.lf, with yellow being the high-pressure balancir.g point at the<br />
centre.<br />
If lalter <strong>Russell</strong>-is right, science will have to look to her laurels<br />
and art will score a triumph. He is the younger son of a car ;:>enter in<br />
a 1i ttle assachusetts town, and has risen fro:r.J. the position of carpenter'<br />
s assistanT<br />
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to that of a great artist simply by the power of his<br />
own creative ability. He hes ea.rned his way froll! the bottom up -- the<br />
sale assistance he ever received being a ten dolia bi.!.l from a kindly<br />
uncle when he was determi ned to work his way through art-school. ~Ial ter<br />
<strong>Russell</strong> stands on one side of the startling picture of "s.tence at tne<br />
cross-roads." On the other stands the noble co,npany of Jeans, Eddington,<br />
lUlli.l.
Wa.lter -qussell 5<br />
for television and the younger chi.ldren of the e~ctric fami.ly not yet<br />
born to a generation so accustomed to miracles that It does not even<br />
see them when they come.<br />
Whatever gr0ws out of it all, one thing is clear. Never bet'ore in<br />
history has art in its purest inspirational form joined hands with<br />
science to help humanity understand the structure of the world, of ~an,<br />
and 0 f tile uni verse.<br />
Here is a new thing under theS un, the invisible made visible in<br />
terms of beauty.<br />
Only an artist co ld have accomplished it, and only<br />
an artist could have held to his dream through years of discouragement<br />
until the commg of his opportunity.<br />
A contemporary poet has said that<br />
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every scientist has in him something of the s1)irit
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