25.06.2014 Views

Classical Music - La Scena Musicale

Classical Music - La Scena Musicale

Classical Music - La Scena Musicale

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Gifts<br />

Barenboim West-Eastern Divan Orchestra<br />

Warner Classics 2564<br />

62190-5 (CD + DVD)<br />

On one hand, Daniel<br />

Barenboim’s West-<br />

Eastern Divan Orchestra is<br />

a purely musical Arab-<br />

Israeli peace initiative.<br />

On the other, these<br />

youthful musicians from Israel and Arab countries<br />

make marvelous music together, if this 2004<br />

Geneva concert – Tchaikovsky’s Symphony No.<br />

5, Verdi’s Force of Destiny Overture and<br />

Sibelius’s Valse Triste – are anything to go by.<br />

This recording is recommended for the<br />

tremendous performances alone – but there’s<br />

more: a film of the above concert, a documentary<br />

on the orchestra and 83 minutes of wideranging<br />

conversations between Israel-born<br />

Barenboim and Palestinian-American scholar<br />

Edward Said, on which their book Parallels and<br />

Paradoxes is based. Robert Jordan<br />

Glenn Gould at the Movies<br />

Sony<br />

In 1972 I attended, with<br />

my future wife Peg, a<br />

piano student, a showing<br />

of Slaughterhouse-Five,<br />

directed by George Roy<br />

Hill from Kurt Vonnegut's<br />

novel. The soundtrack<br />

was performed by Glenn Gould and contained<br />

a number of newly recorded Bach pieces from<br />

the Goldberg Variations and Brandenburg<br />

Concerto, as well as some incidental music<br />

composed by Gould. The movie remains, the<br />

perfect blend of image and music, and contains<br />

some splendid playing by Gould. It was also my<br />

introduction to the piano pieces of Bach. The<br />

original soundtrack is now out of print, though<br />

Sony has released it, with other Gould film work<br />

(from The Wars, and Thirty-Two Short Films<br />

About Glenn Gould) on Glenn Gould at the<br />

Movies. Gordon Morash<br />

THE MUSIC SCENE STAFF’S<br />

ANNUAL GIFT SUGGESTIONS<br />

Christmas Wish<br />

G.F. Handel: Saul<br />

Rosemary Joshua, Emma Bell, <strong>La</strong>wrence Zazzo,<br />

Jeremy Ovenden, Gidon Saks, etc., RIAS-<br />

Kammerchor, Concerto<br />

Koln/Rene Jacobs<br />

Harmonia Mundi HMC<br />

801877.78<br />

Although the oratorio<br />

“Messiah” by Handel is<br />

the one closely associated<br />

with Christmas, this new recording of his<br />

“Saul” would be a welcome addition to any<br />

music lover’s collection on Christmas morning.<br />

Over the last few years, conductor Rene Jacobs<br />

has released a number of stellar recordings –<br />

last year’s Grammy-award winning release of<br />

“Le Nozze di Figaro” by Mozart, would be just<br />

one. “Saul” is one of the most dramatic oratorios<br />

composed by Handel, and Jacobs and his<br />

talented forces beautifully catch his brilliant<br />

depiction and characterization here. Rick<br />

Phillips<br />

Rossini: Il Turco in Italia<br />

Bartoli, Raimondi, Widmer, Rumetz, Macias, Chorus<br />

and Orchestra of the Zurich Opera House/Franz<br />

Welser-Möst (140 min)<br />

Arthaus 100 369<br />

This could be the funniest<br />

opera production<br />

ever. It is shrewdly directed<br />

by Cesare Lievi to<br />

achieve a buffa-with-avengeance<br />

effect.<br />

Costumes and scenery,<br />

body language and even<br />

facial expressions tastefully<br />

induce laughter. The wayward Donna<br />

Florilla might even come to be regarded as the<br />

definitive stage role for Cecilia Bartoli because<br />

Lievi fully exploits her tendency to comic excess.<br />

Ruggero Raimondi is perfect as the Turk and<br />

Paolo Rumetz gives a Chaplinesque portrayal of<br />

the long-suffering Don Geronio. Franz Welser-<br />

Möst makes the score sparkle and even seizes<br />

control of the stage action to bring the opera to<br />

an end. Stephen Habington<br />

Bernstein: Wonderful Town<br />

Criswell, McDonald, Hampson, European Voices,<br />

Berlin Philharmonic Orchestra/Sir Simon Rattle<br />

(76 min) EuroArts 2052298<br />

Why not celebrate the<br />

New Year as they did in<br />

the Berlin Philharmonic in<br />

2002? Simon Rattle dispensed<br />

with the traditional<br />

lashings of Wagner<br />

and Verdi to present a<br />

semi-staged performance<br />

of Lenny’s breeziest musical<br />

comedy. The imported<br />

American singers are idiomatically perfect<br />

and the BPO shows that it can really swing.<br />

The fun is extended with a complete encore of<br />

Conga! S H<br />

Carl Davis: A Christmas Carol<br />

Kerridge, Walker, Choir and the Northern Ballet<br />

Theatre, BBC Philharmonic/John Pryce-Jones<br />

(86 min) Arthaus 101 193<br />

This DVD captures a<br />

1992 performance of the<br />

ballet based on Dickens’<br />

A Christmas Carol. It is a<br />

generous entertainment<br />

which also answers the<br />

question, “How do you<br />

create a ballet from a<br />

story as familiar as this?”<br />

It takes a good score tailored<br />

to the concept. Here Carl Davis (his<br />

music is a Yuletide pastiche of Aaron Copeland<br />

and Sir Arthur Bliss) meshes very well with<br />

Massimo Morricone's choreography. Newly<br />

released, this DVD could easily become a season<br />

standard.S H<br />

BPO Europa-Konzert 2002 Palermo<br />

Gil Shaham (violin) Berlin Philharmonic<br />

Orchestra/Claudio Abbado (112 min)<br />

EuroArts 2051987<br />

Every year, the BPO is<br />

somewhere else in Europe<br />

as musical ambassadors<br />

for the capital of a united<br />

Germany. In 2002, the<br />

destination was the glorious<br />

Teatro Massimo in<br />

Palermo. The concert<br />

opens with Beethoven’s<br />

Egmont Overture and<br />

concludes with Verdi’s Overture to I vespri<br />

Siciliani. In between, there is a sumptuous<br />

account of the Brahms Violin Concerto with Gil<br />

Shaham as the soloist and an incandescent<br />

Dvořák Symphony No 9, From the New World.<br />

The BPO is in top form and Abbado surpasses<br />

his previous recordings of the principal works.<br />

SH<br />

Gala Reopening of the Teatro <strong>La</strong> Fenice<br />

Vocal soloists, Orchestra and Chorus of the Teatro<br />

<strong>La</strong> Fenice/Riccardo Muti<br />

(66 min) TDK DVW-CORLF<br />

The Gran Teatro <strong>La</strong> Fenice<br />

was built in 1792 and<br />

destroyed by fire (for the<br />

second time) in 1996.<br />

The reopening of the theatre,<br />

restored to its former<br />

splendour, called for<br />

a special concert programme<br />

of pieces with<br />

38 Winter 2006

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!