Classical Music - La Scena Musicale
Classical Music - La Scena Musicale
Classical Music - La Scena Musicale
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Gifts<br />
Barenboim West-Eastern Divan Orchestra<br />
Warner Classics 2564<br />
62190-5 (CD + DVD)<br />
On one hand, Daniel<br />
Barenboim’s West-<br />
Eastern Divan Orchestra is<br />
a purely musical Arab-<br />
Israeli peace initiative.<br />
On the other, these<br />
youthful musicians from Israel and Arab countries<br />
make marvelous music together, if this 2004<br />
Geneva concert – Tchaikovsky’s Symphony No.<br />
5, Verdi’s Force of Destiny Overture and<br />
Sibelius’s Valse Triste – are anything to go by.<br />
This recording is recommended for the<br />
tremendous performances alone – but there’s<br />
more: a film of the above concert, a documentary<br />
on the orchestra and 83 minutes of wideranging<br />
conversations between Israel-born<br />
Barenboim and Palestinian-American scholar<br />
Edward Said, on which their book Parallels and<br />
Paradoxes is based. Robert Jordan<br />
Glenn Gould at the Movies<br />
Sony<br />
In 1972 I attended, with<br />
my future wife Peg, a<br />
piano student, a showing<br />
of Slaughterhouse-Five,<br />
directed by George Roy<br />
Hill from Kurt Vonnegut's<br />
novel. The soundtrack<br />
was performed by Glenn Gould and contained<br />
a number of newly recorded Bach pieces from<br />
the Goldberg Variations and Brandenburg<br />
Concerto, as well as some incidental music<br />
composed by Gould. The movie remains, the<br />
perfect blend of image and music, and contains<br />
some splendid playing by Gould. It was also my<br />
introduction to the piano pieces of Bach. The<br />
original soundtrack is now out of print, though<br />
Sony has released it, with other Gould film work<br />
(from The Wars, and Thirty-Two Short Films<br />
About Glenn Gould) on Glenn Gould at the<br />
Movies. Gordon Morash<br />
THE MUSIC SCENE STAFF’S<br />
ANNUAL GIFT SUGGESTIONS<br />
Christmas Wish<br />
G.F. Handel: Saul<br />
Rosemary Joshua, Emma Bell, <strong>La</strong>wrence Zazzo,<br />
Jeremy Ovenden, Gidon Saks, etc., RIAS-<br />
Kammerchor, Concerto<br />
Koln/Rene Jacobs<br />
Harmonia Mundi HMC<br />
801877.78<br />
Although the oratorio<br />
“Messiah” by Handel is<br />
the one closely associated<br />
with Christmas, this new recording of his<br />
“Saul” would be a welcome addition to any<br />
music lover’s collection on Christmas morning.<br />
Over the last few years, conductor Rene Jacobs<br />
has released a number of stellar recordings –<br />
last year’s Grammy-award winning release of<br />
“Le Nozze di Figaro” by Mozart, would be just<br />
one. “Saul” is one of the most dramatic oratorios<br />
composed by Handel, and Jacobs and his<br />
talented forces beautifully catch his brilliant<br />
depiction and characterization here. Rick<br />
Phillips<br />
Rossini: Il Turco in Italia<br />
Bartoli, Raimondi, Widmer, Rumetz, Macias, Chorus<br />
and Orchestra of the Zurich Opera House/Franz<br />
Welser-Möst (140 min)<br />
Arthaus 100 369<br />
This could be the funniest<br />
opera production<br />
ever. It is shrewdly directed<br />
by Cesare Lievi to<br />
achieve a buffa-with-avengeance<br />
effect.<br />
Costumes and scenery,<br />
body language and even<br />
facial expressions tastefully<br />
induce laughter. The wayward Donna<br />
Florilla might even come to be regarded as the<br />
definitive stage role for Cecilia Bartoli because<br />
Lievi fully exploits her tendency to comic excess.<br />
Ruggero Raimondi is perfect as the Turk and<br />
Paolo Rumetz gives a Chaplinesque portrayal of<br />
the long-suffering Don Geronio. Franz Welser-<br />
Möst makes the score sparkle and even seizes<br />
control of the stage action to bring the opera to<br />
an end. Stephen Habington<br />
Bernstein: Wonderful Town<br />
Criswell, McDonald, Hampson, European Voices,<br />
Berlin Philharmonic Orchestra/Sir Simon Rattle<br />
(76 min) EuroArts 2052298<br />
Why not celebrate the<br />
New Year as they did in<br />
the Berlin Philharmonic in<br />
2002? Simon Rattle dispensed<br />
with the traditional<br />
lashings of Wagner<br />
and Verdi to present a<br />
semi-staged performance<br />
of Lenny’s breeziest musical<br />
comedy. The imported<br />
American singers are idiomatically perfect<br />
and the BPO shows that it can really swing.<br />
The fun is extended with a complete encore of<br />
Conga! S H<br />
Carl Davis: A Christmas Carol<br />
Kerridge, Walker, Choir and the Northern Ballet<br />
Theatre, BBC Philharmonic/John Pryce-Jones<br />
(86 min) Arthaus 101 193<br />
This DVD captures a<br />
1992 performance of the<br />
ballet based on Dickens’<br />
A Christmas Carol. It is a<br />
generous entertainment<br />
which also answers the<br />
question, “How do you<br />
create a ballet from a<br />
story as familiar as this?”<br />
It takes a good score tailored<br />
to the concept. Here Carl Davis (his<br />
music is a Yuletide pastiche of Aaron Copeland<br />
and Sir Arthur Bliss) meshes very well with<br />
Massimo Morricone's choreography. Newly<br />
released, this DVD could easily become a season<br />
standard.S H<br />
BPO Europa-Konzert 2002 Palermo<br />
Gil Shaham (violin) Berlin Philharmonic<br />
Orchestra/Claudio Abbado (112 min)<br />
EuroArts 2051987<br />
Every year, the BPO is<br />
somewhere else in Europe<br />
as musical ambassadors<br />
for the capital of a united<br />
Germany. In 2002, the<br />
destination was the glorious<br />
Teatro Massimo in<br />
Palermo. The concert<br />
opens with Beethoven’s<br />
Egmont Overture and<br />
concludes with Verdi’s Overture to I vespri<br />
Siciliani. In between, there is a sumptuous<br />
account of the Brahms Violin Concerto with Gil<br />
Shaham as the soloist and an incandescent<br />
Dvořák Symphony No 9, From the New World.<br />
The BPO is in top form and Abbado surpasses<br />
his previous recordings of the principal works.<br />
SH<br />
Gala Reopening of the Teatro <strong>La</strong> Fenice<br />
Vocal soloists, Orchestra and Chorus of the Teatro<br />
<strong>La</strong> Fenice/Riccardo Muti<br />
(66 min) TDK DVW-CORLF<br />
The Gran Teatro <strong>La</strong> Fenice<br />
was built in 1792 and<br />
destroyed by fire (for the<br />
second time) in 1996.<br />
The reopening of the theatre,<br />
restored to its former<br />
splendour, called for<br />
a special concert programme<br />
of pieces with<br />
38 Winter 2006