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A COMMUNITY MAGAZINE EDITED, PRINTED and PUBLISHED IN SCOTLAND SINCE 1994 • DISTRIBUTED IN LGBT AND OTHER SELECTED VENUES<br />

<strong>ScotsGay</strong><br />

scotsgay.co.uk £1.50 WHERE SOLD • ISSUE 93<br />

2009<br />

<strong>fringe</strong><br />

coverage by<br />

TONY CHALLIS<br />

VICTORIA COOKE<br />

JOE DANIELS<br />

ANDREW DOYLE<br />

JODIE FLEMING<br />

JOHN HEIN and<br />

MARTIN WALKER<br />

Susan Calman<br />

The Last Woman on Earth


NEWS<br />

DRINK AWARE<br />

TWITS<br />

GIVE STIGMA THE INDEX FINGER<br />

The UK’s only Gay and Lesbian Cruise agency<br />

To celebrate the launch of our website, log on to enter the free prize draw for your chance to<br />

win a fab Mediterranean cruise!<br />

worldpridecruises.co.uk<br />

Tel 0844 884 9501<br />

Free prize draw, no purchase necessary. Closing date 31/07/09. Log on for full details.<br />

Chief Inspector David Lyle<br />

(General Secretary and Scottish Coordinator<br />

of the Gay Police<br />

Association) writes:<br />

The Assistant Chief Constable has<br />

contacted me, in response to my<br />

request, to him, to look at the issue of<br />

the rejection of licence extensions on<br />

the day of Pride Scotia.<br />

He tells me that there were only<br />

two applications for extensions, one,<br />

from 0100 to 0300, the other, from<br />

0300 to 0500. Both were rejected,<br />

with the reason given that, as the<br />

Parade had concluded by 1400, and<br />

the main events by about 1700,<br />

having licences already available to<br />

0100 and 0300 allowed plenty of time<br />

for the provision and consumption of<br />

alcohol in connection with the<br />

occasion.<br />

This is a reason for rejection that<br />

is by no means unique and he does<br />

not feel that there was any issue of<br />

discrimination being applied to the<br />

applications.<br />

I'd be obliged if you could pass<br />

this information on. Obviously, if the<br />

licensees concerned remain<br />

unsatisfied, it is open to them to write<br />

to the Chief Constable and/or the Chair<br />

of the Council's Licensing Board, to<br />

register a complaint.<br />

YOUTH GATHER<br />

Are you fed up doing the same<br />

old things every weekend? Does it feel<br />

like there's nothing else to do? LGBT<br />

Youth Scotland will be holding a three<br />

day National Gathering in Glasgow<br />

which is all about Alternatives. Over<br />

the weekend of 11th-13th Sep you'll<br />

get the chance to try a whole range of<br />

different activities and learn new skills.<br />

To find out more and how to<br />

register, and to nominate people,<br />

groups, events and projects for a<br />

National Gathering Award, please visit:<br />

www.lgbtyouth.org.uk/ng09.htm<br />

EVERYONE IN<br />

EveryOne IN: Working towards<br />

Equality for Minority Ethnic Lesbian,<br />

Gay, Bisexual and Transgender People<br />

in Scotland is the first research of its<br />

kind in Scotland and tackles a subject<br />

that has long been ignored or deemed<br />

"too controversial" to openly discuss.<br />

Funded by the Equality & Human<br />

Rights Commission and delivered in<br />

partnership by Equality Network and<br />

Black and Ethnic Minorities<br />

Infrastructure in Scotland (BEMIS),<br />

EveryOne IN details the findings from<br />

nine months research and will be<br />

launched in Glasgow on 28th Aug. E-<br />

mail Tim Cowen<br />

(timc@equality-network.org) for an<br />

invitation. http://www.equalitynetwork.org/minorityethniclgbt<br />

You can now follow the Equality<br />

Network's LGBT News on Twitter:<br />

https://twitter.com/EN_LGBTNews<br />

CAN'T HELP SINGING<br />

Edinburgh Gay Men's Chorus will<br />

be taking part in the New Town Bar's<br />

big fundraiser on Sat 23rd Aug. They<br />

will perform at some point between<br />

4pm and 6pm.<br />

PROM<br />

"The Big Gay Prom, Big Enough 4<br />

All" has been developed by the West<br />

Lothian LGBT Practitioners Forum and<br />

local young people and will take place<br />

on Fri 21st Aug, 6-10pm, Strathbrock<br />

Partnership Centre, Broxburn.<br />

REGE LEGE ET GREGE<br />

The next date for the brand new<br />

drop in for LGBT young people in<br />

Perth is Wed 26th Aug, 5.30-6.30pm.<br />

For more details, please visit:<br />

www.lgbtyouth.org.uk/perthandkinros<br />

s.htm<br />

IT’S YOUR POLICE SERVICE<br />

– BE PART OF IT<br />

Strathclyde Police is actively<br />

encouraging members from the<br />

Lesbian, Gay, Bisexual and<br />

Transgender (LGBT) communities<br />

to come along and find out more<br />

about careers within Scotland’s<br />

largest force on Sat 22nd Aug.<br />

The event, which will run<br />

from Noon-4pm is being held at<br />

The Gallery of Modern Art, Royal<br />

Exchange Square in Glasgow City<br />

Centre.<br />

It’s hoped that people will<br />

take the time out to pop in and<br />

have a chat with officers about<br />

careers, salaries and Accelerated<br />

Career Development Programme<br />

for Graduates.<br />

Staff from the diversity recruiting team and organisations such as The Gay<br />

Police Association and The National Trans Police Association will be available to<br />

provide advice and information on the roles of police officers, police staff and<br />

special constable as well as answer any questions or queries.<br />

Constable Susan Phee from Strathclyde Police Diversity Department said,<br />

“At Strathclyde Police we encourage people from all walks of life and diverse<br />

backgrounds to join the force.”<br />

“The idea behind this recruitment and information day is to inform anyone<br />

from the LGBT communities about what opportunities are available within the<br />

police, to encourage them to find out what roles are most suited to them and to<br />

potentially join us.”<br />

“Officers and staff from the other organisations will be available for one to<br />

one chats throughout the session and will be able to answer questions, allay any<br />

fears or reservations people might have about joining the police.”<br />

“We really hope people will take the time to drop in to see us”.<br />

Stigma relating to HIV remains significant in the UK. A survey by the<br />

National AIDS Trust in 2007 indicated that 71% of people agree more needs to<br />

be done to tackle prejudice, and that attitudes such as rejection by family and<br />

friends, blame, and guilt relating to HIV transmission remain and are highly<br />

stigmatising. Inaccurate or sensationalised media coverage of issues relating to<br />

HIV fuels stigma.<br />

The People Living with HIV Stigma Index provides a tool that will measure<br />

and detect changing trends in relation to stigma and discrimination experienced<br />

by people living with HIV—it is a research and advocacy initiative that is by and<br />

for people living with HIV and is generating a positive energy for change. It is a<br />

community drive initiative that is generating evidence to better inform and<br />

improve policy and practice to address HIV related stigma in the UK<br />

(www.stigmaindex.org).<br />

-“It’s a big rollercoaster for me—it’s a journey I will never ever forget. I am<br />

not alone. I have been hiding—for what?” [Researcher, London, June]<br />

-“When the nurse put on two gloves I was so humiliated, I mean who<br />

taught her to do that? If this interview is going to make a difference you can ask<br />

me anything you like.” [Participant, London, May]<br />

-“You’re all positive too? OK count me in” [Participant, Manchester, June]<br />

More than 10 HIV organisations in Scotland and the UK and working<br />

together to reach out to many different people living with HIV. We want to hear<br />

your story. If you are living with HIV and would like to get involved, contact the<br />

Stigma Index team by E-mail: UKstigmaindex@ippf.org or phone 020-7127 0017<br />

to participate. Participants will be offered £20 (inclusive of travel expenses) for<br />

completing the questionnaire and the interviews in Scotland will take place in<br />

August-September.<br />

VOTES FOR WOMEN<br />

Edinburgh Young Women's<br />

Suffragettes Project are aiming to put<br />

on an event celebrating the upcoming<br />

100th anniversary of the October 1909<br />

Suffragettes march in Edinburgh. They<br />

want to mark those areas in which<br />

much has changed for all women over<br />

the past century, while also<br />

highlighting those areas where too<br />

little has changed.<br />

The first planning meeting will be<br />

on Mon 24th Aug from 6-8pm at 40<br />

Commercial Street, Leith. For more<br />

information, E-mail:<br />

j.c.ware@sms.ed.ac.uk<br />

<strong>ScotsGay</strong>: a monthly magazine for<br />

LGBT folk and friends.<br />

ISSN: 1357-0595. Unless otherwise stated © Pageprint<br />

Publishers Litd, August 2009. PO Box 666, Edinburgh.<br />

Non profit use of material in the magazine, to which we hold<br />

copyright, will normally be permitted free of charge, but you must<br />

contact us first for permission.<br />

Views expressed in <strong>ScotsGay</strong> don't necessarily<br />

reflect the views of <strong>ScotsGay</strong>. People featured in<br />

<strong>ScotsGay</strong> may identify as lesbian, gay, bisexual,<br />

transgender, straight, or all or none of the above.<br />

Editorial 0131-539 0666<br />

editorial@scotsgay.co.uk<br />

Advertising: 07722 388903<br />

advertising@scotsgay.co.uk<br />

editor John Hein<br />

<strong>fringe</strong> Andrew Doyle & Martin Walker<br />

adverts Jean Genie<br />

web www.scotsgay.co.uk<br />

www.myspace.com/<strong>ScotsGay</strong><strong>Magazine</strong><br />

www.bebo.com/<strong>ScotsGay</strong><strong>Magazine</strong><br />

www.facebook.com/<strong>ScotsGay</strong>


VENUES<br />

& EMPORIA<br />

*denotes <strong>ScotsGay</strong> available<br />

ABERDEEN<br />

CHEERZ<br />

BAR & CLUB*<br />

2-8 Exchange Street.<br />

Tel: (01224) 594511.<br />

Bar: 6pm-Midnight.<br />

Club: Sun-Wed<br />

11.30pm-2am, Thu<br />

9.30pm-2am, Fri<br />

11.30pm-3am, Sat<br />

10pm-3am. Lively gay<br />

bar and club with<br />

entertainment and<br />

more.<br />

www.cheerzbar.net<br />

CLUB<br />

FOUNDATION*<br />

Carnegies Brae.<br />

Wed-Sun 11pm-3am.<br />

Popular club opposite<br />

The Tunnels.<br />

DRAMA*<br />

Club Foundation,<br />

Carnegies Brae.<br />

1st Sat of each month.<br />

10pm-3am. New club<br />

night. Register online<br />

for membership.<br />

E-mail:<br />

info@ilovedrama.co.uk<br />

www.ilovedrama.co.uk<br />

HYPLOC*<br />

72-74 Commerce<br />

Street. Tel: (01224)<br />

580744. Sun Noon-<br />

Midnight, Mon-Sat<br />

11am-Midnight. Gay<br />

bar with weekend<br />

entertainment. Food<br />

also served.<br />

E-mail:<br />

hyploc@btinternet.com<br />

MARKET ARMS*<br />

13 Hadden Street.<br />

Mon-Sat 11am-11pm,<br />

Sun 1-11pm.<br />

Traditional bar with<br />

quizes and karaoke.<br />

WELLMAN'S<br />

HEALTH<br />

STUDIO*<br />

218 Holburn Street.<br />

Tel: (01224) 211441.<br />

Mon-Fri Noon-10pm,<br />

Sat Noon-9pm, Sun 2-<br />

9pm. 8-man Jacuzzi,<br />

sauna, steamroom,<br />

café. Free Internet<br />

access. Massage<br />

available.<br />

E-mail: rod@<br />

wellmans-health-studio.com<br />

www.wellmans-healthstudio.com<br />

DUMFRIES<br />

DUMFRIES LGBT<br />

CENTRE*<br />

26 Brewery Street.<br />

Tel: (01387) 739888.<br />

Mon 9am-5pm, Tue-<br />

Wed 9am-5pm and<br />

7-9pm, Thu 9am-5pm,<br />

Fri 9am-5pm, 6-<br />

9.30pm. Small but<br />

friendly.<br />

MIXED BAG<br />

QOS Hospitality<br />

Lounge, Palmerston<br />

Park.<br />

Tel: (01387) 252441.<br />

Infoline: (01387)<br />

739888. 9pm-2am.<br />

Last Fri of each month.<br />

Monthly club night.<br />

E-mail:<br />

DandG@lgbtyouth.org.uk<br />

www.myspace.com/<br />

mixed_bag_dg<br />

DUNDEE<br />

BROOKLYNS*<br />

2 St Andrew's Lane.<br />

Wed-Sun 7pm-<br />

Midnight. Well<br />

appointed LGBT bar<br />

around corner from<br />

OUT. Entrance under<br />

rainbow flag.<br />

THE GAUGER*<br />

75-79 Seagate.<br />

Tel: (01382) 226840.<br />

Sun 12.30pm-<br />

Midnight, Mon-Sat<br />

11am-Midnight. LGBTfriendly<br />

bar with free<br />

disco Fri & Sat 8pm-<br />

Midnight.<br />

JOCKS HEALTH<br />

CLUB/SAUNA*<br />

11 Princes Street. Tel:<br />

(01382) 451986. Sun-<br />

Thu Noon-10pm,<br />

Fri-Sat Noon-11pm.<br />

Dundee’s newest gay<br />

venue. Sauna, gym,<br />

steamroom, lockers,<br />

lounge, cabins.<br />

E-mail: ask<br />

@jockssauna.co.uk<br />

www.jockssauna.co.uk<br />

OUT*<br />

124 Seagate. Tel:<br />

(01382) 200660. Wed-<br />

Sun 11pm-2.30am.<br />

Good atmosphere,<br />

very popular disco<br />

with wide selection of<br />

sounds and the<br />

occasional act/PA.<br />

EDINBURGH<br />

DURING THE<br />

EDINBURGH<br />

FESTIVALS,<br />

MOST VENUES<br />

HAVE GREATLY<br />

EXTENDED<br />

OPENING HOURS<br />

THE AULD<br />

HOOSE*<br />

23-25 St Leonards<br />

Street.<br />

Tel: 0131-668 2934.<br />

Sun 12.30pm-1am,<br />

Mon-Sat 11.30am-<br />

1am.<br />

Everybody-friendly real<br />

ale bar. Food served:<br />

Mon-Sat 11.30am-<br />

9.30pm, Sun<br />

12.30-8pm.<br />

BLUE MOON<br />

CAFÉ*<br />

1 Barony Street/36<br />

Broughton Street.<br />

Tel: 0131-556 2788<br />

(Bar) or 0131-557<br />

0911 (Office). Sat-Sun<br />

10am-11pm, Mon-Fri<br />

11am-11pm. Food<br />

served until 10pm.<br />

Popular LGBT café.<br />

www.bluemooncafe.co.uk<br />

BOBBIE'S<br />

BOOKSHOP*<br />

220 Morrison Street.<br />

Tel: 0131-538 7069.<br />

Mon-Sat 10am-1pm,<br />

2-5.30pm. Sells a<br />

selection of gay<br />

magazines.<br />

BOOTY*<br />

GHQ, 4 Picardy Place.<br />

Tel: 0131-550 1780.<br />

Info Line: 07736<br />

936650. Sun 11pm-<br />

3am. Club night.<br />

E-mail: dale<br />

@lushmarketing.com<br />

www.club-booty.com<br />

CAFÉ NOM DE<br />

PLUME*<br />

60 Broughton Street.<br />

Tel: 0131-478 1372.<br />

Recently opened<br />

café/bar in the LGBT<br />

Centre. Meals, snacks,<br />

drinks. Free WiFi. Dogs<br />

welcome. Outdoor<br />

smoking area.<br />

E-mail:<br />

info@cafenomdeplume.co.uk<br />

C.C. BLOOM'S*<br />

23-24 Greenside<br />

Place.<br />

Tel: 0131-556 9331.<br />

Sun 7pm-3am, Mon-<br />

Thu 6pm-3am, Fri-Sat<br />

6pm-3am. Two funky<br />

floors! Disco every<br />

night from 11pm.<br />

E-mail:<br />

ccblooms@tiscali.co.uk<br />

www.bebo.com/<br />

CCBloomsNightClub<br />

DEEP BLUE*<br />

1 Barony Street. Tel:<br />

0131-556 2788 (Bar)<br />

or 0131-557 0911<br />

(Office). 4-11pm.<br />

Friendly gay basement<br />

bar. Unobtrusive<br />

music - great for<br />

talking to people.<br />

www.bluemooncafe.co.uk<br />

DV8<br />

Spiders Web<br />

Basement, 258<br />

Morrison Street. Tel:<br />

0131-228 1949. 8pm-<br />

1am. Last Fri of each<br />

month. Fetish club.<br />

E-mail: saltire28<br />

@yahoo.co.uk<br />

http://dv8fetishclub.co.uk<br />

EDINBURGH<br />

LGBT CENTRE*<br />

58a and 60 Broughton<br />

Street. Houses Café<br />

Nom De Plume and<br />

Pride Scotia. Free WiFi<br />

Internet access<br />

(sponsored by<br />

<strong>ScotsGay</strong>). Bought in<br />

1974 by the Scottish<br />

Minorities Group, it is<br />

the only LGBT-owned<br />

LGBT Centre in the UK<br />

and is also the oldest<br />

LGBT Centre in Europe<br />

if not the world. Tel:<br />

0131-556 9471.<br />

Meeting Room<br />

Booking Tel: 07817<br />

533337.<br />

E-mail: hello@edinburgh<br />

lgbtcentre.org.uk<br />

www.edinburghlgbtcentre.org.<br />

uk<br />

ELECTRO-<br />

SEXUAL*<br />

C.C. Bloom’s, 23-24<br />

Greenside Place.<br />

Tel: 0131-556 9331.<br />

11pm-3am. Last Sun<br />

of each month. Club<br />

night.<br />

E-mail: electro-sexual<br />

@live.co.uk<br />

www.bebo.com/ElectroS61<br />

FEVER<br />

Faith Nightclub, 207<br />

Cowgate. Tel: 0131-<br />

225 9764. 11pm-3am.<br />

3rd Sat of each month.<br />

Club night.<br />

www.taste-clubs.com<br />

FRENCHIES<br />

BAR*<br />

89 Rose Street Lane<br />

North. Tel: 07711<br />

862813. Sun 2-11pm,<br />

Mon-Thu Noon-11pm,<br />

Fri-Sat Noon-1am.<br />

Vibrant gay bar<br />

(Edinburgh's oldest) in<br />

the heart of Rose<br />

Street. Under new<br />

management.<br />

E-mail:<br />

frenchies@blueyonder.co.uk<br />

FURBURGER*<br />

GHQ (Back Room), 4<br />

Picardy Place. Tel:<br />

0131-550 1780.<br />

11pm-3am. 2nd Fri of<br />

each month. Popular<br />

women’s club night.<br />

E-mail: furburger.club<br />

@hotmail.co.uk<br />

GHQ*<br />

4 Picardy Place. Tel:<br />

0131-550 1780. Tue-<br />

Sun 5pm-3am. Stylish<br />

bar and club catering<br />

for the capital's<br />

fashionable gay crowd.<br />

www.socialanimal.co.uk/<br />

Edinburgh/GHQ<br />

HABANA*<br />

22 Greenside Place.<br />

Tel: 0131-558 1270.<br />

Sun 12.30pm-1am,<br />

Mon-Sat Noon-1am.<br />

Friendly pre-club bar<br />

popular with locals and<br />

visitors. Free WiFi<br />

Internet.<br />

E-mail: cafehabanaEH1<br />

@mac.com<br />

www.cafehabanaEH1.com<br />

LEATHER &<br />

LACE*<br />

8 Drummond Street.<br />

Tel: 0131-557 9413.<br />

Fax: 0131-557 8336.<br />

Sun Noon-9pm, Mon-<br />

Sat 10am-9pm. 25<br />

Easter Road. Tel:<br />

0131-623 6969.<br />

Noon-6pm. Toys and<br />

video rental.<br />

LGBT CENTRE<br />

FOR HEALTH &<br />

WELLBEING*<br />

9 Howe Street. Tel:<br />

0131-523 1100. LGBT<br />

community centre in<br />

the heart of the New<br />

Town offering a range<br />

of events, courses and<br />

activities. Also<br />

provides meeting<br />

space for community<br />

groups. See website<br />

for listings.<br />

E-mail:<br />

admin@lgbthealth.org.uk<br />

www.lgbthealth.org<br />

LUVELY<br />

Faith Nightclub, 207<br />

Cowgate. Tel: 0131-<br />

225 9764. Info Line:<br />

0131-657 4633.<br />

10.30pm-3am. 1st Sat<br />

of each month. Club<br />

night.<br />

www.luvely.com<br />

MORE<br />

The Speakeasy at<br />

Cabaret Voltaire, 36<br />

Blair Street.<br />

Tel: 0131-220 6176.<br />

11pm-3am. Every Sun<br />

except 1st Sun of each<br />

month. Club night.<br />

Entry is free.<br />

www.bebo.com/ClubMore<br />

NEW TOWN<br />

BAR*<br />

26B Dublin Street. Tel:<br />

0131-538 7775. Sun<br />

12.30pm-1am, Mon-<br />

Thu Noon-1am, Fri-Sat<br />

Noon-2am. Food:<br />

Mon-Fri Noon-3pm.<br />

Popular and busy gay<br />

bar. Real ale. Free WiFi<br />

Internet access.<br />

E-mail: newtownbar@aol.com<br />

www.newtownbar.co.uk<br />

No EIGHTEEN*<br />

18 Albert Place, Leith<br />

Walk. Tel: 0131-553<br />

3222. Mon-Thu Noon-<br />

10pm, Fri-Sun<br />

Noon-11pm. The UK's<br />

first VAT registered gay<br />

sauna! £10 (£8<br />

concessions), £5 after<br />

8pm.<br />

www.number18sauna.com<br />

PLANET*<br />

6 Baxter's Place. Tel:<br />

0131-556 5551. 1pm-<br />

1am. Popular and<br />

busy gay bar with<br />

friendly staff.<br />

E-mail: planetout<br />

@btinternet.com<br />

THE PLAYGIRL<br />

MANSIONS<br />

Lulu, underneath<br />

Tigerlily, 125 George<br />

Street. Tel: 0131-225<br />

5005. Sun 10am-3am.<br />

Mixed. Music policy is<br />

mostly cutting edge<br />

house and disco<br />

classics.<br />

E-mail: info<br />

@luluedinburgh.co.uk<br />

www.playgirlmansions.co.uk<br />

PRISCILLA'S<br />

CABARET BAR*<br />

17 Albert Place, Leith<br />

Walk. Tel: 0131-554<br />

8962. Sun-Fri Noon-<br />

1am, Sat 5am-1am.<br />

Friendly bar putting the<br />

fun back into coming<br />

out!<br />

E-mail: debrakeith11<br />

@yahoo.co.uk<br />

www.bebo.com<br />

/priscillasedinburgh<br />

Q-STORE<br />

5 Barony Street.<br />

Tel/Fax: 0131-477<br />

4756. Sun 1-5pm,<br />

Mon-Fri 11am-7pm,<br />

Sat 11am-6pm.<br />

Scotland's only<br />

licensed gay store. Not<br />

just feelthy pictures -<br />

lifestyle too!<br />

QUEER MUTINY<br />

Queer autonomous<br />

space . See website for<br />

details of events which<br />

are often organised at<br />

short notice.<br />

E-mail: EdinburghQueer<br />

Mutiny@gmail.com<br />

www.queermutiny.tk<br />

www.myspace.com<br />

/queermutiny<br />

THE REGENT*<br />

2 Montrose Terrace.<br />

Tel: 0131-661 8198.<br />

Sun 12.30pm-1am,<br />

Mon-Sat 11am-1am.<br />

Edinburgh’s Gay Real<br />

Ale Pub. CAMRA's<br />

Lesbian & Gay Real<br />

Ale Drinkers meet here<br />

on the 1st Mon of the<br />

month (2nd Mon in<br />

Aug) from 9pm.<br />

E-mail: theregentbar<br />

@tiscali.co.uk<br />

www.lagrad-edinburgh<br />

.org.uk<br />

STEAMWORKS*<br />

5 Broughton Market.<br />

Tel: 0131-477 3567.<br />

Daily 11am-11pm.<br />

Stylish sauna forming<br />

part of busy gay hotel<br />

and sauna complex in<br />

centre of gay quarter.<br />

State-of-the-art<br />

facilities including large<br />

spa pool, sauna cabin,<br />

large steam room,<br />

video room, labyrinth<br />

with themed areas,<br />

café lounge, free<br />

Internet access,<br />

tanning booth.<br />

www.steamworkssauna.co.uk<br />

THE STREET*<br />

2 Picardy Place. Tel:<br />

0131-556 4272. Sun<br />

12.30pm-1am, Mon<br />

4pm-1am, Tue-Sat<br />

Noon-1am. Small but<br />

perfectly formed bar<br />

run by Louise and<br />

Trendy Wendy.<br />

www.myspace.com<br />

/thestreetbar<br />

TASTE<br />

The GRV, 37 Guthrie<br />

Street. Tel: 0131-220<br />

2987. 11pm-3am. 1st<br />

Sun of each month.<br />

Popular club night.<br />

www.taste-clubs.com<br />

www.bebo.com/<br />

tasteclubs<br />

VELVET<br />

WOMEN’S<br />

CLUB NIGHT<br />

The Ark, 5-7 Waterloo<br />

Place. Next date to be<br />

announced. 10.30pm-<br />

3am. For gay girlies<br />

and their LGBTI<br />

friends. DJs Jeremy<br />

and Leatherface,<br />

eclectic genre<br />

spanning music. Great<br />

drinks promos.<br />

E-mail: clubvelvet<br />

@blueyonder.co.uk<br />

www.myspace.com<br />

/clubvelvet<br />

www.webflyers.co.uk/<br />

Flyer/377<br />

WORD POWER*<br />

43-45 West Nicolson<br />

Street. Tel: 0131-662<br />

9112. Sun 12-5pm,<br />

Mon-Sat 10am-6pm.<br />

Independent radical<br />

bookshop.<br />

E-mail: books@wordpower.co.uk<br />

www.word-power.co.uk<br />

GLASGOW<br />

BENNETS*<br />

80-90 Glassford<br />

Street. Tel: 0141-552<br />

5761. Wed-Sun<br />

11.30pm-3am.<br />

Scotland's oldest gay<br />

disco.<br />

www.bennetsnightclub.co.uk<br />

www.bebo.com/<br />

bennetsniteclub<br />

BYBLOS<br />

NIGHTCLUB<br />

Unit Q, Merchant<br />

Square, 75 Albion<br />

Street. Tel: 0141-552<br />

3895. Mon & Tue<br />

11.30pm-3am.<br />

Popular club nights.<br />

£3/£2.<br />

E-mail: information<br />

@tlcglasgow.co.uk or<br />

info@byblosglasgow.com<br />

www.byblosglasgow.com<br />

CCA*<br />

350 Sauchiehall Street.<br />

Tel: 0141-352 4900.<br />

Fax: 0141-332 3226.<br />

Café Tel: 0141-332<br />

7959. Sales & Info:<br />

Tue-Fri 9am-7pm, Sat<br />

10am-7pm. Gallery:<br />

Tue-Sat 11am-6pm.<br />

Café: Tue-Thu 10am-<br />

7.30pm, Fri-Sat 10am-<br />

9pm. Scott Street Bar:<br />

Tue-Wed 5-11pm, Thu<br />

5pm-Midnight, Fri-Sat<br />

5pm-1am. The Centre<br />

for Contemporary Arts.<br />

6 performance and<br />

exhibition spaces, café,<br />

bar. <strong>ScotsGay</strong> available<br />

in bar.<br />

E-mail: gen<br />

@cca-glasgow.com<br />

www.cca-glasgow.com<br />

COURT BAR*<br />

69 Hutcheson Street.<br />

Tel: 0141-552 2463.<br />

Sun 12.30pm-<br />

Midnight, Mon-Sat<br />

9am-Midnight.<br />

Intimate bar. Straight<br />

until mid-evening.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

DELMONICA'S<br />

BAR*<br />

68 Virginia Street. Tel:<br />

0141-552 4803.<br />

Noon-Midnight. DJs<br />

nightly from 9pm. Thu:<br />

Quiz. Sun: Karaoke.<br />

www.socialanimal.co.uk/<br />

GlasgowCityCentre/<br />

Delmonicas<br />

FHQ*<br />

10 John Street. Tel:<br />

0141-553 5851. Mon-<br />

Wed 5pm-Midnight,<br />

Thu 9pm-3am, Fri<br />

5pm-2am, Sat-Sun<br />

Noon-2am. Female<br />

only bar and club.<br />

E-mail: fhq<br />

@g1group.com<br />

www.socialanimal.co.uk/<br />

GlasgowCityCentre/FHQ<br />

THE LANE<br />

60 Robertson Lane.<br />

Tel: 07789 906851.<br />

Irregular hours. Sauna.<br />

Not very busy.<br />

MERCHANT<br />

PRIDE<br />

20 Candleriggs. Tel:<br />

0141-564 1285. Sun<br />

12.30pm-Midnight,<br />

Mon-Fri 4pm-<br />

Midnight, Sat<br />

Noon-Midnight. Bar in<br />

the heart of the<br />

Merchant City.<br />

MODA*<br />

58 Virginia Street. Tel:<br />

0141-553 2553. Mon-<br />

Thu 5pm-1am, Fri-Sun<br />

5pm-3am. Fashionable<br />

pub/club.<br />

www.socialanimal.co.uk/<br />

GlasgowCityCentre/Moda<br />

PILLOW TALK*<br />

45 Virginia Street. Tel:<br />

0141-5521278. Sun<br />

Noon-6pm, Mon-Sat<br />

10.30am-7pm. Toys,<br />

mags, underwear and<br />

more.<br />

THE<br />

PIPEWORKS*<br />

5-10 Metropole Lane.<br />

Tel: 0141-552 5502.<br />

Mon-Thu 11.30am-<br />

11pm, Fri 11.30am-<br />

Sat 6am, Sat Noon-<br />

Sun 11pm. Men's<br />

Health and Leisure<br />

Club. Usual facilities.<br />

£13 (£10 concession).<br />

www.thepipeworks.com<br />

POLO LOUNGE*<br />

84 Wilson Street. Tel:<br />

0141-553 1221. Mon-<br />

Thu 5pm-1am, Fri-Sun<br />

5pm-3am. Long<br />

established pub/club.<br />

Young crowd. Open<br />

Fri-Sun, £5 after<br />

11pm.<br />

www.socialanimal.co.uk/<br />

GlasgowCityCentre/<br />

Polo_Lounge<br />

Q! GALLERY*<br />

87-91 Saltmarket.<br />

Tel/Fax: 0141-552<br />

7575. Text: 07762<br />

722460. Mon-Fri<br />

11am-5pm (during<br />

exhibitions Mon-Sat<br />

11am-5pm). Glasgay's<br />

year-round gallery<br />

dedicated to queer art.<br />

E-mail: info@glasgay.co.uk<br />

www.glasgay.co.uk<br />

<br />

<br />

<br />

<br />

<br />

RELAX<br />

CENTRAL*<br />

3rd Floor, 27 Union<br />

Street. Tel: 0141-221<br />

0415. Sun Noon-<br />

8.30pm, Mon-Sat<br />

11.30am-10pm.<br />

Established gay sauna.<br />

Entry £8.<br />

E-mail: relaxcentral<br />

@hotmail.co.uk<br />

www.relaxcentral.co.uk<br />

REVOLVER BAR*<br />

6a John Street. Tel:<br />

0141-553 2456. Mon-<br />

Fri Noon-Midnight,<br />

Sat-Sun 1pm-<br />

Midnight.<br />

A refreshing antidote<br />

to the current gay<br />

scene. Free WiFi.<br />

www.revolverglasgow.com<br />

SILKS AND<br />

SECRETS*<br />

308 Argyle Street. Tel:<br />

0141-572 1017. Fax:<br />

0141-221 0959. Sun<br />

Noon-5pm, Mon-Sat<br />

10am-6pm.<br />

Clothes and toys<br />

catering for gay,<br />

transvestite and fetish<br />

tastes.<br />

www.silksandsecrets.com<br />

SPEAKEASY*<br />

10 John Street. Tel:<br />

0141-553 5851. Mon-<br />

Wed 5pm-Midnight,<br />

Thu 5pm-3am, Fri<br />

5pm-2am, Sat-Sun<br />

Noon-2am.<br />

Fresh alternative to the<br />

gay scene. Food<br />

served until 9pm.<br />

E-mail: speakeasy<br />

@g1group.com<br />

www.socialanimal.co.uk/<br />

GlasgowCityCentre/Speakeasy<br />

TRON THEATRE<br />

CAFÉ BAR*<br />

Chisholm Street. Tel:<br />

0141-552 8587. Fax:<br />

0141-552 6657. Sun<br />

11am-Late, Mon-Sat<br />

10am-Late.<br />

Friendly theatre bar.<br />

Mixed. Good food.<br />

www.tron.co.uk<br />

THE TUNNEL<br />

84 Mitchell Street. Tel:<br />

0141-204 1000. Wed<br />

HELPLINES and<br />

SWITCH BOARDS<br />

BREATHING SPACE<br />

Mon-Thu 6pm-2am, Fri 6pm - Mon<br />

6am (24 hours at weekends)<br />

Freephone: 0800 838587<br />

www.breathingspacescotland.co.uk<br />

CROSSLYNX NATIONAL TV/TS/TG<br />

HELPLINE<br />

Mon 7.30-9.30pm. Phone: 0141-847<br />

0787 www.crosslynx.org<br />

CUMBRIA AND THE BORDERS GAY<br />

HELPLINE<br />

Nightly 6-9pm. Phone: Bassenthwaite<br />

Lake (01768) 776244<br />

DIVERSITAY LGBT SWITCHBOARD<br />

(DUNDEE)<br />

Mon 7-9pm.<br />

Phone: Dundee (01382) 202620<br />

Write: PO Box 53, Dundee. DD1 3YG.<br />

E-mail: contact@diversitay.org.uk<br />

www.diversitay.org.uk<br />

FIFE HATE CRIME REPORTING<br />

HELPLINE<br />

24 hours. Phone: Freephone 0800<br />

3891425. A freephone number for<br />

people who wish support in reporting to<br />

Fife Constabulary crime motivated by<br />

hate. For further information about the<br />

service or becoming a trained helpline<br />

volunteer, phone us now!<br />

HATE CRIME REPORTING<br />

Nightly 7-10pm. Phone: 0141-847 0647<br />

or Stirling (01786) 469483<br />

11.30pm-3am. Allure:<br />

Club. Entry £3/£2.<br />

E-mail: information<br />

@tlcglasgow.co.uk<br />

www.tunnelglasgow.co.uk<br />

VIOLATE<br />

Violate Club Line:<br />

09099 108174 (60p<br />

per min at all times) or<br />

07939 723387. BDSM<br />

Runs regular clubs at<br />

the Big Joint in South<br />

Street, Glasgow on the<br />

first Sat of the month.<br />

www.violate.co.uk<br />

THE WATERLOO*<br />

306 Argyle Street. Tel:<br />

0141-248 7216. Sun<br />

12.30pm-Midnight,<br />

Mon-Sat Noon-<br />

Midnight. Popular,<br />

crowded, down to<br />

earth drinking shop.<br />

Scotland's oldest gay<br />

bar. Busy, busy, busy!<br />

www.waterloobar.co.uk<br />

HAWICK<br />

LOTHIAN GAY AND LESBIAN<br />

SWITCHBOARD<br />

Mon-Fri 7.30-10pm.<br />

Phone: 0131-556 4049<br />

E-mail: help.switchboard<br />

@btconnect.com www.lgls.co.uk<br />

LOTHIAN LESBIAN LINE<br />

Mon 7.30-10pm.<br />

Phone: 0131-557 0751<br />

E-mail: help.switchboard@<br />

btconnect.com or www.lgls.co.uk<br />

STRATHCLYDE LESBIAN AND GAY<br />

SWITCHBOARD<br />

Nightly 7-10pm.<br />

Phone: 0141-847 0447<br />

E-mail: info@sgls.co.uk<br />

www.sgls.co.uk<br />

STRATHCLYDE LESBIAN LINE<br />

Wed 7.30-10pm.<br />

Phone: 0141-847 0547<br />

www.sgls.co.uk/services1<br />

THT DIRECT<br />

Mon-Fri 10am-10pm, Sat-Sun Noon-<br />

6pm. Phone: 0845 1221200.<br />

LONDON SWITCHBOARD<br />

Daily 10am-11pm.<br />

Phone: 020-7837 7324.<br />

Minicom: 020-7689 8501.<br />

FAX: 020-7837 7300.<br />

E-mail: admin@llgs.org.uk<br />

www.llgs.org.uk www.queery.org.uk<br />

FLIRT*<br />

Base Nightclub, 10<br />

Baker Street. 1st Thu<br />

of each month. 8pm-<br />

1.30am.<br />

LGBT friendly club<br />

night. Free admission,<br />

but you need to<br />

register first at<br />

www.bebo.com/flirtybase<br />

INVERNESS<br />

CACTUS JAK’S<br />

39 High Street. Tel:<br />

(01463) 248906. First<br />

Tue of each month.<br />

9pm-3am. Brought to<br />

you by the Highland<br />

LGBT Forum.<br />

STIRLING<br />

ALBION BAR*<br />

51 Barnton Street. Tel:<br />

(01786) 461252.<br />

Mixed bar. Bar meals<br />

available.<br />

E-mail: cj@albionbar.com<br />

www.albionbar.com<br />

STORNOWAY<br />

AN LANNTAIR*<br />

Kenneth Street. Tel:<br />

(01851) 703307. Mon-<br />

Sat 8.30am-Late. LGBT<br />

friendly arts centre with<br />

bar and restaurant.<br />

Real ale.<br />

E-mail: info@lanntair.com<br />

www.lanntair.com<br />

<strong>ScotsGay</strong> VENUES listings are<br />

FREE<br />

Send your group’s details to<br />

listings@scotsgay.co.uk<br />

For bang up-to-date info visit<br />

www.scotsgay.co.uk/listings


glaschu<br />

GLASGOW<br />

dùn eideann<br />

EDINBURGH<br />

Well folks, I’m doing things a wee bit<br />

different this month as, to be honest, there<br />

is just so much going on that I could not<br />

cover everything so I’ve narrowed it down to<br />

the very best of the best for this month…..<br />

So let us begin!!!!!<br />

MONDAYS: if you are blessed enough<br />

to be here in Glasvegas on a Monday and<br />

not dying from a mammoth sized hangover<br />

like I usually have then Byblos nightclub is<br />

where you want to be, the bar is snazzy…<br />

the crowd quite diverse and it’s always busy<br />

with cheap beverages flowing! What more<br />

could you ask for exactly? Ahh yes, talent!<br />

Well there’s something for everyone as this<br />

night spot attracts a mixture of ages and<br />

both genders so fear not there is something<br />

for everyone!<br />

TUESDAYS: Time to ease into<br />

the week, open from 5pm till 1am a<br />

Tuesday night is in Moda!!! Moda is<br />

next door to the Polo Lounge and<br />

open from 5pm till 1am with drinks<br />

served from £1.80 and the most<br />

amazing cocktails from £2. Credit<br />

crunch prices in a luxurious setting<br />

and it’s even nicer when they have<br />

the roaring fire on!!! DJ Devine gets<br />

you going with his funky tunes with<br />

LUSH from 9pm.<br />

WEDNESDAYS: Has to be Polo<br />

Lounge first as all drinks are a<br />

pound then moving onto Allure at<br />

the Tunnel where DJ Darren is the<br />

master at work and the club<br />

Miss Shivey<br />

glasgow@scotsgay.co.uk<br />

provides Scotland’s busiest gay night. It’s<br />

always good; the crowd are attractive and up<br />

for it and the tunes are cheesy. Jobs a good<br />

un’ basically! But if you aren’t able to put<br />

your dancing on mid week or just don’t<br />

fancy it then the Wii Night in Revolver is a<br />

great alternative and much laid back! Added<br />

bonus being this venue has great staff and<br />

great regulars.<br />

THURSDAYS: Delmonicas time for the<br />

quiz from nine every Thursday with<br />

guaranteed prizes and a rollover cash prize. I<br />

swear that £1,000 will be mine when it<br />

comes up; I’m already swotting up and<br />

intimidating the other team’s lol. Hot tip for<br />

the quiz is in the week before look on the<br />

website for Social Animal to find a question<br />

set by the manager and this will always be<br />

used in the quiz! It’s legal cheating,<br />

fabulous! And when the quiz finishes<br />

and the bar closes if you still want<br />

more then head to Bennets where the<br />

booze is cheap and if you’re signed<br />

onto their new text service entry is<br />

FREE!!!<br />

FRIDAYS: Friday night is party<br />

night, the working week is over and its<br />

time to get drunk and spend your hard<br />

earned!!! The Polo Lounge is<br />

bouncing each and every Friday and<br />

this could be for numerous reasons,<br />

there is the Trophy Room played uber<br />

camp classics (most hilarious when<br />

someone knows all the dance routines<br />

AND performs them) or it could be<br />

because of the top floor which is spacious,<br />

has a new DJ and the most amazing bar and<br />

leather couches to sprawl out on? Or it<br />

could be because it’s where I would be?<br />

Either way, always a good night and keep an<br />

eye out on their Bebo and Social Animal for<br />

possible guest acts!<br />

SATURDAYS: Well this is a hard day as<br />

on the last Saturday of the month there is<br />

Death Disco @ The Arches so if that’s on<br />

then go there!!!! But when that’s not on<br />

there is only one late night Saturday venue<br />

and it sure is an oldie but it’s also a goodie!<br />

Head to Bennets, meet ‘six pound darling’,<br />

drink a Corkys shot and chat up the<br />

bouncers! This experience is a must! Also<br />

the new décor is worth having a swatch at;<br />

the snakeskin seating is terribly fabulous….<br />

Though also wipe clean I notice! Not that<br />

I’m suggesting lewd behaviour ever goes on<br />

or anything!<br />

SUNDAYS: Oft the weekend comes to a<br />

close before another starts smacking us<br />

around yet again so chill the heck out and<br />

head to THE Sunday session that goes on in<br />

Revolver! This is their best and busiest night<br />

with camp classics, movie clips, DJs, mixed<br />

clientele and so much more! Also got to<br />

mention Revolver is doing a Bears night on<br />

Fri 4th Sep, so get ready to growl Bears!<br />

Ah finally the end is near but no I’m not<br />

facing the final curtain, I’m facing the final<br />

call at the bar! Be good ladies and gents and<br />

if you can’t be good then make sure you<br />

don’t get caught! Ta ta for now x<br />

Pillow Talk<br />

45 Virginia St, Glasgow, G1 1TS<br />

Tel. 0141 552 1278<br />

Mon-Sat: 10.30 - 7pm Sun: 12 - 6pm<br />

The Festival is in full swing and it has to<br />

be the best one so far! The city is simply<br />

abounding with gay and gay friendly<br />

comedians, shows, music, one-off club<br />

nights extraordinaire and let’s not forget our<br />

5am drinks licenses!!<br />

Popular Fringe venue Sweet are running<br />

an LGBT night on Sun 23rd Aug from 9pm-<br />

3am. Compered by a Susan Boyle drag<br />

impersonator, the evening will feature<br />

appearances from various <strong>fringe</strong><br />

performers. There will be the usual<br />

discounted drinks and ‘dirty dancing’ in the<br />

basement.<br />

First up - latest news from GHQ is that<br />

they have 3 fantastic new nights on!! Every<br />

Sat, Live from the GHQ Big Top comes<br />

‘Circus Saturdays’! Featuring freak shows,<br />

bearded ladies, acrobats, clowns, tightrope<br />

acts and body art!! Then, every Mon is now<br />

Industry Night, Edinburgh’s biggest trade<br />

night offering free entry and £1 drinks. And<br />

last but not least, Student Wednesdays with<br />

DJ Michelle - with free entry, £2 double<br />

vodkas and mix, £1 for bottled Fosters and<br />

VK! From 11pm ’til way past your bedtime<br />

… esp on a schoolnight!! And shots £1 any<br />

night of the week.<br />

On Tues 25th Aug, it’s the now<br />

infamous World Famous Regent Bar Quiz<br />

with dynamic duo Brett and Siobhan. This is<br />

the most professional, well run quiz night in<br />

Edinburgh, with six different rounds<br />

including a music round. The quiz starts at<br />

9pm, though I’d get there before that if I<br />

were you to secure a seat and get your real<br />

ale in! Just a wee note about the fantastic<br />

food also being served at the Regent Bar,<br />

their menu just seems to get better and<br />

better! Also, Nom de Plume - the Regent’s<br />

little sister - is getting busier as news of its<br />

opening reaches far and wide. With a wicked<br />

menu, variety of coffees, alcoholic drinks<br />

and amazing food - which caters very well to<br />

veggie and vegans - it’s definitely worth a<br />

look.<br />

Also on 25th Aug is new night ‘Hello<br />

Sailor’ at The Street. It’s hosted by Cabaret<br />

artiste Captain Anchor, who is also playing<br />

20th century pop music live! Accompanied<br />

by DJs Beefy & Wolfjazz playing disco and<br />

electronica, the theme code is, of course,<br />

Nautical! Aye aye Captain!<br />

The lovely ladies of Planet have<br />

arranged a fantastic PJ Party! On Sat 29th<br />

Aug from 10pm, Lady Gali and her crowd of<br />

admirers will be getting the PJ’s on for a fun<br />

and messy drinking session in Planet, then<br />

late night camping afterward at Arthur’s<br />

Seat!! Football, barbies and sleeping bags -<br />

sound like your idea of a good time???<br />

(that’s bbq, not Barbie dolls. Or maybe both<br />

… ) Get in touch with the gorgeous Sabrina<br />

at Planet and ask for more details. The price<br />

of entry is as much cupcakes as you can<br />

carry! And on the off-chance that you don’t<br />

own a pair of PJs, your birthday suit will do<br />

the trick!<br />

Café Habana are hosting their biggest<br />

and best drag productions yet, with their<br />

Queens Coco and Misty, and two male<br />

dancers. It promises to be the best show<br />

Habana has seen to date, which takes some<br />

beating! The shows go out each Thu and<br />

Sun night from 11pm, throughout Aug.<br />

Both shows will be different, so if you do<br />

come to the Thu one and can’t get enough,<br />

Jodie<br />

Fleming<br />

edinburgh@scotsgay.co.uk<br />

Get news about<br />

your area included!<br />

E-mail: editorial<br />

@scotsgay.co.uk<br />

be assured that on the Sun there will be a<br />

fresh bit of entertainment to get you going!!<br />

The crew at Habs are also having their<br />

annual Xmas Party this month, to mark the<br />

end of the Festival and also to fuck with the<br />

heads of the tourists!! It’s going to be held<br />

on Sun 30th Aug. There will be many guest<br />

acts in the venue over the Festival, so check<br />

out the posters in the venue for more info!<br />

Taste are holding a one-off club night<br />

on Sun 30th Aug at Faith in Cowgate; it’s a<br />

double-header from two of Edinburgh’s best<br />

loved club nights Taste and Karnival,<br />

featuring the resident DJs from both<br />

clubs!!! There are our well known and loved<br />

DJs Fisher & Price, Ryan Ellis and Mike<br />

Pinkerton in the Main Room and Miss Chris<br />

and Matt Edwards in the Cocktail Bar. Doors<br />

open at 11pm and the club runs until 5am!<br />

As it’s the last night of The Fringe and also a<br />

Bank Holiday weekend, it’s looking to be a<br />

busy night - the best way to wind down<br />

from a fantastic Festival month!!<br />

Also on Sun 30th Aug is a one off<br />

Tackno, which will be held at The Voodoo<br />

Rooms. The theme is Redneck Tackno, and<br />

promises plenty of ‘hillbilly hootenanny’ and<br />

country classics from DJ Trendy Wendy!<br />

Fancy Nancy and her Wild West Heroes will<br />

be flashing the best line dancing logistics…<br />

So get those <strong>fringe</strong>d boots and neckerchiefs<br />

at the ready and get down for a cheesy old<br />

time!! From 11pm onwards.<br />

A fantastic wee find of a venue in Leith<br />

is Kitsch, a gorgeous quirky little gayfriendly<br />

café bar in Leith. They are offering<br />

some fantastic Festival fun throughout Aug,<br />

including two productions with tailor made<br />

dinner ‘n’ drinks packages. The first is the<br />

Festival Bubbly Tea, which features a<br />

selection of sandwiches, cakes and scones<br />

served with a glass of bubbly (or loose leaf<br />

breakfast tea) followed by the play<br />

‘Sequence Of Events’, a thriller directed by<br />

Liam Rudden. This offer is available on Aug<br />

14th, 15th, 20th, 21st, 25th and 26th, from<br />

8pm - for the bargain price of £20! And<br />

also, a one-off special on Sat 22nd Aug, a<br />

showing of ‘Say You Love Me’ by Karen<br />

Herbison. Kitsch are offering a food Platter,<br />

Play and Pudding for only £20!!<br />

Furburger had their festival spectacular<br />

this month on Fri 14th Aug, and their next<br />

ladies night is on Fri 11th Sep at GHQ.<br />

Check out their Facebook page for more info<br />

on what’s happening with the ladies with<br />

good shoes.<br />

This month also saw the resurgence of<br />

huge historical womens’ night Velvet, which<br />

offered fantastic previews of festival<br />

entertainers including lesbians Susan<br />

Calman, Marga Gomez and Hannah Gadsby.<br />

Also the very fantastic Daquiri Dusk and<br />

Vendetta Vain burlesque performers - I was<br />

at the front of the stage, and all I can say is -<br />

HOT!!! Especially Vendetta. Check out the<br />

first name terms! I didn’t even meet her!<br />

Haha! Hopefully Velvet will come up trumps<br />

with another one-off in the near future. It is<br />

a well-missed institution!<br />

And now for the community bit. There’s<br />

a fantastic programme of events on at the<br />

LGBT Centre for Health and Wellbeing over<br />

the coming months. First up, from Wed 9th<br />

Sep - 14th Oct, is a weekly ‘Self-harm Selfhelp’<br />

workshop from 7.30-9pm. It explores<br />

the cause, coping and control of self-harm.<br />

Then, on Tue 22nd Sep, a one off workshop<br />

entitled ‘Talking About Safe Drinking’, from<br />

7-9pm. From Mon 12th Oct - 7th Dec,<br />

there’s a series of Emergency Services<br />

workshops specifically for the LGBT<br />

community, featuring safety information on<br />

everything from first aid to fire. From 6-<br />

8pm. If you would like any more<br />

information on any of these courses, please<br />

contact the Centre staff on 0131-523 1100<br />

or E-mail: admin@lgbthealth.org.uk


dùn deagh<br />

DUNDEE<br />

Hi! I’m Joey - here to keep you up to<br />

date on the Dundee scene. I will try to keep<br />

you informed with what’s gone on and<br />

what’s going on. If you have anything<br />

happening you want mentioned, feel free to<br />

contact me or the Editor.<br />

Firstly I would like to welcome Dundee<br />

back to <strong>ScotsGay</strong>.<br />

Al ot has been going on recently on our<br />

scene. Joyce and Maureen have been busy<br />

making renovations to The Gauger.<br />

Brooklyns is opening again in September.<br />

Dean has added Karaoke to Out’s weekly line<br />

up on Thu.<br />

The Gauger<br />

Open from 11am Mon-Sat pop down for<br />

a wee cheeky lunchtime pint with the lovely<br />

guys and gals on the bar. Anne’s Karaoke on<br />

Wed and Sun is very popular with her lovely<br />

singing groupies who always have a theme<br />

for each night, You might even get a glimpse<br />

of karaoke mascot “Daisy” who makes the<br />

odd appearance. Make sure you get there<br />

early if you want the chance to sing as it<br />

does get busy. New addition to the bar<br />

menu, Smoothie Cocktails are proving<br />

Joey Dunn<br />

dundee@scotsgay.co.uk<br />

popular and DJ Ross’s special cocktails are<br />

a must to try. Date for your Diary: Wed 30th<br />

August - Miss Scarlet Diamonte direct from<br />

London will be making an appearance -<br />

show starts at 9pm. Fri and Sat have DJ<br />

Ross playing the latest tunes and some of<br />

the biggest club classics to get you in the<br />

clubbing mood. Joyce and Maureen and all<br />

the staff would like to thank their customers<br />

for putting up with the ongoing renovations.<br />

They would also like to thank Robbie for<br />

doing the new floor - it’s looking good Mr.<br />

So things to remember<br />

Mon-Tue More relaxed night after the<br />

weekend, jukebox popular these nights.<br />

Wed and Sun Anne’s Karaoke very busy<br />

with theme nights from the groupies.<br />

Thu Getting ready for the weekend.<br />

Fri and Sat DJ Ross taking you to midnight<br />

with his bangin’ tunes, to get you in the<br />

Clubbing mood.<br />

Out<br />

As always the club is busy and a new<br />

night has been added: Karaoke on Thu 9pm-<br />

Midnight. Then DJ Jan takes you into the<br />

week with his camp club classics and any<br />

requests. Out is open 11pm-2.30am Wed-<br />

Sun with resident DJs Dean, Jaime and Jan<br />

providing some of the best tunes out there<br />

and adding their special mix to each night.<br />

Take advantage of the drinks promos on<br />

every night, if you’re not sure what to ask<br />

for, Kerry and Barry will let you know what<br />

promos are running. Check with Out’s Bebo<br />

for updates and a chance to see yourself in<br />

some of the galleries, if you see the camera<br />

(pose people). Out is a very popular disco<br />

and a good time is always had there thanks<br />

to Dean and his team.<br />

Jocks Health Club/Sauna<br />

Jocks has settled in well to the scene<br />

with regular theme days and nights, and for<br />

those more interested in keeping fit the gym<br />

is excellent. Check out their website.<br />

www.jockssauna.co.uk<br />

Well readers, that’s the news for this<br />

month. If you want to get in touch please<br />

do. Until next time: Support your gay scene<br />

and stay safe Guys & Gals!<br />

Joey xx<br />

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SG <strong>fringe</strong><br />

SCOTSGAY’SFREEGUIDETOTHELGBTFRINGE<br />

scotsgay.co.uk<br />

Marga Gomez


SG <strong>fringe</strong><br />

check out more <strong>fringe</strong> reviews at<br />

scotsgay.co.uk<br />

Theatre<br />

Accidental Nostalgia<br />

Traverse<br />

Presented initially as a self-help<br />

conference entitled “How To Change Your<br />

Mind”, Accidental Nostalgia is an awardwinning<br />

multimedia operetta by writer /<br />

performer Cynthia Hopkins. This framework<br />

soon disintegrates as Hopkins leads us on a<br />

journey, both real and metaphorical, into the<br />

terrain of her past. The humorous notion of<br />

whether amnesia can actually have some<br />

benefits turns nasty when Hopkins begins to<br />

mull over the possibility that she may, in fact,<br />

be guilty of patricide.<br />

Hopkins is a multitalented performer,<br />

whose singing voice is both idiosyncratic and<br />

compelling. She is ably supported by the band<br />

Gloria Deluxe, along with Jim Findlay and Jeff<br />

Sugg, who control the live feed projections<br />

throughout the show. It’s an experimental<br />

fusion of physical theatre and live music, which<br />

makes some headway into replicating the<br />

oneiric nature of the introspective process.<br />

That said, the capriciousness of memory is<br />

hardly fresh territory, and the deliberately<br />

shambolic quality of the piece will try the<br />

patience of many theatregoers. In truth, this<br />

wasn’t the show for me, but the talent on<br />

display is undeniable. AD<br />

Comedy<br />

Alun Cochrane is a Daydreamer<br />

(At Night)<br />

Stand III<br />

Filling the last spot of the day at Stand III,<br />

Alun Cochrane doesn’t so much perform a<br />

stand-up routine as he just opens up his brain<br />

to the audience. It’s an interesting experience,<br />

and also a very funny one, with most laughs<br />

coming from the sheer inanity of some of his<br />

daydreams. The hit-rate is impressive too, with<br />

him rarely telling a duff joke, and given that his<br />

act is largely feedline-punchline (albeit<br />

disguised by his relaxed demeanour), this is<br />

indeed an achievement.<br />

His delivery is impeccable as he appears<br />

so laid back that the front row almost want to<br />

be picked on, just because he seems so<br />

friendly! His slow Yorkshire drawl compliments<br />

his timing perfectly and further adds to his<br />

likeability. He is clearly on the verge of<br />

mainstream success, following appearances on<br />

various panel shows and Michael McIntyre’s<br />

Comedy Road Show, and this show is a<br />

testament to the success he so richly deserves.<br />

JD<br />

Comedy<br />

Amsterdam Underground<br />

Comedy Collective<br />

Underbelly<br />

This capacity audience and I began by<br />

being moderately well disposed towards this<br />

young Dutch trio. This lot had last year<br />

delivered a critically acclaimed five star show<br />

with the mighty Han Teeuwen at the helm.<br />

Tonight Martin Koning heads proceedings,<br />

but runs out of steam two minutes in. And<br />

neither the cynical Sander van Opzeeland – who<br />

resorts to shouting at the audience when he<br />

fails to get a laugh – or the bumbling Stefan<br />

Pop, raise more than a non-committal half titter.<br />

Watching one comedian die on their arse<br />

is sad. Watching three, one after the other, is<br />

fucking depressing. MW<br />

Comedy<br />

Anna and Katy<br />

Pleasance Courtyard<br />

There is something incredibly charming<br />

about Anna and Katy which underpins their<br />

often surreal, yet always hilarious performance.<br />

This is sketch comedy but with a difference, as<br />

pigeonholing these two is a lost cause.<br />

Describing what happens in the show would fail<br />

to do it justice, but there are some inspired<br />

sketches which are both baffling and brilliantly<br />

funny.<br />

As is often the case with superb comedy,<br />

the audience is divided. Unsure whether certain<br />

bits are jokes or not, the crowd are at times<br />

reluctant to laugh, with just a few people in<br />

hysterics. These people are the ones to be<br />

trusted, as Anna and Katy are one of the finest<br />

double acts I have seen in a long time. JD<br />

Theatre<br />

Art House<br />

The Zoo<br />

A fascinating portrayal of mental illness,<br />

manipulation and desire. Charlie is a tortured<br />

artist, struggling to live within the confines of a<br />

world that moves too quickly. In a quest to gain<br />

ultimate freedom, posthumous fame and also<br />

reap the benefits, she fakes her death – with the<br />

assistance of her ever-indulgent sister Viva.<br />

The consequences are not, of course, what they<br />

had anticipated, and the result for both women<br />

is catastrophic.<br />

Art House is an interesting glance at what<br />

drives us, how absolute power corrupts and<br />

how freedom always comes at a cost. A truly<br />

original production with a beautifully poetic<br />

script. On the whole the play is well acted,<br />

although there are some wooden moments.<br />

Definitely worth checking out. JF<br />

Comedy<br />

Ava Vidal – Remember,<br />

Remember the 4th of November<br />

The Stand IV<br />

Playing to a ram-packed shoebox room,<br />

one feels Ava Vidal needs a bigger venue, and<br />

what she has in popularity, she lacks in<br />

originality. Whilst the title of her show<br />

references President Obama’s election, this<br />

show is about her. She is at the centre of her<br />

universe, and she wants the world to know.<br />

She tells stories about her dabbling in cocaine,<br />

her time as a prison officer, and about being a<br />

black woman living in Britain. The first two<br />

subjects provide some of the funniest moments<br />

of the show, and are a testament to her skill as<br />

a writer and performer, but sadly, the latter is<br />

the one she dwells on, more or less for the<br />

whole hour, and she does so with very little<br />

originality.<br />

There is no problem with comics<br />

discussing their race or gender, and by<br />

exposing the inherent ridiculousness of<br />

prejudice a comic is able not only to make<br />

people laugh, but also to challenge the way they<br />

think. However, with so many acts targeting<br />

various societal bigotries, originality is vital, and<br />

it is here where Vidal falls flat. Her jokes are<br />

predictable, and she often comes across as a<br />

condescending know-it-all. She complains that<br />

racism still permeates society, and that the<br />

BNP’s rise is representative of that. I’ve never<br />

felt so patronised in all my life. JD<br />

Theatre<br />

Barflies<br />

Traverse @ The Barony<br />

There is something immediately refreshing<br />

about site-specific theatre. Gone are the<br />

conventions of the auditorium, the tilted foam<br />

seats, the interval drinks. The novelty value in<br />

itself is often exciting enough to make the<br />

experience worthwhile. And so it is with<br />

Barflies, in which selected writings of the<br />

American writer Charles Bukowski have been<br />

adapted to a Scottish bar, in this case The<br />

Barony on Broughton Street.<br />

Pioneering theatre company Grid Iron have<br />

hit upon another highly effective conceit, in<br />

which the audience become barflies along with<br />

the characters of the play itself. Drinks are<br />

ordered in the queue outside the venue, and<br />

audience members are invited to sit on the<br />

venue’s own rickety stools in the musky halflight<br />

of this traditional Scottish pub. There’s no<br />

doubt about the sense of intimacy that this<br />

creates, but when the actors begin recklessly<br />

throwing the contents of their glasses about the<br />

place, or when they simulate sex on one of the<br />

bar’s tables, it’s difficult not to feel<br />

uncomfortably close to the action.<br />

Keith Fleming plays Henry, a dipsomaniac<br />

with a prodigious talent for poetry. Gail Watson<br />

plays the women in his life, beginning with the<br />

self-harming Cass, and ending with the<br />

sophisticated Vivienne, who hopes to publish<br />

Henry’s work and reap the financial benefits.<br />

Watson’s range is quite astounding, and<br />

Fleming displays the appropriate combination<br />

of drunken garrulousness and a repressed<br />

desire to be loved.<br />

Accompanied by Silent Dave on the piano,<br />

played by David Paul Jones, this is an<br />

atmospheric and intriguing piece. Ben Harrison<br />

has not shied away from the misogyny of<br />

Bukowski’s writing in his adaptation. Rather it<br />

is pursued to an excessive degree, appropriate<br />

enough for an alcoholic character who does not<br />

do things by halves. Moreover, the pub culture<br />

of Scotland makes Bukowski a sound choice for<br />

an adaptation of this kind, and the location of<br />

Broughton Street makes complete sense; it is<br />

said to have more bars than any other in<br />

Edinburgh.<br />

Some have accused this play of<br />

glamorising alcoholism, but this is a Grid Iron<br />

production, not an episode of Hollyoaks, so we<br />

needn’t be too concerned. AD<br />

Theatre<br />

Becoming Marilyn<br />

Assembly Rooms<br />

A fascinating, sophisticated and lively<br />

narration of how Norma Jean Baker became<br />

Marilyn Monroe, and the devastation this<br />

creation caused. The audience is taken on<br />

Monroe’s journey of coquettish excitements<br />

combined with her hysterical lows. The<br />

performance encapsulates the transformation of<br />

a lonely and unloved small town girl into an<br />

immortal ‘Hollywood whore’, fully exploring<br />

every irony of the starlet’s descent into self<br />

destruction.<br />

Issy Van Randwyck has mastered<br />

Monroe’s sickly-sweet baby voice and unique<br />

vocals, and as she lay on the chaise longue<br />

sparkling, there are moments I could have<br />

sworn it was Monroe herself. This performance<br />

will blow you away! JF<br />

Comedy<br />

Ben Lerman’s Size Matters<br />

Laughing Horse @ Café Renroc<br />

Ben Lerman plays the ukulele. Oh yes, he<br />

does indeed. Passing well, too.<br />

He is also a truly sick and perverted<br />

individual performing songs that I feel sure he<br />

neither learned nor sang at mother's knee<br />

(unless he had an extremely tolerant mother).<br />

His pleasant singing voice combines with<br />

the product of considerable manual dexterity on<br />

his small but perfectly formed instruments to<br />

fill the converted subterranean bakery that<br />

adjoins Renroc's famed Rusty Water<br />

Department.<br />

The cubby New Yorker sings of things he<br />

knows: love, loss, pirates, chubby chasers,<br />

online dating and much more... And has the<br />

intimate space rocking with not inconsiderable<br />

mirth.<br />

It's the intimacy which makes it work.<br />

And why he should be confined to the small<br />

stage - if not a padded cell.<br />

Contains strong language: not suitable for<br />

trendy bisexuals, vegetarians or the politically<br />

correct. Enter this open sewer with an open<br />

mind!<br />

As Edinburghers oft say of the last<br />

omnibus of the evening: not to be missed! JH<br />

Theatre<br />

The Bite-Size’d ‘Breakfast in<br />

Bedlam’<br />

Bedlam Theatre<br />

Five sumptuous portions of mini-comedy,<br />

served with hot coffee, croissants and<br />

strawberries! Each performance involves three<br />

to four different cast members, who offer<br />

polished performances of various skits.<br />

The variety of diverse mini-topics neatly<br />

packed into the hour included: a Victorian scene<br />

of miscommunication and melodrama; an angry<br />

underground passenger who is vexed by<br />

pregnant women and suicide attempts; a<br />

modern-day Bonnie and Clyde who met during<br />

a bank heist; the secret to giving up on<br />

loneliness and being 'found' in love; and the<br />

collision of inner voices against what the heart<br />

really wants.<br />

This is a unique start to the day, with<br />

wonderful performances from a group of<br />

talented and enthusiastic actors. The beauty of<br />

this production is that there are three different<br />

breakfast shows a week - so once you've seen<br />

one, you can go back for two more completely<br />

different ones! JF<br />

Theatre<br />

Blondes<br />

Udderbelly’s Pasture<br />

This show is a mess. Denise Van Outen<br />

has a strong singing voice, and her<br />

appearances on The Big Breakfast all those<br />

years ago proved beyond doubt that she could<br />

raise a smile. But this mishmash of songs and<br />

banter is a vacuous and mind-numbing way to<br />

spend an hour.<br />

Part of the problem is that Van Outen is<br />

simply not an effective joke-teller. There are a<br />

few humorous lines lurking amongst the mire<br />

of inane wittering, but from her lips they<br />

invariably fall flat. The script has been cobbled<br />

together by Jackie Clune, a stand-up comic<br />

who, in contrast, has excellent comic timing.<br />

With Van Outen trying to deliver Clune’s jokes,<br />

the effect is rather like hearing a poem by Yeats<br />

being read aloud by a man with a mangled<br />

tongue.<br />

Jackie Clune is unquestionably a brilliant<br />

stand-up, so the laziness of the writing in<br />

Blondes is all the more vexing. There are even<br />

some jokes at the expense of lesbianism, Van<br />

Outen at one point miming a vomiting action<br />

when she describes lesbian sex. In the context<br />

of the humour in this show, which is about as<br />

anodyne as it gets, it seems unnecessary to<br />

single out gay women as the one minority<br />

group who are worthy of ridicule. It seems<br />

particularly rich given that Jackie Clune was<br />

herself a self-proclaimed “radical feminist<br />

lesbian” for a period of twelve years, until she<br />

“came out” as straight in 2002.<br />

Of course, Clune’s sexuality is her own<br />

business, and no one has the right to pass<br />

judgement. But what is galling is that Clune<br />

subsequently sold her story to the Daily Mail;<br />

the result being an odious, overtly homophobic<br />

article that played directly into the hands of<br />

those right-wing bigots who believe that samesex<br />

orientation is a choice. I presume this was<br />

for financial gain, but when you consider that<br />

recent research has demonstrated that<br />

homophobia is on the rise is schools, and that<br />

Jane Austen’s<br />

Guide to<br />

Pornography<br />

by steven dawson<br />

gay teenagers are six times more likely to<br />

commit suicide that their straight peers, is it<br />

really worth contributing to this culture of hate?<br />

Still, I hope she enjoyed the money.<br />

Gay-bashing aside, the show has some<br />

other cringeworthy low-points. There’s the<br />

karaoke-style projection of lyrics onto a screen,<br />

with Van Outen urging a reluctant audience to<br />

sing along. There’s the scripted audience<br />

participation, which sees Van Outen slagging off<br />

her audience members in a witless and<br />

contrived manner. Most aggravating of all is<br />

Van Outen’s feigned corpsing whenever she<br />

says something that she deems particularly<br />

amusing. At least someone’s laughing. AD<br />

Comedy<br />

The Boom Jennies<br />

Pleasance Dome<br />

These three ladies are pretty sharp – this is<br />

sketch comedy at its most fluid. What’s hard to<br />

place, however, is the subject matter: most of<br />

the scenes, though expertly set, are relatively<br />

tame affairs, firmly grounded in familiar<br />

situations, and tending to drag on just enough<br />

to become a little irritating. But every now and<br />

then they’ll throw in a curveball, something so<br />

surreal it’ll either deliver huge laughs or fall<br />

totally flat.<br />

Many of the sketches depend on the antihumour<br />

of stretching the jokes over long<br />

periods and leaving awkward silences, but<br />

although they get away with it once or twice, it<br />

quickly becomes wearing. The show is<br />

redeemed, however, by a few truly clever ideas:<br />

a has-been George Lazenby is a highlight.<br />

Definitely worth a go. ET<br />

Dance & Physical Theatre<br />

Boy In Darkness<br />

The Zoo<br />

“Do you think I am funny?” says the<br />

creature Hyena to the young protagonist of<br />

Mervyn Peake’s Boy In Darkness. “Because I<br />

can tickle your ribs from the inside if you like”.<br />

It’s this kind of menacing sentiment that makes<br />

this story one of the darkest pieces in the Peake<br />

canon, with the obvious exception of Titus<br />

Alone. Peake’s famous “Gormenghast” novels<br />

are astonishing flights of the imagination,<br />

related through beautifully controlled and yet<br />

flamboyant prose, but Boy In Darkness remains<br />

relatively unknown, and theatre company<br />

Curious Directive are to be congratulated in<br />

adapting it for the stage.<br />

The story concerns Titus, the 77th Earl of<br />

Groan, who has escaped from Gormenghast to<br />

experience his first taste of freedom. What<br />

follows is a peculiar adventure culminating in<br />

his meeting with the Lamb, a vicious creature<br />

who transforms people into half-animal hybrids.<br />

Along the way, Titus befriends the Goat, played<br />

with verve and sensitivity by Lydia Rynne.<br />

Peake has had some fun inverting traditional<br />

notions of Christian mythology, and Curious<br />

Directive do their utmost to bring out the more<br />

disturbing elements of his text.<br />

Fiona Mikel’s Lamb is especially effective.<br />

With her eyes shut throughout the production,<br />

irises painted onto her lids, her very presence<br />

exudes a sinister malevolence. Yann Allsopp<br />

plays Titus a little too young, but is nonetheless<br />

a very talented and engaging performer. With a<br />

limited budget, director Kim Pearce has wisely<br />

focused on the physicality of the characters in<br />

From the team that brought you last year’s hit comedy<br />

‘Adventures of Butt Boy & Tigger’ comes an even<br />

classier bit of filth!<br />

“…high-camp, comical, raunchy, romantic and tender<br />

– sometimes all in the same scene!”<br />

Adelaide Theatre Guild<br />

“Dawson presents a performance that is lighthearted<br />

and fun so sit back and enjoy the ride.<br />

You won’t be disappointed.”<br />

aussietheatre.com<br />

“...an emotive, multifaceted piece of theatre.”<br />

australianstage.com.au<br />

Zoo Southside (venue no. 82)<br />

Aug 7th - Aug 31st (Previews 7th & 8th All Tickets £6.50)<br />

(No shows 11th,18th & 25th)<br />

1700 (70 mins) Tickets £8.50/£6.50 Weekend £9.50/£7.50<br />

Bookings 0131 662 6892 www.zoofestival.co.uk<br />

www.ed<strong>fringe</strong>.com<br />

Out Cast Theatre, Melbourne


SG <strong>fringe</strong><br />

check out more <strong>fringe</strong> reviews at<br />

scotsgay.co.uk<br />

order to immerse us in Peake’s fantastical<br />

world. It’s a notable achievement. AD<br />

Comedy<br />

Bridget Christie<br />

- My Daily Mail Hell<br />

Gilded Balloon<br />

Having worked on the Daily Mail for six<br />

years, Bridget Christie is more than informed<br />

enough to mock the institution of the right,<br />

without sounding preachy in the slightest.<br />

There is a danger of treading on over-familiar<br />

ground when any comic starts laying into the<br />

Mail, but for Christie this isn’t a problem.<br />

Her unique wit, excitable delivery, and<br />

natural charm come to the fore, and she proves<br />

herself to be one of the finest story-tellers on<br />

the circuit. She holds the audience perfectly as<br />

she tells anecdotes from her time at the paper<br />

which all expose its ridiculousness, whilst never<br />

coming across as condescending. Her gags are<br />

also superb and sadly some are lost on the<br />

audience. Whilst not quite as left-field and<br />

inventive as her previous King Charles II shows,<br />

there is plenty to applaud here, and Christie<br />

remains one of the finest comics working today.<br />

JD<br />

Comedy<br />

Brigitte Aphrodite in<br />

Suburban Hell<br />

Zoo Southside<br />

Brigitte Aphrodite is certifiable! Living<br />

proof that genius and madness are intrinsically<br />

linked, this quirky David-Bowie-meets-<br />

Tinkerbell hybrid (with a unique and sensational<br />

voice that Kate Nash would envy) immediately<br />

has the audience in the palm of her hand.<br />

Her warm introduction includes adorning<br />

every guest with a smattering of body glitter.<br />

She then proceeds to skilfully sing a clever<br />

commentary on her most random world. From<br />

the toilet cubicle that transports her to fairyland,<br />

her dalliances with eco-woman, and sexual<br />

fantasies about the sweetcorn green giant,<br />

Brigitte’s performance sparkles even more than<br />

the gallons of glitter that accompany her promqueen-meets-rock-fairy<br />

ensemble.<br />

The girl from Bromley has realised her<br />

dream and has broken free from suburban hell!<br />

An original and alternative performance with<br />

interaction that will capture and win over any<br />

audience. JF<br />

Comedy<br />

Bully<br />

Gilded Balloon<br />

There’s a hideously banal section of books<br />

in most bookstores which come under the<br />

genre of ‘Personal Tragedy’, and for the first ten<br />

minutes of this narrative I feared I’d been<br />

cruelly duped into attending a live one-man<br />

indulgence of such a story. However, as the<br />

performance developed, I was transfixed by<br />

Richard Fry’s performance.<br />

Davy is a big, butch, working class bloke<br />

who delivers his narrative in rhyme. It ranges<br />

in speed, pace and intensity as he delves into a<br />

tirade of the cycle of abuse he’s been subjected<br />

to throughout his life. When he reaches his<br />

sexual awakening, his sudden admission of<br />

being gay comes as such a surprise that even I<br />

was genuinely shocked.<br />

Davy details a sad catalogue of<br />

homophobic abuse, from his father, his brother<br />

and schoolmates which leave him feeling<br />

suicidal. The performance does, however,<br />

abound in clever comedy quips, which elevate<br />

what could have otherwise been a complete<br />

tear-fest that would have Trisha Goddard<br />

cumming in her pants.<br />

This narrative is well written, emotionally<br />

performed and fantastically luminal as it<br />

challenges every preconception of a gay man<br />

that ever existed. As Fry’s character develops<br />

and encounters many twists and turns of fate,<br />

he has the audience clutching their ribs and<br />

their Kleenex in equal measure. JF<br />

Music<br />

Camille O’Sullivan<br />

- The Dark Angel<br />

Assembly Hall<br />

Camille O’Sullivan is a truly brilliant<br />

performer. Her cabaret-noire style fits the<br />

ornate Assembly Hall perfectly, and playing to a<br />

full house, she storms it. She is one of the rare<br />

few singers that is able to make her own mark<br />

on every song she covers (or more aptly, she<br />

interprets). Be it the work of Jacques Brel,<br />

David Bowie, or Kirsty McColl, there is no song<br />

O’Sullivan can’t make her own.<br />

Of course, the greatest moments come<br />

when she performs songs by rock’s Prince of<br />

Darkness, Nick Cave. Owing to the narrative<br />

driven style of Cave’s songwriting, O’Sullivan is<br />

able to inhabit the characters with her own<br />

flamboyance to stunning effect.<br />

Receiving tumultuous applause from an<br />

audience that included Alan Rickman, Camille<br />

O’Sullivan has cemented her place as one of the<br />

greatest acts of this year’s festival. See this, if<br />

nothing else. JD<br />

Theatre<br />

A Clockwork Orange<br />

C Chambers Street<br />

If you are at the front here the action is<br />

very close and it’s vivid, visceral action. Not for<br />

the faint hearted.<br />

This is very powerful theatre. I won’t call<br />

it physical theatre, as script and character are<br />

centrally important. We (nearly) all know the<br />

story – or think we do – of the violent “droog”<br />

who is caught, incarcerated, reformed by new<br />

treatments, goes downhill and comes to new<br />

awareness. This production emphasises the<br />

development of the drama and the character,<br />

along with discussion of what makes someone<br />

human, not merely the shocks along the way.<br />

The ensemble acting is excellent. I saw<br />

the third night, and every aspect of the<br />

production ran extremely smoothly. Chelsea<br />

Walker as director has created something very<br />

fine. Most of the cast move between a variety<br />

of roles with great fluidity.<br />

As the central character, top droog Alex,<br />

Jacob Taee bears much of the weight of the<br />

play. He is hugely convincing in his early<br />

enjoyment of violence, and graphically<br />

expresses his later nausea. He enters fully into<br />

his character’s many tribulations. It’s a tough<br />

role, but he has an elegant assurance<br />

throughout. Anna Fox as Branom, Warder, and<br />

Marty fully and variously embodies these<br />

different roles. Nick Pullen as the Chaplain<br />

brings some depth to a role that is difficult to<br />

make exciting. As Minister of the Interior, Emily<br />

Precious is tough, but I’d like to have seen<br />

dignity combined with threat and snarling<br />

deviousness. The production keeps the<br />

audience riveted, and makes its points with<br />

great clarity.<br />

Jacob Taee is known in Edinburgh as a<br />

member of Out of the Blue, an a capella group<br />

who have been a highlight at the <strong>fringe</strong> for a<br />

number of years. The final scene is made, as<br />

much as anything, by the attractive warmth and<br />

tonal richness of his singing voice.<br />

At least half of the audience awarded the<br />

cast a standing ovation. Get your tickets while<br />

they are available. TC<br />

Comedy<br />

Colin Hoult’s Carnival of<br />

Monsters<br />

Pleasance Courtyard<br />

The Pleasance Hut has a high capacity for<br />

a small venue, and what air conditioning it has<br />

is totally ineffectual – luckily, the discomfort<br />

lends itself perfectly to this comedy equivalent<br />

of a sharp kick to the head. This isn’t so much<br />

a sketch show as a menagerie of ill-adjusted<br />

characters, “monsters” if you will, each given<br />

ample time and space to establish themselves<br />

and freak out the audience.<br />

The strength of the show comes from its<br />

never letting up: the cast switch cleanly and<br />

frequently between high-energy rampage and a<br />

kind of poetic intimacy, but each scene and<br />

each character is as powerful and unnerving as<br />

the last. When invited to participate, the<br />

audience find it difficult to resist Hoult’s charm,<br />

though he doesn’t always treat them how they’d<br />

hoped – my only reservation is that the show is<br />

often a little too weird to appeal to all tastes. ET<br />

Theatre<br />

The Contest<br />

Gilded Balloon<br />

A thought-provoking look at how one<br />

careless decision can change the course of your<br />

life and everyone around you.<br />

Two successful art students compete to<br />

win an art school contest, which will result in<br />

the winner being catapulted from obscurity into<br />

the centre of the art world. They’re forced to<br />

question what they really want from life, and are<br />

confronted with what they’ll have to sacrifice to<br />

realise their dreams.<br />

This performance is full of passion,<br />

exploring core values, morals and desires. It<br />

challenges the audience at every turn, and<br />

questions whether what we get is every really<br />

what we wanted – with some valuable lessons.<br />

The performers are extremely convincing<br />

and committed to their roles, which just<br />

heightens the electric atmosphere of the many<br />

twists and turns of an original and innovative<br />

plot. JF<br />

Comedy<br />

Craig Hill - 40 Love…?<br />

Gilded Balloon<br />

Hill explodes onto the stage wearing a<br />

beige kilt and a trilby, oozing sex appeal as he<br />

struts to a Michael Jackson hit. From that<br />

moment the audience are enraptured by this<br />

fantastically charming Glaswegian gay who is<br />

adorable and charming in one breath and<br />

scathingly sharp in another. One gets the<br />

impression Hill could say anything and get<br />

away with it, as he coats his musings in<br />

lashings of charm in this wonderfully clever<br />

show.<br />

Based on 100% audience interaction, Hill<br />

explores the audience’s views of life after 40,<br />

the secrets of a long term relationship and<br />

unapologetically delves into life as a gay man<br />

without having to connect every gag to the topic<br />

– which is very refreshing! Hill has a killer<br />

combination of ego and humility as he cajoles a<br />

butch hetero man from Livingston to play a<br />

romantic role play, and he greets every<br />

audience member at the end to personally thank<br />

them for their attendance.<br />

A lovely man, a fantastic comic, an hour of<br />

your time that will fly by like it’s a second, and a<br />

performance that cannot be missed! Prepare to<br />

laugh like you’ve never laughed before. JF<br />

Theatre<br />

Cross Purpose<br />

C Cubed<br />

Not a whodunnit. Rather a “will they do<br />

it?”<br />

Martha and her mother have run a hotel<br />

for many years, and have murdered many<br />

guests for their money. They plan to rob one<br />

last rich guest and then escape to the sun and<br />

the sea they dream of. A last guest arrives; the<br />

son and brother who left twenty years ago and<br />

who has made a fortune in the sun. He now<br />

wishes to share this. But he also wishes to<br />

observe his family incognito at first.<br />

Reminiscent of something in Roald Dahl? A<br />

touch of Greek tragedy?<br />

The essential thing is establishing<br />

suspension of disbelief in this situation. This is<br />

done by the hard-as-nails and ambitious Martha<br />

(the excellent Beth Richards) and the<br />

exhausted, death-desiring mother (Elesa<br />

Bryers) in their opening conversation. So<br />

mundane and matter of fact that you enter into<br />

their boredom with routine and their frustration<br />

at life’s failings. This introduction to two<br />

sharply defined and contrasting characters is<br />

very successfully carried off, and after that<br />

everything else follows. The son Jan (Sam<br />

Freeman) and his wife Maria (Heida Reed) burst<br />

in, representing all the passion and love of life<br />

that has been missing thus far. They are out of<br />

place here in land-locked Bohemia. The<br />

Algerian Camus (yes, this is one of his)<br />

repeatedly condemns the cold-heartedness and<br />

lovelessness of Europe when compared to the<br />

warmth and vitality that lies beyond it.<br />

In this age of the “War on Ter’r”, with its<br />

increasing tendency to suggest that all is well in<br />

the west but everywhere else is increasingly<br />

“beyond the pale”, this is a salutary approach.<br />

An approach made vividly alive by the<br />

successful direction of Sophy Westendarp and<br />

acting of a high standard which precisely<br />

delineates these contrasting characters. TC<br />

Comedy<br />

Domestic Goddi 2: How to Cope<br />

Pleasance Courtyard<br />

We won’t be spotting the Domestic Goddi<br />

in a Pop Idol final anytime soon, but this series<br />

of chipper comedy sketches is a very pleasant<br />

way to spend an hour. Gathering inspiration<br />

from a variety of television shows, adverts and<br />

stereotypes, they range in amusement factor as<br />

they broach ‘coping’ with 21st century living.<br />

The sketches are complimented by an<br />

imaginative range of costumes and props, as<br />

well as a fantastic soundtrack which offers an<br />

explosion of all-round sensory entertainment.<br />

The highlight of the show is ‘Hot Gear’, a<br />

spoof of Top Gear which sees the Domestic<br />

Goddi ‘heel drag racing’ a pair of killer red<br />

Cavalli heels against a pair of Kurt Geigers. It’s<br />

a moment of pure genius! JF<br />

Comedy<br />

Elvis McGonagall<br />

- One Man and his Doggerel<br />

Gilded Balloon<br />

An in-depth journey into the mind of a<br />

social revolutionary who wants to change the<br />

world. McGonagall delivers his musings<br />

through the medium of poetry, where he has a<br />

random superfluous rant on just about every<br />

topic imaginable.<br />

McGonagall is undoubtedly entertaining,<br />

as well as a skilled poet. His script is a wealth<br />

of researched personal philosophy, and his raps<br />

on Jamie Oliver and Jeremy Clarkston are<br />

exceptional.<br />

However, the arbitrary and sudden<br />

outbursts of volume, together with such a fully<br />

packed, verbose script left me with a bit of a<br />

headache. JF<br />

Theatre<br />

East 10th Street: Self Portrait<br />

with Empty House<br />

Traverse<br />

This is one of the most eccentric shows I<br />

have seen for some time. Lit from beneath like<br />

a narrator from a Hammer horror, writer and<br />

performer Edgar Oliver takes us through his<br />

experiences of living in his New York tenement<br />

apartment. He speaks in a self-consciously<br />

ridiculous drawl, extending his vowels<br />

melodramatically to heighten the absurdity of<br />

his anecdotes; all the better to portray the<br />

outlandish neighbours from his building, a<br />

number of whom seem inexplicably determined<br />

to murder him for sport.<br />

Oliver’s declamatory style makes him<br />

seem as bizarre as the characters he is<br />

describing, but there is a truth to his delivery,<br />

and by the end of the play we begin to believe<br />

that such a grotesque world might actually<br />

exist. Some may grow weary of the lack of<br />

variation in the piece, but I enjoyed both<br />

poeticism of the language and the sheer<br />

ludicrousness of the stories that Oliver tells.<br />

Sometimes it’s fun to be baffled. AD<br />

Dance & Physical Theatre<br />

Elvis Still My Heart<br />

Pleasance Dome<br />

Three young women – Louise Barrett,<br />

Katey Leader and Georgina Pavey – present an<br />

absolute gem of a modern dance show.<br />

It’s circa 1970. Arianne (Leader) is a<br />

Welsh teenager running away from a broken<br />

home. Tasmin (Pavey) is escaping Cornwall<br />

and the sexual abuse of a man who thinks he’s<br />

Jesus. They find each other and move into the<br />

London home of the reclusive Agnes (Barrett).<br />

They soon turn Agnes’ world upside down.<br />

Played out to an Elvis Presley soundtrack,<br />

you need neither be a fan of dance or Elvis to<br />

enjoy this show. Although it occasionally<br />

touches on dark and challenging aspects of<br />

growing up and fitting in, this is ultimately a<br />

feel-good play about love and acceptance which<br />

will have you leaving the theatre with a broad<br />

smile.<br />

Dance is rarely this accessible and<br />

accomplished. A wee treat. MW<br />

Theatre<br />

Facebook Fables<br />

Gilded Balloon<br />

There is a general assumption that any<br />

show basing itself on a current social<br />

phenomenon is going to be god-awful, and<br />

Facebook Fables is no exception. It’s an hour of<br />

watch-checkingly tedious sermonising on the<br />

dangers of revenge and vanity – using the<br />

social networking site as an example. As if the<br />

moral wasn’t trite enough, the three characters<br />

are all shallow stereotypes, which would work<br />

in a sketch, but not in an hour long play –<br />

instead it just adds insult to what is already a<br />

fatal injury.<br />

There are many ways to kill time:<br />

television, computer games, petty crime,<br />

masturbation – all of which result in a more<br />

productive hour than Facebook Fables. JD<br />

Theatre<br />

The Fall of Man<br />

Pleasance Courtyard<br />

Was I wrong in seeing this as a sermon<br />

against adultery? The au pair is in bed in the<br />

tiny venue as we all scuttle round her to our<br />

seats. When we are settled, the father of the<br />

children she minds leaps from amongst the<br />

audience, is fascinated by her, and a sexual<br />

connection is made. This is interspersed with<br />

slabs of Milton’s Paradise Lost – all about the<br />

Genesis story and the tree of knowledge of<br />

good and evil.<br />

Yes, there is graphic sex as advertised; no<br />

prizes for guessing what Veronica (Stephanie<br />

Day) is doing to her employer whilst he is<br />

declaiming about Eve eating the forbidden fruit.<br />

All of which is fine, if watching a middle-aged<br />

man being fellated whilst reciting Milton is your<br />

bag…<br />

There was fire in this production, even if<br />

no visible brimstone. If the wife had appeared<br />

that would have been explosive. But, no such<br />

fireworks.<br />

The relationship, such as it is, does not, of<br />

course, go wrong because God is defied, but<br />

because Peter (Graeme Rose) wants the thrill of<br />

having his ageing body stimulated by a young<br />

beauty, and Veronica wants a privileged life as<br />

the new wife of a prosperous British man. Their<br />

twin aims are completely at odds, so of course<br />

the relationship will fail disastrously.<br />

There are touches of non-Miltonic poetry<br />

as Peter describes and caresses the curves of<br />

Veronica’s body. And Veronica’s accent did<br />

serve to transport me to some of the joys of<br />

foreign travel. However, without the Milton this<br />

would be slight and entirely predictable; with so<br />

much Milton it verged on the tiresome and<br />

almost unintentionally comic. Both characters<br />

are thoroughly immature and unsympathetic –<br />

more grown up characters in the same situation<br />

would have been different. But the Milton - it’s<br />

a bit like a great tiger balanced on a bar of soap.<br />

Did I say soap? TC<br />

Comedy<br />

Felicity Ward – Ugly as a Child<br />

Variety Show<br />

Gilded Balloon<br />

Australian newcomer Felicity Ward’s style<br />

is one that is particularly grating. She is overly<br />

physical, to the point where she sullies her own<br />

punchlines, and this gets annoying quickly as it<br />

slows the show down. The premise of the<br />

show is also flawed, as looking at the pictures<br />

from her childhood that adorn the stage, it is<br />

clear that she was not an especially ugly child,<br />

so one finds it quite difficult to run with her<br />

when she launches into self-deprecating rants<br />

about her youth.<br />

There are some good gags here and she is<br />

a confident performer, but sadly the duff<br />

material outweighs the good, and ultimately the<br />

show lacks anything particularly worthwhile. JD<br />

Comedy<br />

Fergus Craig Still Watches<br />

Neighbours<br />

Pleasance Courtyard<br />

Fergus Craig provides a nostalgic trip<br />

down memory lane, as he peppers humorously<br />

narrated clips from ye olde Neighbours with his<br />

own childhood home movies. The show<br />

manages to combine cute, funny and adorable<br />

elements alongside a social perspective on why<br />

the soap phenomenon captures the attentions<br />

of the masses. I was in awe at how incredibly<br />

well researched this piece of comedy was!<br />

Craig sweeps from topic to topic in a unique<br />

bipolar-esque fashion that whips the audience’s<br />

attention into a frenzy and holds them there. He<br />

discusses the ironic effects of Nurofen, shows<br />

home videos of babies on acid, muses at the<br />

Jason Donovan biography and combines Irish<br />

and Chinese accents. It works, and the result is<br />

a show which I challenge anyone to watch<br />

without laughing at least ten times. JF


SG <strong>fringe</strong><br />

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Dance & Physical Theatre<br />

First Class<br />

Pleasance Courtyard<br />

A man goes to the post office to send a<br />

parcel; unfortunately a woman with a bad<br />

American accent refuses, instead dragging him<br />

around her little charade of Paris. So it is<br />

Michael rediscovers his love for life in a post<br />

office. How quirky, I hear you cry!<br />

It is a shame that the play does not work,<br />

because whilst both members of the cast can<br />

clearly dance and sing, there is simply not<br />

enough dance. Instead of what the audience<br />

wants, the production is adorned with strange<br />

gestures - which seem out of place. At<br />

moments it tries to prove itself in stylish<br />

movement, but this is rare.<br />

The annoyingly chirpy Bea, who clearly<br />

has a love for life, takes boring old Michael on a<br />

tour of her imagination to Paris and changes his<br />

life forever. Theoretically, this should work, but<br />

Bea comes across as creepy more than<br />

anything else. The audience’s concerns are<br />

then left with Michael, who just wants to send a<br />

parcel, not cruise around Paris with a mildly<br />

insane and unbearably enthusiastic spinster.<br />

The talent is most definitely evident<br />

though movement – particularly apparent in the<br />

human Eiffel Tour, and when they convey the<br />

traffic using just hand gestures and noises. But<br />

Paris loses all romanticism because of the<br />

strange characters.<br />

First class I am afraid it is not. VC<br />

Comedy<br />

Four Poofs and a Piano<br />

- Smoke and Mirrorballs<br />

Pleasance Courtyard<br />

One thing must be made clear about Four<br />

Poofs and a Piano: the audience here does not<br />

consist of gay men; it mostly comprises middle<br />

aged women who like to laugh at the queer<br />

boys on the telly. As such, this is not gay<br />

interest – it’s almost offensive to the gay<br />

community – but is instead populist<br />

entertainment which, when taken with a pinch<br />

of salt, is amusing enough.<br />

The humour is crude, and there are cringemaking<br />

puns, plenty of stereotypes, and<br />

ridiculously short shorts. However, this is all a<br />

knowingly tacky affair, and providing you leave<br />

your brain at the door, it’s entertaining. JD<br />

Theatre<br />

George in the Dragon’s Den<br />

Zoo Southside<br />

It is a rare occurrence when suicide seems<br />

like a more viable option than staying until the<br />

end of a play. George in the Dragon’s Den is<br />

quite possibly the worst thing I have ever seen,<br />

and not just on stage.<br />

The press release brags about how this<br />

two-person theatre company has travelled the<br />

world over, playing to thousands of schools –<br />

but if I were a child watching this in assembly,<br />

the ASBO I’d get for killing these two would be<br />

a tempting trade-off. What makes this even<br />

worse is that the play is not listed under the<br />

children’s section in the <strong>fringe</strong>, but under<br />

theatre, with an adult audience in mind. This is<br />

nothing short of offensive.<br />

For a retelling of the legend of George and<br />

the Dragon, this avoids all the possible avenues<br />

of entertainment in place of cringing rhyme, and<br />

amateurish acting. The set consists of a child’s<br />

play tent, and the dragon costume is made from<br />

a stuffed toy snake. The less said about the<br />

references to the TV show Dragons’ Den, the<br />

better.<br />

In short, George in the Dragon’s Den is<br />

awful, embarrassing, and represents everything<br />

that is wrong with humanity. JD<br />

Comedy<br />

Gerry Howell’s Incubation Hour<br />

Underbelly<br />

Gerry Howell’s Incubation Hour is a<br />

strange one. I was thoroughly entertained and<br />

intrigued, but I never really belly-laughed. His<br />

style is one which invites comparison to Eddie<br />

Izzard. Rather than having structured jokes, he<br />

rambles about various thoughts he’s had, with<br />

the humour coming from the ridiculousness.<br />

His musings can be downright surreal – with<br />

him discussing, at great length, an egg. This is<br />

a risky strategy which leaves some of the<br />

audience behind. However, at other times, it<br />

pays off wonderfully.<br />

There’s a lot about Gerry Howell to like.<br />

His random mumblings when not so funny are<br />

endearing, and when he gets them right, they<br />

are hilarious. It’s a worthwhile show which<br />

provides an hour of harmless chortles and<br />

guffaws, but nothing that’ll change the world.<br />

JD<br />

Comedy<br />

Godley’s World<br />

Pleasance Dome<br />

Janey Godley’s back with a vengeance,<br />

with a whole new repertoire of autobiographical<br />

madness from her ‘epicentre of disaster’.<br />

She regales us with tales of her overseas<br />

adventures, as she dissects the LA homeless<br />

contingent, finds herself stricken with hives and<br />

a period on a swine flu infested plane, and<br />

acquires stigmata bruises after smoking angel<br />

dust and crack.<br />

Godley immediately warms the audience<br />

by introducing them as acquaintances as they<br />

come through the door. Her salt of the earth,<br />

candid and unapologetic charm has us riveted<br />

from start to finish, as she talks about her<br />

childhood in Shettleston drinking water out of<br />

puddles, and shares her indignation about<br />

people’s expectations of female comics.<br />

This is a warm, heartfelt, funky and feisty<br />

show. JF<br />

Comedy<br />

Hannah Gadsby – Kiss Me Quick<br />

I’m Full of Jubes<br />

Assembly Rooms<br />

Hannah fell off her bike in the streets of<br />

Edinburgh the day before this performance,<br />

ending up with a serious bout of concussion.<br />

Battling through with cups of tea so she could<br />

perform her show later that night at the<br />

Assembly, followed by a spot on Best of the<br />

Fest, the concussion started to kick its heals in.<br />

With a mammoth headache and lack of<br />

eyesight, David O’Doherty and Adam Hills<br />

rushed Hannah to hospital in an ambulance,<br />

only to be told that she’d had “a wee nasty fall<br />

love” and there was actually nothing to worry<br />

about.<br />

It was all too familiar an event to an<br />

accident prone Gadsby. A large part of her<br />

show features stories of her falling over or<br />

riding into things. She also discuses her<br />

upbringing, her hips and what it’s like to be a<br />

lesbian in Australia.<br />

Gadsby’s deadpan, honest delivery really<br />

works. Her jokes are multilayered and fresh. At<br />

one point she loses her place, complaining of a<br />

headache, and starts eating an audience<br />

member’s ice-cream. It’s the sign of a really<br />

great comedian that we don’t care – ’cos we’re<br />

too busy laughing. MW<br />

Theatre<br />

The Hotel<br />

Assembly @ George Street<br />

This site specific, art instillation of a<br />

comedy is a wonderfully amusing experience.<br />

Guided from George Street, you are checked<br />

into a hotel that might as well be called Fawlty<br />

Towers.<br />

There’s an immediate sense of mayhem to<br />

this piece. On entering you can choose to eat<br />

dinner from a comedy menu. I had a pint of<br />

anti-depressants and a bowl of cornflakes. The<br />

whole room seems slightly cartoon-like, with<br />

joke mouse traps strewn about the place. After<br />

two girls had been roped into a cracker eating<br />

competition, I decided it was time for a drink in<br />

the downstairs bar.<br />

Behind every closed door is a character<br />

with whom to interact. A punished staff<br />

member lives under the stairs, the chefs make a<br />

lot of noise throwing things at the door, and the<br />

French comedian at the bar is wonderfully<br />

absurd.<br />

On returning upstairs, I was offered a key<br />

and sent into a room where I was greeted by a<br />

delinquent guest, swearing and scratching his<br />

scrotum. I quickly dodged for the door to find<br />

myself in the bedroom of a middle-aged<br />

alcoholic using his bathroom as a makeshift<br />

darkroom, scattered with pubic hair. And there<br />

was much more to come, all of it hysterical.<br />

Comedian Mark Watson has done himself<br />

proud with this gem of an idea, and at the same<br />

time changed the traditional ideas of theatre. I<br />

take my hat off to him. VC<br />

Comedy<br />

I’ll Always Think of<br />

You That Way<br />

Gilded Balloon<br />

A charmingly warm and sometimes<br />

humorous performance about the nature of<br />

friendship, mutual support and differing<br />

agendas.<br />

Savannah is a wistful, dreamy creature<br />

who wants to juggle samurai swords and<br />

karmically cleanse the world. Alison is cynical,<br />

disillusioned, depressed and still deeply in love<br />

with her ex. After meeting in a psychiatric<br />

hospital, they forge a five-year friendship which<br />

takes them both on a journey of self-discovery<br />

and change.<br />

From the outset, the show is produced as<br />

Alison’s eulogy to Savannah at her funeral. It’s<br />

a fairly poignant and moving performance, with<br />

some touching and humorous moments.<br />

Despite its inclusion in the “comedy” category<br />

of the <strong>fringe</strong> programme, this piece is<br />

essentially more theatrical than comedic, but<br />

it’s worth a look. JF<br />

Theatre<br />

Internal<br />

Traverse @ Mercury Point Hotel<br />

Internal is nothing short of extraordinary.<br />

When the curtain is raised you are confronted<br />

by a complete stranger. Is it plausible that<br />

within twenty-five minutes the two of you will<br />

share a trusting relationship? Playing on ideas<br />

of speed dating and group therapy, the<br />

astonishing Belgium theatre company<br />

Ontroerend Goed will leave you stunned.<br />

Every experience of Internal will be<br />

different, but this was mine. As the curtain was<br />

raised, I found myself face to face with Yuri. He<br />

examined my face, and I must admit that the<br />

feeling was unpleasant, a kind of immediate<br />

violation. He then led me into a booth and the<br />

four other couples followed suit. He poured me<br />

a drink, I smiled, he smiled, and then he held<br />

my hands.<br />

This surprisingly intimate gesture was only<br />

the beginning. I found myself revealing all<br />

manner of private details to him, details that I<br />

have not even told some of my closest friends.<br />

Yuri told me that our relationship could never<br />

work out because of the age difference.<br />

After this startling tête-à-tête, he guided<br />

me back to the group, his hand around my<br />

waist. What followed was bizarre. He offended<br />

me in front of everyone, but before I could get<br />

upset it suddenly clicked that I was inside a<br />

performance, a cleverly constructed mind game<br />

of sorts.<br />

Internal leaves you with a sense of<br />

violation. All five audience members leave with<br />

their minds pondering over the things they have<br />

experienced: rejection, a kiss, a nude dance.<br />

There are unanswered questions. Someone has<br />

written down your address, but will they ever<br />

actually contact you? Did that twenty-five<br />

minutes mean anything at all?<br />

This performance destroys all conventions<br />

of the theatre, making many uncomfortable.<br />

But to get the most out of it, you have to lose all<br />

your inhibitions and prepare yourself for the<br />

complete demolition of the audience / actor<br />

boundary. Whatever your experience, it is clear<br />

that this company has excelled itself and<br />

possibly created the most inventive and<br />

thought-provoking production at this year’s<br />

<strong>fringe</strong>. VC<br />

Comedy<br />

Jack Whitehall<br />

- Nearly Rebellious<br />

Pleasance Courtyard<br />

There is something about Jack Whitehall<br />

that makes you want to hate him. It could be<br />

his rushed-to-Channel 4 success, his TV<br />

presenter image, even his noncommittal beard!<br />

Whatever it is, I want to loathe him.<br />

But I can’t, and this is because he is a very<br />

good comedian. There’s no doubt that most of<br />

the audience are members of his television<br />

following, but this is all about the live event. He<br />

tells jokes about being prematurely made a star,<br />

his insecurities about being a man, and the<br />

nature of stand-up itself. It’s highly intelligent<br />

stuff, but told in a very accessible way, so it’s<br />

not patronising, and it doesn’t alienate any of<br />

his audience. His delivery is frantic, and the<br />

gags come at breakneck pace, ensuring that the<br />

room never quietens down. It’s a wonder he’s<br />

been snapped up by TV, given that his material<br />

is pretty un-filmable.<br />

So, see Jack Whitehall and you won’t be<br />

disappointed – unless like me you want to hate<br />

him. But then, I’m just a bitter twat. JD<br />

Theatre<br />

Jane Austen’s Guide to<br />

Pornography<br />

Zoo Southside<br />

Australian company Outcast Theatre return<br />

to the <strong>fringe</strong> after last year’s critically acclaimed<br />

sex fuelled debut, ‘The Adventures of Butt Boy<br />

and Tigger’.<br />

This year’s show features a playwright fed<br />

up of specialising in sex scenes, who turns to<br />

the ghost of Jane Austen for advice on how to<br />

come up with something altogether more<br />

romantic. Meanwhile the ghost, perhaps<br />

predictably, has lost interest in the likes of Mr<br />

Darcy and wants to produce something fruiter.<br />

Despite the title, and the publicity material,<br />

there is very little actual sex here. There is<br />

some very funny dialogue and a couple of<br />

surprisingly tender moments. The standard of<br />

acting is higher than much on the <strong>fringe</strong> and for<br />

that the whole cast should be commended.<br />

This is character comedy that holds the<br />

attention - even if it lacks any surprises or<br />

dramatic punch. MW<br />

Comedy<br />

Janeane Garofalo<br />

Gilded Balloon<br />

Janeane Garofalo bounds on stage looking<br />

like Ugly Betty twenty years on. She begins by<br />

apologising in advance for any ‘crass’<br />

comments, and this commences a litany of<br />

apologies at more than half of her gags. Either<br />

because Garofalo felt they were crass, or<br />

because they failed to raise a laugh from the<br />

audience.<br />

I cringed as Garofalo lost her place at least<br />

six times, resorting either to asking an audience<br />

member what she was saying or rustling<br />

through papers she had to help her keep her<br />

place. I love a bit of ad-libbing, but Garofalo’s<br />

disjointed and maniacal jumping from topic to<br />

topic was frankly frustrating.<br />

Occasionally she’d show promise with a<br />

few smile inducing gags, but towards the end<br />

the show descended into chaos as she made<br />

repetitive statements about being an<br />

unapologetic alcoholic and lover of antidepressants,<br />

and apparently forgetting to add<br />

the punch line.<br />

All in all, not the best hour of my life and I<br />

was itching to get out. JF<br />

Comedy<br />

Jo Caulfield Won’t Shut Up!<br />

Stand III<br />

Jo Caulfield’s likeability as a stand-up is<br />

second to none. She has a natural charm which<br />

enamours her audience from the moment she<br />

takes to the stage. Beginning with a brief<br />

discussion with members of the audience, she<br />

never comes across as intimidating, but simply<br />

charming and lovely – her vitriol is saved for<br />

things the audience can agree on.<br />

MPs’ expense claims, Dragon’s Den, and<br />

young loved-up couples all feel the wrath of<br />

Caulfield, and because they are all common<br />

hatreds, the audience is brought along for the<br />

ride.<br />

It’s the sort of comedy that when filmed<br />

would seem quite dull, and the topics quite<br />

mundane, but this is anything but. Live is<br />

where Caulfield shines, and this is because she<br />

is so strong at playing off the attitude of the<br />

room; at one point even berating me for getting<br />

in free with a press pass!<br />

If you like your comedians to be world<br />

class performers who never let the laughter<br />

quieten, Jo Caulfield is the woman for you. JD<br />

Theatre<br />

Killing Me Softly<br />

Gilded Balloon<br />

Richard Fry’s follow up to last year’s<br />

critically acclaimed <strong>fringe</strong> debut, Bully, explores<br />

similar themes of masculinity and domestic<br />

violence. And like Bully it’s a one-man-show<br />

told entirely in verse.<br />

It’s not an easy watch. Brutal domestic<br />

torture is depicted against a backdrop of 80s<br />

karaoke numbers and dirty Bernhard Manning<br />

style jokes. It’s hard to feel sympathy for the<br />

protagonist whose disconnection with other<br />

human beings is not properly explained or<br />

understood.<br />

That said, whilst the darkness of the<br />

subject matter is uncomfortable, the rhyming is<br />

mostly sharp and occasionally beautiful.<br />

Originally conceived as a two-hander, costar<br />

Lizzie Roper apparently pulled out late due<br />

to TV commitments. Fry and director Sarah<br />

Chew should be congratulated for what must<br />

have been some tricky last second re-working.<br />

Killing Me Softly feels more theatrical than<br />

Bully, but it’s less engaging. However, the<br />

future looks bright for this talented writer /<br />

performer. MW<br />

Theatre<br />

Kosh In The Storeroom<br />

Gilded Balloon<br />

This is a real contradiction of a<br />

performance, with moments of magnificent and<br />

moving brilliance juxtaposed against scenes of<br />

monotonous self-indulgence.<br />

This piece of expressive dance theatre tells<br />

the story of Zoe, a woman betrayed by her<br />

married lover, who sets her up for the murder<br />

of his wife. She serves a life sentence, and the<br />

couple meet again on her release.<br />

This is the most professionally produced<br />

performance I’ve seen, with wonderfully<br />

prepared, extravagant props and glamorous<br />

costumes. Sian Williams is amazingly<br />

choreographed, as she moves expertly and<br />

gracefully in different personas and dance<br />

styles. The audience is compelled to watch<br />

each intricate movement of this elegant,<br />

muscled model of perfection.<br />

On the down-side, some of the scenes are<br />

so repetitively long that my attentions started to<br />

wander to my chipped nail polish. Overall, a<br />

great show for someone who appreciates the<br />

beauty of expressive dance. JF<br />

Theatre<br />

A Life in Three Acts<br />

Traverse<br />

A Life in Three Acts is, without a doubt,<br />

the highlight of this year’s <strong>fringe</strong>. The premise<br />

couldn’t be simpler. Over a period of a few<br />

weeks, playwright Mark Ravenhill conducted a<br />

number of conversations with veteran actor<br />

Bette Bourne in his Notting Hill flat. The<br />

conversations were recorded, transcribed,<br />

edited, and are now recreated in the intimate<br />

setting of the Traverse Theatre’s studio space.


SG <strong>fringe</strong><br />

check out more <strong>fringe</strong> reviews at<br />

scotsgay.co.uk<br />

A working-class boy from Stoke<br />

Newington, Bourne has enjoyed a successful<br />

career in the theatre, whilst being an active<br />

force for change as part of the Gay Liberation<br />

Front. He embraced drag in the 60s, at a time<br />

when transvestism was not only considered<br />

outlandish, but was also perilous. He spent a<br />

number of years in a hedonistic drag commune<br />

and, appropriately enough, is best remembered<br />

on the Edinburgh <strong>fringe</strong> for his brilliant<br />

portrayal of the flamboyant Quentin Crisp in Tim<br />

Fountain’s Resident Alien.<br />

Bourne’s life would make for a fascinating<br />

autobiographical book, but Ravenhill’s conceit<br />

in this production is inspired. Sharing these<br />

three hours with the man himself feels like a<br />

privilege. Not once falling into the trap of<br />

sentimentality, Bourne tells his life story with<br />

such candour and charm that we feel somehow<br />

directly implicated in his memories. As<br />

Ravenhill rightly points out in his introduction<br />

to the playtext, “to get the essence of Bette we<br />

needed to see him showing off, singing and<br />

telling stories”. The effect is heightened by the<br />

photographs from Bourne’s past, projected onto<br />

the upstage screen throughout their<br />

conversation. Bourne captures some of the<br />

vitality of his youth in his anecdotes, and to see<br />

him perform against backdrop images of his<br />

former self is a poignant and life-affirming<br />

experience.<br />

To fully appreciate the impact of this piece<br />

you’ll need to see all three acts, each one<br />

presented as a separate performance. But this<br />

moving and often hilarious production will be<br />

one of the best investments of your time in the<br />

festival. AD<br />

Theatre<br />

Little Gem<br />

Traverse<br />

Elaine Murphy’s latest play presents three<br />

women from different generations within a<br />

Dublin family. Kay (Anita Reeves) is a sexually<br />

frustrated woman in her early 60s, caring for<br />

her husband Gem who has been wholly<br />

dependent on her since his stroke. Lorraine<br />

(Hilda Fay) is her middle-aged daughter who,<br />

having experienced something of a breakdown<br />

at work, is looking for a way to bring excitement<br />

back into her life. Her teenage daughter Amber<br />

(Sara Greene) has discovered that she is<br />

pregnant, and is learning to live with the<br />

consequences.<br />

These are familiar challenges in the sphere<br />

of family life, but the unabashed simplicity of<br />

Little Gem is also its strength. Director Paul<br />

Meade has the three women isolated from each<br />

other by spotlights, each occupying their own<br />

small space on the stage. They tell their stories<br />

through direct address, taking turns to offer<br />

more insights into their private concerns and<br />

experiences. It’s not the most original of<br />

concepts, but the form creates the necessary<br />

degree of intimacy for a play that depends so<br />

much on audience empathy.<br />

Hope is burgeoning at the heart of this<br />

piece. As we see Kay’s husband Gem<br />

deteriorate, we learn of Amber’s decision to<br />

name her new baby boy after him; another<br />

simple idea which sees the mourning Kay<br />

enlivened by the possibilities of the future.<br />

Through the simultaneous representation of<br />

these three generations of women, we can see<br />

glimpses of where they have been, and where<br />

they might be going, in the manner of Edward<br />

Albee’s Three Tall Women. Little Gem is a<br />

touching reminder of life’s transience, but also<br />

of its triumphs, and that without our shared<br />

experiences we can barely live at all. AD<br />

Theatre<br />

Little Johnny’s Big Gay Musical<br />

Pleasance Dome<br />

Scottish theatre company, Random<br />

Accomplice, present the return of the musical<br />

spectacular, which was performed to full<br />

houses in 2007 at Glasgow’s gay arts festival,<br />

Glasgay! A one-man show, its star Johnny<br />

McKnight is supported by the gorgeous and<br />

accomplished vocalist Natalie Toyne, and his<br />

band: Karen McIver, Marion Christie and Neil<br />

Cameron.<br />

McKnight depicts the life of working class<br />

Scots lad Little Johnny, looking back at the<br />

formative years. He vibrantly struts, sashays<br />

and sings his coming out story, with<br />

enthusiasm, energy and a cheeky grin.<br />

This show is an absolute delight to watch.<br />

The real pleasure of it isn’t the camp, the<br />

honesty, McKnight’s graphic turns of phrase,<br />

the accomplished dancing, the cracking vocals,<br />

the band, the costumes, the comedy, the<br />

beautiful set, or even the surprisingly up front<br />

depiction of various types of gay sex. No, the<br />

fact is that this is first and foremost good old<br />

fashioned entertainment, performed really well,<br />

which will have you smiling broadly days later<br />

at its memory. MW<br />

Comedy<br />

Lucy Porter - Fool’s Gold<br />

Pleasance Courtyard<br />

As a small woman on a big stage, I<br />

expected Porter to struggle to maintain a<br />

presence. As soon as she appeared however, it<br />

became all too clear that this would not be a<br />

concern. A smile and a wave win her a warm<br />

reception, and she proceeds to address the<br />

latecomers in an opening gambit that could not<br />

have been scripted, a brave move by any<br />

standards. Porter is so easy to like that it’s all<br />

the audience can do to forgive her when she<br />

harasses a minor and accidentally calls<br />

Somerset “retarded,” both with swift apologies.<br />

The jokes are a mixed bag, ranging from a<br />

surreal medical experiment on an audience<br />

member to cheap shots at Michael Jackson and<br />

Jade Goody, but Porter has a manner so<br />

genuine that the weaker material hardly detracts<br />

from the fun. An accomplished and assured<br />

performance. ET<br />

Comedy<br />

Luke Wright<br />

- The Petty Concerns of<br />

Underbelly<br />

The overused term ‘<strong>fringe</strong> favourite’ aptly<br />

applies to stand-up comedian and poet, Luke<br />

Wright. It’s not that he’s improved with age - his<br />

ability was clear when I first saw him around<br />

eight years ago - it’s that every year he has<br />

consistently produced strong and memorable<br />

shows.<br />

In 2009 his theme is ‘petty concerns’, a<br />

self deprecating look at being a ‘nearly famous’<br />

poet who, even though he knows it’s wrong,<br />

can’t help but ‘Google’ his own name when<br />

alone.<br />

There is plenty of comedy to be had from<br />

the outcome of these searches, in a set that<br />

would be strong if stand-up comedy were the<br />

sole attraction. The fact that the gags are<br />

interspersed with sharp, intelligent, often<br />

satirical self penned poems serves to enhance<br />

the show further.<br />

For those that think poetry is boring, I<br />

challenge you to see Luke Wright and not be<br />

thoroughly entertained. MW<br />

Comedy<br />

Marcus Brigstocke - God Collar<br />

Assembly Hall<br />

Marcus Brigstocke, star of Radio 4’s The<br />

Now Show and TV’s Argumental and I’ve Never<br />

Seen Star Wars, is something of a celebrity, and<br />

I am a big fan. If I have learned anything from<br />

years of the <strong>fringe</strong> however, it is that the live<br />

stand-up us festival-goers know and enjoy and<br />

the kind of comedy the general population know<br />

from radio and television are two quite different<br />

creatures. Just as some of the weird and<br />

wonderfully funny acts you see here will never<br />

be commissioned for television, those who<br />

have made it big won’t always deliver under the<br />

pressure of a live gig.<br />

Brigstocke is a wonderfully charming man,<br />

and while the laughs are there, they’re<br />

disappointingly infrequent. Don’t get me<br />

wrong; the man is funny, but he never really<br />

gets the whole room laughing. His stage<br />

presence is somewhat placid for a man who<br />

made his name getting angry, and material<br />

about his kids and a deceased friend is a bit of a<br />

downer. If you’re a fan like me, keep watching<br />

his TV shows, and never meet your idols. ET<br />

Comedy<br />

Mark Thomas - The Manifesto<br />

Stand III<br />

Anyone on the left will be familiar with<br />

Mark’s product. He’s a campaigning,<br />

investigative journalist and writer - his books sit<br />

alongside Naomi Klein, John Pilger and Tony<br />

Cliff on the shelves of progressives. But he is<br />

also a polished and professional stand up<br />

comedian, and so accessible to the masses.<br />

In The Manifesto, he seeks to set a new<br />

political agenda by using policy suggestions<br />

from the audience. At the end of the show the<br />

audience votes, and the winning policy -<br />

alongside those of the other thirteen shows -<br />

gets to be debated with MSPs at a special<br />

meeting held as <strong>ScotsGay</strong> goes to press on<br />

19/08/09 (check our website for an update).<br />

Fourteen shows. Fourteen audiences. Fourteen<br />

policies. An innovative idea.<br />

Mostly though, Mark and the audience are<br />

playing it for laughs. “Ban the Labour Party and<br />

other right wing groups”, and the winner for<br />

tonight: “Require the Daily Mail to print the<br />

following on every front page: ‘This is a fictional<br />

representation of the news. Any resemblance<br />

to real life is purely coincidental’ ” are typical of<br />

the fare on offer from us, the audience. Mark’s<br />

prepared material though, of which there is<br />

plenty, is exceptionally good stuff. This is<br />

genuinely hysterical campaigning satire which<br />

finds the funny in the absurdity of capitalism -<br />

with multinationals, MPs, the police, Bob<br />

Geldolf and arms dealers all getting the<br />

treatment. Where he is different - and better -<br />

than any other popular satirist around today, is<br />

that we are left with no doubt about WHAT WE<br />

CAN DO ABOUT IT.<br />

This show, laugh for laugh, has to be, for<br />

me, the best of the best on this <strong>fringe</strong>. The fact<br />

that it’s also a call to arms has to mean that five<br />

stars aren’t enough. MW<br />

Theatre<br />

Midsummer (A Play with Songs)<br />

Traverse<br />

The sanguine refrain of Midsummer (A<br />

Play with Songs), “change is possible”, is<br />

delivered not by some wizened old sage in a<br />

caftan, but by a ticket machine in Edinburgh’s<br />

Castle Terrace car park. “It’s funny to have a<br />

parking machine doling out philosophical<br />

advice”, remarks Bob, the play’s male character.<br />

But this isn’t a case of the universe offering<br />

inspirational maxims by means of modern<br />

electronic devices (in the manner of the traffic<br />

sign in Steve Martin’s LA Story). Rather, the<br />

implication is that we find inspiration through<br />

the ways in which we choose to interpret the<br />

world around us.<br />

It’s strange that such an uplifting notion<br />

can be found at the heart of a play which is<br />

otherwise concerned with the inevitability of<br />

physical decay. Bob shows the audience<br />

photographs of himself as a child, observing<br />

that the atoms of his youth have long since<br />

disintegrated. But even in this most morbid of<br />

concepts, playwright David Grieg finds humour<br />

and optimism.<br />

Midsummer is a story about the onenight-stand<br />

that doesn’t end. Helena<br />

approaches Bob in an Edinburgh bar and invites<br />

him back to her flat. What begins as an<br />

exercise in sexual gratification soon transforms<br />

into a heady, romantic tour of Scotland’s<br />

capital.<br />

Cora Bissett and Matthew Pidgeon have<br />

excellent on-stage chemistry, successfully<br />

conveying all the excitement of a brand new<br />

relationship and the recklessness that comes<br />

with it. They both play the acoustic guitar<br />

throughout, singing Gordon McIntyre’s uplifting<br />

numbers, all of which brilliantly complement<br />

the rambunctious, knockabout quality of the<br />

piece. It may not be a particularly original<br />

concept, but when a play is this joyous it barely<br />

matters. AD<br />

Theatre<br />

Mother/Son<br />

Sweet Grassmarket<br />

This is a beautiful performance that packs<br />

an emotional punch that will knock you from<br />

here to the end of the festival. I’m not normally<br />

one to get a lump in my throat, but I was<br />

struggling to hold it back by the end.<br />

Solomon’s portrayal of a mother and son<br />

struggling to reconcile the fact that he is gay is<br />

in parts brilliant comedy, in parts stomachchurningly<br />

sad, and throughout is a wonderful<br />

tribute to anyone who has ever come out, and<br />

the family members who have accepted them.<br />

Solomon plays both the part of Bradley,<br />

and of his mother. He does this fantastically<br />

well, adopting the voices and mannerisms with<br />

great skill. He delves into the deeper issues<br />

involved in any family accepting someone as<br />

gay – the denial, the blame, the cure, and then<br />

the rationalisation. Bradley invites his mother<br />

to a gay bar; recommends a Parents & Friends<br />

of Lesbians & Gays Group, and ultimately she<br />

comes out as a radical pro-gay activist who<br />

befriends other waifs and strays whose family<br />

members are not so understanding.<br />

The biggest achievement of this<br />

performance is that it injects emotion into gay<br />

relationships. ‘It’s not just about sex; it’s about<br />

love and companionship’. So much<br />

homophobia is borne from a sexualisation of<br />

gay people, and in this performance Solomon<br />

very successfully achieves portraying the issue<br />

of sexuality as a complete non-issue; whilst<br />

portraying the very sad truth that for so many<br />

people it really is still an issue.<br />

This is a play where love conquers all;<br />

where communication and bravery and using<br />

one’s voice ultimately lead to a close bond and<br />

respect that most of us could only dream of.<br />

This will be one of the most moving hours of<br />

your life to date – and I challenge you to watch<br />

it and leave with dry eyes! JF<br />

Comedy<br />

Mould & Arrowsmith’s<br />

Inventions<br />

Pleasance Dome<br />

Steve Mould and Gemma Arrowsmith are<br />

a charming double act, and their latest offering,<br />

“a geeky sketch comedy”, has some very funny<br />

original ideas.<br />

They hook their hour on a recurring ‘time<br />

machine goes wrong’ gag, utilising concepts<br />

that are deceptively technical in execution.<br />

There are some wonderfully silly PowerPoint<br />

skits, and several jokes using advanced maths<br />

that er, more than add up (sorry). Their off-thecuff<br />

banter with the audience is a joy. They<br />

clearly both relish interaction with the<br />

customers - either one could steal the march on<br />

any improvised sketch show.<br />

Only occasionally do they milk an idea for<br />

a wee bit more than it’s worth, but with comedy<br />

of this high calibre, no-one cares.<br />

Sketch shows are all over the <strong>fringe</strong> this<br />

year - more than ever. This is one of the very<br />

best. I recommend Mould & Arrowsmith to you<br />

without hesitation. MW<br />

Comedy<br />

The Noise Next Door<br />

C Chambers Street<br />

Improvisational comedy is something I am<br />

usually very wary of; at constant risk of looking<br />

contrived, and too regularly requiring the<br />

comedians to work the unworkable and keep it<br />

funny. But, despite my initial reservations, The<br />

Noise Next Door are rare in that they are not<br />

just a good improv group, but they are a<br />

brilliant one. All five of them carry their weight,<br />

and they have clearly been working together for<br />

a while as they all effortlessly set up some<br />

brilliant punchlines for each other, which the<br />

audience appreciates rapturously.<br />

As I said, the most obvious pit-fall of an<br />

improv show is it coming across as contrived,<br />

and too structured, but with The Noise Next<br />

Door, this is not a problem. Working on the<br />

incredibly loose narrative that they have landed<br />

on a mysterious planet, the only obvious<br />

constant in the show was the nature of the<br />

games they’d play.<br />

All in all, it’s a great show that made me<br />

eat my words about improv. JD<br />

Theatre<br />

Once A Catholic<br />

C Chambers Street<br />

This play is a mediocre exploration of<br />

catholic guilt and hypocrisy, as we follow the<br />

curiosities of seven sexually naïve convent girls.<br />

Scenes of nuns force-feeding the girls mashed<br />

potatoes, terrorising them about the evils of<br />

sex, and the priest hurrying along the<br />

confessional so he can make the off-license<br />

before it shuts, are all fairly predictable.<br />

The girls’ acting is, in general, unemotive<br />

and fails to make a connection with the<br />

audience. The shining light of the performance<br />

comes in the form of Derek, the bad boy who<br />

lures the girls into sexual promiscuity. His<br />

acting is phenomenal and he adds a jolt of<br />

enthusiasm into an otherwise bland production.<br />

The show over-ran by an achingly long twentyfive<br />

minutes, by which time I was desperate to<br />

leave. JF<br />

Theatre<br />

Orphans<br />

Traverse<br />

Dennis Kelly’s Orphans opens with a<br />

punch; a quiet evening meal in the suburban<br />

home of married couple Helen and Danny is<br />

interrupted by Helen’s brother Liam, whose<br />

shirt is covered in blood. He seems relatively<br />

unconcerned, and it takes some coaxing to<br />

uncover what has happened. Liam’s revelations<br />

are unconvincing and disingenuous, the sort of<br />

responses one might expect of a child or, as in<br />

the case of Liam, a troubled young man whose<br />

transition to adulthood has been disrupted by<br />

traumatic events in his past.<br />

The real story behind the bloody shirt is<br />

revealed gradually through the course of the<br />

play. As we edge nearer towards the truth, the<br />

picture becomes darker and more disturbing,<br />

particularly when both Helen and Danny begin<br />

to implicate themselves in Liam’s crime in order<br />

to protect him from prosecution.<br />

Kelly has explored similar territory before<br />

in DNA, his 2007 piece for the National<br />

Theatre’s Connections series for teenage<br />

audiences, in which a group of children<br />

inadvertently kill one of their friends and are<br />

forced to invent ways to cover up the crime. In<br />

Orphans the stakes are raised, and the<br />

consequences are even more unsettling.<br />

Above all else, Kelly’s play examines the<br />

implications of social mobility. Helen has<br />

married into Danny’s middle-class world, and<br />

due to Liam’s actions is again forced to<br />

They’re back...<br />

‘Fabulous’<br />

confront the unpleasant realities of her former<br />

life. This contrast is brilliantly realised in<br />

Garance Marneur’s evocative set, which<br />

represents Danny’s Ikea-clad home as a porous<br />

and vulnerable place; the railings from the<br />

outside world a constant visible presence<br />

between gaps in the walls, menacing shadows<br />

from outside frequently penetrating the florid<br />

wallpaper within. The effect is suitably<br />

ominous.<br />

It is worth noting that Kelly’s workingclass<br />

characters often seem to lack a moral<br />

compass, a notion which is slightly off-putting<br />

and, moreover, experientially unsound. That<br />

said, this production succeeds on a number of<br />

levels. The performances by Joe Armstrong,<br />

Claire-Louise Cordwell and Jonathan<br />

McGuinness are flawless. Roxana Silbert’s<br />

direction is taut and perfectly paced. Most<br />

impressive of all is Kelly’s dialogue, which veers<br />

from the hard-hitting to the outright hilarious<br />

without ever feeling contrived. Our<br />

expectations are repeatedly confounded, and by<br />

the end it is difficult to know where our<br />

sympathies should lie. This is visceral and<br />

uncompromising theatre. AD<br />

Theatre<br />

‘Gloriously outrageous’<br />

Out of Chaos<br />

Underbelly<br />

Retelling various Greek myths, Out of<br />

Chaos is a superb show, in both concept and<br />

execution. The myths are retold in an<br />

accessible, yet intellectually stimulating way<br />

that is neither dumbed down, nor overly<br />

academic.<br />

Also, the acting here is superlative, with all<br />

six actors working well together to create<br />

pathos, humour, and energy. Offstage, the<br />

quality is just as high; Mike Tweddle’s direction<br />

is slick and imaginative.<br />

All in all, this is a brilliant production<br />

which succeeds in bringing physical theatre to a<br />

wider audience in an unintimidating way. JD<br />

Scotsman<br />

Chortle<br />

‘Witty, sharp and very funny’<br />

Times<br />

‘Has the audience gasping for more’<br />

STAND THREE VENUE 12<br />

tickets 0131 558 7272<br />

Comedy<br />

Paul Foot: By the Yard<br />

Underbelly<br />

Oxford graduate Paul Foot doesn’t tell<br />

jokes, as much as have an occasional idea. He<br />

bumbles on the stage, sees a stool that<br />

apparently shouldn’t be there, and then with<br />

fumbling and pin-point accurate observational<br />

humour makes us all laugh about it for fifteen<br />

minutes. I say all, perhaps I should say about<br />

two thirds of this capacity audience. A sizable<br />

minority sat stony faced during, well, not just<br />

this routine but the entire show.<br />

Foot’s appearance is ill-fitting and funny.<br />

The clothes are wrong. His hair defies<br />

description. It’s quite old-fashioned, but the<br />

way he looks and indeed, everything he does, is<br />

designed to make you laugh. The fact that<br />

some don’t get it simply makes it funnier.<br />

Suck it and see. You’ll either become a fan<br />

for life and join his growing band of<br />

connoisseurs, or you won’t. MW<br />

List


SG <strong>fringe</strong><br />

check out more <strong>fringe</strong> reviews at<br />

scotsgay.co.uk<br />

Comedy<br />

Paul Sinha<br />

- 39 Years of Solitude<br />

The Stand<br />

Sinha is a comedian of growing stature,<br />

making steady progress with his <strong>fringe</strong><br />

audiences building year on year. This year’s<br />

show focuses on how he, an Asian, gay ex-GP<br />

at the age of 39, has failed to find love, but<br />

seeks solace in quizzing.<br />

The premise of this show must be one of<br />

the dullest on the <strong>fringe</strong>.<br />

Sinha’s strength is in his jokes and their<br />

delivery. The difficulty is that he seems as<br />

interested in telling stories that aren’t<br />

particularly interesting. He rattles through it,<br />

with audience interaction pretty much nonexistent.<br />

However, like a good action flick, if we<br />

forget the unnecessary plot and focus on what<br />

we’re there for - in this case a damn good laugh<br />

- a lot of fun can be had. His observational<br />

comedy is a match for Michael McIntyre,<br />

though probably owes more to Jack Dee. His<br />

car accident routine was hilarious.<br />

To be a great comedian one must be first<br />

and foremost funny. Sinha is. And when he<br />

stops trying to join all the dots in his storytelling<br />

he’ll be big. MW<br />

Theatre<br />

The Play About Charlotte<br />

C Soco<br />

This performance attempts stylish depth,<br />

however only achieves a shallow cliché of a<br />

hundred other mental health storylines. The<br />

eponymous ‘Charlotte’ is a fiction of the central<br />

character’s split psyche; a character created<br />

from the perceived holes in her existence.<br />

There are moments of philosophy and pop<br />

psychology, and the elongated explanation of<br />

why the split personality has occurred<br />

patronises the audience to the extent of<br />

removing any empathy. That said, the actors<br />

are to be credited for their seamless and<br />

passionate performances. The Play About<br />

Charlotte is pleasant enough to watch, but don’t<br />

expect to be challenged or moved. JF<br />

Comedy<br />

Reginald D Hunter:<br />

The Only Apple in the Garden of<br />

Eden and Niggas<br />

Underbelly<br />

Reggie is a laid back comedian with a<br />

cheeky grin, which doesn’t entirely disguise the<br />

edgy routine that he peddles to this grateful<br />

capacity audience.<br />

His material is often based on jokes that<br />

build to a punch line that, when delivered, goes<br />

somewhere quite unexpected. For example, he<br />

explains, at length, why he isn’t gay. Using the<br />

stereotypical language of a regular straight male<br />

comedian, he confides that he likes men, but<br />

the thought of gay sex has always repelled him.<br />

“…but then,” he concludes, “I didn’t used to<br />

like broccoli either.”<br />

This device is also used deftly to discus<br />

swearing, sex, women and race. This is self<br />

deprecating observational humour disguised as<br />

attack.<br />

He was described once as a black<br />

Bernhard Manning. This is preposterous.<br />

Hunter is much more intelligent and infinitely<br />

funnier. Where as Manning’s gigs could turn<br />

into BNP style rallies of hate, Hunter simply<br />

wants everyone to get along. I’d certainly be<br />

more than happy to go for a beer and a smoke<br />

with him. MW<br />

Comedy<br />

Richard Herring<br />

- Hitler Moustache<br />

Underbelly<br />

Following recent and utterly stupid<br />

accusations of racism from the usually sensible<br />

Guardian, there is a sense that Richard Herring<br />

has something to prove tonight: and that he<br />

most certainly did. Playing to a packed room,<br />

Herring wowed the audience with one of the<br />

greatest stand-up routines I have seen.<br />

The premise of the show is itself inspired:<br />

to reclaim the toothbrush moustache from<br />

fascists, like the eponymous Hitler, and to give<br />

it back to comedians, like Charlie Chaplin. So,<br />

looking dapper in a smart black suit, and with<br />

his radical facial fuzz, Herring gets underway<br />

attacking fascism with the best weapon there is<br />

– laughter. Mocking the BNP in a way that is<br />

completely original, and beautifully constructed,<br />

he is able to demonstrate just how<br />

accomplished a stand-up he is. He brings his<br />

vast intelligence and wit to the fore, playing the<br />

audience well, and making off-the-cuff oneliners<br />

about prejudice in the Roman era. He<br />

also brings in some wonderfully snide snipes at<br />

The Guardian for the aforementioned<br />

defamation.<br />

Herring has a brilliant eye for seeing how<br />

the world works, and a small routine about<br />

Michael Jackson is in no way inappropriate, but<br />

instead exposes how destructive fame is. And<br />

it is here where he works best – using his<br />

natural silliness, and his sharp political streak,<br />

he is able to make the audience laugh and think<br />

at the same time. When the hour was up, it<br />

was a true shame he left the stage, as I – and<br />

the audience – would happily have watched<br />

much more. A nigh-on perfect show, which<br />

borders on the overused accolade of “comedy<br />

genius”. JD<br />

Comedy<br />

Rogue Males<br />

Pleasance Courtyard<br />

Adam Riches’ sketch show Rogue Males is<br />

quite simply brilliant. Firstly, each of his four<br />

characters are given enough time to develop,<br />

rather than be crammed into five minutes,<br />

where they become simple stereotypes. All of<br />

the inventions are unique and hilarious, with<br />

Riches proving to be a master of accents and<br />

audience interaction.<br />

Normally, in a venue this small, going after<br />

spectators can be risky, but Riches doesn’t let<br />

the energy dip, making razor-sharp gags off the<br />

cuff which involve the audience, rather than<br />

alienating them.<br />

This is superb sketch comedy, which I<br />

highly recommend. JD<br />

Comedy<br />

Rosie Wilby: The Science of Sex<br />

Sweet Grassmarket<br />

A rather pretty teenage boy in the queue<br />

asks his mate if Rosie Wilby is really a lesbian.<br />

“She’s too girly,” he explains, “she must be<br />

bisexual.” Rather than dismiss this idiot, several<br />

soon-to-be audience members set about<br />

debating the issue. Horrified, but also aware<br />

that I have no idea where Wilby sits on the<br />

Kinsey Scale, I stay silent. The show is called<br />

The Science of Sex, so perhaps the subject will<br />

come up.<br />

Rosie, it turns out, is a rather attractive,<br />

and newly single lesbian. She’s also a character<br />

comedian, and here we’re presented with a<br />

nutty professor persona, which is just subtle<br />

enough to avoid the usual stereotype. Using<br />

diagrams and pretty pictures, she jokes about<br />

sex with surprisingly few obvious knob, or<br />

indeed, ahem, fanny gags.<br />

Although clearly well researched and<br />

written, she isn’t afraid of a little audience<br />

interaction, indeed some of her off-the-cuff<br />

banter with a crazy family in the front row had<br />

me in stitches. Everybody says that Wilby is ‘on<br />

the way up’ and has ‘bags of potential’. I can<br />

only endorse that popular view. MW<br />

Comedy<br />

Russell Kane<br />

- Human Dressage<br />

Pleasance Courtyard<br />

The first show of Russell Kane’s <strong>fringe</strong> run<br />

kicks off with his trademark energy and<br />

flamboyance. It’s a winning formula – his overthe-top<br />

physicality, combined with<br />

self-deprecatory stories – and one which has<br />

earned him not only a career in live stand-up,<br />

but also in television.<br />

However, his liveliness seems to serve two<br />

purposes: to encourage the audience to laugh,<br />

and to hide the lesser material. Whilst a joy to<br />

watch as he prances around the stage, the<br />

stories he tells sometimes suffer from a severe<br />

lack of originality: telling jokes about being<br />

caught masturbating by a relative get old by the<br />

time most people are twelve. An overlong<br />

routine about his right-wing Dad also ends<br />

predictably.<br />

That said, there is much to like here when<br />

you (and Kane) look past the obvious. There<br />

are some brilliant gags about how people<br />

devote their lives to their image, but he never<br />

seems condescending or arrogant about his<br />

world view. All in all, Kane’s whirlwind delivery<br />

carries the audience along, and despite<br />

occasional lapses in material, the laughs keep<br />

coming. JD<br />

Comedy<br />

Scenes of a Sketchual Nature<br />

C Soco<br />

The scene that most got my attention in<br />

this shoddy show was one that involved<br />

alternate boy/girl conversations about a date.<br />

This had some intensity, and no corpsing –<br />

unlike a number of the other sketches. It may<br />

be something they can do well and should<br />

develop. Much of the rest of the show was little<br />

more than classroom improv and is best not<br />

discussed. TC<br />

Comedy<br />

Scott Agnew: Scottish Comedian<br />

of the Year 2008<br />

Underbelly<br />

Imagine the gay son of Amy Winehouse<br />

and Billy Connelly performing a drug fuelled<br />

episode of Still Game. Scott Agnew is the<br />

antidote to Craig Hill's light campery. This is<br />

working class Scottish gay life.<br />

Agnew takes us through his upbringing -<br />

growing up gay in Glasgow to a Catholic family.<br />

He pulls no punches. East End women,<br />

gangsters, tramps, chavs, rent boys and<br />

grandparents’ parents feature. His storytelling<br />

is crisp, efficient and funny. His<br />

characterisations are lively and real.<br />

He's also capable of some lovely oneliners<br />

and he's more than comfortable<br />

departing from the script to banter with the<br />

audience.<br />

Agnew is an immensely talented<br />

performer, who at just 27 isn't just showing<br />

promise, but has already arrived. Catch him<br />

hosting the New Town Bar festival shows every<br />

Sunday at the <strong>fringe</strong> if you want a sneak a peak<br />

for free. MW<br />

Music<br />

Sequins & Shpiel: An Evening<br />

with New York’s Rachael Sage<br />

City Edinburgh<br />

Rachael Sage is an imaginative, versatile,<br />

jazz singer / songwriter whose performance<br />

exudes much sex appeal. Her show begins,<br />

however, with the much quieter twentysomething<br />

keyboardist / vocalist Seth Glier<br />

(who wasn’t introduced) alone in support.<br />

Imagine the voice of a young Art Garfunkel,<br />

singing about his parents, about feeling<br />

isolated, about the melancholy and angst we’ve<br />

we heard so much about from artists in his<br />

genre. Half way through his set he confides,<br />

“This is my first time in the UK ever and I’m<br />

going to move here when I get a career”. We<br />

only found out his name when, in a rare display<br />

of interaction, a member of the audience<br />

demanded to know who he was.<br />

After half an hour came Sage. Almost her<br />

entire set was crafted around self penned<br />

material, taken from across eight albums -<br />

although her cut down version of ‘The Theme<br />

Fame’ was a genuine highlight. For the most<br />

part her performance was brash and ballsy and<br />

thoroughly enjoyable.<br />

An over-excited United States audience<br />

would have lapped this up, no doubt whooping<br />

constantly. But neither Sage’s stunning vocals,<br />

her forays into the audience, or the returning<br />

Glier’s back flips, or the stuff with the kazoo,<br />

got Edinburgh going. “In New York people<br />

don’t respect you unless you make a noise,”<br />

she confides, before adding, “Can somebody<br />

cough?”<br />

One suspects that Sage didn’t quite deliver<br />

the best of herself with this polite audience.<br />

She is clearly an exceptional performer on her<br />

way up, but with a show that feeds on<br />

interaction. Oh, to see her in a jazz club in New<br />

York! MW<br />

Theatre<br />

The Shape of Things<br />

C Chambers Street<br />

Adam (Robert Galas) is working in an art<br />

gallery when Evelyn (Kira Sternbach) strides in,<br />

“crosses the line”, and advances on a statue,<br />

determined to spray onto it the penis that<br />

censors have covered. A relationship begins,<br />

and Evelyn seems the most sympathetic<br />

character as she takes Adam out of his<br />

stuffiness. We meet his friends Jenny (Antonia<br />

Kinley) and Phillip (Luke Neal) who are<br />

agonising about getting married.<br />

I was struck by the concern they showed<br />

about PDA (Public Displays of Affection) – in<br />

their own home. In some ways this play gave<br />

the weird impression of certain Americans as<br />

Victorians who shag around. Luke Neal as<br />

Phillip is brilliant at conveying the kind of<br />

unreconstructed man who can be<br />

simultaneously friendly, threatening and highly<br />

irritating. There is real confusion in the<br />

character and, as Adam’s reconstruction<br />

progresses, it seems that Phillip is close to<br />

hitting on him – but this is not developed.<br />

Adam becomes more generally attractive<br />

to others as he responds to Evelyn’s<br />

suggestions. I found myself wishing that the<br />

character of Jenny could have been more fully<br />

developed. Kira Sternbach performs a climactic<br />

scene that is a real tour de force.<br />

Adam seems rather a cipher at the<br />

beginning, but ends something a good deal<br />

stronger, and this development is effectively<br />

conveyed by Robert Galas. Graduating RADA<br />

director Caroline Jay Ranger elicits four very<br />

distinctive and involving performances from her<br />

cast.<br />

But what is really going on? Who is being<br />

manipulated? The play contains many laughs –<br />

sometimes seeming akin to an episode of<br />

Friends – but leaves you with more questions to<br />

think about than would a TV comedy. What<br />

should be allowed in art? What do we really<br />

think about art’s empire? And what about art’s<br />

relationship to capitalism?<br />

The Shape of Things is billed as a “black<br />

comedy”. Don’t let that put you off – there is<br />

really nothing especially dark and disturbing<br />

here – more a shade of grey. We are invited to<br />

think that Neil LaBute is “tortured by questions<br />

of sex, violence and brutality” – well, maybe,<br />

but not on the evidence of this play. Very<br />

enjoyable and thought provoking – more a dark<br />

comedy of manners. TC<br />

Comedy<br />

Sketch Crunch<br />

C Soco<br />

Typically, sketch comedy is a hasty<br />

business. That’s its appeal, of course. If one<br />

particular sketch disappoints, there’s always the<br />

possibility that the next one will be funnier. And<br />

so it is with Marigold’s Sketch Crunch, which<br />

has a frenetic, rapid-fire quality that<br />

compensates for its weaker moments. It<br />

doesn’t break any new ground, but the sheer<br />

vitality of the performers – Huw Beynon, Simon<br />

Brant and Richard Hanrahan – makes for a<br />

good hour’s entertainment.<br />

The opening sketch sees Hanrahan<br />

bewailing his excess weight to a barely<br />

sympathetic Benyon. In their embarrassingly<br />

poor series for the BBC, Horne and Corden<br />

successfully proved that obesity in itself does<br />

not provoke laughter, except perhaps amongst<br />

infants and imbeciles. For a moment, I was<br />

concerned that Sketch Crunch was going to<br />

follow a similar track. Thankfully, the sketch<br />

does not outstay its welcome, and by the end of<br />

the show it is clear that Marigold have a decent<br />

range of comic ideas, and the versatility to pull<br />

them off.<br />

The show is something of a mixed bag. A<br />

few scenes are genuinely laugh-out-loud funny.<br />

There is a terrific sketch in which a man<br />

proposes to a duck, and the three public school<br />

boys attempting to feign the stereotypical<br />

language of the council estate is effective, if not<br />

especially original. The sketches that fall flat –<br />

such as the terse, stentorian headmaster, or the<br />

father who imagines that his son has an<br />

imaginary friend – feel somewhat half-baked,<br />

and cry out for further development.<br />

It’s nothing you haven’t seen before, but<br />

there are enough laughs here to make it a<br />

worthwhile way to spend an hour. AD<br />

Comedy<br />

The Scottish Falsetto<br />

Sock Puppet Theatre<br />

Goes to Hollywood<br />

Gilded Balloon<br />

There is something about the idea of a one<br />

man sock puppet show which seems appealing,<br />

in its own <strong>fringe</strong> kind of way. It’s the sort of<br />

thing that should be so bad, it’s funny – so<br />

aware of how bad it is, that it becomes an ironic<br />

masterpiece. However, this not the case.<br />

The show truly is as bad as it sounds. It is<br />

one man with a sock on each hand, speaking in<br />

squeaky voices about well known films. The<br />

novelty irony of how bad the show is wears thin<br />

after five minutes, and you are just left watching<br />

a terrible show for the next fifty-five.<br />

At every opportunity a cringe-worthy pun<br />

is dropped, and rather than leaving the<br />

awkward, yet knowing pun alone, he pursues it,<br />

robbing it of all dignity and humour. If this<br />

were anything other than socks, people would<br />

have walked out on the grounds that this is not<br />

1920s vaudeville. Instead, these people<br />

laughed throughout, and one even gave a<br />

standing ovation. People like this should be<br />

removed from the gene pool.<br />

One best avoided. JD<br />

Theatre<br />

Shakespeare’s Squeaking<br />

Cleopatras<br />

Greyfriars Kirk<br />

I’m sorry to say that this run has finished,<br />

and you’ve missed a rare treat!<br />

Just before the show started I turned to<br />

my friends and said: “This is rather ambitious”.<br />

Listed in the programme were twelve scenes<br />

from Shakespeare, some quite substantial. But<br />

I was in experienced theatrical hands. All would<br />

be well.<br />

All of these scenes were very effectively<br />

conveyed. The comedy especially was<br />

thrillingly hilarious. The Henry V translation<br />

scene with Gary Reid and Lloyd Llewellyn-<br />

Jones was side-splitting. Llewellyn-Jones also<br />

gave us a wonderfully over the top Cleopatra,<br />

with Roger Burroughes as an extremely<br />

prostrate Messenger. David Dalzell was a Lady<br />

Capulet who clearly had designs on Paris, as I<br />

have always thought she had. His Lady<br />

Macbeth seemed about to lose her marbles<br />

from early on, which was a good touch.<br />

This was wonderful entertainment overall.<br />

I was at the front, and everything was very clear<br />

and involving there. Others told me that they<br />

found things difficult to hear further back. The<br />

company apparently struggled manfully with<br />

the sound system, but it remained imperfect.<br />

This was a really excellent and most<br />

enjoyable evening, and very much worth<br />

catching if it is done again. I look forward to<br />

seeing more of this very skilful company. TC<br />

Comedy<br />

Simon Munnery’s AGM2009<br />

The Stand<br />

Simon Munnery’s AGM (Annual General<br />

Meeting) is like nothing I’ve seen before. For a<br />

start, accompanying Munnery is the drummer<br />

Mac, who occasionally breaks into drum solos<br />

during the set. Then there are the videos<br />

shown on a big screen that make no point<br />

whatsoever. There is a bucket which people can<br />

put motions into, which Simon will discuss, and<br />

for the ones that there is no time for, he takes<br />

us to the park after the show to go through<br />

those. It’s a real <strong>fringe</strong> event that makes little<br />

sense, but certainly entertains.<br />

The stand-up itself is on the blurred line<br />

between surreal crap and eccentric hilarity, with<br />

Munnery’s awkward demeanour making it<br />

impossible to tell where the irony and emphasis<br />

is. Always inventive, though sometimes<br />

nonsensical, this is anti-comedy – the kind of<br />

comedy which experimentally revels in the<br />

uncertainty of the audience, and Munnery<br />

seems completely content with this.<br />

It’s well worth seeing, and whilst the<br />

comedy content is at times patchy, it is<br />

nonetheless an experience in the true spirit of<br />

the <strong>fringe</strong>. JD<br />

Dance & Physical Theatre<br />

Soft Murders<br />

Venue 13<br />

This multimedia celebration of the arts<br />

focuses on the lives and paintings of gay<br />

artists. The first setting mimics the paintings of<br />

Gilbert and George, bringing to the surface<br />

through dance their notion of living as one in a<br />

scene entitled ‘2Ps No Pod’. The suited pair<br />

seem on the surface reserved, but gradually<br />

begin to writhe around one another, while the<br />

angelic looking chorus nervously examine each<br />

other’s naked torsos. It’s a powerful celebration<br />

of the male form, reversing typical ideas of<br />

sexual objectification so that one feels guiltily<br />

voyeuristic, but compelled to watch. The pair<br />

construct an uncanny resemblance to the artists<br />

themselves, moving in joint sequences until the<br />

climatic explosion of creativity that results in a<br />

sexual wrestle. Through such imagery, the<br />

production suggests a link between male sexual<br />

desire and explosive creativity.<br />

With the sudden introduction of a techno<br />

beat and red lighting, the stage is transformed<br />

into Andy Warhol’s infamous factory. The cast<br />

appear in sixties underwear, led by Warhol<br />

himself in his iconic glasses. This is where the<br />

production has found its balance; dramatically<br />

switching from the tragic and exploitative to the<br />

hilarious.<br />

The final sequence restages the well<br />

known poses of Marilyn Monroe standing over<br />

an air vent, reminding us that Warhol made the<br />

actress far more iconic than her films did. The<br />

trilogy ends with the strongest piece, acting out<br />

the violent and brutal images of Francis Bacon,<br />

including portrayals of his lover George Dyer.<br />

This is the show’s strongest moment, conjuring<br />

up the same yearning and despair that we find<br />

in his paintings. Dyer’s suicide is wonderfully<br />

portrayed using a technique from the Japanese<br />

“Noh” theatre, with ribbons flowing from his<br />

mouth in a stirring confusion of beauty and<br />

Random Accomplice<br />

tour de force<br />

THE HERALD<br />

sublime<br />

THE SCOTSMAN<br />

Saturday 26 September 8pm<br />

Tickets £12 full price<br />

£9 concessions / £6 students & under 18s<br />

* Warning – Not suitable for children. Contains strong language and content of a sexual nature*<br />

Tickets and Information 01786 466666<br />

Book Online www.macrobert.org<br />

tragedy.<br />

All the performers are completely<br />

committed in this celebration of physical<br />

performance. It’s a dark piece, but the potent<br />

imagery will stay with you long after you leave<br />

the theatre. VC<br />

Theatre<br />

Stefan Golaszewski<br />

is a Widower<br />

Traverse<br />

This follow up to last year’s Fringe First<br />

winner Stefan Golaszewski Speaks About a Girl<br />

Written and Performed by Johnny McKnight


SG <strong>fringe</strong><br />

He Once Loved is a poignant and witty<br />

monologue about lost love. Golaszewski has a<br />

boyish, wide-eyed delivery that immediate<br />

endears him to the audience, and when he<br />

recounts his memories of his wife,<br />

affectionately known as “Pudding”, his<br />

enthusiasm is such that it feels as though he is<br />

reliving the moments all over again.<br />

There are some very touching moments.<br />

Most notably when Golaszewski conveys his<br />

sheer sense of incredulity at someone so<br />

beautiful reciprocating his affections. There is<br />

another terrific moment when he shows off the<br />

clothes he bought for his baby boy. The pride<br />

is simply infectious. “This is the best baby that<br />

has ever been made,” he tells us. “And I made<br />

him.” It’s a true testament to the virtues of<br />

theatricality; in real life, overly proud parents<br />

can be the most grating of human beings.<br />

But Golaszewski’s optimistic outlook does<br />

not last, eventually souring into a cold<br />

resignation, best encapsulated by his remark:<br />

“Sometimes people just die and there’s nothing<br />

you can do about it”. It’s an almost inevitable<br />

character development from one who is so<br />

palpably obsessive in his approach to<br />

everything. This quality is as evident in his<br />

joyous descriptions of fatherhood and marriage<br />

as they are in his bitterness upon the discovery<br />

of his wife’s infidelity.<br />

But there is something uplifting about this<br />

piece that remains intact despite Golaszewski’s<br />

personal tragedies. It’s an impressive<br />

achievement from an extremely talented young<br />

writer / performer. AD<br />

Comedy<br />

Stephen K Amos<br />

- The Feelgood Factor<br />

Pleasance Courtyard<br />

Buying a ticket to see Stephen K Amos this<br />

year is like purchasing a compilation CD when<br />

you’ve already downloaded most of the singles.<br />

This was a mix of his old jokes, which, perhaps<br />

due to nostalgia, I enjoyed, and average and<br />

occasionally offensive filler material.<br />

Comedy is comedy but does Amos really<br />

have to make a schoolboy ‘spastic’ face when<br />

he is describing mental illness or stupidity?<br />

Amos states at the top of the show that we’re all<br />

here to feel good and have a laugh. Except<br />

those with disabilities, then? Joking about<br />

race, sexuality, disability and religion is all fair<br />

game. Depends on what the audience are<br />

laughing at. This year he seems to have<br />

developed a similar attitude to class. Cue more<br />

‘spastic’ faces as he delivers jokes about the<br />

Leith area that are both unfunny and dated.<br />

Although he frequently focuses on his own<br />

life, he doesn’t ever let slip the fact he is gay.<br />

He talks about his race a lot this hour, so why<br />

not mention his sexuality?<br />

Two years ago I gave Amos a deserved five<br />

star review. Can I have that Stephen K Amos<br />

back please? He really is so, so, so much<br />

better than this. Feel good I do not. MW<br />

Theatre<br />

Stroke of Genius<br />

Pleasance Dome<br />

A masterstroke of a production!<br />

Intelligent, articulate and humorous in all the<br />

right places.<br />

This performance manages to detail the<br />

history of eugenics (genetic tweaking) in the<br />

form of a light-hearted plotline which sees a<br />

lonely librarian mastermind a plot to steal<br />

sperm from a genius in order to create an<br />

‘exceptional’ child.<br />

It’s easy to watch, with fascinating, well<br />

researched scientific nuggets interspersed<br />

throughout. This performance deconstructs the<br />

complicated subject of genetics and natural<br />

selection and makes it accessible to all without<br />

being patronising.<br />

The actors are energetic, fluent and<br />

convincing, with Dora the librarian particularly<br />

excelling in her hilarious portrayal of the staid<br />

librarian. If you enjoy a show which stimulates<br />

the mind while deeply entertaining you, this is a<br />

must-see! JF<br />

Dance & Physical Theatre<br />

The Sugar Dandies:<br />

Ladies Not Required<br />

C Chambers Street<br />

Created and performed by champion<br />

same-sex ballroom dancers Sören and Bradley,<br />

this lively duo present us with the story of their<br />

unconventional dance careers. Their show is an<br />

honest and genuinely insightful look at being a<br />

gay couple, dancing as a pair, as they challenge<br />

the heterosexist ballroom dance world.<br />

The story of fear, fight and eventual<br />

acceptance will be recognised by anyone<br />

growing up gay, or different in any way. The<br />

dancing is great, and spans a number of<br />

genres. The poodle foxtrot was a real highlight.<br />

As a whole, the show was let down a little<br />

by some terrible puns from the compere, Philip<br />

Rescorla, who seemed to be doing his best to<br />

put the audience to sleep whilst the boys were<br />

changing costumes. It is too generous to state<br />

that his material was underwritten - it caused<br />

much bum shuffling in seats whilst we yearned<br />

for the dancers to come back on.<br />

Ultimately though, Sören and Bradley<br />

more than make up for this in an entertaining<br />

and enlightening fifty minutes of ballroom fun.<br />

MW<br />

Comedy<br />

Susan Calman<br />

- The Last Woman on Earth<br />

Underbelly<br />

As the room falls into darkness, the<br />

introduction to Frankie Goes To Hollywood’s<br />

Two Tribes is played. An air attack warning, a<br />

Siren, a high energy rhythm, and Susan Calman<br />

bounces on to the stage.<br />

“We’re all stuck in here - if you leave the<br />

room, you will die,” she proclaims, “but it’s OK,<br />

I’m here to keep you entertained.” Very quickly<br />

it becomes clear that, despite the apocalypse<br />

outside, things with this very mixed, close to<br />

capacity Underbelly audience is more than just<br />

okay.<br />

Calman is attempting to rebuild our<br />

society by giving various audience members<br />

post apocalyptic roles. Categories include<br />

‘stud’, ‘worrier’ and ‘food’. Calman’s skill is to<br />

enable the audience to participate, and<br />

occasionally make up their own jokes, whilst<br />

never losing control.<br />

Rarely, if ever, have I observed an<br />

audience uniformly laugh so much and so hard.<br />

Sitting at the front, I turn and look at each face<br />

in the room. Not only is absolutely every<br />

person laughing, but they are falling about. And<br />

they don’t stop for the entire hour.<br />

Kate Copstick has apparently said that<br />

women aren’t capable of being as funny as<br />

men. I beg to differ. MW<br />

Music<br />

Tell It Like It Is - Barb Jungr<br />

Sings Songs of War and Peace<br />

The Queens Hall<br />

Having been voted top Cabaret show 2008<br />

and following a highly successful series of<br />

concerts in New York’s ‘Cafe’ Carlyle’, Barb<br />

returns to this year’s Festival Fringe, turning her<br />

attention to a collection of war and peace songs<br />

from some of the best contemporary<br />

singer/songwriters of the last 50 years.<br />

Jungr herself freely admits that this time<br />

round the songs that she has chosen are fairly<br />

dark and depressing, but yet so relevant in<br />

today’s world.<br />

Her uncanny ability to unravel each song,<br />

giving it, its own unique style; is done so with<br />

such enthusiasm, passion and intelligence. It<br />

allows the audience to savour each word,<br />

without making them feel uneasy as they listen<br />

to the likes of Leonard Cohen’s ‘The Partisan’<br />

and Dory Previns ‘Doppelgangers’. In part this<br />

is due to the funny anecdotes Barb tells<br />

throughout the show. In particular; Rod Stewart<br />

on a beach Devon, had the audience in stitches.<br />

A must see for anyone who appreciates a<br />

superbly talented songstress with a comedic<br />

charm.<br />

Comedy<br />

Thankless Child<br />

Pleasance Dome<br />

An hour of slapstick sketches, which<br />

mainly consist of tediously protracted clichés<br />

like ‘crying over spilt milk’ and ‘don’t put all<br />

your eggs in one basket’.<br />

The show is well produced, the<br />

performances are well rehearsed, and the duo<br />

have great stage presence and interaction.<br />

However, the show just lacks any real comedy<br />

depth. The sketches are bland and predictable,<br />

and at times verge on irritating. The ‘blind<br />

mice’ sketch squawked on for so long that I<br />

wanted to grab the carving knife from the<br />

farmer’s wife and mutilate them myself. It<br />

failed to raise more than a few guffaws. Despite<br />

the occasional funny moment, this is one to<br />

avoid. JF<br />

Theatre<br />

The Timekeepers<br />

Sweet Grassmarket<br />

Israeli theatre company Ocean Of Sugar<br />

have toured this play across their own country<br />

to great acclaim.<br />

It concerns a pair of watch menders: Hans,<br />

a pink-triangle-wearing German homosexual,<br />

and Benjamin, a yellow-star-adorned elderly<br />

Jew - thrown together into the Sachsenhausen<br />

concentration camp. As you might imagine, the<br />

two have little in common. Benjamin initially<br />

rejects Hans’ advances of friendship, but over<br />

time they begin to work together and finally<br />

support each other.<br />

The key to their friendship is resistance to<br />

the common enemy, represented by a greenstarred<br />

German criminal, who is given authority<br />

by the Nazis to subjugate the watchmakers.<br />

This is familiar territory: two rival<br />

protagonists eventually becoming friends as<br />

they combat a common enemy. However, this<br />

is an old story told very well, with a strong<br />

script and three quality actors. Well worth an<br />

hour of your time. MW<br />

Comedy<br />

Topping and Butch - Twisted!<br />

Stand III<br />

They are back, thank God. Topping and<br />

Butch are a comedy double act like no other,<br />

and so it’s a huge relief to see them here at the<br />

<strong>fringe</strong> with their own show - their first since<br />

2006. They have lost none of their satirical<br />

edge. And although the boys have spurned the<br />

red S&M leather uniforms of old, they are still<br />

delightfully queer.<br />

T&B have simply hit upon a formula that<br />

works; camp bitchiness directed at worthy<br />

targets. The lyrics of their signature song,<br />

Never Mind - updated daily to reflect the news -<br />

cover the Iraq war, MPs’ expenses and even the<br />

Edinburgh trams fiasco. The Lilly Allen routine<br />

was as biting as it was joyous. They also find<br />

time for some self deprecating moments too<br />

and some reflecting, comically of course, on the<br />

nature of the gay love.<br />

And who else would end an act taking the<br />

piss out of… well buy a ticket and see for<br />

yourself. It’s a real show stopper. MW<br />

Musicals & Opera<br />

Vision<br />

Sweet ECA<br />

Jesus once said: “Suffer the little children<br />

to come unto me”. But he didn’t have to sit<br />

through Vision by St Ives Youth Theatre. If he<br />

had, he might have reached a different<br />

conclusion.<br />

For a company that claims to have no<br />

religious affiliation, this musical retelling of the<br />

story of Saint Bernadette of Lourdes seems an<br />

odd choice. The songwriting is patchy, the<br />

dialogue embarrassingly weak. It’s the kind of<br />

show that would be passable for a provincial<br />

amateur production in a church hall, but its<br />

inclusion in an arts festival seems utterly<br />

incongruous. And at £10 a ticket, there really<br />

can be no excuse.<br />

You might think it cruel to criticise a group<br />

of teenagers for their efforts. Maybe so. But if<br />

you found a cute little kitten dying at the side of<br />

the road, the responsible thing to do would be<br />

to swiftly apply the heel of your boot to its furry<br />

face.<br />

The main problem with Vision is that the<br />

premise is overly didactic. Two fourteen-yearold<br />

backpacking lads happen upon a youth<br />

hostel in Lourdes, having been out the previous<br />

night “getting mashed”. (This is the first of<br />

many grating playground colloquialisms in the<br />

piece, presumably to remind us that Christianity<br />

doesn’t have to be stuffy and old-fashioned.)<br />

The residents of the hostel discover that these<br />

boys are “Lourdes virgins”, and proceed to act<br />

out the story of Bernadette in musical form. By<br />

the end of this excruciating display, one of the<br />

boys has decided to stay with the hostellers so<br />

he can sing and dance some more in<br />

celebration of this long-dead hallucinating<br />

adolescent. He assures his friend that he still<br />

enjoys getting drunk and hanging out with girls,<br />

but that there’s also a place for religion in his<br />

life. You see? Christianity can be cool.<br />

The kids aren’t to blame, really. If you’re<br />

going to bring a group of young people up to<br />

Edinburgh to perform for a month, you need to<br />

prepare them properly for the run. I saw this<br />

show on day six of the festival, and already<br />

some of the principals were showing signs of<br />

losing their voices. They desperately needed<br />

some vocal coaching, preferably months in<br />

advance, to ensure that their voices were<br />

properly supported.<br />

And it’s not as though the adults in the<br />

orchestra are any better. If musical instruments<br />

are going to be out of tune, they should at least<br />

be out of tune in the same way. But when one<br />

violin is a semitone flat, and the other is a<br />

semitone sharp, those ballads begin to sound<br />

like Freddy Krueger caressing a blackboard.<br />

I realise that watching a group of singing,<br />

dancing, smiling kids should be a joyous,<br />

inspiring experience. But all I could think was:<br />

where’s Ian Huntley when you need him? AD<br />

Grab your next copy by calling<br />

0906 1100256<br />

calls charged at £1.50 per min<br />

scotsgay.co.uk


SG <strong>fringe</strong><br />

Comedy<br />

Warren & Hanbury – All To Bare<br />

Gilded Balloon<br />

You would be hard pushed to find a more<br />

inept show on the <strong>fringe</strong>. Warren and Hanbury<br />

are desperately unfunny, and they lack the wit<br />

or panache to improvise, which they insist on<br />

doing in any case. This is car-crash comedy of<br />

the most excruciating kind, as this double act<br />

embarrass themselves, and everybody else<br />

present, with a series of sketches so uninspired<br />

that you would think you were watching a<br />

student revue thrown together in half an hour.<br />

In their publicity, Warren and Hanbury<br />

describe themselves as surreal, which suggests<br />

that they have no understanding of what<br />

surrealism actually is. Anarchic comedy is very<br />

difficult to pull off, and requires a level of<br />

discipline and comedic expertise far beyond this<br />

pair. It’s not even a case of being so bad it’s<br />

good. I have never seen an audience so bored<br />

in all my life. This is tedious, cringe-making,<br />

wretched stuff. That they have the audacity to<br />

charge an entrance fee is utterly reprehensible.<br />

Run for the hills. VC<br />

Comedy<br />

William Andrews - Nitwit<br />

Pleasance Dome<br />

William Andrews is an oddball. Audiences<br />

should know this before seeing him. Audiences<br />

should know that if they don’t like oddball acts,<br />

they shouldn’t go and see them. I have this<br />

gripe because after watching William Andrews,<br />

and spending the whole hour near hysterics, I<br />

realised that I was one of only a few going for it.<br />

It’s the Murphy’s Law of comedy; the night<br />

it goes a bit flat is the night the critics are in,<br />

but despite some of the audience’s<br />

reservations, this is a superb show. The<br />

probably insane mind of Andrews is fully<br />

enabled in a show which has no real theme<br />

other than silliness - but this does not mean it’s<br />

stupid or unchallenging. In fact, there are<br />

plenty of intelligent gags, and they are<br />

relentless. Andrews’ timing is also superb, not<br />

rushing the punchline one iota, which<br />

compliments his material perfectly.<br />

Speaking to friends who saw his show on<br />

various other nights, they said he stormed it<br />

and everyone was belly-laughing throughout.<br />

So if you heard from anyone in the audience on<br />

my night that he’s not worth seeing, you should<br />

tell them to shut up and find an opinion worth<br />

caring about – William Andrews is hilarious and<br />

not to be missed. JD<br />

Comedy<br />

Zoe Lyons - Miss Machismo<br />

Pleasance Courtyard<br />

Zoe Lyons has the audience on her side<br />

from the very beginning, because rather than<br />

starting with a joke - something fast becoming<br />

a cliché - she opens a fire exit door to let some<br />

air in to the already sweltering room. Then, as<br />

if we’re not already enamoured by her, she<br />

sharply dispatches a filthy drunk heckler in the<br />

front row.<br />

So, with the perfect opening, she has a lot<br />

to live up to when she actually gets to the<br />

scripted jokes – and they don’t disappoint.<br />

Taking on cheap hotels, Kerry Katona, and<br />

celebrity fragrances, she could be accused of<br />

choosing obvious targets. However, whilst the<br />

subjects are fairly unoriginal, the material<br />

certainly is not, and this is strengthened by her<br />

charming stage presence and her relentless<br />

energy.<br />

It’s a brilliant show that doesn’t simply<br />

pander to typical lesbian stereotypes, and<br />

shouldn’t be missed. JD<br />

Little Johnny’s 30, still<br />

single and still singing!<br />

Johnny McKnight returns to the macrobert stage with this hilarious account of<br />

one man’s search for Mr Right!<br />

After the success of Little Johnny’s Big Gay Adventure in 2006, macrobert are<br />

delighted to welcome Random Accomplice theatre company back with this<br />

one man show.<br />

Little Johnny’s Big Gay Musical is a show-stopping comedy extravaganza.<br />

Join Little Johnny as he celebrates all his life’s failures in their heart<br />

wrenching, gold sequinned glory. Joined by a fabulous live band, Little<br />

Johnny sashays, taps and vogues his way through this hilarious one man<br />

musical. A witty and confessional take on his own personal strive for<br />

perfection – Little Johnny is 30, single and singing!<br />

http://randomaccomplice.com/<br />

Next on our list...<br />

Micaela Leon - Kabarett Berlin<br />

at C Chambers Street<br />

Queer at Augustine’s<br />

Dragged, Kicked and Screaming<br />

at The Vault<br />

My Queer Valentine at<br />

Universal Arts<br />

SHUSH! at Fingers Piano Bar<br />

Julian Clary - Lord of the Mince<br />

at The Underbelly<br />

Win Free<br />

Tickets to see<br />

Topping and Butch!<br />

One pair of tickets for every<br />

performance starting Sun 23rd Aug through to Sun 30th<br />

Aug.<br />

They bots are also offering 2 x runners up prizes of 2 for 1<br />

tickets for each<br />

performance.<br />

Entries should be sent to: toppingandbutch@hotmail.com<br />

and must say<br />

SCOTSGAY COMPETITION<br />

Until 30th Aug, Pleasance King Dome<br />

EDINBURGH<br />

3rd Sep, Carnegie Hall<br />

DUNFERMLINE<br />

4th-5th Sep, Howden Park Centre<br />

LIVINGSTON<br />

9th-12th Sep, Tron Theatre<br />

GLASGOW<br />

18th-19th Sep, Eden Court<br />

INVERNESS<br />

25th Sep, Byre Theatre<br />

ST ANDREWS<br />

26th Sep, macrobert Arts Centre<br />

STIRLING<br />

1st Oct, Paisley Arts Centre<br />

PAISLEY<br />

2nd Oct, Brunton Theatre<br />

MUSSELBURGH<br />

3rd Oct, Lemon Tree<br />

ABERDEEN<br />

Are you interested in<br />

community-led<br />

research?<br />

Get involved in a research<br />

initiative led by people<br />

living with HIV to measure<br />

stigma in the UK.<br />

GET INVOLVED:<br />

GIVE STIGMA THE INDEX FINGER!<br />

Are you living<br />

with HIV?<br />

Join others around<br />

the world in a global<br />

initiative to address<br />

stigma and<br />

discrimination.<br />

Interviews will be conducted in a number of sites around Scotland<br />

throughout August and September - for dates see www.stigmaindex.org<br />

Participants will be offered £20 (inclusive of travel expenses) for<br />

completing the questionnaire.<br />

Contact the Stigma Index team by email UKstigmaindex@ippf.org<br />

or phone 0207 1270017 to get involved.<br />

The UK Stigma Index Team are pleased to be working in Soctland with the following organisations:


FREEE STAND UP COMEDY!<br />

STA<br />

UP COMEDY!<br />

One Catholic. One Muslim. One Jew.<br />

“VERY YY SLICK…<br />

K…K…<br />

SHARP AND CONFIDENT”<br />

N<br />

“VERY SLICK…<br />

SLICK……<br />

SHARP AND CONFIDENT” NT”<br />

– BBC ONLINE<br />

– BBC ONLINE<br />

“EXQUISITE COMIC TIMING”<br />

– BRITISH THEATRE<br />

GUIDE<br />

“CREATES A BUZZ OF<br />

EXCITEMENT IN THE ROOM”<br />

– CHORTLE<br />

8TH – 29TH AUGUST<br />

(not 19th)<br />

5.15pm<br />

MADOGS (venue 368)<br />

38A Georgee Street, Edinburgh, EH2 2LE


Calls cost 10p per minute. Mobile charges may vary. 88211 costs 50p to send txts, 25p to receive profi les, 50p to respond to profiles & 25p to receive responses to your profile.<br />

Your first £5 is FREE, then billed £5 in segments. Customer Service Helpline: 0844 243 0071. Service Provided by All Points North Publications.<br />

OR JUST TEXT SCOTS TO 88211<br />

08712<br />

24 38 89<br />

ONLY<br />

10<br />

10P<br />

PER MIN<br />

SCOTTISH<br />

LADS<br />

Chat & Date


Hand-fastings, Funeral<br />

ministry and Healing. Contact<br />

Bishop Alistair CCP on 07817<br />

767445.<br />

E-mail: alistair_bate<br />

@hotmail.com<br />

www.revalistairbate.com<br />

METROPOLITAN<br />

COMMUNITY CHURCH:<br />

An inclusive church of the<br />

LGBT community open to all<br />

irrespective of sexuality.<br />

Services: Every Sun at 6pm<br />

(11am during Aug) at<br />

Augustine United Church, 41<br />

George IV Bridge, Edinburgh.<br />

Relationship blessings<br />

conducted by arrangement.<br />

Tel: 0131-226 1691. Write:<br />

Metropolitan Community<br />

Church, 41 George IV Bridge,<br />

Edinburgh. EH1 1EL.<br />

E-mail: mail@<br />

mccedinburgh.com<br />

www.mccedinburgh.com<br />

METROPOLITAN<br />

COMMUNITY CHURCH IN<br />

GLASGOW:<br />

A church of the LGBT<br />

communities welcoming all<br />

people. Meets for worship Sun<br />

3pm at Ibrox Parish Church,<br />

67 Clifford Street. Tel or Text:<br />

07972 139128.<br />

E-mail: info<br />

@mccinglasgow.co.uk<br />

www.mccinglasgow.co.uk<br />

QUAKER LESBIAN AND GAY<br />

FELLOWSHIP:<br />

A welcoming and supportive<br />

national group for people of all<br />

sexual orientations and their<br />

friends. Write: Ruth (SG), 46<br />

The Avenue, Starbeck,<br />

Harrogate. HG1 4QD.<br />

E-mail: publicity@qlgf.org.uk<br />

www.qlgf.org.uk<br />

QUEST:<br />

Organisation for lesbian and<br />

gay Catholics. Monthly<br />

meetings are held in different<br />

regional groups throughout<br />

Britain. Scottish meetings held<br />

in Glasgow. Quest Linkline -<br />

The Helpline for Gay and<br />

Lesbian Catholics - Tel:<br />

(Freephone) 0808 808 0234.<br />

Write: BM Box 2585,<br />

LONDON. WC1N 3XX.<br />

E-mail: quest<br />

@questgaycatholic.org.uk<br />

www.questgaycatholic<br />

.org.uk<br />

ROMAN CATHOLIC CAUCUS<br />

OF THE LESBIAN & GAY<br />

CHRISTIAN MOVEMENT:<br />

Write: RC Caucus, PO Box<br />

24632, London. E9 6XF. Tel:<br />

020-7226 0847.<br />

E-mail: lgcm_rccaucus<br />

@hotmail.com<br />

SGI-UK (SCOTLAND):<br />

Buddhist organisation<br />

established in more than 190<br />

countries throughout the<br />

world. Their belief and practice<br />

direct people to respect that<br />

which is of ultimate value: life<br />

itself. Through their faith and<br />

practice, members transform<br />

their inner lives and develop<br />

the qualities needed to bring<br />

about personal fulfillment and<br />

contribute to the positive<br />

development of society. SGI-<br />

UK has participated in Pride<br />

events throughout the world<br />

and is now known as Rainbow<br />

activities.<br />

E-mail:<br />

juan@sgiedinburgh.org.uk<br />

www.sgi-uk.org<br />

BIKERS<br />

GROUPS<br />

<strong>ScotsGay</strong> Listings are FREE. Send your group’s details and logo to listings@scotsgay.co.uk<br />

For bang up-to-date info visit www.scotsgay.co.uk/listings<br />

SALTIREBLUE MOTORCYCLE<br />

CLUB:<br />

Scotland’s motorcycle club for<br />

LGBT bikers. Active<br />

membership who arrange<br />

regular bike runs with each<br />

other at short notice via e-mail,<br />

and SMS.<br />

E-mail: info@saltireblue.com<br />

www.saltireblue.com<br />

CULTURAL<br />

EDINBURGH GAY MEN'S<br />

CHORUS:<br />

A new venture aiming to bring<br />

together individuals interested<br />

in singing a fun repertoire,<br />

including pop, rock and songs<br />

from the shows and movies.<br />

Now is a great time to get<br />

involved, whether you're a<br />

closet shower singer or have<br />

some experience. Rehearses<br />

Tue eves in Central Edinburgh.<br />

For full details and to sign-up:<br />

www.egmc.co.uk<br />

GLASGAY!:<br />

Scotland's annual celebration<br />

of queer culture. Next dates:<br />

8th Oct - 8th Nov 2009.<br />

Q! Gallery is Glasgay's new<br />

year-round gallery dedicated to<br />

queer art and artists. Mon-Sat<br />

11am-5pm. The Stud!o is an<br />

adjacent performance/<br />

research/workshop and<br />

holistic arts space.<br />

The Q! Gallery, 87-91<br />

Saltmarket, Glasgow. G1 5LE.<br />

Tel/Fax: 0141-552 7575.Text:<br />

07762 722460.<br />

E-mail: info<br />

@glasgay.co.uk<br />

www.glasgay.co.uk<br />

INTERNATIONAL KILT<br />

APPRECIATION SOCIETY<br />

(IKAS):<br />

Contact and social group for<br />

guys interested in<br />

viewing/wearing kilts. Regular<br />

newsletter. Write: Mervyn<br />

Tacy, 'Ziveli', 20 Ordsall Park<br />

Road, Retford. DN22 7PA.<br />

Please enclose sae.<br />

Tel: 01777 708270.<br />

E-mail: IKILTas@aol.com<br />

www.freewebs.com/ikas<br />

LGBT HISTORY MONTH<br />

SCOTLAND:<br />

Increasing the awareness of<br />

LGBT people’s lives, histories<br />

and experiences. The website<br />

provides listings for cultural<br />

opportunities, events, news<br />

items, and resources. If you<br />

would like to be involved,<br />

volunteer or add information,<br />

contact LGBT History Month,<br />

39-40 Commerce Street,<br />

Edinburgh. EH6 6HD.<br />

E-mail:<br />

info@lgbthistory.org.uk<br />

www.lgbthistory.org.uk<br />

LOUD & PROUD:<br />

Scotland's original choir for<br />

LGBT singers is made up of<br />

approximately 45 singers and<br />

holds regular concerts in the<br />

Central Belt. The repertoire,<br />

which is sung a capella in<br />

varying numbers of parts,<br />

includes simple rounds,<br />

popular music, traditional<br />

music, light classics, festive<br />

and seasonal songs,<br />

lesbian/gay anthems, and<br />

show tunes. Meets weekly for<br />

rehearsals in Edinburgh.<br />

E-mail: info<br />

@loudandproudchoir.org<br />

www.loudandproudchoir.org<br />

LUVVIES THEATRE<br />

COMPANY:<br />

Edinburgh based LGBT theatre<br />

company, which aims to give<br />

LGBT people the opportunity<br />

to act, direct, produce or<br />

organise theatre or take part in<br />

any aspect of the creative<br />

process. No previous<br />

experience is necessary.<br />

Tel: 07854 836605.<br />

E-mail: info@theluvvies.org<br />

www.theluvvies.org<br />

OURSTORY SCOTLAND:<br />

A charity which works to<br />

collect, archive and present the<br />

life stories and experiences of<br />

the LGBT Community in<br />

Scotland. If you have a story to<br />

tell or experiences to share, or<br />

would like to find out more<br />

about their upcoming<br />

programme of events, then<br />

please contact them.<br />

Write: OurStory Scotland,<br />

Archives and Special<br />

Collections, The Mitchell<br />

Library, North Street, Glasgow.<br />

G3 7DN.<br />

E-mail: info<br />

@ourstoryscotland.org.uk<br />

www.ourstoryscotland<br />

.org.uk<br />

REMEMBER WHEN<br />

PROJECT:<br />

Documenting the collective<br />

history of Edinburgh's LGBT<br />

communities, recording lifestories<br />

and personal<br />

memories across the<br />

generations, and celebrating<br />

our rich and varied<br />

contributions to the quality of<br />

life in the city. The culmination<br />

of this work was an exhibition<br />

entitled 'Rainbow City: Stories<br />

from Lesbian, Gay, Bisexual<br />

and Transgender Edinburgh'<br />

held at the City Art Centre,<br />

Edinburgh in 2006. Write:<br />

Remember When Project, c/o<br />

The Living Memory<br />

Association, The<br />

Reminiscence Centre, 101 St<br />

Leonards Street, Edinburgh,<br />

EH8 9QY. Tel: 0131-667 0761,<br />

and leave a message, stating<br />

clearly that it is for Remember<br />

When.<br />

E-mail: miles<br />

@livingmemory.org.uk<br />

SCOTTISH BORDERS GAY<br />

FILM GROUP:<br />

Meets monthly during autumn<br />

through to the spring, and<br />

views video/DVDs with a gay<br />

theme or character. For more<br />

details please contact Alastair<br />

on Galashiels (01896) 757861<br />

or<br />

E-mail: alastairlings<br />

@yahoo.co.uk<br />

HEALTH AND<br />

ABILITIES<br />

AL-ANON:<br />

Fellowship of relatives and<br />

friends of alcoholics who<br />

share their experience,<br />

strength and hope in order to<br />

solve their common problem.<br />

Anyone affected by another<br />

person’s drinking is welcome.<br />

LGBT & Friends Group meets<br />

Thu 6.30-7.45pm at LGBT<br />

Centre for Health & Wellbeing,<br />

9 Howe Street, Edinburgh. Tel:<br />

Catherine on 07940 473150.<br />

www.al-anonuk.org.uk<br />

ALCOHOLICS ANONYMOUS:<br />

Whilst AA runs the f ollowing<br />

LGBT meetings in Edinburgh<br />

and Glasgow, please note that<br />

it is a non restrictive<br />

organisation and LGBT people<br />

are welcome at any meeting.<br />

AA Edinburgh:<br />

Tue 8pm (Edinburgh Peace<br />

And Justice Resource Centre,<br />

St John’s Church, Princes<br />

Street). Please note that the<br />

last meeting of the month is<br />

open to non AA members.<br />

AA Glasgow:<br />

Tue & Thu 7.30pm (Nye Bevan<br />

House, 20 India Street), Fri<br />

7.30pm (The Ogilvie Centre,<br />

25 Rose Street).<br />

AA National:<br />

Helpline: 0845 7697555 (24<br />

hours). Northern Service<br />

Office: 0141-226 2214.<br />

www.alcoholicsanonymous.org.uk<br />

ALZHEIMER'S SOCIETY<br />

LGBT SUPPORT GROUP:<br />

Trained and skilled volunteers<br />

able to offer understanding<br />

and a listening ear to LGBT<br />

people affected by Alzheimer’s<br />

disease or any other form of<br />

dementia.To contact:<br />

Tel the Alzheimer's Helpline on<br />

0845 300 0336<br />

or write to Alzheimer's Society<br />

LGBT Support Group,<br />

Alzheimer's Society, Devon<br />

House, 58 Saint Katharine's<br />

Way, London. E1W 1JX. or<br />

E-mail: gaycarers<br />

@alzheimers.org.uk<br />

www.alzheimers.org.uk<br />

/Gay_Carers/index.htm<br />

BODY POSITIVE (TAYSIDE):<br />

1st Floor, 31 Hawkhill, Dundee.<br />

DD1 5DH. A charity that exists<br />

to empower HIV and HepC<br />

positive people and those<br />

affected thereby to eliminate<br />

the stigma and isolation they<br />

experience. Tel: Dundee<br />

(01382) 226860. Fax: Dundee<br />

(01382) 322606. Tue-Thu<br />

(Drop In) Noon-3.30pm.<br />

E-mail: admin<br />

@bodypositivetayside.org<br />

www.bodypositive<br />

tayside.org<br />

BROWNLEE CENTRE<br />

(GLASGOW):<br />

Gartnavel General Hospital,<br />

1053 Great Western Road,<br />

Glasgow. G12 0YN.<br />

Confidential information,<br />

advice, counselling and direct<br />

access testing for HIV and<br />

Hepatitis.The Centre provides<br />

ongoing medical and social<br />

care plus psychological and<br />

emotional support for people<br />

living with HIV infection and<br />

one to one counselling for<br />

people at risk of HIV.<br />

Tel: 0141-211 1089.<br />

Fax: 0141-211 1097.<br />

Mon-Thu 9am-5pm,<br />

Tue 5-7pm, Fri 9am-4.30pm.<br />

BROWNLEE COMMUNITY<br />

TEAM:<br />

Gartnavel General Hospital,<br />

1053 Great Western Road,<br />

Glasgow. G12 0YN. Social<br />

work service for people with<br />

HIV/AIDS providing intensive<br />

community based support.<br />

General advice and<br />

information on community<br />

care and housing needs also<br />

provided.<br />

Tel: 0141-211 1090.<br />

FIFE MEN:<br />

5 South Fergus Place,<br />

Kirkcaldy. KY1 1YA. (Behind<br />

Sheriff Court). Information,<br />

advice and support on gay and<br />

health issues, free condoms,<br />

and much more! Mon-Thu 1-<br />

4pm. Tel: Kirkcaldy (01592)<br />

265666. Fax: Kirkcaldy<br />

(01592) 643866.<br />

E-mail: enquiries<br />

@fifemen.org.uk<br />

www.fifemen.org.uk<br />

GAY MEN'S HEALTH<br />

EDINBURGH:<br />

10a Union Street, Edinburgh.<br />

EH1 3LU. A community led<br />

Lothian wide project for gay<br />

and bisexual men.<br />

Wide ranging volunteering<br />

opportunities which provide<br />

services including support and<br />

counselling, scene work, peer<br />

education and training,<br />

provision of condoms, lube<br />

and Safer Sex information.<br />

Tel: 0131-558 9444.<br />

Fax: 0131-558 9060.<br />

E-mail: info@gmh.org.uk<br />

www.gmh.org.uk<br />

GAY MEN'S HEALTH<br />

GLASGOW:<br />

5th Floor, 48 Albion Street,<br />

Glasgow. G1 1LH. Tel: 0141-<br />

552 0112. A community led<br />

project across the Greater<br />

Glasgow and Clyde Health<br />

Board Area for gay and<br />

bisexual men. Wide ranging<br />

volunteering opportunities<br />

which provide services<br />

including support, scene work,<br />

peer education and training,<br />

provision of condoms, lube<br />

and Safer Sex information.<br />

E-mail: glasgow<br />

@gmh.org.uk<br />

www.gmh.org.uk<br />

GAY MEN'S HEALTH<br />

TAYSIDE:<br />

Exists to promote the sexual<br />

and holistic health of gay and<br />

bi men living in Angus,<br />

Dundee and Perth & Kinross<br />

(including men who have sex<br />

with men but who do not<br />

identify as gay or bi), reduce<br />

the spread of HIV within those<br />

communities and challenge<br />

the discrimination, health<br />

inequalities and social<br />

exclusion that can be faced by<br />

gay and bi men, including HIV<br />

positive gay and bi men, and<br />

those affected by HIV. Tel:<br />

Dundee (01382) 424070. Fax:<br />

Dundee (01382) 424090.<br />

E-mail: info<br />

@gaymenshealth<br />

tayside.com<br />

www.gaymenshealth<br />

tayside.com<br />

HEALTHY GAY SCOTLAND:<br />

A national HIV prevention &<br />

sexual health promotion<br />

programme for gay and<br />

bisexual men. Offers a range<br />

of services including info on its<br />

website, campaigns and<br />

resources and a free condoms<br />

by post scheme.<br />

www.healthygayscotland.com<br />

HIV-AIDS CARERS AND<br />

FAMILIES SERVICE<br />

PROVIDER SCOTLAND:<br />

10 Elderpark Workspace, 100<br />

Elderpark Street, Glasgow.<br />

G51 3TR. Mon-Fri 9am-5pm.<br />

Telephone Support Service<br />

Mon-Fri 7pm-10pm. Tel:<br />

0141-445 8797. Fax: 0141-<br />

445 8798.<br />

E-mail: hiv-aids_carers<br />

@lineone.net<br />

www.hiv-aids-carers<br />

.org.uk<br />

HIV SCOTLAND:<br />

Suite 2, 27 Beaverhall Road,<br />

Edinburgh. EH7 4JE. Tel:<br />

0131-558 3713. Fax: 0131-<br />

558 9887. The independent<br />

voice for HIV in Scotland, this<br />

charity is a policy and strategic<br />

body and runs Healthy Gay<br />

Scotland and Black Minority<br />

Ethnic-related HIV work.<br />

E-mail: info<br />

@hivscotland.com<br />

www.hivscotland.com<br />

THE JANEK LATOSINSKI<br />

CHARITABLE TRUST:<br />

Provides free complementary<br />

therapies and psychotherapy<br />

to all peopole living with HIV in<br />

Glasgow and the West of<br />

Scotland.<br />

E-mail: austen@tjlct.org.uk<br />

www.tjlct.org.uk<br />

LANARKSHIRE HIV, AIDS<br />

AND HEPATITIS CENTRE:<br />

Counselling Service,<br />

Monklands Hospital, Monks<br />

Court Avenue, Airdrie. ML6<br />

0JS. One stop shop for HIV<br />

and Hepatitis health services.<br />

Mon-Fri 9am-5pm. Also Tue &<br />

Thu 7-9.30pm (appointments<br />

only). Also runs support group<br />

for HIV Positive men. Tel:<br />

Airdrie (01236) 712247. Fax:<br />

Airdrie (01236) 712449.<br />

E-mail: liz.mccann<br />

@lanarkshire.scot.nhs.uk<br />

LGBT CENTRE FOR HEALTH<br />

& WELLBEING:<br />

9 Howe Street, Edinburgh.<br />

EH3 6TE. This unique Centre<br />

exists to improve the physical,<br />

mental and social wellbeing of<br />

LGBT people living in, working<br />

in and travelling to Edinburgh.<br />

Runs events, workshops and<br />

courses promoting healthy<br />

lifestyles, provides a wide<br />

range of information on health<br />

and LGBT topics, and<br />

supports community groups.<br />

Tel: 0131-523 1100.<br />

E-mail: admin<br />

@lgbthealth.org.uk<br />

www.lgbthealth.org.uk<br />

POSITIVE HELP:<br />

13a Great King Street,<br />

Edinburgh. EH3 6QW.<br />

Practical help for people who<br />

are infected or affected by HIV<br />

and AIDS in Edinburgh, their<br />

families and carers.<br />

Tel: 0131-558 1122.<br />

Fax: 0131-558 3636.<br />

E-mail: posihelp<br />

@onetel.com<br />

POSITIVE MIXTURE :<br />

A self help group offering<br />

support and assistance for<br />

individuals with HIV/AIDS in<br />

the Grampian area. Contact<br />

THT, 246 George Street,<br />

Aberdeen. AB25 1HN.<br />

E-mail: info.aberdeen<br />

@tht.org.uk<br />

ROAM OUTREACH:<br />

Part of the Harm Reduction<br />

Team within Lothian NHS.<br />

Offers a confidential and<br />

anonymous service for men<br />

who have sex with men,<br />

including male sex workers<br />

throughout Edinburgh and the<br />

Lothians. Provides a wide<br />

range of services including<br />

sexual health and safer sex<br />

advice, information and advice<br />

on drug use, personal safety,<br />

police and legal advice,<br />

including operating in the<br />

Remote Reporting Scheme. A<br />

great deal of their work is done<br />

on an outreach basis in Public<br />

Sex Environments and venues<br />

as well as on-line as part of the<br />

SNN group. They run an 'Out<br />

of Hours' Testing Service Mon<br />

5-7.30pm at "The Exchange",<br />

Lady Lawson Street,<br />

Edinburgh where you can<br />

have a full SEXUAL HEALTH<br />

check up including Hep A & B<br />

vaccinations. No appointments<br />

necessary. For further<br />

information or to receive<br />

condom and lube supplies<br />

contact Vaughan or Del on Tel:<br />

0131-537 8300 or 07774<br />

628227.<br />

E-mail: enquiries<br />

@roam-outreach.com<br />

www.roam-outreach.com<br />

THE SANDYFORD:<br />

2-6 Sandyford Place (old Eye<br />

Infirmary), Glasgow. G3 7NB.<br />

Glasgow's main sexual,<br />

reproductive and emotional<br />

health centre. Free web access<br />

and health library with large<br />

LGBT lending collection.<br />

Specialist services for gay men<br />

(See separate <strong>ScotsGay</strong><br />

Listing for Steve Retson<br />

Project) and lesbians (See<br />

separate <strong>ScotsGay</strong> listing for<br />

The Sandyford under<br />

Women). Self-referal sexual<br />

health service with open<br />

access clinic each weekday<br />

with registration from 8.30-<br />

10am or book on 0141-211<br />

8130.<br />

E-mail: helpsandyford<br />

@ggc.scot.nhs.uk<br />

www.sandyford.org<br />

SEX ADDICTS ANONYMOUS:<br />

Sex Addicts Anonymous is a<br />

twelve-step recovery<br />

programme. Our primary<br />

purpose is to stop our<br />

addictive sexual behavior and<br />

to help others recover from<br />

their sexual addiction. Our<br />

members define their own<br />

sexual boundaries with the<br />

guidance of their Higher<br />

Power, their sponsors and<br />

other group members. We<br />

encourage our members to<br />

discover and explore what<br />

healthy sexuality means to<br />

them. Meetings in Edinburgh<br />

& Glasgow. Tel: Scottish<br />

Helpline on 0141-552 0154<br />

(24 hours).<br />

E-mail: info<br />

@saa-recovery.org<br />

www.saa-recovery.org<br />

SEXUAL HEALTH LINE:<br />

Freephone 0800 567123. 24<br />

hours. Confidential advice and<br />

information. Minicom:<br />

Freephone 0800 521361.<br />

www.playingsafely.co.uk<br />

STEVE RETSON PROJECT:<br />

The Sandyford, 2-6 Sandyford<br />

Place (old Eye Infirmary),<br />

Glasgow. G3 7NB. A free<br />

sexual health screening and<br />

counselling service for gay and<br />

bisexual men. Clinics run Tue,<br />

Wed & Thu 5.30-8.30pm.<br />

Same-day HIV test Tue<br />

morning 8.30-10am. Tel:<br />

0141-211 8130.<br />

www.sandyford.org/srp<br />

TERRENCE HIGGINS TRUST<br />

SCOTLAND - NATIONAL<br />

OFFICE - GLASGOW:<br />

134 Douglas Street, Glasgow.<br />

G2 4HF. HIV prevention and<br />

support services in<br />

Lanarkshire, Ayrshire & Arran,<br />

Argyll & Bute, the Glasgow<br />

area and Western Central<br />

Scotland. Support & Advocacy<br />

Service provides a full range of<br />

welfare rights advice and<br />

representation as well as<br />

community service volunteers<br />

(buddies). Also provides a<br />

range of health promotion<br />

services for gay and bisexual<br />

men throughout the West of<br />

Scotland. Contact for further<br />

details. Volunteers welcome!<br />

Tel: 0141-332 3838.<br />

Fax: 0141-332 3755. Helpline:<br />

THT Direct 0845 1221200<br />

Mon-Fri 10am-10pm, Sat-Sun<br />

Noon-6pm.<br />

E-mail: info.scotland<br />

@tht.org.uk<br />

www.tht.org.uk<br />

TERRENCE HIGGINS TRUST<br />

SCOTLAND - ABERDEEN<br />

OFFICE:<br />

246 George Street, Aberdeen.<br />

AB25 1HN. HIV prevention<br />

and support services in<br />

Grampian including<br />

Community Support, Group<br />

Support and LGBT groups.<br />

Also provides a range of health<br />

promotion services for Gay<br />

and Bisexual men throughout<br />

Grampian. Please contact for<br />

further details. Volunteers<br />

welcome! Tel: 0845 2412151.<br />

Helpline: THT Direct 0845<br />

1221200 Mon-Fri 10am-<br />

10pm, Sat-Sun Noon-6pm.<br />

E-mail: info.aberdeen<br />

@tht.org.uk<br />

www.tht.org.uk and www.<br />

thtscotland-highlandservices.<br />

blogspot.com<br />

TERRENCE HIGGINS TRUST<br />

SCOTLAND -<br />

HIGHLAND SERVICES:<br />

34 Waterloo Place, Inverness.<br />

IV1 1NB. LGBT Support and<br />

activities. Tel: Inverness<br />

(01463) 711585. Fax:<br />

Inverness (01463) 711793.<br />

Helpline: THT Direct 0845<br />

1221200 Mon-Fri 10am-<br />

10pm, Sat-Sun Noon-6pm.<br />

E-mail: info.highland<br />

@tht.org.uk<br />

www.tht.org.uk<br />

TOGETHER:<br />

Social/support<br />

/information group for men<br />

living with HIV. Meets 1st Sun<br />

of each month from 2-4pm at<br />

GMH, 5th Floor, 48 Albion<br />

Street. Tel: 0141-552 0112.<br />

E-mail: together<br />

@gmh.org.uk<br />

www.gmh.org.uk<br />

/together<br />

WAVERLEY CARE:<br />

3 Mansfield Place, Edinburgh.<br />

EH3 6NB. Scotland's leading<br />

charity providing care and<br />

support to people affected by<br />

HIV and Hepatitis C. Whether<br />

someone is living with HIV or<br />

Hepatitis C or are the partner<br />

or family member of someone<br />

affected by these conditions,<br />

Waverley Care has services<br />

that can support them and<br />

provide up to date, accurate<br />

information and resources.<br />

Services include: Short-term<br />

Residential Intensive Support,<br />

Support Services for all,<br />

including specialist services<br />

for gay men, Community<br />

Support and Outreach<br />

Services (including Advocacy<br />

and Information, Arts Project,<br />

Befriending/Buddying, Care at<br />

Home, Spiritual and Pastoral<br />

Care, Complementary<br />

Therapies, Counselling,<br />

Crusaid Hardship Fund<br />

Administration, Health<br />

Promotion), Prevention and<br />

Awareness Raising. Tel: Neil -<br />

Gay Men's Support Worker on<br />

07962 909730 or Tel: 0131-<br />

558 1425 Mon-Fri 9-5pm or<br />

Tel: 0131-441 6989 24hrs, 7<br />

days per week.<br />

E-mail:<br />

gmsupport@waverleycare.org<br />

or info @waverleycare.org<br />

www.waverleycare.org<br />

OLDER GAYS<br />

CAFFMOS:<br />

Nationwide Social and<br />

Contacts Club for the older gay<br />

gentleman and his admirers,<br />

both young and old. Scottish<br />

group meets from 1-4pm at<br />

Habana in Edinburgh on Sun<br />

23rd Aug & 20th Sep. Write:<br />

PO Box 2087, Blackpool. FY4<br />

1WL. Tel: Blackpool (01253)<br />

318327.<br />

E-mail: Caffmos2@aol.com<br />

Edward (Scottish Contact):<br />

E-mail: ebsc18624<br />

@blueyonder.co.uk<br />

www.caffmoscommunity.com<br />

PRIME TIME:<br />

Informal social group for men<br />

over 40. Meets LGBT Centre<br />

for Health & Wellbeing, 9<br />

Howe Street, Edinburgh, every<br />

2nd Sun from 2-4pm - 23rd<br />

Aug. Tel: John on 0131-556<br />

1309 or Steve on 0131-558<br />

9444.<br />

E-mail: j.thompson39<br />

@btinternet.com<br />

www.primetime.uk.net<br />

PRIMETIME (GLASGOW):<br />

Social group for men 40+.<br />

Meets 1st and 3rd Fri of each<br />

month from 5.30-7pm at the<br />

GMH Office, 5th Floor, 48<br />

Albion Street.Tel: 0141-552<br />

0112.<br />

E-mail: criz@gmh.org.uk<br />

ORDER OF<br />

PERPETUAL<br />

INDULGENCE<br />

The Sisters and Brothers of<br />

the OPI are part of a world<br />

wide order of queer men and<br />

women of all sexualities which<br />

is open to all who feel the<br />

habit. Its tenets are: The<br />

expiation of stigmatic guilt and<br />

the promulgation of universal<br />

joy through habitual<br />

manifestation and perpetual<br />

perpetration.<br />

www.thesisters.org.uk<br />

OPI CONVENT OF DUNN<br />

EIDEANN:<br />

The Edinburgh convent. Write:<br />

Mistress of Communications,<br />

c/o PO Box 666, Edinburgh.<br />

EH7 5YW.<br />

E-mail: opi<br />

@drink.demon.co.uk<br />

OPI CONVENT OF MORAVIA:<br />

The North Eastern convent.<br />

Write: Sister Bobby OPI,<br />

Cairnglass, St Combs,<br />

Fraserburgh. AB43 8UT. Tel:<br />

Inverallochy (01346) 583145.<br />

E-mail:<br />

circushighschool@gmail.com<br />

OUTDOOR<br />

PURSUITS<br />

FREEDOM CLUB:<br />

UK and Europe Wide LGBT<br />

Caravan and Camping Club.<br />

Aims to provide a means<br />

whereby gay people can meet<br />

up for weekends, weeks or<br />

even longer rallies throughout<br />

the UK and sometimes into<br />

Ireland and Europe. Tel: Eddie<br />

on Cheltenham (01242)<br />

526826.<br />

E-mail: enquiry<br />

@freedomclub.co.uk<br />

www.freedomclub.co..uk<br />

GAY BIRDERS CLUB:<br />

For LGBT Birdwatchers. Write:<br />

Gay Birders Club, GeeBeeCee,<br />

BCM-Mono, London. WC1N<br />

3XX.<br />

Tel: Annie on 0131-552 6333.<br />

E-mail: info<br />

@gbc-online.org.uk<br />

www.gbc-online.org.uk<br />

GAY CARAVAN & CAMPING<br />

CLUB:<br />

For men and women. Regular<br />

meets throughout the UK. Tel:<br />

Marc on 07977 317872.<br />

E-mail: info<br />

@gaycaravanclub.com<br />

www.gaycaravan<br />

club.com<br />

GAY OUTDOOR CLUB:<br />

Holds regular events including<br />

walking, skiing, cycling,<br />

climbing, mountain-biking,<br />

kayaking, mountaineering,<br />

camping, youth-hostelling,<br />

badminton, running and<br />

swimming. For more<br />

information, vist website or<br />

send an A5 sae to PO Box<br />

637, Skellingthorpe, Lincoln,<br />

LN6 5XD. Or Tel: 0844<br />

8700462.<br />

www.gocscotland.org<br />

GLASGOW GAY RAMBLERS<br />

GROUP:<br />

Leisurely walks in the<br />

countryside. Bring sensible<br />

footwear/clothing and packed<br />

lunch. 2nd Sat of each month.<br />

Meet at Mitchell Library,<br />

Berkeley Street. No<br />

membership - just turn up.<br />

Cars normally shared. Tel:<br />

Robert on 0141-950 1081.<br />

E-mail: robert@<br />

gocscotland.org<br />

OUT DOOR LADS:<br />

A UK-Wide, web-based<br />

organisation, offering a wide<br />

range of activities: from<br />

camping, hostelling, hillwalking<br />

and indoor climbing,<br />

to the more extreme activities<br />

like gorge scrambling, ice<br />

climbing, technical mountain<br />

biking and many more.<br />

There's something for<br />

everyone, no matter what your<br />

interest. Core membership is<br />

Gay and Bi-sexual lads, aged<br />

18-35, but OutdoorLads does<br />

not discriminate on any<br />

grounds including age,<br />

sexuality, disability or sex, and<br />

welcomes anyone who agrees<br />

with the group's aims and<br />

objectives.<br />

www.outdoorlads.com<br />

PARENTS<br />

GAY DADS SCOTLAND:<br />

Support group for gay fathers.<br />

Meets on last Thu of each<br />

month in a private room in<br />

Edinburgh LGBT Centre, 58a<br />

Broughton Street. Gay dads<br />

from all over Scotland<br />

welcome. Tel: 07791 188742.<br />

E-mail: info<br />

@gaydadsscotland.org.uk<br />

www.gaydadsscotland.org.uk<br />

PARENTS' ENQUIRY<br />

SCOTLAND:<br />

Coming out? Information and<br />

support for parents of LGBT<br />

people. Helpline and admin:<br />

Tel: 0131-556 6047 before<br />

10pm. Write: c/o <strong>ScotsGay</strong><br />

<strong>Magazine</strong>, PO Box 666,<br />

Edinburgh. EH7 5YW.<br />

E-mail: parentsenquiry<br />

@hotmail.com<br />

www.parentsenquiry<br />

scotland.org<br />

POLITICAL<br />

LIBERAL PARTY LESBIAN<br />

AND GAY CAMPAIGN:<br />

Tel: 0151-259 5935<br />

(Telephone Answering<br />

Machine). Write: 41 Sutton<br />

Street, Liverpool, L13 7EG.<br />

E-mail: libgay<br />

@libparty.demon.co.uk<br />

www.liberal.org.uk<br />

SCOTTISH LIBERAL<br />

DEMOCRATS FOR LGBT<br />

EQUALITY:<br />

Tel: 0131-337 2314. Write: 4<br />

Clifton Terrace, Edinburgh.<br />

EH12 5DR.<br />

E-mail: info<br />

@scotlibdems.org.uk<br />

www.scotlibdems.org.uk<br />

www.twitter.com/scotlibdems<br />

PRISONERS<br />

FREE MAGAZINES FOR<br />

PRISONERS:<br />

Copies of <strong>ScotsGay</strong> are sent<br />

free of charge to prisoners in<br />

UK prisons and institutions.<br />

Please contact us if you wish<br />

to be added to the mailing list.<br />

REAL ALE<br />

LESBIAN AND GAY<br />

REAL ALE<br />

DRINKERS:<br />

The Edinburgh group of<br />

CAMRA's Task Group for<br />

LGBT real ale and cider fans.<br />

Meets in The Regent on the<br />

1st Mon of each month from<br />

9pm to sample the brewers'<br />

art - Aug 2nd Mon (to avoid<br />

GBBF). Tel: Karen on 0131-<br />

557 8790.<br />

E-mail: lagrad<br />

@drink.demon.co.uk<br />

www.lagrad-edinburgh.org.<br />

uk<br />

and<br />

www.lagrad.org.uk<br />

RESIDENTIAL<br />

EVENTS<br />

EDWARD CARPENTER<br />

COMMUNITY OF GAY MEN:<br />

Committed to principles of<br />

caring, trusting, personal<br />

growth, sharing, and creativity<br />

aimed at nurturing<br />

'community' as an alternative<br />

to the commercial scene.<br />

Organises Gay Men's Weeks<br />

and shorter events each year<br />

in SW Scotland, the English<br />

Lake District and other venues<br />

across the UK. Write: Edward<br />

Carpenter Community, BM<br />

ECC, London. WC1N 3XX. Tel:<br />

08703 215121.<br />

E-mail: contact_ecc<br />

@edwardcarpenter<br />

community.org.uk<br />

www.gaycommunity<br />

.org.uk<br />

THE FINDHORN<br />

FOUNDATION:<br />

Spiritual community,<br />

ecovillage and education<br />

centre. Offers regular<br />

residential workshops and<br />

retreats for gay men and<br />

lesbians at Findhorn in the<br />

North East of Scotland, and at<br />

its retreat house on the<br />

peaceful island of Iona. Tel:<br />

Findhorn (01309) 690311.<br />

E-mail:enquiries@findhorn.org<br />

http://bit.ly/findhorn-lgbt for all<br />

Findhorn Foundation gay and<br />

lesbian workshops, or<br />

http://www.findhorn.org/ for<br />

information about all the<br />

Foundation’s activities.<br />

SPORTS<br />

CALEDONIAN THEBANS RFC:<br />

Caledonian Thebans Rugby<br />

Football Club is Scotland's first<br />

gay/bi friendly rugby club.<br />

Offers gay/bi/trans men the<br />

chance to learn the game and<br />

play rugby in a safe and<br />

supportive environment.<br />

Continually welcomes new<br />

players (+18) at whatever level<br />

or experience and new<br />

supporters to the club. If<br />

you're interested in playing or<br />

supporting gay rugby in<br />

Scotland, please get in touch.<br />

Come along and get fit!<br />

Tel: 07758 668784 or Text<br />

"thebans" to 60300.<br />

E-mail: membership<br />

@thebans-rfc.co.uk<br />

www.thebans-rfc.co.uk<br />

EDINBURGH GOC<br />

SWIMMING & GYM GROUP:<br />

Meets 8pm prompt each Mon<br />

at the Royal Commonwealth<br />

Pool, Dalkeith Road in the<br />

main entrance area and<br />

afterwards in the Blue Moon<br />

Café from 9.15pm.<br />

EDINBURGH LGB RUNNING<br />

GROUP:<br />

Meets 6pm prompt Wed at the<br />

Jawbones, The Meadows.<br />

Everybody made welcome<br />

from complete beginners to<br />

the more experienced. Get in<br />

contact so that we can expect<br />

you, in case we need to make<br />

changes to time or venue. Tel:<br />

Robert on 07738 939836.<br />

E-mail: robert.cole<br />

@gocscotland.org<br />

GLASGOW GAY AND<br />

LESBIAN BADMINTON CLUB:<br />

Meets each Thu from 8-10pm.<br />

Come along and have fun and<br />

enjoy meeting the other<br />

members for a friendly game.<br />

All welcome. Tel: Paul on<br />

07708 514676 (6-11pm).<br />

GAY FOOTBALL<br />

SUPPORTERS NETWORK:<br />

Write: GFSN Membership<br />

Secretary, PO Box 7424,<br />

Milton Keynes. MK8 9WQ. Tel:<br />

Barry on Milton Keynes<br />

(01908) 564085. Scottish<br />

Contact: Kevin Rowe - Tel/Text:<br />

07808 263173 or<br />

E-mail: kevrowe72<br />

@yahoo.co.uk<br />

www.gfsn.org.uk<br />

GRANITE CITY<br />

STORMERS FC:<br />

New gay football team<br />

meeting regularly to play, train<br />

and for social events. Based in<br />

Aberdeen and open to people<br />

of all ages, experience and<br />

ability. Always on the lookout<br />

for volunteers, so if you can<br />

help out with organising<br />

training, fundraising, coaching,<br />

arranging kick abouts or<br />

socials or contributing in any<br />

way, please get in touch!<br />

E-mail: info<br />

@stormersfc.co.uk<br />

www.stormersfc.co.uk,<br />

HOTSCOTS:<br />

Scotland's very first LGBT<br />

group for football players and<br />

fans alike. Currently organises<br />

regular socials and kick-abouts<br />

every Fri evening at<br />

Meadowbank and would love<br />

to hear from anyone anywhere<br />

in Scotland who would like to<br />

take part. Now competing in<br />

the UK national gay league and<br />

playing 12 competitive fixtures<br />

in the 2008/9 season as part of<br />

that. However, all ability levels<br />

are welcome, and the social<br />

side is just as important as the<br />

playing - so what are you<br />

waiting for? Text "Football" to<br />

60300 for more information<br />

(texts cost 25p) or<br />

E-mail: mail@hotscotsfc.com<br />

www.hotscotsfc.com<br />

RACQUETEERS BADMINTON<br />

GROUP:<br />

Edinburgh based gay and<br />

lesbian badminton club meets<br />

Thu 7-9pm at Meadowbank<br />

Stadium. Spaces are limited.<br />

E-mail: info<br />

@theracqueteers.co.uk<br />

www.theracqueteers.co.uk<br />

TEAM SCOTLAND<br />

BADMINTON CLUB:<br />

Glasgow based gay and<br />

lesbian badminton club meets<br />

twice weekly for competitive<br />

games. International<br />

tournaments and matches<br />

against clubs in London and<br />

Europe are held annually.<br />

Sorry - no beginners. Tel:<br />

Raymond on 0141-778 9220.<br />

E-mail: teamscotland<br />

@gaysport.info<br />

www.gaysport.info<br />

/teamscotland<br />

STUDENTS<br />

Many Universities and<br />

Colleges have Lesbian, Gay,<br />

Bisexual and Transgendered<br />

Societies. Contact these via<br />

your Student Union or Student<br />

Association. <strong>ScotsGay</strong> also<br />

links to a number of LGBT Soc<br />

websites from our own web<br />

page at www.scotsgay.co.uk<br />

Many LGBT Socs are open to<br />

non-students living in the area.<br />

Tel: NUS Scotland LGBT<br />

Officer on 0131-556 6598.<br />

Fax: 0131-557 5679. Write:<br />

Stiofán Mcfadden, , LGBT<br />

Officer, NUS Scotland, 29<br />

Forth Street, Edinburgh. EH1<br />

3LE.<br />

E-mail: lgbt<br />

@nus-scotland.org.uk or<br />

mail@nus-scotland.org.uk<br />

TRANS<br />

NATIONAL:<br />

Transmen Scotland:<br />

A national support group for<br />

all female to male transgender<br />

people. Holds regular monthly<br />

meetings in Edinburgh (2nd<br />

Sat of each month from 7.30-<br />

9pm - contact for details of<br />

venue). For further info Tel/Text<br />

07948 735179 or<br />

E-mail: admin<br />

@transmenscotland.org.uk<br />

www.transmenscotland<br />

.org.uk<br />

BUCHLYVIE:<br />

TV/TS Group:<br />

Meets last Sat of each month<br />

at 5pm. Tel: Kira on 07808<br />

564626 (Mon-Thu 6-9pm),<br />

Gladys or Michelle on<br />

Buchlyvie (01360) 850516 or<br />

07743 936157.<br />

E-mail: gladyspaterson2<br />

@yahoo.co.uk<br />

DUNBLANE:<br />

TV/TS Group:<br />

Meets 2nd Sat of each month<br />

7-10pm in the Braeport<br />

Centre. Tel: Margaret Whyte<br />

on Stirling (01786) 472862.<br />

DUNDEE:<br />

Diversitay: T With Biscuits:<br />

New Trans Group meets<br />

monthly. For more<br />

information, Tel: Diversitay on<br />

Dundee (01382) 202620<br />

(Mon 7-9pm).<br />

EDINBURGH:<br />

Edinburgh Trans Women:<br />

Support group for transsexual<br />

women. Meets 1st Sat of each<br />

month 7.30-9.30pm in LGBT<br />

Centre for Health and<br />

Wellbeing, 9 Howe Street.<br />

E-mail:<br />

info@edinburghtranswomen.<br />

org.uk<br />

www.edinburghtranswomen.<br />

org.uk<br />

Polygender Scotland:<br />

Provides support and<br />

friendship to all people who<br />

identify as genderqueer,<br />

androgyne, third gender,<br />

polygender or any other<br />

gender other than male or<br />

female. Meets 2nd Thu of each<br />

month (contact for details of<br />

venue). Tel: Kelli Neil on 0131-<br />

523 1100. Tel: Lewis on<br />

0131-477 0525.<br />

E-mail: admin<br />

@androgyny.org.uk<br />

www.androgyny.org.uk<br />

T-Time:<br />

Informal social for all<br />

transgender people, their<br />

partners, family and friends,<br />

held the 3rd Sat of each month<br />

(contact for details of venue).<br />

A friendly, safe and relaxed<br />

environment where there's<br />

also space to change. Tel:<br />

0131-523 1100.<br />

E-mail: admin<br />

@lgbthealth.org.uk<br />

GLASGOW:<br />

Crosslynx TV/TS/TG:<br />

Group meets 2nd Wed of each<br />

month from 7-10pm (contact<br />

for details of venue). Tel:<br />

Crosslynx Helpline on 0141-<br />

847 0787 (Mon<br />

7.30-9.30pm).<br />

www.crosslynx.org<br />

Sandyford Trans Women's<br />

Support Group:<br />

Meets at the Counselling and<br />

Support Services Group<br />

Room, Sandyford, 2-6<br />

Sandyford Place (old Eye<br />

Infirmary), on 1st Wed of each<br />

month from 7pm and at the<br />

Peach Room, Sandyford on<br />

3rd Sat of each month from<br />

Noon. Tel: Colin MacKillop<br />

(Community Access Coordinator)<br />

on 0141-232 8417.<br />

E-mail: colinmackillop<br />

@nhs.net<br />

INVERNESS:<br />

Swans Of Scotland:<br />

Meets last Thu of each month<br />

from 7-9pm at Beaufort Hotel,<br />

11 Culduthel Road.<br />

E-mail:<br />

swansofscotland@gmail.com<br />

www.spanglefish.com/<br />

SwansofScotland<br />

Terrence Higgins Trust<br />

Scotland - Highland T Group<br />

(and activities):<br />

Tel: Inverness (01463) 711585<br />

E-mail: agnes.boes@tht.org.uk<br />

http://groups.yahoo.com/<br />

group/highlandstrasngender<br />

WORKPLACE<br />

EIS GAY AND LESBIAN<br />

NETWORK:<br />

Write: Veronica Rankin,<br />

National Officer (Education<br />

and Equality), 46 Moray Place,<br />

Edinburgh. EH3 6BH.<br />

Tel: Veronica Rankin on 0131-<br />

225 6244.<br />

E-mail: vrankin@eis.org.uk<br />

FIRE BRIGADES UNION<br />

LGBT SUPPORT GROUP:<br />

For firefighters and control<br />

staff. Write: c/o Pat Carberry,<br />

FBU, 68 Coombe Road,<br />

Kingston upon Thames,<br />

Surrey. KT2 7SE. Tel: 07725<br />

602524 or 020-8541 1765.<br />

E-mail: PCarberry@fbu.org.uk<br />

www.fbulgbt.org.uk<br />

GAY POLICE ASSOCIATION<br />

IN SCOTLAND:<br />

Membership is open to all<br />

police officers and police staff,<br />

serving or retired. Write: Chief<br />

Inspector David Lyle, Lothian<br />

& Borders Police, 7 Chambers<br />

Street, Edinburgh. EH1 1HR.<br />

Tel: 0131-247 4844.<br />

E-mail: david.lyle<br />

@lbp.pnn.police.uk,<br />

central@gpascotland.com<br />

(Central Scotland Police),<br />

dg@gpascotland.com<br />

(Dumfries and Galloway<br />

Constabulary),<br />

fife@gpascotland.com (Fife<br />

Constabulary),<br />

grampian@gpascotland.com<br />

(Grampian Police),<br />

lbp@gpascotland.com<br />

(Lothian and Borders Police),<br />

northern@gpascotland.com<br />

(Northern Constabulary),<br />

spc@gpascotland.com<br />

(Scottish Police College),<br />

strathclyde@gpascotland.com<br />

(Strathclyde Police),<br />

tayside@gpascotland.com<br />

(Tayside Police),<br />

www.gpascotland.com<br />

GMB SCOTLAND EQUAL<br />

RIGHTS GROUP:<br />

Write: Regional Equal Rights<br />

Officer, GMB Scotland,<br />

Fountain House, 1/3 Woodside<br />

Crescent, Glasgow. G3 7UJ.<br />

Tel: 0141-352 8109.<br />

E-mail: louise.gilmour<br />

@gmb.org.uk<br />

PUBLIC AND COMMERCIAL<br />

SERVICES UNION -<br />

PROUD GROUP<br />

Write: PCS Proud<br />

Membership Secretary<br />

(Confidential), c/o Equalities<br />

Health & Safety Department,<br />

PCS, 160 Falcon Road,<br />

London. SW11 2LN.<br />

E-mail: pcsproud@live.co.uk<br />

www.pcsproud.org.uk<br />

UNISON:<br />

Glasgow City LGBT Group.<br />

Meets pay day Tue at 5pm in<br />

Glasgow City Unison Offices,<br />

4th Floor, 18 Albion Street.<br />

All LGBT members welcome.<br />

YOUTH GROUPS<br />

ABERDEEN:<br />

Y@THT:<br />

LGBT group for people aged<br />

under 26. Meets 2nd Sat of<br />

each month Noon-3pm. Tel:<br />

0845 2412151.<br />

E-mail: youth.aberdeen<br />

@tht.org.uk<br />

DUNDEE:<br />

ALLSORTS:<br />

Meets everyTue 6-8pm. Tel:<br />

0131-555 3940. Text: 07781<br />

481788.<br />

E-mail: info@lgbtyouth.org.uk<br />

DV8:<br />

Youth group for young people<br />

25 and under who have issues<br />

with their sexuality or with the<br />

sexuality of a member of their<br />

family. Meets Sat 4-6pm in<br />

Eighteen And Under, 1 Victoria<br />

Road, Dundee. Offers a safe<br />

and friendly environment to<br />

meet and discuss issues<br />

affecting the LGBT community<br />

and our families. Tel: Shaun on<br />

Dundee (01382) 206222.<br />

E-mail: dv8_dundee<br />

@yahoo.co.uk<br />

DUMFRIES & GALLOWAY:<br />

LGBT Youth D&G:<br />

Groups, volunteering and<br />

support for LGBT people<br />

under 26 from Dumfries and<br />

Galloway. Write: 26 Brewery<br />

Street, Dumfries. DG1 2RP.<br />

Tel: Dumfries (01387) 739888.<br />

Text: 07785 274147.<br />

E-mail: DandG<br />

@lgbtyouth.org.uk<br />

www.lgbtyouth.org.uk<br />

Q-20:<br />

Meets Wed 7-9pm at LGBT<br />

Centre, 26 Brewery Street,<br />

Dumfries. Run by and for<br />

LGBT people aged between 20<br />

and 29. Has been set up to be<br />

a safe place where people can<br />

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have fun, socialise and raise<br />

issues! They have lots of<br />

exciting plans they want YOU<br />

to be a part of so why not<br />

come along and find out<br />

more?<br />

www.myspace.com<br />

/Q20group<br />

EDINBURGH:<br />

LGBT YOUTH SCOTLAND:<br />

The Citadel, 39/40 Commercial<br />

Street, Edinburgh. EH6 6JD.<br />

Provides services and<br />

opportunities for lesbian, gay,<br />

bisexual and transgender<br />

young people (13-25) in<br />

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Borders, Tayside and Dumfries<br />

& Galloway. The groups<br />

include drop-ins at their<br />

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involved with, including<br />

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involving video and arts work,<br />

and they offer training<br />

services. Nationally, they run<br />

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people to get involved in local<br />

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have a laugh.<br />

Confidential Youthline Tel:<br />

0845 113 0005 (Tue 7.30-<br />

9pm). Office Tel: 0131-555<br />

3940 (Mon-Fri 9.30am-5pm).<br />

E-mail: info@lgbtyouth.org.uk<br />

www.lgbtyouth.org.uk<br />

The website has details of<br />

Youth Groups throughout<br />

Scotland.<br />

GLASGOW:<br />

LGBT YOUTH SCOTLAND<br />

YOUTH PROGRAMMES:<br />

Glasgow Head Office, 38<br />

Queen Street, Glasgow. G1<br />

3DX. Tel: 0141-548 8121.<br />

VIVID YOUTH:<br />

For young LGBT people aged<br />

13-25. Group for 13-18 year<br />

olds: Tue 7-9.30pm. Group for<br />

18-25 year olds: Thu 7-<br />

9.30pm. Contact for venue<br />

details.Tel: 0141-548 8121.<br />

E-mail: info<br />

@lgbtyouth.org.uk<br />

www.lgbtyouth.org.uk<br />

INVERNESS:<br />

Terrence Higgins Trust<br />

Scotland - Highland Services<br />

Youth Group (and activities):<br />

Tel: Inverness (01463) 711585<br />

E-mail: agnes.boes@tht.org.uk<br />

http://groups.yahoo.com/<br />

group/lgbtnorthscotland<br />

MORAY:<br />

LGBT YOUTH GROUP:<br />

For under 26 year olds. Tel:<br />

0845 2412151.<br />

E-mail: andi.watson<br />

@tht.org.uk<br />

PERTH:<br />

LGBT Youth Group:<br />

Last Wed of each month. Tel:<br />

0141-548 8121. Text: 07781<br />

481788.<br />

E-mail: info@lgbtyouth.org.uk


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lives. LAIC (at Glasgow<br />

Women's Library) 2nd Floor,<br />

81 Parnie Street, Glasgow. G1<br />

5RH. Tel/Fax: 0141-552 8345.<br />

Closed to the public until<br />

Autumn 2008.<br />

E-mail: info<br />

@womenslibrary.org.uk<br />

www.womenslibrary.org.uk/<br />

laic/laic.html<br />

PRIDE SCOTIA:<br />

Now busily organising Pride<br />

Scotia 2010! Tel: 0131-556<br />

9471. Write: 58a Broughton<br />

Street, Edinburgh. EH1 3SA.<br />

E-mail: edinburgh<br />

@pride-scotia.org<br />

www.pride-scotia.org<br />

STONEWALL SCOTLAND:<br />

Campaigns for equality and<br />

justice for gay, lesbian,<br />

bisexual and transgender<br />

people living in Scotland.<br />

Write: 9 Howe Street,<br />

Edinburgh. EH3 6TE. Tel:<br />

0131-557 3679.<br />

E-mail: info@<br />

stonewallscotland.org.uk<br />

www.stonewallscotland<br />

.org.uk<br />

LOCAL<br />

ORGANISATIONS<br />

AYRSHIRE:<br />

Ayrshire Social & Sexuality<br />

Support Group: Meets 3rd<br />

Wed of each month at 7pm in<br />

Irvine. Details of venue from<br />

David Bingham on 0141-332<br />

3838 (Mon-Fri 9am-5pm).<br />

E-mail: david.bingham<br />

@tht.org.uk<br />

BORDERS:<br />

Scottish Borders LGBT<br />

Equality Forum:<br />

Aims to provide advice and act<br />

as a consulting body to all<br />

community planning partner<br />

organisations, develop a range<br />

of social and recreational<br />

activities, and provide a<br />

befriending service to LGBT<br />

people.<br />

www.borderslgbt.org.uk<br />

DUMFRIES & GALLOWAY:<br />

Dumfries & Galloway<br />

LGBT Centre:<br />

Runs services including<br />

groups, social events, dropins,<br />

support and volunteering<br />

for young people and adults.<br />

26 Brewery Street, Dumfries.<br />

DG1 2RP. Tel: Dumfries<br />

(01387) 739888. Text: 07785<br />

274147.<br />

E-mail: DandG<br />

@lgbtyouth.org.uk<br />

DUNDEE:<br />

right abOUT NOW:<br />

Local newsletter. Available<br />

from: Diversitay (LGBT<br />

Group), PO Box 53, Dundee,<br />

DD1 3YG.<br />

DUNFERMLINE:<br />

FifeFLAGS:<br />

Fife Free Lesbian and Gay<br />

Society. Based in Dunfermline,<br />

provides a welcoming and<br />

safe meeting space and dropin<br />

centre near the town centre<br />

for the LGBT community, our<br />

friends, family and supporters.<br />

Regular social group meets on<br />

Mon 7-11.30pm. Generally<br />

has a nice friendly mixed<br />

crowd most nights across the<br />

age range so come along and<br />

join the fun. Internet access,<br />

mini pool table or just hang<br />

out and meet new friends over<br />

coffee and biscuits. Safer sex<br />

information and supplies<br />

available as part of the Fife<br />

Health Board condom<br />

distribution scheme. Tel:<br />

Dunfermline (01383) 738517.<br />

E-mail: Info@<br />

FifeFLAGS.org.uk<br />

www.fifeflags.org.uk<br />

EDINBURGH:<br />

Edinburgh LGBT Centre:<br />

Owned and managed by<br />

Lesbian Gay and Bisexual<br />

Community Project Limited,<br />

which is registered as a<br />

Scottish Charity and as a<br />

Scottish Company. Bought in<br />

1974 by the Scottish<br />

Minorities Group, it is the only<br />

LGBT-owned LGBT Centre in<br />

the UK and is also the oldest<br />

LGBT Centre in Europe if not<br />

the world. Write: Edinburgh<br />

LGBT Centre, 58a-60<br />

Broughton Street, Edinburgh.<br />

EH1 3SA. Tel: 0131-556 9471.<br />

Meeting Room Booking Tel:<br />

07817 533337.<br />

E-mail: hello<br />

@edinburghlgbtcentre.org.uk<br />

www.edinburghlgbtcentre.org.<br />

uk<br />

Icebreakers:<br />

Social group for guys and gals<br />

who want to make friendships<br />

and feel more at ease in the<br />

company of other gay people.<br />

Run by Switchboard<br />

volunteers. Takes place from<br />

7.30-9pm in CC Blooms on<br />

2nd & 4th Wed of each<br />

month. If you're recently out<br />

or new to Edinburgh or just<br />

feel a bit cut off and want a<br />

break, come along. A<br />

welcoming and nonthreatening<br />

environment. First<br />

timers can be met outside.<br />

Phone Lothian Switchboard<br />

for details.<br />

GLASGOW:<br />

Icebreakers Group:<br />

For lesbians, gays and<br />

bisexuals new to the scene.<br />

Details from Strathclyde<br />

Switchboard.<br />

Pride Glasgow:<br />

Previously Pride Scotia<br />

(Glasgow). Currently<br />

recovering from Pride<br />

Glasgow 2008. Tel: 0141-416<br />

2300.<br />

E-mail: pride<br />

@prideglasgow.co.uk<br />

www.prideglasgow.co.uk<br />

Spectrum:<br />

Group for gay and bisexual<br />

men from Black and Minority<br />

Ethnic (BME) communities.<br />

Meets on 1st and 3rd Tue of<br />

each month at 6.30pm in<br />

GMH Office, 5th Floor, 48<br />

Albion Street, Glasgow. G1<br />

1LH.<br />

INVERCLYDE:<br />

Clyde Men:<br />

Social and support group for<br />

Gay and Bi men. Meet 1st Sat<br />

of each month at Noon in<br />

Greenock. Tel: 0141-552<br />

0112.<br />

E-mail:<br />

clydemen@gmh.org.uk<br />

INVERNESS:<br />

Highland Lesbian, Gay,<br />

Bisexual, Transgender<br />

Forum:<br />

PO Box 5735, Inverness. IV1<br />

9DB.<br />

E-mail: forum<br />

@gay-ness.org.uk<br />

www.gay-ness.org.uk<br />

Highland LGBT Social Group:<br />

Regular events and discos in<br />

Inverness. Tel: 07017 611111.<br />

E-mail: forum<br />

@gay-ness.org.uk<br />

www.gay-ness.org.uk<br />

/events.html<br />

Terrence Higgins Trust<br />

Scotland - Highland Services<br />

Gay Men's Group (and<br />

activities):<br />

Tel: Inverness (01463) 711585<br />

E-mail: agnes.boes@tht.org.uk<br />

http://groups.yahoo.com/<br />

group/lgbtnorthscotland<br />

LANARKSHIRE:<br />

LGBT Group:<br />

For people living/working in<br />

Lanarkshire. Meets fortnightly<br />

Thu 7-9pm at the Hamilton<br />

Town House. Get together for<br />

social activities, themed<br />

discussions, speakers and to<br />

celebrate being LGBT in rural<br />

areas. For more information,<br />

contact Chris Kimber at<br />

Terrence Higgins Trust. Tel:<br />

0141-332 3838.<br />

E-mail: chris.kimber<br />

@tht.org.uk<br />

STIRLING:<br />

Stirling Gay Men's<br />

Social Group<br />

Meets monthly from Sep-Jun<br />

(generally 3rd Fri) in private<br />

houses.<br />

E-mail:<br />

mensgroup@talktalk.net<br />

WOMEN'S<br />

LISTINGS<br />

ABERDEEN:<br />

Granite Sisters:<br />

Aberdeen based group for<br />

older lesbians throughout<br />

Scotland. There are no social<br />

events planned for the near<br />

future and the website is the<br />

main link at this time for gay<br />

women to gain information,<br />

etc. Although under<br />

construction at the moment it<br />

will be completed ASAP.<br />

E-mail: 13@clara.co.uk<br />

www.13.clara.co.uk<br />

EDINBURGH:<br />

AD Group:<br />

Ancient Dykes is a long<br />

established Edinburgh based<br />

social group for lesbians aged<br />

40+ organised by women for<br />

women. Holds monthly<br />

meetings and frequent social<br />

events such as days out and<br />

about. Meets on first Sat of<br />

each month during the<br />

afternoon. Tel: Ruth on 0131-<br />

554 7256 or phone Edinburgh<br />

Lesbian Line.<br />

Connect-Ed:<br />

Scottish Charity providing<br />

counselling service to LBT<br />

women in the Lothians. The<br />

kind of issues they expect to<br />

be contacted about may<br />

include: relationship<br />

difficulties, sexual problems,<br />

drug or alcohol use, abuse,<br />

loss, self esteem, bullying,<br />

mental health issues,<br />

anxiety/depression. All<br />

counselling sessions last for<br />

one hour and you may attend<br />

for counselling for a short time<br />

or longer depending on your<br />

needs. All Connect-Ed<br />

counsellors are lesbian or<br />

bisexual. Presently has to<br />

charge on a sliding scale to<br />

pay their counsellors and will<br />

discuss this when you contact<br />

them. Tel: 07906 178220.<br />

Lesbian Book Group: Meets<br />

monthly (Wed 7.30-9.30pm).<br />

Contact Kerry for further<br />

details / next book by<br />

E-mail: kjmcdoll@yahoo.co.uk<br />

Lesbian Social Group: Meets<br />

3rd Wed of each month at<br />

7.30pm in The Regent, 2<br />

Montrose Terrace.<br />

GLASGOW:<br />

The Sandyford: Counselling<br />

and Support Services at<br />

Sandyford Place (old Eye<br />

Infirmary), Glasgow. G3 7NB.<br />

Tel: 0141-211 6700. Minicom:<br />

0141-211 6703. Fax: 0141-<br />

211 6702. Sappho @ The<br />

Sandyford promotes positive<br />

health for lesbians and easier<br />

access to sexual, reproductive<br />

and women's health services.<br />

A well-woman clinic and<br />

screening service is provided<br />

in a lesbian friendly setting. Tel:<br />

0141-211 8130 for<br />

appointment. Counselling<br />

takes place fortnightly on Tue<br />

eve. There is a crêche within<br />

Sandyford - Tel: 0141-211<br />

8647 for info.<br />

www.sandyford.org<br />

Glasgow Women's Library:<br />

2nd Floor, 81 Parnie Street,<br />

Glasgow. G1 5RH. Tel/Fax:<br />

0141-552 8345. Collection in<br />

storage until Autumn 2010.<br />

Lifelong Learning Programme,<br />

Adult Literacy and Numeracy<br />

provision and Black and<br />

Minority Ethnic Women's<br />

Project all running in the<br />

meantime. Check the website<br />

for more information. Library<br />

houses a Lending and<br />

reference library - books,<br />

magazines, journals, videos,<br />

leaflets and information. UK<br />

and overseas feminist and<br />

lesbian publications. Contains<br />

the Lesbian Archive and<br />

Information Centre - a unique<br />

national collection of<br />

publications, journals and<br />

ephemera by and for lesbians.<br />

E-mail: info@<br />

womenslibrary.org.uk<br />

www.womenslibrary.org.uk<br />

OLGA - Older Lesbians Get<br />

Around:<br />

Meets monthly on 2nd Sat of<br />

each month at 2.30pm in<br />

Glasgow LGBT Centre, 84 Bell<br />

Street.<br />

INVERNESS:<br />

GirlZone:<br />

Friendly, informal social group<br />

for LBT and friends - all<br />

welcome. Meets 1st Sat and<br />

3rd Fri of each month.<br />

Tel: Joanne on 07792 223 687<br />

for details and venue.<br />

E-mail: girlzone<br />

@gay-ness.org.uk<br />

www.gay-ness.org.uk<br />

Highland Lesbian Group:<br />

A friendly lesbian social group<br />

which offers support and<br />

information. Organises<br />

fundraisers for Womankind<br />

Worldwide:<br />

E-mail: High_Les<br />

@bigfoot.com<br />

www.womankind.org.uk<br />

www.freewebs.com<br />

/highlandlesbiangroup<br />

Terrence Higgins Trust<br />

Scotland-Highland Services<br />

Lesbian Group (and<br />

activities):<br />

Tel: Inverness (01463) 711585<br />

E-mail: agnes.boes@tht.org.uk<br />

http://groups.yahoo.com/<br />

group/lgbtnorthscotland<br />

NATIONAL:<br />

LESBIAN INFORMATION<br />

SERVICE:<br />

www.lesbianinformation<br />

service.org<br />

OUT-SKIRTS:<br />

A monthly e-newsletter for<br />

lesbian and bi women in<br />

Tayside, Fife and beyond.<br />

E-mail:<br />

ionafiesta@yahoo.co.uk<br />

SCOTTISH NETWORK FOR<br />

LESBIAN STRENGTH:<br />

To further lesbian issues,<br />

follow a lesbian agenda and<br />

foster lesbian visibility.<br />

E-mail: High_Les<br />

@bigfoot.com<br />

YOUNG LESBIANS:<br />

See our Youth Groups listings.<br />

BISEXUALS<br />

BISCOTLAND:<br />

Support and social network for<br />

people who are bisexual or<br />

questioning their sexuality.<br />

Also organises training and<br />

activist activities in support of<br />

bisexual visibility and pride.<br />

Informal 'safe space' meetings<br />

are held on 1st Wed of each<br />

month in Glasgow (Contact for<br />

venue details) and 3rd Wed of<br />

each month in Edinburgh<br />

(8pm in the LGBT Centre for<br />

Health & Wellbeing, 9 Howe<br />

Street). Meetings (open to all<br />

bi or questioning people) are<br />

usually followed by social<br />

gatherings which are open to<br />

partners or friends.<br />

Information line: 07963<br />

960321.<br />

E-mail: info@biscotland.org<br />

www.biscotland.org<br />

INVERNESS:<br />

Terrence Higgins Trust<br />

Scotland - Highland Services<br />

Bisexual Group (and<br />

activities):<br />

Tel: Inverness (01463) 711585<br />

E-mail: agnes.boes@tht.org.uk<br />

http://groups.yahoo.com/<br />

group/lgbtnorthscotland<br />

ABUSE<br />

BROKEN RAINBOW LGBT<br />

DOMESTIC VIOLENCE<br />

SERVICE (UK):<br />

Works to change the situation<br />

for LGBT people facing<br />

domestic violence. Runs a<br />

helpline for lesbian, gay,<br />

bisexual and transgender<br />

people, their family, friends,<br />

and agencies to support LGBT<br />

people around domestic<br />

violence. Mon & Thu 2-8pm,<br />

Wed 10am-1pm. Tel: 0300<br />

999 5428.<br />

E-mail: mail<br />

@broken-rainbow.org.uk<br />

www.broken-rainbow.org.uk<br />

MEN AGAINST SEXUAL<br />

ABUSE:<br />

1-2-1 counselling for adult<br />

male survivors of childhood<br />

sexual abuse, male rape, male<br />

domestic abuse and under<br />

18's. Tel: 0141-550 2048.<br />

E-mail: masacounseling<br />

@aol.com<br />

www.masa-listens.com<br />

RAPE AND ABUSE LINE:<br />

For male and female survivors.<br />

Female Support Workers<br />

answer Freephone 0808<br />

8000123 most evenings and<br />

Male Support Workers answer<br />

Freephone 0808 8000122 on<br />

selected evenings. The<br />

Helpline hours are advised on<br />

both answering services.<br />

Callers are welcome to phone<br />

either line. Write: PO Box 10,<br />

Dingwall. IV15 9HA.<br />

www.rapeandabuseline.co.uk<br />

RAPE CRISIS SCOTLAND<br />

HELPLINE:<br />

Scotland-wide telephone<br />

service providing support to<br />

women and men experiencing<br />

sexual violence, as well as their<br />

friends and families. Tel:<br />

Freephone 0808 8010302<br />

(6pm-Midnight). Minicom<br />

available.<br />

www.rapecrisisscotland<br />

.org.uk<br />

THRIVE:<br />

Counselling service for male<br />

survivors of childhood sexual<br />

abuse. Write: The Sandyford<br />

Initiative, 4 Sandyford Place,<br />

Glasgow. G3 7NB. Tel: 0141-<br />

211 8133.<br />

E-mail: thrive<br />

@ggc.scot.nhs.uk<br />

ATHEISTS AND<br />

HUMANISTS<br />

GAY AND LESBIAN<br />

HUMANIST ASSOCIATION:<br />

GALHA is a membership<br />

organisation promoting a gayfriendly<br />

Humanist outlook and<br />

LGBT rights as human rights.<br />

Membership is open to<br />

supporters worldwide and<br />

gives access to a range of<br />

events. Write: GALHA, 1<br />

Gower Street, London. WC1E<br />

6HD. Tel: 0844 800 3067.<br />

E-mail: secretary<br />

@galha.org<br />

www.galha.org<br />

PINK TRIANGLE TRUST:<br />

PTT is a gay Humanist charity<br />

which can arrange nonreligious<br />

ceremonies of love<br />

and commitment for lesbian<br />

and gay couples at very<br />

reasonable rates in most parts<br />

of Scotland. Write: 34 Spring<br />

Lane, Kenilworth,<br />

Warwickshire. CV8 2HB. Tel:<br />

Kenilworth (01926) 858450.<br />

E-mail: ceremonies<br />

@pinktriangle.org.uk<br />

www.pinktriangle.org.uk<br />

Lively Blog at<br />

www.pinktriangle.org.uk/<br />

ptt/blog.html<br />

Internet <strong>Magazine</strong> at<br />

www.gayandlesbianhumanist.<br />

org<br />

BDSM<br />

MSC SCOTLAND:<br />

A club for men interested in<br />

Leather, Rubber, Uniform.<br />

Meets in Edinburgh from<br />

10pm downstairs in the New<br />

Town Bar on the 1st Fri and<br />

3rd Sat of each month. Write:<br />

PO Box 28, Edinburgh. EH3<br />

5JL.<br />

E-mail: president<br />

@msc-scotland.net<br />

www.msc-scotland.net<br />

SCOTSSKINS:<br />

Information Site for Scottish<br />

Gay Skinheads. ScotsSkins<br />

meet informally in The<br />

Claremont in Edinburgh on the<br />

2nd Sat of each month.<br />

E-mail: scotsskins<br />

@btinternet.com<br />

http://scotsskins<br />

.bravehost.com<br />

SM GAYS:<br />

www.smgays.org<br />

BEARS<br />

BEARGLASGOW:<br />

New and refreshing social<br />

group for Bears, Cubs and<br />

Admirers of all shapes and<br />

sizes based in Glasgow.<br />

E-mail:<br />

emailinfo@bearglasgow.co.uk<br />

www.bearglasgow.co.uk<br />

BEARSCOTS:<br />

The national group for bears,<br />

big boys, their friends and<br />

admirers in Scotland.<br />

Edinburgh Bear Weekend, 2nd<br />

Sat of each month: Bear<br />

Sauna, Steamworks, Sat 2-<br />

8pm. Bears In The Basement,<br />

New Town Bar, Sat 10pm-<br />

2am. Bear-ly Awake Brunch,<br />

New Town Bar, Sun 12.30-<br />

2.30pm. Check website for<br />

details of events around<br />

Scotland including annual BBQ<br />

in the Highlands (15th Aug),<br />

news of forthcoming events in<br />

Stirling, Dundee, Aberdeen<br />

and Glasgow and annual<br />

BearScotFest-09: 9th-11th<br />

Oct.<br />

E-mail: info<br />

@bearscots.org.uk<br />

www.bearscots.org.uk<br />

BELIEVERS<br />

AFFIRMATION SCOTLAND:<br />

Network in the Church of<br />

Scotland of lesbian, gay,<br />

bisexual and transgender<br />

Christians, their friends and<br />

supporters. Formed in 2006 in<br />

response to the issue of<br />

ministers and deacons being<br />

able to conduct ceremonies to<br />

mark civil partnerships without<br />

fear of censure. Write: Monica<br />

Stewart, 37 Main Street,<br />

Invergowrie. DD2 5AB.<br />

E-mail: monicastewart<br />

@btinternet.com<br />

www.affirmationscotland<br />

.org.uk<br />

AL-JANNAH:<br />

Online social community for<br />

LGBT Muslims.<br />

E-mail: admin@<br />

al-jannah.co.uk<br />

www.al-jannah.co.uk<br />

EDINBURGH QUAKER<br />

LESBIAN AND GAY<br />

FELLOWSHIP:<br />

Meets on the 3rd Wed of each<br />

month at 7pm in the Glasite<br />

Meeting House, 33 Barony<br />

Street. Members of the LGBT<br />

Community and their friends<br />

are most welcome.<br />

E-mail: edinburgh.qlgf<br />

@gmail.com<br />

EVANGELICAL FELLOWSHIP<br />

FOR LESBIAN & GAY<br />

CHRISTIANS:<br />

Lesbian, gay or bisexual?<br />

From an Evangelical tradition?<br />

So are we. Tel: Andrew on Mid<br />

Calder (01506) 499926. Write:<br />

c/o 123 Byron Road,<br />

Chelmsford. CM2 6HJ.<br />

E-mail: info@eflgc.org.uk<br />

www.eflgc.org.uk<br />

LIBERAL CATHOLIC<br />

APOSTOLIC CHURCH:<br />

A small gay friendly fellowship<br />

in the Old Catholic tradition.<br />

Monthly public service in<br />

Edinburgh as well as private<br />

Masses and other sacraments.<br />

Also Relationship Blessings,


CONTACTS BY<br />

POST/E-MAIL<br />

To reply to a contact ad, just pop your reply in an envelope with<br />

the box number written in the TOP RIGHT corner and place the<br />

envelope with your reply inside another envelope with two loose<br />

first class stamps. If you are writing from outwith the UK, an International<br />

Reply Coupon (IRC) should be enclosed for each reply<br />

instead of postage stamps. International Reply Coupons are available<br />

from Post Offices throughout the world. We are unable to<br />

send on replies without postage stamps or IRCs.<br />

Replies to : <strong>ScotsGay</strong>, PO Box 666, Edinburgh EH7 5YW.<br />

REMEMBER: You can also<br />

place and answer personal<br />

ads free online at<br />

www.scotsgay.co.uk<br />

WOMEN<br />

Sexy Single Girl Waiting<br />

For You<br />

Hi! My name’s Mandy. I’m<br />

a 21 year old student from<br />

Glasgow. I have mid length<br />

brown hair, blue eyes, 5’5”,<br />

slim, looking for friends<br />

and dating<br />

perhaps more if the right<br />

girl comes along. I’m into<br />

clubbing and hanging out<br />

on the scene but go to<br />

straight bars too, so which<br />

ever you<br />

prefer. Hoping to hear from<br />

you soon, Mandy. Box<br />

SG93015.<br />

Wanted - Female Friends<br />

I am a caring attentive female<br />

who is genuine, fun<br />

loving and honest. I would<br />

like to meet women aged<br />

37+ who are interested in<br />

making new friends. I am<br />

not into the “scene” and<br />

struggling to meet like<br />

minded women to connect<br />

with. Box SG93016.<br />

Strict Older Female<br />

Wanted<br />

Aberdeen lass, 19, looking<br />

to meet a female who I can<br />

experiment with. Am easy<br />

going and willing to try<br />

other things. Get back if<br />

you’re interested. Box<br />

SG93017.<br />

MEN<br />

Looking For Casual Relaxing<br />

Fun With Younger<br />

Guy(s)<br />

Just looking for fun with<br />

guy(s) aged 16-26 - probably<br />

at my place in Central<br />

Edinburgh. Nothing complicated:<br />

love not required<br />

although mutual respect is<br />

a must. One off is good, so<br />

is longer term fuck buddy.<br />

I’m mostly active but can<br />

be versatile if that’s what<br />

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fun only - no barebacking.<br />

And a kiss or cuddle can<br />

be just as good as (or better<br />

than) anything else - so<br />

there are a lot of options.<br />

What have you got to lose<br />

by replying and seeing if<br />

our needs/desires are<br />

compatible? Other than<br />

your virginity which is<br />

soon gone with this poof!<br />

Box SG93004.<br />

Good Looking Attractive<br />

Sporty Lad<br />

Glasgow straight<br />

acting/looking casual<br />

dressed. OHAC. Honest<br />

caring person. Hobbies:<br />

gym, driving, footie, pubs,<br />

clubs. Can accommodate<br />

or travel. Age 25 but look<br />

younger. Looking for casual<br />

sex relationship. 16-<br />

34. Box SG93006.<br />

Ayrshire<br />

Genuine, youthful, slim,<br />

59, straight smart appearance,<br />

non scene guy,<br />

<strong>ScotsGay</strong><br />

<strong>ScotsGay</strong> <strong>Magazine</strong><br />

PO Box 666<br />

Edinburgh EH7 5YW<br />

Personal Ad: FREE!<br />

Postal Subscriptions to <strong>ScotsGay</strong><br />

SG93<br />

We accept Mastercard / VISA - Make cheques/POs payable to <strong>ScotsGay</strong><br />

WLTM discreet active mature<br />

guy for fun times,<br />

maybe relationship. Likes<br />

cuddles, kissing, spanking,<br />

willing to please. Box<br />

SG93007.<br />

Toilet Slave<br />

26 year old toilet slave boy<br />

looking for 16-30 year old<br />

master. I’m slim, very<br />

good looking, got my own<br />

place near Edinburgh (East<br />

Lothian). I’m into yellow<br />

(watersports) and brown<br />

fun (scat). I want to be<br />

used as a toilet by my<br />

master. I will take brown<br />

and yellow and I would<br />

enjoy being farted on too. I<br />

can accommodate. I will<br />

send you my face pic by<br />

MMS if you are interested.<br />

If you want to be my master<br />

and have me worshipping<br />

your arse 24/7, text<br />

me on 07936 488454. Box<br />

SG93008<br />

Sub Guy Needs Training<br />

Early 50’s hairy masculine<br />

type seeks teacher to train<br />

and discipline me. I’ll be<br />

ever so grateful, Sur! No<br />

age limit: the older the better.<br />

Glasgow area. Box<br />

SG93009.<br />

Badminton And Swimming<br />

Club - Aberdeen<br />

New badminton and swimming<br />

gay club in Aberdeen<br />

is loooking for new members.<br />

Also outdoor activities.<br />

Intere4sted? Send<br />

your contact details and<br />

telephone number. Thank<br />

you. Box SG93010.<br />

Aberdeen Safe Fun<br />

Looking for top/ver men,<br />

group sessions, 3somes.<br />

All races welcome: Black,<br />

Scottish, Eastern European.<br />

Meet weekly. New.<br />

All letters answered. Own<br />

place. Men only. Box<br />

SG93011.<br />

Footballer<br />

Looking for someone to<br />

teach me some footy<br />

skills! So am not that good<br />

and would benefit from a<br />

teacher who knows ball<br />

skils, lol! Seriously not<br />

seeking sexual encounters<br />

just someone patient who<br />

can give me back self esteem!<br />

Age not important, I<br />

am in early 40’s. Box<br />

SG93012.<br />

Relationship Wanted<br />

I moved down to Manchester<br />

in 1994. Seeking<br />

new friends and potential<br />

BF back up in Scotland.<br />

You must be 16-35, non<br />

scene and monogamous. I<br />

am 37. Box SG93013.<br />

Ugly But Tight And Willing<br />

I am 55, bald, ugly,<br />

chubby, let’s be honest:<br />

FAT, I live and work in Edinburgh.<br />

I am very sub. I<br />

have tattoos, a small cut<br />

dick with a PA and a very<br />

tight ass. Looking for a<br />

dominant top, straight acting<br />

or total queen, to<br />

loosen me up a bit. Preferably<br />

over 40 but age is not<br />

important to me. I have<br />

some experience of light<br />

CP and bondage and a<br />

strong interest in all things<br />

fetish. I am married, bi,<br />

cannot accommodate and<br />

discretion is a must. Box<br />

SG93014.<br />

Wanted Penpals<br />

Decent mature pen pals<br />

wanted, not really looking<br />

for sexual activities. Just<br />

good old fashioned communications,<br />

which would<br />

hopefully lead to lasting<br />

friendship. All nationalties<br />

welcome. I am not a meal<br />

ticket though, been hurt<br />

emotionally and physically<br />

and just need to have self<br />

esteem and faith in men<br />

restored! Box SG93018.<br />

Go On!<br />

You know I want it. If you<br />

do too, you know what to<br />

do... Tall blonds especially<br />

welcome! Box SG93019.<br />

Kinky Knickers<br />

Pleasant gay male early<br />

50’s, mature, broad<br />

minded, clean shaven etc<br />

has GSOH, non smoking,<br />

5’11”, average build, likes<br />

wearing lingerie etc., seeks<br />

guys into same for fun and<br />

friendship. Unattached gay<br />

or bi’s preffered, clean,<br />

discrete, aged 18-70, clean<br />

shaven essential. One to<br />

one relationship possible.<br />

Send photo for mine via e-<br />

mail for quick response.<br />

Also likes mild sub dom<br />

games, nothing heavy just<br />

nice panty fun! Can accommodate<br />

or travel.<br />

Photo essential. Box<br />

SG93020.<br />

Anyone Fancy A Cuddle?<br />

I love lying in bed with a<br />

guy, holding him to me.<br />

We talk, laugh, fall asleep -<br />

I just want a cuddle.<br />

Maybe a bit of wanking but<br />

no pressure; Friendship,<br />

cuddling is the main thing.<br />

Sound nice? I’m late 30’s,<br />

ordinary-looks, chubby,<br />

bearded, masculine, can<br />

be a bit dominant. Looking<br />

for slim-normal (not<br />

chubby - sorry) and under<br />

50. Any nice guys out<br />

there who really do just<br />

like a nice bear hug in<br />

bed? Edinburgh. ALA. Box<br />

SG93021.<br />

Young For Older<br />

Older guy (early 50’s), near<br />

Edinburgh centre, looking<br />

for young guy (18-20),<br />

younger the better, for sex<br />

companion/plaything, to<br />

be with me, to pet, stroke,<br />

suck me and willing to do<br />

anything I ask. Clean (no<br />

STDs), genuine. Will you<br />

contact me and be my pet?<br />

Can accommodate for as<br />

long as you can stay. Reply<br />

ASAP if interested. Box<br />

SG93022.<br />

Groups<br />

Polish and Eastern European<br />

Group meets in Glasgow<br />

area. For details, Tel<br />

Kilsyth (01236) 825656.<br />

Box SG93023.<br />

Fun And Companionship<br />

Friendly gay guy, 58,<br />

wishes to meet other gay,<br />

any age, for fun and companionship.<br />

I live in the<br />

Cumbernald area. Box<br />

SG93024.<br />

Ginger Minger Seeks<br />

Young, Smooth Guy<br />

Small (5’6”), fat (15st), old<br />

(51), balding red hair and<br />

beard, very hairy body,<br />

looking for fun and friendship<br />

with young (16-22)<br />

guy. You: No piercings<br />

(self mutilation is not good<br />

or clever), preferably a full<br />

head of hair (no shaved<br />

heads - why do you want<br />

to be bald at your age?),<br />

smooth chest (shaved is<br />

good, naturally smooth is<br />

better), no facial hair, not<br />

anorexic (I like a bit of<br />

plump - although slim is<br />

OK). I’m probably far too<br />

picky - but then I bet most<br />

suitable guys are too! I can<br />

accommodate (Edinburgh)<br />

or will travel. Box<br />

SG93025.<br />

44 Year Old<br />

Gay man, 44, would like to<br />

meet a mature Scottish<br />

business man. I need discretion<br />

and privacy for me<br />

and the person I meet (I<br />

live with Mum). Write to<br />

me carefully. I am not a<br />

queen and I am clean. I<br />

have a moustache. Box<br />

SG93026.<br />

London<br />

Handsome black guy living<br />

in London, 33, 5’9”, good<br />

built body, caring, honest,<br />

seeks mature man for<br />

friendship and relationship.<br />

No time wasters. Box<br />

SG93027.<br />

BISEXUAL<br />

Bi Curious?<br />

There has to be a first time<br />

for everything! Aged 16-<br />

21? Get in touch? Considerate,<br />

experienced,<br />

versatile, older guy will talk<br />

you through things at your<br />

own pace before getting<br />

down to some safe fun.<br />

Your limits respected. Total<br />

discretion assured. Live in<br />

Edinburgh and can accommodate<br />

but may travel if<br />

required. Box SG93001.<br />

Retired Hippy<br />

51, looking for some love<br />

and affection from women<br />

and men of all ages. Box<br />

SG93002.<br />

Looking For A Gay/Bi<br />

Male Friend!<br />

Educated lady (40’s), emotionally<br />

bisexual and in a<br />

close relationship with a<br />

woman, I am seeking a<br />

gay/bi man or gay couple<br />

for friendship and regular<br />

MMF threesomes with me<br />

in the voyeuristic role. No<br />

crossdressers please.<br />

Must stay in Invernessshire<br />

or be happy to travel<br />

up here. Box SG93005.<br />

STRAIGHT<br />

Silver Bear<br />

Edinburgh based 50something<br />

guy seeks morally relaxed<br />

women of all ages<br />

for fun and friendship. Box<br />

SG93003.<br />

FRIENDS<br />

ABROAD<br />

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Penpal contacts with gay<br />

men all over the world.<br />

Over 120 subscribers in 30<br />

countries. To join is free:<br />

send your ad. Only subscribers<br />

get the booklet<br />

with all data and addresses<br />

by enclosing £5. INTER-<br />

GAY, Voorstraat 12-A,<br />

4033 AD Lienden, Netherlands.<br />

TO LET<br />

Inverness - Close to City<br />

Centre.<br />

1 B/R to let 5 minutes<br />

drive from town centre.<br />

Tel: Inverness (01463)<br />

229662.<br />

JOBS<br />

OFFERED<br />

Job Offered In Highland<br />

Perthshire<br />

Is there a kind gay horny<br />

guy out there who would<br />

provide lots of hands on<br />

TLC and loving assistance<br />

and company for a partially<br />

disabled single man? Part<br />

time: 28.5 hours weekly.<br />

Dressing and undressing<br />

and other light household<br />

duties. Free accommodation,<br />

electricity, gay and<br />

Council Tax. On main bus<br />

route and near railway station.<br />

Handy for Pitlochry<br />

and Perth. Wage £9.62 per<br />

hour (weekly gross<br />

£274.17). Please apply<br />

with full particulars to Box<br />

SG93005.<br />

Cash For Your Body<br />

Photogenic guys can earn<br />

£100 cash posing for Mike<br />

Arlen who has had 14<br />

glossy magazines published<br />

called Mike Arlen’s<br />

Guys. Send snapshots of<br />

your magnificent body to<br />

him: Mike Arlen, Wetherby<br />

Studios, 23 Wetherby<br />

Mansions, Earls Court<br />

Square, London. SW5 9BH<br />

or Phone: 020-7373 1107.<br />

E-mail: mikearlen@btopenworld.com<br />

[0]<br />

Looking For Staff<br />

Seeking salespeople for<br />

Spanish property shows in<br />

Aberdeen, Edinburgh and<br />

Inverness areas. Sundays<br />

only. Do you have transport,<br />

access to PC, someone<br />

to work with?<br />

Commission only. £700 a<br />

day expected with approximately<br />

15 week delay of<br />

payments. Full training<br />

given to right person. Contact<br />

Sales Manager: 0141-<br />

229 1693. [0]<br />

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Contacts and friendships<br />

for men over sixty. The organisation<br />

for the more<br />

mature gentleman and his<br />

admirers. Write to:<br />

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A COMMUNITY MAGAZINE EDITED, PRINTED and PUBLISHED IN SCOTLAND SINCE 1994 • DISTRIBUTED IN LGBT AND OTHER SELECTED VENUES<br />

<strong>ScotsGay</strong><br />

scotsgay.co.uk £1.50 WHERE SOLD • ISSUE 93

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