Boxoffice-January.2000
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• ••1/2<br />
THE INSIDER<br />
self into the case and in the process finds<br />
Starring A I Pacino, Russell Crowe, she has to confront her own demons in<br />
Christopher Plummet; Diane Venom and order to have any chance at rescuing the<br />
Philip Baker Hall. Directed by Michael victim who has been buried alive, with a<br />
Mann. Written by Erie Roth and Michael limited oxygen supply, by her captors.<br />
Mann. Produced by Pieter Jan Brugge and The plot unfolds with few surprises, it<br />
MichaelMann. A Buena I ista release. Drama. sags badly in the middle and the ending is<br />
Rated Rfor language. Running time: 157 min. a pretty much foregone conclusion. But<br />
Lowell Bergman (Al Pacino. subdued the film is essentially saved by a couple of<br />
since "The Devil's Advocate") is a produc-<br />
superb acting jobs. Mike Kerrigan<br />
er at "60 Minutes." known for his ability to<br />
secure difficult interviews and for the<br />
dependability of his word. His integrity is<br />
compromised when he gains the trust of<br />
Jeffrey Wigand (Russell Crowe), an exemployee<br />
of tobacco giant Brown &<br />
Williamson whose insider knowledge of<br />
the operation threatens the safety of his<br />
wife and two little girls. Securing Wigand's<br />
testimony that the "seven dwarfs." as he<br />
calls the seven CEOs of big tobacco, were<br />
fully aware of the dangers of smoking<br />
when they testified to the contrary,<br />
Bergman is betrayed by his company. CBS<br />
refuses to air the segment because of a lawsuit<br />
threatened by Brown & Williamson.<br />
As Wigand. Crowe steals the show.<br />
Besides deliberately gaining weight and<br />
graying for the role, the Australian has<br />
adopted the nervous ticks of his character,<br />
honestly portraying the reluctant hero as a<br />
man plagued by a hot temper, belligerence<br />
and revenge, but also a loving father torn<br />
between protecting his family and revealing<br />
the truth to the American people.<br />
Writer-director-producer Michael Mann.<br />
who last directed 1995's crime drama<br />
"Heat." employs the same stylistic elements<br />
here, amply using slow motion and<br />
handheld close-ups that, while sometimes<br />
as dizzying as those in the notorious<br />
"Blair Witch Project," demonstrate the<br />
confusion and desperation experienced by<br />
the characters. Mann's elegant stylization<br />
and Crowe's superb performance pull<br />
together a picture daunted by potentially<br />
dry subject matter and a hefty running time.<br />
— Anniee Ellingson<br />
OXYGEN<br />
**l/2<br />
Starring Maura Tierney and Adrien Brody.<br />
Directed and written by Richard Shepard.<br />
Produced by Jonathan Stern. Richard<br />
Shepard, Carole Curb Nemoy and Mike Curb.<br />
A Vnapix release. Crime drama. Rated R for<br />
violence and language. Running time: 92 min.<br />
Detective Madeline Foster (Maura<br />
Tierney) is having a rough day. After a fleeing<br />
felon uses her for target practice she<br />
unwinds with a bout of rough- -make that<br />
sadistic—sex with a mystery lover and<br />
copious amounts of alcohol. All of which<br />
hardly makes her a<br />
suitable candidate to<br />
solve a kidnapping, especially as the person<br />
heading up the investigation is her<br />
unsuspecting husband. But she throws her-<br />
REVIEW<br />
THE HOUSE ON HAUNTED HILL ••<br />
Starring Geoffrey Rush, Famke Janssen,<br />
Taye Diggs, Ali Larter, Chris Rattan, Peter<br />
Gallagher and Bridgette Hi/son. Directed<br />
by William Malone. Written by Dick Beebe<br />
and William Malone. Produced by Robert<br />
Zemeckis, Joel Silver and Gilbert Adler. A<br />
Warner Bros, release. Horror. Rated R for<br />
horror violence and gore, sexual images and<br />
language. Running time: 93 min.<br />
Billionaire theme-park mogul Steven<br />
Price ("Mystery Men's" Geoffrey Rush)<br />
loves designing thrill rides and is always<br />
trying to outdo himself. So when his wife<br />
("The Faculty's" Famke Janssen) asks to<br />
have her birthday party at an abandoned<br />
psychiatric institute for the criminally<br />
insane, he sets out to make the evening a<br />
to-die-for experience. Things go smoothly<br />
until unforeseen demonic forces intervene<br />
and the staged game becomes deadly.<br />
The evil that pervades the asylum is<br />
brought to life using some of the best<br />
special effects seen on film; however, all<br />
the visual bravura doesn't fill in the gaping<br />
plot holes or generate any real frights.<br />
—Dwayne E. Leslie<br />
LIARS POKER *1/2<br />
Starring Richard Tyson, Caesar Luisi,<br />
Jimmy Blondell and Flea. Directed and<br />
written by Jeff Santo. Produced by Billy<br />
Savino and Jeff Santo. A North Branch<br />
Entertainment release. Drama! Thriller.<br />
Rated R for language, sexuality and pervasive<br />
violence. Running time: 93 min.<br />
"Nobody beats me at Liar's Poker."<br />
announces Jack (Richard Tyson) to a circle<br />
of card players—a remark that also<br />
metaphorically applies to his other dealings<br />
with members of the group, including<br />
the womanizing Niko (Caesar Luisi),<br />
the<br />
hapless Freddy (Flea) and the enigmatic<br />
Vic (Jimmy Blondell), all of whom appear<br />
to associate with Jack as more a matter of<br />
obligation than camaraderie. The film follows<br />
each character's business dealings<br />
with the alpha male, whose volatile temperament,<br />
combined with the enormous<br />
wealth he's obviously gained from sources<br />
other than his day job as a car salesman,<br />
imply he has a position as a mob boss.<br />
It's quite evident that almost every<br />
aspect of "Liar's Poker," Jeff Santos directorial<br />
debut, is supposed to create an<br />
oppressive tension. From the uniformly<br />
slow dialogue delivery by the ensemble cast<br />
to the Cimmerian soundtrack that thumps<br />
incessantly throughout the pic. one gets the<br />
impression that a sense of overwhelming<br />
dread should be sinking in. Disinterest,<br />
however, is the more pervasive feeling, with<br />
the disjointed chronological sequences<br />
forcing the viewer to work harder at following<br />
a plot that isn't very compelling in<br />
the first place.<br />
•••<br />
Francesco Dinglasan<br />
DATS<br />
Starring Dina Meyer, Lou Diamond<br />
Phillips, Leon and Bob Gunton. Directed by<br />
Louis Morneau. Written by John Logan.<br />
Produced by Brad Jenkel and Louis Rosncr.<br />
A Destination Films release. Horror. Rated<br />
PG-13 for intense sequences of bat attacks,<br />
and brief language. Running time: 91 mins.<br />
"Why? I'm a scientist, that's why," is the<br />
reason given for genetically altering two<br />
bats to be smarter, more aggressive and<br />
omnivorous. The research bats quickly<br />
spread the virus they carry amongst thousands<br />
of local bats, and soon the night<br />
belongs to the horde and nothing in<br />
path is safe once night falls.<br />
their<br />
This is a very intense film once it gets<br />
past the preliminaries of introducing<br />
everyone. After the first attack, it's apparent<br />
how vicious the bats can be—so when<br />
the town ignores warnings to stay indoors,<br />
one can't help but cringe at what's coming.<br />
The film skillfully mixes in humor without<br />
undermining the tension. Dwayne E.<br />
Leslie<br />
DODY SHOTS<br />
**l/2<br />
Starring Sean Patrick Flanery, Jerry<br />
O'Connell, Amada Peet and Tara Reid.<br />
Directed by Michael Cristofer. W ritten by<br />
David McKenna. Produced by Jennifer<br />
Keohane and Harry Colomhy. A New Line<br />
release. Drama. Rated R for strong sexual<br />
content including graphic sex-related dialogue,<br />
language, violence and scenes of alcohol<br />
abuse. Running time: 102 min.<br />
This is an old-fashioned cautionary tale<br />
under the glossy veneer of a sex romp.<br />
Much of the film is taken up with people<br />
talking dirty about the most primeval of<br />
urges, and the rest of the time they are<br />
practicing them. But the underlying theme<br />
is that sex—especially casual, drunken<br />
sex—comes with a price.<br />
Four women and four men all in their<br />
20s are independently plotting their<br />
evening which seems to basically consist of<br />
mass quantities of booze, some lively<br />
dancing and a chance of a close encounter<br />
of the carnal kind. The octet gets together<br />
in various combinations and the games<br />
begin. But even in the many steamy scenes.<br />
nobody seems to be having much fun. It is<br />
a good-looking cast but it's hard to tell<br />
how talented they really are. Mike<br />
Kerrigan<br />
68 (R-7) BOXOFHCI