'Of the 200 lightbulbs that didn't work, every failure told me ... - Rum

aarch.dk

'Of the 200 lightbulbs that didn't work, every failure told me ... - Rum

‘Of the 200 lightbulbs that didn’t work, every failure told me something

that I was able to incoporate into the next attempt’

- Thomas Edison


Fotografisk dokumentation;

Sammenlignelige studier

Process

Tid / Sekvens


Framework houses Wiesenstrasse 35 Siegen, Bernd and Hilla Becher, 1993


2.3.6

EIGHT INTERACTIONS

The illustrations below show two of

the proposed spatial solutions for each

of the eight interactions.

to Þght

to ßirt

to confess

to gossip

to command

to preach

to propose

to seduce

110 - Jack in the Box

Eight Interactions - 111

Jack in The Box. First Year at Aarhus School of Architecture, 2009-2010


2.5.5

IDA FLØCHE MØLLER

Light input has guided the creation

of space. In particular I have worked

with diagonal light intakes to create

dynamism in the space. Light enters

through these intakes to create cones

of natural light which illuminate the

aircraft and space from different angles

during the day.

The aircraft is hung in the midd

dimensions. Viewers are led aro

model was built in plaster beca

contrasts where the light intake

156 - Earth and Sky


Small Shaft Long Shaft with Extension 1 Long Shaft with Extension 2 Long Shaft with Extension 3

2.5.3

SIMONE FALDBORG JØRGENSEN

My ambition was to orchestrate the

aircraft’s tail with the use of light. For

this purpose, I worked to achieve a

constant and focused light on the tail,

regardless of weather conditions and

the inclination of the sun. My experiments

focused on finding the best

way to make an opening for light that

achieved these aims.

152 - Earth and Sky

Projects - 153


Aesthetics of Dust, Anders Krogdal & Sune Rieper, Southpole Station, 2009


Harry E. Colliery Coal Breaker, Wilkes Barre, Pennsylvania, Bernd and Hilla Becher, 1974


R E V I S I N G H I S T O R I E S

[ in a landscape of conflicts ]

[building truth]

T h i s p r o j e c t h a s b e e n a s e a r c h f o r t r u t h a n d a d i s co v e r y

o f m u l t i p l e . S i t e d i n S o u t h A r m a g h i n N o r t h e r n I r e l a n d

t h e p r o j e c t a d d r e s s e s t h e co m p l ex a n d l a y e r e d h i s t o r y o f

a t h i r t y - y e a r - l o n g c i v i l co n f l i c t r e f e r r e d t o t o d a y a s ‘ T h e

Tr o u b l e s ’. T h e p r o j e c t ex p l o r e s t h e t y p o l o g y o f t h e B r i t i s h

A r m y Wa t c h t o w e r s b u i l t o n t h e h i l l t o p s a n d i n t h e v i l l a g e s

o f t h i s b o a r d e r r e g i o n d u r i n g t h e co n f l i c t a n d r e m o v e d i n

2 0 0 7.

T h r o u g h i n v e s t i g a t i n g t h e i d e a o f g r a d i e n t s o f t r u t h t h i s

p r o j e c t p r o p o s e s t o r e b u i l d t h e s e s t r u c t u r e s . A s e q u e n ce o f

f i v e i s e s t a b l i s h e d a s a n i t e r a t i v e ex p l o r a t i o n o f t h e

n a t u r e o f t h e o r i g i n a l w a t c h t o w e r a n d i t s r o l e i n a n d o v e r

t h e l a n d s c a p e o f S o u t h A r m a g h . T h e f i r s t o f t h e s e q u e n ce

r e co n s t r u c t s t h e o r i g i n a l f r o m t h e ex t e n t o f t h e d a t a

a v a i l a b l e t o t h e p u b l i c t o d a y. I n t h e t o w e r s t h a t f o l l o w, t h e

a r c h i t e c t u r e i s s t r i p p e d o f i t s s y m b o l i c a l l y l o a d e d d e t a i l i n g

i n a p e r s u i t t o w a r d s f o r m a l p u r i t y. A s a g r o u p , t h e t o w e r s

b e co m e m a n i f e s t a t i o n s o f t h e d i f f e r e n t s o u r ce s o f t r u t h ,

r e f l e c t i n g t h e d i f f e r e n ce s i n t h e co l l e c t i v e m e m o r y a n d t h e

o p p o s i n g p o l i t i c a l b e l i e f s o f t h e co m m u n i t i e s o f S o u t h

A r m a g h . A s o p p o s e d t o o n e a u t h o r i t a t i v e a r c h i t e c t u r a l

s t a t e m e n t , f i v e d i f f e r e n t s t a n ce s a r e p r e s e n t e d , e a c h w i t h

a n ex p r e s s i o n o f i t s o w n .

T h e p r o p o s a l e n co u r a g e s t h e p u b l i c t o a c k n o w l e d g e t h i s

r e ce n t h i s t o r y a n d , b y t a k i n g a m u l t i - p e r s p e c t i v a l a p p r o a c h ,

t o a c k n o w l e d g e t h e m u l t i p l e s i d e s o f t h e h i s t o r y. I n t h i s

l a n d s c a p e o f co n f l i c t s t h e a r c h i t e c t u r e p r o p o s e s t o b e co m e

a r e co n c i l e r o f t h e d i f f e r e n ce s i n co l l e c t i v e m e m o r y a n d a

c a t a l y s t f o r p e a ce .

I n t h e m a k i n g o f t h i s p r o j e c t I h a v e a d o p t e d t h i s m u l t i -

p e r s p e c t i v a l a p p r o a c h . T h e s u cce e d i n g p r e s e n t a t i o n i s a n

a cco u n t o f t h e p r o ce s s n a r r a t e d t h r o u g h t h e v o i ce s o f t h e s e

f i v e a s s u m e d r o l e s :

01

[the nationalist]

T h e E n g l i s h & T h e I r i s h

02

[the detective]

T h e D a r k To u r i s t &

T h e Po l i t i c a l To u r i s t

03

[the observer]

0 1 . To w e r o f t h e O p p o s e r

0 2 . To w e r o f t h e D e ce i v e r

0 3 . To w e r o f t h e C h a m e l e o n

0 4 . To w e r o f t h e D o m e s t i c a t e d

0 5 . To w e r o f t h e Pr o t e c t o r

04

[the architect]

0 1 . To w e r o f t h e Pe r p e t r a t o r

0 2 . To w e r o f t h e U n k n o w n

0 3 . To w e r o f Pe a ce & Pr o p a g a n d a

0 4 . To w e r o f t h e U n i n f o r m e d

0 5 . To w e r o f t h e V i c t i m

05

[the polemicist]

F i v e l a n d s c a p e s o f

O u t s t a n d i n g ( u n ) N a t u r a l

B e a u t y

Building Truth, James Albert Martin


#03

[ t h e o b s e r v e r ]

G O L F F I V E Z E R O , C R O S S M A G L E N V I L LA G E , S O U T H A R M A G H .

0 1 0 2 0 3 0 4 0 5

G O L F F O U R Z E R O , C R O S L I E V E M O U N T A I N , S O U T H A R M A G H .

#04

[ t h e a r c h i t e c t ]

Building Truth, James Albert Martin


0 1 0 2 0 3 0 4 0 5

*

m a p p i n g w a t c h t o w e r s w i t h t h e h e l p o f T h o m a s M a r r o n , e x - p r i s o n e r o f w a r / I R A m e m b e r / d i r e c t o r o f T i C h u l a i n n C e n t r e

& g u i d e o f i t s Po l i t i c a l B u s To u r.

#03

[ t h e o b s e r v e r ]

G o l f F i v e Z e r o o f C r o s s m a g l e n w a s t h e f i r s t o b s e r v a t i o n t o w e r t o b e b u i l t b y t h e B r i t i s h A r m y i n

S o u t h A r m a g h a n d t h e f i r s t s t r u c t u r e I w o u l d a t t e m p t t o r e b u i l d . U s i n g a l l t h e o b j e c t i v e i n f o r m a -

t i o n I co u l d s o u r ce I b e g a n b y co n s t r u c t i n g t h e m e m o r y o f G o l f F i v e Ze r o . T h e f i r s t r e s u l t i n g m o d e l

p r e s e n t s a l l t h e e v i d e n c e t h a t i s a v a i l a b l e t o t h e p u b l i c t o d a y . A s t h e i n f o r m a t i o n i s i n s u f f i c i e n t

t h e t o w e r i s i n co m p l e t e . T h e r e i s n o i n f o r m a t i o n a v a i l a b l e t o t h e p u b l i c r e g a r d i n g t h e s t r u c t u r e’s

i n t e r i o r a n d n o p h o t o g r a p h i c e v i d e n c e t o r e v e a l i t s b a c k - h a l f . T h e i n c o m p l e t e n e s s o f t h e t o w e r i n

e f f e c t a b s t r a c t s i t f r o m i t s co n t ex t a n d i n t e n d e d f u n c t i o n . F o u r f u r t h e r i t e r a t i o n s w e r e co n s t r u c t e d ,

e a c h f u t h e r a b s t r a c t e d f r o m t h e l a s t .

G O L F F I V E Z E R O , C R O S S M A G L E N V I L LA G E , S O U T H A R M A G H .

T O W E R O F

T H E O P P O S E R

T O W E R O F

T H E D E C E I V E R

T O W E R O F

T H E C H A M E L E O N

T O W E R O F

T H E D O M E S T I C A T E D

T O W E R O F

T H E P R O T E C T O R

T h e To w e r o f t h e O p p o s e r

w a s a n i n t i m i d a t i n g a n d

b r u t a l s t r u c t u r e t h a t

r u p t u r e d t h e g r o u n d o f f

t h e v i l l a g e s q u a r e o f

Cr o s s m a g l e n . I t s t a p e r i n g

f o r m a n d s i x m e t r e h i g h

f e n c i n g r e p e l l e d a l l

m e a n s o f a t t a c k w h i l e

c a m e r a s p o s i t i o n e d o n

a l l co r n e r s f a c i l i t a t e d

t o t a l s u r v e i l l a n ce a n d

co n t r o l o f i t s s u r o u n d i n g s .

T h e To w e r o f t h e D e ce i v e r

w a s n o t co n s t r u c t e d t o

f o r t i f y o r o b s e r v e . T h i s

n o n f u n c t i o n a l s t r u c t u r e

w a s b u i l t a s a d e co y.

W i t h o u t p r o t e c t i v e f e n c-

i n g o r t h e a p p r o p r i a t e

m i l i t a r y a t t i r e i t s

a p p a r e n t v u n e r a b i l i t y

co u l d d e ce i v e a n d e n s n a r e

i t s e n e m y.

T h e To w e r o f t h e

C h a m e l e o n h a d a s h a r p

g e o m e t r y a n d co n i c a l

f o r m y e t i t s m a s k o f

w h i t e r e n d e r a l l o w e d i t

to carry out the monitoring

o f Cr o s s m a g l e n ’s m a r k e t

s q u a r e i n co n s p i c u o u s

a n d u n h a r m e d .

T h e To w e r o f t h e

D o m e s t i c a t e d w a s a

t a l l a n d g e n t l e l o o k i n g

s t r u c t u r e c l a d i n n a t i o n a l

h a r d w o o d t i m b e r a n d

w e a t h e r - s e a l e d t o p r o t e c t

f r o m t h e p a r t i c u l a r l y

h a r s h c l i m a t e o f t h i s

N o r t h e r n I r i s h r e g i o n .

T h e To w e r o f t h e Pr o t e c t o r

w a s o f t e n m i s t a k e n

b y f o r e i g n e r s f o r a

p i e ce o f s c u l p t u r e o r a

m e m o r i a l . T h e t o w e r w a s

f i t t e d i n t e r n a l l y w i t h

s e c u r i t y c a m e r a s t h a t

w a t c h e d o v e r t h e m a r k e t

s q u a r e . O n S u n d a y s

a v e g e t a b l e m a r k e t w o u l d

s e t u p u n d e r t h e t o w e r

a n d r e g u l a r l y b i c y c l e s

h a d t o b e r e m o v e d

f r o m i t s b a s e .

Building Truth, James Albert Martin


0 1 0 2 0 3 0 4 0 5

*

m a p p i n g w a t c h t o w e r s w i t h t h e h e l p o f T h o m a s M a r r o n , e x - p r i s o n e r o f w a r / I R A m e m b e r / d i r e c t o r o f T i C h u l a i n n C e n t r e

& g u i d e o f i t s Po l i t i c a l B u s To u r.

#04

[ t h e a r c h i t e c t ]

I p r o p o s e t o co n s t r u c t f i v e t o w e r s o n Cr o s l i ev e m o u n t a i n i n t h e R i n g o f G u l l i o n . T h e t o w e r s a r e

a r r a n g e d a l o n g a w a l k i n g r o u t e f r o m t h e b a s e o f t h e m o u n t a i n t o i t s s u m m i t . T h e co n ce p t i s s u c h

t h a t t h e s t r u c t u r e s c a n b e b u i l t a t i n t e r v a l s i n a t i m e s e q u e n ce w h i c h r e f l e c t s t h e co m i n g t o t e r m s

w i t h t h e p a s t a n d t h e c h a n g e i n t h e n a t i o n a l i d e n t i t y o f t h e co m m u n i t i e s o f S o u t h A r m a g h a n d t h e i r

p e r ce p t i o n s o f t h e co n f l i c t . T h e f o l l o w i n g t o w e r s a r e t o b e p r e s e n t e d t o t h e co m m u n i t i e s o f S o u t h

A r m a g h , i t s d i s t r i c t co u n c i l , a n d t h e b o a r d o f d i r e c t o r s o f t h e E U Pr o g r a m m e f o r Pe a ce a n f Re co n -

c i l i a t i o n i n N o r t h e r n I r e l a n d . T h e s e p a r t i e s t o g e t h e r w o u l d d e c i d e i f a n d w h e n t h e s t r u c t u r e s a r e

t o b e co n s t r u c t e d . F o r t h e exe c u t i o n o f t h i s p r o j e c t a n d t h e s u cce s s o f w h a t i t p r o p o s e s a p o l i t i c a l

a n d a h e a l i n g p r o ce s s i s v i t a l .

G O L F F O U R Z E R O , C R O S L I E V E M O U N T A I N , S O U T H A R M A G H .

T O W E R O F

T H E P E R P E T R A T O R

T O W E R O F

T H E U N K N O W N

T O W E R O F

P E A C E & P R O P A G A N D A

T O W E R O F

T H E U N I N F O R M E D

T O W E R O F

T H E V I C T I M

Building Truth, James Albert Martin


Rain and Sun Pavillion, Jakob Ingemansson


Tripod / Stativ

Manuel lysindstilling

Manuel fokus

(Ekstra) Batteri

Paraply / Plastikpose

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