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':<br />

THE NATIONAL FILM WEEKLY<br />

PUBLISHED IN NINE SECTIONAL EDITIONS<br />

BEN SHLYEN<br />

Editor-in-Chief and Publisher<br />

JAMES M. JERAULD Editor<br />

NATHAN COHEN Associate Editor<br />

JESSE SHLYEN Managing Editor<br />

IVAN SPEAR Western Editor<br />

FLOYD M. MIX Equipment Editor<br />

RAYMOND LEVY General Manager<br />

Published Every Saturday by<br />

ASSOCIATED PUBLICATIONS<br />

Editorial Oiiices: 9 Rockeieller Plaza, New York 20,<br />

N. Y. Raymond Levy, General Manager; James M.<br />

Jerauld, Editor; Chester Friedman, Editor Showmandiser<br />

Section; A. J. Stocker, Eastern Representative.<br />

Telephone Columbus 5-6370, 5-6371, 5-6372. Cable<br />

address: "BOXOFriCE, New York."<br />

Central Oiiices: 1327 South Wabash Ave., Chicago<br />

5, 111. Jonas Perlberg, Manager; Donald Maggart,<br />

Central Representative. Telephone WEBster 4745.<br />

Western Cilices: 6404 Hollywood Blvd., Hollywood<br />

22, Calif. Ivan Spear, Manager. Telephone GLadslone<br />

1186.<br />

Washington Oiiices: 302-303 International Bldg., 1319<br />

r St., N. W. Lee L. Garling, Manager. Telephone<br />

NAtional 3482. Filmrow: 932 New Jersey, N. W. Sara<br />

Young.<br />

London Oiiices: 136 Wardour St., John Sullivan, Manager.<br />

Telephone Gerrard 3934-5-6.<br />

Publication OlUces: 825 Van Brunt Blvd., Kansas City<br />

1, Mo. Nathan Cohen, Associate Editor; Jesse Shlyen,<br />

Managing Editor; Morris Schlozman, Business Manager.<br />

J Herbert Roush, Manager Advertising Sales<br />

and Service. Telephone CHestnut 7777-78.<br />

Other Publications: BOXOFFICE BAROMETER,<br />

published in November as a section ot BOXOFFICE;<br />

THE MODERN THEATRE, published monthly as a<br />

section ol BOXOFFICE.<br />

ALBANY—21-23 Walter Ave., M. Berringan.<br />

ATLANTA— 163 Walton, N. W., P. H. Savin.<br />

BIRMINGHAM—The News, Eddie Badger.<br />

BOSTON—Frances W. Harding, Lib. 9814.<br />

BUFFALO— 157 Audubon Drive, Snyder, Jim Schroder.<br />

CHARLOTTE—216 W. 4lh, Pauline Griffith.<br />

CINCINNATI— 1634 Central Parkway, Lillian Seltzer.<br />

CLEVELAND—Elsie Loeb, Fairmount 0046.<br />

DALLAS-^525 Hollard, V. W. Crisp, I8-97SO.<br />

DENVER— 1645 Lafayette, Jack Rose, TA 8517.<br />

DES MOINES— Register & Tribune Bldg., Russ Schoch.<br />

DETROIT— 1009 Fox Theatre Bldg., H. F. Reves.<br />

Telephones: RA 1100; Night, UN-4-02I9.<br />

HARTFORD— 109 Westborne, Allen Widem.<br />

HARRISBURG, PA.—Mechanicsburg, Lois Fegan.<br />

INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux.<br />

MIAMI— 66 S. Hibiscus Island, Mrs. Monton E. Harwood.<br />

2952 Merrick Rd., Elizabeth Sudlow.<br />

MEMPHIS—707 Spring St., Null Adorns, Tel. 48-5462.<br />

MILWAUKEE—529 N. I3th, J. R. Gahagan, MA-a297.<br />

MINNEAPOLIS—29 Washington Ave. So., Les Rees<br />

NEW HAVEN—42 Church St., Gertrude Lander.<br />

NEWARK, N. J.—207 Sumner, Sara Carleton.<br />

NEW ORLEANS— Mrs. Jack Auslet, 3137 Elysian Fields<br />

Avenue.<br />

OKLAHOMA CITY—216 Terminal Bldg., Polly Trindle.<br />

OMAHA—Omaha World-Herald Bldg., Lou Gerdes<br />

PHILADELPHIA^901 Spruce St., J. M. Makler<br />

PITTSBURGH—86 Van Braam St., R. F. Klingensmith<br />

PORTLAND, ORE.—David C. Kahn, BR, II8I, ext. 156<br />

RICHMOND—Grand Theatre, Sam PuUiam<br />

ST. LOUIS—5149 Rosa, David Barrett, FL-3727.<br />

SALT LAKE CITY—Deseret News, Howard Pearson<br />

SAN ANTONIO—333 Blum St., L. J. B. Kelner.<br />

SAN FRANCISCO—25 Taylor St., Gail Upman,<br />

ORdway 3-4812.<br />

SEATTLE—928 N. 84th St., Willard Elsey.<br />

TOLEDO-4330 Willys Pkwy., Anna Kline.<br />

IN CANADA<br />

CALGARY—The Albertan, Wm. Campbell.<br />

MONTREAL—4330 Wilson Ave., N. D. G., Roy Carmichael.<br />

Walnut 5519.<br />

ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />

TORONTO—242 Milwood, Milton Galbraith.<br />

VANCOUVER—411 Lyric Theatre Bldg., Jack Droy.<br />

VICTORIA—938 Island Highway, Alec Morriman.<br />

WINNIPEG—The Tribune, Ben Lepkin.<br />

Member Audit Bureau or Circulations<br />

Entered as Second Class matter at Post Office. Kansas City, Mo.<br />

Sectional Edition, $3.00 per year; National Edition, $7.50<br />

I<br />

OXOFFICE<br />

FOUL PLAY!<br />

.Implementation of the industry's<br />

public relations program on the local level is commencing to<br />

take hold. According to the Theatre Owners of America, the<br />

work has been started in 3,000 cities, towns and villages. As<br />

a result newspapers with an aggregate of about 8 million<br />

circulation, numerous radio announcements, speakers before<br />

theatre audiences and other groups have carried "favorable"<br />

stories about motion pictures and the industry to the public.<br />

That's a good start. And it's as it should be. But the ball<br />

has got to be kept rolling, for a lot of the "wrong stuff" has<br />

been getting into print and on the air for too long a time. It<br />

isn't going to be overcome overnight.<br />

There are still soreheads on the fringe—outsiders who go<br />

out of their way to take a crack at "the movies." One such<br />

instance came into evidence in last Sunday's Kansas City Star,<br />

when a feature writer, who generally writes about real estate<br />

and small-talk personality stuff, struck the industry a nasty<br />

blow below the belt. And all because five years ago he had<br />

to wait in the lobby of a neighborhood theatre, which, because<br />

of a help shortage, had closed off its balcony, and he didn't<br />

get to see the picture. Boom! That kept him away from motion<br />

pictures these five years. But he hadn't forgotten the<br />

incident and around it he vented his spleen at motion pictures<br />

in general.<br />

It seems to be a popular sport these days for people to<br />

pick on pictures. It's bad enough that some seasoned critics<br />

have taken on jaded views from seeing so many films they<br />

have become hard to please. At least it is within their province<br />

to criticize pictures for their entertainment's worth or lack of it.<br />

But when just anybody who conducts a newspaper column<br />

can dig back five years to air a peeve and rap a whole industry<br />

and all of its product, because he didn't think constructively<br />

enough to register his complaint with the manager at<br />

the time of the "unfortunate" incident, we've just got to get<br />

up on our hind legs and holler back at the newspaper that<br />

allows such a policy.<br />

Speaking of sport reminds that this same newspaper daily<br />

devotes (morning and evening) from one to two pages for<br />

sports news. Even when the local ball team is a dud (as it<br />

currently happens to be), they are in there rooting. To a real<br />

sports fan it might appear as sacrilege to say that more people<br />

are interested in motion pictures, derive more pleasure and<br />

at a pittance of the cost than from baseball, football, hockey<br />

or what have you. But how many daily newspapers give<br />

even an average of a daily column to news of motion pictures?<br />

And when the ball team is a flop, we don't see them<br />

berating the entire baseball league; or telling the public to stay<br />

away because the bleachers were roped off.<br />

11<br />

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Vol. 53<br />

MAY 2 2,<br />

No. 4<br />

19 4 8

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