Boxoffice-January.17.1953
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THREAT OF SENATE INQUIRY<br />
INTO UPT-ABC TYPE MERGER<br />
Senator Tobey Questions<br />
Legality; May Call for<br />
Outlawing Legislation<br />
WASHINGTON — The Department of<br />
Justice has asked that "appropriate attention"<br />
be given to certain antitrust factors<br />
in the proposed merger of United Paramount<br />
Theatres and American Broadcasting<br />
Corp. and Sen. Charles W. Tobey (R.,<br />
N.H.) has sent another of his telegrams<br />
about the case.<br />
HEARING IN TWO WEEKS<br />
Tobey's second wire, the contents of which<br />
became known on Monday (12 1, followed by<br />
one day a Federal Communications Commission<br />
meeting at which it was learned that<br />
the FCC voted to approve the merger with<br />
only Commissioner Frieda Hennock dissenting<br />
and asking for "a couple of weeks" in<br />
which to write her dissent. The voting was<br />
almost as unanimous on other issues, it was<br />
reported, with a 5-2 split on some phases.<br />
Tobey's wire, in which reference was made<br />
erroneously to an ABC-Paramount Pictures<br />
merger, read in part. "The Senate Committee<br />
on Interstate and Foreign Commerce will hold<br />
a hearing sometime in the next two weeks to<br />
determine whether or not the proposed UPT-<br />
ABC merger is legal and whether or not in<br />
the public interest and whether it would be<br />
helpful to prepare and pass legislation to<br />
prevent mergers of this kind in the future."<br />
A letter to Paul A. Walker, FCC chairman,<br />
from Attorney General James McGranery<br />
was also made public on Monday (12),<br />
along with the FCC reply which, in effect,<br />
told the Justice Department it had missed<br />
the boat completely on the ABC-XJPT case.<br />
McGranery emphasized that the Justice<br />
Department was not making actual recommendations<br />
to a verdict, but said some of the<br />
factors that should be considered included<br />
whether approval of the merger might "encourage<br />
a general integration of the motion<br />
picture exhibition industry with the radio<br />
and telecasting industries" which could well<br />
lead to "serious competitive problems" as a<br />
result of "the control of such important segments<br />
of the visual entertainment field by a<br />
few dominant companies."<br />
RAISES EXHIBITION POINT<br />
McGranery raised the question of whether<br />
film exhibition interested "placed in a position<br />
to do so" might not protect their theatre<br />
investments from TV competition by hampering<br />
the development of televi-sion, and in any<br />
case, he said, "the incentive to improvement<br />
that comes from active competition will<br />
inevitably be lost under common control."<br />
The attorney general indicated that if the<br />
UPT-ABC merger were to be approved others<br />
of like nature might follow and the development<br />
of the television industry might be<br />
"subordinated to the interests of the motion<br />
picture industry."<br />
Merging of exhibitor and TV interests, he<br />
continued, "would impede the entry of new<br />
business enterprises into any phase of these<br />
industries" and the merged company would<br />
have advantages in bidding for attractions<br />
UAs Gross for 1952<br />
Up by 50 Per Cent<br />
NEW YORK—The United Artists world<br />
gross for 1952 was $30,000,000. an increase of<br />
50 per cent over the $20,000,000 for 1951,<br />
according to Arthur B. Krim, president, in<br />
his "progress report" to the tradepress Thursday<br />
(15).<br />
The increase in profits will be at a lesser<br />
rate, mainly because of higher costs, increase<br />
in selling manpower and the fact that the<br />
company still took on costs of write-offs<br />
before the current executive group came into<br />
UA, Krim said.<br />
The company has made "substantial progress"<br />
on three points in 1952, according to<br />
Krim: (1> At least four UA releases, "High<br />
Noon," "The African Queen," "Limelight" and<br />
"Breaking the Sound Barrier," were on practically<br />
every "best ten" list and UA won<br />
three out of the five awai'ds given by the<br />
not available to a firm without such connections.<br />
Walker's reply did not point to the fact that<br />
the counsel for the FCC's own broadcast<br />
bureau, Frederick Ford, had devoted many<br />
pages of his "proposed findings" and at least<br />
half an hour of his oral arguments to development<br />
of exactly the same arguments. He did<br />
remind McGranery that the D of J had been<br />
kept advised of all proceedings in the case<br />
and had nevertheless informed FCC that it<br />
was not in a position to take any formal<br />
part in the case. That was on December 29.<br />
1951. and since then the Department has<br />
never requested intervention or participation<br />
of any kind.<br />
Victory for the Majors<br />
In Dallas Trust Suit<br />
DALLAS—A directed verdict for the majors<br />
and the Interstate circuit in the five-year-old<br />
antitrust suit brought by Tivoli Realty Co.<br />
and I. B. Adelman. owners of the Delman<br />
Theatre here, was returned in federal court<br />
here this week. Judge William H. Atwell of<br />
federal district court instructed the jury to<br />
bring in such a verdict after less than three<br />
days of testimony. He said the plaintiffs<br />
failed to prove conspiracy to deprive the Delman<br />
of the run and product it wanted.<br />
Judge Atwell held that when the distributors<br />
decided that the competing Village Theatre<br />
was the outstanding theatre in North<br />
Dallas and could provide the most profitable<br />
run they were acting independently and in the<br />
exercise of their separate business judgments.<br />
They had the legal right, he said, to select<br />
the customers to whom they wished to<br />
license their product.<br />
Loew's, RKO Radio, Paramount and 20th<br />
Century-Fox had offered product to the Delman<br />
on a competitive bidding basis.<br />
New York film critics: (2) The directorial<br />
talent which gravitated to the independent<br />
field for UA release included Anatole Litvak,<br />
Otto Preminger, John Huston, Lewis Milestone,<br />
Mark Robson and Carol Reed: and (3)<br />
UA had two "block-busters," "High Noon"<br />
and "The African Queen," which were among<br />
the eight biggest grossers of 1952. "Noon" had<br />
$2,500,000 in sales in 18 weeks, the fastest<br />
liquidation in UA history.<br />
The company has eight pictures for 1953<br />
which are potential biggest grossers for the<br />
year. Krim also said UA has set the 36<br />
features for 1953 and is now finalizing plans<br />
for 1954 production. Krim is awaiting the<br />
results of current negotiations for "Bwana<br />
Devil," Arch Oboler's natural-vision feature,<br />
which UA will probably buy outright for<br />
world distribution.<br />
Lippert Will Release 12<br />
January Through May<br />
CHICAGO—Twelve releases, all completed<br />
and either awaiting release or in various editing<br />
stages, will constitute Lippert Pictures'<br />
distribution program for the first five months<br />
of 1953. franchise holders were informed by<br />
President Robert L. Lippert at a two-day<br />
meeting here Saturday and Sunday (10. 11).<br />
Following the parleys. Lippert proceeded to<br />
New York with Arthur Greenblatt. general<br />
sales manager, for a week of huddles before<br />
returning to his headquarters in Hollywood.<br />
Heading the lineup of new product are<br />
"The Tall Texan." starring Lloyd Bridges.<br />
Lee J. Cobb, Marie Windsor and Luther<br />
Adler, and "I'll Get You," with George Raft<br />
and Sally Gray. Two science-fiction entries<br />
are "Spaceways," toplining Howard Duff, and<br />
"Project X." A1.SO available will be "Bad<br />
Blonde," starring Barbara Payton: "Bachelor<br />
in Paris," with Dennis Price; "Park Plaza<br />
605." starring Tom Conway: "Chu Chin<br />
Chow." a musical: two Romulus productions.<br />
•Twilight Women" and "The Little Big Shot,"<br />
and a feature-length cartoon in Technicolor.<br />
"Johnny, the Giant Killer."<br />
Williams Leaves Fox<br />
For Television Post<br />
NEW YORK—Phil A. Williams has resigned<br />
his sales post with 20th Century-Fox to enter<br />
the television field. For the past year he has<br />
been sales manager of the 20th-Fox television<br />
productions and assistant to the short subjects<br />
sales manager.<br />
Prior to joining Fox. Williams was sales<br />
manager for the March of Time and served<br />
in various capacities with the Time. Inc.,<br />
organization since 1937. He will announce his<br />
new connection next week.<br />
16 BOXOFnCE January 17, 1953