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GABRIELA COCA, Ha folyóvíz volnék ... (Had I been Running Water ...), Equal Voices Choir, Op. 1, by Ede Terényi (1954) ............................ 259 BOOK REVIEW ***, Ghidul Iubitorilor de Folclor (The Guide of the Folklore Lovers), 1/2011, publishing by Ed. Lidana, Suceava (ISSN: 2284-5593) (GABRIELA COCA) ......................................................................................................... 267 CONTRIBUTORS .................................................................................... 269 SUBSCRIPTION ...................................................................................... 275 AGREEMENT OF CHANGE BETWEEN THE INSTITUTIONS............... 277 INVITATION FOR PUBLISHING ............................................................. 279
Page 1 and 2: MUSICA 1/2012
Page 3: COMPUTER MUSIC CIPRIAN-GABRIEL POP,
Page 7 and 8: BIANCA ŢIPLEA TEMEŞ B.T. - Dear a
Page 9 and 10: BIANCA ŢIPLEA TEMEŞ appropriate t
Page 11 and 12: BIANCA ŢIPLEA TEMEŞ page, and you
Page 13 and 14: BIANCA ŢIPLEA TEMEŞ male-oriented
Page 15 and 16: BIANCA ŢIPLEA TEMEŞ Faculty of Mu
Page 17 and 18: BIANCA ŢIPLEA TEMEŞ making. It mi
Page 19 and 20: BIANCA ŢIPLEA TEMEŞ sort of paper
Page 21 and 22: BIANCA ŢIPLEA TEMEŞ B.T. - True,
Page 24 and 25: STUDIA UBB MUSICA, LVII, 1, 2012 (p
Page 26 and 27: REGIONALE MERKMALE DER SIEBENBÜRGI
Page 32: REGIONALE MERKMALE DER SIEBENBÜRGI
Page 35 and 36: ZOLTÁN GERGELY Formalities ordered
Page 37 and 38: ZOLTÁN GERGELY Musicians have a ve
Page 39 and 40: ZOLTÁN GERGELY The festive dinner
Page 41 and 42: ZOLTÁN GERGELY Ex. 1 RMN(OHFM)/ 22
Page 43 and 44: ZOLTÁN GERGELY Both lyrics make sp
Page 45 and 46: ZOLTÁN GERGELY The image clearly p
Page 47 and 48: ZOLTÁN GERGELY Ex. 5a (mixed group
Page 49 and 50: ZOLTÁN GERGELY At the weddings of
Page 51 and 52: ZOLTÁN GERGELY extended to seven l
Page 53 and 54: ZOLTÁN GERGELY REFERENCES MNL: Mag
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ÉVA PÉTER Hymns of repentance rep
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ÉVA PÉTER Rejoice, My Soul Be Mer
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ÉVA PÉTER Ex. 4 From among the Ge
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ÉVA PÉTER funerary lyrics 17 (Én
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ÉVA PÉTER Ex. 8 It is a well-know
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ÉVA PÉTER alterations. The public
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PETRUŢA-MARIA COROIU "Culture is w
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PETRUŢA-MARIA COROIU 68 Here's a l
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STUDIA UBB MUSICA, LVII, 1, 2012 (p
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THE EVOLUTION OF THE INTERFERENCE O
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FROM THE METAPHOR OF WATER TO CORRE
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ALFRED SCHNITTKE’S POLYSTYLISTIC
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VANGELIS KARAFILLIDIS many cultures
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VANGELIS KARAFILLIDIS Ex. 1 Opening
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THE GENESIS OF THE PIANO TRIO conti
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THE GENESIS OF THE PIANO TRIO Thus,
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THE GENESIS OF THE PIANO TRIO The C
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THEATRICAL LIFE AND REPERTOIRE OF T
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ISTVÁN ZOLTÁN KISGYÖRGY About th
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ISTVÁN ZOLTÁN KISGYÖRGY Benkő J
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ISTVÁN ZOLTÁN KISGYÖRGY BARDOC -
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ISTVÁN ZOLTÁN KISGYÖRGY The Hist
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ISTVÁN ZOLTÁN KISGYÖRGY In 1948,
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ISTVÁN ZOLTÁN KISGYÖRGY congrega
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ISTVÁN ZOLTÁN KISGYÖRGY church,
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ISTVÁN ZOLTÁN KISGYÖRGY Bölön
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ISTVÁN ZOLTÁN KISGYÖRGY In 2004,
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SZILVIA TÖRÖK Until the middle of
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SZILVIA TÖRÖK The questions of wh
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SZILVIA TÖRÖK heightening muscle
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SZILVIA TÖRÖK Table 1 Their name
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SZILVIA TÖRÖK Consequently, since
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SZILVIA TÖRÖK 4. The artistic met
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DIE LISZTSCHE IRONIE IN DER SCHILDE
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LE PAYSAGE SONORE DE MURRAY R. SCHA
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ELEMENTS OF THE MUSICAL DISCOURSE I
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RĂZVAN METEA He composed more than
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RĂZVAN METEA Tiberiu Olah tries to
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RĂZVAN METEA The second section (m
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RĂZVAN METEA 242 Short interpretat
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JUGGLE FOR CLARINET AND PIANO BY CR
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GABRIELA COCA The work is based on
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GABRIELA COCA The second phrase of
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GABRIELA COCA Ex. 8 2 3 2 2 Measure
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CONTRIBUTORS choir conductor of the
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CONTRIBUTORS Austria, Switzerland.
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SUBSCRIPTION University Babeş-Boly
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THE STANDARD FORMAT OF THE STUDIES
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