The Basics of Good Writing - SUNY Rockland Community College
The Basics of Good Writing - SUNY Rockland Community College
The Basics of Good Writing - SUNY Rockland Community College
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<strong>The</strong> <strong>Basics</strong> <strong>of</strong><br />
<strong>Good</strong> <strong>Writing</strong><br />
D. Langley<br />
© 2009
D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
<strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Table <strong>of</strong> Contents<br />
Part 1 – Introducing the Essay................................................................. 3<br />
Part 2 – Choosing Appropriate Words .................................................. 12<br />
Part 3 – Creating Clear Sentences......................................................... 15<br />
Part 4 – Composing Effective Paragraphs............................................ 23<br />
Part 5 – Using Logic and Evidence [unfinished].................................. 40<br />
Part 6 – Finding, Recording, and Using Sources<br />
in a Research Paper ................................................................. 44<br />
Part 7 – <strong>Writing</strong> the Literary Research Paper and<br />
Avoiding Plagiarism ................................................................... 57<br />
Part 8 – Using the Internet to Do Academic Research ....................... 68<br />
Part 9 – <strong>Basics</strong> <strong>of</strong> Grammar ................................................................... 81<br />
Part 10 – <strong>Basics</strong> <strong>of</strong> Punctuation and Mechanics.................................. 82<br />
Part 11 – Exercises.................................................................................. 94<br />
Appendix 1 – Dictionary <strong>of</strong> Commonly Confused Words ................. 103<br />
Appendix 2 – Commonly Misspelled Words....................................... 109<br />
Student Suggestions Page................................................................... 112<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
Part 1 - Introducing the Essay<br />
Defining the Essay<br />
An essay is a relatively short piece <strong>of</strong> nonfiction that tries to make an interesting point.<br />
• Relatively short – means that an essay generally runs between two and twenty typed,<br />
double-spaced pages, so the essay can be read in one sitting. Essays in English 101 should<br />
run two to four full, typed, double-spaced pages.<br />
• Nonfiction – means that the essay is not a poem, short story, or similar piece <strong>of</strong> imaginative<br />
writing. <strong>The</strong> essay discusses actual people, places, and events. If writers include<br />
imaginative material—that is, fiction—they clearly identify that imaginative material in the<br />
context <strong>of</strong> the essay, and that material serves to some point about the actual material <strong>of</strong> the<br />
essay.<br />
• An interesting point – means that an essay contains a thesis—that is, a main point or a<br />
central assertion and that the author then supports by making an emotional appeal, by using<br />
logic and evidence, or by using both. It tries to give readers a sense <strong>of</strong> the author’s<br />
perspective about those topics. 1 Finally, an essay tries not only to say something but also to<br />
say it well. That is, the essay tries to arouse the reader’s curiosity, to convince readers that<br />
its topic is worth discussing, or to prove that the audience can benefit somehow from<br />
having the knowledge contained in the essay or by adopting the opinion expressed in the<br />
essay.<br />
To build a stable, long-lasting house, you must start with a solid foundation. Creating an attractive<br />
sweater requires knowing major knitting techniques and knowing how to assemble the knitted<br />
pieces <strong>of</strong> the overall garment. Similarly, you should know several strategies for creating a strong<br />
foundation on which to build a finished essay:<br />
1. Distinguish among a subject, a topic, and a thesis.<br />
2. Know how to focus a subject to a thesis.<br />
3. Identify your purpose and your audience.<br />
4. Use idea-generating techniques such as freewriting, brainstorming, “clustering,” and<br />
asking reporters’ questions.<br />
5. Take notes and/or keep a journal, especially when preparing to write about literature.<br />
Subjects, Topics, and <strong>The</strong>ses<br />
• A subject is a broad category <strong>of</strong> information. Subjects would cover large areas <strong>of</strong><br />
discussion such as colleges and universities, teenage experiences, the writings <strong>of</strong> James<br />
Baldwin, or games and sports.<br />
• A topic is a narrow area <strong>of</strong> discussion, such as the open admissions policies <strong>of</strong> community<br />
colleges, the most embarrassing experience you had in high school, James Baldwin’s views<br />
on race relations in the 1950s through the 1970s, or the long-term health benefits <strong>of</strong><br />
walking and jogging.<br />
• A thesis would be a specific point about a specific topic. <strong>The</strong> following are quickly<br />
developed theses that I thought up while writing this section <strong>of</strong> the booklet:<br />
o An open admissions policy helps borderline high school students obtain an<br />
affordable college education and is a policy that New York State needs to preserve.<br />
o My most embarrassing high school situation involved reading <strong>of</strong>f to a bus driver<br />
the stops on his route, exposing my suburban-based ignorance <strong>of</strong> city commuting<br />
systems.<br />
1 Note that the plural <strong>of</strong> thesis is theses, not thesises.<br />
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Latest Revision – 04/25/06<br />
o<br />
o<br />
James Baldwin was an eloquent spokesman for the rights <strong>of</strong> black Americans in<br />
the 1950s through 1970s who helped readers understand the need for civil rights<br />
progress at that time.<br />
<strong>The</strong> long-term benefits <strong>of</strong> walking and jogging include a stronger heart, healthier<br />
arms and legs, and a more attractive physique.<br />
Focusing a Subject to a <strong>The</strong>sis<br />
If you have only a large subject area to begin with, first move towards a thesis by dividing your<br />
subject into smaller and smaller areas. For example, when writing about a subject such as “college<br />
life,” you can divide your subject as follows:<br />
• <strong>College</strong> life / university life.<br />
• Commuter students / residential students<br />
• Traditional students / non-traditional students<br />
Second, take one <strong>of</strong> your subdivided subjects and divide it even further by creating topic-sized<br />
categories related to the subject. For example, if discussing traditional students, you could add the<br />
following facts about them:<br />
• Ages 17-22 / High school graduates<br />
• Financed by parents, loans, and scholarships<br />
• Changing from daily high school schedules to two-day / three-day schedules<br />
• More responsibility and self-discipline required<br />
Third, take your more specific topics and ask questions about them:<br />
• What social and intellectual limits do traditional students have that might cause problems<br />
for them when attending college?<br />
• Does today’s high school education prepare students well enough for college life?<br />
• What obligations, if any, do college students have to their parents or other financial<br />
supporters?<br />
• What specific skills do traditional students need to be responsible and self-disciplined in<br />
college?<br />
Fourth and finally, answer the questions you have posed. Such answers will become the working<br />
theses that you could use in the first draft <strong>of</strong> an essay:<br />
• Too many traditional students may not have the social networks and intellectual curiosity<br />
required to succeed in today’s competitive college atmosphere.<br />
• High schools need to do more to prepare students for understanding the purpose <strong>of</strong><br />
different college educations and the level <strong>of</strong> maturity that college pr<strong>of</strong>essors and<br />
administrators expect them to have when they arrive at college.<br />
• <strong>College</strong> students should do well in school not so much to satisfy their parents, bankers, or<br />
the government, but to satisfy the duty they have to themselves to become intelligent and<br />
mature people ready to succeed in their personal and pr<strong>of</strong>essional lives.<br />
• Traditional students need to know how to act in adult settings such as the college<br />
classroom, how to read and study for essays and examinations, and how to organize their<br />
social lives so they can develop supportive friends and academic partners.<br />
Testing the Quality <strong>of</strong> Your <strong>The</strong>sis<br />
After you have come up with a thesis, you should verify that it will work well as the controlling<br />
idea for your essay. <strong>The</strong> following five guidelines, complete with examples <strong>of</strong> weaker and stronger<br />
theses, can help you to determine if your thesis is worth defending.<br />
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Latest Revision – 04/25/06<br />
1. A good thesis is a single sentence.<br />
Poor: Situation comedies present single-parent families unrealistically. <strong>The</strong>se television<br />
shows say it is easy to succeed financially. <strong>The</strong>y also suggest that these families have view<br />
major emotional challenges. And finally, they don’t portray the world very realistically.<br />
Poor: Teenagers <strong>of</strong>ten don’t have strong family units or good friends. So these teenagers<br />
look to their fellow mall rats for help. <strong>The</strong>y also look for help from people at casual events<br />
like parties or from dangerous groups like gangs.<br />
Better: Situation comedies on television <strong>of</strong>ten present single-parent families as fully<br />
competent units, but such portrayals mislead us about the economic and emotional<br />
hardships usually faced by these families in the actual world.<br />
Better: Teenagers who lack intimacy with their families and friends <strong>of</strong>ten turn to peers they<br />
meet at malls, casual and one-time social events, or even dangerous entities such as gangs<br />
to provide them with emotional guidance and support.<br />
2. A good thesis asserts one controlling idea.<br />
Poor: EBay is a good Web site for making money, and you can save a lot <strong>of</strong> money when<br />
buying new products by using comparison-shopping sites like MySimon.com.<br />
Poor: People can make good investments using Web sites like Hoovers.com, and you can<br />
learn a lot about investing from Fool.com too.<br />
Better: People with good-quality products to sell, a basic ability to work with computers,<br />
and the discipline needed to maintain an online business can make regular pr<strong>of</strong>its on Web<br />
sites like Ebay.com.<br />
Better: People with effective business research and investing skills can make a livable<br />
annual salary through online business portal such as Bigcharts.com, Fool.com, and<br />
Hoovers.com.<br />
3. A good thesis says something definite and substantial about your topic.<br />
Poor: A recycling law can be very controversial.<br />
Poor: Some people favor recycling laws and some people oppose them.<br />
Better: To be effective, recycling laws must cover key types <strong>of</strong> materials, include<br />
regulations that are easy to follow, and be fairly enforced.<br />
Better: <strong>The</strong> general public initially opposed strict recycling laws but has begun to see their<br />
value in the face <strong>of</strong> increasingly fewer dumping grounds, the need to recycle oil-based<br />
products, and the simplicity <strong>of</strong> most recycling laws.<br />
4. A good thesis has an appropriate tone and clear purpose.<br />
Poor: My essay is going to talk about stuff related to lousy college policies.<br />
Poor: It really stinks that we can’t trust politicians and liars like that to tell us the truth<br />
about things.<br />
Better: Poor campus facilities, a low percentage <strong>of</strong> full-time faculty, and confusing or<br />
vague advice from administrators <strong>of</strong>ten prevent college students from completing their<br />
college career in four years.<br />
Better: President Clinton’s misleading statements about sexual harassment charges against<br />
him and President Bush’s over-reliance on false intelligence before the Iraq war have<br />
caused both Republicans and Democrats to drop out <strong>of</strong> the political process.<br />
5. A good thesis has the focus appropriate to the length <strong>of</strong> the essay that will support it.<br />
Poor: Yard sales reflect the times we live in.<br />
Poor: Lawyers can help you avoid lots <strong>of</strong> problems.<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
Better: Yard sales help circulate needed low-cost goods during times <strong>of</strong> high inflation, poor<br />
employment, and similar difficult economic times.<br />
Better: Despite the stereotypes about them, lawyers can help people avoid significant<br />
financial problems by preparing last wills and testaments, living wills, and similar<br />
documents.<br />
Understanding Purpose, Audience, and Tone<br />
To create an effective essay, identify the purpose and audience for it. In this regard, you may think<br />
that the purpose <strong>of</strong> writing is to earn a good grade, and that your audience is your instructor. Nope.<br />
Getting a good grade may be your motivation for writing the essay, but it should never be your<br />
purpose. Likewise, your teacher is only the grader <strong>of</strong> the essay, not its audience. 2 Finally, you may<br />
think that you can write almost any essay in a personal, even folksy, tone <strong>of</strong> voice. However, just<br />
as you would choose different words for speaking to adults rather than to children, so also you<br />
should consider carefully how informal or formal the tone <strong>of</strong> your essays should be.<br />
In general, the purpose <strong>of</strong> any essay is to write about a worthwhile topic and to make an interesting<br />
point about it. More specifically, your purpose may be to entertain people about an amusing life<br />
situation; inform people about an important social, cultural, or religious issue; speculate about the<br />
possibilities <strong>of</strong> how to solve an important public problem; or persuade people to adopt your view<br />
on a controversial topic.<br />
Your purpose also may vary according to the type <strong>of</strong> essay you are writing. For example, essays<br />
<strong>of</strong>ten have a dominant rhetorical mode. Rhetoric is the art <strong>of</strong> using the most effective word in the<br />
proper place to achieve a desired effect. <strong>The</strong> rhetorical mode is the main method or way <strong>of</strong><br />
communicating your essay’s information. <strong>The</strong> four main rhetorical modes are narration,<br />
description, exposition, and argumentation. <strong>The</strong> table on the next page defines each mode, gives<br />
sample essays for each mode, and lists the potential purpose <strong>of</strong> that essay:<br />
Rhetorical<br />
Mode Definition Sample Essays Purpose<br />
Narration Telling a story about a<br />
person, place, or event<br />
Maya Angelou,<br />
“Graduation”<br />
To tell how a black eighth-grader restored<br />
the dignity <strong>of</strong> his classmates after a visiting<br />
education <strong>of</strong>ficial displayed discriminatory<br />
Description<br />
Exposition<br />
Argumentation<br />
Using concrete words to<br />
create a visual image<br />
Explaining or informing<br />
about a noncontroversial<br />
topic 3<br />
Attempting to persuade<br />
readers to adopt your<br />
view about controversial<br />
topics 4<br />
Annie Dillard, “<strong>The</strong><br />
Death <strong>of</strong> a Moth”<br />
Bruce Catton,<br />
“Grant vs. Lee: A<br />
Study in Contrasts”<br />
George Orwell,<br />
“Politics and the<br />
English Language”<br />
attitudes<br />
To compare the death <strong>of</strong> a moth in a candle<br />
flame to the sacrifices that writers must<br />
make to be successful at their craft<br />
To explain the similarities and differences<br />
<strong>of</strong> the personal and military qualities <strong>of</strong><br />
Ulysses S. Grant and Robert E. Lee to show<br />
why Grant was the more successful Civil<br />
War general<br />
To persuade people that the misuse or<br />
corruption <strong>of</strong> a language leads to misguided<br />
political results<br />
2 <strong>The</strong>re may be one exception to this advice. When writing examination answers to prove that you<br />
paid attention in class during a semester, think <strong>of</strong> your instructor as your audience. If you don’t know how to<br />
approach the exam, ask ahead <strong>of</strong> time. Many instructors will <strong>of</strong>fer advice on how to succeed at the test.<br />
3 While people may endlessly debate the morality <strong>of</strong> war, they can generally agree as to who won a<br />
series <strong>of</strong> battles by looking at statistics on number <strong>of</strong> casualties, amount <strong>of</strong> ground gained, etc.<br />
4 A topic is controversial if it involves how you think people ought to treat other people, animals, the<br />
environment, and so on—that is, if there is some debate about ethical or moral aspects <strong>of</strong> an issue.<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
<strong>The</strong> audience for an essay is its intended readership. When you write an e-mail to a friend, your<br />
intended reader probably is about your own age and is likely to share your personal interests. 5<br />
When you write a thank-you note to a loved one, your intended audience may be older and more<br />
mature, and may or may not share your interests. When you write an essay—especially an<br />
academic essay—your audience could be any number <strong>of</strong> people with any number <strong>of</strong> interests.<br />
However, for the purposes <strong>of</strong> a writing class, you may assume that your intended audience is a<br />
general readership <strong>of</strong> reasonable people. In other words, your audience will vary in age, race,<br />
religious views, political positions, and so on. However, they also will have either a pretty good<br />
formal or informal education, and should be open-minded enough to consider a logically presented<br />
presentation backed up by evidence. 6<br />
If you have trouble picturing a general readership <strong>of</strong> reasonable people, think <strong>of</strong> your fellow<br />
students as your audience. Choose topics that will interest a broad readership and that can endure<br />
the scrutiny <strong>of</strong> classroom experts. Use fresh and original language to capture people’s attention.<br />
Come up with arguments that skeptical classmates will find convincing. Most <strong>of</strong> all, challenge<br />
them to think about the opinions that they uncritically accept so they can live fuller and richer lives.<br />
<strong>The</strong> tone <strong>of</strong> an essay is the mood or feeling that it conveys. Since you don’t have body language<br />
and voice volume to work with when writing an essay, your tone will come through only in your<br />
word choice, sentence and paragraph structure, and punctuation. When you decide on the tone for<br />
an essay, remember to consider also your purpose and audience. If you are trying to entertain your<br />
classmates, even to get people to laugh, then an informal tone <strong>of</strong> voice will be appropriate. If you<br />
are informing people in general about relatively non-controversial topics, then a middle-level tone<br />
might be more proper. And if you are writing about serious political and/or cultural issues for a<br />
large college or public audience, then you probably should adopt a formal tone.<br />
Using Idea-Generating Techniques<br />
Many writing teachers tell their students to develop essays as follows: Pick a topic, decide on a<br />
thesis, write an outline, and then write a rough draft and a final draft. <strong>The</strong>re can be at least two<br />
problems with such advice: people usually don’t write this way and usually don’t succeed at<br />
writing this way. In other words, we don’t know what to write about until we’ve actually written<br />
about it. <strong>The</strong>refore, before you even choose a thesis, you may want to try the following prewriting<br />
techniques to get your mental powers flowing.<br />
Freewriting - Write without stopping for about five to ten minutes. If you become stuck, keep<br />
writing the last word that you wrote down, or write down something like I can’t write, I can’t<br />
write.... At the end time, stop writing even if you are in the middle <strong>of</strong> a sentence. Put the material<br />
away and look at it at least a few minutes later. Leaving the material alone for a few minutes will<br />
promote further thought about your topic. Printed below is an example <strong>of</strong> freewriting. Notice that<br />
the paragraph repeats and wanders. That’s OK, because the purpose <strong>of</strong> freewriting is not to create a<br />
beautifully finished essay. Rather, it is just to help you work out ideas or feelings that keep you<br />
from writing—to help you get unstuck at the start <strong>of</strong> the writing process.<br />
I am going to write about working at two jobs. It can be fun working two<br />
different jobs but I, I don’t know what to write, but the jobs—that is the going<br />
5 You don’t always need to use e-mail. Keep the art <strong>of</strong> letter writing alive too. Doing so will slow<br />
down your life and help you to enjoy it more fully!<br />
6 Part 6 provides advice on how to form logical arguments and present persuasive evidence.<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
back and forth can be draining, and I can lose focus. I also can get confused<br />
about which, if either, should be the more important job and which I should try to<br />
keep doing. Of course, some jobs are easy to accept and others are easy to reject,<br />
so it’s important to have some values or standards by which you choose what job<br />
to pick or to keep or to keep working on or focusing your energies on. It’s also<br />
interesting, or important, to know which job is not only more important, but also<br />
which job is more interesting. That is, which job keeps my attention, which seems<br />
more fulfilling, which seems more rewarding, and which is the job that I would<br />
like to keep doing in the future. I mean, no one ever says on their deathbed, Gee,<br />
I wish I’d spent more time at work. I mean, that just doesn’t happen….<br />
Brainstorming - For about 5-10 minutes, make a list <strong>of</strong> topics, ideas, and/or questions about a<br />
specific topic. Do this alone or in a small group. While making the list, feel free to write down any<br />
idea that comes to mind, to repeat an idea, or to rephrase an idea. Unlike freewriting, feel free to<br />
stop, organize your thoughts, and then start recording ideas again. After writing down all ideas, go<br />
back and cross out any duplicate ideas or irrelevant ideas, and then group the remaining ideas by<br />
common threads <strong>of</strong> thinking. <strong>The</strong> purpose <strong>of</strong> brainstorming is to free the mind from preconceived<br />
categories, to generate as many ideas as reasonably possible, and to figure out the various ways in<br />
which ideas can express themselves. Here’s a list <strong>of</strong> brainstorming ideas related to the topic <strong>of</strong> truth<br />
before crossing out duplicates or irrelevant ideas:<br />
• Justice<br />
• Fairness in the courts<br />
• Anything related to accuracy and facts<br />
• Beauty<br />
• Which values are most important<br />
• Tests or standards <strong>of</strong> validity<br />
• Scientific truth<br />
• Religious truth<br />
• Personal vs. abstract or general truth<br />
• Preferring peace (quiet) over speaking the truth<br />
• Preferring the truth over good relationships<br />
Clustering - Write down a word or phrase, like love, in the middle <strong>of</strong> a sheet <strong>of</strong> paper. Think <strong>of</strong> a<br />
related idea, circle it, and then draw a line between the first and the second idea. Keep writing<br />
down and circling related ideas, and then draw lines between the newer ideas and the previous<br />
ideas they relate to. At the end <strong>of</strong> the process, you will have a field <strong>of</strong> circles or ovals and<br />
connecting lines. <strong>The</strong> purpose <strong>of</strong> clustering is to generate ideas, to suggest which ideas go with<br />
which other ones, and to discover how many different sub-categories <strong>of</strong> ideas you have.<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
Asking Reporters’ Questions – Newspaper and magazine reporters are taught that, to cover a story<br />
thoroughly, they must ask who, what, when, where, why, and how, and only then are they to write<br />
the story. You can take the same approach when pre-writing an essay. For example, if you want to<br />
write about how the print media covered a presidential scandal, you would need to ask yourself the<br />
following:<br />
• Who was the president involved in the scandal? Who were his friends, family, or political<br />
appointees involved as well?<br />
• What started the scandal and how did the president respond to it? What did other people<br />
do? What did the newspapers do when they discovered the scandal?<br />
• When did the scandal occur, and when did the newspapers learn about the key events?<br />
When did they reveal what they had learned?<br />
• Where did the scandal take place, and where was the first newspaper, magazine, or Internet<br />
site that located the evidence? Where did the media get its evidence?<br />
• Why did those involved in the scandal do what they did, and why did the media try to<br />
expose the event?<br />
• How did people try to cover up the scandal, and how did the media discover the truth, if at<br />
all?<br />
Remember: Whether you freewrite, brainstorm, do clustering, or ask yourself reporter’s questions,<br />
your main goal in the pre-writing stage is to overcome writer’s block—that is, to generate ideas in<br />
a non-threatening atmosphere that eliminates the dreaded blank page. In such open-ended<br />
situations, words or phrases that you write down early in the session may relate closely to the first<br />
recorded word. However, since our minds can wander very quickly from an original term, words<br />
that you write down last may relate only indirectly. For example, in the ballooning diagram above,<br />
love and peace may seem closely related as personal goals. However, terms such as League <strong>of</strong><br />
Nations, NATO, NAFTA, war, etc., may relate to peace more closely as a political concept. In the<br />
pre-writing stage, feel free to accept such quick topical shifts. In the final draft <strong>of</strong> a paper, however,<br />
be sure that all sections <strong>of</strong> the paper stay on topic and relate back to your thesis.<br />
Understanding <strong>Writing</strong> as a Process<br />
Some writers think <strong>of</strong> writing as a one-step task. <strong>The</strong>y think that the best way to write is to think<br />
and think and think about their topic and then write down everything they can remember. However,<br />
when they try this approach, they <strong>of</strong>ten find that they cannot record all <strong>of</strong> their thoughts quickly<br />
enough, even if they use a word processor. <strong>The</strong>y also may try to write perfect drafts the first time<br />
around. When they don’t do so, they may become frustrated, think that they can never become<br />
good writers, and give up.<br />
However, as the section on developing a thesis suggests, you will be more successful at writing if<br />
you think <strong>of</strong> writing as a process—that is, a series <strong>of</strong> interrelated steps that lead to a goal. If you<br />
take the process approach to writing, the following strategy <strong>of</strong>ten will lead to stronger essays:<br />
1. Write down whatever you are thinking in the earliest stages <strong>of</strong> the project.<br />
2. Review how your ideas look on paper.<br />
3. Clarify confused statements.<br />
4. Eliminate excess wording and phrasing.<br />
5. Express underdeveloped ideas more fully.<br />
6. Find more supporting evidence for your ideas.<br />
7. Rewrite your introduction and conclusion until your essay opens and ends strongly.<br />
8. Pro<strong>of</strong>read and correct structural, grammatical, and punctuation errors.<br />
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<strong>The</strong> diagram on the next page suggests how to organize the writing process to achieve regular<br />
success with assignments. Since the diagram only suggests how to approach the process, you can<br />
vary it as time and other conditions dictate. For example, if you are exceptional at developing ideas<br />
in your head, you may be able to skip the activities in the prewriting stage and go directly to the<br />
second stage. On the other hand, if you are not a native speaker <strong>of</strong> English or have a learning<br />
disability like dyslexia, you may want to add the additional step <strong>of</strong> showing your work to someone<br />
else after the editing/pro<strong>of</strong>reading stage and have that person thoroughly review your work before<br />
typing the final draft.<br />
START: Prewriting – Think <strong>of</strong> ideas:<br />
• Generate ideas by brainstorming, clustering, asking reporters’ questions, freewriting.<br />
• Gather information from reading, taking notes, interviews, etc.<br />
• Consider your assignment, audience, purpose, and tone.<br />
Drafting/<strong>Writing</strong> – Put your ideas into writing:<br />
• Use ideas from prewriting.<br />
• Write what comes to mind; don’t worry about errors at this stage.<br />
• Elaborate upon ideas; explain them more fully.<br />
• Explore questions that you have raised in your own mind, or that others have raised after<br />
reading your rough draft.<br />
• Put ideas into sentences and paragraphs.<br />
Rewriting Stages – Revising, Editing, and Pro<strong>of</strong>reading<br />
Revising – Improve your rough draft:<br />
• Add, delete, rearrange, and/or combine<br />
words, sentences, paragraphs.<br />
• Add supporting detail and examples.<br />
Arrange them in a pattern <strong>of</strong> development<br />
appropriate to your topic.<br />
• Go back to your prewriting material for more<br />
ideas, if needed.<br />
• Prepare an opening paragraph that<br />
announces your topic, states your thesis,<br />
and establishes the proper tone.<br />
• Prepare a final paragraph that states the<br />
importance, significance, and/or benefit <strong>of</strong><br />
what readers have learned.<br />
Editing/Pro<strong>of</strong>reading – Reread<br />
and revise as needed:<br />
• Revise the style to fit the<br />
assignment, audience,<br />
and purpose more<br />
properly.<br />
• Correct grammatical<br />
errors.<br />
• Correct capitalization<br />
errors.<br />
• Correct punctuation<br />
errors.<br />
• Improve word choice and<br />
sentence variety.<br />
END: Publishing - Prepare and type the final draft:<br />
• Add a title that covers the essay topic and attracts readers’ attention.<br />
• Follow required format for first page, body pages, page numbering, and—if needed—Works<br />
Cited page.<br />
• Include parenthetical references (author and page), if needed.<br />
• Provide 1.25-inch left and right margins and 1-inch top and bottom margins.<br />
• Use 12-point, Times New Roman or Arial font. Double space all text, including the heading,<br />
title, paragraphs, short or long quotations, and works cited.<br />
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Evaluating Your Essays before Submission<br />
Before submitting a finished essay, evaluate it against the following questions to ensure that you<br />
have done the best job possible:<br />
1. Does the essay have a clear thesis? Does the writer stay focused on the thesis throughout<br />
the essay?<br />
2. Does the essay have a purpose and tone that is appropriate for its topic and audience?<br />
3. Does the essay use a middle level <strong>of</strong> diction, or is the vocabulary too slangy or formal for<br />
its topic, purpose, and audience?<br />
4. Is each sentence immediately clear to the reader?<br />
5. Does the essay contain focused and unified paragraphs? Is the essay well organized? That<br />
is, does the essay move from topic to topic, or does it repeat ideas unnecessarily?<br />
6. Does the opening paragraph draw you into the essay in a focused and interesting way?<br />
Does the last paragraph just summarize what the author said earlier, or does it tie up the<br />
essay by giving the reader something to think about without starting on a new topic?<br />
7. Does the essay have generally accepted grammar, punctuation, and spelling?<br />
8. If the essay is a research paper, does it follow generally accepted academic standards for<br />
physical format, sentence citations, works cited, and avoiding plagiarism?<br />
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Part 2 - Choosing Appropriate Words<br />
Using a Dictionary<br />
When reading essays, poems, stories, or plays, you <strong>of</strong>ten will encounter words for which you do<br />
not know the meaning. Many times, you can determine the meaning <strong>of</strong> a difficult word from the<br />
context, or overall meaning, <strong>of</strong> a sentence. If you see the word enough times in different settings,<br />
you probably will be able to figure out the word’s meaning. <strong>The</strong> most enjoyable and pr<strong>of</strong>itable way<br />
to build your vocabulary is NOT by buying vocabulary books, study guides, or similar<br />
publications. Instead, follow this four-point plan:<br />
1. Keep a section in your notebook where you list and define words for which you don’t<br />
know the meanings.<br />
2. Begin your section by listing words that people typically confuse—for example, accept and<br />
except, as and like, continual and continuous, few and little, their, there, and they’re, and<br />
so on.<br />
3. Add new words to your section as you read new textbooks and other material.<br />
4. Review previously listed words each time you add new ones to see if you have truly<br />
learned those older ones.<br />
To understand really difficult words, you may need a dictionary. Successful students <strong>of</strong>ten have a<br />
college-level dictionary. <strong>The</strong>se books are larger in size and contain about 150,000 words, about<br />
three times the smaller paperback dictionaries that contain only 50,000 words. A dictionary helps<br />
you know the correct spelling, typical pronunciation, and common definitions <strong>of</strong> words. A collegelevel<br />
dictionary also contains obsolete or archaic definitions <strong>of</strong> words and their etymology, or<br />
historical origin. You can buy a college-level dictionary like one <strong>of</strong> the following:<br />
• Funk and Wagnall’s Standard <strong>College</strong> Dictionary<br />
• Webster’s New Collegiate Dictionary<br />
• <strong>The</strong> American Heritage Dictionary <strong>of</strong> the English Language<br />
You also can find dictionaries on the Internet at www.dictionary.com. This Web site also contains<br />
access to a thesaurus, help with grammar and usage, and dictionaries in non-English languages. A<br />
typical dictionary entry will look like the following, adapted from www.yourdictionary.com:<br />
par·ty (pär t ) - n. pl. par·ties 1. a. A social gathering especially for pleasure or<br />
amusement: a cocktail party. b. A group <strong>of</strong> people who have gathered to<br />
participate in an activity. 2. a. An established political group organized to<br />
promote and support its principles and candidates for public <strong>of</strong>fice. b. A person<br />
or group involved in an enterprise; a participant or an accessory: I refuse to be a<br />
party to your silly scheme. 3. Law. A person or group involved in a legal<br />
proceeding as a litigant. 4. a. A subscriber to a telephone party line. b. A person<br />
using a telephone. 5. a. A person: “And though Grainger was a spry old party,<br />
such steps couldn't be his” (Anthony Hyde). a. A selected group <strong>of</strong> soldiers: a<br />
raiding party. 5. Slang. A. An act <strong>of</strong> sexual intercourse. b. An orgy. adj. 1. Of,<br />
relating to, or participating in an established political organization: party<br />
members; party politics. 2. Suitable for use at a social gathering: party dresses; a<br />
party hat. 3. Characteristic <strong>of</strong> a pleasurable social gathering: a party atmosphere.<br />
intr.v. par·tied, par·ty·ing, par·ties - To celebrate or carouse at or as if at a<br />
party: That night we partied until dawn. [Middle English partie, part, side,<br />
group, from Old French, from feminine past participle <strong>of</strong> partir, to divide, from<br />
Latin part re, from pars, part-, part. See part.]<br />
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<strong>The</strong> sample dictionary entry for party contains the following information:<br />
• Spelling and word division<br />
• Pronunciation<br />
• Part <strong>of</strong> speech<br />
• Inflections (word endings)<br />
• Grammatical status<br />
• Definitions<br />
• Usage information<br />
• Idioms<br />
• Etymology (the historical development <strong>of</strong> a word)<br />
Understanding Levels <strong>of</strong> Diction<br />
Different writing situations require different levels <strong>of</strong> diction—that is, different levels <strong>of</strong> word<br />
choice. When you write to a friend, especially in an e-mail, you probably would use very casual<br />
language. When preparing a legal document, you would more serious language. In college writing<br />
assignments, however, prefer middle diction over slang or formal diction. <strong>The</strong> table below gives<br />
examples <strong>of</strong> middle diction and the extremes to avoid.<br />
Slang (Avoid) Middle Diction (Use) Formal Diction (Avoid)<br />
Kids Children Descendants<br />
Rip <strong>of</strong>f Steal Expropriate<br />
Pr<strong>of</strong> Instructor/Pr<strong>of</strong>essor Pr<strong>of</strong>essional educator<br />
commie Communist Marxist-Leninist<br />
Crib House Single family dwelling unit<br />
More and more, it seems, some people use abusive language—that is, language that is pr<strong>of</strong>ane,<br />
obscene, lewd, discriminatory, or <strong>of</strong>fensive to a general audience—even in public. While free<br />
speech is (or should be) a major value in colleges and universities, exercise common sense and<br />
respect for others when choosing your words. Do not use abusive language in your papers or in<br />
class, unless there is a very good reason to do so—for example, when discussing the history <strong>of</strong><br />
words, speech styles, social or cultural violations, or similar subjects. 7<br />
When aiming for middle diction, use words in their traditionally accepted senses, and avoid fad<br />
words. Fad words arise when people take one part <strong>of</strong> speech and then turn it into another one,<br />
inventing an overly new use for it.<br />
Avoid<br />
My sister wants to cocoon for the weekend, rather<br />
than come to our house.<br />
During his campaign for the presidency, the<br />
candidate talked a lot about growing the economy.<br />
Use<br />
My sister wants to stay in for the weekend, rather<br />
than come to our house.<br />
During his campaign for the presidency, the<br />
candidate talked a lot about strengthening the<br />
economy.<br />
7 Barbara Lawrence has written an excellent—and short—essay on why people should avoid pr<strong>of</strong>anity<br />
entitled “Four-Letter Words Can Hurt You.” You can find the essay at the following Web page:<br />
http://www.uwec.edu/asc/Competency%20Exam%20Workshops/sample_readings.htm.<br />
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Avoid<br />
My friend had a fun time when he visited the<br />
campus last week.<br />
Use<br />
My friend enjoyed himself when he visited campus<br />
last week.<br />
Use terms that a general audience would understand, and avoid jargon—language that is used for<br />
specialized academic situations, specialized jobs, etc.<br />
Jargon (Avoid)<br />
André was really paranoid about his boss’s<br />
intentions for growing the company.<br />
I need to finalize my paper before class.<br />
Sylvie facilitates discussion between disparate<br />
populations.<br />
Going forward, we should optimize our strategies<br />
for maximizing student enrollment.<br />
Middle Diction (Use)<br />
André worried greatly about his supervisor’s plans<br />
about company growth.<br />
I need to finish my paper before class.<br />
Sylvie helps different groups <strong>of</strong> people talk to each<br />
other.<br />
We should plan carefully for how to increase<br />
student enrollment.<br />
A cliché (klee-SHAY) – is a phrase that people use so frequently that it has lost its freshness as an<br />
image. For example, if you work very hard, you might say, “I keep my nose to the grindstone.” If<br />
you focus totally on school assignments, you might say, “I keep my eye on the ball.” If you pay<br />
close attention to what your business competitors do, you might say, “I have my ear to the ground.”<br />
<strong>The</strong> phrases in quotation marks are so common and overworked, that people no longer take them<br />
literally. Imagine if people DID have their nose on a grindstone, their eye sockets against a<br />
baseball, and their ears against the ground—what an impossible physical position THAT would be!<br />
Another problem with clichés is that people use them so <strong>of</strong>ten in so many different ways, that the<br />
same cliché might have different—even contrasting—meanings in different contexts. <strong>The</strong> table<br />
below includes a list <strong>of</strong> common clichés, and some suggested phrases to use as substitutes.<br />
Cliché<br />
I work so hard that I feel as if I’ve got my nose to the<br />
grindstone.<br />
Although we went to the movies together, Joanne<br />
and I are water under the bridge.<br />
After all is said and done, people should keep their<br />
ear to the ground concerning who’s running for<br />
<strong>of</strong>fice.<br />
I was quiet as a mouse when I came home in the<br />
dead <strong>of</strong> the night.<br />
Fresh Language<br />
I work so hard that I feel as if I am wearing myself<br />
out.<br />
Although we went to the movies together, Joanne<br />
and I no longer date.<br />
People should play close attention to who runs for<br />
<strong>of</strong>fice.<br />
I was very quiet when I came home late.<br />
Commonly Misused or Misspelled Words<br />
Addendum 1, just after the Exercise section <strong>of</strong> this book, contains a list <strong>of</strong> words that writers<br />
commonly confuse with each other, complete with correct definitions and sample sentences that<br />
clarify how to use those words. Addendum 2 contains a list <strong>of</strong> words that writers commonly<br />
misspell, complete with their correct spellings. Whenever you are in doubt as to how to use or spell<br />
a word, consult the two addendums or a college-level dictionary.<br />
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Part 3 - Creating Clear Sentences<br />
Introducing Clear Sentences<br />
Many English Composition teachers have a simple and easy way <strong>of</strong> identifying average student<br />
papers: if a student cannot write a clear sentence almost every time, then that student is a below<br />
average writer. 8 Almost every college requires you to earn at least a “C” in English Composition in<br />
order to graduate. Also, employers want workers who can think clearly and communicate clearly in<br />
speech and writing. <strong>The</strong>refore, you need to know how to create and control sentences so they<br />
communicate quickly and effectively to others.<br />
Understanding Key Grammatical Terms<br />
To know how to form grammatically strong sentences, you don’t necessarily need to know the<br />
basics <strong>of</strong> grammar. For example, if you grew up in an environment where people read a lot (and,<br />
thus, you did too) and spoke in educated speech patterns (even if they had little formal education),<br />
then you probably know how to write grammatically acceptable sentences. However, to know how<br />
to repair grammatically weak sentences, you should learn the following key terms:<br />
• Subject – the topic <strong>of</strong> the sentence<br />
• Predicate – the statement made about the subject<br />
• Phrase – a group <strong>of</strong> related words, but lacking either a subject, predicate, or both<br />
• Clause – a group <strong>of</strong> related words that expresses a thought, either complete or incomplete<br />
• Sentence – a group <strong>of</strong> words with a grammatical subject, a predicate, and a complete<br />
thought<br />
• Sentence fragment – a group <strong>of</strong> words lacking a subject, predicate, or complete thought;<br />
fragments generally are just phrases or subordinate clauses<br />
• Main (or independent) clause – a group <strong>of</strong> words that expresses a complete or major<br />
thought; a main clause can stand by itself<br />
• Subordinate (or dependent) clause – a group <strong>of</strong> related words that expresses an incomplete<br />
or minor thought; a subordinate clause cannot stand by itself<br />
• Verbal – a verb used as another part <strong>of</strong> speech; the category <strong>of</strong> verbals is made up <strong>of</strong><br />
gerunds, participles, and infinitives<br />
o<br />
o<br />
Gerund – a verb used as a noun; always ends in -ing<br />
Participle – a verb used as an adjective; ends in –ing or the past participle form <strong>of</strong><br />
the verb (whether regular (-d or –ed) or irregular)<br />
o Infinitive – a verb used as a noun, adjective, or adverb; always in the form <strong>of</strong> to +<br />
verb—for example, to run, to sing, to dance, to write, etc.<br />
Understanding Parts <strong>of</strong> Speech<br />
You also should understand the parts <strong>of</strong> speech. A part <strong>of</strong> speech identifies a word according to its<br />
grammatical function in a sentence. Parts <strong>of</strong> speech are the noun, pronoun, verb, adjective, adverb,<br />
preposition, conjunction, and interjection.<br />
• Noun – names <strong>of</strong> a person, place, or thing<br />
• Pronoun – takes the place <strong>of</strong> a noun<br />
• Verb – expresses action or a state <strong>of</strong> being<br />
• Adjective – modifies a noun or pronoun<br />
• Adverb – modifies a verb, adjective, or other adverb<br />
• Preposition – a connecting word that introduces a prepositional phrase<br />
8 That’s not the same as being a below-average person. Many fine human beings have been poor<br />
writers. However, all other things being equal, it’s better to be a good writer than a poor one.<br />
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• Conjunction – a connecting word that introduces a main clause or subordinate clause<br />
• Interjection – expresses emotion<br />
As noted above, once you know the basic grammatical terms, you can begin to repair problem<br />
sentences. <strong>The</strong> following seven strategies will help you to do so:<br />
1. Understanding Verb Tenses<br />
Verb tense is the form <strong>of</strong> the verb that indicates the time at which an event occurs, or the time at<br />
which a state <strong>of</strong> being exists. Tense also indicates whether an event has happened once or is<br />
ongoing. For example, the simple tenses <strong>of</strong> verbs indicate a one-time event, while the progressive<br />
tenses indicate an ongoing action or state <strong>of</strong> existence. <strong>The</strong> verb tense that indicates something<br />
existing or occurring right now is, <strong>of</strong> course, the present tense. <strong>The</strong> other five verb tenses relate to<br />
or build upon the present tense—that is, they indicate the existence or occurrence <strong>of</strong> something in<br />
relation to the present. <strong>The</strong> following table lists the six main verb tenses, explains how to use them<br />
properly in English sentences, and gives examples <strong>of</strong> each tense.<br />
Past Perfect – Past – Present Perfect – Present - Future Perfect – Future<br />
Verb Tense<br />
Present<br />
Past<br />
Future<br />
Present Perfect<br />
Past Perfect<br />
Use <strong>of</strong> Verb Tense and Examples<br />
Indicates an action that takes place right now, or an action that happens regularly.<br />
• I see what you mean.<br />
• I understand what you are talking about.<br />
• We study our notes before a test in order to do well.<br />
• We wear wool fleece in the winter to stay warm.<br />
Indicates a completed action that already happened.<br />
• John Glenn orbited the earth three times on February 20, 1962.<br />
• I prepared this handout earlier today.<br />
• Halley’s Comet appeared in the year that Samuel Clemens was born and in the<br />
year that he died.<br />
Indicates an action that will take place later on, or is likely to happen.<br />
• Halley’s Comet will appear again around Earth in 2061.<br />
• Fast population growth will continue to occur in Florida and Nevada.<br />
• We will have a party at the end <strong>of</strong> the semester.<br />
Indicates an action that began in the past and is finished in the present, or an action that<br />
began in the past and extends into the present.<br />
• Dr. Kim has finished studying the effects <strong>of</strong> her new drug on rats.<br />
• My mother has invested her money wisely.<br />
• We have studied this handout for several minutes.<br />
• Some students have come to class from this town.<br />
Indicates an action that was happening before a certain time in the past.<br />
• By 1946, engineers had built the first programmable, electronic, digital<br />
computer.<br />
• Before computers used integrated circuits, they had used transistors.<br />
• Before computers contained transistors, they had used vacuum tubes.<br />
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Verb Tense<br />
Future Perfect<br />
Progressive<br />
Tenses<br />
Use <strong>of</strong> Verb Tense and Examples<br />
Indicates an action that will be finished or completed by a certain time in the future.<br />
• By next Tuesday, the subway system will have run out <strong>of</strong> money.<br />
• By April 15, all <strong>of</strong> the snow will have melted.<br />
• School will have ended before the summer will start.<br />
Indicate continuing or ongoing action in their respective tenses.<br />
• Present progressive: <strong>The</strong> volcano is erupting, and the lava is flowing toward the<br />
town.<br />
• Past progressive: <strong>The</strong> character’s actions were becoming harder and harder to<br />
understand.<br />
• Future progressive: <strong>The</strong> secretary will be typing the letters tomorrow.<br />
• Present Perfect progressive: <strong>The</strong> road workers have been digging around the<br />
clock.<br />
• Past Perfect progressive: Before President Kennedy was killed, he had been<br />
working on new civil rights laws.<br />
• Future Perfect progressive: By 11 tomorrow morning, my cousin will have been<br />
driving to Florida for five hours.<br />
2. Distinguishing Between Sentences and Fragments<br />
Know the difference between groups <strong>of</strong> word that are just fragments and groups that constitute<br />
actual sentences. Remember that a fragment expresses an incomplete thought, but a sentence<br />
contains a subject, verb, and complete idea.<br />
Fragment<br />
After I left the house.<br />
When I went to lunch that day.<br />
Brushing my teeth in front <strong>of</strong> the mirror in the<br />
first-floor bathroom.<br />
Because I was tired and wanted to go to bed<br />
early.<br />
Complete Sentence<br />
I left the house after I had breakfast.<br />
When I went to lunch that day, I had pasta and<br />
sugar-free cola.<br />
I brushed my teeth in front <strong>of</strong> the mirror in the<br />
first-floor bathroom.<br />
I did not watch the news because I was tired and<br />
wanted to go to bed early.<br />
Notice that fragments 1, 2, and 5 begin with the connecting words after, when, and because. <strong>The</strong>se<br />
words are subordinating conjunctions. Subordinating conjunctions join a subordinate clause to a<br />
main clause. Fragments 3 and 4 begin with verbals known as participles.<br />
3. Preferring Action Verbs<br />
<strong>The</strong> verb is the strongest part <strong>of</strong> speech in an English sentence, and English language sentences<br />
tend to express ideas more strongly than do sentences in many other languages. <strong>The</strong>refore, you<br />
should prefer sentences with action verbs over those with just linking verbs. An action verb<br />
expresses action, while a linking verb simply expresses a state <strong>of</strong> being or existence. <strong>The</strong> following<br />
table demonstrates that converting linking verbs to action verbs tend to make for stronger, clearer<br />
sentences:<br />
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Linking Verb Sentences<br />
Our boss was under the suspicion that we would<br />
not be able to finish the job on time.<br />
If I am able to arrive on time, then that would be<br />
to my advantage in making a good impression.<br />
While I seem to be good at writing sentences<br />
that are clear, I am <strong>of</strong>ten in the habit <strong>of</strong> using<br />
more words than are necessary.<br />
It is clear that my father was someone who<br />
loved me very much, but it was his habit not to<br />
show emotion.<br />
Action Verb Sentences<br />
Our boss suspected that we would not finish the<br />
job on time.<br />
If I arrive on time, I will make a good<br />
impression.<br />
While I appear to write clear sentences, I <strong>of</strong>ten<br />
use more words than needed.<br />
My father clearly loved me very much, but he<br />
usually showed little emotion.<br />
4. Preferring the Active Voice<br />
Prefer sentences with action verbs in the active voice over those in the passive voice. In an active<br />
voice sentence, the grammatical subject performs the action, and therefore is active. In a passive<br />
voice sentence, the subject is someone or something other than the performer and therefore is<br />
passive. <strong>The</strong> following table shows that sentences in the active voice tend to be shorter and clearer<br />
than those in the passive, and therefore more understandable:<br />
Passive Voice<br />
It is believed by many literary critics that Alice<br />
Walker is an excellent spokeswoman those who<br />
were formally silenced in society.<br />
<strong>The</strong> wallpaper was completely examined by<br />
Jane.<br />
<strong>The</strong> car was struck by a van which had its<br />
headlights broken.<br />
Our country will be considered economically<br />
stronger when more American cars are being<br />
purchased by our citizens and when high-tech<br />
jobs are not being outsourced to other countries<br />
by American businesses.<br />
Active Voice<br />
Many literary critics believe that Alice Walker<br />
speaks well on behalf <strong>of</strong> those that society used<br />
to silence.<br />
Jane examined the wallpaper thoroughly.<br />
A van with broken headlights struck the car.<br />
America’s economy will improve if our citizens<br />
buy more American-made cars and our<br />
companies keep high-technology jobs in the<br />
country.<br />
5. Using Parallel Constructions<br />
A parallel sentence is one in which words or phrases <strong>of</strong> equal importance appear in the same type<br />
<strong>of</strong> grammatical structure. Using the same type <strong>of</strong> structure doesn’t just indicate that the words or<br />
phrases are equal in value. Such a structure also save words and makes it easier for readers to<br />
follow your ideas. <strong>The</strong> table below gives examples <strong>of</strong> sentences that are not parallel and examples<br />
<strong>of</strong> how to correct them. Notice that each revised example has a series <strong>of</strong> elements that are roughly<br />
equal in length.<br />
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Not Parallel<br />
My mother taught me to be courteous to women and<br />
that I should be avoiding jokes at their expense or<br />
make an insult about their style <strong>of</strong> dress.<br />
<strong>The</strong> speaker bored the audience because he dragged<br />
on, he was using repetitive phrases in every<br />
paragraph, and it was his first time in front <strong>of</strong> a<br />
large audience.<br />
My younger brother likes s<strong>of</strong>tball and he likes to do<br />
computer work and he very <strong>of</strong>ten goes to church.<br />
Parallel<br />
My mother taught me to be courteous to women,<br />
avoid jokes at their expense, and respect their<br />
style <strong>of</strong> dress.<br />
<strong>The</strong> speaker bored the audience because he<br />
talked too long, repeated himself in every<br />
paragraph, and had no experience in front <strong>of</strong><br />
large audiences.<br />
My younger brother likes to play s<strong>of</strong>tball, work<br />
at his computer, and go to church.<br />
6. Being Concise<br />
Be concise by preferring fresh and original language. To avoid creating tired and dull sentences,<br />
eliminate wordy expressions, redundancies, circumlocutions, euphemisms, clichés, and mixed<br />
metaphors.<br />
A wordy expression - uses more words than necessary to communication your meaning. Wordiness<br />
tends to show up in early drafts <strong>of</strong> your writing. <strong>The</strong>refore, if you habitually write only one or two<br />
drafts, your finished papers probably will have wordy expressions. As you revise your work, look<br />
for wordy constructions and cut them out <strong>of</strong> your work. <strong>The</strong> table below shows some typical wordy<br />
expressions and some suggested revisions.<br />
Wordy<br />
During the course <strong>of</strong> class, I asked a large<br />
quantity <strong>of</strong> questions.<br />
I have the exact same problem as my twin sister.<br />
In view <strong>of</strong> the fact that July is a hot and humid<br />
month, my personal preference is to go to the<br />
beach.<br />
Historians <strong>of</strong>ten give about four different<br />
reasons regarding why the Civil War occurred.<br />
Concise<br />
During class, I asked many questions.<br />
I have the same problem as my twin.<br />
Since July is hot and humid, I like to go to the<br />
beach then.<br />
Historians <strong>of</strong>ten give about four reasons about<br />
why the Civil War occurred.<br />
A redundancy – is a phrase containing two or more words with similar meanings when just one <strong>of</strong><br />
those words will make your point. Writers <strong>of</strong>ten use redundancies because they don’t realize that<br />
they are repeating themselves unnecessarily. Other times, they think that such phrases will make<br />
their meaning more emphatic. In fact, just the opposite is true: when you make the same point in<br />
fewer words, each word carries more power and, therefore, more emphasis. <strong>The</strong> following table<br />
gives examples <strong>of</strong> common redundancies and some suggested revised sentences that delete them.<br />
Redundancy<br />
If you stand too close to the edge <strong>of</strong> that steep<br />
precipice, you could fall <strong>of</strong>f!<br />
Each individual player chose her own jersey number.<br />
Our house on Warren Avenue is singularly unique.<br />
More Concise Sentence<br />
If you stand at the edge <strong>of</strong> that precipice,<br />
you could fall <strong>of</strong>f!<br />
Each player chose her own jersey number.<br />
Our house on Warren Avenue is unique.<br />
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Redundancy<br />
<strong>The</strong> two film critics had polar opposite views about<br />
the new movie.<br />
More Concise Sentence<br />
<strong>The</strong> two film critics had opposite views<br />
about the new movie.<br />
Note: Do not confuse redundancies with effective repetition. Sometimes, repeating a word or<br />
phrase heightens the emotional effect <strong>of</strong> your presentation, especially if your repetition has a<br />
memorable rhythm. One writer and speaker who used repetition effectively was the civil rights<br />
leader Dr. Martin Luther King, Jr. This last paragraph from his 1983 speech during the March on<br />
Washington illustrates effective repetition, not pointless redundancy:<br />
And when this happens, when we allow freedom ring, when we<br />
let it ring from every village and every hamlet, from every state<br />
and every city, we will be able to speed up that day when all <strong>of</strong><br />
God's children, black men and white men, Jews and Gentiles,<br />
Protestants and Catholics, will be able to join hands and sing in<br />
the words <strong>of</strong> the old Negro spiritual: Free at last! Free at last!<br />
Thank God Almighty, we are free at last!<br />
A circumlocution – is a roundabout way <strong>of</strong> saying something. Talking around a subject creates a<br />
drag on one’s writings, like walking through mud rather than on the sidewalk. Writers who overuse<br />
circumlocutions either don’t realize what they are doing or are trying, <strong>of</strong>ten accidentally, to sound<br />
sophisticated. It’s perfectly all right if such expressions appear in early essay drafts when you still<br />
are trying to find the words to say what you mean. However, before you hand in a paper, cut out all<br />
the dead wood you can. <strong>The</strong> following table lists common circumlocutions and then suggests<br />
revised, more concise sentences:<br />
Circumlocution<br />
<strong>The</strong> man at the airport was inebriated out <strong>of</strong> his<br />
mind, in a manner <strong>of</strong> speaking.<br />
We live in a single family dwelling unit on<br />
Warren Street.<br />
Due to the fact that the divine being established<br />
an intimate relationship between us, I will look<br />
upon you with unconditional positive regard.<br />
<strong>The</strong> administrative staff at the hospital center<br />
seemed to be <strong>of</strong> an overworked nature.<br />
Concise Sentence<br />
<strong>The</strong> man at the airport was very drunk.<br />
We live in a house on Warren Street.<br />
Because God made you mine, I’ll cherish you.<br />
<strong>The</strong> hospital administrators seemed overworked.<br />
A euphemism – is an overly nice word or phrase for stating something unpleasant. Euphemisms are<br />
wordy and <strong>of</strong>ten confuse readers. <strong>The</strong> most common euphemism probably is pass away instead <strong>of</strong><br />
die. While you might want to use this euphemism at an actual funeral, you should not do so in an<br />
essay describing—for example—the death <strong>of</strong> a literary character. Examples <strong>of</strong> other euphemisms<br />
appear in the table below:<br />
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Euphemism<br />
Bathroom tissue<br />
Collateral damage<br />
Comfort station<br />
Law enforcement <strong>of</strong>ficer<br />
Disenfranchised populace<br />
Plain Expression<br />
Toilet paper<br />
Civilian deaths<br />
Bathroom<br />
Police <strong>of</strong>ficer<br />
Poor people<br />
A mixed metaphor – is an implied comparison that shifts from one basis <strong>of</strong> comparison to another,<br />
unrelated one. For example, “My dad flew <strong>of</strong>f the handle at the traffic cop when he should have<br />
cooled his jets” seems at first to be a consistent metaphor because flying and jets go together. But<br />
flying <strong>of</strong>f the handle is not the same as flying a plane. A clearer sentence would be “My father lost<br />
his temper at the police <strong>of</strong>ficer when he should have remained calm.” <strong>The</strong> problem with mixed<br />
metaphors is that they <strong>of</strong>ten contain clichés and create such a jumbled image in a reader’s mind that<br />
they become meaningless. To maintain your reader’s interest by keeping your language fresh and<br />
original, build consistent metaphors like the ones in the second column <strong>of</strong> the following table:<br />
Mixed Metaphor<br />
While he was a lion at work, my roommate<br />
turned into a wet noodle when trying to spend<br />
quality time with his girlfriend’s parents.<br />
Our cleanup hitter folded quicker than a twodollar<br />
suitcase when the curve fluttered across<br />
the plate.<br />
Although our debating team is in the pits after<br />
our last whipping in the clutches <strong>of</strong> St. Mary’s<br />
<strong>College</strong>, our coach sees nothing but roses in our<br />
future.<br />
I tackled my term paper with boundless energy,<br />
but my so-called friend clouded my academic<br />
future with a rip-<strong>of</strong>f that I never saw coming.<br />
Consistent Metaphor<br />
While he was a lion at work, my roommate<br />
turned into a nervous kitten when visiting his<br />
girlfriend’s parents.<br />
Our cleanup hitter was out <strong>of</strong> rhythm and missed<br />
the pitched when the curve ball jitterbugged<br />
across the plate.<br />
Although our debating team is depressed after<br />
losing badly to St. Mary’s <strong>College</strong>, our coach is<br />
high on our chances for success.<br />
I tackled my paper with great energy, but a<br />
former friend injured my chances for academic<br />
success by intercepting my paper and passing it<br />
<strong>of</strong>f as his own.<br />
7. Using Respectful Language<br />
All sorts <strong>of</strong> reasons exist for using respectful language. Some people justify this policy by saying<br />
that all people are made in God’s image and therefore deserve the same kind <strong>of</strong> respect that you<br />
might reserve for the Almighty. Others say that doing so shows that you are willing to abide by<br />
generally accepted ethical principles. Still others say that doing so recognizes the <strong>of</strong>ten overlooked<br />
historical forces <strong>of</strong> racism, gender discrimination, etc. If none <strong>of</strong> these arguments works for you,<br />
just remember that “what goes around comes around.” If you insult others in speech or writing,<br />
they will start insulting you. And you don’t want to be insulted. 9<br />
9 For an interesting response to extreme measures to enforce even the appearance <strong>of</strong> bias, see Denis<br />
Dutton’s essay: http://denisdutton.com/what_are_editors_for.htm. See also the humorist P.J. O’Rourke’s<br />
comments on the same book that Dutton comments upon: http://people.ku.edu/~dadams/review.htm.<br />
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In general, you should identify people simply as persons, not by their demographic category. In the<br />
vast majority <strong>of</strong> general writing situations, a person’s race, creed, color, etc. will be unimportant to<br />
your point. However, if you truly feel you must distinguish a person or group <strong>of</strong> persons by a<br />
demographic feature, exercise enlightened common sense.<br />
If you have trouble controlling your tongue, consult one <strong>of</strong> the following Web sites for advice on<br />
using respectful language:<br />
Type <strong>of</strong> Problem<br />
Avoiding General Cases <strong>of</strong><br />
Sexism<br />
Avoiding Job-Related<br />
Sexism<br />
Respecting Groups <strong>of</strong><br />
People (and Avoiding<br />
Sexism)<br />
Web Address<br />
http://www.ncte.org/about/over/positions/category/gram/107647.htm<br />
http://www.pnl.gov/ag/usage/bias.pdf<br />
http://cctc.commnet.edu/grammar/unbiased.htm<br />
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Part 4 - Composing Effective Paragraphs<br />
Defining Paragraphs and Paragraph Blocks<br />
A paragraph is a group <strong>of</strong> related sentences that discuss one topic. You should start a new<br />
paragraph whenever you change from one specific subject to another. You also should start a new<br />
paragraph whenever you start discussing a new time, place, or event, or when you make a major<br />
shift in developmental pattern or tone.<br />
Similarly, a paragraph block is a group <strong>of</strong> related paragraphs that discuss a larger topic. For<br />
example, the Loren Eiseley essay “<strong>The</strong> Judgment <strong>of</strong> the Birds,” discusses several different types <strong>of</strong><br />
small creatures that helped him to learn important spiritual lessons. Eiseley first discusses pigeons<br />
roosting on a city hotel ledge, then a crow that he saw on a foggy day, then a flight <strong>of</strong> chemicals,<br />
then a group <strong>of</strong> sparrows, and finally a spider weaving a web on a lamppost. He makes his point<br />
about the first creature in one set <strong>of</strong> related paragraphs, then his point about the second one in<br />
another set <strong>of</strong> paragraphs, and so on.<br />
John McPhee uses the same organizational strategy in an essay about the problems that cargo ship<br />
crews encounter, called “Pirates, Stowaways, Drugs” <strong>The</strong> first few paragraphs <strong>of</strong> the essay discuss<br />
pirates, the next few discuss stowaways, and the final few discuss drugs—hence the title <strong>of</strong> the<br />
essay. This strict focus on one, then another, and then a third problem make clear to readers what<br />
he is talking about at each point in the essay while keeping the essay moving forward without<br />
unneeded repetition.<br />
Understanding the <strong>The</strong>sis Sentence<br />
<strong>Writing</strong> is more <strong>of</strong> an art than a science, so there are no absolutes as to what makes a good<br />
paragraph good. However, effective paragraphs very <strong>of</strong>ten being with a thesis sentence—that is,<br />
the most general statement <strong>of</strong> the paragraph that is supported by all remaining sentences in that<br />
paragraph. Placing the thesis sentence at the beginning <strong>of</strong> the paragraph does three things at once.<br />
It announces the topic <strong>of</strong> the paragraph, expresses its main idea, and sets the tone for the rest <strong>of</strong> the<br />
paragraph. If you place your topic sentences at the start <strong>of</strong> paragraph after paragraph, your readers<br />
will pick up on that organization strategy and follow your essays more easily.<br />
<strong>The</strong> following paragraph opens an essay that argues that, because <strong>of</strong> the dominance <strong>of</strong> computers in<br />
business these days, future business leaders will not be people who can reason like computers but<br />
those who are gifted with artistry and empathy. <strong>The</strong> paragraph opens with a thesis sentence<br />
designed to get the audience’s attention by appealing to them personally and then to guide them<br />
through the rest <strong>of</strong> the paragraph:<br />
When I was a kid—growing up in a middle-class family, in the<br />
middle <strong>of</strong> America, in the middle <strong>of</strong> the 1970s—parents dished<br />
out a familiar plate <strong>of</strong> advice to their children: Get good grades,<br />
go to college, and pursue a pr<strong>of</strong>ession that <strong>of</strong>fers a decent<br />
standard <strong>of</strong> living and perhaps a dollop <strong>of</strong> prestige. If you were<br />
good at math and science, become a doctor. If you were better at<br />
English and history, become a lawyer. If blood grossed you out<br />
and your verbal skills needed work, become an accountant.<br />
Later, as computers appeared on desktops and CEOs on<br />
magazine covers, the youngsters who were really good at math<br />
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and science chose high tech, while others flocked to business<br />
school, thinking that success was spelled MBA. 10<br />
Sometimes, to provide variety and maintain interest, you may want to place your topic sentence in<br />
the middle <strong>of</strong> a paragraph. <strong>The</strong>re is no crime in doing that as long as you have good reason to do<br />
so. For example, if you need to provide some context, present your main idea, and then support it,<br />
you can place the topic sentence in the middle <strong>of</strong> the paragraph between the background material<br />
and supporting material <strong>of</strong> the thesis. <strong>The</strong> following narrative paragraph provides some historical<br />
context to a person’s life, introduces a shocking discovery she made, and then follows up with<br />
additional material. Notice that the thesis <strong>of</strong> the paragraph is italicized:<br />
My neighbor grew up in the frightening Cold War era,<br />
but attended a good elementary school and took advanced<br />
classes throughout high school. Her parents fought <strong>of</strong>ten but also<br />
loved her and helped pay her way through a leading university,<br />
where she studied hard. Given this mixed personal history, she<br />
grew up believing that the best way to survive as an adult is to<br />
become a sharp thinker. She wasn’t going to let politicians or<br />
ordinary people ruin her life; she was going to be smarter than<br />
the next guy. However, one day, after only a few years <strong>of</strong><br />
marriage, her husband left her. Despite knowing that he had had<br />
problems <strong>of</strong> his own, my neighbor also knew that she had been<br />
mean to him, which helped drive him away. One day, while<br />
sitting in a small apartment and brooding over how much she<br />
hated her “ex” and hated herself, my neighbor realized that the<br />
same idea kept bubbling up in her mind: Forgiveness is more<br />
powerful than judgment. Forgiveness is more powerful than<br />
judgment. Now, she lives a happy life with a new husband, has a<br />
good job, and takes each day as it comes. Now, instead <strong>of</strong> trying<br />
to be a sharp thinker, she tries to have a warm heart.<br />
You also can place a thesis sentence at the end <strong>of</strong> a paragraph—for example, when you want to<br />
make a series <strong>of</strong> specific observations that lead to a general conclusion. <strong>The</strong> following paragraph<br />
illustrates the strategy <strong>of</strong> moving from a series <strong>of</strong> general statements to a specific conclusion. In<br />
this paragraph, a writer draws a general conclusion from the specific features <strong>of</strong> business clothing<br />
that U.S. Secretary <strong>of</strong> State Condoleezza Rice wore on a diplomatic mission in early 2005:<br />
Rice challenges expectations and assumptions. <strong>The</strong>re is<br />
undeniable authority in her long black jacket with its severe<br />
details and menacing silhouette. <strong>The</strong> darkness lends an air <strong>of</strong><br />
mystery and foreboding. Black is the color <strong>of</strong> intellectualism, <strong>of</strong><br />
abstinence, <strong>of</strong> penitence. If there is any symbolism to be gleaned<br />
from Rice's stark garments, it is that she is tough and focused<br />
enough for whatever task is at hand. 11<br />
10 Daniel H. Pink. Wired.com. February 2005. Volume 13, Issue 2.<br />
http://www.wired.com/wired/archive/13.02/brain.html<br />
11 Givhan, Robin. “Condoleezza Rice's Commanding Clothes.” Washington Post. February 25,<br />
2005, page C01. http://www.washingtonpost.com/ac2/wp-dyn/A51640-2005Feb24?language=printer<br />
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Introducing Paragraph Development<br />
Besides opening with a thesis sentence that you then support throughout the rest <strong>of</strong> the paragraph,<br />
most effective paragraphs share three more characteristics: they have thematic unity, structural<br />
coherence, and appropriate development.<br />
Unity<br />
A unified paragraph covers only one topic—not two, not three, not ten. It sticks to its intended<br />
subject and does not wander <strong>of</strong>f <strong>of</strong> it. <strong>The</strong> following two paragraphs are almost the same. However,<br />
the first contains a sentence that does not really belong in the paragraph, while the second is truly<br />
unified by eliminating the unneeded sentence. <strong>The</strong> italicized sentence does refer to the Internet, but<br />
only briefly to compare it to the transcontinental telegraph, which is the real topic <strong>of</strong> the sentence.<br />
Without the italicized sentence, the original paragraph focuses more tightly on the purpose and use<br />
<strong>of</strong> the Internet.<br />
<strong>The</strong> Internet has revolutionized the computer and<br />
communications world like nothing before. <strong>The</strong> invention <strong>of</strong> the<br />
telegraph, telephone, radio, and computer set the stage for this<br />
unprecedented integration <strong>of</strong> capabilities. <strong>The</strong> first<br />
transcontinental telegraph line was like the Internet <strong>of</strong> the<br />
nineteenth century. <strong>The</strong> Internet is at once a world-wide<br />
broadcasting capability, a mechanism for information<br />
dissemination, and a medium for collaboration and interaction<br />
between individuals and their computers without regard for<br />
geographic location.<br />
<strong>The</strong> Internet has revolutionized the computer and<br />
communications world like nothing before. <strong>The</strong> invention <strong>of</strong> the<br />
telegraph, telephone, radio, and computer set the stage for this<br />
unprecedented integration <strong>of</strong> capabilities. <strong>The</strong> Internet is at once<br />
a world-wide broadcasting capability, a mechanism for<br />
information dissemination, and a medium for collaboration and<br />
interaction between individuals and their computers without<br />
regard for geographic location. 12<br />
Coherence<br />
In a coherent paragraph, all <strong>of</strong> its sentences clearly relate to each other. No sentence wanders from<br />
the paragraph’s topic. You can create a coherent paragraph by using the following strategies:<br />
• Repeating the same word or phrase from sentence to sentence<br />
• Using synonyms from sentence to sentence<br />
• Using sentences that relate back to earlier ones and/or forward to later ones<br />
• Using transitional words and/or phrases<br />
Repeating a Word<br />
<strong>The</strong> following paragraph uses the first strategy, repeating words or ideas from sentence to sentence.<br />
By repeating the word technology, the author ties one sentence to another and then to another:<br />
12 Barry M. Leiner. “A Brief History <strong>of</strong> the Internet.” 11 Oct. 2004. <strong>The</strong> Internet Society. July 15,<br />
2005. http://www.isoc.org/internet/history/brief.shtml#Introduction.<br />
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Throughout history, people have used technology to change the<br />
world. Our technology has been <strong>of</strong> two kinds, green and gray.<br />
Green technology is seeds and plants, gardens and vineyards and<br />
orchards, domesticated horses and cows and pigs, milk and<br />
cheese, leather and wool. Gray technology is bronze and steel,<br />
spears and guns, coal and oil and electricity, automobiles and<br />
airplanes and rockets, telephones and computers. Civilization<br />
began with green technology, with agriculture and animal<br />
breeding, 10,000 years ago. <strong>The</strong>n, beginning about 3,000 years<br />
ago, gray technology became dominant, with mining and<br />
metallurgy and machinery. For the last 500 years, gray<br />
technology has been racing ahead and has given birth to the<br />
modern world <strong>of</strong> cities and factories and supermarkets. 13<br />
Using Synonyms<br />
Instead <strong>of</strong> repeating the same word from sentence to sentence to make a paragraph cohere, you can<br />
use synonyms. Synonyms are words that have similar meanings to those <strong>of</strong> other words. By using<br />
synonyms, you provide some verbal variety within the paragraph while maintaining the reader’s<br />
train <strong>of</strong> thought. <strong>The</strong> following paragraph illustrates the effective use <strong>of</strong> synonyms. About halfway<br />
through his speech at his second inauguration, President Bush uses synonyms for the word freedom<br />
to tie together his thoughts—for example, liberty and independence. He also uses the phrase agent<br />
<strong>of</strong> his or her own destiny to suggest the idea <strong>of</strong> personal freedom and the words prosperous, just,<br />
and equal to suggest characteristics <strong>of</strong> free societies:<br />
In America's ideal <strong>of</strong> freedom, citizens find the dignity<br />
and security <strong>of</strong> economic independence, instead <strong>of</strong> laboring on<br />
the edge <strong>of</strong> subsistence. This is the broader definition <strong>of</strong> liberty<br />
that motivated the Homestead Act, the Social Security Act, and<br />
the G.I. Bill <strong>of</strong> Rights. And now we will extend this vision by<br />
reforming great institutions to serve the needs <strong>of</strong> our time. To<br />
give every American a stake in the promise and future <strong>of</strong> our<br />
country, we will bring the highest standards to our schools, and<br />
build an ownership society. We will widen the ownership <strong>of</strong><br />
homes and businesses, retirement savings and health insurance—<br />
preparing our people for the challenges <strong>of</strong> life in a free society.<br />
By making every citizen an agent <strong>of</strong> his or her own destiny, we<br />
will give our fellow Americans greater freedom from want and<br />
fear, and make our society more prosperous and just and equal. 14<br />
Using Sentences that Relate Back and Forward<br />
Besides using the same word or a synonym to unify a paragraph, you can use words or phrases<br />
within sentences so that they recall some idea in an earlier sentence and hint at an idea in a later<br />
one. Such a set <strong>of</strong> sentences is like a well-designed web or network, smoothly interlinking one<br />
sentence with another so that you move your discussion along without pounding your reader with<br />
13 Freeman J. Dyson. “Science, Guided by Ethics, Can Lift Up the Poor.” <strong>The</strong> Norton Sample.: Short<br />
Essays for Composition. 6 th ed. New York: W. W. Norton, 2003. Page 154.<br />
14 George W. Bush. “Second Inaugural Address.” <strong>The</strong> White House. 12 July 2005.<br />
http://www.whitehouse.gov/inaugural/index.html.<br />
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overly obvious signals as to sentence structure. <strong>The</strong> following paragraph illustrates the use <strong>of</strong> signal<br />
words and phrases (italicized for emphasis) that refer back and forth to unify the paragraph.<br />
<strong>The</strong> following paragraph by <strong>The</strong>odore Roosevelt describes “all the land north <strong>of</strong> the Black Hills<br />
and the Big Horn Mountains and between the Rockies and the Dakota wheat-fields.” Notice that,<br />
throughout the paragraph, Roosevelt uses words that emphasize the dryness <strong>of</strong> the land that he<br />
visited:<br />
<strong>The</strong> country throughout this great Upper Missouri basin<br />
has a wonderful sameness <strong>of</strong> character; and the rest <strong>of</strong> the arid<br />
belt, lying to the southward, is closely akin to it in its main<br />
features. A traveler seeing it for the first time is especially struck<br />
by its look <strong>of</strong> parched, barren desolation; he can with difficulty<br />
believe that it will support cattle at all. It is a region <strong>of</strong> light<br />
rainfall; the grass is short and comparatively scanty; there is no<br />
timber except along the beds <strong>of</strong> the streams, and in many places<br />
there are alkali deserts where nothing grows but sage-brush and<br />
cactus. Now the land stretches out into level, seemingly endless<br />
plains or into rolling prairies; again it is broken by abrupt hills<br />
and deep, winding valleys; or else it is crossed by chains <strong>of</strong><br />
buttes, usually bare, but <strong>of</strong>ten clad with a dense growth <strong>of</strong><br />
dwarfed pines or gnarled, stunted cedars. <strong>The</strong> muddy rivers run<br />
in broad, shallow beds, which after heavy rainfalls are filled to<br />
the brim by the swollen torrents, while in droughts the larger<br />
streams dwindle into sluggish trickles <strong>of</strong> clearer water, and the<br />
smaller ones dry up entirely, save in occasional deep pools. 15<br />
Using Transitional Words and Phrases<br />
Students sometimes complain about having trouble making their essays “flow.” When they say<br />
this, they <strong>of</strong>ten mean that their writing sounds choppy or disjointed. One idea does not seem to<br />
connect with another. To make your essays flow, you can use transitional words and phrases<br />
between sentences. Similarly, make the overall essay clear by using transitional words and phrases<br />
between paragraphs.<br />
To understand the value <strong>of</strong> transitional words and phrases, look at the following two paragraphs.<br />
<strong>The</strong> first is an edited version <strong>of</strong> the second, from which I deleted the transitional elements. <strong>The</strong><br />
second paragraph is from an essay that describes a man who was found living in a Florida swamp.<br />
Since the second one contains transitions, it “flows” more clearly than my edited version. Notice<br />
also that, quite <strong>of</strong>ten, you will need very few transitional elements within a paragraph to make it<br />
cohere:<br />
For eight months in 1975, residents on the edge <strong>of</strong> Green<br />
Swamp, Florida, had been reporting to the police that they had<br />
seen a Wild Man. <strong>The</strong>y stepped toward him. He made strange<br />
noises in a foreign language. He ran back into the saw grass.<br />
Authorities said the Wild Man was a mass hallucination. Maneating<br />
animals lived in the swamp. A human being could hardly<br />
15 <strong>The</strong>odore Roosevelt. “<strong>The</strong> Cattle Country <strong>of</strong> the Far West.” Ranch Life and the Hunting-Trail.<br />
1896. http://www.bartleby.com/54/1.html.<br />
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find a place to rest without sinking. It was some kind <strong>of</strong> a bear<br />
the children had seen.<br />
For eight months in 1975, residents on the edge <strong>of</strong> Green<br />
Swamp, Florida, had been reporting to the police that they had<br />
seen a Wild Man. When they stepped toward him, he made<br />
strange noises as in a foreign language and ran back into the saw<br />
grass. At first, authorities said the Wild Man was a mass<br />
hallucination. Man-eating animals lived in the swamp, and a<br />
human being could hardly find a place to rest without sinking.<br />
Perhaps it was some kind <strong>of</strong> a bear the children had seen. 16<br />
<strong>The</strong> following table lists several categories <strong>of</strong> transitions that you may want to express in a<br />
paragraph with their corresponding transitional words and phrases:<br />
Used to Express<br />
Addition<br />
Similarity<br />
Contrast<br />
Concession<br />
Examples<br />
Emphasis<br />
Results<br />
Hypothesis<br />
Sequence<br />
Time Relationship<br />
Conclusions<br />
Transitional Words/Phrases<br />
in addition, moreover, furthermore, another, as well as,<br />
and, also, besides, or, nor<br />
similarly, likewise, in the same way,<br />
but, yet, in contrast, still, surely, nevertheless, however,<br />
nonetheless, instead, rather than, unlike, whereas, even so,<br />
conversely<br />
although, though, granted, admittedly, obviously, to be<br />
sure, <strong>of</strong> course<br />
for example, for instance, in particular,, in general,<br />
whenever, frequently, usually, specifically<br />
indeed, in fact, certainly, clearly, <strong>of</strong> course, to be sure,<br />
naturally,, for that matter, more important, most important,<br />
frankly, oddly enough, as noted earlier, in any case, in<br />
other words<br />
thus, therefore, hence, then, consequently, because, due to,<br />
as a result, since, it follows , and so, accordingly<br />
if, whether<br />
first, second, third, next, then, after<br />
before, after, until, while, since, when, currently, next,<br />
meanwhile, thereafter, soon, earlier, later, immediately, by<br />
that time, shortly, at that moment<br />
so, in conclusion, finally, in sum, in short, to sum up,<br />
therefore, on the whole, in brief, all in all, in a word<br />
Adequate Development<br />
Like the first two beds in the story <strong>of</strong> “Goldilocks and the Three Bears,” a paragraph can be too big<br />
or too small. However, a properly developed paragraph is just right. In other words, it discusses its<br />
topic until it has adequately covered that topic. Such a paragraph introduces its topic, discusses it<br />
fully, and then finishes <strong>of</strong>f the discussion. It has a beginning, middle, and an end or at least it has<br />
the feeling <strong>of</strong> being complete. If you tend to underwrite your paragraphs, you may need to combine<br />
16 Maxine Hong Kinston, “<strong>The</strong> Wild Man <strong>of</strong> the Green Swamp.” Modern American Prose. 3 rd ed. J.<br />
Clifford and R. DiYanni, eds. New York: McGraw-Hill, 1993. 258.<br />
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two or three <strong>of</strong> them to make a fully developed one. In contrast, if you find that you ramble on and<br />
on, you may need to break a huge paragraph into two or three smaller ones. 17<br />
<strong>The</strong> three writing samples below illustrate the need for proper paragraph length. <strong>The</strong> first sample<br />
shows two paragraphs that could be combined. <strong>The</strong> second is a paragraph <strong>of</strong> appropriate length.<br />
<strong>The</strong> third is a paragraph that you could break into two smaller paragraphs.<br />
Sample 1 – Underdeveloped Paragraphs<br />
A home computer system generally contains a computer,<br />
complete with a keyboard, monitor, and mouse. Some people<br />
also have a scanner or other additional piece <strong>of</strong> equipment.<br />
In my mind, however, an essential piece <strong>of</strong> equipment is<br />
a printer. That’s because I <strong>of</strong>ten have to take work home and<br />
night and then bring printed materials into work the next<br />
morning. I also use the printer for personal interests such as<br />
charity work and printouts for my son’s Little League team.<br />
Comment: At first, it may appear that two paragraphs are appropriate here. <strong>The</strong><br />
first paragraph seems to discuss one topic—namely, what people generally have<br />
in a home computer. <strong>The</strong> second seems to discuss another topic—personal<br />
reasons for owning a home printer. However, the two paragraphs really belong<br />
together because the first two sentences introduce information about what people<br />
generally own and the last two sentences narrow down that discussion to focus<br />
on what one person owns.<br />
Sample 2 – Properly developed paragraph<br />
A home computer system generally contains a computer,<br />
complete with a keyboard, monitor, and mouse. Some people<br />
also have a scanner or other additional piece <strong>of</strong> equipment. In my<br />
mind, however, an essential piece <strong>of</strong> equipment is a printer.<br />
That’s because I <strong>of</strong>ten have to take work home and night and<br />
then bring printed materials into work the next morning. I also<br />
use the printer for personal interests such as charity work and<br />
printouts for my son’s Little League team.<br />
Sample 3 – Excessively long paragraph<br />
A home computer system generally contains a computer,<br />
complete with a keyboard, monitor, and mouse. Some people<br />
also have a scanner or other additional piece <strong>of</strong> equipment. In my<br />
mind, however, an essential piece <strong>of</strong> equipment is a printer.<br />
That’s because I <strong>of</strong>ten have to take work home and night and<br />
then bring printed materials into work the next morning. I also<br />
use the printer for personal interests such as charity work and<br />
17 With the rise <strong>of</strong> radio and television in the 20 th century and the widening use <strong>of</strong> cell phones and<br />
video games in the 21 st century, readers have developed shorter and shorter attention spans. In the 19 th<br />
century, for example, paragraphs commonly ran 20 to 40 sentences. Today, a proper paragraph length,<br />
especially in a college essay, probably is between three and ten sentences.<br />
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printouts for my son’s Little League team. If you must bring<br />
home work from the <strong>of</strong>fice, you also may need a printer,<br />
especially if you <strong>of</strong>ten have meetings as soon as you arrive at<br />
work in the morning. And if you have hobbies or other interests<br />
that call for printed materials, you have even more reason to buy<br />
one. A high-quality printer—one that can stand up to the<br />
demands <strong>of</strong> business-related printing—can cost around $500.<br />
Such a machine will be able to print large quantities and almost<br />
certainly will do automatic duplex printing. That is, it will be<br />
able to print on both sides <strong>of</strong> the page without having to remove<br />
a one-sided printout and then flip it over and reprint. And with<br />
printer prices falling rapidly in the last few months, you may<br />
even be able to purchase a color-laser printer that can add extra<br />
impact to printed presentations.<br />
Comment: Here is a case where two paragraphs would be better than one. <strong>The</strong> sentence that begins<br />
If you must bring… stops discussing the writer’s reasons for having a printer and starts to discuss<br />
both whether the reader should buy a printer and the possible cost and features <strong>of</strong> such a machine.<br />
Because <strong>of</strong> the shift in topic and in point <strong>of</strong> view from first person to second person, two<br />
paragraphs are called for.<br />
Introducing Patterns <strong>of</strong> Development<br />
Regarding paragraph development, you should do more than just cover your topic sufficiently. You<br />
also should have a clear overall structure that makes it easy for readers to follow your discussion <strong>of</strong><br />
that topic. Well-developed paragraphs <strong>of</strong>ten have a distinct pattern <strong>of</strong> development—that is, the<br />
structure used to organize sentence after sentence in that paragraph.<br />
Do not choose any pattern just to have a pattern. Instead, choose the pattern that most closely<br />
matches the purpose <strong>of</strong> your discussion in each essay section. For example, in a biology paper<br />
about the cell division, you could open with a paragraph that defines the terms meiosis and mitosis.<br />
<strong>The</strong>n the next few paragraphs could compare the two processes—that is, show how they resemble<br />
each other. Your concluding paragraphs could contrast the two processes—that is, explain how the<br />
two processes differ.<br />
Identifying the Patterns <strong>of</strong> Development<br />
<strong>Writing</strong> teachers generally agree that there are about seven different patterns <strong>of</strong> development. This<br />
section defines those patterns, supplies a sample paragraph that illustrates each one, and then<br />
concludes with a table that summarizes them.<br />
Analogy – compares an unfamiliar thing to a familiar thing in order to make the unfamiliar thing<br />
more familiar. (In other words, the author explains something that he or she knows about by<br />
comparing it to something that readers in general may know about.) <strong>The</strong> following paragraph<br />
compares the house <strong>of</strong> the author’s grandmother to one <strong>of</strong> those large, compartmented, spiralshaped<br />
shells that people <strong>of</strong>ten find when walking along an ocean beach:<br />
My grandmother’s house is like a chambered nautilus; it<br />
has many rooms, yet it is not a mansion. Its proportions are small<br />
and its design simple. It is a house that has grown organically,<br />
according the needs <strong>of</strong> its inhabitants. To all <strong>of</strong> us in the family it<br />
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is known as la casa de Mama. It is the place or our origin; the<br />
stage for our memories and dreams <strong>of</strong> island life.<br />
• Judith Ortiz C<strong>of</strong>er, “More Room”<br />
Cause/Effect – demonstrates how an earlier event (or set <strong>of</strong> events) brought about a later event (or<br />
set <strong>of</strong> events. You can use this pattern to write about personal or public events from the distant or<br />
recent past. <strong>The</strong> following paragraph argues that teachers sometimes kill a little child’s interest in<br />
reading by forcing him or her to read aloud in class:<br />
From the very beginning <strong>of</strong> school, we make books and<br />
reading a constant source <strong>of</strong> possible failure and public<br />
humiliation. When children are little, we make them read aloud,<br />
before the teacher and other children, so that we can be sure they<br />
“know” all the words they are reading. This means that when<br />
they don’t know a word, they are going to make a mistake, right<br />
in front <strong>of</strong> everyone. Instantly, they are made to realize that they<br />
have done something wrong. Perhaps some <strong>of</strong> the other children<br />
will begin to wave their hands and say “Ooooh! O-o-o-oh!<br />
Perhaps they will just giggle, or nudge each other, or make a<br />
face. Perhaps the teacher will say, “Are you sure?” or ask<br />
someone else what he things. Or perhaps, if the teacher is kindly,<br />
she will just smile a sweet, sad smile—<strong>of</strong>ten one <strong>of</strong> the most<br />
painful punishments a child can suffer in school. In any case, the<br />
child who has made the mistake knows that he has made it, and<br />
feels foolish, stupid, and ashamed, just as any <strong>of</strong> us would in his<br />
shoes.<br />
• John Holt, “How Teachers Make Children Hate Reading”<br />
Comparison/Contrast – shows the similarities and differences <strong>of</strong> two somewhat related items. For<br />
example, you could in fact compare apples and oranges to create an essay that communicates<br />
fruitful information. But there probably would be little knowledge to be gained in comparing<br />
apples and donkeys. <strong>The</strong> following paragraph compares and contrasts the two most famous<br />
generals <strong>of</strong> the American Civil War in order to show how each <strong>of</strong> them symbolized the societies<br />
that they fought for:<br />
So Grant and Less were in complete contrast,<br />
representing two diametrically opposed elements in American<br />
life. Grant was the modern man emerging; beyond him, ready to<br />
come on the stage, was the great age <strong>of</strong> steel and machinery, <strong>of</strong><br />
crowded cities and a restless burgeoning vitality. Lee might have<br />
ridden down from the old age <strong>of</strong> chivalry, lance in hand, silken<br />
banner fluttering over his head. Each man was the perfect<br />
champion <strong>of</strong> his cause, drawing both his strengths and<br />
weaknesses from the people he led.<br />
• Bruce Catton, “Grant and Lee: A Study in Contrasts”<br />
Definition – sets the boundaries or limits <strong>of</strong> an item. Just as a foul line sets a baseball field within a<br />
larger stadium and then separates it from the foul ball area, so also definition places an item within<br />
a large category and then distinguishes it from other items in that category. <strong>The</strong> following<br />
paragraph explains the meaning <strong>of</strong> the linguistic term doublespeak:<br />
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Doublespeak is language that pretends to communicate<br />
but really doesn’t. It is language that makes the bad seem good,<br />
the negative appear positive, the unpleasant appear attractive or<br />
at least tolerable. Doublespeak is language that avoids or shifts<br />
responsibility, language that is at variance with its real or<br />
purported meaning. It is language that conceals or prevents<br />
thought; rather than extending thought, doublespeak limits it.<br />
• William Lutz, “Doublespeak”<br />
Division/Classification – separates a group <strong>of</strong> items into related subgroups. By dividing or<br />
classifying, we make a large, even huge, area <strong>of</strong> knowledge more manageable by breaking it into<br />
smaller groups. <strong>The</strong> following paragraph breaks down the overall act <strong>of</strong> listening to classical music<br />
into three more specific types <strong>of</strong> listening:<br />
We all listen to music according to our capacities. But,<br />
for the sake <strong>of</strong> analysis, the whole listening process may become<br />
clearer if we break it into its component parts, so to speak. In a<br />
certain sense, we all listen to music on three separate planes. For<br />
the lack <strong>of</strong> a better terminology, one might name these: (1) the<br />
sensuous plane, (2) the expressive plane, (3) the sheerly musical<br />
plane. <strong>The</strong> only advantage to be gained from mechanically<br />
splitting up the listening process into these hypothetical planes is<br />
the clearer view to be had <strong>of</strong> the way in which we listen.<br />
• Aaron Copland. “How We Listen”<br />
Example/Illustration – supplies several instances or samples <strong>of</strong> an item in order to make that item<br />
more understandable. By supplying instances or samples <strong>of</strong> something, especially an abstraction,<br />
we give that thing “flesh and bone” so that people can see that thing more readily. <strong>The</strong> following<br />
paragraph supplies humorous examples <strong>of</strong> events in a woman’s life to illustrate her belief that she<br />
was a victim <strong>of</strong> entropy—in other words, that her life was breaking down:<br />
It was about two months ago when I realized that<br />
entropy was getting the better <strong>of</strong> me. On the same day my car<br />
broke down (again), my refrigerator conked out, and I learned<br />
that I needed root canal work in my right rear tooth. <strong>The</strong><br />
windows in the bedroom were still leaking every time it rained,<br />
and my son’s baby sitter was still failing to show up every time I<br />
really needed her. My hair was turning gray and I needed<br />
glasses. My son’s sneakers were developing holes and I was<br />
developing a deep sense <strong>of</strong> futility.<br />
• K. C. Cole, “<strong>The</strong> Arrow <strong>of</strong> Time”<br />
Process – breaks down a procedure into its individual steps or stages. This pattern <strong>of</strong> development<br />
helps differs from the cause/effect pattern because this pattern generally involves a repeatable<br />
series <strong>of</strong> activities. In contrast, the cause/effect pattern generally involves a series <strong>of</strong> events that<br />
happened once and for all. <strong>The</strong> following paragraph explains the steps involved in the scientific<br />
process photosynthesis:<br />
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<strong>The</strong> initial process in photosynthesis is the<br />
decomposition <strong>of</strong> water into oxygen, which is released, and<br />
hydrogen. Direct light is required for this process. <strong>The</strong> hydrogen<br />
and the carbon and oxygen <strong>of</strong> carbon dioxide are then converted<br />
into a series <strong>of</strong> increasingly complex compounds that result<br />
finally in a stable organic compound, glucose, and water. This<br />
phase <strong>of</strong> photosynthesis utilizes stored energy and therefore can<br />
proceed in the dark. In general, the results <strong>of</strong> this process are the<br />
reverse <strong>of</strong> those in respiration, in which carbohydrates are<br />
oxidized to release energy, with the production <strong>of</strong> carbon dioxide<br />
and water. 18<br />
<strong>The</strong> table below lists each pattern, defines it, and then gives the titles <strong>of</strong> essays that commonly<br />
appear in college composition collections and that display that pattern:<br />
Pattern Definition Examples<br />
1. Analogy Comparing the unfamiliar to<br />
the familiar in order to make<br />
the unfamiliar more familiar<br />
• Annie Dillard, “<strong>The</strong> Death<br />
<strong>of</strong> a Moth”<br />
• Barry Lopez, “My Horse”<br />
2. Cause/Effect Showing how an earlier event<br />
or set <strong>of</strong> events brought about a<br />
later event or set <strong>of</strong> event<br />
3. Comparison/Contrast Showing the similarities and<br />
differences <strong>of</strong> two somewhat<br />
related items<br />
4. Definition Setting the boundaries or limits<br />
<strong>of</strong> an item<br />
5. Division/Classification Separating a group <strong>of</strong> items<br />
into related subgroups<br />
6. Example/Illustration Supplying several instances or<br />
samples <strong>of</strong> an item<br />
7. Process Breaking down a procedure<br />
into a sequence <strong>of</strong> steps<br />
• William Severini Kowinski,<br />
“Kids in the Mall: Growing<br />
Up Controlled”<br />
• Maya Angelou, “Why<br />
Blacks Are Returning to<br />
<strong>The</strong>ir Southern Roots”<br />
• Bruce Catton, “Grant and<br />
Lee: A Study in Contrasts”<br />
• Deborah, “Gender in the<br />
Classroom”<br />
• Joan Didion, “Self-Respect”<br />
• Francis Bacon, “On<br />
Revenge”<br />
• Randy Shilts, “<strong>Good</strong> AIDS,<br />
Bad AIDS’<br />
• Judith Viorst, “What, Me?<br />
Showing Off?”<br />
• Thomas Jefferson, “<strong>The</strong><br />
Declaration <strong>of</strong><br />
Independence”<br />
• Mary Karr, “Dysfunctional<br />
Nation”<br />
• Alexander Petrunkevitch,<br />
“<strong>The</strong> Spider and the Wasp”<br />
• Jessica Mitford, “Behind the<br />
Formaldehyde Curtain”<br />
18 Adapted from “Photosynthesis: <strong>The</strong> Photosynthetic Process” at the following URL:<br />
http://www.encyclopedia.com/html/section/photosyn_<strong>The</strong>PhotosyntheticProcess.asp.<br />
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Opening and Closing Paragraphs<br />
Because <strong>of</strong> their positions in essays, opening and closing paragraphs have special functions that<br />
paragraphs in the body <strong>of</strong> the essay do not. For example, an essay’s opening paragraph functions<br />
much like a thesis sentence at the top <strong>of</strong> a paragraph does. That is, the opening paragraph<br />
introduces the essay’s topic, announces its thesis, and sets the tone <strong>of</strong> the essay. Conversely, a<br />
closing paragraph completes an essay by conveying the sense that the writer has properly covered<br />
his or her subject and has satisfied the main reasons for writing.<br />
Opening Paragraphs<br />
Some effective types <strong>of</strong> opening paragraphs are named below, with advice on how to use them.<br />
• Direct Opening – Open the first paragraph with the thesis <strong>of</strong> the entire essay. <strong>The</strong><br />
following paragraph illustrates this style. Written in the early 1940s, the paragraph reflects<br />
both the more conservative spirit <strong>of</strong> that era and the careful and methodical nature <strong>of</strong> its<br />
subject—namely, Wilbur and Orville Wright, inventors <strong>of</strong> the airplane:<br />
From earliest years both Wilbur and Orville Wright were<br />
motivated by what Thorstein Veblen called the “instinct <strong>of</strong><br />
workmanship.” <strong>The</strong>ir father, the Reverend Milton Wright, used<br />
to encourage them in this and never chided them for spending on<br />
their hobbies what little money they might have. But he did urge<br />
them to try to earn enough money to meet the costs <strong>of</strong> whatever<br />
projects they were carrying on. “All the money anyone needs,’<br />
he used to say, “is just enough to prevent on from being a burden<br />
on others.” 19<br />
• Inverted Pyramid – Start with a general statement, narrow to a more specific statement, and<br />
then end with the most specific statement as the thesis <strong>of</strong> your essay. In the broad, opening<br />
statement, the writer generally says something that readers already know and then moves<br />
toward an idea that readers don’t know, but which the essay will discuss. This strategy<br />
creates a link between people’s current knowledge and new information that the essayist<br />
wants them to learn. By moving gradually from the known to the unknown, the inverted<br />
pyramid paragraph (also called a funnel paragraph) pulls you in and keeps your reading.<br />
<strong>The</strong> following paragraph begins with the simple fact that lots <strong>of</strong> people like camping<br />
vacations and then uses more and more narrow statements to arrive at a specific point<br />
about potential camping problems that people may not be aware <strong>of</strong>:<br />
Each year, thousands <strong>of</strong> people throughout the United<br />
States choose to spend their vacations camping in the great<br />
outdoors. Depending on an individual's sense <strong>of</strong> adventure, there<br />
are various types <strong>of</strong> camping to choose from, including log cabin<br />
camping, recreational vehicle camping, and tent camping. Of<br />
these, tent camping involves "roughing it" the most, and with<br />
proper planning the experience can be gratifying. Even with the<br />
best planning, however, tent camping can be an extremely<br />
19 Fred C. Kelly. <strong>The</strong> Wright Brothers. New York: Harcourt, Brace and Company, 1943. Rpt. New<br />
York: Dover Publications, 1989. Page 5.<br />
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frustrating experience due to uncontrolled factors such as bad<br />
weather, wildlife encounters, and equipment failures. 20<br />
• Question – Pose a question in the first sentence <strong>of</strong> the opening paragraph and then answer<br />
it by the last sentence <strong>of</strong> the opener. Make that last sentence the thesis <strong>of</strong> your essay. <strong>The</strong><br />
thesis need not answer the question directly, but the thesis must follow logically from the<br />
series <strong>of</strong> intervening sentences in order to show readers the respect they expect and<br />
deserve. Writers who use the question/answer strategy believe that a starter question<br />
arouses a reader’s curiosity and keeps him or her reading in hopes that the writer will<br />
satisfy that feeling. <strong>The</strong> following paragraph introduces a Time magazine essay that<br />
discusses how raw contemporary wrestling shows on television have become over the last<br />
twenty years:<br />
What kind <strong>of</strong> programming do you identify with cable<br />
television? Probably shows like Larry King Live on CNN and<br />
Nick at Nite’s reruns <strong>of</strong> Bewitched, or Biography on A&E and<br />
maybe those documentaries about Adolf Hitler that the History<br />
Channel always seems to carry (this week’s is a classic: Hitler<br />
and the Occult). <strong>The</strong>se <strong>of</strong>ferings may seem emblematic <strong>of</strong> cable,<br />
but if you think they represent its most popular shows, you are<br />
very wrong. Cable’s TV’s true signature is not a conversation<br />
between Larry King and Trent Lott; it is a Hell in a Cell bout<br />
between Stone Cold Steve Austin and his archrival Kane. 21<br />
Serious writers almost always write to solve a problem for themselves or to answer a<br />
question <strong>of</strong> their own, so you might think that this opening strategy is very common. In<br />
fact, it isn’t. For example, Andy Rooney, the veteran CBS reporter, seems famous for<br />
beginning his commentaries at the end <strong>of</strong> the television show, 60 Minutes, with the nasaltoned<br />
remark, “Have your ever…?” In research we did while preparing this book, however,<br />
we discovered that he almost never, if at all, begins his commentaries that way. And when<br />
we looked at hundreds <strong>of</strong> essays in composition anthologies, we also found that the<br />
question/answer opener is very rare. So feel free to make this strategy your own. Just don’t<br />
overuse it in one class or in class after class with the same instructor!<br />
• Anecdote or Description – An anecdote is brief story about an event. <strong>The</strong> anecdote should<br />
not only introduce the essay but also illustrate the thesis to be supported in the rest the<br />
essay. In other words, don’t begin with a story just to begin with one, hoping that it will<br />
grab readers for whatever comes next. As with an anecdote, you can begin with a brief,<br />
lively description that sets the scene for the rest <strong>of</strong> the essay. (Remember that description<br />
uses concrete words to create a picture in the reader’s mind.) <strong>The</strong> description need not<br />
name the thing being described. (In fact, sometimes a picture <strong>of</strong> some unnamed person,<br />
place, or thing can be very intriguing.) But the description itself must be clear, consistent,<br />
and precise. <strong>The</strong> paragraph below, by Gretel Erhlich, vividly describes something. At first,<br />
we are not sure what it is; however, as we read further, we realize that she is writing about<br />
her first semi-conscious moments after having been hit by lightning:<br />
20 “Sample Five-Paragraph Essay.” North Carolina Conference <strong>of</strong> English Instructors. August 5,<br />
2005. http://www.nccei.org/essaybasics/5_paragraph_essay.html.<br />
21 James Collins. “Lords <strong>of</strong> the Ring.” Time. June 29, 1998. Rpt. In Barbara Fine Clouse. Patterns<br />
for a Purpose: A Rhetorical Reader. 3 rd ed. Boston: McGraw Hill, 2003. Page 363.<br />
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Deep in an ocean. I am suspended motionless. <strong>The</strong> water<br />
is gray. That’s all there is, and before that? My arms are held out<br />
straight, cruciate, my head and legs hang limp. Nothing moves.<br />
Brown kelp lies flat in mud and fish are buried in liquid clouds<br />
<strong>of</strong> dust. <strong>The</strong>re are no shadows or sounds. Should there be? I<br />
don’t know if I am alive, but if not, how do I know I am dead?<br />
My body is leaden, heavier than gravity. Gravity is done with<br />
me. No more sinking and rising or bobbing in currents. <strong>The</strong>re is<br />
a terrible feeling <strong>of</strong> oppression with no oppressor. I try to lodge<br />
my mind against some boundary, some reference point, but the<br />
continent <strong>of</strong> the body dissolves…. 22<br />
What to Avoid in an Opening Paragraph<br />
• Beginning with dull or needless definition – Opening with a dictionary definition,<br />
especially <strong>of</strong> a well-known term.<br />
o Example: <strong>The</strong> dictionary defines love as “strong affection or deep regard for<br />
another person.”<br />
• Restating assignment – Repeating for your instructors or reading audiences what they<br />
already know to be your topic.<br />
o<br />
Example: It’s important that we respond to our instructor’s assignment regarding<br />
the cruelties <strong>of</strong> slavery that helped cause the Civil War and the great costs <strong>of</strong><br />
intolerance against former slaves after the war.<br />
• Stating something blatantly obvious – Saying something so obvious or bland that you<br />
immediately kill your reader’s interest in your topic.<br />
o Example: In today’s world in which we live, young people face many challenges.<br />
[Notice also the unnecessary repetition in the introductory clause.]<br />
• Apologizing – Claiming or pretending to be unqualified to handle the topic <strong>of</strong> the essay.<br />
o Example: Although the mapping <strong>of</strong> the human genome has received much publicity<br />
in the media, I am not sure that I can predict what the future holds for society in<br />
light <strong>of</strong> our new scientific knowledge.<br />
• Being lazy or careless - Making a false statement or committing a major typographic error.<br />
o<br />
Example: What do historians find when they put their noses into the anals <strong>of</strong><br />
history? 23<br />
Closing Paragraphs<br />
• Summarize briefly – Sum up the thesis <strong>of</strong> each paragraph block from the body <strong>of</strong> the essay,<br />
but do so only briefly. (In a short essay—fewer than three pages—omit it.) By creating an<br />
“essay in miniature,” you help readers reabsorb the whole essay in just a few sentences and<br />
give them a sense <strong>of</strong> intellectual and stylistic wholeness. In an essay about the Civil War<br />
figure Joshua Chamberlain, Glenn LaFantasie uses the strategy <strong>of</strong> a summarizing final<br />
paragraph. <strong>The</strong> essay itself discusses Chamberlain’s commitment to chivalry and honor, his<br />
success at being praised as a hero, and his enthusiastic retelling <strong>of</strong> the 20 th Maine<br />
22 Gretel Ehrlich. “Struck by Lightning.” A Match to the Heart: One Woman’s Story <strong>of</strong> Being Struck<br />
by Lightning. New York: Pantheon Books, 1994. (Rpt. In Barbara Fine Clouse. Patterns for a Purpose: A<br />
Rhetorical Reader. 3 rd ed. Boston: McGraw Hill, 2003. 137.)<br />
23 For this example <strong>of</strong> an unintended opening to a student’s final examination essay, I am indebted<br />
to Douglas Carlson, former teaching colleague at <strong>The</strong> King’s <strong>College</strong> in New York, who now teaches at<br />
Northwestern <strong>College</strong> in Iowa.<br />
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Regiment’s exploits on the second day <strong>of</strong> the Battle <strong>of</strong> Gettysburg. LaFantasie organizes<br />
his final paragraph similarly and creates the sense <strong>of</strong> wholeness that many essayists (and<br />
readers) desire:<br />
Like nothing else in his life, the charge at Gettysburg<br />
defined who Joshua Chamberlain was and who he would always be.<br />
But his greatest achievement—greater than any assault he led, any<br />
would he survived, any medal he earned, any obstacle he<br />
overcame—was how he had lived his dreams and made them come<br />
true. He wanted to be a chivalrous knight and an Old Testament<br />
warrior, and so in his own eyes and those <strong>of</strong> his contemporaries he<br />
became those things. <strong>The</strong> Civil War gave him the opportunity to<br />
turn his deepest aspirations into reality. But it is our need for<br />
heroes… that has enabled Chamberlain to achieve the glory he<br />
longed for throughout the war and most <strong>of</strong> his life. All in all, he<br />
accomplished what few men, either in his own time or in our own,<br />
can ever honestly claim: he lived his dreams to the fullest. 24<br />
• Look to the future – Suggest to your readership the importance or benefit to them <strong>of</strong> what<br />
you have said in the essay. Whether you write to tell a story, describe a scene, provide<br />
information, or defend a viewpoint, you also must consider how readers might pr<strong>of</strong>it from<br />
what you have written. <strong>The</strong>y are spending time reading your writing, after all, and they<br />
should derive some reward for their effort. In the following paragraph, Martin Luther King,<br />
Jr., concludes an essay-like letter that he wrote to some Birmingham, Alabama, clergymen<br />
who wanted him to go slow with early efforts at racial integration. After arguing many<br />
points raised by those who wrote to him, King concludes by discussing the benefits <strong>of</strong><br />
more rapid progress toward racial equality in their city and the nation:<br />
I hope this letter finds you strong in the faith. I also hope<br />
that circumstances will soon make it possible for me to meet each <strong>of</strong><br />
your, not as an integrationist or a civil-rights leader but as a fellow<br />
clergyman and a Christian brother. Let us all hope that the dark<br />
clouds <strong>of</strong> racial prejudice will soon pass away and the deep fog <strong>of</strong><br />
misunderstanding will be lifted from our fear-drenched<br />
communities, and in some not too distant tomorrow the radiant stars<br />
<strong>of</strong> love and brotherhood will shine over our great nation with all<br />
their scintillating beauty. 25<br />
• End with a clinching statement – <strong>The</strong> equivalent <strong>of</strong> beginning an essay directly is to end<br />
with a clinching statement. Such a statement seals or confirms what has gone before. It<br />
tries to capture in one concentrated phrase both the intellectual and emotional content <strong>of</strong><br />
the essay. To execute this strategy, for example, some writers restate the thesis in the<br />
words <strong>of</strong> a famous quotation from the Bible, a historical figure, or other revered source.<br />
Other writers may quote the words <strong>of</strong> someone they interviewed when preparing the essay<br />
and who seems to encapsulate the author’s own ideas. <strong>The</strong> following paragraph uses even<br />
another clinching strategy: the blunt remark that is both ironic and satiric. <strong>The</strong> irony and<br />
24 Glenn LaFantasie. “Joshua Chamberlain and the American Dream.” <strong>The</strong> Gettysburg Nobody<br />
Knows. Ed. Gabor S. Boritt. New York: Oxford UP, 1999. 55.<br />
25 Martin Luther King, Jr. “Letter from Birmingham Jail.” <strong>The</strong> Norton Reader. 11 th ed. New York:<br />
W. W. Norton, 2004. 902.<br />
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satire <strong>of</strong> this closing paragraph is especially strong because it comes after a twenty-sixparagraph-long<br />
description <strong>of</strong> how bodies might be prepared for viewing at a funeral home:<br />
It is the function <strong>of</strong> directing the participants through this<br />
maze <strong>of</strong> gadgetry that the funeral director has assigned to himself<br />
the relatively new role <strong>of</strong> “grief therapist.” He has relieved the<br />
family <strong>of</strong> every detail, he has revamped the corpse to look like a<br />
living doll, he has arranged for it to nap for a few days in a slumber<br />
room, he has put on a well-oiled performance in which the concept<br />
<strong>of</strong> death has played no part whatsoever—unless it was<br />
inconsiderately mentioned by the clergyman who conducted the<br />
religious service. He has done everything in his power to make the<br />
funeral a real pleasure for everyone concerned. He and his team<br />
have given their all to score an upset victory over death. 26<br />
• Recall the opening anecdote or description – If you begin an essay with a brief<br />
anecdote/description, then <strong>of</strong>ten the most logical way to finish the essay is to round <strong>of</strong>f the<br />
anecdote/description in the final paragraph. By completing the opening<br />
anecdote/description, the final paragraph satisfies readers’ curiosity as to why you opened<br />
as you did and gives a sense <strong>of</strong> stylistic completeness too. <strong>The</strong> following two paragraphs<br />
come from an essay about the dangers that could arise as more and more nations<br />
developing nuclear weapons. <strong>The</strong> first paragraph opens the essay and introduces a scene<br />
from 1945, right after the end <strong>of</strong> World War II. <strong>The</strong> second paragraph ends the essay by<br />
recalling the opening scene and by tying up the author’s thesis about the need for effective<br />
diplomacy to stop nuclear proliferation:<br />
Sixty years ago, on a stormy night in 1945, the charismatic<br />
American physicist Robert Oppenheimer mounted the stage <strong>of</strong> a<br />
movie theater in the secret city <strong>of</strong> Los Alamos, New Mexico. Lean<br />
and intense, he was there to address hundreds <strong>of</strong> scientists—the men<br />
and women who built the first atomic bombs under his direction.<br />
Exploded over the Japanese cities <strong>of</strong> Hiroshima and Nagasaki on<br />
August 6 and 9, 1945, those bombs had just ended the most<br />
destructive war in human history—and changed the face <strong>of</strong> war<br />
forever.<br />
* * * * *<br />
Neils Bohr and Robert Oppenheimer would recognize our<br />
dilemma: What to do with the double-edged sword they handed us,<br />
forged from exotic metals by a nuclear reaction that science<br />
stumbled across one day in 1938 while going about its business <strong>of</strong><br />
discovering how the world works. <strong>The</strong>ir advice, I think, still holds:<br />
Only cooperation among nations can secure the deadly metals from<br />
which nuclear weapons are made. Only negotiated reductions in<br />
arsenals and limitations on weapons development can diminish the<br />
long-term risk to us all. That’s what Bohr and Oppenheimer<br />
fervently believed, and what Oppenheimer told the scientists <strong>of</strong> Los<br />
Alamos that rainy night 60 years ago. 27<br />
26 Mitford, Jessica. “Behind the Formaldehyde Curtain.” <strong>The</strong> American Way <strong>of</strong> Death. New York:<br />
Knopf, 1998. (Rpt. From Barbara Fine Clouse. Patterns for a Purpose: A Rhetorical Reader. 3 rd ed. Boston:<br />
McGraw-Hill, 2003. 339).<br />
27 Rhodes, Richard. “Living with the Bomb.” National Geographic. 208:2. August 2005. 100, 113.<br />
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What to Avoid in a Closing Paragraph<br />
• Repeating the thesis – Don’t just restate the thesis, especially in a short essay, as if you<br />
forgot to do so.<br />
• Starting on new topic – Don’t wander onto a new topic unrelated to the topic <strong>of</strong> the essay.<br />
• Pretending to prove more than you have – Don’t claim that your essay shows more than<br />
you have shown. If your discussion is incomplete or your argument is weak, complete the<br />
discussion or strengthen the argument.<br />
• Unnecessarily bringing thesis into doubt – Don’t apologize for weaknesses in the essay or<br />
claim a false humility.<br />
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Part 5 – Using Logic and Evidence<br />
Introduction<br />
<strong>The</strong> first rule <strong>of</strong> good writing is to tell the truth. No matter how clear, concise, and organized your<br />
writing might be, readers will reject your work if you don’t understand your subject or try to<br />
deceive them. To be truthful, you also must be logical. That is, you must present reasonable<br />
arguments based on facts, evidence, and expert opinion. <strong>The</strong> second rule <strong>of</strong> good writing is to<br />
respect your audience. No matter how truthful your writing may be, readers also will reject your<br />
work if you attack them personally. 28 Normally, we would discuss the first rule first and the second<br />
rule second. However, people generally can control their emotions when writing academic<br />
assignments more easily than reason logically, so we will tackle the second issue—respect for your<br />
audience—first.<br />
Respect your audience by maintaining a balanced tone. <strong>The</strong> tone <strong>of</strong> an essay is the mood or<br />
feeling that it conveys to its readers. This tone comes through in the author’s word choice, sentence<br />
structure, paragraph structure, and punctuation.<br />
Articles in scientific magazines and journals, for example, usually try to strike a rational and<br />
serious tone <strong>of</strong> voice, reflecting the dominant attitude <strong>of</strong> scientists that they deal in matters <strong>of</strong><br />
objective fact, verifiable by research and experimentation. For example, in their now-famous 1953<br />
article announcing the revolutionary discovery <strong>of</strong> the proper structure <strong>of</strong> DNA, James Watson and<br />
Francis Crick struck a very restrained mood or feeling in their first two paragraphs. Words such as<br />
suggest, considerable, and unsatisfactory indicate a controlled tone. An irrational or superior tone<br />
might have involved the words insist upon, immense, and stupid.<br />
We wish to suggest a structure for the salt <strong>of</strong><br />
deoxyribose nucleic acid (D.N.A.). This structure has novel<br />
features which are <strong>of</strong> considerable biological interest.<br />
A structure for nucleic acid has already been proposed<br />
by Pauling and Corey. <strong>The</strong>y kindly made their manuscript<br />
available to us in advance <strong>of</strong> publication. <strong>The</strong>ir model consists <strong>of</strong><br />
three intertwined chains, with the phosphates near the fibre axis,<br />
and the bases on the outside. In our opinion, this structure is<br />
unsatisfactory for two reasons: We believe that the material<br />
which gives the X-ray diagrams is the salt, not the free acid.<br />
Without the acidic hydrogen atoms it is not clear what forces<br />
would hold the structure together, especially as the negatively<br />
charged phosphates near the axis will repel each other. Some <strong>of</strong><br />
the van der Waals distances appear to be too small. 29<br />
In contrast, a letter the editor <strong>of</strong> a newspaper, especially on politics, may be passionate in its choice<br />
<strong>of</strong> language and punctuation. Unfortunately, letters to the editor <strong>of</strong>ten do little more than give those<br />
28 Television commentator Christ Matthews once suggested that Americans despise politicians who<br />
insult them. This may explain why the 2000 presidential election was so close. Matthews says that, at one<br />
televised debate, the audience “preferred the notion <strong>of</strong> having a guy in the White House who <strong>of</strong>ten spoke<br />
English as if it were his second language [George Bush] to one who spoke to us as if English were our<br />
second language [Al Gore].” http://www.chroniclesmagazine.org/Chronicles/June2002/0602Lott.html.<br />
29 http://biocrs.biomed.brown.edu/Books/Chapters/Ch%208/DH-Paper.html<br />
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who write in the opportunity to vent their emotions. For example, in the first paragraph <strong>of</strong> the<br />
following example, the letter criticizes the Federal Communications Commission for 2005 rulings<br />
against indecent broadcasting practices by using inflammatory words like burden ourselves, taken<br />
control, and indiscriminately, without <strong>of</strong>fering any evidence that the <strong>of</strong>fenses referred to have<br />
actually occurred. <strong>The</strong> second paragraph describes the writer’s fellow citizens as people who sit<br />
idly by like sheep and elected <strong>of</strong>ficials as a gang <strong>of</strong> crooks and liars. This paragraph also lacks any<br />
supporting evidence, helping to make the letter sound like a frustrated outburst rather than a<br />
reasoned attempt to persuade readers:<br />
Dear Editor:<br />
We should all feel a little lighter. No longer do we have to burden<br />
ourselves with deciding what to watch and listen to. Our government has taken<br />
control <strong>of</strong> the dials. <strong>The</strong> Federal Communications Commission can now<br />
indiscriminately levy huge fines against anyone it chooses, without precedent,<br />
guidelines or a day in court ["Crackdown on indecency," News, Feb. 17].<br />
And we all sit idly by like sheep. <strong>The</strong> people we elected have failed us, and<br />
the only way to fight back is to make sure you don't vote for anyone, Republican<br />
or Democrat, currently in <strong>of</strong>fice. Kick them out and give the next gang <strong>of</strong> crooks<br />
and liars a chance to stand up for us and prove their worth. 30<br />
<strong>The</strong> following letter does a better job <strong>of</strong> telling the truth and respecting its audience. <strong>The</strong> two<br />
quoted words—voluntary and free—at first appear to be sarcastic or ironic quips, but they actually<br />
are quotations from the news story to which the letter responds. Similarly, this letter (written by a<br />
college student) <strong>of</strong>fers evidence for its positions without losing control <strong>of</strong> its tone:<br />
Dear Editor:<br />
It is ironic that the Daily printed an editorial supporting free air time for<br />
candidates on the same day that they printed a special section on the First<br />
Amendment. <strong>The</strong> Federal Communication Commission's plan to encourage<br />
stations to give free air time to candidates is a violation <strong>of</strong> the free speech rights<br />
<strong>of</strong> the stations involved, and would not have the positive effects that the editorial<br />
suggests.<br />
Broadcasters should be allowed to own the airwaves they broadcast on just<br />
as newspapers are allowed to own the printing presses with which they print their<br />
papers. As long as the FCC is given the arbitrary authority to deny renewal <strong>of</strong> the<br />
licenses to any broadcaster who doesn't do what it wants, free speech in the<br />
broadcast industry is a farce. This case is one example <strong>of</strong> this problem.<br />
Regardless <strong>of</strong> what the FCC says, when they ask a station to carry free political<br />
ads, it is not "voluntary." Behind such a request is the thinly veiled threat that the<br />
FCC will force them to comply or revoke their licenses if they don't.<br />
<strong>The</strong> editorial writer is also unreasonably optimistic about the practical<br />
results <strong>of</strong> such a plan. Like all businesses, TV stations are there to make money,<br />
and they will put the "free" advertising in the lowest-priced slots in their lineups.<br />
This means that the ads will tend to run late at night and in the early morning<br />
when almost no one is watching. Furthermore, there is no reason to think that the<br />
broadcasters would give third-party candidates air time, since the FCC is run by<br />
people appointed by Republicans and Democrats. Rather than leveling the<br />
30 February 21, 2005 letter to Newsday, the major newspaper on Long Island, NY, as printed at the<br />
following URL: http://www.newsday.com/news/opinion/letters/.<br />
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playing field, this could further increase the advantage that major-party<br />
candidates have over their third-party opponents.<br />
<strong>The</strong> FCC was created to ensure that wireless communications and electrical<br />
devices do not interfere with each other, and that is all it should do. Political<br />
decisions regarding campaign financing and broadcasters' obligations should be<br />
dealt with by our elected <strong>of</strong>ficials, not bureaucrats who are not responsible to the<br />
American people. 31<br />
Tell the truth by understanding and using logic and evidence. To help you write more logically,<br />
you should learn a few basic terms <strong>of</strong> logic. Knowing these terms will help improve your chances<br />
<strong>of</strong> writing logically and avoid fooling yourself and others. More importantly, perhaps, learning<br />
these terms will help you reduce the odds that others will fool you with writing that appears<br />
sensible but is nothing more than fancy words and slick tactics.<br />
Understanding the Two Basic Types <strong>of</strong> Reasoning<br />
1. Induction – drawing a general conclusion from representative specific events or instances.<br />
a. Example: My roommate goes out for pizza three days a week. <strong>The</strong>refore, my<br />
roommate probably loves pizza.<br />
b. Example: New York State has voted Democratic in the last five straight<br />
presidential elections. <strong>The</strong>refore, New York has more Democrats than<br />
Republicans.<br />
2. Deduction – drawing a specific conclusion from more general principles. (Deduction <strong>of</strong>ten<br />
uses a syllogism, which is a three-part deduction based upon a major premise and a minor<br />
premise.)<br />
a. Example: All students in the RCC Honors program must have at least a 3.00 GPA.<br />
John Smith is in the RCC Honors program. <strong>The</strong>refore, John Smith has at least a<br />
3.00 G.P.A.<br />
b. Example: All men are mortal. Socrates is a man. <strong>The</strong>refore, Socrates is mortal.<br />
Besides learning some basic terms <strong>of</strong> logic, also watch for common errors in reasoning that you<br />
could fall into unless you think through things carefully.<br />
Examples <strong>of</strong> Informal Fallacies<br />
(Fallacy – a faulty form <strong>of</strong> reasoning; that is, reasoning illogically, whether from true or false<br />
premises, and whether arriving at a true or false conclusion.)<br />
1. Faulty Generalization – drawing a general conclusion from insufficient or unrepresentative<br />
specific evidence.<br />
a. Example: When faced with a major purchase, men are always more irrational than<br />
are women!<br />
b. Example: “I don’t understand how Bush could have won the election! I don’t know<br />
anyone who voted for him!”<br />
2. Begging the Question (or circular reasoning) – drawing a conclusion from a premise that<br />
states essentially the same idea as the conclusion itself.<br />
a. Example: Anyone who is old enough to fight for his country should have the vote<br />
because anyone over 18 should be allowed to vote.<br />
31 Letter to the Editor <strong>of</strong> the Minnesota Daily, November 19, 1998. Available at the following URL:<br />
http://www.mndaily.com/daily/1998/11/19/editorial_opinions/l1119.lett/<br />
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b. Example: Anyone who wins the popular vote should be president because the<br />
Electoral <strong>College</strong> should not dictate who is elected president.<br />
3. Post hoc reasoning – concluding that a later event must result from an earlier one simply<br />
because that later event occurred after the first.<br />
a. Example: <strong>The</strong> city garbage men picked up the garbage today, and my garbage can<br />
lid is missing. Those bums must have stolen my lid.<br />
b. Example: <strong>The</strong> stock market went up after Clinton became president and went down<br />
after Bush became president. Obviously, Democrats are good for the economy and<br />
Republicans aren’t.<br />
4. Either-or reasoning – Reasoning that only two arguments (or lines <strong>of</strong> reasoning) exist on<br />
an issue, and then drawing one <strong>of</strong> those two conclusions, usually after portraying the other<br />
one as absurd (i.e., illogical).<br />
a. Example: We must build more nuclear power plants immediately or we will<br />
depend too much on Middle East oil for the rest <strong>of</strong> our lives.<br />
b. Example: <strong>The</strong> government must eliminate nuclear power plants or we are going to<br />
wipe out our country with radioactive spills and similar forms <strong>of</strong> pollution.<br />
5. Ad hominem reasoning – Attacking the people who advocate an argument rather than<br />
attacking the argument itself.<br />
a. Example: Greedy big business hates the common person, so we need a higher<br />
minimum wage to protect poor workers.<br />
b. Example: Anti-war groups are full <strong>of</strong> liars who hate America, so we can ignore<br />
anything they have to say about the Iraq war.<br />
6. Bandwagon appeal – advocating a conclusion just because it is, or claims to be, popular.<br />
a. Example: Everyone knows that capital punishment is cruel and inhumane, so we<br />
ought to eliminate the death penalty.<br />
b. Example: Over 90 percent <strong>of</strong> Americans believe in God, so we ought to allow<br />
prayer in the schools.<br />
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Part 6 – Finding, Recording, and Using Sources in a Research Paper<br />
Introducing the Research Paper<br />
A common assignment in college writing is the research paper. A research paper involves<br />
investigating one or more sources <strong>of</strong> knowledge, summarizing the key findings in that area, and<br />
then responding to those findings with personal analysis and/or interpretation. <strong>College</strong>s and<br />
universities usually charge their English Departments with training students in the art <strong>of</strong> writing<br />
research papers. Thus, a paper in an introductory English Composition course <strong>of</strong>ten involves<br />
reading essays, novels, poems, or dramas, and then writing an interpretative paper about those<br />
works, either with support from or in response to secondary sources from commentators and critics<br />
who also have interpreted the literary work.<br />
However, a research paper can have many other topics. For example:<br />
• In a history class, you might read eyewitness accounts and other documents about a<br />
historical event and then write your own interpretive summary <strong>of</strong> that event.<br />
• In a mathematics class, you might investigate the history <strong>of</strong> a key mathematical discovery<br />
and comment upon its significance for the world <strong>of</strong> mathematics in general.<br />
• In a sociology class, you might prepare a written survey on a social problem, interview<br />
people about it, and then report those findings along with the findings <strong>of</strong> experts who have<br />
researched the same topic.<br />
• In a physics class, you might research the history <strong>of</strong> a particular experiment, re-perform the<br />
experiment for yourself, and then write a report showing whether your results conform to<br />
those <strong>of</strong> the previous research.<br />
Whatever your topic might be, the reasons for writing a research paper usually come down to one<br />
or more <strong>of</strong> the following:<br />
• To introduce you to facts and expert opinions about a topic.<br />
• To familiarize you with a specific field so that you yourself begin to be an expert about it.<br />
• To develop investigative and critical thinking skills that will serve you in later courses,<br />
your pr<strong>of</strong>ession, and your personal life.<br />
• To give you a sense <strong>of</strong> accomplishment at having learned something on your own.<br />
In short, pr<strong>of</strong>essors assign papers so that you will learn about something, learn how to learn, and<br />
help you to mature as a person.<br />
For many students doing a research paper deeply annoys them. <strong>The</strong>se students <strong>of</strong>ten just buy or<br />
copy a paper from someone else, hoping that their teacher won’t catch them at plagiarism. At the<br />
other end <strong>of</strong> the spectrum, many students are terrified <strong>of</strong> doing a paper, but they do the same as the<br />
first group. A third group, however, understands the key to research paper success: Identify the<br />
topic to be investigated, develop a plan involving manageable steps, and execute the plan to a<br />
successful result. If you learn the information in this chapter, you can be one <strong>of</strong> those successful<br />
people.<br />
Describing the Research Paper<br />
A research paper closely resembles the standard essay that we already have discussed in earlier<br />
chapters. For example, the research paper usually begins with a thesis statement followed by a<br />
series <strong>of</strong> paragraphs that develop and illustrate the thesis. However, research papers generally also<br />
1. Are longer, usually five to twenty typed pages. (A senior seminar paper, required for<br />
graduation from college, can run fifty pages.)<br />
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2. Contain research from books and articles, interviews, surveys, clinical observations, and/or<br />
laboratory experiments.<br />
3. Require that you follow a citation format for quotations, summaries, and paraphrases that is<br />
approved and published by an academic or pr<strong>of</strong>essional society.<br />
4. Require a Works Cited page, which lists just the sources used in the paper, or a<br />
Bibliography, which lists sources used in the paper and additional suggested readings on<br />
the topic <strong>of</strong> the paper.<br />
5. Count for a significant or majority portion <strong>of</strong> the final grade.<br />
Introducing Library Research<br />
When setting business priorities, many business people do what’s called a cost-benefit analysis.<br />
Simply put, a cost-benefit analysis involves determining how much it will cost a business in raw<br />
materials, services supplied by outside suppliers, employee hours, and similar expenses vs. the<br />
financial and related benefits that the company will receive from those expenses. When deciding to<br />
do assignments, you probably make a similar decision. However, for you, the analysis doesn’t<br />
involve items such as raw materials, but the following:<br />
• How much time you want to spend on the assignment (<strong>The</strong> cost)<br />
• What kind <strong>of</strong> grade you want (Benefit 1)<br />
• What you will learn from doing it (Benefit 2)<br />
Now that students have access to the Internet for doing college work preparation, they <strong>of</strong>ten give in<br />
to the temptation <strong>of</strong> cutting back on preparation and research time by using questionable Internet<br />
sources. You should resist this temptation by knowing the following:<br />
• What departments and resources does your library <strong>of</strong>fer?<br />
• How do you find books and articles for a paper?<br />
• How do you record information from books and articles that you may use in the paper?<br />
<strong>The</strong> following three sections <strong>of</strong>fer guidance on these key questions.<br />
Knowing Library Departments and Resources<br />
Different schools have different departments and resources, but they all generally have an online<br />
catalog, a reserve section, a reference section, a periodicals department, open stacks, and<br />
multimedia.<br />
<strong>The</strong> Online Catalog – Instead <strong>of</strong> the hundreds <strong>of</strong> wooden drawers that students used in the 1980s<br />
and earlier, today you can find lists <strong>of</strong> books and articles by searching a computer-based catalog.<br />
Before computerized catalogs, students could search for books only by subject area, book title, or<br />
book author. Now, you can search by not only the three previous features but also the following<br />
features:<br />
• ISBN, or International Standard Book Number<br />
• Library <strong>of</strong> Congress Subject Heading<br />
• Publisher<br />
• Document type<br />
• Library <strong>of</strong> Congress call number<br />
• Language in which the book is written<br />
<strong>The</strong> Reserve Section – Instructors sometimes assign readings from personally owned materials or<br />
very new books or articles not readily available to other people. In these cases, instructors <strong>of</strong>ten<br />
have librarians hold books or journals in a dedicated section <strong>of</strong> the library (usually behind the<br />
checkout desk) and limit checkout times to one hour, two hours, overnight, or some other brief time<br />
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limit. Putting difficult-to-obtain books in this dedicated area makes it easier for all students in the<br />
class to read the book without someone in the class hoarding the book, making it hard for others to<br />
read it.<br />
<strong>The</strong> Reference Section – This department contains dictionaries, encyclopedias, journal indexes,<br />
anthologies, author or subject bibliographies, and similar materials that provide general information<br />
on all sorts <strong>of</strong> topics. Almost always, students may not remove reference books from the library<br />
because large reference books are expensive and they provide foundational background<br />
information to which all students need access. Quite <strong>of</strong>ten, reference books also contain<br />
bibliographies <strong>of</strong> more detailed readings to guide you toward further research materials.<br />
In the case <strong>of</strong> author or subject bibliographies, the whole book is just a list <strong>of</strong> other books,<br />
magazines, newspapers, academic journals, and similar materials. <strong>The</strong>se bibliographies <strong>of</strong>ten have<br />
short, descriptive sentences or paragraphs, called annotations, that help you quickly determine<br />
whether the bibliography item relates to the specific topic that you want to write about.<br />
<strong>The</strong> following table lists major books in print for different academic fields that you usually will<br />
find in a reference section: 32<br />
Academic Area<br />
Anthropology<br />
Art and Architecture<br />
Biology<br />
Business<br />
Chemistry<br />
Print Resources<br />
Abstracts in Anthropology<br />
Annual Review <strong>of</strong> Anthropology<br />
Dictionary <strong>of</strong> Anthropology<br />
Encyclopedia <strong>of</strong> World Cultures<br />
Art Abstracts<br />
Art Index<br />
BHA: Bibliography <strong>of</strong> the History <strong>of</strong> Art<br />
Encyclopedia <strong>of</strong> World Art.<br />
McGraw-Hill Dictionary <strong>of</strong> Art<br />
Biological Abstracts<br />
Biological and Agricultural Index<br />
Encyclopedia <strong>of</strong> the Biological Sciences<br />
Henderson’s Dictionary <strong>of</strong> Biological Terms<br />
Zoological Record<br />
Accounting and Tax Index<br />
Blackwell Encyclopedia <strong>of</strong> Management<br />
Encyclopedia <strong>of</strong> Business Information Sources<br />
ABI/Inform<br />
Chemical Abstracts (CASEARCH)<br />
Dictionary <strong>of</strong> Chemistry<br />
Van Nostrand Reinhold Encyclopedia <strong>of</strong> Chemistry<br />
32 Part 8, “Using the Internet to Do Academic Research,” lists Web sites for finding academically respected<br />
sources <strong>of</strong> information. Some <strong>of</strong> those Web sites may require registration fees or access through a college<br />
library.<br />
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Academic Area<br />
Print Resources<br />
Classics<br />
Communications and Journalism<br />
Illustrated Encyclopedia <strong>of</strong> the Classical World<br />
Oxford Classical Dictionary<br />
Princeton Encyclopedia <strong>of</strong> Classical Sites<br />
Annotated Media Bibliography<br />
Communication Abstracts<br />
International Encyclopedia <strong>of</strong> Communications<br />
Journalism Abstracts<br />
Computer Science and Technology Computer Abstracts<br />
Dictionary <strong>of</strong> Computing<br />
Encyclopedia <strong>of</strong> Computer Science<br />
McGraw-Hill Encyclopedia <strong>of</strong> Science and Technology<br />
Cultural Studies, American and<br />
Ethnic Studies<br />
Economics<br />
Education<br />
Engineering<br />
Environmental Sciences<br />
Film<br />
Encyclopedia <strong>of</strong> World Cultures<br />
Dictionary <strong>of</strong> American Negro Biography<br />
Gale Encyclopedia <strong>of</strong> Multicultural America<br />
Mexican American Biographies<br />
American Studies Web<br />
EconLit<br />
PAIS: Public Affairs Information Service<br />
Dictionary <strong>of</strong> Education<br />
Education Index<br />
Encyclopedia <strong>of</strong> Educational Research<br />
International Encyclopedia <strong>of</strong> Education<br />
Resources in Education<br />
Applied Science and Technology Index<br />
Engineering Index<br />
McGraw-Hill Encyclopedia <strong>of</strong> Engineering<br />
Dictionary <strong>of</strong> the Environment<br />
Encyclopedia <strong>of</strong> Energy, Technology, and the Environment<br />
Encyclopedia <strong>of</strong> the Environment<br />
Environment Abstracts<br />
Environment Index<br />
Dictionary <strong>of</strong> Film Terms<br />
<strong>The</strong> Film Encyclopedia<br />
Film Literature Index<br />
Film Index International<br />
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Academic Area<br />
Geography<br />
Geology<br />
Health and Medicine<br />
History<br />
Languages and Linguistics<br />
Literature<br />
Mathematics<br />
Music<br />
Philosophy<br />
Print Resources<br />
Geographical Abstracts<br />
Longman Dictionary <strong>of</strong> Geography<br />
Modern Geography: An Encyclopedic Survey<br />
Bibliography and Index <strong>of</strong> Geology<br />
Challinor’s Dictionary <strong>of</strong> Geology<br />
<strong>The</strong> Encyclopedia <strong>of</strong> Field and General Geology<br />
American Geological Institute<br />
American Medical Association Encyclopedia <strong>of</strong> Medicine<br />
Cumulated Index Medicus<br />
Medical and Health Information Directory<br />
Nutrition Abstracts and Reviews<br />
Martindale’s Health Science Guide<br />
America: History and Life<br />
Dictionary <strong>of</strong> Historical Terms<br />
Encyclopedia <strong>of</strong> American History<br />
An Encyclopedia <strong>of</strong> World History<br />
Historical Abstracts<br />
Cambridge Encyclopedia <strong>of</strong> Language<br />
An Encyclopedic Dictionary <strong>of</strong> Language and Languages<br />
International Encyclopedia <strong>of</strong> Linguistics<br />
LLBA: Linguistics and Language Behavior Abstracts<br />
MLA International Bibliography<br />
Concise Oxford Guide <strong>of</strong> Literary Terms<br />
Handbook to Literature<br />
MLA International Bibliography<br />
<strong>The</strong> New Princeton Encyclopedia <strong>of</strong> Poetry and Poetics<br />
American Statistics Index<br />
Dictionary <strong>of</strong> Mathematics<br />
International Dictionary <strong>of</strong> Applied Mathematics<br />
Mathematical Reviews (MathSciNet)<br />
Music Index<br />
New Grove Dictionary <strong>of</strong> Music and Musicians<br />
New Oxford Companion to Music<br />
RILM Abstracts <strong>of</strong> Musical Literature<br />
Dictionary <strong>of</strong> Philosophy<br />
Philosopher’s Index<br />
Routledge Encyclopedia <strong>of</strong> Philosophy<br />
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Academic Area<br />
Physics<br />
Political Science<br />
Psychology<br />
Religion<br />
Sociology<br />
<strong>The</strong>ater and Dance<br />
Women’s Studies<br />
Print Resources<br />
Dictionary <strong>of</strong> Physics<br />
McGraw-Hill Encyclopedia <strong>of</strong> Physics<br />
Physics Abstracts<br />
Almanac <strong>of</strong> American Politics<br />
Congressional Quarterly Almanac<br />
Encyclopedia <strong>of</strong> Government and Politics<br />
International Political Science Abstracts<br />
Public Affairs Information Service (PAIS)<br />
International Dictionary <strong>of</strong> Psychology<br />
International Encyclopedia <strong>of</strong> Psychiatry, Psychology,<br />
Psychoanalysis, and Neurology<br />
Psychological Abstracts<br />
Dictionary <strong>of</strong> Bible and Religion<br />
Encyclopedia <strong>of</strong> Religion<br />
Religion Index<br />
Annual Review <strong>of</strong> Sociology<br />
Encyclopedia <strong>of</strong> Social Work<br />
Encyclopedia <strong>of</strong> Sociology<br />
Sociological Abstracts<br />
International Index to the Performing Arts<br />
International Encyclopedia <strong>of</strong> the Dance<br />
McGraw-Hill Encyclopedia <strong>of</strong> World Drama<br />
Women’s Studies: A Guide to Information Sources<br />
Women’s Studies Abstracts<br />
Women’s Studies Encyclopedia<br />
<strong>The</strong> Periodicals Department – This department contains magazines, newspapers, academic<br />
journals, and other publications that appear daily, weekly, monthly, or at other regular intervals.<br />
<strong>The</strong>se types <strong>of</strong> publications help when you are writing papers about the literary reputations <strong>of</strong><br />
authors when they were alive, about first impressions <strong>of</strong> eyewitnesses to historical events, about<br />
current events, and so on. This department also contains printed periodical indexes that list articles<br />
by author, subject, and/or title so that you can find articles more readily.<br />
<strong>The</strong> Open Stacks – <strong>The</strong>se are the library shelves that contain books intended for general circulation.<br />
Elementary schools, high schools, and public libraries usually organize books by subjects<br />
numbered with the Dewey Decimal System, from 000 to 900—or ten categories—plus a fiction<br />
section. However, almost all colleges and universities use the Library <strong>of</strong> Congress Classification<br />
(LOCC) to number their books and journals. <strong>The</strong> LOCC has the advantage <strong>of</strong> dividing materials<br />
into more sections, since it divides books from A to Z. Do not assume that books on anthropology<br />
appear in the A section or that literature appears in the L section. <strong>The</strong> following table indicates<br />
which letters represent which general topics:<br />
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Letter Subject Letter Subject<br />
A General Works M Music and Books on Music<br />
B Philosophy, Psychology, Religion N Fine Arts<br />
C Auxiliary Sciences <strong>of</strong> History P Language and Literature<br />
D History (General) and History <strong>of</strong> Q Science<br />
Europe<br />
E History: America R Medicine<br />
F History: America S Agriculture<br />
G Geography, Anthropology, Recreation T Technology<br />
H Social Sciences (Sociology, etc.) U Military Science<br />
J Political Science V Naval Science<br />
K Law Z Bibliography, Library Science,<br />
Information Resources (General)<br />
L Education<br />
Multimedia – This is the newest section <strong>of</strong> college libraries, and contains items such as records,<br />
films, videotapes, CD-ROMs, DVDs, and similar materials that contain audio or audio-visual<br />
materials rather than text-based documents.<br />
Finding Books and Articles<br />
To find books and articles in the library, follow this general strategy.<br />
1. Start by reviewing reference books to learn general background information about the topic<br />
you will write about. For example, depending on the class your are taking, you may want<br />
to look at a literary dictionary that contains brief biographies <strong>of</strong> literary authors, a science<br />
encyclopedia that explains the basics <strong>of</strong> the Big Bank theory, an encyclopedia <strong>of</strong> biomedical<br />
ethics that discusses the competing views on stem cell research, a historical<br />
encyclopedia that lists major battles <strong>of</strong> the American Civil War, etc.<br />
Feel free to call upon reference librarians to help you find general-level materials that will<br />
best inform you about your chosen topic. Even within a narrow area such as literature, you<br />
can find books devoted to languages, United States literature, British literature, other<br />
European literatures, South American literature, Asian literature, African literature,<br />
Canadian/Australian/New Zealander literature, poetic and other literary terms, and on and<br />
on and on.<br />
2. Develop a list <strong>of</strong> books, articles, and other sources related to your author or specific topic<br />
and find them in the library’s online catalog. Look for the books in the open stacks, and<br />
check out the ones that seem most helpful to your paper. If you know that a book exists but<br />
cannot find it on the shelves, ask a librarian if it is in the reserve section or is checked out.<br />
Sometimes, you can put in a written request for a book or article and the library will notify<br />
the person who has it and request that he/she return it for your use, especially if that person<br />
has had the material for several weeks or longer.<br />
3. Look for articles in the periodicals department. If needed, look at printed indexes as well as<br />
the online catalog for potential research sources, since some libraries may catalog<br />
periodicals in their computer databases only after they have finished with their books.<br />
4. Finally, unless you are writing a paper on a piece <strong>of</strong> music or film, go to the multimedia<br />
department last. While you may be fascinated by videos and DVDs about authors,<br />
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historical movements, scientific discoveries, etc., your instructors will look mostly for<br />
written sources on the Works Cited page <strong>of</strong> your research paper. Even the most serious <strong>of</strong><br />
television productions can, in one hour, cover only the surface <strong>of</strong> serious topic.<br />
Recording Potentially Useful Information<br />
After checking out materials from the library, you must record information from those sources on<br />
pages or cards that you can use at all hours <strong>of</strong> the day or night. Keeping books and articles for<br />
several weeks or the whole semester may make life easier for you when writing a paper, but doing<br />
do shows great disrespect for your instructors, classmates, and other people whose academic life is<br />
just as important as yours.<br />
With easy access to photocopy machines, the Internet, word processors, and similar text-handling<br />
tools, you may be tempted just to make copies or printouts <strong>of</strong> the research materials and underline<br />
or highlight them as you read. If you have the money to generate such large amounts <strong>of</strong> paper, feel<br />
free to do so. However, by listing books and taking notes on note cards, you gain the advantage <strong>of</strong><br />
truly absorbing and organizing the material you are reading and <strong>of</strong> identifying the most essential<br />
material you need for a paper.<br />
<strong>The</strong> following strategy for taking notes is a tried and true method, and will earn you the deep and<br />
undying love and admiration <strong>of</strong> your instructors.<br />
Bibliography Cards – Record the bibliographic data <strong>of</strong> books and articles on 3 x 5 index cards. Be<br />
sure to include any and all information that you will need to place in a Works Cited page, and<br />
include a short summary <strong>of</strong> the source so that you have an overview <strong>of</strong> the source. In one <strong>of</strong> the<br />
upper corners <strong>of</strong> the card, identify the source by the last name <strong>of</strong> the author or by a letter <strong>of</strong> the<br />
alphabet. For each new source, record the last name or a new letter, the bibliographic information,<br />
and a summary. A sample bibliography card appears below:<br />
Buckley<br />
Buckley, James, Jr. Classic Ballparks. New York: Barnes<br />
and Noble Books, 2005.<br />
Summary - Excellent introduction to the Polo Grounds,<br />
Fenway Park, Tiger Stadium, Ebbets Field, Wrigley<br />
Field, and Yankee Stadium. Complete with many<br />
photographs and index.<br />
Content Cards – Record quotations or summaries from sources that already have bibliography<br />
cards. In an upper corner <strong>of</strong> the card, record the author’s last name and/or letter that you placed on<br />
the corresponding bibliography card. A quotation is a direct, word-for-word reproduction <strong>of</strong> the<br />
words and sentences <strong>of</strong> the author. A summary is a brief retelling <strong>of</strong> the author’s main points in<br />
your own words. When recording quotes and summaries, use some sort <strong>of</strong> mark(s) to distinguish<br />
clearly between the two. For example, make sure that quotations have obvious opening and closing<br />
quotation marks or some other indication as to exactly where the quote begins and ends. Make sure<br />
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that you write Summary in front <strong>of</strong> summarized material or use some other obvious mark(s) to<br />
indicate that situation.<br />
If you leave material <strong>of</strong>f <strong>of</strong> the beginning <strong>of</strong> a quotation, either introduce it with phrasing and<br />
punctuation that provides a grammatical bridge into the quotation, or add a capital letter in brackets<br />
to show that the opening word appears somewhere other than at the beginning <strong>of</strong> a sentence. If you<br />
leave material out <strong>of</strong> the middle <strong>of</strong> a passage, use an ellipsis, or three periods, where you have left<br />
out material. (Of course, leave out intermediate material only if the omission does not change the<br />
basic meaning <strong>of</strong> the source.) If you leave material <strong>of</strong>f the end <strong>of</strong> a sentence, add an ellipsis for the<br />
omitted material and then a fourth period to indicate the end <strong>of</strong> the sentence.<br />
Using an Ellipsis for Omitted Material within a Sentence<br />
If you leave material out <strong>of</strong> the middle <strong>of</strong> a passage, use an<br />
ellipsis . . . where you have left out material.<br />
Using an Ellipsis for Omitted Material at the End <strong>of</strong> a Sentence<br />
If you leave material <strong>of</strong>f the end <strong>of</strong> a sentence, add a fourth<br />
period to indicate the end <strong>of</strong> the sentence….<br />
<strong>The</strong> following is an example <strong>of</strong> a well-prepared Content Card (Notice that this is a direct quotation,<br />
as indicated by the word QUOTATION that appears before and after the quote. Notice also that<br />
QUOTATION is indented, indicating that this is the first sentence <strong>of</strong> a paragraph. Finally, notice<br />
that the last sentence uses the ellipsis plus a fourth period to indicate that text from the end <strong>of</strong> the<br />
original sentence is missing.):<br />
Buckley/113<br />
QUOTATION <strong>The</strong> places where Major<br />
League Baseball was played, until 1923, were<br />
“parks,” or “fields,” or “grounds.” In 1923, a new<br />
colossus arose, and it was no mere ballyard, no<br />
mere meadow; it was a stadium, muscular, huge,<br />
dominant, the first in the game’s history to take<br />
that name. It was Yankee Stadium….<br />
QUOTATION<br />
Understanding Paraphrase, Summary, and Direct Quotation<br />
When writing papers, students <strong>of</strong>ten ask when to use supporting paraphrases, summaries, or direct<br />
quotations. Before providing advice on such strategies, we should define our terms clearly so that<br />
you understand the differences among these types <strong>of</strong> information:<br />
• A paraphrase involves restating a text or passage in your own words, in roughly the same<br />
number <strong>of</strong> words, to clarify the source’s meaning for yourself. You <strong>of</strong>ten would use<br />
paraphrase to remember source information and to ensure that you understand it<br />
thoroughly.<br />
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• A summary also involves restating a text or passage in your own words, but in much<br />
fewer words. For example, you might summarize a book chapter in just a paragraph or a<br />
paragraph in just one sentence. Again, your goal in summarizing usually is to help you<br />
remember the source information and to ensure that you can express the material in terms<br />
that you understand.<br />
• A direct quotation involves repeating the exact words <strong>of</strong> an original source. Quote a<br />
source whenever your readers would benefit from seeing the exact wording <strong>of</strong> a writer<br />
rather than just a summary. For example,<br />
o To express a thought in concise terms that might take you longer to summarize.<br />
o To display the style <strong>of</strong> a source that you intend to analyze.<br />
o To express the exact words <strong>of</strong> a source because those words are in dispute.<br />
o To restate or reinforce something you have said or will say in your own words.<br />
When writing a paper that requires supporting material, generally use only summaries or direct<br />
quotations, not paraphrases. As noted above, a paraphrase is roughly the same length as the source<br />
it comes from and is in your own words. Thus, a paraphrase has two disadvantages: its phrasing is<br />
no more economical than that <strong>of</strong> its source, and it contains a less accurate rendition there<strong>of</strong>. Also,<br />
you can confuse a long paraphrase with an actual quotation, accidentally incorporate it into your<br />
paper, and make the mistake <strong>of</strong> putting quotation marks around it. Much to their regret, a surprising<br />
number <strong>of</strong> pr<strong>of</strong>essional writers have committed this error. You could too.<br />
Using a Paraphrase<br />
As stated above, use paraphrasing mainly as a learning tool. For example, imagine that you are<br />
reading the essay entitled “<strong>The</strong> World's Oldest Virtue,” by the etiquette expert Judith Martin (also<br />
known as “Miss Manners”). 33 To paraphrase the opening two paragraphs <strong>of</strong> her essay, you might<br />
rewrite her phrasing as follows:<br />
Original Source<br />
Whenever there is a contest between etiquette and<br />
acknowledged virtues, etiquette loses. Hardly anyone would<br />
dispute the proposition that morals are more important than mere<br />
manners, and the assertion that etiquette can and should be<br />
jettisoned for a higher good is commonly made and accepted in<br />
everyday life.<br />
"I'm concerned about people's health," is a typical<br />
explanation <strong>of</strong>fered by someone who admonishes others,<br />
sometimes even strangers in restaurants, that what they're eating<br />
is bad for them. <strong>The</strong> moral virtue <strong>of</strong> devotion to the well-being<br />
<strong>of</strong> others supposedly obliterates the rule <strong>of</strong> etiquette against<br />
minding other people's business. [97 words]<br />
Paraphrase <strong>of</strong> Source<br />
Whenever people struggle between following etiquette<br />
and what they view as moral, etiquette loses. Most people would<br />
argue that morals are more important than manners. <strong>The</strong>y also<br />
would say that we should reject manners when a higher value is<br />
at stake.<br />
33 http://www.firstthings.com/ftissues/ft9305/articles/martin.html<br />
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“I’m focused on people’s health,” is what you might say,<br />
even to strangers in a restaurant, if you thought they were eating<br />
something unhealthy. If you feel you have the right to give<br />
advice to people about their health, you might ignore the<br />
etiquette <strong>of</strong> minding your own business. [90 words]<br />
Comment: <strong>The</strong> paraphrase uses some words <strong>of</strong> the original, but contains mainly your own words,<br />
uses common synonyms, and has a more casual tone <strong>of</strong> voice. (Most <strong>of</strong> us write more informally<br />
than does Judith Martin.) Also, the paraphrase is roughly the same number <strong>of</strong> words as the source.<br />
In short, the paraphrase puts the source into simpler terms readers easily can understand, helping<br />
them to assimilate the source’s meaning.<br />
Using Summary<br />
When you summarize a source in a research paper, introduce that source with words <strong>of</strong> your own.<br />
This introduction, or frame, should provide a proper grammatical transition between your own<br />
words and those <strong>of</strong> the source and will advise readers that the upcoming words are someone else’s.<br />
For example, imagine that you want summarize the first two paragraphs <strong>of</strong> Martin’s essay. Your<br />
summary might look something like this.<br />
According to one etiquette expert, most people say that<br />
their values are more important than manners. You might tell<br />
people, “I want people to be healthy” if you think they are eating<br />
something unhealthy or feel that giving advice about their health<br />
is more important than keeping quiet (Martin 22).<br />
Comment: In this case, you have omitted Martin’s details and focused on only her key points, so<br />
your rewrite runs to less than half the length <strong>of</strong> her original remarks. Your five-word frame makes<br />
your summary forty-eight words long. Since you have not mentioned Martin’s name in your frame,<br />
you must add her name, along with the source’s page number, in your MLA parenthetic citation.<br />
Finally, for a short quotation or summary, place the period <strong>of</strong> your last sentence after the closing<br />
parenthesis.<br />
If you added Martin’s name to your frame, your summary would look like this:<br />
According to the etiquette expert Judith Martin, most<br />
people say that their values are more important than manners.<br />
You might tell people, “I want people to be healthy” if you think<br />
they are eating something bad for them or feel that giving advice<br />
about their health is more important than keeping quiet (22).<br />
Comment: Because you have placed Martin’s name in your introductory frame, you need not<br />
include it in your MLA parenthetic citation. Again, notice that the period goes after the closing<br />
parenthesis.<br />
Using Direct Quotation<br />
As you should with summaries, always introduce a quoted source. Again, this frame should provide<br />
a proper grammatical transition and advise readers that a source is coming. <strong>The</strong> following samples<br />
demonstrate various ways to introduce quoted material.<br />
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Short Quotation with Author’s Name in Frame – Begin with an introductory frame that includes the<br />
author’s name, use a comma—if needed—to introduce the quotation, open the quotation marks,<br />
reproduce the source’s exact wording, close the quotation marks, give only the page number in the<br />
parenthetic citation, and then end with a period. (If the quoted source has a quotation inside <strong>of</strong> it,<br />
use single quotation marks for the interior quote.)<br />
<strong>The</strong> etiquette expert Judith Martin has written, “Whenever there<br />
is a contest between etiquette and acknowledged virtues,<br />
etiquette loses” (22).<br />
Short Quotation with Author’s Name in Parenthetic Citation – Begin with an introductory frame<br />
that omits the author’s name, add a comma if needed, open the quotation marks, reproduce the<br />
source’s exact wording, close the quotation marks, provide the parenthetic citation with the<br />
author’s name and page number, and then add a period. (Again, if the quoted source has a<br />
quotation inside <strong>of</strong> it, use single quotation marks for the interior quote.)<br />
One etiquette expert has written that “[w]henever there is a<br />
contest between etiquette and acknowledged virtues, etiquette<br />
loses” (Martin 22).<br />
Long Quotation with Author’s Name in Frame – Begin with an introductory frame that mentions<br />
the author’s name, add a comma if needed, indent the whole quotation ten spaces from only the left<br />
margin, add the period, and then add the parenthetic citation with only the page number. (Since<br />
your long quotation is indented on the left, do not use opening and closing quotation marks. If your<br />
quoted source contains a quotation, however, reproduce the quotation marks just as they appear in<br />
the source.)<br />
According to the etiquette expert Judith Martin,<br />
Whenever there is a contest between etiquette and<br />
acknowledged virtues, etiquette loses. Hardly anyone<br />
would dispute the proposition that morals are more<br />
important than mere manners, and the assertion that<br />
etiquette can and should be jettisoned for a higher good<br />
is commonly made and accepted in everyday<br />
life. (22)<br />
Long Quotation with Author’s Name in Parenthetic Citation – Begin with an introductory frame<br />
that omits the author’s name, add a comma if needed, indent the whole quotation ten spaces from<br />
only the left margin, add the period, and then include a parenthetical citation with both the author’s<br />
name and the page number. (Again, since your long quotation is indented on the left, do not use<br />
opening and closing quotation marks. Also, if your quoted source contains a quotation, reproduce<br />
the quotation marks just as they appear in the source.)<br />
According to one etiquette expert,<br />
Whenever there is a contest between etiquette and<br />
acknowledged virtues, etiquette loses. Hardly anyone<br />
would dispute the proposition that morals are more<br />
important than mere manners, and the assertion that<br />
etiquette can and should be jettisoned for a higher good<br />
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is commonly made and accepted in everyday life.<br />
(Martin 22)<br />
Note Well: In all <strong>of</strong> the sample citations, we have single-spaced the text to save space. However, in<br />
a research paper all <strong>of</strong> it—the MLA heading on the top <strong>of</strong> page 1, the essay title, your analysis,<br />
short quotations, long quotations, and the Works Cited page—must be double-spaced.<br />
A Checklist for <strong>Writing</strong> Superior Papers<br />
Prepare for the Paper<br />
___ 1. Choose a topic<br />
___ 2. Begin preliminary reading<br />
___ 3. Restrict the subject<br />
___ 4. Write a tentative thesis<br />
Gather Information<br />
___ 1. Assemble a working bibliography<br />
___ 2. Prepare the bibliography on 3 x 5 cards<br />
___ 3. Start your research your library’s reference room. Look at the following references:<br />
___ a. general bibliographies<br />
___ b. trade bibliographies<br />
___ c. indexes (books and collections, literature in periodicals, newspaper indexes,<br />
pamphlet indexes)<br />
___ d. library electronic catalogue<br />
Take Notes<br />
___ 1. Read about and understand the nature <strong>of</strong> plagiarism<br />
___ 2. Develop a preliminary outline<br />
___ 3. Evaluate your primary sources and secondary sources.<br />
___ 4. Record summaries and quotations on 4 x 6 cards.<br />
Write the Paper<br />
___ 1. Develop the final outline.<br />
___ 2. Put your note cards in the order that your outline is in.<br />
___ 3. Consider your reading audience and the proper tone and style for the paper.<br />
___ 4. Write the rough draft.<br />
___ 5. Check your documentation carefully.<br />
___ 6. Revise and rewrite.<br />
___ 7. Check the format <strong>of</strong> the text, citations, notes, and bibliography (most instructors recommend<br />
MLA or APA format).<br />
___ 8. Pro<strong>of</strong>read and correct your paper.<br />
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Part 7 - <strong>Writing</strong> the Literary Research Paper and Avoiding Plagiarism<br />
Introduction<br />
<strong>Writing</strong> a documented essay, research paper, or class thesis—whatever your teacher calls it—can<br />
be the most challenging task in all <strong>of</strong> your classes. Some writers never complete this type <strong>of</strong><br />
project. Other writers complete the project, but—for any number <strong>of</strong> reasons—do a poor job or<br />
accidentally commit plagiarism. A third group doesn’t care about the project at all, so they<br />
deliberately commit plagiarism and hope that their instructors will never check their work. Too<br />
<strong>of</strong>ten, they are right about their instructors. Other times, they are wrong, and they pay a serious<br />
academic penalty. However, a fourth group <strong>of</strong> students always succeeds at the project. Why?<br />
Because they understand that route to success is through following that age-old advice: “Plan your<br />
work, and then work your plan.” In that spirit, the following advice will help you succeed at the<br />
research paper.<br />
Know the assignment, and pick a subject related to it.<br />
Nothing is more frustrating or embarrassing than to write a fine research paper, but then receive a<br />
poor grade because you did the wrong assignment or only something indirectly related to it. Some<br />
instructors will make adjustments for such a mistake, especially if you are in an introductory course<br />
and/or their guidance was a bit weak. However, other instructors will hold you responsible for a<br />
flawed project, <strong>of</strong>ten because they believe that—by the time you arrive at college—you are an<br />
adult and must be held accountable for your actions.<br />
Some faculty will give you a specific topic to write about, others will give you a list to choose<br />
from, but others will simply give you a broad subject area in which to work. Make sure that you<br />
know how limited your assignment is. To ensure that you are doing the right assignment, listen<br />
carefully when the assignment is first given, read all paperwork handed out about the project, and<br />
ask questions when you do not understand the project or some element <strong>of</strong> it.<br />
Limit your subject to a topic.<br />
If this advice sounds the same as for writing a regular essay, it is. However, with a research paper,<br />
there are a few common ways to limit the subject that do not come into play when you write a<br />
regular essay from scratch. <strong>The</strong> following are some typical ways to limit your paper:<br />
• Read your primary source. A primary source is the nearest or most direct source <strong>of</strong><br />
information about your topic. For example, if you were to write about George Orwell’s<br />
political philosophy, your primary sources would be the books and articles that he wrote<br />
about politics. If your subject were Harriet Jacobs’ slave narrative, Incidents in the Life <strong>of</strong> a<br />
Slave Girl, then your primary source would the narrative itself. If your subject were the last<br />
flight <strong>of</strong> the shuttle Columbia, your primary source would be the <strong>of</strong>ficial accident report <strong>of</strong><br />
the National Aeronautics and Space Administration.<br />
• While reading your primary source, record comments or questions in response to your<br />
reading. In the past, before computers became widespread, students were encouraged to<br />
use 3 x 5 index cards as bibliography cards to record each book, article, or other primary<br />
source. Students were then encouraged to use another set <strong>of</strong> index cards as content cards to<br />
write down direct quotations or summaries <strong>of</strong> their reading. Using index cards is still an<br />
excellent way to record your research.<br />
o For the bibliography cards, you would write down the author, title, city, publisher,<br />
and copyright date, and ascribe a different letter <strong>of</strong> the alphabet to each book.<br />
o For the content cards, you would record the letter <strong>of</strong> the book and the page<br />
number(s) from which the quotation or summary appeared.<br />
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• Since the advent <strong>of</strong> computers, you can simply print out and highlight the key points that<br />
you want to quote from or summarize in the body <strong>of</strong> your paper. If you make printouts<br />
instead <strong>of</strong> 3 x 5 index cards, make sure that each different printout has the full<br />
bibliographic information needed to identify the source.<br />
Limit your topic to a thesis.<br />
For this stage, you can follow the same advice that appears in Part 2 <strong>of</strong> this text: narrow the topic<br />
by brainstorming, clustering, freewriting, asking reporters’ questions, etc. Narrow the topic to a<br />
thesis by asking questions about your topic and then using your knowledge gained from your<br />
general education, your life experience, and your primary reading to come up with answers.<br />
Choose the best and most interesting answer and use it as the foundation for a rough draft.<br />
Write a rough draft <strong>of</strong> the paper, without using secondary sources.<br />
Having read your primary source(s) and taken notes, and having worked from a subject to a topic<br />
to a thesis, you can write a rough draft <strong>of</strong> your paper. You can organize such a paper in several<br />
different ways, but one traditional way <strong>of</strong> doing so is as follows:<br />
1. Depending on the length <strong>of</strong> your poem, story, or drama, write a one- or two-paragraph<br />
summary <strong>of</strong> the literary work. Refer to events in the work in the present tense, as if the<br />
work comes alive as you retell it. If you refer to historical events about the literary work,<br />
such as when the author was born or when he or she published the work, provide that<br />
information in the past tense, because those are completed events in the past.<br />
2. Focus on one aspect <strong>of</strong> the literary work for discussion, either plot, character, setting, or<br />
form. Describe that one aspect, being sure to use evidence from the work to support your<br />
interpretation.<br />
a. If you discuss the plot <strong>of</strong> a narrative or dramatic poem, a novel or short story, or a<br />
drama, then move through your analysis from earlier events to later events, even if<br />
the author tells <strong>of</strong> the events out <strong>of</strong> their normal chronological order.<br />
b. If you discuss a character, it’s a safe strategy to focus on three basic aspects <strong>of</strong><br />
characterization: what the character says, what the character does, and what other<br />
say about the character. Otherwise, you can analyze the character scene by scene,<br />
but moving in chronological order even if the author tells about the character’s<br />
actions in a jumbled chronology.<br />
c. If you discuss setting, focus on both time and place. When and why do events<br />
occur when they do? How does the historical period <strong>of</strong> the literary work limit or<br />
expand the characters or situation? Where does the literary work occur? Could the<br />
events <strong>of</strong> the story take place anywhere, or is there some special significance to the<br />
physical locale?<br />
d. If you discuss form, then what are the key elements <strong>of</strong> form that help us understand<br />
the literary work? For example, is there lots <strong>of</strong> imagery in the poem or is it fairly<br />
abstract. Does the presence or lack <strong>of</strong> imagery add to or detract from the poem? If<br />
so, how and why? In a drama, is there lots <strong>of</strong> foreshadowing <strong>of</strong> later events in the<br />
plot? If so, what tone or mood does that foreshadowing create? Does the<br />
foreshadowing exist to burden the tone or lighten the tone <strong>of</strong> the drama?<br />
3. Conclude your discussion by discussing the significance or importance <strong>of</strong> the literary work.<br />
What, if anything, does the author want to show or teach us? How does the work reflect the<br />
time and place in which it was written, and what does that information tell us about the<br />
culture that the literary work grew out <strong>of</strong>? How does the literary work advance our<br />
understanding <strong>of</strong> ourselves or our culture?<br />
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Read secondary sources about the literary work.<br />
After writing a rough draft, you then have a basic understanding <strong>of</strong> what you have read and have a<br />
context in which to read secondary sources. Secondary sources are the commentaries, analyses, or<br />
critiques about the primary source. <strong>The</strong>se sources generally come in several different forms:<br />
• Remarks or reviews written at the time that the literary work was published.<br />
<strong>The</strong> remarks can include diary entries by the author or his/her acquaintances, letters to and<br />
from the author, etc. Reviews would appear in magazines, journals, newspapers, and<br />
similar publications.<br />
• Critical biographies and literary analyses by academic authors. One common obligation<br />
<strong>of</strong> college pr<strong>of</strong>essors is that they must research and write about their field. English<br />
teachers, language pr<strong>of</strong>essors, and the like write books and articles about literary works<br />
and publish them with accepted publishers or academic journals.<br />
• Newspaper articles or reviews. Even long after a work is written, if it has enough respect<br />
in the literary world, journalists may write about it in later years. Major newspapers like<br />
the London Times, the New York Times, the Los Angeles Times, and so on have book<br />
review sections that cover these works.<br />
• Anthologies and casebooks - Pr<strong>of</strong>essors and other scholars sometimes publish books<br />
containing a collection <strong>of</strong> book chapters, articles, and other similar studies that comment<br />
upon the primary source. An anthology is a collection <strong>of</strong> literary pieces such as poems,<br />
short stories, or plays—all <strong>of</strong> which relate to a common work or topic. <strong>The</strong> editors <strong>of</strong><br />
anthologies <strong>of</strong>ten provide an introduction to orient you to the rest <strong>of</strong> the book. A book that<br />
collects both the original work and secondary sources that comment upon that work is<br />
called a casebook.<br />
• Reference works - <strong>The</strong>se sources include dictionaries, glossaries, encyclopedias, indexes,<br />
bibliographies, or related works.<br />
o Dictionaries, handbooks, and glossaries define the terms that people use in a<br />
particular academic field, like business, literature, science, and so on.<br />
o Encyclopedias provide brief overviews <strong>of</strong> authors, literary movements, literary<br />
terms, and so on.<br />
o Indexes provide a master list <strong>of</strong> articles that appear in specialized magazines,<br />
journals, and newspapers.<br />
o Bibliographies provide a master list <strong>of</strong> books and articles on a topic. Quite <strong>of</strong>ten,<br />
bibliographies have annotations—that is, a sentence or paragraph that describes<br />
the nature and/or key points <strong>of</strong> each book or article listed in the bibliography.<br />
A list <strong>of</strong> helpful reference works for literature appears below:<br />
Dictionaries, Handbooks, and Encyclopedias<br />
• Benet's Reader's Encyclopedia <strong>of</strong> American Literature - covers American literature from<br />
the era <strong>of</strong> European exploration to the early 1990s; contains entries on authors, titles,<br />
characters, literary genres, periodicals, movements, etc.<br />
• Twentieth-Century Literary Movements Dictionary - defines literary terms and movements<br />
and authors associated with them.<br />
• Common Knowledge: A Reader's Guide to Literary Allusions – a dictionary that contains<br />
over four thousand literary allusions, or references, their sources, and brief explanations.<br />
• A Handbook to Literature - defines major literary terms; also lists winners <strong>of</strong> literary<br />
prizes.<br />
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• Merriam-Webster's Encyclopedia <strong>of</strong> Literature – identifies authors and works; literary<br />
landmarks and terms; characters from myth, folklore, and literature; literary movements;<br />
and awards and prizes. Includes pronunciation guides.<br />
• <strong>The</strong> Oxford Companion to English Literature - includes author biographies, summaries <strong>of</strong><br />
major works, and descriptions <strong>of</strong> literary societies, magazines, and prizes.<br />
• <strong>The</strong> Oxford Companion to American Literature - includes author biographies, plot<br />
summaries <strong>of</strong> major works, and descriptions <strong>of</strong> literary societies, magazines, and prizes.<br />
Bibliographies and Research Guides<br />
• <strong>The</strong> Year's Work in English Studies - emphasizes English literature and covers other<br />
literature in English; organized by critic, author, and subject.<br />
• Literary Research Guide – key research sources in American and English literature;<br />
describes key bibliographies, indexes, databases, dictionaries, etc.<br />
• American Literary Scholarship: An Annual - essays review the previous year's published<br />
research in American literature; organized by author and subject.<br />
• Bibliographical Guide to the Study <strong>of</strong> the Literature <strong>of</strong> the U.S.A. - lists books and articles<br />
on American literature and literary research.<br />
• <strong>The</strong> New Cambridge Bibliography <strong>of</strong> English Literature - covers authors in English from<br />
the Old English period to 1950; volumes 1-4 have a chronological, sub-divided<br />
organization by type <strong>of</strong> literature; volume 5 is an index.<br />
Biographies, Criticism, and History<br />
• Contemporary Literary Criticism - provides biographical sketches, brief overviews, and<br />
excerpts from previously published criticism; each volume has a title index to the volume<br />
and a cumulative author index to this and other Gale Research anthologies series.<br />
• Poetry Criticism – contains biographical sketches, brief overviews, and excerpts from<br />
previously published criticism on poets; each volume has cumulative indexes by author<br />
and nationality.<br />
• Short Story Criticism – contains biographical sketches, brief overviews, and excerpts from<br />
previously published criticism on short fiction writers; each volume has cumulative<br />
indexes by author, topic, and nationality.<br />
• A Literary History <strong>of</strong> England – contains entries on major writers, literary movements, and<br />
types <strong>of</strong> literature. Indexes are by author and title.<br />
• Columbia Literary History <strong>of</strong> the United States – covers early Native American cave<br />
painting to the 1980s; long chapters cover major writers, literary movements, and types <strong>of</strong><br />
literature. Indexes are by author and subject.<br />
• Dictionary <strong>of</strong> Literary Biography – contains many volumes on English and American<br />
writers; gives lists <strong>of</strong> works, biographical data, criticism, bibliographies, and illustrations;<br />
each volume includes a cumulative index to the entire series.<br />
• Contemporary Authors - covers current authors in various fields and nationalities; entries<br />
include biographical and critical data, lists <strong>of</strong> works, and bibliographies. Parallel series<br />
exist for other genres and are entitled Contemporary Poets, Contemporary Dramatists, and<br />
Contemporary Novelists.<br />
Book Reviews and Articles<br />
• Book Review Digest – lists book reviews published in select American and English<br />
periodicals and includes abstracts and review excerpts; arranged alphabetically by book<br />
author; indexes by subject and title.<br />
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• Book Review Index – lists more reviews than does Book Review Digest, but includes no<br />
abstracts or review excerpts. Arranged alphabetically by author. Indexed by book title.<br />
• Essay and General Literature Index – lists essays and articles in over six hundred books<br />
per year; contains biographical, critical, and bibliographical material.<br />
• MLA Bibliography – contains exhaustive lists <strong>of</strong> periodicals, books, and dissertations in<br />
modern languages and literatures; hardcopy is arranged chronologically within subdivisions<br />
by nationality; includes subject index; is available through libraries on the<br />
Internet.<br />
As you read the secondary sources, you again should create bibliography cards and content cards.<br />
Remember: <strong>The</strong> bibliography cards should be coded by letter and contain all required bibliographic<br />
information. <strong>The</strong> content cards should have the book/article letter and the page number from which<br />
the quotation or summary originated.<br />
Write a second draft <strong>of</strong> the research paper.<br />
<strong>The</strong> second draft may differ only a little from the first draft. In such a case, you can expand your<br />
first draft by including relevant remarks from your secondary sources to further illustrate or support<br />
your first conclusions. If your secondary source reading has steered you towards a greatly revised<br />
thesis, then your second draft should reflect that information. Perhaps you missed some essential<br />
events or ideas in the literary work and your secondary reading has pointed you towards those<br />
things. Or you understood what happened in the literary work but missed important images or<br />
symbols that add greatly to the meaning <strong>of</strong> the work. Your secondary sources may have called<br />
those images or symbols to your attention. Whatever the case may be, make sure that any<br />
quotations or summaries <strong>of</strong> secondary sources appear along with MLA-style sentence citations <strong>of</strong><br />
the author and page number right after your enter the quote or summary.<br />
Write successive drafts improving on the clarity, organization, and evidence in the paper.<br />
As you work toward the final draft, revise your word choice, rewrite your sentences, and<br />
reorganize your paragraphs so they are clear and concise. Be sure that your discussion keeps<br />
moving forward towards the last paragraph, but also includes sufficient evidence to make your<br />
interpretations and conclusions believable. Also make sure that sentence citations appear for every<br />
single quotation or summary that comes from a secondary source. Whether you accidentally or<br />
purposely leave out references to borrowed material, you have still committed plagiarism and can<br />
earn an F on the paper.<br />
Type a final draft and include a Works Cited page.<br />
Use the following checklist to verify that you have the correct format for an MLA-style paper on a<br />
literary work:<br />
• Your last name and page number appear in the top right corner <strong>of</strong> each page, one-half inch<br />
from the top edge <strong>of</strong> the paper, in 10-point font.<br />
• <strong>The</strong> rest <strong>of</strong> the paper is typed in 12-point font, with a one-inch top and bottom margin and<br />
a 1.25-inch left and right margin.<br />
• On page 1, your name, the pr<strong>of</strong>essor’s name, the course name and number, and the paper’s<br />
due date appear in the upper-left corner.<br />
• <strong>The</strong> title <strong>of</strong> your paper is centered below the MLA heading but above the first paragraph.<br />
This title is in caps and lower case, not all caps, not bolded, etc.<br />
• <strong>The</strong> first and succeeding paragraphs <strong>of</strong> your paper are indented one tab stop from the left,<br />
left aligned only.<br />
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• Short quotations (fewer than five lines) are introduced and ended with quotation marks,<br />
then follows the open parenthesis, then the author’s last name, a space, the page number,<br />
the closing parenthesis, and then the period.<br />
• Long quotations (five or more full lines) are NOT opened and closed with quotation marks.<br />
Instead, you indent one additional inch on the left and right. <strong>The</strong> parenthesis, author’s<br />
name, page number, and close parenthesis appear AFTER the last period <strong>of</strong> the quotation.<br />
• <strong>The</strong> Works Cited page appears at the end <strong>of</strong> the paper. You center the title, “Works Cited.”<br />
(but with no quotation marks) at the top <strong>of</strong> the page. Your book and articles entries are<br />
alphabetized by author’s last name and typed with a hanging indent. That means that, in<br />
contrast to a paragraph, the first line <strong>of</strong> the bibliography entry is aligned left, but any<br />
following lines are indented one tab stop.<br />
• All sections <strong>of</strong> the paper are double spaced. <strong>The</strong> heading is double spaced, the body <strong>of</strong> the<br />
paper is double-spaced, all quotations or summaries are double-spaced, and the cited works<br />
are double-spaced both within and between each entry.<br />
Defining Plagiarism<br />
In general terms, plagiarism is the use <strong>of</strong> the words and/or distinctive ideas <strong>of</strong> someone<br />
else, but passing them <strong>of</strong>f as your own. It does not matter whether you plagiarize accidentally or<br />
purposely. <strong>The</strong> only thing that does matter is if your presentation fails to indicate that that the<br />
source is someone other than you.<br />
You might be able to say that, ethically or morally, accidental plagiarism is not as serious<br />
as purposeful plagiarism. However, readers—and graders—have no way <strong>of</strong> determining whether or<br />
not you intended to plagiarize. <strong>The</strong>y can only determine whether you have given clear and proper<br />
credit for sources.<br />
Plagiarism can occur because you were lazy or dishonest and you didn’t care whether you<br />
used someone else’s material. It also can occur because you neglected to cite your sources or took<br />
sloppy notes and missed sources that need citing. Or it can occur because you had a personal<br />
emergency to attend to but still wanted to submit something to your instructor.<br />
Understanding the Penalties for Plagiarism<br />
Some teachers are lenient about plagiarism and will let you redo a paper. Others, especially<br />
those who give clear and repeated instructions, may discipline you in your first case. <strong>College</strong>s and<br />
universities <strong>of</strong>ten have the following policy about plagiarism:<br />
• First <strong>of</strong>fense – an “F” on the assignment<br />
• Second <strong>of</strong>fense – an “F for the course<br />
• Third <strong>of</strong>fense – expulsion from school<br />
All <strong>of</strong> this talk <strong>of</strong> penalties may suggest that the only reason to avoid plagiarism is to avoid a<br />
failing grade. But if that were the case, the quickest and easiest way to solve this problem would be<br />
to eliminate failing grades! <strong>The</strong>refore, avoiding punishment may be your motivation not to<br />
plagiarize, but that cannot be your reason to avoid it. Instead, cite your sources properly for the<br />
following reasons:<br />
1. To receive credit for looking at the work <strong>of</strong> other people<br />
2. To acknowledge your debt to other people for the work they have done before you<br />
3. To show that your ideas have the support <strong>of</strong> facts and/or well-reasoned opinion<br />
4. To show who your opponents are in an argument if you want to argue partially or<br />
completely against what they have said<br />
5. To let your fellow learners know where they can find more information on your topic<br />
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Whatever your school’s policy is, the best way to avoid plagiarism is to take careful notes on<br />
outside sources and properly acknowledge them in your papers.<br />
Examples <strong>of</strong> Plagiarized Passages and Solutions to <strong>The</strong>m<br />
Original Source 1<br />
Throughout most <strong>of</strong> recorded history, theologians and philosophers have extolled propriety and<br />
correct social behavior as virtues akin to morality. It is chiefly in this century that they have come<br />
to regard etiquette as a dispensable frill, at best; at worse, they have denounced it as a sin.<br />
Hypocrisy is the damning label now attached to any polite inhibition that disguises a sincerely held<br />
opinion or restrains a righteous impulse for action. (Judith Martin, “<strong>The</strong> World’s Oldest Virtue.”<br />
First Things 33 (May 1993): 22-25.)<br />
Plagiarized<br />
In most <strong>of</strong> recorded history, theologians and philosophers have claimed that proper<br />
etiquette and social behavior are virtues resembling morality. In the 20 th century, these<br />
people have come to view etiquette as a dispensable frill or even a sin. <strong>The</strong>y now use the<br />
word hypocrisy to describe any polite inhibition that disguises sincerely held opinions or<br />
restrains righteous impulses for action.<br />
Not Plagiarized<br />
Judith Martin notes that, before the 20 th century, theologians and philosophers encouraged<br />
people to display proper social behavior. Only now do these thinkers regard such behavior<br />
as a “dispensable frill” or even a “sin” (23).<br />
Comment: <strong>The</strong> plagiarized version uses wording that is extremely close to the original and fails to<br />
cite the author and page number <strong>of</strong> the source. However, the non-plagiarized version provides a<br />
proper summary in your own words, supplies the author’s name in the introductory frame, and<br />
includes the page number in the parenthetic citation.<br />
Original Source 2<br />
Sometime around 130 B.C. Greek mathematician Hipparchus broke with the oral traditions <strong>of</strong><br />
poetry and mythology, set pen to parchment, and compiled the first written catalog <strong>of</strong> the stars. His<br />
singular document contained about 850 entries, loosely organized by constellations and<br />
coordinates. It was a modest start for a distinctly immodest project—taking stock <strong>of</strong> the entire<br />
universe and trying to figure out what, exactly, is out there. (Corey S. Powell, “Field Guide to the<br />
Entire Universe.” Discover 26:12 (December 2005) .)<br />
Plagiarized<br />
Around 130 B.C. Hipparchus broke with oral tradition, set pen to parchment, and<br />
assembled the first written star catalog. His distinctive document has over 800 entries<br />
arranged by constellations and coordinates. He made a modest start for a bold project,<br />
taking stock <strong>of</strong> the whole universe and trying to figure out what exactly is out there<br />
(Powell).<br />
Not Plagiarized<br />
One historian <strong>of</strong> astronomy has noted that, around 130 B.C., the Greek mathematician<br />
Hipparchus “broke with the oral traditions <strong>of</strong> poetry and mythology, set pen to parchment,<br />
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and compiled the first written catalog <strong>of</strong> the stars. His singular document contained about<br />
850 entries, loosely organized by constellations and coordinates” (Powell).<br />
Comment: Again, the plagiarized passage uses wording that is too close to that <strong>of</strong> the original<br />
source, even though the passage adds the name <strong>of</strong> the source’s author in parentheses. However, the<br />
non-plagiarized version uses the original phrasing, provides quotation marks exactly where needed<br />
to mark the section <strong>of</strong> the source being quoted, and provides the source author’s name. Since the<br />
source is an online Web page in HTML format, you need not provide page numbers because such<br />
numbers would vary according to the size <strong>of</strong> the font on your computer screen.<br />
Understanding the 2009 MLA Format for Bibliography Entries<br />
<strong>The</strong> following section contains names <strong>of</strong> actual authors, titles, publishers, etc. for books, articles,<br />
online sources, and so on. What is important is to learn the elements and order in which<br />
information appears. Notice that the format for Works Cited is to left align the first line <strong>of</strong> the entry<br />
and then indent the second and other following lines one tab space from the left.<br />
Note Well: We have saved space in this guide by single-spacing all sample entries. However, in<br />
an actual paper, you must double-space within and between all entries.<br />
Books<br />
Generic Form - Books<br />
Author(s). Title <strong>of</strong> Book. Additional Publishing Information [if needed]. Place <strong>of</strong> Publication:<br />
Publisher, Year <strong>of</strong> Publication. Publication Medium.<br />
Book with One Author<br />
Tan, Amy. Saving Fish from Drowning. New York: Putnam, 2005. Print.<br />
Two Books by the Same Author<br />
McPhee, John. <strong>The</strong> Founding Fish. New York: Farrar, 2006. Print.<br />
---. Uncommon Carriers. New York: Farrar, 2002. Print.<br />
(After the first appearance <strong>of</strong> an author's name, use three hyphens and a period for the author's<br />
name for additional books. List books alphabetically by the author’s last name and then by the first<br />
main word <strong>of</strong> the title.)<br />
Book with Two or Three Authors<br />
Clarke, Harold, Allan Kornberg, and Thomas Scotto. Making Political Choices: Canada and the<br />
United States. Toronto: U <strong>of</strong> Toronto P, 2009. Print.<br />
(If there are more than three authors, list only the first author followed by the Latin phrase et al. in<br />
place <strong>of</strong> the other names.)<br />
Book with a Corporate Author<br />
World Health Organization. <strong>The</strong> World Health Report 2008: Primary Health Care, Now More<br />
Than Ever. Geneva: World Health Organization, 2008. Print.<br />
Book with an Anonymous Author<br />
<strong>The</strong> Dorling Kindersley World Reference Atlas. London: Dorling, 2007. Print.<br />
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Book with an Editor<br />
Plath, Sylvia. <strong>The</strong> Unabridged Journals <strong>of</strong> Sylvia Plath. Ed. Karen Kukil. New York: Anchor,<br />
2000. Print.<br />
Book with a Translator<br />
Alighieri, Dante. <strong>The</strong> Inferno. Ed. Allen Mandelbaum. New York: Bantam, 1982. Print.<br />
A Government Publication<br />
Stiller, Ann. Historic Preservation and Tax Incentives. US Dept. <strong>of</strong> Interior. Washington: GPO,<br />
2003. Print.<br />
A Sacred Text<br />
<strong>The</strong> Holy Bible. Thomas Sc<strong>of</strong>ield, NIV. Nashville: Thomas Nelson, 1983. Print.<br />
<strong>The</strong> Qu’ran: Translation. Trans. Abdullah Usuf Ali. Elmhurst: Tahrike, 2000. Print.<br />
Section <strong>of</strong> a Book<br />
Generic Form - Book Section (E.g., Chapter or Essay)<br />
Author(s). "Title <strong>of</strong> Article." Title <strong>of</strong> Collection. Ed. Editor's Name(s). Place <strong>of</strong> Publication:<br />
Publisher, Year. Pages. Publication Medium.<br />
Article in an Anthology<br />
Manning, Brad. “Arm Wrestling with My Father.” <strong>The</strong> Brief Bedford Reader. 10 th ed. Eds. X. J.<br />
Kennedy et al. Boston: Bedford, 2009. 126-130. Print.<br />
Two or More Items in a Collection<br />
Chopin, Kate. “<strong>The</strong> Storm.” Kennedy and Gioia 115-18.<br />
Kennedy, X. J. and Dana Gioia, eds. Literature: An Introduction to Fiction, Poetry, and Drama.<br />
10 th ed. New York: Longman, 2007. Print.<br />
O’Connor, Flannery. “Revelation.” Kennedy and Gioia 368-81.<br />
(Supply the full bibliographic data for the anthology, but supply only the author(s), title, editor(s),<br />
and page number for the specific items. Alphabetize by the general editors’ and specific authors’<br />
last names, even if the entry for the anthology appears after one <strong>of</strong> the specific titles.)<br />
Article from a Reference Book<br />
“Sonata.” <strong>The</strong> American Heritage Dictionary <strong>of</strong> the English Language. 4 th ed. 2000. Print.<br />
Wenner, Manfred W. “Arabia.” <strong>The</strong> New Encyclopaedia Britannica: Macropaedia. 15h ed. 2007.<br />
Print.<br />
Articles in Journals, Magazines, Newspapers, etc.<br />
Generic Form - Periodical Article (E.g., Newspaper or magazine)<br />
Author(s). "Title <strong>of</strong> Article." Title <strong>of</strong> Source Day Month Year: Pages. Publication Medium.<br />
(For the date, list the day, a three-letter abbreviation <strong>of</strong> the month [except for May, June, and July],<br />
and a four-digit year. If the periodical comes out in more than one edition in a day, week, or month,<br />
then indicate the relevant edition.)<br />
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Article in a Magazine or Newspaper<br />
Lord, Lewis. “<strong>The</strong>re’s Something about Mary Todd.” US News and World Report 19 Feb. 2001:<br />
53. Print.<br />
Stout, David. “Blind Win Court Ruling on US Currency.” New York Times 21 May 2008, natl. ed.:<br />
A23. Print.<br />
Generic Form - Article in Academic Journal<br />
Author(s). "Title <strong>of</strong> Article." Title <strong>of</strong> Journal Volume:Issue (Year <strong>of</strong> Publication): Pages.<br />
Publication Medium.<br />
Article in an Academic Journal<br />
Ryan, Katy. “Revolutionary Suicide in Toni Morrison’s Fiction.” African-American Review 34.3<br />
(2000): 389-412. Print.<br />
Electronic Sources<br />
Note Well: In listing electronic sources, be sure to list not only the publication date but also the<br />
access date because Web pages <strong>of</strong>ten change. At a later date, the desired source may be moved to a<br />
different Web address or be deleted.<br />
Generic Entry – Entire Web Site<br />
Title <strong>of</strong> Web Site. Publisher or Sponsor, publication date. Electronic Medium. Access Date.<br />
Entire Web Site<br />
<strong>The</strong> Recovered Memory Project. Taubman Center for Public & American Institutes. Brown U,<br />
2005. Web. 20 Nov. 2009.<br />
Generic Entry – Page on a Web Site<br />
Author. “Title <strong>of</strong> Work.” Title <strong>of</strong> Web Site. Publisher or Sponsor, publication date. Electronic<br />
Medium. Access Date.<br />
Page on a Web Site<br />
Merriman, C.D. “James M. Barrie.” <strong>The</strong> Literature Network. Jalic, 2006. Web. 20 November 2009.<br />
Generic Form - Article in an Online Journal<br />
Author(s). "Title <strong>of</strong> Article." Periodical Title Volume.Issue (Year): Pages/Paragraphs. Electronic<br />
Medium. Date <strong>of</strong> Access.<br />
(Some journals and magazines provide paragraph or page numbers. Include them if they appear on<br />
a Web page.)<br />
Article in an Online Journal<br />
Nealon, Jeffrey T. “<strong>The</strong> Swerve Around P: Literary <strong>The</strong>ory after Interpretation.” Postmodern<br />
Culture 17.3 (2007): n. pag. Web. 20 Nov. 2009.<br />
Generic Entry - Article in an Online Newspaper or Magazine<br />
Author. “Article Title.” Newspaper or Magazine Title Day Month Year. Electronic Medium.<br />
Access Date.<br />
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Article in an Online Newspaper or Magazine<br />
Dina, Stephen. “Immigration Bill Is Promoted for 2010.” <strong>The</strong> Washington Times. 14 Nov.<br />
2009. Web. 20 Nov. 2009.<br />
Steyn, Mark. “Tragedy or Scandal?” National Review. 14 Nov. 2009. Web. 20 Nov. 2009.<br />
E-mail to Student<br />
Tanaka, Allen. "<strong>Writing</strong> Rough Drafts.” Message to the author. 22 Apr. 2009. E-mail.<br />
Generic Form – Entry in a Weblog (Blog)<br />
Author. Name <strong>of</strong> Weblog. Publication Source. Date. Electronic Medium. Access Date.<br />
Entry in a Weblog (Blog)<br />
Shin, Annys. Some Surprising Findings About Identity <strong>The</strong>ft. Washington Post, 28 Feb. 2006. Web.<br />
20 Nov. 2009.<br />
Generic Entry - Article or Publication from Electronic Database<br />
Author. “Article Title.” Publication Name. Volume.Issue (Publication Date): page(s). Name <strong>of</strong><br />
Database. Electronic Medium. Access Date.<br />
Article/Publication from Electronic Database<br />
Cox, James M. "Mark Twain and the South." <strong>The</strong> Southern Literary Journal. 8.1 (1975): 144+.<br />
Literature Resource Center. Web. 20 Nov. 2009.<br />
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Part 8 - Using the Internet to Do Academic Research<br />
Introduction<br />
This is the only place in this book that uses all capital letters when giving advice. THE INTERNET<br />
DOES NOT YET OFFER A COMPLETE SUPPLY OF ACADEMICALLY RELIABLE<br />
SOURCES ORGANIZED IN EASILY ACCESSIBLE WAYS. THEREFORE, AVOID<br />
OVERUSING IT FOR RESEARCH PAPERS. INSTEAD, CONTINUE TO LEARN ABOUT<br />
AND RELY UPON COLLEGE AND UNIVERSITY LIBRARIES FOR ACADEMIC<br />
MATERIALS. Despite this warning, many students will use the Internet most <strong>of</strong> the time for<br />
research. <strong>The</strong>refore, it’s important that you have advice on this subject so that the items you do find<br />
will be as reliable and relevant to your work as possible.<br />
Understanding the Internet<br />
<strong>The</strong> Internet is the huge, international computer network that links thousands <strong>of</strong> small networks and<br />
millions <strong>of</strong> computers via the TCP/IP protocol. A computer network is a set <strong>of</strong> two or more<br />
computers that connect to each other to route, manage, store, and/or share information. In<br />
computing, a protocol is the generally agreed upon set <strong>of</strong> rules that computers use to interface with<br />
each other. <strong>The</strong> networks and computers on the Internet are located at government departments and<br />
military agencies, educational institutions, nonpr<strong>of</strong>it organizations, corporations and small<br />
business, and even individual computers belong to a private person.<br />
<strong>The</strong> most popular feature <strong>of</strong> the Internet is electronic mail, or e-mail. E-mail involves the<br />
electronic transfer <strong>of</strong> messages, documents, graphics, and other electronic files via the Internet or<br />
an internal network known as an intranet. Other popular forms <strong>of</strong> communication involve<br />
discussion groups, also called newsgroups or bulletin boards. Once you join such groups, you can<br />
post messages and look for responses from other people to those messages, engage in real-time<br />
conversations via chat rooms (as if you were on the telephone), play electronic games, and perform<br />
similar activities online.<br />
Since the Internet is a huge network <strong>of</strong> small networks and single computers, you can use it to<br />
access a huge amount <strong>of</strong> data. However, the monstrous size <strong>of</strong> the Internet also leads to what was<br />
suggested at the beginning <strong>of</strong> this section <strong>of</strong> the textbook—a great deal <strong>of</strong> confusion and<br />
disorganization. <strong>The</strong>refore, many Internet sites do not contain information in and <strong>of</strong> themselves,<br />
but simply provide the means to search for and find text, graphics, audio files, video files, and other<br />
forms <strong>of</strong> data.<br />
<strong>The</strong> Internet grew out <strong>of</strong> a series <strong>of</strong> increasingly complex computer networks that began in 1969 as<br />
the ARPAnet, which was a project <strong>of</strong> the Advanced Research Projects Agency, or ARPA, a<br />
division <strong>of</strong> the United States government. <strong>The</strong> ARPAnet began with just four nodes, three in<br />
California and one in Utah, but gradually added more nodes as other universities became interested<br />
in the network.<br />
In 1972, e-mail was added to the Internet, and in 1973 the TCP/IP protocol became the standard for<br />
communication among computers on the network. One <strong>of</strong> the TCP/IP protocols, the FTP protocol,<br />
enables users to log on to a remote computer, see a list <strong>of</strong> folders and files on that computer, and<br />
then upload files to the computer or download files from it.<br />
<strong>The</strong> network grew and grew, and in 1982 the word Internet was first used to describe the network.<br />
<strong>The</strong> larger and larger network made it harder and harder for people to remember how to contact<br />
others, so in 1984, the Domain Name System, or DNS, was established. A domain name is the<br />
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text-based address on the Internet that correlates to the numeric address <strong>of</strong> a computer on the<br />
Internet. Each domain name must be unique so that, when you try to connect to that address, you<br />
reach only that address and none other.<br />
Also in the 1980s, the federal government’s National Science Foundation (NSF) created the<br />
NSFnet to link five supercomputer centers. Soon, this network replaced the ARPAnet as the central<br />
element <strong>of</strong> the Internet. In 1995, however, the NSF decommissioned the NSFnet, and the private<br />
sector took over responsibility for the Internet. By the 1990s, the World Wide Web was booming<br />
because more and more people had personal computers and commercial enterprises were now<br />
allowed onto the Internet. By 2000, the number <strong>of</strong> U.S. adults using the Internet may have<br />
surpassed 100 million.<br />
In the last few years, the Internet has exploded with new types <strong>of</strong> Web sites and Web files. For<br />
example, in 2001 the open-source Wikipedia website (www.wikipedia.org) started. As an opensource<br />
site, it solicited encyclopedia entries from anyone and everyone, hoping that thousands <strong>of</strong><br />
Internet users would create a free but reliable reference source. Unfortunately, the dream <strong>of</strong> free<br />
and reliable data has been problematic. Legal troubles in recent years have forced the site to impose<br />
stricter editorial controls over who can work with entries. <strong>The</strong> site still has too much unreliable or<br />
plagiarized data on it to be usable as an academically respected site, but it does have some<br />
beneficial features, such as interesting images as well as hyperlinks to many reliable data sources.<br />
In 2005, the YouTube website (www.youtube.com) came on line, where people post short videos<br />
that either they have created or culled from other websites that post videos. Personal networking<br />
sites like Facebook (www.facebook.com) and MySpace (www.myspace.com) also have come on<br />
line, making it easy for people to reach out to others with their personal data and stories. In the<br />
huge and chaotic world <strong>of</strong> the Internet, these sites have both positive and negative aspects. On one<br />
hand, site members can easily contact both old friends and new acquaintances without large<br />
expenditures <strong>of</strong> time and money. On the other hand, because such sites interconnect people with<br />
millions and millions <strong>of</strong> Internet users, some site members have suffered cyber-abuse from<br />
unethical and/or criminal elements.<br />
Internet crime in other areas also has occurred. <strong>The</strong> online site for the Information Please Almanac<br />
(www.infoplease.com) estimates that by 2003, Internet users had downloaded illegally more than<br />
2.6 billion music files per month. Infoplease also says that in 2004, an Internet virus <strong>of</strong> the worm<br />
variety, called MyDoom or Novarg, spread through Internet servers, causing roughly one in twelve<br />
e-mail messages to be infected. 34 On a more serious note, many government websites in democratic<br />
countries have suffered cyber-attacks from less scrupulous nations. On the positive side, however,<br />
the Internet makes it increasing possible for users <strong>of</strong> all ages to learn more about other people and<br />
cultures, do online research thought <strong>of</strong> as unthinkable just a few years ago, contact and/or interview<br />
famous people and experts without undue intrusions, and improve their purchasing power as the<br />
Internet has increased price competition for both goods and services.<br />
<strong>The</strong> following two tables <strong>of</strong>fers some interesting statistics on Internet usage in the fifteen countries<br />
that use the Internet and some data on the purposes <strong>of</strong> Internet use in the United States, which<br />
has—by far—the most computers with Internet service.<br />
34 http://www.infoplease.com/ipa/A0193167.html<br />
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Top 15 Countries in Internet Usage, 2008<br />
(Source: www.infoplease.com)<br />
Nation Internet users<br />
(thousands)<br />
1. European Union 247,000<br />
2. U.S. 208,000<br />
3. China 162,000<br />
4. Japan 87,540<br />
5. India 60,000<br />
6. Brazil 42,600<br />
7. Germany 38,600<br />
8. South Korea 34,120<br />
9. UK 33,534<br />
10. France 31,295<br />
11. Italy 28,855<br />
12. Russia 25,689<br />
13. Canada 22,000<br />
Mexico 22,000<br />
15. Spain 18,578<br />
Top 15 Total 1,061,811<br />
Worldwide Total 1,018,057<br />
Daily Internet Activities<br />
(Source: www.infoplease.com)<br />
Activity<br />
Percent <strong>of</strong> Those<br />
with Internet Access<br />
Most Recent<br />
Survey Date<br />
1. Use the Internet 70% May 2008<br />
2. Send or read email 60 Dec. 2007<br />
3. Use a search engine to find information 49 May 2008<br />
4. Get news 39 May 2008<br />
5. Look for info on a hobby or interest 29 Feb.–March<br />
2007<br />
6. Surf the Web for fun 28 Feb.–April<br />
2006<br />
7. Do any type <strong>of</strong> research for your job 23 Feb.–March<br />
2007<br />
8. Check the weather 30 May 2008<br />
9. Research a product or service before buying 20 Sept. 2007<br />
10. Look online for news or information about politics<br />
or the upcoming campaigns<br />
23 May 2008<br />
Understanding the World Wide Web<br />
<strong>The</strong> World Wide Web is a global collection <strong>of</strong> Web sites containing text and multimedia<br />
documents that constitute a huge library you can access via hyperlinks. A Web site is a page or set<br />
<strong>of</strong> related pages dealing with one subject or topic. <strong>The</strong> main page <strong>of</strong> a Web site is the home page,<br />
which should orient you to the Web site by indicating its main topic and organization.<br />
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Web sites are written in Hypertext Markup Language (HTML). HTML is a coding language that<br />
enables you to establish the format <strong>of</strong> text and graphics, add hyperlinks to a page, create lists and<br />
tables, divide the page into subsections, insert and format graphics, etc. <strong>The</strong> advantage <strong>of</strong> HTML is<br />
that it works on different brands <strong>of</strong> computers and in different Web browsers. <strong>The</strong>se days, Web<br />
page builders also use additional programming languages known as XML, JavaScript, and Flash.<br />
A Web browser is a s<strong>of</strong>tware program that enables you to search for and find Web sites, that<br />
organizes sites on your computer screen, and enables you to navigate, or move among, Web sites.<br />
<strong>The</strong> two most common Web browsers are Internet Explorer and Netscape Navigator, commonly<br />
called just Netscape. When the World Wide Web first became popular, Netscape was the most<br />
common Web browser; however, about 90% <strong>of</strong> Web users now use Internet Explorer to navigate<br />
the Web.<br />
A hyperlink is a word, phrase, graphic, or other specific location on a Web page that—when<br />
clicked—takes you to another area <strong>of</strong> the same document, a different document in the same Web<br />
site, or a different site. Hyperlinks enable you to move quickly within a document, within pages <strong>of</strong><br />
a Web site, or from site to site. Ideally, the hyperlinks in one site will take you to other information<br />
that directly relates to the information you have sought on the first site. However, some sites may<br />
contain hyperlinks to other sites that have little, if anything, to do with the site you just left.<br />
Finally, remember that the World Wide Web is just one part <strong>of</strong> the Internet, but because <strong>of</strong> its ease<br />
<strong>of</strong> use, has taken over the vast majority <strong>of</strong> the Internet. In fact, the World Wide Web is so popular<br />
that many people use the term Web interchangeably for Internet.<br />
Major Types <strong>of</strong> Web Sites<br />
Commercial sites contain product information, service information, advertising, answers to<br />
frequently asked questions, customer service pages, and other data that people commonly want and<br />
need from a company. Commercial sites may tell you about the following:<br />
• Major international corporations like General Motors (www.gm.com) or Micros<strong>of</strong>t<br />
(www.micros<strong>of</strong>t.com).<br />
• Small business like car repair shop (www.nowestautobody.com/) or a local florist<br />
(www.heavenearthfloral.com).<br />
Because it is easy to order products on the Web and have them delivered to you, many companies<br />
have no retail stores at all and do only electronic commerce, or e-commerce. E-commerce refers to<br />
the buying and selling <strong>of</strong> goods and services and/or the distributing and receiving <strong>of</strong> information on<br />
the Internet, especially the World Wide Web. Business people <strong>of</strong>ten use this term and a newer<br />
term, e-business, interchangeably. An example <strong>of</strong> a company that closed all <strong>of</strong> its “brick-andmortar”<br />
stores to go exclusively online is Egghead S<strong>of</strong>tware (www.egghead.com).<br />
Government sites contain information about <strong>of</strong>ficial political regions and organizations. Sites for<br />
democracies generally have many separate web sites, usually for the executive, legislative, legal,<br />
and other branches <strong>of</strong> government. Restrictive countries tend to have very few Web sites and/or<br />
pages. Naturally, non-English speaking countries will display their <strong>of</strong>ficial Web sites in their native<br />
language. However, some countries also have English-language pages containing much <strong>of</strong> the<br />
information contained in the non-English pages. Some sample governmental sites are the<br />
following:<br />
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• A nation like Iraq - http://www.iraqigovernment.org/<br />
• A political arm <strong>of</strong> the government like the United States Senate – www.senate.gov<br />
• A local ruling body such as the City Council <strong>of</strong> Auckland, New Zealand -<br />
http://www.govt.nz/record?tid=2&recordid=210.<br />
Educational sites contain information about elementary schools, high schools, colleges,<br />
universities, and related organizations. <strong>The</strong>se sites <strong>of</strong>ten contain information about a school’s<br />
location; its educational program and supporting organizations such as the PTA; its teachers,<br />
administrators, and support staff; and its student clubs and activities. Many school sites have a<br />
subsection where teachers can post classroom information and students can post homework or<br />
related material. Some schools even have a Web site section where students can create personal<br />
pages as long as those pages conform to the school’s posting regulations.<br />
Different types <strong>of</strong> educational organizations will have different endings to their Web addresses. For<br />
example, only colleges and universities tend to use the .edu ending. <strong>The</strong> following table lists<br />
examples <strong>of</strong> education Web sites:<br />
Name <strong>of</strong> Organization Type <strong>of</strong> Organization Web Address<br />
<strong>The</strong> Cittone Institute Private business school chain www.cittone.com<br />
Levittown Public Schools Public school district www.levittownschools.com<br />
Abbey Lane School Public elementary school www.levittownschools.com/abbeylane<br />
Suffern High School Public high school shs.ramapocentral.org<br />
Boston Latin School Private high school www.bls.org<br />
<strong>Rockland</strong> <strong>Community</strong> <strong>College</strong> Public two-year school www.sunyrockland.edu<br />
University <strong>of</strong> California, Public university<br />
www.berkeley.edu<br />
Berkeley<br />
Organization sites contain information about non-pr<strong>of</strong>it organizations such museums, pr<strong>of</strong>essional<br />
organizations, charities, public broadcasting stations, and the like. <strong>The</strong>se sites generally display the<br />
work <strong>of</strong> qualified experts in the field covered by the site, so you usually can use their <strong>of</strong>ficial<br />
materials in academic work. However, be careful to distinguish between those parts <strong>of</strong> the site that<br />
contain articles and other expert-generated materials and those parts that contain just raw data used<br />
in support <strong>of</strong> site—for example, personal diaries or journals quoted in the <strong>of</strong>ficial articles.<br />
<strong>The</strong> following table lists some examples <strong>of</strong> organizational sites:<br />
Type <strong>of</strong> Organization Organization Name Web Address<br />
Non-pr<strong>of</strong>it <strong>The</strong> Metropolitan Museum <strong>of</strong> Art www.metmuseum.org<br />
Pr<strong>of</strong>essional <strong>The</strong> Modern Language Association www.mla.org<br />
Charities <strong>The</strong> American Red Cross www.redcross.org<br />
Public radio network National Public Radio www.npr.org<br />
Personal sites contain information about individual people. Computer programs like Micros<strong>of</strong>t’s<br />
FrontPage and Macromedia’s Dreamweaver have sprouted up that make it easy to create Web<br />
sites, so these types <strong>of</strong> sites have become exceedingly popular over the last few years. People may<br />
post personal information about themselves in resumes, information about pets and hobbies they<br />
have, photographs <strong>of</strong> friends and neighbors, genealogical information about their families, or<br />
similar data. Be cautious about surfing such sites because some <strong>of</strong> them can be somewhat gross or,<br />
at the worst, just plain obscene.<br />
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Searching the World Wide Web<br />
• Entering URLs – <strong>The</strong> most direct and fastest way to find information on the Web is to enter<br />
the Web address, or URL, <strong>of</strong> the Web site in which you are interested into the address bar<br />
<strong>of</strong> the Web browser. <strong>The</strong> acronym URL stands for Uniform Resource Locator, which is a<br />
verbal equivalent <strong>of</strong> a numerical code used by all sites on the Internet.<br />
• Using Search Engines – A second way to find information is to use a search engine, which<br />
is a s<strong>of</strong>tware program that enables you to enter search terms called keywords to find<br />
listings <strong>of</strong> Internet sites that might relate to the kind <strong>of</strong> information you seek. Major search<br />
engines are Google, Yahoo, Ask Jeeves, All the Web, AOL Search, and Teoma.<br />
• Using Directories – A third way to find information is to use a search directory, which<br />
contains very broad categories like art, business and finance, computing, education,<br />
religion, and so on. You pick one <strong>of</strong> the largest categories in the directory and then work<br />
through more and more narrow categories until you find specific sites related to your<br />
search. For example, if you start by searching in Art, you may be able to narrow your<br />
search to Literature, then American Literature, then Horror Fiction, and then Stephen King.<br />
• Using Metasearch Engines – Even another way to find information is to use a larger search<br />
engine that gathers information from several search engines and lists the search results<br />
either in one master list or by each search engine. Use this type <strong>of</strong> search engine when you<br />
find that using only one search tool produces disappointingly few results. You also may<br />
want to use such a tool when trying to compare and contrast how individual search engines<br />
find and sort the same Web sites using the same keyword(s).<br />
Evaluating Web Sites<br />
Since the Internet is a massive collection <strong>of</strong> files from anyone and everyone, be skeptical about the<br />
truthfulness <strong>of</strong> what you find there. Certainly, many Web sites are sponsored by major publishers,<br />
educational institutions, reliable non-pr<strong>of</strong>it groups, and the like. However, many others—even<br />
those with attractive text and quality graphics—are nothing more than one person’s unfettered<br />
image <strong>of</strong> reality. <strong>The</strong>refore, double-check the content <strong>of</strong> a Web site that you want to use for<br />
academic work against the following basic guidelines:<br />
• Accuracy – Does the site contain correct or truthful information, or does it just promote the<br />
gut-level opinions <strong>of</strong> its owner or webmaster?<br />
• Reliability – Does the site contain information that comes from trained, educated, and/or<br />
experienced persons in the field(s) discussed on the site, or is it just the work <strong>of</strong> someone<br />
with few or no qualifications to speak on the issues?<br />
• Neutrality – Does the site have an independent position and role regarding controversial<br />
subjects that it discusses, or does it just promote the ideas <strong>of</strong> a particular interest group like<br />
a political party, special-interest group, and so on?<br />
• Comprehensiveness – Does the site contain exhaustive information on a topic, or does it<br />
pick and choose its material to promote a slanted agenda?<br />
• Currency – Does the site contain up-to-date information, or does it contain outdated<br />
information that does not account for recent research and discoveries related to its main<br />
topic?<br />
Using Search Engines and Web Sites<br />
Many search engines will provide feedback from virtually any type <strong>of</strong> site that contains the same<br />
keyword(s) that you entered for a search. Others will search only a limited range <strong>of</strong> predetermined<br />
sites in order to increase your chances <strong>of</strong> finding sites that directly relate to the topic on which you<br />
are performing a search. Similarly, many Web sites, such as news sites like MSNBC, will cover a<br />
wide range <strong>of</strong> topics—everything from art to entertainment to health to politics to sports. Others,<br />
such as the United States National Parks Service Web site, will focus on specific topics—in this<br />
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case, the system <strong>of</strong> federally owned parks in the United States, what they contain, how to visit<br />
them, and similar topics <strong>of</strong> interest to vacationers and other visitors.<br />
<strong>The</strong> following table lists a few search engines and Web sites that are appropriate for general<br />
searching and/or information:<br />
General Topics<br />
Search Engines (by Popularity)<br />
Google – www.google.com<br />
Yahoo - www.yahoo.com<br />
Ask Jeeves - www.ask.com<br />
All the Web - www.alltheweb.com<br />
Hotbot - www.hotbot.com<br />
Teoma - www.teoma.com<br />
Web Sites (Alphabetical)<br />
Arts and Letters Daily - www.aldaily.com<br />
Dictionary.com – www.dictionary.com<br />
Information Please Almanac - www.infoplease.com<br />
Encyclopedia.com - www.encyclopedia.com<br />
Internet Public Library - www.ipl.org<br />
Refdesk.com - www.refdesk.com<br />
<strong>The</strong> table starting on the next page lists search engines and/or specific websites appropriate for<br />
searching and/or information in specific academic areas. For sites that have both lowercase and<br />
uppercase characters, be sure to use the exact font indicated in the Web address.<br />
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Academic Area<br />
Anthropology<br />
Art and Architecture<br />
Biology<br />
Business<br />
Chemistry<br />
Web Resources & Addresses<br />
American Anthropology Association<br />
http://www.aaanet.org<br />
WWW Virtual Library: Anthropology<br />
http://vlib.anthrotech.com/<br />
Academic Info: Art & Art History<br />
http://www.academicinfo.net/art.html<br />
Art History: Resources for the Study <strong>of</strong> Art History<br />
http://Witcombe.sbc.edu/ARTHLinks.html<br />
Voice <strong>of</strong> the Shuttle Art History and Architecture<br />
http://vos.ucsb.edu/index.asp<br />
<strong>The</strong> Louvre<br />
http://www.louvre.fr/anglais/title.htm<br />
<strong>The</strong> Metropolitan Museum <strong>of</strong> Art, New York<br />
http://www.metmuseum.org/home.asp<br />
<strong>The</strong> National Gallery<br />
http://www.nga.gov/<br />
BioLinks<br />
http://www.bioview.com<br />
National Science Foundation: Biology<br />
http://www.nsf.gov/home/bio/<br />
WWW Virtual Library: Biosciences<br />
http://mcb.harvard.edu/BioLinks.html<br />
<strong>The</strong> Scout Report for Business and Economics Archives<br />
http://scout.wisc.edu/Reports/BusEcon/archive/<br />
Bigcharts<br />
http://www.bigcharts.com<br />
Business Week Magazine<br />
http://www.businessweek.com/<br />
CBS MarketWatch<br />
http://marketwatch.com<br />
Forbes Magazine<br />
http://www.forbes.com<br />
Fortune Magazine<br />
http://money.cnn.com/magazines/fortune/<br />
Internet Public Library – Business & Economics Section<br />
http://www.ipl.org/div/subject/browse/bus00.00.00/<br />
American Chemical Society<br />
http://www.acs.org/portal/chemistry><br />
Sheffield ChemDex<br />
http://www.chemdex.org<br />
WWW Virtual Library: Chemistry<br />
http://www.chem.ucla.edu/chempointers.html<br />
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Academic Area<br />
Web Resources & Addresses<br />
Classics<br />
Communications & Journalism<br />
Computer Science & Technology<br />
Cultural Studies, American and<br />
Ethnic Studies<br />
Economics<br />
Ancient World Web<br />
http://www.julen.net/ancient/<br />
Internet Classics Archive<br />
http://classics.mit.edu<br />
Perseus Project<br />
http://www.perseus.tufts.edu<br />
<strong>The</strong> American Communication Association<br />
http://www.americancomm.org<br />
Communication Institute for Online Scholarship<br />
http://www.cios.org/<br />
FAIR: Fairness and Accuracy in Reporting<br />
http://www.fair.org<br />
Journalism Resources on the World Wide Web<br />
http://library.austincc.edu/research/w3/Humanities/jrn/jrn.htm<br />
FOLDOC (Free On-Line Dictionary <strong>of</strong> Computing)<br />
http://wombat.doc.ic.ac.uk/foldoc/index.html<br />
MIT Laboratory for Computer Science<br />
http://www.lcs.mit.edu<br />
Information Technology Resource Central<br />
http://www.utexas.edu/computer<br />
New American Studies Web<br />
http://crossroads.georgetown.edu/asw/<br />
Center for Folklife and Cultural Heritage<br />
http://www.si.edu/folklife/<br />
Ethnic and Cultural Studies Resources<br />
http://www.educationindex.com/culture/<br />
National Museum <strong>of</strong> the American Indian<br />
http://www.nmai.si.edu<br />
American Economic Association<br />
http://www.aeaweb.org/<br />
Securities and Exchange Commission<br />
http://www.sec.gov<br />
Resources for Economists on the Internet<br />
http://rfe.wustl.edu/<br />
Education<br />
Engineering<br />
Ask ERIC<br />
http://ericir.sunsite.syr.edu/<br />
EdWeb<br />
http://www.edwebproject.org/<br />
Education World<br />
www.education-world.com<br />
U.S. Department <strong>of</strong> Education<br />
http://www.ed.gov<br />
IEEE Spectrum<br />
http://www.spectrum.ieee.org<br />
WWW Virtual Library: Engineering<br />
http://www.eevl.ac.uk/wwwvl.html<br />
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Academic Area<br />
Web Resources & Addresses<br />
Environmental Sciences<br />
Film<br />
Geography<br />
Geology<br />
Health and Medicine<br />
History<br />
Languages and Linguistics<br />
Literature<br />
Envirolink<br />
http://envirolink.org<br />
Environmental Protection Agency<br />
http://www.epa.gov<br />
WWW Virtual Library: Earth Science<br />
http://www.vlib.org/EarthScience.html<br />
Cinema Sites<br />
http://www.cinema-sites.com/<br />
Internet Movie Database<br />
http://us.imdb.com<br />
Movie Web<br />
http://www.movieweb.com<br />
Atlapedia Online<br />
http://www.atlapedia.com/index.html<br />
Internet Resources for Geographers<br />
http://www.Colorado.EDU/geography/virtdept/resources/contents.htm<br />
<strong>The</strong> WWW Virtual Library: Geography<br />
http://www.icomos.org/WWW_VL_Geography.html<br />
American Geological Institute<br />
http://www.agiweb.org<br />
U.S. Geological Survey<br />
http://www.usgs.gov<br />
Martindale’s Health Science Guide<br />
http://www-sci.lib.uci.edu/~martindale/HSGuide.html<br />
PubMed<br />
http://www.nlm.nih.gov<br />
World Health Organization<br />
http://www.who.ch<br />
Yale Medical Library<br />
http://www.med.yale.edu/library/<br />
Electronic Documents in History<br />
http://www.tntech.edu/www/acad/hist/edocs.html<br />
History Net<br />
http://www.thehistorynet.com/<br />
HyperHistory Online<br />
www.hyperhistory.com/online_n2/History_n2/a.html<br />
WWW Virtual Library: History<br />
http://www.ukans.edu/history/VL/<br />
Center for Applied Linguistics<br />
http://www.cal.org<br />
Linguistics Resources on the Web<br />
http://www.sil.org/linguistics/<br />
Literary Resources on the Net<br />
http://andromeda.rutgers.edu/~jlynch/Lit/<br />
Online Books Page, University <strong>of</strong> Pennsylvania<br />
http://digital.library.upenn.edu/books<br />
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Academic Area<br />
Web Resources & Addresses<br />
Project Gutenberg<br />
http://promo.net/pg<br />
Voice <strong>of</strong> the Shuttle<br />
http://vos.ucsb.edu/index.asp<br />
Mathematics<br />
Music<br />
Philosophy<br />
American Mathematical Society<br />
http://www.ams.org<br />
Math Forum<br />
http://mathforum.com/<br />
MathWorld<br />
http://mathworld.wolfram.com<br />
WWW Virtual Library: Mathematics<br />
http://web.math.fsu.edu/Science/math.html<br />
Classical Music on the Web<br />
http://classicalusa.com/<br />
MusicLink<br />
http://www.lib.utk.edu:90/~music/songwizard/musicbrief.html<br />
Worldwide Internet Music Sources<br />
http://www.music.indiana.edu/music_resources<br />
American Philosophical Association<br />
http://www.udel.edu/apa<br />
Guide to Philosophy on the Internet<br />
http://www.earlham.edu/~peters/philinks.htm<br />
Philosophy in Cyberspace<br />
http://www-personal.monash.edu.au/~dey/phil/<br />
Stanford University Encyclopedia <strong>of</strong> Philosophy<br />
http://plato.stanford.edu<br />
Physics<br />
Political Science<br />
American Institute <strong>of</strong> Physics<br />
http://www.aip.org<br />
American Physical Society<br />
http://www.aps.org<br />
Physics: An Annotated List <strong>of</strong> Key Resources on the Internet<br />
http://www.ala.org/acrl/resmar00.html<br />
PhysicsWeb<br />
http://physicsweb.org<br />
National Political Index<br />
http://www.politicalindex.com<br />
Political Resources on the Net<br />
www.politicalresources.net<br />
Thomas: Legislative Information on the Internet<br />
http://thomas.loc.gov<br />
United Nations<br />
http://www.un.org<br />
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Academic Area<br />
Psychology<br />
Religion<br />
Sociology<br />
<strong>The</strong>ater and Dance<br />
Women’s Studies<br />
Web Resources & Addresses<br />
American Psychological Association<br />
http://www.apa.org<br />
American Psychological Society<br />
http://www.psychologicalscience.org<br />
PsycCrawler – Indexing the Web for the Best in Psychology<br />
www.psychcrawler.com<br />
PsychWeb<br />
http://www.psywww.com<br />
Comparative Religion<br />
http://www.academicinfo.net/religindex.html<br />
Religions and Scriptures<br />
http://www.wam.umd.edu/~stwright/rel/<br />
Sacred and Religious Texts<br />
http://davidwiley.com/religion.html<br />
Academic Info Sociology: Databases and Centers<br />
http://www.academicinfo.net/socdata.html<br />
American Sociological Association<br />
http://asanet.org<br />
Social Work and Social Services Web Sites, Washington University<br />
in St. Louis<br />
http://gwbweb.wustl.edu/websites.html<br />
SocioWeb<br />
http://www.socioweb.com/~markbl/socioweb/indexes/<br />
Brief Guide to Internet Resources in <strong>The</strong>atre and Performance Studies<br />
http://www.stetson.edu/departments/csata/thr_guid.html<br />
Dancin’ on the Web<br />
http://www.artswire.org/Artswire/www/dance/browse.html<br />
<strong>The</strong> <strong>The</strong>ater Links Page<br />
http://www.theatre-link.com/<br />
National Women’s History Project<br />
http://www.nwhp.org<br />
Women’s Resource Project<br />
http://sunsite.unc.edu/cheryb/women<br />
Women’s Studies Resources<br />
http://www.mith2.umd.edu/WomensStudies/<br />
Using a Library Web Site<br />
Part 8 contains several warnings about the reliability <strong>of</strong> information on the Internet. However, if<br />
you use a library site to access information, you usually can rest assured that the research materials<br />
found there have academic value. You can do so because, as part <strong>of</strong> their online services, libraries<br />
tend to link to Internet sources already screened for scholarly reliability. Also, libraries <strong>of</strong>ten have<br />
access to databases that contain materials from only academically respected books, magazines,<br />
newspapers, journals, and so on.<br />
<strong>The</strong> following six tutorials, complete with screenshots, use a local college library to show you how<br />
to access and search reliable academic databases. Many colleges and universities enable you to<br />
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access such databases directly from their on-campus computers. If you access the databases from<br />
<strong>of</strong>f-campus computers, you almost always need a user ID and password to access information. 35<br />
• Finding Books and Articles in a <strong>College</strong> Library Catalog<br />
• Finding Academic Information in the EBSCO Host Database<br />
• Finding Academic Information in the MLA Bibliography<br />
• Finding Academic Information in the Gale Research Database<br />
• Finding Academic Information in the H.H. Wilson Database<br />
35 Libraries make this data available to only faculty, staff, and properly enrolled students because the libraries<br />
must pay large fees to access such databases.<br />
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Part 9 – <strong>Basics</strong> <strong>of</strong> Grammar [unfinished]<br />
This section will describe the most common writing errors that appear in college papers. Until this<br />
section is complete, please consult the following Web pages:<br />
<strong>The</strong> Bedford, St.<br />
Martin’s Web Site<br />
Oregon State<br />
University <strong>Writing</strong><br />
Guide<br />
Dartmouth<br />
University<br />
http://bcs.bedfordstmartins.com/easywriter3e/20errors/<br />
http://wic.oregonstate.edu/wic_grammar_error_sheets.html<br />
http://www.dartmouth.edu/~writing/materials/student/ac_paper/grammar.shtml<br />
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Part 10 - <strong>Basics</strong> <strong>of</strong> Punctuation and Mechanics<br />
I was born in New Jersey but raised in New York, so I can make the following statements<br />
with impunity: People from New York like to complain about driving in New Jersey. (Of course,<br />
people from New Jersey like to complain about driving in New York!) <strong>The</strong> New Yorker’s usual<br />
complaint is that Jersey roads are laid out badly and that road signs are badly placed or too vague.<br />
But there is something worse than having to drive through New Jersey, and that is having to read a<br />
badly punctuated sentence. You see, punctuation marks are like road signs on the road to meaning.<br />
So poor punctuation forces people to work too hard to determine your meaning. And if you have<br />
written a serious piece on a difficult topic, then poor punctuation makes your work even more<br />
difficult to understand. Be kind to your readers—learn to punctuate using generally accepted rules.<br />
Don’t force people to drive through New Jersey.<br />
<strong>The</strong> first set <strong>of</strong> rules covers the main problems you will encounter when trying to punctuate<br />
correctly categorized by types <strong>of</strong> sentence structure. <strong>The</strong> second set provides more detailed rules<br />
categorized by type <strong>of</strong> punctuation mark.<br />
MAJOR PUNCTUATION RULES<br />
a) Start a sentence with a capital letter, and end it with a period.<br />
• I went to the store to buy groceries.<br />
• <strong>The</strong> author says that life can be confusing.<br />
• When I study carefully, I do better in school.<br />
b) Use a semi-colon between two independent clauses that have no conjunction.<br />
• I like to watch horror movies; they scare me immensely.<br />
• I love to watch situation comedies on television; I laugh at all <strong>of</strong> the jokes.<br />
• I read five essays by Joan Didion; she is fond <strong>of</strong> using anecdotes in her writing.<br />
c) Use a comma between two independent clauses joined by a coordinating conjunction,<br />
placing the comma before the conjunction that introduces the second clause.<br />
• I like to watch horror movies, but they scare me immensely.<br />
• I love to watch situation comedies, and I laugh at all <strong>of</strong> the jokes.<br />
• I read five essays by Joan Didion, for she is fond <strong>of</strong> using personal anecdotes in her<br />
writing.<br />
d) Use a semi-colon and a comma between two independent clauses joined by an<br />
adverbial conjunction, placing the semi-colon before the conjunction and the comma<br />
after it.<br />
• I like to watch horror movies; however, they scare me immensely.<br />
• I love to watch situation comedies; furthermore, I laugh at all <strong>of</strong> the jokes.<br />
• I read all five assigned essays by Joan Didion; nevertheless, I still did not understand<br />
her.<br />
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e) Use a comma between a [a] long introductory prepositional phrase, [b] subordinate<br />
clause, or [c] modifying verbal phrase and the independent clause that follows.<br />
Long prepositional phrase:<br />
• In the movie theater down the road, I watch all sorts <strong>of</strong> movies.<br />
• At the delicatessen on the corner, I have long conversations with the owner at closing<br />
time.<br />
Subordinate clause:<br />
• When I am sick or exhausted, I love to watch situation comedies to cheer me.<br />
• Even if I studied hard before an examination, I sometimes don’t do very well on the<br />
test.<br />
Verbal phrase:<br />
• To be or not to be, that is the question.<br />
• Reading as fast as I could, I finished all <strong>of</strong> Joan Didion’s essays assigned for class.<br />
f) Use NO comma between an independent clause and a following dependent clause if<br />
the dependent clause restricts the meaning <strong>of</strong> the independent clause; DO use a<br />
comma between an independent clause and a following dependent clause if the<br />
dependent clause does NOT restrict the meaning <strong>of</strong> the independent clause.<br />
Dependent clause is restrictive:<br />
• I watch horror movies only when I can go with my friends.<br />
• I read all <strong>of</strong> Joan Didion’s essays that were assigned for class.<br />
• I love to watch television shows that were first produced during the 1950s.<br />
Dependent clause is NON-restrictive:<br />
• I watch horror movies regularly, which is why I <strong>of</strong>ten have nightmares.<br />
• I read all <strong>of</strong> Joan Didion’s essays, even the ones that are in the back <strong>of</strong> the book.<br />
• I watch situation comedies, although I don’t like the ones with pr<strong>of</strong>anity.<br />
g) Use a set <strong>of</strong> commas, parentheses, or dashes at both ends <strong>of</strong> a sentence element that<br />
interrupts the flow <strong>of</strong> major sentence elements like the subject and predicate,<br />
predicate and direct object, etc.<br />
• I watch horror movies, the only type <strong>of</strong> movie that I like, at my local theater.<br />
• Joan Didion’s husband (who also was a writer) died about two years ago.<br />
• <strong>The</strong> Boston Red Sox—can you believe it?!—won the World Series in 2004!<br />
Capitalization - Capitalize the following:<br />
Proper nouns and adjectives derived from proper nouns:<br />
• Washington, Washingtonian<br />
• Buddha, Buddhist<br />
• China, Chinese<br />
(Generally, do not capitalize vocabulary words derived from proper nouns:)<br />
• china plates<br />
• french fries<br />
• the gospel <strong>of</strong> success<br />
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<strong>The</strong> names <strong>of</strong> geographic divisions, regions, localities, and topographical features such as<br />
rivers, lakes, and mountains:<br />
• South America<br />
• <strong>The</strong> Middle East<br />
• the Atlantic Ocean<br />
• Lake Mead<br />
• Long Island<br />
• the Ozark Mountains<br />
(Do not capitalize compass directions:)<br />
• I live fifty miles south <strong>of</strong> Chicago.<br />
• He lives three miles west <strong>of</strong> the main intersection <strong>of</strong> town.<br />
• I like to go south in the winter.<br />
<strong>The</strong> names <strong>of</strong> major nationalities, ethnic groups, tribes, and languages, even when used as<br />
modifiers:<br />
• Spanish, the Spanish language<br />
• <strong>The</strong> Bantu tribe<br />
• Asian-American heritage<br />
Titles that come before a name:<br />
• President George W. Bush<br />
• Aunt Juanita<br />
• Doctor Samuel Johnson<br />
• Pr<strong>of</strong>essor Hammersmith<br />
• Queen Victoria<br />
(Do not capitalize such terms elsewhere:)<br />
• a biography <strong>of</strong> the queen<br />
• the congresswoman’s speech<br />
• my aunt, Juanita Jones<br />
• the president's fundraising efforts<br />
• the residence <strong>of</strong> the vice-president<br />
Epithets (i.e. labels or titles applied to person, especially famous ones):<br />
• Ivan the Terrible was one <strong>of</strong> the czars <strong>of</strong> Russia.<br />
• Abraham Lincoln is known as the Great Emancipator.<br />
• New Orleans is sometimes called “<strong>The</strong> Big Easy” for its relaxed atmosphere.<br />
<strong>The</strong> names <strong>of</strong> specific political and judicial bodies, social organizations, councils, and<br />
departments:<br />
• <strong>The</strong> United States Congress<br />
• <strong>The</strong> Socialist Workers Party<br />
• <strong>The</strong> Indianapolis Chamber <strong>of</strong> Commerce<br />
• <strong>The</strong> American Red Cross<br />
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<strong>The</strong> names <strong>of</strong> specific historical periods, events, and documents:<br />
• <strong>The</strong> Early Middle Ages<br />
• <strong>The</strong> Ancient World<br />
• <strong>The</strong> Battle <strong>of</strong> Gettysburg<br />
• <strong>The</strong> Declaration <strong>of</strong> Independence<br />
<strong>The</strong> names for streets, buildings, and monuments:<br />
• Broadway<br />
• <strong>The</strong> San Francisco Opera House<br />
• Camden Yards<br />
• <strong>The</strong> Statue <strong>of</strong> Liberty<br />
<strong>The</strong> names for the supreme deity and major religious books:<br />
• God<br />
• <strong>The</strong> Lord Almighty<br />
• Allah<br />
• <strong>The</strong> Talmud<br />
• <strong>The</strong> Analects <strong>of</strong> Confucius<br />
<strong>The</strong> names for major religious faiths, groups, denominations, and their members:<br />
• Catholicism, Catholics<br />
• Hinduism, Hindus<br />
• Islam, Muslims<br />
• Judaism, Jews<br />
• Protestants, Protestantism<br />
<strong>The</strong> days <strong>of</strong> the week, months <strong>of</strong> the year, holidays, and holy days:<br />
• Monday, Tuesday, etc.<br />
• January, February, etc.<br />
• Yom Kippur<br />
• Presidents’ Day<br />
• Christmas<br />
• Kwanzaa<br />
<strong>The</strong> pronoun I:<br />
• I told her that I wanted to turn left, not right.<br />
• When do you think I should take the swimming course?<br />
• At what time should I arrive?<br />
<strong>The</strong> first word in the salutation and complimentary close <strong>of</strong> a letter:<br />
• My dearest Carole,<br />
• To Whom It May Concern:<br />
• Sincerely yours,<br />
• Very truly yours,<br />
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<strong>The</strong> first word <strong>of</strong> a sentence, including questions and exclamations:<br />
• We are going to a flea market this weekend.<br />
• Were you on time to work today?<br />
• Dinner is served!<br />
<strong>The</strong> first word <strong>of</strong> a direct quotation, except when the quotation is split:<br />
• He asked me, “Do you really like squirrels?”<br />
• “Yes,” said my friend, Bob, “they're so cute.”<br />
• It was Patrick Henry who said, “Give me liberty or give me death.”<br />
<strong>The</strong> first word and all the key words in the title <strong>of</strong> a literary or other artistic work:<br />
• A Streetcar Named Desire (play)<br />
• Starry Night (painting)<br />
• Light in August (novel)<br />
• <strong>The</strong> White Album (record/CD)<br />
• <strong>The</strong> Tragedy <strong>of</strong> Hamlet, Prince <strong>of</strong> Denmark (drama)<br />
• <strong>The</strong> Song <strong>of</strong> Roland (epic poem)<br />
• “Everyday Use” (short story)<br />
• “<strong>The</strong> Colonel” (short poem)<br />
• “<strong>The</strong> Legend <strong>of</strong> Sleepy Hollow” (tale)<br />
<strong>The</strong> main words in names <strong>of</strong> ships, aircraft, and space vehicles:<br />
• USS Ronald Reagan (ship)<br />
• <strong>The</strong> Spirit <strong>of</strong> St. Louis (airplane)<br />
• <strong>The</strong> space shuttle Atlantis<br />
<strong>The</strong> names <strong>of</strong> galaxies, constellations, planets, stars, and other astronomical bodies:<br />
• <strong>The</strong> Milky Way (galaxy)<br />
• Neptune (planet)<br />
• <strong>The</strong> Big Dipper (constellation)<br />
• Alpha Centauri (star)<br />
<strong>The</strong> names <strong>of</strong> geologic eras, periods, epochs, and names <strong>of</strong> prehistoric divisions:<br />
• <strong>The</strong> Paleozoic Era<br />
• <strong>The</strong> Cambrian Period<br />
• <strong>The</strong> Bronze Age<br />
<strong>The</strong> genus (but not the species or subspecies) when using scientific binomial nomenclature.<br />
• Quercus alba (white oak)<br />
• Haliaeetus leucocephalus leucocephalus (southern bald eagle)<br />
• Homo sapiens (humanity – literally, “wise man”)<br />
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Italicization - Italicize the following (or underline if writing by hand):<br />
<strong>The</strong> titles <strong>of</strong> books, plays, book-length poems, whole magazines or newspapers, and other<br />
long, written works:<br />
• War and Peace (novel)<br />
• <strong>The</strong> Iliad (epic poem)<br />
• National Geographic (magazine)<br />
• <strong>The</strong> International Herald Tribune (newspaper)<br />
<strong>The</strong> titles <strong>of</strong> entire movies, radio programs, or television shows:<br />
• How Stella Got Her Groove Back (movie)<br />
• Law and Order (television show)<br />
• CSI Miami (television show)<br />
• Car Talk (radio program)<br />
<strong>The</strong> titles <strong>of</strong> works <strong>of</strong> art, including paintings, sculptures, and major musical compositions:<br />
• Starry, Starry Night (painting)<br />
• <strong>The</strong> Thinker (sculpture)<br />
• <strong>The</strong> Nutcracker Suite (ballet)<br />
• Porgy and Bess (opera)<br />
(Do not italicize musical compositions named by number and/or key signature:)<br />
• Quartet in E minor<br />
• Symphony No. 9 in D major<br />
• Piano Concerto No. 1 in B-flat minor<br />
Words, letters, and numbers used as themselves:<br />
• How do you spell bubble?<br />
• Does your first name begin with a c or a k?<br />
• <strong>The</strong> 3 looked like an 8.<br />
Foreign words and phrases not yet absorbed into the English language:<br />
• Gerald’s Schadenfreude did not amuse us.<br />
• Pommes frites is the French term for french fries.<br />
• Some critics accused the politician <strong>of</strong> <strong>of</strong>fering a quid pro quo to his opponent.<br />
Words and phrases that need emphasis:<br />
• Manhattan was the place to be in the 1990s.<br />
• Did you say you were tired after ten hours <strong>of</strong> sleep?<br />
• I did not tell him that I had lice; I said I’d had rice!<br />
<strong>The</strong> names <strong>of</strong> the plaintiff and defendant in legal citations (but not the letter “v” in between<br />
the parties’ names):<br />
• Johnson v. Smith.<br />
• Rove v. Wade<br />
• Brown v. <strong>The</strong> Topeka Board <strong>of</strong> Education<br />
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<strong>The</strong> names <strong>of</strong> ships, aircraft, and space vehicles:<br />
• USS Maine<br />
• <strong>The</strong> Spirit <strong>of</strong> St. Louis<br />
• <strong>The</strong> space shuttle Challenger<br />
PUNCTUATION<br />
Periods, Question Marks, and Exclamation Points<br />
Use a period after a declarative or mild imperative statement:<br />
• I went to the library.<br />
• Sign your name here.<br />
• I am reading about generally accepted punctuation.<br />
Use a question mark after a direct question or to indicate uncertainty:<br />
• Where did you park the automobile?<br />
• Did you read that new biography <strong>of</strong> Hillary Clinton?<br />
• <strong>The</strong> birth and death dates <strong>of</strong> Ge<strong>of</strong>frey Chaucer's are 1340?–1400.<br />
• <strong>The</strong> American Civil War began on April 15 (?) <strong>of</strong> 1861.<br />
(Do not use a question mark after an indirect question.)<br />
• I asked them what time they were leaving.<br />
• He asked to see the contents <strong>of</strong> my locker.<br />
• She requested that we have new photographs taken.<br />
Use an exclamation point after an emphatic sentence or interjection:<br />
• Hey! Don’t do that!<br />
• You’ll give me a heart attack!<br />
• Ouch!<br />
Comma - Use a comma<br />
To separate words in a list or series (including just before the last and joining the elements <strong>of</strong><br />
the series):<br />
• <strong>The</strong> baby likes bananas, peaches, and watermelon.<br />
• I am taking courses in computing, biology, English, and mathematics.<br />
• My favorite old-time comedic groups are Laurel and Hardy, Abbot and Costello, and Burns<br />
and Allen.<br />
To separate two or more adjectives before a noun when you can substitute the word and<br />
without changing the meaning:<br />
• She had a kind, generous disposition.<br />
• Did you have a nightmare again about the long, dark tunnel?<br />
• <strong>The</strong> doctor wore a clean, white smock during my examination.<br />
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(Do not use the comma if the adjectives together express a single idea or the noun is a<br />
compound made up <strong>of</strong> an adjective and a noun: )<br />
• <strong>The</strong> kitchen had bright green curtains.<br />
• Four bald eagles passed overhead when we went birding.<br />
• I had a peanut butter sandwich for lunch.<br />
To set <strong>of</strong>f words, phrases, or clauses in apposition to a noun:<br />
• George Eliot, the great nineteenth-century novelist, was born in 1819.<br />
• George Eliot, whose actual name was Mary Ann Evans, wrote several major novels.<br />
• Eliot’s husband, a disciple <strong>of</strong> modern philosophy, died before she did.<br />
(Do not use commas when the appositive word or phrase is essential to the meaning <strong>of</strong> the<br />
sentence.)<br />
• <strong>The</strong> novelist George Eliot was born in 1819.<br />
• <strong>The</strong> president William Jackson was installed by the chamber <strong>of</strong> commerce.<br />
• My friend Bobbie Jellico was in the Olympics.<br />
To set <strong>of</strong>f nonessential phrases and clauses:<br />
• My English instructor, who has a good sense <strong>of</strong> humor, <strong>of</strong>ten starts class by telling a joke.<br />
• <strong>The</strong> Apollo 11 space mission, the first to land someone on the moon, occurred in 1969.<br />
• Apollo 11, the movie starting Tom Hanks, premiered in 1996.<br />
Do not use commas when the phrase or clause is essential to the meaning <strong>of</strong> the sentence:<br />
• <strong>The</strong> pr<strong>of</strong>essor who teaches my evening class has no sense <strong>of</strong> humor.<br />
• <strong>The</strong> man who ran the red light is parked over there.<br />
• <strong>The</strong> levee that broke in New Orleans let in millions <strong>of</strong> gallons <strong>of</strong> water.<br />
To separate the independent clauses joined by a coordinating conjunction (and, but, or, nor,<br />
for, so, yet) in a compound sentence:<br />
• He lives in New Jersey, but she lives in California.<br />
• Some people like baseball, yet others like s<strong>of</strong>tball.<br />
• He was born in Tucson, and she was born there too.<br />
To set <strong>of</strong>f interrupters such as <strong>of</strong> course, however, I think, and by the way from the rest <strong>of</strong> the<br />
sentence:<br />
• She knew, <strong>of</strong> course, that he was telling the truth.<br />
• Oh, by the way, I'll be away next week.<br />
• Our parents, in contrast, will be here all summer.<br />
To set <strong>of</strong>f an introductory word, phrase, or clause at the beginning <strong>of</strong> a sentence:<br />
• No, I would rather go alone to the library.<br />
• After three years <strong>of</strong> hunting him down, I finally found my long-lost dog.<br />
• Being tall, he <strong>of</strong>ten has thought about playing football.<br />
To set <strong>of</strong>f a word in direct address:<br />
• Thanks, folks, for all your help while I was in jail.<br />
• How was your vacation, Ray?<br />
• Madam, would you please lower that shotgun?<br />
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To set <strong>of</strong>f “tag questions”:<br />
• Please wash the dishes, would you?<br />
• Bring that computer over here, okay?<br />
• You will work the night shift, right?<br />
To introduce a short quotation:<br />
• Marie Antoinette supposedly said, “Let them eat cake!”<br />
• I asked him, “Want to go swimming?”<br />
• She asked me, “Where did you get that milk?”<br />
To close the salutation in a personal letter and the complimentary close in a business or<br />
personal letter:<br />
• Dear Mary,<br />
• Dearest Dad,<br />
• Sincerely, Fred<br />
• Very truly yours, Juliette DuBois<br />
To set <strong>of</strong>f titles and degrees:<br />
• Sarah Little, Ph.D.<br />
• Alfred Johnson, Jr. (but not Alfred Johnson III)<br />
• Jerrold Ford, M.D.<br />
To separate sentence elements that might be read incorrectly without the comma:<br />
• At the fun house, in the mirror they could see distorted images <strong>of</strong> themselves.<br />
• As an American, pie is one <strong>of</strong> my favorite kinds <strong>of</strong> dessert.<br />
• For most, reading the novel Lonesome Dove would be a challenging three-day assignment.<br />
To set <strong>of</strong>f the month and day from the year in full dates:<br />
• <strong>The</strong> seminar will take place on September 6, 2006.<br />
• I was born on March 11, 1965.<br />
• Did you say that you were married on April 22, 1980?<br />
(Do not use a comma when only the month and year appear:)<br />
• <strong>The</strong> seminar will take place in September 2006.<br />
• <strong>The</strong> American Civil War began in April 1861.<br />
• <strong>The</strong> American essayist Calvin Trillin was born in December 1935.<br />
To set <strong>of</strong>f the city and state in an address:<br />
• Godfrey Arthur<br />
1450 Banning Street<br />
Boston, MA 02345<br />
• Wilma Randolph<br />
428 Elm Street<br />
Dallas, TX 75005<br />
• Charles Rodriguez<br />
14565 Bakersfield Boulevard<br />
Fresno, CA 91500<br />
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If the address is inserted into text, add a second comma after the state:<br />
• Shaker Heights, Ohio, is their home town.<br />
• My sister was born in Memphis, Tennessee, in 1945.<br />
• Did you say that your school in Brockton, ME, was closed in 1990?<br />
Colon - Use a colon:<br />
To introduce a list or words, phrases, and clauses that explain, enlarge upon, or summarize<br />
what has gone before:<br />
• Please provide the following data: your first name, your last name, and your birth date.<br />
• I was completely shocked by my surprise birthday party: I am a very trusting person.<br />
• Kindness, generosity, tenderness, mercy, compassion: these traits are hard to come by.<br />
To introduce a long quotation:<br />
• According to James Boswell, Samuel Johnson once said: "Knowledge is <strong>of</strong> two kinds. We<br />
know a subject ourselves, or we know where we can find information upon it."<br />
• On June 14, 1960, John F. Kennedy said: “We must formulate, with both imagination and<br />
restraint, a new approach to the Middle East—not pressing our case so hard that the Arabs<br />
feel their neutrality and nationalism are threatened, but accepting those forces, and seeking<br />
to help channel them along constructive lines, while at the same time trying to hasten the<br />
inevitable Arab acceptance <strong>of</strong> the permanence <strong>of</strong> Israel.”<br />
• One <strong>of</strong> Jane Austen’s witty remarks goes as follows: “Human nature is so well disposed<br />
towards those who are in interesting situations, that a young person, who either marries or<br />
dies, is sure to be kindly spoken <strong>of</strong>.”<br />
To separate hour, minutes, and seconds in standard time notation:<br />
• <strong>The</strong> express train will arrive at 10:42 a.m.<br />
• <strong>The</strong> shuttle was launched at precisely 12:12:12 a.m.<br />
• It’s 8:30 a.m., David, time to get up!<br />
To close the salutation in a business letter:<br />
• Dear Sir or Madam:<br />
• To Whom It May Concern:<br />
• Dear Ladies and Gentlemen:<br />
Semicolon - Use a semicolon:<br />
To separate the independent clauses in a compound sentence not joined by a conjunction:<br />
• Only three tables were left; we needed four.<br />
• I root for the Yankees; my sister roots for the Red Sox.<br />
• ZIP codes have five digits; area codes have only three.<br />
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To separate two independent clauses, the second <strong>of</strong> which begins with an adverbial<br />
conjunction such as however, consequently, moreover, or therefore:<br />
• We waited an hour; however, we couldn't stay any longer.<br />
• I went to college in Illinois; nevertheless, I then moved back to Idaho after graduation.<br />
• We want to visit Los Angeles; furthermore, we want to see the redwood forests near San<br />
Francisco.<br />
To separate elements in a series that already contains commas:<br />
• I sent messages to the pr<strong>of</strong>essors, associate pr<strong>of</strong>essors, and assistant pr<strong>of</strong>essors; the<br />
secretary <strong>of</strong> the department; and some retired faculty members.<br />
• I have lived in Bakersfield, CA; Chicago, IL; and Miami, FL.<br />
• He attended Harvey Mudd <strong>College</strong>, in Claremont, California; UCLA, which is in Los<br />
Angeles; and then the University <strong>of</strong> Illinois, Urbana.<br />
Dashes & Hyphens<br />
Use a dash to indicate a sudden break in continuity or to set <strong>of</strong>f an explanatory, defining, or<br />
emphatic phrase:<br />
• It looks like rain—where are our children?<br />
• Nuclear war—who could joke about such a topic?—could still occur in our lifetime.<br />
• I am—I can’t find my shirt!—late for work.<br />
Use a hyphen to join the elements <strong>of</strong> a compound word or to join the elements <strong>of</strong> a compound<br />
modifier before a noun:<br />
• I work with college-aged people all day long.<br />
• I used to have a one-<strong>of</strong>-a-kind job.<br />
• A ready-to-wear suit makes good business travel clothing.<br />
Use a hyphen to divide a word at the end <strong>of</strong> a line:<br />
• General Erwin Rommel is one <strong>of</strong> history's most enigmatic<br />
and intriguing figures.<br />
• Jane Austen’s writings <strong>of</strong>ten focus on male-female relationships<br />
<strong>of</strong> the late 1700s.<br />
• Corazon Aquino <strong>of</strong> the Philippines was a strong advocate <strong>of</strong> freedom<br />
<strong>of</strong> the press,<br />
Brackets & Parentheses<br />
Use brackets to set <strong>of</strong>f words or phrases that you have added to the phrasing <strong>of</strong> another<br />
writer:<br />
• “She [Denise Levertov] is certainly one <strong>of</strong> the great poets <strong>of</strong> the twentieth century.”<br />
• “<strong>The</strong> term ad hominem [meaning toward the man] refers to a personal attack directed at<br />
people rather than at their arguments.”<br />
• “Mark Twain [i.e., Samuel Clemens] was the greatest <strong>of</strong> American humorists.”<br />
•<br />
Use parentheses to set <strong>of</strong>f nonessential information:<br />
• We spent a week (more or less) vacationing in Virginia.<br />
• Turn left (not right) at the third light after you cross Baltimore Road.<br />
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• <strong>The</strong> commander <strong>of</strong> the outnumbered American revolutionaries (George Washington, <strong>of</strong><br />
course) had to know when to fight and when to run.<br />
Apostrophe - Use an apostrophe to indicate:<br />
<strong>The</strong> possessive case <strong>of</strong> singular and plural nouns, indefinite pronouns, and proper nouns:<br />
• My mother’s brother (regular singular possessive)<br />
• Someone’s abandoned briefcase caused great concern at the airport. (indefinite pronoun,<br />
singular possessive)<br />
• My parents’ retirement village (regular plural possessive)<br />
• <strong>The</strong> children’s toys (irregular plural possessive)<br />
• Charles Darwin’s most famous book is entitled <strong>The</strong> Origin <strong>of</strong> Species. (possessive after<br />
regular proper noun)<br />
• Xerxes’ rise to the throne came just after the death <strong>of</strong> his father. (possessive after a proper<br />
noun with multiple “s” sounds)<br />
<strong>The</strong> plural <strong>of</strong> letters, numbers, symbols, and words used as themselves:<br />
• I gave the delicatessen clerk five 10’s<br />
• <strong>The</strong> word eerie is spelled with three e’s.<br />
• Delete the extra and’s in your sentence.<br />
Missing letters in contractions and missing numbers in dates:<br />
• <strong>The</strong> song asks, “What’s the matter with kids today?” (What is)<br />
• I’m going to walk to the other side <strong>of</strong> town. (I am)<br />
• Who’s going to go with me to the store? (Do not confuse the contraction for who is with<br />
whose, as in “Whose bicycle did you borrow today?”)<br />
Quotation Marks - Use quotation marks:<br />
To set <strong>of</strong>f direct quotations:<br />
• “Let's go to the museum,” she suggested.<br />
• “A stitch in time saves nine, son” was one <strong>of</strong> my late father’s favorite bits <strong>of</strong> advice.<br />
• One old army proverb says, “If it moves salute it. If it doesn’t move, pick it up. If you can’t<br />
pick it up, paint it.”<br />
To set <strong>of</strong>f titles <strong>of</strong> short artistic works such as tales, articles, chapters, essays, songs, poems,<br />
and individual radio and television programs.<br />
• O. Henry wrote “<strong>The</strong> Gift <strong>of</strong> the Magi.” (short story)<br />
• I have read Chapter 9, entitled “A Vanished Empire.”<br />
• We sang the “Star-Spangled Banner” just before the soccer game. (song)<br />
• T. S. Eliot wrote “Tradition and the Individual Talent.” (essay)<br />
To set <strong>of</strong>f words and phrases used in an unusual way or that might use the phrase so-called:<br />
• My friend’s “punishment” for spraying graffiti was to teach children how to improve their<br />
penmanship.<br />
• <strong>The</strong> science article says that bees appear to “remember” physical landmarks.<br />
• I “love” broccoli, brussel sprouts, and cauliflower—don’t you?<br />
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Part 11 – Exercises<br />
Using the Dictionary<br />
Use each <strong>of</strong> the following words in a sentence that provides enough context to indicate that<br />
you know the meaning <strong>of</strong> the word.<br />
• Poor example: “Mitosis” is a new word that I just learned.<br />
• <strong>Good</strong> Example: Mitosis is a cell division process involving four stages.<br />
Word<br />
1. Abrogate<br />
2. Bowdlerize<br />
3. Enervate<br />
4. Facetious<br />
5. Feckless<br />
6. Gerrymander<br />
7. Hubris<br />
8. Infrastructure<br />
9. Loquacious<br />
10. Nanotechnology<br />
11. Oligarchy<br />
12. Oxidize<br />
13. Paradigm<br />
14. Plagiarize<br />
15. Quasar<br />
16. Reparation<br />
17. Soliloquy<br />
18. Suffragist<br />
19. Taxonomy<br />
20. Tempestuous<br />
21. Unctuous<br />
22. Vehement<br />
23. Vortex<br />
24. Xenophobe<br />
25. Yeoman<br />
Sentence that Provides Context<br />
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Rewrite the following sentences to convert slang to a middle level <strong>of</strong> diction.<br />
1. We took the kids to Mickey D’s so they could scarf down some fast food.<br />
2. If we don’t hit the books for the final exam, our whole semester is going to go down the<br />
tubes.<br />
3. Visiting the Smithsonian Air and Space Museum in Washington, DC really flipped my<br />
switch because I really groove on planes and stuff.<br />
4. <strong>The</strong> Yankees tanked in the play<strong>of</strong>fs last year, which really ticked me <strong>of</strong>f.<br />
5. When James Baldwin needed to get a point across or out <strong>of</strong> his mind, he would write.<br />
6. <strong>The</strong> way that Alice Walker’s father and brothers treated women was a put down <strong>of</strong> the<br />
opposite sex.<br />
Rewrite the following sentences to lower the elevated diction to a middle level.<br />
1. For years the indigenous body politic <strong>of</strong> South Africa attempted to negotiate legal<br />
enfranchisement, but without result.<br />
2. When our progenitors reach advanced chronological status, we frequently put them in<br />
senior citizen housing units where they can gradually decline until mortality sets in.<br />
3. Economically deprived people are <strong>of</strong>ten the first individuals <strong>of</strong> the population to be<br />
downsized during a downturn in the general economic cycle <strong>of</strong> our nation.<br />
4. My parents’ single family dwelling unit appreciated markedly in value because <strong>of</strong> the<br />
strong economic conditions over the past twelve fiscal quarters.<br />
5. <strong>The</strong> legal counselor wrote his court-intended documents with an excess <strong>of</strong> vocabulary<br />
derived from Latinate etymology.<br />
6. At the commencement <strong>of</strong> the American republic, a tantalizing means <strong>of</strong> indulging a<br />
youthful desire for escape and recreation was a lengthy sojourn in the capital <strong>of</strong> the French<br />
Republic.<br />
Rewrite the following sentences, replacing the clichés with more original phrasing.<br />
1. I really keep my nose to the grindstone, so to speak, when I am in summer school because I<br />
don’t want my education to hit the skids.<br />
2. Even though my car skidded out <strong>of</strong> control, I was cool as a cucumber and recovered in<br />
time to avoid hitting a brick wall like a ton <strong>of</strong> bricks.<br />
3. When writing essays for English Composition, you should avoid clichés like the plague.<br />
Otherwise, Mr. Smith might punch out your headlights gradewise.<br />
4. If you stop acting like a stuck pig, maybe your girlfriend won’t tell you that your<br />
relationship is water under the bridge.<br />
5. When my friend wanted to add insult to injury, he would say something that made me feel<br />
as flat as a pancake.<br />
6. Contrary to gender stereotypes, my father was as gentle as a lamb and my mother was as<br />
hard as a rock when they disciplined us during our childhoods.<br />
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Identifying Paragraphs<br />
Read each paragraph below, and then decide which pattern <strong>of</strong> development it uses—for<br />
example, analogy, definition, process, etc. Be prepared to explain why you chose the pattern<br />
that you did.<br />
<strong>The</strong> idea <strong>of</strong> democracy originated, <strong>of</strong> course, in ancient Greece, more than two millennia<br />
ago. Piecemeal efforts at democratization were attempted elsewhere as well, including in India. But<br />
it is really in ancient Greece that the idea <strong>of</strong> democracy took shape and was seriously put into<br />
practice (albeit on a limited scale), before it collapsed and was replaced by more authoritarian and<br />
asymmetric forms <strong>of</strong> government. <strong>The</strong>re were no other kinds anywhere else.<br />
• Amartya Sen, “Democracy as a Universal Value”<br />
“Farb” was the worst insult in the hardcore vocabulary. It refers to [Civil War] reenactors<br />
who approached the past with a lack <strong>of</strong> verisimilitude. <strong>The</strong> word’s etymology was obscure; Young<br />
guessed that “farb” was short for “far-be-it-from-authentic,” or possible a respelling <strong>of</strong> “barf.”<br />
Violations serious enough to earn the slur included wearing a wristwatch, smoking cigarettes,<br />
smearing oneself with sunblock or insect repellent—or, worst <strong>of</strong> all, fake blood. “Farb” was also a<br />
fungible word; it could become an adjective (farby), a verb (as in, don’t farb out on me” (an adverb<br />
(farbily) and a heretical school <strong>of</strong> thought (Farbism or Farbiness).<br />
• Tony Horwitz, Confederates in the Attic<br />
Immediately after the meetings at Valladolid, the potential co-leaders <strong>of</strong> the [Magellan]<br />
expedition presented a list <strong>of</strong> demands to the crown; they were couched in respectful language, but<br />
they were demands nonetheless. <strong>The</strong>y included an exclusive franchise on the Spice Islands for a<br />
full ten years, 5 percent <strong>of</strong> the rent and proceeds “<strong>of</strong> all such lands that we would discover,” and the<br />
privilege <strong>of</strong> trading for their own accounts, so long as they paid taxes to the king. <strong>The</strong>y asked to<br />
keep any “islands” they discovered for themselves, if they discovered more than six, as well as<br />
permission to pass the newly discovered lands on to “our heirs and successors.”<br />
• Laurence Bergreen, Over the Edge <strong>of</strong> the World<br />
I see four kinds <strong>of</strong> pressure working on college students today: economic pressure, parental<br />
pressure, peer pressure, and self-induced pressure. It is easy to look around for villains—to blame<br />
the colleges for charging too much money, the pr<strong>of</strong>essors for assigning too much work, the parents<br />
for pushing their children too far, the students for driving themselves too hard. But there are no<br />
villains; only victims.<br />
• William Zinsser, “<strong>College</strong> Pressures”<br />
Our daughter, Jill, has two grandmothers who are as different as chalk and cheese. One<br />
grandmother taught her to count cards and make her face as blank as a huge, white Kleenex when<br />
she bluffed at blackjack. <strong>The</strong>y practiced in the bathroom mirror. <strong>The</strong> other grandmother taught her<br />
where to place the salad forks. When Jill was three, this grandmother taught her not to touch<br />
anything until invited to do so. <strong>The</strong> other grandmother taught her to slide down four carpeted stairs<br />
on a cookie sheet.<br />
• Deborah Dalfonso, “Grammy Rewards”<br />
My mother talks about “back home” as a safe place, a silk cocoon frozen in time where we<br />
are sheltered by family and friends. Back home, my sister and I do not argue about food with my<br />
parents. Home is where they know all the rules. We trust them to guide us safely through the maze<br />
<strong>of</strong> city streets for which they have no map, and we trust them to feed and take care <strong>of</strong> us, the way<br />
parents should.<br />
• Geeta Kothari, “If You Are What You Eat, <strong>The</strong>n What Am I?”<br />
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Contrary to the biological theories <strong>of</strong> war, it is not easy to get men to fight. In recent<br />
centuries, men have <strong>of</strong>ten gone to great lengths to avoid war—fleeing their homelands, shooting<br />
<strong>of</strong>f their index fingers, feigning insanity. So unreliable was the rank and file <strong>of</strong> the famed<br />
eighteenth-century Prussian army that military rules forbade camping near wooded areas: <strong>The</strong><br />
troops would simply melt away into the trees. Even when men are duly assembled for battle, killing<br />
is not something that seems to come naturally to them. As Lieutenant Colonel Dave Grossman<br />
argued in his book On Killing: <strong>The</strong> Psychological Cost <strong>of</strong> Learning to Kill in War and Society, one<br />
<strong>of</strong> the great challenges <strong>of</strong> military training is to get soldiers to shoot directly at individual enemies.<br />
• Barbara Ehrenreich, “<strong>The</strong> Roots <strong>of</strong> War”<br />
Newspaper financial sections carry almost daily pronouncements from the computer<br />
industry and other businesses about their high-tech hopes for America's schoolchildren. Many <strong>of</strong><br />
these are joined to philanthropic commitments to helping schools make curriculum changes. This<br />
sometimes gets businesspeople involved in schools, where they've begun to understand and work<br />
with the many daunting problems that are unrelated to technology. But if business gains too much<br />
influence over the curriculum, the schools can become a kind <strong>of</strong> corporate training center—largely<br />
at taxpayer expense.<br />
• Todd Oppenheimer, “<strong>The</strong> Computer Delusion”<br />
To paint double-hung windows, first remove them from their frames. Drill holes and insert<br />
two nails into the legs <strong>of</strong> a wooden stepladder. <strong>The</strong>n mount the window easel style for easy<br />
painting. Otherwise, lay the window flat on a bench or sawhorses. <strong>The</strong>n, using a tapered sash<br />
brush, start painting the wood next to the glass. Use the narrow edge <strong>of</strong> brush and overlap paint<br />
onto the glass to create a weathertight seal. Next, clean any excess paint <strong>of</strong>f the glass with a putty<br />
knife wrapped in a clean cloth. (Rewrap the knife <strong>of</strong>ten so that you always wipe with a clean piece<br />
<strong>of</strong> fabric.) Overlap the paint onto the glass about 1/16 <strong>of</strong> an inch to create a good seal. Finally,<br />
paint the flat portions <strong>of</strong> the sashes, then the case moldings, the sill, and the apron.<br />
• Adapted from www.homedepot.com<br />
Cricket is an outdoor game played with bats, a ball, and two wickets by two teams <strong>of</strong><br />
eleven players each. Baseball also is played outdoors, but generally in a stadium rather than a large<br />
field, as cricket tends to be. Like cricket players, baseball players also use a bat and ball. However,<br />
a baseball bat is round rather than flat, and baseball players bat at home plate instead <strong>of</strong> in front <strong>of</strong><br />
a wicket. Finally, baseball teams have nine players each instead <strong>of</strong> eleven.<br />
• D. Langley<br />
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Distinguishing Phrases, Clauses, and Sentences<br />
Read the text in the second column and determine if it is a phrase, a clause or a sentence. In<br />
the third column, write the letter “P” if the text is a phrase, the letter “C” if the text is a<br />
clause, or the letter “S” if the text is a sentence. [Do not let the period at the end <strong>of</strong> each bit <strong>of</strong><br />
text fool you.]<br />
Text<br />
1. Wandering around the beautiful town <strong>of</strong> Suffern, New York.<br />
2. I went to see the doctor yesterday to learn the results <strong>of</strong> my physical.<br />
3. In the basement near the washer and dryer.<br />
4. Under the stairs between the living room and the bedroom.<br />
5. My favorite meal is a house salad, penne ala vodka, and chocolate<br />
mousse.<br />
6. Over the river and through the woods to grandmother’s house.<br />
7. To play baseball in the spring and then throughout the summer.<br />
8. In the middle <strong>of</strong> the night, I heard raccoons going after the food our<br />
garbage cans.<br />
9. I heard raccoons going after the food in our garbage cans.<br />
10. Which is why I put straps on all <strong>of</strong> our cans.<br />
11. Where in the world is your little brother, Michael?<br />
12. Have you ever seen a dream walking?<br />
13. Dive, dive, dive!<br />
14. If you ask that question one more time.<br />
15. A bird in the hand is worth two in the bush.<br />
16. After he wrote Moby Dick and several other major novels.<br />
17. Although she never graduated from college.<br />
18. My aunt Gertrude was a successful doctor in San Francisco in the 1950s.<br />
19. When the going gets tough, the tough get going.<br />
20. Beneath the pile <strong>of</strong> books on my computer desk.<br />
21. Inside the storage room at the back <strong>of</strong> the building where I work.<br />
22. To fly into space on the space shuttle Atlantis.<br />
23. At the curb where I usually park my automobile.<br />
24. Downtown is where I like to go to eat fancy meals.<br />
25. As a freshman I failed swimming because I could not swim the length <strong>of</strong><br />
the pool.<br />
Phrase, Clause,<br />
or Sentence?<br />
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Distinguishing Subordinate and Main Clauses<br />
Read the text in the second column and determine if it is a subordinate clause or a main<br />
clause. In the third column, write the letter “S” if the text is a subordinate clause. Write the<br />
letter “M” if the text is a main clause. [Do not let the period at the end <strong>of</strong> each bit <strong>of</strong> text<br />
fool you.]<br />
Text<br />
1. When I went away to my favorite summer camp.<br />
2. I like to swim in my uncle’s lake.<br />
3. Even if he is not taking his medicine.<br />
4. Can you tell me what time it is?<br />
5. When I pulled the paper out <strong>of</strong> the printer.<br />
6. After I ran for student body president during my junior year in high school.<br />
7. Are we there yet?<br />
8. Run for your life!<br />
9. He went into the dean’s <strong>of</strong>fice to demand his tuition back.<br />
10. After he obtained his degree in philosophy from an East Coast university.<br />
11. <strong>The</strong> president scored over 1200 on his SATs when he was in high school.<br />
12. I almost scored that amount on my own tests.<br />
13. Even though he graduated near the top <strong>of</strong> his class in law school.<br />
14. When I saw the spectacular grandeur <strong>of</strong> the western part <strong>of</strong> our country.<br />
15. Because he was born in the country <strong>of</strong> Japan.<br />
16. A friend <strong>of</strong> mine knows several Asian languages.<br />
17. While he served in the military during the second Gulf War.<br />
18. <strong>The</strong> most interesting thing about the book is that the most intriguing<br />
characters are not human.<br />
19. While she was writing her latest poems late at night.<br />
20. Is it just me, or is it really hot in here?<br />
21. No man is an island, entire unto himself.<br />
22. When I am old, I shall wear purple.<br />
23. Until he stopped trying to breathe under water whenever he made a turn in<br />
the pool.<br />
24. This is the last question in this exercise—can you believe it?!<br />
25. Jump!<br />
Subordinate or<br />
Main Clause?<br />
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Distinguishing Verbal Phrases and Prepositional Phrases<br />
Identify whether the bolded element in each sentence is a gerund phrase, participial phrase,<br />
infinitive phrase, or prepositional phrase. If the element is an infinitive phrase, indicate in the<br />
last column if it functions as a noun, adjective, or adverb. If the element is a prepositional<br />
phrase, indicate in the last column if it functions as an adjective or adverb.<br />
Sentence<br />
1. Thinking about my teaching duties, I made up this exercise.<br />
2. Grading papers consumes the most time <strong>of</strong> any English teacher’s work<br />
week.<br />
3. He wrote his first essay in the library basement.<br />
4. Looking at his final grades was very exciting to him.<br />
5. She felt happy about her work, especially after she finished it.<br />
6. My main goal in class is to teach students how to write more<br />
effectively.<br />
7. <strong>Writing</strong> papers that are clear, concise, organized, and thoughtful is our<br />
main goal in class.<br />
8. <strong>Writing</strong> papers that are clear and organized is our main goal in class.<br />
9. I have never taught a class that favored going to the library on a daily<br />
basis.<br />
10. I have taught classes that avoided going to the library at all.<br />
11. Winning the best job at work is Jeremy’s main goal in her current<br />
career.<br />
12. Winning the best job at work, Jeremy then decided to apply to graduate<br />
school for her MBA.<br />
13. I liked finishing my essays, but I didn’t like starting them.<br />
14. I liked starting my papers, but I didn’t like finishing them.<br />
15. Pro<strong>of</strong>reading an essay is as important as writing it.<br />
16. Effective writing involves the act <strong>of</strong> rewriting, which suggests that<br />
writing is a process and not a one-step activity.<br />
17. <strong>Writing</strong> this exercise took about twenty minutes to complete.<br />
18. It took twenty minutes to complete the writing <strong>of</strong> this exercise.<br />
19. To run around in the rain is sure way to catch a cold.<br />
20. To catch a cold, just run around in a cold rain for several minutes.<br />
Type <strong>of</strong><br />
Phrase<br />
Noun,<br />
adjective,<br />
or adverb?<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
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Punctuating Sentences<br />
Use the major punctuation rules in Part 10 <strong>of</strong> this textbook, and punctuate the sentences<br />
appearing in the second column. In the third column, record the rule number that you<br />
followed. If the sentence has correct punctuation, just write the letter “C.”<br />
Sentence<br />
1. Reading and writing stimulate and reinforce each other so we assign many readings<br />
along with your writing assignments.<br />
2. In the essay entitled “Autobiographical Notes” James Baldwin talks about his family<br />
life.<br />
3. In his essays James Baldwin talks about several major issues—for example, family,<br />
racism, and American culture.<br />
4. By helping injured companions porpoises have shown a strong sense <strong>of</strong> community.<br />
5. <strong>The</strong>re is no sound outside and the street below is still dark.<br />
6. “Notes <strong>of</strong> a Native Son” is one <strong>of</strong> James Baldwin’s great essays I read it <strong>of</strong>ten.<br />
7. Annie Dillard is one <strong>of</strong> my favorite authors but I did not assign her this semester.<br />
8. <strong>The</strong> author says that if we kept our brains but had a dolphin’s body we would have to<br />
give up the idea <strong>of</strong> trying to mold the world to our liking.<br />
9. Joan Didion is a social critic who writes about everything from self-respect to<br />
America’s influence in the world.<br />
10. John McPhee who is an old man now is one <strong>of</strong> America’s great essayists <strong>of</strong> the 20 th<br />
century.<br />
11. McPhee still writes for <strong>The</strong> New Yorker magazine which is published almost every<br />
week.<br />
12. Barbara Tuchman now deceased wrote many books aimed at popular readers.<br />
13. Tuchman’s essay entitled “<strong>The</strong> Black Death” discusses the bubonic plague <strong>of</strong> the<br />
14th century.<br />
14. If you are interested the anarchist movement <strong>of</strong> the early 1900s read Tuchman’s<br />
essay entitled “<strong>The</strong> Idea and the Deed”<br />
15. It’s almost as if you are there with him.<br />
16. You may not feel as if you are making a difference but you are helping to improve<br />
someone’s life.<br />
17. By concentrating on only fifteen writers the authors <strong>of</strong> our anthology have been able<br />
to include four essays for each writer.<br />
18. In the essay “<strong>The</strong> Long Loneliness” Loren Eiseley writes about dolphins.<br />
19. For example someone who wants to have great wisdom must go into a wilderness<br />
and be alone for a while.<br />
20. Eiseley is constantly reminded about the topic <strong>of</strong> time and its passing.<br />
Rule<br />
Number<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
Punctuating Correctly<br />
In the second column, correctly punctuate the following sentences. In the third column,<br />
record the number <strong>of</strong> the punctuation rule that you followed from Part 10 <strong>of</strong> the textbook. If<br />
the sentence is correctly punctuated, write the letter “C” in the last column.<br />
Sentence<br />
1. I love to watch videos on the weekend my wife loves to go bike riding instead.<br />
2. If I have to tell you again to stop you won’t get ice cream for dessert!<br />
3. <strong>The</strong> challenger ran a great campaign, but the incumbent won both the popular and<br />
the electoral votes.<br />
4. Hamlet the prince <strong>of</strong> Denmark kills the king’s foolish advisor.<br />
5. I read the essays by Tom Wolfe but I did not enjoy his writing style.<br />
6. Even though my wife recently had surgery we still plan to take dance lessons.<br />
7. I love to watch old movies on late-night television.<br />
8. Although I went to a small, private college I received a great education.<br />
9. Did you wash your hands? Did you take the dog for a walk? Did you lose your sister<br />
again?<br />
10. I consulted my handout on punctuation rules and then I punctuated all <strong>of</strong> the<br />
sentences correctly!<br />
11. Do you think that Pr<strong>of</strong> Smith will give everyone As on the final exam?<br />
12. Syracuse which is in upstate New York is one <strong>of</strong> the cloudiest cities in the United<br />
States.<br />
13. I like Dreyer’s chocolate ice cream but I like Klugen-Hass vanilla ice cream even<br />
more.<br />
14. If you want to be a good writer you really must read a lot too.<br />
15. Alice Walker one <strong>of</strong> America’s famous novelists also writes essays.<br />
16. My printer broke down so I will have to hand in my paper late.<br />
17. I don’t care if Pr<strong>of</strong> Smith thinks you are intelligent it’s dumb to put the dog in the<br />
microwave after giving it a bath!<br />
18. I like to watch <strong>The</strong> West Wing which is on television on Wednesday nights.<br />
19. I went to the information booth that stands at the corner <strong>of</strong> Woodlawn and Fifth<br />
Street.<br />
20. Hamilton <strong>Community</strong> <strong>College</strong> located in Woodlawn is one <strong>of</strong> our leading<br />
community colleges.<br />
Rule No.<br />
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Appendix 1 – Dictionary <strong>of</strong> Commonly Confused Words<br />
Affect/effect – Affect is a verb that means “to cause something to change.” Effect is a noun<br />
meaning “a result brought about by a cause.”<br />
• <strong>The</strong> young boy affected the outcome <strong>of</strong> the ballgame by preventing the outfielder from<br />
catching the baseball.<br />
• <strong>The</strong> boy’s actions had an effect upon the outcome <strong>of</strong> the ballgame.<br />
Aggravate/irritate – Aggravate means “to worsen.” Irritate means “to annoy or cause minor<br />
pain.”<br />
• <strong>The</strong> loud music next door aggravated my sister’s already painful headache.<br />
• My sister became irritated when the loud music started again next door.<br />
All ready/already – All ready means “prepared, fitted, or arranged.” Already means “by this time<br />
or so soon.”<br />
• We were all ready for the concert at 8:30 p.m.<br />
• <strong>The</strong> concert already had begun at 8:00 p.m., so we were late.<br />
Allusion/illusion – An allusion is a reference to something outside <strong>of</strong> the text or speech that<br />
includes the reference. An illusion is an incorrect perception or incorrect concept or belief.<br />
• Shakespeare’s dramas <strong>of</strong>ten contain allusions to the Bible.<br />
• Hamlet wonders if the ghost <strong>of</strong> his father is just an illusion or an actual spirit.<br />
Aural/oral – Aural means “relating to an aura” or “relating to or perceived by the ear.” Oral means<br />
“spoken rather than written” or “relating to the mouth.”<br />
• My aural perception has suffered as I have grown older.<br />
• I had oral surgery last month to remove a wisdom tooth.<br />
Awhile/ a while – Awhile is an adverb (used to modify verbs) and means “briefly or for a short<br />
time.” A while is the indefinite article plus a noun (used the direct object <strong>of</strong> a sentence) and means<br />
“a period <strong>of</strong> time, generally short.”<br />
• Come in and rest awhile so I can make some tea.<br />
• My friend stayed for a while so I could make him some tea.<br />
Backward/backwards – Backward means “shy and retiring, directed or facing back or toward the<br />
rear, or behind in progress or development.” Backwards has similar meanings, but you should use<br />
it only as an adverb, never as an adjective.<br />
• I noticed his backward look when the herd <strong>of</strong> horses started gaining on us.<br />
• Look backwards, friend, if the horses start gaining on us and let me know how fast they are<br />
approaching.<br />
Bad/badly – Bad is an adjective, meaning “inferior, immoral, rotted, or in poor health.” Badly is an<br />
adverb, meaning “in a poor manner or to a worse degree.”<br />
• I could tell he was a bad man when he struck his sister on the cheek.<br />
• <strong>The</strong> man behaved badly toward his sister.<br />
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Bazaar/bizarre – Bazaar means “a market, shop, fair, or similar sale.” Bizarre means “odd,<br />
peculiar, or unconventional.”<br />
• <strong>The</strong> bazaar raised over $25,000 for the hurricane victims.<br />
• <strong>The</strong> hurricane acted in a bizarre manner and caught the city emergency crews <strong>of</strong>f guard.<br />
Beside/besides – Beside means “next to.” Besides means “in addition to.”<br />
• <strong>The</strong> actor pretended to weep beside the bed <strong>of</strong> the actress who portrayed the dying mother.<br />
• Besides watching “As the World Burns,” I also watched “Guiding Nightlight.”<br />
Between/among – Between is used when something is shared by only two people or things. Among<br />
is used for three or more persons or things.<br />
• I stood between the bride and the groom in one <strong>of</strong> the wedding photographs.<br />
• I stood among the five people who participated in the wedding ceremony.<br />
Breath/breathe – Breath is a noun that means “respiration, vitality, inhaled and exhaled air, etc.”<br />
Breathe is a verb that means “to inhale and exhale, to be alive, to express an idea or feeling, etc.”<br />
• I took a quick breath after receiving the slight shock from the lamp.<br />
• I breathed a sigh <strong>of</strong> relief when I realized that the shock came from just static electricity.<br />
Capital/capitol – Capital means “a political center, money invested in a company, etc. Capitol<br />
means “the building where a legislature meets.”<br />
• Little Rock is the capital <strong>of</strong> Arkansas.<br />
• <strong>The</strong> state capitol in Little Rock resembles the U.S. Capitol in Washington, D.C.<br />
Child/kid – Child is middle diction. Kid is a young goat or slang for child. Prefer child and<br />
children over kid and kids.<br />
• Preferred: <strong>The</strong> political candidate made his announcement with his children standing<br />
behind him.<br />
• Not preferred: <strong>The</strong> candidate made his announcement with his kids standing behind him.<br />
Council/counsel – Council means “a group <strong>of</strong> legislators, clergy, or similar body.” Counsel is a<br />
noun that means “advice or guidance” or a verb that means “to give advice or guidance.”<br />
• <strong>The</strong> council met in the capitol to discuss how to finance the recent crisis.<br />
• <strong>The</strong> instructor counseled the student to hand in his remaining papers on time.<br />
Compare to/compare with – Use compare to when indicating similarity between things<br />
compared. Use compare with to indicate difference.<br />
• <strong>The</strong> novelist compared her main character to a wounded animal.<br />
• <strong>The</strong> novelist compared her sympathetic characters with her unsympathetic ones.<br />
Complement/complement – Complement means “something that completes.” Compliment means<br />
“a flattering praising statement.”<br />
• Bread and butter complement each other nicely, even at a backyard barbeque.<br />
• <strong>The</strong> cook at the barbeque received our compliments with humility.<br />
Continual/continuous – Continual means “something that recurs, but can stop.” Continuous<br />
means “something that never stops.”<br />
• Astronomers continually study the heavens for signs <strong>of</strong> runaway asteroids.<br />
• <strong>The</strong> moon rotates continuously around the earth.<br />
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Criterion/criteria – Criterion means “a standard or principle.” Criteria is the plural <strong>of</strong> criterion.<br />
• My criterion for sports teams is simple: are they in first place at the end <strong>of</strong> the season?<br />
• <strong>The</strong> criteria for a great ballplayer is that he must hit, hit with power, run, field, and throw.<br />
Different than/different from – Use different than when using a complete clause to contrast two<br />
items. Use different from to indicate that you are comparing two persons or things.<br />
• My book is a newer edition, so it is different from yours.<br />
• Since the new computer building has gone up, our campus looks different than it did last<br />
year.<br />
Discreet/discrete – Discreet means “prudent, tactful, cautious, etc.” Discrete means “separate,<br />
distinct, detached, etc.”<br />
• I gave a discreet nod to the actor so he would know it was time to go on stage.<br />
• Henry IV, Part 1 and Henry IV, Part II are two discrete plays by Shakespeare.<br />
Etc./e.g./i.e. – Etc. is short for et cetera and means “and so forth or so on.” E.g. is short for exempli<br />
gratia and means “for example.” I.e. is short for id est and means “that is.”<br />
• My sister likes chicken, fish, vegetables, etc.<br />
• My sister eats meals that do not include red meat—e.g., chicken, fish, vegetables, etc.<br />
• My sister does not eat veal, beef, or bison—i.e., no red meat.<br />
Forward/forwards – Prefer forward over forwards.<br />
• Preferred: We went forward with our plans to build the new computer center.<br />
• Not preferred. We went forwards with plans to build the new computer center.<br />
Get – Get is slang and can have an almost endless number <strong>of</strong> meanings. Avoid using the word by<br />
preferring a middle level <strong>of</strong> diction.<br />
• Preferred: Do not obtain your wedding license just minutes before you are to marry!<br />
• Not Preferred: Don’t get your wedding license just minutes before you are to marry!<br />
<strong>Good</strong>/well – <strong>Good</strong> is an adjective that means “moral, proper, fine, superior, etc.” Well is an adverb<br />
that means “healthy, fit, sound, etc.”<br />
• I knew that my father was a good person because <strong>of</strong> his forgiving spirit.<br />
• My father was not well in his last few weeks <strong>of</strong> life.<br />
Hanged/hung – Hanged refers to people and means “executed by hanging.” Hung refers to objects<br />
and means “suspended, draped, etc.”<br />
• John Wilkes Booth’ co-conspirators were hanged after being convicted in the assassination<br />
<strong>of</strong> President Lincoln.<br />
• Pictures <strong>of</strong> the late president were hung in parlor windows for many weeks after his death.<br />
If/whether – If is a subordinating conjunction used to set up a condition or to indicate general<br />
speculation. Use the word whether when presenting two alternatives.<br />
• Condition: If it is cold on Saturday, then I won’t go to the outdoor concert.<br />
• General speculation: I wonder if it will be very cold on Saturday.<br />
• Two Alternatives: I am not sure whether I will go to the game on Saturday. (Note: do not<br />
add the phrase or not after the word whether; that phrase is unnecessary.)<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
Its/it’s – Its is the third person possessive pronoun for it. It’s is the contract for it is.<br />
• <strong>The</strong> dog had the bone in its mouth for nearly half an hour.<br />
• It’s a funny sight to see a dog hold on to a bone for nearly half an hour.<br />
Lay/lie – Lay is the transitive verb (taking an object) that means “to place or position on a surface.”<br />
Lie is the intransitive verb (taking no object) that means “to recline or rest.”<br />
• Lay the book on my desk before leaving class, please.<br />
• <strong>The</strong> books will lie there until someone picks them up.<br />
Caution: Lay also can function as the past tense <strong>of</strong> to lie. Example: <strong>The</strong> books lay there yesterday,<br />
but no one picked them up.<br />
Less/fewer – Use less to indicate items that cannot be counted. Use fewer to indicate items that you<br />
can count.<br />
• <strong>The</strong> glass has less water in it today than it did yesterday.<br />
• <strong>The</strong>re are fewer glasses on the table today than yesterday.<br />
Lightening/lightning – Lightening means “becoming less cumbersome or less dark.” Lightning<br />
means “a powerful electric strike in the atmosphere.”<br />
• <strong>The</strong> robbers were lightening their load as they rushed from the bank in the lightening<br />
morning.<br />
• Lightning struck the robbers’ van as they headed out <strong>of</strong> town during the freak storm at<br />
daybreak.<br />
Like/as – Like is a preposition that means “similar to.” As is a subordinate conjunction used in<br />
subordinate clauses involving comparison.<br />
• <strong>The</strong> Pennsylvania Monument at Gettysburg is like no other on the battlefield.<br />
• <strong>The</strong> Confederates yelled as they made their charge across the open field.<br />
Little/few – Use little to refer to quantities that you cannot count. Use few to refer to quantities that<br />
you can count.<br />
• <strong>The</strong>re was little time at the end <strong>of</strong> class to introduce a new topic.<br />
• Only a few minutes remained in class when the teacher introduced a new subject.<br />
Medium/media – As a noun, medium means “an intervening substance, agency, news outlet, etc.”<br />
Media is the plural <strong>of</strong> medium.<br />
• <strong>The</strong> preferred medium for transmitting electricity in houses is copper wiring.<br />
• <strong>The</strong> news media criticized the administration for its recent handling <strong>of</strong> the storm.<br />
Much/many – Much generally refers to quantities that you cannot count. Many refers to quantities<br />
that you can count.<br />
• It did not take much to see that the football player was near the end <strong>of</strong> his career.<br />
• <strong>The</strong> football player had so many catches in one day that I could not count them all!<br />
Percent/percentage – Percent means “per hundred.” Percentage is the noun form <strong>of</strong> percent and<br />
means “parts expressed in hundredths.”<br />
• You can represent the decimal amount <strong>of</strong> 0.10 as ten percent.<br />
• What percentage <strong>of</strong> the time do you spend working out mathematics problems?<br />
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Predominant/predominate – Predominant is an adjective that means “most common or<br />
prevalent.” Predominate is the verb form that means “to be most common or prevalent.”<br />
• <strong>The</strong> predominant ethnic group in our town is Italian-Americans.<br />
• Italian-Americans predominate the ethnic groups in our town.<br />
Principle/principal – Principle is a noun that means “standard, attitude, belief, etc.” Principal is<br />
the noun for the senior member <strong>of</strong> a school or is an adjective that means “chief, primary, key, etc.”<br />
• I try to follow the principle that one should treat others as one wants to be treated.<br />
• Being more than fair to others is the principal value by which my friend tries to live.<br />
Prior/previous/before – Prior and previous mean the same thing and are interchangeable:<br />
“preceding in time or order; former or earlier.” Before is an adverb that means “earlier in time” or a<br />
preposition that means “in front or ahead.”<br />
• Just prior to his hanging, Nathan Hale reportedly said, “I only regret that I have but one life<br />
to lose for my country.”<br />
• <strong>The</strong> Battle <strong>of</strong> Hastings (1066) occurred previous to the signing <strong>of</strong> the Magna Carta (1215).<br />
• <strong>The</strong> Battle <strong>of</strong> Hastings occurred before the signing <strong>of</strong> the Magna Carta.<br />
Prophecy/prophesy – Prophecy is a noun that means “a prediction <strong>of</strong> future events or a similar<br />
inspired message.” Prophesy is a verb that means “to predict future events or similar inspired<br />
messages.”<br />
• <strong>The</strong> sports columnist made the prophecy that the pitching staff would fail his favorite team.<br />
• <strong>The</strong> columnist prophesied that the pitchers would fail his favorite team.<br />
Quote/quotation – Quote is a verb that means “to repeat the exact words <strong>of</strong> another person.”<br />
Quotation is a noun that means “an exact reproduction <strong>of</strong> another person’s words.”<br />
• <strong>The</strong> student wanted to quote Willa Cather in his paper.<br />
• <strong>The</strong> quotation goes as follows: “<strong>The</strong> dead might as well try to speak to the living as the old<br />
to the young.”<br />
Real/really – Real is an adjective meaning “actual, true, etc.” Really is an adverb that means,<br />
“truly, actually, or indeed.”<br />
• I bought real milk for the new-born kitten.<br />
• <strong>The</strong> new kitten was really young—only four days old!<br />
So – <strong>The</strong> word so can be an adverb, adjective, conjunction, pronoun, or interjection.<br />
• Adverb: It was so hot today that I wore a tank top when I mowed the lawn.<br />
• Adjective: Everything on my sister’s desk must be exactly so.<br />
• Conjunction: It quickly grew cold over night, so I closed the bedroom window.<br />
• Pronoun: He started as a good friend and remained so.<br />
• Interjection: So! You did decide to come to my surprise birthday party.<br />
Stationary/stationery – Stationary means “still, inactive, fixed, etc.” Stationery means “writing<br />
paper, envelopes, etc.”<br />
• <strong>The</strong> monument is now stationary, even though the heavy rains tried to wash it away.<br />
• I used fine stationery to write a brief history <strong>of</strong> the monument that almost washed away.<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
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Than/then – Use than to compare one thing with another. Use then to indicate a time sequence.<br />
• It was later than I thought it was, so I rose quickly, washed, and dressed.<br />
• I then went drove to work, but please don’t ask how fast I was going!<br />
<strong>The</strong>ir/there/they’re – <strong>The</strong>ir is the possessive form <strong>of</strong> they. <strong>The</strong>re indicates not here. <strong>The</strong>y’re is the<br />
contraction for <strong>The</strong>y are. Do NOT confuse these three words with each other.<br />
• <strong>The</strong>y built the house over there, near the college.<br />
• <strong>The</strong>ir house is made <strong>of</strong> brick.<br />
• <strong>The</strong>y’re expecting to live in that house for less than a decade.<br />
Toward/towards – Toward is middle diction. Towards is slang.<br />
• Preferred: I hit the s<strong>of</strong>tball toward left field.<br />
• Not Preferred: I hit the baseball towards the outfield.<br />
Try to/Try and – Try to means “to attempt to, taste, sample, etc.” Do NOT use try and as a<br />
substitute for try to. Use try and only if you follow it with an unrelated action.<br />
• I try to shop every third day, but sometimes I cannot.<br />
• It is better to try and then fail than not to try at all.<br />
Use to/used to – Use to is the incorrect form <strong>of</strong> used to.<br />
• Preferred: I used to go to therapy, but then I found out that my therapist was insane!<br />
• Not Preferred: I use to go to therapy….<br />
Which/that – Use which when adding non-restrictive, additional information. Use that to indicate<br />
restrictive or essential information.<br />
• I <strong>of</strong>ten rent a car for long trips, which is easier than buying a second car.<br />
• I <strong>of</strong>ten go on trips that require overnight stops.<br />
Who/whom – Who is the nominative form <strong>of</strong> the pronoun; use it as the subject or predicate<br />
nominative <strong>of</strong> a sentence. Whom is the objective form; use it as the direct object, indirect object, or<br />
object <strong>of</strong> a preposition.<br />
• Who is going to go to the library with me to study?<br />
• You went to the library with whom?<br />
Who’s/whose – Who’s is the contraction <strong>of</strong> who is. Whose is the possessive form <strong>of</strong> who.<br />
• Who’s going to go to the library tonight?<br />
• Whose books are those in the library?<br />
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Appendix 2 – Commonly Misspelled Words<br />
absence abundance accessible<br />
accidentally acclaim accommodate<br />
accomplish accordion accumulate<br />
achievement acquaintance across<br />
address advertisement aggravate<br />
alleged annual apparent<br />
appearance argument atheist<br />
athletics attendance auxiliary<br />
balloon barbecue barbiturate<br />
bargain basically beggar<br />
beginning believe biscuit<br />
bouillon boundary Britain<br />
Buddha business calendar<br />
camouflage cantaloupe category<br />
cemetery chagrined challenge<br />
characteristic changing chief<br />
cigarette climbed collectible<br />
colonel colossal column<br />
coming committee commitment<br />
comparative competent completely<br />
concede conceive condemn<br />
condescend conscientious consciousness<br />
consistent continuous controlled<br />
coolly corollary convenient<br />
correlate correspondence counselor<br />
courteous courtesy criticize<br />
deceive defendant deferred<br />
dependent descend description<br />
desirable despair desperate<br />
develop development difference<br />
dilemma dining disappearance<br />
disappoint disastrous discipline<br />
disease dispensable dissatisfied<br />
dominant drunkenness easily<br />
ecstasy efficiency eighth<br />
either eligible emperor<br />
enemy entirely equipped<br />
equivalent especially exaggerate<br />
exceed excellence excellent<br />
exhaust existence expense<br />
experience experiment explanation<br />
extremely exuberance fallacious<br />
fallacy familiar fascinate<br />
feasible fictitious finally<br />
financially fluorescent forcibly<br />
foreign forfeit formerly<br />
foresee forty fourth<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
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fulfill fundamentally gauge<br />
generally genius government<br />
governor grievous guarantee<br />
guerrilla guidance handkerchief<br />
happily harass height<br />
heinous hemorrhage heroes<br />
hesitancy hindrance hoarse<br />
hoping humorous hypocrisy<br />
hypocrite ideally idiosyncrasy<br />
ignorance imaginary immediately<br />
implement incidentally incredible<br />
independence independent indicted<br />
indispensable inevitable influential<br />
information inoculate insurance<br />
intelligence intercede interference<br />
interrupt introduce irrelevant<br />
irresistible island jealousy<br />
judicial knowledge laboratory<br />
legitimate leisure length<br />
lenient liaison license<br />
lieutenant lightning likelihood<br />
likely longitude loneliness<br />
losing lovely luxury<br />
magazine maintain maintenance<br />
manageable maneuver marriage<br />
mathematics medicine millennium<br />
millionaire miniature minuscule<br />
minutes mischievous missile<br />
misspelled mortgage mosquito<br />
mosquitoes murmur muscle<br />
mysterious narrative naturally<br />
necessary necessity neighbor<br />
neutron ninety ninth<br />
noticeable nowadays nuisance<br />
obedience obstacle occasion<br />
occasionally occurred occurrence<br />
<strong>of</strong>ficial omission omit<br />
omitted opinion opponent<br />
opportunity oppression optimism<br />
ordinarily origin outrageous<br />
overrun panicky parallel<br />
parliament particularly pavilion<br />
peaceable peculiar penetrate<br />
perceive performance permanent<br />
permissible permitted perseverance<br />
persistence physical physician<br />
picnicking piece pilgrimage<br />
pitiful planning pleasant<br />
portray possess possessive<br />
potato potatoes practically<br />
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D. Langley – <strong>The</strong> <strong>Basics</strong> <strong>of</strong> <strong>Good</strong> <strong>Writing</strong><br />
Latest Revision – 04/25/06<br />
prairie preference preferred<br />
prejudice preparation prescription<br />
prevalent primitive privilege<br />
probably procedure proceed<br />
pr<strong>of</strong>essor prominent pronounce<br />
pronunciation propaganda psychology<br />
publicly pursue quandary<br />
quarantine questionnaire quizzes<br />
realistically realize really<br />
recede receipt receive<br />
recognize recommend reference<br />
referred relevant relieving<br />
religious remembrance reminiscence<br />
repetition representative resemblance<br />
reservoir resistance restaurant<br />
rheumatism rhythm rhythmical<br />
roommate sacrilegious sacrifice<br />
safety salary satellite<br />
scary scenery schedule<br />
secede secretary seize<br />
sentence separate sergeant<br />
several shepherd shining<br />
similar simile simply<br />
sincerely skiing soliloquy<br />
sophomore souvenir specifically<br />
specimen sponsor spontaneous<br />
statistics stopped strategy<br />
strength strenuous stubbornness<br />
subordinate subtle succeed<br />
success succession sufficient<br />
supersede suppress surprise<br />
surround susceptible suspicious<br />
syllable symmetrical synonymous<br />
tangible technical technique<br />
temperature tendency themselves<br />
theories therefore thorough<br />
though through till<br />
tomorrow tournament tourniquet<br />
transferred truly twelfth<br />
tyranny unanimous undoubtedly<br />
unnecessary until usage<br />
usually vacuum valuable<br />
vengeance vigilant village<br />
villain violence visible<br />
warrant Wednesday weird<br />
wherever wholly yacht<br />
yield<br />
zoology<br />
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