The Magic Lantern Gazette - Library
The Magic Lantern Gazette - Library
The Magic Lantern Gazette - Library
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Oberammergau Passion Play 6<br />
One unusual feature of the casting of the play is that the role<br />
of Mary, the mother of Jesus, traditionally was given to a relatively<br />
young, unmarried woman. Because the same man<br />
sometimes played the role of Jesus for 20 years, this could<br />
result in the actress playing Mary not only being considerably<br />
younger than the actor playing her son, but in fact, younger<br />
than Jesus was at his death. In 1900, when Anton Lang<br />
played the role of Jesus for the first time at age 25, his mother<br />
was played by 18-year-old Anna Flunger. 15 In 1910, the 35-<br />
year-old Lang was a more appropriate age to play Jesus at the<br />
end of his life. <strong>The</strong> role of Mary was played by Ottilie Zwink,<br />
the 30-year-old daughter of Johann Zwink, who was memorable<br />
in his role as Judas. 16 Participation in the play often was a<br />
family affair—there were many different Langs, Mayrs, and<br />
Zwinks involved with the play over the years. Anton Lang’s<br />
autobiography includes a photograph of himself with five of<br />
his children, all costumed for parts in the play. 17<br />
<strong>Lantern</strong> slide of Anton Lang in his pottery studio, 1910.<br />
Photo by F. Bruckmann, Munich. <strong>Lantern</strong> slide by T.<br />
H. McAllister, New York.<br />
Photographs of Lang, either in his role as Jesus, or in real<br />
life, were widely circulated through the media of lantern<br />
slide lectures, magazine and newspaper articles, and picture<br />
postcards, and his image became well known to people<br />
around the world who had never been anywhere near<br />
Oberammergau. Indeed, these became such iconic images<br />
that many viewers probably imagined they actually were<br />
looking at an image of Christ himself. 12 In 1910, the Rev.<br />
William H. Crawford wrote, “if any man now living has face<br />
and form for the part, Anton Lang would seem to be the man.<br />
As he goes about his home he actually looks more like the<br />
Christ than like an ordinary man...He has long waving hair<br />
of light brown parted from a fair brow, finely chiseled features,<br />
a delicate, sensitive mouth, and deep blue eyes of passionate<br />
tenderness. If Raphael could have seen Anton Lang,<br />
he would certainly have chosen him for a model.” 13 Apparently<br />
some people thought he should behave as a Christ-like<br />
figure as well. Lang reported in his autobiography that when<br />
he was to be married, a French marquise wrote to protest that<br />
he should not marry, because Christ was not married. He<br />
also related stories of audience members asking him to bless<br />
their children after a performance. <strong>The</strong>se events, he said,<br />
were examples of “how people are apt to get things mixed<br />
up.” 14<br />
Anton Lang, age 25, in the role of Jesus, with Anna<br />
Flunger, age 18, as his mother. From the 1900 performance<br />
of the Oberammergau Passion Play. Photo by Leo<br />
Schweyer. From Diemer (1910).<br />
<strong>The</strong> Myths of Oberammergau<br />
Public interest in the Oberammergau Passion Play always has<br />
been accompanied by an unusual degree of interest in the village<br />
itself and the lives of its inhabitants. Invariably 19 th century<br />
travel accounts described the appearance of the village in