Peter Green Neck Pickup - Music Electronics Forum - The Blue Guitar
Peter Green Neck Pickup - Music Electronics Forum - The Blue Guitar
Peter Green Neck Pickup - Music Electronics Forum - The Blue Guitar
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JGundry<br />
Senior Member<br />
Join Date: Jul 2006<br />
Posts: 202<br />
Quote:<br />
Originally Posted by kevinT<br />
To my recollection, it was 4500 to 6000 turns according to<br />
the Seth Lover Interview (if i goofed the number forgive me,<br />
i haven't read the interview in a while).<br />
About 64 or 65 turns per layer.<br />
I agree, the rpms as well as the tension are going to be the<br />
toughies to figure out.<br />
Use the 64-65 turns per layer if you want to clone a Burst Bucker.<br />
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10-22-2007, 03:55 PM #38<br />
David Schwab<br />
Old Timer<br />
Join Date: May 2006<br />
Location: Montclair, NJ<br />
Posts: 1,678<br />
Quote:<br />
Originally Posted by JGundry<br />
And any difference between a magnet flip and a phase<br />
switch with the same pickup is caused by the fact that if one<br />
pole of the Alnico magnet is stronger and the magnet flip will<br />
change the tone as it would switch the dominant coil. If the<br />
coils are offset this further complicates the results with a<br />
magnet flip. If you simply electronically change the phase<br />
this is not an issue.<br />
<strong>The</strong>re you go... That's what I've been saying all along. And<br />
reversing the winding direction is exactly the same as being<br />
electrically out of phase.<br />
My issue with this story was ONLY that it was claimed that reversed<br />
winding sounded different from just wiring the pickup out of phase,<br />
which I still say is nonsense, not whether or not <strong>Green</strong>'s guitar is<br />
wired that way.<br />
I actually couldn't care less what's in <strong>Peter</strong> <strong>Green</strong>'s guitar.<br />
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10-22-2007, 07:50 PM #39<br />
Steve A.<br />
Supporting Member<br />
Join Date: May 2006<br />
Posts: 254<br />
Quote:<br />
Originally Posted by Spence<br />
[clip!!!] I have also said that <strong>Peter</strong> himself has always<br />
maintained that he used a Gibson 345 for recording which<br />
has magnetically opposed pickups as standard with an out of<br />
phase switching option through the varitone. If that's the<br />
sound you associate with <strong>Peter</strong> <strong>Green</strong> then people should<br />
stop insisting that it's his Les Paul that you associate with<br />
this sound.<br />
<strong>The</strong> cover of "<strong>Blue</strong> Jam In Chicago" clearly shows <strong>Peter</strong> <strong>Green</strong><br />
playing a Les Paul during the recording sessions at Chess Records.