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<strong>CONTEMPORARY</strong><br />

<strong>AUSTRALIA</strong> <strong>WOMEN</strong><br />

MEDIA KIT<br />

GALLERY OF MODERN ART, BRISBANE<br />

21 APRIL – 22 JULY 2012<br />

PRINCIPAL SPONSOR<br />

MAJOR SPONSOR<br />

<strong>WOMEN</strong> IN FILM SUPPORTED BY<br />

MEDIA PARTNERS<br />

Kate Mitchell / Being punctual (still, detail) 2010 / Courtesy: The artist and Chalk Horse, Sydney / Photographic still: Christopher Morris


MEDIA KIT CONTENTS<br />

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Exhibition summary<br />

Contemporary Australia series overview<br />

<strong>Art</strong>ists represented<br />

Contemporary Australia: Women in Film<br />

Children’s <strong>Art</strong> Centre: ‘Fly Away Home’<br />

Embodied Acts<br />

Public Programs and Events<br />

Education<br />

Publication<br />

Image use<br />

Sponsors<br />

SPOKESPERSONS<br />

On the exhibition:<br />

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Tony Ellwood, Director, <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> | <strong>Gallery</strong> of Modern <strong>Art</strong> (QAGOMA)<br />

Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>, QAGOMA<br />

On the public programs and education program:<br />

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Andrew Clark, Deputy Director, Programming and Corporate Services, QAGOMA<br />

Donna McColm, Head of Public Programs, Children’s <strong>Art</strong> Centre and Membership, QAGOMA<br />

Melina Mallos, Program Officer, Education & Curriculum Programs, QAGOMA<br />

On the Children’s <strong>Art</strong> Centre project, ‘Fly Away Home’<br />

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Kate Ryan, Curator, Children's <strong>Art</strong> Centre, QAGOMA<br />

Fiona Hall, artist, ‘Fly Away Home’<br />

On the film program, Contemporary Australia: Women in Film<br />

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Margaret Pomeranz, Curator of Contemporary Australia: Women in Film<br />

Rosie Hays, Associate Curator, Australian Cinémathèque, QAGOMA<br />

On the performative program, Embodied Acts<br />

<br />

Bree Richards, Assistant Curator, Contemporary Australian <strong>Art</strong>, QAGOMA


<strong>CONTEMPORARY</strong> <strong>AUSTRALIA</strong> SERIES OVERVIEW<br />

MAKING <strong>CONTEMPORARY</strong> ART ACCESSIBLE TO AUDIENCES<br />

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The <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> | <strong>Gallery</strong> of Modern <strong>Art</strong> (QAGOMA) has a long history of presenting major<br />

multi-faceted, scholarly and engaging exhibitions of contemporary art. This reflects the <strong>Gallery</strong>’s<br />

commitment to collecting, researching, exhibiting, publishing and interpreting contemporary art.<br />

This experience of presenting innovative, challenging and sophisticated contemporary work in an<br />

accessible way includes the flagship series, the Asia Pacific Triennial of Contemporary <strong>Art</strong> (APT),<br />

‘Contemporary Australia: Optimism’ (2008) and ‘21st Century: <strong>Art</strong> in the First Decade’ (2010).<br />

The <strong>Gallery</strong> initiated the ‘Contemporary Australia’ triennial series of exhibitions in light of the success of<br />

the APT series. Since the first Triennial in 1993, more than 1.8 million people have visited the exhibitions,<br />

with the most recent, APT6 in 2009, attracting more than 531 000 and averaging 4400 visitors daily.<br />

APT7 in 2012-13 will mark the 20th anniversary since the first APT.<br />

Launched with ‘Contemporary Australia: Optimism’ in 2008, the series explores the range, ambition and<br />

achievement of contemporary Australian art and aims to be the most extensive regular presentation of<br />

contemporary Australian art and film by an art museum in Australia.<br />

Over 186 000 people visited GoMA during the 14-week free season of ‘Contemporary Australia:<br />

Optimism’, a daily average attendance of 1860 visitors.<br />

That exhibition included painting, sculpture, drawing, photography, installation, video and video<br />

installation, cinema, animation, performance, music, literature and comedy by more than 60 emerging,<br />

mid-career and senior Indigenous and non-Indigenous artists from every state and territory.<br />

These multi-faceted contemporary art exhibition projects encompass major artwork commissions and<br />

acquisitions for Collection development; curated Children’s <strong>Art</strong> Centre projects with artists; extensive<br />

public programming; education programs and resources; online, digital and print publishing and<br />

interpretive materials.<br />

Collection development is an important legacy of these exhibitions, enabled by significant support of the<br />

<strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> Foundation, individual benefactors, and the <strong>Queensland</strong> Government.<br />

The calibre of the <strong>Gallery</strong>’s contemporary Asian, Pacific, international and Australian art collections is<br />

testimony to this strategic process of commissioning and acquiring major works for these exhibitions.


ARTISTS REPRESENTED<br />

Rebecca Baumann (WA)<br />

Lauren Brincat (NSW)<br />

Brown Council (NSW):<br />

Frances Barrett<br />

Kate Blackmore<br />

Kelly Doley<br />

Diana Smith<br />

Kirsty Bruce (QLD)<br />

Bindi Cole (VIC)<br />

Agatha Gothe-Snape (NSW)<br />

Marie Hagerty (NSW/ACT)<br />

Fiona Hall (SA)<br />

Natalya Hughes (NSW)<br />

Ruth Hutchinson (VIC)<br />

Deborah Kelly (NSW)<br />

Justine Khamara (VIC)<br />

Anastasia Klose (VIC)<br />

Gabriella Mangano and Silvana Mangano (VIC)<br />

Jennifer Mills (VIC)<br />

Kate Mitchell (NSW)<br />

Rose Nolan (VIC)<br />

Jess Olivieri and Hayley Forward with the<br />

Parachutes for Ladies (NSW):<br />

Hayley Forward<br />

Jess Olivieri<br />

Therese Ritchie (NT)<br />

Sandra Selig (QLD)<br />

Noël Skrzypczak (VIC)<br />

Sally Smart (VIC)<br />

Soda_Jerk (NSW):<br />

Dan Angeloro<br />

Dominique Angeloro<br />

Wakartu Cory Surprise (WA)<br />

Hiromi Tango (QLD)<br />

Monika Tichacek (NSW)<br />

Tjala <strong>Art</strong>s, Amata community (SA):<br />

Senior painters: Ruby Tjangawa Williamson,<br />

Wawiriya Burton, Tjampawa Katie Kawiny<br />

Jenny Watson (QLD)<br />

Judy Watson (QLD)<br />

Louise Weaver (VIC)<br />

Justene Williams (NSW)<br />

Gosia Wlodarczak (VIC)<br />

Judith Wright (QLD)<br />

For more information on participating artists visit www.qagoma.qld.gov.au/women/artists


<strong>CONTEMPORARY</strong> <strong>AUSTRALIA</strong>: <strong>WOMEN</strong> IN FILM<br />

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To complement the ‘Contemporary Australia: Women’ exhibition, the<br />

<strong>Gallery</strong>’s Australian Cinémathèque presents Contemporary Australia:<br />

Women in Film, specially curated by film critic, producer, and co-host<br />

of ABC Television’s ‘At the Movies’, Margaret Pomeranz.<br />

The program, which spans 25 years and includes 49 films by 37<br />

directors, explores representations of women in Australian films by<br />

women and men, and explores the contributions to Australian cinema<br />

by women.<br />

Margaret Pomeranz / Courtesy: ABC TV<br />

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On Saturday, April 21 at 5.00pm Margaret Pomeranz will join film<br />

directors Gillian Armstrong, Ana Kokkinos and Louise Alston to<br />

discuss representations of women in contemporary Australian cinema<br />

through different perspectives.<br />

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This will be followed by the program’s first screening: Look both Ways (2005) directed by Sarah Watt at<br />

6.30pm.<br />

The program continues until July 18, with screenings on Wednesday and Friday evenings as well as during<br />

the day on Saturdays, Sundays and public holidays at GOMA. The Audi GOMA Bar is open for Friday<br />

evening screenings.<br />

Contemporary Australia: Women in Film features free screenings of titles including Animal Kingdom 2010 by<br />

David Michôd, Muriel’s Wedding 1994 by PJ Hogan, Radiance 1998 by Rachel Perkins and Cannes Film<br />

Festival award winner Warwick Thornton’s Samson and Delilah 2009.<br />

<strong>Queensland</strong> visual artist and film director Davida Allen’s feature film Feeling Sexy (1998) will be screened on<br />

Saturday, July 14 at 2pm, followed by an in-conversation with the artist.<br />

Contemporary Australia: Women in Film focuses on the female characters and gender relationships which<br />

populate Australian cinema, while also acknowledging the growing number of women behind the scenes in<br />

such key production roles as scriptwriters, cinematographers and producers.<br />

For more information on Contemporary Australia: Women in Film visit<br />

www.qagoma.qld.gov.au/cinematheque


‘FLY AWAY HOME’<br />

As part of ‘Contemporary Australia: Women’, the<br />

<strong>Gallery</strong>’s Children’s <strong>Art</strong> Centre presents leading<br />

Australian artist Fiona Hall’s large scale installation<br />

‘Fly Away Home’ which occupies the entire Park<br />

Level of the Children’s <strong>Art</strong> Centre. ‘Fly Away Home’<br />

opens up young imaginations to the wonders of the<br />

world inhabited by both humans and birds, while<br />

also introducing important issues of our time –<br />

human migration and the need to protect the<br />

environment.<br />

Installation view of Fiona Hall’s ‘Fly away home’ artist project<br />

/ First commissioned by the Children’s <strong>Art</strong> Centre for ‘21st<br />

Century: <strong>Art</strong> in the First Decade’ / Supported by the Tim<br />

Fairfax Family Foundation 2010 / Photograph: QAGOMA<br />

The installation reveals the artist’s ongoing fascination<br />

with the connections between the migratory behavior<br />

of birds and people and her interest in Sri Lanka: its<br />

politics, people and nature.<br />

Fiona Hall invites children to explore these ideas from a bird’s perspective as they make a bird and nest<br />

using paper money she has created for ‘Fly Away Home’.<br />

Visitors to ‘Fly Away Home’ first encounter a space inspired by a nineteenth century museum interior,<br />

which features interesting facts about a variety of birds written by the artist. Children are invited to explore<br />

the museum space that features a display of bank notes drawn from the artist’s collection, bird specimens<br />

on loan from the <strong>Queensland</strong> Museum and small origami birds crafted by the artist.<br />

The rest of the installation at GOMA is an environment constructed of towering wooden tree structures<br />

providing a space for children and their families to make their own bird creations. Other features of the<br />

installation include custom-designed wallpaper by the artist depicting Sri-Lankan birds and military<br />

camouflage, and a video installation entitled Video wallpaper for a rainy afternoon 2008-10, documenting<br />

the bird life visiting a Sri Lankan lake during the monsoon.<br />

“‘Fly Away Home’ responds to my growing concern with the widening gap between nature and culture…<br />

‘Fly Away Home’ brings together these two opposing realms to try to show young visitors just how<br />

interconnected we are with the natural world — that we are part of it.” Fiona Hall<br />

‘Fly Away Home’ was first commissioned by the Children’s <strong>Art</strong> Centre for the ‘21 st Century: <strong>Art</strong> in the First<br />

Decade’ exhibition in 2010, supported by the Tim Fairfax Family Foundation.


ABOUT FIONA HALL<br />

b.1953 Sydney | Lives and works in Adelaide<br />

Fiona Hall is a leading contemporary artist with a career spanning more than 30 years. Her work<br />

enchants audiences in Australia and internationally. Hall has built her recent practice by focusing on<br />

transforming ordinary things into extraordinary objects, fashioning new worlds from today’s leftovers<br />

and excesses.<br />

Experimentations in an array of media have resulted in works that engage with a number of key<br />

themes including: the division between good and evil, the complex histories of colonial and<br />

postcolonial trade, and the interconnections between botany, classification, trade and power.


EMBODIED ACTS<br />

Live and performative art forms are currently enjoying a resurgence internationally, and in an Australian context,<br />

particularly amongst early career and experimental women practitioners. Embodied Acts is a program of<br />

performances, events and actions taking place in and around the <strong>Gallery</strong> of Modern <strong>Art</strong> (GOMA) during<br />

‘Contemporary Australia: Women’.<br />

Involving a diverse group of artists whose practices cross between disciplines and interests, Embodied Acts<br />

includes site-specific, performative and ephemeral art forms. Many younger artists have moved to distance<br />

themselves from feminist discourses, yet, whether consciously or not, reference the performativity of 1970s<br />

feminist practices with their intense focus on the body as both subject and object. Each of the participating<br />

artists — in various humorous, critical and sensual ways — presents works that interact with the everyday,<br />

offering new vantage points on the worlds we inhabit and negotiate.<br />

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Rebecca Baumann will collaborate with a pyrotechnician to deliver blasts of candy-coloured smoke into the<br />

sky for her work Smoke Fields, at 11.30am on Saturday April 21 and 2.30pm on Sunday April 22. Loosely<br />

inspired by the Hindu Holi festival and Mexico’s Day of the Dead, which position disorder and destruction<br />

alongside joy and exultation, this work, too, has a discomforting edge. Smoke is a sign of danger, which, along<br />

with the spark of small-scale explosions, gives an alarming tinge to a work that embraces the revelatory<br />

potential of colour. Rather than spectacle (though by its very nature it is exactly that), the object of this<br />

performance is transformation itself. Its short duration and ephemeral nature means the work is tinged with<br />

nostalgia even as it happens.<br />

Lauren Brincat’s High Horse, is a one-off tambourine performance, incorporating the video and sculptural<br />

objects she has made for the show, in collaboration with percussionist Bree van Reyk. Performance date to be<br />

confirmed.<br />

Performance fee is an endurance event by Brown Council where for two dollars the viewer can procure a kiss<br />

from one of the blindfolded artists. Performances at 12 noon until 2.00pm on Saturday April 21 and Sunday<br />

April 22.<br />

Kate Mitchell’s video work Being punctual 2012 shows the artist swinging from a grand chandelier –<br />

transforming an iconic symbol of decadence into a tool for larrikin abandon. Projected on GOMA’s glass<br />

façade and visible at night, Being punctual offers a surreal vision of what could be occurring behind closed<br />

doors, allowing Mitchell to ask broader questions about the society in which we all ‘perform’.<br />

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Jess Olivieri and Hayley Forward with the Parachutes for Ladies will intervene in the <strong>Gallery</strong> spaces with<br />

sound and movement, working with GOMA’s <strong>Gallery</strong> Services Officers (GSOs) on an ongoing performance<br />

entitled Canon, and with other staff members on Mass ornament, a one-off event that references Busby<br />

Berkeley choreography from 1940s musicals, at 3.30pm on Sunday April 22.<br />

Soda-Jerk present The Carousel, a multi-channel performance lecture on the temporality of cinema and its<br />

relationship to death, at 3.00pm on Saturday April 21.<br />

For more information on the Embodied Acts program visit: www.qagoma.qld.gov.au/women


PUBLIC PROGRAMS AND EVENTS<br />

‘Contemporary Australia: Women’ is complemented by a range of public programs, talks and<br />

conversations with exhibiting artists and special guests presented throughout the exhibition. The popular<br />

GOMA Talks program of entertaining and informative panel discussions, presented in partnership with<br />

ABC Radio National, also returns with 'Contemporary Australia' to focus on ideas and issues inspired by<br />

the exhibition with guest panelists.<br />

NEW ART PERSPECTIVES: EXHIBITION FLOORTALKS<br />

<strong>Art</strong> expresses the richness, diversity and relevance of contemporary art in our daily lives. Recent<br />

contemporary art and new commissions featured in the exhibition become the platform for discussing<br />

current ideas and the ways in which women have reshaped the landscape of contemporary Australian art.<br />

The following events will explore this idea further:<br />

Writers and Thinkers<br />

Local writers and academics explore works in the exhibition through the lens of current ideas.<br />

Thursday 26 April 2.30pm<br />

Jane Morley, fashion designer, consultant and researcher with a specific interest in sustainability,<br />

investigates a return to use of particular materials in selected works on display.<br />

Wednesday 30 May 2.30pm<br />

Feminist cultural critic Dr Anthea Taylor from The University of <strong>Queensland</strong>, explores the links between art<br />

works in ‘Contemporary Australia’ and the place of women in the public sphere.<br />

<strong>Art</strong>ists<br />

<strong>Art</strong>ists share the stories behind the making of works in the exhibition. See how women artists have<br />

reshaped the landscape of contemporary Australian art.<br />

Saturday 5 May 2.30pm<br />

Judy Watson used the histories of <strong>Queensland</strong> frontier life from the point of view of five generations of<br />

Indigenous women in her family to create her installation in our skin 2012 on display.<br />

Sunday 17 June 3.00pm<br />

Natalya Hughes shares the evolution of her work over a decade to include her installation The After Party<br />

2012 set within a parlour room space in the exhibition, and referencing the work of American feminist artist<br />

Judy Chicago.<br />

Curators<br />

Learn about the development of ‘Contemporary Australia: Women’ with <strong>Gallery</strong> curators.<br />

Sunday 13 May 3.30pm<br />

Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>, provides a curator’s perspective on developing<br />

‘Contemporary Australia: Women’.


Thursday 5 July 2.30pm (During NAIDOC Week)<br />

The lives and work of senior Indigenous women artists is a compelling aspect of the ‘Contemporary<br />

Australia’ exhibition. Hear about the works and artists with Diane Moon, Curator, Indigenous Fibre <strong>Art</strong>.<br />

My Gen 50+<br />

Programs and events for <strong>Gallery</strong> visitors over 50 years<br />

Wednesday 9 May 2.30pm Conversations with Curators<br />

A behind-the-scenes perspective on the development of the ‘Contemporary Australia: Women’ exhibition<br />

with Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>.<br />

Friday 25 May 10.30am Short Course: Women<br />

In this specially developed short course, the changing roles of women in art and social history are<br />

explored with a range of special guests. Bookings required: mygen@qagoma.qld.gov.au<br />

New Wave Teens<br />

<strong>Art</strong>ist-run workshops and special offers for young people aged 13 to 18 years<br />

23 June 2012 <strong>Art</strong>ist-run workshop<br />

During the Winter school holidays young people have the opportunity to work with Kirsty Bruce, exhibiting<br />

artist featured in ‘Contemporary Australia: Women’.<br />

Bookings required: newwaveteens@qagoma.qld.gov.au<br />

New Wave Emerging<br />

The <strong>Gallery</strong>’s public program for emerging artists, writers and curators<br />

16 June 2012 Critical session 2.00pm<br />

The experience and advice provided by exhibiting artists is invaluable for emerging practitioners. The New<br />

Wave Emerging program provides students and young artists, writers and curators with the opportunity to<br />

hear directly from practicing artists. In conjunction with ‘Contemporary Australia: Women’, exhibiting artist<br />

Natalya Hughes shares the development of her work.<br />

Bookings required: newwave@qagoma.qld.gov.au<br />

GOMA Talks<br />

6.30-7.30pm Thursdays fortnightly 7 June – 19 July 2012 CINEMA A, GOMA<br />

Live webcast at www.qagoma.qld.gov.au/webcast tweet hashtag #GOMAtalks<br />

GOMA Talks, presented in partnership with ABC Radio National, explores contemporary ideas and issues<br />

from a range of perspectives with special guest panellists. During 'Contemporary Australia: Women',<br />

GOMA Talks tackles some of the most topical questions about contemporary Australia, from national<br />

identity and business to sexuality and science. ABC Radio National hosts Sarah Kanowski (Weekend<br />

<strong>Art</strong>s), Natasha Mitchell (Life Matters), Geraldine Doogue, AO (Saturday Extra) and Fenella Kernebone (By<br />

Design) lead all-female panels.<br />

Admission to GOMA Talks is free and no bookings are required. The Audi GOMA Bar opens at 5.15pm.


EDUCATION PROGRAMS<br />

The <strong>Gallery</strong> offers a range of education programs that aim to address curriculum standards and enhance<br />

the classroom experience.<br />

As part of ‘Contemporary Australia: Women’ specially developed education resources will be available for<br />

primary and secondary students to use in the <strong>Gallery</strong> and classroom. The resources include accompanying<br />

teacher notes with curriculum information.<br />

LOOK OUT TEACHER PROGRAM<br />

The Look Out Teacher Program developed for ‘Contemporary Australia: Women’ offers teachers the<br />

opportunity to join artists, curators and education staff for a morning of interesting programs suitable for all<br />

teaching levels.<br />

Saturday 12 May, 10.00am – 1.00pm, GOMA<br />

Panel Discussion (Teacher exclusive)<br />

10.00am – 11.00am<br />

Julie Ewington, Curatorial Manager, Australian <strong>Art</strong> and artists from ‘Contemporary Australia: Women’ will<br />

discuss themes within the exhibition.<br />

<strong>Art</strong>ist Workshops<br />

11.30am – 1.00pm<br />

Sessions will be facilitated by Brisbane artists featured in ‘Contemporary Australia: Women’ to inspire<br />

teachers to develop ideas suitable for the classroom.<br />

This program has limited capacity | $20 | Suitable for all teaching levels | Bookings and payment online<br />

from late April.<br />

ART FOR OUR SCHOOL<br />

The <strong>Art</strong> for our School program is a unique opportunity for a primary teacher to work with an artist from<br />

‘Contemporary Australia: Women’ to create an art work for display at their school. The project will be<br />

completed by July. Teachers attending the Look Out artist workshop will learn more about the <strong>Art</strong> for our<br />

School program.<br />

EDUCATION GROUP BOOKINGS<br />

The <strong>Gallery</strong> welcomes school groups of all sizes however bookings are required in advance for groups of<br />

ten or more. To arrange a school visit to ‘Contemporary Australia: Women’, contact the Education<br />

Bookings Office.<br />

T: (07) 3840 7255<br />

E: educationbookings@qagoma.qld.gov.au


EXHIBITION PUBLICATION<br />

‘Contemporary Australia: Women’ is accompanied by a full-colour<br />

publication. In addition to over 30 illustrated essays on the artists and<br />

collectives represented in the exhibition, it also includes texts by<br />

prominent authors:<br />

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Here and Now by Julie Ewington, the <strong>Gallery</strong>’s Curatorial<br />

Manager, Australian <strong>Art</strong>, the exhibition’s lead curator<br />

I can hear her breathing by social commentator Emily Maguire<br />

New challenges in Indigenous Affairs by leading Aboriginal<br />

scholar, Marcia Langton, AM<br />

Women in Contemporary Australian Cinema by Margaret<br />

Pomeranz, AM, film critic, producer and ‘Contemporary Australia:<br />

Women in Film’ program curator<br />

The publication celebrates the diversity, energy and innovation in work by emerging, established and senior<br />

contemporary Australian women artists.<br />

The 220 page exhibition publication is available for purchase from the QAGOMA Store and online at<br />

www.australianartbooks.com.au / RRP: $39.95 (softcover)


USE OF IMAGES AND COPYRIGHT<br />

The <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> respects the rights of artists and copyright holders when providing images for<br />

media use. The <strong>Gallery</strong> provides images of selected artworks in the ‘Contemporary Australia: Women’<br />

exhibition to approved media representatives to communicate broadcast and reproduces for fair dealing<br />

purposes. Under the Copyright Act 1968, fair dealing covers criticism or review, and reporting the news.<br />

Images strictly for these purposes are available at www.qagoma.qld.gov.au/women/media<br />

The responsibility for securing permission from the copyright holder for any additional purposes of image<br />

reproduction remains solely with the party reproducing the images. In addition, any reproduction of these<br />

images must be accompanied by the full caption, including the credit line and the relevant copyright<br />

information, as provided with each image.<br />

Any party communicating, broadcasting or reproducing these images must not crop, distort or manipulate the<br />

images in any way. No images can be bled off the page, or printed in a single colour other than black, or<br />

overlaid with text.<br />

Copying, dissemination or redistribution of any image is strictly prohibited without prior written permission<br />

from the copyright holder.<br />

For images or further information regarding image use, please contact the <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong>.<br />

T: +61 7 3842 9563<br />

E: dan.cameron@qagoma.qld.gov.au


<strong>CONTEMPORARY</strong><br />

<strong>AUSTRALIA</strong> <strong>WOMEN</strong><br />

GALLERY OF MODERN ART, BRISBANE<br />

21 APRIL – 22 JULY 2012<br />

MEDIA INQUIRIES<br />

DAN CAMERON<br />

MEDIA COORDINATOR<br />

QUEENSLAND ART GALLERY<br />

GALLERY OF MODERN ART<br />

T: +61 (0)7 3842 9563<br />

E: DAN.CAMERON@QAGOMA.qld.gov.AU<br />

IMAGES<br />

w: qagoma.qld.gov.AU/<strong>WOMEN</strong>/media<br />

SPONSORS<br />

PRINCIPAL SPONSOR<br />

MAJOR SPONSOR<br />

<strong>WOMEN</strong> IN FILM SUPPORTED BY<br />

MEDIA PARTNERS

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