CONTEMPORARY AUSTRALIA WOMEN - Queensland Art Gallery ...
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<strong>CONTEMPORARY</strong><br />
<strong>AUSTRALIA</strong> <strong>WOMEN</strong><br />
MEDIA KIT<br />
GALLERY OF MODERN ART, BRISBANE<br />
21 APRIL – 22 JULY 2012<br />
PRINCIPAL SPONSOR<br />
MAJOR SPONSOR<br />
<strong>WOMEN</strong> IN FILM SUPPORTED BY<br />
MEDIA PARTNERS<br />
Kate Mitchell / Being punctual (still, detail) 2010 / Courtesy: The artist and Chalk Horse, Sydney / Photographic still: Christopher Morris
MEDIA KIT CONTENTS<br />
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Exhibition summary<br />
Contemporary Australia series overview<br />
<strong>Art</strong>ists represented<br />
Contemporary Australia: Women in Film<br />
Children’s <strong>Art</strong> Centre: ‘Fly Away Home’<br />
Embodied Acts<br />
Public Programs and Events<br />
Education<br />
Publication<br />
Image use<br />
Sponsors<br />
SPOKESPERSONS<br />
On the exhibition:<br />
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Tony Ellwood, Director, <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> | <strong>Gallery</strong> of Modern <strong>Art</strong> (QAGOMA)<br />
Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>, QAGOMA<br />
On the public programs and education program:<br />
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Andrew Clark, Deputy Director, Programming and Corporate Services, QAGOMA<br />
Donna McColm, Head of Public Programs, Children’s <strong>Art</strong> Centre and Membership, QAGOMA<br />
Melina Mallos, Program Officer, Education & Curriculum Programs, QAGOMA<br />
On the Children’s <strong>Art</strong> Centre project, ‘Fly Away Home’<br />
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Kate Ryan, Curator, Children's <strong>Art</strong> Centre, QAGOMA<br />
Fiona Hall, artist, ‘Fly Away Home’<br />
On the film program, Contemporary Australia: Women in Film<br />
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Margaret Pomeranz, Curator of Contemporary Australia: Women in Film<br />
Rosie Hays, Associate Curator, Australian Cinémathèque, QAGOMA<br />
On the performative program, Embodied Acts<br />
<br />
Bree Richards, Assistant Curator, Contemporary Australian <strong>Art</strong>, QAGOMA
<strong>CONTEMPORARY</strong> <strong>AUSTRALIA</strong> SERIES OVERVIEW<br />
MAKING <strong>CONTEMPORARY</strong> ART ACCESSIBLE TO AUDIENCES<br />
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The <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> | <strong>Gallery</strong> of Modern <strong>Art</strong> (QAGOMA) has a long history of presenting major<br />
multi-faceted, scholarly and engaging exhibitions of contemporary art. This reflects the <strong>Gallery</strong>’s<br />
commitment to collecting, researching, exhibiting, publishing and interpreting contemporary art.<br />
This experience of presenting innovative, challenging and sophisticated contemporary work in an<br />
accessible way includes the flagship series, the Asia Pacific Triennial of Contemporary <strong>Art</strong> (APT),<br />
‘Contemporary Australia: Optimism’ (2008) and ‘21st Century: <strong>Art</strong> in the First Decade’ (2010).<br />
The <strong>Gallery</strong> initiated the ‘Contemporary Australia’ triennial series of exhibitions in light of the success of<br />
the APT series. Since the first Triennial in 1993, more than 1.8 million people have visited the exhibitions,<br />
with the most recent, APT6 in 2009, attracting more than 531 000 and averaging 4400 visitors daily.<br />
APT7 in 2012-13 will mark the 20th anniversary since the first APT.<br />
Launched with ‘Contemporary Australia: Optimism’ in 2008, the series explores the range, ambition and<br />
achievement of contemporary Australian art and aims to be the most extensive regular presentation of<br />
contemporary Australian art and film by an art museum in Australia.<br />
Over 186 000 people visited GoMA during the 14-week free season of ‘Contemporary Australia:<br />
Optimism’, a daily average attendance of 1860 visitors.<br />
That exhibition included painting, sculpture, drawing, photography, installation, video and video<br />
installation, cinema, animation, performance, music, literature and comedy by more than 60 emerging,<br />
mid-career and senior Indigenous and non-Indigenous artists from every state and territory.<br />
These multi-faceted contemporary art exhibition projects encompass major artwork commissions and<br />
acquisitions for Collection development; curated Children’s <strong>Art</strong> Centre projects with artists; extensive<br />
public programming; education programs and resources; online, digital and print publishing and<br />
interpretive materials.<br />
Collection development is an important legacy of these exhibitions, enabled by significant support of the<br />
<strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> Foundation, individual benefactors, and the <strong>Queensland</strong> Government.<br />
The calibre of the <strong>Gallery</strong>’s contemporary Asian, Pacific, international and Australian art collections is<br />
testimony to this strategic process of commissioning and acquiring major works for these exhibitions.
ARTISTS REPRESENTED<br />
Rebecca Baumann (WA)<br />
Lauren Brincat (NSW)<br />
Brown Council (NSW):<br />
Frances Barrett<br />
Kate Blackmore<br />
Kelly Doley<br />
Diana Smith<br />
Kirsty Bruce (QLD)<br />
Bindi Cole (VIC)<br />
Agatha Gothe-Snape (NSW)<br />
Marie Hagerty (NSW/ACT)<br />
Fiona Hall (SA)<br />
Natalya Hughes (NSW)<br />
Ruth Hutchinson (VIC)<br />
Deborah Kelly (NSW)<br />
Justine Khamara (VIC)<br />
Anastasia Klose (VIC)<br />
Gabriella Mangano and Silvana Mangano (VIC)<br />
Jennifer Mills (VIC)<br />
Kate Mitchell (NSW)<br />
Rose Nolan (VIC)<br />
Jess Olivieri and Hayley Forward with the<br />
Parachutes for Ladies (NSW):<br />
Hayley Forward<br />
Jess Olivieri<br />
Therese Ritchie (NT)<br />
Sandra Selig (QLD)<br />
Noël Skrzypczak (VIC)<br />
Sally Smart (VIC)<br />
Soda_Jerk (NSW):<br />
Dan Angeloro<br />
Dominique Angeloro<br />
Wakartu Cory Surprise (WA)<br />
Hiromi Tango (QLD)<br />
Monika Tichacek (NSW)<br />
Tjala <strong>Art</strong>s, Amata community (SA):<br />
Senior painters: Ruby Tjangawa Williamson,<br />
Wawiriya Burton, Tjampawa Katie Kawiny<br />
Jenny Watson (QLD)<br />
Judy Watson (QLD)<br />
Louise Weaver (VIC)<br />
Justene Williams (NSW)<br />
Gosia Wlodarczak (VIC)<br />
Judith Wright (QLD)<br />
For more information on participating artists visit www.qagoma.qld.gov.au/women/artists
<strong>CONTEMPORARY</strong> <strong>AUSTRALIA</strong>: <strong>WOMEN</strong> IN FILM<br />
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To complement the ‘Contemporary Australia: Women’ exhibition, the<br />
<strong>Gallery</strong>’s Australian Cinémathèque presents Contemporary Australia:<br />
Women in Film, specially curated by film critic, producer, and co-host<br />
of ABC Television’s ‘At the Movies’, Margaret Pomeranz.<br />
The program, which spans 25 years and includes 49 films by 37<br />
directors, explores representations of women in Australian films by<br />
women and men, and explores the contributions to Australian cinema<br />
by women.<br />
Margaret Pomeranz / Courtesy: ABC TV<br />
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On Saturday, April 21 at 5.00pm Margaret Pomeranz will join film<br />
directors Gillian Armstrong, Ana Kokkinos and Louise Alston to<br />
discuss representations of women in contemporary Australian cinema<br />
through different perspectives.<br />
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This will be followed by the program’s first screening: Look both Ways (2005) directed by Sarah Watt at<br />
6.30pm.<br />
The program continues until July 18, with screenings on Wednesday and Friday evenings as well as during<br />
the day on Saturdays, Sundays and public holidays at GOMA. The Audi GOMA Bar is open for Friday<br />
evening screenings.<br />
Contemporary Australia: Women in Film features free screenings of titles including Animal Kingdom 2010 by<br />
David Michôd, Muriel’s Wedding 1994 by PJ Hogan, Radiance 1998 by Rachel Perkins and Cannes Film<br />
Festival award winner Warwick Thornton’s Samson and Delilah 2009.<br />
<strong>Queensland</strong> visual artist and film director Davida Allen’s feature film Feeling Sexy (1998) will be screened on<br />
Saturday, July 14 at 2pm, followed by an in-conversation with the artist.<br />
Contemporary Australia: Women in Film focuses on the female characters and gender relationships which<br />
populate Australian cinema, while also acknowledging the growing number of women behind the scenes in<br />
such key production roles as scriptwriters, cinematographers and producers.<br />
For more information on Contemporary Australia: Women in Film visit<br />
www.qagoma.qld.gov.au/cinematheque
‘FLY AWAY HOME’<br />
As part of ‘Contemporary Australia: Women’, the<br />
<strong>Gallery</strong>’s Children’s <strong>Art</strong> Centre presents leading<br />
Australian artist Fiona Hall’s large scale installation<br />
‘Fly Away Home’ which occupies the entire Park<br />
Level of the Children’s <strong>Art</strong> Centre. ‘Fly Away Home’<br />
opens up young imaginations to the wonders of the<br />
world inhabited by both humans and birds, while<br />
also introducing important issues of our time –<br />
human migration and the need to protect the<br />
environment.<br />
Installation view of Fiona Hall’s ‘Fly away home’ artist project<br />
/ First commissioned by the Children’s <strong>Art</strong> Centre for ‘21st<br />
Century: <strong>Art</strong> in the First Decade’ / Supported by the Tim<br />
Fairfax Family Foundation 2010 / Photograph: QAGOMA<br />
The installation reveals the artist’s ongoing fascination<br />
with the connections between the migratory behavior<br />
of birds and people and her interest in Sri Lanka: its<br />
politics, people and nature.<br />
Fiona Hall invites children to explore these ideas from a bird’s perspective as they make a bird and nest<br />
using paper money she has created for ‘Fly Away Home’.<br />
Visitors to ‘Fly Away Home’ first encounter a space inspired by a nineteenth century museum interior,<br />
which features interesting facts about a variety of birds written by the artist. Children are invited to explore<br />
the museum space that features a display of bank notes drawn from the artist’s collection, bird specimens<br />
on loan from the <strong>Queensland</strong> Museum and small origami birds crafted by the artist.<br />
The rest of the installation at GOMA is an environment constructed of towering wooden tree structures<br />
providing a space for children and their families to make their own bird creations. Other features of the<br />
installation include custom-designed wallpaper by the artist depicting Sri-Lankan birds and military<br />
camouflage, and a video installation entitled Video wallpaper for a rainy afternoon 2008-10, documenting<br />
the bird life visiting a Sri Lankan lake during the monsoon.<br />
“‘Fly Away Home’ responds to my growing concern with the widening gap between nature and culture…<br />
‘Fly Away Home’ brings together these two opposing realms to try to show young visitors just how<br />
interconnected we are with the natural world — that we are part of it.” Fiona Hall<br />
‘Fly Away Home’ was first commissioned by the Children’s <strong>Art</strong> Centre for the ‘21 st Century: <strong>Art</strong> in the First<br />
Decade’ exhibition in 2010, supported by the Tim Fairfax Family Foundation.
ABOUT FIONA HALL<br />
b.1953 Sydney | Lives and works in Adelaide<br />
Fiona Hall is a leading contemporary artist with a career spanning more than 30 years. Her work<br />
enchants audiences in Australia and internationally. Hall has built her recent practice by focusing on<br />
transforming ordinary things into extraordinary objects, fashioning new worlds from today’s leftovers<br />
and excesses.<br />
Experimentations in an array of media have resulted in works that engage with a number of key<br />
themes including: the division between good and evil, the complex histories of colonial and<br />
postcolonial trade, and the interconnections between botany, classification, trade and power.
EMBODIED ACTS<br />
Live and performative art forms are currently enjoying a resurgence internationally, and in an Australian context,<br />
particularly amongst early career and experimental women practitioners. Embodied Acts is a program of<br />
performances, events and actions taking place in and around the <strong>Gallery</strong> of Modern <strong>Art</strong> (GOMA) during<br />
‘Contemporary Australia: Women’.<br />
Involving a diverse group of artists whose practices cross between disciplines and interests, Embodied Acts<br />
includes site-specific, performative and ephemeral art forms. Many younger artists have moved to distance<br />
themselves from feminist discourses, yet, whether consciously or not, reference the performativity of 1970s<br />
feminist practices with their intense focus on the body as both subject and object. Each of the participating<br />
artists — in various humorous, critical and sensual ways — presents works that interact with the everyday,<br />
offering new vantage points on the worlds we inhabit and negotiate.<br />
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Rebecca Baumann will collaborate with a pyrotechnician to deliver blasts of candy-coloured smoke into the<br />
sky for her work Smoke Fields, at 11.30am on Saturday April 21 and 2.30pm on Sunday April 22. Loosely<br />
inspired by the Hindu Holi festival and Mexico’s Day of the Dead, which position disorder and destruction<br />
alongside joy and exultation, this work, too, has a discomforting edge. Smoke is a sign of danger, which, along<br />
with the spark of small-scale explosions, gives an alarming tinge to a work that embraces the revelatory<br />
potential of colour. Rather than spectacle (though by its very nature it is exactly that), the object of this<br />
performance is transformation itself. Its short duration and ephemeral nature means the work is tinged with<br />
nostalgia even as it happens.<br />
Lauren Brincat’s High Horse, is a one-off tambourine performance, incorporating the video and sculptural<br />
objects she has made for the show, in collaboration with percussionist Bree van Reyk. Performance date to be<br />
confirmed.<br />
Performance fee is an endurance event by Brown Council where for two dollars the viewer can procure a kiss<br />
from one of the blindfolded artists. Performances at 12 noon until 2.00pm on Saturday April 21 and Sunday<br />
April 22.<br />
Kate Mitchell’s video work Being punctual 2012 shows the artist swinging from a grand chandelier –<br />
transforming an iconic symbol of decadence into a tool for larrikin abandon. Projected on GOMA’s glass<br />
façade and visible at night, Being punctual offers a surreal vision of what could be occurring behind closed<br />
doors, allowing Mitchell to ask broader questions about the society in which we all ‘perform’.<br />
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Jess Olivieri and Hayley Forward with the Parachutes for Ladies will intervene in the <strong>Gallery</strong> spaces with<br />
sound and movement, working with GOMA’s <strong>Gallery</strong> Services Officers (GSOs) on an ongoing performance<br />
entitled Canon, and with other staff members on Mass ornament, a one-off event that references Busby<br />
Berkeley choreography from 1940s musicals, at 3.30pm on Sunday April 22.<br />
Soda-Jerk present The Carousel, a multi-channel performance lecture on the temporality of cinema and its<br />
relationship to death, at 3.00pm on Saturday April 21.<br />
For more information on the Embodied Acts program visit: www.qagoma.qld.gov.au/women
PUBLIC PROGRAMS AND EVENTS<br />
‘Contemporary Australia: Women’ is complemented by a range of public programs, talks and<br />
conversations with exhibiting artists and special guests presented throughout the exhibition. The popular<br />
GOMA Talks program of entertaining and informative panel discussions, presented in partnership with<br />
ABC Radio National, also returns with 'Contemporary Australia' to focus on ideas and issues inspired by<br />
the exhibition with guest panelists.<br />
NEW ART PERSPECTIVES: EXHIBITION FLOORTALKS<br />
<strong>Art</strong> expresses the richness, diversity and relevance of contemporary art in our daily lives. Recent<br />
contemporary art and new commissions featured in the exhibition become the platform for discussing<br />
current ideas and the ways in which women have reshaped the landscape of contemporary Australian art.<br />
The following events will explore this idea further:<br />
Writers and Thinkers<br />
Local writers and academics explore works in the exhibition through the lens of current ideas.<br />
Thursday 26 April 2.30pm<br />
Jane Morley, fashion designer, consultant and researcher with a specific interest in sustainability,<br />
investigates a return to use of particular materials in selected works on display.<br />
Wednesday 30 May 2.30pm<br />
Feminist cultural critic Dr Anthea Taylor from The University of <strong>Queensland</strong>, explores the links between art<br />
works in ‘Contemporary Australia’ and the place of women in the public sphere.<br />
<strong>Art</strong>ists<br />
<strong>Art</strong>ists share the stories behind the making of works in the exhibition. See how women artists have<br />
reshaped the landscape of contemporary Australian art.<br />
Saturday 5 May 2.30pm<br />
Judy Watson used the histories of <strong>Queensland</strong> frontier life from the point of view of five generations of<br />
Indigenous women in her family to create her installation in our skin 2012 on display.<br />
Sunday 17 June 3.00pm<br />
Natalya Hughes shares the evolution of her work over a decade to include her installation The After Party<br />
2012 set within a parlour room space in the exhibition, and referencing the work of American feminist artist<br />
Judy Chicago.<br />
Curators<br />
Learn about the development of ‘Contemporary Australia: Women’ with <strong>Gallery</strong> curators.<br />
Sunday 13 May 3.30pm<br />
Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>, provides a curator’s perspective on developing<br />
‘Contemporary Australia: Women’.
Thursday 5 July 2.30pm (During NAIDOC Week)<br />
The lives and work of senior Indigenous women artists is a compelling aspect of the ‘Contemporary<br />
Australia’ exhibition. Hear about the works and artists with Diane Moon, Curator, Indigenous Fibre <strong>Art</strong>.<br />
My Gen 50+<br />
Programs and events for <strong>Gallery</strong> visitors over 50 years<br />
Wednesday 9 May 2.30pm Conversations with Curators<br />
A behind-the-scenes perspective on the development of the ‘Contemporary Australia: Women’ exhibition<br />
with Julie Ewington, Curatorial Manager, Australian <strong>Art</strong>.<br />
Friday 25 May 10.30am Short Course: Women<br />
In this specially developed short course, the changing roles of women in art and social history are<br />
explored with a range of special guests. Bookings required: mygen@qagoma.qld.gov.au<br />
New Wave Teens<br />
<strong>Art</strong>ist-run workshops and special offers for young people aged 13 to 18 years<br />
23 June 2012 <strong>Art</strong>ist-run workshop<br />
During the Winter school holidays young people have the opportunity to work with Kirsty Bruce, exhibiting<br />
artist featured in ‘Contemporary Australia: Women’.<br />
Bookings required: newwaveteens@qagoma.qld.gov.au<br />
New Wave Emerging<br />
The <strong>Gallery</strong>’s public program for emerging artists, writers and curators<br />
16 June 2012 Critical session 2.00pm<br />
The experience and advice provided by exhibiting artists is invaluable for emerging practitioners. The New<br />
Wave Emerging program provides students and young artists, writers and curators with the opportunity to<br />
hear directly from practicing artists. In conjunction with ‘Contemporary Australia: Women’, exhibiting artist<br />
Natalya Hughes shares the development of her work.<br />
Bookings required: newwave@qagoma.qld.gov.au<br />
GOMA Talks<br />
6.30-7.30pm Thursdays fortnightly 7 June – 19 July 2012 CINEMA A, GOMA<br />
Live webcast at www.qagoma.qld.gov.au/webcast tweet hashtag #GOMAtalks<br />
GOMA Talks, presented in partnership with ABC Radio National, explores contemporary ideas and issues<br />
from a range of perspectives with special guest panellists. During 'Contemporary Australia: Women',<br />
GOMA Talks tackles some of the most topical questions about contemporary Australia, from national<br />
identity and business to sexuality and science. ABC Radio National hosts Sarah Kanowski (Weekend<br />
<strong>Art</strong>s), Natasha Mitchell (Life Matters), Geraldine Doogue, AO (Saturday Extra) and Fenella Kernebone (By<br />
Design) lead all-female panels.<br />
Admission to GOMA Talks is free and no bookings are required. The Audi GOMA Bar opens at 5.15pm.
EDUCATION PROGRAMS<br />
The <strong>Gallery</strong> offers a range of education programs that aim to address curriculum standards and enhance<br />
the classroom experience.<br />
As part of ‘Contemporary Australia: Women’ specially developed education resources will be available for<br />
primary and secondary students to use in the <strong>Gallery</strong> and classroom. The resources include accompanying<br />
teacher notes with curriculum information.<br />
LOOK OUT TEACHER PROGRAM<br />
The Look Out Teacher Program developed for ‘Contemporary Australia: Women’ offers teachers the<br />
opportunity to join artists, curators and education staff for a morning of interesting programs suitable for all<br />
teaching levels.<br />
Saturday 12 May, 10.00am – 1.00pm, GOMA<br />
Panel Discussion (Teacher exclusive)<br />
10.00am – 11.00am<br />
Julie Ewington, Curatorial Manager, Australian <strong>Art</strong> and artists from ‘Contemporary Australia: Women’ will<br />
discuss themes within the exhibition.<br />
<strong>Art</strong>ist Workshops<br />
11.30am – 1.00pm<br />
Sessions will be facilitated by Brisbane artists featured in ‘Contemporary Australia: Women’ to inspire<br />
teachers to develop ideas suitable for the classroom.<br />
This program has limited capacity | $20 | Suitable for all teaching levels | Bookings and payment online<br />
from late April.<br />
ART FOR OUR SCHOOL<br />
The <strong>Art</strong> for our School program is a unique opportunity for a primary teacher to work with an artist from<br />
‘Contemporary Australia: Women’ to create an art work for display at their school. The project will be<br />
completed by July. Teachers attending the Look Out artist workshop will learn more about the <strong>Art</strong> for our<br />
School program.<br />
EDUCATION GROUP BOOKINGS<br />
The <strong>Gallery</strong> welcomes school groups of all sizes however bookings are required in advance for groups of<br />
ten or more. To arrange a school visit to ‘Contemporary Australia: Women’, contact the Education<br />
Bookings Office.<br />
T: (07) 3840 7255<br />
E: educationbookings@qagoma.qld.gov.au
EXHIBITION PUBLICATION<br />
‘Contemporary Australia: Women’ is accompanied by a full-colour<br />
publication. In addition to over 30 illustrated essays on the artists and<br />
collectives represented in the exhibition, it also includes texts by<br />
prominent authors:<br />
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Here and Now by Julie Ewington, the <strong>Gallery</strong>’s Curatorial<br />
Manager, Australian <strong>Art</strong>, the exhibition’s lead curator<br />
I can hear her breathing by social commentator Emily Maguire<br />
New challenges in Indigenous Affairs by leading Aboriginal<br />
scholar, Marcia Langton, AM<br />
Women in Contemporary Australian Cinema by Margaret<br />
Pomeranz, AM, film critic, producer and ‘Contemporary Australia:<br />
Women in Film’ program curator<br />
The publication celebrates the diversity, energy and innovation in work by emerging, established and senior<br />
contemporary Australian women artists.<br />
The 220 page exhibition publication is available for purchase from the QAGOMA Store and online at<br />
www.australianartbooks.com.au / RRP: $39.95 (softcover)
USE OF IMAGES AND COPYRIGHT<br />
The <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> respects the rights of artists and copyright holders when providing images for<br />
media use. The <strong>Gallery</strong> provides images of selected artworks in the ‘Contemporary Australia: Women’<br />
exhibition to approved media representatives to communicate broadcast and reproduces for fair dealing<br />
purposes. Under the Copyright Act 1968, fair dealing covers criticism or review, and reporting the news.<br />
Images strictly for these purposes are available at www.qagoma.qld.gov.au/women/media<br />
The responsibility for securing permission from the copyright holder for any additional purposes of image<br />
reproduction remains solely with the party reproducing the images. In addition, any reproduction of these<br />
images must be accompanied by the full caption, including the credit line and the relevant copyright<br />
information, as provided with each image.<br />
Any party communicating, broadcasting or reproducing these images must not crop, distort or manipulate the<br />
images in any way. No images can be bled off the page, or printed in a single colour other than black, or<br />
overlaid with text.<br />
Copying, dissemination or redistribution of any image is strictly prohibited without prior written permission<br />
from the copyright holder.<br />
For images or further information regarding image use, please contact the <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong>.<br />
T: +61 7 3842 9563<br />
E: dan.cameron@qagoma.qld.gov.au
<strong>CONTEMPORARY</strong><br />
<strong>AUSTRALIA</strong> <strong>WOMEN</strong><br />
GALLERY OF MODERN ART, BRISBANE<br />
21 APRIL – 22 JULY 2012<br />
MEDIA INQUIRIES<br />
DAN CAMERON<br />
MEDIA COORDINATOR<br />
QUEENSLAND ART GALLERY<br />
GALLERY OF MODERN ART<br />
T: +61 (0)7 3842 9563<br />
E: DAN.CAMERON@QAGOMA.qld.gov.AU<br />
IMAGES<br />
w: qagoma.qld.gov.AU/<strong>WOMEN</strong>/media<br />
SPONSORS<br />
PRINCIPAL SPONSOR<br />
MAJOR SPONSOR<br />
<strong>WOMEN</strong> IN FILM SUPPORTED BY<br />
MEDIA PARTNERS