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PDF of full conference program book - International Trumpet Guild

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CO-HOSTS<br />

Richard Stoelzel<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong><br />

Grand Valley State University<br />

Valerie Stoelzel<br />

Concert and Arts<br />

Information Coordinator<br />

Grand Valley State University<br />

This <strong>conference</strong> is dedicated to the memory <strong>of</strong> Adolph “Bud” Herseth


The New Chicago C<br />

Realize the true<br />

potential <strong>of</strong><br />

performance<br />

www.4wrd.it/chc<br />

QUALITY . SUPPORT . PROFESSIONALISM . VALUE


38th Annual Conference <strong>of</strong> the<br />

INTERNATIONAL<br />

<strong>Trumpet</strong><br />

GUILD<br />

Table <strong>of</strong> contents<br />

5 Conference Dedication<br />

6 Welcome Letters<br />

11 ITG Award <strong>of</strong> Merit<br />

12 Conference Administration<br />

15 Exhibitors<br />

18 Conference Scholarship Winners<br />

21 Tuesday, June 11<br />

33 Wednesday, June 12<br />

49 Thursday, June 13<br />

65 Friday, June 14<br />

77 Saturday, June 15<br />

89 Biographies<br />

127 Prelude Ensembles<br />

133 Maps<br />

3


The 38th Annual Conference <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

is dedicated to the memory <strong>of</strong><br />

Adolph “Bud” Herseth<br />

Adolph “Bud” Herseth, who served the Chicago<br />

Symphony Orchestra for fifty-six years as principal<br />

trumpet (1948-2001) and principal trumpet emeritus<br />

(2001-2004), passed away on April 13, 2013, at home<br />

in Oak Park, Illinois.<br />

John von Rhein, Classical music critic <strong>of</strong> the Chicago<br />

Tribune, stated, “He was by general consent the most<br />

respected and influential orchestral trumpeter <strong>of</strong> the last<br />

half-century, and very probably the greatest. He was an<br />

inspiration to generations <strong>of</strong> brass players. He was a<br />

hero to any musician who ever struggled to master what<br />

he once called the most strenuous <strong>of</strong> instruments.”<br />

Rhein, in an article published on April 15, 2013, continued<br />

by stating, “For more than a half-century, Adolph<br />

Herseth’s distinctive sound and playing style were the<br />

bulwark <strong>of</strong> a brass section whose fabled power and<br />

brilliance have long been the sonic hallmark <strong>of</strong> the<br />

Chicago Symphony Orchestra. He was a legend, in the<br />

finest sense <strong>of</strong> that much-abused word.”<br />

Born in Minnesota, Herseth earned a degree at Luther<br />

College in Iowa. During World War II, he served as<br />

a bandsman at the pre-flight school in Iowa and at<br />

the U.S. Navy School <strong>of</strong> Music. He ended his military<br />

service with the Commander <strong>of</strong> the Philippine Sea<br />

Frontier in the South Pacific.<br />

In early 1948, Herseth was appointed to the post <strong>of</strong><br />

principal trumpet <strong>of</strong> the Chicago Symphony Orchestra.<br />

He went on to serve under five CSO music directors.<br />

Although Herseth played well over 50 solo appearances<br />

with the CSO, he always thought <strong>of</strong> himself as a<br />

symphony musician, not a solo player.<br />

Herseth was devoted to the development <strong>of</strong> the next<br />

generation <strong>of</strong> symphony orchestra musicians and<br />

gave regular seminars, coaching session, and master<br />

classes throughout Chicago and Europe.<br />

He held honorary doctor <strong>of</strong> music degrees from<br />

DePaul University, Luther College, the New England<br />

Conservatory <strong>of</strong> Music, Rosary College, and Valparaiso<br />

University. He was named ‘Instrumentalist <strong>of</strong> the Year’<br />

by Musical America in 1995, and was an honorary<br />

member <strong>of</strong> the Royal Danish <strong>Guild</strong> <strong>of</strong> <strong>Trumpet</strong>ers.<br />

In 2001, Herseth received the American Symphony<br />

Orchestra League’s Gold Baton Award, the first time<br />

the award was bestowed on an orchestral player. He<br />

was awarded an honorary membership from London’s<br />

Royal Academy <strong>of</strong> Music. In 1988, the principal<br />

trumpet chair <strong>of</strong> the Chicago Symphony Orchestra,<br />

was named after him. Upon retirement from the<br />

CSO, he received the Theodore Thomas Medallion for<br />

Distinguished Service.<br />

In a 2001 interview with John von Rhein, Herseth<br />

said, “for years I’ve been telling people I am lucky to<br />

get here, fortunate to still be here and to have had all<br />

these marvelous experiences.” He stated he would<br />

like to be remembered as “a fairly decent guy who<br />

gave it his best every time he had the chance.”<br />

Sources:<br />

Chicago Symphony Orchestra<br />

Chicago Tribune, John von Rhein, Classical Music Critic<br />

5


Welcome from Conference Host Richard Stoelzel, Pr<strong>of</strong>essor<br />

<strong>of</strong> <strong>Trumpet</strong>, Grand Valley State University<br />

Welcome to the 38th Annual Conference <strong>of</strong> the <strong>International</strong><br />

<strong>Trumpet</strong> <strong>Guild</strong>! We are excited to be able to host you<br />

here in west Michigan at the stunningly beautiful Amway<br />

Grand Plaza Hotel located in the heart <strong>of</strong> this very “cool”<br />

city on the Grand River! Grand Valley State University<br />

along with myself and my wife, Valerie, have been working<br />

diligently for the past two years to make this one <strong>of</strong> the<br />

greatest <strong>conference</strong>s to date. This year will be the first<br />

time in <strong>conference</strong> history that actual classes will be held<br />

on a daily basis. These classes, designed as teaching<br />

tools, on learning to improvise, top 10 competition solos,<br />

advanced improvisation, orchestral playing, and the physical<br />

part <strong>of</strong> trumpet playing will all be taught by some <strong>of</strong> the<br />

greatest masters <strong>of</strong> our glorious instrument. We have also<br />

commissioned composers such as Erik Morales, James<br />

Stephenson, as well as others to write new concertos for<br />

two trumpets that will be premiered at the <strong>conference</strong>.<br />

A crossover concert, which promises to be one <strong>of</strong> the<br />

greatest in <strong>conference</strong> history, will certainly be a highlight<br />

<strong>of</strong> this year’s <strong>conference</strong>. All in all, this promises to be a<br />

<strong>conference</strong> <strong>of</strong> premieres and new ideas that will continue<br />

for many future <strong>conference</strong>s.<br />

As a member <strong>of</strong> ITG for nearly 30 years, it has been one <strong>of</strong><br />

my dreams to host a <strong>conference</strong> featuring artists that have<br />

hugely influenced my career and have been my trumpet<br />

heroes, mentors and friends for a number <strong>of</strong> years.<br />

Something that I had not anticipated was the passing <strong>of</strong><br />

one <strong>of</strong> the greatest influences to trumpeters worldwide,<br />

Mr. Adolph “Bud” Herseth, to which I have decided to<br />

dedicate this <strong>conference</strong>. With the help <strong>of</strong> Grand Valley<br />

State University, we have commissioned a new work to<br />

be performed by trumpet great, Chris Martin, principal<br />

trumpet <strong>of</strong> the Chicago Symphony, which will be premiered<br />

at our <strong>conference</strong> on Saturday, June 15 in honor <strong>of</strong> Mr. Herseth.<br />

Unfortunately, the trumpet world has lost a few other<br />

hugely influential trumpeters as David Zauder, longtime<br />

member <strong>of</strong> the Cleveland Orchestra and Derek Watkins<br />

who performed on every James Bond film. This certainly<br />

causes us to be reflective at this <strong>conference</strong>, on those past<br />

players who continue to live on through the influences on<br />

each <strong>of</strong> the performers and attendees here this week.<br />

6<br />

It is my sincere hope that you will find this <strong>conference</strong> very<br />

special and take advantage <strong>of</strong> the many concerts, master<br />

classes, classes, exhibits, and the great food and beer<br />

available in this very “cool” city which has earned the title<br />

<strong>of</strong> “Beer City USA” which I believe you will find appropriate<br />

on your own, especially at the nightly Jam<br />

Sessions!<br />

I would also like to say a special thank you to<br />

our Plantinum Sponsor, Yamaha, Silver Sponsor,<br />

Warburton Music Products, and to our Lanyard<br />

Sponsor, Pickett Brass. Thank you for your<br />

sponsorships!<br />

It would be unforgiveable <strong>of</strong> me not to thank<br />

Grand Valley State University for making this<br />

<strong>conference</strong> possible and even more unforgiveable<br />

<strong>of</strong> me not to thank my lovely wife Valerie<br />

for all her incredible organizational skills (I am<br />

sure it comes as no surprise that I was not<br />

the mastermind behind any organizing) and<br />

extreme dedication and hard work to make this<br />

<strong>conference</strong> a huge success. Thanks Val…you<br />

are my Angel!<br />

Have a Great Conference!<br />

Richard Stoelzel


Welcome from Grand Valley<br />

State University’s President<br />

On behalf <strong>of</strong> the entire Grand Valley State University<br />

community, it is my distinct pleasure to welcome the<br />

2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Annual Conference<br />

to West Michigan and our beautiful city <strong>of</strong> Grand<br />

Rapids. Grand Valley State University values the opportunity<br />

to act as the host institution for this year’s<br />

event. Our university embraces the participation <strong>of</strong><br />

diverse individuals, groups, and organizations and I<br />

am privileged to extend my welcome to the members<br />

<strong>of</strong> ITG, representing pr<strong>of</strong>essional and amateur<br />

performers, teachers, students, manufacturers, and<br />

publishers from around the world.<br />

Thomas J. Haas, Ph.D.<br />

President, Grand Valley State University<br />

Dean <strong>of</strong> the College <strong>of</strong> Liberal<br />

Arts and Sciences Welcome<br />

As Dean <strong>of</strong> the College <strong>of</strong> Liberal Arts and Sciences,<br />

the largest <strong>of</strong> Grand Valley State University’s<br />

Colleges, I am thrilled to <strong>of</strong>fer our welcome to the<br />

participants and attendees <strong>of</strong> the 2013 <strong>International</strong><br />

<strong>Trumpet</strong> <strong>Guild</strong> Conference. One <strong>of</strong> my most<br />

cherished goals is to nurture partnerships with<br />

relevant external constituencies such as the ITG as<br />

you so adeptly enrich the education <strong>of</strong> our students<br />

while enhancing the quality <strong>of</strong> life for the people <strong>of</strong><br />

the region, the state, the nation, and beyond. To that<br />

end, I look forward to joining you as we enjoy the<br />

remarkable talents and music making <strong>of</strong> the many<br />

esteemed artists assembled this year.<br />

Frederick J. Antczak, Ph.D.<br />

Dean, College <strong>of</strong> Liberal Arts and Sciences<br />

Grand Valley State University<br />

7


Chair, Music and Dance Department Welcome<br />

For the next several days we will all be enjoying what promises to<br />

be an amazing week <strong>of</strong> trumpet artistry. Some <strong>of</strong> the world’s finest<br />

performers and pedagogues will be here on stage for you, making<br />

this, the 2013 Conference, one <strong>of</strong> the biggest and most successful<br />

ever. An event <strong>of</strong> this distinction and magnitude can only happen<br />

through hard work and dedication and I am extremely grateful<br />

to Rich and Valerie Stoelzel, who have given both in abundance<br />

over the past two years. Through their labors and unwavering<br />

commitment to excellence they have assembled a cast <strong>of</strong> stars,<br />

all to provide you an absolutely wonderful event. On behalf <strong>of</strong> the<br />

faculty and staff <strong>of</strong> the GVSU Department <strong>of</strong> Music and Dance, I<br />

know that you will join me in extending to them our appreciation<br />

for everything they have done to make this a truly unforgettable<br />

<strong>conference</strong>.<br />

Danny K. Phipps, D.M.A.<br />

Chair and Pr<strong>of</strong>essor, Department <strong>of</strong> Music and Dance, Grand Valley State University<br />

8<br />

Kim Dunnick, ITG President<br />

On behalf <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>, it is my great<br />

pleasure to welcome you to the 2013 ITG Conference in<br />

Grand Rapids, Michigan, hosted by Richard and Valerie<br />

Stoelzel <strong>of</strong> Grand Valley State University. Rich and Val<br />

have been working for two years to ensure the success<br />

<strong>of</strong> this event, and have created an outstanding lineup <strong>of</strong><br />

artists, both soloists and ensembles, in many different<br />

genres.<br />

ITG’s stated mission begins, “to promote communication<br />

among trumpet players around the world…” One <strong>of</strong> the<br />

terrific things about ITG <strong>conference</strong>s is the availability <strong>of</strong><br />

the artists, exhibitors, manufacturers, and the ITG <strong>of</strong>ficers<br />

and Board <strong>of</strong> Directors. Everybody here has a common<br />

interest: trumpet! So starting a conversation is quite<br />

simple. Talk to the artists, the exhibitors, the youngsters,<br />

the oldsters; chat with everybody you meet. And<br />

please chat with the board members when you encounter them. This group <strong>of</strong> dedicated trumpeters work<br />

throughout the year to keep ITG moving in the right direction and to provide leadership and oversight to the<br />

many projects and services we provide. So when you see a board member, given him or her your new idea,<br />

your complaint, or simply a thank you for serving in this unpaid capacity. And when you see Rich and Val,<br />

please let them know you appreciate the time, effort, and personal angst they have invested to present<br />

this very exciting <strong>conference</strong>.<br />

Best wishes for a great week <strong>of</strong> ITG!


Grand Valley State University<br />

Grand Valley State University is a four-year public university. It attracts nearly<br />

25,000 students with high-quality <strong>program</strong>s and state-<strong>of</strong>-the-art facilities.<br />

Grand Valley is a comprehensive university, serving students from all 83<br />

Michigan counties and dozens <strong>of</strong> other states and foreign countries. Grand<br />

Valley <strong>of</strong>fers 82 undergraduate and 30 graduate degree <strong>program</strong>s from campuses<br />

in Allendale, Grand Rapids, and Holland, and from regional centers in<br />

Muskegon and Traverse City. The university is dedicated to individual student<br />

achievement, going beyond the traditional classroom experience, with research<br />

opportunities and business partnerships.<br />

Department <strong>of</strong> Music and Dance<br />

Grand Valley State University is an accredited institutional member <strong>of</strong> the<br />

National Association <strong>of</strong> Schools <strong>of</strong> Music. Music and Dance is a department<br />

within the College <strong>of</strong> Liberal Arts and Sciences, a student-centered and diverse<br />

learning community that engages in critical inquiry, extending knowledge to<br />

enrich and enliven individual and public life. The Department <strong>of</strong> Music and<br />

Dance <strong>of</strong>fers curricula leading to the Bachelor <strong>of</strong> Arts in music, Bachelor <strong>of</strong><br />

Arts in dance, Bachelor <strong>of</strong> Music, and Bachelor <strong>of</strong> Music Education degrees.<br />

These <strong>program</strong>s present pr<strong>of</strong>essional training in the context <strong>of</strong> a broad and<br />

liberal education.<br />

Thirty-five <strong>full</strong>-time pr<strong>of</strong>essors who are also performers, international competition<br />

winners, conductors, composers, theorists, scholars, and acclaimed<br />

teachers make up the core <strong>of</strong> Grand Valley’s Music and Dance faculty. They<br />

are complemented by twenty-six adjunct faculty drawn from West Michigan’s<br />

strong pr<strong>of</strong>essional music and dance community. Our faculty provides a<br />

unique and stimulating environment for music and dance study and performance.<br />

To learn more, please visit www.gvsu.edu/music or www.gvsu.edu/dance<br />

9


2013 ITG Honorary Award Recipient<br />

Rob Roy McGregor<br />

Rob Roy McGregor retired from the Los Angeles<br />

Philharmonic in 2005 where he had played<br />

second trumpet since 1981. He was assistant<br />

principal trumpet <strong>of</strong> the Baltimore Symphony<br />

from 1970 to 1981 and prior to that attended the<br />

University <strong>of</strong> Michigan. He was also a member <strong>of</strong><br />

the United States Military Academy Band at West<br />

Point, 1967-1970.<br />

He was a founding member <strong>of</strong> Baltimore’s Pro<br />

Musica Rara, an early music ensemble playing<br />

on period instruments, and he has performed<br />

at the Castle Hill Music Festival, Marlboro<br />

Music Festival, Monadock Festival, Eastern<br />

Music Festival, the Summer Festival <strong>of</strong> Music in<br />

Anchorage, Alaska, Oregon Bach Festival, and the<br />

Bach Summer-Academy in Stuttgart, Germany<br />

(Helmuth Rilling, conductor).<br />

He has appeared in chamber music and as a<br />

soloist with the Philadelphia Concerto Soloists,<br />

Smithsonian Chamber Players, Albert Fuller’s<br />

Baroque Orchestra, Concert Royal <strong>of</strong> New York,<br />

Ars Musica <strong>of</strong> Ann Arbor, Musica Antiqua <strong>of</strong><br />

Birmingham, Alabama, and the Bach Collegium<br />

in Stuttgart. He has appeared as soloist with<br />

the Los Angeles Philharmonic and with the<br />

Summit Brass with Doc Severinsen, both at the<br />

Hollywood Bowl.<br />

McGregor recorded as principal trumpet Bach’s<br />

B minor Mass (CBS records) and numerous<br />

Bach cantatas (Hannsler Verlag) under Helmuth<br />

Rilling in Germany.<br />

During his years as an orchestral player, he also<br />

taught privately and at Towson State University,<br />

University <strong>of</strong> Southern California, California<br />

State University Long Beach, and Azusa Pacific<br />

University. He has been an ardent pupil <strong>of</strong> every<br />

student he taught.<br />

In 1991 he formed Balquhidder Music, a publishing<br />

company, that specializes in pedagogical and<br />

ensemble works for trumpet and other brass<br />

instruments. This extensive catalog can be found<br />

on the web at www.balquhiddermusic.com and is<br />

distributed by Carl Fischer Music in New York. The<br />

main purpose for this began as a vehicle to publish<br />

his four volumes <strong>of</strong> Audition and Performance<br />

Preparatin for <strong>Trumpet</strong>, which has become a<br />

respected niche in the trumpet literature. There<br />

are now over 40 authors represented in the<br />

Balquhidder Music catalog. In 2012, he founded<br />

Glen Lyons Books to publish jazz pianist Jean-<br />

Michel Pilc’s <strong>book</strong> It’s About Music; the Art and<br />

Heart <strong>of</strong> Improvisation.<br />

More than all these accomplishments, he is<br />

most proud <strong>of</strong> his family, Kazue, his wife, who<br />

is music librarian <strong>of</strong> the Los Angeles Philharmonic,<br />

Isamu, their son, is an NYU graduate<br />

jazz pianist living and working in New York City,<br />

and Misao, their daughter, who is a high school<br />

student immersed in singing and theater.<br />

11


ITG 2013 Conference<br />

Administration<br />

Richard Stoelzel, Conference Host<br />

Valerie Stoelzel, Conference Host<br />

Nicholas M. Norris, Artist Liaison<br />

Chelby Wondergem, Public Affairs Coordinator<br />

Paul D. Andrews, Facilities Director and Web<br />

Designer<br />

Nate Bliton, Technical Director<br />

Bob Nixon, Jazz Coordinator<br />

Steven Marx, Onsite Manager<br />

Rebecca Wilt, Collaborative Pianists Coordinator<br />

Jeffrey Northman, Rehearsal Coordinator<br />

W. Rod Lowe, Piano Technician<br />

Catherine Denton, Marie Barr, Assistants<br />

Janet Christensen, Volunteer Coordinator<br />

GVSU Institutional Marketing<br />

Valley Arts, LLC, Consulting<br />

2013 Conference Advisory<br />

Committee<br />

Kim Dunnick, Del Lyren, Gary Mortenson, Daniel<br />

Patrylak, Danny Phipps<br />

2013 Conference<br />

Coordinators<br />

Kelly Parkes, Ongoing Competitions Chair<br />

Jennifer Dearden, ITG Youth Competition Chair<br />

Jean Moorehead Libs, ITG 2013 Youth Day Chair<br />

Wade Weast, ITG Scholarships Chair<br />

Gabriel DiMartino, ITG Solo Competition<br />

Co-Chair, Finals<br />

SSG Kevin Maloney, <strong>Trumpet</strong>, United States Army,<br />

ITG Solo Competition Co-Chair, Finals,<br />

Chair-preliminary round<br />

Robert White, ITG Orchestral Excerpts Competition<br />

Chair<br />

12<br />

Jeff Uban, ITG Jazz Improvisation Competition<br />

Chair<br />

Rich Ilman, Exhibits Coordinator<br />

Steven Marx, <strong>Trumpet</strong> Preludes Coordinator<br />

Neil Mueller, New Works Program Coordinator<br />

Pamela Smitter, Festival <strong>of</strong> <strong>Trumpet</strong>s<br />

Coordinator<br />

2013 Staff Collaborative<br />

Pianists<br />

Rebecca Wilt, Miriam Hickman, Rachael Kerr,<br />

Rumyana Yanakieva Hoksbergen<br />

Rich and Val would like to extend<br />

special thanks to the following:<br />

Experience Grand Rapids especially Mary Mannier<br />

and Tim Nelson<br />

Amway Grand Plaza Hotel and especially David<br />

Neill<br />

Frederick Anctzak, Dean, College <strong>of</strong> Liberal Arts<br />

and Sciences, GVSU<br />

Danny K. Phipps, Chair, Department <strong>of</strong> Music and<br />

Dance, GVSU<br />

Nancy Crittenden and the entire team from GVSU<br />

Institutional Marketing<br />

Patricia Smith, GVSU University Counsel<br />

Grand Rapids Community College, Dr. Kevin<br />

Dobreff, Music Department Chair<br />

Bob Nixon and John Rutherford for coordinating<br />

jazz collaborative artists<br />

GVSU <strong>Trumpet</strong> Studio<br />

GVSU <strong>Trumpet</strong> Studio 2012 Independent Study<br />

Students: Neal Andrews, Paul Hardaker,<br />

Cassandra McDonald, Mark Petersen, and Sam<br />

Swanson<br />

Del Lyren for all <strong>of</strong> his invaluable expertise in<br />

planning this <strong>conference</strong><br />

Jens Lindemann, well, for being Jens<br />

Allison Adams and GVSU Hospitality and<br />

Tourism Program<br />

Gabriel Michael Stoelzel


<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

Mission Statement:<br />

To promote communications among trumpet players around the world and to improve the artistic<br />

level <strong>of</strong> performance, teaching, and literature associated with the trumpet.<br />

Officers<br />

President – Kim Dunnick<br />

Vice-President/President Elect – Alan Siebert<br />

Secretary – Jeffrey Piper<br />

Treasurer – Dixie Burress<br />

Past President – Kevin Eisensmith<br />

Board <strong>of</strong> Directors<br />

James Ackley, Michael Anderson (ITG Web Site Executive Director) Eric Berlin, Joseph Bowman,<br />

Dai Zhonghui, Luis Engelke, Brian Evans, Tina Erickson, Langston Fitzergerald III, Keith Johnson,<br />

Vladislav Lavrik, Gary Mortenson (Journal Editor), James Olcott, Amanda Pepping, Grant Peters,<br />

William Pfund, Judith Saxton, Neville Young.<br />

13


We’d like to thank ALL <strong>of</strong> our<br />

Conference Exhibitors!<br />

Please refer to the map in the back to location <strong>of</strong> exhibitors.<br />

PLATINUM SPONSOR:<br />

Yamaha, Pearl Room, West Concourse<br />

SILVER SPONSOR:<br />

Warburton, Ambassador Premium Booths 30 and Booth 31<br />

Lanyard Sponsor:<br />

Pickett Brass, Emerald Room<br />

A minor Tune Up Custom <strong>Trumpet</strong> Shop<br />

www.aminortuneup.com<br />

Ambassador Ballroom, Booth 38<br />

Adams Musical Instruments<br />

www.adams.nl<br />

Private Room – Plaza Boardroom A, Lobby Level,<br />

1st Floor<br />

Andreas Eastman<br />

www.eastmanmusiccompany.com<br />

Ambassador Ballroom, Booth 1<br />

Arturo Sandoval<br />

www.arturosandoval.com<br />

Center Concourse, 36<br />

Austin Custom Brass<br />

www.austincustombrass.com<br />

Private Room – Plaza Boardroom A, Lobby Level,<br />

1st Floor<br />

Balquhidder Music<br />

www.balquhiddermusic.com<br />

Center Concourse 10 and 11<br />

BERP and Company<br />

www.berp.com<br />

Ambassador Ballroom Booth 3<br />

Best Brass Corporation<br />

www.bestbrass.com<br />

Ambassador Ballroom, Premium Booth 27<br />

Blackburn <strong>Trumpet</strong>s<br />

www.blackburntrumpets@hughes.net<br />

Private Room – Emerald, West Concourse<br />

Bob Reeves Brass Mouthpieces, LLC<br />

www.bobreeves.com<br />

Ambassador Ballroom, Booths 47, 48, 49<br />

The Brass Herald<br />

www.thebrassherald.com<br />

Center Concourse 4<br />

Brasswind Research<br />

www.brasswindresearch.com<br />

Ambassador Ballroom, Premium Booth 28<br />

Braw Brass (Eclipse <strong>Trumpet</strong>s)<br />

www.brassbrass.com<br />

Ambassador Ballroom, Booth 37<br />

Bremner Music<br />

www.sshhmute.com<br />

Center Concourse 20<br />

Buffet Group USA<br />

www.buffet-group.com<br />

Ambassador Ballroom, Booths 41-44<br />

Callet <strong>Trumpet</strong>s<br />

www.callettrumpets.com<br />

Ambassador Ballroom, Booth 2<br />

Chase Sanborn/Brass Tactics<br />

www.chasesanborn.com<br />

Center Concourse, Booth 3<br />

Conn-Selmer, Inc.<br />

www.conn-selmer.com<br />

Ambassador Ballroom Premium Booths 21, 22,<br />

23<br />

15


Denis Wick Products<br />

www.deniswick.com<br />

Ottawa Room, Lobby Level 1st Floor<br />

Dillon Music<br />

www.dillonmusic.com<br />

Ambassador Ballroom, Booths 13 and 14<br />

Eclipse <strong>Trumpet</strong>s<br />

www.brawbrass.com<br />

Ambassador Ballroom, Booth 37<br />

Edwards Instruments Co.<br />

www.edwards-instruments.com<br />

Ambassador Ballroom, Booths 15 and 16<br />

Eighth Note Publications<br />

www.enpmusic.com<br />

Center Concourse, 38 and 39<br />

Facet Mutes, LLC<br />

www.facetmutes.com<br />

Ottawa Room, Lobby Level 1st Floor<br />

Fanfare Caseworks<br />

www.fanfarecaseworks.com<br />

Center Concourse, 12<br />

The Frederick Harris Music Co., Limited<br />

www.frederickharrismusic.com<br />

Center Concourse, 29<br />

Getzen Company, Inc.<br />

www.getzen.com<br />

Ambassador Ballroom Booths 17 and 18<br />

Hammond Design<br />

www.karlhammonddesign.com<br />

Ottawa Room<br />

Harrelson <strong>Trumpet</strong>s<br />

www.harrelsontrumpets.com<br />

Private Room – Ruby, West Concourse<br />

Ambassador Ballroom, Premium Booth 24<br />

Hickey’s Music Center<br />

www.hickeys.com<br />

Center Concourse, 21-27<br />

Hub van Laar <strong>Trumpet</strong>s and Flugelhorns<br />

www.vanlaartrumpets.nl<br />

Private Room – Plaza Boardroom B, Lobby<br />

Level, 1st Floor<br />

HuSonics Premium Music Products<br />

www.husonics.com<br />

Ambassador Ballroom Booths 32, 33, and 34<br />

16<br />

Jaeger Brass<br />

www.jaegerbrass.com<br />

Ottawa Room, Lobby Level, 1st Floor<br />

Jupiter Band Instruments<br />

www.jupitermusic.com<br />

Ambassador Ballroom, Booths 11 and 12<br />

Kanstul Musical Instruments, Inc.<br />

www.kanstul.com<br />

Ambassador Ballroom Booths 45 and 46<br />

Ken Larson’s BrassWerks, LLC<br />

www.brasswerks.com<br />

Ambassador Ballroom, Premium Booth 19<br />

Legends Brass<br />

www.legendsbrass.com<br />

Ambassador Ballroom, Booth 35<br />

Messina Cover<br />

www.messinacovers.net<br />

Center Concourse, 13<br />

Michael Thomas Music<br />

www.michaelthomasmusic.net<br />

Ambassador Ballroom, Booth 4<br />

P. Mauriat<br />

www.pmauriatmusic.com<br />

Ottawa Room, Lobby Level, 1st Floor<br />

National <strong>Trumpet</strong> Competition<br />

www.national trumpetcomp.org<br />

Center Course, 30<br />

Naumann <strong>Trumpet</strong>s<br />

www.naumanntrumpets.com<br />

Ottawa Room, Lobby Level, 1st Floor<br />

Pickett Brass<br />

www.pickettbrass.com<br />

Private Room – Emerald, West Concourse<br />

Pollard Water Key<br />

www.pollardwaterkey.com<br />

Center Concourse, 28<br />

Powell <strong>Trumpet</strong>s<br />

Private Room – Emerald, West Concourse<br />

www.powelltrumpets.com<br />

Pro Brass Mouthpieces<br />

www.probrass.net<br />

Ottawa Room, Lobby Level, 1st Floor<br />

Pr<strong>of</strong>essional Suite by Royalton Music Center<br />

www.royaltonmusic.com<br />

Ottawa Room, Lobby Level, 1st Floor


Puccini Cases<br />

www.puccinicase.com<br />

Center Concourse, 14<br />

Raw Brass <strong>Trumpet</strong>s<br />

www.rawbrasstrumpets.com<br />

Ambassador Ballroom, Premium Booth 29<br />

San Francisco Conservatory <strong>of</strong> Music<br />

www.sfcm.edu<br />

Center Concourse, 31<br />

S.E. Shires Co.<br />

www.seshires.com<br />

Private Room - Robinson Room<br />

East Concourse Level, 2nd Floor<br />

Ambassador Ballroom, Booth 36<br />

Schmitt Music Company<br />

www.schmittmusic.com<br />

Ambassador Ballroom, Premium Booth 26<br />

Select-A-Press<br />

www.selectapress.com<br />

Center Concourse, 2<br />

Sheet Musica<br />

www.sheetmusica.com<br />

Center Concourse, 15<br />

Schilke Music Products<br />

www.schilkemusic.com<br />

Ottawa Room, Lower Level, 1st Floor<br />

Smith-Watkins<br />

www.smithwatkins.com<br />

Ambassador Ballroom, Premium Booth 25<br />

Sonoré Pro Brass<br />

www.sonareprobrass.com<br />

Ambassador Ballroom, Premium Booths 9 and 10<br />

Stanton’s Sheet Music<br />

www.stantons.com<br />

Ambassador Ballroom, Premium Booths 39 and 40<br />

Stephenson Music<br />

www.stephensonmusic.com<br />

Center Concourse, 36, 37<br />

Stomvi, U.S.A.<br />

www.stomvi-usa.com<br />

Private Room – Riverview Room, Lobby Level,<br />

1st Floor<br />

Thompson Music Co.<br />

www.ThompsonMusic.com<br />

Private Room – Riverview Room, Lobby Level,<br />

1st Floor<br />

Tom Crown Mutes. Co/Crown Music Press<br />

www.tomcrownmutes.com<br />

Center Concourse, 32, 33, 34<br />

Triplo Press<br />

www.triplo.com<br />

Center Concourse, 2, 3<br />

TrumCor Mutes<br />

www.trumcor.com<br />

Center Concourse, 41<br />

Ultra-Pure Oils<br />

www.ultrapureoils.com<br />

Center Concourse, 40<br />

Warburton Music Products - Silver Sponsor<br />

www.warburton.com<br />

Ambassador Premium Booths 30 and 31<br />

Washington Music Center<br />

www.chucklevins.com<br />

Ambassador Ballroom, Booths 5 and 6<br />

Wave Song Press<br />

www.trumpet<strong>book</strong>.com, Center Concourse 1<br />

Wedge Mouthpieces<br />

www.wedgemouthpiece.com<br />

Ambassador Ballroom, Booths 7 and 8<br />

Woodwind & Brasswind<br />

www.wwbw.com<br />

Ambassador Ballroom, Premium Booth 20<br />

Yamaha – Platinum Sponsor<br />

www.yamaha.com<br />

Private Room – Pearl, West Concourse<br />

EXHIBIT HOURS:<br />

Wednesday, June 12: 10 a.m. – 5:00 p.m.<br />

Thursday, June 13: 9:00 a.m. – 5:00 p.m.<br />

Friday, June 14: 9:00 a.m. – 5:00 p.m.<br />

Saturday, June 15: 9:00 a.m. – 11:30 a.m.<br />

17


Conference Scholarship Winners<br />

Wade Weast, Scholarships Chair<br />

JUDGES: Mark Boren, Minot State University; Christine Carrillo, James Madison University;<br />

Jason Crafton, Virginia Tech; Michael Ellzey, University <strong>of</strong> Mississippi; Michael Hackett, University<br />

<strong>of</strong> North Carolina, Charlotte; Michael Hengst, Metropolitan State University <strong>of</strong> Denver; Ronnie Ingle,<br />

University <strong>of</strong> North Dakota; Barry Long, Bucknell University; James Moore,<br />

West Virginia Wesleyan College.<br />

Under 14 Division Scholarship Winner:<br />

Clifton Plog Memorial Fund Scholarship<br />

Forrest R. Johnston<br />

Colvin Run Elementary School<br />

Teacher: Richard Johnston<br />

14-17 Division Scholarship Winners:<br />

Pickett Brass Scholarship<br />

Brent David Proseus<br />

West Michigan Homeschool Fine Arts<br />

Teacher: Gregg Good<br />

Triplo Press Scholarship<br />

Eli Ross<br />

Southwest High School<br />

Teacher: Robert Dorer<br />

18-21 Division Scholarship Winners:<br />

Brasswerks Scholarship<br />

Carlos Leite<br />

Superior School <strong>of</strong> Music and Performing Arts<br />

– Polytechnic <strong>of</strong> Porto<br />

Teacher: Kevin Wauldron<br />

Blackburn <strong>Trumpet</strong>s Scholarship<br />

Christi Burkett<br />

Florida State University<br />

Teacher: Christopher Moore<br />

Balquhidder Music/Glen Lyon<br />

Books Scholarship<br />

Katherine Stephen<br />

Florida State University<br />

Teacher: Christopher Moore<br />

18<br />

Bob Reeves Brass Scholarship<br />

Judith Gaunt<br />

Florida State University<br />

Teacher: Christopher Moore<br />

Schmitt Music Company Scholarship<br />

Adam Mejaour<br />

University <strong>of</strong> Massachusetts Amherst<br />

Teacher: Eric Berlin<br />

Richard B. Lehman Memorial<br />

Fund Scholarship<br />

Brandon Austin<br />

Kennesaw State University<br />

Teacher: Douglas Lindsey<br />

Donald P. Bullock Memorial Fund Scholarship<br />

Nathanael Moe<br />

University <strong>of</strong> Wisconsin-Whitewater<br />

Teacher: Frank Hanson<br />

William Pfund Scholarship<br />

Joseph Goguen<br />

University <strong>of</strong> Masachusetts Amherst<br />

Teacher: Eric Berlin<br />

Gordon Mathie Scholarship<br />

Jill Stara<br />

Wayne State College<br />

Teacher: David Bohnert<br />

Bryan & Nancy G<strong>of</strong>f Scholarship<br />

Tamara Vaughn<br />

Florida State University<br />

Teacher: Christopher Moore


Buffet Group USA Scholarship<br />

Bethany Nette<br />

Yong Siew Toh Conservatory <strong>of</strong> Music,<br />

Singapore<br />

Teacher: Bill Theis<br />

Warburton Music Products Scholarship<br />

Julianna Chairez<br />

Grand Valley State University<br />

Teacher: Richard Stoelzel<br />

Bremner Music Scholarship<br />

Joseph Donohue<br />

University <strong>of</strong> Massachusetts Amherst<br />

Teacher: Eric Berlin<br />

22-24 Division Scholarship Winners:<br />

Thompson Music Co. Scholarship<br />

Jennifer Fox<br />

University <strong>of</strong> Arkansas<br />

Teacher: Richard Rulli<br />

ITG Legacy Fund Scholarship<br />

Patrick Oliverio<br />

University <strong>of</strong> Arkansas<br />

Teacher: Richard Rulli<br />

Reinold O. Schilke Memorial Scholarship<br />

Ricardo Chinchilla<br />

Lynn University<br />

Teacher: Marc Reese<br />

XO <strong>Trumpet</strong> Scholarship<br />

Timothy Nemzin<br />

Lynn University<br />

Teacher: Marc Reese<br />

Jazz Under 18 Division Scholarship<br />

Winner:<br />

Sandy Sandberg Memorial Fund Scholarship<br />

Nathan Serot<br />

Hamilton High School<br />

Teacher: James Foschia<br />

Jazz Age 18-24 Division Scholarship<br />

Winner:<br />

Keith Clark Memorial Fund Scholarship<br />

Janet Christensen<br />

Grand Valley State University<br />

Teacher: Kevin Good<br />

BERP and Co. Scholarship<br />

Brian Garcia<br />

Lynn University<br />

Teacher: Marc Reese<br />

19


Tuesday At-A-Glance Schedule<br />

(All rooms are in the Amway unless noted otherwise)<br />

_________________________________________________________________<br />

8:00 a.m. Registration Begins....................................... Center Concourse<br />

__________________________________________________________________<br />

8:30 a.m.-4:00 p.m. ITG Board Meeting........................................ Vandenberg Room<br />

__________________________________________________________________<br />

9:00 a.m.-10:00 a.m. Joseph Bowman – “Preparing for.................. Governor’s Room<br />

University Music Auditions”<br />

9:00 a.m.-11:00 a.m. Ask the Pr<strong>of</strong>essor.......................................... Cascade Room<br />

__________________________________________________________________<br />

9:30 a.m.-5:00 p.m. ITG Youth Day Competitions.......................... Imperial Ballroom<br />

__________________________________________________________________<br />

10:15 a.m.-11:45 a.m. Judith Saxton Recital..................................... Pantlind Ballroom<br />

__________________________________________________________________<br />

1:00 p.m.-2:30 p.m. Mark Inouye Recital...................................... Steelcase A, DeVos<br />

1:00 p.m.-4:00 p.m. Ask the Pr<strong>of</strong>essor.......................................... Cascade Room<br />

__________________________________________________________________<br />

2:45 p.m.-4:15 p.m. Mark Inouye Masterclass.............................. Steelcase D, DeVos<br />

2:45 p.m.-4:15 p.m. Dai Zhonghui - “Solo Literature..................... Atrium Room<br />

Preparation for Collegiate &<br />

Pr<strong>of</strong>essional Auditions<br />

__________________________________________________________________<br />

4:30 p.m.-6:00 p.m. David Hickman Clinic.................................... Pantlind Ballroom<br />

__________________________________________________________________<br />

6:00 p.m.-7:00 p.m. Meet/Greet Gathering <strong>of</strong> Comeback/............. Grandview Room<br />

Non-Pro Players<br />

__________________________________________________________________<br />

7:15 p.m.-8:45 p.m. GVSU Night <strong>of</strong> Premieres featuring................ Steelcase A, DeVos<br />

James Ackley, Jose Chafer,<br />

Rex Richardson, Richard Stoelzel<br />

and the Grand Rapids Symphonic Band,<br />

Barry D. Martin, conductor<br />

__________________________________________________________________<br />

9:00 p.m.-10:30 p.m. Grand Opening Concert featuring.................. Steelcase A, DeVos<br />

Rex Richardson, Eric Berlin,<br />

Greg Spiridopoulos, Grand Rapids<br />

Symphonic Band, Grand Rapids<br />

Jazz Orchestra<br />

__________________________________________________________________<br />

10:30 p.m. Late Night Jam Session................................. Louis Benton and LB's<br />

Lounge<br />

__________________________________________________________________<br />

21


Tuesday, June 11, 2013 – “Youth Day”,<br />

Jean Moorehead Libs, Coordinator<br />

9:00 a.m. - 10:00 a.m.<br />

Governor’s Room, Concourse Level, 2nd Floor<br />

Prelude: Mahidol University <strong>Trumpet</strong> Ensemble (MUTE), Joseph Bowman, director<br />

Members: Nonthawant Cheiwphimolporn, Arnon Hosakuluswan, Kueakool Jaisom,<br />

Alongkorn Lasoaichuea, Katayut Phaphong, Lalitta Pheanwirattanachai, Wannachat Sripan,<br />

Nutteraya Wibuloutai<br />

Maharaja Medley (World Premiere).......................................................... HM King Bhumibol Adulyadej<br />

Teangnoi/Hosakulsuwan<br />

Infinite Ascent (2008)............................................................................. Erik Morales<br />

Presentation: Joseph Bowman, Pr<strong>of</strong>essor, Mahidol University, Bangkok, Thailand -<br />

“Preparing for University Music Auditions”<br />

The goal <strong>of</strong> this presentation is to help students prepare for university music auditions, and is presented<br />

with the applied music student in mind. (An applied music student is a music performer who<br />

studies an instrument or voice, composes music or conducts an ensemble). All university <strong>program</strong>s<br />

have their own unique admission system, but most <strong>program</strong>s have admission requirements that are<br />

similar. The best qualified applicants will begin preparing for university music auditions three to four<br />

years in advance. Getting accepted to a college music <strong>program</strong> is not just about playing an instrument<br />

well. Many skills must be developed to become a “well-rounded” musician.<br />

9:00 a.m. - 11:00 a.m. and 1:00 p.m. - 4:00 p.m.<br />

Cascade Room, Atrium Level, Lower Level<br />

Ask the Pr<strong>of</strong>essor<br />

Morning Panel: Mark Dulin, Adjunct Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, Winthrop University; Steven Marx,<br />

Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, Colorado State University; Brian Shook, Assistant Pr<strong>of</strong>essor <strong>of</strong><br />

<strong>Trumpet</strong>, Lamar University; Jason Bergman, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong> Southern<br />

Mississippi.<br />

Afternoon Panel: Gordon Mathie, Pr<strong>of</strong>essor Emeritus, The Crane School <strong>of</strong> Music; Peter Wood,<br />

Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong> South Alabama; Steven Marx, Assistant Pr<strong>of</strong>essor <strong>of</strong><br />

<strong>Trumpet</strong>, Colorado State University; James Ackley, Associate Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong><br />

South Carolina.<br />

A unique opportunity for students <strong>of</strong> all ages to seek the advice and wisdom <strong>of</strong> seasoned pr<strong>of</strong>essionals<br />

in a panel format. Students may come to either morning or afternoon sessions with their instruments<br />

for a mini lesson/coaching on specific repertoire, pedagogical concepts and career path choices. Attend<br />

with a group or by yourself, our nationally recognized and distinguished Pr<strong>of</strong>essors will educate you.<br />

23


9:30 a.m. - 5:00 p.m.<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Youth Competition, Jennifer Dearden, chair<br />

Rachael Kerr, piano (under 14 Division)<br />

Rumyana Yanakieva Hoksbergen, piano (Under 18 Division)<br />

Under 14 Participants<br />

Forrest Johnston; Colvin Run Elementary School; Private Teacher: Richard Johnston<br />

Bradley Swanson; Private Teacher: Bill Pfund<br />

Connor Wright; Clague Middle School, Private Teacher: Jay MacArthur<br />

Under 14 Division Competition Judges:<br />

Scott Meredith, University <strong>of</strong> Wyoming<br />

Marc Reese, Lynn University<br />

Erin Yanacek, Carnegie Mellon University<br />

Under 18 Participants<br />

Bradley Arnold; Fraser High School; Private Teacher: Raymond Oset<br />

Eli Ross; Southwest High School; Private Teacher: Robert Dorer<br />

Nathanael Schatz; Private Teacher: James Sherry<br />

Adam Schwab; Huron High School; Private Teacher: Jean Libs<br />

Sierra Jo Stan; Blair High School; Private Teacher: Jeff Mount<br />

Under 18 Division Competition Judges:<br />

Jason Bergman, University <strong>of</strong> Southern Mississippi<br />

Beth Schneller Freelance <strong>Trumpet</strong> Artist<br />

Brian Shook, Lamar University<br />

24


10:15 a.m. - 11:45 a.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

Prelude: Oklahoma State University <strong>Trumpet</strong> Ensemble, Ryan Gardner, director<br />

Members: Cleon Chai, Nick Doutrich, Josh Funderburk, Brady Hollon, Aaron Jensen, James Marwitz,<br />

Tyler Murray, Natalie Upton<br />

Poet and Peasant Overture.............................................................. Franz von Suppe (1815-1895)<br />

arr. Matt Barker<br />

Recital: Judith Saxton,<br />

Pr<strong>of</strong>essor, University <strong>of</strong> North Carolina School <strong>of</strong> the Arts<br />

Miriam Hickman, piano<br />

<strong>Trumpet</strong> Tunes: The Global Collection<br />

Premier Solo de Concert................................................................... Paul Rougnon (1846-1934)<br />

France<br />

Andante .......................................................................................... Rudolf Svirskii<br />

Soviet Union<br />

Concertino for trumpet and piano..................................................... Jan Koetsier (1911-2006)<br />

Allegro non tanto<br />

Netherlands<br />

Andante doloroso<br />

Allegro molto<br />

Intermission<br />

Concertino........................................................................................ Maurice C. Whitney (1909-1984)<br />

Allegro non troppo<br />

U.S.A.<br />

Lento<br />

Allegro scherzando<br />

Concertino........................................................................................ Ennio Porrino (1910-1959)<br />

Italy<br />

Serenade.......................................................................................... Brendan Collins (b. 1963)<br />

Australia<br />

25


1:00 p.m. - 2:45 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Prelude: Southwestern Oklahoma State University, Richard Turk, director<br />

Members: Anthony Bertolozzi, Brittany Carter, Jakub Chermack, Mikela Connella, Austin Hardman,<br />

Joaquin Martinez, James Mayorga, Ryan Meek, Sandra Pratt, Tommy Smith<br />

Prelude and Fugue............................................................................ Eric Ewazen<br />

Within Sacred Walls......................................................................... Erik Morales<br />

Recital: Mark Inouye,<br />

Principal <strong>Trumpet</strong>, San Francisco Symphony<br />

Rebecca Wilt, piano,<br />

Robin Connell, piano; Joe Opera, bass; Evan Hyde, drums<br />

Brèves Recontres............................................................................. Jacques Castérède (b. 1926)<br />

Divertissement<br />

Pavane<br />

Scherzo<br />

Romance.......................................................................................... Robert Schumann (1810-1850)<br />

Concerto in E minor.......................................................................... Georg Phillip Telemann<br />

Andante (1681-1767)<br />

Allegro molto<br />

Andante poco lento<br />

Allegro Vivace<br />

Intermission<br />

Recorda-Me..................................................................................... Joe Henderson<br />

My Funny Valentine.......................................................................... Rodgers & Hart/arr. Inouye<br />

Cinderella......................................................................................... Mark Inouye<br />

Tribute to Beaky................................................................................ Mark Inouye<br />

26


2:45 p.m. - 4:15 p.m.,<br />

Steelcase Ballroom “D”, DeVos Place<br />

Masterclass: Mark Inouye,<br />

Principal <strong>Trumpet</strong>, San Francisco Symphony<br />

2:45 p.m. - 4:15 p.m.,<br />

Atrium Room, Atrium Lower Level<br />

Presentation: Dai Zhonghui,<br />

Pr<strong>of</strong>essor, Central Conservatory <strong>of</strong> Music, Beijing, China<br />

Solo Literature Preparation for Collegiate and Pr<strong>of</strong>essional Auditions<br />

<strong>International</strong>ly recognized performer and pedagogue Pr<strong>of</strong>essor Dai Zhonghui’s session will include a<br />

variety <strong>of</strong> strategies for preparation as well as recommended literature for auditions and competitions.<br />

Students are welcome to bring performance ready materials for evaluation and critique by<br />

Pr<strong>of</strong>essor Dai.<br />

4:30 p.m. - 6:00 p.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

Presentation: David Hickman, Regents’ Pr<strong>of</strong>essor, Arizona State University<br />

<strong>Trumpet</strong> Greats: Little Known and Interesting Facts About The People Who Helped Shape Our<br />

Pr<strong>of</strong>ession<br />

6:00 p.m. - 7:00 p.m.,<br />

Grandview, Conference Level, 3rd Floor<br />

Meet/Greet Gathering <strong>of</strong> the Comeback/Non-Pro Players<br />

The “Non-Pro Players” Committee represents the interests <strong>of</strong> trumpet players who do not derive the<br />

major portion <strong>of</strong> their income from performing or teaching trumpet.<br />

Is this your first ITG Conference? Have you been to a <strong>conference</strong> in the past and would like to reacquaint<br />

yourself with old friends from the Comeback/Non-Pro Players Group? If so, please plan to<br />

attend the first ever Meet and Greet Gathering. Food may be purchased.<br />

27


7:15 p.m., Steelcase Ballroom “A”, DeVos Place<br />

Concert: GVSU Night <strong>of</strong> Premieres<br />

featuring the Grand Rapids Symphonic Band, Barry D. Martin, Conductor<br />

Beer City Fanfare...........................................................................Adam Cuthbert<br />

David Koch, Ryan Gilbert, Kevin Gebo, Kevin Maloney<br />

Festive Overture, Op. 96................................................................Dmitri Shostakovich (1906-1975)<br />

Grand Rapids Symphonic Band<br />

Ballade for a Ceremony.................................................................Eric Ewazen (b. 1954)<br />

arr. James Stephenson/<br />

Adam Cuthbert<br />

Richard Stoelzel and Hunter Eberly<br />

Concerto for Two <strong>Trumpet</strong>s and......................................................Erik Morales (b. 1966)<br />

Wind Ensemble (2013)<br />

James Ackley and Richard Stoelzel, trumpets<br />

Pines <strong>of</strong> the Appian Way................................................................Ottorino Respighi<br />

arr. Curnow<br />

Grand Rapids Symphonic Band<br />

A Little R&R” for Two <strong>Trumpet</strong>s and...............................................James Stephenson (b. 1969)<br />

Wind Ensemble (2013)<br />

Commissioned by Grand Valley State University for the<br />

2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference<br />

Rex Richardson and Richard Stoelzel, trumpets<br />

Concertino de los Filabres, Op. 54 (2012-2013)............................ Javier Pérez Garrido (b. 1985)<br />

Commissioned by José Chafer for the 2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference<br />

James Ackley, Jose Chafer Mompo, Richard Stoelzel, and Rex Richardson, trumpets<br />

28


9:00 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Prelude: Virginia Commonwealth University <strong>Trumpet</strong> Ensemble, Rex Richardson, director<br />

Members: Marcus Grant, Victor Haskins, Brandon Hess, Josh Murrell, Heidi Rechlin,<br />

Jackson Shurlds, Olivia Sturgill, Ryan Teunis<br />

Symphony in C Minor, Mvt 1.................................................................... Ludwig Van Beethoven<br />

arr. Marcus Grand<br />

Grand Opening Concert featuring REX RICHARDSON, Yamaha Performing Artist,<br />

ERIC BERLIN and GREGORY SPIRIDOPOULOS<br />

Grand Rapids Symphonic Band<br />

Barry D. Martin, conductor<br />

James Stephenson, guest conductor<br />

Grand Rapids Jazz Orchestra<br />

Doug Richards, guest conductor<br />

Continuum for <strong>Trumpet</strong> and Trombone and Wind Ensemble...................... Jeffrey Holmes<br />

Eric Berlin, trumpet, and Gregory Spiridopoulos, trombone<br />

Grand Rapids Symphonic Band<br />

Barry D. Martin, conductor<br />

Concerto No. 2 for <strong>Trumpet</strong> and Wind Ensemble (“Rextreme”)................. James Stephenson (b. 1969)<br />

Rex Richardson, trumpet<br />

Grand Rapids Symphonic Band<br />

James Stephenson, conductor<br />

Intermission<br />

Dukal Bugles for <strong>Trumpet</strong> and Jazz Orchestra.......................................... Doug Richards<br />

Rex Richardson, trumpet<br />

Grand Rapids Jazz Orchestra<br />

Doug Richards, conductor<br />

Rex Richardson’s performance is sponsored in part by Yamaha<br />

29


Grand Rapids Symphonic Band<br />

Barry D. Martin, conductor<br />

Piccolo<br />

Susan Ashbaugh<br />

Flute<br />

Linda Howard<br />

Amy DeBoer<br />

Tim Priest<br />

Melissa Massingill<br />

Barb Gillan<br />

Katie Pinder<br />

Renae Stritzinger<br />

Oboe<br />

Cassandra Negron<br />

Alexandra Renny<br />

Ann Isaacson<br />

English Horn<br />

Alexandra Renny<br />

Bassoon<br />

Ruth Wilson<br />

Rebecca Durbin<br />

Al Steuer<br />

Clarinet<br />

Adam Brennan<br />

Claire Zavolta<br />

Whitney Brainard<br />

Keith Hudson<br />

Mike Rizzo<br />

Adam Hendry<br />

Amanda Macleod<br />

Cori TerKeurst<br />

Joanna Kebes<br />

Bass Clarinet<br />

Whitney Brainard<br />

Gary Wakenhut<br />

Alto Saxophone<br />

Bryan Bredwell<br />

Lisa Keeney<br />

Andrea Voulgaris<br />

Tenor Saxophone<br />

Tobias Hutchins<br />

Baritone Saxophone<br />

Michael Rambat<br />

<strong>Trumpet</strong><br />

David Koch<br />

Kent Boulton<br />

Robert Van Sprange<br />

Ryan Gilbert<br />

Matt Elzinga<br />

Chris Rajah<br />

Timothy Smith<br />

William Vanderploeg<br />

Arthur Vanden Wyngaard<br />

Horn<br />

Fred Gordon<br />

Becky Buyze<br />

Jenelle Buehner<br />

Rachelle Swank<br />

Penny Daab Cushway<br />

Blake Moe<br />

Susan Wygmans<br />

Trombone<br />

Ryan Broome<br />

Chris Petersmark<br />

Andrea Mack<br />

Dean Gorsuch<br />

Bill Smith<br />

Bass Trombone<br />

Trevor Trudeau<br />

Euphonium<br />

Edward Mallett<br />

Bob Persky<br />

Erin Doughty<br />

Tuba<br />

Timothy Cary<br />

Tanner Vermeer<br />

Robert Ryan<br />

Lukas Schroeder<br />

Alford Kaufman<br />

String Bass<br />

Dana Wygmans<br />

Piano/Celesta<br />

Chris Petersmark<br />

Percussion<br />

Sarek Buchan<br />

Josh Dreyer<br />

Bailey Groendyke<br />

Trevor Kline<br />

Wade Selkirk<br />

Gabriel Stoelzel<br />

Ned Vanderploeg<br />

Dana Wygmans<br />

30


Grand Rapids Jazz Orchestra<br />

Saxophone<br />

Bob Nixon<br />

Mike Lutley<br />

Greg Marsden<br />

Jonathan Nichol<br />

Gary McCourry<br />

<strong>Trumpet</strong><br />

Dave Wells<br />

Jim Sawyer<br />

Taylor Barnett<br />

Rob Warmels<br />

Trombone<br />

Mike Mcleod<br />

Paul Brewer<br />

Bob Taylor<br />

Paul Keen<br />

Rhythm<br />

Steve Talaga, piano<br />

Tom Lockwood, bass<br />

Tim Froncek, drums<br />

10:30 p.m.,<br />

Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />

Late Night Jam Session hosted by Jeff Uban<br />

31


Wednesday At-A-Glance Schedule<br />

(All rooms are in the Amway unless otherwise noted)<br />

__________________________________________________________________<br />

7:30 a.m. - 8:15 a.m. Warm-Up: Ge<strong>of</strong>frey Shamu, “Warm-Up Routines..... Vandenberg Room<br />

<strong>of</strong> Merri Franquin & Pierre Thibaud”<br />

__________________________________________________________________<br />

8:30 a.m. - 10:00 a.m. ITG Goes to Class<br />

Advanced Jazz Playing for the Crossover................. Cascade Room<br />

Artist (Rex Richardson)<br />

Jazz for the Orchestral Musician (Bill Lucas)........... Vandenberg Room<br />

Orchestral Class (Craig Morris)............................... Imperial Ballroom<br />

The Physical Part <strong>of</strong> Playing.................................... Atrium Room<br />

(Vincent DiMartino)<br />

Solo Class (David Hickman).................................... Pantlind Ballroom<br />

__________________________________________________________________<br />

10:00 a.m. - 5:00 p.m. Exhibits Open!......................................................... Ambassador<br />

Ballroom, Center<br />

Concourse, Private<br />

Rooms<br />

__________________________________________________________________<br />

10:15 a.m. - 11:45 a.m. Daniel Patrylak – “The Eastman Brass................... Governor’s Room<br />

Quintet”<br />

10:15 a.m. - 11:45 a.m. ITG Solo Competition............................................... Pantlind Ballroom<br />

10:15 a.m. - 11:45 a.m. Rich Illman – “<strong>Trumpet</strong> Under The Stars”............... Grand Rapids<br />

Planetarium<br />

__________________________________________________________________<br />

12:00 p.m. - 1:00 p.m. Exhibit Hour............................................................ Ambassador<br />

Ballroom, Center<br />

Concourse, Private<br />

Rooms<br />

Please be sure to visit the private rooms on the 1st Floor Lower Level and 2nd Floor Concourse Level<br />

__________________________________________________________________<br />

1:00 p.m. - 2:30 p.m. James Olcott - Non-Pro Players/............................. Imperial Ballroom<br />

Comeback Players Master Class<br />

1:00 p.m. - 2:30 p.m. The Music <strong>of</strong> Erik Morales and................................ Steelcase Ballroom D,<br />

James Stephenson.................................................. DeVos Place<br />

__________________________________________________________________<br />

33


__________________________________________________________________<br />

2:45 p.m. - 4:15 p.m. Dodworth Saxhorn Band.......................................... Steelcase Ballroom<br />

“A”, DeVos Place<br />

*Brandon Ridenour & Rich Ridenour....................... St. Mark’s Episcopal<br />

“<strong>Trumpet</strong> Invasion” Recital<br />

Church<br />

James Stephenson’s The Devil’s Tale...................... Pantlind Ballroom<br />

__________________________________________________________________<br />

4:00 p.m. - 6:00 p.m. Crossover Concert featuring Vincent DiMartino,....... Steelcase Ballroom<br />

Jens Lindemann, Bill Lucas, Adam Rapa, “D”, DeVos Place<br />

Allen Vizzutti<br />

__________________________________________________________________<br />

7:15 p.m. Thomas Hooten Recital........................................... Steelcase Ballroom<br />

“A” DeVos Place<br />

__________________________________________________________________<br />

9:00 p.m. Adam Rapa Concert with Miriam Hickman, ............ Steelcase Ballroom<br />

piano, and the Michigan Jazz Educators<br />

“A”, DeVos Place<br />

Big Band<br />

__________________________________________________________________<br />

10:30 p.m. Late Night Jam Session........................................... Louis Benton and<br />

LB’s Lounge<br />

__________________________________________________________________<br />

* See map page 136<br />

34


Wednesday, June 12, 2013<br />

(All rooms are in the Amway unless noted otherwise)<br />

7:30 a.m. - 8:15 a.m., Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Warm-Up Session: Ge<strong>of</strong>frey Shamu, Shires <strong>Trumpet</strong> Artist –<br />

“The Warm-Up Routines <strong>of</strong> Merri Franquin & Pierre Thibaud”<br />

8:30 a.m. - 10:00 a.m.<br />

ITG GOES TO CLASS (open to all, pre-registration required)<br />

Advanced Jazz Playing (Rex Richardson).............. Cascade Room, Atrium Lower Level<br />

Jazz for the Orchestral Musician (Bill Lucas)........ Vandenberg, Concourse Level 2nd Floor<br />

Orchestra Class (Craig Morris)............................. Imperial Ballroom, Lobby Level 1st Floor<br />

The Physical Part <strong>of</strong> Playing................................. Atrium Room, Lower Level<br />

(Vincent DiMartino)<br />

Solo Class (David Hickman)................................. Pantlind Ballroom, Concourse Level, 2nd Floor<br />

EXHIBITS OPEN<br />

10:00 a.m. - 5:00 p.m.,<br />

Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />

Level 2nd Floor<br />

Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />

Ruby (Harrelson), Robinson Room (S.E. Shires)<br />

Lower Level 1st floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams Musical<br />

Instruments and Austin Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />

Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat,<br />

Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />

35


10:15 a.m. - 11:45 a.m.,<br />

Governor’s Room, Concourse Level, 2nd Floor<br />

Presentation: Daniel Patrylak, Pr<strong>of</strong>essor Emeritus, The University <strong>of</strong> Connecticut –<br />

The Eastman Brass Quintet: 1962-1975<br />

“Innovations in Brass Quintet Concepts”<br />

10:15 a.m. - 11:45 a.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

ITG Solo Competition<br />

Rachael Kerr, piano<br />

Gabriel DiMartino, Solo Competition Finals Co-Chair – Syracuse University<br />

SSG Kevin Maloney, United States Army, Solo Competition Co-Chair & Preliminaries Chair,<br />

Finalists:<br />

Ricardo Samuel Pinto Matos – Escola Superior de Artes Aplicadas; Student <strong>of</strong> Antonio Miguel<br />

Camolas Quitalo<br />

Wen Rong Lau – Yong Siew Toh Conservatory <strong>of</strong> Music; Student <strong>of</strong> William Theis<br />

Jared Sessink – Central Michigan University; Student <strong>of</strong> Neil Mueller<br />

Preliminary Judges:<br />

Karen Bliznik, Principal <strong>Trumpet</strong>, Santa Fe Opera<br />

Chris Carillo, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, James Madison University<br />

SSG Kevin Gebo, <strong>Trumpet</strong>, United States Army<br />

Finals Judges:<br />

Stephen Burns, Fulcrum Point New Music Project, Yamaha Performing Artist<br />

Thomas Hooten, Principal <strong>Trumpet</strong>, Los Angeles Philharmonic, Yamaha Performing Artist<br />

Jens Lindemann, <strong>International</strong> Soloist, Yamaha Performing Artist<br />

36


10:15 a.m. - 11:45 a.m.<br />

Roger B. Chaffee Planetarium, Grand Rapids Public Museum, 272 Pearl Street NW<br />

Multi-Media Presentation: Rich Illman, Pr<strong>of</strong>essor, Michigan State University –<br />

“<strong>Trumpet</strong> Under the Stars”<br />

with the Michigan State University <strong>Trumpet</strong> Studio:<br />

Nate Bean, Jacob Bender, Carlot Dorve, Stephanie Erspamer, Perry Holmes, Chris Howe, Ross Huber,<br />

Matthew Kay, Andrew Keiser, David Lea, Jonah Meltzer, Emily Northrop, TJ Perry, John Pohland,<br />

Pamela Smitter, Rachel Stevens, Ross Turner, Sam VanDyke, Jessi Walsh, Colin White, Jimmy Yuhas<br />

Rich Illman, conductor<br />

This concert is sponsored in part by a generous donation<br />

by Michigan State University College <strong>of</strong> Music<br />

ZaraStars (2013) – World Premier...................................................... Richard Strauss, John Williams<br />

arr. Rich Illman<br />

Visuals by John French<br />

Fanfare for the Universe (2012)......................................................... Rich Illman<br />

Visuals by John French<br />

The Heavens Proclaim (2012)............................................................ Nicole Piunno<br />

Visuals by Rich Illman<br />

Mobius Invasion (2013) – World Premier........................................... Charles Wolschon<br />

Visuals by Digistar<br />

5 Grooves for Ten <strong>Trumpet</strong>s (2013) – World Premier........................... Charles Ruggiero<br />

Visuals by Charles Ruggiero<br />

Within Sacred Walls (2011)................................................................ Erik Morales<br />

Visuals by Rich Illman<br />

Fanfare for the Uncommon Woman No. 5 (1993)................................ Joan Tower<br />

Visuals by Rich Illman<br />

Stephanie Erspamer, Perry Holmes, Emily Northrop, Rachel Stevens, Jessi Walsh<br />

Pamela Smitter, conductor<br />

Blues for the Common Man (1994)..................................................... Rich Illman<br />

Visuals by Rich Illman<br />

Program Notes by Rich Illman<br />

This concert will be a multi-media presentation, with visuals to include Powerpoint slide shows,<br />

computer generated graphics, Digistar generated images, and videos taken from various sources<br />

combined specifically for this concert. The audio portion <strong>of</strong> the concert will be a combination <strong>of</strong> live,<br />

acoustic trumpet sounds, digitally altered trumpet sounds (using a digital effects processor), computer<br />

generated tracks (generally with sampled sounds), synthesizer sequences, and a few surprises.<br />

All <strong>of</strong> the World Premier pieces were written specifically to be performed in a planetarium with its<br />

unique acoustical environment and its antiphonal setup. Fanfare for the Universe and The Heavens<br />

Proclaim were both written for a planetarium concert in 2012 and have the same considerations<br />

throughout. The visuals for Within Sacred Walls and Fanfare for the Uncommon Woman were created<br />

from images available on the Internet and can be obtained in Powerpoint format from Rich Illman.<br />

37


12:00 - 1:00 p.m. Exhibit Hour<br />

Ambassador Ballroom, Center Concourse Lobby, Private Rooms<br />

1:00 p.m. - 2:30 p.m.<br />

Steelcase Ballroom “D”, DeVos Place<br />

Prelude: Central Washington University <strong>Trumpet</strong> Ensemble, John Harbaugh, director<br />

Members: Tristan Hurd, Darin Greif, Pavel Spichak, Braden Waddell, Skyler Floe<br />

Music for 5 <strong>Trumpet</strong>s (III Finale)............................................................................. Verne Reynolds<br />

Goodbye Pork Pie Hat............................................................................................. Mingus/Anderson<br />

Metallic Fury.......................................................................................................... Erik Morales<br />

Recital:<br />

The Music <strong>of</strong> Erik Morales<br />

and James Stephenson<br />

Rebecca Wilt, piano; Robert Conway, piano;<br />

Kimberly Kaloyanides Kennedy, violin<br />

Bagatelle (Written for Marc Reese)......................................................................... James Stephenson<br />

Kevin Gebo, trumpet, and Rebecca Wilt, piano<br />

Passion Dance....................................................................................................... Erik Morales<br />

(Commissioned by Richard Stoelzel for the Aries Trio)<br />

Hunter Eberly, trumpet; Kimberly Kaloyanides Kennedy, violin;<br />

and Robert Conway, piano<br />

Remember Forward (Written for Bob Sullivan)........................................................ Stephenson<br />

Marc Reese, trumpet, and Rebecca Wilt, piano<br />

38


X1.......................................................................................................................... Morales<br />

(Commissioned & premiered by the Grand Valley State University <strong>Trumpet</strong> Ensemble)<br />

Grand Valley State University Alumni <strong>Trumpet</strong> Ensemble<br />

Hunter Eberly, Steven Marx, Jeff Uban, Kim Eberly, and Jeff Lewandowski<br />

Fantasie................................................................................................................. Stephenson<br />

(Commissioned by Paul Merkelo)<br />

Jeffrey Work, trumpet, and Rebecca Wilt, piano<br />

Concerto for <strong>Trumpet</strong> in C and Piano....................................................................... Morales<br />

(Commissioned & Premiered by Richard Stoelzel)<br />

Alex Wilson, trumpet, and Rebecca Wilt, piano<br />

La Viaggio Vita........................................................................................................ Stephenson<br />

(Commissioned by Valerie Stoelzel in celebration <strong>of</strong> 20 years<br />

<strong>of</strong> marriage to Richard Stoelzel)<br />

Courtship<br />

Romance<br />

Life<br />

Bill Lucas, trumpet; Kimberly Kaloyanides Kennedy, violin; and Robert Conway, piano<br />

Sonata................................................................................................................... Stephenson<br />

(Commissioned by Richard Stoelzel)<br />

Hunter Eberly, trumpet, and Robert Conway, piano<br />

Infinite Ascent........................................................................................................ Morales<br />

Drum and Brass<br />

Richard Stoelzel, Slawomir Cichor, Jose Chafer, Rex Richardson,<br />

Alex Wilson, Kevin Gebo, Kevin Maloney, Vincent DiMartino<br />

39


1:00 p.m. - 2:30 p.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Non-Pro Players/Comeback Players Master Class: James Olcott, Pr<strong>of</strong>essor, Miami<br />

University – “From the Heart”<br />

Intended for comeback players, topics for analysis and discussion will stem from performances by,<br />

and questions from, audience participants. Of particular interest will be aspects surrounding “playing<br />

from the heart,” what the term implies and what it takes, physically, psychologically, and emotionally,<br />

to stir listeners.<br />

40


2:45 p.m. - 4:15 p.m.,<br />

St. Mark’s Episcopal Church, 134 Division Avenue North<br />

Prelude: Northeastern Illinois University <strong>Trumpet</strong> Ensemble<br />

Members: Robert Alonzo, Enrique Escamilla, Robert Luther, Victor Muenzer, Katie Samayoa, Gregory<br />

Strauss, Mark Toliusis<br />

Concertino Piccolo, Op. 101 (1985)......................................................Jan Koetsier (1911-2006)<br />

Andante Maestoso-Allegro-Andante Maestoso<br />

Andante Cantabile<br />

Allegro Molto Vivace-Vivo<br />

Recital: Brandon Ridenour, trumpet, and Rich Ridenour, piano<br />

<strong>Trumpet</strong> Invasion<br />

Carnival <strong>of</strong> Venice.................................................................................Del Staigers<br />

Girl with the Flaxen Hair.......................................................................Claude Debussy (1862-1918)<br />

6 Romanian Folk Dances......................................................................Béla Bartók (1881-1945)<br />

Maple Leaf Rag....................................................................................Scott Joplin (1867-1917)<br />

March – The Love <strong>of</strong> Three Oranges.....................................................Sergei Prok<strong>of</strong>iev (1891-1953)<br />

Adios Nonino........................................................................................Astor Piazzolla (1921-1992)<br />

My Basin Street....................................................................................Williams<br />

Intermission<br />

Three Preludes.....................................................................................George Gershwin (1898-1937)<br />

Allegro ben ritmato e deciso<br />

Andante con moto<br />

Allegro ben ritmato e deciso<br />

Habanera.............................................................................................Maurice Ravel (1875-1937)<br />

America....................................................................................................Leonard Bernstein (1918-1990)<br />

Amazing Gifts.......................................................................................Trad./Shaker<br />

Rhapsody in Blue.................................................................................George Gershwin<br />

41


2:45 p.m. - 4:15 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Concert: Dodworth Saxhorn Band<br />

Introduction<br />

The Star Spangled Banner<br />

The Life <strong>of</strong> a Civil War Soldier<br />

The Battle <strong>of</strong> Inkerman<br />

The Raw Recruit Quadrille<br />

Grand March- The Sultan<br />

Mother Kissed Me in My Dream<br />

The Soldiers Return March<br />

Bugle Calls:<br />

Reveille, Attention, Assembly, Right, Forward, Retreat,<br />

Commence Fire, Cease Fire, Tattoo, Taps<br />

Maggie By My Side Quickstep<br />

Dodworth Reminiscences<br />

Kreischutz Quickstep<br />

Eine Kleine Nachtmusik-Serenade in G<br />

Concerto for <strong>Trumpet</strong> – Rondo<br />

Then You’ll Remember Me<br />

Light <strong>of</strong> Other Days<br />

Viva L’America<br />

The Post Horn Galop<br />

Meet the Band<br />

Americus Quickstep<br />

Yankee Doodle<br />

42


2:45 p.m. - 4:15 p.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

The Devil’s Tale<br />

a sequel to Stravinsky’s L’histoire du soldat – Michigan regional premiere!<br />

Music and Libretto by James M. Stephenson<br />

Setting: Las Vegas and Tulsa,OK<br />

Characters:<br />

Joe – pit-orchestra musician, later disguised as casino owner<br />

Hannah – showgirl<br />

Sam (devil) – blackjack dealer, street sign ad-man, furs store owner, Vegas Agent<br />

Ensemble:<br />

Mike Fansler, conductor Matt Bean, narrator Sally Stephenson, violin<br />

Eric Ginsberg, clarinet Douglas Huff, bassoon Bruce Briney, trumpet<br />

John Mindeman, trombone Matthew Hughes, contrabass Rick Kurasz, percussion<br />

Part I:<br />

Joe wakes up from a dream (L’histoire). He’s in a Vegas hotel room, with girlfriend Hannah. He’s<br />

playing for a premiering new show, also featuring Hannah as showgirl. Hannah desperately wants to<br />

leave Vegas, to return to Tulsa, OK, for the simpler life.<br />

On the way to rehearsal, Joe passes by Sam, the blackjack dealer, who hopes someday to become<br />

a casino owner. Sam is also Hannah’s agent, but knows <strong>of</strong> their desire to leave. Sam reminds Joe,<br />

a reformed gambler, <strong>of</strong> a deal: play another game <strong>of</strong> cards with him, and if Joe wins, he can leave<br />

Vegas with Hannah. If he loses, Joe must leave along, without Hannah. Joe agrees.<br />

In the meantime, Joe devises a plan with Hannah. Joe will purposely lose the card-game, but that night<br />

during the show, she will (falsely) injure herself in the big dance number, so that Sam will no longer have<br />

use for her, and they can go home to Tulsa. The scheme works: Joe and Sam play cards (Joe loses);<br />

Hannah “injures” herself and Sam declares her useless. Joe and Hannah leave together for Tulsa.<br />

Part II:<br />

Back in Tulsa now. Time has passed. Joe is getting bored with Tulsa life. Sam (disguised as a fur<br />

salesman) <strong>of</strong>fers a deal from his store: buy furs and get free tickets to Vegas. Joe convinces Hannah<br />

to take the deal. Hannah, now reminiscing about Vegas a little, is left alone, and is approached by<br />

Sam, now disguised as a Vegas agent. He <strong>of</strong>fers her a well-paid starring role in a new show, and<br />

Hannah – obviously flattered – accepts, and they leave immediately, leaving Joe behind.<br />

Joe then returns to Vegas to try to win Hannah back. Musicians have black-listed him, since he<br />

quit the show. Joe disguises himself as a casino owner, and challenges Sam to another card game.<br />

Repeatedly losing, he <strong>of</strong>fers the greedy Sam keys to the casino if he loses again. He loses, and Sam<br />

immediately runs to what he thinks is his new <strong>of</strong>fice. The keys don’t work, <strong>of</strong> course, and security<br />

being what it is in a casino, Sam is immediately apprehended by police, and is taken away.<br />

Joe and Hannah are together again, and leave Vegas on the road back home to Tulsa, which is, <strong>of</strong><br />

course, hot and dusty…<br />

43


4:00 p.m. - 6:00 p.m.,<br />

Steelcase Ballroom “D”, DeVos Place<br />

Prelude: Virginia Commonwealth University <strong>Trumpet</strong> Ensemble, Rex Richardson, director<br />

Members: Marcus Grant, Brandon Hess, Heidi Rechin, Jackson Shurlds,<br />

Olivia Sturgill, Ryan Teunis<br />

Suite for Six <strong>Trumpet</strong>s....................................................................Marcus Grant<br />

Concert: Crossover Concert featuring Vincent DiMartino, Jens Lindemann,<br />

William Lucas, Adam Rapa, Rex Richardson, and Allen Vizzutti<br />

Kristian Alexandrov, Miriam Hickman, Laura Vizzutti, piano<br />

Sally Stephenson and Leslie Wikinson, violins<br />

Andrew Pool, viola; Lee Copenhaver, cello<br />

Mike Downes, bass; Ted Warren, drums<br />

Gaudete Brass Quintet<br />

Concert Gallop (2013)..................................................................Brendan Collins<br />

Vincent DiMartino<br />

Concerto No. 1 in E-flat Major......................................................Johann Wilhelm Hertel (1727-1789)<br />

II. Adagio<br />

III. Allegro Vivace<br />

Jens Lindemann<br />

Variations on a Theme by Haydn ..................................................James M. Stephenson<br />

Rex Richardson<br />

Clarinet Concerto No. 2 in E-flat Major.........................................Carl Maria von Weber<br />

(1st Movement) (1811)<br />

arr. (and adapted to a blitering,<br />

Baltic 7/8) Adam Rapa<br />

Adam Rapa<br />

The Swan.....................................................................................Camille Saint-Saëns<br />

(Le Cygne from Le carnival des animaux) (1886)<br />

arr. Adam Rapa<br />

Adam Rapa<br />

Concertino, Movement No. 3 – Vivace..........................................J.G. Albrechtsberger<br />

Allen Vizzutti and Laura Vizzutti<br />

44<br />

Pause<br />

God Only Knows (recorded by The Beach Boys)............................Brian Wilson, Tony Asher<br />

Love On Top (recorded by Beyoncé)..............................................Beyoncé Knowles, Terius Nash,<br />

Shea Taylor<br />

Adam Rapa


Rhapsody in Paris........................................................................George Gershwin/arr. William Lucas<br />

Mainstream Moderate<br />

Orchestrally Textured<br />

Jazzed Allegro<br />

William Lucas<br />

Suite Hellenique...........................................................................Pedto Itturalde (arr. J. Lindemann)<br />

Jens Lindemann<br />

My Funny Valentine......................................................................Richard Rodgers and Lorenz Hart<br />

Vincent DiMartino<br />

Red Shift......................................................................................Rex Richardson<br />

Rex Richardson<br />

Jazz Sonata – Movement No. 3 featuring Laura Vizzutti................Allen Vizzutti<br />

Allen Vizzutti<br />

Jens Lindemann, Rex Richardson, & Allen Vizzutti’s performances are sponsored in part by Yamaha<br />

45


7:15 p.m. - 8:30 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Prelude: Alabama <strong>Trumpet</strong> <strong>Guild</strong> Ensemble, James Zingara, director<br />

Members: Joseph Ardovino, University <strong>of</strong> Montevallo; Mark DeGoti, Auburn University; Michael<br />

Huff, Troy University; Eric Yates, University <strong>of</strong> Alabama; James Zingara, University <strong>of</strong> Alabama at<br />

Birmingham<br />

Sinfonia a cinque (World Premiere)................................................................... Joseph Landers<br />

Fantasy for Five <strong>Trumpet</strong>s (World Premiere)....................................................... Jason Bahr<br />

Recital: Thomas Hooten, Principal <strong>Trumpet</strong>, Los Angeles Philharmonic<br />

Rebecca Wilt, piano<br />

<strong>Trumpet</strong> Call...................................................................................................... Kenneth Downie<br />

Incantation, Threne et Danse............................................................................. Alfred Descenclos<br />

Intermission<br />

Slavonic Fantasy............................................................................................... Carl Hohne<br />

3 Songs............................................................................................................. Sergei Rachmanin<strong>of</strong>f<br />

1. Oh, never sing to me again<br />

2. When silent night doth hold me<br />

3. Arion<br />

Quatre variations sur un theme de Domenico Scarlatti...................................... Marcel Bitsch<br />

Thomas Hooten’s performance is sponsored in part by Yamaha<br />

46


9:00 p.m. - 10:30 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Concert: Adam Rapa with the Michigan Jazz Educators Big Band<br />

Miriam Hickman, piano<br />

Concerti for <strong>Trumpet</strong> & Big Band<br />

Join Adam Rapa for an evening <strong>of</strong> exciting new compositions and arrangements, played by Michigan’s top<br />

players and educators. This concert will also serve as a masterclass on the wide variety <strong>of</strong> musical styles<br />

covered. Rapa will give a show-and-tell <strong>of</strong> the key ingredients that define these styles, and share some <strong>of</strong><br />

the interests and influences which led to the creation <strong>of</strong> this <strong>program</strong>.<br />

Guest-performers and educators are accustomed to meeting bands very shortly before performing challenging<br />

music together. Tonight’s show is no exception. Even with a band <strong>full</strong> <strong>of</strong> great players, there are lots <strong>of</strong><br />

nuances within the music which can only be realized through focused, production rehearsal. Rapa will show<br />

the audience (especially all <strong>of</strong> the aspiring educators, composers, soloists, and band leaders) how fun it is<br />

to “dot the i’s, cross the t’s and really bring the music to life. In an informal, open-rehearsal format, he’ll<br />

dissect portions <strong>of</strong> the music, feature individual sections <strong>of</strong> the band, and take this music to the next level.<br />

Rebelíon Suite...................................................................................................... Astor Piazzolla<br />

(Adíos Nonino, Contrabajissimo, Mumuki, La Muerte del Angel)<br />

arr. Adam Rapa<br />

Never Ending Fantasie (Based on Music from “The Never Ending Story”)............. Klaus Doldinger<br />

arr. Adam Rapa<br />

Song for Jozak...................................................................................................... Adam Rapa<br />

Intermission (CD’s for sale in the Lobby)<br />

Chiquinha Gonzaga (Suite Retratos, mvt. 4)......................................................... Radamés Gnattali<br />

arr. Adam Rapa<br />

You....................................................................................................................... Pat Metheny<br />

Adam Rapa<br />

Festa Na Macuca................................................................................................. Jovino Santos Neto<br />

arr. Adam Rapa<br />

Warrior Dance...................................................................................................... Adam Rapa<br />

Michigan Jazz Educators Big Band<br />

Saxophone <strong>Trumpet</strong> Trombone Rhythm<br />

Joe Lull<strong>of</strong>f Randy Casteel Dave Wells Mike Hyde, guitar<br />

Laurie Sears Taylor Barnett Paul Brewer Robin Connell, piano<br />

Bill Sears Ray Oset Travis Good Tom Lockwood, bass<br />

Jonathan Nichol Max Colley Bob Engelsman Tim Froncek, drums<br />

Tom Stansell<br />

Rob Mulligan, percussion<br />

11:00 p.m.,<br />

Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />

Late Night Jam Session hosted by Gordon Vernick<br />

47


Thursday At-A-Glance Schedule<br />

(All rooms are in the Amway unless noted otherwise)<br />

__________________________________________________________________<br />

7:30 a.m.-8:15 a.m. Warm-Up Session: Hunter Eberly............................Senator Vandenberg<br />

Room<br />

__________________________________________________________________<br />

8:30 a.m.-10:15 a.m. ITG Goes to Class<br />

Advanced Jazz Playing for the..................................Cascade Room<br />

Crossover Artist (Rex Richardson)<br />

Jazz for the Orchestral Musician (Bill Lucas)............Vandenberg Room<br />

Orchestral Class (Thomas Hooten)...........................Imperial Ballroom<br />

The Physical Part <strong>of</strong> Playing (Vincent DiMartino)......Atrium Room<br />

Solo Class (David Hickman).....................................Pantlind Ballroom<br />

__________________________________________________________________<br />

9:00 a.m.-5:00 p.m. Exhibits Open!.........................................................Ambassador Ballroom,<br />

Center Concourse,<br />

Private Rooms<br />

__________________________________________________________________<br />

10:15 a.m.-11:45 a.m. Craig Morris Recital.................................................Pantlind Ballroom<br />

10:15 a.m.-11:45 a.m. Ellsworth Smith Competition....................................Imperial Ballroom<br />

Winner Recital – Ryan Beach<br />

10:15 a.m.-11:45 a.m. Yoga Class with Rich Illman and Jo Martinie.............Vandenberg Room<br />

__________________________________________________________________<br />

12:00 p.m.-1:00 p.m. Exhibit Hour.............................................................Ambassador Ballroom,<br />

Center Concourse,<br />

Private Rooms<br />

__________________________________________________________________<br />

1:00 p.m.-2:30 p.m. Jose Chafer Mompo Recital......................................Pantlind Ballroom<br />

1:00 p.m.-2:30 p.m. Michael Sachs Masterclass.....................................Imperial Ballroom<br />

1:00 p.m. -2:30 p.m. Non-Pro Players/Comeback Players.........................Vandenberg Room<br />

Session: David Brown<br />

__________________________________________________________________<br />

49


__________________________________________________________________<br />

2:45 p.m.-4:15 p.m. Brian Evans Recital............................................Pantlind Ballroom<br />

2:45 p.m.-4:15 p.m. Gaudete Brass Quintet Recital............................Imperial Ballroom<br />

2:45 p.m.-4:15 p.m. Walter White & Small, Medium @ Large............Steelcase Ballroom “A”,<br />

Concert<br />

DeVos Place<br />

4:00 p.m.-6:00 p.m. ITG Legacy Endowment Reception.......................Vandenberg Room<br />

4:30 p.m.-5:45 p.m. Stephen Burns <strong>Trumpet</strong> & Organ Recital.............*St. Mark’s Episcopal<br />

Church<br />

4:30 p.m.-5:45 p.m. ITG Jazz Improvisation Competition.....................Steelcase Ballroom “D”,<br />

DeVos Place<br />

7:00 p.m.-8:30 p.m. Jens Lindemann Birthday Bash Concert..............Steelcase Ballroom “A”,<br />

DeVos Place<br />

9:00 p.m.-10:30 p.m. Allen Vizzutti Concert..........................................Steelcase Ballroom “A”,<br />

DeVos Place<br />

10:30 p.m. Late Night Jam Session.......................................Louis Benton and LB’s<br />

Lounge<br />

__________________________________________________________________<br />

* See page 136 for directions<br />

50


Thursday, June 13, 2013<br />

(All rooms are in the Amway unless noted otherwise)<br />

7:30 a.m. - 8:15 a.m.,<br />

Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Warm-Up Session: Hunter Eberly, Principal <strong>Trumpet</strong>, Detroit Symphony Orchestra<br />

8:30 a.m. - 10:15 a.m.<br />

ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />

Advanced Jazz Playing (Rex Richardson)...........................................Cascade Room, Atrium<br />

Lower Level<br />

Jazz for the Orchestral Musician.......................................................Vandenberg Room,<br />

(Bill Lucas)<br />

Concourse Level 2nd Floor<br />

Orchestral Class (Thomas Hooten)....................................................Imperial Ballroom, Lobby<br />

Level 1st Floor<br />

The Physical Part <strong>of</strong> Playing..............................................................Atrium Room Lower Level<br />

(Vincent DiMartino)<br />

Solo Class (David Hickman)..............................................................Pantlind Ballroom,<br />

Concourse Level 2nd Floor<br />

EXHIBITS OPEN<br />

10:00 a.m. - 5:00 p.m.,<br />

Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />

Level 2nd Floor<br />

Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />

Ruby (Harrelson), Robinson Room (S.E. Shires)<br />

Lower Level 1st floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams Musical<br />

Instruments and Austin Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />

Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat,<br />

Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />

51


10:15 a.m. - 11:45 a.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

Prelude: Central Michigan University, Neil Mueller, director<br />

Members: Brandon Bowker, Jacob Lubbers, Jonathan Moss, Jon Ragon,<br />

James Sebring, Jared Sessink, Kyle Tomisch<br />

From Holberg’s Time: Suite in Olden Style................................... Edvard Grieg<br />

III. Gavotte<br />

arr. Neil Mueller<br />

IV. Air<br />

V. Rigaudon<br />

Recital: Craig Morris, Pr<strong>of</strong>essor, Frost School <strong>of</strong> Music, University <strong>of</strong> Miami<br />

Rebecca Wilt, piano<br />

Suite Bergamasque..................................................................... Claude Debussy<br />

Prelude<br />

arr. Craig Morris and S<strong>of</strong>ia Kraevska<br />

Menuet<br />

Clair de lune<br />

Passepied<br />

Monkeyshines............................................................................. Roshanne Etezady<br />

13 Melodies for <strong>Trumpet</strong>, Flugelhorn, .......................................... Philip Glass/arr. Craig Morris<br />

and Piccolo <strong>Trumpet</strong><br />

52


10:15 a.m. - 11:45 a.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Prelude: University <strong>of</strong> Miami (Ohio), James Olcott, director<br />

Members: Kathleen George, Tyler Graves, Ian Harrah, Sarah Prunty, Dylan Rhonemus, Janell Roeper,<br />

Nicholas Shirley, Ryan Steward, Ian Sugerman, Hayley Vivian, Jacob Walker, Elise Ware,<br />

Katherine Wicker<br />

Soundings (2009)........................................................................ Brian Balmages<br />

Bugler’s Holiday.......................................................................... Leroy Anderson<br />

arr. David Hickman<br />

America the Beautiful.................................................................. Augustus Ward<br />

arr. Carmon Dragon<br />

transcr. James Olcott<br />

Recital: Ryan Beach, 2012 Ellsworth Smith Competition Winner, Principal <strong>Trumpet</strong>, Indianapolis<br />

Symphony Orchestra<br />

Rachael Kerr, piano<br />

Concerto No. 1 in E-flat Major..................................................... Johann Wilhelm Hertel (1727-1789)<br />

Concerto for <strong>Trumpet</strong>................................................................... James Stephenson (b. 1969)<br />

Song Cycle for <strong>Trumpet</strong> and Piano............................................... Jamie Whitmarsh (b. 1988)<br />

Variations on a Theme from Norma............................................. Vincenzo Bellini (1801-1835)<br />

53


10:15 a.m. - 11:45 a.m.,<br />

Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Yoga with Rich Illman and Jo Martinie<br />

Rich Illman and Jo Martinie have been presenting Yoga for Wind Players since the 2002 <strong>International</strong><br />

<strong>Trumpet</strong> <strong>Guild</strong> Conference in Manchester, England. Since then, they have been helping players<br />

all around the world learn to be more relaxed while they play, through a combination <strong>of</strong> breathing<br />

techniques and simple yoga postures and stretches. The increased self-awareness gained through<br />

these tactics not only improve one’s playing, they improve the overall quality <strong>of</strong> life by adding general<br />

strategies for tension release that can be used at any time.<br />

12:00 p.m. - 1:00 p.m. Exhibit Hour<br />

Ambassador Ballroom, Center Concourse Lobby, Private Rooms<br />

54


1:00 p.m. - 2:30 p.m.,<br />

Pantlind Ballroom, Concourse Level, 2nd Floor<br />

Prelude: Western Michigan University <strong>Trumpet</strong> Ensemble, Stephen Jones, director<br />

Members: Bonni Beebe, Sean Corbitt, Mitchell Curry, Paul Hardaker, Nathaniel Patty, Adam Phillips,<br />

Adam Stowe<br />

Cornet Carillon........................................................................................ Ronald Binge (1910-1979)<br />

Bucinae................................................................................................... Riccardo Giavina (b. 1937)<br />

Canentes<br />

Invocantes<br />

Exsultantes<br />

Recital: Jose Chafer Mompo, Pr<strong>of</strong>essor, 8 Editions <strong>of</strong> the <strong>International</strong> Course <strong>of</strong> Music<br />

Vilade L’Olleria<br />

Rebecca Wilt, piano<br />

L’ESPRIT de la Trompette......................................................................... James M. Stephenson<br />

Fantasía Mudéjar – U.S. Premiere........................................................... Luiz Pérez de Tidela Gil<br />

Rapsodia – U.S. Premiere........................................................................ Javier Artaza<br />

I don’t understand this music – World Premiere...................................... Óscar Vidal<br />

(Commissioned by José Chafer & 38th Annual Conference <strong>of</strong> the<br />

<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Michigan, U.S.A.)<br />

the first question<br />

the second question<br />

the third question<br />

a short reflextion<br />

the unanswered question<br />

Intermission<br />

Prayer and Praise.................................................................................... Eric Ewazen<br />

(Commissioned and dedicated to Richard Stoelzel)<br />

Centennial Horizon.................................................................................. Kevin McKee<br />

Aspen Grove<br />

Interlude – Alpenglow<br />

Roaring Gunnison<br />

Piezas Andaluzas.................................................................................... Santiago Báez<br />

Bulerías del Guadalquivir<br />

55


1:00 p.m. - 2:30 p.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Prelude: University <strong>of</strong> Louisville <strong>Trumpet</strong> Ensemble,<br />

Ansyn Banks and Michael Tunnell, co-directors<br />

Members: Seth Burkhardt, Nick DeJarlais, Erika Howard, David Jaffe, Nick Kaiser, Kristian Kemker,<br />

Sam Loomis, Clay Parler, Trevor Webb, Don Woods, Jon Wysong<br />

Tico Tico.................................................................................................. Zequinha de Abreau<br />

(1880-1935)<br />

arr. David Marlatt<br />

Tiger <strong>of</strong> San Pedro................................................................................... John LaBarbera (b. 1945)<br />

Masterclass: Michael Sachs, Principal <strong>Trumpet</strong>, Cleveland Orchestra<br />

1:00 p.m. - 2:30 p.m.,<br />

Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Non-Pro Players/Comeback Session: David Brown, Pr<strong>of</strong>essor, Brigham Young University<br />

“Starting Over Again – The True Comeback Player”<br />

Drawing on his own experience and that <strong>of</strong> his predecessors, David Brown has developed a successful<br />

plan that allows for a <strong>full</strong> recovery in 2-4 months while avoiding the damage that can be done<br />

by pushing too hard too quickly. This session might also be <strong>of</strong> interest to pr<strong>of</strong>essional players and<br />

teachers who are looking for help in recovering from injury.<br />

56


2:45 p.m. - 4:15 p.m., Steelcase Ballroom “A”, DeVos Place<br />

Concert: Walter White & Small, Medium @ Large<br />

To be chosen from the following:<br />

There’ll Never Be Another You......................................................... Harry Warren/arr. White<br />

Nica’s Dream.................................................................................. Horace Silver/arr. White<br />

Florence.......................................................................................... Walter White<br />

Waitin’ For Walter............................................................................ Steve Brown/arr. White<br />

Beauty and the Beast...................................................................... Wayne Shorter/arr. Streng<br />

Cantaloupe Island........................................................................... Herbie Hancock/arr. White<br />

Yo Conecto...................................................................................... Walter White<br />

Sing Sing Sing................................................................................. Louis Prima/arr. White<br />

Promised........................................................................................ Charles Ernst/arr. White<br />

In The Mood (Not!).......................................................................... arr. White<br />

Lonnie’s Lament............................................................................. John Cotrane/arr. White<br />

Thank You, Joe Martinez.................................................................. Walter White<br />

Taps (For Maynard)......................................................................... arr. Walter White<br />

The Way Up..................................................................................... Walter White<br />

Stella By Starlight........................................................................... Victor Young/arr. White<br />

Walter White, Leader, <strong>Trumpet</strong>, Flugelhorn<br />

Mark Kieme, Alto Saxophone, Flute; Bobby Streng, Tenor Saxophone, Flute;<br />

Mark Berger, Baritone Saxophone<br />

Rob Killips, Trombone; John Rutherford, Bass Trombone<br />

Bob Jensen and Ken Robinson, <strong>Trumpet</strong>s<br />

Gary Schunk, Piano; Jeff Pedraz, Bass; Jeff Trudell, Drums<br />

57


2:45 p.m. - 4:15 p.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Prelude: Conservatorio Superior de Música de Canarias/Pr<strong>of</strong>esional de Las Palmas de Gran Canaria,<br />

Sebastián Gil, director<br />

Members: Sebastán Gil, Rubén Pérez, Francisco Perera, Gabriel Cerpa, Isdro Suárez<br />

Entrada................................................................................................Ernesto Mateo<br />

Suite for Five <strong>Trumpet</strong>s.........................................................................Roland Lo Presti<br />

Arguero................................................................................................José Franco/S. Gil<br />

Concert: Gaudete Brass Quintet<br />

Bill Baxtresser and Ryan Berndt, trumpets<br />

Julia Filson, horn<br />

Paul Von H<strong>of</strong>f, trombone<br />

Scott Tegge, tuba<br />

Quintessence (2012)............................................................................Joseph Turrin (b. 1947)<br />

Italian Madrigals (1611).......................................................................Heinrich Schütz (1584-1672)<br />

Alma Afflita (Sorrowful soul)<br />

Ride la Primavera (The Spring Laughs)<br />

Di Marmo Siete Voi (You are <strong>of</strong> marble)<br />

Chicago Moves (2011).........................................................................David Sampson (b. 1951)<br />

Grant Park<br />

The Spaghetti Bowl<br />

Looped Lament<br />

Lake Shore Drive<br />

Intermission<br />

Canzona Prima a5 (1615)........................................................................ Giovanni Gabrieli (1555-1612)<br />

sevenfive (2013)..................................................................................Steven Bryant (b. 1972)<br />

Prayers <strong>of</strong> Steel (2013)........................................................................Jonathan Newman (b. 1972)<br />

Limited<br />

Foxtrot<br />

Prayers <strong>of</strong> Steel<br />

City <strong>of</strong> Big Shoulders<br />

58


2:45 p.m. - 4:15 p.m., Pantlind Ballroom, Center Concourse, 2nd Floor<br />

Prelude: Pittsburg State University <strong>Trumpet</strong> Ensemble, Todd Hastings, director<br />

Members: Matt Carter, Zach Hatcher, Kelsey DeVore, Tom Lawlor, Dalton Williams, Wyatt Smith<br />

Intrada.................................................................................................... John Ross<br />

Recital: Brian Evans, trumpet, Australian Opera and Ballet Orchestra, and<br />

Thomas Burge, trombone, Charlotte Symphony Orchestra<br />

Miriam Hickman, piano<br />

“Friends”<br />

Australian works for trumpet and trombone<br />

Serenade (2012) (trumpet and piano)..................................................... Brendan Collins<br />

Moretan Bay (2008)................................................................................ Traditional/arr. Joshua Clarke<br />

(trumpet, trombone and piano)<br />

‘White Knight and Beaver’ (1996)........................................................... Martin Wesley-Smith<br />

(solo trombone with recorded sound)<br />

Concertstuk (1997) (trumpet and piano)................................................. Michiel Irik<br />

Kigan (2011) (solo trumpet).................................................................... Christopher Perrin<br />

Benedictus Balaenarum (2008) .............................................................. Philip Bolliger<br />

(trombone and piano)<br />

Concertino (2009) .................................................................................. Gregory van der Struik<br />

(trombone, trumpet and piano)<br />

59


4:00 p.m. - 6:00 p.m.<br />

Senator Vandenberg Room “B”, Concourse Level, 2nd Floor<br />

ITG Legacy Endowment Reception for current and future donors.<br />

Please feel free to attend as your schedule permits to celebrate ITG and visit with other donors and<br />

friends, as well as some <strong>of</strong> our <strong>of</strong>ficers and board members.<br />

4:30 p.m. - 6:00 p.m.,<br />

Steelcase Ballroom “D”, DeVos Place<br />

ITG Jazz Improvisation Competition<br />

Jeffrey Uban, Competition Chair, University <strong>of</strong> Illinois<br />

Robin Connell, piano; Joe Opera, bass; Evan Hyde, drums<br />

Finalists:<br />

Max Goldschmid – University <strong>of</strong> Arizona; Student <strong>of</strong> Edward Reid<br />

Victor Haskin – Virginia Commonwealth University; Student <strong>of</strong> John D’earth<br />

Anthony Stanco – Michigan State University; Student <strong>of</strong> Etienne Charles<br />

Preliminary Judges:<br />

Ben Sampson, Airman First Class, United States Air Force Heartland <strong>of</strong> America Band<br />

Max Colley, Musician/Clinician<br />

Peter Olstad, Performing Artist/Clinician<br />

Finals Judges:<br />

David Champouillon, Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> and Jazz, East Tennessee State University<br />

Alan Hood, Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> & Director <strong>of</strong> the Lamont Jazz Ensemble, Lamont School <strong>of</strong> Music,<br />

University <strong>of</strong> Denver<br />

Gordon Vernick, Pr<strong>of</strong>essor and Coordinator <strong>of</strong> Jazz Studies, Georgia State University<br />

60


4:30 p.m. - 6:00 p.m.,<br />

St. Mark’s Episcopal Church, 134 Division Avenue North<br />

Prelude: Escola Superior de Musica e Artes do Espetaco, Kevin Wauldron, director<br />

Members: Carlos Leite, Ivo Silva, Joana Bento, Joao Sousa, Leonardo Costa, Maria Helena Vieira,<br />

Rui Vidal, Sabrina Leal, Sergio Pereira, Tiago Rebelo<br />

<strong>Trumpet</strong> Salutations.......................................................................................... Nigel Coombes<br />

Concert Fanfare................................................................................................. Eric Ewazen<br />

Scottish Fantasy................................................................................................ Dennis Horton<br />

Allegro con Brio<br />

Lento<br />

Presto<br />

Recital: Stephen Burns, trumpet/flugelhorn/piccolo trumpet, Yamaha Performing Artist<br />

David Schrader, organ<br />

Prayers, Parables, and Exaltations<br />

Prayer to St. Gregory.......................................................................................... Alan Hovhaness<br />

Parables <strong>of</strong> Zion................................................................................................ Mischa Zupko<br />

Scorched<br />

Canudos<br />

La Danza Eternidad<br />

Elegy for Mundy (World Premier)....................................................................... James Stephenson<br />

In Memory <strong>of</strong> Armando Ghitalla<br />

Blue - Green - Red (2013)(World Premier)...................................................... Julian Wachner<br />

Commissioned by the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

61


7:00 p.m. - 8:30 p.m., Steelcase Ballroom “AB”, DeVos Place<br />

Prelude: East Tennessee State University, David Champouillon, director<br />

Members: Matthew Childers, Ruben Grigsby, Brandon Linkous, Justin Pearce, Tyler Robins,<br />

Ethan Tate, Dr. George Winton, Doug Zimmerman<br />

Here’s that Rainy Day........................................................................................ Jimmy van Heusen/<br />

arr. James Olcott<br />

Fanfare from Rocky........................................................................................... Albrechtsberg/Conti/<br />

arr. Champouillon<br />

Concert: Jens Lindemann, Yamaha Performing Artist, Birthday Bash!<br />

Kristian Alexandrov, piano; Mike Downes, bass; and Ted Warren, drums<br />

Sally Stephenson and Leslie Wilkinson, violins; Andrew Pool, viola; Lee Copenhaver, cello<br />

Toccata............................................................................................ J.S. Bach<br />

(arr. Lindemann/Alexandrov)<br />

Air from Orchestral Suite No. 3......................................................... J.S. Bach (arr. Lindemann)<br />

Echoes <strong>of</strong> Harlem............................................................................. Duke Ellington (arr. Lindemann)<br />

A S<strong>of</strong>t Place To Fall........................................................................... Kristian Alexandrov<br />

Dreaming <strong>of</strong> the Masters.................................................................. Allan Gilliland<br />

101 Damnations<br />

Prayer<br />

Lower Neighbors<br />

Prayer.............................................................................................. Kristian Alexandrov<br />

Riverdance....................................................................................... Bill Whelan<br />

(arr. Lindemann/Alexandrov)<br />

Jens Lindemann’s performance is sponsored in part by Yamaha<br />

62


9:00 p.m. - 10:30 p.m., Steelcase Ballroom “A”, DeVos Place<br />

Concert: Allen Vizzutti, Yamaha Performing Artist<br />

Laura Vizzutti, piano<br />

Kristian Alexandrov, piano, Mike Miller, guitar, Mike Downes, bass, and Tom Brechtlen, drums<br />

Leslie Wilkinson and Sally Stephenson, violin; Andrew Pool, viola; Lee Copenhaver, cello<br />

Program to be selected from the following:<br />

Azure Call<br />

One <strong>of</strong> a Kind<br />

Glide<br />

Touch<br />

Amara<br />

Easy Livin’<br />

Laura’s Blues<br />

Somewhere Over the Rainbow<br />

Zig Zag<br />

Night Breeze<br />

Ticklish<br />

Dragonfly<br />

Ritzville<br />

Allen Vizzutti’s performance is<br />

sponsored in part by Yamaha<br />

11:00 p.m.,<br />

Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />

Late Night Jam Session hosted by Jeffrey Uban<br />

63


Friday At-A-Glance Schedule<br />

(All rooms are in the Amway unless noted otherwise)<br />

__________________________________________________________________<br />

7:30 a.m.-8:15 a.m. Warm-Up: Slawomir Cichor Senator Vandenberg<br />

Room<br />

__________________________________________________________________<br />

8:30 a.m.-10:00 a.m. ITG Goes to Class<br />

Adv. Jazz Playing for the Crossover Artist (Rex Richardson)......................Vandenberg Room<br />

Jazz for the Orchestral Musician (Bill Lucas)............................................Cascade Room<br />

Orchestral Class (Michael Sachs)............................................................Imperial Ballroom<br />

The Physical Part <strong>of</strong> Playing (Vincent DiMartino)......................................Atrium Room<br />

Solo Class (David Hickman).....................................................................Pantlind Ballroom<br />

__________________________________________________________________<br />

9:00 a.m.-5:00 p.m....... Exhibits Open! Ambassador Ballroom,<br />

Center Concourse,<br />

Private Rooms<br />

__________________________________________________________________<br />

10:15 a.m.-11:45 a.m. New Works Concert...................................................Steelcase Ballroom<br />

“D”, DeVos Place<br />

__________________________________________________________________<br />

11:00 a.m.-11:45 a.m. Arturo Sandoval Demonstration.................................Imperial Ballroom<br />

__________________________________________________________________<br />

12:00 p.m.-1:00 p.m. Exhibit Hour...............................................................Ambassador Ballroom,<br />

Center Concourse,<br />

Private Rooms<br />

Please be sure to visit the private rooms on the 1st Floor Lower Level and 2nd Floor Concourse Level<br />

__________________________________________________________________<br />

1:00 p.m.-2:30 p.m. Steven Hendrickson Lecture-Clinic............................Imperial Ballroom<br />

1:00 p.m.-2:30 p.m. Vincent and Gabriel DiMartino Recital........................Steelcase Ballroom<br />

“D”, DeVos Place<br />

1:00 p.m. – 2:00 p.m. Bill Pfund, Wiff Rudd, &.............................................Pantlind Ballroom<br />

Christopher Wilson, “Our <strong>Trumpet</strong><br />

Heritage”<br />

__________________________________________________________________<br />

65


__________________________________________________________________<br />

2:45 p.m.-4:15 p.m. David Champouillon, Alan Hood,................................Imperial Ballroom<br />

Scott Meredith, “Incorporating<br />

Jazz into the University Applied <strong>Trumpet</strong><br />

Interview…and Beyond into the<br />

Private Studio<br />

2:45 p.m.-4:15 p.m. David Hickman Presentation......................................Pantlind Ballroom<br />

__________________________________________________________________<br />

4:30 p.m.-6:00 p.m. ITG Orchestral Excerpts Competition..........................Pantlind Ballroom<br />

4:30 p.m.-6:00 p.m. Walter White Jazz Masterclass...................................Steelcase “D”, DeVos<br />

Place or Imperial<br />

__________________________________________________________________<br />

7:00 p.m.-8:30 p.m. Reinhold Friedrich Recital..........................................Steelcase “AB”, DeVos<br />

Place<br />

9:00 p.m.-10:00 p.m. Bobby Shew Concert..................................................Steelcase “AB”, DeVos<br />

Place<br />

__________________________________________________________________<br />

10:30 p.m. Late Night Jam Session.............................................Louis Benton and LB’s<br />

Lounge<br />

__________________________________________________________________<br />

66


Friday, June 14, 2013<br />

(All rooms are located in the Amway unless noted otherwise)<br />

7:30 a.m. - 8:15 a.m., Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Warm-Up Session: Slawomir Cichor<br />

8:30 a.m. - 10:00 a.m.<br />

ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />

Advanced Jazz Playing (Rex Richardson)......................................... Cascade Room, Atrium<br />

Lower Level<br />

Jazz for the Orchestral Musician (Bill Lucas)................................... Vandenberg Room,<br />

Concourse Level 2nd Fl<br />

Orchestral Class (Michael Sachs)................................................... Imperial Ballroom, Lobby<br />

Level 1st Floor<br />

The Physical Part <strong>of</strong> Playing (Vincent DiMartino)............................. Atrium Room, Lower Level<br />

Floor<br />

Solo Class (David Hickman)............................................................ Pantlind Ballroom,<br />

Concourse Level, 2nd Floor<br />

EXHIBITS OPEN<br />

9:00 a.m. - 5:00 p.m.<br />

Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />

Level 2nd Floor<br />

Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />

Ruby (Harrelson), Robinson Room (S.E. Shires)<br />

Lower Level 1st Floor: Riverview (Stomvi USA & Thompson Music), Plaza Boardroom A (Adams<br />

Musical Instruments and Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />

Ottawa Room (Jaeger Brass, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat, Naumann<br />

<strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />

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10:15 a.m. - 11:45 a.m.<br />

Steelcase Ballroom “D”, DeVos Place<br />

Prelude: <strong>Trumpet</strong> Mates Gang, João Vilão, director<br />

Members: Adriano Franco, Daniel Tapadinhas, João Pereira, João Vilão, Nuno Silva, Pedro Silva,<br />

Ricardo Pimentel, Taigo Rocha<br />

Rui Lúcio, drums/conductor<br />

Concert Piece..............................................................................................Bruce Broughton<br />

Durrenhorn Passage....................................................................................Kevin McKee<br />

There’s a Great Day Coming........................................................................W. L. Thompson<br />

New Works Recital<br />

Miriam Hickman and Rebecca Wilt, piano<br />

Neil Mueller, Artistic Coordinator, Pr<strong>of</strong>essor, Central Michigan University<br />

Sonata for <strong>Trumpet</strong> and Piano (2009)...................................................Raleigh Daley (b. 1968)<br />

I.<br />

II.<br />

III.<br />

Mark Clodfelter, trumpet and<br />

Rebecca Wilt, piano<br />

Event Horizon for Solo <strong>Trumpet</strong> (2012).................................................Britton Theurer (b. 1953)<br />

1. Able to Leap Tall Buildings<br />

2. Samsara<br />

3. Caffeine!<br />

4. Balance Beam<br />

Britton Theurer, trumpet<br />

Rondo for <strong>Trumpet</strong> and Percussion (1990)............................................Clarence Barber<br />

Anthony Kirkland, trumpet and Mark Carson, percussion<br />

Sonata for <strong>Trumpet</strong> and Piano (2011)...................................................John Hennecken (b. 1987)<br />

I. Allegro maestoso<br />

II. Andante<br />

III. Allegretto – maestoso<br />

Brandon Craswell, trumpet and Douglas Jurs, piano<br />

Sonata for John (2012).........................................................................Paul J. Zappa (b. 1941)<br />

Raquel Rodriquez, trumpet and Miriam Hickman, piano<br />

Sans Titre VII for Solo <strong>Trumpet</strong> (2011)..................................................William Price (b. 1971)<br />

Marc Reed, trumpet<br />

68


Sonata for <strong>Trumpet</strong> (and Flugelhorn) and Piano (2007)..................... Charles Reskin (b. 1946)<br />

I. Moderato con moto, lyrico<br />

II. Andante semplice<br />

III. Finale<br />

Neil Mueller, trumpet and Mary Jo Cox, piano<br />

Partita for Brass Trio (2012)............................................................. Wayne Lu (1970)<br />

I. Intrada<br />

II. Chorale and Simple Song<br />

III. Flourish<br />

Amy Schendel, trumpet; Todd Schendel, trombone; and Lin Foulk, horn<br />

Cousins for <strong>Trumpet</strong>, Saxophone and Orchestra (2007).................... James Stephenson (b. 1969)<br />

Jeremy Brekke, trumpet; Matthew Patnode, saxophone; and Rebecca Wilt, piano<br />

Song Without Words (2011).............................................................. David John Lang (b. 1988)<br />

Aaron Hodgson, trumpet and Rebecca Wilt, piano<br />

Concerto No. 1 for <strong>Trumpet</strong> and Wind Ensemble (2004).................... EdmundoVillani-Côrtes (b. 1930)<br />

I. Contemplation on the Alterosas Mountains<br />

Clayton Miranda, trumpet and Miriam Hickman, piano<br />

Z 516 for Solo <strong>Trumpet</strong> (March 2013)............................................... Krzyszt<strong>of</strong> Grzeszczak (b. 1965)<br />

Slawomir Cichor, trumpet<br />

69


11 a.m. - 11:45 a.m.<br />

Pantlind Ballroom, Center Concourse, 2nd Floor<br />

Prelude: Wayne State University <strong>Trumpet</strong> Ensemble, Mark Flegg and Wendy Matthews, directors<br />

Members: Jeremy Behrendt, Kevin Czarnik, Tyler Fritsch, Shane Lawrence, Nicholas LeVeck,<br />

Greg Martinez, Ionatan Pop, Mark Tellier<br />

Canonic Fanfares in Extraordinary Time................................................... Matthew Schoendorff<br />

Beyond the Skies..................................................................................... Jon Anderson<br />

Prelude and Fugue for <strong>Trumpet</strong> Choir....................................................... Eric Ewazen<br />

Demonstration: Arturo Sandoval, 8 Time Grammy Award-Winner<br />

12:00 p.m. - 1:00 p.m. Exhibit Hour<br />

1:00 p.m. - 2:45 p.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Lecture-Clinic: Steven Hendrickson, Principal <strong>Trumpet</strong>, National Symphony Orchestra<br />

Steven Hendrickson will address the unique qualities an orchestral player must have including<br />

sound, finesse, power, endurance, consistency, range, practice techniques, and mental approaches<br />

to help foster these qualities. Mr. Hendrickson will also discuss some standard orchestral excerpts<br />

and <strong>of</strong>fer his perspective on their interpretation.<br />

70


1:00 p.m. - 2:45 p.m.,<br />

Steelcase Ballroom “D”, DeVos Place<br />

Prelude: University <strong>of</strong> Central Missouri, Dr. Alan Wenger, director<br />

Members: Josh Anderson, Greg Blakeman, Michael Cervantes, Matthew Cook, Mark Fangman,<br />

Collin Lappert, Josh McCoy, Jacquelyn Miller, Evan Schroeder, John Starr<br />

Fantasies and Flourishes for 10 <strong>Trumpet</strong>s (World Premiere).............................. David Shipps<br />

Evening, Near Filiatra for <strong>Trumpet</strong> Ensemble (World Premiere)........................... Eric Honour<br />

Walkabout......................................................................................................... Phil Snedecor<br />

Recital: Vincent DiMartino, Shires Performing Artist, and<br />

Gabriel DiMartino, Pr<strong>of</strong>essor, Syracuse University<br />

Rebecca Wilt, Greg Pascuzzi, piano<br />

Matt Moresi, piano; Joe Opera, bass; and Evan Hyde, drums<br />

Dialogue II (2013 ) World Premiere.................................................................... Greg Pascuzzi<br />

Vince and Gabriel DiMartino, trumpets, and Greg Pascuzzi, piano<br />

Sonata (1955)................................................................................................... Peter Maxwell Davies<br />

Allegro<br />

Lento<br />

Allegro<br />

Gabriel DiMartino, trumpet, and Rebecca Wilt, piano<br />

Sonate, Opus 18................................................................................................ Thorvald Hansen<br />

Allegro con Brio<br />

Andante con Espressione<br />

Allegro con Anima<br />

Vince DiMartino, trumpet, and Rebecca Wilt, piano<br />

Ice X (2013) World Premiere.............................................................................. Sara Jessica Corry<br />

Gabriel DiMartino, trumpet, and Rebecca Wilt, piano<br />

Jazz Selections to be Chosen from the following:<br />

Autumn Leaves<br />

The Days <strong>of</strong> Wine and Roses<br />

Blue Bossa<br />

Lotus Blossom<br />

Black Orpheus<br />

Straight No Chaser<br />

Oleo<br />

Sandu<br />

Someday My Prince Will Come<br />

Up Jumped Spring<br />

When I Fall in Love<br />

Intermission<br />

71


1:00 p.m. - 2:45 p.m.,<br />

Pantlind Ballroom, Center Concourse, 2nd Floor<br />

Lecture-Recital: William Pfund, Pr<strong>of</strong>essor Emeritus, University <strong>of</strong> Nortern Colorado,<br />

Wiff Rudd, Pr<strong>of</strong>essor, Baylor University, and Christopher Wilson, Pr<strong>of</strong>essor, Arkansas<br />

State University,<br />

Rumyana Yanakieva Hoksbergen, piano<br />

“Our <strong>Trumpet</strong> Heritage”<br />

Introduction-Representing Three Generations<br />

Legende............................................................................................................ Georges Enesco<br />

Christopher Wilson<br />

Bill Pfund’s <strong>Trumpet</strong> Heritage<br />

A Sad Song, from a collection,........................................................................... arr. Valerie Posvaliuk<br />

“Lyrical Pieces by M. Lysenco in transcription for trumpet” (Kuib, Kiev 1999)<br />

Bill Pfund<br />

Wiff Rudd’s <strong>Trumpet</strong> Heritage<br />

Simple Song...................................................................................................... Leonard Bernstein<br />

Wiff Rudd<br />

Christopher Wilson’s <strong>Trumpet</strong> Heritage<br />

Avalon............................................................................................................... Sy Brandon<br />

Christopher Wilson<br />

The Importance <strong>of</strong> Knowing Your Roots<br />

Solus................................................................................................................. Stanley Friedman<br />

Wiff Rudd<br />

Traceable Musical Traits................................................................................ John Stanley<br />

<strong>Trumpet</strong> Voluntary, Op. 6, No. 5<br />

Bill Pfund<br />

Legacies “For Three”...................................................................................... James Stephenson<br />

Bill Pfund, Wiff Rudd, and Christopher Wilson<br />

72


2:45 p.m. - 4:15 p.m.,<br />

Imperial Ballroom, Lobby Level, 1st Floor<br />

Presentation: David Champouillon, Pr<strong>of</strong>essor, East Tennessee State University,<br />

Alan Hood, Pr<strong>of</strong>essor, Lamont School <strong>of</strong> Music, University <strong>of</strong> Denver, and Scott Meredith,<br />

Pr<strong>of</strong>essor, University <strong>of</strong> Wyoming –<br />

“Incorporating Jazz into the University <strong>Trumpet</strong> Interview…And Beyond into the <strong>Trumpet</strong> Studio”<br />

Many university trumpet teaching positions require the genre <strong>of</strong> jazz as a related field in the private<br />

studio if not as a secondary area. Many search committees will agree to a candidate that is a<br />

classical performer with optional secondary skills in jazz. With university budgets being constantly<br />

crunched it is more and more likely that the trumpet pr<strong>of</strong>essor is expected to cover both “sides”<br />

<strong>of</strong> the instrument. As part <strong>of</strong> the interview process, most <strong>of</strong>ten a jazz selection is requested if<br />

not required. This presentation will help those candidates be more successful by increasing their<br />

chances <strong>of</strong> placement due to improved diversity <strong>of</strong> playing styles. Topics introduced will include jazz,<br />

Dixieland, and jazz-rock articulations; materials (play-along, transcription <strong>book</strong>s, academic <strong>book</strong>s,<br />

recordings, etc.); trumpet styles, lineage, and pedagogy; equipment (instruments, mouthpieces,<br />

utes); and sample session with teacher with secondary jazz performance skills.<br />

2:45 p.m. - 4:15 p.m.,<br />

Pantlind Ballroom, Center Concourse, 2nd Floor<br />

Prelude: North Dakota State University <strong>Trumpet</strong> Ensemble, Jeremy Brekke, Director<br />

Members: Andrew Bergnan, Amy Schaaf, Jake Olsen, Eric Itzen, Logan Tretter, Taylor Pearson,<br />

Elias Youngblom, Logan Reed, Andrew Hilde, John Schreier, Ryan Berry<br />

Conquest........................................................................................................... Erik Morales<br />

Presentation: David Hickman, Regents’ Pr<strong>of</strong>essor <strong>of</strong> Music, Arizona State University –<br />

ITG 2013 is proud to introduce David Hickman’s new <strong>book</strong>, “<strong>Trumpet</strong> Greats: A Biographical<br />

Dictionary”<br />

4:30 p.m. - 6:00 p.m.,<br />

Steelcase Ballroom “D”, DeVos Place or Imperial Ballroom<br />

Jazz Masterclass: Walter White, Yamaha Performing Artist<br />

73


4:30 p.m. - 6:00 p.m.,<br />

Pantlind Ballroom, Center Concourse, 2nd Floor<br />

ITG Orchestral Excerpts Competition<br />

Robert White, Competition Chair - Grand Valley State University<br />

Finalists<br />

Chris Albrecht – Arizona State University; Student <strong>of</strong> David Hickman<br />

Chris Haas – Western Illinois University; Student <strong>of</strong> Bruce Briney<br />

Garrett Klein – Arizona State University, Student <strong>of</strong> David Hickman<br />

Steve Woomert – Glen Gould School, Royal Conservatory; Student <strong>of</strong> Andrew McCandless<br />

Preliminary Judges:<br />

Alan Campbell, Milwaukee Symphony Orchestra<br />

Charley Lea, Grand Rapids Symphony Orchestra<br />

Stephen Anderson, Detroit Symphony Orchestra<br />

Finals Judges:<br />

Barbara Butler, pr<strong>of</strong>essor, Shepherd School <strong>of</strong> Music, Rice University<br />

Hunter Eberly, principal trumpet, Detroit Symphony Orchestra<br />

Michael Sachs, principal trumpet, Cleveland Orchestra<br />

74


7:00 p.m. - 8:30 p.m.,<br />

Steelcase Ballroom “AB”, DeVos Place<br />

Prelude: Texas Christian University <strong>Trumpet</strong> Ensemble, Jon Burgess, director<br />

Members: Tylar Epps, Chris Jeter, Elliot Johnston, Jesse Rajabi, Jon Skoruppa, Ethan Streeter,<br />

Chase Teague, Colt Worley<br />

Lasst uns erfreuen “Flourish for <strong>Trumpet</strong>s” (2002)...............................Dennis C. Klophaus<br />

(Hymn Tune from Geistlich Kirchengesang, 1623)<br />

Stygian Fanfre (2013)..........................................................................Klophaus<br />

Recital: Reinhold Friedrich<br />

Eriko Takezawa, piano<br />

Plikonamu-Micucona for <strong>Trumpet</strong> and Piano.........................................Karel Goeyvaerts (1923-1993)<br />

Sonata for <strong>Trumpet</strong> and Piano..............................................................George Antheil (1900-1959)<br />

Allegretto<br />

Dolce-espressivo<br />

Scherzo/Vivace<br />

Allegretto<br />

Sonatine für Klavier..............................................................................Maurice Ravel (1875-1937)<br />

Modéré<br />

Mouvement de Menuet<br />

Animé<br />

Concertino pour Cornet en si-b et Piano, Op. 99 (1963)........................Henri Martelli (1895-1980)<br />

Lento-Allegro vigoroso-Lento-Vivace molto-Presto con fuoco<br />

Rain Tree Sketch II (1992) for Piano ....................................................Toru Takemitscu (1930-1996)<br />

Con Sordino (1995) for <strong>Trumpet</strong> and Piano...........................................Edison Denisov (1929-1996)<br />

75


9:00 p.m. - 10:00 p.m.,<br />

Steelcase Ballroom “A”, DeVos Place<br />

Concert: Bobby Shew, Yamaha Performing Artist<br />

Gene Knific, piano; Tom Knific, bass; Tim Froncek, drums<br />

Program To Be Announced<br />

Bobby Shew’s appearance in sponsored by Yamaha<br />

11:00 p.m.,<br />

Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />

Late Night Jam Session<br />

hosted by David Champouillon and Alan Hood<br />

76


Saturday At-A-Glance Schedule<br />

(All rooms are located in the Amway unless noted otherwise)<br />

__________________________________________________________________<br />

7:30 a.m.-8:15 a.m. Warm-Up: Marc Reed.................................... Senator Vandenberg Room<br />

__________________________________________________________________<br />

8:30 a.m.-10:00 a.m. ITG Goes to Class<br />

Advanced Jazz Playing for the Crossover Artist (Rex Richardson).... Cascade Room<br />

Jazz for the Orchestral Musician (Bill Lucas)................................... Senator Vandenberg Room<br />

Orchestral Class (Steven Hendrickson)........................................... Imperial Ballroom<br />

The Physical Part <strong>of</strong> Playing (Vincent DiMartino)............................. Atrium Room<br />

Solo Class (David Hickman)............................................................ Pantlind Ballroom<br />

__________________________________________________________________<br />

8:30 a.m.-10:00 a.m. Research Room............................................. Governor’s Room<br />

__________________________________________________________________<br />

9:00 a.m.-11:30 a.m. Exhibits Last Chance!....................................Ambassador Ballroom,<br />

Center Concourse, Private<br />

Rooms<br />

__________________________________________________________________<br />

10:00 a.m.-11:45 a.m. Barbara Butler Recital................................... Steelcase “D”, DeVos Place<br />

__________________________________________________________________<br />

10:15 a.m.-11:45 a.m. ITG Members Meeting................................... Vandenberg Room<br />

__________________________________________________________________<br />

12:00 p.m.-1:30 p.m. ITG Awards Banquet (ticket required)............ Pantlind Ballroom<br />

__________________________________________________________________<br />

2:30 p.m.-4:00 p.m. Festival <strong>of</strong> <strong>Trumpet</strong>s...................................... 1st United Methodist Church<br />

__________________________________________________________________<br />

4:00 p.m.-5:30 p.m. Richard Cox Presentation.............................. Imperial Ballroom<br />

__________________________________________________________________<br />

4:00 p.m.-5:30 p.m. Barbara Butler Masterclass.......................... Steelcase Ballroom “D”,<br />

DeVos Place<br />

__________________________________________________________________<br />

77


__________________________________________________________________<br />

7:00 p.m.-8:30 p.m. Terell Stafford Concert................................... Steelcase Ballroom “AB”,<br />

DeVos Place<br />

__________________________________________________________________<br />

9:00 p.m.-10:30 p.m. Grand Finale Concert featuring...................... Steelcase Ballroom “AB”,<br />

Arturo Sandoval, Jens Lindemann,................ DeVos Place<br />

Bill Lucas, Adam Rapa, Rex Richardson<br />

Allen Vizzutti, Walter White,<br />

Small Medium @ Large (pre-registration required)<br />

__________________________________________________________________<br />

11:00 p.m. Late Night Jam Session................................. Louis Benton and LB’s<br />

Lounge<br />

__________________________________________________________________<br />

78


Saturday, June 16, 2013<br />

(All rooms are located in the Amway unless noted otherwise)<br />

7:30 a.m. - 8:15 a.m.,<br />

Senator Vandenberg Room, Concourse Level, 2nd Floor<br />

Warm-Up Session: Marc Reed, Director <strong>of</strong> Brass Studies, Fort Lewis College<br />

8:30 a.m. - 10:00 a.m.<br />

ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />

Advanced Jazz Playing (Rex Richardson).................................. Cascade Room, Atrium Lower<br />

Level<br />

Jazz for the Orchestral Musician (Bill Lucas)............................ Vandenberg Room, Concourse<br />

Level 2nd Floor<br />

Orchestral Class (Steven Hendrickson).................................... Imperial Ballroom, Lobby Level<br />

1st Floor<br />

The Physical Part <strong>of</strong> Playing (Vincent DiMartino)...................... Atrium Room, Lower Level<br />

Solo Class (David Hickman)..................................................... Pantlind Ballroom, Concourse<br />

Level 2nd Floor<br />

8:30 a.m. - 10:00 a.m.,<br />

Governor’s Room, Concourse Level, 2nd Floor<br />

Research Room<br />

Kelly Parkes, Ph.D., chair, Virginia Tech University<br />

The primary aim <strong>of</strong> the Research Room is to provide a blind peer-reviewed research forum for current<br />

higher education / tertiary level teachers, performers, graduate students, Teaching Assistants and<br />

pr<strong>of</strong>essors to present experimental, action, qualitative, or quantitative research, ideas, or theories<br />

about trumpet performance and/or pedagogy.<br />

Taylor Barnett: James Madison University, Harrisonburg, VA<br />

A Stylistic Analysis and Performance Guide to Selected Compositions <strong>of</strong> Dave Douglas for the Tiny<br />

Bell Trio<br />

Abstract:<br />

The Tiny Bell Trio, consisting <strong>of</strong> Dave Douglas on trumpet, Brad Shepik on guitar, and Jim Black on<br />

drums, recorded four albums and toured internationally between 1994 and 2003, receiving critical<br />

79


acclaim for their innovative synthesis <strong>of</strong> Eastern European folk and jazz. The trumpeter interested in<br />

performing Dave Douglas’ compositions for this ensemble is presented with significant interpretive<br />

challenges due to the unique juxtaposition <strong>of</strong> folk and art music elements and the combination <strong>of</strong> oral<br />

and written traditions. The performer should have a familiarity with the source material in order to<br />

interpret the composed material and improvise in a stylistically informed manner. Additionally, many<br />

<strong>of</strong> the musical details were left un-notated on the original manuscripts and the compositions evolved<br />

throughout years <strong>of</strong> rehearsal and performance, leaving each written score as a record <strong>of</strong> Douglas’<br />

original concept rather than the notation <strong>of</strong> a finished composition.<br />

This study provides performance information for “Shards,” “Sam Hill” and “Prolix,” based on personal<br />

interviews with the composer and a study <strong>of</strong> Douglas’ original manuscripts and compositional<br />

note<strong>book</strong>s. The stylistic analysis identifies the folk form or style used in each piece and demonstrates<br />

Douglas’ adaptation <strong>of</strong> the traditional music in his compositions using audio examples and transcriptions.<br />

The performance guide for each piece includes transcriptions and analyses <strong>of</strong> Douglas’<br />

improvisations and a discussion <strong>of</strong> his use <strong>of</strong> Bulgarian dance rhythms and ornamentation; mixed<br />

meter phrasing; non-tonal harmonic substitutions; and extended trumpet technique.<br />

Kelly A. Parkes, Ph.D: Virginia Tech, Blacksburg, VA<br />

Writing a successful proposal for research presentation<br />

Abstract:<br />

The purpose <strong>of</strong> this presentation is to inform interested researchers, teachers, and performers about<br />

how to submit a successful proposal that outlines their work to be considered for a 15-20 minute<br />

oral presentation at the ITG Research Room Session. This session will illustrate the types <strong>of</strong> research<br />

work that are considered for acceptance for the Research Room Sessions and the Chair will explain<br />

how research proposals can be developed from graduate or dissertation work, or recently other<br />

published material. Participants will benefit from understanding the expectation <strong>of</strong> research work and<br />

previous successful proposals will be shared.<br />

Exhibits Open<br />

9:00 a.m. - 11:30 a.m.<br />

Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />

Level 2nd Floor<br />

Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />

Ruby (Harrelson), Robinson Room (S.E. Shires)<br />

Lower Level 1st Floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams<br />

Musical Instruments and Austin Custom Brass), Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s &<br />

Flugelhorns); Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass,<br />

P. Mauriat, Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music<br />

Products)<br />

80


10:00 a.m. - 11:45 a.m.,<br />

Steelcase Ballroom “D”, DeVos Place<br />

Prelude: Lynn University <strong>Trumpet</strong> Ensemble, Marc Reese, director<br />

Members: Brian Garcia, Ricardo Chinchilla, Timothy Nemain, Mark Poljak, Peter Smith,<br />

Marianela Cordoba, Kevin Karabell<br />

Symphony No. 5, mvt. 1.................................................................................Dmitri Shostakovich<br />

(1906-1975)<br />

Recital: Barbara Butler, Pr<strong>of</strong>essor, Shepherd School <strong>of</strong> Music, Rice University<br />

Rachael Kerr, piano; She-e Wu, percussion; Charlie Geyer; trumpet<br />

Special guest artist: Chris Martin, principal trumpet, Chicago Symphony Orchestra<br />

The Storyteller (World Premiere).....................................................................James M. Stephenson<br />

(Commissioned by Richard and Valerie Stoelzel and Grand Valley State University<br />

in memory <strong>of</strong> Adolph Herseth)<br />

Chris Martin, trumpet<br />

Three Sides for <strong>Trumpet</strong>/Flugelhorn, Vibraphone and Piano.............................David Sampson<br />

I.<br />

II.<br />

III.<br />

Songs To be Announced..................................................................................Gustav Mahler<br />

…lucky to be born? for <strong>Trumpet</strong> and Percussion............................................Brian Prechtl<br />

Three Bagatelles for Two <strong>Trumpet</strong>s and Piano.................................................Jim McGrath<br />

Father and Son<br />

Valse Sentimentale<br />

Scherzo<br />

Epitaph..........................................................................................................William Boyce<br />

10:15 a.m. - 11:45 a.m.,<br />

Senator Vandenberg Room, Concourse Level 2nd Floor<br />

ITG Members Meeting<br />

12:00 p.m. - 1:30 p.m.,<br />

Pantlind Ballroom<br />

ITG Awards Luncheon (pre-registration required)<br />

81


2:30 p.m. - 4:00 p.m.,<br />

First United Methodist Church, 227 Fulton Street East<br />

Festival <strong>of</strong> <strong>Trumpet</strong>s 2013<br />

Pamela Smitter, Coordinator, West Michigan Symphony<br />

Great American Fanfare.......................................................................................... Richard Byrd<br />

(Written for the 2012 Great American Brass Band Festival to celebrate<br />

the retirement <strong>of</strong> Vincent DiMartino at Centre College)<br />

Rich Illman, Conductor<br />

Bill Baxtresser, Glenn Bengry, Ryan Beach, Eric Berlin, John Daniel, Jason Dovel, Langston Fitzgerald,<br />

Mark Flegg, Chuck Parrish, Terry Sawchuk; David Hall, timpani<br />

University <strong>of</strong> North Texas Alumni Ensemble:<br />

Fanfare M.T............................................................................................................ Tony Plog<br />

The Storm’s Path.................................................................................................... Brian Balmages<br />

Marc Reed, Conductor<br />

Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson,<br />

Scott Meredith, Oscar Passley Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />

Nodus I for 10 <strong>Trumpet</strong>s and Timpani (World Premiere)......................................... Anthony G. Morris<br />

(Vienna, 2011)<br />

Rich Illman, Conductor<br />

Bill Baxtresser, Glenn Bengry, Ryan Beach, Eric Berlin, John Daniel, Jason Dovel, Langston Fitzgerald<br />

Mark Flegg, Chuck Parrish, Terry Sawchuk, David Hall, timpani<br />

There’s a Great Day Coming................................................................................... Thompson<br />

arr. Terry Everson<br />

David Champouillon, Conductor<br />

Ken Austin, James Bovinette, David Champouillon, Dean Haist, Jim Ketch, Cathy Sheridan,<br />

Non-Pro/Comeback Player Ensemble:<br />

Canzona noni toni a 12........................................................................................... Giovanni Gabrieli<br />

arr. by David Brown<br />

Durrenhorn Passage............................................................................................... Kevin McKee<br />

David Brown, Conductor<br />

Julie Baxes, Bob Binder, Olaf Brattegaard, Barb Chickosky, Stan Engle, Joe Gregoria, John Hackett<br />

Larry Hickle, Robert Holland, Thomas S. Jones, Jonathan Lax, Paul Michelsen, George Morrell<br />

David Morrow, Ed Moscaritolo, Ron Neyvatte, Richard Niven, Merrill Perret, Ryan Schrauben<br />

Holly Schuur, Debra Skripkunis, William Summerfield, Dario Tabales, Greg Webster, Robert Wiles<br />

Eric Willis, Thomas Zoubek<br />

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Fanfare for Saraspotek 2010.................................................................................. Gregory Pascuzzi<br />

Gregory Pascuzzi , Conductor<br />

Rune Aleksandersen, Slavek Cichor, Ryan Gardner, Adam Hayes, Betty Scott, Arthur VanderHoeft<br />

In the Spring (2008)............................................................................................... Michael Stewart<br />

Kim Eberly, Conductor<br />

Lisa Blackmore, Amy Dunker, Mary Mullison , Sheryl Linch-Parker, Janice Smith<br />

Echoes <strong>of</strong> Seikilos.................................................................................................... Skye Van Duuren<br />

(commissioned by the University <strong>of</strong> Arizona trumpet studio and premiered in<br />

Kleitoria, Greece, on Jan. 6, 2013, for the Exploring <strong>Trumpet</strong> in Greece <strong>conference</strong>)<br />

Betty Scott, Conductor<br />

Stephen Asheim, Jason Dovel, Jeremy McBain, Langston Fitzgerald, James Olcott<br />

Where the Eagle Soars (World Premiere)................................................................. David Marlatt<br />

Kevin Eisensmith, Conductor<br />

Flugelhorns: Jeff Piper, Mary Mullison, Phil Bajema, James Bovinette,<br />

Eb <strong>Trumpet</strong>: David Reynolds<br />

Bb <strong>Trumpet</strong>s: David Haglund, Sheryl Linch-Parker, Biodun Adebiyi, Adam Hayes, Ryan Gardner,<br />

Timpani: David Hall,<br />

Piano: Gregory Pascuzzi<br />

ITG Board <strong>of</strong> Directors Ensemble:<br />

Fired Up!................................................................................................................ David. A. Roth<br />

(A Tribute to master trumpet teacher Bill Adam on his 80th birthday) (1997)<br />

Eric Berlin, James Olcott, Jeff Piper, Alan Siebert, Peter Wood<br />

Make a Joyful Noise (World Premiere)..................................................................... Brendan Collins,<br />

Australia, 2012<br />

Brendan Collins, Conductor<br />

Roy Abendroth, Biodun Adebiyi, John Adler, Rune Aleksandersen, Steven Asheim, Bill Baxtresser,<br />

David Champouillion, Brian Evans, Slavek Cichor,Kevin Eisensmith, Ian Kirkwood, Randall Love,<br />

Scott Meredith, Paul Michelson, Clayton Miranda, Richard Moren, Kelly Parkes, Pamela Smitter,<br />

Matt Taton, Britton Theurer<br />

Michael, Row Your Boat.......................................................................................... arr. Gary Slechta<br />

Gary Slechta, Conductor, Austin TX, publisher/arranger<br />

<strong>Trumpet</strong>s: Al Hood, Amanda Pepping, Rich Haering, Mike Vax, James Bovinette<br />

Flugelhorns: Jack Laumer, James Olcott, Todd Hastings, Wiff Rudd ,Tina Erickson<br />

Drum set: David Hall<br />

Piano: Kurt Ellenberger<br />

Bass: Brian Evans<br />

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<strong>Trumpet</strong> Mates Gang <strong>Trumpet</strong> Ensemble (from Portugal):<br />

"Concert Piece"..................................................................................... Bruce Broughton<br />

"Bold, Blue and Bright".......................................................................... James Stephenson<br />

featuring Rex Richardson, <strong>Trumpet</strong> Soloist<br />

Adriano Franco, Daniel Tapadinhas, João Pereira, João Vilão, Nuno Silva, Pedro Silva,<br />

Ricardo Pimentel, Tiago Rocha<br />

Timpani: Rui Neves<br />

Patriotic and Military Affiliations Ensemble:<br />

State House Medley............................................................................... John Adler<br />

Stephen Chenette, Conductor<br />

John Adler, Howard Brahmstedt, David Champouillon, John Daniel, David Haglund, Dean Haist,<br />

Stan Engle, Ryan Gardner, Glenn Jarell, Stephen Jones, Scott Meredith, Dick Meyers, Richard Moren,<br />

Jeffrey Piper, David Reynolds, Pamela Smitter, Michael Stewart, Arthur Vander Hoeft, Peter Wood,<br />

Bob Woodard<br />

Mass <strong>Trumpet</strong> Ensemble:<br />

March from Lohengrin - Act 3 Scene 3.................................................. Richard Wagner<br />

arr. Charles Stine<br />

Eric Strand, Organ; David Hall, timpani and percussion<br />

Alexander Nevsky.................................................................................. Sergei Prok<strong>of</strong>iev<br />

arr. Michael Scott Butler 2013<br />

Charles Conrad, Conductor<br />

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4:00 p.m. - 5:45 p.m., Steelcase Ballroom “D”, DeVos Place<br />

Prelude: University <strong>of</strong> North Texas Alumni <strong>Trumpet</strong> Ensemble, Marc Reed, director<br />

Members: Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson, Scott Meredith,<br />

Oscar Passley, Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />

Masterclass: Barbara Butler, Shepherd School <strong>of</strong> Music, Rice University<br />

4:00 p.m. - 5:45 p.m., Imperial Ballroom<br />

Presentation: Dr. Richard Cox, Duke University Medical School – “Dealing Effectively with<br />

Disorders <strong>of</strong> the Face, Lips and Neck that Hinder Brass Players”<br />

This clinic will present live and clinical demonstrations and real-life cases dealing with the prevention<br />

and treatment (as well as early detection signs) <strong>of</strong> lip, facial, neck, and jaw disorders that<br />

prevent, handicap, and <strong>of</strong>tentimes end a trumpet player’s career. The presenter is a physician,<br />

psychologist, and trumpet player with over 50 years experience working with the medical, psychological,<br />

and technical aspects <strong>of</strong> trumpet playing. All levels <strong>of</strong> players from beginner to pr<strong>of</strong>essional will<br />

benefit from the visual displays as well as the live demonstrations for the care and repair <strong>of</strong> the lips,<br />

nerves, muscles, blood vessels, and emotions involved in brass playing.<br />

7:00 p.m. - 8:30 p.m.,<br />

Steelcase Ballroom “AB”, DeVos Place<br />

Prelude: Temple University, Eric Schweingruber, director<br />

Members: Gabrielle Kieffer, William Koehler, Jesse Morvan, Jake Rondinaro, Johnathan Shaw,<br />

Najib Wong<br />

Durrenhorn Passage.......................................................................................... Kevin McKee<br />

Cocktail (Mvt. III).............................................................................................. Jerome Naulais<br />

Concert: Terell Stafford, P. Mauriat <strong>Trumpet</strong> Artist, Director <strong>of</strong> Jazz Studies and Chair <strong>of</strong><br />

Instrumental Studies, Temple University<br />

Timothy Warfield, Jr., Bruce Barth, Dana Hall, and Rodney Whitaker (sponsored by P. Mauriat)<br />

Program to be announced<br />

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9:00 p.m. - 10:30 p.m., Steelcase Ballroom “AB”, DeVos Place, Ticket Required<br />

Grand Finale Concert featuring Arturo Sandoval, Jens Lindemann, Bill Lucas, Adam Rapa,<br />

Rex Richardson, Allen Vizzutti, and Walter White, Small Medium @ Large<br />

I<br />

All-Star <strong>Trumpet</strong>s – Program To Be Announced<br />

Jens Lindemann, Bill Lucas, Adam Rapa, Rex Richardson, Allen Vizzutti,<br />

Walter White, Small Medium @ Large<br />

Intermission<br />

II<br />

Arturo Sandoval<br />

Walter White, Small Medium @ Large<br />

Funky Cha Cha...........................................................................................................Arturo Sandoval<br />

Be Bop.......................................................................................................................Dizzy Gillespie<br />

And Then She Stopped...............................................................................................Gillespie<br />

Salt Peanuts...............................................................................................................Gillespie<br />

Things To Come..........................................................................................................Gillespie<br />

Woody ‘n You..............................................................................................................Gillespie<br />

Fiesta Mojo................................................................................................................Gillespie<br />

“Dear Diz” Everyday I Think Of You.............................................................................Sandoval<br />

Turi’s Mambo.............................................................................................................Sandoval<br />

A Night in Tunisia.......................................................................................................Gillespie<br />

Jens Lindemann, Rex Richardson, and Allen Vizzutti’s performances sponsored in part by Yamaha<br />

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Walter White & Small Medium @ Large<br />

<strong>Trumpet</strong>s Trombone Saxophone Rhythm Section<br />

Walter White Michael Dease James Hughes, alto Gary Schunk, piano<br />

Bob Jensen Rob Killips Kelly Kaminski, tenor Jeff Pedraz, bass<br />

Ken Robinson Paul Brewer Bobby Streng, tenor Jeff Trudell, drums<br />

Rob Smith John Rutherford, bass Mark Berger, bari<br />

Mark Byerly<br />

10:30 p.m.,<br />

Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />

Late Night Jam Session hosted by Trent Austin<br />

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ITG 2013 Conference Hosts<br />

Richard Stoelzel maintains an active career as an international<br />

soloist, chamber and orchestral musician. Reviewers have<br />

called his trumpet playing, “virtuosic and lyrical,” “liquid like tone,”<br />

“his bel canto style gave this reviewer chills.” He began his career<br />

as solo cornet with the United States Coast Guard Band, a presidential<br />

band. As a soloist he has performed throughout the U.S. and<br />

abroad including five highly successful tours <strong>of</strong> China and as a result<br />

earned the title <strong>of</strong> “Distinguished Visiting Pr<strong>of</strong>essor” at the Shen<br />

Yang Conservatory <strong>of</strong> Music, Worldwide tours include Russia, Spain,<br />

Costa Rica, Poland, Germany, and Hungary. Stoelzel has performed<br />

as a soloist at the 2003, 2007, and 2009 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

Conference. At the 2009 <strong>conference</strong>, he was a featured soloist with<br />

the Keystone Wind Ensemble as well as performing with the Aries Trio.<br />

As an orchestral musician Stoelzel has performed as principal and utility trumpet including substitute<br />

principal trumpet with the Detroit Symphony as well as third and assistant principal trumpet <strong>of</strong><br />

the New Orleans Symphony and was winner <strong>of</strong> the principal trumpet position in 1993. He has held<br />

positions with the Miami City Ballet, Ballet Florida, Florida Symphonic Pops, New World Symphony,<br />

Colorado Music Festival, Bear Lake Music Festival, and the Des Moines Opera Orchestra. He has<br />

performed with the Naples Philharmonic, Baltimore, Jacksonville, and Louisville symphony orchestras.<br />

Stoelzel is presently principal trumpet with the Palm Beach Opera Orchestra and serves on the<br />

artist faculty <strong>of</strong> the Masterworks Summer Music Festival held at Grace College in Indiana and Brass<br />

Coordinator <strong>of</strong> the Crescendo Institute in Hungary.<br />

As a chamber musician Stoelzel is the founder and performs with the Aries Trio, Drum and Brass, Avatar<br />

Brass, and Lighthouse Brass. Avatar Brass held a residency at Coral Ridge Presbyterian Church<br />

(Ft. Lauderdale, FL) for three years. During that time Avatar Brass performed on weekly international<br />

and national broadcasts. He was also a founding member <strong>of</strong> the New World Brass and has performed<br />

and toured with the Michigan Chamber Brass. In addition to live performances, Stoelzel can be heard<br />

on over 20 compact discs including 7 with Avatar Brass as well as with the Baltimore Symphony<br />

(PBS broadcast), New Orleans Symphony, Asaph Orchestra, U.S. Coast Guard Band, and the Dallas<br />

Wind Symphony. Stoelzel’s solo recordings, Born to be Mild and A Mild Fantasie, both on the Albany<br />

label, have received warm critical acclaim and played on numerous radio stations across the country<br />

and overseas. Born to be Mild was named “CD <strong>of</strong> the Week” by Wisconsin Public Radio. Reviewers<br />

have called his recordings, “a must have,” “bursting with a sense <strong>of</strong> joy and excitement,” “unfailing<br />

and attractive music.” “I am truly taken by his sweet trumpet tone. It only takes a few seconds to be<br />

won over.” (American Record Guide).<br />

As a pedagogue Stoelzel has been on the faculties <strong>of</strong> the University <strong>of</strong> Louisiana at Lafayette, the<br />

Harid Conservatory, and is Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> at Grand Valley State University. His students have<br />

consistently won national and international awards (19 international awards and 20 national prizes)<br />

including an unprecedented three awards at the 2000 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Competition and<br />

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have been regular finalists and winners. The GVSU <strong>Trumpet</strong> Ensemble, under his direction, has<br />

received numerous awards at the National <strong>Trumpet</strong> Competition including two first-place awards<br />

in 2006 and 2008. His students have won positions in numerous orchestras, military bands, and<br />

pr<strong>of</strong>essional chamber ensembles such as the Detroit Symphony, Seattle Symphony, Baltimore Symphony,<br />

Louisiana Philharmonic, Buffalo Philharmonic, Canadian Brass, Atlantic Brass, Burning River<br />

Brass, Jacksonville Symphony, and Proteus 7. In the U.S. Stoelzel has served as chairman <strong>of</strong> the ITG<br />

Orchestral and Solo Competitions as well as serving as a finalist judge in the solo competition. He<br />

has also served as the chair <strong>of</strong> the National <strong>Trumpet</strong> Competition College Division. Recently he was<br />

named as Artistic Director <strong>of</strong> the 1st Annual Lodz Academy <strong>of</strong> Music <strong>International</strong> Solo Competition to<br />

be held in October 2013 in Lodz, Poland.<br />

Stoelzel has worked and commissioned over 40 new works for trumpet by such noted composers as<br />

Eric Ewazen, James Stephenson, Erik Morales, Arthur Weisburg, Kurt Ellenberger, Bill Ryan, Robert<br />

Bradshaw, and Tom Davis.<br />

Stoelzel is also an accomplished conductor. He was the principal pops conductor for the Harid<br />

Conservatory as well as music director <strong>of</strong> the Florida Wind Symphony. Stoelzel is the Artistic Director<br />

<strong>of</strong> the GVSU <strong>International</strong> <strong>Trumpet</strong> Seminar which he started in 2005.<br />

Stoelzel’s teachers have included Daniel Patrylak, Leon Rapier, Steven Hendrickson, James Thompson,<br />

Philip Smith, and Charles Schlueter. Stoelzel is a Yamaha <strong>International</strong> Performing Artist. You<br />

may visit his website at www.richardstoelzel.com<br />

Valerie Stoelzel is the Concert and Arts Information Coordinator<br />

for the Department <strong>of</strong> Music and Dance at Grand Valley State<br />

University and previously served as a member <strong>of</strong> the General Education<br />

faculty in the Music Department. She began her musical career<br />

as an opera singer performing in Austria, New York, and throughout<br />

New England. Highlights <strong>of</strong> her career are leading roles in La Boheme<br />

(Musetta and Mimi), Le Nozze di Figaro (Susannah and the Countess),<br />

The Magic Flute (Papagena), Die Fledermaus (Adele), Turandot<br />

(Liu), Amahl and the Night Visitors, and 35 performances as Gretel in<br />

Hansel and Gretel in 30 days. Her arts administration career began at<br />

the University <strong>of</strong> Connecticut where she served as Associate Director<br />

<strong>of</strong> Artistic Programs and Director <strong>of</strong> the School <strong>of</strong> Fine Arts Outreach Program. Mrs. Stoelzel has also<br />

held positions <strong>of</strong> Arts in Education Program Manager for the Louisiana State Department <strong>of</strong> Education<br />

and Artistic Administrator/Director <strong>of</strong> Education for Palm Beach Opera. For seven years she produced<br />

the Palm Beach Opera National Vocal Competition and created the award-winning Swing and Sing<br />

Summer Camp for underserved children. Mrs. Stoelzel was a contributing writer for several curriculum<br />

guides for the state <strong>of</strong> Louisiana.<br />

She is a member <strong>of</strong> the Board <strong>of</strong> Directors for Grand Valley’s University Club. Previously she served<br />

as a member <strong>of</strong> the Advisory Cabinet for the GVSU Faculty/Staff Annual Campaign, Board <strong>of</strong> Directors<br />

<strong>of</strong> the Grand Rapids Bach Festival, Parent Advisory Board <strong>of</strong> the Grand Valley’s Children’s Enrichment<br />

Center, and the Board <strong>of</strong> Directors <strong>of</strong> the Allendale American Youth Soccer Organization.<br />

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SPECIAL GUEST ARTIST – ARTURO SANDOVAL<br />

8 time Grammy Award winner, 17 times nominated, 6 time Billboard Award winner, Emmy Award winner<br />

A protégé <strong>of</strong> the legendary jazz master Dizzy Gillespie,<br />

Sandoval was born in Artemisa, a small town in the<br />

outskirts <strong>of</strong> Havana, Cuba, on November 6, 1949, just<br />

two years after Gillespie became the first musician to<br />

bring Latin influences into American jazz. Sandoval<br />

began studying classical trumpet at the age <strong>of</strong> twelve,<br />

but it didn’t take him long to catch the excitement <strong>of</strong><br />

the jazz world. He has since evolved into one <strong>of</strong> the<br />

world’s most acknowledged guardians <strong>of</strong> jazz trumpet<br />

and flugelhorn, as well as a renowned classical artist,<br />

pianist and composer. He is one <strong>of</strong> the most dynamic<br />

and vivacious live performers <strong>of</strong> our time, and has<br />

been seen by millions at the Oscars performing with Celine Dion, at the Grammy Awards with Justin Timberlake<br />

and in his own right as a leader. He also performed at the Billboard Awards with Alicia Keys.<br />

Sandoval has been awarded 8 Grammy Awards, and nominated 17 times; he has also received 6 Billboard<br />

Awards and an Emmy Award. The latter for his composing work on the entire underscore <strong>of</strong> the HBO movie<br />

based on his life, For Love or Country starring Andy Garcia. His two latest Grammy award winning albums,<br />

Dear Diz “Everyday I think <strong>of</strong> you” and Tango “Como Yo Te Siento” are now available worldwide. Soon to be<br />

released, is a new <strong>book</strong> chronicling his relationship with Dizzy Gillespie entitled The Man Who Saved Me.<br />

Sandoval is a renowned classical musician, performing regularly with the leading symphony orchestras<br />

from around the world. Arturo has composed his own Concerto for <strong>Trumpet</strong> & Orchestra, which can be<br />

heard on Arturo Sandoval: The Classical Album. Arturo has performed with the foremost orchestras in<br />

the country as well as abroad and recorded John Williams’ <strong>Trumpet</strong> Concerto with the London Symphony<br />

Orchestra. His classical artistry has earned him respect and admiration from the most prestigious conductors,<br />

composers and symphony orchestras worldwide.<br />

Arturo Sandoval’s versatility can be heard on recordings with everyone from Dizzy Gillespie, Woody Herman,<br />

Woody Shaw, Michel Legrand, Bill Conti, and San Getz to Johnny Mathis, Frank Sinatra, Paul Anka,<br />

Rod Stewart, and Alicia Keys amongst many others. He has performed with John Williams with the Boston<br />

Pops, and in the Super Bowl with Tony Bennet and Patti LaBelle.<br />

His compositions can also be heard on Dave Grusin’s soundtrack for Havana and Random Heart, in the<br />

Mambo Kings original soundtrack with his Grammy nominated composition Mambo Caliente, in the soundtrack<br />

<strong>of</strong> The Perez Family, 61, Mr. Wrong, the documentary Oscar, and The Family Fuentes among others.<br />

He also was commissioned by the Kennedy Center to compose the music for the ballet Pepito’s Story, Soul<br />

Possessed, as well as Oman O Men, and The Chocolate Hot Nutcracker, choreographed by Debbie Allen.<br />

Arturo Sandoval reaches beyond the scope <strong>of</strong> mere effort. His struggles while in Cuba and since his<br />

defection have given him more energy and strength, urging him to accomplish and surpass his childhood<br />

dreams. Filled with virtuoso capability, he desires more than to share his gift with others who feel the<br />

same intense adoration for music as he does. One frequently speaks <strong>of</strong> Arturo Sandoval’s virtuoso technical<br />

ability or his specialty in high notes, but he who has seen him on the piano, lyrically improvising a a<br />

ballad, or has had the opportunity to enjoy the diversity <strong>of</strong> his music, through his compositions from the<br />

most straight ahead jazz, Latin jazz or classical, knows that Arturo Sandoval is a prominent musician, and<br />

one recognizes that Arturo is one <strong>of</strong> the most brilliant, multifaceted and renowned musicians <strong>of</strong> our time.<br />

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ITG 2013 Performers<br />

and Presenters<br />

James Ackley is currently associate pr<strong>of</strong>essor <strong>of</strong> trumpet at the<br />

University <strong>of</strong> South Carolina School <strong>of</strong> Music. Ackley has previously<br />

held positions as principal trumpet with orchestras throughout Mexico,<br />

the United States, and South America and made critical acclaim after<br />

his 2004 Carnegie Hall debut. Ackley currently has several critically acclaimed<br />

solo recordings to his credit, Recital Music for <strong>Trumpet</strong> (2006),<br />

Lirico Latino: songs for solo trumpet (2008), Tromba Mundi (2009),<br />

.Gabriel, an opera for trumpet (2010), Eternal Source <strong>of</strong> Light Divine<br />

(2011), New American Works for <strong>Trumpet</strong> (2012), and a DVD <strong>of</strong> The<br />

Girl in White ballet with Ipswich Moving Company. He has performed<br />

in major concert halls all over the world, having performed in more than 25 countries. His <strong>book</strong>, A<br />

Systematic Approach to Flexibility for <strong>Trumpet</strong>, has also garnered much praise from some <strong>of</strong> the top<br />

performers today. Currently plans include several tours, a recording <strong>of</strong> baroque music for trumpet<br />

and organ, a sequel recording to .Gabriel, a recording <strong>of</strong> new music for brass quintet with the awardwinning<br />

Bala Brass Quintet, and a new <strong>book</strong> <strong>of</strong> articulation studies.<br />

Ryan Beach is the first prize winner <strong>of</strong> the 2012 Ellsworth Smith<br />

<strong>International</strong> <strong>Trumpet</strong> Solo Competition and recently appointed principal<br />

trumpet <strong>of</strong> the Indianapolis Symphony Orchestra. He received<br />

his master <strong>of</strong> music degree at Northwestern University, studying with<br />

Barbara Butler, Charles Geyer, and Chris Martin. Before that, he received<br />

the bachelor <strong>of</strong> music degree from Oklahoma City University,<br />

studying with Michael Anderson. As an orchestral musician, Beach<br />

has played with the Indianapolis and Tucson symphony, as well as<br />

been to such festivals as Tanglewood, the National Repertory Orchestra, and the National Orchestral<br />

Institute. As a soloist, Beach won both the solo and orchestral excerpts division at the 2011 ITG<br />

Conference, the second performer to do so in their history.<br />

92<br />

Yamaha Performing Artist Eric Berlin is principal trumpet <strong>of</strong> the<br />

Albany Symphony Orchestra and the Boston Philharmonic Orchestra,<br />

associate principal trumpet <strong>of</strong> the Colorado Music Festival, a member<br />

<strong>of</strong> the Boston Modern Orchestra Project, Artist/Teacher <strong>of</strong> <strong>Trumpet</strong> at<br />

the University <strong>of</strong> Massachusetts, and member <strong>of</strong> the board <strong>of</strong> directors<br />

<strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. In addition to his titled positions,<br />

he has performed with the Boston Symphony Orchestra, New<br />

York Philharmonic, and Los Angeles Philharmonic Orchestra. He has<br />

commissioned, premiered and recorded numerous works for trumpet<br />

and can be heard as soloist on MSR Classics and Albany Records.


Joseph Bowman has been a pr<strong>of</strong>essor <strong>of</strong> trumpet at Mahidol<br />

University in Bangkok, Thailand since 2003. He has been a<br />

member <strong>of</strong> the Thailand Philharmonic Orchestra since 2008.<br />

In 2005, Bowman and Mahidol University had the honor to<br />

host the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference in Bangkok,<br />

and is currently a member <strong>of</strong> the ITG Board <strong>of</strong> Directors.<br />

Bowman received his DMA and MM from Arizona State University<br />

and a BM from the University <strong>of</strong> Cincinnati. His major<br />

teachers include David Hickman, Sam Pilafian, Alan Seibert,<br />

Pat Harbison, and Marie Speziale.<br />

David Brown came to Brigham Young University in 1998 as a<br />

trumpet specialist with the primary responsibility <strong>of</strong> teaching applied<br />

trumpet. His performance experience in Utah includes work<br />

as a session player in the area recording studios and as an extra<br />

with the Utah Symphony Orchestra and Ballet West. Prior to<br />

his hire by BYU, Brown performed as principal trumpet with the<br />

Toledo Symphony Orchestra and the Great Lakes Brass Quintet<br />

for 22 years. During that same span he also performed as solo<br />

cornet with the Toledo Concert Band and as second trumpet in<br />

the Toledo Opera Orchestra.<br />

Conductor, composer and trumpeter Stephen Burns is<br />

the Founder and Artistic Director <strong>of</strong> the Fulcrum Point<br />

New Music Project in Chicago. He has been acclaimed on<br />

four continents for his virtuosity and interpretative depth<br />

in recitals, orchestral appearances, chamber music, and<br />

multi-media performances. Native to Wellesley, Massachusetts,<br />

Burns studied under Carmine Caruso, Armando<br />

Ghitalla, Richard Given, Arnold Jacobs, Vincent Penzarella,<br />

Gerard Schwarz, Pierre Thibaud, William Vacchiano, and<br />

Roger Voisin at the Tanglewood Music Center and the Juilliard<br />

School. He won the YCA <strong>International</strong> Auditions, Avery<br />

Fisher Career Grant, the NEA Grant, the Naumburg Award, the Charles Colin Award, and the Maurice<br />

André Concours <strong>International</strong> de Paris. Burns is a former tenured pr<strong>of</strong>essor <strong>of</strong> music at Indiana<br />

University and visiting lecturer at Northwestern University, as well as with Amici della Musica in Florence,<br />

Italy. He has recorded on the following labels: at MSH, Dorian, Delos, Essay, Kleos, and Innova.<br />

Stephen Burns is a Yamaha Performing Artist.<br />

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Barbara Butler is soloist with Music <strong>of</strong> the Baroque, Chicago Chamber<br />

Musicians, and Grand Teton Music Festival Orchestra. She is a former<br />

member <strong>of</strong> Eastman Brass, Eastman Virtuosi, and the Vancouver and<br />

Grand Park Symphony Orchestras. She is a former faculty member <strong>of</strong> the<br />

Bienen School <strong>of</strong> Music at Northwestern University, Eastman School <strong>of</strong><br />

Music, and the University <strong>of</strong> British Columbia. She has recently been appointed<br />

to the faculty at the Shepherd School <strong>of</strong> Music at Rice University.<br />

Butler has performed, recorded, and appeared in broadcasts with the<br />

St. Louis, Chicago, and Houston Symphony Orchestras and the New York<br />

Philharmonic. She studied with Vincent Cichowicz and Adolph Herseth.<br />

Jose Chafer Mompo received the title <strong>of</strong> Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong><br />

and Honors from the Conservatorio Pr<strong>of</strong>essional <strong>of</strong> Onteniente. In<br />

1998 he finished his higher studies at the Conservatory <strong>of</strong> Music<br />

“Manuel Massotti Littel” de Murica with the highest ratings. He<br />

has been invited to perform with the symphony orchestras <strong>of</strong><br />

Madrid and Barcelona and has also worked extensively with the<br />

symphony orchestra <strong>of</strong> Murcia as solo trumpet, recording live<br />

for RNE on numerous occasions. In addition he has been invited<br />

by Spanish Brass to perform concerts in the Canary Islands and<br />

Barcelona. Since 2005 he has served as Artistic Director <strong>of</strong> the 8<br />

Editions <strong>of</strong> the <strong>International</strong> Course <strong>of</strong> Music “Vila de L’Olleria”.<br />

He is a member <strong>of</strong> the Collage Brass Ensemble and solo trumpet<br />

with the symphony orchestra <strong>of</strong> the Teatro Chapi di Villena.<br />

A former solo trumpet in both classical/jazz idioms in the USAF<br />

Band system at age 20 and alumnus <strong>of</strong> the famed jazz <strong>program</strong>s<br />

at the University <strong>of</strong> Miami and the University <strong>of</strong> Northern Colorado,<br />

Dr. David Champouillon is a Performing Artist for Bach<br />

<strong>Trumpet</strong>s, and Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>/Jazz and Director <strong>of</strong> the East<br />

Tennessee State University Jazz Program. He also performs as<br />

the leader <strong>of</strong> The Jazz Doctors and as a member <strong>of</strong> The Lenore<br />

Raphael Quartet. A frequent performer on cornet with Americana<br />

recording artist Ed Snodderly, Champouillon is in demand<br />

throughout the nation in all genres, especially in the performance<br />

mediums <strong>of</strong> jazz trumpet and Baroque trumpet literature.<br />

He has been a soloist in over 30 states and Canada. A longtime<br />

contributor to the ITG, he currently writes the column “Jazz<br />

Brass” for The Brass Herald. Champouillon’s website: http://<br />

centerstage.conn-selmer.com/artists/artist.php?aid=127.<br />

95


Slawomir Cichor is principal trumpet <strong>of</strong> the Arthur Rubinstein<br />

Philharmonic in Lodz, Poland. He also serves as assistant pr<strong>of</strong>essor<br />

at the Academy <strong>of</strong> Music in Lodz. His musical career began<br />

in 1999 when he was principal trumpet <strong>of</strong> the Plish Festival<br />

Orchestra. From 2000-2003 he performed as a guest principal<br />

trumpeter in Sinfonia Varsovia. The following eight years he was<br />

co-principal trumpet in the National Polish Philharmonic in Warsaw.<br />

During this time he recorded more than 20 CDs with music<br />

by Mahler, Janacek, Lutoslawski, Penderecki, Szymanowski,<br />

Karlowicz, and Tansman. Cichor also plays baroque trumpet<br />

and cooperates with many ensembles <strong>of</strong> baroque music. During the past 12 years he has recorded<br />

10 CDs with several music projects. As a soloist and chamber musician Cichor has won prizes at<br />

several Polish competitions. He also appears as a soloist with symphony orchestras and wind bands.<br />

Since 2000 he has worked as an academic pedagogue. His students have won prizes in both Polish<br />

and international competition. In 2010 Slawomir Cichor received the title <strong>of</strong> Doctor <strong>of</strong> Musical Arts.<br />

Dai Zhonghui is Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> and Director <strong>of</strong> Symphonic<br />

Winds at Central Conservatory <strong>of</strong> Music in Beijing<br />

China. Currently he also serves as a member <strong>of</strong> the Board<br />

<strong>of</strong> Directors <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>, President <strong>of</strong><br />

the China <strong>Trumpet</strong> <strong>Guild</strong>, and Vice President <strong>of</strong> the Chinese<br />

Symphonic Winds and Ensembles Association. He is one <strong>of</strong><br />

the primary trumpet players in China, and held the position<br />

<strong>of</strong> principal trumpet <strong>of</strong> the National Symphony Orchestra<br />

<strong>of</strong> China for ten years (1996-2006). With this orchestra he<br />

performed in Germany, England, Austria, Spain, Portugal,<br />

South America, South Korea, Japan, Hong Kong, Macao,<br />

Taiwan, and more than twenty cities in mainland china.<br />

96<br />

Richard H. Cox holds earned doctorates in medicine, psychology<br />

and theology, as well as having been granted three honorary<br />

doctors, one from the World Health Organization (D.Sc.).<br />

He is internationally known for his work with students and<br />

pr<strong>of</strong>essionals in many fields, including music performance.<br />

He appears on a regular basis for workshops and clinics at<br />

the National <strong>Trumpet</strong> Competition, ITG, Association <strong>of</strong> Concert<br />

Bands, Interlochen Center for the Arts, and numerous music<br />

schools and universities. Dr. Cox is an Artist/Educator for the<br />

Conn-Selmer Steinway Corp. He is on the faculty <strong>of</strong> Duke University<br />

Medical School. Dr. Cox is especially known for his work<br />

integrating medicine, psychology and music to help students<br />

and pr<strong>of</strong>essionals with performance challenges.


Gabriel DiMartino has been playing trumpet since his father gave<br />

him one to put in his toy box on his third birthday. While a graduate<br />

student at Wichita State University, he played with the faculty<br />

brass quintet and played second trumpet with the Wichita Symphony<br />

Orchestra. Traveling the world, DiMartino has performed in 13 countries,<br />

giving recitals and playing with orchestras and band. He can be<br />

heard on a variety <strong>of</strong> recordings, from the Vivaldi Concerto (with father<br />

Vince) with the Syracuse Wind Ensemble to the horse-whinny on<br />

the collection <strong>of</strong> Leroy Anderson played on the San Phillip Wurlitzer<br />

Theatre Organ. Currently, Gabriel DiMartino is the adjunct trumpet teacher at Syracuse University.<br />

Vincent DiMartino is one <strong>of</strong> the most sought after trumpet performers<br />

and educators. He is distinguished Matton Pr<strong>of</strong>essor <strong>of</strong> Music at<br />

Centre College in Danville, Kentucky. Equally known as a jazz artist, he<br />

has been the lead and solo trumpet in the Lionel Hampton, the Chuck<br />

Mangione Band, the Clark Terry Band, and The Eastman Arranger’s<br />

Holiday Orchestra. He has also performed with some <strong>of</strong> the country’s<br />

finest jazz ensembles. DiMartino served twice as President and Vice<br />

President <strong>of</strong> the ITG as well as a member <strong>of</strong> its Board <strong>of</strong> Directors<br />

for two terms. He has been soloist with many symphony orchestras<br />

throughout the United States and also has been a soloist with the<br />

Army Blues Jazz Band, The Army Brass Band, The U.S. Air Force Band<br />

<strong>of</strong> Flight, and The United States Marine Band. DiMartino is co-founder<br />

<strong>of</strong> the New Columbian Brass Band, a turn-<strong>of</strong>-the-century town band.<br />

He is 2004 CASE Pr<strong>of</strong>essor <strong>of</strong> The Year for the state <strong>of</strong> Kentucky. This<br />

award is given nationally each year to one person in each state in the<br />

United States. In addition he is the recipient <strong>of</strong> The Governor’s Lifetime Achievement Award for 2008-<br />

2009 for the State <strong>of</strong> Kentucky. Vincent DiMartino is a Shires <strong>Trumpet</strong> Artist.<br />

The principal trumpet <strong>of</strong> the Detroit Symphony Orchestra, Hunter Eberly is a native <strong>of</strong> Muskegon,<br />

Michigan. He started playing the trumpet at the age <strong>of</strong> eight under the tutelage <strong>of</strong> his mother, and<br />

continued his studies in high school with Charley Lea <strong>of</strong> the Grand Rapids Symphony. Hunter earned<br />

his Bachelor <strong>of</strong> Music degree at Grand Valley State University,<br />

where he studied with Richard Stoelzel. While studying with Stoelzel,<br />

he won prizes at multiple competitions including: first prize in<br />

the National <strong>Trumpet</strong> Competition Undergraduate Solo Competition,<br />

first prize in the NTC <strong>Trumpet</strong> Ensemble Division, second prize<br />

in the ITG Mock Orchestra competition, and first prize at the GVSU<br />

<strong>International</strong> <strong>Trumpet</strong> Seminar Solo Competition. Hunter continued<br />

his education by attending The Colburn School where he studied<br />

with James Wilt and earned a Pr<strong>of</strong>essional Studies Certificate.<br />

Prior to his appointment in Detroit, Hunter served as principal<br />

trumpet with the Jacksonville Symphony. A Yamaha Performing<br />

Artist, Hunter plays exclusively on Yamaha instruments.<br />

97


Brian Evans is principal 3rd trumpet/cornet <strong>of</strong> the Australian Opera and<br />

Ballet Orchestra, at the Sydney Opera House. Since joining in 1975, he<br />

has played every chair in the section. He maintains a large studio <strong>of</strong> private<br />

students, from beginner to tertiary levels. He is a member <strong>of</strong> Opera<br />

Australia Brass, and has appeared as soloist in concerts and recitals in<br />

three continents. Brian hosted ITG’s 2010 Conference in Sydney, Australia,<br />

is President <strong>of</strong> the Australian <strong>Trumpet</strong> <strong>Guild</strong>, and has served on<br />

ITG’s Board <strong>of</strong> Directors since 2001, (2007-2011 as Secretary) and was<br />

elected Vice-President/President-elect in ITG’s recently held elections.<br />

He has previously presented at ITG <strong>conference</strong>s (2003, 2005, 2009,<br />

2010) as well as China <strong>Trumpet</strong> <strong>Guild</strong> Conference (2009).<br />

Reinhold Friedrich is one <strong>of</strong> the most popular trumpeters <strong>of</strong> our<br />

time. Since his first prize in the <strong>International</strong> ARD competition in<br />

Munich in 1986, he has been present on the important stages <strong>of</strong><br />

the international scene. From 1983 to 1999 he was the soloist <strong>of</strong><br />

the Radio-Sinfonie-Orchester Frankfurt. He has toured throughout<br />

his native Germany, Europe, Japan, Israel, Monte Carlo, Portugal,<br />

Hungary, Austria, Switzerland, Ukraine, and Mongolia. Reinhold<br />

Friedrich’s spectrum goes from Ancient Music (and its historical<br />

original instruments like the baroque trumpet and the keyed trumpet)<br />

to the latest solo compositions for trumpet. In 2007/08 he performed Herbert Willi’s Concerto for<br />

<strong>Trumpet</strong> with the Vienner Symphony Orchestra and the Czech Philharmonic and Rihm “Marsyas” with<br />

the Royal Concertgebouw in Amsterdam. The beginning <strong>of</strong> his exclusive collaboration with Capriccio<br />

now Phoenix, Friedrich made the recording <strong>of</strong> “Classical <strong>Trumpet</strong> Concerts” with the Academy <strong>of</strong> St.<br />

Martin in the Fields under the direction <strong>of</strong> Sir Neville Marriner. His latest recordings include “<strong>Trumpet</strong><br />

and Organ” with organist Iveta Apkalna and “Assisi Christmas Cantatas” with Ruth Ziesak and the<br />

Ensemble L’Arte del Mondo. Visit his website at www.reinhold-friedrich.de.<br />

Kevin Gebo is an international prizewinning trumpeter as well as an active freelancer and soloist in<br />

the Washington Metropolitan Area. He frequently travels as a guest performer and clinician to universities<br />

and festivals and has been on faculty at The University <strong>of</strong> Arkansas-Fort Smith’s “Brass Camp”,<br />

Grand Valley State University’s “<strong>Trumpet</strong> Seminar” and Virginia Commonwealth University as Adjunct<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>. His performances have taken him across<br />

the country as well as performances in Canada, Austria, Australia,<br />

and Germany. Gebo frequently performs with the Washington<br />

Symphonic Brass and Harrisburg Symphony Orchestra. He was also<br />

the principal trumpet on the Naxos recording <strong>of</strong> William Bolcom’s<br />

“Songs <strong>of</strong> Innocence and Experience” which won four Grammy<br />

awards in 2006, including “Best Classical Album.” In December<br />

2010 he was invited by Julia Fordham and Paul Reiser to perform<br />

as a featured guest on “The Tonight Show with Jay Leno” on their<br />

hit single “UnSung Hero.” Gebo is currently a Staff Sergeant in the<br />

United States Army and is a Yamaha Performing Artist.<br />

98


Steven E. Hendrickson has been a member <strong>of</strong> the National Symphony<br />

Orchestra since 1982 and has served as principal trumpet for the past<br />

twenty-five years. He taught for 17 years at the Peabody Conservatory<br />

and has served on the faculty at the University <strong>of</strong> Maryland since 2000.<br />

Hendrickson has been a featured soloist with the National Symphony<br />

Orchestra on numerous occasions performing Bach, Vivaldi, Arutunian,<br />

Persichetti, and the Haydn <strong>Trumpet</strong> Concerto. His solo CD on the MSR<br />

Classics label was produced in 2006 and includes works for trumpet<br />

and organ and piano. He premiered Jonathon Leshn<strong>of</strong>f’s Cosmic Echoes.<br />

Hendrickson graduated from Iowa’s Luther College in 1973 with a degree<br />

in music and philosophy. Further study followed with some <strong>of</strong> the world’s<br />

leading brass players, including Adolf Herseth, William Scarlett, and Arnold Jacobs. He was a leading<br />

freelance player in Chicago while working as a broker on the Chicago Stock Exchange.<br />

David Hickman is considered one <strong>of</strong> the world’s pre-eminent<br />

trumpet virtuosos and has performed over 2000 solo appearances<br />

around the world as a recitalist or guest soloist with over 500 different<br />

orchestras. His tours have taken him around the world and in<br />

virtually every American city. Hickman has released 19 solo albums<br />

encompassing a wide variety <strong>of</strong> repertoire—from cornet solos to<br />

modern concert. As a noted clinician and author, Hickman has presented<br />

workshops on over 300 major university campuses. He has<br />

published over 40 articles, 200 scholarly editions <strong>of</strong> trumpet music,<br />

and several important trumpet and music texts. His latest 500-page<br />

<strong>book</strong>, <strong>Trumpet</strong> Pedagogy: A Compendium <strong>of</strong> Modern Teaching<br />

Techniques, is the number one text for university study and is used at over 200 schools <strong>of</strong> music around<br />

the world. Hickman is founder and president <strong>of</strong> the acclaimed Summit Brass and a past president <strong>of</strong> the<br />

<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. He received the ITG’s prestigious “Award <strong>of</strong> Merit” for lifetime achievement<br />

in 2005. His former students have occupied hundreds <strong>of</strong> orchestra, band, chamber music, and university<br />

positions. David Hickman is a Regents’ Pr<strong>of</strong>essor <strong>of</strong> Music at Arizona State University.<br />

Alan Hood has been performing music for over 30<br />

years. He toured the world with the Phil Collins Big<br />

Band and is among featured soloists on the band’s<br />

live compact disc recording A Hot Night in Paris and<br />

appears on well over forty other jazz, commercial and<br />

classical recordings, including his recent solo debut<br />

with strings, Just A Little Taste, and his co-led H2 Big<br />

Band’s You’re It. Dividing his career between performing<br />

and teaching <strong>full</strong> time at the University <strong>of</strong> Denver’s<br />

Lamont School <strong>of</strong> Music as associate pr<strong>of</strong>essor <strong>of</strong> trumpet, Al directs the Lamont Jazz Ensemble and<br />

performs extensively with Lamont’s artist-in-residence ensembles, the faculty brass trio, and the<br />

faculty jazz ensemble. Al hosted the highly acclaimed 2004 ITG Conference at the Lamont School <strong>of</strong><br />

Music and is currently a faculty member <strong>of</strong> the esteemed Rafael Méndez Brass Institute.<br />

99


The principal trumpet <strong>of</strong> the Los Angeles Philharmonic Orchestra,<br />

Thomas Hooten previously served as trumpet/cornet with “The President’s<br />

Own” U.S. Marine Band in Washington, D.C., assistant principal<br />

trumpet <strong>of</strong> the Indianapolis Symphony, and principal trumpet <strong>of</strong> the<br />

Atlanta Symphony Orchestra. He can be heard on numerous recordings<br />

on the Telarc label with the Atlanta Symphony. His solo album is titled<br />

<strong>Trumpet</strong> Call. Hooten has appeared as soloist with the Atlanta Symphony,<br />

St. Paul Chamber Orchestra, the United States Air Force Band, the<br />

Keystone Winds, and the Richmond Symphony Orchestra. He has also<br />

appeared as guest principal trumpet with the Saint Louis Symphony, the<br />

Grand Teton Music Festival, and the Aspen Music Festival.<br />

Rich Illman has been associate pr<strong>of</strong>essor <strong>of</strong> trumpet at Michigan<br />

State University since 1990 and has been practicing yoga since<br />

1986. He is principal trumpet <strong>of</strong> the Lansing Symphony Orchestra<br />

and is a regular member <strong>of</strong> the Beaumont Brass, The Millennium<br />

Brass, and the Brass Band <strong>of</strong> Battle Creek. An active clinician, he<br />

has given presentations <strong>of</strong> “Yoga for Wind Players” all over the world.<br />

Mark J. Inouye is principal trumpet<br />

<strong>of</strong> the San Francisco Symphony. As a<br />

student he played with the New York<br />

Philharmonic and the Israel Philharmonic.<br />

He became a member <strong>of</strong> the Empire Brass Quintet and toured<br />

the U.S., Europe, Asia, and Canada. He served as co-principal trumpet<br />

with the New World Symphony and principal trumpet with the Charleston<br />

Symphony before joining the San Francisco Symphony in 1999.<br />

Inouye has twice been a soloist with the New World Symphony and performed<br />

as a soloist with the Houston Symphony. Under the direction <strong>of</strong><br />

Seiji Ozawa he performed the “Carnival <strong>of</strong> Venice” in Wynton Marsalis’s<br />

video production Marsalis on Music. He was a founding member <strong>of</strong> the Juilliard Jazz Sextet at Lincoln<br />

Center and a guest performer at the Hollywood Bowl in the Playboy Jazz Festival. Mark Inouye is also<br />

an active composer. His work Tribute to Beaky, was recently performed on the SFS Chamber Music<br />

Series. In May <strong>of</strong> 2004, he performed The Bull Behind the Horns-A Jazz Suite, on the SFS Chamber<br />

Music Series, which is available on his debut jazz CD at www.inouyejazz.com.<br />

Jens Lindemann is hailed as one <strong>of</strong> the most celebrated soloists<br />

in his instrument’s history and was recently named “<strong>International</strong><br />

Brass Personality <strong>of</strong> the Year” (Brass Herald). Jens has played in<br />

every major concert venue in the world: from the Philharmonics<br />

<strong>of</strong> New York, Los Angeles, London, and Berlin to Tokyo’s Suntory<br />

Hall and even the Great Wall <strong>of</strong> China. His career has ranged from<br />

appearing internationally as an orchestral soloist, being featured at<br />

the 2010 Olympics for an audience <strong>of</strong> 3 billion people, performing<br />

at London’s ‘Last Night <strong>of</strong> the Proms,’ recording with the Mormon<br />

100


Tabernacle Choir to playing lead trumpet with the renowned Canadian Brass and a solo Command<br />

Performance for the Queen <strong>of</strong> England. Jens has also won major awards ranging from Grammy and<br />

Juno nominations to winning the prestigious Echo Klassik in Germany as well as receiving several<br />

honorary doctorates. Heralded internationally as an outstanding artist, critics have stated: “He<br />

played with golden timbre and virtuosic flair” (New York Times), and “a world-class talent” (Los<br />

Angeles Times), Lindemann is one <strong>of</strong> the world’s most exciting trumpet soloists. Los Angeles based<br />

Lindemann is internationally endorsed by the Yamaha Corporation. Jens has an active website at:<br />

wwwtrumpetsolo.com.<br />

William Lucas is an assistant pr<strong>of</strong>essor <strong>of</strong> Jazz and Contemporary<br />

Improvisation at the University <strong>of</strong> Michigan School <strong>of</strong> Music, Theatre,<br />

and Dance, where he has been on faculty for over a decade. In addition,<br />

Bill is a member <strong>of</strong> the Detroit Symphony Orchestra <strong>Trumpet</strong><br />

section, a post he has held since 1988. Prior to serving at UM, Bill<br />

served on the faculties <strong>of</strong> the Oberlin Conservatory and Wayne State<br />

University. A prolific arranger for small ensembles, Bill’s compositions<br />

and arrangements have been performed by the Detroit Symphony, the<br />

Phoenix Symphony, and the Detroit Chamber Winds and Brass.<br />

Christopher Martin was appointed principal trumpet <strong>of</strong> the Chicago<br />

Symphony Orchestra in 2005 by Daniel Barenboim. Martin came to<br />

the CSO from his previous position as principal trumpet <strong>of</strong> the Atlanta<br />

Symphony Orchestra. Before joining the ASO, Martin was associate<br />

principal trumpet <strong>of</strong> the Philadelphia Orchestra. He has performed as<br />

guest principal trumpet with the Los Angeles Philharmonic, the Seattle<br />

Symphony, the Grand Teton Music Festival, and the Saito Kinen<br />

Festival. Martin is also an adjunct faculty member <strong>of</strong> Northwestern<br />

University. He received his bachelor’s degree in trumpet performance<br />

in 1997 from the Eastman School <strong>of</strong> Music, where his primary teachers<br />

were Charles Geyer and Barbara Butler. Christopher Martin is a<br />

Yamaha Performing Artist.<br />

Jo Martinie received her yoga instructor certification from the<br />

Kripalu Center for Yoga and Health in Lenox, MA in 1996 and has<br />

been doing classes for musicians since the 2002 ITG Conference.<br />

Her gentle mindful approach to yoga emphasizes breath awareness,<br />

body alignment, safe stretching, and fun.<br />

101


Dr. Steven Marx is an international competition winner and a Yamaha<br />

Young Artist, having performed throughout the United States and internationally<br />

in countries such as China, England, Japan, Taiwan, Canada,<br />

Macao, and the Bahamas. Pr<strong>of</strong>essor Marx has won numerous prizes at<br />

the National <strong>Trumpet</strong> Competition, and also was awarded first place in<br />

the Mock Orchestra Competition at the ITG Conference in Manchester,<br />

England. He was awarded the NTC Lake Placid Scholarship in 2003,<br />

given to the individual most likely to make the biggest impact on the<br />

trumpet world. He was awarded the prestigious performers certificate<br />

and was the recipient <strong>of</strong> the 2008 Teaching Assistant Prize <strong>of</strong> Teaching<br />

Excellence during his graduate work at the Eastman School <strong>of</strong> Music.<br />

Marx completed a Bachelor <strong>of</strong> Music degree from Grand Valley State University, a Masters <strong>of</strong> Music<br />

in Performance from the Eastman School <strong>of</strong> Music, and a Doctor <strong>of</strong> Music Arts in Performance and<br />

Music Education from Eastman. He is currently assistant pr<strong>of</strong>essor <strong>of</strong> trumpet and head <strong>of</strong> brass at<br />

Colorado State University. He performs internationally as a soloist; and with Apex Brass and Aire<br />

Duo.<br />

102<br />

Dr. Scott Meredith is assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at the University<br />

<strong>of</strong> Wyoming where he teaches applied trumpet, Orchestral<br />

Excerpts, Jazz Techniques, Jazz History, and directs the University <strong>of</strong><br />

Wyoming trumpet ensemble. He currently serves as brass area head<br />

and is collegiate vice president <strong>of</strong> the Wyoming Music Educators<br />

Association. He is principal trumpet with the Wyoming Symphony<br />

and co-principal trumpet in the Cheyenne Symphony. He is also a<br />

regular member <strong>of</strong> the Fort Collins Symphony and Opera Fort Collins.<br />

Meredith recently released a world-wide premier recording <strong>of</strong> Jennifer<br />

Higdon’s <strong>Trumpet</strong> Songs on the Albany label.<br />

Yamaha Performing Artist Jean Moorehead Libs received her B.M.E. and M.M. in Music Education<br />

and <strong>Trumpet</strong> Performance from the University <strong>of</strong> Michigan School <strong>of</strong> Music while studying with<br />

Pr<strong>of</strong>essor Emeritus Clifford P. Lillya; she continued at Michigan doing Post Graduate and Doctoral<br />

studies with Armando Ghitalla. Miss Morehead’s teaching credentials<br />

include positions at Olivet College, The United World College <strong>of</strong><br />

Southeast Asia, Northern Michigan University, Wayne State University,<br />

Oberlin College Conservatory <strong>of</strong> Music, the University <strong>of</strong> Michigan, the<br />

University <strong>of</strong> Michigan All-State <strong>program</strong> at Interlochen, and Grand<br />

Valley State University where she recently completed her 9th season<br />

on the faculty <strong>of</strong> the GVSU <strong>International</strong> <strong>Trumpet</strong> Seminar. Formerly the<br />

principal trumpet <strong>of</strong> the Singapore Symphony, Moorehead remains active<br />

performing with Today’s Brass Quintet, the Michigan Sinfonietta, the Ann<br />

Arbor Symphony, and the Michigan Opera Theatre. During her tenure as<br />

Pedagogical Topics editor for the ITG Journal, she was the author and<br />

editor <strong>of</strong> dozens <strong>of</strong> articles with many <strong>of</strong> America’s leading trumpeters.<br />

She is presently the chair <strong>of</strong> ITG’s Young Artist Award Column.


Craig Morris is the trumpet pr<strong>of</strong>essor at the Frost<br />

School <strong>of</strong> Music at the University <strong>of</strong> Miami, where he<br />

pursues an active career as a soloist and chamber<br />

musician, including serving as principal trumpet<br />

and soloist at the Cabrillo Festival <strong>of</strong> Contemporary<br />

Music under Marin Alsop. His widely acclaimed debut<br />

solo CD Permit Me Voyage (Naxos) features original<br />

transcriptions <strong>of</strong> music by Brahms, Debussy, Barber,<br />

and Schumann. Mr. Morris’s orchestral career has<br />

included the posts <strong>of</strong> principal trumpet <strong>of</strong> the Chicago Symphony Orchestra, associate principal<br />

trumpet <strong>of</strong> the San Francisco Symphony, and 4th trumpet <strong>of</strong> the Chicago Symphony.<br />

James Olcott has been teaching trumpet at the university level<br />

since 1968 and for the last 35 years he has served on the faculty<br />

at Miami University (Ohio) where he teaches trumpet and conducts<br />

the school’s trumpet ensembles. Recently retired as principal<br />

trumpet <strong>of</strong> the Cincinnati Ballet Orchestra and the Middletown<br />

(Ohio) Symphony Orchestra, he continues to perform as an active<br />

free-lancer throughout the Cincinnati-Dayton area. Active as a<br />

composer and arranger, his compositions and arrangements have<br />

been published by Crown Music Press <strong>of</strong> Chicago, Tromba Publications<br />

<strong>of</strong> Denver, and by his own publishing firm, Triplo Press. He<br />

is also an active member <strong>of</strong> the ITG, for which he has served as<br />

secretary, vice president, and president. In 2005 he was recipient<br />

<strong>of</strong> the <strong>Guild</strong>’s Award <strong>of</strong> Merit.<br />

Kelly A. Parkes, Ph.D., is a tenured associate pr<strong>of</strong>essor at Virginia Tech, Blacksburg, VA. She has<br />

authored or coauthored 13 blind peer-review journal articles, and<br />

six refereed proceeding publications. She has also contributed<br />

greatly to the field by presenting at more than 40 regional, national,<br />

and international <strong>conference</strong>s. Dr. Parkes’ current areas <strong>of</strong><br />

research are focused in higher education pedagogy, assessment<br />

in applied music, and music teacher education. She is the Chair<br />

<strong>of</strong> the Society for Research in Music Education’s Assessment<br />

Special Research Interest Group and she is the permanent Chair<br />

<strong>of</strong> all competitions, as well as the Research Room Session, for the<br />

<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. Dr. Parkes has received numerous<br />

honors and awards in recognition <strong>of</strong> her exemplary pr<strong>of</strong>essional<br />

contributions. In 2010 she was recognized by the university<br />

for her teaching and research; winning the XCaliber Award for<br />

teaching with technology and the Scholarship <strong>of</strong> Teaching and Learning Award for her research about<br />

pedagogy within higher education. In 2012 she was awarded the University Exemplary Program for<br />

her impact on student learning.<br />

103


Daniel Patrylak is Emeritus Pr<strong>of</strong>essor <strong>of</strong> Music at the University<br />

<strong>of</strong> Connecticut. A native <strong>of</strong> Plymouth, Pennsylvania and<br />

a graduate <strong>of</strong> the Eastman School <strong>of</strong> Music <strong>of</strong> the University<br />

<strong>of</strong> Rochester, Patrylak auditioned success<strong>full</strong>y for the United<br />

States Marine Band in Washington, D.C. and performed as<br />

cornet soloist in concerts and coast-to-coast radio broadcasts.<br />

This was followed by positions on the faculty <strong>of</strong> the Eastman<br />

School <strong>of</strong> Music and with the Rochester Philharmonic<br />

Orchestra. An internationally recognized trumpet virtuoso, he<br />

co-founded and served as first trumpet <strong>of</strong> the Eastman Brass<br />

Quintet, leading the group on concert tours throughout the<br />

United States, Canada, Central and South America, and Israel.<br />

He has also performed as principal trumpet <strong>of</strong> the Danbury<br />

Brass Band <strong>of</strong> Connecticut during tours <strong>of</strong> Australia, New Zealand, and Ireland. Pr<strong>of</strong>essor Patrylak’s<br />

students have achieved positions in major symphony orchestras, military bands, and faculty appointments<br />

in pre-college, collegiate, and graduate music departments.<br />

William Pfund is Pr<strong>of</strong>essor Emeritus at the University <strong>of</strong><br />

Northern Colorado. His primary teachers were Esotto Pellegrini<br />

and Roger Voisin and he has studied briefly with Adolph Herseth,<br />

Joseph Levora and Bo Nilsson. Pr<strong>of</strong>essor Pfund was the<br />

1990 recipient <strong>of</strong> the M. Lucile Harrison Award for outstanding<br />

teacher <strong>of</strong> the year at UNC. Pfund has been a regular member<br />

<strong>of</strong> the Youngstown University Faculty Brass Quintet, the Youngstown<br />

Symphony Orchestra, and The United States Army Band,<br />

Pershing’s Own, Washington, D.C. He was principal trumpet <strong>of</strong><br />

the Greeley (CO) Philharmonic Orchestra for 34 years. Pfund<br />

has been active with the ITG since its beginning.<br />

Adam Rapa is a<br />

dynamic performer,<br />

composer, producer, and educator who has become widely<br />

known for the excitement, energy, and enthusiasm he brings<br />

to stages and classrooms around the world. Currently living in<br />

Vienna, Austria, Rapa travels the globe as a recording artist<br />

and guest performer across a wide range <strong>of</strong> musical contexts.<br />

He has produced albums, theater productions and educational<br />

materials, all with an equally fresh voice and perspective.<br />

Adam looks forward to a long career <strong>of</strong> creating innovative<br />

and inspiring experiences, and contributing to the greater good<br />

through the medium <strong>of</strong> art. For more information, please visit:<br />

www.adamrapa.com.<br />

104


Dr. Marc Reed is the Music Department Chair and Director <strong>of</strong> Brass<br />

Studies at Fort Lewis College where he teaches applied trumpet and<br />

horn, brass ensembles, and brass methods. He is the column editor<br />

<strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Journal’s <strong>Trumpet</strong> in the Wind<br />

Band Column, is co-principal trumpet <strong>of</strong> the San Juan Symphony<br />

Orchestra, an annual judge at the National <strong>Trumpet</strong> Competition,<br />

and is an artist/clinician for the Bach <strong>Trumpet</strong> Division <strong>of</strong> the Conn-<br />

Selmer Corporation. Reed is a graduate <strong>of</strong> The University <strong>of</strong> North<br />

Texas and Drake University. His teachers are Keith Johnson, Andrew<br />

Classen, and John Holt.<br />

<strong>International</strong>ly acclaimed trumpeter Marc Reese is best known<br />

for being the “other trumpet” <strong>of</strong> the Empire Brass for 17 years.<br />

Reese has performed in the New York Philharmonic, Cleveland<br />

and Boston Symphony Orchestras and has numerous recordings<br />

on Telarc, Sony, and Naxos. Summer festival appearances include<br />

Marlboro, Tanglewood, and the Pacific Music Festival. As an<br />

educator, Reese serves as Assistant Dean and Brass Department<br />

Head for Lynn University’s Conservatory <strong>of</strong> Music. He is a Bach<br />

trumpet artist and clinician and annually performs and adjudicates<br />

at international brass <strong>conference</strong>s and competitions. As a<br />

young artist Reese studied with Mel Broiles and Mark Gould. He<br />

received his B.M. from Boston University under Roger Voisin and<br />

his M.M. from the New England Conservatory under Tim Morrison.<br />

Reese currently resides in South Florida with his wife, pianist Lisa Leonard and their two boys, Carter<br />

and Luke. Visit www.MarcReese.com.<br />

A veteran <strong>of</strong> the renowned ensemble Rhythm & Brass, jazz legend<br />

Joe Henderson’s Quintet, the Chicago Jazz Ensemble, the Brass Band<br />

<strong>of</strong> Battle Creek, and appearances with countless celebrity artists,<br />

Yamaha Performing Artist Rex Richardson was named the 2008<br />

Brass Herald Personality <strong>of</strong> the Year. He stays busy as a headline<br />

artist at international festivals and as a soloist with orchestras, jazz<br />

groups, brass bands, and concert bands on five continents. Praised<br />

by the ITG Journal as “among the very best trumpet soloists in the<br />

world today,” Rex is pr<strong>of</strong>essor <strong>of</strong> trumpet and jazz trumpet at Virginia<br />

Commonwealth University and <strong>International</strong> Tutor at the Royal Northern<br />

College <strong>of</strong> Music in the U.K. Please visit his website at www.<br />

rexrichardson.net.<br />

105


Father and son team Rich and Brandon Ridenour<br />

have been entertaining on stage together<br />

since Brandon was 7. Rich and Brandon’s<br />

first commercial recording collaboration was<br />

in 2005 with the release <strong>of</strong> <strong>Trumpet</strong> Invasion.<br />

It showcases creative adaptations <strong>of</strong> world<br />

favorite works not originally written for the<br />

trumpet. Mozart, Gershwin, and other masterful<br />

composers come alive like never before<br />

and won the Ridenours national acclaim as a duo. Their second recording release, <strong>Trumpet</strong> Encores,<br />

was in 2008. The album includes crowd pleasing favorites ranging from Flight <strong>of</strong> the Brandon Bee to<br />

Rhapsody in Blue. In addition to <strong>program</strong>ming great music for all ages, Rich and Brandon weave a<br />

comedic presence only father and son can share on a stage.<br />

Wiff Rudd began teaching at Baylor University in 2002. A<br />

founding member <strong>of</strong> Rhythm & Brass, he is also an active soloist,<br />

chamber and orchestral musician. He has been a featured<br />

soloist in Carnegie Hall on three occasions and at several<br />

National <strong>Trumpet</strong> Competitions and <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

Conferences. He has performed and presented master classes at<br />

more than 300 universities and numerous music festivals on five<br />

continents. Rudd is principal trumpet with the Waco Symphony,<br />

traveled to Moscow with the Houston Symphony (2012) and to<br />

Europe with the Dallas Symphony (2013). His <strong>book</strong>, Collaborative<br />

Practice Concepts, was released at the 2013 Texas Music Educators Association Conference.<br />

Michael Sachs is currently in his 25th year as principal trumpet <strong>of</strong> The Cleveland Orchestra. Solo<br />

performances with The Cleveland Orchestra include the world<br />

premiere <strong>of</strong> John Williams’ Concerto for <strong>Trumpet</strong>, Michael Hersch’s<br />

Night Pieces, Matthias Pintscher’s Chute d’Etoiles and the United<br />

States premiere <strong>of</strong> Hans Werner Henze’s Requiem. Mr. Sachs<br />

is Head <strong>of</strong> the <strong>Trumpet</strong> Department and Chairman <strong>of</strong> the Brass<br />

Division at The Cleveland Institute <strong>of</strong> Music. He is the author <strong>of</strong><br />

numerous <strong>book</strong>s including Daily Fundamentals for the <strong>Trumpet</strong>,<br />

14 Duets for <strong>Trumpet</strong> and Trombone (with Joseph Alessi), and<br />

The Orchestral <strong>Trumpet</strong>, a 176-page comprehensive <strong>book</strong> and CD<br />

overview <strong>of</strong> standard orchestral trumpet repertoire. For additional<br />

information, please visit www.michaelsachs.com.<br />

106


2012-2013 finds Judith Saxton, <strong>Trumpet</strong> Artist/Faculty and<br />

Brass Coordinator at the University <strong>of</strong> North Carolina School<br />

<strong>of</strong> the Arts, and principal trumpet for NY Women’s Ensemble,<br />

Southeast Chamber Brass, UNCSA brass quintet, Shenandoah<br />

Valley Bach and Virginia’s Blue Ridge festivals and on the Eastern<br />

Music Festival faculty. The Saxton/Olsen duo with UNCSA<br />

organist Timothy Olsen, presents concerts, master classes and<br />

liturgical improvisation workshops. A board member for ITG in<br />

charge <strong>of</strong> Sponsor a <strong>Trumpet</strong>er, her solo cd Concert and Concert<br />

Pieces for <strong>Trumpet</strong>, Allison Gagnon, piano – with whom she<br />

also concertizes-was issued free to <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />

members worldwide.<br />

Ge<strong>of</strong>frey Shamu studied in Paris with Pierre<br />

Thibaud, who introduced him to the teachings <strong>of</strong><br />

Merri Franquin. After winning a Premier Prix de<br />

Trompette from the Conservatoires de la Ville de<br />

Paris, he earned a D.M.A. from Boston University. A<br />

founding member <strong>of</strong> the Riverside Brass <strong>of</strong> Boston,<br />

he performs regularly as a soloist with orchestras<br />

and other ensembles throughout New England. He<br />

has taught at Boston Conservatory and Harvard<br />

University, and currently leads the trumpet studio at<br />

the Community Music Center <strong>of</strong> Boston, where he also serves as Chair <strong>of</strong> the Department <strong>of</strong> Winds,<br />

Brass, and Percussion. Please visit his website at www.gshamu.com<br />

Widely esteemed for her motivating solo appearances and highly<br />

regarded for her musical orchestral performing leadership,<br />

Pamela Smitter captivates her audiences with a rare blend<br />

<strong>of</strong> compelling and expressive musical style. During the past<br />

decade she has held the position <strong>of</strong> principal trumpet with the<br />

West Michigan Symphony Orchestra and section trumpet in the<br />

Kalamazoo Symphony Orchestra. She performs internationally in<br />

the HornPipes! Duo with organist Scott Montgomery, and released<br />

her first cd, HARK!, with this ensemble in 2010. An avid teacher<br />

and mentor, she has served as Lead Musician for the Carnegie<br />

LinkUP <strong>program</strong> in the WMSO since 2004. In addition, Pamela is<br />

the West Michigan Director for Bugles Across America, adjunct<br />

pr<strong>of</strong>essor <strong>of</strong> trumpet and Hope College, and a DMA candidate at<br />

Michigan State University. In 2010 Pamela became a Schilke artist.<br />

107


Terell Stafford has been hailed as “one <strong>of</strong> the great players <strong>of</strong><br />

our time, a fabulous trumpet player,” by piano legend McCoy<br />

Tyner. Known for being a gifted and versatile player with a<br />

voice <strong>of</strong> his own, Stafford combines lyricism and a deep love <strong>of</strong><br />

melody with a spirited, adventurous edge. An educator as well<br />

as performer, Stafford currently holds the positions <strong>of</strong> Director<br />

<strong>of</strong> Jazz Studies and Chair <strong>of</strong> Instrumental Studies at Temple<br />

University in Philadelphia. For additional information, please<br />

visit www.terellstafford.com.<br />

108<br />

Jeff Uban has toured the world<br />

and performed on stage with<br />

the Glenn Miller Orchestra, Broadway National Tours, Frankie Valli<br />

and the Four Seasons, Tommy Dorsey Orchestra, Debbie Boone, and<br />

Greg Gisbert, among others. He has performed at such esteemed<br />

venues as Carnegie Hall, Montreal and San Francisco Jazz Festivals<br />

along with recording on several albums including his debut album<br />

in 2009, Shift In Times. Uban received numerous awards at various<br />

jazz festivals and competitions while attending Grand Valley State<br />

University, where he received his B.M. in <strong>Trumpet</strong> Performance. After<br />

completing his M.M. in Jazz Performance at the University <strong>of</strong> Denver,<br />

he came part <strong>of</strong> the faculty at the Community College <strong>of</strong> Denver<br />

before touring as the solo trumpet with the Glenn Miller Orchestra.<br />

Currently, he is finishing his dissertation for the D.M.A. at the University<br />

<strong>of</strong> Illinois.<br />

Allen and Laura Vizzutti met while studying at the world famous<br />

Eastman School <strong>of</strong> Music. They married 17 years later and have<br />

since toured the world performing recitals together and as soloists.<br />

Their recordings include the incredible Carnival <strong>of</strong> Venice and A<br />

<strong>Trumpet</strong>er’s Dream. Laura can be heard performing on movie sound<br />

tracks such as “Zeus and Roxanne,” and has recorded “Rhapsody<br />

in Blue” with the international ensemble ‘Ten <strong>of</strong> the Best’ and<br />

travels extensively performing in Europe, Japan, Australia, and<br />

North America. Allen has performed in 66 countries, has 12 solo<br />

recordings in both classical and jazz styles and is an accomplished<br />

composer. He has earned premier performances with the Los Angeles<br />

Philharmonic, the Rochester (NY) Philharmonic, the Budapest<br />

Radio Orchestra, and the London Symphony, and the United States Army, Navy, and Air Force Bands. His<br />

trumpet playing can be heard on over 150 movie and game sound tracks including Back to the Future,<br />

Star Trek, Halo, and Call <strong>of</strong> Duty. Allen has performed and toured with Chick Corea, Woody Herman,<br />

Chuck Mangione, and “Doc” Severinsen. He is currently composing new works and touring internationally<br />

in both classical and jazz settings. His newest jazz recordings on which Laura, Chick Corea, and<br />

Stanley Clarke perform in, is called “Ritzville”, and is available at www.vizzutti.com and on iTunes.


Walter White, a native <strong>of</strong> Detroit, was trained at the Interlochen<br />

Center for the Arts, the Juilliard School, the University <strong>of</strong> Miami,<br />

and the Banff Centre. Walter’s former teachers include William<br />

Vacchiano, John Lindenau, Leon Rapier, Carmine Caruso,<br />

Jerome Amend, and Kenny Wheeler. Walter’s dynamic trumpet<br />

playing led him to work with many <strong>of</strong> the top names in music including<br />

Bob James, Dave Holland, the Woody Herman Orchestra,<br />

the Detroit Symphony Orchestra, Gunther Schuller, the Lincoln<br />

Center Jazz Orchestra with Wynton Marsalis, and The Mingus<br />

Big Band. During the 1990’s, Walter toured and recorded with<br />

his boyhood hero, trumpeter Maynard Ferguson. Currently he<br />

serves as lead trumpeter for Dave Matthew’s Jazz Orchestra. He<br />

has authored the Walter White Long-tone Accompaniment, a play-along CD for music practice, which<br />

has garnered world-wide acclaim. Walter White is a Yamaha Performing Artist and Clinician. Please<br />

visit his website at www.walterwhite.com.<br />

Alex Wilson, 24, holds a Bachelor’s degree from Grand Valley<br />

State University, a Master’s degree from Arizona State University,<br />

and currently performs in one <strong>of</strong> the touring orchestras <strong>of</strong><br />

Shen Yun Performing Arts. He has appeared as a soloist with<br />

the GVSU Symphony Orchestra, the ASU Symphony Orchestra,<br />

and most recently with the Shen Yun Symphony Orchestra<br />

in Carnegie Hall. Prizes awarded to Alex during his studies<br />

include 1st place in the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>’s Orchestral<br />

Excerpts Competition in 2010, 1st place in the National<br />

<strong>Trumpet</strong> Competition’s <strong>Trumpet</strong> Ensemble Division in 2008, and 2nd place in both the Undergraduate<br />

Division and Graduate Division <strong>of</strong> NTC in the years 2010 and 2012, respectively. Alex also has<br />

experience performing with the Holland Symphony Orchestra (Michigan), the Phoenix Symphony, and<br />

the Arizona Opera.<br />

Christopher Wilson is artist/assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />

Arkansas State University. Wilson was a member <strong>of</strong> The United<br />

States Air Force Band in Washington, D.C. While a member, he performed<br />

and taught clinics throughout the United States and Japan.<br />

He has performed for numerous dignitaries including Presidents<br />

George W. Bush and Barrack Obama. In 2004, Wilson performed<br />

at the funeral <strong>of</strong> former President Ronald Reagan. Additionally, Dr.<br />

Wilson has performed with the Annapolis Symphony, Annapolis<br />

Opera, Maryland Symphony, Alexandria Symphony, Concert Artists<br />

<strong>of</strong> Baltimore, and the North Arkansas Symphony.<br />

109


Jeffrey Work joined the Oregon Symphony as principal trumpet in<br />

2006, following 13 years <strong>of</strong> freelancing in the Boston area. Since<br />

1999, he has also served as principal trumpet <strong>of</strong> the Colorado Music<br />

Festival. Work is a featured performer on the Oregon Symphony’s<br />

acclaimed 2011 release “Music for a Time <strong>of</strong> War.” Other recorded<br />

performances include Stravinsky’s Petrouchka and Mahler’s Sixth<br />

Symphony with the Boston Philharmonic, as well as performances<br />

with the Boston Symphony, the Boston Pops, and the Boston Modern<br />

Orchestra Project. In addition to his orchestral duties in Portland and<br />

Boulder, Work performs concerto and chamber repertoire as his busy<br />

schedule will allow. Notable performances include the 1998 world<br />

premiere <strong>of</strong> Eric Ewazen’s “Concerto for <strong>Trumpet</strong> and String Orchestra”<br />

and the 2003 world premiere <strong>of</strong> James M. Stephenson’s “Concerto for <strong>Trumpet</strong>.” In 1997, he also<br />

recorded Haydn’s <strong>Trumpet</strong> Concerto with the Missouri Chamber Orchestra.<br />

110


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112


Collaborative Artists<br />

Winner <strong>of</strong> the 2008 Canadian Smooth Jazz Award for Best Pianist,<br />

the Bulgarian piano prodigy Kristian Alexandrov is definitely hitting<br />

his stride. Since moving to Canada in 1995, Kristian has firmly<br />

entrenched himself in the Canadian music scene – as an active<br />

composer, performer, producer, clinician, and studio musician. For<br />

thirteen years he has been involved with Decidedly Jazz Danceworks<br />

as a composer and musical director. Onstage Kristian has worked<br />

alongside some tremendous Canadian and international artists,<br />

including Randy Brecker, Eric Marienthal, Kenny G, Alain Caron, Bob<br />

Mintner, Jens Lindemann, Pat Sheridan, The Candian Tenors, Joshua<br />

Hilberman, Senator Tommy Banks, Tap Tel Aviv, Wycliffe Gordon, Sean<br />

Jones, Adam Rapa, Guido Basso, Mike Murley, Andrea T<strong>of</strong>anelli, Shannon<br />

Gaye, and Jacie Richardson.<br />

Tom Burge is the second trombonist <strong>of</strong> the Charlotte<br />

Symphony Orchestra. In addition, he hosts the radio<br />

show “Sunday Evening” on classical public radio<br />

station WDAV. He is also a guest morning, midday,<br />

and evening presenter on 99.5 WGBH in Boston.<br />

Burge has performed with most <strong>of</strong> the Australian<br />

Symphony Orchestras and a few America ones as<br />

well, most notably the New York Philharmonic; Los<br />

Angeles Philharmonic; and the symphony orchestras in Cincinnati, Charleston, Augusta, and Jacksonville<br />

before settling in Charlotte, North Carolina. He was the previous Chair <strong>of</strong> the Brass Department<br />

at the Canberra School <strong>of</strong> Music in the Australian National University for many years. Burge has<br />

conducted many award winning ensembles, orchestras, symphonic bands, and choirs. He received<br />

a Queens Trust award and was awarded the title <strong>of</strong> “Australian Trombone Champion” in Tasmania in<br />

2004, then defended the title success<strong>full</strong>y in Adelaide in 2005.<br />

Pianist Robert Conway is one <strong>of</strong> the most exciting and versatile performers<br />

<strong>of</strong> 20th Century music in the country today. A frequent solo recitalist<br />

and chamber musician, he has a large number <strong>of</strong> premieres to his credit<br />

and has been the featured soloist in numerous composer-supervised<br />

festivals and performances. Since 1989, Conway has performed as<br />

pianist for the Detroit Symphony Orchestra. Presently on the faculty at<br />

Wayne State University, he has taught at the University <strong>of</strong> Michigan and<br />

Oakland University. Concerto appearances have included those with the<br />

Detroit and Richmond Symphony Orchestra. He has recorded on Opus<br />

One, Crystal, Koch <strong>International</strong> and University <strong>of</strong> Michigan Records, and<br />

is represented by Great Lakes Performing Artists Associates.<br />

113


114<br />

Toronto-based Mike Downes has earned a reputation as one <strong>of</strong> Canada’s<br />

finest jazz artists. He has been active as a bassist, composer,<br />

arranger, and educator in the Canadian music scene since the early<br />

1980s. His musicality, emotional depth and melodic approach to the<br />

bass have thrilled audiences throughout Europe, Japan, South Korea,<br />

Brazil, Mexico, Iceland, the United States, and Canada. In addition<br />

to leading his own groups, Mike has performed with virtually all <strong>of</strong><br />

Canada’s top jazz musicians. He has released three recordings as a<br />

leader – Forces, Then, and The Winds <strong>of</strong> Change. Helping to mentor<br />

and inspire young musicians is an important component <strong>of</strong> his career.<br />

He has been the Bass Department Head at prestigious Humber College<br />

in Toronto since 2000. He has also been featured as a Yamaha<br />

artist/clinician throughout Canada.<br />

Pianist Miriam Hickman completed her DMA at Arizona State<br />

University where she served as a Faculty Associate in accompanying<br />

from 1982-1987. Dr. Hickman has served as a staff<br />

accompanist for the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference, the<br />

<strong>International</strong> Tuba & Euphonium Conference, the <strong>International</strong><br />

Double Reed Society Conference, and the Southwest Regional<br />

Conference <strong>of</strong> the World Saxophone Conference. She has accompanied<br />

solo performers from major U.S. symphonies including New<br />

York, Philadelphia, Chicago, Cleveland, the National Symphony,<br />

San Francisco, and Phoenix, and frequently subs on various keyboards with the Phoenix Symphony.<br />

She has been a guest pianist with such ensembles as Quintessence, Arpeggio, and Southwest Brass,<br />

and was a founding member <strong>of</strong> Bavarde Quintet. In addition to her active freelance career, she is also<br />

the organist at the Church <strong>of</strong> the Epiphany in Tempe, Arizona and the owner <strong>of</strong> Classic Touch Music<br />

Academy where she teaches nearly sixty piano students a week.<br />

Kimberly Ann Kaloyanides Kennedy won her coveted position<br />

as a violinist with the Detroit Symphony Orchestra at the age<br />

<strong>of</strong> 22. In 2003, Kennedy further realized her dream when she<br />

became Associate Concertmaster until being appointing Acting<br />

Concertmaster in 2011. She began her study <strong>of</strong> the violin at<br />

age five and later pursued her studies at Brevard Music Center,<br />

Interlochen Arts Camp as the Governor’s Scholar for the state<br />

<strong>of</strong> Ohio, Sarasota Music Festival, Aspen Music Festival, Harid<br />

Conservatory, and finally at the University <strong>of</strong> Michigan. It was<br />

halfway through her senior year at Michigan in 1998 that her<br />

hard work paid <strong>of</strong>f when she joined the first violin section <strong>of</strong> the DSO. Throughout her training, she<br />

won several prizes in competitions including the Grand Prize in the National MTNA competition, 1st<br />

prize in the Greek Women’s National Competition, the Skokie Valley Concerto Competition, and was<br />

one <strong>of</strong> the few Americans invited to the <strong>International</strong> Violin Competition <strong>of</strong> Indianapolis in 1998. She<br />

solos regularly with the Detroit Symphony Orchestra.


Originally from Grand Rapids, Michigan, pianist Rachael Kerr has<br />

frequently performed in the Chicago area and internationally. Recent<br />

collaborations include performances with Fifth House Ensemble,<br />

Garth Newel Piano Quartet, Allium String Quartet, Castleton Music<br />

Festival, American Chamber Opera, Opera Training Institute <strong>of</strong><br />

Chicago, and the Vianden <strong>International</strong> Music Festival. She obtained<br />

double bachelor’s degrees in chemistry and piano at John Hopkins<br />

University and Peabody Conservatory, where she was the recipient <strong>of</strong><br />

the Abrams Double Degree scholarship, studying with Young Hi Moon.<br />

As a doctoral student at Northwestern University, she studied with<br />

Sylvia Wang and Elizabeth Buccheri and was a prizewinner in the<br />

2010 Thaviu-Isaak Piano competition. Rachael is also on the faculty <strong>of</strong> the Interlochen Arts Center,<br />

where she is the coordinator <strong>of</strong> the collaborative piano department, and at Aspen Music Festival,<br />

where she is an opera coach for the summer season.<br />

Greg Spiridopoulos graduated from Michigan State University<br />

in 1997 and was a student <strong>of</strong> Curtis Olson; earned his MM from<br />

Boston University. Greg is principal trombone <strong>of</strong> the Glimmerglass<br />

Opera Festival, the Albany Symphony, acting principal <strong>of</strong><br />

the Rhode Island Philharmonic, and second trombone <strong>of</strong> the<br />

Portland Symphony and Boston Philharmonic. As an active freelancer,<br />

Greg has appeared with the Boston Symphony, Boston<br />

Pops, Handel and Haydn Society, Boston Lyric Opera, Boston<br />

Ballet, and many others. In 2010, he was appointed to the University<br />

<strong>of</strong> Massachusetts, Amherst, as Lecturer <strong>of</strong> Trombone.<br />

Pianist Eriko Takezawa<br />

was born in in Hiroshima, Japan and studied with Naoyuki<br />

Taneda and Wolfgang Manz. She won the first prize in the<br />

international piano competition in Ostuni (Italy) in 1994 and is<br />

lecturer at the music schools in Karlsruhe and San Sebastian<br />

(Spain). Very much in demand as a chamber music partner,<br />

she also performs with Reinhold Friedrich, Thomas Horch,<br />

Thomas Indermühle, Renate Greisss, Angela Firkins, and<br />

Eckhard Hüber. As a member <strong>of</strong> the piano ensemble Takezawa-<br />

Sischka (with Christoph Sischka), she has won prizes in five<br />

international piano duo competitions in Japan, Italy, and the<br />

Czech Republic.<br />

115


Ted Warren has a solid reputation as a musical,<br />

versatile drummer. He is an active member <strong>of</strong> Canada’s<br />

jazz scene and has been recognized in Jazz Report’s<br />

Drummer <strong>of</strong> the Year award. He is a well-regarded clinician<br />

and adjudicator and has been teaching at Humber<br />

College in its Jazz Studies <strong>program</strong>. Ted fronts his own<br />

quartet, Ted’s Warren Commission, which has a lively<br />

following. He was the drummer for Boss Brass and can<br />

be heard on their recent CD’s including Velvet and Brass<br />

(with Mel Torme), From Lush to Lively (with Oliver Jones), Even Canadians get the Blues, and The<br />

Boss Brass Plays the Jazz Classics.<br />

Rebecca Wilt has received national and international<br />

recognition as a virtuoso collaborative pianist. Rebecca has<br />

performed in collaboration with some <strong>of</strong> the world’s greatest<br />

soloists: members <strong>of</strong> the New York Philharmonic, the Boston<br />

Symphony, the National Symphony, the Atlanta Symphony,<br />

the Chicago Symphony, the Philadelphia Orchestra, the San<br />

Francisco Symphony, and the Los Angeles Philharmonic. In<br />

addition she has worked with vocalists performing with the<br />

Metropolitan Opera, the Lyric Opera <strong>of</strong> Chicago and Covent<br />

Garden. Rebecca can be heard on several compact discs:<br />

Origins with Mark Clodfelter, <strong>Trumpet</strong> Call with Thomas Hooten, Song and Dance with Alan Baer, An<br />

American Portrait with James Thompson, Twas in the Moon <strong>of</strong> Wintertime’, a collection <strong>of</strong> traditional<br />

holiday favorites; Lyrica Latino with James Ackley, and Pastorale, with the Trelumina Trio. In demand<br />

as a clinician, Rebecca frequently gives workshops and master classes at universities and colleges<br />

all over the country on topics involving vocal coaching, instrumental chamber music, rehearsing<br />

with a pianist, and the competition road. Currently on the faculty at the University <strong>of</strong> North Carolina<br />

Greensboro and the University <strong>of</strong> North Carolina School <strong>of</strong> the Arts, she is also on the summer faculty<br />

for the Center for Advanced Musical Studies in Enfield, New Hampshire, as well as appearing as<br />

guest artist at various festivals all over the world.<br />

116<br />

Bulgarian-born pianist, Rumyana Yanakieva Hoksbergen<br />

began studying piano at the age <strong>of</strong> six. After graduating from the<br />

National Academy <strong>of</strong> Music in S<strong>of</strong>ia (Bulgaria), she continued her<br />

education at the University <strong>of</strong> South Florida where she completed<br />

her Master’s Degree with a <strong>full</strong> assistantship. Rumyana most<br />

recently finished the D.M.A. in Music Performance from Michigan<br />

State University. At MSU, she was a scholarship winning pianist<br />

and a graduate assistant who worked with undergraduate and<br />

graduate students. Rumyana has given numerous solo, collaborative<br />

piano, and chamber music recitals and <strong>of</strong>ten appears as<br />

part <strong>of</strong> the R&R Piano and <strong>Trumpet</strong> duo with her husband Ross<br />

Hoksbergen. Rumyana Yanakieva is also a founder and director<br />

<strong>of</strong> Lansing Piano Studio in Lansing, Michigan.


Conductors<br />

Doug Richards, pr<strong>of</strong>essor <strong>of</strong> music at Virginia Commonwealth<br />

University, received the 1997 VCU Outstanding Teaching Award.<br />

His former students have performed and recorded with many <strong>of</strong><br />

the world’s leading jazz organizations. Richards joined the VCU<br />

faculty in 1979, founding its Jazz Studies <strong>program</strong> in 1980. He is<br />

also the founder and musical director <strong>of</strong> the Great American Music<br />

Ensemble, one <strong>of</strong> the leading pr<strong>of</strong>essional repertory jazz orchestras<br />

in the nation. Richards has transcribed numerous jazz performances<br />

for Smithsonian Jazz Masterworks Publications and lectured<br />

at the Smithsonian Institute regarding the music <strong>of</strong> Duke Ellington.<br />

For three years, Richards joined Wynton Marsalis, Max Roach, Ray Brown, Victor Lewis and Martin<br />

Williams on the jazz faculty at Gunther Schuller’s Festival at Sandpoint, Iowa. He met guitarist/<br />

composer Anthony Wilson there and subsequently produced Wilson’s first two compact discs, one <strong>of</strong><br />

which was nominated for a Grammy. Martin Williams, the “dean <strong>of</strong> jazz critics,” has called Richards,<br />

“the most original writer for big band since Gil Evans.”<br />

Barry D. Martin is the conductor <strong>of</strong> the Grand Rapids Symphonic<br />

Band and pr<strong>of</strong>essor <strong>of</strong> music at Grand Valley State University.<br />

He has numerous arranging credits and writes music performed<br />

by the GVSU ensembles. He is a member <strong>of</strong> the National Band<br />

Association and College Band Directors National Association. He<br />

also holds honorary memberships in the Michigan School Band<br />

and Orchestra Association, Kappa Kappa Psi Honorary Band<br />

Fraternity, Tau Beta Sigma Honorary Band Fraternity, and Mu<br />

Phi Epsilon. Before joining the faculty at GVSU in 1994, Martin<br />

taught as a graduate assistant and conducting intern at the University<br />

<strong>of</strong> Illinois. He also previously served as Assistant Director<br />

<strong>of</strong> Bands and Director <strong>of</strong> the Marching Bands at Akron.<br />

117


Ensembles<br />

Dodworth Saxhorn Band (DSB) is a re-creation <strong>of</strong> a brass band founded by the Dodworth Family<br />

<strong>of</strong> New York City in 1825. Using period instruments (1840-1880) and performing period music, the<br />

Dodworth Band entertains, educates and involves audiences through scripted theatrical scenes that<br />

address social and political<br />

issues in the 1800’s. Since<br />

1985 the DSB has performed in<br />

venues ranging from small communities<br />

to The White House.<br />

Annually presenting 65 concerts,<br />

dances, educational assemblies,<br />

parades, and strolling performances<br />

throughout the United<br />

States, the Dodworth Saxhorn<br />

Band is America’s Premier 19th<br />

Century Brass Band; “Bringing<br />

America’s Musical Past to Life!”<br />

Since 2004, the Gaudete Brass Quintet has committed itself to presenting serious brass chamber<br />

music through compelling concerts, commissioning new works and adventurous recordings. The<br />

group has engaged in live performances at venues such as Merkin Hall and Symphony Space in New<br />

York City and Millennium Park in Chicago, commissioned new works from noted composers such as<br />

David Sampson, Rob Deemer, John Cheetham and Stacy Garrop, and appeared on radio broadcasts<br />

on WFMT in Chicago and Nashville Public Radio. While keeping this rigorous performance schedule,<br />

the Quintet has recorded three albums: Brass Outings (2006), winner <strong>of</strong> the CDBaby Editors’ Choice<br />

distinction and nominee for Just Plain Folks Best Classical Chamber Album; Conversations in Time<br />

with organist R. Benjamin Dobey (2011, Pro Organa); and Chicago Moves, produced by Grammy<br />

winner Judith Sherman and featuring several <strong>of</strong> its commissioned works (forthcoming 2012, Cedille<br />

Records). In addition to having served as<br />

Artists-in-Residence at Carthage College<br />

(Kenosha, WI) and presenting composition<br />

workshops to young artists at Columbia<br />

College and Roosevelt University in<br />

Chicago, the quintet has also presented<br />

educational <strong>program</strong>s and concerts at<br />

prominent institutions including The Juilliard<br />

School, Eastman School <strong>of</strong> Music,<br />

and Vanderbilt University. To learn more<br />

about the Gaudete Brass, please visit www.<br />

gaudetebrass.com.<br />

118


Composers<br />

Brendan Collins, Australian composer, is the composer-in-residence<br />

at Barker College, Sydney, Australia. He has held a similar position<br />

with the Sydney Youth Orchestras and was the associate principal<br />

trombonist with Opera Australia from 1991-2002. At previous ITG<br />

<strong>conference</strong>s he has had works premiered by Judith Saxton, Andrea<br />

T<strong>of</strong>anelli and John Irish. This year he will have works performed<br />

by Vincent DiMartino, Judith Saxton, and Brian Evans. He has also<br />

composed a work for 12 trumpets, titled Make a Joyful Noise, that will<br />

be premiered at the Festival <strong>of</strong> <strong>Trumpet</strong>s recital. His brass works are<br />

published by hickmanmusiceditions.com, kookaburramusic.com, and<br />

reedmusic.com. He receives regular commissions for new works from<br />

some <strong>of</strong> the world’s leading brass players including Steve Rosse,<br />

Scott Kinmont, Paul Goodchild, and Hidehiro Fujito. This year, he will<br />

be the featured composer at the Sydney <strong>International</strong> Brass Festival.<br />

Jeffrey W. Holmes, pr<strong>of</strong>essor <strong>of</strong> music and Director <strong>of</strong> Jazz Studies at the University <strong>of</strong> Massachusetts,<br />

is a nationally commissioned composer/arranger (B.M.I.), and<br />

multiple recipient <strong>of</strong> National Endowment For The Arts Jazz Composition<br />

Grants, having written for John Abercrombie, Ernie Watts,<br />

Doc Severinsen, the Tommy Dorsey Orchestra, and the Big Apple<br />

Circus. His big band appeared at the 2007 ITG Conference. Recent<br />

CDs include “Chicago Exitos!” by the New York Latin All-Stars, (horn<br />

arrangements and trumpet), the New England Jazz Ensemble (lead<br />

trumpet/arranger), and as pianist/composer with the Paul Winter<br />

Consort, on his own quartet (“Of One’s Own” on Miles High Records).<br />

Kevin McKee is an active trumpeter, composer, and educator<br />

in the Washington DC area. Kevin is a member <strong>of</strong> the Wammieaward<br />

winning Great Noise Ensemble, the Brass Band <strong>of</strong> the<br />

Potomac and is second trumpet in the Britt Festival Orchestra in<br />

Jacksonville, OR. He has performed with the Virginia and Richmond<br />

Symphonies, the New York Opera Society, and has also appeared<br />

with the legendary soul group, The O’Jays. As a composer<br />

his pieces have been performed throughout North America as<br />

well as in Europe, Asia, and Australia. As an educator, he teaches<br />

brass at the <strong>International</strong> School <strong>of</strong> Music and at DeMatha High<br />

School in addition to his private studio.<br />

119


Erik Morales began his composing career shortly after graduation from<br />

high school in south Florida. He studied composition at Florida <strong>International</strong><br />

University, and completed his bachelor’s degree at the University <strong>of</strong> Louisiana<br />

at Lafayette. Accessible at all levels, the music <strong>of</strong> Eriko Morales has a<br />

unique melodic and harmonic vocabulary that appeals to audiences worldwide.<br />

His published works encompass a large variety <strong>of</strong> styles and settings,<br />

including works for concert, orchestral, jazz and chamber ensembles and<br />

have been part <strong>of</strong> featured performances across the globe. Morales currently<br />

teaches and plays trumpet pr<strong>of</strong>essionally in the New Orleans area,<br />

in addition to maintaining an active composing and conducting schedule. Morales’ jazz ensemble<br />

music is published through Belwin Jazz, his concert and orchestral works are published exclusively<br />

through The FJH Music Company, Inc. and his trumpet and chamber works are self-published through<br />

MoralesMusic.com.<br />

Doug Richards – see Conductors<br />

Chicago area composer James Stephenson’s works have been performed<br />

by leading American orchestras and hailed by critics as having<br />

“straightforward, unabashedly beautiful sounds,” and “Stephenson<br />

deserves to be heard again and again!” (Boston Herald). His music incorporates<br />

a fresh and energizing sound scape that delights the audience<br />

while maintaining integrity and worthwhile challenges for the performing<br />

musicians. This rare combination has rewarded Stephenson with a host<br />

<strong>of</strong> ongoing commissions and projects. Last season saw the premieres <strong>of</strong><br />

two new violin concertos performed by the Minnesota Orchestra and the Rhode Island Philharmonic.<br />

Active in the concert band world, recent premiers at major venues include the 2010 Midwest Clinic<br />

and the 2011 American Bandmasters Association convention with the U.S. “President’s Own” Marine<br />

Band. Stephenson is currently enjoying a position <strong>of</strong> Composer-in-Residence with the Lake Forest<br />

Symphony. For more information, please visit www.stephensonmusic.com<br />

Julian Wachner is one <strong>of</strong> North America’s most exciting and versatile musicians,<br />

sought after as a conductor, composer, and keyboard artist. Recent<br />

and upcoming engagements include those with the Lincoln Center Festival,<br />

(The Blind), BAM Next Wave Festival (Liederabend 2013), Juilliard Opera<br />

Theatre (2013 Main stage), The Rolling Stones (50th anniversary tour), New<br />

York City Opera (VOX), Hong Kong Philharmonic, TENET (TENEbrae), Portland<br />

Baroque (Messiah), and Carnegie Hall (Arvo Pärt Passio). He is Director <strong>of</strong><br />

Music and the Arts, Trinity Wall Street and Music Director <strong>of</strong> the Grammywinning<br />

Washington Chorus. He is a former faculty member at MIT, Boston<br />

University School <strong>of</strong> Theology and School for the Arts, and McGill University. As a composer he has<br />

an impressive volume <strong>of</strong> works to his credit, published exclusively by E.C. Schirmer. His Grammynominated<br />

album: Israel in Egypt with The Choir <strong>of</strong> Trinity Wall Street and Trinity Baroque Orchestra<br />

was recorded under the Musica Omni banner. His other labels include ATMA Classique, Chandos,<br />

Naxos, Erato, and Dorian.<br />

120


New Works Performers<br />

Jeremy Brekke was appointed associate pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />

North Dakota State University in 2008 and previously was on the<br />

faculty at Loyola University in New Orleans. He received a B.S.<br />

in Music Education from NDSU and a Doctorate <strong>of</strong> Arts and M.M.<br />

from the University <strong>of</strong> Northern Colorado where he studied with<br />

William Pfund. Dr. Brekke has performed with numerous orchestras<br />

and jazz ensembles on lead and solo trumpet and frequently<br />

performs with the NDSU Faculty Brass Quintet. He is an active<br />

clinician and contributes to the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> in<br />

various capacities.<br />

Slawomir Cichor see Performers/Presenters<br />

Mark Carson is a freelance performer and educator in the<br />

Washington, D.C. area specializing in classical and commercial<br />

performance. Formerly assistant principal percussionistprincipal<br />

drumset with the United States Air Force Band,<br />

Washington, DC, Mark has performed with the National<br />

Symphony, Kennedy Center Opera House Orchestra, National<br />

Gallery Orchestra, Baltimore Opera Company, Houston Ballet,<br />

San Francisco Ballet, and New York City Ballet. He is an educational<br />

artist for Sabian Cymbals, Pearl Drums/Adams Percussion,<br />

Blackswamp Percussion, and Vic Firth drumsticks.<br />

Mark has commissioned new works involving percussion and<br />

various instruments and has given world premier performances<br />

<strong>of</strong> more than a dozen works.<br />

Mark Clodfelter is a versatile performer <strong>of</strong> international<br />

acclaim and a Grammy nominated recording artist who was<br />

recently described by Classical Voice North Carolina as “…a<br />

stellar world-class trumpeter who’s dazzling playing wowed the<br />

audience.” As a soloist, Mark has appeared throughout North<br />

and South America, Europe, Asia, and Australia. He is principal<br />

trumpet <strong>of</strong> the Asheville Symphony Orchestra, the Trade Winds<br />

(Tampa, FL) and a member <strong>of</strong> Covalence, a duo, with Rebecca<br />

Wilt, his wife and renowned collaborative pianist. Mark is the<br />

pr<strong>of</strong>essor <strong>of</strong> trumpet at the University <strong>of</strong> North Carolina at<br />

Greensboro, having held similar positions at the University <strong>of</strong> Kentucky and Mars Hill College. For<br />

more information visit www.markclodfelter.com.<br />

121


Mary Jo Cox received her Master <strong>of</strong> Music and Doctor <strong>of</strong> Musical<br />

Arts degrees in piano performance from the University <strong>of</strong><br />

Cincinnati College-Conservatory <strong>of</strong> Music. As a member <strong>of</strong> the<br />

Ixopo Duo, she and pianist Franklin Larey were awarded first<br />

prize in the Graves Duo-Piano Competition and were finalists in<br />

the prestigious Murray Dran<strong>of</strong>f <strong>International</strong> Duo-Piano Competition.<br />

She currently holds the position <strong>of</strong> principal keyboardist<br />

with the Midland Symphony Orchestra and is a frequent collaborative<br />

pianist for festivals and competitions throughout the<br />

United States. In addition, Cox is a frequent MTNA adjudicator<br />

and has served on the faculties <strong>of</strong> Central Michigan University<br />

and New England Music Camp.<br />

A member <strong>of</strong> the University <strong>of</strong> Georgia School <strong>of</strong> Music faculty<br />

since 2008, Brandon Craswell holds undergraduate and graduate<br />

degrees in trumpet performance from Indiana University and a<br />

Doctor <strong>of</strong> Musical Arts degree from the University <strong>of</strong> Kentucky. In<br />

demand as an orchestral musician, Craswell has performed with<br />

the Atlanta, Charleston, Indianapolis, Jacksonville, and Honolulu<br />

Symphonies, as well as the Santiago (Chile) Philharmonic. Adept<br />

at both classical and jazz, he has performed throughout the<br />

United States as well as Argentina, Austria, Brazil, Chile, Italy,<br />

and Russia.<br />

Lin Foulk is associate<br />

pr<strong>of</strong>essor <strong>of</strong> music at Western Michigan University, where<br />

she teaches horn, coaches chamber ensembles, and is a<br />

member <strong>of</strong> the Western Brass quintet. She has recently performed<br />

with Boston Brass, Monarch Brass, and the Fontana<br />

Chamber. Especially interested in music with horn by female<br />

composers, she has performed and presented lectures on<br />

works by women throughout the United States and as a<br />

guest artist at the 2004 <strong>International</strong> Horn Symposium in<br />

Valencia, Spain. She currently serves on the Board <strong>of</strong> the<br />

<strong>International</strong> Women’s Brass Conference.<br />

122


Aaron Hodgson has been praised for his “exquisite musicianship<br />

and assured composure” (Journal <strong>of</strong> the <strong>International</strong><br />

<strong>Trumpet</strong> <strong>Guild</strong>) and his “outstanding lyrical trumpet playing”<br />

(Hartford Courant). A prize-winner in Ellsworth Smith and OSM<br />

Standard Life Competitions, Aaron has been broadcast nationally<br />

by CBC Radio’s The Signal, and can be heard on Naxos and<br />

Analekta records as principal trumpet on recordings <strong>of</strong> Bach’s<br />

Magnificat, Berlioz’s Symphonic Fantastique and the complete<br />

symphonies <strong>of</strong> Beethoven and Brahms. Aaron is the founder<br />

<strong>of</strong> the Reveille <strong>Trumpet</strong> Collective and is on faculty at Western<br />

University. He holds a Doctor <strong>of</strong> Musical Arts from Yale University.<br />

Anthony B. Kirkland is assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at Mississippi<br />

State University, where he teaches applied trumpet and trumpet<br />

consort. He completed a successful career in The United States Air<br />

Force Band in Washington, D.C., in 2007. He holds a Bachelor <strong>of</strong><br />

Music Education from Troy University, a Master <strong>of</strong> Music from Florida<br />

State University, and a Doctorate in <strong>Trumpet</strong> Performance from the<br />

University <strong>of</strong> Maryland. His teachers include Bryan G<strong>of</strong>f, Phil Collins,<br />

Emerson Head, and Chris Gekker. He has published articles and<br />

reviews in the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Journal, Bandworld, and<br />

The Instrumentalist.<br />

Douglas Jurs serves as assistant pr<strong>of</strong>essor <strong>of</strong> piano and music<br />

theory at Abraham Baldwin Agricultural College in Tifton,<br />

Georgia. He has performed solo and collaborative concerts<br />

throughout the United States and Europe and serves as Artistic<br />

Director <strong>of</strong> the Blue Horse Music Festival in Woodstock,<br />

Vermont. His degrees are from the University <strong>of</strong> Wisconsin,<br />

Cleveland Institute <strong>of</strong> Music, and Indiana University Jacobs<br />

School <strong>of</strong> Music.<br />

Clayton Miranda is a Brazilian<br />

trumpet player involved with music performance and pedagogy.<br />

He is currently a Master’s student at the University <strong>of</strong> North<br />

Dakota where he studies with Dr. Ronnie Ingle. His thesis entitled<br />

“Two Brazilian <strong>Trumpet</strong> Concertos with Large Ensemble: A<br />

Modern Performance Edition <strong>of</strong> Works by Edmundo Villani-Côrtes<br />

and Jose Felipe de Carvalho Torres” is calling the attention <strong>of</strong><br />

the international trumpet community, since it is providing a new<br />

and exciting addition to the trumpet literature.<br />

123


Neil Mueller has performed concerti with the Boston Pops, the<br />

Eastern Connecticut Symphony, and Fargo-Moorhead Symphony<br />

Orchestras, the Berkshire Bach Ensemble, and Cleveland’s<br />

BlueWater Chamber Orchestra. As a freelance musician, he has<br />

performed with groups such as the Burning River Brass, the<br />

Bronx Arts Ensemble, the New Haven Symphony Orchestra, and<br />

the Marlboro Festival Orchestra. Mueller is the assistant pr<strong>of</strong>essor<br />

<strong>of</strong> trumpet at Central Michigan University and previously<br />

taught at North Dakota State University, Case Western Reserve,<br />

the University <strong>of</strong> New Hampshire, and Boston University’s Tanglewood<br />

Institute. He has also authored three duet <strong>book</strong>s based on solo trumpet literature, published<br />

by Balquhidder Music.<br />

Matthew Patnode is associate pr<strong>of</strong>essor <strong>of</strong> saxophone at<br />

North Dakota State University. He holds degrees from SUNY<br />

Potsdam, the Conservatoire de Bordeaux and Arizona State<br />

University. Dr. Patnode has performed with the Phoenix<br />

Symphony and the Fargo-Moorhead Symphony, and has performed<br />

at the <strong>conference</strong>s in the U.S., Canada and Scotland.<br />

He has been awarded the 2012 NDMEA Jazz Educator and<br />

is an instructor at the <strong>International</strong> Music Camp. He has<br />

performed in groups with Ray Charles, Wayne Newton, the<br />

Temptations, and the Four Tops, and others. He regularly performs<br />

with the Hard-Bop Saxophone Quartet, Trio Carrefour,<br />

and Post Traumatic Funk Syndrome.<br />

Marc Reed – See Performers/Presenters<br />

Raquel Rodriquez is the assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />

Northern Kentucky University. Raquel is a versatile musician<br />

having appeared as a clinician, soloist, and chamber<br />

musician throughout the United States and abroad. Raquel<br />

is the co-editor <strong>of</strong> the IWBC Newsletter and editor <strong>of</strong> the<br />

<strong>Trumpet</strong> Technology column in the ITG Journal. Raquel has<br />

been a trumpet/cornet prize winner at NABBA, the US Open<br />

Brass Band Championships, the National <strong>Trumpet</strong> Competition,<br />

and the <strong>International</strong> Women’s Brass Conference. She<br />

received her BM and MA degrees from West Texas A&M<br />

University and DMA degree at the University <strong>of</strong> North Texas.<br />

124


Amy Schendel currently plays with the Iowa Brass Quintet,<br />

Contrapunctus Brass Trio, and teaches trumpet at the University <strong>of</strong><br />

Iowa. Recent performances include the premier <strong>of</strong> Joseph Blaha’s<br />

French Suite for Brass trio, commissioned by the Contrapunctus<br />

Brass Trio, at the 2012 <strong>International</strong> Horn Symposium in Denton,<br />

Texas. Additional performances include the 2012 <strong>International</strong><br />

<strong>Trumpet</strong> <strong>Guild</strong> Conference, 2012 <strong>International</strong> Women’s Brass<br />

Conference, and the 2012 Iowa Band Master’s Association Conference.<br />

Her first solo and chamber music recording, “Full Power,”<br />

released in 2010 features Abe Lincoln’s Song Book, written by Douglas Hill for the Contrapunctus Trio<br />

with narration. www.brasstrio.com.<br />

Dr. Todd Schendel’s performance experience includes Wisconsin<br />

Chamber Orchestra, Spoleto Festival Orchestra U.S.A.,<br />

Contrapunctus Brass Trio, and playing extra and substitute<br />

for the National Repertory Orchestra, Madison Symphony,<br />

Orchestra Iowa, Quad Cities Symphony, and the Minnesota<br />

Orchestra. As soloist, Schendel has performed throughout the<br />

country including Minnesota, Wisconsin, Iowa, Illinois, Indiana,<br />

Texas, Michigan, California, and also in Germany. His performances<br />

with Contrapunctus Brass Trio include the Iowa Band<br />

Masters Association, <strong>International</strong> Women’s Brass Conference,<br />

<strong>International</strong> Horn Conference, and <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference. The trio has recently<br />

collaborated with composers Joseph Blaha, Wayne Lu, and Douglas Hill.<br />

Britton Theurer is pr<strong>of</strong>essor <strong>of</strong> music at East Carolina<br />

University where he teaches applied trumpet, coaches<br />

chamber music, and performs with the East Carolina<br />

Brass Quintet and the New Music Camerata. A performer,<br />

composer, and commissioner <strong>of</strong> new works for brass, Theurer<br />

has three compact discs, including a solo recording,<br />

“Fantasia” (Capstone Records); a recording <strong>of</strong> his composition<br />

“Hankyu Express” as soloist with Seattle Symphony,<br />

Gerard Schwarz, conducting (MMC); and a 2008 release,<br />

“Americantus,” by Meridian Arts Ensemble <strong>of</strong> his music for<br />

chamber brass (8bells). Balquhidder, Spring Tree Enterprises,<br />

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125


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126


Prelude Ensembles<br />

The Alabama <strong>Trumpet</strong> <strong>Guild</strong> Ensemble<br />

Members: Joseph Ardovino, University <strong>of</strong> Montevallo; Mark DeGoti, Auburn University; Michael Huff,<br />

Troy University; Eric Yates, University <strong>of</strong> Alabama; James Zingara, University <strong>of</strong> Alabama at<br />

Birmingham<br />

Central Michigan University<br />

Neill Mueller, director<br />

Members: Brandon Bowker, Jacob Lubbers,<br />

Jonathan Moss, Jon Ragon, James Sebring,<br />

Jared Sessink, Kyle Tomisch<br />

Central Washington University<br />

John Harbaugh, director<br />

Members: Tristan Hurd, David Hinckley,<br />

Sarah Martinson, Skyler Floe,<br />

Chelsea Blackburn, Robbie Rutherford,<br />

Braden Waddell, Brian Bull, Darin Grief, and<br />

Pavel Spichak<br />

Eastern Tennessee State University<br />

David Champouillon, director<br />

Members: Matthew Childers, Ruben Grigsby,<br />

Brandon Linkous, Justin Pearce, Tyler Robins,<br />

Ethan Tate, Dr. George Winton, Doug Zimmerman<br />

127


Conservatorio Superiode Música de Canarias / Pr<strong>of</strong>esional de Las Palmas de Gran Canaria<br />

Sebastián Gil, director<br />

Sebastián Gil, Rubén Pérez, Francisco Perara, Gabriel Cerpa, Isidro Suárez<br />

Escola Superior de Musica e Artes do<br />

Espectaculo<br />

Kevin Gerard Wauldron, director<br />

Members: Carlos Leite, Ivo Silva, Joana Bento,<br />

Joao Sousa, Leonardo Costa, Maria Helena<br />

Vieira, Rui Vidal, Sabrina Leal, Sergio Pereira,<br />

Tiago Rebelo<br />

Lynn University<br />

Marc Reese, director<br />

Members: Brian Garcia, Ricardo Chinchilla,<br />

Timothy Nemzin, Mark Poljak, Peter Smith,<br />

Marianela Cordoba, Kevin Karabell<br />

Mahidol University<br />

Joseph Bowman, director<br />

Members: Nonthawant Cheiwphimolporn, Arnon Hosakulsuwan,<br />

Kueakool Jaisom, Alongkorn Laosaichuea,<br />

Katayut Phaphong, Lalitta Pheanwirattanachai,<br />

Wannachat Sripan, Nutteraya Wibuloutai<br />

North Dakota State University<br />

Jeremy Brekke, director<br />

Members: Andrew Bergan, Amy Schaaf, Jake Olse, Eric Itzin, Logan Tretter, Taylor Pearson, Elias<br />

Youngblom, Logan Reed, Andrew Hilde, John Schreier, Ryan Barry<br />

Northeastern Illinois University<br />

Members: Robert Alonzo, Enrique Escamilla, Robert Luther, Victor Muenzer, Katie Samayoa, Gregory<br />

Strauss, Mark Toliusis<br />

128


Oklahoma State University<br />

Ryan Gardner, director<br />

Members: Cleon Chai, Nick Doutrich,<br />

Josh Funderburk, Brady Hollon, Aaron<br />

Jesen, James Marwitz, Tyler Murray,<br />

Natalie Upton<br />

Pittsburg State University<br />

Todd Hastings, director<br />

Members: Matt Carter, Zach Hatcher,<br />

Kelsey DeVore, Tom Lawlork, Dalton Williams,<br />

Wyatt Smith<br />

Southwestern Oklahoma State University<br />

Richard Turk, director<br />

Members: Anthony Bertolozzi, Brittany Carter, Jakub Chermack, Mikela Connella, Austin Hardman,<br />

Joaquin Martinez, James Mayorga, Ryan Meek, Sandra Pratt, Tommy Smith<br />

Temple University <strong>Trumpet</strong> Ensemble<br />

Eric Schweingruber, director<br />

Members: Gabrielle Kieffer, William Koehler, Jesse Morvan,<br />

Jake Rondinaro, Johnathan Shaw, Najib Wong<br />

Texas Christian University<br />

Jon Burgess, director<br />

Members: Tylar Epps, Chris Jeter, Elliot Johnston,<br />

Jesse Rajabi, Jon Skoruppa, Ethan Streeter,<br />

Chase Teague, Colt Worley<br />

129


<strong>Trumpet</strong> Mates Gang<br />

João Vilão, director<br />

Members: Adriano Franco, Daniel Tapadinhas,<br />

João Pereira, João Vilão, Nuno Silva,<br />

Pedro Silva, Ricardo Pimentel, Tiago Rocha<br />

Drummer/Conductor: Rui Lúcio<br />

University <strong>of</strong> Central Missouri<br />

Alan Wenger, director<br />

Members: Josh Anderson,<br />

Greg Blakemore, Michael Cervantes,<br />

Matthew Cook, Mark Fangman,<br />

Collin Lappert, Josh McCoy,<br />

Jacquelyn Miller, Evan Schroeder,<br />

John Starr<br />

University <strong>of</strong> Louisville<br />

Ansyn Banks and Michael Tunnel, codirectors<br />

Members: Seth Burkhardt, Nick DeJarlais,<br />

Erika Howard, David Jaffe, Nick Kaiser,<br />

Kristian Kemker, Sam Loomis, Clay Parler,<br />

Trevor Webb, Don Wood, Jon Wysong<br />

University <strong>of</strong> Miami (Ohio)<br />

James Olcott, director<br />

Members: Kathleen George,<br />

Tyler Graves, Ian Harrah, Sarah Prunty,<br />

Dylan Rhonemus, Janell Roeper,<br />

Nicholas Shirley, Ryan Steward,<br />

Ian Sugerman, Hayley Vivian,<br />

Jacob Walker, Elise Ware,<br />

Katherine Wicker<br />

130


University <strong>of</strong> North Texas Alumni Ensemble<br />

Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson, Scott Meredith,<br />

Oscar Passley, Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />

Virginia Commonwealth University<br />

Rex Richardson, director<br />

Members: Marcus Grant, Victor Haskins,<br />

Brandon Hess, Josh Murrell, Heidi Rechin,<br />

Jackson Shurlds, Olivia Sturgill, Ryan Teunis<br />

Wayne State University<br />

Mark V. Flegg and Wendy Matthews, directors<br />

Members: Jeremy Behrendt, Kevin Czarnik,<br />

Tyler Fritsch, Shane Lawrence,<br />

Nicholas LeVeck, Greg Martinez, Ionatan Pop,<br />

Mark Tellier<br />

Western Michigan University<br />

Stephen Jones, director<br />

Members: Bonni Beebe, Sean Corbitt,<br />

Mitchell Curry, Paul Hardaker, Nathaniel Patty,<br />

Adam Phillips, Adam Stowe.<br />

131


132


Amway Grand Booth<br />

Layout<br />

133


Amway Grand<br />

Floor Plan<br />

Lobby and Atrium<br />

Levels<br />

134


Amway Grand<br />

Floor Plan<br />

Concourse and Conference<br />

Levels<br />

135


Grand Rapids Map<br />

136


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138


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