PDF of full conference program book - International Trumpet Guild
PDF of full conference program book - International Trumpet Guild
PDF of full conference program book - International Trumpet Guild
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CO-HOSTS<br />
Richard Stoelzel<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong><br />
Grand Valley State University<br />
Valerie Stoelzel<br />
Concert and Arts<br />
Information Coordinator<br />
Grand Valley State University<br />
This <strong>conference</strong> is dedicated to the memory <strong>of</strong> Adolph “Bud” Herseth
The New Chicago C<br />
Realize the true<br />
potential <strong>of</strong><br />
performance<br />
www.4wrd.it/chc<br />
QUALITY . SUPPORT . PROFESSIONALISM . VALUE
38th Annual Conference <strong>of</strong> the<br />
INTERNATIONAL<br />
<strong>Trumpet</strong><br />
GUILD<br />
Table <strong>of</strong> contents<br />
5 Conference Dedication<br />
6 Welcome Letters<br />
11 ITG Award <strong>of</strong> Merit<br />
12 Conference Administration<br />
15 Exhibitors<br />
18 Conference Scholarship Winners<br />
21 Tuesday, June 11<br />
33 Wednesday, June 12<br />
49 Thursday, June 13<br />
65 Friday, June 14<br />
77 Saturday, June 15<br />
89 Biographies<br />
127 Prelude Ensembles<br />
133 Maps<br />
3
The 38th Annual Conference <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
is dedicated to the memory <strong>of</strong><br />
Adolph “Bud” Herseth<br />
Adolph “Bud” Herseth, who served the Chicago<br />
Symphony Orchestra for fifty-six years as principal<br />
trumpet (1948-2001) and principal trumpet emeritus<br />
(2001-2004), passed away on April 13, 2013, at home<br />
in Oak Park, Illinois.<br />
John von Rhein, Classical music critic <strong>of</strong> the Chicago<br />
Tribune, stated, “He was by general consent the most<br />
respected and influential orchestral trumpeter <strong>of</strong> the last<br />
half-century, and very probably the greatest. He was an<br />
inspiration to generations <strong>of</strong> brass players. He was a<br />
hero to any musician who ever struggled to master what<br />
he once called the most strenuous <strong>of</strong> instruments.”<br />
Rhein, in an article published on April 15, 2013, continued<br />
by stating, “For more than a half-century, Adolph<br />
Herseth’s distinctive sound and playing style were the<br />
bulwark <strong>of</strong> a brass section whose fabled power and<br />
brilliance have long been the sonic hallmark <strong>of</strong> the<br />
Chicago Symphony Orchestra. He was a legend, in the<br />
finest sense <strong>of</strong> that much-abused word.”<br />
Born in Minnesota, Herseth earned a degree at Luther<br />
College in Iowa. During World War II, he served as<br />
a bandsman at the pre-flight school in Iowa and at<br />
the U.S. Navy School <strong>of</strong> Music. He ended his military<br />
service with the Commander <strong>of</strong> the Philippine Sea<br />
Frontier in the South Pacific.<br />
In early 1948, Herseth was appointed to the post <strong>of</strong><br />
principal trumpet <strong>of</strong> the Chicago Symphony Orchestra.<br />
He went on to serve under five CSO music directors.<br />
Although Herseth played well over 50 solo appearances<br />
with the CSO, he always thought <strong>of</strong> himself as a<br />
symphony musician, not a solo player.<br />
Herseth was devoted to the development <strong>of</strong> the next<br />
generation <strong>of</strong> symphony orchestra musicians and<br />
gave regular seminars, coaching session, and master<br />
classes throughout Chicago and Europe.<br />
He held honorary doctor <strong>of</strong> music degrees from<br />
DePaul University, Luther College, the New England<br />
Conservatory <strong>of</strong> Music, Rosary College, and Valparaiso<br />
University. He was named ‘Instrumentalist <strong>of</strong> the Year’<br />
by Musical America in 1995, and was an honorary<br />
member <strong>of</strong> the Royal Danish <strong>Guild</strong> <strong>of</strong> <strong>Trumpet</strong>ers.<br />
In 2001, Herseth received the American Symphony<br />
Orchestra League’s Gold Baton Award, the first time<br />
the award was bestowed on an orchestral player. He<br />
was awarded an honorary membership from London’s<br />
Royal Academy <strong>of</strong> Music. In 1988, the principal<br />
trumpet chair <strong>of</strong> the Chicago Symphony Orchestra,<br />
was named after him. Upon retirement from the<br />
CSO, he received the Theodore Thomas Medallion for<br />
Distinguished Service.<br />
In a 2001 interview with John von Rhein, Herseth<br />
said, “for years I’ve been telling people I am lucky to<br />
get here, fortunate to still be here and to have had all<br />
these marvelous experiences.” He stated he would<br />
like to be remembered as “a fairly decent guy who<br />
gave it his best every time he had the chance.”<br />
Sources:<br />
Chicago Symphony Orchestra<br />
Chicago Tribune, John von Rhein, Classical Music Critic<br />
5
Welcome from Conference Host Richard Stoelzel, Pr<strong>of</strong>essor<br />
<strong>of</strong> <strong>Trumpet</strong>, Grand Valley State University<br />
Welcome to the 38th Annual Conference <strong>of</strong> the <strong>International</strong><br />
<strong>Trumpet</strong> <strong>Guild</strong>! We are excited to be able to host you<br />
here in west Michigan at the stunningly beautiful Amway<br />
Grand Plaza Hotel located in the heart <strong>of</strong> this very “cool”<br />
city on the Grand River! Grand Valley State University<br />
along with myself and my wife, Valerie, have been working<br />
diligently for the past two years to make this one <strong>of</strong> the<br />
greatest <strong>conference</strong>s to date. This year will be the first<br />
time in <strong>conference</strong> history that actual classes will be held<br />
on a daily basis. These classes, designed as teaching<br />
tools, on learning to improvise, top 10 competition solos,<br />
advanced improvisation, orchestral playing, and the physical<br />
part <strong>of</strong> trumpet playing will all be taught by some <strong>of</strong> the<br />
greatest masters <strong>of</strong> our glorious instrument. We have also<br />
commissioned composers such as Erik Morales, James<br />
Stephenson, as well as others to write new concertos for<br />
two trumpets that will be premiered at the <strong>conference</strong>.<br />
A crossover concert, which promises to be one <strong>of</strong> the<br />
greatest in <strong>conference</strong> history, will certainly be a highlight<br />
<strong>of</strong> this year’s <strong>conference</strong>. All in all, this promises to be a<br />
<strong>conference</strong> <strong>of</strong> premieres and new ideas that will continue<br />
for many future <strong>conference</strong>s.<br />
As a member <strong>of</strong> ITG for nearly 30 years, it has been one <strong>of</strong><br />
my dreams to host a <strong>conference</strong> featuring artists that have<br />
hugely influenced my career and have been my trumpet<br />
heroes, mentors and friends for a number <strong>of</strong> years.<br />
Something that I had not anticipated was the passing <strong>of</strong><br />
one <strong>of</strong> the greatest influences to trumpeters worldwide,<br />
Mr. Adolph “Bud” Herseth, to which I have decided to<br />
dedicate this <strong>conference</strong>. With the help <strong>of</strong> Grand Valley<br />
State University, we have commissioned a new work to<br />
be performed by trumpet great, Chris Martin, principal<br />
trumpet <strong>of</strong> the Chicago Symphony, which will be premiered<br />
at our <strong>conference</strong> on Saturday, June 15 in honor <strong>of</strong> Mr. Herseth.<br />
Unfortunately, the trumpet world has lost a few other<br />
hugely influential trumpeters as David Zauder, longtime<br />
member <strong>of</strong> the Cleveland Orchestra and Derek Watkins<br />
who performed on every James Bond film. This certainly<br />
causes us to be reflective at this <strong>conference</strong>, on those past<br />
players who continue to live on through the influences on<br />
each <strong>of</strong> the performers and attendees here this week.<br />
6<br />
It is my sincere hope that you will find this <strong>conference</strong> very<br />
special and take advantage <strong>of</strong> the many concerts, master<br />
classes, classes, exhibits, and the great food and beer<br />
available in this very “cool” city which has earned the title<br />
<strong>of</strong> “Beer City USA” which I believe you will find appropriate<br />
on your own, especially at the nightly Jam<br />
Sessions!<br />
I would also like to say a special thank you to<br />
our Plantinum Sponsor, Yamaha, Silver Sponsor,<br />
Warburton Music Products, and to our Lanyard<br />
Sponsor, Pickett Brass. Thank you for your<br />
sponsorships!<br />
It would be unforgiveable <strong>of</strong> me not to thank<br />
Grand Valley State University for making this<br />
<strong>conference</strong> possible and even more unforgiveable<br />
<strong>of</strong> me not to thank my lovely wife Valerie<br />
for all her incredible organizational skills (I am<br />
sure it comes as no surprise that I was not<br />
the mastermind behind any organizing) and<br />
extreme dedication and hard work to make this<br />
<strong>conference</strong> a huge success. Thanks Val…you<br />
are my Angel!<br />
Have a Great Conference!<br />
Richard Stoelzel
Welcome from Grand Valley<br />
State University’s President<br />
On behalf <strong>of</strong> the entire Grand Valley State University<br />
community, it is my distinct pleasure to welcome the<br />
2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Annual Conference<br />
to West Michigan and our beautiful city <strong>of</strong> Grand<br />
Rapids. Grand Valley State University values the opportunity<br />
to act as the host institution for this year’s<br />
event. Our university embraces the participation <strong>of</strong><br />
diverse individuals, groups, and organizations and I<br />
am privileged to extend my welcome to the members<br />
<strong>of</strong> ITG, representing pr<strong>of</strong>essional and amateur<br />
performers, teachers, students, manufacturers, and<br />
publishers from around the world.<br />
Thomas J. Haas, Ph.D.<br />
President, Grand Valley State University<br />
Dean <strong>of</strong> the College <strong>of</strong> Liberal<br />
Arts and Sciences Welcome<br />
As Dean <strong>of</strong> the College <strong>of</strong> Liberal Arts and Sciences,<br />
the largest <strong>of</strong> Grand Valley State University’s<br />
Colleges, I am thrilled to <strong>of</strong>fer our welcome to the<br />
participants and attendees <strong>of</strong> the 2013 <strong>International</strong><br />
<strong>Trumpet</strong> <strong>Guild</strong> Conference. One <strong>of</strong> my most<br />
cherished goals is to nurture partnerships with<br />
relevant external constituencies such as the ITG as<br />
you so adeptly enrich the education <strong>of</strong> our students<br />
while enhancing the quality <strong>of</strong> life for the people <strong>of</strong><br />
the region, the state, the nation, and beyond. To that<br />
end, I look forward to joining you as we enjoy the<br />
remarkable talents and music making <strong>of</strong> the many<br />
esteemed artists assembled this year.<br />
Frederick J. Antczak, Ph.D.<br />
Dean, College <strong>of</strong> Liberal Arts and Sciences<br />
Grand Valley State University<br />
7
Chair, Music and Dance Department Welcome<br />
For the next several days we will all be enjoying what promises to<br />
be an amazing week <strong>of</strong> trumpet artistry. Some <strong>of</strong> the world’s finest<br />
performers and pedagogues will be here on stage for you, making<br />
this, the 2013 Conference, one <strong>of</strong> the biggest and most successful<br />
ever. An event <strong>of</strong> this distinction and magnitude can only happen<br />
through hard work and dedication and I am extremely grateful<br />
to Rich and Valerie Stoelzel, who have given both in abundance<br />
over the past two years. Through their labors and unwavering<br />
commitment to excellence they have assembled a cast <strong>of</strong> stars,<br />
all to provide you an absolutely wonderful event. On behalf <strong>of</strong> the<br />
faculty and staff <strong>of</strong> the GVSU Department <strong>of</strong> Music and Dance, I<br />
know that you will join me in extending to them our appreciation<br />
for everything they have done to make this a truly unforgettable<br />
<strong>conference</strong>.<br />
Danny K. Phipps, D.M.A.<br />
Chair and Pr<strong>of</strong>essor, Department <strong>of</strong> Music and Dance, Grand Valley State University<br />
8<br />
Kim Dunnick, ITG President<br />
On behalf <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>, it is my great<br />
pleasure to welcome you to the 2013 ITG Conference in<br />
Grand Rapids, Michigan, hosted by Richard and Valerie<br />
Stoelzel <strong>of</strong> Grand Valley State University. Rich and Val<br />
have been working for two years to ensure the success<br />
<strong>of</strong> this event, and have created an outstanding lineup <strong>of</strong><br />
artists, both soloists and ensembles, in many different<br />
genres.<br />
ITG’s stated mission begins, “to promote communication<br />
among trumpet players around the world…” One <strong>of</strong> the<br />
terrific things about ITG <strong>conference</strong>s is the availability <strong>of</strong><br />
the artists, exhibitors, manufacturers, and the ITG <strong>of</strong>ficers<br />
and Board <strong>of</strong> Directors. Everybody here has a common<br />
interest: trumpet! So starting a conversation is quite<br />
simple. Talk to the artists, the exhibitors, the youngsters,<br />
the oldsters; chat with everybody you meet. And<br />
please chat with the board members when you encounter them. This group <strong>of</strong> dedicated trumpeters work<br />
throughout the year to keep ITG moving in the right direction and to provide leadership and oversight to the<br />
many projects and services we provide. So when you see a board member, given him or her your new idea,<br />
your complaint, or simply a thank you for serving in this unpaid capacity. And when you see Rich and Val,<br />
please let them know you appreciate the time, effort, and personal angst they have invested to present<br />
this very exciting <strong>conference</strong>.<br />
Best wishes for a great week <strong>of</strong> ITG!
Grand Valley State University<br />
Grand Valley State University is a four-year public university. It attracts nearly<br />
25,000 students with high-quality <strong>program</strong>s and state-<strong>of</strong>-the-art facilities.<br />
Grand Valley is a comprehensive university, serving students from all 83<br />
Michigan counties and dozens <strong>of</strong> other states and foreign countries. Grand<br />
Valley <strong>of</strong>fers 82 undergraduate and 30 graduate degree <strong>program</strong>s from campuses<br />
in Allendale, Grand Rapids, and Holland, and from regional centers in<br />
Muskegon and Traverse City. The university is dedicated to individual student<br />
achievement, going beyond the traditional classroom experience, with research<br />
opportunities and business partnerships.<br />
Department <strong>of</strong> Music and Dance<br />
Grand Valley State University is an accredited institutional member <strong>of</strong> the<br />
National Association <strong>of</strong> Schools <strong>of</strong> Music. Music and Dance is a department<br />
within the College <strong>of</strong> Liberal Arts and Sciences, a student-centered and diverse<br />
learning community that engages in critical inquiry, extending knowledge to<br />
enrich and enliven individual and public life. The Department <strong>of</strong> Music and<br />
Dance <strong>of</strong>fers curricula leading to the Bachelor <strong>of</strong> Arts in music, Bachelor <strong>of</strong><br />
Arts in dance, Bachelor <strong>of</strong> Music, and Bachelor <strong>of</strong> Music Education degrees.<br />
These <strong>program</strong>s present pr<strong>of</strong>essional training in the context <strong>of</strong> a broad and<br />
liberal education.<br />
Thirty-five <strong>full</strong>-time pr<strong>of</strong>essors who are also performers, international competition<br />
winners, conductors, composers, theorists, scholars, and acclaimed<br />
teachers make up the core <strong>of</strong> Grand Valley’s Music and Dance faculty. They<br />
are complemented by twenty-six adjunct faculty drawn from West Michigan’s<br />
strong pr<strong>of</strong>essional music and dance community. Our faculty provides a<br />
unique and stimulating environment for music and dance study and performance.<br />
To learn more, please visit www.gvsu.edu/music or www.gvsu.edu/dance<br />
9
2013 ITG Honorary Award Recipient<br />
Rob Roy McGregor<br />
Rob Roy McGregor retired from the Los Angeles<br />
Philharmonic in 2005 where he had played<br />
second trumpet since 1981. He was assistant<br />
principal trumpet <strong>of</strong> the Baltimore Symphony<br />
from 1970 to 1981 and prior to that attended the<br />
University <strong>of</strong> Michigan. He was also a member <strong>of</strong><br />
the United States Military Academy Band at West<br />
Point, 1967-1970.<br />
He was a founding member <strong>of</strong> Baltimore’s Pro<br />
Musica Rara, an early music ensemble playing<br />
on period instruments, and he has performed<br />
at the Castle Hill Music Festival, Marlboro<br />
Music Festival, Monadock Festival, Eastern<br />
Music Festival, the Summer Festival <strong>of</strong> Music in<br />
Anchorage, Alaska, Oregon Bach Festival, and the<br />
Bach Summer-Academy in Stuttgart, Germany<br />
(Helmuth Rilling, conductor).<br />
He has appeared in chamber music and as a<br />
soloist with the Philadelphia Concerto Soloists,<br />
Smithsonian Chamber Players, Albert Fuller’s<br />
Baroque Orchestra, Concert Royal <strong>of</strong> New York,<br />
Ars Musica <strong>of</strong> Ann Arbor, Musica Antiqua <strong>of</strong><br />
Birmingham, Alabama, and the Bach Collegium<br />
in Stuttgart. He has appeared as soloist with<br />
the Los Angeles Philharmonic and with the<br />
Summit Brass with Doc Severinsen, both at the<br />
Hollywood Bowl.<br />
McGregor recorded as principal trumpet Bach’s<br />
B minor Mass (CBS records) and numerous<br />
Bach cantatas (Hannsler Verlag) under Helmuth<br />
Rilling in Germany.<br />
During his years as an orchestral player, he also<br />
taught privately and at Towson State University,<br />
University <strong>of</strong> Southern California, California<br />
State University Long Beach, and Azusa Pacific<br />
University. He has been an ardent pupil <strong>of</strong> every<br />
student he taught.<br />
In 1991 he formed Balquhidder Music, a publishing<br />
company, that specializes in pedagogical and<br />
ensemble works for trumpet and other brass<br />
instruments. This extensive catalog can be found<br />
on the web at www.balquhiddermusic.com and is<br />
distributed by Carl Fischer Music in New York. The<br />
main purpose for this began as a vehicle to publish<br />
his four volumes <strong>of</strong> Audition and Performance<br />
Preparatin for <strong>Trumpet</strong>, which has become a<br />
respected niche in the trumpet literature. There<br />
are now over 40 authors represented in the<br />
Balquhidder Music catalog. In 2012, he founded<br />
Glen Lyons Books to publish jazz pianist Jean-<br />
Michel Pilc’s <strong>book</strong> It’s About Music; the Art and<br />
Heart <strong>of</strong> Improvisation.<br />
More than all these accomplishments, he is<br />
most proud <strong>of</strong> his family, Kazue, his wife, who<br />
is music librarian <strong>of</strong> the Los Angeles Philharmonic,<br />
Isamu, their son, is an NYU graduate<br />
jazz pianist living and working in New York City,<br />
and Misao, their daughter, who is a high school<br />
student immersed in singing and theater.<br />
11
ITG 2013 Conference<br />
Administration<br />
Richard Stoelzel, Conference Host<br />
Valerie Stoelzel, Conference Host<br />
Nicholas M. Norris, Artist Liaison<br />
Chelby Wondergem, Public Affairs Coordinator<br />
Paul D. Andrews, Facilities Director and Web<br />
Designer<br />
Nate Bliton, Technical Director<br />
Bob Nixon, Jazz Coordinator<br />
Steven Marx, Onsite Manager<br />
Rebecca Wilt, Collaborative Pianists Coordinator<br />
Jeffrey Northman, Rehearsal Coordinator<br />
W. Rod Lowe, Piano Technician<br />
Catherine Denton, Marie Barr, Assistants<br />
Janet Christensen, Volunteer Coordinator<br />
GVSU Institutional Marketing<br />
Valley Arts, LLC, Consulting<br />
2013 Conference Advisory<br />
Committee<br />
Kim Dunnick, Del Lyren, Gary Mortenson, Daniel<br />
Patrylak, Danny Phipps<br />
2013 Conference<br />
Coordinators<br />
Kelly Parkes, Ongoing Competitions Chair<br />
Jennifer Dearden, ITG Youth Competition Chair<br />
Jean Moorehead Libs, ITG 2013 Youth Day Chair<br />
Wade Weast, ITG Scholarships Chair<br />
Gabriel DiMartino, ITG Solo Competition<br />
Co-Chair, Finals<br />
SSG Kevin Maloney, <strong>Trumpet</strong>, United States Army,<br />
ITG Solo Competition Co-Chair, Finals,<br />
Chair-preliminary round<br />
Robert White, ITG Orchestral Excerpts Competition<br />
Chair<br />
12<br />
Jeff Uban, ITG Jazz Improvisation Competition<br />
Chair<br />
Rich Ilman, Exhibits Coordinator<br />
Steven Marx, <strong>Trumpet</strong> Preludes Coordinator<br />
Neil Mueller, New Works Program Coordinator<br />
Pamela Smitter, Festival <strong>of</strong> <strong>Trumpet</strong>s<br />
Coordinator<br />
2013 Staff Collaborative<br />
Pianists<br />
Rebecca Wilt, Miriam Hickman, Rachael Kerr,<br />
Rumyana Yanakieva Hoksbergen<br />
Rich and Val would like to extend<br />
special thanks to the following:<br />
Experience Grand Rapids especially Mary Mannier<br />
and Tim Nelson<br />
Amway Grand Plaza Hotel and especially David<br />
Neill<br />
Frederick Anctzak, Dean, College <strong>of</strong> Liberal Arts<br />
and Sciences, GVSU<br />
Danny K. Phipps, Chair, Department <strong>of</strong> Music and<br />
Dance, GVSU<br />
Nancy Crittenden and the entire team from GVSU<br />
Institutional Marketing<br />
Patricia Smith, GVSU University Counsel<br />
Grand Rapids Community College, Dr. Kevin<br />
Dobreff, Music Department Chair<br />
Bob Nixon and John Rutherford for coordinating<br />
jazz collaborative artists<br />
GVSU <strong>Trumpet</strong> Studio<br />
GVSU <strong>Trumpet</strong> Studio 2012 Independent Study<br />
Students: Neal Andrews, Paul Hardaker,<br />
Cassandra McDonald, Mark Petersen, and Sam<br />
Swanson<br />
Del Lyren for all <strong>of</strong> his invaluable expertise in<br />
planning this <strong>conference</strong><br />
Jens Lindemann, well, for being Jens<br />
Allison Adams and GVSU Hospitality and<br />
Tourism Program<br />
Gabriel Michael Stoelzel
<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
Mission Statement:<br />
To promote communications among trumpet players around the world and to improve the artistic<br />
level <strong>of</strong> performance, teaching, and literature associated with the trumpet.<br />
Officers<br />
President – Kim Dunnick<br />
Vice-President/President Elect – Alan Siebert<br />
Secretary – Jeffrey Piper<br />
Treasurer – Dixie Burress<br />
Past President – Kevin Eisensmith<br />
Board <strong>of</strong> Directors<br />
James Ackley, Michael Anderson (ITG Web Site Executive Director) Eric Berlin, Joseph Bowman,<br />
Dai Zhonghui, Luis Engelke, Brian Evans, Tina Erickson, Langston Fitzergerald III, Keith Johnson,<br />
Vladislav Lavrik, Gary Mortenson (Journal Editor), James Olcott, Amanda Pepping, Grant Peters,<br />
William Pfund, Judith Saxton, Neville Young.<br />
13
We’d like to thank ALL <strong>of</strong> our<br />
Conference Exhibitors!<br />
Please refer to the map in the back to location <strong>of</strong> exhibitors.<br />
PLATINUM SPONSOR:<br />
Yamaha, Pearl Room, West Concourse<br />
SILVER SPONSOR:<br />
Warburton, Ambassador Premium Booths 30 and Booth 31<br />
Lanyard Sponsor:<br />
Pickett Brass, Emerald Room<br />
A minor Tune Up Custom <strong>Trumpet</strong> Shop<br />
www.aminortuneup.com<br />
Ambassador Ballroom, Booth 38<br />
Adams Musical Instruments<br />
www.adams.nl<br />
Private Room – Plaza Boardroom A, Lobby Level,<br />
1st Floor<br />
Andreas Eastman<br />
www.eastmanmusiccompany.com<br />
Ambassador Ballroom, Booth 1<br />
Arturo Sandoval<br />
www.arturosandoval.com<br />
Center Concourse, 36<br />
Austin Custom Brass<br />
www.austincustombrass.com<br />
Private Room – Plaza Boardroom A, Lobby Level,<br />
1st Floor<br />
Balquhidder Music<br />
www.balquhiddermusic.com<br />
Center Concourse 10 and 11<br />
BERP and Company<br />
www.berp.com<br />
Ambassador Ballroom Booth 3<br />
Best Brass Corporation<br />
www.bestbrass.com<br />
Ambassador Ballroom, Premium Booth 27<br />
Blackburn <strong>Trumpet</strong>s<br />
www.blackburntrumpets@hughes.net<br />
Private Room – Emerald, West Concourse<br />
Bob Reeves Brass Mouthpieces, LLC<br />
www.bobreeves.com<br />
Ambassador Ballroom, Booths 47, 48, 49<br />
The Brass Herald<br />
www.thebrassherald.com<br />
Center Concourse 4<br />
Brasswind Research<br />
www.brasswindresearch.com<br />
Ambassador Ballroom, Premium Booth 28<br />
Braw Brass (Eclipse <strong>Trumpet</strong>s)<br />
www.brassbrass.com<br />
Ambassador Ballroom, Booth 37<br />
Bremner Music<br />
www.sshhmute.com<br />
Center Concourse 20<br />
Buffet Group USA<br />
www.buffet-group.com<br />
Ambassador Ballroom, Booths 41-44<br />
Callet <strong>Trumpet</strong>s<br />
www.callettrumpets.com<br />
Ambassador Ballroom, Booth 2<br />
Chase Sanborn/Brass Tactics<br />
www.chasesanborn.com<br />
Center Concourse, Booth 3<br />
Conn-Selmer, Inc.<br />
www.conn-selmer.com<br />
Ambassador Ballroom Premium Booths 21, 22,<br />
23<br />
15
Denis Wick Products<br />
www.deniswick.com<br />
Ottawa Room, Lobby Level 1st Floor<br />
Dillon Music<br />
www.dillonmusic.com<br />
Ambassador Ballroom, Booths 13 and 14<br />
Eclipse <strong>Trumpet</strong>s<br />
www.brawbrass.com<br />
Ambassador Ballroom, Booth 37<br />
Edwards Instruments Co.<br />
www.edwards-instruments.com<br />
Ambassador Ballroom, Booths 15 and 16<br />
Eighth Note Publications<br />
www.enpmusic.com<br />
Center Concourse, 38 and 39<br />
Facet Mutes, LLC<br />
www.facetmutes.com<br />
Ottawa Room, Lobby Level 1st Floor<br />
Fanfare Caseworks<br />
www.fanfarecaseworks.com<br />
Center Concourse, 12<br />
The Frederick Harris Music Co., Limited<br />
www.frederickharrismusic.com<br />
Center Concourse, 29<br />
Getzen Company, Inc.<br />
www.getzen.com<br />
Ambassador Ballroom Booths 17 and 18<br />
Hammond Design<br />
www.karlhammonddesign.com<br />
Ottawa Room<br />
Harrelson <strong>Trumpet</strong>s<br />
www.harrelsontrumpets.com<br />
Private Room – Ruby, West Concourse<br />
Ambassador Ballroom, Premium Booth 24<br />
Hickey’s Music Center<br />
www.hickeys.com<br />
Center Concourse, 21-27<br />
Hub van Laar <strong>Trumpet</strong>s and Flugelhorns<br />
www.vanlaartrumpets.nl<br />
Private Room – Plaza Boardroom B, Lobby<br />
Level, 1st Floor<br />
HuSonics Premium Music Products<br />
www.husonics.com<br />
Ambassador Ballroom Booths 32, 33, and 34<br />
16<br />
Jaeger Brass<br />
www.jaegerbrass.com<br />
Ottawa Room, Lobby Level, 1st Floor<br />
Jupiter Band Instruments<br />
www.jupitermusic.com<br />
Ambassador Ballroom, Booths 11 and 12<br />
Kanstul Musical Instruments, Inc.<br />
www.kanstul.com<br />
Ambassador Ballroom Booths 45 and 46<br />
Ken Larson’s BrassWerks, LLC<br />
www.brasswerks.com<br />
Ambassador Ballroom, Premium Booth 19<br />
Legends Brass<br />
www.legendsbrass.com<br />
Ambassador Ballroom, Booth 35<br />
Messina Cover<br />
www.messinacovers.net<br />
Center Concourse, 13<br />
Michael Thomas Music<br />
www.michaelthomasmusic.net<br />
Ambassador Ballroom, Booth 4<br />
P. Mauriat<br />
www.pmauriatmusic.com<br />
Ottawa Room, Lobby Level, 1st Floor<br />
National <strong>Trumpet</strong> Competition<br />
www.national trumpetcomp.org<br />
Center Course, 30<br />
Naumann <strong>Trumpet</strong>s<br />
www.naumanntrumpets.com<br />
Ottawa Room, Lobby Level, 1st Floor<br />
Pickett Brass<br />
www.pickettbrass.com<br />
Private Room – Emerald, West Concourse<br />
Pollard Water Key<br />
www.pollardwaterkey.com<br />
Center Concourse, 28<br />
Powell <strong>Trumpet</strong>s<br />
Private Room – Emerald, West Concourse<br />
www.powelltrumpets.com<br />
Pro Brass Mouthpieces<br />
www.probrass.net<br />
Ottawa Room, Lobby Level, 1st Floor<br />
Pr<strong>of</strong>essional Suite by Royalton Music Center<br />
www.royaltonmusic.com<br />
Ottawa Room, Lobby Level, 1st Floor
Puccini Cases<br />
www.puccinicase.com<br />
Center Concourse, 14<br />
Raw Brass <strong>Trumpet</strong>s<br />
www.rawbrasstrumpets.com<br />
Ambassador Ballroom, Premium Booth 29<br />
San Francisco Conservatory <strong>of</strong> Music<br />
www.sfcm.edu<br />
Center Concourse, 31<br />
S.E. Shires Co.<br />
www.seshires.com<br />
Private Room - Robinson Room<br />
East Concourse Level, 2nd Floor<br />
Ambassador Ballroom, Booth 36<br />
Schmitt Music Company<br />
www.schmittmusic.com<br />
Ambassador Ballroom, Premium Booth 26<br />
Select-A-Press<br />
www.selectapress.com<br />
Center Concourse, 2<br />
Sheet Musica<br />
www.sheetmusica.com<br />
Center Concourse, 15<br />
Schilke Music Products<br />
www.schilkemusic.com<br />
Ottawa Room, Lower Level, 1st Floor<br />
Smith-Watkins<br />
www.smithwatkins.com<br />
Ambassador Ballroom, Premium Booth 25<br />
Sonoré Pro Brass<br />
www.sonareprobrass.com<br />
Ambassador Ballroom, Premium Booths 9 and 10<br />
Stanton’s Sheet Music<br />
www.stantons.com<br />
Ambassador Ballroom, Premium Booths 39 and 40<br />
Stephenson Music<br />
www.stephensonmusic.com<br />
Center Concourse, 36, 37<br />
Stomvi, U.S.A.<br />
www.stomvi-usa.com<br />
Private Room – Riverview Room, Lobby Level,<br />
1st Floor<br />
Thompson Music Co.<br />
www.ThompsonMusic.com<br />
Private Room – Riverview Room, Lobby Level,<br />
1st Floor<br />
Tom Crown Mutes. Co/Crown Music Press<br />
www.tomcrownmutes.com<br />
Center Concourse, 32, 33, 34<br />
Triplo Press<br />
www.triplo.com<br />
Center Concourse, 2, 3<br />
TrumCor Mutes<br />
www.trumcor.com<br />
Center Concourse, 41<br />
Ultra-Pure Oils<br />
www.ultrapureoils.com<br />
Center Concourse, 40<br />
Warburton Music Products - Silver Sponsor<br />
www.warburton.com<br />
Ambassador Premium Booths 30 and 31<br />
Washington Music Center<br />
www.chucklevins.com<br />
Ambassador Ballroom, Booths 5 and 6<br />
Wave Song Press<br />
www.trumpet<strong>book</strong>.com, Center Concourse 1<br />
Wedge Mouthpieces<br />
www.wedgemouthpiece.com<br />
Ambassador Ballroom, Booths 7 and 8<br />
Woodwind & Brasswind<br />
www.wwbw.com<br />
Ambassador Ballroom, Premium Booth 20<br />
Yamaha – Platinum Sponsor<br />
www.yamaha.com<br />
Private Room – Pearl, West Concourse<br />
EXHIBIT HOURS:<br />
Wednesday, June 12: 10 a.m. – 5:00 p.m.<br />
Thursday, June 13: 9:00 a.m. – 5:00 p.m.<br />
Friday, June 14: 9:00 a.m. – 5:00 p.m.<br />
Saturday, June 15: 9:00 a.m. – 11:30 a.m.<br />
17
Conference Scholarship Winners<br />
Wade Weast, Scholarships Chair<br />
JUDGES: Mark Boren, Minot State University; Christine Carrillo, James Madison University;<br />
Jason Crafton, Virginia Tech; Michael Ellzey, University <strong>of</strong> Mississippi; Michael Hackett, University<br />
<strong>of</strong> North Carolina, Charlotte; Michael Hengst, Metropolitan State University <strong>of</strong> Denver; Ronnie Ingle,<br />
University <strong>of</strong> North Dakota; Barry Long, Bucknell University; James Moore,<br />
West Virginia Wesleyan College.<br />
Under 14 Division Scholarship Winner:<br />
Clifton Plog Memorial Fund Scholarship<br />
Forrest R. Johnston<br />
Colvin Run Elementary School<br />
Teacher: Richard Johnston<br />
14-17 Division Scholarship Winners:<br />
Pickett Brass Scholarship<br />
Brent David Proseus<br />
West Michigan Homeschool Fine Arts<br />
Teacher: Gregg Good<br />
Triplo Press Scholarship<br />
Eli Ross<br />
Southwest High School<br />
Teacher: Robert Dorer<br />
18-21 Division Scholarship Winners:<br />
Brasswerks Scholarship<br />
Carlos Leite<br />
Superior School <strong>of</strong> Music and Performing Arts<br />
– Polytechnic <strong>of</strong> Porto<br />
Teacher: Kevin Wauldron<br />
Blackburn <strong>Trumpet</strong>s Scholarship<br />
Christi Burkett<br />
Florida State University<br />
Teacher: Christopher Moore<br />
Balquhidder Music/Glen Lyon<br />
Books Scholarship<br />
Katherine Stephen<br />
Florida State University<br />
Teacher: Christopher Moore<br />
18<br />
Bob Reeves Brass Scholarship<br />
Judith Gaunt<br />
Florida State University<br />
Teacher: Christopher Moore<br />
Schmitt Music Company Scholarship<br />
Adam Mejaour<br />
University <strong>of</strong> Massachusetts Amherst<br />
Teacher: Eric Berlin<br />
Richard B. Lehman Memorial<br />
Fund Scholarship<br />
Brandon Austin<br />
Kennesaw State University<br />
Teacher: Douglas Lindsey<br />
Donald P. Bullock Memorial Fund Scholarship<br />
Nathanael Moe<br />
University <strong>of</strong> Wisconsin-Whitewater<br />
Teacher: Frank Hanson<br />
William Pfund Scholarship<br />
Joseph Goguen<br />
University <strong>of</strong> Masachusetts Amherst<br />
Teacher: Eric Berlin<br />
Gordon Mathie Scholarship<br />
Jill Stara<br />
Wayne State College<br />
Teacher: David Bohnert<br />
Bryan & Nancy G<strong>of</strong>f Scholarship<br />
Tamara Vaughn<br />
Florida State University<br />
Teacher: Christopher Moore
Buffet Group USA Scholarship<br />
Bethany Nette<br />
Yong Siew Toh Conservatory <strong>of</strong> Music,<br />
Singapore<br />
Teacher: Bill Theis<br />
Warburton Music Products Scholarship<br />
Julianna Chairez<br />
Grand Valley State University<br />
Teacher: Richard Stoelzel<br />
Bremner Music Scholarship<br />
Joseph Donohue<br />
University <strong>of</strong> Massachusetts Amherst<br />
Teacher: Eric Berlin<br />
22-24 Division Scholarship Winners:<br />
Thompson Music Co. Scholarship<br />
Jennifer Fox<br />
University <strong>of</strong> Arkansas<br />
Teacher: Richard Rulli<br />
ITG Legacy Fund Scholarship<br />
Patrick Oliverio<br />
University <strong>of</strong> Arkansas<br />
Teacher: Richard Rulli<br />
Reinold O. Schilke Memorial Scholarship<br />
Ricardo Chinchilla<br />
Lynn University<br />
Teacher: Marc Reese<br />
XO <strong>Trumpet</strong> Scholarship<br />
Timothy Nemzin<br />
Lynn University<br />
Teacher: Marc Reese<br />
Jazz Under 18 Division Scholarship<br />
Winner:<br />
Sandy Sandberg Memorial Fund Scholarship<br />
Nathan Serot<br />
Hamilton High School<br />
Teacher: James Foschia<br />
Jazz Age 18-24 Division Scholarship<br />
Winner:<br />
Keith Clark Memorial Fund Scholarship<br />
Janet Christensen<br />
Grand Valley State University<br />
Teacher: Kevin Good<br />
BERP and Co. Scholarship<br />
Brian Garcia<br />
Lynn University<br />
Teacher: Marc Reese<br />
19
Tuesday At-A-Glance Schedule<br />
(All rooms are in the Amway unless noted otherwise)<br />
_________________________________________________________________<br />
8:00 a.m. Registration Begins....................................... Center Concourse<br />
__________________________________________________________________<br />
8:30 a.m.-4:00 p.m. ITG Board Meeting........................................ Vandenberg Room<br />
__________________________________________________________________<br />
9:00 a.m.-10:00 a.m. Joseph Bowman – “Preparing for.................. Governor’s Room<br />
University Music Auditions”<br />
9:00 a.m.-11:00 a.m. Ask the Pr<strong>of</strong>essor.......................................... Cascade Room<br />
__________________________________________________________________<br />
9:30 a.m.-5:00 p.m. ITG Youth Day Competitions.......................... Imperial Ballroom<br />
__________________________________________________________________<br />
10:15 a.m.-11:45 a.m. Judith Saxton Recital..................................... Pantlind Ballroom<br />
__________________________________________________________________<br />
1:00 p.m.-2:30 p.m. Mark Inouye Recital...................................... Steelcase A, DeVos<br />
1:00 p.m.-4:00 p.m. Ask the Pr<strong>of</strong>essor.......................................... Cascade Room<br />
__________________________________________________________________<br />
2:45 p.m.-4:15 p.m. Mark Inouye Masterclass.............................. Steelcase D, DeVos<br />
2:45 p.m.-4:15 p.m. Dai Zhonghui - “Solo Literature..................... Atrium Room<br />
Preparation for Collegiate &<br />
Pr<strong>of</strong>essional Auditions<br />
__________________________________________________________________<br />
4:30 p.m.-6:00 p.m. David Hickman Clinic.................................... Pantlind Ballroom<br />
__________________________________________________________________<br />
6:00 p.m.-7:00 p.m. Meet/Greet Gathering <strong>of</strong> Comeback/............. Grandview Room<br />
Non-Pro Players<br />
__________________________________________________________________<br />
7:15 p.m.-8:45 p.m. GVSU Night <strong>of</strong> Premieres featuring................ Steelcase A, DeVos<br />
James Ackley, Jose Chafer,<br />
Rex Richardson, Richard Stoelzel<br />
and the Grand Rapids Symphonic Band,<br />
Barry D. Martin, conductor<br />
__________________________________________________________________<br />
9:00 p.m.-10:30 p.m. Grand Opening Concert featuring.................. Steelcase A, DeVos<br />
Rex Richardson, Eric Berlin,<br />
Greg Spiridopoulos, Grand Rapids<br />
Symphonic Band, Grand Rapids<br />
Jazz Orchestra<br />
__________________________________________________________________<br />
10:30 p.m. Late Night Jam Session................................. Louis Benton and LB's<br />
Lounge<br />
__________________________________________________________________<br />
21
Tuesday, June 11, 2013 – “Youth Day”,<br />
Jean Moorehead Libs, Coordinator<br />
9:00 a.m. - 10:00 a.m.<br />
Governor’s Room, Concourse Level, 2nd Floor<br />
Prelude: Mahidol University <strong>Trumpet</strong> Ensemble (MUTE), Joseph Bowman, director<br />
Members: Nonthawant Cheiwphimolporn, Arnon Hosakuluswan, Kueakool Jaisom,<br />
Alongkorn Lasoaichuea, Katayut Phaphong, Lalitta Pheanwirattanachai, Wannachat Sripan,<br />
Nutteraya Wibuloutai<br />
Maharaja Medley (World Premiere).......................................................... HM King Bhumibol Adulyadej<br />
Teangnoi/Hosakulsuwan<br />
Infinite Ascent (2008)............................................................................. Erik Morales<br />
Presentation: Joseph Bowman, Pr<strong>of</strong>essor, Mahidol University, Bangkok, Thailand -<br />
“Preparing for University Music Auditions”<br />
The goal <strong>of</strong> this presentation is to help students prepare for university music auditions, and is presented<br />
with the applied music student in mind. (An applied music student is a music performer who<br />
studies an instrument or voice, composes music or conducts an ensemble). All university <strong>program</strong>s<br />
have their own unique admission system, but most <strong>program</strong>s have admission requirements that are<br />
similar. The best qualified applicants will begin preparing for university music auditions three to four<br />
years in advance. Getting accepted to a college music <strong>program</strong> is not just about playing an instrument<br />
well. Many skills must be developed to become a “well-rounded” musician.<br />
9:00 a.m. - 11:00 a.m. and 1:00 p.m. - 4:00 p.m.<br />
Cascade Room, Atrium Level, Lower Level<br />
Ask the Pr<strong>of</strong>essor<br />
Morning Panel: Mark Dulin, Adjunct Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, Winthrop University; Steven Marx,<br />
Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, Colorado State University; Brian Shook, Assistant Pr<strong>of</strong>essor <strong>of</strong><br />
<strong>Trumpet</strong>, Lamar University; Jason Bergman, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong> Southern<br />
Mississippi.<br />
Afternoon Panel: Gordon Mathie, Pr<strong>of</strong>essor Emeritus, The Crane School <strong>of</strong> Music; Peter Wood,<br />
Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong> South Alabama; Steven Marx, Assistant Pr<strong>of</strong>essor <strong>of</strong><br />
<strong>Trumpet</strong>, Colorado State University; James Ackley, Associate Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, University <strong>of</strong><br />
South Carolina.<br />
A unique opportunity for students <strong>of</strong> all ages to seek the advice and wisdom <strong>of</strong> seasoned pr<strong>of</strong>essionals<br />
in a panel format. Students may come to either morning or afternoon sessions with their instruments<br />
for a mini lesson/coaching on specific repertoire, pedagogical concepts and career path choices. Attend<br />
with a group or by yourself, our nationally recognized and distinguished Pr<strong>of</strong>essors will educate you.<br />
23
9:30 a.m. - 5:00 p.m.<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Youth Competition, Jennifer Dearden, chair<br />
Rachael Kerr, piano (under 14 Division)<br />
Rumyana Yanakieva Hoksbergen, piano (Under 18 Division)<br />
Under 14 Participants<br />
Forrest Johnston; Colvin Run Elementary School; Private Teacher: Richard Johnston<br />
Bradley Swanson; Private Teacher: Bill Pfund<br />
Connor Wright; Clague Middle School, Private Teacher: Jay MacArthur<br />
Under 14 Division Competition Judges:<br />
Scott Meredith, University <strong>of</strong> Wyoming<br />
Marc Reese, Lynn University<br />
Erin Yanacek, Carnegie Mellon University<br />
Under 18 Participants<br />
Bradley Arnold; Fraser High School; Private Teacher: Raymond Oset<br />
Eli Ross; Southwest High School; Private Teacher: Robert Dorer<br />
Nathanael Schatz; Private Teacher: James Sherry<br />
Adam Schwab; Huron High School; Private Teacher: Jean Libs<br />
Sierra Jo Stan; Blair High School; Private Teacher: Jeff Mount<br />
Under 18 Division Competition Judges:<br />
Jason Bergman, University <strong>of</strong> Southern Mississippi<br />
Beth Schneller Freelance <strong>Trumpet</strong> Artist<br />
Brian Shook, Lamar University<br />
24
10:15 a.m. - 11:45 a.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
Prelude: Oklahoma State University <strong>Trumpet</strong> Ensemble, Ryan Gardner, director<br />
Members: Cleon Chai, Nick Doutrich, Josh Funderburk, Brady Hollon, Aaron Jensen, James Marwitz,<br />
Tyler Murray, Natalie Upton<br />
Poet and Peasant Overture.............................................................. Franz von Suppe (1815-1895)<br />
arr. Matt Barker<br />
Recital: Judith Saxton,<br />
Pr<strong>of</strong>essor, University <strong>of</strong> North Carolina School <strong>of</strong> the Arts<br />
Miriam Hickman, piano<br />
<strong>Trumpet</strong> Tunes: The Global Collection<br />
Premier Solo de Concert................................................................... Paul Rougnon (1846-1934)<br />
France<br />
Andante .......................................................................................... Rudolf Svirskii<br />
Soviet Union<br />
Concertino for trumpet and piano..................................................... Jan Koetsier (1911-2006)<br />
Allegro non tanto<br />
Netherlands<br />
Andante doloroso<br />
Allegro molto<br />
Intermission<br />
Concertino........................................................................................ Maurice C. Whitney (1909-1984)<br />
Allegro non troppo<br />
U.S.A.<br />
Lento<br />
Allegro scherzando<br />
Concertino........................................................................................ Ennio Porrino (1910-1959)<br />
Italy<br />
Serenade.......................................................................................... Brendan Collins (b. 1963)<br />
Australia<br />
25
1:00 p.m. - 2:45 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Prelude: Southwestern Oklahoma State University, Richard Turk, director<br />
Members: Anthony Bertolozzi, Brittany Carter, Jakub Chermack, Mikela Connella, Austin Hardman,<br />
Joaquin Martinez, James Mayorga, Ryan Meek, Sandra Pratt, Tommy Smith<br />
Prelude and Fugue............................................................................ Eric Ewazen<br />
Within Sacred Walls......................................................................... Erik Morales<br />
Recital: Mark Inouye,<br />
Principal <strong>Trumpet</strong>, San Francisco Symphony<br />
Rebecca Wilt, piano,<br />
Robin Connell, piano; Joe Opera, bass; Evan Hyde, drums<br />
Brèves Recontres............................................................................. Jacques Castérède (b. 1926)<br />
Divertissement<br />
Pavane<br />
Scherzo<br />
Romance.......................................................................................... Robert Schumann (1810-1850)<br />
Concerto in E minor.......................................................................... Georg Phillip Telemann<br />
Andante (1681-1767)<br />
Allegro molto<br />
Andante poco lento<br />
Allegro Vivace<br />
Intermission<br />
Recorda-Me..................................................................................... Joe Henderson<br />
My Funny Valentine.......................................................................... Rodgers & Hart/arr. Inouye<br />
Cinderella......................................................................................... Mark Inouye<br />
Tribute to Beaky................................................................................ Mark Inouye<br />
26
2:45 p.m. - 4:15 p.m.,<br />
Steelcase Ballroom “D”, DeVos Place<br />
Masterclass: Mark Inouye,<br />
Principal <strong>Trumpet</strong>, San Francisco Symphony<br />
2:45 p.m. - 4:15 p.m.,<br />
Atrium Room, Atrium Lower Level<br />
Presentation: Dai Zhonghui,<br />
Pr<strong>of</strong>essor, Central Conservatory <strong>of</strong> Music, Beijing, China<br />
Solo Literature Preparation for Collegiate and Pr<strong>of</strong>essional Auditions<br />
<strong>International</strong>ly recognized performer and pedagogue Pr<strong>of</strong>essor Dai Zhonghui’s session will include a<br />
variety <strong>of</strong> strategies for preparation as well as recommended literature for auditions and competitions.<br />
Students are welcome to bring performance ready materials for evaluation and critique by<br />
Pr<strong>of</strong>essor Dai.<br />
4:30 p.m. - 6:00 p.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
Presentation: David Hickman, Regents’ Pr<strong>of</strong>essor, Arizona State University<br />
<strong>Trumpet</strong> Greats: Little Known and Interesting Facts About The People Who Helped Shape Our<br />
Pr<strong>of</strong>ession<br />
6:00 p.m. - 7:00 p.m.,<br />
Grandview, Conference Level, 3rd Floor<br />
Meet/Greet Gathering <strong>of</strong> the Comeback/Non-Pro Players<br />
The “Non-Pro Players” Committee represents the interests <strong>of</strong> trumpet players who do not derive the<br />
major portion <strong>of</strong> their income from performing or teaching trumpet.<br />
Is this your first ITG Conference? Have you been to a <strong>conference</strong> in the past and would like to reacquaint<br />
yourself with old friends from the Comeback/Non-Pro Players Group? If so, please plan to<br />
attend the first ever Meet and Greet Gathering. Food may be purchased.<br />
27
7:15 p.m., Steelcase Ballroom “A”, DeVos Place<br />
Concert: GVSU Night <strong>of</strong> Premieres<br />
featuring the Grand Rapids Symphonic Band, Barry D. Martin, Conductor<br />
Beer City Fanfare...........................................................................Adam Cuthbert<br />
David Koch, Ryan Gilbert, Kevin Gebo, Kevin Maloney<br />
Festive Overture, Op. 96................................................................Dmitri Shostakovich (1906-1975)<br />
Grand Rapids Symphonic Band<br />
Ballade for a Ceremony.................................................................Eric Ewazen (b. 1954)<br />
arr. James Stephenson/<br />
Adam Cuthbert<br />
Richard Stoelzel and Hunter Eberly<br />
Concerto for Two <strong>Trumpet</strong>s and......................................................Erik Morales (b. 1966)<br />
Wind Ensemble (2013)<br />
James Ackley and Richard Stoelzel, trumpets<br />
Pines <strong>of</strong> the Appian Way................................................................Ottorino Respighi<br />
arr. Curnow<br />
Grand Rapids Symphonic Band<br />
A Little R&R” for Two <strong>Trumpet</strong>s and...............................................James Stephenson (b. 1969)<br />
Wind Ensemble (2013)<br />
Commissioned by Grand Valley State University for the<br />
2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference<br />
Rex Richardson and Richard Stoelzel, trumpets<br />
Concertino de los Filabres, Op. 54 (2012-2013)............................ Javier Pérez Garrido (b. 1985)<br />
Commissioned by José Chafer for the 2013 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference<br />
James Ackley, Jose Chafer Mompo, Richard Stoelzel, and Rex Richardson, trumpets<br />
28
9:00 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Prelude: Virginia Commonwealth University <strong>Trumpet</strong> Ensemble, Rex Richardson, director<br />
Members: Marcus Grant, Victor Haskins, Brandon Hess, Josh Murrell, Heidi Rechlin,<br />
Jackson Shurlds, Olivia Sturgill, Ryan Teunis<br />
Symphony in C Minor, Mvt 1.................................................................... Ludwig Van Beethoven<br />
arr. Marcus Grand<br />
Grand Opening Concert featuring REX RICHARDSON, Yamaha Performing Artist,<br />
ERIC BERLIN and GREGORY SPIRIDOPOULOS<br />
Grand Rapids Symphonic Band<br />
Barry D. Martin, conductor<br />
James Stephenson, guest conductor<br />
Grand Rapids Jazz Orchestra<br />
Doug Richards, guest conductor<br />
Continuum for <strong>Trumpet</strong> and Trombone and Wind Ensemble...................... Jeffrey Holmes<br />
Eric Berlin, trumpet, and Gregory Spiridopoulos, trombone<br />
Grand Rapids Symphonic Band<br />
Barry D. Martin, conductor<br />
Concerto No. 2 for <strong>Trumpet</strong> and Wind Ensemble (“Rextreme”)................. James Stephenson (b. 1969)<br />
Rex Richardson, trumpet<br />
Grand Rapids Symphonic Band<br />
James Stephenson, conductor<br />
Intermission<br />
Dukal Bugles for <strong>Trumpet</strong> and Jazz Orchestra.......................................... Doug Richards<br />
Rex Richardson, trumpet<br />
Grand Rapids Jazz Orchestra<br />
Doug Richards, conductor<br />
Rex Richardson’s performance is sponsored in part by Yamaha<br />
29
Grand Rapids Symphonic Band<br />
Barry D. Martin, conductor<br />
Piccolo<br />
Susan Ashbaugh<br />
Flute<br />
Linda Howard<br />
Amy DeBoer<br />
Tim Priest<br />
Melissa Massingill<br />
Barb Gillan<br />
Katie Pinder<br />
Renae Stritzinger<br />
Oboe<br />
Cassandra Negron<br />
Alexandra Renny<br />
Ann Isaacson<br />
English Horn<br />
Alexandra Renny<br />
Bassoon<br />
Ruth Wilson<br />
Rebecca Durbin<br />
Al Steuer<br />
Clarinet<br />
Adam Brennan<br />
Claire Zavolta<br />
Whitney Brainard<br />
Keith Hudson<br />
Mike Rizzo<br />
Adam Hendry<br />
Amanda Macleod<br />
Cori TerKeurst<br />
Joanna Kebes<br />
Bass Clarinet<br />
Whitney Brainard<br />
Gary Wakenhut<br />
Alto Saxophone<br />
Bryan Bredwell<br />
Lisa Keeney<br />
Andrea Voulgaris<br />
Tenor Saxophone<br />
Tobias Hutchins<br />
Baritone Saxophone<br />
Michael Rambat<br />
<strong>Trumpet</strong><br />
David Koch<br />
Kent Boulton<br />
Robert Van Sprange<br />
Ryan Gilbert<br />
Matt Elzinga<br />
Chris Rajah<br />
Timothy Smith<br />
William Vanderploeg<br />
Arthur Vanden Wyngaard<br />
Horn<br />
Fred Gordon<br />
Becky Buyze<br />
Jenelle Buehner<br />
Rachelle Swank<br />
Penny Daab Cushway<br />
Blake Moe<br />
Susan Wygmans<br />
Trombone<br />
Ryan Broome<br />
Chris Petersmark<br />
Andrea Mack<br />
Dean Gorsuch<br />
Bill Smith<br />
Bass Trombone<br />
Trevor Trudeau<br />
Euphonium<br />
Edward Mallett<br />
Bob Persky<br />
Erin Doughty<br />
Tuba<br />
Timothy Cary<br />
Tanner Vermeer<br />
Robert Ryan<br />
Lukas Schroeder<br />
Alford Kaufman<br />
String Bass<br />
Dana Wygmans<br />
Piano/Celesta<br />
Chris Petersmark<br />
Percussion<br />
Sarek Buchan<br />
Josh Dreyer<br />
Bailey Groendyke<br />
Trevor Kline<br />
Wade Selkirk<br />
Gabriel Stoelzel<br />
Ned Vanderploeg<br />
Dana Wygmans<br />
30
Grand Rapids Jazz Orchestra<br />
Saxophone<br />
Bob Nixon<br />
Mike Lutley<br />
Greg Marsden<br />
Jonathan Nichol<br />
Gary McCourry<br />
<strong>Trumpet</strong><br />
Dave Wells<br />
Jim Sawyer<br />
Taylor Barnett<br />
Rob Warmels<br />
Trombone<br />
Mike Mcleod<br />
Paul Brewer<br />
Bob Taylor<br />
Paul Keen<br />
Rhythm<br />
Steve Talaga, piano<br />
Tom Lockwood, bass<br />
Tim Froncek, drums<br />
10:30 p.m.,<br />
Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />
Late Night Jam Session hosted by Jeff Uban<br />
31
Wednesday At-A-Glance Schedule<br />
(All rooms are in the Amway unless otherwise noted)<br />
__________________________________________________________________<br />
7:30 a.m. - 8:15 a.m. Warm-Up: Ge<strong>of</strong>frey Shamu, “Warm-Up Routines..... Vandenberg Room<br />
<strong>of</strong> Merri Franquin & Pierre Thibaud”<br />
__________________________________________________________________<br />
8:30 a.m. - 10:00 a.m. ITG Goes to Class<br />
Advanced Jazz Playing for the Crossover................. Cascade Room<br />
Artist (Rex Richardson)<br />
Jazz for the Orchestral Musician (Bill Lucas)........... Vandenberg Room<br />
Orchestral Class (Craig Morris)............................... Imperial Ballroom<br />
The Physical Part <strong>of</strong> Playing.................................... Atrium Room<br />
(Vincent DiMartino)<br />
Solo Class (David Hickman).................................... Pantlind Ballroom<br />
__________________________________________________________________<br />
10:00 a.m. - 5:00 p.m. Exhibits Open!......................................................... Ambassador<br />
Ballroom, Center<br />
Concourse, Private<br />
Rooms<br />
__________________________________________________________________<br />
10:15 a.m. - 11:45 a.m. Daniel Patrylak – “The Eastman Brass................... Governor’s Room<br />
Quintet”<br />
10:15 a.m. - 11:45 a.m. ITG Solo Competition............................................... Pantlind Ballroom<br />
10:15 a.m. - 11:45 a.m. Rich Illman – “<strong>Trumpet</strong> Under The Stars”............... Grand Rapids<br />
Planetarium<br />
__________________________________________________________________<br />
12:00 p.m. - 1:00 p.m. Exhibit Hour............................................................ Ambassador<br />
Ballroom, Center<br />
Concourse, Private<br />
Rooms<br />
Please be sure to visit the private rooms on the 1st Floor Lower Level and 2nd Floor Concourse Level<br />
__________________________________________________________________<br />
1:00 p.m. - 2:30 p.m. James Olcott - Non-Pro Players/............................. Imperial Ballroom<br />
Comeback Players Master Class<br />
1:00 p.m. - 2:30 p.m. The Music <strong>of</strong> Erik Morales and................................ Steelcase Ballroom D,<br />
James Stephenson.................................................. DeVos Place<br />
__________________________________________________________________<br />
33
__________________________________________________________________<br />
2:45 p.m. - 4:15 p.m. Dodworth Saxhorn Band.......................................... Steelcase Ballroom<br />
“A”, DeVos Place<br />
*Brandon Ridenour & Rich Ridenour....................... St. Mark’s Episcopal<br />
“<strong>Trumpet</strong> Invasion” Recital<br />
Church<br />
James Stephenson’s The Devil’s Tale...................... Pantlind Ballroom<br />
__________________________________________________________________<br />
4:00 p.m. - 6:00 p.m. Crossover Concert featuring Vincent DiMartino,....... Steelcase Ballroom<br />
Jens Lindemann, Bill Lucas, Adam Rapa, “D”, DeVos Place<br />
Allen Vizzutti<br />
__________________________________________________________________<br />
7:15 p.m. Thomas Hooten Recital........................................... Steelcase Ballroom<br />
“A” DeVos Place<br />
__________________________________________________________________<br />
9:00 p.m. Adam Rapa Concert with Miriam Hickman, ............ Steelcase Ballroom<br />
piano, and the Michigan Jazz Educators<br />
“A”, DeVos Place<br />
Big Band<br />
__________________________________________________________________<br />
10:30 p.m. Late Night Jam Session........................................... Louis Benton and<br />
LB’s Lounge<br />
__________________________________________________________________<br />
* See map page 136<br />
34
Wednesday, June 12, 2013<br />
(All rooms are in the Amway unless noted otherwise)<br />
7:30 a.m. - 8:15 a.m., Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Warm-Up Session: Ge<strong>of</strong>frey Shamu, Shires <strong>Trumpet</strong> Artist –<br />
“The Warm-Up Routines <strong>of</strong> Merri Franquin & Pierre Thibaud”<br />
8:30 a.m. - 10:00 a.m.<br />
ITG GOES TO CLASS (open to all, pre-registration required)<br />
Advanced Jazz Playing (Rex Richardson).............. Cascade Room, Atrium Lower Level<br />
Jazz for the Orchestral Musician (Bill Lucas)........ Vandenberg, Concourse Level 2nd Floor<br />
Orchestra Class (Craig Morris)............................. Imperial Ballroom, Lobby Level 1st Floor<br />
The Physical Part <strong>of</strong> Playing................................. Atrium Room, Lower Level<br />
(Vincent DiMartino)<br />
Solo Class (David Hickman)................................. Pantlind Ballroom, Concourse Level, 2nd Floor<br />
EXHIBITS OPEN<br />
10:00 a.m. - 5:00 p.m.,<br />
Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />
Level 2nd Floor<br />
Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />
Ruby (Harrelson), Robinson Room (S.E. Shires)<br />
Lower Level 1st floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams Musical<br />
Instruments and Austin Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />
Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat,<br />
Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />
35
10:15 a.m. - 11:45 a.m.,<br />
Governor’s Room, Concourse Level, 2nd Floor<br />
Presentation: Daniel Patrylak, Pr<strong>of</strong>essor Emeritus, The University <strong>of</strong> Connecticut –<br />
The Eastman Brass Quintet: 1962-1975<br />
“Innovations in Brass Quintet Concepts”<br />
10:15 a.m. - 11:45 a.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
ITG Solo Competition<br />
Rachael Kerr, piano<br />
Gabriel DiMartino, Solo Competition Finals Co-Chair – Syracuse University<br />
SSG Kevin Maloney, United States Army, Solo Competition Co-Chair & Preliminaries Chair,<br />
Finalists:<br />
Ricardo Samuel Pinto Matos – Escola Superior de Artes Aplicadas; Student <strong>of</strong> Antonio Miguel<br />
Camolas Quitalo<br />
Wen Rong Lau – Yong Siew Toh Conservatory <strong>of</strong> Music; Student <strong>of</strong> William Theis<br />
Jared Sessink – Central Michigan University; Student <strong>of</strong> Neil Mueller<br />
Preliminary Judges:<br />
Karen Bliznik, Principal <strong>Trumpet</strong>, Santa Fe Opera<br />
Chris Carillo, Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>, James Madison University<br />
SSG Kevin Gebo, <strong>Trumpet</strong>, United States Army<br />
Finals Judges:<br />
Stephen Burns, Fulcrum Point New Music Project, Yamaha Performing Artist<br />
Thomas Hooten, Principal <strong>Trumpet</strong>, Los Angeles Philharmonic, Yamaha Performing Artist<br />
Jens Lindemann, <strong>International</strong> Soloist, Yamaha Performing Artist<br />
36
10:15 a.m. - 11:45 a.m.<br />
Roger B. Chaffee Planetarium, Grand Rapids Public Museum, 272 Pearl Street NW<br />
Multi-Media Presentation: Rich Illman, Pr<strong>of</strong>essor, Michigan State University –<br />
“<strong>Trumpet</strong> Under the Stars”<br />
with the Michigan State University <strong>Trumpet</strong> Studio:<br />
Nate Bean, Jacob Bender, Carlot Dorve, Stephanie Erspamer, Perry Holmes, Chris Howe, Ross Huber,<br />
Matthew Kay, Andrew Keiser, David Lea, Jonah Meltzer, Emily Northrop, TJ Perry, John Pohland,<br />
Pamela Smitter, Rachel Stevens, Ross Turner, Sam VanDyke, Jessi Walsh, Colin White, Jimmy Yuhas<br />
Rich Illman, conductor<br />
This concert is sponsored in part by a generous donation<br />
by Michigan State University College <strong>of</strong> Music<br />
ZaraStars (2013) – World Premier...................................................... Richard Strauss, John Williams<br />
arr. Rich Illman<br />
Visuals by John French<br />
Fanfare for the Universe (2012)......................................................... Rich Illman<br />
Visuals by John French<br />
The Heavens Proclaim (2012)............................................................ Nicole Piunno<br />
Visuals by Rich Illman<br />
Mobius Invasion (2013) – World Premier........................................... Charles Wolschon<br />
Visuals by Digistar<br />
5 Grooves for Ten <strong>Trumpet</strong>s (2013) – World Premier........................... Charles Ruggiero<br />
Visuals by Charles Ruggiero<br />
Within Sacred Walls (2011)................................................................ Erik Morales<br />
Visuals by Rich Illman<br />
Fanfare for the Uncommon Woman No. 5 (1993)................................ Joan Tower<br />
Visuals by Rich Illman<br />
Stephanie Erspamer, Perry Holmes, Emily Northrop, Rachel Stevens, Jessi Walsh<br />
Pamela Smitter, conductor<br />
Blues for the Common Man (1994)..................................................... Rich Illman<br />
Visuals by Rich Illman<br />
Program Notes by Rich Illman<br />
This concert will be a multi-media presentation, with visuals to include Powerpoint slide shows,<br />
computer generated graphics, Digistar generated images, and videos taken from various sources<br />
combined specifically for this concert. The audio portion <strong>of</strong> the concert will be a combination <strong>of</strong> live,<br />
acoustic trumpet sounds, digitally altered trumpet sounds (using a digital effects processor), computer<br />
generated tracks (generally with sampled sounds), synthesizer sequences, and a few surprises.<br />
All <strong>of</strong> the World Premier pieces were written specifically to be performed in a planetarium with its<br />
unique acoustical environment and its antiphonal setup. Fanfare for the Universe and The Heavens<br />
Proclaim were both written for a planetarium concert in 2012 and have the same considerations<br />
throughout. The visuals for Within Sacred Walls and Fanfare for the Uncommon Woman were created<br />
from images available on the Internet and can be obtained in Powerpoint format from Rich Illman.<br />
37
12:00 - 1:00 p.m. Exhibit Hour<br />
Ambassador Ballroom, Center Concourse Lobby, Private Rooms<br />
1:00 p.m. - 2:30 p.m.<br />
Steelcase Ballroom “D”, DeVos Place<br />
Prelude: Central Washington University <strong>Trumpet</strong> Ensemble, John Harbaugh, director<br />
Members: Tristan Hurd, Darin Greif, Pavel Spichak, Braden Waddell, Skyler Floe<br />
Music for 5 <strong>Trumpet</strong>s (III Finale)............................................................................. Verne Reynolds<br />
Goodbye Pork Pie Hat............................................................................................. Mingus/Anderson<br />
Metallic Fury.......................................................................................................... Erik Morales<br />
Recital:<br />
The Music <strong>of</strong> Erik Morales<br />
and James Stephenson<br />
Rebecca Wilt, piano; Robert Conway, piano;<br />
Kimberly Kaloyanides Kennedy, violin<br />
Bagatelle (Written for Marc Reese)......................................................................... James Stephenson<br />
Kevin Gebo, trumpet, and Rebecca Wilt, piano<br />
Passion Dance....................................................................................................... Erik Morales<br />
(Commissioned by Richard Stoelzel for the Aries Trio)<br />
Hunter Eberly, trumpet; Kimberly Kaloyanides Kennedy, violin;<br />
and Robert Conway, piano<br />
Remember Forward (Written for Bob Sullivan)........................................................ Stephenson<br />
Marc Reese, trumpet, and Rebecca Wilt, piano<br />
38
X1.......................................................................................................................... Morales<br />
(Commissioned & premiered by the Grand Valley State University <strong>Trumpet</strong> Ensemble)<br />
Grand Valley State University Alumni <strong>Trumpet</strong> Ensemble<br />
Hunter Eberly, Steven Marx, Jeff Uban, Kim Eberly, and Jeff Lewandowski<br />
Fantasie................................................................................................................. Stephenson<br />
(Commissioned by Paul Merkelo)<br />
Jeffrey Work, trumpet, and Rebecca Wilt, piano<br />
Concerto for <strong>Trumpet</strong> in C and Piano....................................................................... Morales<br />
(Commissioned & Premiered by Richard Stoelzel)<br />
Alex Wilson, trumpet, and Rebecca Wilt, piano<br />
La Viaggio Vita........................................................................................................ Stephenson<br />
(Commissioned by Valerie Stoelzel in celebration <strong>of</strong> 20 years<br />
<strong>of</strong> marriage to Richard Stoelzel)<br />
Courtship<br />
Romance<br />
Life<br />
Bill Lucas, trumpet; Kimberly Kaloyanides Kennedy, violin; and Robert Conway, piano<br />
Sonata................................................................................................................... Stephenson<br />
(Commissioned by Richard Stoelzel)<br />
Hunter Eberly, trumpet, and Robert Conway, piano<br />
Infinite Ascent........................................................................................................ Morales<br />
Drum and Brass<br />
Richard Stoelzel, Slawomir Cichor, Jose Chafer, Rex Richardson,<br />
Alex Wilson, Kevin Gebo, Kevin Maloney, Vincent DiMartino<br />
39
1:00 p.m. - 2:30 p.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Non-Pro Players/Comeback Players Master Class: James Olcott, Pr<strong>of</strong>essor, Miami<br />
University – “From the Heart”<br />
Intended for comeback players, topics for analysis and discussion will stem from performances by,<br />
and questions from, audience participants. Of particular interest will be aspects surrounding “playing<br />
from the heart,” what the term implies and what it takes, physically, psychologically, and emotionally,<br />
to stir listeners.<br />
40
2:45 p.m. - 4:15 p.m.,<br />
St. Mark’s Episcopal Church, 134 Division Avenue North<br />
Prelude: Northeastern Illinois University <strong>Trumpet</strong> Ensemble<br />
Members: Robert Alonzo, Enrique Escamilla, Robert Luther, Victor Muenzer, Katie Samayoa, Gregory<br />
Strauss, Mark Toliusis<br />
Concertino Piccolo, Op. 101 (1985)......................................................Jan Koetsier (1911-2006)<br />
Andante Maestoso-Allegro-Andante Maestoso<br />
Andante Cantabile<br />
Allegro Molto Vivace-Vivo<br />
Recital: Brandon Ridenour, trumpet, and Rich Ridenour, piano<br />
<strong>Trumpet</strong> Invasion<br />
Carnival <strong>of</strong> Venice.................................................................................Del Staigers<br />
Girl with the Flaxen Hair.......................................................................Claude Debussy (1862-1918)<br />
6 Romanian Folk Dances......................................................................Béla Bartók (1881-1945)<br />
Maple Leaf Rag....................................................................................Scott Joplin (1867-1917)<br />
March – The Love <strong>of</strong> Three Oranges.....................................................Sergei Prok<strong>of</strong>iev (1891-1953)<br />
Adios Nonino........................................................................................Astor Piazzolla (1921-1992)<br />
My Basin Street....................................................................................Williams<br />
Intermission<br />
Three Preludes.....................................................................................George Gershwin (1898-1937)<br />
Allegro ben ritmato e deciso<br />
Andante con moto<br />
Allegro ben ritmato e deciso<br />
Habanera.............................................................................................Maurice Ravel (1875-1937)<br />
America....................................................................................................Leonard Bernstein (1918-1990)<br />
Amazing Gifts.......................................................................................Trad./Shaker<br />
Rhapsody in Blue.................................................................................George Gershwin<br />
41
2:45 p.m. - 4:15 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Concert: Dodworth Saxhorn Band<br />
Introduction<br />
The Star Spangled Banner<br />
The Life <strong>of</strong> a Civil War Soldier<br />
The Battle <strong>of</strong> Inkerman<br />
The Raw Recruit Quadrille<br />
Grand March- The Sultan<br />
Mother Kissed Me in My Dream<br />
The Soldiers Return March<br />
Bugle Calls:<br />
Reveille, Attention, Assembly, Right, Forward, Retreat,<br />
Commence Fire, Cease Fire, Tattoo, Taps<br />
Maggie By My Side Quickstep<br />
Dodworth Reminiscences<br />
Kreischutz Quickstep<br />
Eine Kleine Nachtmusik-Serenade in G<br />
Concerto for <strong>Trumpet</strong> – Rondo<br />
Then You’ll Remember Me<br />
Light <strong>of</strong> Other Days<br />
Viva L’America<br />
The Post Horn Galop<br />
Meet the Band<br />
Americus Quickstep<br />
Yankee Doodle<br />
42
2:45 p.m. - 4:15 p.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
The Devil’s Tale<br />
a sequel to Stravinsky’s L’histoire du soldat – Michigan regional premiere!<br />
Music and Libretto by James M. Stephenson<br />
Setting: Las Vegas and Tulsa,OK<br />
Characters:<br />
Joe – pit-orchestra musician, later disguised as casino owner<br />
Hannah – showgirl<br />
Sam (devil) – blackjack dealer, street sign ad-man, furs store owner, Vegas Agent<br />
Ensemble:<br />
Mike Fansler, conductor Matt Bean, narrator Sally Stephenson, violin<br />
Eric Ginsberg, clarinet Douglas Huff, bassoon Bruce Briney, trumpet<br />
John Mindeman, trombone Matthew Hughes, contrabass Rick Kurasz, percussion<br />
Part I:<br />
Joe wakes up from a dream (L’histoire). He’s in a Vegas hotel room, with girlfriend Hannah. He’s<br />
playing for a premiering new show, also featuring Hannah as showgirl. Hannah desperately wants to<br />
leave Vegas, to return to Tulsa, OK, for the simpler life.<br />
On the way to rehearsal, Joe passes by Sam, the blackjack dealer, who hopes someday to become<br />
a casino owner. Sam is also Hannah’s agent, but knows <strong>of</strong> their desire to leave. Sam reminds Joe,<br />
a reformed gambler, <strong>of</strong> a deal: play another game <strong>of</strong> cards with him, and if Joe wins, he can leave<br />
Vegas with Hannah. If he loses, Joe must leave along, without Hannah. Joe agrees.<br />
In the meantime, Joe devises a plan with Hannah. Joe will purposely lose the card-game, but that night<br />
during the show, she will (falsely) injure herself in the big dance number, so that Sam will no longer have<br />
use for her, and they can go home to Tulsa. The scheme works: Joe and Sam play cards (Joe loses);<br />
Hannah “injures” herself and Sam declares her useless. Joe and Hannah leave together for Tulsa.<br />
Part II:<br />
Back in Tulsa now. Time has passed. Joe is getting bored with Tulsa life. Sam (disguised as a fur<br />
salesman) <strong>of</strong>fers a deal from his store: buy furs and get free tickets to Vegas. Joe convinces Hannah<br />
to take the deal. Hannah, now reminiscing about Vegas a little, is left alone, and is approached by<br />
Sam, now disguised as a Vegas agent. He <strong>of</strong>fers her a well-paid starring role in a new show, and<br />
Hannah – obviously flattered – accepts, and they leave immediately, leaving Joe behind.<br />
Joe then returns to Vegas to try to win Hannah back. Musicians have black-listed him, since he<br />
quit the show. Joe disguises himself as a casino owner, and challenges Sam to another card game.<br />
Repeatedly losing, he <strong>of</strong>fers the greedy Sam keys to the casino if he loses again. He loses, and Sam<br />
immediately runs to what he thinks is his new <strong>of</strong>fice. The keys don’t work, <strong>of</strong> course, and security<br />
being what it is in a casino, Sam is immediately apprehended by police, and is taken away.<br />
Joe and Hannah are together again, and leave Vegas on the road back home to Tulsa, which is, <strong>of</strong><br />
course, hot and dusty…<br />
43
4:00 p.m. - 6:00 p.m.,<br />
Steelcase Ballroom “D”, DeVos Place<br />
Prelude: Virginia Commonwealth University <strong>Trumpet</strong> Ensemble, Rex Richardson, director<br />
Members: Marcus Grant, Brandon Hess, Heidi Rechin, Jackson Shurlds,<br />
Olivia Sturgill, Ryan Teunis<br />
Suite for Six <strong>Trumpet</strong>s....................................................................Marcus Grant<br />
Concert: Crossover Concert featuring Vincent DiMartino, Jens Lindemann,<br />
William Lucas, Adam Rapa, Rex Richardson, and Allen Vizzutti<br />
Kristian Alexandrov, Miriam Hickman, Laura Vizzutti, piano<br />
Sally Stephenson and Leslie Wikinson, violins<br />
Andrew Pool, viola; Lee Copenhaver, cello<br />
Mike Downes, bass; Ted Warren, drums<br />
Gaudete Brass Quintet<br />
Concert Gallop (2013)..................................................................Brendan Collins<br />
Vincent DiMartino<br />
Concerto No. 1 in E-flat Major......................................................Johann Wilhelm Hertel (1727-1789)<br />
II. Adagio<br />
III. Allegro Vivace<br />
Jens Lindemann<br />
Variations on a Theme by Haydn ..................................................James M. Stephenson<br />
Rex Richardson<br />
Clarinet Concerto No. 2 in E-flat Major.........................................Carl Maria von Weber<br />
(1st Movement) (1811)<br />
arr. (and adapted to a blitering,<br />
Baltic 7/8) Adam Rapa<br />
Adam Rapa<br />
The Swan.....................................................................................Camille Saint-Saëns<br />
(Le Cygne from Le carnival des animaux) (1886)<br />
arr. Adam Rapa<br />
Adam Rapa<br />
Concertino, Movement No. 3 – Vivace..........................................J.G. Albrechtsberger<br />
Allen Vizzutti and Laura Vizzutti<br />
44<br />
Pause<br />
God Only Knows (recorded by The Beach Boys)............................Brian Wilson, Tony Asher<br />
Love On Top (recorded by Beyoncé)..............................................Beyoncé Knowles, Terius Nash,<br />
Shea Taylor<br />
Adam Rapa
Rhapsody in Paris........................................................................George Gershwin/arr. William Lucas<br />
Mainstream Moderate<br />
Orchestrally Textured<br />
Jazzed Allegro<br />
William Lucas<br />
Suite Hellenique...........................................................................Pedto Itturalde (arr. J. Lindemann)<br />
Jens Lindemann<br />
My Funny Valentine......................................................................Richard Rodgers and Lorenz Hart<br />
Vincent DiMartino<br />
Red Shift......................................................................................Rex Richardson<br />
Rex Richardson<br />
Jazz Sonata – Movement No. 3 featuring Laura Vizzutti................Allen Vizzutti<br />
Allen Vizzutti<br />
Jens Lindemann, Rex Richardson, & Allen Vizzutti’s performances are sponsored in part by Yamaha<br />
45
7:15 p.m. - 8:30 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Prelude: Alabama <strong>Trumpet</strong> <strong>Guild</strong> Ensemble, James Zingara, director<br />
Members: Joseph Ardovino, University <strong>of</strong> Montevallo; Mark DeGoti, Auburn University; Michael<br />
Huff, Troy University; Eric Yates, University <strong>of</strong> Alabama; James Zingara, University <strong>of</strong> Alabama at<br />
Birmingham<br />
Sinfonia a cinque (World Premiere)................................................................... Joseph Landers<br />
Fantasy for Five <strong>Trumpet</strong>s (World Premiere)....................................................... Jason Bahr<br />
Recital: Thomas Hooten, Principal <strong>Trumpet</strong>, Los Angeles Philharmonic<br />
Rebecca Wilt, piano<br />
<strong>Trumpet</strong> Call...................................................................................................... Kenneth Downie<br />
Incantation, Threne et Danse............................................................................. Alfred Descenclos<br />
Intermission<br />
Slavonic Fantasy............................................................................................... Carl Hohne<br />
3 Songs............................................................................................................. Sergei Rachmanin<strong>of</strong>f<br />
1. Oh, never sing to me again<br />
2. When silent night doth hold me<br />
3. Arion<br />
Quatre variations sur un theme de Domenico Scarlatti...................................... Marcel Bitsch<br />
Thomas Hooten’s performance is sponsored in part by Yamaha<br />
46
9:00 p.m. - 10:30 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Concert: Adam Rapa with the Michigan Jazz Educators Big Band<br />
Miriam Hickman, piano<br />
Concerti for <strong>Trumpet</strong> & Big Band<br />
Join Adam Rapa for an evening <strong>of</strong> exciting new compositions and arrangements, played by Michigan’s top<br />
players and educators. This concert will also serve as a masterclass on the wide variety <strong>of</strong> musical styles<br />
covered. Rapa will give a show-and-tell <strong>of</strong> the key ingredients that define these styles, and share some <strong>of</strong><br />
the interests and influences which led to the creation <strong>of</strong> this <strong>program</strong>.<br />
Guest-performers and educators are accustomed to meeting bands very shortly before performing challenging<br />
music together. Tonight’s show is no exception. Even with a band <strong>full</strong> <strong>of</strong> great players, there are lots <strong>of</strong><br />
nuances within the music which can only be realized through focused, production rehearsal. Rapa will show<br />
the audience (especially all <strong>of</strong> the aspiring educators, composers, soloists, and band leaders) how fun it is<br />
to “dot the i’s, cross the t’s and really bring the music to life. In an informal, open-rehearsal format, he’ll<br />
dissect portions <strong>of</strong> the music, feature individual sections <strong>of</strong> the band, and take this music to the next level.<br />
Rebelíon Suite...................................................................................................... Astor Piazzolla<br />
(Adíos Nonino, Contrabajissimo, Mumuki, La Muerte del Angel)<br />
arr. Adam Rapa<br />
Never Ending Fantasie (Based on Music from “The Never Ending Story”)............. Klaus Doldinger<br />
arr. Adam Rapa<br />
Song for Jozak...................................................................................................... Adam Rapa<br />
Intermission (CD’s for sale in the Lobby)<br />
Chiquinha Gonzaga (Suite Retratos, mvt. 4)......................................................... Radamés Gnattali<br />
arr. Adam Rapa<br />
You....................................................................................................................... Pat Metheny<br />
Adam Rapa<br />
Festa Na Macuca................................................................................................. Jovino Santos Neto<br />
arr. Adam Rapa<br />
Warrior Dance...................................................................................................... Adam Rapa<br />
Michigan Jazz Educators Big Band<br />
Saxophone <strong>Trumpet</strong> Trombone Rhythm<br />
Joe Lull<strong>of</strong>f Randy Casteel Dave Wells Mike Hyde, guitar<br />
Laurie Sears Taylor Barnett Paul Brewer Robin Connell, piano<br />
Bill Sears Ray Oset Travis Good Tom Lockwood, bass<br />
Jonathan Nichol Max Colley Bob Engelsman Tim Froncek, drums<br />
Tom Stansell<br />
Rob Mulligan, percussion<br />
11:00 p.m.,<br />
Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />
Late Night Jam Session hosted by Gordon Vernick<br />
47
Thursday At-A-Glance Schedule<br />
(All rooms are in the Amway unless noted otherwise)<br />
__________________________________________________________________<br />
7:30 a.m.-8:15 a.m. Warm-Up Session: Hunter Eberly............................Senator Vandenberg<br />
Room<br />
__________________________________________________________________<br />
8:30 a.m.-10:15 a.m. ITG Goes to Class<br />
Advanced Jazz Playing for the..................................Cascade Room<br />
Crossover Artist (Rex Richardson)<br />
Jazz for the Orchestral Musician (Bill Lucas)............Vandenberg Room<br />
Orchestral Class (Thomas Hooten)...........................Imperial Ballroom<br />
The Physical Part <strong>of</strong> Playing (Vincent DiMartino)......Atrium Room<br />
Solo Class (David Hickman).....................................Pantlind Ballroom<br />
__________________________________________________________________<br />
9:00 a.m.-5:00 p.m. Exhibits Open!.........................................................Ambassador Ballroom,<br />
Center Concourse,<br />
Private Rooms<br />
__________________________________________________________________<br />
10:15 a.m.-11:45 a.m. Craig Morris Recital.................................................Pantlind Ballroom<br />
10:15 a.m.-11:45 a.m. Ellsworth Smith Competition....................................Imperial Ballroom<br />
Winner Recital – Ryan Beach<br />
10:15 a.m.-11:45 a.m. Yoga Class with Rich Illman and Jo Martinie.............Vandenberg Room<br />
__________________________________________________________________<br />
12:00 p.m.-1:00 p.m. Exhibit Hour.............................................................Ambassador Ballroom,<br />
Center Concourse,<br />
Private Rooms<br />
__________________________________________________________________<br />
1:00 p.m.-2:30 p.m. Jose Chafer Mompo Recital......................................Pantlind Ballroom<br />
1:00 p.m.-2:30 p.m. Michael Sachs Masterclass.....................................Imperial Ballroom<br />
1:00 p.m. -2:30 p.m. Non-Pro Players/Comeback Players.........................Vandenberg Room<br />
Session: David Brown<br />
__________________________________________________________________<br />
49
__________________________________________________________________<br />
2:45 p.m.-4:15 p.m. Brian Evans Recital............................................Pantlind Ballroom<br />
2:45 p.m.-4:15 p.m. Gaudete Brass Quintet Recital............................Imperial Ballroom<br />
2:45 p.m.-4:15 p.m. Walter White & Small, Medium @ Large............Steelcase Ballroom “A”,<br />
Concert<br />
DeVos Place<br />
4:00 p.m.-6:00 p.m. ITG Legacy Endowment Reception.......................Vandenberg Room<br />
4:30 p.m.-5:45 p.m. Stephen Burns <strong>Trumpet</strong> & Organ Recital.............*St. Mark’s Episcopal<br />
Church<br />
4:30 p.m.-5:45 p.m. ITG Jazz Improvisation Competition.....................Steelcase Ballroom “D”,<br />
DeVos Place<br />
7:00 p.m.-8:30 p.m. Jens Lindemann Birthday Bash Concert..............Steelcase Ballroom “A”,<br />
DeVos Place<br />
9:00 p.m.-10:30 p.m. Allen Vizzutti Concert..........................................Steelcase Ballroom “A”,<br />
DeVos Place<br />
10:30 p.m. Late Night Jam Session.......................................Louis Benton and LB’s<br />
Lounge<br />
__________________________________________________________________<br />
* See page 136 for directions<br />
50
Thursday, June 13, 2013<br />
(All rooms are in the Amway unless noted otherwise)<br />
7:30 a.m. - 8:15 a.m.,<br />
Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Warm-Up Session: Hunter Eberly, Principal <strong>Trumpet</strong>, Detroit Symphony Orchestra<br />
8:30 a.m. - 10:15 a.m.<br />
ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />
Advanced Jazz Playing (Rex Richardson)...........................................Cascade Room, Atrium<br />
Lower Level<br />
Jazz for the Orchestral Musician.......................................................Vandenberg Room,<br />
(Bill Lucas)<br />
Concourse Level 2nd Floor<br />
Orchestral Class (Thomas Hooten)....................................................Imperial Ballroom, Lobby<br />
Level 1st Floor<br />
The Physical Part <strong>of</strong> Playing..............................................................Atrium Room Lower Level<br />
(Vincent DiMartino)<br />
Solo Class (David Hickman)..............................................................Pantlind Ballroom,<br />
Concourse Level 2nd Floor<br />
EXHIBITS OPEN<br />
10:00 a.m. - 5:00 p.m.,<br />
Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />
Level 2nd Floor<br />
Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />
Ruby (Harrelson), Robinson Room (S.E. Shires)<br />
Lower Level 1st floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams Musical<br />
Instruments and Austin Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />
Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat,<br />
Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />
51
10:15 a.m. - 11:45 a.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
Prelude: Central Michigan University, Neil Mueller, director<br />
Members: Brandon Bowker, Jacob Lubbers, Jonathan Moss, Jon Ragon,<br />
James Sebring, Jared Sessink, Kyle Tomisch<br />
From Holberg’s Time: Suite in Olden Style................................... Edvard Grieg<br />
III. Gavotte<br />
arr. Neil Mueller<br />
IV. Air<br />
V. Rigaudon<br />
Recital: Craig Morris, Pr<strong>of</strong>essor, Frost School <strong>of</strong> Music, University <strong>of</strong> Miami<br />
Rebecca Wilt, piano<br />
Suite Bergamasque..................................................................... Claude Debussy<br />
Prelude<br />
arr. Craig Morris and S<strong>of</strong>ia Kraevska<br />
Menuet<br />
Clair de lune<br />
Passepied<br />
Monkeyshines............................................................................. Roshanne Etezady<br />
13 Melodies for <strong>Trumpet</strong>, Flugelhorn, .......................................... Philip Glass/arr. Craig Morris<br />
and Piccolo <strong>Trumpet</strong><br />
52
10:15 a.m. - 11:45 a.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Prelude: University <strong>of</strong> Miami (Ohio), James Olcott, director<br />
Members: Kathleen George, Tyler Graves, Ian Harrah, Sarah Prunty, Dylan Rhonemus, Janell Roeper,<br />
Nicholas Shirley, Ryan Steward, Ian Sugerman, Hayley Vivian, Jacob Walker, Elise Ware,<br />
Katherine Wicker<br />
Soundings (2009)........................................................................ Brian Balmages<br />
Bugler’s Holiday.......................................................................... Leroy Anderson<br />
arr. David Hickman<br />
America the Beautiful.................................................................. Augustus Ward<br />
arr. Carmon Dragon<br />
transcr. James Olcott<br />
Recital: Ryan Beach, 2012 Ellsworth Smith Competition Winner, Principal <strong>Trumpet</strong>, Indianapolis<br />
Symphony Orchestra<br />
Rachael Kerr, piano<br />
Concerto No. 1 in E-flat Major..................................................... Johann Wilhelm Hertel (1727-1789)<br />
Concerto for <strong>Trumpet</strong>................................................................... James Stephenson (b. 1969)<br />
Song Cycle for <strong>Trumpet</strong> and Piano............................................... Jamie Whitmarsh (b. 1988)<br />
Variations on a Theme from Norma............................................. Vincenzo Bellini (1801-1835)<br />
53
10:15 a.m. - 11:45 a.m.,<br />
Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Yoga with Rich Illman and Jo Martinie<br />
Rich Illman and Jo Martinie have been presenting Yoga for Wind Players since the 2002 <strong>International</strong><br />
<strong>Trumpet</strong> <strong>Guild</strong> Conference in Manchester, England. Since then, they have been helping players<br />
all around the world learn to be more relaxed while they play, through a combination <strong>of</strong> breathing<br />
techniques and simple yoga postures and stretches. The increased self-awareness gained through<br />
these tactics not only improve one’s playing, they improve the overall quality <strong>of</strong> life by adding general<br />
strategies for tension release that can be used at any time.<br />
12:00 p.m. - 1:00 p.m. Exhibit Hour<br />
Ambassador Ballroom, Center Concourse Lobby, Private Rooms<br />
54
1:00 p.m. - 2:30 p.m.,<br />
Pantlind Ballroom, Concourse Level, 2nd Floor<br />
Prelude: Western Michigan University <strong>Trumpet</strong> Ensemble, Stephen Jones, director<br />
Members: Bonni Beebe, Sean Corbitt, Mitchell Curry, Paul Hardaker, Nathaniel Patty, Adam Phillips,<br />
Adam Stowe<br />
Cornet Carillon........................................................................................ Ronald Binge (1910-1979)<br />
Bucinae................................................................................................... Riccardo Giavina (b. 1937)<br />
Canentes<br />
Invocantes<br />
Exsultantes<br />
Recital: Jose Chafer Mompo, Pr<strong>of</strong>essor, 8 Editions <strong>of</strong> the <strong>International</strong> Course <strong>of</strong> Music<br />
Vilade L’Olleria<br />
Rebecca Wilt, piano<br />
L’ESPRIT de la Trompette......................................................................... James M. Stephenson<br />
Fantasía Mudéjar – U.S. Premiere........................................................... Luiz Pérez de Tidela Gil<br />
Rapsodia – U.S. Premiere........................................................................ Javier Artaza<br />
I don’t understand this music – World Premiere...................................... Óscar Vidal<br />
(Commissioned by José Chafer & 38th Annual Conference <strong>of</strong> the<br />
<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Michigan, U.S.A.)<br />
the first question<br />
the second question<br />
the third question<br />
a short reflextion<br />
the unanswered question<br />
Intermission<br />
Prayer and Praise.................................................................................... Eric Ewazen<br />
(Commissioned and dedicated to Richard Stoelzel)<br />
Centennial Horizon.................................................................................. Kevin McKee<br />
Aspen Grove<br />
Interlude – Alpenglow<br />
Roaring Gunnison<br />
Piezas Andaluzas.................................................................................... Santiago Báez<br />
Bulerías del Guadalquivir<br />
55
1:00 p.m. - 2:30 p.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Prelude: University <strong>of</strong> Louisville <strong>Trumpet</strong> Ensemble,<br />
Ansyn Banks and Michael Tunnell, co-directors<br />
Members: Seth Burkhardt, Nick DeJarlais, Erika Howard, David Jaffe, Nick Kaiser, Kristian Kemker,<br />
Sam Loomis, Clay Parler, Trevor Webb, Don Woods, Jon Wysong<br />
Tico Tico.................................................................................................. Zequinha de Abreau<br />
(1880-1935)<br />
arr. David Marlatt<br />
Tiger <strong>of</strong> San Pedro................................................................................... John LaBarbera (b. 1945)<br />
Masterclass: Michael Sachs, Principal <strong>Trumpet</strong>, Cleveland Orchestra<br />
1:00 p.m. - 2:30 p.m.,<br />
Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Non-Pro Players/Comeback Session: David Brown, Pr<strong>of</strong>essor, Brigham Young University<br />
“Starting Over Again – The True Comeback Player”<br />
Drawing on his own experience and that <strong>of</strong> his predecessors, David Brown has developed a successful<br />
plan that allows for a <strong>full</strong> recovery in 2-4 months while avoiding the damage that can be done<br />
by pushing too hard too quickly. This session might also be <strong>of</strong> interest to pr<strong>of</strong>essional players and<br />
teachers who are looking for help in recovering from injury.<br />
56
2:45 p.m. - 4:15 p.m., Steelcase Ballroom “A”, DeVos Place<br />
Concert: Walter White & Small, Medium @ Large<br />
To be chosen from the following:<br />
There’ll Never Be Another You......................................................... Harry Warren/arr. White<br />
Nica’s Dream.................................................................................. Horace Silver/arr. White<br />
Florence.......................................................................................... Walter White<br />
Waitin’ For Walter............................................................................ Steve Brown/arr. White<br />
Beauty and the Beast...................................................................... Wayne Shorter/arr. Streng<br />
Cantaloupe Island........................................................................... Herbie Hancock/arr. White<br />
Yo Conecto...................................................................................... Walter White<br />
Sing Sing Sing................................................................................. Louis Prima/arr. White<br />
Promised........................................................................................ Charles Ernst/arr. White<br />
In The Mood (Not!).......................................................................... arr. White<br />
Lonnie’s Lament............................................................................. John Cotrane/arr. White<br />
Thank You, Joe Martinez.................................................................. Walter White<br />
Taps (For Maynard)......................................................................... arr. Walter White<br />
The Way Up..................................................................................... Walter White<br />
Stella By Starlight........................................................................... Victor Young/arr. White<br />
Walter White, Leader, <strong>Trumpet</strong>, Flugelhorn<br />
Mark Kieme, Alto Saxophone, Flute; Bobby Streng, Tenor Saxophone, Flute;<br />
Mark Berger, Baritone Saxophone<br />
Rob Killips, Trombone; John Rutherford, Bass Trombone<br />
Bob Jensen and Ken Robinson, <strong>Trumpet</strong>s<br />
Gary Schunk, Piano; Jeff Pedraz, Bass; Jeff Trudell, Drums<br />
57
2:45 p.m. - 4:15 p.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Prelude: Conservatorio Superior de Música de Canarias/Pr<strong>of</strong>esional de Las Palmas de Gran Canaria,<br />
Sebastián Gil, director<br />
Members: Sebastán Gil, Rubén Pérez, Francisco Perera, Gabriel Cerpa, Isdro Suárez<br />
Entrada................................................................................................Ernesto Mateo<br />
Suite for Five <strong>Trumpet</strong>s.........................................................................Roland Lo Presti<br />
Arguero................................................................................................José Franco/S. Gil<br />
Concert: Gaudete Brass Quintet<br />
Bill Baxtresser and Ryan Berndt, trumpets<br />
Julia Filson, horn<br />
Paul Von H<strong>of</strong>f, trombone<br />
Scott Tegge, tuba<br />
Quintessence (2012)............................................................................Joseph Turrin (b. 1947)<br />
Italian Madrigals (1611).......................................................................Heinrich Schütz (1584-1672)<br />
Alma Afflita (Sorrowful soul)<br />
Ride la Primavera (The Spring Laughs)<br />
Di Marmo Siete Voi (You are <strong>of</strong> marble)<br />
Chicago Moves (2011).........................................................................David Sampson (b. 1951)<br />
Grant Park<br />
The Spaghetti Bowl<br />
Looped Lament<br />
Lake Shore Drive<br />
Intermission<br />
Canzona Prima a5 (1615)........................................................................ Giovanni Gabrieli (1555-1612)<br />
sevenfive (2013)..................................................................................Steven Bryant (b. 1972)<br />
Prayers <strong>of</strong> Steel (2013)........................................................................Jonathan Newman (b. 1972)<br />
Limited<br />
Foxtrot<br />
Prayers <strong>of</strong> Steel<br />
City <strong>of</strong> Big Shoulders<br />
58
2:45 p.m. - 4:15 p.m., Pantlind Ballroom, Center Concourse, 2nd Floor<br />
Prelude: Pittsburg State University <strong>Trumpet</strong> Ensemble, Todd Hastings, director<br />
Members: Matt Carter, Zach Hatcher, Kelsey DeVore, Tom Lawlor, Dalton Williams, Wyatt Smith<br />
Intrada.................................................................................................... John Ross<br />
Recital: Brian Evans, trumpet, Australian Opera and Ballet Orchestra, and<br />
Thomas Burge, trombone, Charlotte Symphony Orchestra<br />
Miriam Hickman, piano<br />
“Friends”<br />
Australian works for trumpet and trombone<br />
Serenade (2012) (trumpet and piano)..................................................... Brendan Collins<br />
Moretan Bay (2008)................................................................................ Traditional/arr. Joshua Clarke<br />
(trumpet, trombone and piano)<br />
‘White Knight and Beaver’ (1996)........................................................... Martin Wesley-Smith<br />
(solo trombone with recorded sound)<br />
Concertstuk (1997) (trumpet and piano)................................................. Michiel Irik<br />
Kigan (2011) (solo trumpet).................................................................... Christopher Perrin<br />
Benedictus Balaenarum (2008) .............................................................. Philip Bolliger<br />
(trombone and piano)<br />
Concertino (2009) .................................................................................. Gregory van der Struik<br />
(trombone, trumpet and piano)<br />
59
4:00 p.m. - 6:00 p.m.<br />
Senator Vandenberg Room “B”, Concourse Level, 2nd Floor<br />
ITG Legacy Endowment Reception for current and future donors.<br />
Please feel free to attend as your schedule permits to celebrate ITG and visit with other donors and<br />
friends, as well as some <strong>of</strong> our <strong>of</strong>ficers and board members.<br />
4:30 p.m. - 6:00 p.m.,<br />
Steelcase Ballroom “D”, DeVos Place<br />
ITG Jazz Improvisation Competition<br />
Jeffrey Uban, Competition Chair, University <strong>of</strong> Illinois<br />
Robin Connell, piano; Joe Opera, bass; Evan Hyde, drums<br />
Finalists:<br />
Max Goldschmid – University <strong>of</strong> Arizona; Student <strong>of</strong> Edward Reid<br />
Victor Haskin – Virginia Commonwealth University; Student <strong>of</strong> John D’earth<br />
Anthony Stanco – Michigan State University; Student <strong>of</strong> Etienne Charles<br />
Preliminary Judges:<br />
Ben Sampson, Airman First Class, United States Air Force Heartland <strong>of</strong> America Band<br />
Max Colley, Musician/Clinician<br />
Peter Olstad, Performing Artist/Clinician<br />
Finals Judges:<br />
David Champouillon, Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> and Jazz, East Tennessee State University<br />
Alan Hood, Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> & Director <strong>of</strong> the Lamont Jazz Ensemble, Lamont School <strong>of</strong> Music,<br />
University <strong>of</strong> Denver<br />
Gordon Vernick, Pr<strong>of</strong>essor and Coordinator <strong>of</strong> Jazz Studies, Georgia State University<br />
60
4:30 p.m. - 6:00 p.m.,<br />
St. Mark’s Episcopal Church, 134 Division Avenue North<br />
Prelude: Escola Superior de Musica e Artes do Espetaco, Kevin Wauldron, director<br />
Members: Carlos Leite, Ivo Silva, Joana Bento, Joao Sousa, Leonardo Costa, Maria Helena Vieira,<br />
Rui Vidal, Sabrina Leal, Sergio Pereira, Tiago Rebelo<br />
<strong>Trumpet</strong> Salutations.......................................................................................... Nigel Coombes<br />
Concert Fanfare................................................................................................. Eric Ewazen<br />
Scottish Fantasy................................................................................................ Dennis Horton<br />
Allegro con Brio<br />
Lento<br />
Presto<br />
Recital: Stephen Burns, trumpet/flugelhorn/piccolo trumpet, Yamaha Performing Artist<br />
David Schrader, organ<br />
Prayers, Parables, and Exaltations<br />
Prayer to St. Gregory.......................................................................................... Alan Hovhaness<br />
Parables <strong>of</strong> Zion................................................................................................ Mischa Zupko<br />
Scorched<br />
Canudos<br />
La Danza Eternidad<br />
Elegy for Mundy (World Premier)....................................................................... James Stephenson<br />
In Memory <strong>of</strong> Armando Ghitalla<br />
Blue - Green - Red (2013)(World Premier)...................................................... Julian Wachner<br />
Commissioned by the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
61
7:00 p.m. - 8:30 p.m., Steelcase Ballroom “AB”, DeVos Place<br />
Prelude: East Tennessee State University, David Champouillon, director<br />
Members: Matthew Childers, Ruben Grigsby, Brandon Linkous, Justin Pearce, Tyler Robins,<br />
Ethan Tate, Dr. George Winton, Doug Zimmerman<br />
Here’s that Rainy Day........................................................................................ Jimmy van Heusen/<br />
arr. James Olcott<br />
Fanfare from Rocky........................................................................................... Albrechtsberg/Conti/<br />
arr. Champouillon<br />
Concert: Jens Lindemann, Yamaha Performing Artist, Birthday Bash!<br />
Kristian Alexandrov, piano; Mike Downes, bass; and Ted Warren, drums<br />
Sally Stephenson and Leslie Wilkinson, violins; Andrew Pool, viola; Lee Copenhaver, cello<br />
Toccata............................................................................................ J.S. Bach<br />
(arr. Lindemann/Alexandrov)<br />
Air from Orchestral Suite No. 3......................................................... J.S. Bach (arr. Lindemann)<br />
Echoes <strong>of</strong> Harlem............................................................................. Duke Ellington (arr. Lindemann)<br />
A S<strong>of</strong>t Place To Fall........................................................................... Kristian Alexandrov<br />
Dreaming <strong>of</strong> the Masters.................................................................. Allan Gilliland<br />
101 Damnations<br />
Prayer<br />
Lower Neighbors<br />
Prayer.............................................................................................. Kristian Alexandrov<br />
Riverdance....................................................................................... Bill Whelan<br />
(arr. Lindemann/Alexandrov)<br />
Jens Lindemann’s performance is sponsored in part by Yamaha<br />
62
9:00 p.m. - 10:30 p.m., Steelcase Ballroom “A”, DeVos Place<br />
Concert: Allen Vizzutti, Yamaha Performing Artist<br />
Laura Vizzutti, piano<br />
Kristian Alexandrov, piano, Mike Miller, guitar, Mike Downes, bass, and Tom Brechtlen, drums<br />
Leslie Wilkinson and Sally Stephenson, violin; Andrew Pool, viola; Lee Copenhaver, cello<br />
Program to be selected from the following:<br />
Azure Call<br />
One <strong>of</strong> a Kind<br />
Glide<br />
Touch<br />
Amara<br />
Easy Livin’<br />
Laura’s Blues<br />
Somewhere Over the Rainbow<br />
Zig Zag<br />
Night Breeze<br />
Ticklish<br />
Dragonfly<br />
Ritzville<br />
Allen Vizzutti’s performance is<br />
sponsored in part by Yamaha<br />
11:00 p.m.,<br />
Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />
Late Night Jam Session hosted by Jeffrey Uban<br />
63
Friday At-A-Glance Schedule<br />
(All rooms are in the Amway unless noted otherwise)<br />
__________________________________________________________________<br />
7:30 a.m.-8:15 a.m. Warm-Up: Slawomir Cichor Senator Vandenberg<br />
Room<br />
__________________________________________________________________<br />
8:30 a.m.-10:00 a.m. ITG Goes to Class<br />
Adv. Jazz Playing for the Crossover Artist (Rex Richardson)......................Vandenberg Room<br />
Jazz for the Orchestral Musician (Bill Lucas)............................................Cascade Room<br />
Orchestral Class (Michael Sachs)............................................................Imperial Ballroom<br />
The Physical Part <strong>of</strong> Playing (Vincent DiMartino)......................................Atrium Room<br />
Solo Class (David Hickman).....................................................................Pantlind Ballroom<br />
__________________________________________________________________<br />
9:00 a.m.-5:00 p.m....... Exhibits Open! Ambassador Ballroom,<br />
Center Concourse,<br />
Private Rooms<br />
__________________________________________________________________<br />
10:15 a.m.-11:45 a.m. New Works Concert...................................................Steelcase Ballroom<br />
“D”, DeVos Place<br />
__________________________________________________________________<br />
11:00 a.m.-11:45 a.m. Arturo Sandoval Demonstration.................................Imperial Ballroom<br />
__________________________________________________________________<br />
12:00 p.m.-1:00 p.m. Exhibit Hour...............................................................Ambassador Ballroom,<br />
Center Concourse,<br />
Private Rooms<br />
Please be sure to visit the private rooms on the 1st Floor Lower Level and 2nd Floor Concourse Level<br />
__________________________________________________________________<br />
1:00 p.m.-2:30 p.m. Steven Hendrickson Lecture-Clinic............................Imperial Ballroom<br />
1:00 p.m.-2:30 p.m. Vincent and Gabriel DiMartino Recital........................Steelcase Ballroom<br />
“D”, DeVos Place<br />
1:00 p.m. – 2:00 p.m. Bill Pfund, Wiff Rudd, &.............................................Pantlind Ballroom<br />
Christopher Wilson, “Our <strong>Trumpet</strong><br />
Heritage”<br />
__________________________________________________________________<br />
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__________________________________________________________________<br />
2:45 p.m.-4:15 p.m. David Champouillon, Alan Hood,................................Imperial Ballroom<br />
Scott Meredith, “Incorporating<br />
Jazz into the University Applied <strong>Trumpet</strong><br />
Interview…and Beyond into the<br />
Private Studio<br />
2:45 p.m.-4:15 p.m. David Hickman Presentation......................................Pantlind Ballroom<br />
__________________________________________________________________<br />
4:30 p.m.-6:00 p.m. ITG Orchestral Excerpts Competition..........................Pantlind Ballroom<br />
4:30 p.m.-6:00 p.m. Walter White Jazz Masterclass...................................Steelcase “D”, DeVos<br />
Place or Imperial<br />
__________________________________________________________________<br />
7:00 p.m.-8:30 p.m. Reinhold Friedrich Recital..........................................Steelcase “AB”, DeVos<br />
Place<br />
9:00 p.m.-10:00 p.m. Bobby Shew Concert..................................................Steelcase “AB”, DeVos<br />
Place<br />
__________________________________________________________________<br />
10:30 p.m. Late Night Jam Session.............................................Louis Benton and LB’s<br />
Lounge<br />
__________________________________________________________________<br />
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Friday, June 14, 2013<br />
(All rooms are located in the Amway unless noted otherwise)<br />
7:30 a.m. - 8:15 a.m., Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Warm-Up Session: Slawomir Cichor<br />
8:30 a.m. - 10:00 a.m.<br />
ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />
Advanced Jazz Playing (Rex Richardson)......................................... Cascade Room, Atrium<br />
Lower Level<br />
Jazz for the Orchestral Musician (Bill Lucas)................................... Vandenberg Room,<br />
Concourse Level 2nd Fl<br />
Orchestral Class (Michael Sachs)................................................... Imperial Ballroom, Lobby<br />
Level 1st Floor<br />
The Physical Part <strong>of</strong> Playing (Vincent DiMartino)............................. Atrium Room, Lower Level<br />
Floor<br />
Solo Class (David Hickman)............................................................ Pantlind Ballroom,<br />
Concourse Level, 2nd Floor<br />
EXHIBITS OPEN<br />
9:00 a.m. - 5:00 p.m.<br />
Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />
Level 2nd Floor<br />
Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />
Ruby (Harrelson), Robinson Room (S.E. Shires)<br />
Lower Level 1st Floor: Riverview (Stomvi USA & Thompson Music), Plaza Boardroom A (Adams<br />
Musical Instruments and Custom Brass); Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s & Flugelhorns);<br />
Ottawa Room (Jaeger Brass, Facet Mutes, Hammond Design, Jaeger Brass, P. Mauriat, Naumann<br />
<strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music Products)<br />
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10:15 a.m. - 11:45 a.m.<br />
Steelcase Ballroom “D”, DeVos Place<br />
Prelude: <strong>Trumpet</strong> Mates Gang, João Vilão, director<br />
Members: Adriano Franco, Daniel Tapadinhas, João Pereira, João Vilão, Nuno Silva, Pedro Silva,<br />
Ricardo Pimentel, Taigo Rocha<br />
Rui Lúcio, drums/conductor<br />
Concert Piece..............................................................................................Bruce Broughton<br />
Durrenhorn Passage....................................................................................Kevin McKee<br />
There’s a Great Day Coming........................................................................W. L. Thompson<br />
New Works Recital<br />
Miriam Hickman and Rebecca Wilt, piano<br />
Neil Mueller, Artistic Coordinator, Pr<strong>of</strong>essor, Central Michigan University<br />
Sonata for <strong>Trumpet</strong> and Piano (2009)...................................................Raleigh Daley (b. 1968)<br />
I.<br />
II.<br />
III.<br />
Mark Clodfelter, trumpet and<br />
Rebecca Wilt, piano<br />
Event Horizon for Solo <strong>Trumpet</strong> (2012).................................................Britton Theurer (b. 1953)<br />
1. Able to Leap Tall Buildings<br />
2. Samsara<br />
3. Caffeine!<br />
4. Balance Beam<br />
Britton Theurer, trumpet<br />
Rondo for <strong>Trumpet</strong> and Percussion (1990)............................................Clarence Barber<br />
Anthony Kirkland, trumpet and Mark Carson, percussion<br />
Sonata for <strong>Trumpet</strong> and Piano (2011)...................................................John Hennecken (b. 1987)<br />
I. Allegro maestoso<br />
II. Andante<br />
III. Allegretto – maestoso<br />
Brandon Craswell, trumpet and Douglas Jurs, piano<br />
Sonata for John (2012).........................................................................Paul J. Zappa (b. 1941)<br />
Raquel Rodriquez, trumpet and Miriam Hickman, piano<br />
Sans Titre VII for Solo <strong>Trumpet</strong> (2011)..................................................William Price (b. 1971)<br />
Marc Reed, trumpet<br />
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Sonata for <strong>Trumpet</strong> (and Flugelhorn) and Piano (2007)..................... Charles Reskin (b. 1946)<br />
I. Moderato con moto, lyrico<br />
II. Andante semplice<br />
III. Finale<br />
Neil Mueller, trumpet and Mary Jo Cox, piano<br />
Partita for Brass Trio (2012)............................................................. Wayne Lu (1970)<br />
I. Intrada<br />
II. Chorale and Simple Song<br />
III. Flourish<br />
Amy Schendel, trumpet; Todd Schendel, trombone; and Lin Foulk, horn<br />
Cousins for <strong>Trumpet</strong>, Saxophone and Orchestra (2007).................... James Stephenson (b. 1969)<br />
Jeremy Brekke, trumpet; Matthew Patnode, saxophone; and Rebecca Wilt, piano<br />
Song Without Words (2011).............................................................. David John Lang (b. 1988)<br />
Aaron Hodgson, trumpet and Rebecca Wilt, piano<br />
Concerto No. 1 for <strong>Trumpet</strong> and Wind Ensemble (2004).................... EdmundoVillani-Côrtes (b. 1930)<br />
I. Contemplation on the Alterosas Mountains<br />
Clayton Miranda, trumpet and Miriam Hickman, piano<br />
Z 516 for Solo <strong>Trumpet</strong> (March 2013)............................................... Krzyszt<strong>of</strong> Grzeszczak (b. 1965)<br />
Slawomir Cichor, trumpet<br />
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11 a.m. - 11:45 a.m.<br />
Pantlind Ballroom, Center Concourse, 2nd Floor<br />
Prelude: Wayne State University <strong>Trumpet</strong> Ensemble, Mark Flegg and Wendy Matthews, directors<br />
Members: Jeremy Behrendt, Kevin Czarnik, Tyler Fritsch, Shane Lawrence, Nicholas LeVeck,<br />
Greg Martinez, Ionatan Pop, Mark Tellier<br />
Canonic Fanfares in Extraordinary Time................................................... Matthew Schoendorff<br />
Beyond the Skies..................................................................................... Jon Anderson<br />
Prelude and Fugue for <strong>Trumpet</strong> Choir....................................................... Eric Ewazen<br />
Demonstration: Arturo Sandoval, 8 Time Grammy Award-Winner<br />
12:00 p.m. - 1:00 p.m. Exhibit Hour<br />
1:00 p.m. - 2:45 p.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Lecture-Clinic: Steven Hendrickson, Principal <strong>Trumpet</strong>, National Symphony Orchestra<br />
Steven Hendrickson will address the unique qualities an orchestral player must have including<br />
sound, finesse, power, endurance, consistency, range, practice techniques, and mental approaches<br />
to help foster these qualities. Mr. Hendrickson will also discuss some standard orchestral excerpts<br />
and <strong>of</strong>fer his perspective on their interpretation.<br />
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1:00 p.m. - 2:45 p.m.,<br />
Steelcase Ballroom “D”, DeVos Place<br />
Prelude: University <strong>of</strong> Central Missouri, Dr. Alan Wenger, director<br />
Members: Josh Anderson, Greg Blakeman, Michael Cervantes, Matthew Cook, Mark Fangman,<br />
Collin Lappert, Josh McCoy, Jacquelyn Miller, Evan Schroeder, John Starr<br />
Fantasies and Flourishes for 10 <strong>Trumpet</strong>s (World Premiere).............................. David Shipps<br />
Evening, Near Filiatra for <strong>Trumpet</strong> Ensemble (World Premiere)........................... Eric Honour<br />
Walkabout......................................................................................................... Phil Snedecor<br />
Recital: Vincent DiMartino, Shires Performing Artist, and<br />
Gabriel DiMartino, Pr<strong>of</strong>essor, Syracuse University<br />
Rebecca Wilt, Greg Pascuzzi, piano<br />
Matt Moresi, piano; Joe Opera, bass; and Evan Hyde, drums<br />
Dialogue II (2013 ) World Premiere.................................................................... Greg Pascuzzi<br />
Vince and Gabriel DiMartino, trumpets, and Greg Pascuzzi, piano<br />
Sonata (1955)................................................................................................... Peter Maxwell Davies<br />
Allegro<br />
Lento<br />
Allegro<br />
Gabriel DiMartino, trumpet, and Rebecca Wilt, piano<br />
Sonate, Opus 18................................................................................................ Thorvald Hansen<br />
Allegro con Brio<br />
Andante con Espressione<br />
Allegro con Anima<br />
Vince DiMartino, trumpet, and Rebecca Wilt, piano<br />
Ice X (2013) World Premiere.............................................................................. Sara Jessica Corry<br />
Gabriel DiMartino, trumpet, and Rebecca Wilt, piano<br />
Jazz Selections to be Chosen from the following:<br />
Autumn Leaves<br />
The Days <strong>of</strong> Wine and Roses<br />
Blue Bossa<br />
Lotus Blossom<br />
Black Orpheus<br />
Straight No Chaser<br />
Oleo<br />
Sandu<br />
Someday My Prince Will Come<br />
Up Jumped Spring<br />
When I Fall in Love<br />
Intermission<br />
71
1:00 p.m. - 2:45 p.m.,<br />
Pantlind Ballroom, Center Concourse, 2nd Floor<br />
Lecture-Recital: William Pfund, Pr<strong>of</strong>essor Emeritus, University <strong>of</strong> Nortern Colorado,<br />
Wiff Rudd, Pr<strong>of</strong>essor, Baylor University, and Christopher Wilson, Pr<strong>of</strong>essor, Arkansas<br />
State University,<br />
Rumyana Yanakieva Hoksbergen, piano<br />
“Our <strong>Trumpet</strong> Heritage”<br />
Introduction-Representing Three Generations<br />
Legende............................................................................................................ Georges Enesco<br />
Christopher Wilson<br />
Bill Pfund’s <strong>Trumpet</strong> Heritage<br />
A Sad Song, from a collection,........................................................................... arr. Valerie Posvaliuk<br />
“Lyrical Pieces by M. Lysenco in transcription for trumpet” (Kuib, Kiev 1999)<br />
Bill Pfund<br />
Wiff Rudd’s <strong>Trumpet</strong> Heritage<br />
Simple Song...................................................................................................... Leonard Bernstein<br />
Wiff Rudd<br />
Christopher Wilson’s <strong>Trumpet</strong> Heritage<br />
Avalon............................................................................................................... Sy Brandon<br />
Christopher Wilson<br />
The Importance <strong>of</strong> Knowing Your Roots<br />
Solus................................................................................................................. Stanley Friedman<br />
Wiff Rudd<br />
Traceable Musical Traits................................................................................ John Stanley<br />
<strong>Trumpet</strong> Voluntary, Op. 6, No. 5<br />
Bill Pfund<br />
Legacies “For Three”...................................................................................... James Stephenson<br />
Bill Pfund, Wiff Rudd, and Christopher Wilson<br />
72
2:45 p.m. - 4:15 p.m.,<br />
Imperial Ballroom, Lobby Level, 1st Floor<br />
Presentation: David Champouillon, Pr<strong>of</strong>essor, East Tennessee State University,<br />
Alan Hood, Pr<strong>of</strong>essor, Lamont School <strong>of</strong> Music, University <strong>of</strong> Denver, and Scott Meredith,<br />
Pr<strong>of</strong>essor, University <strong>of</strong> Wyoming –<br />
“Incorporating Jazz into the University <strong>Trumpet</strong> Interview…And Beyond into the <strong>Trumpet</strong> Studio”<br />
Many university trumpet teaching positions require the genre <strong>of</strong> jazz as a related field in the private<br />
studio if not as a secondary area. Many search committees will agree to a candidate that is a<br />
classical performer with optional secondary skills in jazz. With university budgets being constantly<br />
crunched it is more and more likely that the trumpet pr<strong>of</strong>essor is expected to cover both “sides”<br />
<strong>of</strong> the instrument. As part <strong>of</strong> the interview process, most <strong>of</strong>ten a jazz selection is requested if<br />
not required. This presentation will help those candidates be more successful by increasing their<br />
chances <strong>of</strong> placement due to improved diversity <strong>of</strong> playing styles. Topics introduced will include jazz,<br />
Dixieland, and jazz-rock articulations; materials (play-along, transcription <strong>book</strong>s, academic <strong>book</strong>s,<br />
recordings, etc.); trumpet styles, lineage, and pedagogy; equipment (instruments, mouthpieces,<br />
utes); and sample session with teacher with secondary jazz performance skills.<br />
2:45 p.m. - 4:15 p.m.,<br />
Pantlind Ballroom, Center Concourse, 2nd Floor<br />
Prelude: North Dakota State University <strong>Trumpet</strong> Ensemble, Jeremy Brekke, Director<br />
Members: Andrew Bergnan, Amy Schaaf, Jake Olsen, Eric Itzen, Logan Tretter, Taylor Pearson,<br />
Elias Youngblom, Logan Reed, Andrew Hilde, John Schreier, Ryan Berry<br />
Conquest........................................................................................................... Erik Morales<br />
Presentation: David Hickman, Regents’ Pr<strong>of</strong>essor <strong>of</strong> Music, Arizona State University –<br />
ITG 2013 is proud to introduce David Hickman’s new <strong>book</strong>, “<strong>Trumpet</strong> Greats: A Biographical<br />
Dictionary”<br />
4:30 p.m. - 6:00 p.m.,<br />
Steelcase Ballroom “D”, DeVos Place or Imperial Ballroom<br />
Jazz Masterclass: Walter White, Yamaha Performing Artist<br />
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4:30 p.m. - 6:00 p.m.,<br />
Pantlind Ballroom, Center Concourse, 2nd Floor<br />
ITG Orchestral Excerpts Competition<br />
Robert White, Competition Chair - Grand Valley State University<br />
Finalists<br />
Chris Albrecht – Arizona State University; Student <strong>of</strong> David Hickman<br />
Chris Haas – Western Illinois University; Student <strong>of</strong> Bruce Briney<br />
Garrett Klein – Arizona State University, Student <strong>of</strong> David Hickman<br />
Steve Woomert – Glen Gould School, Royal Conservatory; Student <strong>of</strong> Andrew McCandless<br />
Preliminary Judges:<br />
Alan Campbell, Milwaukee Symphony Orchestra<br />
Charley Lea, Grand Rapids Symphony Orchestra<br />
Stephen Anderson, Detroit Symphony Orchestra<br />
Finals Judges:<br />
Barbara Butler, pr<strong>of</strong>essor, Shepherd School <strong>of</strong> Music, Rice University<br />
Hunter Eberly, principal trumpet, Detroit Symphony Orchestra<br />
Michael Sachs, principal trumpet, Cleveland Orchestra<br />
74
7:00 p.m. - 8:30 p.m.,<br />
Steelcase Ballroom “AB”, DeVos Place<br />
Prelude: Texas Christian University <strong>Trumpet</strong> Ensemble, Jon Burgess, director<br />
Members: Tylar Epps, Chris Jeter, Elliot Johnston, Jesse Rajabi, Jon Skoruppa, Ethan Streeter,<br />
Chase Teague, Colt Worley<br />
Lasst uns erfreuen “Flourish for <strong>Trumpet</strong>s” (2002)...............................Dennis C. Klophaus<br />
(Hymn Tune from Geistlich Kirchengesang, 1623)<br />
Stygian Fanfre (2013)..........................................................................Klophaus<br />
Recital: Reinhold Friedrich<br />
Eriko Takezawa, piano<br />
Plikonamu-Micucona for <strong>Trumpet</strong> and Piano.........................................Karel Goeyvaerts (1923-1993)<br />
Sonata for <strong>Trumpet</strong> and Piano..............................................................George Antheil (1900-1959)<br />
Allegretto<br />
Dolce-espressivo<br />
Scherzo/Vivace<br />
Allegretto<br />
Sonatine für Klavier..............................................................................Maurice Ravel (1875-1937)<br />
Modéré<br />
Mouvement de Menuet<br />
Animé<br />
Concertino pour Cornet en si-b et Piano, Op. 99 (1963)........................Henri Martelli (1895-1980)<br />
Lento-Allegro vigoroso-Lento-Vivace molto-Presto con fuoco<br />
Rain Tree Sketch II (1992) for Piano ....................................................Toru Takemitscu (1930-1996)<br />
Con Sordino (1995) for <strong>Trumpet</strong> and Piano...........................................Edison Denisov (1929-1996)<br />
75
9:00 p.m. - 10:00 p.m.,<br />
Steelcase Ballroom “A”, DeVos Place<br />
Concert: Bobby Shew, Yamaha Performing Artist<br />
Gene Knific, piano; Tom Knific, bass; Tim Froncek, drums<br />
Program To Be Announced<br />
Bobby Shew’s appearance in sponsored by Yamaha<br />
11:00 p.m.,<br />
Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />
Late Night Jam Session<br />
hosted by David Champouillon and Alan Hood<br />
76
Saturday At-A-Glance Schedule<br />
(All rooms are located in the Amway unless noted otherwise)<br />
__________________________________________________________________<br />
7:30 a.m.-8:15 a.m. Warm-Up: Marc Reed.................................... Senator Vandenberg Room<br />
__________________________________________________________________<br />
8:30 a.m.-10:00 a.m. ITG Goes to Class<br />
Advanced Jazz Playing for the Crossover Artist (Rex Richardson).... Cascade Room<br />
Jazz for the Orchestral Musician (Bill Lucas)................................... Senator Vandenberg Room<br />
Orchestral Class (Steven Hendrickson)........................................... Imperial Ballroom<br />
The Physical Part <strong>of</strong> Playing (Vincent DiMartino)............................. Atrium Room<br />
Solo Class (David Hickman)............................................................ Pantlind Ballroom<br />
__________________________________________________________________<br />
8:30 a.m.-10:00 a.m. Research Room............................................. Governor’s Room<br />
__________________________________________________________________<br />
9:00 a.m.-11:30 a.m. Exhibits Last Chance!....................................Ambassador Ballroom,<br />
Center Concourse, Private<br />
Rooms<br />
__________________________________________________________________<br />
10:00 a.m.-11:45 a.m. Barbara Butler Recital................................... Steelcase “D”, DeVos Place<br />
__________________________________________________________________<br />
10:15 a.m.-11:45 a.m. ITG Members Meeting................................... Vandenberg Room<br />
__________________________________________________________________<br />
12:00 p.m.-1:30 p.m. ITG Awards Banquet (ticket required)............ Pantlind Ballroom<br />
__________________________________________________________________<br />
2:30 p.m.-4:00 p.m. Festival <strong>of</strong> <strong>Trumpet</strong>s...................................... 1st United Methodist Church<br />
__________________________________________________________________<br />
4:00 p.m.-5:30 p.m. Richard Cox Presentation.............................. Imperial Ballroom<br />
__________________________________________________________________<br />
4:00 p.m.-5:30 p.m. Barbara Butler Masterclass.......................... Steelcase Ballroom “D”,<br />
DeVos Place<br />
__________________________________________________________________<br />
77
__________________________________________________________________<br />
7:00 p.m.-8:30 p.m. Terell Stafford Concert................................... Steelcase Ballroom “AB”,<br />
DeVos Place<br />
__________________________________________________________________<br />
9:00 p.m.-10:30 p.m. Grand Finale Concert featuring...................... Steelcase Ballroom “AB”,<br />
Arturo Sandoval, Jens Lindemann,................ DeVos Place<br />
Bill Lucas, Adam Rapa, Rex Richardson<br />
Allen Vizzutti, Walter White,<br />
Small Medium @ Large (pre-registration required)<br />
__________________________________________________________________<br />
11:00 p.m. Late Night Jam Session................................. Louis Benton and LB’s<br />
Lounge<br />
__________________________________________________________________<br />
78
Saturday, June 16, 2013<br />
(All rooms are located in the Amway unless noted otherwise)<br />
7:30 a.m. - 8:15 a.m.,<br />
Senator Vandenberg Room, Concourse Level, 2nd Floor<br />
Warm-Up Session: Marc Reed, Director <strong>of</strong> Brass Studies, Fort Lewis College<br />
8:30 a.m. - 10:00 a.m.<br />
ITG GOES TO CLASS (open to all, pre-registration required to perform)<br />
Advanced Jazz Playing (Rex Richardson).................................. Cascade Room, Atrium Lower<br />
Level<br />
Jazz for the Orchestral Musician (Bill Lucas)............................ Vandenberg Room, Concourse<br />
Level 2nd Floor<br />
Orchestral Class (Steven Hendrickson).................................... Imperial Ballroom, Lobby Level<br />
1st Floor<br />
The Physical Part <strong>of</strong> Playing (Vincent DiMartino)...................... Atrium Room, Lower Level<br />
Solo Class (David Hickman)..................................................... Pantlind Ballroom, Concourse<br />
Level 2nd Floor<br />
8:30 a.m. - 10:00 a.m.,<br />
Governor’s Room, Concourse Level, 2nd Floor<br />
Research Room<br />
Kelly Parkes, Ph.D., chair, Virginia Tech University<br />
The primary aim <strong>of</strong> the Research Room is to provide a blind peer-reviewed research forum for current<br />
higher education / tertiary level teachers, performers, graduate students, Teaching Assistants and<br />
pr<strong>of</strong>essors to present experimental, action, qualitative, or quantitative research, ideas, or theories<br />
about trumpet performance and/or pedagogy.<br />
Taylor Barnett: James Madison University, Harrisonburg, VA<br />
A Stylistic Analysis and Performance Guide to Selected Compositions <strong>of</strong> Dave Douglas for the Tiny<br />
Bell Trio<br />
Abstract:<br />
The Tiny Bell Trio, consisting <strong>of</strong> Dave Douglas on trumpet, Brad Shepik on guitar, and Jim Black on<br />
drums, recorded four albums and toured internationally between 1994 and 2003, receiving critical<br />
79
acclaim for their innovative synthesis <strong>of</strong> Eastern European folk and jazz. The trumpeter interested in<br />
performing Dave Douglas’ compositions for this ensemble is presented with significant interpretive<br />
challenges due to the unique juxtaposition <strong>of</strong> folk and art music elements and the combination <strong>of</strong> oral<br />
and written traditions. The performer should have a familiarity with the source material in order to<br />
interpret the composed material and improvise in a stylistically informed manner. Additionally, many<br />
<strong>of</strong> the musical details were left un-notated on the original manuscripts and the compositions evolved<br />
throughout years <strong>of</strong> rehearsal and performance, leaving each written score as a record <strong>of</strong> Douglas’<br />
original concept rather than the notation <strong>of</strong> a finished composition.<br />
This study provides performance information for “Shards,” “Sam Hill” and “Prolix,” based on personal<br />
interviews with the composer and a study <strong>of</strong> Douglas’ original manuscripts and compositional<br />
note<strong>book</strong>s. The stylistic analysis identifies the folk form or style used in each piece and demonstrates<br />
Douglas’ adaptation <strong>of</strong> the traditional music in his compositions using audio examples and transcriptions.<br />
The performance guide for each piece includes transcriptions and analyses <strong>of</strong> Douglas’<br />
improvisations and a discussion <strong>of</strong> his use <strong>of</strong> Bulgarian dance rhythms and ornamentation; mixed<br />
meter phrasing; non-tonal harmonic substitutions; and extended trumpet technique.<br />
Kelly A. Parkes, Ph.D: Virginia Tech, Blacksburg, VA<br />
Writing a successful proposal for research presentation<br />
Abstract:<br />
The purpose <strong>of</strong> this presentation is to inform interested researchers, teachers, and performers about<br />
how to submit a successful proposal that outlines their work to be considered for a 15-20 minute<br />
oral presentation at the ITG Research Room Session. This session will illustrate the types <strong>of</strong> research<br />
work that are considered for acceptance for the Research Room Sessions and the Chair will explain<br />
how research proposals can be developed from graduate or dissertation work, or recently other<br />
published material. Participants will benefit from understanding the expectation <strong>of</strong> research work and<br />
previous successful proposals will be shared.<br />
Exhibits Open<br />
9:00 a.m. - 11:30 a.m.<br />
Ambassador Ballroom (sound-producing), Center Concourse (non-sound producing) – Concourse<br />
Level 2nd Floor<br />
Concourse Level 2nd Floor Private Rooms: Pearl (Yamaha), Emerald (Blackburn, Pickett, Powell),<br />
Ruby (Harrelson), Robinson Room (S.E. Shires)<br />
Lower Level 1st Floor: Riverview (Stomvi USA & Thompson Music); Plaza Boardroom A (Adams<br />
Musical Instruments and Austin Custom Brass), Plaza Boardroom B (Van der Laar <strong>Trumpet</strong>s &<br />
Flugelhorns); Ottawa Room (Denis Wick Products, Facet Mutes, Hammond Design, Jaeger Brass,<br />
P. Mauriat, Naumann <strong>Trumpet</strong>s, Pro Brass Mouthpieces, Royalton Music Center, Schilke Music<br />
Products)<br />
80
10:00 a.m. - 11:45 a.m.,<br />
Steelcase Ballroom “D”, DeVos Place<br />
Prelude: Lynn University <strong>Trumpet</strong> Ensemble, Marc Reese, director<br />
Members: Brian Garcia, Ricardo Chinchilla, Timothy Nemain, Mark Poljak, Peter Smith,<br />
Marianela Cordoba, Kevin Karabell<br />
Symphony No. 5, mvt. 1.................................................................................Dmitri Shostakovich<br />
(1906-1975)<br />
Recital: Barbara Butler, Pr<strong>of</strong>essor, Shepherd School <strong>of</strong> Music, Rice University<br />
Rachael Kerr, piano; She-e Wu, percussion; Charlie Geyer; trumpet<br />
Special guest artist: Chris Martin, principal trumpet, Chicago Symphony Orchestra<br />
The Storyteller (World Premiere).....................................................................James M. Stephenson<br />
(Commissioned by Richard and Valerie Stoelzel and Grand Valley State University<br />
in memory <strong>of</strong> Adolph Herseth)<br />
Chris Martin, trumpet<br />
Three Sides for <strong>Trumpet</strong>/Flugelhorn, Vibraphone and Piano.............................David Sampson<br />
I.<br />
II.<br />
III.<br />
Songs To be Announced..................................................................................Gustav Mahler<br />
…lucky to be born? for <strong>Trumpet</strong> and Percussion............................................Brian Prechtl<br />
Three Bagatelles for Two <strong>Trumpet</strong>s and Piano.................................................Jim McGrath<br />
Father and Son<br />
Valse Sentimentale<br />
Scherzo<br />
Epitaph..........................................................................................................William Boyce<br />
10:15 a.m. - 11:45 a.m.,<br />
Senator Vandenberg Room, Concourse Level 2nd Floor<br />
ITG Members Meeting<br />
12:00 p.m. - 1:30 p.m.,<br />
Pantlind Ballroom<br />
ITG Awards Luncheon (pre-registration required)<br />
81
2:30 p.m. - 4:00 p.m.,<br />
First United Methodist Church, 227 Fulton Street East<br />
Festival <strong>of</strong> <strong>Trumpet</strong>s 2013<br />
Pamela Smitter, Coordinator, West Michigan Symphony<br />
Great American Fanfare.......................................................................................... Richard Byrd<br />
(Written for the 2012 Great American Brass Band Festival to celebrate<br />
the retirement <strong>of</strong> Vincent DiMartino at Centre College)<br />
Rich Illman, Conductor<br />
Bill Baxtresser, Glenn Bengry, Ryan Beach, Eric Berlin, John Daniel, Jason Dovel, Langston Fitzgerald,<br />
Mark Flegg, Chuck Parrish, Terry Sawchuk; David Hall, timpani<br />
University <strong>of</strong> North Texas Alumni Ensemble:<br />
Fanfare M.T............................................................................................................ Tony Plog<br />
The Storm’s Path.................................................................................................... Brian Balmages<br />
Marc Reed, Conductor<br />
Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson,<br />
Scott Meredith, Oscar Passley Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />
Nodus I for 10 <strong>Trumpet</strong>s and Timpani (World Premiere)......................................... Anthony G. Morris<br />
(Vienna, 2011)<br />
Rich Illman, Conductor<br />
Bill Baxtresser, Glenn Bengry, Ryan Beach, Eric Berlin, John Daniel, Jason Dovel, Langston Fitzgerald<br />
Mark Flegg, Chuck Parrish, Terry Sawchuk, David Hall, timpani<br />
There’s a Great Day Coming................................................................................... Thompson<br />
arr. Terry Everson<br />
David Champouillon, Conductor<br />
Ken Austin, James Bovinette, David Champouillon, Dean Haist, Jim Ketch, Cathy Sheridan,<br />
Non-Pro/Comeback Player Ensemble:<br />
Canzona noni toni a 12........................................................................................... Giovanni Gabrieli<br />
arr. by David Brown<br />
Durrenhorn Passage............................................................................................... Kevin McKee<br />
David Brown, Conductor<br />
Julie Baxes, Bob Binder, Olaf Brattegaard, Barb Chickosky, Stan Engle, Joe Gregoria, John Hackett<br />
Larry Hickle, Robert Holland, Thomas S. Jones, Jonathan Lax, Paul Michelsen, George Morrell<br />
David Morrow, Ed Moscaritolo, Ron Neyvatte, Richard Niven, Merrill Perret, Ryan Schrauben<br />
Holly Schuur, Debra Skripkunis, William Summerfield, Dario Tabales, Greg Webster, Robert Wiles<br />
Eric Willis, Thomas Zoubek<br />
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Fanfare for Saraspotek 2010.................................................................................. Gregory Pascuzzi<br />
Gregory Pascuzzi , Conductor<br />
Rune Aleksandersen, Slavek Cichor, Ryan Gardner, Adam Hayes, Betty Scott, Arthur VanderHoeft<br />
In the Spring (2008)............................................................................................... Michael Stewart<br />
Kim Eberly, Conductor<br />
Lisa Blackmore, Amy Dunker, Mary Mullison , Sheryl Linch-Parker, Janice Smith<br />
Echoes <strong>of</strong> Seikilos.................................................................................................... Skye Van Duuren<br />
(commissioned by the University <strong>of</strong> Arizona trumpet studio and premiered in<br />
Kleitoria, Greece, on Jan. 6, 2013, for the Exploring <strong>Trumpet</strong> in Greece <strong>conference</strong>)<br />
Betty Scott, Conductor<br />
Stephen Asheim, Jason Dovel, Jeremy McBain, Langston Fitzgerald, James Olcott<br />
Where the Eagle Soars (World Premiere)................................................................. David Marlatt<br />
Kevin Eisensmith, Conductor<br />
Flugelhorns: Jeff Piper, Mary Mullison, Phil Bajema, James Bovinette,<br />
Eb <strong>Trumpet</strong>: David Reynolds<br />
Bb <strong>Trumpet</strong>s: David Haglund, Sheryl Linch-Parker, Biodun Adebiyi, Adam Hayes, Ryan Gardner,<br />
Timpani: David Hall,<br />
Piano: Gregory Pascuzzi<br />
ITG Board <strong>of</strong> Directors Ensemble:<br />
Fired Up!................................................................................................................ David. A. Roth<br />
(A Tribute to master trumpet teacher Bill Adam on his 80th birthday) (1997)<br />
Eric Berlin, James Olcott, Jeff Piper, Alan Siebert, Peter Wood<br />
Make a Joyful Noise (World Premiere)..................................................................... Brendan Collins,<br />
Australia, 2012<br />
Brendan Collins, Conductor<br />
Roy Abendroth, Biodun Adebiyi, John Adler, Rune Aleksandersen, Steven Asheim, Bill Baxtresser,<br />
David Champouillion, Brian Evans, Slavek Cichor,Kevin Eisensmith, Ian Kirkwood, Randall Love,<br />
Scott Meredith, Paul Michelson, Clayton Miranda, Richard Moren, Kelly Parkes, Pamela Smitter,<br />
Matt Taton, Britton Theurer<br />
Michael, Row Your Boat.......................................................................................... arr. Gary Slechta<br />
Gary Slechta, Conductor, Austin TX, publisher/arranger<br />
<strong>Trumpet</strong>s: Al Hood, Amanda Pepping, Rich Haering, Mike Vax, James Bovinette<br />
Flugelhorns: Jack Laumer, James Olcott, Todd Hastings, Wiff Rudd ,Tina Erickson<br />
Drum set: David Hall<br />
Piano: Kurt Ellenberger<br />
Bass: Brian Evans<br />
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<strong>Trumpet</strong> Mates Gang <strong>Trumpet</strong> Ensemble (from Portugal):<br />
"Concert Piece"..................................................................................... Bruce Broughton<br />
"Bold, Blue and Bright".......................................................................... James Stephenson<br />
featuring Rex Richardson, <strong>Trumpet</strong> Soloist<br />
Adriano Franco, Daniel Tapadinhas, João Pereira, João Vilão, Nuno Silva, Pedro Silva,<br />
Ricardo Pimentel, Tiago Rocha<br />
Timpani: Rui Neves<br />
Patriotic and Military Affiliations Ensemble:<br />
State House Medley............................................................................... John Adler<br />
Stephen Chenette, Conductor<br />
John Adler, Howard Brahmstedt, David Champouillon, John Daniel, David Haglund, Dean Haist,<br />
Stan Engle, Ryan Gardner, Glenn Jarell, Stephen Jones, Scott Meredith, Dick Meyers, Richard Moren,<br />
Jeffrey Piper, David Reynolds, Pamela Smitter, Michael Stewart, Arthur Vander Hoeft, Peter Wood,<br />
Bob Woodard<br />
Mass <strong>Trumpet</strong> Ensemble:<br />
March from Lohengrin - Act 3 Scene 3.................................................. Richard Wagner<br />
arr. Charles Stine<br />
Eric Strand, Organ; David Hall, timpani and percussion<br />
Alexander Nevsky.................................................................................. Sergei Prok<strong>of</strong>iev<br />
arr. Michael Scott Butler 2013<br />
Charles Conrad, Conductor<br />
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4:00 p.m. - 5:45 p.m., Steelcase Ballroom “D”, DeVos Place<br />
Prelude: University <strong>of</strong> North Texas Alumni <strong>Trumpet</strong> Ensemble, Marc Reed, director<br />
Members: Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson, Scott Meredith,<br />
Oscar Passley, Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />
Masterclass: Barbara Butler, Shepherd School <strong>of</strong> Music, Rice University<br />
4:00 p.m. - 5:45 p.m., Imperial Ballroom<br />
Presentation: Dr. Richard Cox, Duke University Medical School – “Dealing Effectively with<br />
Disorders <strong>of</strong> the Face, Lips and Neck that Hinder Brass Players”<br />
This clinic will present live and clinical demonstrations and real-life cases dealing with the prevention<br />
and treatment (as well as early detection signs) <strong>of</strong> lip, facial, neck, and jaw disorders that<br />
prevent, handicap, and <strong>of</strong>tentimes end a trumpet player’s career. The presenter is a physician,<br />
psychologist, and trumpet player with over 50 years experience working with the medical, psychological,<br />
and technical aspects <strong>of</strong> trumpet playing. All levels <strong>of</strong> players from beginner to pr<strong>of</strong>essional will<br />
benefit from the visual displays as well as the live demonstrations for the care and repair <strong>of</strong> the lips,<br />
nerves, muscles, blood vessels, and emotions involved in brass playing.<br />
7:00 p.m. - 8:30 p.m.,<br />
Steelcase Ballroom “AB”, DeVos Place<br />
Prelude: Temple University, Eric Schweingruber, director<br />
Members: Gabrielle Kieffer, William Koehler, Jesse Morvan, Jake Rondinaro, Johnathan Shaw,<br />
Najib Wong<br />
Durrenhorn Passage.......................................................................................... Kevin McKee<br />
Cocktail (Mvt. III).............................................................................................. Jerome Naulais<br />
Concert: Terell Stafford, P. Mauriat <strong>Trumpet</strong> Artist, Director <strong>of</strong> Jazz Studies and Chair <strong>of</strong><br />
Instrumental Studies, Temple University<br />
Timothy Warfield, Jr., Bruce Barth, Dana Hall, and Rodney Whitaker (sponsored by P. Mauriat)<br />
Program to be announced<br />
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9:00 p.m. - 10:30 p.m., Steelcase Ballroom “AB”, DeVos Place, Ticket Required<br />
Grand Finale Concert featuring Arturo Sandoval, Jens Lindemann, Bill Lucas, Adam Rapa,<br />
Rex Richardson, Allen Vizzutti, and Walter White, Small Medium @ Large<br />
I<br />
All-Star <strong>Trumpet</strong>s – Program To Be Announced<br />
Jens Lindemann, Bill Lucas, Adam Rapa, Rex Richardson, Allen Vizzutti,<br />
Walter White, Small Medium @ Large<br />
Intermission<br />
II<br />
Arturo Sandoval<br />
Walter White, Small Medium @ Large<br />
Funky Cha Cha...........................................................................................................Arturo Sandoval<br />
Be Bop.......................................................................................................................Dizzy Gillespie<br />
And Then She Stopped...............................................................................................Gillespie<br />
Salt Peanuts...............................................................................................................Gillespie<br />
Things To Come..........................................................................................................Gillespie<br />
Woody ‘n You..............................................................................................................Gillespie<br />
Fiesta Mojo................................................................................................................Gillespie<br />
“Dear Diz” Everyday I Think Of You.............................................................................Sandoval<br />
Turi’s Mambo.............................................................................................................Sandoval<br />
A Night in Tunisia.......................................................................................................Gillespie<br />
Jens Lindemann, Rex Richardson, and Allen Vizzutti’s performances sponsored in part by Yamaha<br />
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Walter White & Small Medium @ Large<br />
<strong>Trumpet</strong>s Trombone Saxophone Rhythm Section<br />
Walter White Michael Dease James Hughes, alto Gary Schunk, piano<br />
Bob Jensen Rob Killips Kelly Kaminski, tenor Jeff Pedraz, bass<br />
Ken Robinson Paul Brewer Bobby Streng, tenor Jeff Trudell, drums<br />
Rob Smith John Rutherford, bass Mark Berger, bari<br />
Mark Byerly<br />
10:30 p.m.,<br />
Louis Benton and LB’s Lounge, 35 Ionia Avenue NW<br />
Late Night Jam Session hosted by Trent Austin<br />
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ITG 2013 Conference Hosts<br />
Richard Stoelzel maintains an active career as an international<br />
soloist, chamber and orchestral musician. Reviewers have<br />
called his trumpet playing, “virtuosic and lyrical,” “liquid like tone,”<br />
“his bel canto style gave this reviewer chills.” He began his career<br />
as solo cornet with the United States Coast Guard Band, a presidential<br />
band. As a soloist he has performed throughout the U.S. and<br />
abroad including five highly successful tours <strong>of</strong> China and as a result<br />
earned the title <strong>of</strong> “Distinguished Visiting Pr<strong>of</strong>essor” at the Shen<br />
Yang Conservatory <strong>of</strong> Music, Worldwide tours include Russia, Spain,<br />
Costa Rica, Poland, Germany, and Hungary. Stoelzel has performed<br />
as a soloist at the 2003, 2007, and 2009 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
Conference. At the 2009 <strong>conference</strong>, he was a featured soloist with<br />
the Keystone Wind Ensemble as well as performing with the Aries Trio.<br />
As an orchestral musician Stoelzel has performed as principal and utility trumpet including substitute<br />
principal trumpet with the Detroit Symphony as well as third and assistant principal trumpet <strong>of</strong><br />
the New Orleans Symphony and was winner <strong>of</strong> the principal trumpet position in 1993. He has held<br />
positions with the Miami City Ballet, Ballet Florida, Florida Symphonic Pops, New World Symphony,<br />
Colorado Music Festival, Bear Lake Music Festival, and the Des Moines Opera Orchestra. He has<br />
performed with the Naples Philharmonic, Baltimore, Jacksonville, and Louisville symphony orchestras.<br />
Stoelzel is presently principal trumpet with the Palm Beach Opera Orchestra and serves on the<br />
artist faculty <strong>of</strong> the Masterworks Summer Music Festival held at Grace College in Indiana and Brass<br />
Coordinator <strong>of</strong> the Crescendo Institute in Hungary.<br />
As a chamber musician Stoelzel is the founder and performs with the Aries Trio, Drum and Brass, Avatar<br />
Brass, and Lighthouse Brass. Avatar Brass held a residency at Coral Ridge Presbyterian Church<br />
(Ft. Lauderdale, FL) for three years. During that time Avatar Brass performed on weekly international<br />
and national broadcasts. He was also a founding member <strong>of</strong> the New World Brass and has performed<br />
and toured with the Michigan Chamber Brass. In addition to live performances, Stoelzel can be heard<br />
on over 20 compact discs including 7 with Avatar Brass as well as with the Baltimore Symphony<br />
(PBS broadcast), New Orleans Symphony, Asaph Orchestra, U.S. Coast Guard Band, and the Dallas<br />
Wind Symphony. Stoelzel’s solo recordings, Born to be Mild and A Mild Fantasie, both on the Albany<br />
label, have received warm critical acclaim and played on numerous radio stations across the country<br />
and overseas. Born to be Mild was named “CD <strong>of</strong> the Week” by Wisconsin Public Radio. Reviewers<br />
have called his recordings, “a must have,” “bursting with a sense <strong>of</strong> joy and excitement,” “unfailing<br />
and attractive music.” “I am truly taken by his sweet trumpet tone. It only takes a few seconds to be<br />
won over.” (American Record Guide).<br />
As a pedagogue Stoelzel has been on the faculties <strong>of</strong> the University <strong>of</strong> Louisiana at Lafayette, the<br />
Harid Conservatory, and is Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> at Grand Valley State University. His students have<br />
consistently won national and international awards (19 international awards and 20 national prizes)<br />
including an unprecedented three awards at the 2000 <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Competition and<br />
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have been regular finalists and winners. The GVSU <strong>Trumpet</strong> Ensemble, under his direction, has<br />
received numerous awards at the National <strong>Trumpet</strong> Competition including two first-place awards<br />
in 2006 and 2008. His students have won positions in numerous orchestras, military bands, and<br />
pr<strong>of</strong>essional chamber ensembles such as the Detroit Symphony, Seattle Symphony, Baltimore Symphony,<br />
Louisiana Philharmonic, Buffalo Philharmonic, Canadian Brass, Atlantic Brass, Burning River<br />
Brass, Jacksonville Symphony, and Proteus 7. In the U.S. Stoelzel has served as chairman <strong>of</strong> the ITG<br />
Orchestral and Solo Competitions as well as serving as a finalist judge in the solo competition. He<br />
has also served as the chair <strong>of</strong> the National <strong>Trumpet</strong> Competition College Division. Recently he was<br />
named as Artistic Director <strong>of</strong> the 1st Annual Lodz Academy <strong>of</strong> Music <strong>International</strong> Solo Competition to<br />
be held in October 2013 in Lodz, Poland.<br />
Stoelzel has worked and commissioned over 40 new works for trumpet by such noted composers as<br />
Eric Ewazen, James Stephenson, Erik Morales, Arthur Weisburg, Kurt Ellenberger, Bill Ryan, Robert<br />
Bradshaw, and Tom Davis.<br />
Stoelzel is also an accomplished conductor. He was the principal pops conductor for the Harid<br />
Conservatory as well as music director <strong>of</strong> the Florida Wind Symphony. Stoelzel is the Artistic Director<br />
<strong>of</strong> the GVSU <strong>International</strong> <strong>Trumpet</strong> Seminar which he started in 2005.<br />
Stoelzel’s teachers have included Daniel Patrylak, Leon Rapier, Steven Hendrickson, James Thompson,<br />
Philip Smith, and Charles Schlueter. Stoelzel is a Yamaha <strong>International</strong> Performing Artist. You<br />
may visit his website at www.richardstoelzel.com<br />
Valerie Stoelzel is the Concert and Arts Information Coordinator<br />
for the Department <strong>of</strong> Music and Dance at Grand Valley State<br />
University and previously served as a member <strong>of</strong> the General Education<br />
faculty in the Music Department. She began her musical career<br />
as an opera singer performing in Austria, New York, and throughout<br />
New England. Highlights <strong>of</strong> her career are leading roles in La Boheme<br />
(Musetta and Mimi), Le Nozze di Figaro (Susannah and the Countess),<br />
The Magic Flute (Papagena), Die Fledermaus (Adele), Turandot<br />
(Liu), Amahl and the Night Visitors, and 35 performances as Gretel in<br />
Hansel and Gretel in 30 days. Her arts administration career began at<br />
the University <strong>of</strong> Connecticut where she served as Associate Director<br />
<strong>of</strong> Artistic Programs and Director <strong>of</strong> the School <strong>of</strong> Fine Arts Outreach Program. Mrs. Stoelzel has also<br />
held positions <strong>of</strong> Arts in Education Program Manager for the Louisiana State Department <strong>of</strong> Education<br />
and Artistic Administrator/Director <strong>of</strong> Education for Palm Beach Opera. For seven years she produced<br />
the Palm Beach Opera National Vocal Competition and created the award-winning Swing and Sing<br />
Summer Camp for underserved children. Mrs. Stoelzel was a contributing writer for several curriculum<br />
guides for the state <strong>of</strong> Louisiana.<br />
She is a member <strong>of</strong> the Board <strong>of</strong> Directors for Grand Valley’s University Club. Previously she served<br />
as a member <strong>of</strong> the Advisory Cabinet for the GVSU Faculty/Staff Annual Campaign, Board <strong>of</strong> Directors<br />
<strong>of</strong> the Grand Rapids Bach Festival, Parent Advisory Board <strong>of</strong> the Grand Valley’s Children’s Enrichment<br />
Center, and the Board <strong>of</strong> Directors <strong>of</strong> the Allendale American Youth Soccer Organization.<br />
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SPECIAL GUEST ARTIST – ARTURO SANDOVAL<br />
8 time Grammy Award winner, 17 times nominated, 6 time Billboard Award winner, Emmy Award winner<br />
A protégé <strong>of</strong> the legendary jazz master Dizzy Gillespie,<br />
Sandoval was born in Artemisa, a small town in the<br />
outskirts <strong>of</strong> Havana, Cuba, on November 6, 1949, just<br />
two years after Gillespie became the first musician to<br />
bring Latin influences into American jazz. Sandoval<br />
began studying classical trumpet at the age <strong>of</strong> twelve,<br />
but it didn’t take him long to catch the excitement <strong>of</strong><br />
the jazz world. He has since evolved into one <strong>of</strong> the<br />
world’s most acknowledged guardians <strong>of</strong> jazz trumpet<br />
and flugelhorn, as well as a renowned classical artist,<br />
pianist and composer. He is one <strong>of</strong> the most dynamic<br />
and vivacious live performers <strong>of</strong> our time, and has<br />
been seen by millions at the Oscars performing with Celine Dion, at the Grammy Awards with Justin Timberlake<br />
and in his own right as a leader. He also performed at the Billboard Awards with Alicia Keys.<br />
Sandoval has been awarded 8 Grammy Awards, and nominated 17 times; he has also received 6 Billboard<br />
Awards and an Emmy Award. The latter for his composing work on the entire underscore <strong>of</strong> the HBO movie<br />
based on his life, For Love or Country starring Andy Garcia. His two latest Grammy award winning albums,<br />
Dear Diz “Everyday I think <strong>of</strong> you” and Tango “Como Yo Te Siento” are now available worldwide. Soon to be<br />
released, is a new <strong>book</strong> chronicling his relationship with Dizzy Gillespie entitled The Man Who Saved Me.<br />
Sandoval is a renowned classical musician, performing regularly with the leading symphony orchestras<br />
from around the world. Arturo has composed his own Concerto for <strong>Trumpet</strong> & Orchestra, which can be<br />
heard on Arturo Sandoval: The Classical Album. Arturo has performed with the foremost orchestras in<br />
the country as well as abroad and recorded John Williams’ <strong>Trumpet</strong> Concerto with the London Symphony<br />
Orchestra. His classical artistry has earned him respect and admiration from the most prestigious conductors,<br />
composers and symphony orchestras worldwide.<br />
Arturo Sandoval’s versatility can be heard on recordings with everyone from Dizzy Gillespie, Woody Herman,<br />
Woody Shaw, Michel Legrand, Bill Conti, and San Getz to Johnny Mathis, Frank Sinatra, Paul Anka,<br />
Rod Stewart, and Alicia Keys amongst many others. He has performed with John Williams with the Boston<br />
Pops, and in the Super Bowl with Tony Bennet and Patti LaBelle.<br />
His compositions can also be heard on Dave Grusin’s soundtrack for Havana and Random Heart, in the<br />
Mambo Kings original soundtrack with his Grammy nominated composition Mambo Caliente, in the soundtrack<br />
<strong>of</strong> The Perez Family, 61, Mr. Wrong, the documentary Oscar, and The Family Fuentes among others.<br />
He also was commissioned by the Kennedy Center to compose the music for the ballet Pepito’s Story, Soul<br />
Possessed, as well as Oman O Men, and The Chocolate Hot Nutcracker, choreographed by Debbie Allen.<br />
Arturo Sandoval reaches beyond the scope <strong>of</strong> mere effort. His struggles while in Cuba and since his<br />
defection have given him more energy and strength, urging him to accomplish and surpass his childhood<br />
dreams. Filled with virtuoso capability, he desires more than to share his gift with others who feel the<br />
same intense adoration for music as he does. One frequently speaks <strong>of</strong> Arturo Sandoval’s virtuoso technical<br />
ability or his specialty in high notes, but he who has seen him on the piano, lyrically improvising a a<br />
ballad, or has had the opportunity to enjoy the diversity <strong>of</strong> his music, through his compositions from the<br />
most straight ahead jazz, Latin jazz or classical, knows that Arturo Sandoval is a prominent musician, and<br />
one recognizes that Arturo is one <strong>of</strong> the most brilliant, multifaceted and renowned musicians <strong>of</strong> our time.<br />
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ITG 2013 Performers<br />
and Presenters<br />
James Ackley is currently associate pr<strong>of</strong>essor <strong>of</strong> trumpet at the<br />
University <strong>of</strong> South Carolina School <strong>of</strong> Music. Ackley has previously<br />
held positions as principal trumpet with orchestras throughout Mexico,<br />
the United States, and South America and made critical acclaim after<br />
his 2004 Carnegie Hall debut. Ackley currently has several critically acclaimed<br />
solo recordings to his credit, Recital Music for <strong>Trumpet</strong> (2006),<br />
Lirico Latino: songs for solo trumpet (2008), Tromba Mundi (2009),<br />
.Gabriel, an opera for trumpet (2010), Eternal Source <strong>of</strong> Light Divine<br />
(2011), New American Works for <strong>Trumpet</strong> (2012), and a DVD <strong>of</strong> The<br />
Girl in White ballet with Ipswich Moving Company. He has performed<br />
in major concert halls all over the world, having performed in more than 25 countries. His <strong>book</strong>, A<br />
Systematic Approach to Flexibility for <strong>Trumpet</strong>, has also garnered much praise from some <strong>of</strong> the top<br />
performers today. Currently plans include several tours, a recording <strong>of</strong> baroque music for trumpet<br />
and organ, a sequel recording to .Gabriel, a recording <strong>of</strong> new music for brass quintet with the awardwinning<br />
Bala Brass Quintet, and a new <strong>book</strong> <strong>of</strong> articulation studies.<br />
Ryan Beach is the first prize winner <strong>of</strong> the 2012 Ellsworth Smith<br />
<strong>International</strong> <strong>Trumpet</strong> Solo Competition and recently appointed principal<br />
trumpet <strong>of</strong> the Indianapolis Symphony Orchestra. He received<br />
his master <strong>of</strong> music degree at Northwestern University, studying with<br />
Barbara Butler, Charles Geyer, and Chris Martin. Before that, he received<br />
the bachelor <strong>of</strong> music degree from Oklahoma City University,<br />
studying with Michael Anderson. As an orchestral musician, Beach<br />
has played with the Indianapolis and Tucson symphony, as well as<br />
been to such festivals as Tanglewood, the National Repertory Orchestra, and the National Orchestral<br />
Institute. As a soloist, Beach won both the solo and orchestral excerpts division at the 2011 ITG<br />
Conference, the second performer to do so in their history.<br />
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Yamaha Performing Artist Eric Berlin is principal trumpet <strong>of</strong> the<br />
Albany Symphony Orchestra and the Boston Philharmonic Orchestra,<br />
associate principal trumpet <strong>of</strong> the Colorado Music Festival, a member<br />
<strong>of</strong> the Boston Modern Orchestra Project, Artist/Teacher <strong>of</strong> <strong>Trumpet</strong> at<br />
the University <strong>of</strong> Massachusetts, and member <strong>of</strong> the board <strong>of</strong> directors<br />
<strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. In addition to his titled positions,<br />
he has performed with the Boston Symphony Orchestra, New<br />
York Philharmonic, and Los Angeles Philharmonic Orchestra. He has<br />
commissioned, premiered and recorded numerous works for trumpet<br />
and can be heard as soloist on MSR Classics and Albany Records.
Joseph Bowman has been a pr<strong>of</strong>essor <strong>of</strong> trumpet at Mahidol<br />
University in Bangkok, Thailand since 2003. He has been a<br />
member <strong>of</strong> the Thailand Philharmonic Orchestra since 2008.<br />
In 2005, Bowman and Mahidol University had the honor to<br />
host the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference in Bangkok,<br />
and is currently a member <strong>of</strong> the ITG Board <strong>of</strong> Directors.<br />
Bowman received his DMA and MM from Arizona State University<br />
and a BM from the University <strong>of</strong> Cincinnati. His major<br />
teachers include David Hickman, Sam Pilafian, Alan Seibert,<br />
Pat Harbison, and Marie Speziale.<br />
David Brown came to Brigham Young University in 1998 as a<br />
trumpet specialist with the primary responsibility <strong>of</strong> teaching applied<br />
trumpet. His performance experience in Utah includes work<br />
as a session player in the area recording studios and as an extra<br />
with the Utah Symphony Orchestra and Ballet West. Prior to<br />
his hire by BYU, Brown performed as principal trumpet with the<br />
Toledo Symphony Orchestra and the Great Lakes Brass Quintet<br />
for 22 years. During that same span he also performed as solo<br />
cornet with the Toledo Concert Band and as second trumpet in<br />
the Toledo Opera Orchestra.<br />
Conductor, composer and trumpeter Stephen Burns is<br />
the Founder and Artistic Director <strong>of</strong> the Fulcrum Point<br />
New Music Project in Chicago. He has been acclaimed on<br />
four continents for his virtuosity and interpretative depth<br />
in recitals, orchestral appearances, chamber music, and<br />
multi-media performances. Native to Wellesley, Massachusetts,<br />
Burns studied under Carmine Caruso, Armando<br />
Ghitalla, Richard Given, Arnold Jacobs, Vincent Penzarella,<br />
Gerard Schwarz, Pierre Thibaud, William Vacchiano, and<br />
Roger Voisin at the Tanglewood Music Center and the Juilliard<br />
School. He won the YCA <strong>International</strong> Auditions, Avery<br />
Fisher Career Grant, the NEA Grant, the Naumburg Award, the Charles Colin Award, and the Maurice<br />
André Concours <strong>International</strong> de Paris. Burns is a former tenured pr<strong>of</strong>essor <strong>of</strong> music at Indiana<br />
University and visiting lecturer at Northwestern University, as well as with Amici della Musica in Florence,<br />
Italy. He has recorded on the following labels: at MSH, Dorian, Delos, Essay, Kleos, and Innova.<br />
Stephen Burns is a Yamaha Performing Artist.<br />
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Barbara Butler is soloist with Music <strong>of</strong> the Baroque, Chicago Chamber<br />
Musicians, and Grand Teton Music Festival Orchestra. She is a former<br />
member <strong>of</strong> Eastman Brass, Eastman Virtuosi, and the Vancouver and<br />
Grand Park Symphony Orchestras. She is a former faculty member <strong>of</strong> the<br />
Bienen School <strong>of</strong> Music at Northwestern University, Eastman School <strong>of</strong><br />
Music, and the University <strong>of</strong> British Columbia. She has recently been appointed<br />
to the faculty at the Shepherd School <strong>of</strong> Music at Rice University.<br />
Butler has performed, recorded, and appeared in broadcasts with the<br />
St. Louis, Chicago, and Houston Symphony Orchestras and the New York<br />
Philharmonic. She studied with Vincent Cichowicz and Adolph Herseth.<br />
Jose Chafer Mompo received the title <strong>of</strong> Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong><br />
and Honors from the Conservatorio Pr<strong>of</strong>essional <strong>of</strong> Onteniente. In<br />
1998 he finished his higher studies at the Conservatory <strong>of</strong> Music<br />
“Manuel Massotti Littel” de Murica with the highest ratings. He<br />
has been invited to perform with the symphony orchestras <strong>of</strong><br />
Madrid and Barcelona and has also worked extensively with the<br />
symphony orchestra <strong>of</strong> Murcia as solo trumpet, recording live<br />
for RNE on numerous occasions. In addition he has been invited<br />
by Spanish Brass to perform concerts in the Canary Islands and<br />
Barcelona. Since 2005 he has served as Artistic Director <strong>of</strong> the 8<br />
Editions <strong>of</strong> the <strong>International</strong> Course <strong>of</strong> Music “Vila de L’Olleria”.<br />
He is a member <strong>of</strong> the Collage Brass Ensemble and solo trumpet<br />
with the symphony orchestra <strong>of</strong> the Teatro Chapi di Villena.<br />
A former solo trumpet in both classical/jazz idioms in the USAF<br />
Band system at age 20 and alumnus <strong>of</strong> the famed jazz <strong>program</strong>s<br />
at the University <strong>of</strong> Miami and the University <strong>of</strong> Northern Colorado,<br />
Dr. David Champouillon is a Performing Artist for Bach<br />
<strong>Trumpet</strong>s, and Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>/Jazz and Director <strong>of</strong> the East<br />
Tennessee State University Jazz Program. He also performs as<br />
the leader <strong>of</strong> The Jazz Doctors and as a member <strong>of</strong> The Lenore<br />
Raphael Quartet. A frequent performer on cornet with Americana<br />
recording artist Ed Snodderly, Champouillon is in demand<br />
throughout the nation in all genres, especially in the performance<br />
mediums <strong>of</strong> jazz trumpet and Baroque trumpet literature.<br />
He has been a soloist in over 30 states and Canada. A longtime<br />
contributor to the ITG, he currently writes the column “Jazz<br />
Brass” for The Brass Herald. Champouillon’s website: http://<br />
centerstage.conn-selmer.com/artists/artist.php?aid=127.<br />
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Slawomir Cichor is principal trumpet <strong>of</strong> the Arthur Rubinstein<br />
Philharmonic in Lodz, Poland. He also serves as assistant pr<strong>of</strong>essor<br />
at the Academy <strong>of</strong> Music in Lodz. His musical career began<br />
in 1999 when he was principal trumpet <strong>of</strong> the Plish Festival<br />
Orchestra. From 2000-2003 he performed as a guest principal<br />
trumpeter in Sinfonia Varsovia. The following eight years he was<br />
co-principal trumpet in the National Polish Philharmonic in Warsaw.<br />
During this time he recorded more than 20 CDs with music<br />
by Mahler, Janacek, Lutoslawski, Penderecki, Szymanowski,<br />
Karlowicz, and Tansman. Cichor also plays baroque trumpet<br />
and cooperates with many ensembles <strong>of</strong> baroque music. During the past 12 years he has recorded<br />
10 CDs with several music projects. As a soloist and chamber musician Cichor has won prizes at<br />
several Polish competitions. He also appears as a soloist with symphony orchestras and wind bands.<br />
Since 2000 he has worked as an academic pedagogue. His students have won prizes in both Polish<br />
and international competition. In 2010 Slawomir Cichor received the title <strong>of</strong> Doctor <strong>of</strong> Musical Arts.<br />
Dai Zhonghui is Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong> and Director <strong>of</strong> Symphonic<br />
Winds at Central Conservatory <strong>of</strong> Music in Beijing<br />
China. Currently he also serves as a member <strong>of</strong> the Board<br />
<strong>of</strong> Directors <strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>, President <strong>of</strong><br />
the China <strong>Trumpet</strong> <strong>Guild</strong>, and Vice President <strong>of</strong> the Chinese<br />
Symphonic Winds and Ensembles Association. He is one <strong>of</strong><br />
the primary trumpet players in China, and held the position<br />
<strong>of</strong> principal trumpet <strong>of</strong> the National Symphony Orchestra<br />
<strong>of</strong> China for ten years (1996-2006). With this orchestra he<br />
performed in Germany, England, Austria, Spain, Portugal,<br />
South America, South Korea, Japan, Hong Kong, Macao,<br />
Taiwan, and more than twenty cities in mainland china.<br />
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Richard H. Cox holds earned doctorates in medicine, psychology<br />
and theology, as well as having been granted three honorary<br />
doctors, one from the World Health Organization (D.Sc.).<br />
He is internationally known for his work with students and<br />
pr<strong>of</strong>essionals in many fields, including music performance.<br />
He appears on a regular basis for workshops and clinics at<br />
the National <strong>Trumpet</strong> Competition, ITG, Association <strong>of</strong> Concert<br />
Bands, Interlochen Center for the Arts, and numerous music<br />
schools and universities. Dr. Cox is an Artist/Educator for the<br />
Conn-Selmer Steinway Corp. He is on the faculty <strong>of</strong> Duke University<br />
Medical School. Dr. Cox is especially known for his work<br />
integrating medicine, psychology and music to help students<br />
and pr<strong>of</strong>essionals with performance challenges.
Gabriel DiMartino has been playing trumpet since his father gave<br />
him one to put in his toy box on his third birthday. While a graduate<br />
student at Wichita State University, he played with the faculty<br />
brass quintet and played second trumpet with the Wichita Symphony<br />
Orchestra. Traveling the world, DiMartino has performed in 13 countries,<br />
giving recitals and playing with orchestras and band. He can be<br />
heard on a variety <strong>of</strong> recordings, from the Vivaldi Concerto (with father<br />
Vince) with the Syracuse Wind Ensemble to the horse-whinny on<br />
the collection <strong>of</strong> Leroy Anderson played on the San Phillip Wurlitzer<br />
Theatre Organ. Currently, Gabriel DiMartino is the adjunct trumpet teacher at Syracuse University.<br />
Vincent DiMartino is one <strong>of</strong> the most sought after trumpet performers<br />
and educators. He is distinguished Matton Pr<strong>of</strong>essor <strong>of</strong> Music at<br />
Centre College in Danville, Kentucky. Equally known as a jazz artist, he<br />
has been the lead and solo trumpet in the Lionel Hampton, the Chuck<br />
Mangione Band, the Clark Terry Band, and The Eastman Arranger’s<br />
Holiday Orchestra. He has also performed with some <strong>of</strong> the country’s<br />
finest jazz ensembles. DiMartino served twice as President and Vice<br />
President <strong>of</strong> the ITG as well as a member <strong>of</strong> its Board <strong>of</strong> Directors<br />
for two terms. He has been soloist with many symphony orchestras<br />
throughout the United States and also has been a soloist with the<br />
Army Blues Jazz Band, The Army Brass Band, The U.S. Air Force Band<br />
<strong>of</strong> Flight, and The United States Marine Band. DiMartino is co-founder<br />
<strong>of</strong> the New Columbian Brass Band, a turn-<strong>of</strong>-the-century town band.<br />
He is 2004 CASE Pr<strong>of</strong>essor <strong>of</strong> The Year for the state <strong>of</strong> Kentucky. This<br />
award is given nationally each year to one person in each state in the<br />
United States. In addition he is the recipient <strong>of</strong> The Governor’s Lifetime Achievement Award for 2008-<br />
2009 for the State <strong>of</strong> Kentucky. Vincent DiMartino is a Shires <strong>Trumpet</strong> Artist.<br />
The principal trumpet <strong>of</strong> the Detroit Symphony Orchestra, Hunter Eberly is a native <strong>of</strong> Muskegon,<br />
Michigan. He started playing the trumpet at the age <strong>of</strong> eight under the tutelage <strong>of</strong> his mother, and<br />
continued his studies in high school with Charley Lea <strong>of</strong> the Grand Rapids Symphony. Hunter earned<br />
his Bachelor <strong>of</strong> Music degree at Grand Valley State University,<br />
where he studied with Richard Stoelzel. While studying with Stoelzel,<br />
he won prizes at multiple competitions including: first prize in<br />
the National <strong>Trumpet</strong> Competition Undergraduate Solo Competition,<br />
first prize in the NTC <strong>Trumpet</strong> Ensemble Division, second prize<br />
in the ITG Mock Orchestra competition, and first prize at the GVSU<br />
<strong>International</strong> <strong>Trumpet</strong> Seminar Solo Competition. Hunter continued<br />
his education by attending The Colburn School where he studied<br />
with James Wilt and earned a Pr<strong>of</strong>essional Studies Certificate.<br />
Prior to his appointment in Detroit, Hunter served as principal<br />
trumpet with the Jacksonville Symphony. A Yamaha Performing<br />
Artist, Hunter plays exclusively on Yamaha instruments.<br />
97
Brian Evans is principal 3rd trumpet/cornet <strong>of</strong> the Australian Opera and<br />
Ballet Orchestra, at the Sydney Opera House. Since joining in 1975, he<br />
has played every chair in the section. He maintains a large studio <strong>of</strong> private<br />
students, from beginner to tertiary levels. He is a member <strong>of</strong> Opera<br />
Australia Brass, and has appeared as soloist in concerts and recitals in<br />
three continents. Brian hosted ITG’s 2010 Conference in Sydney, Australia,<br />
is President <strong>of</strong> the Australian <strong>Trumpet</strong> <strong>Guild</strong>, and has served on<br />
ITG’s Board <strong>of</strong> Directors since 2001, (2007-2011 as Secretary) and was<br />
elected Vice-President/President-elect in ITG’s recently held elections.<br />
He has previously presented at ITG <strong>conference</strong>s (2003, 2005, 2009,<br />
2010) as well as China <strong>Trumpet</strong> <strong>Guild</strong> Conference (2009).<br />
Reinhold Friedrich is one <strong>of</strong> the most popular trumpeters <strong>of</strong> our<br />
time. Since his first prize in the <strong>International</strong> ARD competition in<br />
Munich in 1986, he has been present on the important stages <strong>of</strong><br />
the international scene. From 1983 to 1999 he was the soloist <strong>of</strong><br />
the Radio-Sinfonie-Orchester Frankfurt. He has toured throughout<br />
his native Germany, Europe, Japan, Israel, Monte Carlo, Portugal,<br />
Hungary, Austria, Switzerland, Ukraine, and Mongolia. Reinhold<br />
Friedrich’s spectrum goes from Ancient Music (and its historical<br />
original instruments like the baroque trumpet and the keyed trumpet)<br />
to the latest solo compositions for trumpet. In 2007/08 he performed Herbert Willi’s Concerto for<br />
<strong>Trumpet</strong> with the Vienner Symphony Orchestra and the Czech Philharmonic and Rihm “Marsyas” with<br />
the Royal Concertgebouw in Amsterdam. The beginning <strong>of</strong> his exclusive collaboration with Capriccio<br />
now Phoenix, Friedrich made the recording <strong>of</strong> “Classical <strong>Trumpet</strong> Concerts” with the Academy <strong>of</strong> St.<br />
Martin in the Fields under the direction <strong>of</strong> Sir Neville Marriner. His latest recordings include “<strong>Trumpet</strong><br />
and Organ” with organist Iveta Apkalna and “Assisi Christmas Cantatas” with Ruth Ziesak and the<br />
Ensemble L’Arte del Mondo. Visit his website at www.reinhold-friedrich.de.<br />
Kevin Gebo is an international prizewinning trumpeter as well as an active freelancer and soloist in<br />
the Washington Metropolitan Area. He frequently travels as a guest performer and clinician to universities<br />
and festivals and has been on faculty at The University <strong>of</strong> Arkansas-Fort Smith’s “Brass Camp”,<br />
Grand Valley State University’s “<strong>Trumpet</strong> Seminar” and Virginia Commonwealth University as Adjunct<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>Trumpet</strong>. His performances have taken him across<br />
the country as well as performances in Canada, Austria, Australia,<br />
and Germany. Gebo frequently performs with the Washington<br />
Symphonic Brass and Harrisburg Symphony Orchestra. He was also<br />
the principal trumpet on the Naxos recording <strong>of</strong> William Bolcom’s<br />
“Songs <strong>of</strong> Innocence and Experience” which won four Grammy<br />
awards in 2006, including “Best Classical Album.” In December<br />
2010 he was invited by Julia Fordham and Paul Reiser to perform<br />
as a featured guest on “The Tonight Show with Jay Leno” on their<br />
hit single “UnSung Hero.” Gebo is currently a Staff Sergeant in the<br />
United States Army and is a Yamaha Performing Artist.<br />
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Steven E. Hendrickson has been a member <strong>of</strong> the National Symphony<br />
Orchestra since 1982 and has served as principal trumpet for the past<br />
twenty-five years. He taught for 17 years at the Peabody Conservatory<br />
and has served on the faculty at the University <strong>of</strong> Maryland since 2000.<br />
Hendrickson has been a featured soloist with the National Symphony<br />
Orchestra on numerous occasions performing Bach, Vivaldi, Arutunian,<br />
Persichetti, and the Haydn <strong>Trumpet</strong> Concerto. His solo CD on the MSR<br />
Classics label was produced in 2006 and includes works for trumpet<br />
and organ and piano. He premiered Jonathon Leshn<strong>of</strong>f’s Cosmic Echoes.<br />
Hendrickson graduated from Iowa’s Luther College in 1973 with a degree<br />
in music and philosophy. Further study followed with some <strong>of</strong> the world’s<br />
leading brass players, including Adolf Herseth, William Scarlett, and Arnold Jacobs. He was a leading<br />
freelance player in Chicago while working as a broker on the Chicago Stock Exchange.<br />
David Hickman is considered one <strong>of</strong> the world’s pre-eminent<br />
trumpet virtuosos and has performed over 2000 solo appearances<br />
around the world as a recitalist or guest soloist with over 500 different<br />
orchestras. His tours have taken him around the world and in<br />
virtually every American city. Hickman has released 19 solo albums<br />
encompassing a wide variety <strong>of</strong> repertoire—from cornet solos to<br />
modern concert. As a noted clinician and author, Hickman has presented<br />
workshops on over 300 major university campuses. He has<br />
published over 40 articles, 200 scholarly editions <strong>of</strong> trumpet music,<br />
and several important trumpet and music texts. His latest 500-page<br />
<strong>book</strong>, <strong>Trumpet</strong> Pedagogy: A Compendium <strong>of</strong> Modern Teaching<br />
Techniques, is the number one text for university study and is used at over 200 schools <strong>of</strong> music around<br />
the world. Hickman is founder and president <strong>of</strong> the acclaimed Summit Brass and a past president <strong>of</strong> the<br />
<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. He received the ITG’s prestigious “Award <strong>of</strong> Merit” for lifetime achievement<br />
in 2005. His former students have occupied hundreds <strong>of</strong> orchestra, band, chamber music, and university<br />
positions. David Hickman is a Regents’ Pr<strong>of</strong>essor <strong>of</strong> Music at Arizona State University.<br />
Alan Hood has been performing music for over 30<br />
years. He toured the world with the Phil Collins Big<br />
Band and is among featured soloists on the band’s<br />
live compact disc recording A Hot Night in Paris and<br />
appears on well over forty other jazz, commercial and<br />
classical recordings, including his recent solo debut<br />
with strings, Just A Little Taste, and his co-led H2 Big<br />
Band’s You’re It. Dividing his career between performing<br />
and teaching <strong>full</strong> time at the University <strong>of</strong> Denver’s<br />
Lamont School <strong>of</strong> Music as associate pr<strong>of</strong>essor <strong>of</strong> trumpet, Al directs the Lamont Jazz Ensemble and<br />
performs extensively with Lamont’s artist-in-residence ensembles, the faculty brass trio, and the<br />
faculty jazz ensemble. Al hosted the highly acclaimed 2004 ITG Conference at the Lamont School <strong>of</strong><br />
Music and is currently a faculty member <strong>of</strong> the esteemed Rafael Méndez Brass Institute.<br />
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The principal trumpet <strong>of</strong> the Los Angeles Philharmonic Orchestra,<br />
Thomas Hooten previously served as trumpet/cornet with “The President’s<br />
Own” U.S. Marine Band in Washington, D.C., assistant principal<br />
trumpet <strong>of</strong> the Indianapolis Symphony, and principal trumpet <strong>of</strong> the<br />
Atlanta Symphony Orchestra. He can be heard on numerous recordings<br />
on the Telarc label with the Atlanta Symphony. His solo album is titled<br />
<strong>Trumpet</strong> Call. Hooten has appeared as soloist with the Atlanta Symphony,<br />
St. Paul Chamber Orchestra, the United States Air Force Band, the<br />
Keystone Winds, and the Richmond Symphony Orchestra. He has also<br />
appeared as guest principal trumpet with the Saint Louis Symphony, the<br />
Grand Teton Music Festival, and the Aspen Music Festival.<br />
Rich Illman has been associate pr<strong>of</strong>essor <strong>of</strong> trumpet at Michigan<br />
State University since 1990 and has been practicing yoga since<br />
1986. He is principal trumpet <strong>of</strong> the Lansing Symphony Orchestra<br />
and is a regular member <strong>of</strong> the Beaumont Brass, The Millennium<br />
Brass, and the Brass Band <strong>of</strong> Battle Creek. An active clinician, he<br />
has given presentations <strong>of</strong> “Yoga for Wind Players” all over the world.<br />
Mark J. Inouye is principal trumpet<br />
<strong>of</strong> the San Francisco Symphony. As a<br />
student he played with the New York<br />
Philharmonic and the Israel Philharmonic.<br />
He became a member <strong>of</strong> the Empire Brass Quintet and toured<br />
the U.S., Europe, Asia, and Canada. He served as co-principal trumpet<br />
with the New World Symphony and principal trumpet with the Charleston<br />
Symphony before joining the San Francisco Symphony in 1999.<br />
Inouye has twice been a soloist with the New World Symphony and performed<br />
as a soloist with the Houston Symphony. Under the direction <strong>of</strong><br />
Seiji Ozawa he performed the “Carnival <strong>of</strong> Venice” in Wynton Marsalis’s<br />
video production Marsalis on Music. He was a founding member <strong>of</strong> the Juilliard Jazz Sextet at Lincoln<br />
Center and a guest performer at the Hollywood Bowl in the Playboy Jazz Festival. Mark Inouye is also<br />
an active composer. His work Tribute to Beaky, was recently performed on the SFS Chamber Music<br />
Series. In May <strong>of</strong> 2004, he performed The Bull Behind the Horns-A Jazz Suite, on the SFS Chamber<br />
Music Series, which is available on his debut jazz CD at www.inouyejazz.com.<br />
Jens Lindemann is hailed as one <strong>of</strong> the most celebrated soloists<br />
in his instrument’s history and was recently named “<strong>International</strong><br />
Brass Personality <strong>of</strong> the Year” (Brass Herald). Jens has played in<br />
every major concert venue in the world: from the Philharmonics<br />
<strong>of</strong> New York, Los Angeles, London, and Berlin to Tokyo’s Suntory<br />
Hall and even the Great Wall <strong>of</strong> China. His career has ranged from<br />
appearing internationally as an orchestral soloist, being featured at<br />
the 2010 Olympics for an audience <strong>of</strong> 3 billion people, performing<br />
at London’s ‘Last Night <strong>of</strong> the Proms,’ recording with the Mormon<br />
100
Tabernacle Choir to playing lead trumpet with the renowned Canadian Brass and a solo Command<br />
Performance for the Queen <strong>of</strong> England. Jens has also won major awards ranging from Grammy and<br />
Juno nominations to winning the prestigious Echo Klassik in Germany as well as receiving several<br />
honorary doctorates. Heralded internationally as an outstanding artist, critics have stated: “He<br />
played with golden timbre and virtuosic flair” (New York Times), and “a world-class talent” (Los<br />
Angeles Times), Lindemann is one <strong>of</strong> the world’s most exciting trumpet soloists. Los Angeles based<br />
Lindemann is internationally endorsed by the Yamaha Corporation. Jens has an active website at:<br />
wwwtrumpetsolo.com.<br />
William Lucas is an assistant pr<strong>of</strong>essor <strong>of</strong> Jazz and Contemporary<br />
Improvisation at the University <strong>of</strong> Michigan School <strong>of</strong> Music, Theatre,<br />
and Dance, where he has been on faculty for over a decade. In addition,<br />
Bill is a member <strong>of</strong> the Detroit Symphony Orchestra <strong>Trumpet</strong><br />
section, a post he has held since 1988. Prior to serving at UM, Bill<br />
served on the faculties <strong>of</strong> the Oberlin Conservatory and Wayne State<br />
University. A prolific arranger for small ensembles, Bill’s compositions<br />
and arrangements have been performed by the Detroit Symphony, the<br />
Phoenix Symphony, and the Detroit Chamber Winds and Brass.<br />
Christopher Martin was appointed principal trumpet <strong>of</strong> the Chicago<br />
Symphony Orchestra in 2005 by Daniel Barenboim. Martin came to<br />
the CSO from his previous position as principal trumpet <strong>of</strong> the Atlanta<br />
Symphony Orchestra. Before joining the ASO, Martin was associate<br />
principal trumpet <strong>of</strong> the Philadelphia Orchestra. He has performed as<br />
guest principal trumpet with the Los Angeles Philharmonic, the Seattle<br />
Symphony, the Grand Teton Music Festival, and the Saito Kinen<br />
Festival. Martin is also an adjunct faculty member <strong>of</strong> Northwestern<br />
University. He received his bachelor’s degree in trumpet performance<br />
in 1997 from the Eastman School <strong>of</strong> Music, where his primary teachers<br />
were Charles Geyer and Barbara Butler. Christopher Martin is a<br />
Yamaha Performing Artist.<br />
Jo Martinie received her yoga instructor certification from the<br />
Kripalu Center for Yoga and Health in Lenox, MA in 1996 and has<br />
been doing classes for musicians since the 2002 ITG Conference.<br />
Her gentle mindful approach to yoga emphasizes breath awareness,<br />
body alignment, safe stretching, and fun.<br />
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Dr. Steven Marx is an international competition winner and a Yamaha<br />
Young Artist, having performed throughout the United States and internationally<br />
in countries such as China, England, Japan, Taiwan, Canada,<br />
Macao, and the Bahamas. Pr<strong>of</strong>essor Marx has won numerous prizes at<br />
the National <strong>Trumpet</strong> Competition, and also was awarded first place in<br />
the Mock Orchestra Competition at the ITG Conference in Manchester,<br />
England. He was awarded the NTC Lake Placid Scholarship in 2003,<br />
given to the individual most likely to make the biggest impact on the<br />
trumpet world. He was awarded the prestigious performers certificate<br />
and was the recipient <strong>of</strong> the 2008 Teaching Assistant Prize <strong>of</strong> Teaching<br />
Excellence during his graduate work at the Eastman School <strong>of</strong> Music.<br />
Marx completed a Bachelor <strong>of</strong> Music degree from Grand Valley State University, a Masters <strong>of</strong> Music<br />
in Performance from the Eastman School <strong>of</strong> Music, and a Doctor <strong>of</strong> Music Arts in Performance and<br />
Music Education from Eastman. He is currently assistant pr<strong>of</strong>essor <strong>of</strong> trumpet and head <strong>of</strong> brass at<br />
Colorado State University. He performs internationally as a soloist; and with Apex Brass and Aire<br />
Duo.<br />
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Dr. Scott Meredith is assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at the University<br />
<strong>of</strong> Wyoming where he teaches applied trumpet, Orchestral<br />
Excerpts, Jazz Techniques, Jazz History, and directs the University <strong>of</strong><br />
Wyoming trumpet ensemble. He currently serves as brass area head<br />
and is collegiate vice president <strong>of</strong> the Wyoming Music Educators<br />
Association. He is principal trumpet with the Wyoming Symphony<br />
and co-principal trumpet in the Cheyenne Symphony. He is also a<br />
regular member <strong>of</strong> the Fort Collins Symphony and Opera Fort Collins.<br />
Meredith recently released a world-wide premier recording <strong>of</strong> Jennifer<br />
Higdon’s <strong>Trumpet</strong> Songs on the Albany label.<br />
Yamaha Performing Artist Jean Moorehead Libs received her B.M.E. and M.M. in Music Education<br />
and <strong>Trumpet</strong> Performance from the University <strong>of</strong> Michigan School <strong>of</strong> Music while studying with<br />
Pr<strong>of</strong>essor Emeritus Clifford P. Lillya; she continued at Michigan doing Post Graduate and Doctoral<br />
studies with Armando Ghitalla. Miss Morehead’s teaching credentials<br />
include positions at Olivet College, The United World College <strong>of</strong><br />
Southeast Asia, Northern Michigan University, Wayne State University,<br />
Oberlin College Conservatory <strong>of</strong> Music, the University <strong>of</strong> Michigan, the<br />
University <strong>of</strong> Michigan All-State <strong>program</strong> at Interlochen, and Grand<br />
Valley State University where she recently completed her 9th season<br />
on the faculty <strong>of</strong> the GVSU <strong>International</strong> <strong>Trumpet</strong> Seminar. Formerly the<br />
principal trumpet <strong>of</strong> the Singapore Symphony, Moorehead remains active<br />
performing with Today’s Brass Quintet, the Michigan Sinfonietta, the Ann<br />
Arbor Symphony, and the Michigan Opera Theatre. During her tenure as<br />
Pedagogical Topics editor for the ITG Journal, she was the author and<br />
editor <strong>of</strong> dozens <strong>of</strong> articles with many <strong>of</strong> America’s leading trumpeters.<br />
She is presently the chair <strong>of</strong> ITG’s Young Artist Award Column.
Craig Morris is the trumpet pr<strong>of</strong>essor at the Frost<br />
School <strong>of</strong> Music at the University <strong>of</strong> Miami, where he<br />
pursues an active career as a soloist and chamber<br />
musician, including serving as principal trumpet<br />
and soloist at the Cabrillo Festival <strong>of</strong> Contemporary<br />
Music under Marin Alsop. His widely acclaimed debut<br />
solo CD Permit Me Voyage (Naxos) features original<br />
transcriptions <strong>of</strong> music by Brahms, Debussy, Barber,<br />
and Schumann. Mr. Morris’s orchestral career has<br />
included the posts <strong>of</strong> principal trumpet <strong>of</strong> the Chicago Symphony Orchestra, associate principal<br />
trumpet <strong>of</strong> the San Francisco Symphony, and 4th trumpet <strong>of</strong> the Chicago Symphony.<br />
James Olcott has been teaching trumpet at the university level<br />
since 1968 and for the last 35 years he has served on the faculty<br />
at Miami University (Ohio) where he teaches trumpet and conducts<br />
the school’s trumpet ensembles. Recently retired as principal<br />
trumpet <strong>of</strong> the Cincinnati Ballet Orchestra and the Middletown<br />
(Ohio) Symphony Orchestra, he continues to perform as an active<br />
free-lancer throughout the Cincinnati-Dayton area. Active as a<br />
composer and arranger, his compositions and arrangements have<br />
been published by Crown Music Press <strong>of</strong> Chicago, Tromba Publications<br />
<strong>of</strong> Denver, and by his own publishing firm, Triplo Press. He<br />
is also an active member <strong>of</strong> the ITG, for which he has served as<br />
secretary, vice president, and president. In 2005 he was recipient<br />
<strong>of</strong> the <strong>Guild</strong>’s Award <strong>of</strong> Merit.<br />
Kelly A. Parkes, Ph.D., is a tenured associate pr<strong>of</strong>essor at Virginia Tech, Blacksburg, VA. She has<br />
authored or coauthored 13 blind peer-review journal articles, and<br />
six refereed proceeding publications. She has also contributed<br />
greatly to the field by presenting at more than 40 regional, national,<br />
and international <strong>conference</strong>s. Dr. Parkes’ current areas <strong>of</strong><br />
research are focused in higher education pedagogy, assessment<br />
in applied music, and music teacher education. She is the Chair<br />
<strong>of</strong> the Society for Research in Music Education’s Assessment<br />
Special Research Interest Group and she is the permanent Chair<br />
<strong>of</strong> all competitions, as well as the Research Room Session, for the<br />
<strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>. Dr. Parkes has received numerous<br />
honors and awards in recognition <strong>of</strong> her exemplary pr<strong>of</strong>essional<br />
contributions. In 2010 she was recognized by the university<br />
for her teaching and research; winning the XCaliber Award for<br />
teaching with technology and the Scholarship <strong>of</strong> Teaching and Learning Award for her research about<br />
pedagogy within higher education. In 2012 she was awarded the University Exemplary Program for<br />
her impact on student learning.<br />
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Daniel Patrylak is Emeritus Pr<strong>of</strong>essor <strong>of</strong> Music at the University<br />
<strong>of</strong> Connecticut. A native <strong>of</strong> Plymouth, Pennsylvania and<br />
a graduate <strong>of</strong> the Eastman School <strong>of</strong> Music <strong>of</strong> the University<br />
<strong>of</strong> Rochester, Patrylak auditioned success<strong>full</strong>y for the United<br />
States Marine Band in Washington, D.C. and performed as<br />
cornet soloist in concerts and coast-to-coast radio broadcasts.<br />
This was followed by positions on the faculty <strong>of</strong> the Eastman<br />
School <strong>of</strong> Music and with the Rochester Philharmonic<br />
Orchestra. An internationally recognized trumpet virtuoso, he<br />
co-founded and served as first trumpet <strong>of</strong> the Eastman Brass<br />
Quintet, leading the group on concert tours throughout the<br />
United States, Canada, Central and South America, and Israel.<br />
He has also performed as principal trumpet <strong>of</strong> the Danbury<br />
Brass Band <strong>of</strong> Connecticut during tours <strong>of</strong> Australia, New Zealand, and Ireland. Pr<strong>of</strong>essor Patrylak’s<br />
students have achieved positions in major symphony orchestras, military bands, and faculty appointments<br />
in pre-college, collegiate, and graduate music departments.<br />
William Pfund is Pr<strong>of</strong>essor Emeritus at the University <strong>of</strong><br />
Northern Colorado. His primary teachers were Esotto Pellegrini<br />
and Roger Voisin and he has studied briefly with Adolph Herseth,<br />
Joseph Levora and Bo Nilsson. Pr<strong>of</strong>essor Pfund was the<br />
1990 recipient <strong>of</strong> the M. Lucile Harrison Award for outstanding<br />
teacher <strong>of</strong> the year at UNC. Pfund has been a regular member<br />
<strong>of</strong> the Youngstown University Faculty Brass Quintet, the Youngstown<br />
Symphony Orchestra, and The United States Army Band,<br />
Pershing’s Own, Washington, D.C. He was principal trumpet <strong>of</strong><br />
the Greeley (CO) Philharmonic Orchestra for 34 years. Pfund<br />
has been active with the ITG since its beginning.<br />
Adam Rapa is a<br />
dynamic performer,<br />
composer, producer, and educator who has become widely<br />
known for the excitement, energy, and enthusiasm he brings<br />
to stages and classrooms around the world. Currently living in<br />
Vienna, Austria, Rapa travels the globe as a recording artist<br />
and guest performer across a wide range <strong>of</strong> musical contexts.<br />
He has produced albums, theater productions and educational<br />
materials, all with an equally fresh voice and perspective.<br />
Adam looks forward to a long career <strong>of</strong> creating innovative<br />
and inspiring experiences, and contributing to the greater good<br />
through the medium <strong>of</strong> art. For more information, please visit:<br />
www.adamrapa.com.<br />
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Dr. Marc Reed is the Music Department Chair and Director <strong>of</strong> Brass<br />
Studies at Fort Lewis College where he teaches applied trumpet and<br />
horn, brass ensembles, and brass methods. He is the column editor<br />
<strong>of</strong> the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Journal’s <strong>Trumpet</strong> in the Wind<br />
Band Column, is co-principal trumpet <strong>of</strong> the San Juan Symphony<br />
Orchestra, an annual judge at the National <strong>Trumpet</strong> Competition,<br />
and is an artist/clinician for the Bach <strong>Trumpet</strong> Division <strong>of</strong> the Conn-<br />
Selmer Corporation. Reed is a graduate <strong>of</strong> The University <strong>of</strong> North<br />
Texas and Drake University. His teachers are Keith Johnson, Andrew<br />
Classen, and John Holt.<br />
<strong>International</strong>ly acclaimed trumpeter Marc Reese is best known<br />
for being the “other trumpet” <strong>of</strong> the Empire Brass for 17 years.<br />
Reese has performed in the New York Philharmonic, Cleveland<br />
and Boston Symphony Orchestras and has numerous recordings<br />
on Telarc, Sony, and Naxos. Summer festival appearances include<br />
Marlboro, Tanglewood, and the Pacific Music Festival. As an<br />
educator, Reese serves as Assistant Dean and Brass Department<br />
Head for Lynn University’s Conservatory <strong>of</strong> Music. He is a Bach<br />
trumpet artist and clinician and annually performs and adjudicates<br />
at international brass <strong>conference</strong>s and competitions. As a<br />
young artist Reese studied with Mel Broiles and Mark Gould. He<br />
received his B.M. from Boston University under Roger Voisin and<br />
his M.M. from the New England Conservatory under Tim Morrison.<br />
Reese currently resides in South Florida with his wife, pianist Lisa Leonard and their two boys, Carter<br />
and Luke. Visit www.MarcReese.com.<br />
A veteran <strong>of</strong> the renowned ensemble Rhythm & Brass, jazz legend<br />
Joe Henderson’s Quintet, the Chicago Jazz Ensemble, the Brass Band<br />
<strong>of</strong> Battle Creek, and appearances with countless celebrity artists,<br />
Yamaha Performing Artist Rex Richardson was named the 2008<br />
Brass Herald Personality <strong>of</strong> the Year. He stays busy as a headline<br />
artist at international festivals and as a soloist with orchestras, jazz<br />
groups, brass bands, and concert bands on five continents. Praised<br />
by the ITG Journal as “among the very best trumpet soloists in the<br />
world today,” Rex is pr<strong>of</strong>essor <strong>of</strong> trumpet and jazz trumpet at Virginia<br />
Commonwealth University and <strong>International</strong> Tutor at the Royal Northern<br />
College <strong>of</strong> Music in the U.K. Please visit his website at www.<br />
rexrichardson.net.<br />
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Father and son team Rich and Brandon Ridenour<br />
have been entertaining on stage together<br />
since Brandon was 7. Rich and Brandon’s<br />
first commercial recording collaboration was<br />
in 2005 with the release <strong>of</strong> <strong>Trumpet</strong> Invasion.<br />
It showcases creative adaptations <strong>of</strong> world<br />
favorite works not originally written for the<br />
trumpet. Mozart, Gershwin, and other masterful<br />
composers come alive like never before<br />
and won the Ridenours national acclaim as a duo. Their second recording release, <strong>Trumpet</strong> Encores,<br />
was in 2008. The album includes crowd pleasing favorites ranging from Flight <strong>of</strong> the Brandon Bee to<br />
Rhapsody in Blue. In addition to <strong>program</strong>ming great music for all ages, Rich and Brandon weave a<br />
comedic presence only father and son can share on a stage.<br />
Wiff Rudd began teaching at Baylor University in 2002. A<br />
founding member <strong>of</strong> Rhythm & Brass, he is also an active soloist,<br />
chamber and orchestral musician. He has been a featured<br />
soloist in Carnegie Hall on three occasions and at several<br />
National <strong>Trumpet</strong> Competitions and <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
Conferences. He has performed and presented master classes at<br />
more than 300 universities and numerous music festivals on five<br />
continents. Rudd is principal trumpet with the Waco Symphony,<br />
traveled to Moscow with the Houston Symphony (2012) and to<br />
Europe with the Dallas Symphony (2013). His <strong>book</strong>, Collaborative<br />
Practice Concepts, was released at the 2013 Texas Music Educators Association Conference.<br />
Michael Sachs is currently in his 25th year as principal trumpet <strong>of</strong> The Cleveland Orchestra. Solo<br />
performances with The Cleveland Orchestra include the world<br />
premiere <strong>of</strong> John Williams’ Concerto for <strong>Trumpet</strong>, Michael Hersch’s<br />
Night Pieces, Matthias Pintscher’s Chute d’Etoiles and the United<br />
States premiere <strong>of</strong> Hans Werner Henze’s Requiem. Mr. Sachs<br />
is Head <strong>of</strong> the <strong>Trumpet</strong> Department and Chairman <strong>of</strong> the Brass<br />
Division at The Cleveland Institute <strong>of</strong> Music. He is the author <strong>of</strong><br />
numerous <strong>book</strong>s including Daily Fundamentals for the <strong>Trumpet</strong>,<br />
14 Duets for <strong>Trumpet</strong> and Trombone (with Joseph Alessi), and<br />
The Orchestral <strong>Trumpet</strong>, a 176-page comprehensive <strong>book</strong> and CD<br />
overview <strong>of</strong> standard orchestral trumpet repertoire. For additional<br />
information, please visit www.michaelsachs.com.<br />
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2012-2013 finds Judith Saxton, <strong>Trumpet</strong> Artist/Faculty and<br />
Brass Coordinator at the University <strong>of</strong> North Carolina School<br />
<strong>of</strong> the Arts, and principal trumpet for NY Women’s Ensemble,<br />
Southeast Chamber Brass, UNCSA brass quintet, Shenandoah<br />
Valley Bach and Virginia’s Blue Ridge festivals and on the Eastern<br />
Music Festival faculty. The Saxton/Olsen duo with UNCSA<br />
organist Timothy Olsen, presents concerts, master classes and<br />
liturgical improvisation workshops. A board member for ITG in<br />
charge <strong>of</strong> Sponsor a <strong>Trumpet</strong>er, her solo cd Concert and Concert<br />
Pieces for <strong>Trumpet</strong>, Allison Gagnon, piano – with whom she<br />
also concertizes-was issued free to <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong><br />
members worldwide.<br />
Ge<strong>of</strong>frey Shamu studied in Paris with Pierre<br />
Thibaud, who introduced him to the teachings <strong>of</strong><br />
Merri Franquin. After winning a Premier Prix de<br />
Trompette from the Conservatoires de la Ville de<br />
Paris, he earned a D.M.A. from Boston University. A<br />
founding member <strong>of</strong> the Riverside Brass <strong>of</strong> Boston,<br />
he performs regularly as a soloist with orchestras<br />
and other ensembles throughout New England. He<br />
has taught at Boston Conservatory and Harvard<br />
University, and currently leads the trumpet studio at<br />
the Community Music Center <strong>of</strong> Boston, where he also serves as Chair <strong>of</strong> the Department <strong>of</strong> Winds,<br />
Brass, and Percussion. Please visit his website at www.gshamu.com<br />
Widely esteemed for her motivating solo appearances and highly<br />
regarded for her musical orchestral performing leadership,<br />
Pamela Smitter captivates her audiences with a rare blend<br />
<strong>of</strong> compelling and expressive musical style. During the past<br />
decade she has held the position <strong>of</strong> principal trumpet with the<br />
West Michigan Symphony Orchestra and section trumpet in the<br />
Kalamazoo Symphony Orchestra. She performs internationally in<br />
the HornPipes! Duo with organist Scott Montgomery, and released<br />
her first cd, HARK!, with this ensemble in 2010. An avid teacher<br />
and mentor, she has served as Lead Musician for the Carnegie<br />
LinkUP <strong>program</strong> in the WMSO since 2004. In addition, Pamela is<br />
the West Michigan Director for Bugles Across America, adjunct<br />
pr<strong>of</strong>essor <strong>of</strong> trumpet and Hope College, and a DMA candidate at<br />
Michigan State University. In 2010 Pamela became a Schilke artist.<br />
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Terell Stafford has been hailed as “one <strong>of</strong> the great players <strong>of</strong><br />
our time, a fabulous trumpet player,” by piano legend McCoy<br />
Tyner. Known for being a gifted and versatile player with a<br />
voice <strong>of</strong> his own, Stafford combines lyricism and a deep love <strong>of</strong><br />
melody with a spirited, adventurous edge. An educator as well<br />
as performer, Stafford currently holds the positions <strong>of</strong> Director<br />
<strong>of</strong> Jazz Studies and Chair <strong>of</strong> Instrumental Studies at Temple<br />
University in Philadelphia. For additional information, please<br />
visit www.terellstafford.com.<br />
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Jeff Uban has toured the world<br />
and performed on stage with<br />
the Glenn Miller Orchestra, Broadway National Tours, Frankie Valli<br />
and the Four Seasons, Tommy Dorsey Orchestra, Debbie Boone, and<br />
Greg Gisbert, among others. He has performed at such esteemed<br />
venues as Carnegie Hall, Montreal and San Francisco Jazz Festivals<br />
along with recording on several albums including his debut album<br />
in 2009, Shift In Times. Uban received numerous awards at various<br />
jazz festivals and competitions while attending Grand Valley State<br />
University, where he received his B.M. in <strong>Trumpet</strong> Performance. After<br />
completing his M.M. in Jazz Performance at the University <strong>of</strong> Denver,<br />
he came part <strong>of</strong> the faculty at the Community College <strong>of</strong> Denver<br />
before touring as the solo trumpet with the Glenn Miller Orchestra.<br />
Currently, he is finishing his dissertation for the D.M.A. at the University<br />
<strong>of</strong> Illinois.<br />
Allen and Laura Vizzutti met while studying at the world famous<br />
Eastman School <strong>of</strong> Music. They married 17 years later and have<br />
since toured the world performing recitals together and as soloists.<br />
Their recordings include the incredible Carnival <strong>of</strong> Venice and A<br />
<strong>Trumpet</strong>er’s Dream. Laura can be heard performing on movie sound<br />
tracks such as “Zeus and Roxanne,” and has recorded “Rhapsody<br />
in Blue” with the international ensemble ‘Ten <strong>of</strong> the Best’ and<br />
travels extensively performing in Europe, Japan, Australia, and<br />
North America. Allen has performed in 66 countries, has 12 solo<br />
recordings in both classical and jazz styles and is an accomplished<br />
composer. He has earned premier performances with the Los Angeles<br />
Philharmonic, the Rochester (NY) Philharmonic, the Budapest<br />
Radio Orchestra, and the London Symphony, and the United States Army, Navy, and Air Force Bands. His<br />
trumpet playing can be heard on over 150 movie and game sound tracks including Back to the Future,<br />
Star Trek, Halo, and Call <strong>of</strong> Duty. Allen has performed and toured with Chick Corea, Woody Herman,<br />
Chuck Mangione, and “Doc” Severinsen. He is currently composing new works and touring internationally<br />
in both classical and jazz settings. His newest jazz recordings on which Laura, Chick Corea, and<br />
Stanley Clarke perform in, is called “Ritzville”, and is available at www.vizzutti.com and on iTunes.
Walter White, a native <strong>of</strong> Detroit, was trained at the Interlochen<br />
Center for the Arts, the Juilliard School, the University <strong>of</strong> Miami,<br />
and the Banff Centre. Walter’s former teachers include William<br />
Vacchiano, John Lindenau, Leon Rapier, Carmine Caruso,<br />
Jerome Amend, and Kenny Wheeler. Walter’s dynamic trumpet<br />
playing led him to work with many <strong>of</strong> the top names in music including<br />
Bob James, Dave Holland, the Woody Herman Orchestra,<br />
the Detroit Symphony Orchestra, Gunther Schuller, the Lincoln<br />
Center Jazz Orchestra with Wynton Marsalis, and The Mingus<br />
Big Band. During the 1990’s, Walter toured and recorded with<br />
his boyhood hero, trumpeter Maynard Ferguson. Currently he<br />
serves as lead trumpeter for Dave Matthew’s Jazz Orchestra. He<br />
has authored the Walter White Long-tone Accompaniment, a play-along CD for music practice, which<br />
has garnered world-wide acclaim. Walter White is a Yamaha Performing Artist and Clinician. Please<br />
visit his website at www.walterwhite.com.<br />
Alex Wilson, 24, holds a Bachelor’s degree from Grand Valley<br />
State University, a Master’s degree from Arizona State University,<br />
and currently performs in one <strong>of</strong> the touring orchestras <strong>of</strong><br />
Shen Yun Performing Arts. He has appeared as a soloist with<br />
the GVSU Symphony Orchestra, the ASU Symphony Orchestra,<br />
and most recently with the Shen Yun Symphony Orchestra<br />
in Carnegie Hall. Prizes awarded to Alex during his studies<br />
include 1st place in the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong>’s Orchestral<br />
Excerpts Competition in 2010, 1st place in the National<br />
<strong>Trumpet</strong> Competition’s <strong>Trumpet</strong> Ensemble Division in 2008, and 2nd place in both the Undergraduate<br />
Division and Graduate Division <strong>of</strong> NTC in the years 2010 and 2012, respectively. Alex also has<br />
experience performing with the Holland Symphony Orchestra (Michigan), the Phoenix Symphony, and<br />
the Arizona Opera.<br />
Christopher Wilson is artist/assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />
Arkansas State University. Wilson was a member <strong>of</strong> The United<br />
States Air Force Band in Washington, D.C. While a member, he performed<br />
and taught clinics throughout the United States and Japan.<br />
He has performed for numerous dignitaries including Presidents<br />
George W. Bush and Barrack Obama. In 2004, Wilson performed<br />
at the funeral <strong>of</strong> former President Ronald Reagan. Additionally, Dr.<br />
Wilson has performed with the Annapolis Symphony, Annapolis<br />
Opera, Maryland Symphony, Alexandria Symphony, Concert Artists<br />
<strong>of</strong> Baltimore, and the North Arkansas Symphony.<br />
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Jeffrey Work joined the Oregon Symphony as principal trumpet in<br />
2006, following 13 years <strong>of</strong> freelancing in the Boston area. Since<br />
1999, he has also served as principal trumpet <strong>of</strong> the Colorado Music<br />
Festival. Work is a featured performer on the Oregon Symphony’s<br />
acclaimed 2011 release “Music for a Time <strong>of</strong> War.” Other recorded<br />
performances include Stravinsky’s Petrouchka and Mahler’s Sixth<br />
Symphony with the Boston Philharmonic, as well as performances<br />
with the Boston Symphony, the Boston Pops, and the Boston Modern<br />
Orchestra Project. In addition to his orchestral duties in Portland and<br />
Boulder, Work performs concerto and chamber repertoire as his busy<br />
schedule will allow. Notable performances include the 1998 world<br />
premiere <strong>of</strong> Eric Ewazen’s “Concerto for <strong>Trumpet</strong> and String Orchestra”<br />
and the 2003 world premiere <strong>of</strong> James M. Stephenson’s “Concerto for <strong>Trumpet</strong>.” In 1997, he also<br />
recorded Haydn’s <strong>Trumpet</strong> Concerto with the Missouri Chamber Orchestra.<br />
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Collaborative Artists<br />
Winner <strong>of</strong> the 2008 Canadian Smooth Jazz Award for Best Pianist,<br />
the Bulgarian piano prodigy Kristian Alexandrov is definitely hitting<br />
his stride. Since moving to Canada in 1995, Kristian has firmly<br />
entrenched himself in the Canadian music scene – as an active<br />
composer, performer, producer, clinician, and studio musician. For<br />
thirteen years he has been involved with Decidedly Jazz Danceworks<br />
as a composer and musical director. Onstage Kristian has worked<br />
alongside some tremendous Canadian and international artists,<br />
including Randy Brecker, Eric Marienthal, Kenny G, Alain Caron, Bob<br />
Mintner, Jens Lindemann, Pat Sheridan, The Candian Tenors, Joshua<br />
Hilberman, Senator Tommy Banks, Tap Tel Aviv, Wycliffe Gordon, Sean<br />
Jones, Adam Rapa, Guido Basso, Mike Murley, Andrea T<strong>of</strong>anelli, Shannon<br />
Gaye, and Jacie Richardson.<br />
Tom Burge is the second trombonist <strong>of</strong> the Charlotte<br />
Symphony Orchestra. In addition, he hosts the radio<br />
show “Sunday Evening” on classical public radio<br />
station WDAV. He is also a guest morning, midday,<br />
and evening presenter on 99.5 WGBH in Boston.<br />
Burge has performed with most <strong>of</strong> the Australian<br />
Symphony Orchestras and a few America ones as<br />
well, most notably the New York Philharmonic; Los<br />
Angeles Philharmonic; and the symphony orchestras in Cincinnati, Charleston, Augusta, and Jacksonville<br />
before settling in Charlotte, North Carolina. He was the previous Chair <strong>of</strong> the Brass Department<br />
at the Canberra School <strong>of</strong> Music in the Australian National University for many years. Burge has<br />
conducted many award winning ensembles, orchestras, symphonic bands, and choirs. He received<br />
a Queens Trust award and was awarded the title <strong>of</strong> “Australian Trombone Champion” in Tasmania in<br />
2004, then defended the title success<strong>full</strong>y in Adelaide in 2005.<br />
Pianist Robert Conway is one <strong>of</strong> the most exciting and versatile performers<br />
<strong>of</strong> 20th Century music in the country today. A frequent solo recitalist<br />
and chamber musician, he has a large number <strong>of</strong> premieres to his credit<br />
and has been the featured soloist in numerous composer-supervised<br />
festivals and performances. Since 1989, Conway has performed as<br />
pianist for the Detroit Symphony Orchestra. Presently on the faculty at<br />
Wayne State University, he has taught at the University <strong>of</strong> Michigan and<br />
Oakland University. Concerto appearances have included those with the<br />
Detroit and Richmond Symphony Orchestra. He has recorded on Opus<br />
One, Crystal, Koch <strong>International</strong> and University <strong>of</strong> Michigan Records, and<br />
is represented by Great Lakes Performing Artists Associates.<br />
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Toronto-based Mike Downes has earned a reputation as one <strong>of</strong> Canada’s<br />
finest jazz artists. He has been active as a bassist, composer,<br />
arranger, and educator in the Canadian music scene since the early<br />
1980s. His musicality, emotional depth and melodic approach to the<br />
bass have thrilled audiences throughout Europe, Japan, South Korea,<br />
Brazil, Mexico, Iceland, the United States, and Canada. In addition<br />
to leading his own groups, Mike has performed with virtually all <strong>of</strong><br />
Canada’s top jazz musicians. He has released three recordings as a<br />
leader – Forces, Then, and The Winds <strong>of</strong> Change. Helping to mentor<br />
and inspire young musicians is an important component <strong>of</strong> his career.<br />
He has been the Bass Department Head at prestigious Humber College<br />
in Toronto since 2000. He has also been featured as a Yamaha<br />
artist/clinician throughout Canada.<br />
Pianist Miriam Hickman completed her DMA at Arizona State<br />
University where she served as a Faculty Associate in accompanying<br />
from 1982-1987. Dr. Hickman has served as a staff<br />
accompanist for the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference, the<br />
<strong>International</strong> Tuba & Euphonium Conference, the <strong>International</strong><br />
Double Reed Society Conference, and the Southwest Regional<br />
Conference <strong>of</strong> the World Saxophone Conference. She has accompanied<br />
solo performers from major U.S. symphonies including New<br />
York, Philadelphia, Chicago, Cleveland, the National Symphony,<br />
San Francisco, and Phoenix, and frequently subs on various keyboards with the Phoenix Symphony.<br />
She has been a guest pianist with such ensembles as Quintessence, Arpeggio, and Southwest Brass,<br />
and was a founding member <strong>of</strong> Bavarde Quintet. In addition to her active freelance career, she is also<br />
the organist at the Church <strong>of</strong> the Epiphany in Tempe, Arizona and the owner <strong>of</strong> Classic Touch Music<br />
Academy where she teaches nearly sixty piano students a week.<br />
Kimberly Ann Kaloyanides Kennedy won her coveted position<br />
as a violinist with the Detroit Symphony Orchestra at the age<br />
<strong>of</strong> 22. In 2003, Kennedy further realized her dream when she<br />
became Associate Concertmaster until being appointing Acting<br />
Concertmaster in 2011. She began her study <strong>of</strong> the violin at<br />
age five and later pursued her studies at Brevard Music Center,<br />
Interlochen Arts Camp as the Governor’s Scholar for the state<br />
<strong>of</strong> Ohio, Sarasota Music Festival, Aspen Music Festival, Harid<br />
Conservatory, and finally at the University <strong>of</strong> Michigan. It was<br />
halfway through her senior year at Michigan in 1998 that her<br />
hard work paid <strong>of</strong>f when she joined the first violin section <strong>of</strong> the DSO. Throughout her training, she<br />
won several prizes in competitions including the Grand Prize in the National MTNA competition, 1st<br />
prize in the Greek Women’s National Competition, the Skokie Valley Concerto Competition, and was<br />
one <strong>of</strong> the few Americans invited to the <strong>International</strong> Violin Competition <strong>of</strong> Indianapolis in 1998. She<br />
solos regularly with the Detroit Symphony Orchestra.
Originally from Grand Rapids, Michigan, pianist Rachael Kerr has<br />
frequently performed in the Chicago area and internationally. Recent<br />
collaborations include performances with Fifth House Ensemble,<br />
Garth Newel Piano Quartet, Allium String Quartet, Castleton Music<br />
Festival, American Chamber Opera, Opera Training Institute <strong>of</strong><br />
Chicago, and the Vianden <strong>International</strong> Music Festival. She obtained<br />
double bachelor’s degrees in chemistry and piano at John Hopkins<br />
University and Peabody Conservatory, where she was the recipient <strong>of</strong><br />
the Abrams Double Degree scholarship, studying with Young Hi Moon.<br />
As a doctoral student at Northwestern University, she studied with<br />
Sylvia Wang and Elizabeth Buccheri and was a prizewinner in the<br />
2010 Thaviu-Isaak Piano competition. Rachael is also on the faculty <strong>of</strong> the Interlochen Arts Center,<br />
where she is the coordinator <strong>of</strong> the collaborative piano department, and at Aspen Music Festival,<br />
where she is an opera coach for the summer season.<br />
Greg Spiridopoulos graduated from Michigan State University<br />
in 1997 and was a student <strong>of</strong> Curtis Olson; earned his MM from<br />
Boston University. Greg is principal trombone <strong>of</strong> the Glimmerglass<br />
Opera Festival, the Albany Symphony, acting principal <strong>of</strong><br />
the Rhode Island Philharmonic, and second trombone <strong>of</strong> the<br />
Portland Symphony and Boston Philharmonic. As an active freelancer,<br />
Greg has appeared with the Boston Symphony, Boston<br />
Pops, Handel and Haydn Society, Boston Lyric Opera, Boston<br />
Ballet, and many others. In 2010, he was appointed to the University<br />
<strong>of</strong> Massachusetts, Amherst, as Lecturer <strong>of</strong> Trombone.<br />
Pianist Eriko Takezawa<br />
was born in in Hiroshima, Japan and studied with Naoyuki<br />
Taneda and Wolfgang Manz. She won the first prize in the<br />
international piano competition in Ostuni (Italy) in 1994 and is<br />
lecturer at the music schools in Karlsruhe and San Sebastian<br />
(Spain). Very much in demand as a chamber music partner,<br />
she also performs with Reinhold Friedrich, Thomas Horch,<br />
Thomas Indermühle, Renate Greisss, Angela Firkins, and<br />
Eckhard Hüber. As a member <strong>of</strong> the piano ensemble Takezawa-<br />
Sischka (with Christoph Sischka), she has won prizes in five<br />
international piano duo competitions in Japan, Italy, and the<br />
Czech Republic.<br />
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Ted Warren has a solid reputation as a musical,<br />
versatile drummer. He is an active member <strong>of</strong> Canada’s<br />
jazz scene and has been recognized in Jazz Report’s<br />
Drummer <strong>of</strong> the Year award. He is a well-regarded clinician<br />
and adjudicator and has been teaching at Humber<br />
College in its Jazz Studies <strong>program</strong>. Ted fronts his own<br />
quartet, Ted’s Warren Commission, which has a lively<br />
following. He was the drummer for Boss Brass and can<br />
be heard on their recent CD’s including Velvet and Brass<br />
(with Mel Torme), From Lush to Lively (with Oliver Jones), Even Canadians get the Blues, and The<br />
Boss Brass Plays the Jazz Classics.<br />
Rebecca Wilt has received national and international<br />
recognition as a virtuoso collaborative pianist. Rebecca has<br />
performed in collaboration with some <strong>of</strong> the world’s greatest<br />
soloists: members <strong>of</strong> the New York Philharmonic, the Boston<br />
Symphony, the National Symphony, the Atlanta Symphony,<br />
the Chicago Symphony, the Philadelphia Orchestra, the San<br />
Francisco Symphony, and the Los Angeles Philharmonic. In<br />
addition she has worked with vocalists performing with the<br />
Metropolitan Opera, the Lyric Opera <strong>of</strong> Chicago and Covent<br />
Garden. Rebecca can be heard on several compact discs:<br />
Origins with Mark Clodfelter, <strong>Trumpet</strong> Call with Thomas Hooten, Song and Dance with Alan Baer, An<br />
American Portrait with James Thompson, Twas in the Moon <strong>of</strong> Wintertime’, a collection <strong>of</strong> traditional<br />
holiday favorites; Lyrica Latino with James Ackley, and Pastorale, with the Trelumina Trio. In demand<br />
as a clinician, Rebecca frequently gives workshops and master classes at universities and colleges<br />
all over the country on topics involving vocal coaching, instrumental chamber music, rehearsing<br />
with a pianist, and the competition road. Currently on the faculty at the University <strong>of</strong> North Carolina<br />
Greensboro and the University <strong>of</strong> North Carolina School <strong>of</strong> the Arts, she is also on the summer faculty<br />
for the Center for Advanced Musical Studies in Enfield, New Hampshire, as well as appearing as<br />
guest artist at various festivals all over the world.<br />
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Bulgarian-born pianist, Rumyana Yanakieva Hoksbergen<br />
began studying piano at the age <strong>of</strong> six. After graduating from the<br />
National Academy <strong>of</strong> Music in S<strong>of</strong>ia (Bulgaria), she continued her<br />
education at the University <strong>of</strong> South Florida where she completed<br />
her Master’s Degree with a <strong>full</strong> assistantship. Rumyana most<br />
recently finished the D.M.A. in Music Performance from Michigan<br />
State University. At MSU, she was a scholarship winning pianist<br />
and a graduate assistant who worked with undergraduate and<br />
graduate students. Rumyana has given numerous solo, collaborative<br />
piano, and chamber music recitals and <strong>of</strong>ten appears as<br />
part <strong>of</strong> the R&R Piano and <strong>Trumpet</strong> duo with her husband Ross<br />
Hoksbergen. Rumyana Yanakieva is also a founder and director<br />
<strong>of</strong> Lansing Piano Studio in Lansing, Michigan.
Conductors<br />
Doug Richards, pr<strong>of</strong>essor <strong>of</strong> music at Virginia Commonwealth<br />
University, received the 1997 VCU Outstanding Teaching Award.<br />
His former students have performed and recorded with many <strong>of</strong><br />
the world’s leading jazz organizations. Richards joined the VCU<br />
faculty in 1979, founding its Jazz Studies <strong>program</strong> in 1980. He is<br />
also the founder and musical director <strong>of</strong> the Great American Music<br />
Ensemble, one <strong>of</strong> the leading pr<strong>of</strong>essional repertory jazz orchestras<br />
in the nation. Richards has transcribed numerous jazz performances<br />
for Smithsonian Jazz Masterworks Publications and lectured<br />
at the Smithsonian Institute regarding the music <strong>of</strong> Duke Ellington.<br />
For three years, Richards joined Wynton Marsalis, Max Roach, Ray Brown, Victor Lewis and Martin<br />
Williams on the jazz faculty at Gunther Schuller’s Festival at Sandpoint, Iowa. He met guitarist/<br />
composer Anthony Wilson there and subsequently produced Wilson’s first two compact discs, one <strong>of</strong><br />
which was nominated for a Grammy. Martin Williams, the “dean <strong>of</strong> jazz critics,” has called Richards,<br />
“the most original writer for big band since Gil Evans.”<br />
Barry D. Martin is the conductor <strong>of</strong> the Grand Rapids Symphonic<br />
Band and pr<strong>of</strong>essor <strong>of</strong> music at Grand Valley State University.<br />
He has numerous arranging credits and writes music performed<br />
by the GVSU ensembles. He is a member <strong>of</strong> the National Band<br />
Association and College Band Directors National Association. He<br />
also holds honorary memberships in the Michigan School Band<br />
and Orchestra Association, Kappa Kappa Psi Honorary Band<br />
Fraternity, Tau Beta Sigma Honorary Band Fraternity, and Mu<br />
Phi Epsilon. Before joining the faculty at GVSU in 1994, Martin<br />
taught as a graduate assistant and conducting intern at the University<br />
<strong>of</strong> Illinois. He also previously served as Assistant Director<br />
<strong>of</strong> Bands and Director <strong>of</strong> the Marching Bands at Akron.<br />
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Ensembles<br />
Dodworth Saxhorn Band (DSB) is a re-creation <strong>of</strong> a brass band founded by the Dodworth Family<br />
<strong>of</strong> New York City in 1825. Using period instruments (1840-1880) and performing period music, the<br />
Dodworth Band entertains, educates and involves audiences through scripted theatrical scenes that<br />
address social and political<br />
issues in the 1800’s. Since<br />
1985 the DSB has performed in<br />
venues ranging from small communities<br />
to The White House.<br />
Annually presenting 65 concerts,<br />
dances, educational assemblies,<br />
parades, and strolling performances<br />
throughout the United<br />
States, the Dodworth Saxhorn<br />
Band is America’s Premier 19th<br />
Century Brass Band; “Bringing<br />
America’s Musical Past to Life!”<br />
Since 2004, the Gaudete Brass Quintet has committed itself to presenting serious brass chamber<br />
music through compelling concerts, commissioning new works and adventurous recordings. The<br />
group has engaged in live performances at venues such as Merkin Hall and Symphony Space in New<br />
York City and Millennium Park in Chicago, commissioned new works from noted composers such as<br />
David Sampson, Rob Deemer, John Cheetham and Stacy Garrop, and appeared on radio broadcasts<br />
on WFMT in Chicago and Nashville Public Radio. While keeping this rigorous performance schedule,<br />
the Quintet has recorded three albums: Brass Outings (2006), winner <strong>of</strong> the CDBaby Editors’ Choice<br />
distinction and nominee for Just Plain Folks Best Classical Chamber Album; Conversations in Time<br />
with organist R. Benjamin Dobey (2011, Pro Organa); and Chicago Moves, produced by Grammy<br />
winner Judith Sherman and featuring several <strong>of</strong> its commissioned works (forthcoming 2012, Cedille<br />
Records). In addition to having served as<br />
Artists-in-Residence at Carthage College<br />
(Kenosha, WI) and presenting composition<br />
workshops to young artists at Columbia<br />
College and Roosevelt University in<br />
Chicago, the quintet has also presented<br />
educational <strong>program</strong>s and concerts at<br />
prominent institutions including The Juilliard<br />
School, Eastman School <strong>of</strong> Music,<br />
and Vanderbilt University. To learn more<br />
about the Gaudete Brass, please visit www.<br />
gaudetebrass.com.<br />
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Composers<br />
Brendan Collins, Australian composer, is the composer-in-residence<br />
at Barker College, Sydney, Australia. He has held a similar position<br />
with the Sydney Youth Orchestras and was the associate principal<br />
trombonist with Opera Australia from 1991-2002. At previous ITG<br />
<strong>conference</strong>s he has had works premiered by Judith Saxton, Andrea<br />
T<strong>of</strong>anelli and John Irish. This year he will have works performed<br />
by Vincent DiMartino, Judith Saxton, and Brian Evans. He has also<br />
composed a work for 12 trumpets, titled Make a Joyful Noise, that will<br />
be premiered at the Festival <strong>of</strong> <strong>Trumpet</strong>s recital. His brass works are<br />
published by hickmanmusiceditions.com, kookaburramusic.com, and<br />
reedmusic.com. He receives regular commissions for new works from<br />
some <strong>of</strong> the world’s leading brass players including Steve Rosse,<br />
Scott Kinmont, Paul Goodchild, and Hidehiro Fujito. This year, he will<br />
be the featured composer at the Sydney <strong>International</strong> Brass Festival.<br />
Jeffrey W. Holmes, pr<strong>of</strong>essor <strong>of</strong> music and Director <strong>of</strong> Jazz Studies at the University <strong>of</strong> Massachusetts,<br />
is a nationally commissioned composer/arranger (B.M.I.), and<br />
multiple recipient <strong>of</strong> National Endowment For The Arts Jazz Composition<br />
Grants, having written for John Abercrombie, Ernie Watts,<br />
Doc Severinsen, the Tommy Dorsey Orchestra, and the Big Apple<br />
Circus. His big band appeared at the 2007 ITG Conference. Recent<br />
CDs include “Chicago Exitos!” by the New York Latin All-Stars, (horn<br />
arrangements and trumpet), the New England Jazz Ensemble (lead<br />
trumpet/arranger), and as pianist/composer with the Paul Winter<br />
Consort, on his own quartet (“Of One’s Own” on Miles High Records).<br />
Kevin McKee is an active trumpeter, composer, and educator<br />
in the Washington DC area. Kevin is a member <strong>of</strong> the Wammieaward<br />
winning Great Noise Ensemble, the Brass Band <strong>of</strong> the<br />
Potomac and is second trumpet in the Britt Festival Orchestra in<br />
Jacksonville, OR. He has performed with the Virginia and Richmond<br />
Symphonies, the New York Opera Society, and has also appeared<br />
with the legendary soul group, The O’Jays. As a composer<br />
his pieces have been performed throughout North America as<br />
well as in Europe, Asia, and Australia. As an educator, he teaches<br />
brass at the <strong>International</strong> School <strong>of</strong> Music and at DeMatha High<br />
School in addition to his private studio.<br />
119
Erik Morales began his composing career shortly after graduation from<br />
high school in south Florida. He studied composition at Florida <strong>International</strong><br />
University, and completed his bachelor’s degree at the University <strong>of</strong> Louisiana<br />
at Lafayette. Accessible at all levels, the music <strong>of</strong> Eriko Morales has a<br />
unique melodic and harmonic vocabulary that appeals to audiences worldwide.<br />
His published works encompass a large variety <strong>of</strong> styles and settings,<br />
including works for concert, orchestral, jazz and chamber ensembles and<br />
have been part <strong>of</strong> featured performances across the globe. Morales currently<br />
teaches and plays trumpet pr<strong>of</strong>essionally in the New Orleans area,<br />
in addition to maintaining an active composing and conducting schedule. Morales’ jazz ensemble<br />
music is published through Belwin Jazz, his concert and orchestral works are published exclusively<br />
through The FJH Music Company, Inc. and his trumpet and chamber works are self-published through<br />
MoralesMusic.com.<br />
Doug Richards – see Conductors<br />
Chicago area composer James Stephenson’s works have been performed<br />
by leading American orchestras and hailed by critics as having<br />
“straightforward, unabashedly beautiful sounds,” and “Stephenson<br />
deserves to be heard again and again!” (Boston Herald). His music incorporates<br />
a fresh and energizing sound scape that delights the audience<br />
while maintaining integrity and worthwhile challenges for the performing<br />
musicians. This rare combination has rewarded Stephenson with a host<br />
<strong>of</strong> ongoing commissions and projects. Last season saw the premieres <strong>of</strong><br />
two new violin concertos performed by the Minnesota Orchestra and the Rhode Island Philharmonic.<br />
Active in the concert band world, recent premiers at major venues include the 2010 Midwest Clinic<br />
and the 2011 American Bandmasters Association convention with the U.S. “President’s Own” Marine<br />
Band. Stephenson is currently enjoying a position <strong>of</strong> Composer-in-Residence with the Lake Forest<br />
Symphony. For more information, please visit www.stephensonmusic.com<br />
Julian Wachner is one <strong>of</strong> North America’s most exciting and versatile musicians,<br />
sought after as a conductor, composer, and keyboard artist. Recent<br />
and upcoming engagements include those with the Lincoln Center Festival,<br />
(The Blind), BAM Next Wave Festival (Liederabend 2013), Juilliard Opera<br />
Theatre (2013 Main stage), The Rolling Stones (50th anniversary tour), New<br />
York City Opera (VOX), Hong Kong Philharmonic, TENET (TENEbrae), Portland<br />
Baroque (Messiah), and Carnegie Hall (Arvo Pärt Passio). He is Director <strong>of</strong><br />
Music and the Arts, Trinity Wall Street and Music Director <strong>of</strong> the Grammywinning<br />
Washington Chorus. He is a former faculty member at MIT, Boston<br />
University School <strong>of</strong> Theology and School for the Arts, and McGill University. As a composer he has<br />
an impressive volume <strong>of</strong> works to his credit, published exclusively by E.C. Schirmer. His Grammynominated<br />
album: Israel in Egypt with The Choir <strong>of</strong> Trinity Wall Street and Trinity Baroque Orchestra<br />
was recorded under the Musica Omni banner. His other labels include ATMA Classique, Chandos,<br />
Naxos, Erato, and Dorian.<br />
120
New Works Performers<br />
Jeremy Brekke was appointed associate pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />
North Dakota State University in 2008 and previously was on the<br />
faculty at Loyola University in New Orleans. He received a B.S.<br />
in Music Education from NDSU and a Doctorate <strong>of</strong> Arts and M.M.<br />
from the University <strong>of</strong> Northern Colorado where he studied with<br />
William Pfund. Dr. Brekke has performed with numerous orchestras<br />
and jazz ensembles on lead and solo trumpet and frequently<br />
performs with the NDSU Faculty Brass Quintet. He is an active<br />
clinician and contributes to the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> in<br />
various capacities.<br />
Slawomir Cichor see Performers/Presenters<br />
Mark Carson is a freelance performer and educator in the<br />
Washington, D.C. area specializing in classical and commercial<br />
performance. Formerly assistant principal percussionistprincipal<br />
drumset with the United States Air Force Band,<br />
Washington, DC, Mark has performed with the National<br />
Symphony, Kennedy Center Opera House Orchestra, National<br />
Gallery Orchestra, Baltimore Opera Company, Houston Ballet,<br />
San Francisco Ballet, and New York City Ballet. He is an educational<br />
artist for Sabian Cymbals, Pearl Drums/Adams Percussion,<br />
Blackswamp Percussion, and Vic Firth drumsticks.<br />
Mark has commissioned new works involving percussion and<br />
various instruments and has given world premier performances<br />
<strong>of</strong> more than a dozen works.<br />
Mark Clodfelter is a versatile performer <strong>of</strong> international<br />
acclaim and a Grammy nominated recording artist who was<br />
recently described by Classical Voice North Carolina as “…a<br />
stellar world-class trumpeter who’s dazzling playing wowed the<br />
audience.” As a soloist, Mark has appeared throughout North<br />
and South America, Europe, Asia, and Australia. He is principal<br />
trumpet <strong>of</strong> the Asheville Symphony Orchestra, the Trade Winds<br />
(Tampa, FL) and a member <strong>of</strong> Covalence, a duo, with Rebecca<br />
Wilt, his wife and renowned collaborative pianist. Mark is the<br />
pr<strong>of</strong>essor <strong>of</strong> trumpet at the University <strong>of</strong> North Carolina at<br />
Greensboro, having held similar positions at the University <strong>of</strong> Kentucky and Mars Hill College. For<br />
more information visit www.markclodfelter.com.<br />
121
Mary Jo Cox received her Master <strong>of</strong> Music and Doctor <strong>of</strong> Musical<br />
Arts degrees in piano performance from the University <strong>of</strong><br />
Cincinnati College-Conservatory <strong>of</strong> Music. As a member <strong>of</strong> the<br />
Ixopo Duo, she and pianist Franklin Larey were awarded first<br />
prize in the Graves Duo-Piano Competition and were finalists in<br />
the prestigious Murray Dran<strong>of</strong>f <strong>International</strong> Duo-Piano Competition.<br />
She currently holds the position <strong>of</strong> principal keyboardist<br />
with the Midland Symphony Orchestra and is a frequent collaborative<br />
pianist for festivals and competitions throughout the<br />
United States. In addition, Cox is a frequent MTNA adjudicator<br />
and has served on the faculties <strong>of</strong> Central Michigan University<br />
and New England Music Camp.<br />
A member <strong>of</strong> the University <strong>of</strong> Georgia School <strong>of</strong> Music faculty<br />
since 2008, Brandon Craswell holds undergraduate and graduate<br />
degrees in trumpet performance from Indiana University and a<br />
Doctor <strong>of</strong> Musical Arts degree from the University <strong>of</strong> Kentucky. In<br />
demand as an orchestral musician, Craswell has performed with<br />
the Atlanta, Charleston, Indianapolis, Jacksonville, and Honolulu<br />
Symphonies, as well as the Santiago (Chile) Philharmonic. Adept<br />
at both classical and jazz, he has performed throughout the<br />
United States as well as Argentina, Austria, Brazil, Chile, Italy,<br />
and Russia.<br />
Lin Foulk is associate<br />
pr<strong>of</strong>essor <strong>of</strong> music at Western Michigan University, where<br />
she teaches horn, coaches chamber ensembles, and is a<br />
member <strong>of</strong> the Western Brass quintet. She has recently performed<br />
with Boston Brass, Monarch Brass, and the Fontana<br />
Chamber. Especially interested in music with horn by female<br />
composers, she has performed and presented lectures on<br />
works by women throughout the United States and as a<br />
guest artist at the 2004 <strong>International</strong> Horn Symposium in<br />
Valencia, Spain. She currently serves on the Board <strong>of</strong> the<br />
<strong>International</strong> Women’s Brass Conference.<br />
122
Aaron Hodgson has been praised for his “exquisite musicianship<br />
and assured composure” (Journal <strong>of</strong> the <strong>International</strong><br />
<strong>Trumpet</strong> <strong>Guild</strong>) and his “outstanding lyrical trumpet playing”<br />
(Hartford Courant). A prize-winner in Ellsworth Smith and OSM<br />
Standard Life Competitions, Aaron has been broadcast nationally<br />
by CBC Radio’s The Signal, and can be heard on Naxos and<br />
Analekta records as principal trumpet on recordings <strong>of</strong> Bach’s<br />
Magnificat, Berlioz’s Symphonic Fantastique and the complete<br />
symphonies <strong>of</strong> Beethoven and Brahms. Aaron is the founder<br />
<strong>of</strong> the Reveille <strong>Trumpet</strong> Collective and is on faculty at Western<br />
University. He holds a Doctor <strong>of</strong> Musical Arts from Yale University.<br />
Anthony B. Kirkland is assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at Mississippi<br />
State University, where he teaches applied trumpet and trumpet<br />
consort. He completed a successful career in The United States Air<br />
Force Band in Washington, D.C., in 2007. He holds a Bachelor <strong>of</strong><br />
Music Education from Troy University, a Master <strong>of</strong> Music from Florida<br />
State University, and a Doctorate in <strong>Trumpet</strong> Performance from the<br />
University <strong>of</strong> Maryland. His teachers include Bryan G<strong>of</strong>f, Phil Collins,<br />
Emerson Head, and Chris Gekker. He has published articles and<br />
reviews in the <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Journal, Bandworld, and<br />
The Instrumentalist.<br />
Douglas Jurs serves as assistant pr<strong>of</strong>essor <strong>of</strong> piano and music<br />
theory at Abraham Baldwin Agricultural College in Tifton,<br />
Georgia. He has performed solo and collaborative concerts<br />
throughout the United States and Europe and serves as Artistic<br />
Director <strong>of</strong> the Blue Horse Music Festival in Woodstock,<br />
Vermont. His degrees are from the University <strong>of</strong> Wisconsin,<br />
Cleveland Institute <strong>of</strong> Music, and Indiana University Jacobs<br />
School <strong>of</strong> Music.<br />
Clayton Miranda is a Brazilian<br />
trumpet player involved with music performance and pedagogy.<br />
He is currently a Master’s student at the University <strong>of</strong> North<br />
Dakota where he studies with Dr. Ronnie Ingle. His thesis entitled<br />
“Two Brazilian <strong>Trumpet</strong> Concertos with Large Ensemble: A<br />
Modern Performance Edition <strong>of</strong> Works by Edmundo Villani-Côrtes<br />
and Jose Felipe de Carvalho Torres” is calling the attention <strong>of</strong><br />
the international trumpet community, since it is providing a new<br />
and exciting addition to the trumpet literature.<br />
123
Neil Mueller has performed concerti with the Boston Pops, the<br />
Eastern Connecticut Symphony, and Fargo-Moorhead Symphony<br />
Orchestras, the Berkshire Bach Ensemble, and Cleveland’s<br />
BlueWater Chamber Orchestra. As a freelance musician, he has<br />
performed with groups such as the Burning River Brass, the<br />
Bronx Arts Ensemble, the New Haven Symphony Orchestra, and<br />
the Marlboro Festival Orchestra. Mueller is the assistant pr<strong>of</strong>essor<br />
<strong>of</strong> trumpet at Central Michigan University and previously<br />
taught at North Dakota State University, Case Western Reserve,<br />
the University <strong>of</strong> New Hampshire, and Boston University’s Tanglewood<br />
Institute. He has also authored three duet <strong>book</strong>s based on solo trumpet literature, published<br />
by Balquhidder Music.<br />
Matthew Patnode is associate pr<strong>of</strong>essor <strong>of</strong> saxophone at<br />
North Dakota State University. He holds degrees from SUNY<br />
Potsdam, the Conservatoire de Bordeaux and Arizona State<br />
University. Dr. Patnode has performed with the Phoenix<br />
Symphony and the Fargo-Moorhead Symphony, and has performed<br />
at the <strong>conference</strong>s in the U.S., Canada and Scotland.<br />
He has been awarded the 2012 NDMEA Jazz Educator and<br />
is an instructor at the <strong>International</strong> Music Camp. He has<br />
performed in groups with Ray Charles, Wayne Newton, the<br />
Temptations, and the Four Tops, and others. He regularly performs<br />
with the Hard-Bop Saxophone Quartet, Trio Carrefour,<br />
and Post Traumatic Funk Syndrome.<br />
Marc Reed – See Performers/Presenters<br />
Raquel Rodriquez is the assistant pr<strong>of</strong>essor <strong>of</strong> trumpet at<br />
Northern Kentucky University. Raquel is a versatile musician<br />
having appeared as a clinician, soloist, and chamber<br />
musician throughout the United States and abroad. Raquel<br />
is the co-editor <strong>of</strong> the IWBC Newsletter and editor <strong>of</strong> the<br />
<strong>Trumpet</strong> Technology column in the ITG Journal. Raquel has<br />
been a trumpet/cornet prize winner at NABBA, the US Open<br />
Brass Band Championships, the National <strong>Trumpet</strong> Competition,<br />
and the <strong>International</strong> Women’s Brass Conference. She<br />
received her BM and MA degrees from West Texas A&M<br />
University and DMA degree at the University <strong>of</strong> North Texas.<br />
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Amy Schendel currently plays with the Iowa Brass Quintet,<br />
Contrapunctus Brass Trio, and teaches trumpet at the University <strong>of</strong><br />
Iowa. Recent performances include the premier <strong>of</strong> Joseph Blaha’s<br />
French Suite for Brass trio, commissioned by the Contrapunctus<br />
Brass Trio, at the 2012 <strong>International</strong> Horn Symposium in Denton,<br />
Texas. Additional performances include the 2012 <strong>International</strong><br />
<strong>Trumpet</strong> <strong>Guild</strong> Conference, 2012 <strong>International</strong> Women’s Brass<br />
Conference, and the 2012 Iowa Band Master’s Association Conference.<br />
Her first solo and chamber music recording, “Full Power,”<br />
released in 2010 features Abe Lincoln’s Song Book, written by Douglas Hill for the Contrapunctus Trio<br />
with narration. www.brasstrio.com.<br />
Dr. Todd Schendel’s performance experience includes Wisconsin<br />
Chamber Orchestra, Spoleto Festival Orchestra U.S.A.,<br />
Contrapunctus Brass Trio, and playing extra and substitute<br />
for the National Repertory Orchestra, Madison Symphony,<br />
Orchestra Iowa, Quad Cities Symphony, and the Minnesota<br />
Orchestra. As soloist, Schendel has performed throughout the<br />
country including Minnesota, Wisconsin, Iowa, Illinois, Indiana,<br />
Texas, Michigan, California, and also in Germany. His performances<br />
with Contrapunctus Brass Trio include the Iowa Band<br />
Masters Association, <strong>International</strong> Women’s Brass Conference,<br />
<strong>International</strong> Horn Conference, and <strong>International</strong> <strong>Trumpet</strong> <strong>Guild</strong> Conference. The trio has recently<br />
collaborated with composers Joseph Blaha, Wayne Lu, and Douglas Hill.<br />
Britton Theurer is pr<strong>of</strong>essor <strong>of</strong> music at East Carolina<br />
University where he teaches applied trumpet, coaches<br />
chamber music, and performs with the East Carolina<br />
Brass Quintet and the New Music Camerata. A performer,<br />
composer, and commissioner <strong>of</strong> new works for brass, Theurer<br />
has three compact discs, including a solo recording,<br />
“Fantasia” (Capstone Records); a recording <strong>of</strong> his composition<br />
“Hankyu Express” as soloist with Seattle Symphony,<br />
Gerard Schwarz, conducting (MMC); and a 2008 release,<br />
“Americantus,” by Meridian Arts Ensemble <strong>of</strong> his music for<br />
chamber brass (8bells). Balquhidder, Spring Tree Enterprises,<br />
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125
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126
Prelude Ensembles<br />
The Alabama <strong>Trumpet</strong> <strong>Guild</strong> Ensemble<br />
Members: Joseph Ardovino, University <strong>of</strong> Montevallo; Mark DeGoti, Auburn University; Michael Huff,<br />
Troy University; Eric Yates, University <strong>of</strong> Alabama; James Zingara, University <strong>of</strong> Alabama at<br />
Birmingham<br />
Central Michigan University<br />
Neill Mueller, director<br />
Members: Brandon Bowker, Jacob Lubbers,<br />
Jonathan Moss, Jon Ragon, James Sebring,<br />
Jared Sessink, Kyle Tomisch<br />
Central Washington University<br />
John Harbaugh, director<br />
Members: Tristan Hurd, David Hinckley,<br />
Sarah Martinson, Skyler Floe,<br />
Chelsea Blackburn, Robbie Rutherford,<br />
Braden Waddell, Brian Bull, Darin Grief, and<br />
Pavel Spichak<br />
Eastern Tennessee State University<br />
David Champouillon, director<br />
Members: Matthew Childers, Ruben Grigsby,<br />
Brandon Linkous, Justin Pearce, Tyler Robins,<br />
Ethan Tate, Dr. George Winton, Doug Zimmerman<br />
127
Conservatorio Superiode Música de Canarias / Pr<strong>of</strong>esional de Las Palmas de Gran Canaria<br />
Sebastián Gil, director<br />
Sebastián Gil, Rubén Pérez, Francisco Perara, Gabriel Cerpa, Isidro Suárez<br />
Escola Superior de Musica e Artes do<br />
Espectaculo<br />
Kevin Gerard Wauldron, director<br />
Members: Carlos Leite, Ivo Silva, Joana Bento,<br />
Joao Sousa, Leonardo Costa, Maria Helena<br />
Vieira, Rui Vidal, Sabrina Leal, Sergio Pereira,<br />
Tiago Rebelo<br />
Lynn University<br />
Marc Reese, director<br />
Members: Brian Garcia, Ricardo Chinchilla,<br />
Timothy Nemzin, Mark Poljak, Peter Smith,<br />
Marianela Cordoba, Kevin Karabell<br />
Mahidol University<br />
Joseph Bowman, director<br />
Members: Nonthawant Cheiwphimolporn, Arnon Hosakulsuwan,<br />
Kueakool Jaisom, Alongkorn Laosaichuea,<br />
Katayut Phaphong, Lalitta Pheanwirattanachai,<br />
Wannachat Sripan, Nutteraya Wibuloutai<br />
North Dakota State University<br />
Jeremy Brekke, director<br />
Members: Andrew Bergan, Amy Schaaf, Jake Olse, Eric Itzin, Logan Tretter, Taylor Pearson, Elias<br />
Youngblom, Logan Reed, Andrew Hilde, John Schreier, Ryan Barry<br />
Northeastern Illinois University<br />
Members: Robert Alonzo, Enrique Escamilla, Robert Luther, Victor Muenzer, Katie Samayoa, Gregory<br />
Strauss, Mark Toliusis<br />
128
Oklahoma State University<br />
Ryan Gardner, director<br />
Members: Cleon Chai, Nick Doutrich,<br />
Josh Funderburk, Brady Hollon, Aaron<br />
Jesen, James Marwitz, Tyler Murray,<br />
Natalie Upton<br />
Pittsburg State University<br />
Todd Hastings, director<br />
Members: Matt Carter, Zach Hatcher,<br />
Kelsey DeVore, Tom Lawlork, Dalton Williams,<br />
Wyatt Smith<br />
Southwestern Oklahoma State University<br />
Richard Turk, director<br />
Members: Anthony Bertolozzi, Brittany Carter, Jakub Chermack, Mikela Connella, Austin Hardman,<br />
Joaquin Martinez, James Mayorga, Ryan Meek, Sandra Pratt, Tommy Smith<br />
Temple University <strong>Trumpet</strong> Ensemble<br />
Eric Schweingruber, director<br />
Members: Gabrielle Kieffer, William Koehler, Jesse Morvan,<br />
Jake Rondinaro, Johnathan Shaw, Najib Wong<br />
Texas Christian University<br />
Jon Burgess, director<br />
Members: Tylar Epps, Chris Jeter, Elliot Johnston,<br />
Jesse Rajabi, Jon Skoruppa, Ethan Streeter,<br />
Chase Teague, Colt Worley<br />
129
<strong>Trumpet</strong> Mates Gang<br />
João Vilão, director<br />
Members: Adriano Franco, Daniel Tapadinhas,<br />
João Pereira, João Vilão, Nuno Silva,<br />
Pedro Silva, Ricardo Pimentel, Tiago Rocha<br />
Drummer/Conductor: Rui Lúcio<br />
University <strong>of</strong> Central Missouri<br />
Alan Wenger, director<br />
Members: Josh Anderson,<br />
Greg Blakemore, Michael Cervantes,<br />
Matthew Cook, Mark Fangman,<br />
Collin Lappert, Josh McCoy,<br />
Jacquelyn Miller, Evan Schroeder,<br />
John Starr<br />
University <strong>of</strong> Louisville<br />
Ansyn Banks and Michael Tunnel, codirectors<br />
Members: Seth Burkhardt, Nick DeJarlais,<br />
Erika Howard, David Jaffe, Nick Kaiser,<br />
Kristian Kemker, Sam Loomis, Clay Parler,<br />
Trevor Webb, Don Wood, Jon Wysong<br />
University <strong>of</strong> Miami (Ohio)<br />
James Olcott, director<br />
Members: Kathleen George,<br />
Tyler Graves, Ian Harrah, Sarah Prunty,<br />
Dylan Rhonemus, Janell Roeper,<br />
Nicholas Shirley, Ryan Steward,<br />
Ian Sugerman, Hayley Vivian,<br />
Jacob Walker, Elise Ware,<br />
Katherine Wicker<br />
130
University <strong>of</strong> North Texas Alumni Ensemble<br />
Iskander Akhmadullin, Jennifer Dearden, Jason Dovel, Mark Fenderson, Scott Meredith,<br />
Oscar Passley, Ge<strong>of</strong>f Tiller, Brian Walker, Larry Wells<br />
Virginia Commonwealth University<br />
Rex Richardson, director<br />
Members: Marcus Grant, Victor Haskins,<br />
Brandon Hess, Josh Murrell, Heidi Rechin,<br />
Jackson Shurlds, Olivia Sturgill, Ryan Teunis<br />
Wayne State University<br />
Mark V. Flegg and Wendy Matthews, directors<br />
Members: Jeremy Behrendt, Kevin Czarnik,<br />
Tyler Fritsch, Shane Lawrence,<br />
Nicholas LeVeck, Greg Martinez, Ionatan Pop,<br />
Mark Tellier<br />
Western Michigan University<br />
Stephen Jones, director<br />
Members: Bonni Beebe, Sean Corbitt,<br />
Mitchell Curry, Paul Hardaker, Nathaniel Patty,<br />
Adam Phillips, Adam Stowe.<br />
131
132
Amway Grand Booth<br />
Layout<br />
133
Amway Grand<br />
Floor Plan<br />
Lobby and Atrium<br />
Levels<br />
134
Amway Grand<br />
Floor Plan<br />
Concourse and Conference<br />
Levels<br />
135
Grand Rapids Map<br />
136
The Brass Herald ISSUE 46 December 2012 - January 2013<br />
ISSUE 46 December 2012 - January 2013<br />
ISSUE 47 February - April 2013<br />
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137
138
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