PORTFOLIO 投 资 组 合

DAVID DE LA FUENTE BURGUERA
ARCHITECT
建 筑 师
PORTFOLIO 投 资 组 合

Date of birth: 25 Mar 1983
CV:
Postal address: C/ Bolonia, 4 – 3ºIzq, 28028 Madrid
E-mail address: dlfuenteburguera@gmail.com
Phones: +86 131 20 95 65 16 / +34 600 435 675
Academic Background
Training and Qualification
2014 to date: Tricontinental Master´s Degree in Integrated Architectural Projects with terms in Madrid, Shanghai and San Diego (USA)
2012: Senior Architect Diploma awarded by Architecture Higher Technical School of Madrid (ETSAM).
Final year Project:
“Espacio para el desarrollo de Pequeña Industria y Nido de Empresas en Méndez Álvaro. Madrid”.
“Space for the development of Small Industries and Companies Nest in Mendez Alvaro. Madrid”. Architecture Studies carried
out at Architecture Higher Technical School of Madrid (ETSAM).
2008 - 2009: Erasmus Scholarship at “Politecnico di Milano”, Milan.
Other Training
Fellowship granted by “Comunidad de Madrid”.
2013: PIMA Seminar: “Communication in the Art Market” (Madrid)
1994 to date: Visual Arts Training and Plastic Arts Workshops conducted at Studios “La Salamandra” and “Arte y Desarrollo” in Madrid. Headteacher:
Alejandro Alcazar de Velasco.
Professional Experience and achievements
2014: Practices within the Tricontinental Master´s Degree in TJAD. Shanghai. Participation in design and development phases of
proposals. Working on architectural design of “Zhengzhou Bank Integrated Services Building Project ( 郑 州 银 行 综 合 业 务 大
楼 项 目 )”.
Co-Founder of PANGAEA ARCHITECTURE. (https://www.facebook.com/pagaea.architecture)
2013 - 2014: Architect. “Estudio Habitación 8” (Spain). Participation in management of projects- technical viability studies and adaptation
of projects to legislation, control of administration and documentation.
1994 to date: Participation in Painting Competitions and Exhibitions. Awards granted with paintings sold.
Languages
Design of Logos and Posters.
Spanish: mother tongue.
English: Advanced/Fluent. (C1)
2013: Training held in AUT Auckland, New Zealand.
2006; 2001: Stays in Boston and Rocheter,USA.
Italian: Fluent (B2+).
Mandarin Chinese: Elementary. HSK 2
Skills
IT: Windows, Autocad, Photoshop, Rhinoceros
Full Driver’s License.
Sailing: qualified as Skipper for pleasure boats (PER).

INDEX:
4 FINAL YEAR PROYECT. ARCHITECTURE HIGH SCHOOL OF MADRID.
“ESPACIO PARA EL DESARROLLO DE PEQUEÑA INDUSTRIA Y NIDO DE EMPRESAS EN MÉNDEZ ÁLVARO.MADRID”
SPACE FOR THE DEVELOPMENT OF SMALL INDUSTRIES AND COMPANIES NEST IN MENDEZ ALVARO. MADRID.
7 URBAN INTERVENTION PROJECT. TRICONTIENTAL MASTERS
URBAN INTERVENTION IN SAN DIEGO. USA.
11 PROJECT DURING STAY AT THE TJAD (TONJI ARCHITECTURE DESIGN AND RESEARCH INSTITUTE)
BANK OF ZHENGZHOU VIP ROOM AND INTERIOR FACADE. ( 郑 州 银 行
14 PLAYGROUND IN TETUAN. MADRID. COMPETION.
WITH FRANCISCO ALMEIDA (PANGAEA ARCHITECTURE)
15 MEDELLIN EXPERIMENTAL SOCIAL HOUSING. COMPETITION.
WITH FRANCISCO ALMEIDA. SETSUKO KANAI (PANGAEA ARCHITECTURE)
16 CHAMPAGNE BAR IN PARIS. FRANCE. COMPETITION.
WITH CESAR CURIEL, VERA PATRICIO. MASAKAZU SHIRANE (PANGAEA ARCHITECTURE)
17 EXIBITION. ESPACIO TRAPEZIO GALLERY. MADRID.
AN ATLAS FOR A DUPLICATED REALITY.

FINAL YEAR PROYECT . ARCHITECTURE HIGHER SCHOOL OF MADRID
Summary sheet 1

FINAL YEAR PROYECT . ARCHITECTURE HIGHER SCHOOL OF MADRID
Summary sheet 2

FINAL YEAR PROYECT . ARCHITECTURE HIGHER SCHOOL OF MADRID
General plan

URBAN INTERVENTION PROYECT . SAN DIEGO. TRICONTINENTAL MASTERS

PROJECTS DURING THE STAY AT TJAD.
ZHENGZHOU’S VIP ROOM AND INTERIOR FACADE.
The meeting room is
built by using a serie
of transversal
elements or "ribs".
These ribs give shape
to the whole space.
And, after that, they
are covered with
diferent materials in
order to create a
continous element with
diferent levels of
tranparency.

The second proposal seeks to
create the feeling of a
fluid space by a succession
of parallel elements which
have different size on its
vertical component.
These elements will also
support the space for the
meeting room .

The third proposal is based on the
use of opaque belts which conform a
serie of skylights on the top.
These belts, increasingly bigger,
embrace the inner space destinated
to the meetings.

PLAYGROUND IN TETUAN. MADRID. COMPETITION

MEDELLÍN EXPERIMENTAL OSCIAL HOUSING. COLOMBIA. COMPETITION
Competition with PANGAEA ARCGITECTURE
KTQ
FLOOR PLANS
Network of shared spaces
CONCEPT
The main idea which articulates the project is to create a kind or public skeleton which communicates the whole private spaces by
a series of linked spaces all through the building.
These public skeletons for the building will host different shared uses as laundry spaces, gardens or playground areas.
Both spaces, the public and the private one, are disposed according to the Menger sponge´s geometry. As a result of that, the
public space springs up as the negative image of the private one. The building itself is the result of the overlapping of both kinds
of spaces in the three dimensions.
So, the housing unit is made by the addition of a certain number of basic modules each containing a basic room unit. Every housing
unit is also, in a certain way, compose by some public units, which link the living area with the public spaces.
DIAGRAM
Site & ground floor plan
1st floor plan 2nd floor plan 3rd floor plan
TYPOLOGY
Unit 1
1st floor plan
2rd floor plan
3rd floor plan
Unit 2
1st floor plan
2rd floor plan
3rd floor plan
1 bed room
2 bed room
3 bed room

CHAMPAGNE BAR IN PARIS. FRANCE. COMPETITION
Competition with PANGAEA ARCHITECTURE

AN ATLAS FOR A DUPICATED REALITY. EXIBITION.
ESPACIO TRAPÉZIO GALLERY. MADRID
A WORK ABOUT THE UNDERSTANDING OF REALITY
UNDER THE CONTEXT OF MADRID RIO
Having decided Madrid Rio as the
area of action, it is chosen to
make a data collection about the
size, the features and the price of
the housing located close to the
river.
So, this is when the DOTSMAP
appears.
It is the physical answer to the
territory, or, in other words, this
is the apparent face of the reality
which people is going to perceive
as a fact.
It is the contractual agreement
between the the thing itself and
its reflection in the human thinking.
But, if we codify this data as a
density measurement related with a
physical space physcal space of the
housing we obtein the BARCODE.
The BarCode is the symbolic mirrow
in which the apparence of reality
looks at itself and it finds the
density of money around the river.
The BarCode represents a new language
in which the city springs up
just as an image about THE EXPECTED
MONEY.
So, what is the expected money?.
It is the dream of the city itself.
In this connection, the dream of
the money is the dream that never
ends.
It is the image in which the city
finds its ANALOGOUS CITY.
It is what every city would like to
pretend to be. The fancy dress
which every city want to wear.