Stander Symposium abstract book - University of Dayton
Stander Symposium abstract book - University of Dayton
Stander Symposium abstract book - University of Dayton
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9:00 AM to 5:00 PM<br />
Art Consultation: Designing My Art History Career<br />
Presenter(s): Nicole A Boesenberg<br />
Advisor(s): Judith L Huacuja<br />
Visual Arts<br />
Senior/Capstone Project<br />
132<br />
3:00 PM-3:20 PM<br />
Kennedy Union - West Ballroom<br />
Being an art history major here at the <strong>University</strong> <strong>of</strong> <strong>Dayton</strong>, one may ask: What do you plan on doing after graduating with that degree? A common<br />
misconception is the assumption that I will be working at an art museum. With an art history degree, there are plenty more opportunities available<br />
than just working at a museum such as teaching, art advising, publishing, antique dealing, freelance collection managing, etc. The career <strong>of</strong><br />
which I will focus on specifically in this presentation is art consultation. The purpose <strong>of</strong> this presentation is to inform those about art consultation<br />
and <strong>of</strong>fer all the information there is to know about the career. I want to change the minds <strong>of</strong> those who assume art historians are only suitable for<br />
museums and why an art historian like me would be a perfect fit in another career choice such as art consulting.<br />
Design Science | Science Design :Design Proposal for a Geology Department Mini-Museum<br />
Presenter(s): Jennifer C Biette, Erin A Bolles, Lauren E Graehler, Courtney A Morgan, Anna C Spittler<br />
Advisor(s): John V Clarke, Daniel Goldman<br />
Visual Arts<br />
3:00 PM-4:00 PM<br />
Course Project, 12_SP_VAD_490_03<br />
Science Center Auditorium<br />
During the Spring term <strong>of</strong> 2012, five students from Visual Communication Design and Geology have been focused on the strategy, planning, and<br />
design <strong>of</strong> a Geology Mini-Museum, to be installed in the lower level hallways <strong>of</strong> the Science Center. This presentation will include an overview <strong>of</strong><br />
progress and a design prospectus including: the concept and mission <strong>of</strong> the museum; an articulation <strong>of</strong> the information structure <strong>of</strong> the museum<br />
and space; and strategies for the development, design, and implementation <strong>of</strong> the project.<br />
Struggles in Solitude: An Examination <strong>of</strong> Francisco Goya’s Black Paintings<br />
Presenter(s): Paige E Windgassen<br />
Advisor(s): Judith L Huacuja<br />
Visual Arts<br />
3:20 PM-3:40 PM<br />
Senior/Capstone Project<br />
Kennedy Union - West Ballroom<br />
In this presentation I will focus on Goya’s paintings that he painted on the walls <strong>of</strong> his farmhouse that have been given the title “The Black Paintings”.<br />
I intend to show how the relationship <strong>of</strong> Goya’s inner struggles and the struggles in the world around him are manifested in his many works<br />
<strong>of</strong> art, but specifically in his black paintings from 1820-1823. While doing this I will also take into account a few <strong>of</strong> his other works <strong>of</strong> art, including<br />
some <strong>of</strong> his Disasters <strong>of</strong> War series. I will explain how he was dealing with his frustrations in humankind and trying to find hope. There will also be<br />
investigation <strong>of</strong> the ramifications his illness had on his art. I will examine the notion that his Black Paintings were painted with personal expression<br />
in mind, that he did not name them, and that through the names we have given them today, we can sometimes assign concrete meaning<br />
to them that is not inherently there. I will take into account all different aspects <strong>of</strong> his life in order to provide a better understanding to his Black<br />
Paintings and his reasoning behind them, which I believe is a manifestation <strong>of</strong> a struggle with internal and external demons.<br />
Baroque Architecture and the Building <strong>of</strong> Bernini’s Baldacchino.<br />
Presenter(s): Courtney Washington<br />
Advisor(s): Judith L Huacuja<br />
Visual Arts<br />
3:40 PM-4:00 PM<br />
Senior/Capstone Project<br />
Kennedy Union - West Ballroom<br />
In 1506 the building <strong>of</strong> St. Peter’s Basilica began under the talented hands <strong>of</strong> Bernini. Using Bernini’s plans as the lens, we will dive deep into<br />
Baroque architecture focusing on the center piece <strong>of</strong> the structure, the Baldacchino. The baldacchino is a great canopy structure that is made <strong>of</strong><br />
bronze and stands tall in St. Peter’s. In this presentation, we will also discuss how Bernini was chosen and how he incorporated Pope Urban VIII<br />
into his grand structure.