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Early Popular
Visual Culture
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Early Popular
Visual Culture
Early Popular Visual Culture (EPVC) is a peer-reviewed,
academic journal dedicated to stimulating research and
interdisciplinary studies in relation to all forms of popular
visual culture before 1930.
EPVC examines the use and exploitation of popular cultural
forms such as (but not limited to) cinema, photography,
magic lanterns and music hall within the fields of
entertainment, education, science, advertising and the
domestic environment; and is primarily concerned with the
evolving social, technological and economic contexts which
such popular cultural products inhabited and defined.
The journal contains a range of historical and theoretical
readings of early popular visual culture, as well as offering
selected facsimile materials of obscure and rare sources,
reviews and research reports. There will also be regular
special thematic issues.
SUBMISSIONS
The editors of Early Popular Visual Culture welcome submissions.
All submissions of proposals or completed texts should be sent to:
Simon Popple, The Louis Le Prince Research Centre,
Institute of Communication Studies, Houldsworth Building,
University of Leeds, Leeds, West Yorkshire, LS2 9JT, UK
Email: S.E.Popple@leeds.ac.uk
For further details about the journal, or to read the Instructions for Authors,
please visit: www.informaworld.com/repv

Recent and Forthcoming Articles
• Performing Excess/Signaling Anxiety: Towards a psychoanalytic
theory of Daguerre’s Diorama
Andrew E. Hershberger
• From The Wonders of Derbyshire to Wookey Hole
Amy Sargeant
• ‘Curios Things in Curios Places’: Temporary exhibition venues
in the Victorian and Edwardian entertainment environment
Vanessa Toulmin
• Sleeping Beauties in the Fairground:
The Spitzner, Pedley and Chemisé exhibits
Kathryn A. Hoffmann
• Traditions of Collecting and Remembering: Gender, class and the
Nineteenth Century sentiment album and photographic album
Andrea Kunard
• ‘She was born alive and is now in view’: Marketing otherness in freak
show and early film.
Joe Kember
• Shadow and Substance: Photographing race in Nineteenth-Century
American science and culture
Mandy Reid
• ‘They Go to See A Show’: Vicissitudes of spectating and the
anxiety over the machine in Nineteenth Century science museums
Alison Griffith
• Kidding the Kaiser – British Propaganda Animation 1914-1919
David Huxley
To receive information on forthcoming articles in
advance of publication register for our free contents
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EDITORS
Simon Popple, University of Leeds, UK
Vanessa Toulmin, University of Sheffield, UK
ASSOCIATE EDITORS
Richard Abel, University of
Michigan, USA
Stephen Bottomore, Cinema Historian, UK
Richard Brown, Cinema Historian, UK
Richard Crangle, Magic Lantern Society, UK
John Fullerton, University of Stockholm,
Sweden
André Gaudreault, University of Montreal,
Canada
Frank Gray, University of Brighton, UK
Alison Griffiths, City University
of New York, USA
Colin Harding, National Museum of
Photography, Film & Television, UK
Michael Harvey, National Museum of
Photography, Film & Television, UK
Nicholas Hiley, University of Kent, UK
Frank Kessler, University of Utrecht,
The Netherlands
Luke McKernan, British Universities Film
& Video Council, UK
Lynda Nead, Birkbeck College, UK
Elzbieta Ostrowska, University of Lodz, Poland
Deac Rossell, Goldsmith's College, UK
Christopher Williams, University
of Westminster, UK
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Volume 5, 2007, 3 issues per year, Print ISSN 1746-0654, Online ISSN 1746-0662
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