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Case Study Title: "Oldham is for Everybody": Exploring identity and community<br />

cohesion through creativity. Oldham, Greater <strong>Manchester</strong>, UK.<br />

Summary: Creative practitioners use drama-based processes and techniques and<br />

photography to support young people from three schools to explore their individual and<br />

collective sense of identity and community. A values-based enquiry of public spaces in<br />

the local urban environment.<br />

Dates: 2009 - 2010<br />

Case Study of interest to: All agencies concerned with Community Cohesion and/or<br />

work relating to identity and community. Primary School Teachers. Secondary School<br />

Teachers. Local Authority Commissioners.<br />

Programme theme: Community Cohesion.<br />

Developing skills in Communication/Language; Citizenship/PSHE; Photography; Drama<br />

Supporting change and innovation in schools and communities.<br />

Developing professionals to support the creativity and success of learners.<br />

Disseminating practice regionally, nationally and internationally.<br />

Linking research to practice and provide evidence to influence practice.<br />

Commissioned/Funded by: Breeze Hill High School, Grange High School and South<br />

Chadderton High School, Oldham, Greater <strong>Manchester</strong>, UK as part of The Centre for<br />

Urban Education’s Creative Partnerships Change Schools Programme, UK.<br />

Link to School Improvement Plan/School Evaluation Form:<br />

The three participating schools had worked with Creative Partnerships in England’s North<br />

West (delivered by the Centre for Urban Education) individually since 2008 as part of the<br />

Change Schools programme, but were faced with many shared challenges which were<br />

expected to result from an authority-wide school restructuring plan, featuring mergers and<br />

relocation.<br />

To a large extent "community cohesion" had originally been conceived by the Government<br />

specifically as a response to the social problems which had, according to official reports<br />

(Ritchie, 2001; Cantle, 2001 & 2006), given rise to the so-called "Oldham riots" of 2001<br />

(as well as to similar events in other towns such as Burnley and Bradford).<br />

Key factors in the outbreak of violence were notions of "parallel lives", a lack of social<br />

mobility and self-segregation along ethnic lines and according to relative income. The<br />

school restructuring programme would t<strong>here</strong>fore seek to bring together White and Asian<br />

children from the poorest districts of the town in newly-built schools which would be<br />

located in such a way that more affluent (middle class?) parents may also consider<br />

sending their children t<strong>here</strong>.<br />

The project which forms the focus of this Case Study originated in a shared belief<br />

amongst the three schools that funding and other resources would best be used<br />

collectively in the light of their shared challenges relating to "community<br />

cohesion", and that our aim should be to help prepare their pupils for the<br />

changes ahead.


Who was involved?<br />

2 Creative Agents: Richard Shotton & Noah Rose<br />

(research, planning, co-ordination, management)<br />

3 Schools in the UK<br />

Breeze Hill High School (12 pupils)<br />

Grange High school (12 pupils)<br />

South Chadderton High School (12 pupils)<br />

One Cultural Organisation: Peshkar Theatre Ltd - design<br />

and delivery of drama-based activities<br />

Young People’s<br />

Involvement<br />

2 Evidence Gat<strong>here</strong>rs:<br />

David Eaton & team (photographer) - design and delivery of<br />

photographic activities & Ray Baxter (Turning Tides Ltd) -<br />

design and delivery of values-based reflective activities<br />

Young people were initially consulted through three focus<br />

group interviews (one in each school, with groups of four<br />

pupils) to identify their personal geographies (places w<strong>here</strong><br />

they go/don't go) to help identify locations for a photoshoot.<br />

They then took part in a series of drama-activities (12 pupils<br />

from each school) which aimed to explore notions of identity,<br />

values and "place", and a photoshoot in Oldham town centre,<br />

UK.<br />

Finally some participants (four pupils from each school) met<br />

up again to reflect on their photographs and experiences of<br />

working together as a contribution to evaluating the work done<br />

so far.<br />

Teachers’ Involvement<br />

Aims and objectives<br />

Deputy-head teachers at each of the three schools took a<br />

central role in planning throughout the project, setting<br />

objectives, helping to shape activities, and taking key<br />

decisions about numbers of pupils to be involved and time<br />

questions (e.g. when? how long?).<br />

[see above for long explanation of contextual background from<br />

which this project emerged]<br />

Perceived benefit (outcome requested by teachers) was for<br />

pupils to spend enjoyable time with other young people who<br />

they did not know. Further to this was the hope that pupils<br />

might begin to develop a more complex understanding of<br />

"identity" (their own and that of other people) as fluid and<br />

plural rather than fixed and monolithic, and also that they<br />

might begin to reflect on the idea of "community" as being<br />

grounded in the sharing of values in a certain location (eg.<br />

Oldham town centre).


Programme Description Pupils first met for three days in December 2009. Initial work<br />

took place at the City Learning Centre at South Chadderton<br />

High School, UK for drama activities and training in<br />

photography techniques, and then again for editing and some<br />

initial analysis of photographic outcomes and project impact.<br />

Oldham town centre was the outside location for their<br />

photoshoot.<br />

The drama activities enabled pupils to explore their own reality<br />

and other alternate possibilities from within their own<br />

imagination or the experience and imagination of others.<br />

The photography project enabled them to explore locations of<br />

"inclusion" and "exclusion" of people from "different<br />

backgrounds" (age, religion, gender, wealth etc), and to<br />

stimulate discussion of what might constitute and encourage<br />

or discourage "meaningful interaction" between "different"<br />

people.<br />

Impacts / outcomes /<br />

milestones<br />

Much of this latter phase of reflection and discussion took<br />

place in an event which brought some of the original<br />

participants together again in June 2010 for an evaluation<br />

afternoon.<br />

The impact of this programme includes:<br />

For the pupils: To spend time together and form positive<br />

relationship. Pupils spoke of how the need for teamwork in the<br />

shared tasks (photography and drama) ensured that t<strong>here</strong><br />

was "meaningful interaction".<br />

Pupils also developed photo skills, through which they gained<br />

a new awareness of Oldham, looking at the town in a "more<br />

mature" way, no longer "like kids playing in the park", not<br />

thinking about the world around them, but now curious about<br />

what the park means and represents, why they like going<br />

t<strong>here</strong>, and why any of this matters.<br />

The project saw the beginnings of an awareness amongst<br />

pupils of the notion of "public space", a wider appreciation of<br />

diversity (not only as an ethnic issue but also to include age,<br />

gender, upbringing, and wealth). Through their own<br />

photography and reflection pupils began to understand how<br />

certain locations are more (or less) inclusive than others,<br />

either welcoming everybody, just some or only a select few.<br />

Pupils recognised that places they thought of as "public" (such<br />

as the town centre shopping mall) are in fact private, set up<br />

primarily to serve the private commercial interests of their<br />

owners rather than the public. Pupils recognised this in the<br />

mall's policy against the homeless (barred entry to the building<br />

because they have no money to spend) and against the taking<br />

of photographs (ownership of commercial rights).


Pupils also spent time discussing what makes for (or hinders)<br />

"meaningful interaction" between diverse people, and showed<br />

a strong understanding of their own fears (they would<br />

generally only talk to unfamiliar young people if they could<br />

"predict" how those people might react), and the problem of<br />

who should take the first risky step forward to extend trust.<br />

Resources<br />

Created/Available<br />

What’s next?<br />

Main Contacts<br />

For the professional practitioners: Learning through this<br />

project that creativity (drama/photography) successfully<br />

provides the freedom for young people to explore identity from<br />

new/different perspectives, and developing confidence that<br />

the approach works, based on sound research and<br />

methodology. T<strong>here</strong> are some challenges, however, hopefully<br />

to resolve during the next project phases. Perhaps the most<br />

important is the issue of scale: we have worked with just 36<br />

pupils from three schools so far, compared to the thousands<br />

who will experience either a school merger of relocation in the<br />

near future. We want to scale up our successful project and<br />

test delivery on a larger/wider scale.<br />

Several thousand photographs, available in a range of edited<br />

packages (computer-based or print format - photos were sent<br />

to India to form part of an exhibition); events were captured on<br />

video, available in a 5- and 10-minute edit – see contact<br />

details below for further information.<br />

The project will continue through 2010-11, with plans to<br />

extend involvement to larger numbers of pupils and schools,<br />

and to make greater use of new media and Information<br />

Communication Technology through existing and additional<br />

partners as we seek to engage with the wider community.<br />

These ideas emerged from a consultation exercise with<br />

teachers, potential creative partners and local authority<br />

representatives in the UK in March 2010. A similar<br />

consultation with young people is proposed for late 2010.<br />

The project forms the focus of a PhD study being conducted<br />

by Richard Shotton. The findings were presented at a Centre<br />

for Urban Education event at The Lowry, UK on 8 July 2010,<br />

and also at an international conference in Iran on<br />

"Multiculturalism and diversity in an age of globalisation" in<br />

late July 2010. It is likely to feature in further conference<br />

presentations and published articles in 2011.<br />

For further information and to commission Community<br />

Cohesion programmes: Richard Shotton, Centre for Urban<br />

Education, <strong>Manchester</strong> <strong>Metropolitan</strong> <strong>University</strong>, UK.<br />

Tel: +44(0)161 921 8081 Mobile: +44(0)7786 328115 Email:<br />

rsh@i-globe.org

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