College Catalog 2013 - 11-19-12.indd - Bolchazy-Carducci
College Catalog 2013 - 11-19-12.indd - Bolchazy-Carducci
College Catalog 2013 - 11-19-12.indd - Bolchazy-Carducci
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Ladislaus <strong>Bolchazy</strong>, proud son of<br />
Slovakia, receives the Rad Ludovita<br />
Stura III Award at Bratislava<br />
Castle on August 31, 2007.<br />
Ladislaus J. (“Lou”)<br />
<strong>Bolchazy</strong>, PhD<br />
born Michalovce, Slovakia<br />
June 7, <strong>19</strong>37<br />
at rest Barrington, Illinois<br />
July 28, 2012<br />
PhD State University of<br />
New York at Albany<br />
MA New York University<br />
BA St. Joseph’s <strong>College</strong>,<br />
Yonkers, New York<br />
Ladislaus J. <strong>Bolchazy</strong>, PhD, our beloved Lou, departed this life in the<br />
early hours of July 28, 2012. We, his colleagues at <strong>Bolchazy</strong>-<strong>Carducci</strong><br />
Publishers, mourn the loss not only of our founder and president, of<br />
our boss but also of our friend, mentor, colleague, and teacher.<br />
While Lou was a strong presence at a myriad of committee meetings<br />
held in our library/conference room, remembrances of Lou<br />
presiding over a celebratory luncheon or an employee birthday fest<br />
in that same room remind us that he was much more than our boss.<br />
And, of course, for Allan and Marie, he was father and husband, as<br />
well as colleague.<br />
The <strong>Bolchazy</strong> family and the <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers family<br />
have been touched by the many emails, cards, and notes that<br />
have paid tribute to our cherished Lou <strong>Bolchazy</strong>. We have included<br />
some tributes throughout the pages of this catalog. More can be<br />
read though the link on our home page, www.BOLCHAZY.com.<br />
Please be assured that we are all committed to Lou’s vision and<br />
zeal for B-C, its books, and its mission to serve the classics community.<br />
In so doing, we build upon Lou’s legacy. Requiescat in pace.<br />
Eulogy<br />
Early last Saturday morning, there was a discernible “tremor in the Force” when Lou<br />
<strong>Bolchazy</strong> passed away. Lou himself would be scratching his head at this reference to the<br />
Star Wars movies, because popular culture was never his strong suit. But a “tremor in the<br />
Force” is to me the best description of the sense that in Lou’s passing, something titanic<br />
slipped off into grace.<br />
As Bob Meagher, one of Lou’s authors, lovingly described him when I wrote to tell<br />
Bob the sad news, “Lou was such a large presence, a force of nature, as difficult not to<br />
notice as the weather.”<br />
Lou loved to engage, interact, question assumptions, play the devil’s advocate. And<br />
meanwhile, there’s a fresh pot of coffee on. Sit down. Let’s talk. It’s no coincidence that<br />
Lou’s PhD dissertation was on hospitality in antiquity. Lou was irrepressibly social. He<br />
nearly always wanted to talk, and he would talk with anyone about anything, though<br />
he had his favorite topics that we all knew SO very well. He was a fierce defender of the<br />
liberal arts. Cicero’s Archias the poet had nothing on Lou <strong>Bolchazy</strong>. And though he created<br />
an amazingly successful publishing company out of whole cloth, at heart Lou was<br />
an idealist. When in acquisitions meetings we’d try to confront him with financial realities<br />
like marketability, saying that no one would buy the book he was championing, he<br />
would insist that people “should” want to buy such a book, that “the world needs this.”<br />
Lou was curious about so many things, always asking questions. It was like having<br />
around a toddler with a really high IQ. He had his nose into everything, fingers on all the<br />
buttons. His was a restless energy. He liked to rummage through every pile to find the<br />
hidden gems, and was a visionary with a strong streak of sentimentality; he could never<br />
quite let go of anything. He was able to see the real value in every idea, every rejected<br />
2 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
project. He wanted it ALL. He never gave up on anything, or<br />
on anybody, for that matter. And we all were beneficiaries of<br />
that magnanimity.<br />
Lou was an eccentric’s eccentric, and he gathered eccentrics<br />
around him. He found the diamond in everybody’s rough, and<br />
he put up with a lot of rough; in fact he seemed to find rough<br />
edges endearing. My Scottie Emma used to come to the office<br />
with me from time to time, and although she was a surly, exacting<br />
little dog, she wasn’t above begging staff members for the<br />
treats I kept on the file cabinet that marked the border of where<br />
I’d gated her in with me. Lou loved to give her cookies, and he<br />
accepted her growling as part of her innate charm. “I think she<br />
might bite me,” he’d muse; to which I’d reply, not even looking<br />
up from my computer screen, “I think you’re right: I’d stay back<br />
if I were you.” Never daunted—by either Emma’s or my own<br />
lack of receptivity, Lou wrote me a lovely note of condolence<br />
upon Emma’s passing, which I have kept to this day, in which<br />
he called Emma “our beloved mendicant” and “our dear little<br />
Cerberus.”<br />
Over the years, I came to expect and accept some of Lou’s<br />
most confounding traits. And I can’t say that he didn’t give me<br />
fair warning. Above all, he was the master of switching horses<br />
in midstream. Most of us at B-C liked the predictable comfort<br />
of marching a straight line to a set deadline, but Lou loved to<br />
saunter in at midpoint—or more often, tantalizingly just before<br />
press time—and upset the apple cart (to mix in another metaphor),<br />
just so he could engage us in picking up the apples one<br />
by one and considering each of them in turn. He was like one of<br />
those trickster gods of the myth he loved so much, who had an<br />
outfit of two different colors, split vertically down the midline,<br />
who would walk in one direction, displaying one color outfit to<br />
half of the village, and soon after, walk back in the other direction,<br />
displaying the other color to the other half of the village,<br />
and leave them to bicker out what they had seen. He loved to<br />
kid and tease. He’d deliver a joke deadpan, and wait to see if<br />
you “got” it. But he was so good at it that he eventually learned<br />
to signal with an obvious eye twinkle that he wasn’t serious,<br />
like Mozart taking advice from Salieri that he needed to end<br />
pieces with an obvious “bang” so dullards would know when<br />
to applaud. I think now, in retrospect, that Lou was always,<br />
like Sterne’s Tristram Shandy, defying the inexorable march of<br />
time. When I first came to work for him, he warned, “If you are<br />
fond of closure, this is not the place for you.”<br />
And although this may make you think we never accomplished<br />
anything at <strong>Bolchazy</strong>-<strong>Carducci</strong>, we were on the contrary<br />
highly productive, and became the go-to publisher for<br />
high school and college classics teachers across the country.<br />
Some of this was due to Lou’s persistence. For someone who<br />
had a mind-boggling range of interests, he could also be frighteningly<br />
single-minded. One of the things that Lou and I had in<br />
common was a love of the first-century BCE Epicurean poet<br />
and philosopher, Lucretius. There’s a phrase from Lucretius<br />
that fits Lou well: stilicidi casus lapidem cavat: “the fall of dripping<br />
water hollows out stone” (De rerum natura 1.313). If Lou<br />
believed in something, he found a way to get it done. Be first to<br />
do it. Do it best. These were things he made us strive for, without<br />
ever really saying those words out loud. And as a result, Lou<br />
was not one for false modesty: What he loved, he wanted everyone<br />
to appreciate and love. He had pride in his company, in Marie<br />
and Allan and his whole family, and in his native Slovakia,<br />
the heart of Europe.<br />
And so it was a shock to us all when Lou left us so swiftly, and<br />
we were not only stricken by the loss, but struck by the courage<br />
and grace and calm he showed in his leaving. As I was thinking<br />
about what to say here today, I paged through the Lucretius<br />
both Lou and I loved. I know you will recognize Lou here in<br />
these lines.<br />
Quo magis in dubiis hominem spectare periclis<br />
convenit adversisque in rebus noscere qui sit.<br />
nam verae voces tum demum pectore ab imo<br />
eliciuntur et eripitur persona: manet res.<br />
– Lucretius De rerum natura 3.55–58<br />
The image of Lou that will endure for me is one of passionate<br />
engagement with life. In many ways, Lou reminded me of the<br />
fi ft h-century bce philosopher Socrates, who hung around the<br />
Athenian marketplace, chatting with anyone who happened by.<br />
Socrates mentioned in his final defense speech, after he learned<br />
he was condemned to die, his thoughts about what lay ahead for<br />
him in the afterlife: that this would give him the chance at last<br />
to talk face-to-face with and question all those wise men who<br />
had passed before him, like the poets Homer and Hesiod.<br />
And that’s where I imagine Lou is now: sitting in the affable<br />
company of his beloved ancient authors, in spirited conversation,<br />
signaling for his colleagues not to interrupt their discussion<br />
as he rises to put on a fresh pot of coffee.<br />
– Laurie Haight Keenan<br />
Laurie Haight Keenan first met Lou <strong>Bolchazy</strong> in <strong>19</strong>77.<br />
For seventeen years, until 20<strong>11</strong>, she served as senior editor<br />
at <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers. She continues to serve<br />
as a freelance editor on the BC Latin Readers with series<br />
editor Ronnie Ancona.<br />
www.BOLCHAZY.com • 3
Latin for the New Millennium<br />
by Milena Minkova<br />
NEW—<strong>College</strong> Exercise Book<br />
The <strong>College</strong> Exercise Book offers a wealth of exercises to aid students in and out of class. With<br />
many answers provided in the back of the book, students can self-check their work and practice<br />
difficult concepts on their own time. Offering 7–9 exercises for every chapter of LNM 1 and 2,<br />
the <strong>College</strong> Exercise Book is a must-have resource.<br />
Features Exercises on<br />
• producing forms and phrases<br />
• translating phrases<br />
• defining/parsing forms<br />
• changing forms and phrases<br />
• translating sentences/paragraphs into English<br />
• translating sentences/paragraphs into Latin<br />
• producing verbal synopses<br />
Look for this logo<br />
throughout the catalog to mark<br />
a book available electronically.<br />
Visit the LNM pages at<br />
www.lnm.BOLCHAZY.com<br />
4 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Student Text, Level 1<br />
Milena Minkova and Terence Tunberg<br />
xxxiv + 446 pp. (2008) 7¾” x 10” Hardbound, ISBN 978-0-86516-560-1<br />
• $75.00 • £48.00 • €55.00<br />
Teacher’s Manual, Level 1<br />
Milena Minkova and Terence Tunberg<br />
xlix + 464 pp. (2008) 10” x 14” Spiral-bound, ISBN 978-0-86516-562-5<br />
• $99.00 • £63.50 • €72.50<br />
Workbook, Level 1<br />
Milena Minkova and Terence Tunberg<br />
vii + 125 pp. (2008) 8½” x <strong>11</strong>” Paperback, ISBN 978-0-86516-561-8<br />
• $22.00 • £14.00 • €16.00<br />
Student Workbook Teacher’s Manual, Level 1<br />
Milena Minkova and Terence Tunberg<br />
vii + 125 pp. (2008) 8½” x <strong>11</strong>” Paperback, ISBN 978-0-86516-688-2<br />
• $22.00 • £14.00 • €16.00<br />
Student Text, Level 2<br />
Milena Minkova and Terence Tunberg<br />
xxx + 578 pp. (2009) 7¾” x 10” Hardbound, ISBN 978-0-86516-563-2<br />
• $75.00 • £48.00 • €55.00<br />
Teacher’s Manual, Level 2<br />
Milena Minkova and Terence Tunberg<br />
xxx + 538 pp. (2009) 10” x 14” Spiral-bound, ISBN 978-0-86516-565-6<br />
• $99.00 • £63.50 • €72.50<br />
Workbook, Level 2<br />
Milena Minkova and Terence Tunberg<br />
vii + <strong>11</strong>9 pp. (2009) 8½” x <strong>11</strong>” Paperback, ISBN 978-0-86516-564-9<br />
• $22.00 • £14.00 • €16.00<br />
Student Workbook Teacher’s Manual, Level 2<br />
Milena Minkova and Terence Tunberg<br />
vii + <strong>11</strong>9 pp. (2009) 8½” x <strong>11</strong>” Paperback, ISBN 978-0-86516-689-9<br />
• $22.00 • £14.00 • €16.00<br />
<strong>College</strong> Exercise Book<br />
Milena Minkova<br />
xiii + 241 (2012) 6” x <strong>11</strong>” Paperback, ISBN 978-0-86516-781-0<br />
• $29.00 • £20.00 • €22.00<br />
Student Text, Level 3<br />
Helena Dettmer and LeaAnn Osburn<br />
xxxvi + 623 pp. (2012) 7¾” x 10” Hardbound, ISBN 978-0-86516-760-5<br />
• $75.00 • £48.00 • €55.00<br />
Teacher’s Manual, Level 3<br />
Helena Dettmer and LeaAnn Osburn<br />
lxxviii + 450 pp. (<strong>2013</strong>) 6” x 9” Paperback, ISBN 978-0-86516-761-2<br />
• $49.00 • £30.50 • €36.00<br />
Select Latin Enrichment Readings<br />
Helena Dettmer and LeaAnn Osburn<br />
(forthcoming, <strong>2013</strong>)<br />
LNM Digital Options and Support<br />
Latin for the New Millennium, Levels 1 and 2 are available as eBooks via<br />
Direct Digital.<br />
LNM eBooks allow students and instructors to<br />
• Search text<br />
• add notes, highlight, annotate—all of which are added to the<br />
embedded annotation manager for convenient access<br />
• adjust text size, typeface, line space<br />
• read on the web (via Windows or MAC computers), on tablet<br />
computers, or on iPad and iPhones<br />
• save annotations in a worry-free archive<br />
Latin for the New Millennium offers its instructors and students a wealth<br />
of publisher-created online and digital support materials.<br />
For Instructors<br />
• A Dedicated Online Teacher Resource Network, the “Teachers’<br />
Lounge”: LNM instructors can exchange teaching materials, post<br />
multimedia files, and dialogue with one another.<br />
• Pre-Built Question Banks: Nearly 2,000 FREE test questions<br />
await download, formatted for instant upload into Quia.com or<br />
available as .doc files, both with and without answers.<br />
• Reproducible Maps and Worksheets: FREE reproducible maps<br />
and worksheets in PDF format. Print them out or project them<br />
on an interactive whiteboard.<br />
• PDF eManuals: Instructors who have purchased the LNM<br />
Teacher’s Manual have access to an electronic version.<br />
• Webinars for LNM Instructors: <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers<br />
also offers occasional, FREE webinars dedicated to LNM. Visit<br />
www.BOLCHAZY.com for more details and dates.<br />
For Students<br />
Visit www.ipodius.BOLCHAZY.com for full details on these products:<br />
• Flashcards for Handheld Devices (iPods, smart phones, cell<br />
phones): Vocabulary review anywhere, anytime: Digital flashcards<br />
for LNM Levels 1 and 2, organized by chapter, in both English–<br />
Latin and Latin–English. Cards include definitions, grammatical<br />
details, and page citation of first appearance in LNM.<br />
• MP3 Audio: Purchase and download the collected MP3<br />
recordings of all of the Latin readings from Levels 1 and 2.<br />
• Links Latinae at LNM.BOLCHAZY.com provide links to useful<br />
electronic resources.<br />
For more LNM information • Series FAQs • Quia Questions<br />
• Free Webinars • “Why Post-Antique Latin?”<br />
Visit Latin for the New Millennium Online<br />
www.LNM.BOLCHAZY.com<br />
www.BOLCHAZY.com • 5
y Milena Minkova and Terence Tunberg<br />
Using Latin for the New Millennium, college students develop a sound<br />
Latin grammar, syntax, and vocabulary foundation and<br />
• experience smart language pedagogy that draws on the best<br />
methodologies<br />
• have fun engaging with characters in dialogues that encourage<br />
aural-oral learning<br />
• develop contextual reading skills<br />
• read for comprehension, not just translation<br />
• practice with exercises that probe beyond rote responses<br />
• read Latin with fluidity as well as with grammatical accuracy<br />
and syntactical awareness<br />
• appreciate the importance of Latin after the classical period<br />
• make interdisciplinary connections through exposure to authors<br />
like Boethius, Pliny, More, Erasmus, and Copernicus<br />
• encounter the culture and visual richness of the Roman and<br />
early modern worlds<br />
Designed For Today’s Student<br />
Level 1 (first semester) introduces Roman literature and the major<br />
Roman authors, affording students the literary and historical context<br />
for future studies.<br />
Level 2 (second semester) presents the full Latin literary continuum<br />
as students read in Latin from the major thinkers of Western thought.<br />
Students learn the esteem Renaissance writers showed their Roman<br />
predecessors. Unadapted Latin readings from Nepos’s Life of Atticus<br />
keep students connected to Latin’s Golden Age.<br />
Level 3 (third semester reader) builds on the strong foundation of<br />
Levels 1 and 2 and provides students an in-depth experience of Caesar,<br />
Catullus, Cicero, Horace, Ovid, and Vergil as well as select writers<br />
from the Renaissance.<br />
Latin for the New Millennium readings , Levels 1 and 2, are adapted<br />
from the works of Latin authors. Level 2 also presents unadapted selections<br />
from Nepos’s Life of Atticus. Level 3 readings are all unadapted<br />
Latin selections.<br />
Prereading information introduces students to<br />
the Latin author and places the author within a<br />
cultural and historical context.<br />
READING VOCABULARY always faces the Latin passage.<br />
* indicates a VOCABULARY TO LEARN word<br />
English COMPREHENSION QUESTIONS immediately follow the vocabulary<br />
list. They serve as a ready check on students’ grasp of the Latin reading.<br />
6 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Latin for the New Millennium provides a fusion approach to Latin<br />
combining the best practices of the reading method, the traditional<br />
grammar approach, and a cumulative vocabulary foundation that will<br />
ensure a smooth transition to upper-level literature courses.<br />
Each grammar or syntax concept<br />
is presented separately.<br />
BY THE WAY provides additional<br />
information or insight.<br />
Plentiful English-to-Latin and<br />
Latin-to-English EXERCISES<br />
reinforce the new grammar<br />
and morphology.<br />
Examples of the concept are excerpted<br />
from the chapter’s Latin reading. The<br />
grammar in each LANGUAGE FACT<br />
flows directly from the Latin reading.<br />
Complete morphology charts<br />
from the outset. Students get<br />
to see the big picture.<br />
STUDY TIP provides student-friendly<br />
assistance in the form of a mnemonic<br />
device, an alternative explanation, or a<br />
clarification for complex concepts.<br />
www.BOLCHAZY.com • 7
BC Latin Readers<br />
Series Editor: Ronnie Ancona,<br />
Hunter <strong>College</strong> and CUNY Graduate Center<br />
These readers, written by experts in the field, provide well-annotated Latin selections<br />
to be used as authoritative introductions to Latin authors, genres, or topics.<br />
Designed for intermediate/advanced college Latin students, they each contain approximately<br />
600 lines of Latin, making them ideal to use in combination or as a<br />
“shake-it-up” addition to a time-tested syllabus.<br />
See reviews of BC Latin Readers from Bryn Mawr Classical Review, Classical<br />
Outlook, and more at http://www.BOLCHAZY.com/readers/<br />
An Apuleius Reader<br />
Selections from the Metamorphoses<br />
Ellen D. Finkelpearl<br />
xxxviii + 160 pp., 4 illustrations & 1 map (2012) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-714-8<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
From the cruel mockery of the Festival of Laughter to the sweet tale<br />
of Cupid and Psyche, from adventures that question human-animal<br />
boundaries to the profoundly spiritual conclusion, Apuleius constantly<br />
mingles the serious and comic, the bizarre and surreal with<br />
the quotidian details of ancient life. The selections in this Reader are<br />
designed both to represent the variety characteristic of the Metamorphoses<br />
and to create a coherent narrative of the life and trials of Lucius<br />
(and Psyche). Attention is also given to the cultural milieu of its author<br />
(second century ce Roman North Africa).<br />
Features • Introduction to Apuleius’ life and works, and to the Metamorphoses’<br />
background, interpretation, and style • 660 lines of unadapted<br />
Latin text selected from Apuleius’ Metamorphoses, Book 1:<br />
1.1.1–1.2.1 • Book 2: 2.1.1–2.2.1; 2.6–7 • Book 3: 3.1.1–3.2.5, 3.2.7–9,<br />
3.8.1–4, 3.9.5–3.<strong>11</strong>.6; 3.21.1–3.22.5; 3.24–26 • Book 4: 4.4–5; 4.28.1–<br />
4.30.3 • Book 5: 5.<strong>11</strong>.3–4; 5.22–23 • Book 6: 6.20–21; 6.23.5–6.24.4<br />
• Book 9: 9.12.2–9.13.5 • Book 10: 10.16.7–10.17.6 • Book <strong>11</strong>: <strong>11</strong>.1–2;<br />
<strong>11</strong>.5.1; <strong>11</strong>.5.3–4; <strong>11</strong>.13; <strong>11</strong>.15.1–3; <strong>11</strong>.27.9; <strong>11</strong>.30.3–5 • Notes at the<br />
back and complete vocabulary • One map and four illustrations<br />
Ellen D. Finkelpearl is Professor of Classics at Scripps <strong>College</strong>.<br />
A Caesar Reader<br />
Selections from Bellum Gallicum<br />
and Bellum Civile, and from Caesar’s<br />
Letters, Speeches, and Poetry<br />
W. Jeffrey Tatum<br />
xl + 206 pp., 3 illustrations & 3 maps (2012) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-696-7<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
A mature but accessible Latin, a narrative brimming with historical<br />
significance and fascination: these were once touted as obvious advantages<br />
of reading Caesar’s Bellum Gallicum. A change in sensibilities,<br />
however, read Rome’s brutal invasion and conquest of northern Europe<br />
as problematic, if not disturbing. But questions about the validity<br />
of Rome’s actions—and of Caesar’s, especially in his later Bellum Civile—are<br />
precisely what make these commentaries compelling to read<br />
and to discuss. Additional selections from Caesar’s letters, speeches,<br />
and poetry offer fresh perspectives on his stylistic versatility.<br />
Features • Introduction to Caesar’s life, times, works, and style • 588<br />
lines of unadapted Latin text selected from Caesar’s two historical<br />
commentaries as well as from his extant correspondence, oratory, and<br />
poetry: Bellum Gallicum Book 1: 1.1–1.4, 2.1–3.1, 7, <strong>11</strong>–12, 34–36;<br />
Book 2: <strong>19</strong>.6–22.2; Book 5: 27; Book 6: 3–14, 6, 21, 24 • Bellum Civile<br />
Book 1: 3–4, 7, 22–23; Book 2: 31–32; Book 3: 1, 57, 103.2–104.3 • Cicero<br />
Ad Atticum 9.7C (Caesar to Oppius and Cornelius), 10.8B (Caesar<br />
to Cicero) • Suetonius Vita Divi Iulii 6 (fragment of Caesar’s funeral<br />
oration for his aunt Julia) • Suetonius Vita Terentii 7 (Caesar’s poem on<br />
Terence) • Notes at the back and complete vocabulary • Appendix on<br />
Latin prose rhythm • Three maps and three illustrations<br />
W. Jeffrey Tatum is Professor of Classics at Victoria University of<br />
Wellington, New Zealand.<br />
A Cicero Reader<br />
Selections from Five Essays and Four<br />
Speeches, with Five Letters<br />
James M. May<br />
xxxviii + 136 pp., 1 illustration & 2 maps (2012) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-713-1<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
This selection offers a sample from Cicero’s oratorical, rhetorical, and<br />
philosophical works as well as from his letters. It ranges from the preface<br />
of his first published work, which expounds on the orator’s need<br />
for both sapientia and eloquentia, to the defense of a client against a<br />
murder charge, to philosophical musings on the nature of true friendship<br />
that speak to us through time, to a curt and cool letter to his wife<br />
Terentia, whom he was soon to divorce. Cicero’s prolific output offers<br />
a rare luxury in ancient studies: the public persona is laid out beside<br />
the private man, the politically expedient resounds against philosophical<br />
ideals.<br />
Features • Introduction to Cicero’s life, works, and times • 605 lines<br />
of unadapted Latin text selected from eleven of Cicero’s orations, rhetorical<br />
and philosophical writings, and letters: De inventione 1.1; In<br />
Catilinam 2.22–25; Pro Archia poeta 12–16; Ad familiares 14.1, 14.18,<br />
14.20, and 16.4; Pro P. Sestio 45–46; Ad Quintum fratrem 2.4; De oratore<br />
1.16–20; Pro T. Annio Milone 24–29; Brutus 1–9; De amicitia<br />
<strong>19</strong>–23; De officiis 1.134–137 • Notes at the back and complete vocabulary<br />
• Suggested readings and chronological appendix • Two maps<br />
and one illustration<br />
James M. May is Professor of Classics and former Provost and Dean of<br />
the <strong>College</strong> at St. Olaf <strong>College</strong> in Northfield, Minnesota.<br />
8 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
A Latin Epic Reader<br />
Selections from Ten Epics<br />
Alison Keith<br />
xxvii + 187 pp., 3 maps (2012) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-686-8<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Epic crowned the classical hierarchy of genres, in large part because of<br />
the prestige of its subject matter—the establishment and maintenance<br />
of divine and human order. In ancient Rome, epic’s significance begins<br />
with Ennius, who adapted Greek dactylic hexameter into Latin, securing<br />
the genre’s primacy as a narrative vehicle for celebrating Roman<br />
achievements. From these beginnings Latin hexameter was refined in<br />
the poetry of Lucretius and Catullus; the form flourished in the hands<br />
of Vergil and his successors.<br />
This edition offers twenty-seven selections from a rich corpus of<br />
ten Latin epic poets. Though the focus is on republican and Augustan<br />
epic, a sample of later imperial epic allows exploration of the full<br />
expanse of Rome’s responses to her own history and political culture,<br />
and to the art, history, and literature of ancient Greece.<br />
Features • Introduction to the Latin epic genre and its authors, Latin<br />
style, and meter • 624 lines of unadapted Latin text selected from ten<br />
epics: Ennius, Annales 34–50, 72–91, 175–79; Lucretius, De rerum<br />
natura 1.1–43, 1.936–50; Catullus, carmen 64.50–93; Vergil, Aeneid<br />
1.1–<strong>11</strong>, 1.148–56, 1.338–68, 4.1–30, 4.160–72, 6.14–31, 6.179–82,<br />
6.456–66, 8.625–34, 12.697–724; Ovid, Metamorphoses 1.1–20,<br />
1.89–<strong>11</strong>2, 4.706–39, 8.155–82, 8.741–76; Manilius, Astronomica<br />
5.574–615; Lucan, Bellum Civile 2.1–15; Valerius Flaccus, Argonautica<br />
2.497–537; Statius, Thebaid 1.401–27, 6.84–<strong>11</strong>7; Silius Italicus, Punica<br />
1.1–28 • Notes at the back and complete vocabulary • Suggested readings,<br />
glossary of literary terms, and three maps<br />
Alison Keith is Professor and Chair of the Department of Classics at<br />
the University of Toronto.<br />
Already Available in <strong>2013</strong><br />
A Tibullus Reader<br />
Seven Selected Elegies<br />
Paul Allen Miller<br />
xx + 132 pp., 2 illustrations (<strong>2013</strong>) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-724-7<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Albius Tibullus, considered along with Ovid and Propertius one of the<br />
canonical elegists of the Augustan period, was in antiquity deemed<br />
the most accomplished of the three. Quintilian sums it up nicely:<br />
“In my opinion Tibullus is a very elegant and concise author. There<br />
are those who prefer Propertius.” Modern critics, however, have not<br />
always been as favorable. The dreamlike quality of Tibullus’s text is<br />
sometimes cited as evidence that his poems are smooth or soft, and<br />
lacking formal integrity. Paul Allen Miller argues instead for seeing<br />
them as a complex tissue of related, interwoven, and sometimes contradictory<br />
themes. Miller’s commentary, informed by modern scholarship,<br />
accepts the challenge of elucidating the often complex logic of<br />
the selected poems.<br />
This edition offers seven complete Tibullan elegies, selected from<br />
across the poet’s range of topics: poems on rural life, on Delia, and<br />
on homoerotic themes. The commentary provides grammatical and<br />
historical information along with detailed explanations to aid in understanding<br />
and better appreciating the poet’s unique style.<br />
Features • Introduction to Tibullus’ poetry and the selected elegies,<br />
the poet’s life, and the elegiac meter • 596 lines of unadapted Latin<br />
text of seven complete Tibullus poems: 1.1, 1.2, 1.4, 1.5, 1.9, 2.1, 2.3<br />
• Notes at the back, complete vocabulary, and suggested readings •<br />
Glossary and index of technical terms, two illustrations<br />
Paul Allen Miller is Carolina Distinguished Professor of Classics and<br />
Comparative Literatures at the University of South Carolina.<br />
Instructors interested in teaching a one or two semester course surveying Latin literature will be pleased to find<br />
that the current and projected list of authors covers fairly well many of the authors for such a course: mid-Republic:<br />
Plautus, Terence, Lucilius (Roman Verse Satire); late Republic: Sallust, Cicero, Caesar; Augustan: Horace (Roman<br />
Verse Satire), Livy, Ovid, Tibullus, Propertius; Julio-Claudian: Lucan, Persius (Roman Verse Satire); late<br />
first/early second century: Tacitus, Suetonius, Martial, Juvenal (Roman Verse Satire), Apuleius. (The volume with<br />
selections from Latin epic will fill out this list a little more, as it includes selections from Statius, Silius Italicus,<br />
Lucretius, and Vergil.)<br />
– Judith Lynn Sebesta<br />
University of South Dakota<br />
Teaching Classical Languages 20<strong>11</strong>.Spring<br />
A link to the full review can be found at http://www.bolchazy.com/readers/<br />
www.BOLCHAZY.com • 9
More Currently Available Volumes in the Series<br />
A Livy Reader<br />
Selections from Ab Urbe Condita<br />
Mary Jaeger<br />
xxiii + 127 pp., 1 photo & 2 maps (2010) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-680-6<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
A Plautus Reader<br />
Selections from Eleven Plays<br />
John Henderson<br />
xviii + 182 pp., 1 map & 5 illustrations (2009) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-694-3<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Riveting Panorama of Moralizing Stories<br />
566 lines of unadapted Latin text from Livy’s Ab Urbe Condita: Preface;<br />
Books 1, 2, 7, 21, 22, and 39.<br />
A Lucan Reader<br />
Selections from Civil War<br />
Susanna Braund<br />
xxxiv + 134 pp., 1 map (2009) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-661-5<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
The Stark, Dark Horror of Civil War<br />
620 lines of unadapted Latin text from Lucan’s epic, Civil War.<br />
Based on the length of the passages and grammatical detail in the<br />
commentary, I feel this book is ideal for intermediate students,<br />
although more advanced students will also find it valuable. The<br />
notes are admirably thorough in information grammatical, historical,<br />
and cultural. I particularly appreciate B.’s tendency in difficult<br />
passages to offer in the notes a reordering of the Latin rather<br />
than a translation for the student. This is a wonderful solution to<br />
Lucan’s particular difficulties.<br />
– Jennifer E. Thomas, Grinnell <strong>College</strong><br />
Bryn Mawr Classical Review 2009.06.21<br />
A Martial Reader<br />
Selections from the Epigrams<br />
Craig Williams<br />
xxx + 185 pp., 5 illustrations & 2 maps (20<strong>11</strong>) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-704-9<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
A Witty Window into the First Century ce<br />
559 lines of unadapted Latin text selected from every book of Martial’s<br />
corpus.<br />
Craig Williams’s A Martial Reader will be a particularly useful<br />
book to students of Latin as well as a brief but sound introduction<br />
to Martial’s poetry. It combines deep scholarly insight with<br />
anticipation of difficulties students may find.<br />
– Rosario Moreno Soldevila and Alberto Marina Castillo<br />
Universidad Pablo de Olavide, Sevilla<br />
Bryn Mawr Classical Review 2012.07.32<br />
Energy, Wit, and a Contagious Affection for Plautus<br />
616 lines of unadapted Latin text from eleven Plautus plays: Asinaria,<br />
Amphitruo, Captiui, Casina, Cistellaria, Curculio, Menaechmi, Poenulus,<br />
Pseudolus, Rudens, and Truculentus.<br />
A Roman Verse Satire Reader<br />
Selections from Lucilius, Horace,<br />
Persius, and Juvenal<br />
Catherine C. Keane<br />
xxvi + 142 pp., 1 map & 4 illustrations (2010) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-685-1<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Provocative and Entertaining Reading<br />
556 lines of unadapted Latin text selections: Lucilius, Satires • Horace,<br />
Satires • Persius, Satires • Juvenal, Satires.<br />
A Sallust Reader<br />
Selections from Bellum Catilinae,<br />
Bellum Iugurthinum, and Historiae<br />
Victoria Pagán<br />
xliv + 159 pp., 2 maps & 4 illustrations (2009) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-687-5<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Accessible History with an Outsider’s Vantage Point<br />
597 lines of unadapted Latin text from Sallust’s Bellum Catilinae, Bellum<br />
Iugurthinum, and Historiae.<br />
Visit the BC Latin Readers page at<br />
www.bolchazy.com/readers<br />
for a complete listing of selections<br />
contained in each reader.<br />
10 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
A Seneca Reader<br />
Selections from Prose and Tragedy<br />
James Ker<br />
lvi + 166 pp., 6 illustrations & 1 map (20<strong>11</strong>) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-758-2<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Fitted to the Ears of His Age and Ours<br />
568 lines of unadapted Latin text selected from eight works of Seneca:<br />
Consolatio ad Helviam, Epistulae Morales, Consolatio ad Polybium,<br />
De Clementia, Apocolocyntosis, De Ira, Medea, and De Amicitia.<br />
Teachers of intermediate Latin have plenty of Readers to choose<br />
from. Readers presenting selections from the works of Cicero and<br />
Caesar are common. James Ker’s A Seneca Reader is uncommon,<br />
timely, and excellent.<br />
– Daniel T. Barber and William O. Stephens<br />
Creighton University<br />
Bryn Mawr Classical Review 2012.09.38<br />
A Suetonius Reader<br />
Selections from the Lives of the<br />
Caesars and the Life of Horace<br />
Josiah Osgood<br />
xxxix + 159 pp., 1 map & 7 illustrations (2010) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-716-2<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Biography That’s Enjoyable to Teach and to Read<br />
527 lines of unadapted Latin text selections from each of the Lives of<br />
the Caesars and the entire Life of Horace.<br />
The best feature of this reader is the selection of the passages for<br />
inclusion. At least one selection is included from each of the twelve<br />
Lives of the Caesars (to which is added the Life of Horace as a nod<br />
to Suetonius’ literary biography). As Osgood discusses in his introduction<br />
(pp. xxii–xxv), Suetonius’ thematic arrangement and<br />
serial composition invite comparison between subjects, for he<br />
regularly treats a certain set of topics. But rather than trace one<br />
topic throughout different Lives, Osgood has chosen selections<br />
that represent the kind of topics that particularly interested Suetonius.<br />
The opening selection describing the assassination of Julius<br />
Caesar, for example, includes a long section on religious portents.<br />
–Rex Stem, University of California Davis<br />
Classical Journal Online 2012.05.08<br />
A Terence Reader<br />
Selections from<br />
Six Plays<br />
William S. Anderson<br />
xvii + <strong>11</strong>0 pp. (2009) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-678-3<br />
• $<strong>19</strong>.00 • £12.00 • €15.00<br />
Memorable Sample of a Unique Comic Art<br />
566 lines of unadapted Latin text from six Terence plays: Adelphoe,<br />
Andria, Eunuchus, Heauton, Hecyra, and Phormio.<br />
BC Latin Readers Coming in <strong>2013</strong> and Beyond<br />
An Ovid Reader<br />
Selections from Six Works<br />
Carole E. Newlands<br />
(forthcoming) Paperback, ISBN 978-0-86516-722-3<br />
A Propertius Reader<br />
Eleven Selected Elegies<br />
P. Lowell Bowditch<br />
(forthcoming) Paperback, ISBN 978-0-86516-723-0<br />
A Roman Army Reader<br />
Twenty-One Selections from Literary, Epigraphic,<br />
and Other Documents<br />
Dexter Hoyos<br />
(forthcoming) Paperback, ISBN 978-0-86516-715-5<br />
A Roman Women Reader<br />
Selections from the Second Century bce to the<br />
Second Century ce<br />
Sheila K. Dickison and Judith P. Hallett<br />
(forthcoming) Paperback, ISBN 978-0-86516-662-2<br />
A Tacitus Reader<br />
Selections from Annales, Historiae, Germania,<br />
Agricola, and Dialogus<br />
Steven H. Rutledge<br />
(forthcoming) Paperback, ISBN 978-0-86516-697-4<br />
Few can match Lou’s service to Classics. We are all beholden<br />
to him for providing such a splendid variety of<br />
texts and materials to students and teachers at all levels.<br />
That Classics is flourishing in these difficult times is a real<br />
tribute to his efforts.<br />
– Sheila Dickison, University of Florida<br />
———————————————————<br />
Lou was a giant in so many ways—truly a visionary who<br />
loved the classics and did great work on their behalf.<br />
He will be missed greatly by all of us, but especially by<br />
those of us who have published our work with him and<br />
who have worked closely with him. As a fellow Slovak, I<br />
feel that I have lost a brother.<br />
In perpetuum, frater, ave atque vale.<br />
Requiescat in pace.<br />
with sincerest condolences,<br />
– Professor Jim May, St. Olaf <strong>College</strong><br />
www.BOLCHAZY.com • <strong>11</strong>
AcademicPub<br />
Build Your Own Textbooks . . .<br />
. . . with selections from <strong>Bolchazy</strong>-<strong>Carducci</strong><br />
Have you ever wished you could create your own textbook? Do you<br />
feel limited by the one-author format of most intermediate and advanced<br />
Latin textbooks? Does skipping around within a textbook or<br />
among many textbooks leave your students feeling confused?<br />
Make your perfect textbook with selections from B-C texts. At www.<br />
AcademicPub.com, educators can easily create their own custom books<br />
for use in the classroom—in eBook and/or print format. Technology<br />
skills are not required—point and click, and your book is ready. Add<br />
publisher content from the AcademicPub Library, web articles, blog<br />
postings, and self-authored content in PDF or Word format.<br />
With a custom book made on www.AcademicPub.com, all your<br />
course material is in one place. Your syllabus, your grading rubric, your<br />
study guides, your bibliography for research projects, and more can all<br />
be included in the classroom textbook. In addition, you can include any<br />
supplementary articles or chapters—AcademicPub provides realtime<br />
copyright clearance.<br />
Features<br />
• the ability to add self-authored content such as essays, notes,<br />
study guides, writing tips, and grading rubrics<br />
• peer recommendations from colleagues in your discipline<br />
• real-time copyright clearance<br />
• a running total price as you build your book—keep costs down<br />
for students!<br />
• a preview of the entire book before purchase<br />
• format options—hardcopy or electronic format; directly from<br />
AcademicPub or from campus in-house printing<br />
Visit www.academicpub.com to browse our selection.<br />
New titles are added regularly.<br />
Sign-up is free.<br />
Selections from these favorite B-C books already available!<br />
Ovid: Amores, Metamorphoses Selections<br />
Charbra Adams Jestin and Phyllis B. Katz<br />
Horace: Selected Odes and Satire 1.9<br />
2nd Edition<br />
Ronnie Ancona<br />
Writing Passion: A Catullus Reader<br />
Ronnie Ancona<br />
Cicero: Pro Archia Poeta Oratio<br />
Stephen Ciraolo<br />
Cicero: Pro Caelio<br />
Steven M. Cerutti<br />
Cicero: De Amicitia Seletions<br />
Patsy Rodden Ricks and Sheila K. Dickison<br />
An Introduction to Wall Inscriptions<br />
from Pompeii and Herculaneum<br />
Rex E. Wallace<br />
Aesop’s Fables in Latin:<br />
Ancient Wit and Wisdom from the Animal Kingdom<br />
Laura Gibbs<br />
Dear Marie,<br />
You and Lou became such valued fixtures in the lives of so many people in the classical profession over the past thirty-five years<br />
that it is impossible to conceive of a world without Lou. I sincerely hope and expect that you will have the courage to continue<br />
the impressive and indispensable work that the two of you carried on all these years. Lou will remain in my thoughts for the<br />
rest of my life as a friend and supporter. Well do I remember Lou’s willingness to publish some of my early work at a time when<br />
both he and I were embarking on our careers. During my years developing the Master of Arts in Teaching Latin and Classical<br />
Humanities program at UMass, I constantly urged our students to expand the breadth of Latin authors that they could teach in<br />
their Latin classrooms, and it would not have been possible for them to do this without the steady stream of textbooks coming<br />
from <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers. The two of you did as much as anyone to arrest the catastrophic decline of Latin enrollments<br />
that took place in the <strong>19</strong>60’s and to promote the resurgence of Latin in the 70’s and beyond. Without the two of you, the<br />
profession would not be where it is today. It was always such a pleasure to see both of you at professional meetings. All who attend<br />
such meetings will be saddened not to see Lou, but they will be heartened if they see his and your great work continuing.<br />
– Gilbert Lawall, University of Massachusetts<br />
12 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
eBooks<br />
<strong>Bolchazy</strong>-<strong>Carducci</strong> eBooks have the same content as our traditional books in print but also offer a variety of tools to<br />
enhance the learning process, including searchable text, adjustable size, typeface, and lines for text, and worry-free<br />
archive space.<br />
Look for this logo throughout the catalog to mark a book available electronically.<br />
Features<br />
• Add notes, customized highlights, and other<br />
annotations—all of which are added to the<br />
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• Access on any computer with an internet connection<br />
• Read on<br />
- the web (via Windows or MAC computers)<br />
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Direct Digital eBook store:<br />
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Direct Digital through MBS Direct: www.mbsdirect.net<br />
How to purchase <strong>Bolchazy</strong>-<strong>Carducci</strong> eBooks<br />
Features<br />
• Get free samples of books<br />
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- Android<br />
- eBook Devices: Barnes & Noble Nook and<br />
Reader from Sony<br />
Google ebook information:<br />
http://books.google.com/help/ebooks/overview.html<br />
Google ebook store: http://books.google.com/ebooks<br />
As you browse through www.BOLCHAZY.com, wherever you see the Google or Direct Digital eBook logo, click on the logo—you will be<br />
automatically directed to a webpage where you can purchase the eBook.<br />
B-C is dedicated to using the latest in technology to bring Latin into the styles of learning that today’s students are demanding. Our goal? Latin<br />
and Greek anywhere, anytime. To keep up with unfolding developments, visit www.BOLCHAZY.com or sign up at the site for updates.<br />
iPodius<br />
iPodius<br />
With our digital downloads store, iPodius, plus our first iPhone app, Latin Proverbs, along with<br />
70+ hours of Greek recitation on MP3, four audiobooks for iPod, and our updated grammar review<br />
website, Looking at Latin Online, <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers firmly sets classics learning<br />
in the 21st century, paving the way for new generations of Latin and Greek students and their<br />
teachers.<br />
For Latin audio, video, Living Voice of Greek and Latin Literature, vocabulary flashcards, and<br />
other software downloads, visit ipodius.BOLCHAZY.com, <strong>Bolchazy</strong>-<strong>Carducci</strong>’s online multimedia<br />
store.<br />
Digital Downloads from <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers<br />
Below are just samples of the offerings you and your students will find at iPodius. Check back often—new products are regularly being added!<br />
Audio (MP3)<br />
Latin Music Through the Ages • The Living Voice of Greek and Latin Literature • Carmina Popularia • Athens v. Sparta • Latin Aloud • Conversational<br />
Latin for Oral Proficiency • Readings from Wheelock’s Latin • O Abies • Vergil’s Dido • more!<br />
Software (Mac, PC, iPod, iPhone and Web)<br />
Latin Proverbs app for iPhone and iPod touch • Cicero’s First Catilinarian Oration: A Digital Tutor • Flashcards for Wheelock’s Latin • Flashcards for<br />
Latin for the New Millennium Levels 1 and 2 • Looking at Latin Online • Review Latin Verbs<br />
The iPodius Agora is the online marketplace for selling teacher-created content for Classics. Products<br />
include eBooks, classroom reproducibles, and more! Available materials include Vocabulary Quizzes for<br />
Latin for the New Millennium, Level 1, Lingua et Lengua: Latin and Spanish for Students of English, The Odyssey:<br />
A Folk Opera, Recitation of Latin Prose and Verse, and more.<br />
Visit http://ipodius.bolchazy.com/agoraindex.htm for all available products.<br />
New in Agora<br />
The Odyssey: A Folk Opera<br />
Recitation of Latin Prose and Verse<br />
www.BOLCHAZY.com • 13
Intermediate<br />
Divide et Impera Caesar’s Gallic Wars—in Pharr Format!<br />
Caesar<br />
Selections from his Commentarii De Bello Gallico<br />
Hans-Friedrich Mueller<br />
(2012) 6” x 9”<br />
Paperback, ISBN 978-0-86516-752-0<br />
• $37.00 • £23.50 • €27.00<br />
Hardbound, ISBN 978-0-86516-778-0<br />
• $44.00 • £28.00 • €32.50<br />
Like Gaul, this text is divided in partes tres: each page contains text, vocabulary, and notes in<br />
the Pharr style, complete with a pull-out list of frequent vocabulary! The introduction provides<br />
a lively and in-depth discussion of the historical context of the De Bello Gallico, of Caesar in his<br />
roles as general, politician, and writer, and an overview of the Roman army.<br />
Selections are unadapted Latin passages from Caesar’s De Bello Gallico: Book 1.1–7; Book<br />
4.24–35 and the first sentence of Chapter 36; Book 5.24–48; Book 6.13–20. English readings<br />
include the rest of Book 1, Book 6, and Book 7.<br />
Hans-Friedrich Mueller is the William D. Williams Professor of Classics and Department<br />
Chair at Union <strong>College</strong> in New York.<br />
I remember well my last conversation with Lou <strong>Bolchazy</strong>. I said very little because he was too excited to let me talk. Lou wanted<br />
to tell me how happy he was and proud of our new Caesar reader. His words meant a lot to me then. They mean even more to<br />
me now. Lou cared about Classics, and he cared about people. His inclusive enthusiasm for all of us will long live on among the<br />
authors, teachers, and students he served with such friendly and tireless cheer.<br />
– Hans-Friedrich Mueller, Union <strong>College</strong><br />
Have a student who wants more guided work? Caesar: A LEGAMUS Transitional Reader, by Rose Williams<br />
and Hans-Friedrich Mueller, helps students transition into reading Caesar’s unadapted Latin prose. For more<br />
guidance with the text in Caesar: Selections from his Commentarii De Bello Gallico, offer students A Caesar<br />
Workbook, by Rose Williams and Debra Nousek, which provides a variety of analytical exercises for covering the<br />
same Latin selections. Google previews of these books are available at www.BOLCHAZY.com. Just click<br />
on the product page.<br />
A Caesar Reader<br />
Selections from Bellum Gallicum and<br />
Bellum Civile, and from Caesar’s<br />
Letters, Speeches, and Poetry<br />
W. Jeffrey Tatum<br />
3 illustrations & 3 maps (20<strong>11</strong>) 5” x 7¾” Paperback<br />
ISBN 978-0-86516-696-7<br />
• $<strong>19</strong>.00 • £12.00 • €14.00<br />
Invasion of Britain<br />
W. Welch and C. G. Duffield<br />
xxiii + 97 pp. (1884, Reprint 2000) 6” x 9” Paperback<br />
ISBN 978-0-86516-334-8<br />
• $21.00 • £14.00 • €16.00<br />
14 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Caesar: Selections from his Commentarii<br />
De Bello Gallico features 21 images<br />
and 8 maps.<br />
Pharr-style italicized words aid students<br />
in recognizing and memorizing frequent<br />
vocabulary.<br />
Same-page vocabulary frees students<br />
from dictionary work allowing them to<br />
read more Caesar, more quickly.<br />
Same-page notes help students to<br />
understand the grammar and equips<br />
them to analyze Caesar’s thought.<br />
Caesar’s War in Alexandria<br />
Bellum Civile III.102–<strong>11</strong>2 &<br />
Bellum Alexandrinum 1–33<br />
Gavin Townend<br />
vi + 66 pp. (<strong>19</strong>88) 6” x 9” Paperback<br />
ISBN 978-0-86516-2<strong>19</strong>-8<br />
• $25.00 • £16.00 • €18.50<br />
Caesar Completely Parsed<br />
Completely Parsed Caesar’s Gallic War<br />
Book I<br />
James B. Finch<br />
vi + 394 pp. (2006) 6” x 9” Paperback<br />
ISBN 978-0-86516-632-5<br />
• $39.00 • £25.00 • €28.50<br />
www.BOLCHAZY.com • 15
Cicero<br />
Pro Archia Poeta Oratio<br />
Steven M. Cerutti<br />
xxviii + 132 pp. (2006) Paperback , ISBN 978-0-86516-642-4<br />
• $26.00 • £16.50 • €<strong>19</strong>.00<br />
Suitable for use in intermediate courses, contains<br />
the entire, unadapted Latin text (397<br />
lines) of the oration with a facing-page vocabulary<br />
and same-page commentary.<br />
New—<strong>2013</strong><br />
Ovid<br />
Amores,<br />
Metamorphoses<br />
Selections,<br />
3 rd Edition<br />
Phyllis B. Katz and<br />
Charbra Adams Jestin<br />
(forthcoming <strong>2013</strong>) Paperback<br />
ISBN 978-0-86516-784-1<br />
This bestseller now features 277 more lines<br />
of Ovid! The updated version adds Metamorphoses<br />
I.1–88, (Creation) and X.1–85 (Orpheus)<br />
and Amores II.<strong>19</strong> and III.12.<br />
Contains<br />
• 907 lines from the Amores and<br />
Metamorphoses<br />
• Amores I.1, I.3, I.9, I.<strong>11</strong>, I.12, II.<strong>19</strong>,<br />
III.12, and III.15<br />
• Metamorphoses<br />
I.1–88 (Creation)<br />
I.452–567 (Apollo and Daphne)<br />
IV.55–166 (Pyramus and Thisbe)<br />
VIII.183–235 (Daedalus and Icarus)<br />
VIII.616–724 (Philemon and Baucis)<br />
X.1–85 (Orpheus)<br />
X.238–297 (Pygmalion)<br />
Ovid<br />
Selections from Ars Amatoria<br />
and Remedia Amoris<br />
Graves Haydon Thompson<br />
168 pp. + fold-out (<strong>19</strong>52, corrected <strong>19</strong>58, sixteenth reprint <strong>19</strong>97)<br />
6” x 9” Paperback, ISBN 978-0-86516-395-9<br />
• $33.00 • £21.00 • €24.00<br />
Well-chosen selections (2,414 lines) and<br />
pithy summaries make this text an entertaining<br />
and effective learning tool. See our website<br />
for a complete list of selected passages.<br />
Horace<br />
Selected Odes and Satire 1.9,<br />
2nd Edition<br />
Ronnie Ancona<br />
xxxiv + 174 pp. (2005, 2nd edition) 6” x 9” Paperback<br />
ISBN 978-0-86516-608-0<br />
• $38.00 • £24.50 • €28.00<br />
This text incorporates the latest in Horatian<br />
scholarship as well as line-by-line notes and<br />
vocabulary. Passages (533 lines) include<br />
Odes 1.1, 5, 9, <strong>11</strong>, 13, 22, 23, 24, 25, 37, 38;<br />
2.3, 7, 10, 14; III.1, 9, 13, 30; Satire 1.9.<br />
Reading Livy’s Rome<br />
Selections from Books I–VI<br />
of Livy’s Ab Urbe Condita<br />
Milena Minkova and Terence Tunberg<br />
xii + 276 pp. (2005) 6” x 9” Paperback<br />
ISBN 978-0-86516-550-2<br />
• $44.00 • £28.00 • € 32.50<br />
High-interest graded readings from Books<br />
I–VI (1,584 lines) of Livy’s Ab Urbe Condita:<br />
Romulus and Remus, Cincinnatus, and<br />
more. Readings progress from paraphrases<br />
to authentic Livian passages, all annotated<br />
but with progressively fewer vocabulary aids.<br />
Appendix of authentic Livian passages for all<br />
simplified selections.<br />
Petronius<br />
Selections from the Satyricon<br />
Gilbert Lawall<br />
vi + 66 pp. (<strong>19</strong>88) 6” x 9” Paperback<br />
ISBN 978-0-86516-288-4<br />
• $35.00 • £22.50 • €25.50<br />
Highly entertaining episodes (901 lines) selected<br />
from the Satyricon and a student-friendly<br />
format make this book a bestseller. Features<br />
an introduction, facing- and same-page notes<br />
and vocabulary, a diagram of triclinium seating,<br />
an appendix on Petronius’s language and<br />
style, and a glossary.<br />
Seneca’s Moral Epistles<br />
Anna Lydia Motto<br />
224 pp. (2001, on demand 2007) 6” x 9” Paperback<br />
ISBN 978-0-86516-487-1<br />
• $46.00 • £29.50 • €33.50<br />
An intriguing selection of 40 letters of Seneca<br />
in Latin on philosophical and practical<br />
topics ranging from the lofty to the nittygritty.<br />
Selections are Epistles 1–3, 5–7, <strong>11</strong>,<br />
12, 15, 16, 28, 21, 23, 27, 28, 34, 37, 38,<br />
41–44, 47, 50, 52–54, 56, 60–63, 72, 80,<br />
84, 90, 96, <strong>11</strong>2, <strong>11</strong>4.<br />
The Phaedra of Seneca<br />
Gilbert Lawall, Sarah Lawall, and Gerda Kunkel<br />
Illus., 238 pp. (<strong>19</strong>82, Reprint <strong>19</strong>89, on demand 2007)<br />
6” x 9” Paperback, ISBN 978-0-86516-016-3<br />
• $39.00 • £25.00 • €28.50<br />
Complete with abundant notes and vocabulary<br />
aids, this text makes Seneca’s masterpiece<br />
of Roman tragic poetry an accessible<br />
Latin read for college students at the intermediate<br />
or advanced level. Forty pages of<br />
analysis questions and comments and an updated<br />
English translation of Euripides’s Hippolytus<br />
for comparison provide instructors<br />
and students a full course unit.<br />
Plautus’ Menaechmi<br />
Gilbert Lawall and Betty Nye Quinn<br />
200 pp. (<strong>19</strong>78, <strong>19</strong>95, Reprint 2002) 6” x 9” Paperback<br />
ISBN 978-0-86516-007-1<br />
• $29.00 • £18.50 • €21.50<br />
Easily the best known of Plautus’s plays,<br />
Menaechmi’s popularity has rested on its<br />
broad farcical humor and exuberant dialogue.<br />
This edition aims to make a first reading the<br />
enjoyable experience it was meant to be.<br />
Latin Laughs<br />
A Production of Plautus’ Poenulus<br />
John H. Starks, Jr., Matthew D. Panciera, et alii<br />
viii + 129 pp. (<strong>19</strong>97) 6” x 9” Paperback<br />
ISBN 978-0-86516-323-2<br />
• $28.00 • £18.00 • €20.50<br />
Kidnapping, romance, and a contest between<br />
lover and leno form the plot of Plautus’s Poenulus,<br />
an ancient comedy that provides a rollicking<br />
good time for modern readers and<br />
audiences.<br />
Res Gestae Divi Augusti<br />
Rex E. Wallace<br />
xxii + 80 pp. (2000, on demand 2007) 6” x 9” Paperback<br />
ISBN 978-0-86516-455-0<br />
• $25.00 • £16.00 • €18.50<br />
The Res Gestae reveals as much about Augustus<br />
and his accomplishments through what it<br />
omits as what it contains. This edition allows<br />
students rare access to non-literary historical<br />
Latin.<br />
I was sorry to hear of the death of<br />
this great classicist, man, publisher,<br />
and friend.<br />
– Gaylan DuBose<br />
16 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
The Epic of Gilgamesh<br />
2nd Edition<br />
Danny P. Jackson; Illustrated by Thom Kapheim<br />
<strong>11</strong>5 pp. (<strong>19</strong>97, Reprint 2000) 6” x 9” Paperback<br />
ISBN 978-0-86516-352-2<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
The longing stretch toward the infinite . . .<br />
the reluctant embrace of the temporal. This<br />
is the eternal lot of mankind. This is The Epic<br />
of Gilgamesh. Our revised 2 nd edition of mankind’s<br />
first epic features a lucid historical<br />
and cultural introduction by Dr. Robert D.<br />
Biggs, an interpretive essay on the themes of<br />
Gilgamesh by Dr. James G. Keenan and their<br />
echoes in other literature, and the ancient<br />
world as well as original illustrations. This<br />
book has been adopted by the Great Books<br />
Foundation.<br />
The Epic of Gilgamesh<br />
Danny P. Jackson (English) and<br />
Saul Tchernichovsky (Hebrew)<br />
Illustrated by Zeev Raban<br />
202 pp. (2002) 9¼” x 13¼” Paperback<br />
ISBN 978-0-86516-527-4<br />
• $39.00 • £25.00 • €28.50<br />
The Epic of Gilgamesh in English and Hebrew,<br />
this book has its provenance in Zeev Raban’s<br />
fourteen remarkable gouache illustrations of<br />
The Epic of Gilgamesh. The artist’s family provided<br />
us with these previously unpublished<br />
and never-before printed works of art. Raban<br />
(1890–<strong>19</strong>70), well-known for his work<br />
on Biblical themes, especially the Song of<br />
Songs, only once embarked upon a project<br />
not derived directly from Jewish sources. His<br />
Gilgamesh represents an attempt to appropriate<br />
this ancient myth into nascent modern<br />
Hebrew culture and its emerging reservoir of<br />
visual imagery.<br />
Rome and Her Kings<br />
Livy I: Graded Selection<br />
C. E. Freeman and W. D. Lowe<br />
<strong>11</strong>0 pp. (2000) 5½” x 8½” Paperback<br />
ISBN 978-0-86516-450-5<br />
• $25.00 • £16.00 • €18.50<br />
This graded reader of 610 lines, a reprint<br />
of an original <strong>19</strong>20 Oxford edition, presents<br />
connected excerpts from Livy I (Ab<br />
Urbe Condita). The text was designed to enhance<br />
progress in reading Latin, strengthen<br />
knowledge of grammar and syntax, reinforce<br />
grammar through Latin composition,<br />
and foster appreciation of Livy as a prose<br />
writer, historian, and moralist.<br />
Lou’s Favorites<br />
Lucretius<br />
Selections from De Rerum Natura<br />
Bonnie A. Catto<br />
304 pp. (<strong>19</strong>98) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86516-399-7<br />
• $39.00 • £25.00 • €28.50<br />
The text includes 53 passages (1,291 lines)<br />
spanning the entire epic. Each section features<br />
a short introduction, discussion questions,<br />
vocabulary and extensive line-by-line<br />
notes on facing pages, and a wide variety of<br />
illustrative quotations from ancient as well<br />
as modern authors.<br />
Phormio<br />
A Comedy by Terence<br />
Elaine M. Coury<br />
xxxiii + 224 pp. (<strong>19</strong>82, Reprint <strong>19</strong>84) 6¾” x 8⅜” Paperback<br />
ISBN 978-0-86516-014-9<br />
• $<strong>19</strong>.00 • £12.00 • €14.00<br />
This unique edition introduces students<br />
to Latin paleography while they are reading<br />
one of Terence’s most charming plays.<br />
It features a reproduction of the Phormio<br />
of the Bembinus Manuscript, with each<br />
of the 50 pages faced with a transcription<br />
to enable students to experience reading a<br />
fourth-century manuscript. An edited version<br />
of the text is repeated, this time with<br />
notes on facing pages.<br />
Plato: Apology<br />
James J. Helm<br />
viii + 127 pp. (<strong>19</strong>81, revised <strong>19</strong>97) Paperback<br />
ISBN 978-0-86516-348-5<br />
• $29.00 • £18.50 • €21.50<br />
The revised edition of this popular textbook<br />
features vocabulary and grammatical<br />
notes, now appearing on the same page<br />
as the text, sentence diagrams, principal<br />
parts of verbs, both by Stephanus page and<br />
alphabetical, word frequency list for words<br />
occurring more than twice, and a complete<br />
vocabulary.<br />
The Red Flare<br />
Cicero’s On Old Age<br />
Translated by G. B. Cobbold<br />
xxvi + 92 pp. (2012) 6” x 9” Paperback<br />
ISBN 978-0-86516-782-7<br />
• $15.00 • £9.50 • €<strong>11</strong>.50<br />
See back cover for more information on this<br />
exciting new translation.<br />
An Introduction to<br />
Wall Inscriptions from Pompeii<br />
and Herculaneum<br />
Rex E. Wallace<br />
xlvi + 136 pp. (2005) 6” x 9” Paperback<br />
ISBN 978-0-86516-570-0<br />
• $39.00 • £25.00 • €28.50<br />
This edition is a representative selection of<br />
types of inscriptions, from political manifestos<br />
to gladiatorial announcements. These<br />
inscriptions document aspects of daily life in<br />
the first century ce.<br />
Medieval Mosaic<br />
A Book of Medieval Latin Readings<br />
A. W. Godfrey, ed.<br />
xv + 3<strong>11</strong> pp. (2002) 6” x 9” Paperback<br />
ISBN 978-0-86516-543-4<br />
• $39.00 • £25.00 • €28.50<br />
These informative and entertaining selections<br />
(4,044 lines), when pieced together,<br />
build a brilliant mosaic that depicts the<br />
thought, theology, history, and personal<br />
lives of people living in the fourth through<br />
fi ft eenth centuries ce, from early Christianity<br />
to the Renaissance. The passages,<br />
complete with notes, are accessible to intermediate<br />
Latin students, and include a fine<br />
range of well-known and less often included<br />
readings.<br />
Millennium<br />
A Latin Reader, ad 374–1374<br />
F. E. Harrison<br />
xxx + 254 pp. (<strong>19</strong>68, Reprint <strong>19</strong>91) 6” x 9” Paperback<br />
ISBN 978-0-86516-<strong>19</strong>1-7<br />
• $46.00 • £29.50 • €33.50<br />
This book explores the realm of Latin literature<br />
beyond the confines of the classical period.<br />
It features selections (3,343 lines) from<br />
the Bible to Carmina Burana, and authors from<br />
St. Augustine to William of Malmesbury.<br />
Lou was an extraordinary individual—of<br />
heroic energy and vision—<br />
and we shall not see his like again.<br />
– Professor Judith P. Hallett<br />
University of Maryland<br />
www.BOLCHAZY.com • 17
Catullus<br />
<strong>Bolchazy</strong>-<strong>Carducci</strong> provides the tools you need to take your students from the first day of Latin to reading ancient author’s unadapted works.<br />
From our innovative introductory program Latin for the New Millennium which draws its Latin from ancient, medieval, and Renaissance sources,<br />
through books designed specifically to aid students in transitioning into reading unadapted Latin, to well-annotated texts that guide students to<br />
think critically about the author, topic, and language, B-C has all you needs covered.<br />
The many levels and options B-C offers for Catullus are charted below. Charts for other authors are coming soon to our website!<br />
Catullus Flow Chart<br />
Introductory<br />
Latin for the New Millennium, Level 1<br />
(Main Reading of Chapter 7)<br />
Introductory<br />
Latin for the New Millennium, Level 2<br />
Adapted<br />
Latin for the New Millennium, Level 3<br />
(Chapter 2: Poems 1, 5, 8, 13, 49, 51; 89 lines)<br />
Adapted/Transitional<br />
LEGAMUS<br />
(Poems 1, 51, 5, 7, 87, 8, 70,<br />
72, <strong>11</strong>, 86, 83, 85, 43, 13, 50,<br />
101, 64.1–15, 65.1–24;<br />
<strong>19</strong>4 lines)<br />
Little Book of<br />
Latin Love Poetry<br />
(51, 43, 86, 5, 70, 8; 50 lines)<br />
Embers of the<br />
Ancient Flame<br />
(2, 2B, 5, 7, 8, 45, 51, 62, 70,<br />
72, 83, 85, 86, 87, 92, 109;<br />
205 lines of Catullus)<br />
Unadapted<br />
Writing Passion,<br />
2 nd Edition<br />
(827 lines)<br />
Workbook<br />
(805 lines)<br />
Catullus<br />
Expanded<br />
Edition<br />
(805 lines)<br />
Roman Elegiac<br />
Poets<br />
(3,684 lines)<br />
New—<strong>2013</strong><br />
Writing Passion<br />
A Catullus Reader, 2nd Edition<br />
Ronnie Ancona<br />
Student Text: (forthcoming, <strong>2013</strong>) 6” x 9” Paperback<br />
ISBN 978-0-86516-786-5<br />
• $36.00 • £23.00 • €26.50<br />
Supplement: ISBN 978-0-86516-788-9<br />
includes updated bibliography, notes, and introductions. For those who<br />
want a little more spice in their Catullus and love the style of this book,<br />
a supplement containing poems 6, 16, 32, and 57 will also be available<br />
both bundled with the main text or on its own. All selections in this<br />
book are available on AcademicPub. See page 12 for more information<br />
on AcademicPub.<br />
Latin text of 46 Catullus poems (827 lines): 1–5, 7, 8, 10–14a, 22, 30,<br />
32, 35, 36, 40, 43–46, 49–51, 60, 64 (lines 50–253), 65, 68–70, 72,<br />
75–76, 77, 83–87, 92, 96, 101, 107, 109, <strong>11</strong>6.<br />
This bestseller now features four additional poems (75, 83, 92, and 107),<br />
which expand the elegiac selections about Lesbia. The new edition also<br />
18 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
The Roman Elegiac Poets<br />
Karl Pomeroy Harrington<br />
424 pp. (<strong>19</strong>14, reprint 2002) 6⅛” x 9¼” Paperback<br />
ISBN 978-1-89885-585-9 • $33.00 • £21.00 • €24.00<br />
This classic college edition gathers together<br />
Latin text selections from elegy’s four most celebrated<br />
practitioners: Catullus, Tibullus, Propertius,<br />
and Ovid (3,684 lines).<br />
Catullus<br />
Expanded Edition<br />
Phyllis Young Forsyth and Henry V. Bender<br />
xiii + 140 pp. (2005) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86516-603-5 • $39.00 • £25.00 • €28.50<br />
Latin text of 42 Catullus poems (805 lines):<br />
1–5, 7, 8, 10–14a, 22, 30, 31, 35, 36, 40, 43–<br />
46, 49–51, 60, 64 (lines 50–253), 65, 68–70,<br />
72, 76, 77, 84–87, 96, 101, 109, <strong>11</strong>6.<br />
Little Book of Latin Love Poetry<br />
John Breuker and Mardah B. C. Weinfield<br />
x + 124 pp. (2006) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86515-601-1 • $26.00 • £16.50 • €20.50<br />
This reader introduces intermediate Latin<br />
students to Catullus, Horace, and Ovid.<br />
Embers of the Ancient Flame<br />
Latin Love Poetry Selections from<br />
Catullus, Horace, and Ovid<br />
Carol A. Murphy, Ryan T. Moore,<br />
and Daniel G. Thiem<br />
ix + <strong>11</strong>4 pp. (2005) 6” x 9” Paperback<br />
ISBN 978-0-86516-609-7 • $30.00 • £20.00 • €22.00<br />
Embers of the Ancient Flame is a user-friendly intermediate<br />
text for Catullus, Horace, and Ovid.<br />
Catullus<br />
A LEGAMUS Transitional Reader<br />
Sean Smith and Kenneth F. Kitchell, Jr.<br />
xxx + 162 pp. (2006) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86516-634-9 • $29.00 • £18.50 • €21.50<br />
Designed for students transitioning to authentic<br />
Latin, this reader contains <strong>19</strong>4 lines from<br />
18 poems of Catullus.<br />
A Catullus Workbook<br />
Helena Dettmer and LeaAnn A. Osburn<br />
xii + 244 pp. (2006) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86516-623-3 • $27.00 • £17.50 • €20.00<br />
With five to six exercises for each passage, this<br />
workbook helps students develop good translation<br />
habits.<br />
Ovid with Love<br />
Selections from Ars Armatoria,<br />
Books I and II<br />
Paul Murgatroyd<br />
x + 228 pp. (<strong>19</strong>90) 6” x 9” Paperback<br />
ISBN 978-0-86516-015-6 • $40.00 • £25.50 • €29.50<br />
This book contains 770 lines from Ars Amatoria,<br />
Books I and II, a full introduction on Ovid’s<br />
life, 148 pages of vocabulary, and commentary<br />
that offers insights on Ovid’s stylistic choices.<br />
Roman Verse Satire<br />
Lucilius to Juvenal<br />
A Selection with an Introduction, Text,<br />
Translations, and Notes by William J. Dominik<br />
and William T. Wehrle<br />
xviii + 222 pp. (2000) 6” x 9” Paperback<br />
ISBN 978-0-86516-442-0 • $39.00 • £25.00 • €28.50<br />
This edition provides Latin texts with English<br />
translations of Roman verse satire. Lucilius,<br />
Horace, Persius, and Juvenal (1,733 lines)<br />
are equally represented in a reader-friendly<br />
format designed for the English reader and as<br />
an aid to the Latin student in understanding<br />
these challenging, sometimes obscure texts.<br />
Vergil<br />
New—<strong>2013</strong><br />
Vergil’s Aeneid<br />
Expanded Collection<br />
Barbara Weiden Boyd<br />
xl + 449 pp. (<strong>2013</strong>)<br />
Paperback, ISBN 978-0-86516-789-6<br />
• $29.00 • £18.50 • €21.50<br />
This well-annotated Latin text combines four<br />
Aeneid texts previously offered by <strong>Bolchazy</strong>-<br />
<strong>Carducci</strong> and new content into one userfriendly<br />
volume. Containing 2,596 lines, this<br />
text makes the perfect introduction to Vergil’s<br />
Aeneid for college students or advanced high<br />
school classes.<br />
Passages include 1.1–756 • 2.1–56; <strong>19</strong>9–297;<br />
469–620; 735–805 • 4.1–449; 642–705 • 6.1–<br />
2<strong>11</strong>; 295–332; 384–425; 450–476; 847–901<br />
• 8.608–731 • 10.420–509 • <strong>11</strong>.498–596; 664–<br />
835 • 12.791–842; 887–952.<br />
Vergil’s Aeneid: Books I–VI<br />
Clyde Pharr<br />
xvii + 518 pp. (<strong>19</strong>64, reprint <strong>19</strong>98)<br />
Paperback, ISBN 978-0-86516-421-5<br />
• $44.00 • £28.00 • €32.50<br />
Hardbound, ISBN 978-0-86516-433-8<br />
• $59.00 • £38.00 • €43.50<br />
Heralded since its first publication in <strong>19</strong>64,<br />
Clyde Pharr’s Vergil’s Aeneid, Books I–VI<br />
(4,755 lines) has shepherded countless college<br />
students through the intricacies of this masterpiece<br />
of poetry. Pharr’s Aeneid is the all-time<br />
most popular textbook of Vergil’s Aeneid.<br />
Vergil’s Aeneid 8 & <strong>11</strong><br />
Italy & Rome<br />
Barbara Weiden Boyd<br />
ix + 96 pp. (2006) 6” x 9” Paperback<br />
ISBN 978-0-86516-580-9 • $<strong>19</strong>.00 • £12.00 • €14.00<br />
Presented in a style familiar to users of<br />
Pharr’s edition, the passages in this book<br />
(395 lines) introduce episodes that enrich<br />
and deepen appreciation for and understanding<br />
of Vergil’s poetic project. Passages<br />
included are Aeneid VIII.608–731, XI.498–<br />
596, and XI.664–835.<br />
Vergil’s Aeneid 10 & 12<br />
Pallas & Turnus<br />
Barbara Weiden Boyd<br />
xii + 44 pp. (<strong>19</strong>98) 6” x 9” Paperback<br />
ISBN 978-0-86516-415-4 • $14.00 • £9.00 • €10.50<br />
Designed to stand alone or supplement Pharr,<br />
Vergil’s Aeneid 10 & 12 contains 208 lines of<br />
text from X.420–509 and XII.791–842, 887–<br />
952, an introduction for each section, notes<br />
and vocabulary on same pages, and a complete<br />
vocabulary in back.<br />
Vergil’s Aeneid<br />
Hero • War • Humanity<br />
G. B. Cobbold, translator<br />
xviii + 366 pp., 91 illustrations + 1 map (2005)<br />
5” x 7 ¾” Paperback, ISBN 978-0-86516-596-0<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
Vergil’s Aeneid: Hero • War • Humanity gives<br />
the epic its due as the rousing and moving story<br />
that it is, while remaining true to the spirit<br />
of the Latin original. Includes an introduction<br />
to the Aeneid and Vergil, a map of Aeneas’s<br />
voyage, a glossary of characters, family trees,<br />
an outline of the plot, and a timeline of significant<br />
events in Roman history. Cobbold’s<br />
translation reads like a novel but features the<br />
vividness of poetic language.<br />
www.BOLCHAZY.com • <strong>19</strong>
Support<br />
A Glossary of Terms<br />
in Grammar,<br />
Rhetoric, and Prosody<br />
for Readers of<br />
Greek and Latin<br />
A Vade Mecum<br />
Richard Upsher Smith, Jr.<br />
xii + 140 pp. (20<strong>11</strong>) Paperback<br />
ISBN 978-0-86516-759-9<br />
• $<strong>19</strong>.00 • £12.00 • €14.00<br />
This glossary explains terms that readers of<br />
Greek and Latin encounter in their first three<br />
years of study. English grammar is the focus;<br />
however, the links with Greek and Latin<br />
grammar are explained. Some Greek and Latin<br />
constructions that do not occur in English<br />
are defined. Examples are drawn from Greek,<br />
Latin, and English masterpieces.<br />
New Latin Composition<br />
Charles E. Bennett<br />
ix + 292 pp. (reprint <strong>19</strong>96) Paperback<br />
ISBN 978-0-86516-345-4<br />
• $39.00 • £25.00 • €28.50<br />
First published in <strong>19</strong>12, Bennett’s New Latin<br />
Composition remains a highly regarded, widely<br />
used composition text for colleges. Part I is<br />
based on the works of Caesar with illustrative<br />
samples drawn directly from his own words.<br />
Parts II and III concentrate on Cicero.<br />
New Latin Grammar<br />
Charles E. Bennett<br />
xvi + 287 pp. (reprint <strong>19</strong>95) Paperback<br />
ISBN 978-0-86516-261-7<br />
• $<strong>19</strong>.00 • £12.00 • €14.00<br />
A model of clarity and precision, Bennett’s<br />
New Latin Grammar uses copious specific<br />
examples from primary sources to teach<br />
Latin’s inflections, syntax, sounds, accents,<br />
particles, and word formations.<br />
Gildersleeve’s Latin Grammar<br />
B. L. Gildersleeve and G. Lodge<br />
xv + 595 pp. (reprint 2003)<br />
Paperback, ISBN 978-0-86516-353-9<br />
• $17.00 • £<strong>11</strong>.00 • €12.50<br />
Hardbound, ISBN 978-0-86516-477-2<br />
• $34.00 • £22.00 • €25.00<br />
A classic Latin grammar. In the words of Basil<br />
L. Gildersleeve, “No study of literature<br />
can yield its highest result without the close<br />
study of language, and consequently the<br />
close study of grammar.”<br />
Bradley’s Arnold<br />
Latin Prose Composition<br />
Thomas K. Arnold<br />
425 pp. (2005)<br />
Paperback, ISBN 978-0-86516-595-3<br />
• $43.00 • £27.50 • €31.50<br />
Hardbound, ISBN 978-0-86516-660-8<br />
• $51.00 • £32.50 • €37.50<br />
This is the gold standard in Latin composition,<br />
used by thousands as a grammar reference as<br />
well, for good reasons. Bradley’s Arnold covers<br />
the elements of Latin grammar and syntax methodically,<br />
from the basic to the complex, and<br />
teaches students how to put them together to<br />
write accurately in Latin.<br />
Smith’s English-Latin Dictionary<br />
William Smith and Theophilus D. Hall<br />
xi + 1010 pp. (2000) Paperback<br />
ISBN 978-0-86516-491-8<br />
• $79.00 • £50.50 • €58.00<br />
An invaluable resource for students and teachers<br />
who are composing Latin verse and prose.<br />
It offers what smaller and less comprehensive<br />
dictionaries cannot—semantic range, depth,<br />
and precision.<br />
Introduction to Latin Prose<br />
Composition<br />
Milena Minkova<br />
xiii + 154 pp. (reprint 2007) Paperback<br />
ISBN 978-0-86516-672-1<br />
• $29.00 • £18.50 • €21.50<br />
A new approach to Latin prose composition,<br />
this book is concisely organized, giving easy<br />
and efficient reference. The ten chapters deal<br />
with conveying messages in simple sentences,<br />
connecting independent sentences to create<br />
a text, expressing relationships within a<br />
clause, use of word order, what vocabulary to<br />
choose, and subordination.<br />
Conversational Latin<br />
for Oral Proficiency<br />
4th edition<br />
John C. Traupman<br />
256 pp. (2007)<br />
Paperback, ISBN 978-0-86516-622-6<br />
• $46.00 • £29.00 • €33.50<br />
Hardbound, ISBN 978-0-86516-645-5<br />
• $75.00 • £47.00 • €55.00<br />
Audio CD, ISBN 978-0-86516-635-6<br />
• $39.00 • £24.50 • €28.50<br />
Traupman’s text enables students to engage<br />
in one of the most productive practices in the<br />
acquisition of language skills—conversing.<br />
A companion CD is available.<br />
I’ve known few men as kind, as<br />
endlessly good-humored, and not<br />
a single publisher whose contributions<br />
to the classical language<br />
teaching profession were so abundant<br />
and so wide-ranging. We are<br />
all the better for his publishing<br />
efforts and successes, and there<br />
is no doubt that his unparalleled<br />
legacy will endure for years and<br />
decades to come.<br />
– Rick LaFleur<br />
University of Georgia<br />
————————————————<br />
All day long I’ve been thinking<br />
about <strong>Bolchazy</strong>-<strong>Carducci</strong>—both<br />
the family and the firm—and reflecting<br />
on the wonderful legacy<br />
Lou has left for the whole field of<br />
Classics (not to mention Slovak<br />
studies). I hope it gave him comfort<br />
in his last hours to realize<br />
how much he has accomplished<br />
and how many of his dreams,<br />
shared by Marie and Allan, have<br />
come true. Not many people can<br />
say that their work has enriched<br />
the lives of hundreds of thousands<br />
of students, teachers, and<br />
general readers! It must have<br />
made Lou happy to know that he<br />
was leaving the company in such<br />
strong shape.<br />
– Professor Anne H. Groton<br />
St. Olaf <strong>College</strong><br />
————————————————<br />
Lou’s generous spirit and playful<br />
joie de vivre loom large in my<br />
memory of him. He will be much<br />
missed.<br />
– Dr. Debra Nousek<br />
University of Western Ontario<br />
20 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Wheelock<br />
Wheelock’s Latin<br />
GrammarQuick!<br />
Richard A. LaFleur and Brad Tillery<br />
6 (2 sided cards) (2007) 8½” x <strong>11</strong>” Laminated Cardstock<br />
ISBN 978-0-86516-666-0 • $13.00 • £8.50 • €9.50<br />
A quick and complete overview of Latin<br />
grammar—both forms and usage—on six<br />
durable double-sided laminated cards, threehole<br />
punched for easy insertion into notebooks.<br />
The cards contain entries arranged<br />
by part of speech and containing summaries<br />
of all forms and the commonest syntax, including<br />
case uses and subjunctive clauses.<br />
GrammarQuick! is an essential companion to<br />
Wheelock’s Latin and all introductory texts,<br />
and a handy reference guide for intermediate<br />
or advanced students.<br />
Readings from<br />
Wheelock’s Latin<br />
Mark Robert Miner (readings and performances)<br />
and Richard A. LaFleur (producer)<br />
280 minutes on 4 CDs (2006) Audio CDs with 8-page booklet<br />
ISBN 978-0-86516-638-7 • $49.00 • £30.50 • € 36.00<br />
This 4-CD audio package has recitation in restored<br />
classical pronunciation of all vocabulary<br />
and paradigms in Wheelock’s Latin, as<br />
well as dramatic readings of Sententiae Antiquae<br />
and narrative passages, and lively performance<br />
of selections from the Loci Antiqui and<br />
select Loci Immutati. Students who hear Latin<br />
correctly pronounced have an edge in memorization;<br />
and listening to dramatic readings<br />
increases aural skills. Listening while reading<br />
silently helps increase retention during review<br />
of sentences and longer passages.<br />
Also available as an MP3 digital download.<br />
38 Latin Stories<br />
Anne H. Groton and James<br />
M. May<br />
Student Text: vi + 104 pp.<br />
(5th edition, <strong>19</strong>95) Paperback<br />
ISBN 978-0-86516-289-1<br />
• $<strong>19</strong>.00 • £12.00 • $14.00<br />
Originally designed as a supplement to the<br />
Latin course by F. M. Wheelock, this book<br />
is well suited for use in any introductory or<br />
review course. All the stories in the book are<br />
based on actual Latin literature, with the<br />
stories simplified at first and made gradually<br />
more complex as the work progresses. Students<br />
will learn how classical Latin was really<br />
written as they become familiar with the<br />
works of the great Latin authors.<br />
A Comprehensive Guide<br />
to Wheelock’s Latin,<br />
2nd Edition<br />
Dale A. Grote<br />
Updated to Coordinate with Wheelock, 7th Edition<br />
xix + 307 pp. (20<strong>11</strong>) 6” x 9” Paperback<br />
ISBN 978-0-86516-773-5 • $39.00 • £25.00 • €28.50<br />
This guide expands and explains more fully<br />
important grammatical concepts introduced<br />
in the Wheelock text. The guide can also be<br />
used to review beginning Latin.<br />
Features: Fuller grammatical explanations—<br />
to aid comprehension • Useful, short exercises<br />
(with answer key)—to clear up confusion fast<br />
• Additional etymological information—to<br />
help students memorize • Companion website—for<br />
pronunciation help, downloadable<br />
drill sheets, vocabulary lists, and more!<br />
Vocabulary Cards and<br />
Grammatical Forms Summary<br />
for Wheelock’s Latin,<br />
2nd Edition<br />
Richard A. LaFleur and Brad Tillery<br />
Updated to Coordinate with Wheelock, 7th Edition<br />
(20<strong>11</strong>) 8½” x <strong>11</strong>” Paperback<br />
Perforated Sheets (cards = 1⅞” x 35⁄16”)<br />
ISBN 978-0-86516-771-1 • $35.00 • £22.50 • €25.50<br />
Repetitio est mater memoriae: these vocabulary<br />
cards allow students an easy way to<br />
memorize Latin vocabulary words as they<br />
appear in each chapter of Wheelock’s Latin.<br />
Students can memorize Latin to English or<br />
English to Latin and use the cards to help<br />
them memorize the full lexical forms of the<br />
Latin vocabulary words. These cards make<br />
vocabulary review a snap!<br />
Also available as a digital download for iPods.<br />
Forthcoming—<strong>2013</strong><br />
Find Them<br />
Latina Verba Mixta<br />
Sally Proctor<br />
(forthcoming <strong>2013</strong>)<br />
ISBN 978-0-86516-793-3<br />
Find Them: Latina Verba Mixta contains 40<br />
puzzles correlating with the 40 chapters of<br />
Wheelock’s Latin. A great way to learn and<br />
review vocabulary, this booklet lets students<br />
actively engage with Latin. In addition,<br />
students can check their own progress<br />
using the answer keys provided at the back<br />
of the book.<br />
Cumulative Chapter Vocabulary<br />
Lists for Wheelock’s Latin,<br />
2nd Edition<br />
Richard A. LaFleur and Brad Tillery<br />
Updated to Coordinate with Wheelock, 7th Edition<br />
iv + 292 pp. (20<strong>11</strong>) 6” x 8½” Paperback<br />
ISBN 978-0-86516-770-4 • $29.00 • £18.50 • €21.50<br />
These 40 cumulative vocabulary lists for all<br />
chapters of Wheelock’s Latin each contain all<br />
the words for each chapter as well as for all<br />
chapters preceding that one; e.g., the chapter<br />
10 list includes all the words introduced in<br />
chapters 1–10. The vocabulary lists are usefully<br />
sorted by part of speech; nouns and adjectives<br />
are further sorted by declension, and<br />
verbs by conjugation. All English meanings<br />
are included, as are macrons and accents.<br />
WHEELOCK’S LATIN IS BETTER THAN EVER! Wheelock’s Latin, 7th Edition retains<br />
all of the features that have made it the bestselling single-volume beginning Latin textbook<br />
and now includes expanded comments on vocabulary and translation tips • new Latin readings,<br />
including Roman graffiti, in every chapter • additional notes on reading passages • new<br />
comprehension and discussion questions • new photographs and drawings. Also available:<br />
Workbook for Wheelock’s Latin and the intermediate textbook Wheelock’s Latin Reader. Harper<br />
Collins Publishers, New York, NY.<br />
Lou was a truly special individual with the warmest heart and he had a marvelous<br />
vision for the role of classics in the modern world. I am thrilled to have<br />
gotten to know him over these past few years. He will leave a huge void in many<br />
people’s lives.<br />
– Susanna Braund<br />
University of British Columbia<br />
www.BOLCHAZY.com • 21
Greek Transitional Readers<br />
Plato<br />
A Transitional Reader<br />
Wilfred E. Major and Abigail Roberts<br />
xx + 108 pp. (2010) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-08516-721-6<br />
• $29.00 • £18.50 • €21.50<br />
Homer<br />
A Transitional Reader<br />
John H. O’Neil and Timothy F. Winters<br />
xx + 122 pp. (2010) 8½” x <strong>11</strong>” Paperback<br />
ISBN 978-0-86516-720-9<br />
• $29.00 • £18.50 • €21.50<br />
This graded reader helps students make the transition from beginning<br />
instruction in Greek to reading unaltered texts of Plato and other Attic<br />
authors. It features six Greek passages (256 lines): four extracts from<br />
the Republic, the summary of the Republic in the Timaeus, and the beginning<br />
of the Euthyphro, which sets the scene for the Apology. Each<br />
passage is presented in multiple versions, beginning with a very basic<br />
outline and culminating in the passage as Plato wrote it.<br />
Students completing this reader will be prepared to read full Platonic<br />
dialogues in unadapted Greek.<br />
Features<br />
• Introduction to Plato with starter bibliography<br />
• Greek texts with each passage presented in graded stages<br />
• Facing notes and vocabulary<br />
• Grammar review<br />
• Three appendices: ■ Guide to dialogues of Plato ■ Fifty most common<br />
words in Plato ■ Five hundred most common words in Plato<br />
• Map of Athens<br />
Wilfred E. Major is an Assistant Professor of Classics at Louisiana<br />
State University. He works on Greek pedagogy, especially improved<br />
curricula for beginning and intermediate classes. He also conducts<br />
research into ancient Greek comedy.<br />
Abigail Roberts teaches Latin and Greek at McCallie School in Chattanooga,<br />
Tennessee. She holds a BA in Classics and Moral Philosophy<br />
from Dartmouth <strong>College</strong>, and an MA in Latin from the University of<br />
Florida.<br />
This reader eases students into reading continuous, original Homeric<br />
Greek. Fifteen passages from the Iliad are included with pre-reading<br />
materials, grammatical and comprehension exercises, vocabulary and<br />
grammar notes, and more.<br />
Homer: A Transitional Reader moves students with incipient proficiency<br />
in reading Attic Greek into the Greek of the Homeric poems.<br />
Each selection begins with a reading that has metrical and dialectical<br />
challenges resolved. A set of thought questions and the unaltered text<br />
with literary and metrical notes and vocabulary glosses follow.<br />
Features<br />
• Introduction to Homer and to dactylic hexameter<br />
• Greek text (15 selections totaling 271 lines) with notes<br />
• Grammar review and exercises<br />
• Second, unaltered text with vocabulary and literary and metrical<br />
notes<br />
• Questions for thought<br />
• Glossary of Figures of Speech and Glossary of Significant Names<br />
John H. O’Neil has taught Latin and Greek since <strong>19</strong>83 at Saint<br />
Charles Preparatory School in Columbus, Ohio. In <strong>19</strong>99 he received<br />
the Borromean Medal for Distinguished Service to Saint Charles Preparatory<br />
School.<br />
Timothy F. Winters is Professor of Classics at Austin Peay State University<br />
in Clarksville, Tennessee. He received the Award for Excellence<br />
in <strong>College</strong> Teaching for 2007 from the Classical Association of<br />
the Middle West and South. Dr. Winters has conducted archaeological<br />
fieldwork on the island of Salamis and is the author of articles on<br />
Greek, epigraphy, and archaeology.<br />
All of us gathered for the NJCL Convention in Winston-Salem are shocked to hear of Lou’s death. He seemed so well just a<br />
month ago in Las Vegas. We will all miss his enthusiasm and his warm smile, and we will think of him every time we open one<br />
of your books, which, for many of us, is every day. He has indeed exegit monumentum aere perennius.<br />
– Dobbie Vasquez, The Menlo School<br />
———————————————————<br />
Only a few months ago at the American Philological Association’s meeting in Philadelphia I said to a friend, “If anyone deserves<br />
the APA’s award for service to the profession, Lou does.” He did, and the textbooks that he provoked, published, and promoted<br />
will continue his legacy for years—but I will remember the sheer pleasure of talking with him, and the delightful challenge of<br />
trying to figure out where the conversation would go next.<br />
– Dr. Lee T. Pearcy, The Episcopal Academy and Bryn Mawr <strong>College</strong><br />
22 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Greek<br />
Reading the Gospel<br />
of St. Mark<br />
in Greek<br />
A Beginning<br />
Norbert H. O. Duckwitz<br />
xxi + 333 pp. (20<strong>11</strong>) 6” x 9” Paperback<br />
ISBN 978-0-86516-776-6<br />
• $<strong>19</strong>.00 • £12.00 • €14.00<br />
Reading the Gospel of St. Mark in Greek: A<br />
Beginning empowers students to read and<br />
appreciate the Gospel of Mark and biblical<br />
Greek as a whole. The introduction presents<br />
a summary description of the alphabet, pronunciation,<br />
accents, and grammar, making<br />
simple and brief comparisons between English<br />
and Greek. The Greek text is accompanied<br />
by same-page vocabulary and notes,<br />
which allow for rapid reading, comprehension,<br />
and retention.<br />
An Introduction to Greek<br />
Crosby and Schaeffer<br />
440 pp. (2003 enhanced reprint of <strong>19</strong>28 edition) 5” x 7½”<br />
Paperback, ISBN 978-0-86516-554-0<br />
• $18.00 • £<strong>11</strong>.50 • € 13.00<br />
An Introduction to Greek by Crosby and<br />
Schaeffer is a standard textbook for teaching<br />
beginning Greek. It can also be used to<br />
review ancient Greek.<br />
Kaegi’s Greek Grammar<br />
Adapted and Translated by James A. Kleist<br />
viii + 260 pp. (<strong>19</strong>26, Reprint <strong>19</strong>95) Paperback<br />
ISBN 978-0-86516-281-5<br />
• $12.00 • £7.50 • €9.00<br />
First published in 1884, Kaegi’s Short Grammar<br />
was designed for beginning students<br />
with this principle in mind: “The study of<br />
grammar is but to aid the reading of Greek.”<br />
Kaegi’s approach enjoyed wide acceptance<br />
and acclaim, with translations into Bohemian,<br />
Russian, French, and Polish.<br />
Greek Readings for Review<br />
First Lessons in Greek<br />
Adolf Kaegi and James A. Kleist<br />
vi + <strong>19</strong>4 pp. (Reprint 2002) 6” x 9” Paperback<br />
ISBN 978-0-86516-549-6<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
The abiding appeal of First Lessons in Greek<br />
is its keying of exercises to grammar review<br />
(referenced to Kaegi’s Greek Grammar), a real<br />
asset for modern students struggling with<br />
the intricacies of ancient Greek.<br />
Appian Civil Wars, Book I<br />
J. L. Strachan-Davidson<br />
vii + 150 pp. (<strong>19</strong>02, Reprint) Paperback<br />
ISBN 978-0-86516-021-7<br />
• $29.00 • £18.50 • €21.50<br />
This reprint of the Oxford edition features<br />
the Greek text and notes.<br />
Asclepiades of Samos and<br />
Leonidas of Tarentum<br />
The Poems<br />
Jerry Clack<br />
280 pp. (<strong>19</strong>99) Paperback, ISBN 978-0-86516-456-7<br />
• $10.00 • £6.50 • €7.50<br />
The combined poems by these two writers<br />
scarcely exceed 800 lines, making this volume<br />
a manageable text for an undergraduate<br />
Greek class. The epigrams convey a good sense<br />
of the Hellenistic ethos without posing daunting<br />
vocabulary problems. Includes Greek text,<br />
commentary, vocabulary, bibliography, and<br />
proper name and poem source indices.<br />
Dioscorides and Antipater of Sidon<br />
The Poems<br />
Jerry Clack<br />
vii + 2<strong>19</strong> pp. (2001) Paperback, ISBN 978-0-86516-5<strong>11</strong>-3<br />
• $10.00 • £6.50 • $€7.50<br />
This volume includes the annotated Greek<br />
text, an introduction to the lives and works of<br />
the two poets , a glossary, a selected bibliography,<br />
an index of proper names, and a list of the<br />
sources of the poems.<br />
Luciani: Vera Historia<br />
C. S. Jerram<br />
xxiii + 79 pp. (1879, Reprint <strong>19</strong>90) Paperback<br />
ISBN 978-0-86516-240-2<br />
• $29.00 • £18.50 •€21.50<br />
A reprint of the second edition of a Victorian<br />
English-annotated edition of Vera Historia,<br />
this is the only English-language commentary<br />
on that work in print. The text includes<br />
notes helpful in explicating the language and<br />
Lucian’s references, an introduction, and delightful<br />
illustrations.<br />
Herodotus<br />
The Wars of Greece and Persia<br />
W. D. Lowe<br />
144 pp. (<strong>19</strong>13, Reprint <strong>19</strong>90) Paperback<br />
ISBN 978-0-86516-054-5<br />
• $27.00 • £17.50 • €20.00<br />
This fascinating introduction to Herodotus<br />
(1,457 lines) includes student notes, vocabulary,<br />
and illustrations.<br />
Meleager: The Poems<br />
Jerry Clack<br />
vii + 160 pp. (<strong>19</strong>92) Paperback, ISBN 978-0-86516-254-9<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
This text provides an excellent introduction to<br />
the poetry of Meleager. His 132 epigrams are<br />
encompassed in a little more than 800 lines,<br />
allowing a complete reading within a reasonable<br />
time. Also included are notes, vocabulary,<br />
and proper name and epigram source indices.<br />
Longus’<br />
Daphnis and Chloe<br />
An Annotated Edition<br />
Shannon N. Byrne<br />
and Edmund P. Cueva<br />
xvi + 161 pp. (2005) 6” x 9” Paperback<br />
ISBN 978-0-86516-593-9<br />
• $37.00 • £23.50 • € 27.00<br />
Students enjoy Longus’ Daphnis and Chloe, a<br />
tale about young love and country life, without<br />
needing much background knowledge.<br />
Longus’s Greek is straightforward and provides<br />
opportunity for a thorough review of<br />
Attic Greek. The running glossary and explanations<br />
of the grammar and syntax serve to<br />
move the reading along, allowing the instructor<br />
to decide when review is necessary.<br />
Plutarch’s Life of Pericles<br />
Hubert Ashton Holden<br />
lxii + 303 pp. (1894, Reprint) Paperback<br />
ISBN 978-0-86516-026-2<br />
• $44.00 • £28.00 • €32.50<br />
The text features an extensive apparatus criticus<br />
and marginal notes. The introduction<br />
concludes with a chronology of events in the<br />
time of Pericles and an addendum dealing<br />
with textual matters. The book also includes<br />
vocabulary and four indices.<br />
Theocritus<br />
Select Poems<br />
Kenneth J. Dover<br />
lxxii + 323 pp. (<strong>19</strong>71, Reprint <strong>19</strong>94) Paperback<br />
ISBN 978-0-86516-204-4<br />
• $49.00 • £31.50 • €36.00<br />
Dover’s selections with accompanying introduction<br />
and extensive notes provide insights<br />
into both the writing and the context of the poet.<br />
www.BOLCHAZY.com • 23
Translations and Scholarship<br />
Why Vergil?<br />
A Collection of Interpretations<br />
Stephanie Quinn, ed.<br />
xv + 452 pp. (2000) 6” x 9”<br />
Paperback, ISBN 978-0-86516-418-5<br />
• $29.00 • £18.50 • €21.50<br />
Hardbound, ISBN 978-0-86516-435-2<br />
• $59.00 • £38.00 • €43.50<br />
The more than 40 essays contained in Why<br />
Vergil? cover a wide range of topics and include<br />
many well-known names: Bernard<br />
Knox, Adam Parry, George Duckworth,<br />
Herbert Benario, Meyer Reinhold, Marilyn<br />
Skinner, and Charles Segal. The collection<br />
contains essays on Vergilian criticism<br />
and Vergil’s place in literary tradition, as<br />
well as a selection of twentieth-century literary<br />
works influenced by Vergil.<br />
Why Horace?<br />
A Collection of Interpretations<br />
William Anderson, ed.<br />
xvi + 264 pp. (<strong>19</strong>99) 6” x 9”<br />
Paperback, ISBN 978-0-86516-417-8<br />
• $25.00 • £16.00 • €18.50<br />
Hardbound, ISBN 978-0-86516-434-5<br />
• $59.00 • £38.00 • €43.50<br />
Why Horace? is a collection of 21 interpretive<br />
essays by renowned scholars. The collection<br />
includes essays (<strong>11</strong>) on Ode I, essays (4) on<br />
Ode II, essays (4) on Ode III, and an essay<br />
each on Ode IV and Satire I.9.<br />
The Hero and the Sea<br />
Patterns of Chaos in Ancient Myth<br />
Donald H. Mills<br />
208 pp. (2003) 6” x 9” Paperback, ISBN 978-0-86516-508-3<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
Ancient myths about watery chaos uniquely<br />
transcend time and culture to speak to the<br />
universal human condition as expression to<br />
the hopes, aspirations, and fears that have defined—for<br />
ancient thinkers as well as modern<br />
scientists—what it means to be human in<br />
a chaotic world.<br />
The Oedipus of Lucius Annaeus<br />
Seneca<br />
Michael Elliot Rutenberg<br />
vi + 103 pp. (<strong>19</strong>99) 6” x 9”<br />
Paperback, ISBN 978-0-86516-459-8<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
Hardbound, ISBN 978-0-86516-463-5<br />
• $31.00 • £20.00 • €22.50<br />
Rutenberg’s adaptation of Seneca’s Oedipus<br />
is the first translation of this Roman tragedy<br />
to interpolate excerpts from Seneca’s moral<br />
philosophies into the text.<br />
Ancient Epic Poetry<br />
Homer, Apollonius, Virgil<br />
With a Chapter on the Gilgamesh<br />
Poems<br />
Charles Rowan Beye<br />
x + 318 pp. (2006) 6” x 9” Paperback<br />
ISBN 978-0-86516-607-3<br />
• $43.00 • £27.50 • €31.50<br />
Charles Beye’s critically acclaimed interpretive<br />
introduction to the epic poetry and<br />
poets of ancient Greece, Rome, and Assyria<br />
is here reprinted in an expanded second<br />
edition with a new preface, new chapter<br />
on Gilgamesh, and an Appendix of Further<br />
Reading <strong>19</strong>93–2005.<br />
Smell of Sweat<br />
Greek Athletics, Olympics, and<br />
Culture<br />
William Blake Tyrrell<br />
xv + 250 pp. (2004) Paperback and CD<br />
ISBN 978-0-86516-553-3<br />
$15.00 • £9.50 • €<strong>11</strong>.00<br />
A survey of Greek athletics from Homeric<br />
times through the fourth century ce. From<br />
the games of the Iliad to the foundation of<br />
the Olympic games and the poetry of Pindar<br />
and the Olympic Festival, this book covers<br />
all aspects of Greek athletics.<br />
Lou’s vision, his dedication to others and to our profession, and his sense of humor<br />
will be missed. He loved Cicero’s writings and his humanism, and Cicero’s<br />
words come readily to mind now for Lou: vita mortuorum in memoria est posita<br />
vivorum. We will remember for a long time.<br />
– Robert W. Cape, Jr., Austin <strong>College</strong><br />
The Unknown Socrates<br />
Translations, with Introductions<br />
and Notes, of Four Important<br />
Documents in the Late Antique<br />
Reception of Socrates the Athenian<br />
William M. Calder III, Bernhard Huss, Marc<br />
Mastrangelo, R. Scott Smith, and Stephen M.<br />
Trzaskoma<br />
xvi + 312 pp. (2002) 6” x 9” Paperback,<br />
ISBN 978-0-86516-498-7<br />
• $25.00 • £16.00 • €18.50<br />
Socrates (469–399 bce) is one of history’s<br />
most enigmatic and intriguing figures. He is<br />
often considered the father of Western philosophy;<br />
yet the four most famous accounts<br />
we have of him present a contradictory, confusing<br />
picture.<br />
The Meaning of Helen<br />
In Search of an Ancient Icon<br />
Robert Emmet Meagher<br />
x + <strong>19</strong>1 pp. (2001) 6” x 9” Paperback<br />
ISBN 978-0-86516-510-6<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
Helen’s face launched a thousand ships, to say<br />
nothing of countless books, dramas, poems,<br />
paintings, and operas. What makes her so<br />
engaging, so consequential? Chapters: Helen<br />
and History • The Many Helens • The Duality<br />
of Helen • The First Helen • The Truth of<br />
Helen<br />
On Unbelievable<br />
Tales<br />
Palaephatus<br />
Peri Apiston<br />
Jacob Stern, ed., tran.<br />
vii + 167 pp. (<strong>19</strong>96) 6” x 9”<br />
Paperback, ISBN 978-0-86516-320-1<br />
• $29.00 • £18.50 • €21.50<br />
Hardbound, ISBN 978-0-86516-310-2<br />
• $59.00 • £38.00 • €43.50<br />
Palaephatus, a contemporary of Aristotle,<br />
sought to reinforce belief in the historicity<br />
of ancient heroes by tracing the evolution of<br />
“actual” events into marvelously embellished<br />
myths. On Unbelievable Tales is an early effort<br />
to rationalize oft-told tales of the heroes and<br />
monstrous creatures of Greek mythology. It<br />
is a bilingual annotated edition.<br />
24 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Greek Translations<br />
The Essential Euripides<br />
Dancing in Dark Times<br />
Robert Emmet Meagher<br />
xii + 556 pp. (2001) Paperback, ISBN 978-0-86516-513-7<br />
• $<strong>19</strong>.00 • £12.00 •€14.00<br />
This text provides two monographs by Robert<br />
Emmet Meagher (“Mortal Vision: the<br />
Wisdom of Euripides” and “Revel and Revelation:<br />
the Poetics of Euripides”) and English<br />
translations of five plays of Euripides<br />
(Hekabe, Helen, Iphigenia at Aulis, Iphigenia<br />
in Tauris, and Bakkhai)—a perfect introduction<br />
to the scope of Euripides’s plays.<br />
Euripides<br />
Hekabe<br />
Translated by Robert Emmet Meagher<br />
vii + 55 pp. (<strong>19</strong>95) Paperback, ISBN 978-0-86516-330-0<br />
• $13.00 • £8.50 • €9.50<br />
Euripides’s Hekabe presents a spectacle of suffering,<br />
rage, and revenge that offers compelling<br />
witness to the courage and solidarity of those<br />
who suffer the most from violence. Meagher’s<br />
brilliant translation is accessible yet does not<br />
diminish the powerful impact of this extraordinary<br />
and timeless play. This book has been<br />
adopted by the Great Books Foundation.<br />
Euripides<br />
Iphigenia at Aulis<br />
and Iphigenia in Tauris<br />
Translated by Robert Emmet Meagher<br />
176 pp. (<strong>19</strong>93) Hardbound, ISBN 978-0-86516-266-2<br />
• $13.00 • £8.50 • €9.50<br />
The story of Iphigenia’s sacrifice and her legendary<br />
rescue is a story for our time as much<br />
as any other. Meagher’s insightful introduction<br />
and splendid translation illuminate this<br />
tale as never before, showing that the past is<br />
not past and that the darkest and brightest<br />
truths never change.<br />
Euripides<br />
Bakkhai<br />
Translated by Robert Emmet Meagher<br />
vi + 97 pp. (<strong>19</strong>95) Paperback, ISBN 978-0-86516-285-3<br />
• $13.00 • £8.50 • €9.50<br />
Euripides’s Bakkhai presents the inner conflict<br />
between the untamed, irrational side<br />
of man represented by the god Dionysos<br />
and the rational side represented by the god<br />
Apollo. Meagher offers a rich and revealing<br />
introduction to ancient Greek tragedy—a remarkably<br />
appropriate alternative to Sophocles’s<br />
Oedipus the King.<br />
A Byzantine Novel<br />
Drosilla and<br />
Charikles<br />
by Niketas Eugenianos<br />
A Bilingual Edition<br />
Translated with an<br />
Introduction and Explanatory<br />
Notes by Joan B. Burton<br />
xxvii + 207 pp. (2004) 6” x 9” Paperback<br />
ISBN 978-0-86516-536-6<br />
• $39.00 • £25.00 • €28.50<br />
Known for its sensitive representation of the<br />
enduring love of a young man and woman,<br />
Drosilla and Charikles is one of four existing<br />
Byzantine Greek novels, and the first one to<br />
be translated into English.<br />
Aeschylus<br />
Prometheus Bound<br />
Translated by Paul Roche<br />
xx + 128 pp. (<strong>19</strong>62, Reprint <strong>19</strong>90) Paperback<br />
ISBN 978-0-86516-238-9<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
This brilliant translation of a classic work includes<br />
an essay on ancient Greek theater, an<br />
extensive glossary of names and places, and<br />
practical production suggestions.<br />
Aeschylus<br />
Seven against<br />
Thebes<br />
Translated by<br />
Robert Emmet Meagher<br />
x + 44 pp. (<strong>19</strong>96) Paperback, ISBN<br />
978-0-86516-337-9<br />
• $15.00 • £9.50 • €<strong>11</strong>.00<br />
Few plays have captured the delirium of war<br />
as precisely and poignantly as Seven against<br />
Thebes. Meagher’s translation was commissioned<br />
by acclaimed actress Irene Papas<br />
and features notes on the text. This edition<br />
is an affordable presentation for the general<br />
reader, the college student, the director, and<br />
performer alike.<br />
Tales from the Greek Drama<br />
H. R. Jolliffe<br />
xi + 3<strong>11</strong> pp. (<strong>19</strong>62, Reprint <strong>19</strong>84) Paperback<br />
ISBN 978-0-86516-013-2<br />
• $12.00 • £7.50 • €9.00<br />
Tales from the Greek Drama provides an excellent<br />
introduction to ten of the best known<br />
works of Greek drama. The book includes<br />
compelling renditions of Medea, Alcestis,<br />
Oedipus the King, Iphigenia at Aulis, Oedipus<br />
at Colonus, Agamemnon, Antigone, Electra,<br />
Ajax, and Hippolytus.<br />
Lou’s contribution to the field of Classics was unique and profound—the very<br />
existence of <strong>Bolchazy</strong>-<strong>Carducci</strong> and the wide-ranging materials in its catalogue<br />
will be one monument to his life and achievements. But I’ll miss the equally wideranging<br />
conversations we had over the years at conventions; it’s not that easy to<br />
find people of kindred spirit, and Lou was one of those I most looked forward to<br />
seeing at CAMWS and APA gatherings.<br />
I hope that the company and the staff will be able to continue his work. No one<br />
but Lou could have imagined and created <strong>Bolchazy</strong>-<strong>Carducci</strong>, and now we can<br />
hardly imagine the world of Classics without it.<br />
– Jim Dee<br />
Austin, Texas<br />
———————————————————<br />
On behalf of members of the American Classical League, I want to extend to you<br />
our condolences and let you know that you will be in our prayers. The <strong>Bolchazy</strong><br />
family has been for many years a cherished member of the ACL family, and Lou’s<br />
passing diminishes us all. Inter nos non omnis morietur.<br />
– Dr. Peter Howard, President<br />
The American Classical League<br />
www.BOLCHAZY.com • 25
Modern Author/Editor Index<br />
A<br />
Ancona, Ronnie . . . . . . . . . . . .8–<strong>11</strong>, 12, 16, 18<br />
Anderson, William S. . . . . . . . . . . . . . . <strong>11</strong>, 24<br />
Arnold, Thomas Kerchever . . . . . . . . . . . . . 20<br />
B<br />
Bender, Henry V. . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Bennett, Charles E. . . . . . . . . . . . . . . . . . . 20<br />
Beye, Charles Rowan . . . . . . . . . . . . . . . . 24<br />
Bowditch, P. Lowell . . . . . . . . . . . . . . . . . <strong>11</strong><br />
Boyd, Barbara Weiden . . . . . . . . . . . . . . . . <strong>19</strong><br />
Braund, Susanna . . . . . . . . . . . . . . . . . . . 10<br />
Breuker, John . . . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Burton, Joan B. . . . . . . . . . . . . . . . . . . . . 25<br />
Byrne, Shannon N. . . . . . . . . . . . . . . . . . . 23<br />
C<br />
Calder, William M., III . . . . . . . . . . . . . . . 25<br />
Catto, Bonnie A.. . . . . . . . . . . . . . . . . . . . 17<br />
Cerutti, Steven M. . . . . . . . . . . . . . . . . 12, 16<br />
Ciraolo, Stephen . . . . . . . . . . . . . . . . . . . 12<br />
Clack, Jerry . . . . . . . . . . . . . . . . . . . . . . . 23<br />
Cobbold, G. B. . . . . . . . . . . . . . . . . . 17, <strong>19</strong>, 32<br />
Coury, Elaine M. . . . . . . . . . . . . . . . . . . . 17<br />
Crosby, Henry Lamar . . . . . . . . . . . . . . . . 23<br />
Cueva, Edmund P. . . . . . . . . . . . . . . . . . . 23<br />
D<br />
Daitz, Stephen G. . . . . . . . . . . . . . . . . . . . 13<br />
Dettmer, Helena . . . . . . . . . . . . . . . . . . . . . 5<br />
Dickison, Sheila K. . . . . . . . . . . . . . . . . <strong>11</strong>, 12<br />
Dominik, William J. . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Dover, Kenneth J. . . . . . . . . . . . . . . . . . . . 23<br />
Duckwitz, Norbert H. O. . . . . . . . . . . . . . . 23<br />
Duffield, Charles, G. . . . . . . . . . . . . . . . . . 14<br />
F<br />
Finch, James B. . . . . . . . . . . . . . . . . . . . . 15<br />
Finkelpearl, Ellen D. . . . . . . . . . . . . . . . . . . 8<br />
Forsyth, Phyllis . . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Freeman, C. E. . . . . . . . . . . . . . . . . . . . . 17<br />
G<br />
Gildersleeve, B. L. . . . . . . . . . . . . . . . . . . . 20<br />
Godfrey, A. W. . . . . . . . . . . . . . . . . . . . . . 17<br />
Grote, Dale A. . . . . . . . . . . . . . . . . . . . . . 21<br />
Groton, Anne H. . . . . . . . . . . . . . . . . . . . 21<br />
H<br />
Hall, Theophilus D. . . . . . . . . . . . . . . . . . . 20<br />
Hallett, Judith P. . . . . . . . . . . . . . . . . . . . . <strong>11</strong><br />
Harrington, Karl Pomeroy . . . . . . . . . . . . . <strong>19</strong><br />
Harrison, F. E. . . . . . . . . . . . . . . . . . . . . . 17<br />
Helm, James J. . . . . . . . . . . . . . . . . . . . . . 17<br />
Henderson, John . . . . . . . . . . . . . . . . . . . 10<br />
Holden, Hubert Ashton . . . . . . . . . . . . . . . 23<br />
Hoyos, Dexter . . . . . . . . . . . . . . . . . . . . . <strong>11</strong><br />
Huss, Bernhard . . . . . . . . . . . . . . . . . . . . 24<br />
J<br />
Jackson, Danny P. . . . . . . . . . . . . . . . . . . . 17<br />
Jaeger, Mary . . . . . . . . . . . . . . . . . . . . . . 10<br />
Jerram, C. S. . . . . . . . . . . . . . . . . . . . . . . 23<br />
Jestin, Charbra Adams . . . . . . . . . . . . . . 12, 16<br />
Jolliffe, H. R. . . . . . . . . . . . . . . . . . . . . . . 25<br />
K<br />
Kaegi, Adolf . . . . . . . . . . . . . . . . . . . . . . 23<br />
Katz, Phyllis B.. . . . . . . . . . . . . . . . . . . 12, 16<br />
Keane, Catherine C. . . . . . . . . . . . . . . . . . 10<br />
Keith, Alison . . . . . . . . . . . . . . . . . . . . . . . 9<br />
Ker, James . . . . . . . . . . . . . . . . . . . . . . . . <strong>11</strong><br />
Kitchell, Kenneth F., Jr. . . . . . . . . . . . . . . . <strong>19</strong><br />
Kleist, James A. . . . . . . . . . . . . . . . . . . . . 23<br />
Kunkel, Gerda . . . . . . . . . . . . . . . . . . . . . 16<br />
L<br />
LaFleur, Richard A. . . . . . . . . . . . . . . . . . 21<br />
Lawall, Gilbert . . . . . . . . . . . . . . . . . . . . . 16<br />
Lodge, G. . . . . . . . . . . . . . . . . . . . . . . . . 20<br />
Lowe, W. D. . . . . . . . . . . . . . . . . . . . . . . 17<br />
M<br />
Major, Wilfred E. . . . . . . . . . . . . . . . . . . . 22<br />
Mastrangelo, Marc . . . . . . . . . . . . . . . . . . 24<br />
May, James, M. . . . . . . . . . . . . . . . . . . .8, 21<br />
Meagher, Robert Emmet . . . . . . . . . . . .24, 25<br />
Miller, Paul Allen . . . . . . . . . . . . . . . . . . . . 9<br />
Mills, Donald H. . . . . . . . . . . . . . . . . . . . 24<br />
Miner, Mark Robert . . . . . . . . . . . . . . . 13, 21<br />
Minkova, Milena . . . . . . . . . . . . . . 4, 5, 16, 20<br />
Motto, Anna Lydia . . . . . . . . . . . . . . . . . . 16<br />
Mueller, Hans-Friedrich . . . . . . . . . . . . . . 14<br />
Murgatroyd, Paul . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Murphy, Carol A. . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
N<br />
Newlands, Carole . . . . . . . . . . . . . . . . . . . <strong>11</strong><br />
Nousek, Debra . . . . . . . . . . . . . . . . . . . . . 14<br />
Novák, Jan . . . . . . . . . . . . . . . . . . . . . . . 13<br />
O<br />
O’Neil, John H. . . . . . . . . . . . . . . . . . . . . 22<br />
Osburn, LeaAnn A. . . . . . . . . . . . . . . . . 5, 6<br />
Osgood, Josiah . . . . . . . . . . . . . . . . . . . . . <strong>11</strong><br />
P<br />
Pagán, Victoria E. . . . . . . . . . . . . . . . . . . . 10<br />
Panciera, Matthew D. . . . . . . . . . . . . . . . . 16<br />
Pharr, Clyde . . . . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Q<br />
Quinn, Betty Nye . . . . . . . . . . . . . . . . . . . 16<br />
Quinn, Stephanie . . . . . . . . . . . . . . . . . . . 24<br />
R<br />
Ricks, Patsy Rodden . . . . . . . . . . . . . . . . . 12<br />
Roberts, Abigail . . . . . . . . . . . . . . . . . . . . 22<br />
Roche, Paul . . . . . . . . . . . . . . . . . . . . . . . 25<br />
Rose, H. J. . . . . . . . . . . . . . . . . . . . . . . . 25<br />
Rutenberg, Michael Elliot . . . . . . . . . . . . . 24<br />
Rutledge, Steven H. . . . . . . . . . . . . . . . . . <strong>11</strong><br />
S<br />
Schaeffer, John Nevin . . . . . . . . . . . . . . . . 23<br />
Smith, Richard Upsher . . . . . . . . . . . . . . . 20<br />
Smith, R. Scott . . . . . . . . . . . . . . . . . . . . . 24<br />
Smith, Sean . . . . . . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Smith, William . . . . . . . . . . . . . . . . . . . . 20<br />
Starks, John H., Jr. . . . . . . . . . . . . . . . . . . 16<br />
Stern, Jacob . . . . . . . . . . . . . . . . . . . . . . . 24<br />
Strachan-Davidson, J. L. . . . . . . . . . . . . . . 23<br />
T<br />
Tatum, W. Jeffrey . . . . . . . . . . . . . . . . . . . . 8<br />
Tchernichovsky, Saul . . . . . . . . . . . . . . . . 17<br />
Thompson, Graves Haydon . . . . . . . . . . . . . 16<br />
Tillery, Brad . . . . . . . . . . . . . . . . . . . . 13, 21<br />
Townend, Gavin . . . . . . . . . . . . . . . . . . . 15<br />
Trzaskoma, Stephen . . . . . . . . . . . . . . . . . 24<br />
Tunberg, Terence O . . . . . . . . . . . . . . 4, 5, 16<br />
Tyrrell, William Blake . . . . . . . . . . . . . . . . 24<br />
W<br />
Wallace, Rex E. . . . . . . . . . . . . . . . 12, 16, 17<br />
Wehrle, William T. . . . . . . . . . . . . . . . . . . <strong>19</strong><br />
Weinfield, Mardah B. C. . . . . . . . . . . . . . . . <strong>19</strong><br />
Welch, William . . . . . . . . . . . . . . . . . . . . 14<br />
Williams, Craig . . . . . . . . . . . . . . . . . . . . 10<br />
Williams, Rose . . . . . . . . . . . . . . . . . . . . 14<br />
Winters, Timothy F. . . . . . . . . . . . . . . . . . 22<br />
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26 • <strong>Bolchazy</strong>-<strong>Carducci</strong> Publishers, Inc.
Selected List of Titles<br />
ISBN Title Price<br />
453 Adventures of the Monkey Pilosus Naso, The . . . . . . . $ 22.00<br />
497 Adventures of the Monkey Pilosus Naso, The, TM . . . . $ 31.00<br />
238 Aeschylus: Prometheus Bound . . . . . . . . . . . . . . . . . $ 15.00<br />
337 Aeschylus: 7 Against Thebes . . . . . . . . . . . . . . . . . . $ 15.00<br />
695 Aesop’s Fables in Latin . . . . . . . . . . . . . . . . . . . . . . $ 34.00<br />
185 Alexander the Great (PB) . . . . . . . . . . . . . . . . . . . . $ 23.00<br />
607 Ancient Epic Poetry . . . . . . . . . . . . . . . . . . . . . . . . .$ <strong>19</strong>.00<br />
243 Ancient Icaria (HB) . . . . . . . . . . . . . . . . . . . . . . . . $ 60.00<br />
021 Appian: Civil Wars Book 1. . . . . . . . . . . . . . . . . . . . .$ 29.00<br />
714 Apuleius Reader, An: Selections from Metamorphoses<br />
- BC Latin Reader Series . . . . . . . . . . . . . . . . . . . $ <strong>19</strong>.00<br />
484 Apuleius: Metamorphoses, Book 1 . . . . . . . . . . . . . . $ 22.00<br />
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