Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

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102 LOCATE keys. As this value changes, the event display area is constantly updated to display the events contained at this displayed location. As in the PLAY/RECORD screen, the distance moved by pressing the "" keys is set in the NOTE VALUE field in the TIMING CORRECT screen. • SOFT KEY 1- : Pressing this soft key causes a new event to be inserted at the current sequence position. The type of event inserted is determined by the EVENT TO INSERT field in the STEP EDIT OPTIONS screen. • SOFT KEY 2 - : Pressing this soft key causes the active event to be deleted from the track. The active event is the event at the uppermost line of the screen (preceded by the ">"). • SOFT KEY 3 - : Pressing this soft key causes the active event to be played. The active event is the event at the uppermost line of the screen (preceded by the u>n). • SOFT KEY 4 - : Pressing this soft key displays the following screen: This screen presents a number of options related to step editing: • The EVENT TO INSERT field: This parameter selects which type of midi event will be inserted when the soft key is pressed from the STEP EDIT screen. The options include all the available midi event types, including all 128 midi controllers. If one of these controllers is selected, the name assigned to the that controller is also displayed, as assigned in the "Midi 1.0 Detailed Specification, Document Revision 4.0". • The AUTO STEP INCREMENT ON KEY RELEASE field: If set to YES, the ">" key (fast forward) will automatically be pressed internally by the <strong>MPC</strong><strong>60</strong> after each key from the midi keyboard is released, or if a chord was played, after the last key from the chord is released. This allows, for example, the recording of a series of notes or chords, one 1/16 note for each, without having to manually advance to the
Section 4:Editing sequences 103 next 1/16 after playing each key. If this field is set to NO, this effect is defeated. • The DURATION OF RECORDED NOTES field: This field is used to determine the method by which durations are assigned to notes recorded from the midi keyboard while in STEP EDIT mode. This is a choice field and has 2 options: SAME AS STEP and AS PLAYED: 1. If set to SAME AS STEP, durations are always four clocks less than the current step size (the current NOTE VALUE field setting in the TIMING CORRECT screen). 2. If set to AS PLAYED, the actual time the note is held (relative to the current tempo) is used for the duration value, even though the sequence is not playing. To guide your timing, if a key is held down more than one 1/4 note, a metronome click plays exactly one 1/4 note after the key is depressed, and plays again for each additional 1/4 note the key is held down. For example, if you wanted to record a note with a duration of one 1/2 note, you would play the key and release it after 2 clicks were heard. • The STEP EDIT DISPLAY FILTER section: This is a "filter" similar to the erase filter or the midi input filter, except this one controls which types of midi events existing in the track get displayed in the step edit screen. For example, if the only events you wanted to edit were pitch bend messages, it would be bothersome to have to view all the other events. Another example would be to filter out all continuous controller data to make it easier to view only the notes. To use the display filter, move the cursor to the VIEW field. This is a choice field with 3 options: 1. ALL EVENTS: If this option is selected, all possible event types will be displayed. 2. ONLY VIEW: If this option is selected, only one event type may be displayed, and the type of event to be displayed is selected in a new field appearing directly to the right on the same line. In this rightmost field, all event types are listed, including all 128 midi controllers, each individually named as listed in the "Midi 1.0 Detailed Specification, Document Revision 4.0". 3. ALL EXCEPT: This option is similar to ONLY VIEW, above, except that all event types except the event displayed to the right of the words ALL EXCEPT are displayed.
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3 Software version 2.0 Operator's M
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5 • Avoid using spray type insect
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7 3.14 The recording metronome 3.15
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Section 1: Introduction
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Section l: Introduction 11 1.2 How
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14 2.1 Overview This section is a s
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16 Turning the MPC60 on 1. Of the d
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18 2.3 The CURSOR keys While the PL
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20 selections, but only one may be
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22 2.6 The HELP key Whenever this k
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24 2. "16 TUNINGS": If this option
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26 2.8 The DRUM MIX key - adjusting
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28 This indicates that the MPC60 is
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30 2.11 The MAIN SCREEN key- how to
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Section 3: Recording Sequences
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Section 3: Recording sequences 35 3
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Section 3: Recording sequences 37 T
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Section 3: Recording sequences 39 a
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Section 3: Recording sequences 41
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Section 3: Recording sequences 47 T
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Section 3: Recording sequences 49 t
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Page 65 and 66: Section 3: Recording sequences 65 T
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Page 84 and 85: 84 4.1 Overview This section of the
Page 86 and 87: 86 These two screens allow a specif
Page 88 and 89: 88 4.3 The EDIT key The EDIT key en
Page 90 and 91: 90 onto the end). If set to TO BAR
Page 92 and 93: 92 The on-screen fields are: • Th
Page 94 and 95: 94 track. In this function, only th
Page 96 and 97: 96 NOTE 3: If the copied data is lo
Page 98 and 99: 98 • SOFT KEY 1- : Pressing this
Page 100 and 101: 100 This is a choice field with 2 o
Page 104 and 105: 104 4.4.2 Using STEP EDIT Using STE
Page 106 and 107: 106 settings in the TUNE DRUMS scre
Page 108 and 109: 108 current step will be played (ou
Page 110 and 111: 110 4.5 The EDIT LOOP key This func
Page 112 and 113: 112 4.6 The TRANSPOSE key This func
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Page 117 and 118: Section 5: Song mode 117 5.2 The So
Page 119 and 120: Section 5: Song mode 119 5.3 An exa
Page 121: Section 5: Song mode 121 Converting
Page 124 and 125: 124 6.1 Overview The MPC60 may hold
Page 126 and 127: 126 6.2 Sampling a new sound This f
Page 128 and 129: 128 • The METER field: This is a
Page 130 and 131: 130 more than you need, because you
Page 132 and 133: 132 always one higher than the last
Page 134 and 135: 134 • The ALSO PLAYS field: This
Page 136 and 137: 136 As the screen warns, pressing
Page 138 and 139: 138 • The FADEOUT(MSECS) field: T
Page 140 and 141: 140 2. MASTER: In addition to the s
Page 142 and 143: 142 6.6 Assigning the 8 assignable
Page 144 and 145: 144 • The MIDI OUTPUT field: This
Page 146 and 147: 146 Sending a Midi sample dump to a
Page 148 and 149: 148 6.8 Triggering a sound from an
Page 150 and 151: 150 3. MASTER: There is a single se
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152 to 1; to control the decay from
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154 7.1 Overview The MPC60 has a bu
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156 7.2 Saving a sequence This func
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158 7.4 Saving a drum sound This fu
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160 If you press SOFT KEY 1, , the
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162 (Step edit options screen) •
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164 To save a parameter file: 1. As
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166 • If an ALL file is selected
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168 As the screen warns, loading th
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170 7.8 Formatting a disk This func
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172 7.10 "Attention" messages encou
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Section 8: Syncing to tape and othe
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198 9.1 Overview The MIDI key provi
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200 While one of these event types
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202 • The DEFAULT CHAN field: Eac
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204 9.3 External drum triggering, t
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206 NOTE: Because "NONE" is the def
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208 of this field. If only one ME-3
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210 9. 5 The Midi implementation ch
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212 01000111 Akai ID (47H) 0000xxxx
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214 10.1 Features Here is a list of
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216 Sampler section: • 32 drums m
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218 218 • Assignable mix outputs:
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SECTION 11: INDEX
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Fadeout time (sounds), 6.2, 6.3 FAS
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Syncing to Midi Clock and Song Posi
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