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Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

14 2.1 Overview This

14 2.1 Overview This section is a simple introduction to operating the MPC60. In this section you will learn to: • Hook up the MPC60 to your system. • Enter and change data and parameters using the CURSOR keys, the NUMERIC KEYPAD, the DATA CONTROL, and the +/- keys • Use the SOFT KEYS and the HELP key • Play the drums and use the associated keys • Adjust the stereo drum mixer • Play the preset sequences • Adjust the playing tempo and a few other basic functions

Section 2: The Basics 15 2.2 Hooking up your system and turning it on: To get started using the drum machine section: 1. Connect the power cord to an AC outlet. 2. Connect the STEREO OUT LEFT and STEREO OUT RIGHT jacks to the inputs of an amplifier or mixer. Note: If you are only using the MPC60 as a drum machine right now, you don't need any other connections. Skip down to the section "Turning the MPC60 on". To also use the sequencer section with a single integrated keyboard synthesizer: 1. Connect the synthesizer's MIDI OUT to the MPC60's MIDI IN 1. You may alternatively use MIDI IN 2. Both inputs merge together. 2. Connect the MPC60's MIDI OUT 1 to the MIDI IN of the synthesizer. To use the sequencer section with a midi master keyboard and separate multiple midi sound modules: 1. Connect the MIDI OUT of the midi keyboard to the MIDI IN 1 of the MPC60. You may alternatively use MIDI IN 2. Both inputs merge together. 2. Connect the MIDI OUT 1 of the MPC60 to the MIDI INPUT of the first midi sound module. 3. Connect the MIDI THRU of the first sound module to the MIDI INPUT of the second sound module. 4. Connect the MIDI THRU of the 2nd sound module to the MIDI INPUT of the third sound module, and continue this until all sound modules are connected. The above hookup only uses one of the four midi output jacks of the MPC60. Later in the manual, you'll learn how to use all 4 of the midi output jacks. To use the sampling input, foot switches, sync input/output, echo inputs/outputs, individual mix output 1 - 8, or the metronome output, please read the corresponding sections of the manual. Note: the RS-232C computer port currently has no function.

  • Page 3 and 4: 3 Software version 2.0 Operator's M
  • Page 5 and 6: 5 • Avoid using spray type insect
  • Page 7 and 8: 7 3.14 The recording metronome 3.15
  • Page 9 and 10: Section 1: Introduction
  • Page 11: Section l: Introduction 11 1.2 How
  • Page 16 and 17: 16 Turning the MPC60 on 1. Of the d
  • Page 18 and 19: 18 2.3 The CURSOR keys While the PL
  • Page 20 and 21: 20 selections, but only one may be
  • Page 22 and 23: 22 2.6 The HELP key Whenever this k
  • Page 24 and 25: 24 2. "16 TUNINGS": If this option
  • Page 26 and 27: 26 2.8 The DRUM MIX key - adjusting
  • Page 28 and 29: 28 This indicates that the MPC60 is
  • Page 30 and 31: 30 2.11 The MAIN SCREEN key- how to
  • Page 33 and 34: Section 3: Recording Sequences
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    Section 3: Recording sequences 65 T

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    Section 3: Recording sequences 67 s

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    Section 3: Recording sequences 69 3

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    Section 3: Recording sequences 71 3

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    Section 3: Recording sequences 73 3

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    Section 3: Recording sequences 75 f

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    Section 3: Recording sequences 77 3

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    Section 3: Recording sequences 79 2

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    Section 3: Recording sequences 81 3

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    84 4.1 Overview This section of the

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    86 These two screens allow a specif

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    88 4.3 The EDIT key The EDIT key en

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    90 onto the end). If set to TO BAR

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    92 The on-screen fields are: • Th

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    94 track. In this function, only th

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    96 NOTE 3: If the copied data is lo

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    98 • SOFT KEY 1- : Pressing this

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    100 This is a choice field with 2 o

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    102 LOCATE keys. As this value chan

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    104 4.4.2 Using STEP EDIT Using STE

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    106 settings in the TUNE DRUMS scre

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    108 current step will be played (ou

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    110 4.5 The EDIT LOOP key This func

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    112 4.6 The TRANSPOSE key This func

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    Section 5: Song Mode

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    Section 5: Song mode 117 5.2 The So

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    Section 5: Song mode 119 5.3 An exa

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    Section 5: Song mode 121 Converting

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    124 6.1 Overview The MPC60 may hold

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    126 6.2 Sampling a new sound This f

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    128 • The METER field: This is a

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    130 more than you need, because you

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    132 always one higher than the last

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    134 • The ALSO PLAYS field: This

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    136 As the screen warns, pressing

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    138 • The FADEOUT(MSECS) field: T

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    140 2. MASTER: In addition to the s

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    142 6.6 Assigning the 8 assignable

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    144 • The MIDI OUTPUT field: This

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    146 Sending a Midi sample dump to a

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    148 6.8 Triggering a sound from an

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    150 3. MASTER: There is a single se

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    152 to 1; to control the decay from

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    154 7.1 Overview The MPC60 has a bu

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    156 7.2 Saving a sequence This func

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    158 7.4 Saving a drum sound This fu

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    160 If you press SOFT KEY 1, , the

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    162 (Step edit options screen) •

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    164 To save a parameter file: 1. As

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    166 • If an ALL file is selected

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    168 As the screen warns, loading th

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    170 7.8 Formatting a disk This func

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    172 7.10 "Attention" messages encou

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    Section 8: Syncing to tape and othe

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    198 9.1 Overview The MIDI key provi

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    200 While one of these event types

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    202 • The DEFAULT CHAN field: Eac

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    204 9.3 External drum triggering, t

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    206 NOTE: Because "NONE" is the def

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    208 of this field. If only one ME-3

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    210 9. 5 The Midi implementation ch

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    212 01000111 Akai ID (47H) 0000xxxx

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    214 10.1 Features Here is a list of

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    216 Sampler section: • 32 drums m

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    218 218 • Assignable mix outputs:

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    SECTION 11: INDEX

  • Page 223 and 224:

    Fadeout time (sounds), 6.2, 6.3 FAS

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    Syncing to Midi Clock and Song Posi

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