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CUSP Magazine: Winter Issue 2014

CUSP Magazine is a Chicago based publication focused on helping up and coming creatives gain exposure for their brand and products. Our company is a collective of highly motivated individuals who work together to bring a new voice to the creative community.

CUSP Magazine is a Chicago based publication focused on helping up and coming creatives gain exposure for their brand and products. Our company is a collective of highly motivated individuals who work together to bring a new voice to the creative community.

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was anything but juvenile. Subtle variations in facial expression and hand gestures really animated<br />

his characters, speaking to the real complexities of the community he was depicting through his art.<br />

When I asked him about it, he replied, “The figures all represent community. When their fists are<br />

raised up, that’s power. When they’re raising their hands like that, it’s an offering.” “And what about these<br />

guys?” I asked, gesturing towards a few ghostly characters interspersed with the rest of the community.<br />

“Those guys are tombstones,” Barrett said. “Whoa, morbid,” I replied. “Listen,” he told me. “Death is<br />

not something to be afraid of. Death is not a bad thing. Those tombstones also represent rebirth. I grew<br />

up on the South Side in the 100s, literally on the wrong side of the tracks and look at me now.”<br />

I kept in mind the hard realness of Barrett’s work and words while I traversed the other galleries.<br />

Not only did the themes vary; there were galleries that we explored in October that had mysteriously<br />

disappeared in November. A house that we went into the month before was closed to the public in<br />

November.<br />

The last time that we went in there, we ran into acclaimed Chicago artist Allen Vandever serving<br />

up corn and hot dogs to hungry art fans. Allen took me into the basement of the house and showed me<br />

a few pieces he had been working on. They were composed of varying layers of transparencies, overlaid<br />

on top of one another in a collage. Some of the layers had the same image, giving each image a depth<br />

that it wouldn’t have otherwise.<br />

Each piece had a realism to it that was evocative of what you might see in a dream. It turns out<br />

dreams are what motivate Allen. “I paint my dreams,” he told me when we went back upstairs, gesturing<br />

to a gorgeous painting of a woman underwater. “I sketch out the dream on Photoshop and then paint<br />

over it. Sometimes I repeat this process multiple times.” The other two artists who were showing at that<br />

house, Jason Davis and Vincent Vittorini, evoke similar dreamlike aesthetics with their work. Vincent’s<br />

<strong>CUSP</strong> MAGAZINE WINTER ’14 ISSUE<br />

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