Christie's leadership takes flight with HFR and IMB - Christie Digital ...
Christie's leadership takes flight with HFR and IMB - Christie Digital ...
Christie's leadership takes flight with HFR and IMB - Christie Digital ...
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© 2012 <strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc. All rights reserved.<br />
SUPER<br />
COUPLE”<br />
<strong>Christie</strong> Solaria <strong>and</strong> <strong>Christie</strong> <strong>IMB</strong><br />
E N T E R T A I N M E N T S O L U T I O N S W O R L D W I D E FALL 10<br />
KinoNOTES<br />
<strong>Christie</strong> <strong>IMB</strong> makes 1st debut<br />
in Asia page 3<br />
Seamlessly integrated.<br />
Flawlessly reliable.<br />
They were made for each other. Literally.<br />
The <strong>Christie</strong> ® Integrated Media Block (<strong>IMB</strong>)<br />
seamlessly integrates into the <strong>Christie</strong> ®<br />
Solaria ® series of projectors to deliver<br />
perhaps the single most reliable projection<br />
system on the planet. No compromises.<br />
No force fit. Just a perfectly matched<br />
solution that is reliable by design <strong>and</strong> ready<br />
for 4K or high frame rates when you are.<br />
CinemaCon Booth 2111/Milano 1<br />
christiedigital.com/reliablebydesign<br />
ENTERTAINMENT SOLUTIONS WORLDWIDE SUMMER 12<br />
Pushing the boundaries of<br />
4K <strong>and</strong> 3D page 4<br />
<strong>Christie</strong> projectors ignite screens<br />
around the globe page 8<br />
ALSO IN THIS ISSUE<br />
1st <strong>HFR</strong> laser projection demo 3<br />
World’s 1st dual stacked<br />
4K & digital-sound demo 6<br />
Independents in NA see<br />
value in VPF programs 10<br />
Canadian exhibitors<br />
embrace total solutions 11<br />
<strong>Christie</strong> signs technology<br />
co-operation agreement 12<br />
<strong><strong>Christie</strong>'s</strong> <strong>leadership</strong> <strong>takes</strong><br />
<strong>flight</strong> <strong>with</strong> <strong>HFR</strong> <strong>and</strong> <strong>IMB</strong><br />
Exhibitors’ investments enhanced <strong>with</strong> future-proof<br />
technology from <strong>Christie</strong><br />
2012 is proving to be an exceptional year for digital cinema across all platforms, screen<br />
sizes, frame rates <strong>and</strong> resolutions. Filmmakers continue to look for ways to achieve the<br />
look they desire on screen, <strong>with</strong> technologies for delivering clearer, smoother 3D images<br />
<strong>and</strong> less judder, flickering <strong>and</strong> strobing using higher frame rates leading the pack.<br />
Exhibitors are also finding that they can exp<strong>and</strong> <strong>and</strong> differentiate Story continues on page 2
Increasing frame rates<br />
provide more frames<br />
to better represent fast<br />
moving objects. It also<br />
provides increased image<br />
detail as the camera<br />
shutter is open<br />
for less time<br />
per frame.<br />
To learn<br />
more about<br />
high frame rates<br />
<strong>and</strong> upcoming <strong>Christie</strong><br />
events <strong>and</strong> demonstrations visit<br />
christiedigital.com/highframerates.<br />
2<br />
<strong><strong>Christie</strong>'s</strong> <strong>leadership</strong> <strong>takes</strong> <strong>flight</strong><br />
<strong>with</strong> <strong>HFR</strong> <strong>and</strong> <strong>IMB</strong><br />
Story continues from page 1<br />
their cinematic offerings by providing premium<br />
movie experiences <strong>and</strong> alternative content<br />
options. <strong>Christie</strong> continues to lead the evolution<br />
of cinema solutions <strong>and</strong> offers studios, directors<br />
<strong>and</strong> exhibitors the software, firmware <strong>and</strong><br />
equipment they need to give audiences the most<br />
compelling cinema experiences.<br />
Fast motion action shots, camera panning,<br />
<strong>and</strong> the elimination of strobing artifacts are now<br />
possible <strong>with</strong> higher<br />
frame rates (<strong>HFR</strong>) <strong>and</strong><br />
<strong>Christie</strong> Solaria ® Series<br />
2 projectors. “It’s a<br />
boon to the industry<br />
to have advanced,<br />
upgradeable projector<br />
technology from<br />
<strong>Christie</strong> to solve part<br />
of the frame rate<br />
puzzle,” notes James<br />
Cameron, chairman<br />
<strong>and</strong> CEO, Lightstorm<br />
Entertainment Inc.<br />
“3D shows you a<br />
window into reality,<br />
the higher frame rate<br />
<strong>takes</strong> the glass out of<br />
the window.” Working<br />
closely <strong>with</strong> James<br />
Cameron's Lightstorm<br />
Entertainment <strong>and</strong><br />
Park Road, both<br />
premiere production<br />
facilities, <strong>Christie</strong><br />
ensures they will have the right solutions when the<br />
market needs them.<br />
Are you ready<br />
“With the support <strong>and</strong> the initiative that visionary<br />
leaders like James Cameron <strong>and</strong> Peter Jackson<br />
have shown for <strong>HFR</strong>, we foresee this becoming<br />
the next 3D-type of experience where audiences<br />
will actually see a difference — something<br />
astonishing <strong>and</strong> stunning,” comments Jack Kline,<br />
president <strong>and</strong> COO, <strong>Christie</strong> <strong>Digital</strong> Systems, USA.<br />
Kline believes that <strong>with</strong> <strong>HFR</strong>, “the promise of<br />
digital cinema will be fully realized.”<br />
Previewed at ShowEast in October 2011<br />
<strong>and</strong> launched at CinemaCon 2012, <strong><strong>Christie</strong>'s</strong><br />
Integrated Media Block (<strong>IMB</strong>) server technology<br />
provides the performance <strong>and</strong> security that<br />
exhibitors dem<strong>and</strong>. The <strong>IMB</strong> has become a<br />
requirement for the amount of data encryption<br />
<strong>and</strong> b<strong>and</strong>width that 4K resolution requires, <strong>and</strong><br />
creates a secure, high-b<strong>and</strong>width connection<br />
that manages <strong>HFR</strong> <strong>and</strong> 4K content <strong>with</strong>out<br />
compromising image quality.<br />
Ready. Set. Go.<br />
<strong>Christie</strong> is ready. As the pioneer <strong>and</strong> expert in <strong>HFR</strong><br />
projection capabilities, they have put another tool<br />
in the directors’ <strong>and</strong> studios’ toolboxes. <strong>Christie</strong> is<br />
set to exp<strong>and</strong> its <strong>leadership</strong> role <strong>and</strong> expertise in<br />
<strong>HFR</strong> <strong>with</strong> the introduction of <strong>Christie</strong> Previsto<br />
<strong>HFR</strong> technology, among other firmware upgrades,<br />
for an enhanced 2D <strong>and</strong> 3D experience. And now<br />
<strong>Christie</strong> goes the extra mile <strong>with</strong> the development<br />
of the advanced technology designed to deliver<br />
<strong>HFR</strong> <strong>with</strong> its new, more powerful <strong>and</strong> versatile<br />
server technology — the <strong>Christie</strong> <strong>IMB</strong>.<br />
<strong>Christie</strong> is set. They can provide the optimal<br />
performance solution for their Solaria Series<br />
2 projectors, <strong>with</strong> the introduction of the<br />
future-proof <strong>Christie</strong> <strong>IMB</strong>. “Our projectors are<br />
capable of supporting up to 60 frames per<br />
second (fps) per eye, a decoding bit rate of<br />
up to 500 MBIT/sec (more than double the<br />
DCI st<strong>and</strong>ard), <strong>and</strong> the capability for higher<br />
b<strong>and</strong>width 4K <strong>and</strong> 3D content,” states Dr. Don<br />
Shaw, director, product management, <strong>Christie</strong><br />
Entertainment Solutions.<br />
<strong>Christie</strong> is ready to go. “We can propose to the<br />
exhibitor a safe haven — from both the projector<br />
<strong>and</strong> the <strong>IMB</strong> st<strong>and</strong>points — that they are not<br />
going to be made obsolete,” Kline assures. “This<br />
is a pledge we make to our customers because of<br />
our history in the business.”<br />
“<strong>Christie</strong> is the single source for technology<br />
solutions, expertise, <strong>and</strong> service. Whether<br />
exhibitors need support for streaming<br />
alternative content, the ability to upgrade<br />
easily or to switch back <strong>and</strong> forth from 24fps<br />
to 48fps or 60fps, to dual stacked-projector<br />
3D setups for special presentations on a big<br />
scale, <strong>Christie</strong> is committed to digital cinema<br />
for the long term,” notes Dr. Shaw. He adds,<br />
“<strong>with</strong> <strong>Christie</strong>’s cost-effective, more reliable <strong>and</strong><br />
robust solutions, film makers, post-production<br />
studios <strong>and</strong> exhibitors can also embrace the<br />
new technology now.”<br />
> See back page for story on Technology Co-operation <strong>with</strong> Park Road Post Production, Weta <strong>Digital</strong> <strong>and</strong> <strong>Christie</strong>.<br />
<strong>Christie</strong> <strong>IMB</strong> makes its debut worldwide<br />
Asia is an early adopter<br />
for <strong>Christie</strong> <strong>IMB</strong><br />
Countries throughout Asia Pacific are often early<br />
adopters of <strong>Christie</strong> DLP Cinema ® technology.<br />
Shanghai-based Shimao Group, a leading<br />
Chinese property, retail <strong>and</strong> entertainment<br />
company, was the first to purchase the all-new<br />
<strong>Christie</strong> integrated <strong>IMB</strong> solution.<br />
“We are confident that <strong>Christie</strong>’s <strong>IMB</strong> will work<br />
well <strong>with</strong> the <strong>Christie</strong> Solaria Series 2K <strong>and</strong> 4K<br />
projectors we have deployed in our cinemas. After<br />
viewing the <strong>HFR</strong> <strong>and</strong> <strong>IMB</strong> solution, which made its<br />
first appearance at the <strong>Christie</strong> booth at CineAsia,<br />
we are convinced that the <strong>IMB</strong> solution will offer<br />
us a more complete projection system because it<br />
is integrated <strong>with</strong>in the projector. This is definitely<br />
a value-add for exhibitors like Shimao who is<br />
always eager to embrace the latest innovations<br />
in digital cinema,” commented Liu Ming, general<br />
manager, Shimao Cinema Investment Co., Ltd.<br />
Prototype <strong>Christie</strong> laser-engine projector shows<br />
James Cameron High Frame Rate demo reel<br />
In April, <strong>Christie</strong> hosted a <strong>HFR</strong> Summit at <strong>Christie</strong>’s worldwide center for<br />
engineering, research <strong>and</strong> development in Kitchener, Ontario, providing<br />
cinema-industry luminaries the first-ever laser projection of high frame<br />
rate cinema <strong>and</strong> alternative content on to a 30-foot white screen.<br />
Matt Cowan, chief scientific officer, RealD; Douglas Trumbull, a<br />
recent Gordon E. Sawyer Academy Award winner; Ian Bidgood,<br />
technical director, Park Road Post Production; Bert Dunk,<br />
director at the Screen Industries Research <strong>and</strong> Training Centre;<br />
Demetri Portelli, stereographer, <strong>and</strong> John Helliker, also director<br />
at the Screen Industries Research <strong>and</strong> Training Centre, met <strong>with</strong><br />
<strong>Christie</strong> engineering <strong>and</strong> product development staff for a vibrant<br />
information sharing session <strong>and</strong> discussion on high frame rates,<br />
laser projection, <strong>and</strong> the future of 3D <strong>and</strong> 4K projection.<br />
Most current installations<br />
use a media block in an<br />
external server that is linked<br />
by cables to the projector.<br />
This can create limitations<br />
for displaying alternative<br />
content <strong>and</strong> for displaying<br />
images at <strong>HFR</strong>. <strong>Christie</strong>’s<br />
Shaw explained, “by having<br />
the <strong>IMB</strong> integrated in the<br />
projector, <strong>Christie</strong> has made<br />
the <strong>IMB</strong> an integral part<br />
of the projector, creating a<br />
secure connection that can manage the high<br />
b<strong>and</strong>width required for <strong>HFR</strong> <strong>and</strong> 4K content<br />
<strong>with</strong>out any compromise to pixel quality.”<br />
Shimao Group, one of the top five exhibitors<br />
in China, completed the digitalization of at least<br />
75 screens at 10 cinemas at the end of 2011<br />
<strong>and</strong> will increase the number of multi-functional<br />
cinemas to 60 <strong>with</strong> 500 screens by 2015.<br />
<strong>Christie</strong> hosts cinema industry heavyweights<br />
at first-ever <strong>HFR</strong> laser projection demo<br />
Big, bright <strong>and</strong> crystal clear will spark cinema<br />
industry renaissance<br />
The consensus of the assembled industry experts was that the industry<br />
needs to differentiate itself from the plethora of varied viewing options,<br />
from tablets to home theaters <strong>and</strong> all manner of exhibitor setups. Doug<br />
Trumbull said, “Spectacular movies delivered at high-frame rates, on to<br />
big <strong>and</strong> vividly bright screens, will enable the production <strong>and</strong> exhibition<br />
of amazingly immersive cinema experiences that will be far more<br />
powerful than any other medium.”<br />
Echoing Mr. Trumbull’s sentiments, Ian Bidgood suggested that<br />
“…3D images must be awe-inspiring to bring back the crowds to<br />
theaters worldwide, <strong>and</strong> the higher brightness levels that are required<br />
to do justice to these images, along <strong>with</strong> higher frame rate material,<br />
will be delivered by <strong>Christie</strong>’s technology in the laser field, <strong>with</strong> new<br />
projector <strong>and</strong> cinema solutions for today <strong>and</strong> the future.”<br />
<strong>Christie</strong>’s commitment to <strong>HFR</strong><br />
The <strong>Christie</strong> <strong>IMB</strong> seamlessly<br />
integrates into the <strong>Christie</strong><br />
Solaria Series of digital<br />
cinema projectors<br />
The two main goals of <strong>Christie</strong>’s <strong>HFR</strong> activities are to help the industry<br />
develop the best <strong>HFR</strong> content <strong>and</strong> the best delivery system for <strong>HFR</strong><br />
content. The first goal involves assisting leading-edge filmmakers <strong>and</strong><br />
post-production companies in perfecting <strong>HFR</strong> movie creation for the<br />
most engaging, entertaining content possible. The second goal is to<br />
assist exhibitors in showing 3D <strong>HFR</strong> movies in all their glory. To these<br />
ends, <strong>Christie</strong> is helping create the st<strong>and</strong>ards for 3D <strong>HFR</strong> movies <strong>with</strong><br />
current DLP <strong>and</strong> new laser technologies. through formal <strong>and</strong> informal<br />
technology-development alliances <strong>with</strong> major producers <strong>and</strong> directors,<br />
post-production facilities, studios <strong>and</strong> technology partners.<br />
3
Widespread adoption of <strong><strong>Christie</strong>'s</strong><br />
4K <strong>and</strong> 3D solutions continues worldwide<br />
One of W<strong>and</strong>a Group's cinemas<br />
in Beijing<br />
The Asia Pacific region is the most rapidly growing<br />
cinema market <strong>and</strong> exhibitors enthusiastically<br />
adopt <strong>Christie</strong> ® 4K <strong>and</strong> 3D technology. <strong>Christie</strong>,<br />
the pioneer of digital cinema projection<br />
technology <strong>and</strong> the first OEM licensee of Texas<br />
Instruments’ DLP Cinema ® chip, is now the first<br />
to present total digital solutions based on 4K.<br />
“The dem<strong>and</strong> for 4K will continue to increase,<br />
especially in Asia where the cinema industry is<br />
experiencing a dynamism that has not been seen<br />
for a long time,” says Lin Yu, vice president,<br />
<strong>Christie</strong> Asia Pacific.<br />
<strong>Christie</strong> has deployed its DCI-certified<br />
<strong>Christie</strong> CP4220 <strong>and</strong> CP4230 projectors in<br />
various markets in Asia. The <strong>Christie</strong> awardwinning<br />
Solaria ® Series which now includes a<br />
fully integrated media block (<strong>IMB</strong>) solution can<br />
manage higher frame rates (<strong>HFR</strong>) <strong>and</strong> 4K content<br />
<strong>with</strong>out compromising image quality <strong>and</strong> security.<br />
Rapid 4K expansion<br />
in China<br />
<strong>Christie</strong> has four offices throughout<br />
China to provide sales <strong>and</strong> service<br />
support. According to Jack Kline,<br />
president <strong>and</strong> COO of <strong>Christie</strong> <strong>Digital</strong><br />
Systems USA, “we really see China as<br />
the future <strong>and</strong> they see us as a leader<br />
in the cinema space. We are helping<br />
exhibitors find the path through that<br />
next technological advancement.”<br />
<strong>Christie</strong> has the most 4K installations<br />
in China including more than<br />
350 projectors <strong>with</strong> the W<strong>and</strong>a Group,<br />
Asia’s largest cinema chain, <strong>with</strong> 71<br />
premium cinemas <strong>and</strong> more than 600<br />
screens across China. W<strong>and</strong>a has plans<br />
for adding another 120 cinemas <strong>and</strong> more than<br />
400 screens in 2012. “With <strong>Christie</strong>’s 4K projectors<br />
filling our cinema screens, we are able to provide<br />
a complete 3D experience unequaled in quality,<br />
brightness, image accuracy <strong>and</strong> alignment — <strong>and</strong><br />
ultimately — a total cinema immersion for our<br />
clients,” remarked Ye Ning, general manager of<br />
W<strong>and</strong>a Cinema Group.<br />
United Circuit, the cinema operator under<br />
Shanghai Film Group, China’s largest cinema<br />
circuit, <strong>and</strong> one of the most comprehensive film<br />
groups in China, recently purchased 200 <strong>Christie</strong><br />
digital cinema projectors, including the <strong>Christie</strong><br />
CP4230. Xu Xiaoping, general manager of United<br />
Circuit, said the 4K digital cinema projectors are<br />
part of the company’s next step in providing<br />
industry-leading solutions for bigger screens <strong>and</strong><br />
selected 3D releases. To date, United Circuit has<br />
installed more than 600 <strong>Christie</strong> digital cinema<br />
projectors across China.<br />
India <strong>and</strong> Indonesia embrace 4K<br />
At the Urvashi Cinema in Bangalore, India — the<br />
country’s first 3D cinema — the <strong>Christie</strong> CP4230<br />
digital cinema projector made possible the 3D<br />
screening of “Transformers: Dark of the Moon.”<br />
“4K is a premium experience, even going by<br />
worldwide st<strong>and</strong>ards. Urvashi prides itself on its<br />
commitment to give our patrons the best viewing<br />
quality, said Amit R Gowda, CEO of Urvashi Cinema.<br />
“We pursue excellence <strong>and</strong> that is the reason why<br />
we took such a bold move <strong>with</strong> the installation of<br />
the <strong>Christie</strong> CP4230 digital cinema projectors.”<br />
Ranjit Thakur, CEO of Scrabble Entertainment,<br />
<strong>Christie</strong>’s deployment partner in India, agreed,<br />
stating, “The way in which India is progressing on<br />
the digital cinema platform is astonishing. Urvashi’s<br />
move to 4K digital cinema<br />
projection has set the bar<br />
for cinemas everywhere.<br />
This is the onset of a new<br />
revolution <strong>and</strong> I’m sure in<br />
the near future, we will see<br />
a lot of conversions from<br />
the cinema operators here<br />
in India.”<br />
In Indonesia, <strong>Christie</strong> is installing close to 200<br />
digital cinema projectors, including several 4K<br />
models. Other Asia markets using <strong>Christie</strong> 4K<br />
DLP Cinema projection technology include Japan,<br />
Korea, Hong Kong, Singapore <strong>and</strong> Taiwan.<br />
Massive digital rollout<br />
in the Philippines<br />
DCinema Alliance (DCA), a wholly owned<br />
subsidiary of Array’s Technologies Inc., is the<br />
leading supplier of cinema projection equipment<br />
<strong>and</strong> services in the Philippines. Set up to digitize<br />
the Filipino cinema market, DCA has targeted a<br />
minimum of 400 screens in 60 sites, in addition<br />
to the 109 screens already converted. <strong>Christie</strong> has<br />
had a very good working relationship <strong>with</strong> Array’s<br />
for the last fifteen years.<br />
The contract for DCI-compliant <strong>Christie</strong> CP2220<br />
<strong>and</strong> <strong>Christie</strong> CP2230 <strong>Digital</strong> Cinema ® projectors<br />
<strong>with</strong> installations beginning in Metro Manila<br />
before fanning out nationwide, began in January<br />
2012, <strong>and</strong> is scheduled for completion <strong>with</strong>in<br />
two years. “<strong>Digital</strong> cinema is revolutionizing the<br />
cinema-going experience everywhere. We hope<br />
this deployment, which will see a minimum of<br />
400 screens digitized, will support the goals<br />
of our exhibitors to provide a more engaging<br />
cinematic experience for<br />
their patrons,” commented<br />
Rey Del Poso, president,<br />
DCinema Alliance Corp.<br />
ArcLight gets head start<br />
on <strong>HFR</strong> movie projection<br />
ArcLight Cinemas, part of the Pacific Theatres<br />
group, <strong>with</strong> 33 auditoriums <strong>and</strong> 61 screens,<br />
completed the digital conversion of its four<br />
locations in California. They installed <strong>Christie</strong><br />
Solaria ® Series 2K <strong>and</strong> 4K projectors to provide<br />
the best in both conventional <strong>and</strong> premier movie<br />
experiences. All auditoriums <strong>with</strong>in the ArcLight<br />
br<strong>and</strong> are premium presentation auditoriums,<br />
focusing on a “black box” design aesthetic, which<br />
emphasizes undistracted viewing <strong>and</strong> features the<br />
best in sight <strong>and</strong> sound technology.<br />
“<strong>Christie</strong>’s Solaria series will make it possible for<br />
us to present the latest technological advances<br />
to our patrons, such as 3D <strong>and</strong> big-screen<br />
experiences, as well as high frame rate movies<br />
scheduled to launch later this year, beginning <strong>with</strong><br />
epics such as Peter Jackson’s “The Hobbit,” said<br />
Joe Miraglia, director of design, construction <strong>and</strong><br />
facilities for ArcLight. “Since we offer a range of<br />
movies <strong>and</strong> theaters to suit distinct audiences, we<br />
needed digital projection that could adapt to any<br />
need, <strong>and</strong> <strong>Christie</strong> gave us the best solution.”<br />
ACS Enterprises Inc., who h<strong>and</strong>led the installation,<br />
chose <strong>Christie</strong> because of its winning<br />
combination of product <strong>and</strong> support excellence.<br />
“At ACS, we care about our clients, their theaters<br />
<strong>and</strong> their continued success,” said<br />
Jose Alvarado, chief executive officer<br />
of ACS. “<strong>Christie</strong> is a partner that<br />
shares our philosophy <strong>and</strong> wanted to<br />
make sure we succeeded in our digital<br />
cinema transitions. In addition to<br />
providing first-rate technology, <strong>Christie</strong><br />
collaborated in installation design,<br />
setup <strong>and</strong> testing through its <strong>Christie</strong><br />
Managed Services group, which has<br />
been extremely helpful in quickly <strong>and</strong><br />
efficiently providing the assistance<br />
we needed for ArcLight’s unique<br />
requirements,” says Alvarado.<br />
The ArcLight chain includes the famous ArcLight<br />
Hollywood, <strong>with</strong> its historic <strong>and</strong> unique Cinerama<br />
Dome — one of only three such theaters in the<br />
world today. The Dome now features <strong>Christie</strong><br />
Duo technology, a configuration of two<br />
projectors, advanced software <strong>and</strong> a space-saving<br />
frame that delivers a completely seamless, premium<br />
movie experience for the world’s largest screens.<br />
Cannes Film Festival renews<br />
<strong>Christie</strong> partnership for three years<br />
In its 65th year, the Cannes International Film<br />
Festival signed <strong>with</strong> <strong>Christie</strong>, a technical partner<br />
since 2006, to provide all the digital projection<br />
equipment <strong>and</strong> the entire digital projection<br />
platform over the next three years.<br />
As technical partner, <strong>Christie</strong> provided 2K <strong>and</strong><br />
4K DLP Cinema ® projectors for screening the<br />
works shown in 20 digital auditoriums at the<br />
Festival, that took place in May of this year.<br />
Each year, the main projection rooms in<br />
the Cannes Palais des Festivals are equipped<br />
<strong>with</strong> projectors from the <strong>Christie</strong> Solaria ®<br />
Series meeting <strong>Digital</strong> Cinema Initiatives (DCI)<br />
recommended st<strong>and</strong>ards.<br />
“The Cannes CST, the body responsible for<br />
projection’s technical aspects at the Cannes<br />
Festival, is delighted to be working <strong>with</strong><br />
<strong>Christie</strong>. The partnership between <strong>Christie</strong> <strong>and</strong><br />
the Festival helps us guarantee an outst<strong>and</strong>ing<br />
quality of projection,” said Pierre William<br />
Glenn, chairman of the CST (Supervisory<br />
Technical Committee for Sound <strong>and</strong> Image).<br />
Pascal Gervais, Manager of <strong>Christie</strong> France,<br />
added, “This renewed three-year Technical<br />
Partnership <strong>with</strong> the Cannes Festival confirms<br />
<strong>Christie</strong>’s high reputation in the film industry <strong>and</strong><br />
— because of the dem<strong>and</strong>ing qualification process<br />
deployed by the CST — proves our commitment to<br />
offering nothing but the best in terms of image for<br />
one of film’s most prestigious events.”<br />
Technical ParTner DigiTal cinema<br />
2007 | 2008 | 2009 | 2010 | 2011 | 2012<br />
ArcLight Cinemas represent<br />
an evolution in the movie<br />
going experience<br />
35mm | DigiTal cinema | 2K | DigiTal cinema 3D | 4K | hFr DigiTal cinema<br />
Celebrating the 65th Anniversary of the Cannes Film Festival<br />
the past, present & future of cinema.<br />
www.christieatcannes.com<br />
CD0150_2012_Guide Marché du Film_65th-Cannes_2012_Fv.indd 1 16/04/2012 12:27<br />
4 5
6<br />
The <strong>Christie</strong> Duo solution<br />
for large format 3D cinema<br />
<strong>Christie</strong> achieves first<br />
dual-stacked 4K demo in China<br />
On a giant screen 62ft x 33ft (19m by 10m), in a<br />
theater in Shanghai, attended by more than 70<br />
cinema owners <strong>and</strong> exhibitors in China, <strong>Christie</strong><br />
made its initial demonstration of true DLP ® 4K<br />
resolution in 3D.<br />
They achieved an incomparable brightness level<br />
of 68,000 ANSI lumens, using two <strong>Christie</strong> CP4230<br />
digital cinema projectors. With highly defined<br />
color contrast <strong>and</strong> superior 3D images, attendees<br />
got a sneak preview of what the next generation,<br />
large-screen premium movie experience promises<br />
to deliver.<br />
<strong>Christie</strong>’s Advanced Program Development<br />
Chief Scientist, Terry Schmidt, explained how the<br />
dual-stacked 4K digital cinema solution works<br />
on large cinema screens <strong>and</strong> how they achieve<br />
high brightness for superior 3D applications. He<br />
also conducted a technology preview of <strong>Christie</strong>’s<br />
auto-aligning software that helps to adjust images<br />
to gain perfect pixel precision.<br />
“With the rapid <strong>and</strong> significant increase in<br />
the screening of 3D movies, theater owners <strong>and</strong><br />
exhibitors are increasingly dem<strong>and</strong>ing dual-stack<br />
projector solutions that allows for very clear <strong>and</strong><br />
bright 3D displays. This demonstration proved that<br />
<strong>Christie</strong> is committed to push conversion to digital<br />
4K as a digital projection option for facilitating<br />
3D movies,” said Frank Xiao, general manager,<br />
<strong>Christie</strong> China.<br />
Poised to deliver the premium<br />
movie experience<br />
The <strong>Christie</strong> Duo solution enables exhibitors to<br />
deliver the brightest 2K or 4K movie experiences<br />
in 2D or 3D on the largest screens. Coupled <strong>with</strong><br />
automated features that easily calibrate, align <strong>and</strong><br />
optimize the images from both <strong>Christie</strong> Solaria ®<br />
Series 2K or 4K digital cinema projectors, <strong>Christie</strong><br />
Duo delivers a completely seamless, premium<br />
movie experience to moviegoers worldwide.<br />
When combined <strong>with</strong> world-leading 3D systems,<br />
exhibitors can achieve 3D image brightness levels<br />
up to twice as high as what can be achieved<br />
using the current large-format market<br />
leader — at a significant overall cost saving<br />
Cameron's Titanic 3D<br />
world premiere projected<br />
by <strong>Christie</strong> Duo solution<br />
In co-operation <strong>with</strong> James Cameron’s<br />
Lightstorm Entertainment, Inc., <strong>Christie</strong><br />
supplied its <strong>Christie</strong> Duo dual-projector solution to<br />
bring the bright, vivid scenes of Titanic in 3D to life at<br />
its world premiere at The Royal Albert Hall in London.<br />
“I’m pleased to have <strong>Christie</strong> continuing to<br />
accompany me on my ‘journey of discovery,’<br />
which will see studios <strong>and</strong> theater owners<br />
providing stirring 3D <strong>and</strong>, in due course, high<br />
frame rate movies, to fully immerse their<br />
audiences in experiences that best represent<br />
the creative excellence of today’s producers <strong>and</strong><br />
directors,” said James Cameron.<br />
The multi-party effort included Fox Filmed<br />
Entertainment, Bell Theatres Services, Britannia Row<br />
Audio <strong>and</strong> a full orchestra, <strong>with</strong> Jon L<strong>and</strong>au appearing<br />
onstage <strong>with</strong> James Cameron at the premiere.<br />
“The Hobbit” brought to life<br />
in <strong>HFR</strong> on massive silver screen<br />
<strong>Christie</strong> Duo combined <strong>with</strong> the new RealD<br />
XL-DP Cinema System projected Warner Bros.<br />
Pictures’ “Sneak Peek” of “The Hobbit” in 3D, at<br />
high frame rates (<strong>HFR</strong>) of 48 frames per second,<br />
achieving an unprecedented combination of<br />
uniformity <strong>and</strong> brightness. <strong>Christie</strong>, <strong>and</strong> RealD,<br />
a leading global licensor of 3D technologies,<br />
powered the presentation in the Colosseum at<br />
Caesars Palace during CinemaCon.<br />
In the setup for the presentation, projection<br />
engineers calibrated the system using brightness<br />
measurements taken towards the edges of the<br />
screen, rather than at the center. By combining<br />
the <strong>Christie</strong> Duo <strong>and</strong><br />
the RealD XL-DP<br />
3D Cinema System,<br />
exhibitors can actually<br />
achieve double the<br />
light output over the<br />
previous leading large<br />
format solutions, <strong>and</strong><br />
at a significant overall<br />
value during regular, commercial movie showings.<br />
“With the new RealD XL-DP Cinema System,<br />
there is a technical solution for achieving 3D<br />
brightness at 2D light levels on some of the largest<br />
movie theater screens in the world,” says Rod<br />
Archer, vice-president of Cinema Products, RealD.”<br />
Don Shaw, senior director, <strong>Christie</strong>’s<br />
Entertainment Solutions product management<br />
group noted that “The incredible experience<br />
delivered by RealD <strong>and</strong> <strong>Christie</strong> was achieved on<br />
a silver screen, using <strong>Christie</strong>’s Pureformity Color <br />
Technology to ‘control’ the center brightness,<br />
allowing us to obtain the most uniform image<br />
possible across this large screen.”<br />
“Theater of the Future” brings<br />
luxury, hi-tech, low maintenance<br />
digital cinema technology to U.S.<br />
Cinépolis Luxury Cinemas launches boothless projection<br />
system <strong>with</strong> <strong>Christie</strong> Managed Services<br />
Located in the Del Mar Highl<strong>and</strong>s Town Center<br />
in Carmel Valley, Cinépolis Luxury Cinemas<br />
features two traditional auditoriums <strong>and</strong> six <strong>with</strong><br />
boothless projection systems, seating up to 74<br />
guests, 3D <strong>and</strong> surround sound technologies,<br />
reserved seating options, <strong>and</strong> high back reclining<br />
leather chairs for the ultimate in viewing comfort.<br />
<strong>Christie</strong> Managed Services has implemented<br />
cost effective boothless projection systems,<br />
powered by low-maintenance <strong>Christie</strong> digital<br />
cinema projectors, the most powerful <strong>and</strong><br />
most trusted name for exhibitors joining the<br />
digital revolution. Designed <strong>and</strong> installed by<br />
<strong>Christie</strong> Managed Services as part of a complete<br />
customized solution, the boothless systems<br />
eliminate the need for traditional projectionist<br />
booth space <strong>and</strong> require no human operator.<br />
They also free up space for an additional row of<br />
seating that would normally have been taken up<br />
by the projection booths.<br />
“While we are South America’s largest theater<br />
chain, this is our first entry into the U.S. market,<br />
<strong>and</strong> it was critical that every aspect of our<br />
patrons’ movie-viewing experience was as perfect<br />
as possible,” said Carlos Wellman, managing<br />
director of Cinépolis Luxury Cinemas. “We<br />
selected <strong>Christie</strong> because they bring more than<br />
80 years in the exhibition industry, <strong>and</strong> perfectly<br />
underst<strong>and</strong> the old-world traditions of the finest<br />
movie houses <strong>and</strong> the next generation of digital<br />
technology to meet the sophisticated dem<strong>and</strong>s of<br />
today’s moviegoers.”<br />
<strong>Christie</strong> end-to end solutions<br />
<strong>Christie</strong> provided an all-inclusive, turnkey<br />
solution for a special lift system that enables<br />
the <strong>Christie</strong> CP2220 DLP Cinema ® projectors<br />
to be positioned out of the way during normal<br />
operation <strong>and</strong> lowered for maintenance.<br />
Matthew Heyman, a Cinépolis consultant on this<br />
project notes, “<strong>Christie</strong>’s boothless lifts create the<br />
space for Cinépolis to transform its theaters into a<br />
unique movie-going experience. These boothless<br />
concepts, like the ones <strong>Christie</strong> designs <strong>and</strong> installs,<br />
are transforming the digital cinema environment.”<br />
“Exhibitors are looking for solutions that<br />
enable them to reduce construction costs,<br />
while offering the design flexibility to transform<br />
older facilities to the look <strong>and</strong> feel of the luxury<br />
cinema,” explained Sean James, vice president<br />
of Managed Services for <strong>Christie</strong>. “Our<br />
customers need the<br />
benefit of technology<br />
<strong>with</strong>out the complexity<br />
of integration or the<br />
burden of support to<br />
accomplish their design<br />
<strong>and</strong> cost reduction<br />
goals. We designed <strong>and</strong><br />
built boothless systems<br />
that provide the right<br />
environment for the<br />
projector <strong>and</strong> isolates<br />
the audience from the<br />
noise <strong>and</strong> heat the<br />
projector <strong>and</strong> server<br />
generate while allowing<br />
the projection booth to<br />
be removed.”<br />
Recently, an additional<br />
six auditoriums were<br />
installed <strong>with</strong> <strong>Christie</strong><br />
boothless projection<br />
systems at the Cinépolis<br />
Luxury Cinemas La Costa<br />
location in Carlsbad.<br />
<strong>Christie</strong> Managed Services team also<br />
installed the audio system, screens,<br />
processing equipment, lighting,<br />
drapes, library management systems,<br />
playback <strong>and</strong> projection systems,<br />
in addition to designing <strong>and</strong><br />
deploying the boothless capability.<br />
7
<strong>Christie</strong> DLP Cinema ® projectors ignite screens around the globe<br />
<strong>Christie</strong> surpasses 28,000 digital cinema projector milestone<br />
“The versatility <strong>and</strong><br />
convenience of<br />
our one-stop <br />
shopping approach, <br />
based on our deep<br />
underst<strong>and</strong>ing of<br />
exhibitor needs,<br />
has won us new<br />
customers across<br />
the globe.”<br />
Jack Kline<br />
President <strong>and</strong> Chief Operating Officer,<br />
<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.<br />
Texas Instruments (TI) announced that in the<br />
12-month period between December 1, 2010<br />
<strong>and</strong> November 30, 2011, the number of DLP<br />
Cinema ® screens worldwide grew to a total of<br />
51,620 for an increase of 84 percent. <strong>Christie</strong><br />
was the first manufacturer to surpass the<br />
5,000 digital cinema milestone in Spring 2009,<br />
followed by the 7,500 milestone in the Fall of<br />
that year. At the Cine Asia 2011 conference<br />
in Hong Kong, TI awarded a commemorative<br />
plaque to <strong>Christie</strong> customer, United Circuit<br />
Cinemas, Shanghai Film Group, to commemorate<br />
the 50,000th 3-chipset manufactured.<br />
At CinemaCon 2012 in April, <strong>Christie</strong> reported<br />
that they shipped <strong>and</strong> installed more than<br />
28,000 digital cinema projectors to date. Led<br />
by the DCI-compliant <strong>Christie</strong> Solaria ® Series 2K<br />
<strong>and</strong> 4K projectors — from the popular <strong>Christie</strong><br />
CP2220 <strong>and</strong> CP2230 workhorses to the CP4220<br />
<strong>and</strong> CP4230 thoroughbreds — <strong>Christie</strong> now has<br />
more than half of the world’s marketshare.<br />
“The versatility <strong>and</strong> convenience of our<br />
one-stop shopping for fully integrated solutions<br />
<strong>and</strong> our end-to-end approach based on our<br />
deep underst<strong>and</strong>ing of exhibitor needs has won<br />
us new customers across the globe.<br />
<strong>Christie</strong> continues to be the exhibitors’<br />
choice for financing options like our<br />
innovative Virtual Print Fee (VPF)<br />
program in North America, leading<br />
edge-hardware <strong>and</strong> software <strong>and</strong><br />
unparalleled support from <strong>Christie</strong>’s<br />
Managed Services,” said Jack Kline,<br />
president <strong>and</strong> chief operating officer,<br />
<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.<br />
EMEA region sees record growth<br />
The first 4K DLP Cinema projector in Russia was<br />
installed in Summer 2011 by Asia Cinema, a<br />
long st<strong>and</strong>ing <strong>Christie</strong> partner, in Cherepovets<br />
— the largest city of Vologda region. It marks<br />
an important stage in the development of the<br />
Russian cinema industry. A <strong>Christie</strong> CP4230<br />
Solaria Series projector was installed in the largest<br />
hall of the Kinomir cinema, <strong>with</strong> a 16.2m (53 ft)<br />
screen <strong>and</strong> a seating capacity of 570.<br />
Since then, the interest in <strong>Christie</strong> 2K <strong>and</strong><br />
4K digital projectors in Russia as well as across<br />
the EMEA region continues unabated. As the<br />
undisputed leader in this field, <strong>Christie</strong> is continuously<br />
pushing the boundaries for its integration<br />
partners <strong>and</strong> cinema exhibitors, to further exp<strong>and</strong><br />
its dominance in the cinema area.<br />
”We are seeing significant investment in a<br />
majority of territories in EMEA, in particular in<br />
Germany, France <strong>and</strong> Russia, where we have<br />
been number one in terms of active digital<br />
cinema installations for years,” comments Dale<br />
Miller, vice president, <strong>Christie</strong> EMEA. ”Our<br />
<strong>Christie</strong> CP4230 is proving particularly popular,<br />
<strong>and</strong> the fact that we are always a step ahead<br />
when it comes to the future trends of cinema<br />
— <strong>with</strong> the development of Higher Frame Rates<br />
(<strong>HFR</strong>) or <strong>IMB</strong> solution — is a strong sign of<br />
support to our cinema exhibitors who know they<br />
are investing in high end performance <strong>and</strong> futureproof<br />
digital projection systems.”<br />
<strong>Christie</strong> acquires $40 million<br />
digital cinema projector order<br />
for India market<br />
Scrabble Entertainment Pvt. Ltd., a subsidiary<br />
of UFO Moviez India Ltd, <strong>and</strong> India’s largest<br />
DCI-compliant digital deployment entity,<br />
announced its commitment to purchase <strong>Christie</strong><br />
digital cinema projectors valued at approximately<br />
$40 million for rollout in the Indian market.<br />
Scrabble is the only aggregator of DCI-compliant<br />
screens in India <strong>with</strong> VPF agreements <strong>with</strong> major<br />
Hollywood studios. The order includes the awardwinning<br />
<strong>Christie</strong> CP2210, <strong>Christie</strong> CP2220 <strong>and</strong><br />
<strong>Christie</strong> CP2230 digital cinema projectors from<br />
the <strong>Christie</strong> Solaria Series. The installation of<br />
these projectors has begun <strong>and</strong> is slated to be<br />
completed by the end of 2012. “<strong>Christie</strong> has<br />
proven to be a reliable br<strong>and</strong> for the cinema<br />
industry for many years. Scrabble partnered <strong>with</strong><br />
<strong>Christie</strong> four years ago for the first phase of DCI<br />
rollout <strong>with</strong> the installation of 300 screens across<br />
India. In the second phase, we plan to rollout an<br />
additional 1200 screens across premium Indian<br />
multiplex <strong>and</strong> single screen properties, further<br />
reinforcing the confidence we have in <strong>Christie</strong>.<br />
<strong>Christie</strong>’s digital cinema projectors are not only<br />
reliable, but unrivalled in terms of resolution,<br />
brightness <strong>and</strong> performance,” said Ranjit Thakur,<br />
CEO, Scrabble Entertainment.<br />
According to Kapil Agarwal, Joint Managing<br />
Director, UFO Moviez, “We have very aggressive<br />
plans for the next phase of our DCI rollout in<br />
India. Riding on the strength of our innovative<br />
business model, the UFO-Scrabble combination<br />
will exponentially increase the number of<br />
DCI-compliant cinemas from our existing 400 to<br />
1500 by the end of 2012, providing Hollywood<br />
content owners unparalleled reach in the<br />
Indian subcontinent. This transition is especially<br />
significant as UFO has over 2,750 non-DCI digital<br />
screens in India.”<br />
“We are delighted to work <strong>with</strong> <strong>Christie</strong> for<br />
this significant deployment. It is a well-known<br />
fact that <strong>Christie</strong> is leading on many fronts in<br />
digital cinema technology, including 4K <strong>and</strong><br />
screening movies at higher frame rate than<br />
the current st<strong>and</strong>ard. Through this partnership<br />
<strong>with</strong> <strong>Christie</strong>, we hope to leverage on these<br />
advancements in digital cinema solutions <strong>and</strong><br />
bring them to cinemas in India,” says Agarwal.<br />
Harkins Theatres selects <strong>Christie</strong><br />
for 400+ projectors in the U.S.<br />
Celebrating 78 years, Harkins Theatres is the<br />
largest privately owned theatre chain in the<br />
country <strong>and</strong> the premier movie exhibitor of<br />
the Western U.S. operating over 420 screens.<br />
Featuring a large selection of film, snacks, <strong>and</strong><br />
innovative amenities to moviegoers since 1933,<br />
Harkins Theatres, based in Arizona, is renown<br />
for its commitment <strong>and</strong> passion for offering the<br />
Ultimate Moviegoing ® experience. Founded by<br />
renowned showman, inventor, <strong>and</strong> community<br />
leader Dwight “Red” Harkins, Harkins Theatres has<br />
historically been a trailblazer for advancements in<br />
the motion picture exhibition industry.<br />
<strong>Christie</strong> provided Harkins Theatres <strong>with</strong> more<br />
than 400 <strong>Christie</strong> Solaria Series 2 digital cinema<br />
projectors deployed at the end of 2011. The chain<br />
has also subscribed to <strong>Christie</strong>’s VPF program.<br />
“Harkins Theatres is both an entertainment<br />
<strong>and</strong> a cultural destination for the many<br />
diverse communities it serves throughout the<br />
Southwest,” said George Scheckel, director,<br />
Business Development, Entertainment Solutions<br />
at <strong>Christie</strong>. “As a major supporter of so many<br />
charitable organizations <strong>and</strong> community-based<br />
educational programs, Harkins is committed<br />
to providing the highest quality movie-viewing<br />
experience to its patrons. <strong>Christie</strong> is pleased<br />
that its new generation of DLP Cinema ®<br />
projectors will now help contribute to their<br />
inspiring legacy that includes groundbreaking<br />
innovations in cinema.”<br />
China’s Great Hall of The People<br />
chooses <strong>Christie</strong> CP Series digital<br />
cinema projectors<br />
Located on the western side of Tiananmen<br />
Square, in Beijing, the Great Hall of the People<br />
is the political hub of China <strong>and</strong> home to the<br />
National People’s Congress <strong>and</strong> the Chinese<br />
People’s Political Consultative Conference, held<br />
annually in March. It is also used<br />
for ceremonial events <strong>and</strong> in recent<br />
years, this historic venue has hosted<br />
several non-political conventions<br />
<strong>and</strong> concerts. According to Frank<br />
Xiao, general manager, <strong>Christie</strong><br />
China, the Great Hall of the People<br />
has inked an agreement <strong>with</strong><br />
<strong>Christie</strong> to install two <strong>Christie</strong> CP<br />
series digital cinema projectors in<br />
one of its auditoriums, slated to<br />
begin as early as 2012.<br />
“The Great Hall of the People<br />
is one of the most important <strong>and</strong><br />
prestigious government buildings in<br />
China. <strong>Christie</strong> is extremely honored<br />
to be associated <strong>with</strong> such an exalted organization<br />
<strong>and</strong> even more honored that our latest CP series<br />
digital cinema projectors have been selected for<br />
this momentous deployment. We are immensely<br />
pleased that the Great Hall of the People has<br />
supported <strong>Christie</strong> all these years,” said Lin Yu,<br />
vice president, <strong>Christie</strong> Asia Pacific.<br />
8 9
Apex Entertainment has<br />
received several honors<br />
<strong>and</strong> awards for its<br />
dedication in exhibition<br />
Independents in North America<br />
value <strong>Christie</strong> equipment,<br />
services <strong>and</strong> VPF Program<br />
Smaller independent exhibitors play an important<br />
role <strong>and</strong> provide local audiences a connection to<br />
their communities. <strong>Christie</strong> has helped regional<br />
<strong>and</strong> local exhibitors move into the 21st century<br />
of entertainment by providing the world’s most<br />
preferred DLP Cinema ® projectors <strong>and</strong> dependable<br />
customer service. Along <strong>with</strong> the <strong>Christie</strong> Virtual<br />
Print Fee (VPF) Program, independents can now<br />
afford their digital conversions <strong>and</strong> continue<br />
to operate the way they always have, <strong>with</strong>out<br />
unwieldy fees <strong>and</strong> restrictions.<br />
Apex Theatres, Louisville, KY<br />
Locally owned by a group of<br />
investors, Apex Entertainment, LLC,<br />
currently operates 16 screens in<br />
Louisville, Kentucky, including Baxter<br />
Avenue Filmworks Theatre (Baxter).<br />
Opened in 1996, Baxter is far from<br />
a typical multiplex. It offers first-run,<br />
foreign, <strong>and</strong> independent fare <strong>and</strong><br />
most recently, 3D movies, on eight<br />
wall-to-wall screen auditoriums.<br />
In addition to state-of-theart<br />
projection equipment <strong>and</strong><br />
sound systems, Baxter's most<br />
show-stopping assets are its<br />
aesthetic allure, including a<br />
multimedia video wall above the<br />
concession st<strong>and</strong>, lighted moving sculptures, <strong>and</strong><br />
vintage posters <strong>and</strong> h<strong>and</strong>-painted murals by local<br />
artists throughout.<br />
“We have always had the highest regard for<br />
<strong>Christie</strong> equipment, even before we started<br />
installing their digital projectors,” says Leslie<br />
Aberson, President, Apex Theatres. Currently<br />
Baxter has five <strong>Christie</strong> Solaria ® Series digital<br />
projectors installed <strong>with</strong> the remaining three<br />
screens scheduled for conversion by mid-2012.<br />
“We appreciate <strong><strong>Christie</strong>'s</strong> reliability <strong>and</strong> economical<br />
operation that provide savings day in <strong>and</strong> day out.<br />
According to Gary Engvold, president of<br />
Integrity Entertainment Solutions, LLC, a certified<br />
<strong>Christie</strong> partner, who h<strong>and</strong>led the installation,<br />
“We recommend <strong>Christie</strong> projectors because<br />
they typically use a lamp size smaller than the<br />
competition on the same screen, providing more<br />
light <strong>and</strong> using less electricity. They are known for<br />
the brightest <strong>and</strong> highest performance projectors<br />
<strong>and</strong> the lowest cost of ownership.”<br />
<strong>Christie</strong> VPF — best return on<br />
investment<br />
After much research, Baxter contracted <strong>with</strong><br />
<strong>Christie</strong> for their VPF Program because they<br />
considered it to be the most friendly. “The<br />
<strong>Christie</strong> VPF Program is straight forward, <strong>and</strong><br />
in comparison to others, it is the best deal out<br />
there. In terms of simple economics, we get the<br />
best return on our money because the VPFs are<br />
paid faster <strong>and</strong> we have the ability to depreciate<br />
the equipment under <strong>Christie</strong>’s self-financing<br />
program,” explains Aberson. “We didn’t have<br />
to jump through hoops <strong>and</strong> deal <strong>with</strong> all sorts<br />
of restrictions.”<br />
In response to exhibitors, <strong>Christie</strong> has exp<strong>and</strong>ed its<br />
VPF Program until September 30, 2012.<br />
Canadian exhibitors embrace<br />
<strong>Christie</strong> total solutions<br />
L<strong>and</strong>mark selects <strong>Christie</strong><br />
for full digital conversion<br />
L<strong>and</strong>mark Cinemas of Canada Inc.(L<strong>and</strong>mark) is<br />
western Canada’s largest independent exhibitor.<br />
They operate 31 cinema complexes, <strong>with</strong> a<br />
combined total of 111 screens, in 28 locations<br />
in the four western provinces <strong>and</strong> the Yukon.<br />
Privately owned <strong>and</strong> operated since 1965, the<br />
partners who make up the ownership group of<br />
L<strong>and</strong>mark have strong roots to film exhibition.<br />
The digital conversions for 100+ screens —<br />
including a range of DCI-compliant <strong>Christie</strong><br />
Solaria ® Series projectors installed by King<br />
Cinema — is to be completed over the next six<br />
months <strong>with</strong> no disruption in service. L<strong>and</strong>mark<br />
will provide state-of-the-art entertainment in all<br />
its markets, including 2D <strong>and</strong> 3D movies, live<br />
events <strong>and</strong> other alternative content.<br />
“<strong>Christie</strong> guarantees us the twin pillars of<br />
superior product <strong>and</strong> the best people,” says Neil<br />
Campbell, chief operating officer, L<strong>and</strong>mark<br />
Cinemas. “The team at <strong>Christie</strong> is highly responsive.<br />
I can find the managers I need whenever I need<br />
them, <strong>and</strong> they’re always focused on meeting the<br />
unique requirements of each cinema.”<br />
<strong>Christie</strong> Managed Services<br />
<strong>and</strong> VPF Program<br />
Signing onto <strong>Christie</strong> Managed Services enables<br />
<strong>Christie</strong> to remotely monitor <strong>and</strong> manage<br />
L<strong>and</strong>mark’s digital cinema environments in real<br />
time <strong>and</strong> to reap the full benefit of digitization.<br />
Included <strong>with</strong> the hardware will be <strong>Christie</strong>’s<br />
Library Management Servers for playing on<br />
multiple L<strong>and</strong>mark screens. They also subscribe<br />
to <strong>Christie</strong>’s simplified <strong>and</strong> customized Virtual<br />
Print Fee (VPF) Program that provides financial<br />
support for exhibitors seeking the greatest<br />
independence in making the move to DLP<br />
Cinema ® digital cinema projection systems.<br />
“The program offers L<strong>and</strong>mark expert support<br />
<strong>and</strong> flexible options for all phases of the digital<br />
conversion process, including <strong>Christie</strong>’s Network<br />
Operations Center (NOC) services, providing<br />
24/7 /365 technical support,” added Muscat.<br />
Cinémas Guzzo goes<br />
100% digital <strong>with</strong> <strong>Christie</strong><br />
One of Canada’s leading independent chains,<br />
Les Cinémas Guzzo (“Guzzo”) is the largest<br />
privately owned cinema chain in Quebec. Part<br />
of the Quebec cinema scene since 1974, it was<br />
founded by Angelo Guzzo, <strong>and</strong> currently has<br />
more than 140 screens, mainly in the Montreal<br />
area. Angelo Guzzo <strong>and</strong> his son Vincenzo work as<br />
a team to bring moviegoers the best that cinema<br />
has to offer, including installation of <strong>Christie</strong><br />
Solaria ® Series Series 2K projectors as well as<br />
the upgrading of 27 screens to <strong>Christie</strong>’s next<br />
generation Solaria 4K DLP Cinema ® projectors.<br />
“In addition to the terrific image quality offered<br />
by digital projection, the conversion will give us<br />
more flexibility in the types of presentation we can<br />
offer, such as 3D, <strong>and</strong> more personalized pre-show<br />
<strong>and</strong> alternative content,” says Vincenzo Guzzo,<br />
executive vice president <strong>and</strong> chief operating officer,<br />
Cinémas Guzzo. The conversion of all 142 Guzzo<br />
screens, managed in-house <strong>and</strong> supported by<br />
<strong>Christie</strong>, is planned for completion by April 2012.<br />
“With <strong>Christie</strong>, we get first-class service <strong>and</strong> great<br />
after-sale support. We’ve been <strong>with</strong> <strong>Christie</strong> from<br />
our first installs in 2008, so we know they’re the<br />
most reliable choice for this project,”Guzzo added.<br />
Services, systems <strong>and</strong> support<br />
Guzzo is working <strong>with</strong> <strong>Christie</strong> Managed Services<br />
in support of sourcing,<br />
integrating <strong>and</strong> validating<br />
hardware that enables<br />
remote monitoring <strong>and</strong><br />
management of Guzzo’s<br />
digital cinema projection<br />
environments. Included <strong>with</strong><br />
the hardware are Library<br />
Management Servers that<br />
hold the feature films,<br />
advertisements, trailers <strong>and</strong><br />
other digital content for<br />
playing on multiple screens.<br />
Cinémas Guzzo will also use<br />
<strong>Christie</strong> ACT , a theater<br />
automation controller to<br />
automate presentations in<br />
some of its theaters.<br />
Dave Muscat, senior director of sales, <strong>Christie</strong><br />
Canada, noted, “<strong>Christie</strong> has helped Cinémas<br />
Guzzo make this pivotal transition to digital, <strong>with</strong><br />
best-in-class product <strong>and</strong> flexible, customized service.<br />
Today we have more than 85 percent of Canada's<br />
digital cinema market through our commitment to<br />
long-term partnership <strong>with</strong> our customers.”<br />
“<strong>Christie</strong> guarantees<br />
us the twin pillars<br />
of superior product<br />
<strong>and</strong> the best<br />
people.”<br />
Neil Campbell<br />
Chief Operating Officer<br />
L<strong>and</strong>mark Cinemas<br />
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Projection, post-production <strong>and</strong><br />
visual effects leaders to exchange<br />
ideas, test results <strong>and</strong> evaluations<br />
on current industry directions<br />
<strong>Christie</strong> ® signed a technology co-operation<br />
agreement <strong>with</strong> Park Road Post Production Ltd.<br />
(“Park Road”) <strong>and</strong> Weta <strong>Digital</strong> Ltd. (“Weta”) to<br />
work together to advance the state of the art of<br />
digital cinema production <strong>and</strong> projection, <strong>with</strong> an<br />
emphasis on high frame rate (<strong>HFR</strong>) delivery — the<br />
industry's most exciting new technology.<br />
For its part, <strong>Christie</strong> will supply a combination<br />
of ‘direct to engineering’ technical support,<br />
<strong>Christie</strong> Solaria ® Series DLP Cinema ® projectors<br />
<strong>and</strong> early access to prototype projection<br />
technologies, including laser projectors, that<br />
<strong>Christie</strong> is developing.<br />
As part of the agreement, Park Road <strong>and</strong> Weta<br />
will upgrade their current facilities <strong>with</strong> <strong>Christie</strong><br />
projectors <strong>and</strong> provide <strong>Christie</strong> <strong>with</strong> review,<br />
testing <strong>and</strong> feedback on new hardware <strong>and</strong><br />
software developments related to high-b<strong>and</strong>width<br />
interfaces <strong>and</strong> <strong>HFR</strong> technology. In addition, they<br />
will sample movie content (consistent <strong>with</strong> the<br />
content owner’s permission) for <strong>Christie</strong> to use in<br />
testing its projectors <strong>and</strong> integrated media block<br />
(<strong>IMB</strong>) units.<br />
“The team at Park Road has a strong <strong>and</strong><br />
long-st<strong>and</strong>ing relationship <strong>with</strong> <strong>Christie</strong> <strong>and</strong><br />
we are delighted that this will continue into<br />
The move to <strong>HFR</strong> is the<br />
future of movie-going<br />
For over eight decades, <strong>Christie</strong> has been dedicated to leading<br />
the development for advanced cinema technologies. With deep<br />
ties to the motion picture community, along <strong>with</strong> its long-term<br />
partnership <strong>with</strong> James Cameron’s Lightstorm Entertainment,<br />
<strong>Christie</strong> will enable exhibitors to deliver a new level of<br />
enhanced viewing experiences as well as an opportunity for<br />
premium pricing.<br />
For more information about <strong>HFR</strong>, go to: <br />
www.christiedigital.com/highframerates<br />
the future,” said Cameron Harl<strong>and</strong>, general<br />
manager, Park Road, a premier post-production<br />
facility located in Wellington, New Zeal<strong>and</strong>. “We<br />
hope that our joint research <strong>and</strong> knowledge<br />
exchange on high frame rates in particular will<br />
benefit filmmakers, studios, exhibitors <strong>and</strong> most<br />
importantly the movie-going audience.”<br />
Weta <strong>Digital</strong> is a five-time Academy Award ®<br />
winning visual effects facility based in Wellington,<br />
New Zeal<strong>and</strong>. Kathy Gruzas, chief information<br />
officer, Weta said “<strong>Christie</strong> shares a common<br />
vision <strong>with</strong> our facility <strong>and</strong> Park Road — that<br />
is, to be on the leading-edge of world-class<br />
developments in digital cinema — <strong>and</strong> we look<br />
forward to combining the sum total of our<br />
collective experience <strong>and</strong> knowledge to thrill<br />
cinema audiences in the upcoming, new world of<br />
3D <strong>and</strong> <strong>HFR</strong>.”<br />
“We are delighted to be teaming up <strong>with</strong> these<br />
two legends in the post-production <strong>and</strong> visual<br />
effects world,” said Don Shaw, senior director,<br />
Product Management, <strong>Christie</strong> Entertainment<br />
Solutions, “<strong>and</strong> look forward to pushing the<br />
envelope <strong>with</strong> Park Road <strong>and</strong> Weta on this<br />
exciting endeavor.”<br />
Contact us<br />
Visit our website at:<br />
www.christiedigital.com<br />
Corporate offices<br />
<strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc.<br />
USA – Cypress<br />
ph: 714 236 8610<br />
<strong>Christie</strong> <strong>Digital</strong> Systems Canada Inc.<br />
Canada – Kitchener<br />
ph: 519 744 8005<br />
Worldwide offices<br />
United Kingdom<br />
ph: +44 118977 8000<br />
Germany<br />
ph: +49 2161 664540<br />
France<br />
ph: +33 (0) 1 41 21 44 04<br />
Spain<br />
ph: +34 91 633 9990<br />
Eastern Europe <strong>and</strong><br />
Russian Federation<br />
ph: +36 (0) 1 47 48 100<br />
United Arab Emirates<br />
ph: +971 (0) 4 299 7575<br />
India<br />
ph: +080 41468941 – 48<br />
Singapore<br />
ph: +65 6877 8737<br />
China (Shanghai)<br />
ph: +86 21 6278 7708<br />
China (Beijing)<br />
ph: +86 10 6561 0240<br />
Japan (Tokyo)<br />
ph: +81 3 3599 7481<br />
Korea (Seoul)<br />
ph: +83 2 702 1601<br />
Independent sales<br />
consultant offices<br />
Italy<br />
ph: +39 (0)2 9902 1161<br />
South Africa<br />
ph: +27 (0) 317 671 347<br />
We welcome your comments, questions, story<br />
submissions, updates <strong>and</strong> installation inform ation.<br />
Send correspondence to:<br />
Kati Bujna<br />
kati.bujna@christiedigital.com<br />
KinoNotes is published 3x a year by <strong>Christie</strong><br />
<strong>and</strong> distributed in print to our cinema partners<br />
<strong>and</strong> customers. We wish to thank our customers<br />
for their support in producing this newsletter.<br />
No part of this newsletter may be reproduced<br />
in whole or in part <strong>with</strong>out the written consent<br />
of <strong>Christie</strong>.<br />
© 2012 <strong>Christie</strong> <strong>Digital</strong> Systems USA, Inc. All rights<br />
reserved. All br<strong>and</strong> names <strong>and</strong> product names are<br />
trademarks, registered trademarks or tradenames of their<br />
respective holders. Printed in Canada on recycled paper.<br />
CHRI9510 KinoNotes Summer 12.pdf<br />
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