To Guitar Chords - Curt Sheller
To Guitar Chords - Curt Sheller
To Guitar Chords - Curt Sheller
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The<br />
Advanced<br />
Guide<br />
Vol. 1<br />
<strong>To</strong> <strong>Guitar</strong> <strong>Chords</strong><br />
Commonly referred to as “jazz”<br />
chords, this guide provides detailed<br />
SAMPLE CHAPTER<br />
information on voicing 4-part chords.<br />
It covers all major, minor, diminished<br />
www.<strong>Curt</strong><strong>Sheller</strong>.com<br />
and augmented chord types, their<br />
upper partials, alterations, add, sus<br />
and slash chords.<br />
By<br />
CURT<br />
SHELLER<br />
<strong>Curt</strong> <strong>Sheller</strong> Publications<br />
2050 Orlando Rd., Suite 101<br />
Pottstown, PA 19464-2348<br />
www.curtsheller.com<br />
For more information visit <strong>Curt</strong> <strong>Sheller</strong> Publications - www.<strong>Curt</strong><strong>Sheller</strong>.com
the<br />
Advanced<br />
Guide<br />
<strong>To</strong> <strong>Guitar</strong> <strong>Chords</strong><br />
Commonly referred to as “jazz”<br />
chords, this guide provides detailed<br />
information on voicing 4-part chords.<br />
It covers all major, minor, diminished<br />
and augmented chord types, their<br />
upper partials, alterations, add, sus<br />
and slash chords.<br />
SAMPLE CHAPTER<br />
www.<strong>Curt</strong><strong>Sheller</strong>.com<br />
By<br />
CURT<br />
SHELLER<br />
curtsheller.com<br />
<strong>Curt</strong> <strong>Sheller</strong> Publications<br />
2050 Orlando Rd., Suite 101<br />
Pottstown, PA 19464-2348<br />
www.curtsheller.com<br />
Vol<br />
I<br />
For more information visit <strong>Curt</strong> <strong>Sheller</strong> Publications - www.<strong>Curt</strong><strong>Sheller</strong>.com
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Volume I<br />
by <strong>Curt</strong> <strong>Sheller</strong><br />
SAMPLE CHAPTER<br />
Copyright © 2002-2004 by <strong>Curt</strong> <strong>Sheller</strong><br />
All rights reserved. No part of this book may be reproduced or transmitted in<br />
www.<strong>Curt</strong><strong>Sheller</strong>.com<br />
any form or by any means, electronic, mechanical, photocopying, recording, or<br />
otherwise, without the prior written permission of the publisher. For information,<br />
contact <strong>Curt</strong> <strong>Sheller</strong> Publications.<br />
<strong>Curt</strong> <strong>Sheller</strong> Publications<br />
2050 Orlando Rd., Suite 101<br />
Pottstown, PA 19464-2348<br />
International Standard Book Number (ISBN)<br />
0-9714404-3-7<br />
Printed and bound in the United States of America<br />
Jim Hall Model guitar cover image courtesy of<br />
Sadowsky <strong>Guitar</strong>s Ltd., Brooklyn, NY USA<br />
www.sadowsky.com<br />
2<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Forward<br />
Beyond learning open and barre chords, most guitarists struggle<br />
with advanced chords. Commonly called “jazz” chords, these more<br />
sophisticated voicings find a wide use in all forms of music.<br />
Each volume of The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong> presents<br />
a highly organized and efficient approach to the mysterious<br />
subject of advanced chords. Chord dictionaries are not the answer.<br />
Even chord theory does not offer any insight into unraveling the<br />
complexity of guitar voicings.<br />
If your goal is to expand your chord vocabulary, The Advanced<br />
Guide to <strong>Guitar</strong> <strong>Chords</strong> is your answer.<br />
Chuck Anderson<br />
SAMPLE CHAPTER<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
3<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
SAMPLE CHAPTER<br />
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4<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Introduction<br />
<strong>Chords</strong> can be categorized into four chord types; Major, Minor,<br />
Diminished and Augmented. Four-part chords can be voiced<br />
across various four string families. This book explores these<br />
chords on string families:<br />
1 2<br />
2 3<br />
3 4<br />
1 2<br />
2 3<br />
3 4<br />
4 5<br />
5 6<br />
3 5<br />
4 6<br />
Chord notation is an inexact science. Some of the more common<br />
chord notations are shown throughout the book.<br />
All chords presented are in standard tuning for six<br />
string guitar:<br />
E A D G B E<br />
SAMPLE CHAPTER<br />
6 5 4 3 2 1<br />
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Chord Diagram Model<br />
Strings<br />
Frets<br />
6 5 4 3 2 1<br />
x x 3 b7 Root 5<br />
* Numeric intervals<br />
based on a major scale<br />
Root of<br />
Chord<br />
Notes of<br />
Chord<br />
Fingering<br />
2 3 1 4<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
5<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
SAMPLE CHAPTER<br />
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6<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Contents<br />
Forward ........................................................................... 3<br />
Introduction ...................................................................... 5<br />
4-Part Major Chord Types .................................................11<br />
Seventh <strong>Chords</strong> .............................................................12<br />
String Family 1 2 3 4 ....................................................12<br />
Basic Major Chord Types .................................................13<br />
Upper Partial Ninths ....................................................14<br />
Upper Partial Elevenths ................................................16<br />
Upper Partial Thirteenths ...............................................18<br />
Additional Seventh <strong>Chords</strong> ...............................................19<br />
String Family 2 3 4 5 ....................................................19<br />
String Family 3 4 5 6 ....................................................20<br />
String Family 2 3 4 6 ....................................................21<br />
String Family 1 2 3 5 ....................................................22<br />
4-Part Minor Chord Types .................................................23<br />
Minor Seventh <strong>Chords</strong> ....................................................24<br />
String Family 1 2 3 4 ....................................................24<br />
Basic Minor Chord Types .................................................25<br />
Upper Partial Ninths ....................................................26<br />
Upper Partial Elevenths ................................................27<br />
Upper Partial Thirteenths ...............................................28<br />
Additional Minor Seventh <strong>Chords</strong> .......................................29<br />
String Family 2 3 4 5 ....................................................29<br />
String Family 3 4 5 6 ....................................................30<br />
String Family 2 3 4 6 ....................................................31<br />
String Family 1 2 3 5 ....................................................32<br />
4-Part Diminished Chord Types ...........................................33<br />
SAMPLE CHAPTER<br />
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Half-Diminished Seventh <strong>Chords</strong> ........................................34<br />
String Family 1 2 3 4 ....................................................34<br />
Basic Diminished Chord Types ...........................................35<br />
Upper Partial Ninths ....................................................36<br />
Upper Partial Elevenths ................................................37<br />
Upper Partial Thirteenths ...............................................38<br />
Additional Diminished Seventh <strong>Chords</strong> .................................39<br />
String Family 1 2 3 4 ....................................................39<br />
String Family 3 4 5 6 ....................................................40<br />
String Family 2 3 4 6 ....................................................41<br />
String Family 1 2 3 5 ....................................................42<br />
Cont’d...<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
7<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Contents<br />
4-Part Augmented Chord Types ..........................................43<br />
Augmented Seventh <strong>Chords</strong> ..............................................44<br />
String Family 1 2 3 4 ....................................................44<br />
Augmented Chord Types ..................................................45<br />
Upper Partial Ninths ....................................................46<br />
Upper Partial Elevenths ................................................47<br />
Upper Partial Thirteenths ...............................................48<br />
Additional Augmented Seventh <strong>Chords</strong> .................................49<br />
String Family 2 3 4 5 ....................................................49<br />
String Family 3 4 5 6 ....................................................50<br />
String Family 2 3 4 6 ....................................................51<br />
String Family 1 2 3 5 ....................................................52<br />
Altered <strong>Chords</strong> .................................................................53<br />
Lowered Fifth ............................................................53<br />
Raised Fifth ..............................................................54<br />
Lowered Ninth ..........................................................54<br />
Raised Ninth .............................................................54<br />
Raised Eleventh .........................................................55<br />
Lowered Thirteenth .....................................................55<br />
4-Part Triads ..................................................................57<br />
Major .....................................................................58<br />
Minor .....................................................................58<br />
Diminished ...............................................................58<br />
Augmented .............................................................58<br />
sus, add & Slash <strong>Chords</strong> .....................................................59<br />
sus ........................................................................60<br />
add ......................................................................60<br />
slash .....................................................................61<br />
6 String Fingerboard Note Charts ........................................63<br />
6 String - Sharp Notes ..................................................64<br />
6 String - Flat Notes .....................................................65<br />
SAMPLE CHAPTER<br />
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8<br />
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MAJOR CHORD TYPES<br />
4-Part Major<br />
Chord Types<br />
SAMPLE CHAPTER<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
11<br />
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Seventh <strong>Chords</strong><br />
6 5 4 3 2 1<br />
1234<br />
7 th<br />
x x 3 b7 Root 5<br />
*2 3 1 4<br />
x<br />
= Root of chord<br />
= Avoid or Mute<br />
x x 5 Root 3 b7<br />
SAMPLE CHAPTER<br />
1 1 1 2<br />
x x b7 3 5 Root<br />
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1 2 1 1<br />
x x Root 5 b7 3<br />
* All fingerings are recommended<br />
but not mandatory.<br />
1 3 2 4<br />
12<br />
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Major Chord Types<br />
Basic Major Chord Types<br />
7<br />
Learn the four seventh chord forms on page 12.<br />
Notation*: 7, dom7<br />
maj7<br />
A major seventh chord is created by raising the seventh of a<br />
seventh chord one fret.<br />
Notation: maj7, MAJ7, MA7, ∆7<br />
SAMPLE CHAPTER<br />
6<br />
2 4 1 3 1 1 1 3 2 3 1 1<br />
1 3 3 3<br />
All examples shown on string family 4 3 2 1<br />
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A sixth chord is created by lowering the seventh of a seventh<br />
chord one fret.<br />
Notation: 6, maj6, MAJ6, MA6, ∆6<br />
2 3 1 4 1 1 1 1 4 1 2 3<br />
1 3 1 4<br />
* A root note is presumed to be in front of each notation.<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
13<br />
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Major Chord Types<br />
Upper Partial Ninths<br />
9<br />
A ninth chord is created by raising the root of a seventh chord<br />
two frets or lowering the third of a seventh chord two frets.<br />
Notation: 9, 7 (9)<br />
1 2 2 2 1 3 1 2 1 2 1 3<br />
2 3 1 4<br />
SAMPLE CHAPTER<br />
1 3 2 4 2 3 1 4 2 1 3 4<br />
1 2 3 1<br />
maj9<br />
A major ninth chord is created by raising the root of a major<br />
seventh chord two frets or lowering the third of a major seventh<br />
chord two frets.<br />
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Notation: maj9, maj7 (9) , MAJ9, MAJ7 (9) , MA9, MA7 (9) , ∆9, ∆7 (9)<br />
1 4 2 3 1 3 1 4 2 3 1 4<br />
1 1 1 1<br />
1 4 2 3 2 3 1 4 4 1 2 3<br />
1 3 4 1<br />
14<br />
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Major Chord Types<br />
Upper Partial Ninths<br />
6<br />
9<br />
A six nine chord is created by raising the root of a sixth chord<br />
two frets or lowering the third of a sixth chord two frets.<br />
Notation: 6/9, 6 (9) ,<br />
6<br />
9<br />
1 1 2 3 1 3 1 1 1 3 2 4<br />
2 3 1 4<br />
SAMPLE CHAPTER<br />
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1 3 2 4 2 3 1 4 1 2 3 4<br />
1 3 1 1<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong> 15<br />
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Major Chord Types<br />
Upper Partial Elevenths<br />
11<br />
An eleventh chord is created by raising the third of a seventh<br />
chord one fret or lowering the fifth of a seventh chord two frets.<br />
Notation: 11, 7 (11)<br />
9 9 9 9<br />
2 3 1 4 1 1 2 3 1 3 1 1<br />
1 3 2 4<br />
An optional ninth can be added by raising the root two frets or<br />
lowering the third two frets.<br />
maj11<br />
SAMPLE CHAPTER<br />
A major eleventh chord is created by raising the third of a major<br />
seventh chord one fret or lowering the fifth of a major seventh<br />
chord chord two frets.<br />
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Notation: maj11, maj7 (11) , MAJ11, MAJ7 (11) , MA11, MA7 (11) , ∆11,<br />
∆7 (11)<br />
9 9 9 9<br />
2 3 1 4 1 1 2 3 1 3 1 1<br />
1 3 2 4<br />
An optional ninth can be added by raising the root two frets or<br />
lowering the third two frets.<br />
16<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Upper Partial Elevenths<br />
6<br />
11<br />
A six eleven chord is created by raising the third of a sixth<br />
chord one fret or lowering the fifth of a sixth chord two frets.<br />
Notation: 6(11), 6 11<br />
9 9<br />
3 2 1 4 1 1 2 1 1 4 2 3<br />
1 3 1 4<br />
An optional ninth can be added by raising the root two frets or<br />
lowering the third two frets.<br />
SAMPLE CHAPTER<br />
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9<br />
9<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong> 17<br />
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The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
Upper Partial Thirteenths<br />
13<br />
A thirteenth chord is created by raising the fifth of a seventh<br />
chord two frets.<br />
Notation: 13, 7 (13)<br />
11<br />
9 9 11 9 9<br />
2 3 1 4 3 1 1 2 1 2 3 1<br />
1 4 2 3<br />
An optional ninth can be added by raising the root two frets or<br />
lowering the third two frets. An optional eleventh can be added<br />
by raising the third one fret.<br />
SAMPLE CHAPTER<br />
maj13<br />
A major thirteenth chord is created by raising the fifth of a<br />
major seventh chord two frets.<br />
Notation: maj13, maj7 (13) , MAJ13, MAJ7 (13) , MA13, MA7 (13) , ∆13,<br />
∆7 (13)<br />
11<br />
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11<br />
9<br />
11<br />
9 11 9 9<br />
11<br />
2 3 1 4 3 1 1 4 2 3 4 1<br />
1 4 2 3<br />
An optional ninth can be added by raising the root two frets or<br />
lowering the third two frets. An optional eleventh can be added<br />
by raising the third one fret.<br />
✴ ✴ ✴<br />
This completes the basic Major chord types. Repeat the process<br />
with the remaining string families.<br />
18<br />
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Seventh <strong>Chords</strong><br />
x Root 5 b7 3 x<br />
1 3 1 4<br />
6 5 4 3 2 1<br />
2345<br />
7 th<br />
x 3 b7 Root 5 x<br />
x<br />
= Root of chord<br />
= Avoid or Mute<br />
SAMPLE CHAPTER<br />
2 3 1 4<br />
x 5 Root 3 b7 x<br />
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2 3 1 4<br />
x b7 3 5 Root x<br />
2 4 1 3<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong><br />
19<br />
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Seventh <strong>Chords</strong><br />
x<br />
6 5 4 3 2 1<br />
3456<br />
7 th<br />
= Root of chord<br />
= Avoid or Mute<br />
Root 5 b7 3 x x<br />
2 3 1 4<br />
b7 3 5 Root x x<br />
SAMPLE CHAPTER<br />
2 3 1 1<br />
Root 5 b7 3 x x<br />
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1 3 1 2<br />
3 b7 Root 5 x x<br />
2 4 1 3<br />
20<br />
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Seventh <strong>Chords</strong><br />
5 x 3 b7 Root x<br />
3 2 4 1<br />
6 5 4 3 2 1<br />
2346<br />
7 th<br />
b7 x 5 Root 3 x<br />
x<br />
= Root of chord<br />
= Avoid or Mute<br />
SAMPLE CHAPTER<br />
2 1 1 1<br />
Root x b7 3 5 x<br />
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1 2 4 3<br />
3 x Root 5 b7 x<br />
3 1 4 2<br />
The Advanced Guide to <strong>Guitar</strong> <strong>Chords</strong> 21<br />
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Seventh <strong>Chords</strong><br />
6 5 4 3 2 1<br />
1235<br />
7 th<br />
x Root x b7 3 5<br />
1 2 4 3<br />
x<br />
= Root of chord<br />
= Avoid or Mute<br />
x 3 x Root 5 b7<br />
SAMPLE CHAPTER<br />
3 1 4 2<br />
x 5 x 3 b7 Root<br />
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3 2 4 1<br />
x b7 x 5 Root 3<br />
2 1 3 1<br />
22<br />
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