Clarinet reeds - vandoren
Clarinet reeds - vandoren
Clarinet reeds - vandoren
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<strong>Clarinet</strong><strong>reeds</strong><br />
<strong>Clarinet</strong>mouthpieces<br />
Saxophone<strong>reeds</strong><br />
Saxophonemouthpieces<br />
Ligatures<br />
Acesories<br />
page2to5<br />
page6to13<br />
page12to19<br />
page18to31<br />
page32to35<br />
page36to38
<strong>Clarinet</strong> <strong>reeds</strong><br />
Traditional<br />
The most widely played <strong>reeds</strong> in the world with a superiority proven over the<br />
years, these <strong>reeds</strong> suit all styles of music.<br />
Traditionals are known for their excellent response in all registers, allowing a<br />
pianissimo attack in even the highest notes.<br />
They are also extremely flexible, allowing the legato or staccato execution<br />
of large intervals while maintaining a richness of tone that gives body and<br />
clarity to the sound, which is a hallmark of Vandoren <strong>reeds</strong>.<br />
Ab X 10<br />
Eb X 10<br />
Bb X 10<br />
Bb X 50<br />
Alto X 10<br />
Bass X 5<br />
Contrabass X 5<br />
1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />
CR111<br />
CR101<br />
CR141<br />
CR121<br />
CR1115<br />
CR1015<br />
CR1015/50<br />
CR1415<br />
CR1215<br />
CR132<br />
CR112<br />
CR102<br />
CR102/50<br />
CR142<br />
CR122<br />
CR152<br />
CR1125<br />
CR1025<br />
CR1025/50<br />
CR1425<br />
CR1225<br />
CR133<br />
CR113<br />
CR103<br />
CR103/50<br />
CR143<br />
CR123<br />
CR153<br />
CR1135<br />
CR1035<br />
CR1035/50<br />
CR1435<br />
CR1235<br />
CR134<br />
CR114<br />
CR104<br />
CR144<br />
CR124<br />
CR154<br />
CR105<br />
CR125<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 3½+ 4 4½ 5 5+<br />
2½ 3 3½ 3½+ 4 4½ 5<br />
CRTRAD-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> <strong>reeds</strong><br />
V•12 <strong>reeds</strong> are manufactured from cane tubes with the same diameter as cane<br />
used for alto saxophone <strong>reeds</strong>. As a result, they have a thicker heel and are cut<br />
on a longer palette with a slightly thicker tip than the Traditional. The longer<br />
palette means that more of the reed is vibrating, resulting in a deeper, richer<br />
sound. The thicker tip gives body to the attack and also increases the<br />
longevity of the reed.<br />
The introduction of the # 3½+ strength allows a smaller and more specific<br />
gradation, resulting in <strong>reeds</strong> that are more consistent within the same<br />
strength.<br />
The V•12 line is expanding with the addition of Eb and Bass clarinet <strong>reeds</strong>,<br />
which offer a warm, rich and powerful sound.<br />
NEW<br />
Bb X 10<br />
Bb X 50<br />
Eb X 10<br />
Bass X 5<br />
NEW<br />
2 1 /2 3 3 1 /2 3 1 /2 + 4 5<br />
4 1 /2 5+<br />
CR1925 CR193 CR1935 CR1935+ CR194 CR1945 CR195 CR196<br />
CR1925/50 CR193/50 CR1935/50<br />
CR6125 CR613 CR6135<br />
CR614 CR6145<br />
CR6225 CR623 CR6235<br />
CR624 CR6245<br />
NEW<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 3½+ 4 4½ 5 5+<br />
2½ 3 3½ 3½+ 4 4½ 5<br />
CRV12-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> <strong>reeds</strong><br />
Named for the home of Vandoren, the 56 rue Lepic is the newest addition to<br />
Vandoren’s much-heralded line of clarinet <strong>reeds</strong>.<br />
Designed from thicker cane with a heel taper very similar to German-style<br />
<strong>reeds</strong>, the 56 emits a rich, centered, and extremely pure sound while providing<br />
maximum stability and quick response in all registers. Strength gradations are<br />
smaller and more specific, resulting in <strong>reeds</strong> that are very consistent.<br />
Bb X 10<br />
Bb X 50<br />
2 1 /2 3 3 1 /2 3 1 /2 + 4 4 1 /2 5<br />
CR5025<br />
CR5025/50<br />
CR503<br />
CR503/50<br />
CR5035<br />
CR5035/50<br />
CR5035+<br />
CR504<br />
CR5045<br />
CR505<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 3½+ 4 4½ 5 5+<br />
2½ 3 3½ 3½+ 4 4½ 5<br />
CR56-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> <strong>reeds</strong><br />
German and Austrian systems<br />
White Master & Black Master<br />
Vandoren also manufactures <strong>reeds</strong> for the German system (Oehler)<br />
mouthpieces.<br />
The White Master and Black Master are designed for German and Austrian<br />
clarinet players, respectively. Their cut is particularly calculated to suit the<br />
characteristics of the German system clarinet mouthpieces.<br />
Black Master <strong>reeds</strong> have a larger and thicker cut than White Master <strong>reeds</strong>.<br />
German <strong>reeds</strong><br />
White Master<br />
X 10<br />
X 50<br />
1 1 /2 2 2 1 /2 3 3 1 /2 4 4 1 /2 5<br />
CR1615 CR162 CR1625 CR163 CR1635 CR164 CR1645 CR165<br />
CR162/50 CR1625/50 CR163/50<br />
Austrian <strong>reeds</strong><br />
Black Master<br />
X 10<br />
X 50<br />
2 5+<br />
2 1 /2 3 3 1 /2 4 5<br />
5++<br />
CR182 CR1825 CR183 CR1835 CR184 CR185 CR186 CR187<br />
CR1825/50 CR183/50 CR1835/50<br />
CRWMBM-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> mouthpieces<br />
Bb<br />
Traditional<br />
Break<br />
&<br />
The difference between ”Profile 88” and Traditional mouthpieces is in the<br />
exterior angle of the beak.<br />
Therefore, the musician is free to choose the model which suits his purpose in<br />
terms of best playing position, easiest sound projection, greatest playing<br />
comfort, and the most controllable and precise articulation.<br />
Series<br />
American pitch<br />
Vandoren has developed the “13 series” mouthpiece specifically for American<br />
clarinetists using A440 pitch.<br />
Four models have been originally developed with specific facings to this series:<br />
the M13, M13 Lyre, M15 and M30 mouthpieces.<br />
The “13 series” range also encompasses other models (traditional facings): 5RV,<br />
5RV Lyre, B45, B40, B40 Lyre and M30 Lyre.<br />
Traditional<br />
Beak<br />
Series<br />
COMMENTS<br />
NEW<br />
M13<br />
M13<br />
M15<br />
5RV<br />
5RV<br />
M30<br />
M30<br />
11 6<br />
B46<br />
B40<br />
B45<br />
B45<br />
B40<br />
B45<br />
5JB<br />
CM317<br />
CM301<br />
CM302<br />
CM3001<br />
CM318<br />
CM305<br />
CM306<br />
CM319<br />
CM309<br />
CM308<br />
CM307<br />
CM312<br />
CM310<br />
CM3178<br />
CM3018<br />
CM3028<br />
CM30018<br />
CM3188<br />
CM3058<br />
CM3068<br />
CM3198<br />
CM3098<br />
CM3088<br />
CM3078<br />
CM3128<br />
CM3108<br />
CM4138<br />
CM4158<br />
CM4178<br />
CM4018<br />
CM4028<br />
CM40018<br />
CM4188<br />
CM4198<br />
CM4088<br />
CM4078<br />
Rich, colorful sound. Very precise response. Meets every demand.<br />
More open, the same qualities as the M13, easier to play in the upper register.<br />
Its facing gives it a particularly pure sound.<br />
Great articulation ease. Offers musicians a colorful spectrum of sound.<br />
The time-proven standard for professional musicians. Quality and tradition.<br />
More open than the 5RV with a longer facing.<br />
The 5RV Lyre with a larger tip opening and a longer facing guarantees flexibility and roundness.<br />
This mouthpiece has an exceptional quality of sound.<br />
Its facing length gives it great flexibility, a good balance between timbre and roundness.<br />
Same sound qualities as the B45 with a smaller tip opening.<br />
The mouthpiece best suited to musicians playing both clarinet and saxophone.<br />
The perfect blend between a round sound and rich tone color.<br />
Easy blowing especially in the upper register.<br />
Same technical characteristics as the B45 with a great blowing ease.<br />
The universal mouthpiece. With an intermediate tip opening and a medium-long facing,<br />
it is appreciated by most clarinetists.<br />
Same facing as the B45 with a wider tip rail, it produces a compact and centered sound.<br />
Characterized by a particularly large tip opening, it offers a flexible, round sound<br />
and remains easy blowing.<br />
THE jazz mouthpiece.<br />
45<br />
CM5088<br />
Made from innovative composite materials, this mouthpiece has the same table as the B45<br />
with a slightly brighter sound.<br />
Technical Specifications page 2<br />
CMBb-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> mouthpieces<br />
Bb<br />
Technical Specifications<br />
Traditional<br />
Beak<br />
Series<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED REED STRENGTHS<br />
NEW<br />
M13<br />
M13<br />
M15<br />
5RV<br />
5RV<br />
M30<br />
M30<br />
11 6<br />
B46<br />
B40<br />
B45<br />
B45<br />
B40<br />
B45<br />
5JB<br />
CM317<br />
CM301<br />
CM302<br />
CM3001<br />
CM318<br />
CM305<br />
CM306<br />
CM319<br />
CM309<br />
CM308<br />
CM307<br />
CM312<br />
CM310<br />
CM3178<br />
CM3018<br />
CM3028<br />
CM30018<br />
CM3188<br />
CM3058<br />
CM3068<br />
CM3198<br />
CM3098<br />
CM3088<br />
CM3078<br />
CM3128<br />
CM3108<br />
CM4138<br />
CM4158<br />
CM4178<br />
CM4018<br />
CM4028<br />
CM40018<br />
CM4188<br />
CM4198<br />
CM4088<br />
CM4078<br />
100,5<br />
102 -<br />
103,5<br />
106,5<br />
109 +<br />
113,5<br />
115<br />
116<br />
117 +<br />
117,5<br />
119,5<br />
119,5<br />
119,5<br />
127<br />
147<br />
L<br />
ML<br />
L<br />
MS<br />
M<br />
L<br />
L<br />
MS<br />
M<br />
L<br />
ML<br />
ML<br />
ML<br />
ML<br />
L<br />
3½ 4<br />
3½ 4<br />
3½ 5<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
2 3<br />
1½ 2<br />
3½+ 4½<br />
3½+ 4½<br />
3½+ 5<br />
3½ 4<br />
3½ 4<br />
3½ 4<br />
3½ 4<br />
3 3½+<br />
3 3½+<br />
2½ 3<br />
3 3½+<br />
3 3½+<br />
2½ 3½<br />
2½ 3½<br />
2½<br />
3½+ 5<br />
3½+ 5<br />
4 5<br />
3½ 4<br />
3½ 4<br />
3½ 4<br />
3½ 4<br />
3 3½<br />
3 3½+<br />
2½ 3½<br />
3 3½<br />
3 3½<br />
2½ 3½<br />
2½ 3½<br />
2½<br />
45<br />
CM5088<br />
119,5<br />
ML<br />
2½<br />
3½<br />
3 3½+<br />
3 3½<br />
* L=Long • ML=Medium Long • M=Medium • MS=Medium Short<br />
CMBb-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
From the Hands of One<br />
Craftsman, to Another<br />
The craftsmen at Vandoren have created a revolutionary<br />
new clarinet mouthpiece. Completely redesigned inside<br />
and out, the MASTERS line produces a perfect balance of<br />
richness, stability and projection. Built without compromise,<br />
for those who play without compromise, the Masters<br />
mouthpiece is a work of art for creating works of art.<br />
L’exigence Vandoren<br />
www.<strong>vandoren</strong>.fr
<strong>Clarinet</strong> Mouthpieces<br />
Bb<br />
Series<br />
Major News for <strong>Clarinet</strong>ists<br />
NEW<br />
The new MASTERS mouthpieces feature a specific bore, a new chamber as well as<br />
a new exterior design.<br />
Two models have been developed with facings specific to this series: CL4 and CL5.<br />
They are very easy blowing and have exceptional sound and tuning characteristics.<br />
RECOMMENDED REED STRENGTHS<br />
COMMENTS<br />
CL4<br />
3 4 3½ 4 3½ 4<br />
The CL4 is characterized by a very radiant, clear sound and exceptional<br />
intonation. It allows precise, easy blowing and flawless articulation.<br />
NEW<br />
CL5<br />
3 3½<br />
3 3½ +<br />
3½ 4<br />
The CL5 is characterized by a round, full sound, exceptional intonation, and<br />
perfect homogeneity and projection.<br />
Kits<br />
The MASTERS mouthpieces require specific ligatures<br />
They can only be used with series M/O metal ligature or with flexible ligatures,<br />
like Leather or Klassik Vandoren ligatures.<br />
The CL4 and CL5 are available either separately or in a kit with their M/O ligature<br />
and plastic cap.<br />
Mouthpiece in kit with M/O ligature and plastic cap<br />
Black<br />
Pewter Finish Silver-plated Gold-plated<br />
Mouthpiece Only<br />
CL4<br />
CL5<br />
CM60048<br />
CM60058<br />
CM60048KB<br />
CM60058KB<br />
CM60048KP<br />
CM60058KP<br />
CM60048KS<br />
CM60058KS<br />
CM60048KG<br />
CM60058KG<br />
CMBbM-UK 01/2011<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.fr
<strong>Clarinet</strong> mouthpieces<br />
Ab-Eb-Alto-Bass-Contrabass<br />
CODE<br />
COMMENTS<br />
Eb<br />
Alto<br />
Bass<br />
NEW<br />
5RV<br />
B44<br />
B40<br />
5RV<br />
B44<br />
B40<br />
B44<br />
B45<br />
B40<br />
B46<br />
B50<br />
CM321<br />
CM322<br />
CM323<br />
CM331<br />
CM332<br />
CM333<br />
CM342<br />
CM344<br />
CM343<br />
CM345<br />
CM346<br />
Easy blowing, very rich timbre.<br />
The time-proven standard for musicians.<br />
With the same technical specifications as the B44, its wider tip rail offers a compact and centered sound.<br />
Very rich timbre.<br />
Its thin tip rail makes it easy blowing.<br />
The same technical characteristics as the B44 with a wider tip rail, it produces a compact and centered sound.<br />
Validated by musicians, indisputably the best.<br />
Same sound qualities as the B44 with a larger tip opening. Very responsive.<br />
With the same technical specifications as the B45, its wider tip rail offers a compact and centered sound.<br />
Produces a powerful sound. A favorite of jazz musicians.<br />
Produces a rich and velvety sound, even in the upper register.<br />
Ab<br />
& Contrabass<br />
CM360<br />
CM370<br />
available upon request.<br />
Technical Specifications page 2<br />
CMOTH-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> mouthpieces<br />
Ab-Eb-Alto-Bass-Contrabass<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED STRENGTHS<br />
Eb<br />
Alto<br />
Bass<br />
NEW<br />
5RV<br />
B44<br />
B40<br />
5RV<br />
B44<br />
B40<br />
B44<br />
B45<br />
B40<br />
B46<br />
B50<br />
CM321<br />
CM322<br />
CM323<br />
CM331<br />
CM332<br />
CM333<br />
CM342<br />
CM344<br />
CM343<br />
CM345<br />
CM346<br />
106,5<br />
110,5<br />
110,5<br />
126<br />
138<br />
138<br />
184<br />
193<br />
193<br />
205<br />
215<br />
S<br />
M<br />
M<br />
M<br />
ML<br />
ML<br />
M<br />
ML<br />
ML<br />
L<br />
L<br />
3 4<br />
2½ 4<br />
2 3<br />
3 4<br />
2½ 3½<br />
2 3<br />
3 4<br />
2½ 3½<br />
2 3<br />
2 3<br />
2½ 3½<br />
3½ 4<br />
3 4<br />
2½ 3½<br />
3½ 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3 4<br />
* L=Long • ML=Medium Long • M=Medium • S= Short<br />
Ab<br />
& Contrabass<br />
CM360<br />
CM370<br />
available upon request.<br />
CMOTH-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> mouthpieces<br />
Bb german and austrian systems<br />
NEW<br />
The “D Concept“<br />
A Boehm system mouthpiece specially adapted to the German clarinet<br />
and the “Reform Boehm”, offered in two models: the M30D and B40D. The<br />
length and diameter of the shank, the bore, the appearance of the tip rail and<br />
the external shape are the components of this new concept, which offers a<br />
perfect balance between a very warm sound and great intonation.<br />
56 rue Lepic <strong>reeds</strong> are more particularly recommended for these mouthpieces.<br />
NEW<br />
M30D<br />
B40D<br />
CODE<br />
CM36188<br />
CM36078<br />
A good balance between timbre and roundness.<br />
Produces a compact and centered sound.<br />
COMMENTS<br />
NEW<br />
VD Series: The German tradition<br />
Available in 4 models: VD2, VD3, VD4 and VD5 with 2 different shank<br />
external diameters (W: 22,40 mm and S: 22,00 mm).<br />
CODE<br />
CODE<br />
COMMENTS<br />
NEW<br />
VD2<br />
VD3<br />
VD4<br />
VD5<br />
CM382<br />
CM383<br />
CM384<br />
CM385<br />
CM372<br />
CM373<br />
CM374<br />
CM375<br />
Provides a rich, centered and compact sound.<br />
Very easy blowing in all registers, the standard reference.<br />
This mouthpiece has the sound quality of the VD2 mouthpiece while being a bit more open.<br />
A compact, full and deep sound.<br />
Austrian clarinet mouthpieces<br />
CODE<br />
COMMENTS<br />
VA0<br />
VA5<br />
CM390<br />
CM395<br />
A very closed mouthpiece.<br />
Versatile and easy blowing, the standard reference.<br />
Technical Specifications page 2<br />
CMD&A-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
<strong>Clarinet</strong> mouthpieces<br />
Bb german and austrian systems<br />
The “D Concept“<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED STRENGTHS<br />
NEW<br />
M30D<br />
B40D<br />
CM36188<br />
CM36078<br />
115<br />
119,5<br />
L<br />
ML<br />
2½<br />
3½<br />
2½ 3<br />
2½<br />
3½<br />
2½ 3<br />
2½<br />
3½<br />
2½ 3<br />
VD Series: The German tradition<br />
Technical Specifications<br />
CODE<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED<br />
STRENGTHS<br />
NEW<br />
VD2<br />
VD3<br />
VD4<br />
VD5<br />
CM382<br />
CM383<br />
CM384<br />
CM385<br />
CM372<br />
CM373<br />
CM374<br />
CM375<br />
96<br />
100<br />
102<br />
113,5<br />
ML<br />
ML<br />
L<br />
ML<br />
2½ 3½<br />
2½ 4<br />
2 3<br />
2 3<br />
Austrian clarinet mouthpieces<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED<br />
STRENGTHS<br />
VA0<br />
VA5<br />
CM390<br />
CM395<br />
80<br />
85<br />
VL<br />
L<br />
4 5++<br />
2½ 4<br />
* VL= Very Long • L=Long • ML=Medium Long<br />
CMD&A-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
Traditional<br />
This reed is designed to produce a quality of extremely pure sound due to a very<br />
thin reed tip (the area of reed with maximum vibration), balanced by a solid<br />
vertebral column (more cane in the area which climbs gradually to the heel).<br />
Traditionals feature the thinnest tip with the thickest heart, resulting in crisp<br />
articulation with a full, dark sound.<br />
Sopranino X 10<br />
Soprano X 10<br />
Alto X 10<br />
Alto X 50<br />
Tenor X 5<br />
Baritone X 5<br />
Bass X 5<br />
1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />
SR201<br />
SR211<br />
SR221<br />
SR2015<br />
SR2115<br />
SR2115/50<br />
SR2215<br />
SR232<br />
SR202<br />
SR212<br />
SR212/50<br />
SR222<br />
SR242<br />
SR252<br />
SR2025<br />
SR2125<br />
SR2125/50<br />
SR2225<br />
SR2425<br />
SR233<br />
SR203<br />
SR213<br />
SR213/50<br />
SR223<br />
SR243<br />
SR253<br />
SR2035<br />
SR2135<br />
SR2135/50<br />
SR2235<br />
SR2435<br />
SR234<br />
SR204<br />
SR214<br />
SR224<br />
SR244<br />
SR254<br />
SR205<br />
SR215<br />
SR225<br />
SR245<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRTRAD-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
The success of V•12 <strong>reeds</strong> in the clarinet world for 25 years has led us to<br />
transpose their characteristics and advantages into the saxophone world.<br />
With its very precise attack, homogeneous timbre in every register, controlled high<br />
notes, warm and velvety sound, this new reed offers exceptional possibilities.<br />
Produced from cane selected for its specific proportions, the V•12 <strong>reeds</strong> have<br />
a thicker heel and are cut on a longer palette with a slightly thicker tip than<br />
the Traditional. The longer palette means that more of the reed is vibrating,<br />
resulting in a deeper, richer sound. The thicker tip gives body to the attack and<br />
also increases the longevity of the reed.<br />
NEW<br />
Soprano X 10<br />
Alto X 10<br />
Alto X 50<br />
Tenor X 5<br />
NEW<br />
2 1 /2 3 3 1 /2 4 4 1 /2 5<br />
SR6025<br />
SR6125<br />
SR6125/50<br />
SR6225<br />
SR603<br />
SR613<br />
SR613/50<br />
SR623<br />
SR6035<br />
SR6135<br />
SR6135/50<br />
SR6235<br />
SR604<br />
SR614<br />
SR624<br />
SR6045<br />
SR6145<br />
SR6245<br />
SR615<br />
NEW<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRV12-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
Developed in 1983 for jazz and popular music. A thicker tip and a more flexible<br />
palette* than the Traditional reed allow vibration over a larger surface area<br />
with maximum elasticity.<br />
This type of vertebral column gives the musician much greater playing flexibility,<br />
as the resultant elasticity zone is very large.<br />
JAVA <strong>reeds</strong> are more flexible than Traditionals and V16s and vibrate<br />
on a long palette, creating a bright sound with immediate response.<br />
* Palette: zone where the waves are propagated with the greatest range. From<br />
the tip, the waves are absorbed further in the JAVA reed.<br />
NEW<br />
Soprano<br />
Alto<br />
Alto<br />
Tenor<br />
Baritone<br />
X 10<br />
X 10<br />
X 50<br />
X 5<br />
X 5<br />
1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />
SR261<br />
SR271<br />
SR2615<br />
SR2715<br />
SR302<br />
SR262<br />
SR262/50<br />
SR272<br />
SR342<br />
SR3025<br />
SR2625<br />
SR2625/50<br />
SR2725<br />
SR3425<br />
SR303<br />
SR263<br />
SR263/50<br />
SR273<br />
SR343<br />
SR3035<br />
SR2635<br />
SR2635/50<br />
SR2735<br />
SR3435<br />
SR304<br />
SR264<br />
SR274<br />
SR344<br />
SR275<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRJAVA-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
“FILED - RED CUT”<br />
The driving force behind the JAVA “Filed - Red Cut” design was to offer<br />
more sonic possibilities to musicians while keeping the qualities of the original<br />
Java.<br />
More flexible than its elder version, with a little more tonal body, the JAVA<br />
“Filed - Red Cut” offers a full, rich, centered sound and excellent projection<br />
with an extremely precise attack.<br />
A relative of the JAVA reed family, the JAVA “Filed - Red Cut” is the first file<br />
cut Vandoren reed for jazz and popular music. It also benefits from a completely<br />
new design.<br />
NEW<br />
Soprano<br />
Alto<br />
Alto<br />
Tenor<br />
Baritone<br />
X 10<br />
X 10<br />
X 50<br />
X 5<br />
X 5<br />
1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />
SR261R<br />
SR271R<br />
SR2615R<br />
SR2715R<br />
SR302R<br />
SR262R<br />
SR262R50<br />
SR272R<br />
SR342R<br />
SR3025R<br />
SR2625R<br />
SR2625R50<br />
SR2725R<br />
SR3425R<br />
SR303R<br />
SR263R<br />
SR263R50<br />
SR273R<br />
SR343R<br />
SR3035R<br />
SR2635R<br />
SR2635R50<br />
SR2735R<br />
SR3435R<br />
SR304R<br />
SR264R<br />
SR274R<br />
SR344R<br />
SR275R<br />
NEW<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRJAVAR-A 10/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
Launched in 1993 to answer the demand of some American jazz musicians<br />
(a JAVA with even more wood).<br />
The V16 has a thicker tip than the traditional Vandoren <strong>reeds</strong> and a longer<br />
palette.<br />
Sound: more brilliant, more percussive, particularly well adapted to all the new<br />
styles of music.<br />
V16 <strong>reeds</strong> have a medium-thick heart (more than JAVA but less than<br />
Traditionals), with a profile designed for producing a strong attack with<br />
a deep, rich sound.<br />
Soprano X 10<br />
Alto X 10<br />
Alto X 50<br />
Tenor X 5<br />
1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />
SR7015<br />
SR7215<br />
SR712<br />
SR702<br />
SR702/50<br />
SR722<br />
SR7125<br />
SR7025<br />
SR7025/50<br />
SR7225<br />
SR713<br />
SR703<br />
SR703/50<br />
SR723<br />
SR7135<br />
SR7035<br />
SR7035/50<br />
SR7235<br />
SR714<br />
SR704<br />
SR724<br />
SR705<br />
SR725<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRV16-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone <strong>reeds</strong><br />
Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificing<br />
the brightness tone quality required for this syle of music.<br />
The unique relationship between the heart and tip provides extraordinary color,<br />
great response and a durable life.<br />
ZZ <strong>reeds</strong> combine the medium-thick heart, spine, and rounded tip of the V16<br />
with the flexible palette design of the JAVA, giving the player a rich, colorful<br />
sound with quick response.<br />
Soprano X 10<br />
Alto X 10<br />
Alto X 50<br />
Tenor X 5<br />
Baritone X 5<br />
1 1 /2 2 2 1 /2 3 3 1 /2 4<br />
SR4115<br />
SR4215<br />
SR402<br />
SR412<br />
SR412/50<br />
SR422<br />
SR442<br />
SR4025<br />
SR4125<br />
SR4125/50<br />
SR4225<br />
SR4425<br />
SR403<br />
SR413<br />
SR413/50<br />
SR423<br />
SR443<br />
SR4035<br />
SR4135<br />
SR4135/50<br />
SR4235<br />
SR4435<br />
SR404<br />
SR414<br />
SR424<br />
SR444<br />
Reed comparison index<br />
Traditional<br />
1 1½ 2 2½ 3 3½ 4 5<br />
2½ 3 3½ 4 4½ 5<br />
1 1½ 2 2½ 3 3½ 4<br />
1 1½ 2 2½ 3 3½ 4<br />
1½ 2 2½ 3 3½ 4 5<br />
1½ 2 2½ 3 3½ 4<br />
SRZZ-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Sopranino-Soprano-Alto-Tenor-Baritone-Bass<br />
Tradition & Versatility<br />
These mouthpieces are available in a wide variety of models that suit classical<br />
and jazz musicians.<br />
The V5 series is characterized by a traditional round chamber.<br />
Soprano<br />
Alto<br />
Tenor<br />
Baritone<br />
S27<br />
S15<br />
S25 *<br />
A17<br />
A28<br />
A27<br />
A15<br />
A25<br />
A20<br />
A35 *<br />
T15<br />
T27<br />
T25<br />
T20<br />
T35<br />
B25<br />
B27<br />
B35<br />
CODE<br />
SM404<br />
SM401<br />
SM402<br />
SM418<br />
SM419<br />
SM414<br />
SM411<br />
SM413<br />
SM412<br />
SM415<br />
SM421<br />
SM425<br />
SM423<br />
SM422<br />
SM424<br />
SM431<br />
SM435<br />
SM432<br />
COMMENTS<br />
Easy to play, homogeneity of sound, beautifully rounded.<br />
The standard soprano mouthpiece.<br />
More open than the S15, greatly appreciated for its register flexibility, suits both classical and jazz.<br />
While maintaining perfect homogeneity in every register, it allies timbre and ease with richness of sound.<br />
The alto saxophone reference in the V5 series. Rich sound, color, brilliance, and dynamic range.<br />
The classic mouthpiece. It produces optimal homogeneity in tone throughout the instrument’s range.<br />
Very easy blowing.<br />
Similar in conception to the A15 but a little more open.<br />
For those looking for a compact, centered sound.<br />
Open mouthpiece, well-adapted to all styles, both jazz and classical.<br />
Very easy blowing and articulation.<br />
A comfortable mouthpiece, particularly precise in the upper harmonic register.<br />
Same conception as the T15 but slightly more open.<br />
The best sound quality: compact and centered.<br />
An open mouthpiece that works in every style.<br />
Rich in timbre and easy blowing.<br />
Very homogeneous tone throughout the tessitura.<br />
Classic open mouthpiece, highly responsive to every need.<br />
Soprano<br />
Alto<br />
Baritone<br />
S35<br />
A45<br />
A55<br />
B75<br />
B95<br />
SM403<br />
SM416<br />
SM417<br />
SM433<br />
SM434<br />
The jazz mouthpiece: ampleness and density of sound.<br />
A warm, velvety sound.<br />
The most open mouthpiece in the V5 range while conserving depth and roundness of sound.<br />
Timbre, brilliance and power.<br />
The jazz mouthpiece of the V5 baritone range.<br />
Sopranino (SM550) & Bass (SM560) mouthpieces:<br />
available upon request.<br />
* Versatile mouthpiece: suitable for both classical music and Jazz.<br />
Technical Specifications page 2<br />
SMV5-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Sopranino-Soprano-Alto-Tenor-Baritone-Bass<br />
Tradition & Versatility<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH**<br />
RECOMMENDED REED STRENGTHS<br />
Soprano<br />
Alto<br />
Tenor<br />
Baritone<br />
S27<br />
S15<br />
S25 *<br />
A17<br />
A28<br />
A27<br />
A15<br />
A25<br />
A20<br />
A35 *<br />
T15<br />
T27<br />
T25<br />
T20<br />
T35<br />
B25<br />
B27<br />
B35<br />
SM404<br />
SM401<br />
SM402<br />
SM418<br />
SM419<br />
SM414<br />
SM411<br />
SM413<br />
SM412<br />
SM415<br />
SM421<br />
SM425<br />
SM423<br />
SM422<br />
SM424<br />
SM431<br />
SM435<br />
SM432<br />
111<br />
123<br />
153<br />
152<br />
163 +<br />
165<br />
176<br />
186<br />
186<br />
206<br />
176<br />
177<br />
204<br />
204<br />
230<br />
185<br />
196<br />
210<br />
M<br />
S<br />
S<br />
S<br />
MS<br />
MS<br />
ML<br />
ML<br />
ML<br />
ML<br />
MS<br />
MS<br />
M<br />
M<br />
M<br />
S<br />
S<br />
S<br />
3 4<br />
3 4<br />
2½ 3½<br />
3 4<br />
2½ 3<br />
2½ 3½<br />
3 4<br />
2½ 3½<br />
2½ 3<br />
2 3<br />
3 4<br />
3 4<br />
2½ 3½<br />
2 3<br />
2 3<br />
3 4<br />
3 4<br />
2 3<br />
3 4<br />
3 4<br />
2½<br />
3½<br />
3½ 4<br />
3 4<br />
3 4<br />
3½ 4<br />
3 4<br />
3 4<br />
2½ 3<br />
3½ 4<br />
3½ 4<br />
3 4<br />
2½ 3<br />
2½ 3<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3½ 4<br />
2½ 3½<br />
3 4<br />
3½ 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3½ 4<br />
3 3½<br />
3 4<br />
3½ 4<br />
3 4<br />
3 3½<br />
2½<br />
3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
2½<br />
2½<br />
3½<br />
3½<br />
3½ 4<br />
3½ 4<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 3½<br />
3½ 4<br />
2½ 3<br />
3 3½<br />
3½ 4<br />
3 3½<br />
2½ 3<br />
2½ 3<br />
3½ 4<br />
3½ 4<br />
3 3½<br />
2½ 3½<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3½ 4<br />
3 3½<br />
3 4<br />
3½ 4<br />
3 4<br />
3 3½<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
2½ 3½<br />
Soprano<br />
Alto<br />
Baritone<br />
S35<br />
A45<br />
A55<br />
B75<br />
B95<br />
SM403<br />
SM416<br />
SM417<br />
SM433<br />
SM434<br />
182<br />
220<br />
247<br />
275<br />
310<br />
ML<br />
ML<br />
L<br />
M<br />
L<br />
2 3<br />
2 3<br />
2 3<br />
2 3<br />
2<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2½<br />
2½<br />
2½<br />
2½<br />
2½<br />
2½<br />
3½<br />
3½<br />
3½<br />
3½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 2½<br />
* Versatile mouthpiece: suitable for both classical music and Jazz.<br />
** L=Long • ML=Medium Long • MS=Medium Short • M=Medium • S=Short<br />
SMV5-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Soprano-Alto-Tenor-Baritone<br />
OPTIMUM<br />
TM<br />
The favorite of classical saxophonists<br />
The conception of this series was the fruit of research on both external shape<br />
(particularly the beak) and sound, in order to meet the needs of today’s saxophone<br />
players.<br />
This series is available for:<br />
• soprano saxophone (SL3, SL4),<br />
• alto saxophone (AL3, AL4),<br />
• tenor saxophone (TL3, TL4),<br />
• baritone saxophone (BL3, BL4).<br />
CODE<br />
COMMENTS<br />
Soprano<br />
Alto<br />
Tenor<br />
Baritone<br />
SL3<br />
SL4<br />
AL3<br />
AL4<br />
TL3<br />
TL4<br />
BL3<br />
BL4 *<br />
SM701<br />
SM702<br />
SM711<br />
SM712<br />
SM721<br />
SM722<br />
SM731<br />
SM732<br />
Very easy blowing, particularly versatile, meets all needs.<br />
A little more open than the SL3, this mouthpiece rapidly became a standard with saxophonists.<br />
With its exceptional roundness, the ultimate classical mouthpiece.<br />
A little more open than the AL3, while maintaining the sound aesthetic of the OPTIMUM series.<br />
Roundness, depth and precision.<br />
A little more open than the TL3, a richer timbre.<br />
The standard baritone mouthpiece.<br />
Versatile mouthpiece, suits both classical and jazz.<br />
* Versatile mouthpiece: suitable for both classical music and Jazz.<br />
Technical Specifications page 2<br />
SMOPT-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Soprano-Alto-Tenor-Baritone<br />
OPTIMUM<br />
TM<br />
The favorite of classical saxophonists<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH**<br />
RECOMMENDED REED STRENGTHS<br />
Soprano<br />
Alto<br />
Tenor<br />
Baritone<br />
SL3<br />
SL4<br />
AL3<br />
AL4<br />
TL3<br />
TL4<br />
BL3<br />
BL4 *<br />
SM701<br />
SM702<br />
SM711<br />
SM712<br />
SM721<br />
SM722<br />
SM731<br />
SM732<br />
114<br />
123<br />
152<br />
163 +<br />
176<br />
195<br />
185<br />
230<br />
ML<br />
S<br />
ML<br />
MS<br />
MS<br />
M<br />
S<br />
M<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
2½ 3½<br />
3½ 4<br />
3½ 4<br />
3 3½<br />
3 3½<br />
3 3½<br />
3 3½<br />
3½ 4<br />
3½ 4<br />
3 4<br />
3 4<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
* Versatile mouthpiece: suitable for both classical music and Jazz.<br />
** ML=Medium Long • M=Medium • MS=Medium Short • S=Short<br />
SMOPT-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Alto-Tenor<br />
JAVA ebonite mouthpieces are suited to jazz, soul and funk. Similar in sound<br />
concept to a metal mouthpiece, with the comfortable feel of ebonite.<br />
CODE<br />
COMMENTS<br />
Alto<br />
Tenor<br />
A35<br />
A45<br />
A55<br />
A75<br />
T45<br />
T55<br />
T75<br />
T95<br />
SM501B<br />
SM502B<br />
SM503B<br />
SM504B<br />
SM511B<br />
SM512B<br />
SM513B<br />
SM514B<br />
The jazz mouthpiece, with a rich and colorful sound.<br />
An intermediary tip opening between the V16 series A8 and A9 mouthpieces with the JAVA sound.<br />
The standard model in this category.<br />
An open mouthpiece, designed to use soft <strong>reeds</strong>.<br />
A mouthpiece equally suited for jazz and classical playing.<br />
A comfortable mouthpiece with the tip opening of the V16 series T6.<br />
An intermediate tip opening; the most popular JAVA tenor choice.<br />
A generous, rich and centered sound.<br />
Technical Specifications page 2<br />
SMJAVA-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Alto-Tenor<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED REED STRENGTHS<br />
Alto<br />
Tenor<br />
A35<br />
A45<br />
A55<br />
A75<br />
T45<br />
T55<br />
T75<br />
T95<br />
SM501B<br />
SM502B<br />
SM503B<br />
SM504B<br />
SM511B<br />
SM512B<br />
SM513B<br />
SM514B<br />
206<br />
220<br />
247<br />
260<br />
235<br />
250<br />
265<br />
295<br />
ML<br />
ML<br />
L<br />
L<br />
M<br />
L<br />
ML<br />
L<br />
2 3<br />
2 3<br />
2 3<br />
1½ 2<br />
2 3<br />
2 2½<br />
2 2½<br />
1½ 2½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2 2½<br />
2½<br />
2½<br />
2½<br />
3½<br />
3½<br />
3½<br />
2 2½<br />
2½<br />
3½<br />
2½ 3<br />
2½ 3<br />
2 3<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
1½ 2½<br />
2½ 3½<br />
2 3<br />
2 3<br />
1½ 2½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2 3<br />
* L=Long • ML=Medium Long • M=Medium<br />
SMJAVA-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Alto-Tenor<br />
The most hard-hitting mouthpiece of the line. Designed with a small chamber,<br />
a very high baffle and a large bore. Produces a tone comparable to certain<br />
metal mouthpieces.<br />
CODE<br />
COMMENTS<br />
Alto<br />
Tenor<br />
A35<br />
A45<br />
A55<br />
A75<br />
A95<br />
T45<br />
T55<br />
T75<br />
T95<br />
SM601B<br />
SM602B<br />
SM603B<br />
SM604B<br />
SM605B<br />
SM611B<br />
SM612B<br />
SM613B<br />
SM614B<br />
A bright and incisive sound.<br />
The standard mouthpiece for salsa, rock and modern music.<br />
Its balance between projection and comfort makes it the standard model in this category.<br />
An open mouthpiece with a big, bright sound.<br />
A very open mouthpiece to be used with soft <strong>reeds</strong>.<br />
Power and brightness are its principal qualities.<br />
Clear, balanced and rich timbre.<br />
Dynamic and flexible, a particularly versatile mouthpiece.<br />
A very popular mouthpiece for swing, jazz and R&B.<br />
Technical Specifications page 2<br />
SMJJ-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Alto-Tenor<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED REED STRENGTHS<br />
Alto<br />
Tenor<br />
A35<br />
A45<br />
A55<br />
A75<br />
A95<br />
T45<br />
T55<br />
T75<br />
T95<br />
SM601B<br />
SM602B<br />
SM603B<br />
SM604B<br />
SM605B<br />
SM611B<br />
SM612B<br />
SM613B<br />
SM614B<br />
206<br />
220<br />
247<br />
260<br />
280<br />
235<br />
250<br />
265<br />
295<br />
ML<br />
ML<br />
L<br />
L<br />
L<br />
M<br />
L<br />
ML<br />
L<br />
2 3<br />
2 3<br />
2 3<br />
1½ 2<br />
1½ 2<br />
2 3<br />
2 2½<br />
2 2½<br />
1½ 2½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½<br />
2½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 2½<br />
1½ 2<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2 2½<br />
2½<br />
2½<br />
2½<br />
3½<br />
3½<br />
3½<br />
2 2½<br />
2 2½<br />
2½<br />
3½<br />
2½ 3<br />
2½ 3<br />
2 3<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
1½ 2½<br />
1½ 2½<br />
2½ 3½<br />
2 3<br />
2 3<br />
1½ 2½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 2½<br />
2 2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2 3<br />
* L=Long • ML=Medium Long • M=Medium<br />
SMJJ-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Soprano-Alto-Tenor-Baritone<br />
Ebonite<br />
The new jazz standard<br />
Mouthpieces inspired by the sound of the greatest jazzmen from the fifties to<br />
the present.<br />
JAVA, V16 and ZZ <strong>reeds</strong> are recommended for these mouthpieces.<br />
• The SOPRANO mouthpiece is available in 3 different tip openings and a<br />
single chamber.<br />
• The ALTO mouthpiece is available in 5 tip openings and two chambers:<br />
“Small” chamber:<br />
Particularly focused and<br />
“Medium” chamber:<br />
Warm and expressive,<br />
dynamic, ideal for lead alto.<br />
ideal for section playing.<br />
• The TENOR mouthpiece is available in 6 tip openings and a single chamber.<br />
The perfect “Vintage” mouthpiece.<br />
• The BARITONE mouthpiece is available in 3 tip openings. Inspired by the<br />
grand tradition of baritone mouthpieces.<br />
Soprano<br />
S6<br />
S7<br />
S8<br />
CODE<br />
SM802<br />
SM803<br />
SM804<br />
Very comfortable, easy blowing.<br />
COMMENTS<br />
The ideal synthesis between blowing ease and richness of sound.<br />
Perfect balance between power and flexibility.<br />
Alto<br />
A5<br />
A6<br />
A7<br />
A8<br />
A9<br />
SM811S<br />
SM812S<br />
SM813S<br />
SM814S<br />
SM815S<br />
SM811M<br />
SM812M<br />
SM813M<br />
SM814M<br />
SM815M<br />
The tip opening preferred by history’s greatest jazz soloists.<br />
The most played mouthpiece, in every style.<br />
The perfect balance in power and dynamic range.<br />
An open mouthpiece with qualities similar to the A5.<br />
Powerful and expressive.<br />
Tenor<br />
NEW<br />
NEW<br />
T6<br />
T7<br />
T8<br />
T9<br />
T10<br />
T11<br />
SM822E<br />
SM823E<br />
SM824E<br />
SM825E<br />
SM826E<br />
SM827E<br />
Versatile mouthpiece with a long facing and a particularly rich sound.<br />
A good compromise between easy sound production and timbre.<br />
The most popular tip opening for the tenor.<br />
Dynamic, rich and powerful.<br />
A homogeneous, particularly responsive mouthpiece.<br />
Very open; warm, yet powerful.<br />
Baritone<br />
Available at<br />
the end of 2010<br />
NEW<br />
B5<br />
B7<br />
B9<br />
SM831<br />
SM833<br />
SM835<br />
Flexible in playing and application.<br />
The qualities of the V5 series B75 with the sound of the V16.<br />
Brings out the baritone’s power.<br />
Technical Specifications page 2<br />
SMV16E-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Soprano-Alto-Tenor-Baritone<br />
Ebonite<br />
The new jazz standard<br />
Technical<br />
Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED REED STRENGTHS<br />
Soprano<br />
S6<br />
S7<br />
S8<br />
SM802<br />
SM803<br />
SM804<br />
158 +<br />
172<br />
180<br />
ML<br />
ML<br />
ML<br />
2½ 3½<br />
2 3<br />
2 3<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3 3½<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
2 3<br />
3 3½<br />
2½ 3½<br />
2½ 3½<br />
Alto<br />
A5<br />
A6<br />
A7<br />
A8<br />
A9<br />
SM811S<br />
SM812S<br />
SM813S<br />
SM814S<br />
SM815S<br />
SM811M<br />
SM812M<br />
SM813M<br />
SM814M<br />
SM815M<br />
188<br />
196<br />
204<br />
210<br />
225<br />
ML<br />
ML<br />
ML<br />
MS<br />
ML<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
2 3<br />
2 3<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
3 4<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
Tenor<br />
NEW<br />
NEW<br />
T6<br />
T7<br />
T8<br />
T9<br />
T10<br />
T11<br />
SM822E<br />
SM823E<br />
SM824E<br />
SM825E<br />
SM826E<br />
SM827E<br />
250<br />
270<br />
280<br />
294<br />
305<br />
340<br />
L<br />
L<br />
L<br />
ML<br />
ML<br />
L<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2 2½<br />
1½ 2½<br />
1½ 2½<br />
3 3½<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2½<br />
2½<br />
3 3½<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2 2½<br />
2 2½<br />
3 3½<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2 3<br />
2 3<br />
2½ 3½<br />
2½ 3½<br />
2½ 3½<br />
2 3<br />
1½ 2½<br />
1½ 2½<br />
3 3½<br />
3 3½<br />
3 3½<br />
2½ 3<br />
2 3<br />
2 3<br />
Baritone<br />
Available at<br />
the end of 2010.<br />
NEW<br />
B5<br />
B7<br />
B9<br />
SM831<br />
SM833<br />
SM835<br />
255<br />
275<br />
310<br />
ML<br />
ML<br />
L<br />
2½ 3½<br />
2 3<br />
2 3<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
3 4<br />
2½ 3½<br />
2½ 3½<br />
* L=Long • ML=Medium Long • MS=Medium Short<br />
SMV16E-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Tenor<br />
Metal<br />
The new jazz standard<br />
For Tenor Saxophone:<br />
The tenor mouthpiece is made with the legendary “Bell Metal” brass, then<br />
plated with 24-karat gold.<br />
This construction yields a warm and expressive sound.<br />
CODE<br />
COMMENTS<br />
Tenor<br />
T45<br />
T55<br />
T75<br />
T77<br />
T95<br />
SM821G<br />
SM822G<br />
SM823G<br />
SM824G<br />
SM825G<br />
A focused, very precise sound.<br />
A mouthpiece for every style, versatile and comfortable.<br />
The best of its kind.<br />
Long facing. This well balanced mouthpiece has a particularly rich dynamic range.<br />
The perfect mouthpiece for soloists.<br />
Technical Specifications page 2<br />
SMV16M-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Saxophone mouthpieces<br />
Tenor<br />
Metal<br />
The new jazz standard<br />
Technical Specifications<br />
CODE<br />
TIP OPENING<br />
1 / 100 MM<br />
FACING<br />
LENGTH*<br />
RECOMMENDED REED STRENGTHS<br />
Tenor<br />
T45<br />
T55<br />
T75<br />
T77<br />
T95<br />
SM821G<br />
SM822G<br />
SM823G<br />
SM824G<br />
SM825G<br />
235<br />
250<br />
265<br />
277<br />
295<br />
M<br />
L<br />
ML<br />
L<br />
L<br />
2 3<br />
2 2½<br />
2 2½<br />
2 2½<br />
1½ 2½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2 2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2 3<br />
2½ 3½<br />
2 3<br />
2 3<br />
2 3<br />
1½ 2½<br />
2½ 3½<br />
2½ 3<br />
2½ 3<br />
2½ 3<br />
2 3<br />
* L=Long • ML=Medium Long • M=Medium<br />
SMV16M-A 06/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Ligatures<br />
The new M/O ligature combines the lightweight construction of the legendary<br />
Masters ligature with the highly efficient tightening of the OPTIMUM ligature.<br />
• Lightweight<br />
• Easy to set up<br />
• Quick and symmetrical tightening with a unique double-track screw mechanism<br />
• Two small contact points only on the reed with an inverted tightening<br />
Thus, the M/O ligature allows an optimum vibration of the reed and a crisp articulation.<br />
*<br />
<strong>Clarinet</strong><br />
Silver-plated<br />
Pewter finish<br />
Gold finish<br />
Gold-plated<br />
Gold-plated<br />
Available in the<br />
course of 2011<br />
Black<br />
Aged gold finish<br />
*<br />
NEW<br />
Bb<br />
Eb<br />
Alto<br />
Bass<br />
black<br />
LC51BP<br />
LC52BP<br />
LC53BP<br />
LC54BP<br />
NEW<br />
Ligature and plastic cap<br />
pewter<br />
finish<br />
LC51PP<br />
LC52PP<br />
LC53PP<br />
LC54PP<br />
silver-plated<br />
LC51SP<br />
LC52SP<br />
LC53SP<br />
LC54SP<br />
gold-plated<br />
LC51GP<br />
Saxophone<br />
GolD finish<br />
Ligature and plastic cap<br />
aged gold<br />
finish<br />
Gold-plated<br />
(V16 Ebonite) Baritone LC590DP LC590AP<br />
Soprano<br />
Alto<br />
(V16 Ebonite) Tenor<br />
Baritone<br />
LC56DP<br />
LC57DP<br />
LC58DP<br />
LC59DP<br />
LC56AP<br />
LC57AP<br />
LC58AP<br />
LC59AP<br />
LC57GP<br />
LC58GP<br />
* Replacement plastic cap on request<br />
ligatures for MASTERS mouthpieces<br />
• These<br />
series M/O ligatures are designed to fit the specific shape of the MASTERS mouthpieces<br />
*<br />
NEW<br />
Ligature and plastic cap<br />
<strong>Clarinet</strong><br />
Bb<br />
black<br />
pewter<br />
finish<br />
silver-plated Gold-plated<br />
LC61BP LC61PP LC61SP LC61GP<br />
* Replacement plastic cap on request<br />
LIGM/O-A 01/2011<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Ligatures<br />
OPTIMUM<br />
TM<br />
• Quick and precise tightening.<br />
• 3 interchangeable pressure plates to adjust the sound.<br />
• Expression with freedom.<br />
**<br />
**<br />
Ligature<br />
and<br />
plastic cap<br />
Silver<br />
plated<br />
Bb LC01P<br />
Eb LC02P<br />
Alto LC03P<br />
Bass LC04P<br />
Bb German system LC05P<br />
Ligature<br />
and<br />
plastic cap<br />
Gold finish<br />
Soprano LC06P<br />
LC07P<br />
LC08P<br />
LC080P<br />
LC09P<br />
(V16 ebonite) Baritone LC090P<br />
Alto<br />
(except V16 metal) Tenor<br />
(V16 metal) Tenor<br />
Baritone<br />
<strong>Clarinet</strong>*<br />
Set of 3<br />
pressure<br />
plates<br />
Silver<br />
plated<br />
PP01<br />
PP01<br />
PP01<br />
PP04<br />
PP01<br />
Saxophone*<br />
Set of 3<br />
pressure<br />
plates<br />
Gold finish<br />
PP06<br />
PP06<br />
PP08<br />
PP08<br />
PP09<br />
PP08<br />
* Ligatures for left handed musicians upon request.<br />
** Replacement plastic cap upon request.<br />
Three different pressure plates.<br />
Whether playing classical or jazz, the Optimum Ligature’s three pressure plates accommodate your style.<br />
1 2 3<br />
• A rich, colorful sonority which produces great<br />
resonance. • Pressure along the fiber of the<br />
reed facilitates an unbelievable blowing ease.<br />
• Incredible ease of articulation.<br />
A more compact, centered<br />
sonority, smooth even sound<br />
and extraordinary blowing<br />
ease.<br />
• The reed vibrates in total<br />
freedom, producing a very<br />
flexible sound.<br />
• Greater ease of expression.<br />
LIGOPT-A 01/2011<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Ligatures<br />
LEATHER<br />
• Genuine leather - handcrafted finish.<br />
• Quick and precise tightening.<br />
• 3 interchangeable pressure plates to adjust the sound.<br />
• Round and warm sound.<br />
<strong>Clarinet</strong><br />
*<br />
*<br />
Ligature<br />
and<br />
leather cap<br />
Bb LC21L<br />
Eb LC22L<br />
Alto LC23L<br />
Bass LC24L<br />
Bb German system LC25L<br />
Ligature<br />
and<br />
leather cap<br />
Soprano LC26L<br />
LC27L<br />
LC28L<br />
LC29L<br />
(V16 ebonite) Baritone LC290L<br />
Alto<br />
(except V16 metal) Tenor<br />
Baritone<br />
LEATHER CAP<br />
ONLY<br />
C21L<br />
C22L<br />
C23L<br />
C24L<br />
C25L<br />
LEATHER CAP<br />
ONLY<br />
C26L<br />
C27L<br />
C28L<br />
C29L<br />
C290L<br />
Leather<br />
ligature<br />
and<br />
plastic cap<br />
LC21P<br />
LC22P<br />
LC23P<br />
LC24P<br />
LC25P<br />
LC26P<br />
LC27P<br />
LC28P<br />
LC29P<br />
LC290P<br />
PP21<br />
PP22<br />
PP23<br />
PP24<br />
PP25<br />
Saxophone<br />
Leather<br />
ligature<br />
and<br />
plastic cap<br />
Set of 3<br />
pressure<br />
plates<br />
Set of 3<br />
pressure<br />
plates<br />
PP26<br />
PP27<br />
PP28<br />
PP29<br />
PP28<br />
* Replacement plastic cap upon request.<br />
Three interchangeable pressure plates to subtly modify your sound.<br />
An easy-fit Velcro® system makes changing the plates easy while contributing to the flexibility of the entire ligature.<br />
1 2 3<br />
Metal plate - a more colorful and compact sound.<br />
The combination of a metal plate and a flexible<br />
ligature offers the player the best sonic qualities<br />
of both materials.<br />
Smooth leather plate - made from<br />
the same leather as the ligature, it<br />
creates a focused, compact sound<br />
that is slightly darker.<br />
“Supple” smooth leather plate<br />
- made from a more supple<br />
leather, it gives a rounder, more<br />
ample sound.<br />
LIGL-A 01/2011<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Ligatures<br />
KLASSIK<br />
• Adjustable and easy to fit woven ligature.<br />
• Precisely fits the reed to the mouthpiece.<br />
• Perfectly centered sound.<br />
*<br />
<strong>Clarinet</strong><br />
Bb<br />
Bb German system<br />
Ligature<br />
and<br />
leather cap<br />
LC31L<br />
LC35L<br />
LEATHER CAP<br />
ONLY<br />
C31L<br />
C35L<br />
ligature<br />
and<br />
plastic cap<br />
LC31P<br />
LC35P<br />
*<br />
Saxophone<br />
Alto<br />
Ligature<br />
and<br />
leather cap<br />
LC37L<br />
LEATHER CAP<br />
ONLY<br />
C37L<br />
ligature<br />
and<br />
plastic cap<br />
LC37P<br />
* Replacement plastic cap upon request.<br />
LIGK-A 07/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Accessories<br />
Reed cases<br />
Reed case (4 <strong>reeds</strong>) VRC10 / VRC20 / VRC30<br />
Humidity-controlled with an interchangeable cartridge filled with desiccant material (VRCK);<br />
securely closes to protect from shocks and dust. Numbered compartments keep <strong>reeds</strong> organized<br />
and a grooved support provides air circulation.<br />
VRC10 / VRC20 / VRC30<br />
Reed case (8 <strong>reeds</strong>) VRC810<br />
An elegant blue case designed to hold 8 <strong>reeds</strong>.<br />
• Numbered compartments keep <strong>reeds</strong> organized.<br />
• Grooved support provides air circulation.<br />
• Convenient size easily fits in a pocket or clarinet case.<br />
VRC810<br />
Reed case (6 <strong>reeds</strong>) VRC620<br />
It shares the same design as our 8-<strong>Clarinet</strong> reed case.<br />
VRC620<br />
CODE<br />
VRC10<br />
VRC20<br />
VRC30<br />
VRCK<br />
VRC810<br />
VRC620<br />
COMMENTS<br />
Holds 4 of any Bb, Ab, or Eb clarinet, sopranino, or soprano sax <strong>reeds</strong>.<br />
Holds 4 of any alto sax or alto clarinet <strong>reeds</strong>.<br />
Holds 4 of any tenor and baritone sax or bass clarinet <strong>reeds</strong>.<br />
3 replacement desiccants and sponge insert for the reed case.<br />
Holds 8 of any Bb, Eb clarinet, or soprano saxophone <strong>reeds</strong>.<br />
Holds 6 alto saxophone <strong>reeds</strong> or alto clarinet <strong>reeds</strong>.<br />
Hygrocase<br />
The new Vandoren Hygrocase is a state-of-the-art digital case that allows you to manage the<br />
specific humidity of the case, insuring your <strong>reeds</strong> perform perfectly wherever you are.<br />
CODE<br />
HC200<br />
COMMENTS<br />
It can store up to 20 Bb clarinet or alto sax <strong>reeds</strong> and 12 tenor,<br />
baritone saxophone or bass clarinet <strong>reeds</strong>.<br />
Reed resurfacer<br />
Glass reed resurfacer and reed stick<br />
The reed resurfacer is made of a washable tempered glass and features an etched surface that is<br />
nearly impossible to wear out. The reed stick, inspired by a reed rush, is also made of etched glass<br />
and enables the player to precisely customize and personalize their <strong>reeds</strong>.<br />
CODE<br />
COMMENTS<br />
RR200<br />
RR202<br />
Reed resurfacer and reed stick.<br />
Reed stick only.<br />
Page 1/3<br />
ADC1-A 07/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Accessories<br />
The mouthpiece cushions protect the mouthpiece from teethmarks.<br />
Available in two thicknesses.<br />
Mouthpiece cushions<br />
CODE<br />
VMC6<br />
VMCX6<br />
COMMENTS<br />
Pack of 6 cushions (transparent) (Thickness: 0,35mm - .014”).<br />
Pack of 6 cushions (black) (Thickness: 0,80mm - .032”).<br />
Designed to protect mouthpieces, caps, or ligatures.<br />
Pouch<br />
CODE<br />
COMMENTS<br />
P100<br />
In navy blue felt.<br />
Saxophone strap (Alto and Tenor)<br />
Large black nylon strap designed to provide the saxophonist maximum comfort while holding the<br />
instrument securely in place.<br />
CODE<br />
COMMENTS<br />
VSS102<br />
Large black nylon strap.<br />
Cork grease<br />
Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument<br />
cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite among<br />
students and professionals.<br />
CODE<br />
CG100<br />
Cork grease by the tube.<br />
COMMENTS<br />
Page 2/3<br />
ADC2-A 07/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com
Accessories<br />
Swab<br />
Microfiber clarinet swab<br />
Combining the delicacy and absorbancy of silk with the durability of microfiber, Vandoren’s clarinet<br />
swab is the perfect choice for your instrument. The gentle fibers are specially designed to thoroughly<br />
clean your clarinet while protecting the delicate finish.<br />
• Made of high-quality, specially designed microfibers.<br />
• Strong cord with easy pull-through weight.<br />
• Best humidity and grease absorption available.<br />
• Cleans easily with soap and water.<br />
• Durable and long-lasting for years of reliable use.<br />
CODE<br />
COMMENTS<br />
SW200<br />
SW300<br />
For Bb clarinet.<br />
For Bass clarinet.<br />
Microfiber polishing cloth<br />
Polishing cloth<br />
CODE<br />
COMMENTS<br />
PC300<br />
Same material and characteristics as the microfiber swab, but without a weight.<br />
All double <strong>reeds</strong> are sold in single packs.<br />
Oboe OR14/10/16*<br />
English horn EH10<br />
Heckel bassoon HB10<br />
French bassoon FB10<br />
Heckel contrabassoon HC10<br />
French contrabassoon FC10<br />
Sarussophone SA10<br />
Gouged & shaped cane<br />
Oboe<br />
English horn<br />
Heckel bassoon<br />
Gouged cane<br />
Oboe<br />
English horn<br />
Heckel bassoon<br />
Gouged, shaped & profiled<br />
Heckel bassoon<br />
Raw cane<br />
Oboe<br />
Heckel bassoon<br />
X10<br />
OCS30/31/32*<br />
ECS30<br />
HBS30<br />
X10<br />
OC20/21/22*<br />
EC20<br />
HC20<br />
X10<br />
HBSP40<br />
per kg<br />
ROC50<br />
RHB50<br />
Double <strong>reeds</strong><br />
* Soft / Medium / Hard<br />
Page 3/3<br />
ADC3-A 07/2010<br />
PARIS<br />
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com