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Clarinet reeds - vandoren

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<strong>Clarinet</strong><strong>reeds</strong><br />

<strong>Clarinet</strong>mouthpieces<br />

Saxophone<strong>reeds</strong><br />

Saxophonemouthpieces<br />

Ligatures<br />

Acesories<br />

page2to5<br />

page6to13<br />

page12to19<br />

page18to31<br />

page32to35<br />

page36to38


<strong>Clarinet</strong> <strong>reeds</strong><br />

Traditional<br />

The most widely played <strong>reeds</strong> in the world with a superiority proven over the<br />

years, these <strong>reeds</strong> suit all styles of music.<br />

Traditionals are known for their excellent response in all registers, allowing a<br />

pianissimo attack in even the highest notes.<br />

They are also extremely flexible, allowing the legato or staccato execution<br />

of large intervals while maintaining a richness of tone that gives body and<br />

clarity to the sound, which is a hallmark of Vandoren <strong>reeds</strong>.<br />

Ab X 10<br />

Eb X 10<br />

Bb X 10<br />

Bb X 50<br />

Alto X 10<br />

Bass X 5<br />

Contrabass X 5<br />

1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />

CR111<br />

CR101<br />

CR141<br />

CR121<br />

CR1115<br />

CR1015<br />

CR1015/50<br />

CR1415<br />

CR1215<br />

CR132<br />

CR112<br />

CR102<br />

CR102/50<br />

CR142<br />

CR122<br />

CR152<br />

CR1125<br />

CR1025<br />

CR1025/50<br />

CR1425<br />

CR1225<br />

CR133<br />

CR113<br />

CR103<br />

CR103/50<br />

CR143<br />

CR123<br />

CR153<br />

CR1135<br />

CR1035<br />

CR1035/50<br />

CR1435<br />

CR1235<br />

CR134<br />

CR114<br />

CR104<br />

CR144<br />

CR124<br />

CR154<br />

CR105<br />

CR125<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 3½+ 4 4½ 5 5+<br />

2½ 3 3½ 3½+ 4 4½ 5<br />

CRTRAD-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> <strong>reeds</strong><br />

V•12 <strong>reeds</strong> are manufactured from cane tubes with the same diameter as cane<br />

used for alto saxophone <strong>reeds</strong>. As a result, they have a thicker heel and are cut<br />

on a longer palette with a slightly thicker tip than the Traditional. The longer<br />

palette means that more of the reed is vibrating, resulting in a deeper, richer<br />

sound. The thicker tip gives body to the attack and also increases the<br />

longevity of the reed.<br />

The introduction of the # 3½+ strength allows a smaller and more specific<br />

gradation, resulting in <strong>reeds</strong> that are more consistent within the same<br />

strength.<br />

The V•12 line is expanding with the addition of Eb and Bass clarinet <strong>reeds</strong>,<br />

which offer a warm, rich and powerful sound.<br />

NEW<br />

Bb X 10<br />

Bb X 50<br />

Eb X 10<br />

Bass X 5<br />

NEW<br />

2 1 /2 3 3 1 /2 3 1 /2 + 4 5<br />

4 1 /2 5+<br />

CR1925 CR193 CR1935 CR1935+ CR194 CR1945 CR195 CR196<br />

CR1925/50 CR193/50 CR1935/50<br />

CR6125 CR613 CR6135<br />

CR614 CR6145<br />

CR6225 CR623 CR6235<br />

CR624 CR6245<br />

NEW<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 3½+ 4 4½ 5 5+<br />

2½ 3 3½ 3½+ 4 4½ 5<br />

CRV12-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> <strong>reeds</strong><br />

Named for the home of Vandoren, the 56 rue Lepic is the newest addition to<br />

Vandoren’s much-heralded line of clarinet <strong>reeds</strong>.<br />

Designed from thicker cane with a heel taper very similar to German-style<br />

<strong>reeds</strong>, the 56 emits a rich, centered, and extremely pure sound while providing<br />

maximum stability and quick response in all registers. Strength gradations are<br />

smaller and more specific, resulting in <strong>reeds</strong> that are very consistent.<br />

Bb X 10<br />

Bb X 50<br />

2 1 /2 3 3 1 /2 3 1 /2 + 4 4 1 /2 5<br />

CR5025<br />

CR5025/50<br />

CR503<br />

CR503/50<br />

CR5035<br />

CR5035/50<br />

CR5035+<br />

CR504<br />

CR5045<br />

CR505<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 3½+ 4 4½ 5 5+<br />

2½ 3 3½ 3½+ 4 4½ 5<br />

CR56-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> <strong>reeds</strong><br />

German and Austrian systems<br />

White Master & Black Master<br />

Vandoren also manufactures <strong>reeds</strong> for the German system (Oehler)<br />

mouthpieces.<br />

The White Master and Black Master are designed for German and Austrian<br />

clarinet players, respectively. Their cut is particularly calculated to suit the<br />

characteristics of the German system clarinet mouthpieces.<br />

Black Master <strong>reeds</strong> have a larger and thicker cut than White Master <strong>reeds</strong>.<br />

German <strong>reeds</strong><br />

White Master<br />

X 10<br />

X 50<br />

1 1 /2 2 2 1 /2 3 3 1 /2 4 4 1 /2 5<br />

CR1615 CR162 CR1625 CR163 CR1635 CR164 CR1645 CR165<br />

CR162/50 CR1625/50 CR163/50<br />

Austrian <strong>reeds</strong><br />

Black Master<br />

X 10<br />

X 50<br />

2 5+<br />

2 1 /2 3 3 1 /2 4 5<br />

5++<br />

CR182 CR1825 CR183 CR1835 CR184 CR185 CR186 CR187<br />

CR1825/50 CR183/50 CR1835/50<br />

CRWMBM-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> mouthpieces<br />

Bb<br />

Traditional<br />

Break<br />

&<br />

The difference between ”Profile 88” and Traditional mouthpieces is in the<br />

exterior angle of the beak.<br />

Therefore, the musician is free to choose the model which suits his purpose in<br />

terms of best playing position, easiest sound projection, greatest playing<br />

comfort, and the most controllable and precise articulation.<br />

Series<br />

American pitch<br />

Vandoren has developed the “13 series” mouthpiece specifically for American<br />

clarinetists using A440 pitch.<br />

Four models have been originally developed with specific facings to this series:<br />

the M13, M13 Lyre, M15 and M30 mouthpieces.<br />

The “13 series” range also encompasses other models (traditional facings): 5RV,<br />

5RV Lyre, B45, B40, B40 Lyre and M30 Lyre.<br />

Traditional<br />

Beak<br />

Series<br />

COMMENTS<br />

NEW<br />

M13<br />

M13<br />

M15<br />

5RV<br />

5RV<br />

M30<br />

M30<br />

11 6<br />

B46<br />

B40<br />

B45<br />

B45<br />

B40<br />

B45<br />

5JB<br />

CM317<br />

CM301<br />

CM302<br />

CM3001<br />

CM318<br />

CM305<br />

CM306<br />

CM319<br />

CM309<br />

CM308<br />

CM307<br />

CM312<br />

CM310<br />

CM3178<br />

CM3018<br />

CM3028<br />

CM30018<br />

CM3188<br />

CM3058<br />

CM3068<br />

CM3198<br />

CM3098<br />

CM3088<br />

CM3078<br />

CM3128<br />

CM3108<br />

CM4138<br />

CM4158<br />

CM4178<br />

CM4018<br />

CM4028<br />

CM40018<br />

CM4188<br />

CM4198<br />

CM4088<br />

CM4078<br />

Rich, colorful sound. Very precise response. Meets every demand.<br />

More open, the same qualities as the M13, easier to play in the upper register.<br />

Its facing gives it a particularly pure sound.<br />

Great articulation ease. Offers musicians a colorful spectrum of sound.<br />

The time-proven standard for professional musicians. Quality and tradition.<br />

More open than the 5RV with a longer facing.<br />

The 5RV Lyre with a larger tip opening and a longer facing guarantees flexibility and roundness.<br />

This mouthpiece has an exceptional quality of sound.<br />

Its facing length gives it great flexibility, a good balance between timbre and roundness.<br />

Same sound qualities as the B45 with a smaller tip opening.<br />

The mouthpiece best suited to musicians playing both clarinet and saxophone.<br />

The perfect blend between a round sound and rich tone color.<br />

Easy blowing especially in the upper register.<br />

Same technical characteristics as the B45 with a great blowing ease.<br />

The universal mouthpiece. With an intermediate tip opening and a medium-long facing,<br />

it is appreciated by most clarinetists.<br />

Same facing as the B45 with a wider tip rail, it produces a compact and centered sound.<br />

Characterized by a particularly large tip opening, it offers a flexible, round sound<br />

and remains easy blowing.<br />

THE jazz mouthpiece.<br />

45<br />

CM5088<br />

Made from innovative composite materials, this mouthpiece has the same table as the B45<br />

with a slightly brighter sound.<br />

Technical Specifications page 2<br />

CMBb-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> mouthpieces<br />

Bb<br />

Technical Specifications<br />

Traditional<br />

Beak<br />

Series<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED REED STRENGTHS<br />

NEW<br />

M13<br />

M13<br />

M15<br />

5RV<br />

5RV<br />

M30<br />

M30<br />

11 6<br />

B46<br />

B40<br />

B45<br />

B45<br />

B40<br />

B45<br />

5JB<br />

CM317<br />

CM301<br />

CM302<br />

CM3001<br />

CM318<br />

CM305<br />

CM306<br />

CM319<br />

CM309<br />

CM308<br />

CM307<br />

CM312<br />

CM310<br />

CM3178<br />

CM3018<br />

CM3028<br />

CM30018<br />

CM3188<br />

CM3058<br />

CM3068<br />

CM3198<br />

CM3098<br />

CM3088<br />

CM3078<br />

CM3128<br />

CM3108<br />

CM4138<br />

CM4158<br />

CM4178<br />

CM4018<br />

CM4028<br />

CM40018<br />

CM4188<br />

CM4198<br />

CM4088<br />

CM4078<br />

100,5<br />

102 -<br />

103,5<br />

106,5<br />

109 +<br />

113,5<br />

115<br />

116<br />

117 +<br />

117,5<br />

119,5<br />

119,5<br />

119,5<br />

127<br />

147<br />

L<br />

ML<br />

L<br />

MS<br />

M<br />

L<br />

L<br />

MS<br />

M<br />

L<br />

ML<br />

ML<br />

ML<br />

ML<br />

L<br />

3½ 4<br />

3½ 4<br />

3½ 5<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

2 3<br />

1½ 2<br />

3½+ 4½<br />

3½+ 4½<br />

3½+ 5<br />

3½ 4<br />

3½ 4<br />

3½ 4<br />

3½ 4<br />

3 3½+<br />

3 3½+<br />

2½ 3<br />

3 3½+<br />

3 3½+<br />

2½ 3½<br />

2½ 3½<br />

2½<br />

3½+ 5<br />

3½+ 5<br />

4 5<br />

3½ 4<br />

3½ 4<br />

3½ 4<br />

3½ 4<br />

3 3½<br />

3 3½+<br />

2½ 3½<br />

3 3½<br />

3 3½<br />

2½ 3½<br />

2½ 3½<br />

2½<br />

45<br />

CM5088<br />

119,5<br />

ML<br />

2½<br />

3½<br />

3 3½+<br />

3 3½<br />

* L=Long • ML=Medium Long • M=Medium • MS=Medium Short<br />

CMBb-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


From the Hands of One<br />

Craftsman, to Another<br />

The craftsmen at Vandoren have created a revolutionary<br />

new clarinet mouthpiece. Completely redesigned inside<br />

and out, the MASTERS line produces a perfect balance of<br />

richness, stability and projection. Built without compromise,<br />

for those who play without compromise, the Masters<br />

mouthpiece is a work of art for creating works of art.<br />

L’exigence Vandoren<br />

www.<strong>vandoren</strong>.fr


<strong>Clarinet</strong> Mouthpieces<br />

Bb<br />

Series<br />

Major News for <strong>Clarinet</strong>ists<br />

NEW<br />

The new MASTERS mouthpieces feature a specific bore, a new chamber as well as<br />

a new exterior design.<br />

Two models have been developed with facings specific to this series: CL4 and CL5.<br />

They are very easy blowing and have exceptional sound and tuning characteristics.<br />

RECOMMENDED REED STRENGTHS<br />

COMMENTS<br />

CL4<br />

3 4 3½ 4 3½ 4<br />

The CL4 is characterized by a very radiant, clear sound and exceptional<br />

intonation. It allows precise, easy blowing and flawless articulation.<br />

NEW<br />

CL5<br />

3 3½<br />

3 3½ +<br />

3½ 4<br />

The CL5 is characterized by a round, full sound, exceptional intonation, and<br />

perfect homogeneity and projection.<br />

Kits<br />

The MASTERS mouthpieces require specific ligatures<br />

They can only be used with series M/O metal ligature or with flexible ligatures,<br />

like Leather or Klassik Vandoren ligatures.<br />

The CL4 and CL5 are available either separately or in a kit with their M/O ligature<br />

and plastic cap.<br />

Mouthpiece in kit with M/O ligature and plastic cap<br />

Black<br />

Pewter Finish Silver-plated Gold-plated<br />

Mouthpiece Only<br />

CL4<br />

CL5<br />

CM60048<br />

CM60058<br />

CM60048KB<br />

CM60058KB<br />

CM60048KP<br />

CM60058KP<br />

CM60048KS<br />

CM60058KS<br />

CM60048KG<br />

CM60058KG<br />

CMBbM-UK 01/2011<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.fr


<strong>Clarinet</strong> mouthpieces<br />

Ab-Eb-Alto-Bass-Contrabass<br />

CODE<br />

COMMENTS<br />

Eb<br />

Alto<br />

Bass<br />

NEW<br />

5RV<br />

B44<br />

B40<br />

5RV<br />

B44<br />

B40<br />

B44<br />

B45<br />

B40<br />

B46<br />

B50<br />

CM321<br />

CM322<br />

CM323<br />

CM331<br />

CM332<br />

CM333<br />

CM342<br />

CM344<br />

CM343<br />

CM345<br />

CM346<br />

Easy blowing, very rich timbre.<br />

The time-proven standard for musicians.<br />

With the same technical specifications as the B44, its wider tip rail offers a compact and centered sound.<br />

Very rich timbre.<br />

Its thin tip rail makes it easy blowing.<br />

The same technical characteristics as the B44 with a wider tip rail, it produces a compact and centered sound.<br />

Validated by musicians, indisputably the best.<br />

Same sound qualities as the B44 with a larger tip opening. Very responsive.<br />

With the same technical specifications as the B45, its wider tip rail offers a compact and centered sound.<br />

Produces a powerful sound. A favorite of jazz musicians.<br />

Produces a rich and velvety sound, even in the upper register.<br />

Ab<br />

& Contrabass<br />

CM360<br />

CM370<br />

available upon request.<br />

Technical Specifications page 2<br />

CMOTH-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> mouthpieces<br />

Ab-Eb-Alto-Bass-Contrabass<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED STRENGTHS<br />

Eb<br />

Alto<br />

Bass<br />

NEW<br />

5RV<br />

B44<br />

B40<br />

5RV<br />

B44<br />

B40<br />

B44<br />

B45<br />

B40<br />

B46<br />

B50<br />

CM321<br />

CM322<br />

CM323<br />

CM331<br />

CM332<br />

CM333<br />

CM342<br />

CM344<br />

CM343<br />

CM345<br />

CM346<br />

106,5<br />

110,5<br />

110,5<br />

126<br />

138<br />

138<br />

184<br />

193<br />

193<br />

205<br />

215<br />

S<br />

M<br />

M<br />

M<br />

ML<br />

ML<br />

M<br />

ML<br />

ML<br />

L<br />

L<br />

3 4<br />

2½ 4<br />

2 3<br />

3 4<br />

2½ 3½<br />

2 3<br />

3 4<br />

2½ 3½<br />

2 3<br />

2 3<br />

2½ 3½<br />

3½ 4<br />

3 4<br />

2½ 3½<br />

3½ 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3 4<br />

* L=Long • ML=Medium Long • M=Medium • S= Short<br />

Ab<br />

& Contrabass<br />

CM360<br />

CM370<br />

available upon request.<br />

CMOTH-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> mouthpieces<br />

Bb german and austrian systems<br />

NEW<br />

The “D Concept“<br />

A Boehm system mouthpiece specially adapted to the German clarinet<br />

and the “Reform Boehm”, offered in two models: the M30D and B40D. The<br />

length and diameter of the shank, the bore, the appearance of the tip rail and<br />

the external shape are the components of this new concept, which offers a<br />

perfect balance between a very warm sound and great intonation.<br />

56 rue Lepic <strong>reeds</strong> are more particularly recommended for these mouthpieces.<br />

NEW<br />

M30D<br />

B40D<br />

CODE<br />

CM36188<br />

CM36078<br />

A good balance between timbre and roundness.<br />

Produces a compact and centered sound.<br />

COMMENTS<br />

NEW<br />

VD Series: The German tradition<br />

Available in 4 models: VD2, VD3, VD4 and VD5 with 2 different shank<br />

external diameters (W: 22,40 mm and S: 22,00 mm).<br />

CODE<br />

CODE<br />

COMMENTS<br />

NEW<br />

VD2<br />

VD3<br />

VD4<br />

VD5<br />

CM382<br />

CM383<br />

CM384<br />

CM385<br />

CM372<br />

CM373<br />

CM374<br />

CM375<br />

Provides a rich, centered and compact sound.<br />

Very easy blowing in all registers, the standard reference.<br />

This mouthpiece has the sound quality of the VD2 mouthpiece while being a bit more open.<br />

A compact, full and deep sound.<br />

Austrian clarinet mouthpieces<br />

CODE<br />

COMMENTS<br />

VA0<br />

VA5<br />

CM390<br />

CM395<br />

A very closed mouthpiece.<br />

Versatile and easy blowing, the standard reference.<br />

Technical Specifications page 2<br />

CMD&A-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


<strong>Clarinet</strong> mouthpieces<br />

Bb german and austrian systems<br />

The “D Concept“<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED STRENGTHS<br />

NEW<br />

M30D<br />

B40D<br />

CM36188<br />

CM36078<br />

115<br />

119,5<br />

L<br />

ML<br />

2½<br />

3½<br />

2½ 3<br />

2½<br />

3½<br />

2½ 3<br />

2½<br />

3½<br />

2½ 3<br />

VD Series: The German tradition<br />

Technical Specifications<br />

CODE<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED<br />

STRENGTHS<br />

NEW<br />

VD2<br />

VD3<br />

VD4<br />

VD5<br />

CM382<br />

CM383<br />

CM384<br />

CM385<br />

CM372<br />

CM373<br />

CM374<br />

CM375<br />

96<br />

100<br />

102<br />

113,5<br />

ML<br />

ML<br />

L<br />

ML<br />

2½ 3½<br />

2½ 4<br />

2 3<br />

2 3<br />

Austrian clarinet mouthpieces<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED<br />

STRENGTHS<br />

VA0<br />

VA5<br />

CM390<br />

CM395<br />

80<br />

85<br />

VL<br />

L<br />

4 5++<br />

2½ 4<br />

* VL= Very Long • L=Long • ML=Medium Long<br />

CMD&A-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

Traditional<br />

This reed is designed to produce a quality of extremely pure sound due to a very<br />

thin reed tip (the area of reed with maximum vibration), balanced by a solid<br />

vertebral column (more cane in the area which climbs gradually to the heel).<br />

Traditionals feature the thinnest tip with the thickest heart, resulting in crisp<br />

articulation with a full, dark sound.<br />

Sopranino X 10<br />

Soprano X 10<br />

Alto X 10<br />

Alto X 50<br />

Tenor X 5<br />

Baritone X 5<br />

Bass X 5<br />

1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />

SR201<br />

SR211<br />

SR221<br />

SR2015<br />

SR2115<br />

SR2115/50<br />

SR2215<br />

SR232<br />

SR202<br />

SR212<br />

SR212/50<br />

SR222<br />

SR242<br />

SR252<br />

SR2025<br />

SR2125<br />

SR2125/50<br />

SR2225<br />

SR2425<br />

SR233<br />

SR203<br />

SR213<br />

SR213/50<br />

SR223<br />

SR243<br />

SR253<br />

SR2035<br />

SR2135<br />

SR2135/50<br />

SR2235<br />

SR2435<br />

SR234<br />

SR204<br />

SR214<br />

SR224<br />

SR244<br />

SR254<br />

SR205<br />

SR215<br />

SR225<br />

SR245<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRTRAD-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

The success of V•12 <strong>reeds</strong> in the clarinet world for 25 years has led us to<br />

transpose their characteristics and advantages into the saxophone world.<br />

With its very precise attack, homogeneous timbre in every register, controlled high<br />

notes, warm and velvety sound, this new reed offers exceptional possibilities.<br />

Produced from cane selected for its specific proportions, the V•12 <strong>reeds</strong> have<br />

a thicker heel and are cut on a longer palette with a slightly thicker tip than<br />

the Traditional. The longer palette means that more of the reed is vibrating,<br />

resulting in a deeper, richer sound. The thicker tip gives body to the attack and<br />

also increases the longevity of the reed.<br />

NEW<br />

Soprano X 10<br />

Alto X 10<br />

Alto X 50<br />

Tenor X 5<br />

NEW<br />

2 1 /2 3 3 1 /2 4 4 1 /2 5<br />

SR6025<br />

SR6125<br />

SR6125/50<br />

SR6225<br />

SR603<br />

SR613<br />

SR613/50<br />

SR623<br />

SR6035<br />

SR6135<br />

SR6135/50<br />

SR6235<br />

SR604<br />

SR614<br />

SR624<br />

SR6045<br />

SR6145<br />

SR6245<br />

SR615<br />

NEW<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRV12-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

Developed in 1983 for jazz and popular music. A thicker tip and a more flexible<br />

palette* than the Traditional reed allow vibration over a larger surface area<br />

with maximum elasticity.<br />

This type of vertebral column gives the musician much greater playing flexibility,<br />

as the resultant elasticity zone is very large.<br />

JAVA <strong>reeds</strong> are more flexible than Traditionals and V16s and vibrate<br />

on a long palette, creating a bright sound with immediate response.<br />

* Palette: zone where the waves are propagated with the greatest range. From<br />

the tip, the waves are absorbed further in the JAVA reed.<br />

NEW<br />

Soprano<br />

Alto<br />

Alto<br />

Tenor<br />

Baritone<br />

X 10<br />

X 10<br />

X 50<br />

X 5<br />

X 5<br />

1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />

SR261<br />

SR271<br />

SR2615<br />

SR2715<br />

SR302<br />

SR262<br />

SR262/50<br />

SR272<br />

SR342<br />

SR3025<br />

SR2625<br />

SR2625/50<br />

SR2725<br />

SR3425<br />

SR303<br />

SR263<br />

SR263/50<br />

SR273<br />

SR343<br />

SR3035<br />

SR2635<br />

SR2635/50<br />

SR2735<br />

SR3435<br />

SR304<br />

SR264<br />

SR274<br />

SR344<br />

SR275<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRJAVA-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

“FILED - RED CUT”<br />

The driving force behind the JAVA “Filed - Red Cut” design was to offer<br />

more sonic possibilities to musicians while keeping the qualities of the original<br />

Java.<br />

More flexible than its elder version, with a little more tonal body, the JAVA<br />

“Filed - Red Cut” offers a full, rich, centered sound and excellent projection<br />

with an extremely precise attack.<br />

A relative of the JAVA reed family, the JAVA “Filed - Red Cut” is the first file<br />

cut Vandoren reed for jazz and popular music. It also benefits from a completely<br />

new design.<br />

NEW<br />

Soprano<br />

Alto<br />

Alto<br />

Tenor<br />

Baritone<br />

X 10<br />

X 10<br />

X 50<br />

X 5<br />

X 5<br />

1 1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />

SR261R<br />

SR271R<br />

SR2615R<br />

SR2715R<br />

SR302R<br />

SR262R<br />

SR262R50<br />

SR272R<br />

SR342R<br />

SR3025R<br />

SR2625R<br />

SR2625R50<br />

SR2725R<br />

SR3425R<br />

SR303R<br />

SR263R<br />

SR263R50<br />

SR273R<br />

SR343R<br />

SR3035R<br />

SR2635R<br />

SR2635R50<br />

SR2735R<br />

SR3435R<br />

SR304R<br />

SR264R<br />

SR274R<br />

SR344R<br />

SR275R<br />

NEW<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRJAVAR-A 10/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

Launched in 1993 to answer the demand of some American jazz musicians<br />

(a JAVA with even more wood).<br />

The V16 has a thicker tip than the traditional Vandoren <strong>reeds</strong> and a longer<br />

palette.<br />

Sound: more brilliant, more percussive, particularly well adapted to all the new<br />

styles of music.<br />

V16 <strong>reeds</strong> have a medium-thick heart (more than JAVA but less than<br />

Traditionals), with a profile designed for producing a strong attack with<br />

a deep, rich sound.<br />

Soprano X 10<br />

Alto X 10<br />

Alto X 50<br />

Tenor X 5<br />

1 1 /2 2 2 1 /2 3 3 1 /2 4 5<br />

SR7015<br />

SR7215<br />

SR712<br />

SR702<br />

SR702/50<br />

SR722<br />

SR7125<br />

SR7025<br />

SR7025/50<br />

SR7225<br />

SR713<br />

SR703<br />

SR703/50<br />

SR723<br />

SR7135<br />

SR7035<br />

SR7035/50<br />

SR7235<br />

SR714<br />

SR704<br />

SR724<br />

SR705<br />

SR725<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRV16-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone <strong>reeds</strong><br />

Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificing<br />

the brightness tone quality required for this syle of music.<br />

The unique relationship between the heart and tip provides extraordinary color,<br />

great response and a durable life.<br />

ZZ <strong>reeds</strong> combine the medium-thick heart, spine, and rounded tip of the V16<br />

with the flexible palette design of the JAVA, giving the player a rich, colorful<br />

sound with quick response.<br />

Soprano X 10<br />

Alto X 10<br />

Alto X 50<br />

Tenor X 5<br />

Baritone X 5<br />

1 1 /2 2 2 1 /2 3 3 1 /2 4<br />

SR4115<br />

SR4215<br />

SR402<br />

SR412<br />

SR412/50<br />

SR422<br />

SR442<br />

SR4025<br />

SR4125<br />

SR4125/50<br />

SR4225<br />

SR4425<br />

SR403<br />

SR413<br />

SR413/50<br />

SR423<br />

SR443<br />

SR4035<br />

SR4135<br />

SR4135/50<br />

SR4235<br />

SR4435<br />

SR404<br />

SR414<br />

SR424<br />

SR444<br />

Reed comparison index<br />

Traditional<br />

1 1½ 2 2½ 3 3½ 4 5<br />

2½ 3 3½ 4 4½ 5<br />

1 1½ 2 2½ 3 3½ 4<br />

1 1½ 2 2½ 3 3½ 4<br />

1½ 2 2½ 3 3½ 4 5<br />

1½ 2 2½ 3 3½ 4<br />

SRZZ-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Sopranino-Soprano-Alto-Tenor-Baritone-Bass<br />

Tradition & Versatility<br />

These mouthpieces are available in a wide variety of models that suit classical<br />

and jazz musicians.<br />

The V5 series is characterized by a traditional round chamber.<br />

Soprano<br />

Alto<br />

Tenor<br />

Baritone<br />

S27<br />

S15<br />

S25 *<br />

A17<br />

A28<br />

A27<br />

A15<br />

A25<br />

A20<br />

A35 *<br />

T15<br />

T27<br />

T25<br />

T20<br />

T35<br />

B25<br />

B27<br />

B35<br />

CODE<br />

SM404<br />

SM401<br />

SM402<br />

SM418<br />

SM419<br />

SM414<br />

SM411<br />

SM413<br />

SM412<br />

SM415<br />

SM421<br />

SM425<br />

SM423<br />

SM422<br />

SM424<br />

SM431<br />

SM435<br />

SM432<br />

COMMENTS<br />

Easy to play, homogeneity of sound, beautifully rounded.<br />

The standard soprano mouthpiece.<br />

More open than the S15, greatly appreciated for its register flexibility, suits both classical and jazz.<br />

While maintaining perfect homogeneity in every register, it allies timbre and ease with richness of sound.<br />

The alto saxophone reference in the V5 series. Rich sound, color, brilliance, and dynamic range.<br />

The classic mouthpiece. It produces optimal homogeneity in tone throughout the instrument’s range.<br />

Very easy blowing.<br />

Similar in conception to the A15 but a little more open.<br />

For those looking for a compact, centered sound.<br />

Open mouthpiece, well-adapted to all styles, both jazz and classical.<br />

Very easy blowing and articulation.<br />

A comfortable mouthpiece, particularly precise in the upper harmonic register.<br />

Same conception as the T15 but slightly more open.<br />

The best sound quality: compact and centered.<br />

An open mouthpiece that works in every style.<br />

Rich in timbre and easy blowing.<br />

Very homogeneous tone throughout the tessitura.<br />

Classic open mouthpiece, highly responsive to every need.<br />

Soprano<br />

Alto<br />

Baritone<br />

S35<br />

A45<br />

A55<br />

B75<br />

B95<br />

SM403<br />

SM416<br />

SM417<br />

SM433<br />

SM434<br />

The jazz mouthpiece: ampleness and density of sound.<br />

A warm, velvety sound.<br />

The most open mouthpiece in the V5 range while conserving depth and roundness of sound.<br />

Timbre, brilliance and power.<br />

The jazz mouthpiece of the V5 baritone range.<br />

Sopranino (SM550) & Bass (SM560) mouthpieces:<br />

available upon request.<br />

* Versatile mouthpiece: suitable for both classical music and Jazz.<br />

Technical Specifications page 2<br />

SMV5-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Sopranino-Soprano-Alto-Tenor-Baritone-Bass<br />

Tradition & Versatility<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH**<br />

RECOMMENDED REED STRENGTHS<br />

Soprano<br />

Alto<br />

Tenor<br />

Baritone<br />

S27<br />

S15<br />

S25 *<br />

A17<br />

A28<br />

A27<br />

A15<br />

A25<br />

A20<br />

A35 *<br />

T15<br />

T27<br />

T25<br />

T20<br />

T35<br />

B25<br />

B27<br />

B35<br />

SM404<br />

SM401<br />

SM402<br />

SM418<br />

SM419<br />

SM414<br />

SM411<br />

SM413<br />

SM412<br />

SM415<br />

SM421<br />

SM425<br />

SM423<br />

SM422<br />

SM424<br />

SM431<br />

SM435<br />

SM432<br />

111<br />

123<br />

153<br />

152<br />

163 +<br />

165<br />

176<br />

186<br />

186<br />

206<br />

176<br />

177<br />

204<br />

204<br />

230<br />

185<br />

196<br />

210<br />

M<br />

S<br />

S<br />

S<br />

MS<br />

MS<br />

ML<br />

ML<br />

ML<br />

ML<br />

MS<br />

MS<br />

M<br />

M<br />

M<br />

S<br />

S<br />

S<br />

3 4<br />

3 4<br />

2½ 3½<br />

3 4<br />

2½ 3<br />

2½ 3½<br />

3 4<br />

2½ 3½<br />

2½ 3<br />

2 3<br />

3 4<br />

3 4<br />

2½ 3½<br />

2 3<br />

2 3<br />

3 4<br />

3 4<br />

2 3<br />

3 4<br />

3 4<br />

2½<br />

3½<br />

3½ 4<br />

3 4<br />

3 4<br />

3½ 4<br />

3 4<br />

3 4<br />

2½ 3<br />

3½ 4<br />

3½ 4<br />

3 4<br />

2½ 3<br />

2½ 3<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3½ 4<br />

2½ 3½<br />

3 4<br />

3½ 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3½ 4<br />

3 3½<br />

3 4<br />

3½ 4<br />

3 4<br />

3 3½<br />

2½<br />

3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

2½<br />

2½<br />

3½<br />

3½<br />

3½ 4<br />

3½ 4<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 3½<br />

3½ 4<br />

2½ 3<br />

3 3½<br />

3½ 4<br />

3 3½<br />

2½ 3<br />

2½ 3<br />

3½ 4<br />

3½ 4<br />

3 3½<br />

2½ 3½<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3½ 4<br />

3 3½<br />

3 4<br />

3½ 4<br />

3 4<br />

3 3½<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

2½ 3½<br />

Soprano<br />

Alto<br />

Baritone<br />

S35<br />

A45<br />

A55<br />

B75<br />

B95<br />

SM403<br />

SM416<br />

SM417<br />

SM433<br />

SM434<br />

182<br />

220<br />

247<br />

275<br />

310<br />

ML<br />

ML<br />

L<br />

M<br />

L<br />

2 3<br />

2 3<br />

2 3<br />

2 3<br />

2<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2½<br />

2½<br />

2½<br />

2½<br />

2½<br />

2½<br />

3½<br />

3½<br />

3½<br />

3½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 2½<br />

* Versatile mouthpiece: suitable for both classical music and Jazz.<br />

** L=Long • ML=Medium Long • MS=Medium Short • M=Medium • S=Short<br />

SMV5-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Soprano-Alto-Tenor-Baritone<br />

OPTIMUM<br />

TM<br />

The favorite of classical saxophonists<br />

The conception of this series was the fruit of research on both external shape<br />

(particularly the beak) and sound, in order to meet the needs of today’s saxophone<br />

players.<br />

This series is available for:<br />

• soprano saxophone (SL3, SL4),<br />

• alto saxophone (AL3, AL4),<br />

• tenor saxophone (TL3, TL4),<br />

• baritone saxophone (BL3, BL4).<br />

CODE<br />

COMMENTS<br />

Soprano<br />

Alto<br />

Tenor<br />

Baritone<br />

SL3<br />

SL4<br />

AL3<br />

AL4<br />

TL3<br />

TL4<br />

BL3<br />

BL4 *<br />

SM701<br />

SM702<br />

SM711<br />

SM712<br />

SM721<br />

SM722<br />

SM731<br />

SM732<br />

Very easy blowing, particularly versatile, meets all needs.<br />

A little more open than the SL3, this mouthpiece rapidly became a standard with saxophonists.<br />

With its exceptional roundness, the ultimate classical mouthpiece.<br />

A little more open than the AL3, while maintaining the sound aesthetic of the OPTIMUM series.<br />

Roundness, depth and precision.<br />

A little more open than the TL3, a richer timbre.<br />

The standard baritone mouthpiece.<br />

Versatile mouthpiece, suits both classical and jazz.<br />

* Versatile mouthpiece: suitable for both classical music and Jazz.<br />

Technical Specifications page 2<br />

SMOPT-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Soprano-Alto-Tenor-Baritone<br />

OPTIMUM<br />

TM<br />

The favorite of classical saxophonists<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH**<br />

RECOMMENDED REED STRENGTHS<br />

Soprano<br />

Alto<br />

Tenor<br />

Baritone<br />

SL3<br />

SL4<br />

AL3<br />

AL4<br />

TL3<br />

TL4<br />

BL3<br />

BL4 *<br />

SM701<br />

SM702<br />

SM711<br />

SM712<br />

SM721<br />

SM722<br />

SM731<br />

SM732<br />

114<br />

123<br />

152<br />

163 +<br />

176<br />

195<br />

185<br />

230<br />

ML<br />

S<br />

ML<br />

MS<br />

MS<br />

M<br />

S<br />

M<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

2½ 3½<br />

3½ 4<br />

3½ 4<br />

3 3½<br />

3 3½<br />

3 3½<br />

3 3½<br />

3½ 4<br />

3½ 4<br />

3 4<br />

3 4<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

* Versatile mouthpiece: suitable for both classical music and Jazz.<br />

** ML=Medium Long • M=Medium • MS=Medium Short • S=Short<br />

SMOPT-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Alto-Tenor<br />

JAVA ebonite mouthpieces are suited to jazz, soul and funk. Similar in sound<br />

concept to a metal mouthpiece, with the comfortable feel of ebonite.<br />

CODE<br />

COMMENTS<br />

Alto<br />

Tenor<br />

A35<br />

A45<br />

A55<br />

A75<br />

T45<br />

T55<br />

T75<br />

T95<br />

SM501B<br />

SM502B<br />

SM503B<br />

SM504B<br />

SM511B<br />

SM512B<br />

SM513B<br />

SM514B<br />

The jazz mouthpiece, with a rich and colorful sound.<br />

An intermediary tip opening between the V16 series A8 and A9 mouthpieces with the JAVA sound.<br />

The standard model in this category.<br />

An open mouthpiece, designed to use soft <strong>reeds</strong>.<br />

A mouthpiece equally suited for jazz and classical playing.<br />

A comfortable mouthpiece with the tip opening of the V16 series T6.<br />

An intermediate tip opening; the most popular JAVA tenor choice.<br />

A generous, rich and centered sound.<br />

Technical Specifications page 2<br />

SMJAVA-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Alto-Tenor<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED REED STRENGTHS<br />

Alto<br />

Tenor<br />

A35<br />

A45<br />

A55<br />

A75<br />

T45<br />

T55<br />

T75<br />

T95<br />

SM501B<br />

SM502B<br />

SM503B<br />

SM504B<br />

SM511B<br />

SM512B<br />

SM513B<br />

SM514B<br />

206<br />

220<br />

247<br />

260<br />

235<br />

250<br />

265<br />

295<br />

ML<br />

ML<br />

L<br />

L<br />

M<br />

L<br />

ML<br />

L<br />

2 3<br />

2 3<br />

2 3<br />

1½ 2<br />

2 3<br />

2 2½<br />

2 2½<br />

1½ 2½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2 2½<br />

2½<br />

2½<br />

2½<br />

3½<br />

3½<br />

3½<br />

2 2½<br />

2½<br />

3½<br />

2½ 3<br />

2½ 3<br />

2 3<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

1½ 2½<br />

2½ 3½<br />

2 3<br />

2 3<br />

1½ 2½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2 3<br />

* L=Long • ML=Medium Long • M=Medium<br />

SMJAVA-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Alto-Tenor<br />

The most hard-hitting mouthpiece of the line. Designed with a small chamber,<br />

a very high baffle and a large bore. Produces a tone comparable to certain<br />

metal mouthpieces.<br />

CODE<br />

COMMENTS<br />

Alto<br />

Tenor<br />

A35<br />

A45<br />

A55<br />

A75<br />

A95<br />

T45<br />

T55<br />

T75<br />

T95<br />

SM601B<br />

SM602B<br />

SM603B<br />

SM604B<br />

SM605B<br />

SM611B<br />

SM612B<br />

SM613B<br />

SM614B<br />

A bright and incisive sound.<br />

The standard mouthpiece for salsa, rock and modern music.<br />

Its balance between projection and comfort makes it the standard model in this category.<br />

An open mouthpiece with a big, bright sound.<br />

A very open mouthpiece to be used with soft <strong>reeds</strong>.<br />

Power and brightness are its principal qualities.<br />

Clear, balanced and rich timbre.<br />

Dynamic and flexible, a particularly versatile mouthpiece.<br />

A very popular mouthpiece for swing, jazz and R&B.<br />

Technical Specifications page 2<br />

SMJJ-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Alto-Tenor<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED REED STRENGTHS<br />

Alto<br />

Tenor<br />

A35<br />

A45<br />

A55<br />

A75<br />

A95<br />

T45<br />

T55<br />

T75<br />

T95<br />

SM601B<br />

SM602B<br />

SM603B<br />

SM604B<br />

SM605B<br />

SM611B<br />

SM612B<br />

SM613B<br />

SM614B<br />

206<br />

220<br />

247<br />

260<br />

280<br />

235<br />

250<br />

265<br />

295<br />

ML<br />

ML<br />

L<br />

L<br />

L<br />

M<br />

L<br />

ML<br />

L<br />

2 3<br />

2 3<br />

2 3<br />

1½ 2<br />

1½ 2<br />

2 3<br />

2 2½<br />

2 2½<br />

1½ 2½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½<br />

2½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 2½<br />

1½ 2<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2 2½<br />

2½<br />

2½<br />

2½<br />

3½<br />

3½<br />

3½<br />

2 2½<br />

2 2½<br />

2½<br />

3½<br />

2½ 3<br />

2½ 3<br />

2 3<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

1½ 2½<br />

1½ 2½<br />

2½ 3½<br />

2 3<br />

2 3<br />

1½ 2½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 2½<br />

2 2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2 3<br />

* L=Long • ML=Medium Long • M=Medium<br />

SMJJ-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Soprano-Alto-Tenor-Baritone<br />

Ebonite<br />

The new jazz standard<br />

Mouthpieces inspired by the sound of the greatest jazzmen from the fifties to<br />

the present.<br />

JAVA, V16 and ZZ <strong>reeds</strong> are recommended for these mouthpieces.<br />

• The SOPRANO mouthpiece is available in 3 different tip openings and a<br />

single chamber.<br />

• The ALTO mouthpiece is available in 5 tip openings and two chambers:<br />

“Small” chamber:<br />

Particularly focused and<br />

“Medium” chamber:<br />

Warm and expressive,<br />

dynamic, ideal for lead alto.<br />

ideal for section playing.<br />

• The TENOR mouthpiece is available in 6 tip openings and a single chamber.<br />

The perfect “Vintage” mouthpiece.<br />

• The BARITONE mouthpiece is available in 3 tip openings. Inspired by the<br />

grand tradition of baritone mouthpieces.<br />

Soprano<br />

S6<br />

S7<br />

S8<br />

CODE<br />

SM802<br />

SM803<br />

SM804<br />

Very comfortable, easy blowing.<br />

COMMENTS<br />

The ideal synthesis between blowing ease and richness of sound.<br />

Perfect balance between power and flexibility.<br />

Alto<br />

A5<br />

A6<br />

A7<br />

A8<br />

A9<br />

SM811S<br />

SM812S<br />

SM813S<br />

SM814S<br />

SM815S<br />

SM811M<br />

SM812M<br />

SM813M<br />

SM814M<br />

SM815M<br />

The tip opening preferred by history’s greatest jazz soloists.<br />

The most played mouthpiece, in every style.<br />

The perfect balance in power and dynamic range.<br />

An open mouthpiece with qualities similar to the A5.<br />

Powerful and expressive.<br />

Tenor<br />

NEW<br />

NEW<br />

T6<br />

T7<br />

T8<br />

T9<br />

T10<br />

T11<br />

SM822E<br />

SM823E<br />

SM824E<br />

SM825E<br />

SM826E<br />

SM827E<br />

Versatile mouthpiece with a long facing and a particularly rich sound.<br />

A good compromise between easy sound production and timbre.<br />

The most popular tip opening for the tenor.<br />

Dynamic, rich and powerful.<br />

A homogeneous, particularly responsive mouthpiece.<br />

Very open; warm, yet powerful.<br />

Baritone<br />

Available at<br />

the end of 2010<br />

NEW<br />

B5<br />

B7<br />

B9<br />

SM831<br />

SM833<br />

SM835<br />

Flexible in playing and application.<br />

The qualities of the V5 series B75 with the sound of the V16.<br />

Brings out the baritone’s power.<br />

Technical Specifications page 2<br />

SMV16E-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Soprano-Alto-Tenor-Baritone<br />

Ebonite<br />

The new jazz standard<br />

Technical<br />

Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED REED STRENGTHS<br />

Soprano<br />

S6<br />

S7<br />

S8<br />

SM802<br />

SM803<br />

SM804<br />

158 +<br />

172<br />

180<br />

ML<br />

ML<br />

ML<br />

2½ 3½<br />

2 3<br />

2 3<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3 3½<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

2 3<br />

3 3½<br />

2½ 3½<br />

2½ 3½<br />

Alto<br />

A5<br />

A6<br />

A7<br />

A8<br />

A9<br />

SM811S<br />

SM812S<br />

SM813S<br />

SM814S<br />

SM815S<br />

SM811M<br />

SM812M<br />

SM813M<br />

SM814M<br />

SM815M<br />

188<br />

196<br />

204<br />

210<br />

225<br />

ML<br />

ML<br />

ML<br />

MS<br />

ML<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

2 3<br />

2 3<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

3 4<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

Tenor<br />

NEW<br />

NEW<br />

T6<br />

T7<br />

T8<br />

T9<br />

T10<br />

T11<br />

SM822E<br />

SM823E<br />

SM824E<br />

SM825E<br />

SM826E<br />

SM827E<br />

250<br />

270<br />

280<br />

294<br />

305<br />

340<br />

L<br />

L<br />

L<br />

ML<br />

ML<br />

L<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2 2½<br />

1½ 2½<br />

1½ 2½<br />

3 3½<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2½<br />

2½<br />

3 3½<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2 2½<br />

2 2½<br />

3 3½<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2 3<br />

2 3<br />

2½ 3½<br />

2½ 3½<br />

2½ 3½<br />

2 3<br />

1½ 2½<br />

1½ 2½<br />

3 3½<br />

3 3½<br />

3 3½<br />

2½ 3<br />

2 3<br />

2 3<br />

Baritone<br />

Available at<br />

the end of 2010.<br />

NEW<br />

B5<br />

B7<br />

B9<br />

SM831<br />

SM833<br />

SM835<br />

255<br />

275<br />

310<br />

ML<br />

ML<br />

L<br />

2½ 3½<br />

2 3<br />

2 3<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

3 4<br />

2½ 3½<br />

2½ 3½<br />

* L=Long • ML=Medium Long • MS=Medium Short<br />

SMV16E-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Tenor<br />

Metal<br />

The new jazz standard<br />

For Tenor Saxophone:<br />

The tenor mouthpiece is made with the legendary “Bell Metal” brass, then<br />

plated with 24-karat gold.<br />

This construction yields a warm and expressive sound.<br />

CODE<br />

COMMENTS<br />

Tenor<br />

T45<br />

T55<br />

T75<br />

T77<br />

T95<br />

SM821G<br />

SM822G<br />

SM823G<br />

SM824G<br />

SM825G<br />

A focused, very precise sound.<br />

A mouthpiece for every style, versatile and comfortable.<br />

The best of its kind.<br />

Long facing. This well balanced mouthpiece has a particularly rich dynamic range.<br />

The perfect mouthpiece for soloists.<br />

Technical Specifications page 2<br />

SMV16M-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Saxophone mouthpieces<br />

Tenor<br />

Metal<br />

The new jazz standard<br />

Technical Specifications<br />

CODE<br />

TIP OPENING<br />

1 / 100 MM<br />

FACING<br />

LENGTH*<br />

RECOMMENDED REED STRENGTHS<br />

Tenor<br />

T45<br />

T55<br />

T75<br />

T77<br />

T95<br />

SM821G<br />

SM822G<br />

SM823G<br />

SM824G<br />

SM825G<br />

235<br />

250<br />

265<br />

277<br />

295<br />

M<br />

L<br />

ML<br />

L<br />

L<br />

2 3<br />

2 2½<br />

2 2½<br />

2 2½<br />

1½ 2½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2 2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2 3<br />

2½ 3½<br />

2 3<br />

2 3<br />

2 3<br />

1½ 2½<br />

2½ 3½<br />

2½ 3<br />

2½ 3<br />

2½ 3<br />

2 3<br />

* L=Long • ML=Medium Long • M=Medium<br />

SMV16M-A 06/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Ligatures<br />

The new M/O ligature combines the lightweight construction of the legendary<br />

Masters ligature with the highly efficient tightening of the OPTIMUM ligature.<br />

• Lightweight<br />

• Easy to set up<br />

• Quick and symmetrical tightening with a unique double-track screw mechanism<br />

• Two small contact points only on the reed with an inverted tightening<br />

Thus, the M/O ligature allows an optimum vibration of the reed and a crisp articulation.<br />

*<br />

<strong>Clarinet</strong><br />

Silver-plated<br />

Pewter finish<br />

Gold finish<br />

Gold-plated<br />

Gold-plated<br />

Available in the<br />

course of 2011<br />

Black<br />

Aged gold finish<br />

*<br />

NEW<br />

Bb<br />

Eb<br />

Alto<br />

Bass<br />

black<br />

LC51BP<br />

LC52BP<br />

LC53BP<br />

LC54BP<br />

NEW<br />

Ligature and plastic cap<br />

pewter<br />

finish<br />

LC51PP<br />

LC52PP<br />

LC53PP<br />

LC54PP<br />

silver-plated<br />

LC51SP<br />

LC52SP<br />

LC53SP<br />

LC54SP<br />

gold-plated<br />

LC51GP<br />

Saxophone<br />

GolD finish<br />

Ligature and plastic cap<br />

aged gold<br />

finish<br />

Gold-plated<br />

(V16 Ebonite) Baritone LC590DP LC590AP<br />

Soprano<br />

Alto<br />

(V16 Ebonite) Tenor<br />

Baritone<br />

LC56DP<br />

LC57DP<br />

LC58DP<br />

LC59DP<br />

LC56AP<br />

LC57AP<br />

LC58AP<br />

LC59AP<br />

LC57GP<br />

LC58GP<br />

* Replacement plastic cap on request<br />

ligatures for MASTERS mouthpieces<br />

• These<br />

series M/O ligatures are designed to fit the specific shape of the MASTERS mouthpieces<br />

*<br />

NEW<br />

Ligature and plastic cap<br />

<strong>Clarinet</strong><br />

Bb<br />

black<br />

pewter<br />

finish<br />

silver-plated Gold-plated<br />

LC61BP LC61PP LC61SP LC61GP<br />

* Replacement plastic cap on request<br />

LIGM/O-A 01/2011<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Ligatures<br />

OPTIMUM<br />

TM<br />

• Quick and precise tightening.<br />

• 3 interchangeable pressure plates to adjust the sound.<br />

• Expression with freedom.<br />

**<br />

**<br />

Ligature<br />

and<br />

plastic cap<br />

Silver<br />

plated<br />

Bb LC01P<br />

Eb LC02P<br />

Alto LC03P<br />

Bass LC04P<br />

Bb German system LC05P<br />

Ligature<br />

and<br />

plastic cap<br />

Gold finish<br />

Soprano LC06P<br />

LC07P<br />

LC08P<br />

LC080P<br />

LC09P<br />

(V16 ebonite) Baritone LC090P<br />

Alto<br />

(except V16 metal) Tenor<br />

(V16 metal) Tenor<br />

Baritone<br />

<strong>Clarinet</strong>*<br />

Set of 3<br />

pressure<br />

plates<br />

Silver<br />

plated<br />

PP01<br />

PP01<br />

PP01<br />

PP04<br />

PP01<br />

Saxophone*<br />

Set of 3<br />

pressure<br />

plates<br />

Gold finish<br />

PP06<br />

PP06<br />

PP08<br />

PP08<br />

PP09<br />

PP08<br />

* Ligatures for left handed musicians upon request.<br />

** Replacement plastic cap upon request.<br />

Three different pressure plates.<br />

Whether playing classical or jazz, the Optimum Ligature’s three pressure plates accommodate your style.<br />

1 2 3<br />

• A rich, colorful sonority which produces great<br />

resonance. • Pressure along the fiber of the<br />

reed facilitates an unbelievable blowing ease.<br />

• Incredible ease of articulation.<br />

A more compact, centered<br />

sonority, smooth even sound<br />

and extraordinary blowing<br />

ease.<br />

• The reed vibrates in total<br />

freedom, producing a very<br />

flexible sound.<br />

• Greater ease of expression.<br />

LIGOPT-A 01/2011<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Ligatures<br />

LEATHER<br />

• Genuine leather - handcrafted finish.<br />

• Quick and precise tightening.<br />

• 3 interchangeable pressure plates to adjust the sound.<br />

• Round and warm sound.<br />

<strong>Clarinet</strong><br />

*<br />

*<br />

Ligature<br />

and<br />

leather cap<br />

Bb LC21L<br />

Eb LC22L<br />

Alto LC23L<br />

Bass LC24L<br />

Bb German system LC25L<br />

Ligature<br />

and<br />

leather cap<br />

Soprano LC26L<br />

LC27L<br />

LC28L<br />

LC29L<br />

(V16 ebonite) Baritone LC290L<br />

Alto<br />

(except V16 metal) Tenor<br />

Baritone<br />

LEATHER CAP<br />

ONLY<br />

C21L<br />

C22L<br />

C23L<br />

C24L<br />

C25L<br />

LEATHER CAP<br />

ONLY<br />

C26L<br />

C27L<br />

C28L<br />

C29L<br />

C290L<br />

Leather<br />

ligature<br />

and<br />

plastic cap<br />

LC21P<br />

LC22P<br />

LC23P<br />

LC24P<br />

LC25P<br />

LC26P<br />

LC27P<br />

LC28P<br />

LC29P<br />

LC290P<br />

PP21<br />

PP22<br />

PP23<br />

PP24<br />

PP25<br />

Saxophone<br />

Leather<br />

ligature<br />

and<br />

plastic cap<br />

Set of 3<br />

pressure<br />

plates<br />

Set of 3<br />

pressure<br />

plates<br />

PP26<br />

PP27<br />

PP28<br />

PP29<br />

PP28<br />

* Replacement plastic cap upon request.<br />

Three interchangeable pressure plates to subtly modify your sound.<br />

An easy-fit Velcro® system makes changing the plates easy while contributing to the flexibility of the entire ligature.<br />

1 2 3<br />

Metal plate - a more colorful and compact sound.<br />

The combination of a metal plate and a flexible<br />

ligature offers the player the best sonic qualities<br />

of both materials.<br />

Smooth leather plate - made from<br />

the same leather as the ligature, it<br />

creates a focused, compact sound<br />

that is slightly darker.<br />

“Supple” smooth leather plate<br />

- made from a more supple<br />

leather, it gives a rounder, more<br />

ample sound.<br />

LIGL-A 01/2011<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Ligatures<br />

KLASSIK<br />

• Adjustable and easy to fit woven ligature.<br />

• Precisely fits the reed to the mouthpiece.<br />

• Perfectly centered sound.<br />

*<br />

<strong>Clarinet</strong><br />

Bb<br />

Bb German system<br />

Ligature<br />

and<br />

leather cap<br />

LC31L<br />

LC35L<br />

LEATHER CAP<br />

ONLY<br />

C31L<br />

C35L<br />

ligature<br />

and<br />

plastic cap<br />

LC31P<br />

LC35P<br />

*<br />

Saxophone<br />

Alto<br />

Ligature<br />

and<br />

leather cap<br />

LC37L<br />

LEATHER CAP<br />

ONLY<br />

C37L<br />

ligature<br />

and<br />

plastic cap<br />

LC37P<br />

* Replacement plastic cap upon request.<br />

LIGK-A 07/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Accessories<br />

Reed cases<br />

Reed case (4 <strong>reeds</strong>) VRC10 / VRC20 / VRC30<br />

Humidity-controlled with an interchangeable cartridge filled with desiccant material (VRCK);<br />

securely closes to protect from shocks and dust. Numbered compartments keep <strong>reeds</strong> organized<br />

and a grooved support provides air circulation.<br />

VRC10 / VRC20 / VRC30<br />

Reed case (8 <strong>reeds</strong>) VRC810<br />

An elegant blue case designed to hold 8 <strong>reeds</strong>.<br />

• Numbered compartments keep <strong>reeds</strong> organized.<br />

• Grooved support provides air circulation.<br />

• Convenient size easily fits in a pocket or clarinet case.<br />

VRC810<br />

Reed case (6 <strong>reeds</strong>) VRC620<br />

It shares the same design as our 8-<strong>Clarinet</strong> reed case.<br />

VRC620<br />

CODE<br />

VRC10<br />

VRC20<br />

VRC30<br />

VRCK<br />

VRC810<br />

VRC620<br />

COMMENTS<br />

Holds 4 of any Bb, Ab, or Eb clarinet, sopranino, or soprano sax <strong>reeds</strong>.<br />

Holds 4 of any alto sax or alto clarinet <strong>reeds</strong>.<br />

Holds 4 of any tenor and baritone sax or bass clarinet <strong>reeds</strong>.<br />

3 replacement desiccants and sponge insert for the reed case.<br />

Holds 8 of any Bb, Eb clarinet, or soprano saxophone <strong>reeds</strong>.<br />

Holds 6 alto saxophone <strong>reeds</strong> or alto clarinet <strong>reeds</strong>.<br />

Hygrocase<br />

The new Vandoren Hygrocase is a state-of-the-art digital case that allows you to manage the<br />

specific humidity of the case, insuring your <strong>reeds</strong> perform perfectly wherever you are.<br />

CODE<br />

HC200<br />

COMMENTS<br />

It can store up to 20 Bb clarinet or alto sax <strong>reeds</strong> and 12 tenor,<br />

baritone saxophone or bass clarinet <strong>reeds</strong>.<br />

Reed resurfacer<br />

Glass reed resurfacer and reed stick<br />

The reed resurfacer is made of a washable tempered glass and features an etched surface that is<br />

nearly impossible to wear out. The reed stick, inspired by a reed rush, is also made of etched glass<br />

and enables the player to precisely customize and personalize their <strong>reeds</strong>.<br />

CODE<br />

COMMENTS<br />

RR200<br />

RR202<br />

Reed resurfacer and reed stick.<br />

Reed stick only.<br />

Page 1/3<br />

ADC1-A 07/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Accessories<br />

The mouthpiece cushions protect the mouthpiece from teethmarks.<br />

Available in two thicknesses.<br />

Mouthpiece cushions<br />

CODE<br />

VMC6<br />

VMCX6<br />

COMMENTS<br />

Pack of 6 cushions (transparent) (Thickness: 0,35mm - .014”).<br />

Pack of 6 cushions (black) (Thickness: 0,80mm - .032”).<br />

Designed to protect mouthpieces, caps, or ligatures.<br />

Pouch<br />

CODE<br />

COMMENTS<br />

P100<br />

In navy blue felt.<br />

Saxophone strap (Alto and Tenor)<br />

Large black nylon strap designed to provide the saxophonist maximum comfort while holding the<br />

instrument securely in place.<br />

CODE<br />

COMMENTS<br />

VSS102<br />

Large black nylon strap.<br />

Cork grease<br />

Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument<br />

cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite among<br />

students and professionals.<br />

CODE<br />

CG100<br />

Cork grease by the tube.<br />

COMMENTS<br />

Page 2/3<br />

ADC2-A 07/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com


Accessories<br />

Swab<br />

Microfiber clarinet swab<br />

Combining the delicacy and absorbancy of silk with the durability of microfiber, Vandoren’s clarinet<br />

swab is the perfect choice for your instrument. The gentle fibers are specially designed to thoroughly<br />

clean your clarinet while protecting the delicate finish.<br />

• Made of high-quality, specially designed microfibers.<br />

• Strong cord with easy pull-through weight.<br />

• Best humidity and grease absorption available.<br />

• Cleans easily with soap and water.<br />

• Durable and long-lasting for years of reliable use.<br />

CODE<br />

COMMENTS<br />

SW200<br />

SW300<br />

For Bb clarinet.<br />

For Bass clarinet.<br />

Microfiber polishing cloth<br />

Polishing cloth<br />

CODE<br />

COMMENTS<br />

PC300<br />

Same material and characteristics as the microfiber swab, but without a weight.<br />

All double <strong>reeds</strong> are sold in single packs.<br />

Oboe OR14/10/16*<br />

English horn EH10<br />

Heckel bassoon HB10<br />

French bassoon FB10<br />

Heckel contrabassoon HC10<br />

French contrabassoon FC10<br />

Sarussophone SA10<br />

Gouged & shaped cane<br />

Oboe<br />

English horn<br />

Heckel bassoon<br />

Gouged cane<br />

Oboe<br />

English horn<br />

Heckel bassoon<br />

Gouged, shaped & profiled<br />

Heckel bassoon<br />

Raw cane<br />

Oboe<br />

Heckel bassoon<br />

X10<br />

OCS30/31/32*<br />

ECS30<br />

HBS30<br />

X10<br />

OC20/21/22*<br />

EC20<br />

HC20<br />

X10<br />

HBSP40<br />

per kg<br />

ROC50<br />

RHB50<br />

Double <strong>reeds</strong><br />

* Soft / Medium / Hard<br />

Page 3/3<br />

ADC3-A 07/2010<br />

PARIS<br />

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.<strong>vandoren</strong>.com

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