Renaissance and

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*Thou. constrained by no limits in accordance with thiae own free wilt in whose h<strong>and</strong> We have placed thee_ shah ordain for thyself the limits of thy nature. We have set thee at the world's center that thoa ma gest from thence more easily observe whatever _s m the world) Pieo della Mir<strong>and</strong>ola. On the Digm_y o_"Man. 1486
Oxford )ndon 1,_,6 Mote, 1478 • tck 13BI • .... l.ueker, 1481 Copernicus. 1473 .... • Gutel_berg, 1397 • ,a,n HOLY POLAND MaJnz Paris • ROMAN • Nuremberg 1490 • DU,rer, 1471 CuM , 1401 • Constance EMPIRE Vienna FRANCE Geneva HUNGARY Calvin, IS09 Ma id • 1( e CASTILE • ! Gama. 1450 NADA MAP OF RENAISSANCE
Page 4 and 5: U.S. Labor Party Directory PERTHAMB
Page 6 and 7: Editorial i The Renaissance and the
Page 8 and 9: up behind their backs in the United
Page 10 and 11: like a bolt from the blue sky. And
Page 12 and 13: Of equal significance is the fact t
Page 14 and 15: therefore of rational, investigatio
Page 16 and 17: Spring planting is depicted in this
Page 18 and 19: Hieronymous Bosch. Detail of the Go
Page 20 and 21: visits a plague to punish man for h
Page 22 and 23: III HUMANISM The fundamental law ma
Page 24 and 25: 4,,_, Cut-away diagrammatic represe
Page 26 and 27: I t * Florence Cathedral d - A Bapt
Page 28 and 29: In one great conceptual leap, Brune
Page 30 and 31: Angelico_ in the convent of S. Marc
Page 32 and 33: VIII FICINO AND NEO-PLATONISM The p
Page 34 and 35: consciously embracing such striving
Page 36 and 37: philosophy to theology only to be f
Page 38 and 39: Fig. 2 Masaccio. The Tribute Money,
Page 40 and 41: Fig. 6 Paolo Uccello. The Deluge, F
Page 42 and 43: Fig. 10 Sandro Botticelli. The Birt
Page 44 and 45: The Irony of Perspective: Renaissan
Page 46 and 47: _!i!_i ___ _ iilil_..... i_ Fig. 6
Page 48 and 49: Fig. 10 Giotto. NoliMe Tangere, Ang
Page 50 and 51: Fig. 14 Hugo van der Goes. Adoratio
Page 53 and 54:
X LEONARDO The fundamental antinomy
Page 55 and 56:
XII BEYOND THE RENAISSANCE Florence
Page 57 and 58:
Footnotes 1. Cf., Lyn Marcus, Diale
Page 59 and 60:
Equestrian statue of Marcus Aureliu
Page 61 and 62:
general decline for the whole econo
Page 63 and 64:
maintai_ the humanistic culture for
Page 65 and 66:
large scale. The ideas which expres
Page 67 and 68:
exemplified by the gifted and super
Page 69 and 70:
who formed the indispensable social
Page 71 and 72:
theology in a manner entirely coher
Page 73 and 74:
III LEONARDO AND UNIFIED PERSPECTIV
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deliberately produced a "reply" to
Page 77 and 78:
perspective in the early 15th centu
Page 79 and 80:
Leonardo da Vinci. Study of Water a
Page 81 and 82:
NOTES 1. Lyn Marcus (a.k.a. Lyndon
Page 83 and 84:
The onlytruthwhich man can prove to
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