STEINBACH BIO 2011 - Sonnabend Gallery

HAIM STEINBACH 

1944 Born in Rehovot, Israel 

1962 U.S. citizenship 

EDUCATION 

S O N N A B E N D 

1968 Pratt Institute, Brooklyn, NY, B.F.A. 

1966 Universite d’Aix Marseille, France 

1973 Yale University, New Haven, CT, M.F.A. 

SELECTED SOLO EXHIBITIONS 

1969 Panoras Gallery, New York 

1975 Lamagna Gallery, New York 

1979 Display #7, Artists Space, New York 

1980 Changing Displays, Fashion Moda, Bronx, New York 

1982 Concord Gallery, New York 

1985 Cable Gallery, New York 

1986 Jay Gorney Modern Art (with Sherrie Levine), New York 

1987 Galleria Lia Rumma, Naples 

Sonnabend Gallery, New York 

1988 capc Musée d’art contemporain, Bordeaux 

Jay Gorney Modern Art, New York 

1989 Margo Leavin Gallery, Los Angeles 

Galerie Yvon Lambert, Paris 

1990 Sonnabend Gallery, New York 

1991 Palais des Beaux Arts, Bruxelles (with John Knight) 

Jay Gorney Modern Art, New York 

Rhona Hoffman Gallery, Chicago 

1992 no rocks allowed, Witte de With, Centre for Contemporary Art, Rotterdam 

536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489


1993 Osmosis, Guggenheim Museum, New York (with Ettore Spalletti) 


1994 Ritter Kunsthalle, Klagenfurt, Austria 

Galerie Yvon Lambert, Paris (with Robert Barry) 

1995 Castello di Rivoli, Rivoli/Torino 

Jay Gorney Modern Art, New York, (including Eadweard Muybridge and Michael Snow) 

1996 Art Gallery of York University, Toronto 

Galleria Lia Rumma, Naples 

1997 Museum Moderner Kunst Stiftung Ludwig, Vienna 


1998 John Hansard Gallery, University of Southampton, Southampton 

Galerie Albrecht, Munich 

Galerie & Edition Artelier, Graz (with Joseph Kosuth) 

Galleria di Franca Mancini, Pesaro 

Mala galerija, Ljubljana 

1999 Haifa Museum, Haifa (with Joseph Kosuth) 

Achim Kubinski Gallery, Berlin 

Fondazione Antonio Ratti, Como 

2000 North, East, South, West, Neuer Berliner Kunstverein, Berlin 

North, East, South, West, Haus der Kunst, Munich 

Hyperspace, Brussels 

2001 Galleria Massimo Minini, Brescia 

The Box, Turin 

Search Group Project, Search Investment Group Limited, Cheung Kong Center, 

Central, Hong Kong (with Joseph Kosuth) 

2002 Galerie Hubert Winter, Vienna 

Galerie Roger Pailhas, Marseille 

2004 Sonnabend Gallery, New York 

GBE (Modern), New York 

Gimpel Fils, London 

2005 Matrix, Berkeley Art Museum, University of California, Berkeley (brochure) 

2006 Akira Ikeda Gallery, Taura 

Akira Ikeda Gallery, Berlin 



2007 Galleria Lia Rumma, MilanVistamare, Benedetta Spalletti, Pescara 


Gallerie Laurent Godin, Paris 

Akira Ikeda Gallery, New York 

2008 Waddington Galleries, London 

Overduin and Kite, Los Angeles 

2009 Galerie Almine Rech, Paris 

Paris Meets Berlin Project, Haim Steinbach and Taryn Simon, Johann Koenig Gallery, Berlin 

SELECTED GROUP EXHIBITIONS 

1984 Objectivity, Hallwalls, Buffalo, NY; curated by Robin Dodd 

1985 Infotainment, Livet Reichard Co., Inc., and Nature Morte, New York 

Objects in Collision, The Kitchen, New York 

l986 Damaged Goods: Desire and The Economy of The Object, New Museum of Contemporary Art, 

New York; curated by Brian Wallis 

Endgame: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary 

Art, Boston 

New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, The Renaissance Society at the 

University of Chicago, Chicago; curated by Gary Garrels 

Rooted Rhetoric, Castell Dell’Ovo, Naples; curated by Gabriele Guercio 

l987 Art and Its Double, Fundacion Caja de Pensiones, Barcelona and Madrid; curated by Dan 

Cameron 

Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles 

Currents l2: Simulations, New American Conceptualism, Milwaukee Art Museum, Milwaukee, 

WI 

Les Courtiers du Desir, Centre Georges Pompidou, Paris; curated by Walter Hopps and Howard 

Halle 

Post-Abstract Abstraction, Aldrich Museum of Contemporary Art, Ridgefield, CT 

1988 Art at the End of the Social, Rooseum, Sweden; curated by Tricia Collins and Richard Milazzo: 

curated by Tricia Collins and Richard Milazzo. 

The Binational, American Art of the Late 80s The Institute of Contemporary Art, Boston 

Museum of Fine Arts, Boston; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf 

Cultural Geometry, Deste Foundation, Athens, Greece; curated by Jeffrey Deitch 

New Urban Landscape, The World Financial Center, New York 

NewYork in View, Munich Kunstverein, Munich 

Schlaf der Vernunft, Museum Fridericianum, Kassel, Germany; curated by Veit Loers 

1989 A Forest of Signs, Museum of Contemporary Art, Los Angeles; curated by Mary Jane Jacob and 

Ann Goldstein 

Horn of Plenty, Stedelijk Museum, Amsterdam; curated by Gosse Oosterhof 



Periodi di Marmo, XX Rassegna Internazionale d’Arte di Acireale, Italy; curated by Germano 

Celant 

The Silent Baroque, Gallerie Thaddaus J. Ropac, Salzburg, Austria; curated by Christian Leigh 

Wittgenstein,The Play of the Unsayable, Wiener Secession, Vienna, (1989); Palais des Beaux 

Arts, Bruxelles, Belgium, (1990); curated by Joseph Kosuth 

1990 Art et Publicite, Centre Georges Pompidou, Paris; curated by Jean Hubert-Martin and Anne 

Baldassari 

Life-size, The Israel Museum, Jerusalem; curated by Suzanne Landau 

Objectives: The New Sculpture, The Newport Harbor Art Museum, Newport Beach, CA; curated 

by Paul Schimmel 

Word as Image, Milwaukee Art Museum, Milwaukee, WI(1990); Oklahoma City Art Museum, 

Oklahoma City, OK (1990-199l); Contemporary Arts Museum, Houston, TX 

1991 Beyond the Frame: American Art, l960 - l990, Setagaya Art Museum, Tokyo; National Museum 

of Art, Osaka; Fukuoka Art Museum: curated by Keiji Nakamura 

Metropolis, Martin-Gropius-Bau, Berlin; curated by Christos M. Joachimides and Norman 

Rosenthal 

Objects for the Ideal Home / The Legacy of Pop Art, Serpentine Gallery, London; curated by 

Marco Livingstone 

Power: its Myths and Mores in American Art, 1961-1991, Indianapolis Museum of Art, 

Indianapolis, IN; curated by Holliday T. Day 

1992 Documenta IX, Kassel; curated by Jan Hoet, Pier Luigi Tazzi, and Dennys Zacharopoulos 

The Ninth Biennale of Sydney, Art Gallery of New South Wales; curated by Anthony Bond 

Refusing to Surface: Art and the Transfiguration of the Ordinary, John Hansard Gallery, The 

University of Southampton, Southampton, Great Britain 

Theoretically Yours, Pier Carlo Rusci, Assessore alla Pubblica Istruzione, Aosta, Italy; curated 

by Tricia Collins and Richard Milazzo 

1993 Biennale of Venice, XLV Esposizione Internazionale D’Arte, Viaggo Verso Cittera, curated by 

Francesca Pasini 

The Foreign / The Guest, Offenes Kulturhaus, Linz, Austria; curated by Kurt Kladler and 

Elisabeth Madlener 

L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, Musee d’Art Contemporain, Nimes 

Tutte le Strade Portano a Roma? Palazzo delle Esposizioni Roma; curated by A. Bonito Oliva 

1994 The Century of the Multiple, Deichtorhallen Hamburg 

Elvis + Marilyn: 2 x IMMORTAL, The Institute of Contemporary Art, Boston 

Group Exhibition, Contemporary Collection, Musée de Grenoble 

Même si c’est la nuit, capc Musee d’art contemporain, Bordeaux: curated by Jean-Louis 

Froment, Michel Bourel, Glória Picazo and Marc Sanchez. 

Urban Paradise: Gardens in the City, PaineWebber Art Gallery, New York; curated by Tom 

Eccles 

1995 Still Leben, Nationalmuseum, Stockholm; curated by Görel Cavalli-Björkman, Jan von Gerber, 

and Bo Nillson 

Caravanserraglio Arte Contemporanea, Fuori Uso ‘95, Pescara; curatd by Giacinto Di 

Pietroantonio 



Temporarily Possesed: The Semi-Permanent Collection, The New Museum of Contemporary 

Art, New York; organized by Brian Goldfarb, John Hatfield, Laura Trippi, and Mimi Young 

1996 Collezionismo a Torino, Castello di Rivoli Museo d’Arte Contemporanea, Torino 

Everything That’s Interesting is New: The Dakis Joannou Collection, Athens School of Fine 

Arts, Athens; Museum of Modern Art, Copenhagen 

NowHere,(Walking and Thinking and Walking, curated by Bruce Ferguson); Louisiana Museum 

of Art, Humlebaek, Denmark 

Passions Privées; Collections particulières d’art moderne et d’art contemporain, Musée d’Art 

Moderne de la Ville de Paris, Paris: curated by Danielle Molinari, Lise Brisson, Juliette Laffin 

and Marie-Anne Chambost 

Sammlung Sonnabend, Deichtorhallen Hamburg 

1997 Biennale of Venice, XLVII Esposizione Internazionale D’Arte; curated by Germano Celant 

Citta Natura, Pallazzo delle Esposizioni, Botanical Gardens, Rome; curated by Carolyn Cristov- 

Bakargiev 

Dramatically Different, Magasin, Centre National D’Art Contemporain, Grenoble; curated by 

Eric Troncy with Yves Aupetitallot and Alessandra Galasso 

The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart 

1998 Anos 80: The Eighties, Cultureguest, Lisbon; curated by Maria de Corral 

Fast Forward, Kunstverein, Hamburg; curated by Stephan Schmidt-Wulffen 

Fetishes & Fetishisms, Passage de Retz, Paris, organized by Jean-Michel Ribettes (cat.) 

Passage — International Art Encounters, Project #3: Gideon Gechtman, Bertrand Lavier, Haim 

Steinbach, Chelouche Gallery, Tel Aviv 

Pop/Abstraction, Museum of American Art, Pennsylvania Academy of the Fine Arts, 

Philadelphia 

René Magritte and contemporary art, Museum voor Moderne Kunst, Oostende; curated by Willy 

van den Bussche 

1999 Building Histories, Apex Art, New York; curated by Maureen Connor 

Decades in Dialogue: Perspectives on the MCA Collection, Museum of Contemporary Art, 

Chicago 

Free Coke; line, drawing & paper, Greene Naftali, New York 

Heaven; An Exhibition that Will Break Your Heart, Kunsthalle Dusseldorf, (1999); Tate Gallery, 

Liverpool, (1999 - 2000); curated by Doreet LeVitte Harten (cat.) 

S.M.A.K, The Opening, Stedelijk Museum voor Actuele Kunst, Gent; curated by Jan Hoet (cat.) 

Urban Mythologies: The Bronx Represented Since the 1960s, The Bronx Museum of the Arts, 

New York; curated by Lydia Yee and Betti-Sue Hertz (cat.) 

Originale echt falsch - Nachahmung, Kopie, Zitat, Aneignung Fälschung in der 

Gegenwartskunst, Neues Museum Weserburg, Bremen; curated by Thomas Deecke (cat.) 

Shelf Life, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; curated by 

Denise Markonish 

2000 Around 1984: A Look at Art in the Eighties, P.S.1, Long Island City, NY; curated by Carolyn 

Christov-Bakargiev 

DINGE: in der Kunst des XX. Jahrhunderts, Haus der Kunst, Munich; curated by Stephanie 

Rosenthal and Hubertus Gassner (cat.) 

KunstSammeln, Museum fur Neue Kunst/ZKM, Karlsruhe (cat.) 



L’assenza invadente del divino, Castel Sant’Angelo, Rome; curated by Luisa Valeriani and 

Franco Speroni 

Over the Edges: The Corners of Gent, Stedelijk Museum voor Actuele Kunst, Gent (cat.): 

curated by Jan Hoet and Giacinto D. Pietrantonio 

Partage d’Exotismes, 5th Biennale d’Art Contemporain de Lyon, curated by Jean-Hubert Martin 

(cat.) 

Retrospective, Sonnabend Gallery, New York 

Castelli in aria: Art in Naples at the End of the Millennium, Castel Sant’Elmo, Naples; curated 

by Angela Tecce 

2001 De Spiegel: Van Het Verlangen, Stedelijke Museum, Kortijk, Belgium 

La Bretagne Collectionne L’ Arte de Notre Temps: Les Vingt Ans du Frac Bretagne, Comme a 

la Maison,, curated by Jean- Paul Criqui, Ecole superieure d’ arts, Lorient (2001) 

Monet’s Legacy Series: Order and Obsession, Hamburger Kunsthalle, Hamburg Germany 

Playgrounds and Toys for Children, curated by Adelina von Furstenberg; Geneva; Palazzo della 

Esposizione, Rome; United Nations Building, New York 

Postmodern Americans; a selection, The Menil Collection, Houston; curated by Walter Hopps 

The Overexcited Body; Arte e Sport nella Societe’ Contemporanea, Office des Nations Unies, 

Geneve; Velodromo Vigarelli, Milano and Pallazo dell’ Arengario, Milano (2001); SESC 

Pompeia, Sao Paulo (2001); Hopitaux Universitaires de Geneve (2002); Queens Museum (2001) 

(cat.) 

Tele[visions], curated by Joshua Decter, Kunsthalle Vienna, (cat.) 

Group Show, Sonnabend Gallery, New York 

2002 American Atelier, Galleria d’Arte Moderna di Bologna; curated by Renato Barilli 

Big Brown Bag, Gavin Brown Enterprise GBE (Modern), New York Conceptes de L’Espai, 

selected works of the Museum Moderner Kunst Stiftung Ludwig Wien, Fundació Miro, 

Barcelona 

From Pop to Now; Selections from the Sonnabend Collection, The Tang Teaching Museum and 

Art Gallery, New York; Wexner Center for the Arts at Ohio State University, Columbus; 

Milwaukee Art Museum, Milwaukee (2003); curated by Charles Stainback, (cat.) 


Jeux Dans Le Miroir, works from the Frac-collection Aquitaine, Antenne IUFM, Mont-de- 

Marsan, France 

L’art d’ aujourd’hui: un choix dans la collection du Fonds national d’art contemporain, Musée 

de Grenoble, France 

Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection, Museum of 

Contemporary Art, Chicago; curated by James W. Alsdorf and Elizabeth Smith 

The Lenore & Burton Gold Collection of 20 th Century Art, Herbert F. Johnson Museum, Cornell 

University 

Markers, Orensanz Foundation, Center for the Arts, New York 

Maximum Sensations, Mitchell Museum, Mt. Vernon 

Shopping, Schirn Kunsthalle, Frankfurt; Tate Liverpool, Liverpool; curated by Max Hollein and 

Christophe Grunenberg 

Surface to Surface, Mary Boone Gallery, New York; curated by Max Henry 

toys II, Kagan Martos Gallery, New York 

2003 After Shock; the Legacy of the Readymade in Post-War and American Art, Dickinson Gallery, 

New York; curated by Frances Naumann 



Artists’ Gifts, Museum of Contemporary Art, Los Angeles; curated by Anne Goldsetin 

Breaking God’s Heart, 38 Langham Street, London; curated by Glenn Brown 

Concrete Art, Graz 2003 – Cultural Capital of Europe, Graz; curated by Edelbert Köb 

Definitively Provisional, Whitechapel Project Space, London; curated by Cecilia Canziani and 

Kristine Haugaard Nielsen 

False Innocence, Fundació Juan Miro, Barcelona; curated by David G. Torres 

Grazie, Schloss Dyck, Jüchen, Germany; curated by Jan Hoet 


Group Show, Home of Rob Pruitt and Jonathan Horowitz, Fleischmanns, New York; curated by 

R. Pruitt and J. Horowitz 

L’Air du Temps, Bloomberg SPACE, London; curated by David Risley et. al. 

Living with Duchamp, The Tang Museum, Skidmore College, Saratoga Springs; curated by Ian 

Barry 

Never Mind Your Step, Kunsthalle Palazzo, Liestal, Basel; curated by John Armleder and Team 

404 

Pop Thru Out, Arario Gallery, Chungchungnam-do, Korea; curated by Mary Dinaburg 

Private/Corporate I: DaimlerChryslerCollection, Ileana Sonnabend Collection, 

DaimlerChrysler, Berlin (cat.) 

Twentieth Anniversary Exhibition: Welcome Home, Gavin Brown Enterprise/GBE (Modern), 

New York; curated by Gavin Brown 

2004 Brillant(e), Kunst Meran/Merano Arte, Merano; curated by Anne Schloen, Hannes Gamper and 

Matthias Schönweger 

Domestic Archeology: Boston and Beyond, The Rose Art Museum of Brandeis University, 

Waltham, Massachusetts; curated by Raphaela Platow 

East Village USA, New Museum of Contemporary Art, New York; curated by Dan Cameron 

Future Noir, Gorney Bravin and Lee, New York 

Intra – Muros, Museé d’Art Moderne et d’Art Contemporain, Nice, France; curated by Gilbert 

Perlein 

Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, 

Athens; curated by Dan Cameron, Jeffrey Deitch, Massimiliano Gioni, Alison M. Gingeras and 

Nancy Spector 

None of the Above, Swiss Institute of Contemporary Art, New York; curated by John Armleder 

Pioneering Spirits: modern and contemporary art from area collections, Scottsdale Museum of 

Art, Arizona 

Rubell Family Collection, Miami (cat.) 

Specific Objects, Museum of Contemporary Art San Diego, San Diego; curated by Stephanie 

Hanor 

Suburban House Kit, Deitch Projects, New York; curated by Jeffrey Deitch 

Symbolic Space, Hudson Valley Center for Contemporary Art. Peekskill, New York; curated by 

Marc and Livia Straus 

Visions of America, Contemporary Art from the Essl Collection and the Sonnabend Collection, 

Vienna; curated by Barbara Steffen 

20 th Anniversary Show, Castello di Rivoli, Rivoli/Turin (Haim Steinbach solo showcase) 

2005 Chronos, Centre CeSAC-Associazione Marcovalso, Caraglio, Cuneo 

Coleccion de Arte Contemporaneo Fundacion “la Caixa,” Museo De Bella Artes, Spain 

Flashback: Eine Revision der Kunst, Museum fur Gegenwartskunst Basel; curated by Philipp 

Kaiser 



Good Titles for Bad Books, Kevin Bruk Gallery, Miami; curated by Matthew Brannon 

Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, 

Andrea Rosen Gallery, New York; curated by Barbaralee Diamonstein-Spielvogel 

Minimalism and After IV (New Acquistions), Sammlung DaimlerChysler Contemporary, Berlin 

Reverse Engineers, Carnegie Art Center, North Tonawanda, New York; curated by Julia 

Dzwonkowski 

The Sonnabend Collection, Museo d’Arte Contemporanea Donnaregina, Naples; curated by 

Mario Codognato and Eduardo Cicelyn 

Threshold, Max Wigram Gallery, London 

2006 busy going crazy, Collection Sylvio Perlstein, La Maison Rouge, Paris 

Contemporary Sculpture, Zwirner & Wirth, New York (cat.) 

Czeslaw Milosz/To Allen Ginsberg, Dvir Gallery, Tel Aviv 

Faster! Bigger! Better!, ZKM/Museum fur Neue Kunst, Germany 

Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna, Austrian 

Cultural Forum, New York; curated by Peter Pakesch and Inge Scholz-Strasser (cat.) 

The Gold Standard, PS1, New York; curated by Walead Beshty and Robert Nickas 

In the Darkest Hour, There May Be Light, Serpentine Gallery, London; curated by Damien Hirst 

(cat.) 

Matter Grey, Galerie Almine Rech; Paris, curated by Joseph Kosuth 

memento mori, Mireille Mosler, Ltd., New York 

Our Marvelous Ambition, Vilma Gold, London 

Unique, Mitchell, Innes & Nash, New York 

60 th Annivesary Show, Gimpel Fils, London; curated by Des Hughes 

2007 Basel Art Fair, Almine Rech Gallery; curated by Anselm Reyle 

The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow, Stella Art 

Foundation, Moscow; curated by Inge Scholz-Strasser, Peter Pakesch, Boris Manner 

The Happiness of Objects, Sculpture Center, Queens; curated by Sarina Basta 

Living in the Material World – “Things” in Art of the 20 th Century and Beyond, The National 

Art Center, Tokyo 

Making and Finding, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, New York; 

curated by Katy Siegel 

The Office, Tanya Bonakdar Gallery, New York 

not like you remembered (Louise Lawler, Thomas Locher, Haim Steinbach), Galerie Six 

Friedrich Lisa Ungar, Munich 

plug, Sister Gallery, Los Angeles; curated by Art Design Office 

Versameling Roger en Hilda Matthys-Colle, Museum Dhondt-Dhaenens, Deurle 

2008 Art Focus, Jerusalem, curated by Ami Barak 

The Art of the Real, Van Moerkerke Collection, Oostende, Belgium; curated by Robert Nickas 

Espèces D’espace – The Eighties First Part, Magasin, Grenoble, curated by Yves Aupetitallot 

(cat.) 

Every Revolution is a Roll of the Dice, Ballroom, Marfa, Texas; organized by Bob Nickas 

The Hands of Art, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gent, Belgium (cat.) 

John Armleder, Oliver Mosset, Haim Steinbach, Nicole Klagsbrun, New York 

The Object is the Mirror (Part II), Wilkinson, London; curated by Max Henry 

Nina in Position, Artists Space; curated by Jeffrey Uslip 



Peep, Glimpses of the Last 4 Decades from the Kerry Stokes Collection, TarraWarra Museum of 

Art, Healesville, Victoria & Art Galery of Western Australia, Perth (cat.) 

Pretty Ugly, Gavin Brown Enterprises and Maccarone, curated by Alison Gingeras 

Ready Made, Yvon Lambert, Paris 

(RED) Auction, Gagosian Gallery, curated by Damien Hirst 

Re-Designed, Lia Rumma, Milano 

The Return of Religion and Other Myths: The Art of Iconoclasm, basis voor actuele kunst, 

Utrecht, Netherlands, curated by Sven Lütticken (cat.) 

The Station, Miami, Florida, curated by Shamim Momin and Nate Lowman 

Something is Happening, Site Speficic Projects, The University of California San Diego 

2009 Collectors XXIV, Museum of Contemporary Art San Diego, La Jolla, curated by Stephanie 

Hanor 

Contructivism, Galerie Almine Rech, Bruxelles, curated by Olivier Renauldclement 

Deeply, Madly, Howard House Contemporary Art, Seattle, curated by Robert Yoder 

Lichtzwang, Dvir Gallery, Tel Aviv 

Plastic Culture, Harris Museum and Art Gallery, Market Square, Preston, curated by Richard 

Smith 

N'importe quoi, Museum of Contemproary Art, Lyon, curated by Olivier Vadrot and Vincent 

Pécoil 

2010 Bambaataa, aliceday, Brussels; curated by Der Kommissare François Curlet 

Double Up Double Up, Quint Contemporary Art, San Diego 

Selections from the MCA Collection, Museum of Contempoary Art Chicago; co-organized by 

Julie Rodrigues Widhom, Pamela Alper, and Diana Nawi 

SPACE, MAXXI – Museo nazionale delle arti del XXI secoio, Rome; curated by Bartolomeo 

Pietromarchi and Gabi Scardi (cat.) 

2011 Postmodernism: Style and Subversion, Victoria and Albert Museum, London 

Chefs d'oeuvre, Rodin et les ambassadeurs, Musée Rodin, Paris, France 

SELECTED ARTICLES AND REVIEWS 

1982 Klein, Michael;“Haim Steinbach,” Arts, September, p. 7 

1985 Miller, John; “Producer as Consumer,” East Village Eye, November. 

1987 Celant, Germano; “Haim Steinbach’s Wild, Wild, West,” Artforum, December 

Heartney, Eleanor; “Simulationism,” ARTnews, January. 

Nickas, Robert; “Shopping with Haim Steinbach,” Flash Art, April. 

1988 Christov-Bakargiev, Carolyn; “Spotlight: Haim Steinbach -Staging the Illusion of Fake,” Flash 

Art, March/April, p.104. 

Cotter, Holland; “Haim Steinbach: Shelf Life,” Art in America, May 

Miller, John; “The Consumption of Everyday Life,” Artscribe, January/February 

Oliva, Achille Bonito; “Neo-America,” Flash Art, January/February 

1989 Gilbert-Rolfe, Jeremy; “The Price of Goodness,” Artscribe, November/December 

Soutif, Daniel; “Steinbach: la cle Duchamp,” Liberation (Paris), February 8. 

1990 Collins, Tricia, and Milazzo, Richard; “McDonald’s in Moscow and the Shadow of Batman’s 

Cape,” Tema Celeste, April-June, No. 25, pp. 35-37. 



Curtis, Cathy; “There’s Art in Arrangement of Everyday Objects,” L.A. Times Calendar, April l5 

Levin, Kim; “Haim Steinbach: signes de progres/objets contradictoires,” Artstudio, Winter. 

1991 Camard, Florette; “Jean Pierre Raynaud and Haim Steinbach,” Galleries Magazine, No.42, 

April-May, pp.94-103. 

Dreher, Thomas; “Haim Steinbach, The Exotic of the Familiar,” Artefactum, no. 37 Feb-Mar., 

pp. 24-29. 

1993 Cosemans, Catherine, “Conversation with Haim Steinbach”, Kunst & Museum Journaal, Vol. 4, 

Number 4, pp. 35-41. 

Decter, Joshua,; “Haim Steinbach: Sonnabend”, Artforum, October , p. 88. 

1994 ___________, “Hundreds of My Favorite Things,” Drilt Collector’s Newsletter, November, p. 

182 

Schöllhammer, Georg,“Über die Leere zwischen den Dingen”, Der Standard, March 22, pg.11 

1995 Vettese, Angela “A Oguno il Suo Museo; Incontro con Haim Steinbach, Artista Che Non Crea 

Ma Seleziona” Il Sole - 24 Ore, October 8, illus., p. 31 

1996 Bortolotti, Maurizio, “Haim Steinbach: review of Charta/Rivoli catalogue” Domus, February ’96, 

p. 116. 

Budney, Jen, “Haim Steinbach: Naked in the Nineties,” Flash Art International, November- 

December, pp. 88-92, illus. 

Gauthier, Michel, “Le rapport expositionel (a propos des objets sur étagères de Haim 

Steinbach),” Art Presence, No. 18, April-May-June, illus., pp.12 - 31 

Zevi, Adachiara, “Haim Steinbach’s Incongruous Relationships” L’Architettura, XLII, illus., pp 

312-314 

1997 Hainley, Bruce “All the Rage: The Art/Fashion Thing,” Artforum, March, pp.77-78 

1998 Marucci, Luciano, “Haim Steinbach,” Juliet no. 90, Dec. ‘98 - Jan. ‘99, pp. 42 - 43, illus. 

[interview with Haim Steinbach] 

Zeleznik, Adela, “Successful Art Marks Time, An Interview With Haim Steinbach,” M’ARS, 

x/3,4 1998, pp.1-16, illus. 

1999 Beccaria, Marcella, “Haim Steinbach,” Castello Di Rivoli : La Collezione [Online] Available: 

http://www.castellodirivoli.torino.it/autori/steinb.html [July 29], art repros. 

Boos, Michelle, “Haim Steinbach, The Ritual of Everyday”, Inside Art, September 1999, pp. 1, 

3-5, art repro. 

Cotter, Holland, “Building Histories”, The New York Times, Nov. 5, p. E41 

Dennison, Lisa, “Industrial Revolution”, Artnews, May, art repro., p. 134 

Dutan, Esther, “Alternative View at the Haifa Museum,” Studio Art, no. 101, March, pp. 41-44, 

art repro. p. 43, 44 

Gilerman, Dina “Ten in One,” H’Arretz, January 14 

Johnson, Ken, “Scripta Manent”, New York Times, June 4 

Levine, Angela “Who’s Afraid of Conceptual Art?”, The Jerusalem Post, February 5, pp. 30-31, 

art repro. p. 30 

Skolnik, Hila, “Opening,” Kol Bo, January 15, pp. 84-85, art repro. p. 85 

Steinbach, Haim, book statement, Bookforum, summer 1999, p.27 

Steinbach, Haim “dirty dozen* / more or less,” magazine project, Intercommunication, no. 30, 

Autumn, pp.152-153 

2000 Alpayim, 2000, p.191 

Berg, Ronald , “Wenn die Dinge heimlich sprechen: Im Neuen Berliner Kunstverein spielt Haim 

Steinbach den Vermittler,” Frankfurter Allgemeine Zeitung, Nr. 120, May 24 

Erfle, Anne, “Jeder Kitsch hat seine eigne Geschichte,” Suddeutsche Zeitung ( SZ Extra 

Ausstellungen), Nr. 206, September 7-13, art repro. p. 4 

Heartney, Eleanor, “An Adieu to Cultural Purity,” Art in America, October, art repro. p.154 



Jensen, Jennifer, “College exhibit explore 50 years of faculty artwork,” Addison County 

Independent, January 24, p. 3 

Griffin, Tim; Palombo, Dominique (photos), “Working the Room”, Smock, Fall/ Winter 2000, 

pp.62-69 

Muller, Dorothee, “Ding sucht Gesellschaft,” Suddeutsche Zeitung (Feuilleton), Nr. 207, 

September 8, art repro. p.19, Munich, Germany 

Muller, Katrin Bettina, “Bei Dingfamilien zu Besuch,” Die Tageszeitung, June 5 

Pratesi, Ludovico, “Divino Castello: L’arte sugli spalti che guarda a bio,” La Repubblica, Anno 

7- Numero 28, July 17, p.IV 

Reissner,Katje, “Die Codes der Kannen: Ein Werk von Haim Steinbach im Neuen Berliner 

Kunstverein,” Der Taggesspiegel, Nr. 17067 

Schneck-Sorge, Jutta, “Haim Steinbach: North East South West,” Kunstforum, Bd. 151, July- 

September, art repro. pp. 312-313 

Steinbach, Haim, “L’arte frammentata”, Tema Celeste, January-February 2000, pp. 84-85 

Zitty, Claudia Wahjudi, “Steine, Porzellankatzen, Rindfleisch-Konserven: Haim Steinbach im 

Neuen Berliner Kunstverein,” Kunstnippes, 12/2000 

2001 Curto, Guido, “Steinbach, un Morandi Postmoderno”, Da Tuttolibri, December 15 

Di Pietrantonio, Giacinto, “Because I Admit that I Would Like to Be Somewhere Else If and 

When It/He Will Come; A Meeting with Bart De Baere, Eran Schaerf, Moshe Ninio, Irit Rogoff, 

Haim Steinbach”, Perche/?, May 2001, pp. 8-29 

Di Bartolomeo, Massimiliano, “When Art Subverts Design”, Domus, 

Mammi Alessandra, “Ressa in Galleria” Artbox, L’Espresso, December 19 

Matthews, Lisa; Schaller, Matthias Petrus, “Disordine e Immaginazione”, D la Republica della 

Donne, March 2001, pp. 286-291 

Meneguzzo, Marco, “Haim Steinbach, Galleria Massimo Minini, Brescia”, tema celeste, 

September-October 2001, p. 79 

Perlo, Luisa, “Haim Steinbach”, Recensioni, Da Titolo, Winter 2001/2002 

2002 Gambari, Olga “Steinbach, gli oggetti tra metafisica e pop”, La Republica, February 4 

Drier, Melissa, “The Art and Splendor of Shopping,” WWD, October 2002 p. 11 

“Haim Steinbach”, Urban, No. 5, January 2002 

“Haim Steinbach, Galerie Hubert Winter”, www.artsmagazine.cc, March 15 

Hofleitner, Johanna, “Haim Steinbach, Galerie Hubert Winter”, Die Presse, March 13 

Metzger, Rainer, “Gallerie Hubert Winter: Haim Steinbach”, Art Magazine, March 3, p.1 

Mittringer, Markus, “Der Kompromiss als Zukunftswink”, Der Standard, June 20, p.31 

Noble, Kate, “The Art of Shopping”, Time Europe, November 18, art repro. p. 24 

Parola, Lisa “Steinbach, il Museo dell’o Ordanario”, Torinosette, January 4 

“Survey; Art World Commentary”, tema celeste, March – April 2002, pp. 72-75 

Tansini, Laura, “Mediatore di Oggetti”, ARS, April 2002, pp. 84 - 88 

2003 Crow, Thomas, “Marx to Sharks: the Art-Historical ‘80’s”, Artforum, April, pp.45 – 48 

Griffin, Tim, “Interview with Haim Steinbach,” Artforum, April 

Güner, Fisun, “Art Incorporated,” Metro, May, pp.26 

Herbert, Martin, “Shopping: A Century of Art and Consumer Culure, Art Monthly, February, 

cover, pp. 24 

Rimanelli, David, “Time Capsules 1980 – 1985,” Artforum, March, p. 134 

Rimanelli, David, “Time Capsules 1986 – 1990,” Artforum, April, p.87 

Senaldi, Marco, “Haim Steinbach: Essenza É Apparenza”, Impackt, February, cover, pp. 78 - 85 

Sharp, Amanda, “Amanda Sharp visits Prada and Moss with Haim Steinbach,” Frieze, April, pp. 

50 - 53 

Steinbach, Haim, artist’s project “More or Less”, Der Standard, Austria, May 13. p. 6, 7 



“The Trouble with Christian,” Artforum, March, p.243 

Wilsher, Mark, “Breaking God’s Heart”, What’s On In London, Dec. 

2004 Lawson, Thomas, “Infotainment: Thomas Lawson on Media Moguls,” Artforum, October, art 

repro p. 93 

2005 Bankowsky, Jack, “East Village USA,” Artforum, April, pp. 179 – 180, art repro. p. 179 

Celant, Germano, “Oggetti e feticci,” L’espresso, September, pp. 102 

Doran, Anne, “Passages,” Time Out New York, April 7 – 13, p. 82 

Gregg, Gail, “How to Talk to an Artist,” Artnews, June, pp. 114 

Huntington, Richard, “Artists evoke da Vinci in ‘Reverse Engineers’”, Buffalo News, March 

Moreno, Gean, “Good Titles From Bad Books,” Art Us, p.20, art repro. p. 20 

“Ten Years – Generations of Art,” Fondazione Antonio Ratti, Como, La Provincia Suppliment, 

Apr, p. 6 

Vanderbilt, Tom, “Shop After Pop,” Artforum, May, pp. 77, 80, art repro. p. 77 

BAM/PFA, University of California, Berkeley Art Museum & Pacific Film Archive, Art & Film 

Notes, July/August, pp.5 

2006 _____________, “Freud and Contemporary Art: The Collection of the Sigmund Freud Museum 

Vienna,” The New Yorker, Goings On About Town, June 5 

Casadio, Mariuccia, “The Objects and Haim Steinbach”, L’uomo Vogue, October, pp. 45-47, 

art repro. pp 45-47 

Celant, Germano, “Haim Steinbach: An Existential Building Site,” InterReview, pp. 56-57, 

image p. 57 

Douglas, Sarah, “Staying Power”, Art + Auction, November, pp. 160-167, art repro. p. 164 

Estep, Jan, “More and Less: Haim Steinbach’s Dialectics,” InterReview, pp. 58 – 60, art repro. p. 

58 

Glueck, Grace, “Freud and Contemporary Art, The Collection of the Sigmund Freud Museum, 

Vienna,” The New York Times, June 16, p. E33 

Hilgenstock, Andrea, “Michael Pauseback und die Galerie Akira Ikeda”, Kunstzeitung, October, 

p.23 

Lapthisophon, Stephen, “Stephen Lapthisophon on Haim Steinbach,” InterReview, pp. 61 – 62, 


Lebovici, Elizabeth, “l’esprit de la matière”, Libération, mardi 2, February, art repro. 

Leydier, Richard, “Joseph Kosuth ‘Matter Grey’”, Art Press, February pp. 77 – 79 

“Matter Grey curated by Joseph Kosuth”, Les Inrockuptibles, n°538, March 21 and 27 

Ramade, Bénédicte, “Matiére grise”, L’oeil, n°578, March 

Rauer, Valentin, “The Thing in Search of Company: The Object and Social Texture in Haim 

Steinbach’s North East South West,” InterReview, pp. 63-66, art repro. p. 63 

Steinbach, Haim, “Artist's Project”, InterReview, pp. 20 – 28, cover 

Von Döltzschen, Ulrich, “Akira Ikeda Gallery zeigt Objekte von Haim Steinbach,” Die Welt, art 

repro. 

Wolfe-Suarez, Ginger, “Ginger Wolfe-Suarez Interviews Haim Steinbach,” InterReview, pp. 51- 

55, art repro. p. 53 

2007 __________, “Haim Steinbach,” The New Yorker, Goings On About Town, June 4, p. 17 

____________, “Haim Steinbach – Works 1983-2006”, Mousse, News, April, p. 79, art repro. p. 

79 

Bonazzoli, Francesca, “Mensole-ritratto” tra Duchamp e Carver, Gli oggetti reinventati 

dall’israeliano Haim Steinbach, Corriere Della Sera, April 11, p. 19, art repro. p. 19 

Ferrara, Jolanda, “L’opera concettuale di Haim Steinbach da Vistamare”, Il Centro – Cultura & 

Spettacoli, April 17, p. 42. art repro. 

Griffin, Tim, “Haim Steinbach,” Artforum, October, art repro. p. 368 



Hainley, Bruce, “Haim Steinbach,” Artforum, December, art repro. pp. 338, 339 

Meazza, Stefania, “Haim Steinbach – Lia Rumma, Milano; Vistamare, Pescara”, Il Segno, p. 

213, May – June 

Schwendener, Martha, “Proof That Things Are People Too (Well, Almost)”, The New York 

Times, May 18, art repro. p. E29 

Scuderi, Massimiliano, “Haim Steinbach – Vistamare/ Lia Rumma (MI)”, Flash Art, n. 269, June 

–July 

Scuderi, Massimiliano, “Haim Steinbach, Vistamare, Pescara” Arte e Critica, n. 51, June-July 

Tremblay, Nicholas, “Haim au pays des objets”, Numero, December/January, pp. 40-43, art 

repro. pp. 40-43 

2008 Ardenne, Paul, “Haim Steinbach”, Artpress, January, pp. 82, 83, art repro. p. 82 

Banai, Nuit, “John Armleder, Olver Mosset, Haim Steinbach,” Time Out New York, July 17-23, 

p. 58 

Benhamou-Huet, Judith, “L’a Aventura de Steinbach”, BC, Winter, pp. 54-57 

Heartney, Eleanor, “Haim Steinbach at Sonnabend,” Art in America, January, p. 132, art repro. p. 

132 

Porret, Karine, “Totems & Tabous”, Stilletto Homme, Febuary, pp. 88, 89, art repro. p. 89 

Steinbach, Haim, “The Artists on Artists: Haim Steinbach on Shelley Silver”, Artforum, 

December, p. 100 

Steinbach, Haim, “The Eyes Had It: Robert Pincus-Witten, Jeff Koons, and Haim Steinbach on 

Ileana Sonnabend (1914-2007)”, Artforum, January, pp. 73, 74 

Troncy, Eric, “Don’t Let Me Be The Last To Know.”, Frog, January, pp. 107-113 

Herbert, Martin, “Haim Steinbach”, Time Out London, June 19-25, p. 61, art repro. p.61 

_____________, “Armleder/Mosset/Steinbach,” The New Yorker, Goings On About Town, July 

7 

Johnson, Ken, “John Armleder, Olivier Mosset, Haim Steinbach”, The New York Times, August 

1, p.29 

SELECTED BOOKS AND CATALOGUES 

1988 Haim Steinbach: Recent Works, text Germano Celant, Jean-Louis Froment, Elisabeth Lebovici, 

John Miller, Haim Steinbach; capc Musee d’Art Contemporain de Bordeaux, (cat.) 

1990 Life-size / A Sense of the Real in Recent Art, text Carolyn Christov-Bakargiev, Germano Celant, 

Douglas Crimp, Suzanne Landau, Christian Leigh, Robert Storr, Martin Weyl; Israel Museum, 

Jerusalem,(cat.) 

Objectives: The New Sculpture, text Dan Cameron, Paul Schimmel, et al.; Newport Harbor Art 

Museum, California (publisher) (cat.) 

1991 Les Expositions du Palais des Beaux Arts; Joel Benzakin, Benjamin Buchloh, Germano Celant, 

John Knight, Dirk Snauwaert, Haim Steinbach; Imschoot, Uitgevers, Bruxelles (cat.) 

1992 no rocks allowed, Haim Steinbach; Witte de With Center for Contemporary Art, 

Rotterdam (cat.) 

1993 L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, text Guy Tosatto, Elizabeth Lebovici, 

Pierre Restany, et. al; Carré a’Art, Nimes, p. 20, 190; art repro. pp. 153-154 (cat.) 

Osmosis: Ettore Spalleti & Haim Steinbach, text Germano Celant, Thomas Krens, Nancy 

Spector; Guggenheim Museum, New York (cat.) 



Modernism in Dispute, Art since the Forties, Paul Wood, Francis Frascina, Johnathan Harris, 

Charles Harrison; Yale University Press, New Haven, pp. 241, 243 

1994 Acquisitions, 1985-1993, text Wim Beeren, Rini Dippel, Dorine Mignot, et. al.; Stedelijk 

Museum, Amsterdam, art repro. p.78 (cat.) 

Das Jahrhundert des Multiple: von Duchamp bis zur Gegenwart, text Zdenek Felix, Stefan 

Germer, Claus Pias, Katerina Vastella; Deichtorhallen Hamburg, Oktagon Verlag pp. 69, 227 

(cat.) 

Installation Art, Nicolas de Oliveira, Nicola Oxley, and Michael Petry, eds.; Smithsonian 

Institute Press, pp.125,154 

Public Art Issues #3 – Urban Paradise: Gardens in the City, text Tom Eccles, Patricia Phillips, 

et. al.; Public Art Fund, New York 

1995 Art Since 1940: Strategies of Being, text Johnathan Fineberg; Harry N. Abrams Inc. Publishers, 

New York, p. 459, art repro. p. 460 

Haim Steinbach, text Joshua Decter, Jean Pierre Dubost, Martin Prinzhorn, Trevor Smith et. al; 

Ritter Verlag, Klagenfurt Austria, (cat.) 

Haim Steinbach, text Ida Gianelli, Mario Perniola, Lynn Tillman, Giorgio Verzotti; Castello di 

Rivoli and Edizioni Charta Milan, (cat.) 

1996 Art of the Postmodern Era, text Irving Sandler; Harper Collins, New York , NY, pp. 482 - 483, 

491 - 493, 500, 507, 518, 528; illus. 492 

The Return of the Real, text Hal Foster; The MIT Press, Cambridge, pp. 107, 109-116, art repro. 

p. 113 

Art on the Edge and Over, text Linda Weintraub; Art Insights, Inc., Litchfield, CT. 

1997 Art Since 1960, text Michael Archer; Thames and Hudson, London, illus., pp. 171-172 

Citta Natura, text Carolyn Christov-Bakargiev, Maria Grazia Tolomeo, Ludovico Pratesi, et. al.; 

Fratelli Palombi Editori, Rome, illus., pp. 19, 179-181 (cat.) 

Kunst: die Weltgeschichte, texts Enrico Annoscia, Marco Biscione, Rossana Bossaglia, et. al.; 

DuMont Buchverlag, Cologne, illus., p. 665 

Movements in art since 1945, text Edward Lucie-Smith; Thames and Hudson, illus., p. 225 

Haim Steinbach, text Eva Badura-Triska, Bruce Ferguson, Michel Gaulthier, et. al.; Museum 

Moderner Kunst Stiftung Ludwig, Vienna 

1998 Anos 80: The Eighties, text Maria De Corral, Alexandre Melo, Dan Cameron, José Gil; 

Cultureguest, Lisbon, pp. 19, 157, illus. plates 82 and 83 (cat.) 

Artist/Author: Contemporary Artists’ Books, text Cornelia Lauf, Clive Phillpot, et. al., 

Distributed Art Publishers, New York and The American Federation of the Arts, New York, pp. 

69, 75, 152, 158, illus. p. 150 (cat.) 

Art of the 20th Century, ed. by Ingo F. Walther, text by Karl Ruhrberg, Manfred Schenburger, 

Christiane Fricke, Klaus Hennef;Tashen, Köln, pp. 570-571, illus. p.571 

Conceptual Art, text Tony Godfrey; Phaidon Press Limited, London, pp. 394, 395, art repro. p. 

393 

Oxford History of Art — Sculpture Since 1945; text Andrew Causey; Oxford University Press, 

Oxford, pp. 229, 241, 246 - 247, 256, illus. p. 247 

Passage: Gideon Gechtman, Bertrand Lavier, Haim Steinbach; text Lorand Hegyi, Nira Itzhaki; 

Checlouche Gallery for Contemporary Art, Tel Aviv, English text pp. 5, 6-9, 25, Hebrew text pp. 

5, 6, 22-23, illus. pp 4 - 13, 33 (cat.) 

René Magritte and the contemporary art; text Willy Van den Bussche, et. al.; Museum voor 

Moderne Kunst, Oostende, p. 186, illus. pp. 187 - 189 (cat.) 

Haim Steinbach: Rossini at 4:00 a.m.; text Franca Mancini, Paolo Fabbri, Renato Barilli, Achille 

Bonito Oliva, et. al.; Galleria di Franca Mancini, Pesaro (cat.) 

1999 5000 Artists Return to Artists Space: 25 Years, ed. Claudia Gould, Valerie Smith 



Art at the Turn of the Millenium, ed. by Burkhard Riemschneider, Uta Grosenick; Taschen, art 

repro., pp. 471-481 

Contemporary Art During the Art Market Boom, text Max Hollein; Böhlau, Vienna, art repro. 

Haim Steinbach: Untitled (3 tents); text Zdenka Badovinac, Moderna galerija Ljubljana, 

Slovenia, (cat.) 

Heaven; ed. Doreet LeVitte Harten, Cantz Verlag, Ostfildern, Germnay, pp. 151-152, art. repro. 

p. 153 (cat.) 

KunstSammeln, ed. by Gotz Adriani, Museum Fur Neue Kunst,.Karlsruhe and Hatje Cantz, 1999. 


Mike Kelley, text John C. Welchman, Isabelle Graw, Anthoiny Vidler, Phaidon Press, London, 

pp. 67, 71, art repro. p. 71 

S.M.A.K, The Collection; text Jan Hoet & Laurens De Keyzer, Steven Jacobs, Els Roelandt; 

Ludion, Ghent - Amsterdam, for the Stedelijk Museum voor Actuele Kunst, Ghent, pp. 184. 186, 

197, art repro. p. 197 (cat.) 

2000 Dinge in der Kunst des XX. Jahrhunderts, text Christoph Vitali, Axel Hacke, Stephanie 

Rosenthal, et. al; Haus der Kunst, Munich and Steidl, Göttingen, pp. 248 – 251, art repro. 

Gratis. A bordo dell’arte, text Achille Bonito Oliva; Skira editore, Milano, art repro. p.XXVII 

Haim Steinbach, text Haim Steinbach, Angela Vettese, Giacinto Di Pietrantonio, Anna Daneri, 

Francesca Achibugi, Dimitris Kozaris, Marco Senaldi; Charta, Milan (cat.) 

Haim Steinbach: North East South West, text by Stephanie Rosenthal, Alexander Tolnay, 

Valentin Rauer, Bruce Ferguson; exhibition catalogue for Haus der Kunst, Munich; Hatje Cantz 

Verlag Ostfildern-Ruit (cat.) 

Konsum als Religion?: Uber die Wiederverzauberung der Welt, text Mattias Sellmann, 

Wolfgang Isenberg, et.al; B. Kuhlen Verlag, Monchengladbach, art repro. p. 58 

L’assenza Invadente del Divino, text Alberto Abruzzese, Giulio Giorello, Franco Speroni, Luisa 

Valeriani, Edizione de Luca, Italy, pp.19-21, art repro. pp. 30-31(cat.) 

Minimalism, ed. by James Meyer; Phaidon Press Limited, London, p. 39 (with art repro.) 

Over the Edges, Jan Hoet et.al., Stedelijik Museum voor Actuele Kunst, Gent, art repro. p. 232. 

(cat.) 

Partage D’ Exotismes: 5 th Biennale D’ Art Contemporain De Lyon, text Thierry Prat, Thierry 

Raspail, Jean-Hubert Martin, et. al; Reunion des Musees Nationaux, art repro. Vol. 2 pp. 79 - 80 

Robert Nickas Live Free or Die, Collected Writings 1985-1999, Shopping with Haim Steinbach, 

les presses du reel,pp. 32-42 

Castelli in aria: Art in Naples at the End of the Millennium, Umberto Allemandi & C., art 

reprod. p. 57 

2001 Armando Testa, text, Ida Gianelli, Haim Steinbach, et al; Edition Charta, Milan, pp 76-79, art 

repro. p.77 (cat.) 

la Storia dell’ ARTE, text Alfonso De Giorgis, Maria Carla Prette, Giunti, Firenze, art repro.,p 

258 (cat.) 

Monets Vermächtnis, text Christoph Heinrich, Ludger Derenthal, Martina Fuchs, et.al. Hatje 

Kantz Verlag, Germany, art repro. p.167 

Perfektimperfekt, text Stephan Schmidt-Wulffen, modo, Germany, pp. 152, 154, 163, 164, art 

repro., p.156 

Pictures, Patents, Monkeys, and More… On Collecting, text Ingrid Schaffner, Fred Wilson, 

Werner Muensterberger, Independent Curators International, New York, art repro., p.11 (cat.) 

The Overexcited Body; Arte e Sport nella Societe’ Contemporanea, text Vladimir Petrovsky, 

Sergio Scalpelli, Danilo Santos de Miranda, Adelina von Furstenberg, Yorgos Tzirtzilakis, Art 

for the World, Geneve, art repro., p. 90-91 



2002 Art After Appropriation; Essays on Art in the 1990s, text John C. Welchman, G+B Arts 

International, Canada, pp. 19, 39,42-433 59, 228 art repro. p. 44 

Bibliomania 2000/2001, ed. and printed by Simon Morris and individual contributors, pp. 507- 

525, art repro. (cat.) 

Catalogue Raisonné Collection of Contemporary Art Fundación “la Caixa”, text Carles Guerra 

et. al., Gràfiques Iberia, Barcelona, Vol. 2 pp. 627-629, art repro. p. 628 

From Pop to Now, text Charles Ashley Stainback and Rachl Haidu, D.A.P., New York, p.134, 

art. repro. p. 135 

Le Livre du Frac-Collection Aquitaine Panorama de l’art d’aujourd’hui, text Guy Amsellem, 

Hervé Legros, et. al., Le Festin, France, pp. 650 – 653, art repro. pp 651 - 653 

Life Death Love Hate Pleasure Pain, text Elizabeth A.T. Smith, Alison Pearlman, Julie 

Rodrigues Widholm, et.al., Museum of Contemporary Art, Chicago, art repro. pp. 188-189 

NON, Haim Steinbach, artist’s project, One Star Press, France 

Perfektimperfekt, text Stephan Schmidt- Wulffen, modo, Germany, pp. 153, 154, 163, 164 art 

repro. p. 163 

This Is Not It, text Lynne Tillman, D.A.P., New York, art repro. p. 196 

2003 ∞NON, Haim Steinbach, artist’s project, Charta, Milano 

American Art Since 1945, by David Joselit, Thames & Hudson World of Art, New York pp. 

207–8, p. 215 

Art Since 1960; New Edition, by Michael Archer, Thames & Hudson world of art, London, pp. 

166 – 168, 184, 186 

Castello di Rivoli Museum of Contemporary Art; the Castle – the Collection, edited by Ida 

Gianelli and Marcella Beccaria, Umberto Allemandi & C., Turin, pp. 338–343 

Concrete Art: Ein Projekt von Graz, Graz 2003 Kulturhauptstadt Europas Organisations GmbH, 

Kunstlertexte, Edelbert Köb. Kunst Bundeskanzleramt. 

Je Veux, edited by Christophe Boutin, One Star Press, art repro., p. 35 

Or, artist’s book by Haim Steinbach, Fama & Fortune, Vienna 

Pearlman, Alison, Unpackaging Art of the 1980’s, University of Chicago Press, Chicago 

2004 Gibbons, Joan, From Capitalist Realism to Surrealism (and back again), (this is the name of 

chapter, name of book etc. to come) 

Lauf, Cornelia, Camera Oscura, Cornelia Lauf Edition, art reprod. p. 35 

Inside the Studio: Two Decades of Talks with Artists in New York, interviewed by ICI, Ed. Judith 

Olch Richards, Independent Curators International (ICI), New York, pp. 70–73. 

Intra-muros, Mamac, Nice, text by Denys Riout, Norbert Hillaire, Yvan Gastaut and Gilbert 

Perlein, art repro pp. 208-210. 

Liebesgrüsse aus Odessa für/for/á Peter Weibel, Merve Vverlag, Berlin, pp. 47 – 49 

Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, 

Ed. Jeffrey Deitch, art repro pp. 286 – 387 

East Village USA, Dan Cameron, Liza Kirwin, and Alan Moore, pp. 30, 51, 52 

Visions of America, Contemporary Art from the Essl Collection and the Sonnabend Collection, 

New York, Patrick Werkner, pp. 53, 61, 107, 109 

2005 Art and Advertising, text Joan Gibbons, I.B. Tauris & Co. Ltd., pp. 68, 70, 77, 81, art repro. p. 70 

Chronos –Il tempo nell’arte dall’epoca barocca all’eta contemporanea Centre CeSAC- 

Associazione Marcovalso, Caraglio (Cuneo) Italy, Andrea Busto, Edizioni Marcovaldo, pp. 342, 

343 

Flashback: Revisiting the Art of the 80’s, text Hatje Cantz Verlag, Kunstmusem Basel, Museum 

fur Gegenwartskunst, pp. 39,54, art repro. p. 118 

Frieze Projects: Artists’ Commissions and Talks 2003-2005, edited by Polly Staple and Melissa 

Gronlund, Frieze, pp. 124-135, 318, art repro. p. 124 



Hyperframes: Un Discorso Sulla post-Appropriazione in Arte, Collins & Milazzo, Campanotto 

Editore, pp. 87, 89, 94, 95, 101, 124 

L’art Moderne Et Contemporain, by Serge Lemoine, Larousse, pp. 286, 287, art repro. p. 287 

Looking, Encountering, Staging, edited by Anke Bangma, published by Piet Zwart Institute & 

authors, Willem De Kooning Academy Publications, Rotterdam, Netherlands, p. 87 

Generations of Art, Fondazione Antonio Ratti, Como and Edizoni Charta, Milano, pp. 50-53, 

126 

(my private) Heroes, text Marta Herford, Kerber Publications, p. 71 

Sweet Dreams: Contemporary Art and Complicity, text Johanna Drucker, University of Chicago 

Press, pp. 67, 101 

2006 Contemporary Sculpture, Zwirner &Wirth, Transcontinental Litho Acme, Montreal, p. 6, art 

repro. pp. 55, 56 

Freud and Contemporary Art: The Collection of the Sigmund Freud Museum Vienna, Austrian 

Cultural Forum, New York, curated by Peter Pakesch and Inge Scholz-Strasser, pp. 30, 31 

Frieze Projects: Artists’ Commissions and Talks 2003-2005, edited by Polly Staple and Melissa 

Gronlund, Frieze, pp. 124-135, 318, art repro. p. 124 

Haim Steinbach, Percussion., text by Jan Estep, Akira Ikeda Gallery, Taura, Japan & Berlin, 

Germany (cat.) 

In the Darkest Hour, There May Be Light, Serpentine Gallery, London 

Les Rencontres Rossiniennes 1980-2005: venticinque anni di mostre del Teatro degli Artisti a 

Pesaro, Galleria di Franca Mancini, Pesaro, Umberto Allemandi &C., pp. 118-121 

Rebeginning, “Overexposed,” Self Service, Spring/Summer, published and edited by Ezra 

Petronio, p. 288 

Sculpture From the Sheldon Memorial Art Gallery, edited by Karon O. Janovy, University of 

Nebraska Press, Lincoln and London, pp. 209, 210, 211 

The Uncertainty of Objects and Ideas: Recent Sculpture, text Anne Ellegood, Hirshhorn 

Museum, Washington D.C. (cat.), p. 69, art repro. p. 69 

Zwanzig Jahre Schirn (Twenty Years of the Schirn: In Pictures and Interviews), edited by 

Herausgeber, Schirn Kunsthalle Frankfurt, art repro. pp. 311, 312 

2007 Living in the Material World: “Things” in Art of the 20 th Century and Beyond, published by 

National Art Center, Tokyo, pp. 289, 354, 360, 388, art repro. p. 233 (cat.) 

Minimalism and After, DaimlerChrysler Collection, text Renate Wiehager, p. 117, 480, art repro. 

62, 481 

Teme Celete, September/October, Special Project by Haim Steinbach, pp. 66-71 

The Contemporary Art Collection of the Sigmund Freud Museum, Vienna in Moscow, published 

by Stella Kay, curated by Peter Pakesch, Inge Scholz-Strasser, Boris Manner, pp. 28-29, art 

repro. p. 29 

Unmonumental: The Object in the 21 st Centry, “a minor place,” by Trevor Smith, p. 184, art 

repro. p. 187 (cat.) 

2008 Americamerica, by Matt Keegan, published by Printed Matter, New York, art repro. p. 43 

The American Tornado; Art in Power 1949-2008, by Germano Celant, published by Skira, art 

repro. pp. 371-384 

Artists’ Handbook, text Jan Ceuleers, S.M.A.K., The Hands of Art, published by Ludion, 

Belgium 

Block #05 / Shiny Nose, Published by Block Magazine, Tel Aviv, art repro. pp. 127-131 

Claude Closky 8002-9891, text Michel Gauthier, published by mac/val musee d’Art 

contemporain du Val-de-Marne, p, 91, 92, art repro. p. 91 

Encyclopaedia of Terrestrial Life Volume VIII, by Lydia Yee and Francesco Manacorda, 

published by Martian 



Espèces D’espace – The Eighties First Part, Magasin, Grenoble, curated by Yves Aupetitallot, 

art repro. 114, 115, 119 (cat.) 

Museum of Terrestrial Art, Barbican Art Gallery, p. 221, art repro. p. 108 

Peep, Glimpses of the Last 4 Decades from the Kerry Stokes Collection, TarraWarra Museum of 

Art, Healesville, Victoria & Art Galery of Western Australia, Perth art repro. p. 41 (cat.) 

Reality Bag, Publication coordinated by John Armleder, PUMA Urban Mobility, the Serpentine 

Gallery and glamour engineering 

The Return of Religion and Other Myths: The Art of Iconoclasm, basis voor actuele kunst, 

Utrecht, Netherlands, curated by Sven Lütticken , art repro. p. 60 (cat.) 

Who Am I? What Am I? Where Am I?, by Aura Rosenberg, published by Hatje Cantz, Germany, 

images (collaborative) pp. 102-103, 167

STEINBACH BIO 2011 - Sonnabend Gallery

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