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Yearbook 2009/10: The Year of Suburbia - London Transport Museum

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<strong><strong>Year</strong>book</strong> <strong>2009</strong>/<strong>10</strong><br />

<strong>The</strong> <strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />

∙ Curating the suburbs<br />

∙ Inspiring the next generation<br />

∙ High-speed rail Jim Steer vs Stephen Glaister<br />

∙ Young people and policing


<strong><strong>Year</strong>book</strong> <strong>2009</strong>/<strong>10</strong><br />

<strong>The</strong> <strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />

Incorporating the Annual Report <strong>of</strong> the Trustees and<br />

financial statements for the year ended 31 March 20<strong>10</strong>


05 | Message from the Chair <strong>of</strong> Trustees<br />

and Managing Director<br />

06 | History <strong>of</strong> the <strong>Museum</strong><br />

09 | What we do<br />

<strong>10</strong> | <strong>The</strong> year in summary<br />

13 | Education and engagement<br />

19 | Access and museum operations<br />

25 | Heritage and collections<br />

Feature articles*<br />

31 | Curating the suburbs<br />

David Bownes<br />

32 | Inspiring the next generation<br />

Tim Herbert<br />

33 | Young people and policing<br />

Graham Daly<br />

34 | Young Consultants bridge the gap<br />

LTM Young Consultants<br />

35 | Cubic and the <strong>London</strong><br />

<strong>Transport</strong> <strong>Museum</strong><br />

Roger Crow<br />

36 | A proud tradition <strong>of</strong> entrepreneurs<br />

and innovators<br />

Lord Adonis<br />

37 | Forum for debate<br />

Claire Williamson<br />

38 | Why Britain needs high-speed rail<br />

Jim Steer<br />

39 | <strong>The</strong> uncertain gains <strong>of</strong> high-speed rail<br />

Stephen Glaister<br />

* Feature articles do not form part <strong>of</strong><br />

the audited Report <strong>of</strong> the Trustees.<br />

40 | Plans for the future<br />

43 | Income and support<br />

48 | Public programme<br />

54 | Structure, governance<br />

and management<br />

58 | Trustees’ statement<br />

59 | Independent auditors’ report<br />

61 | Trustees and advisors<br />

62 | Financial review


04 | Introduction Introduction | | 05<br />

Message from the Chair <strong>of</strong> Trustees and Managing Director<br />

Sir David Bell and Sam Mullins<br />

We are pleased to present<br />

the second <strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong> <strong><strong>Year</strong>book</strong>. This review<br />

<strong>of</strong> activities throughout the year<br />

celebrates our wide-ranging<br />

work to share knowledge <strong>of</strong> the<br />

Capital’s remarkable transport,<br />

and is complemented by a<br />

series <strong>of</strong> articles written by our<br />

colleagues and collaborators.<br />

In March 20<strong>10</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

(LTM) celebrated 30 years in Covent<br />

Garden. During that time this young<br />

<strong>Museum</strong> has built an excellent reputation<br />

for audience access and engagement. Its<br />

exhibitions and public events have broken<br />

the static museum mould to reflect the<br />

colour, light and movement <strong>of</strong> <strong>London</strong>’s<br />

transport. We have built a unique<br />

competence in outreach. LTM delivers<br />

engaging programmes to young people to<br />

promote their safety and good citizenship,<br />

undertakes restorative work with young<br />

<strong>of</strong>fenders, and promotes community<br />

curation in support <strong>of</strong> new research and<br />

collecting. We take the <strong>Museum</strong> <strong>of</strong>f-site,<br />

but just as importantly, bring these new<br />

voices and ideas back into the <strong>Museum</strong>.<br />

Since 1980 LTM has welcomed an<br />

estimated six million visitors to the<br />

galleries and many others to the online<br />

collection. We have demonstrated the<br />

ever-present triumph achieved by our<br />

buses and Tubes in moving millions <strong>of</strong><br />

men, women and children round <strong>London</strong><br />

each day, and the rich design heritage <strong>of</strong><br />

stations, signs, vehicles and posters.<br />

<strong>Transport</strong> for <strong>London</strong> and its predecessor<br />

<strong>London</strong> <strong>Transport</strong> have long fostered<br />

the development <strong>of</strong> the world’s leading<br />

museum <strong>of</strong> urban transport – from its<br />

simple beginnings at Syon Park in 1973,<br />

through the far-sighted move to Covent<br />

Garden in 1980, to the steady growth<br />

<strong>of</strong> the multi-faceted museum we have<br />

become today. In 20<strong>10</strong>, LTM is known for<br />

its nationally designated collections and<br />

research library; its topical educational<br />

programmes that achieve real impact in<br />

the Capital; a rich and engaging website;<br />

and a showpiece collection store at<br />

Acton, all supported by a deep base<br />

<strong>of</strong> scholarship and research.<br />

<strong>The</strong> support <strong>of</strong> the Heritage Lottery<br />

Fund, the Renaissance programme <strong>of</strong><br />

the <strong>Museum</strong>s, Libraries and Archives<br />

Council (MLA) and nearly <strong>10</strong>0 corporate<br />

sponsors and partners has been essential<br />

to the <strong>Museum</strong>’s progress. Our Thought<br />

Leadership programme has established<br />

LTM as a forum for debate about<br />

transport and <strong>London</strong>’s future, and<br />

provided networking opportunities<br />

for our corporate partners.<br />

It is already difficult for us to<br />

remember the <strong>Museum</strong> which closed for<br />

refurbishment in 2005. So much has been<br />

achieved in the two and a half years since<br />

the launch <strong>of</strong> the ‘new’ <strong>Museum</strong>. We are<br />

attracting 40% more visitors, mounting<br />

regular high-quality exhibitions, engaging<br />

with the new social opportunities <strong>of</strong><br />

the web and running a busy events<br />

programme throughout the year.<br />

Plans are already in hand for <strong>London</strong><br />

Journeys, our contribution to the Cultural<br />

Olympiad and the 2012 Olympic Games.<br />

We are also preparing a remarkable year<br />

<strong>of</strong> celebration in 2013, when we mark the<br />

opening <strong>of</strong> the world's first underground<br />

railway between Paddington and<br />

Farringdon in January 1863.<br />

Our sincere thanks go to all staff<br />

and volunteers, our fellow Trustees<br />

and the Friends, and everyone who has<br />

supported our work throughout the<br />

year and furthered the <strong>Museum</strong>’s<br />

continuing success.


06 | History <strong>of</strong> the <strong>Museum</strong> History <strong>of</strong> the <strong>Museum</strong> | 07<br />

History <strong>of</strong> the <strong>Museum</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> traces its origins to the formation<br />

by the <strong>London</strong> General Omnibus Company (LGOC) <strong>of</strong> a small<br />

collection <strong>of</strong> early buses at Chiswick Works in the 1920s and 1930s.<br />

In 1929 the LGOC built a replica <strong>of</strong> George Shillibeer’s horse-drawn<br />

omnibus to celebrate the centenary <strong>of</strong> <strong>London</strong>’s first ‘hail and ride’<br />

public bus service in 1829. <strong>The</strong> two original horse buses and the<br />

B-type motorbus now on display at Covent Garden also took part<br />

in the celebrations.<br />

In 1933 the <strong>London</strong> Passenger <strong>Transport</strong><br />

Board was formed. It established a policy<br />

<strong>of</strong> preserving significant vehicles as they<br />

were withdrawn from service. In 1951<br />

the British <strong>Transport</strong> Commission<br />

recommended the preservation <strong>of</strong><br />

transport heritage collections and the<br />

addition <strong>of</strong> further records and vehicles<br />

at the end <strong>of</strong> their operational life. <strong>London</strong><br />

<strong>Transport</strong> and its successors were given<br />

a statutory duty to preserve the material<br />

collected to date.<br />

<strong>The</strong> <strong>Museum</strong> <strong>of</strong> British <strong>Transport</strong> was<br />

set up in a former <strong>London</strong> <strong>Transport</strong><br />

garage at Clapham to house the national<br />

transport collections. A curator was<br />

appointed and a small exhibits section<br />

opened in 1961, followed by the main<br />

hall in 1963. While the main line railway<br />

material was moved to the new National<br />

Railway <strong>Museum</strong> at York which opened in<br />

1975, the <strong>London</strong> material moved to Syon<br />

Park, Brentford, opening as the <strong>London</strong><br />

<strong>Transport</strong> Collection in 1973.<br />

In the 1970s, a more central location<br />

to display this important collection was<br />

identified. <strong>The</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

was created in the former Flower Market<br />

at Covent Garden and opened in 1980.<br />

Since then the <strong>Museum</strong> has been strongly<br />

supported by <strong>London</strong> <strong>Transport</strong> and its<br />

successor <strong>Transport</strong> for <strong>London</strong> (TfL).<br />

A major refurbishment led to the<br />

<strong>Museum</strong>’s relaunch in November 2007,<br />

with extended gallery space and new<br />

displays, upgraded visitor facilities and<br />

a new exhibitions suite.<br />

In April 2008, a new scheme <strong>of</strong><br />

governance made LTM a subsidiary<br />

company <strong>of</strong> TfL with charitable status.<br />

This was adopted to sustain the long-term<br />

future <strong>of</strong> the <strong>Museum</strong>. It has enabled LTM<br />

to retain its close connection with TfL,<br />

but also draw on the benefits <strong>of</strong> being<br />

a charity. In March 20<strong>10</strong>, the <strong>Museum</strong><br />

completed 30 years in Covent Garden,<br />

welcoming <strong>London</strong>ers and visitors to the<br />

Capital to share the important story <strong>of</strong><br />

<strong>London</strong>’s transport and how it has shaped<br />

the city we know today.


08 | What we do What we do | 09<br />

What we do<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> is an educational and heritage<br />

preservation charity.* Its purpose is to conserve and explain the<br />

history <strong>of</strong> <strong>London</strong>’s transport, to <strong>of</strong>fer people an understanding <strong>of</strong><br />

the Capital’s past development and to engage them in the debate<br />

about its future. We deliver public benefit across three main areas<br />

<strong>of</strong> activity:<br />

Education and engagement<br />

Led by the <strong>Museum</strong>’s Learning department, our education and engagement activities<br />

deliver learning opportunities to a wide range <strong>of</strong> audiences through activities on-site<br />

at the <strong>Museum</strong> in Covent Garden and the Depot in Acton, and via a variety <strong>of</strong> outreach<br />

programmes <strong>of</strong>f-site. Educational outcomes are considered for all temporary and<br />

permanent exhibitions and the <strong>Museum</strong> <strong>of</strong>fers a library and information service for<br />

independent learning and research.<br />

Access and museum operations<br />

Led by the Visitor Services and Support Services departments, our access and museum<br />

operations activities make the collection available for the enjoyment <strong>of</strong> people <strong>of</strong> all<br />

ages, abilities and backgrounds through the daily operation <strong>of</strong> the <strong>Museum</strong> and galleries,<br />

special events at the Depot in Acton and via extensive online <strong>Museum</strong> resources.<br />

Heritage and collections<br />

Led by the Collections department, our heritage and collections work involves<br />

preserving, managing, researching and acquiring transport-related objects and material<br />

for the use and enjoyment <strong>of</strong> the public through permanent and temporary exhibitions,<br />

heritage vehicle outings and other collections-based activities. <strong>The</strong> breadth and quality<br />

<strong>of</strong> the collections, now totalling some 350,000 objects, mean that they are relevant to<br />

far more than just transport history and constitute an important resource for the study<br />

and interpretation <strong>of</strong> industrial design and the social, urban and economic history<br />

<strong>of</strong> <strong>London</strong>.<br />

* For full details <strong>of</strong> our approach to governance and public benefit, see page 54


<strong>10</strong> | <strong>The</strong> year in summary <strong>The</strong> year in summary | 11<br />

<strong>The</strong> year in summary<br />

Despite the challenging background <strong>of</strong> the deepest economic<br />

recession since the 1930s, LTM was able to deliver its plans for<br />

<strong>2009</strong>/<strong>10</strong>.<br />

<strong>The</strong> refurbished <strong>Museum</strong> at Covent<br />

Garden enabled us to exceed our<br />

visitor target by 5%, while investment<br />

in online content attracted more web<br />

visitors than ever before. Our high-quality<br />

youth engagement work continued to<br />

attract young people to engineering<br />

as a career and saw the development<br />

<strong>of</strong> new into-work schemes for the<br />

young unemployed.<br />

We exceeded our expectations <strong>of</strong> income<br />

from corporate sources, delivering the<br />

Thought Leadership programme and<br />

deepening our relations with existing<br />

partners and new sponsors.<br />

Although retail growth was constrained<br />

by market conditions, we maintained our<br />

retail turnover and saw a modest increase<br />

in online income. Cost savings were<br />

achieved across the organisation through<br />

better resource management and rigorous<br />

contract negotiation. Plans for the future<br />

development <strong>of</strong> services at Acton Depot<br />

were developed but have been put on<br />

hold while the feasibility <strong>of</strong> access to the<br />

site for new <strong>London</strong> Underground rolling<br />

stock is established.<br />

<strong>Suburbia</strong> was highly<br />

commended for the<br />

20<strong>10</strong> <strong>Museum</strong> & Heritage<br />

Awards for excellence<br />

<strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />

<strong>The</strong> <strong>Museum</strong>’s public programme<br />

in <strong>2009</strong>/<strong>10</strong> was themed around the<br />

relationship between public transport and<br />

the creation <strong>of</strong> the suburbs. <strong>The</strong> <strong>Suburbia</strong><br />

exhibition was our first heritage-led<br />

exhibition since reopening. It broke new<br />

ground by exploring how transport shaped<br />

the suburbs and celebrated suburban<br />

lifestyle, architecture, design and<br />

popular culture.<br />

<strong>Suburbia</strong> used a wide variety <strong>of</strong><br />

collections to illustrate both the myth<br />

and the reality <strong>of</strong> the suburbs, from the<br />

first suburb created by the Tube, Golders<br />

Green in 1907, to the present day. <strong>The</strong><br />

exhibition included contemporary and<br />

community collections, a garden with<br />

pond and gnomes, Gerry and Margot<br />

from the 1970s BBC sitcom <strong>The</strong> Good<br />

Life, as well as photographic content<br />

generated through direct Flickr feeds<br />

into the exhibition.<br />

<strong>The</strong> rich mix <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />

posters, property advertisements,<br />

community video, postcards and personal<br />

accounts was popular with visitors and<br />

the media alike, leading to outstanding<br />

editorial coverage for the exhibition<br />

and programme. <strong>Suburbia</strong> supported<br />

the redefinition <strong>of</strong> a transport museum,<br />

as a place for thought and debate on<br />

the influence <strong>of</strong> transport on place and<br />

identity in <strong>London</strong>. We are grateful to<br />

American Express for their support which<br />

underpinned the success <strong>of</strong> <strong>Suburbia</strong>.<br />

<strong>Suburbia</strong><br />

in numbers<br />

156,293: Number<br />

<strong>of</strong> visitors to the<br />

<strong>Suburbia</strong> exhibition<br />

236: Number <strong>of</strong><br />

objects from the LTM<br />

collection on display<br />

in <strong>Suburbia</strong><br />

5790: Number <strong>of</strong><br />

visitors who used the<br />

gallery interactive to<br />

tell us what suburbia<br />

means to them<br />

718: Number <strong>of</strong><br />

photos submitted<br />

to our ‘Share your<br />

suburbia’ group<br />

on Flickr<br />

15.2%: Proportion<br />

<strong>of</strong> visitors surveyed<br />

who came to <strong>Suburbia</strong><br />

on the recommendation<br />

<strong>of</strong> friends<br />

12: Number <strong>of</strong> garden<br />

gnomes lurking in the<br />

<strong>Suburbia</strong> galleries


Education and engagement


14 | Education and engagement<br />

Education and engagement | 15<br />

Education and engagement<br />

In <strong>2009</strong>/<strong>10</strong>, the Learning Department delivered creative<br />

programmes to a wide range <strong>of</strong> audiences both on-site and<br />

through outreach to schools and communities across <strong>London</strong>.<br />

Families filled the galleries in holiday periods and weekends,<br />

exploring the collections through innovative displays and activities.<br />

<strong>The</strong>re were 16,271 school visits to the<br />

<strong>Museum</strong> and Depot over the course <strong>of</strong><br />

the year. Disappointingly, this was down<br />

from the previous year, with schools<br />

reporting increased economic and<br />

administrative barriers to museum visits<br />

across the sector. To reverse this decline,<br />

we intend to invest in what we <strong>of</strong>fer<br />

schools and improve communication<br />

with teachers about the benefits <strong>of</strong> our<br />

school programmes.<br />

<strong>The</strong> Safety and Citizenship team worked<br />

with young people to improve their skills<br />

in using <strong>London</strong>’s public transport system.<br />

This year the team introduced a mobile<br />

rail display vehicle which recreates the key<br />

elements <strong>of</strong> a station but with inflatable<br />

trains. This allows young people to<br />

experience potential risks while remaining<br />

in a safe environment. <strong>The</strong> initial ambition<br />

to deliver the programme to all <strong>Year</strong> 6<br />

schoolchildren in TfL’s operational region<br />

has, due to reduced funding, been scaled<br />

down to those in the Greater <strong>London</strong><br />

area. Closer cooperation with British<br />

<strong>Transport</strong> Police included the training <strong>of</strong><br />

volunteer <strong>Transport</strong> Youth Engagement<br />

Officers, recognising the expertise <strong>of</strong> our<br />

learning staff in dealing positively with<br />

young people.<br />

To encourage young people to consider<br />

careers in the transport industry, ‘Route<br />

into Work’ was developed. A partnership<br />

with TfL and the <strong>London</strong> Apprenticeship<br />

Company, this new programme uses<br />

practical activities to increase the<br />

employability <strong>of</strong> young people who are<br />

outside the education system. Projects<br />

with local groups across the Capital saw<br />

video productions, dance performances<br />

and new displays help us achieve stronger<br />

relationships with our partners. All helped<br />

to position LTM as an active force in<br />

<strong>London</strong>’s local communities.<br />

Journalists, writers, artists and<br />

students are among those who seek<br />

information from LTM about transport<br />

services and the people who run and use<br />

them. In <strong>2009</strong>/<strong>10</strong>, 734 researchers used<br />

the library, and we provided 3376 in-depth<br />

replies to enquiries by email, phone and in<br />

person. Adults with a wider interest in<br />

transport history attended our courses<br />

through Birkbeck, City Lit and the<br />

Workers’ Education Association.<br />

New and exciting talks and events<br />

attracted diverse audiences looking for a<br />

dose <strong>of</strong> culture with a twist. <strong>The</strong>se ranged<br />

from a lecture on Southgate’s spaceship<br />

(and other amazing Tube stations) to a<br />

spring hat parade and sing-a-long Street<br />

Beat. <strong>The</strong>med Friday Lates cast new light<br />

on the galleries, as musicians, artists, quiz<br />

masters, speed daters and even bingo<br />

callers redrew the map <strong>of</strong> WC2, installing<br />

LTM as the place to be for a fun and<br />

engaging night out.<br />

<strong>The</strong> education pages <strong>of</strong> the <strong>Museum</strong>’s<br />

website were redesigned in <strong>2009</strong>,<br />

providing more Web 2.0 functions. <strong>The</strong><br />

site now includes Flickr feeds, podcasts<br />

and short video clips. <strong>The</strong> expansion <strong>of</strong><br />

this mini-site will eventually replace the<br />

<strong>Museum</strong>’s current website. A virtual<br />

assistant was also launched, with an initial<br />

set <strong>of</strong> <strong>10</strong>0 questions and answers based<br />

on the enquiries most commonly received<br />

by the <strong>Museum</strong>. Topics range from<br />

collection-based queries to questions<br />

about opening hours. <strong>The</strong> trial proved<br />

successful and we aim to add more<br />

questions in 20<strong>10</strong>/11.<br />

1137: Number<br />

<strong>of</strong> schools across<br />

Greater <strong>London</strong><br />

visited by the<br />

Safety and<br />

Citizenship<br />

team in <strong>2009</strong>/<strong>10</strong>


16 | Education and engagement Education and engagement | 17<br />

Key Performance Indicators<br />

Pupils seen by the Safety and<br />

Citizenship programme<br />

140,000<br />

Education visits to the <strong>Museum</strong><br />

25,000<br />

<strong>10</strong>2,979<br />

16,271<br />

0k 20k 40k 60k 80k <strong>10</strong>0k 120k 140k 160k<br />

0k 5k <strong>10</strong>k 15k 20k 25k 30k<br />

Target<br />

Actual<br />

Target<br />

Actual


Access and museum operations


20 | Access and museum operations<br />

Access and museum operations | 21<br />

Access and museum operations<br />

Over 287,000 people visited LTM in <strong>2009</strong>/<strong>10</strong>, making it<br />

another successful year despite difficult economic conditions.<br />

Accreditation under the Visitor Attractions Quality Assurance<br />

Scheme (VAQAS) was maintained for the provision <strong>of</strong> a consistently<br />

high quality <strong>of</strong> customer service. Following extensive visitor<br />

research and feedback, signage and other aspects <strong>of</strong> public<br />

communication are being upgraded. This work will continue<br />

in 20<strong>10</strong>/11 across all sites.<br />

LTM hosted three exhibitions during<br />

<strong>2009</strong>/<strong>10</strong>. A View <strong>of</strong> <strong>London</strong> (18 May –<br />

14 June <strong>2009</strong>) was a collaboration with<br />

the Association <strong>of</strong> Illustrators and<br />

showcased original works <strong>of</strong> art by<br />

some <strong>of</strong> Britain’s leading illustrators.<br />

Street-smart (26 July – 31 August <strong>2009</strong>)<br />

combined displays and activities for<br />

families. <strong>The</strong> hands-on exhibition – from<br />

a super-sized game <strong>of</strong> Skids and Ladders<br />

to driving a remote-controlled mini –<br />

encouraged children’s safe use <strong>of</strong> <strong>London</strong>’s<br />

streets and public transport. <strong>The</strong> year’s<br />

major exhibition was the critically<br />

acclaimed <strong>Suburbia</strong> (15 October <strong>2009</strong> –<br />

30 April 20<strong>10</strong>), which was extended for<br />

one month due to popular demand.<br />

<strong>The</strong> <strong>Museum</strong>’s Depot in Acton opened its<br />

doors in October <strong>2009</strong> and March 20<strong>10</strong><br />

for special events, attracting a total <strong>of</strong><br />

5200 visitors. <strong>The</strong> family-themed October<br />

weekend drew on TfL’s important Safety<br />

and Citizenship programme. <strong>The</strong> March<br />

weekend featured ‘<strong>London</strong> transport in<br />

miniature’, an annual display <strong>of</strong> working<br />

and fixed models which in <strong>2009</strong>/<strong>10</strong><br />

attracted its highest-ever advanced<br />

ticket sales.<br />

For the first time, online ticketing<br />

for special events was made available<br />

in <strong>2009</strong>/<strong>10</strong>. This, in tandem with our social<br />

networking on Facebook and Twitter, has<br />

succeeded in increasing event ticket sales.<br />

<strong>The</strong> <strong>Museum</strong>’s Flickr site was reworked<br />

and expanded its community <strong>of</strong> followers,<br />

who generated live photographic content<br />

that was innovatively incorporated<br />

into three themed displays in the<br />

<strong>Suburbia</strong> exhibition.<br />

<strong>The</strong> LTM film collection got its first<br />

online screening via our new film browser.<br />

An initial set <strong>of</strong> eight films from the<br />

collection, totalling 1.5 hours, went live<br />

in 20<strong>10</strong>, along with catalogue information<br />

about the clips. As anticipated, the film<br />

collection has proved incredibly popular.<br />

It achieved an impressive 30,000 visits in<br />

the first month.<br />

‘Pick + Mix’ is a new user-generated<br />

exhibition resource that allows web<br />

visitors to select and curate any <strong>of</strong> the<br />

<strong>Museum</strong>’s 26,000 photographs, posters<br />

and objects to create, and share, their<br />

own personal gallery. A preview was held<br />

in October <strong>2009</strong> and the web resource<br />

went live in March 20<strong>10</strong>.<br />

2500: Largest<br />

number <strong>of</strong><br />

visitors to LTM<br />

in a single day –<br />

18 February 20<strong>10</strong>


22 | Access and museum operations Access and museum operations | 23<br />

Key Performance Indicators<br />

<strong>Museum</strong> and Depot visitors<br />

Unique visits to <strong>Museum</strong> website*<br />

275,000<br />

900,000<br />

287,663<br />

984,660<br />

150k 170k 190k 2<strong>10</strong>k 230k 250k 270k 290k<br />

860k 880k 900k 920k 940k 960k 980k <strong>10</strong>00k<br />

Target<br />

Actual<br />

Target<br />

Actual<br />

* Visits represent the number <strong>of</strong> individual sessions<br />

initiated by all visitors to the website. Data and<br />

definition from Google Analytics.


Heritage and collections


26 | Heritage and collections<br />

Heritage and collections | 27<br />

Heritage and collections<br />

LTM’s historic collection <strong>of</strong> over 350,000 items is at the heart <strong>of</strong><br />

the <strong>Museum</strong>’s purpose – inspiring and engaging visitors <strong>of</strong> all ages<br />

and providing a rich cultural resource for researchers and heritage<br />

organisations. New ways <strong>of</strong> interpreting the collection, and new<br />

methods <strong>of</strong> collecting material, have ensured the continuing<br />

relevance <strong>of</strong> this amazing resource for special exhibitions, learning<br />

programmes, media requests, loans and audience engagement.<br />

Key Performance Indicator<br />

Number <strong>of</strong> collections records enhanced<br />

Future annual target for records enhancement<br />

50,000<br />

Last year, over 7500 items were added<br />

to the permanent collection, from<br />

humble tickets to significant artworks.<br />

Some were acquired specifically for the<br />

major exhibition, <strong>Suburbia</strong>, which also<br />

showcased artefacts from the reserve<br />

collection, many <strong>of</strong> which were displayed<br />

for the first time.<br />

Our fully restored four-car unit <strong>of</strong> 1938<br />

Tube stock made several successful trips<br />

onto the <strong>London</strong> Underground network<br />

in <strong>2009</strong>, while vehicles from the road<br />

collection appeared at events across<br />

<strong>London</strong>. Our RT bus was judged first in<br />

class by the Historic Commercial Vehicle<br />

Society for its standard <strong>of</strong> restoration<br />

and presentation.<br />

Following a hugely successful run at<br />

Covent Garden, <strong>The</strong> Art <strong>of</strong> the Poster<br />

exhibition went on tour to the Dresden<br />

<strong>Transport</strong> <strong>Museum</strong> in <strong>2009</strong>. It was<br />

seen by over 43,000 visitors during<br />

its four-month run, and received<br />

extensive media coverage in Germany.<br />

<strong>The</strong> exhibition will tour to Denmark<br />

in 20<strong>10</strong>. As a result <strong>of</strong> this successful<br />

collaboration, LTM is now working with<br />

Dresden and Coventry transport museums<br />

to commemorate the <strong>London</strong> Blitz<br />

and the bombing <strong>of</strong> Dresden. <strong>The</strong> joint<br />

exhibition will open at Covent Garden in<br />

September 20<strong>10</strong>.<br />

Community curators work to reflect<br />

the experiences <strong>of</strong> <strong>London</strong>’s diverse<br />

communities. Our projects have added<br />

new layers <strong>of</strong> interpretation to exhibitions<br />

and the collections. ‘Suburban Stories’<br />

was a community-led series <strong>of</strong> walks<br />

exploring Golders Green. Video interviews<br />

with local residents also provided lively<br />

content for the <strong>Suburbia</strong> exhibition.<br />

Working with Tate Modern’s community<br />

film club, ‘Digital Storytelling’ developed<br />

films which reinterpret the collections to<br />

give personal perspectives <strong>of</strong> travel and<br />

transport in <strong>London</strong>.<br />

Co-curation and contemporary collecting<br />

have also been a key feature <strong>of</strong> this<br />

year’s ‘<strong>London</strong> Moves East’ community<br />

collectors project in Hackney. Trained<br />

in curatorial techniques, local residents<br />

and TfL staff produced documentaries,<br />

interviews, photographs and posters<br />

which record the effects <strong>of</strong> constructing<br />

four new <strong>London</strong> Overground stations<br />

in Hackney.<br />

Volunteer projects continue to improve<br />

access to the reserve collection. Ongoing<br />

digitisation has added 5000 photographs<br />

and posters to LTM’s online catalogue,<br />

while at Acton Depot an externally funded<br />

engineering project led to the redisplay<br />

<strong>of</strong> a number <strong>of</strong> large artefacts, including<br />

the remains <strong>of</strong> the Holloway Road ‘spiral<br />

escalator’, one bay <strong>of</strong> an original LGOC<br />

horse stable and an inter-war tram shelter.<br />

0k <strong>10</strong>k 20k 30k 40k 50k<br />

Target<br />

Actual


28 | Heritage and collections Articles | 29<br />

23.2: Total width<br />

in kilometres if<br />

every poster in the<br />

LTM collection was<br />

placed side by side


30 | Articles Feature articles | 31<br />

Curating the suburbs<br />

David Bownes, Head <strong>of</strong> Collections, LTM<br />

Feature articles<br />

Colleagues and collaborators discuss<br />

contemporary transport issues,<br />

safety programmes and more<br />

‘Live in the Land <strong>of</strong> Sunshine at<br />

the End <strong>of</strong> the Underground.’<br />

It may sound like an unlikely<br />

marketing message now,<br />

but for over <strong>10</strong>0 years the<br />

growth <strong>of</strong> <strong>London</strong> has been<br />

shaped by its public transport<br />

network. <strong>The</strong> stories, people,<br />

homes and gnomes behind<br />

this development featured<br />

in <strong>Suburbia</strong> (15 October <strong>2009</strong> –<br />

30 April 20<strong>10</strong>), LTM’s major<br />

<strong>2009</strong>/<strong>10</strong> exhibition, sponsored<br />

by American Express.<br />

Aspiring to be a new type <strong>of</strong> display, <strong>Suburbia</strong><br />

used the LTM collections, interactivity,<br />

co-curation and immersive design to explore<br />

the impact <strong>of</strong> transport on the identity <strong>of</strong><br />

<strong>London</strong> and <strong>London</strong>ers. From the outset, we<br />

decided that the exhibition needed to have<br />

a different look and feel from the permanent,<br />

narrative-driven galleries. Audience research<br />

identified key themes which became the<br />

structure <strong>of</strong> the exhibition: suburban growth,<br />

marketing techniques, architecture, gardens,<br />

commuting, leisure and shopping. <strong>The</strong>re<br />

was little appetite for a rehearsal <strong>of</strong> line<br />

opening dates and vehicle types. Instead,<br />

emphasis was placed on lifestyle choices,<br />

popular culture and personal experiences,<br />

together with a desire to celebrate suburbia<br />

and engage with modern-day suburbanites.<br />

This approach empowered curators to take<br />

a fresh look at the reserve collection as well<br />

as providing a focus for contemporary<br />

collecting and community involvement.<br />

<strong>The</strong> aim was to range as widely as possible,<br />

so that all aspects <strong>of</strong> suburban life could be<br />

examined – from Metro-land to Docklands,<br />

modernist architecture to astro-turf.<br />

<strong>The</strong> resulting exhibition successfully<br />

challenged perceptions that transport<br />

museums are all about historic vehicles.<br />

Interviews with local residents and<br />

commuters along with specially commissioned<br />

films with youth groups from Redbridge and<br />

Kingston played an active part in the display,<br />

as did user-generated content submitted via<br />

Flickr direct to screens in the gallery.<br />

Interactives also drew visitors into the display.<br />

You could name your own suburb or try to<br />

guess the titles <strong>of</strong> suburban pop songs leaked<br />

from the earphones <strong>of</strong> a giant iPod.<br />

<strong>Suburbia</strong> was extremely well received by<br />

press and public alike. National and regional<br />

media coverage was extensive, from the<br />

Daily Mail to the New Statesman. <strong>The</strong><br />

exhibition, after its run was extended by<br />

popular demand, was seen by more than<br />

half <strong>of</strong> all visitors to the <strong>Museum</strong>. Talks and<br />

events attracted our highest participation<br />

rates, with many events either sold out or<br />

near capacity. <strong>The</strong> collection, too, benefited,<br />

with over 400 new items acquired and<br />

over <strong>10</strong>00 records enhanced as a result <strong>of</strong><br />

exhibition research and public involvement.<br />

Taken as a whole, <strong>Suburbia</strong> has changed<br />

the culture <strong>of</strong> LTM, and the lessons<br />

learned from its success are, even now,<br />

being applied to future exhibitions.<br />

‘reveal[s] just how<br />

integral the Underground<br />

has been in creating both<br />

the landscape and character<br />

<strong>of</strong> the suburbs’<br />

Telegraph, 29 September <strong>2009</strong><br />

David Bownes manages a team <strong>of</strong> curators who develop, care for and interpret the <strong>Museum</strong>’s<br />

collection <strong>of</strong> over 350,000 artefacts.


32 | Feature articles Feature articles | 33<br />

Inspiring the next generation<br />

Tim Herbert, Programme Manager, TfL<br />

Young people and policing<br />

Graham Daly, Head <strong>of</strong> Crime Reduction and Police Liaison, TfL<br />

Tackling skills shortages in the<br />

transport sector is an important<br />

aim for TfL. Our <strong>10</strong>-year Skills<br />

and Employment Strategy seeks<br />

to ensure that TfL and its<br />

supply chain continue to have<br />

the workforce we need to<br />

deliver our transport objectives.<br />

Since 2008 TfL has been working with<br />

LTM on two areas <strong>of</strong> the strategy: trying to<br />

maximise interest in the transport industry<br />

and ensuring that disadvantaged groups<br />

benefit from any employment and training<br />

opportunities arising from TfL works.<br />

LTM is playing a crucial role in raising<br />

awareness <strong>of</strong> the transport industry<br />

and the opportunities it has to <strong>of</strong>fer. ‘TfL<br />

Inspire’ is a programme that encourages<br />

children aged 11 to 14 to consider a career<br />

in engineering or transport planning.<br />

TfL engineers and planners are introduced<br />

to young people to explain what they do in<br />

their jobs and challenge any misconceptions.<br />

<strong>The</strong> programme also runs fun activities to<br />

demonstrate how both areas can <strong>of</strong>fer<br />

interesting, dynamic careers. Over <strong>10</strong>00<br />

young people have taken part in the<br />

programme so far and the <strong>Museum</strong> is<br />

actively seeking to expand TfL Inspire.<br />

As part <strong>of</strong> the programme the young people<br />

also visit the LTM Depot at Acton. <strong>The</strong>re<br />

they meet members <strong>of</strong> TfL’s ‘Ambassadors’<br />

programme – pr<strong>of</strong>essionals who describe<br />

the nature <strong>of</strong> their work and experience,<br />

and make themselves available to answer<br />

questions. <strong>The</strong>y then break into groups<br />

to take part in a practical ‘Eggsperiment’,<br />

requiring the safe transport <strong>of</strong> an egg over<br />

a set distance. <strong>The</strong> task demands innovation,<br />

teamwork, budgeting, client liaison and<br />

good practical sense. Working with the<br />

Ambassadors has been fantastic for both the<br />

young people and the engineers themselves,<br />

who develop their communication skills with<br />

a new audience.<br />

A new strand <strong>of</strong> the programme for young<br />

people aged 16 to 18 is called ‘Route into<br />

work’, a partnership between TfL, LTM and<br />

the <strong>London</strong> Apprenticeship Company. <strong>The</strong><br />

project is targeted at young people classified<br />

as NEET (not in employment, education or<br />

training). Reducing the proportion <strong>of</strong> such<br />

young people is a key government priority.<br />

<strong>The</strong> programme’s activities equip them with<br />

skills to become apprentices, gain sustained<br />

employment and widen their horizons.<br />

Over six weeks 60 young people are <strong>of</strong>fered<br />

a structured pre-employment programme.<br />

<strong>The</strong> <strong>London</strong> Apprenticeship Company<br />

undertakes an initial assessment. LTM then<br />

leads a three-day programme at the <strong>Museum</strong><br />

where participants explore the collections to<br />

build their work-related skills. During the<br />

sessions the young people learn about<br />

presentation, how to prepare for an interview<br />

and other fundamental skills for securing<br />

employment. On the third day <strong>of</strong> each week<br />

the young people meet employers from<br />

TfL’s supply chain who are <strong>of</strong>fering training<br />

or job opportunities.<br />

<strong>The</strong> partnership between TfL and LTM<br />

is hugely successful. TfL provides real-life<br />

examples <strong>of</strong> engineering initiatives and<br />

inspiring practitioners, while LTM uses its<br />

collections and unique approach to connect<br />

with young people in a way that can lead<br />

to lasting change. Working together, we<br />

aspire to satisfy the future needs <strong>of</strong> TfL<br />

and its supply chain, while also ensuring<br />

disadvantaged youth within <strong>London</strong> are<br />

given better access to employment and<br />

training opportunities.<br />

<strong>The</strong> times that TfL or the police<br />

get to speak to young people<br />

are rare, and we try to make<br />

the most <strong>of</strong> them. <strong>The</strong>y occur<br />

when the Safety and Citizenship<br />

(S&C) team work with young<br />

people in schools, or when<br />

the TfL-funded Metropolitan<br />

Police Safer <strong>Transport</strong> Teams<br />

(STT) visit schools, patrol bus<br />

stops or travel on buses.<br />

<strong>The</strong> need for such contact is critical –<br />

not just to prevent crime, but to help<br />

young people travel securely and avoid<br />

any risks associated with travelling.<br />

<strong>The</strong> S&C team works with young people<br />

about to use public transport independently<br />

for the first time. <strong>The</strong> programme has a<br />

proven impact in preventing crime and<br />

anti-social behaviour on public transport.<br />

Given the team’s enthusiasm and<br />

adaptability with its different audiences,<br />

I’m not at all surprised by its success.<br />

<strong>The</strong> advice the S&C team provides is now<br />

the standard we use for training Safer<br />

<strong>Transport</strong> Teams (STT) <strong>of</strong> police constables<br />

and community support <strong>of</strong>ficers to engage<br />

with schools. TfL has worked closely with<br />

the LTM team to ensure that liaison with the<br />

police is as effective as it can be. All STTs are<br />

aware <strong>of</strong> the work <strong>of</strong> the S&C team and many<br />

have <strong>of</strong>ficers who are trained volunteers.<br />

Teams that have had this contact with S&C or<br />

received the training are far more effective at<br />

dealing with school-related transport issues.<br />

When young people and transport are<br />

mentioned together, it is usually in relation<br />

to allegations or perceptions <strong>of</strong> their criminal<br />

or anti-social behaviour. Young people do<br />

commit a disproportionate amount <strong>of</strong> crime<br />

on our transport system, although it is worth<br />

remembering that the perpetrators are still<br />

a very small percentage <strong>of</strong> the total number<br />

<strong>of</strong> youth passengers. Police STTs are making<br />

headway in reducing crime on the bus<br />

network in particular (over 18% reduction<br />

in 2008/09 and a further 8.1% in <strong>2009</strong>/<strong>10</strong>).<br />

Where they can engage with schools,<br />

they have had a demonstrably positive<br />

impact in lowering disruptive behaviour.<br />

Young people are also more likely to be<br />

the victims <strong>of</strong> crime. Bullying, robbery and<br />

violence are experienced during school<br />

journeys and the S&C education programme<br />

has now incorporated messages for young<br />

people about their personal safety.<br />

<strong>The</strong> work is developing in new directions.<br />

TfL recently identified a need for the S&C<br />

team to engage with specific secondary<br />

schools, including sixth form colleges. Issues<br />

raised by TfL staff, drivers or police <strong>of</strong>ficers<br />

are assessed using a partnership problemsolving<br />

approach and in many cases the S&C<br />

team are requested to make visits to schools<br />

which have significant crime and disorder<br />

problems. This contact and the ‘personal<br />

face’ representing TfL is a key factor in<br />

bringing about a change <strong>of</strong> behaviour.<br />

From my experience in working with the<br />

police and understanding the causes<br />

<strong>of</strong> anti-social behaviour on transport, I<br />

have no doubt that the work <strong>of</strong> the S&C<br />

team is invaluable in both preventing and<br />

reducing crime, making journeys safer for<br />

all, but especially for young people.<br />

Tim Herbert leads on the development and implementation <strong>of</strong> TfL’s Skills and Employment<br />

requirements within TfL’s supply chain.<br />

Graham Daly is part <strong>of</strong> the TfL team responsible for working with the police to keep the<br />

transport system secure.


34 | Feature articles Feature articles | 35<br />

Young Consultants bridge the gap<br />

Adelah Bilal, William Franco, Elvis Miranda and Aobakwe Mokgalagadi,<br />

LTM Young Consultants<br />

Cubic and the <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

Roger Crow, Managing Director, Cubic <strong>Transport</strong>ation Systems Ltd<br />

We are Young Consultants.<br />

We are here to help change<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

for the better. We are a<br />

bridge between this museum<br />

and the young people <strong>of</strong><br />

today… and tomorrow.<br />

Visit the <strong>Museum</strong> any day and you notice<br />

that the main visitor groups are young<br />

children (with their parents) or older<br />

visitors (perhaps grandparents). <strong>The</strong>re are<br />

few visitors <strong>of</strong> our age, late teens or early<br />

twenties. Many people may assume that<br />

young people are only interested in music,<br />

fashion and the latest trends. Our interests<br />

are actually much broader, and we enjoy<br />

new cultural experiences <strong>of</strong> all kinds.<br />

Young Consultants are part <strong>of</strong> <strong>London</strong>:<br />

World City, a project within Stories <strong>of</strong> the<br />

World, the <strong>London</strong> 2012 Cultural Olympiad<br />

programme <strong>of</strong> museum exhibitions across<br />

the UK. Our role as Young Consultants<br />

is to create pathways between the<br />

<strong>Museum</strong> and our age group, making<br />

decisions that encourage more diverse<br />

visitors to enjoy this cultural experience.<br />

We are here to learn from the <strong>Museum</strong>,<br />

and help LTM learn as well. We are the<br />

first example <strong>of</strong> active participation in<br />

programming by young people at LTM:<br />

we are enjoying what this <strong>Museum</strong> can<br />

<strong>of</strong>fer us, but we are also helping shape<br />

what is <strong>of</strong>fered to other people our age.<br />

How did we become LTM Young<br />

Consultants In November <strong>2009</strong> we took<br />

part in a nerve-racking selection day at<br />

the <strong>Museum</strong>. We four were chosen from<br />

over thirty hopefuls. To succeed against<br />

such strong competition felt fantastic,<br />

but the selection day also showed<br />

the potential interest in working with<br />

museums among many young people.<br />

We are now paid museum pr<strong>of</strong>essionals,<br />

and over the past few months have<br />

helped recruit artists, plan reinterpretation<br />

projects, make films, write articles… and<br />

this is just the start! We will help get other<br />

young people involved and build towards<br />

the <strong>Museum</strong>’s major exhibition in 2012.<br />

At the beginning we were unsure <strong>of</strong><br />

what role we would play, and what<br />

responsibilities we would have. What has<br />

been really rewarding is how our opinions<br />

are listened to, and what we do is valued.<br />

This makes us feel important, pr<strong>of</strong>essional<br />

and a huge part <strong>of</strong> the <strong>Museum</strong> team.<br />

We may not have wanted to work at a<br />

museum before we saw the opportunity to<br />

become Young Consultants, but now we are<br />

getting a fantastic look behind the scenes<br />

<strong>of</strong> a real workplace. We know there are<br />

many ways we can strengthen our current<br />

skills and interests through <strong>London</strong>: World<br />

City. This is important for both our personal<br />

development and our future careers.<br />

LTM is here for everyone, but it is<br />

not always used by everyone. We<br />

are here to help this change.<br />

‘I would like to help<br />

shape the future <strong>of</strong><br />

this museum, and<br />

see how my work<br />

makes a difference.’<br />

Elvis Miranda (17)<br />

Cubic <strong>Transport</strong>ation Systems’<br />

connection to <strong>London</strong> spans<br />

more than three decades.<br />

We provide automated fare<br />

collection systems around<br />

the world – from New York<br />

to Brisbane – and have been<br />

implementing collection<br />

solutions continuously for the<br />

Capital since the late 1970s. We<br />

are proud <strong>of</strong> our longstanding<br />

association with TfL and the<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong>.<br />

<strong>The</strong> <strong>Museum</strong> has rightly won numerous<br />

plaudits and awards for providing visitors<br />

with a fascinating insight into the<br />

development <strong>of</strong> the transport system.<br />

But it also showcases contemporary urban<br />

issues and how <strong>London</strong> is gearing up for<br />

future challenges. This juxtaposition <strong>of</strong> past,<br />

present and future encapsulates how we at<br />

Cubic view our relationship with TfL, the<br />

<strong>Museum</strong> and <strong>London</strong> itself. As more and<br />

more people need to get around this great<br />

city, we’re working hard to keep today’s<br />

Oyster network performing smoothly for<br />

the traveller, and we are excited by the<br />

opportunities to apply cutting-edge<br />

technology to make public transport<br />

as attractive as possible.<br />

As a leading supporter <strong>of</strong> the <strong>Museum</strong>,<br />

we benefit from our relationship with<br />

LTM in a number <strong>of</strong> ways. We were<br />

delighted to sponsor the construction <strong>of</strong><br />

the Cubic <strong>The</strong>atre as part <strong>of</strong> LTM’s major<br />

refurbishment programme in 2005–07.<br />

<strong>The</strong> Cubic <strong>The</strong>atre was <strong>of</strong>ficially opened<br />

in 2008 by Peter Hendy, Commissioner <strong>of</strong><br />

TfL. Cubic employees and guests arrived<br />

following a special hour-long bus trip – with<br />

the Commissioner himself at the wheel.<br />

This unusual arrangement had come<br />

about (and has been subsequently<br />

repeated) following Cubic’s successful<br />

bid at the <strong>Museum</strong>’s annual Fundraising<br />

Dinner to have the Commissioner drive<br />

us along a route <strong>of</strong> our choice in <strong>London</strong>.<br />

We concluded the journey with a short<br />

talk from the Commissioner before he<br />

declared the <strong>The</strong>atre <strong>of</strong>ficially open,<br />

followed by a few celebratory drinks.<br />

Cubic sees the <strong>Museum</strong> as having an<br />

important series <strong>of</strong> functions to fulfil –<br />

to tell the story <strong>of</strong> <strong>London</strong> through its<br />

transportation system; to act as a focal<br />

point for meetings, debate and the exchange<br />

<strong>of</strong> ideas (which the <strong>The</strong>atre certainly helps to<br />

promote); and to inspire young people to use<br />

public transport and consider it as a career.<br />

We welcome the prospect <strong>of</strong> young people<br />

joining the industry – and in some cases<br />

Cubic, <strong>of</strong> course. We are delighted to provide<br />

the means to help make that happen.<br />

As part <strong>of</strong> our ongoing support for the<br />

<strong>Museum</strong>, we use the Cubic <strong>The</strong>atre from<br />

time to time. It is gratifying to learn, when<br />

we enquire as to availability, that the<br />

bookings diary is frequently full and the<br />

waiting list is growing – this is the most<br />

eloquent confirmation <strong>of</strong> the great job<br />

that the Managing Director and his team<br />

at the <strong>Museum</strong> have done in creating a<br />

superb presentation space at the heart<br />

<strong>of</strong> such an impressive institution.<br />

Adelah Bilal, William Franco, Elvis Miranda and Aobakwe Mokgalagadi are part <strong>of</strong> the <strong>London</strong>: World<br />

City project. More information can be found at www.ltmuseum.co.uk/learning/londonworldcity<br />

Roger Crow has overall responsibility for the UK and Nordic businesses <strong>of</strong> Cubic <strong>Transport</strong>ation<br />

Systems Ltd. Cubic has been a partner <strong>of</strong> the <strong>Museum</strong> since 1991.


36 | Feature articles Feature articles | 37<br />

A proud tradition <strong>of</strong> entrepreneurs and innovators<br />

Andrew Adonis, former Secretary <strong>of</strong> State for <strong>Transport</strong><br />

Forum for debate<br />

Claire Williamson, Assistant Director, Marketing & Development, LTM<br />

Britain has a rich transport<br />

heritage – and we are very<br />

fortunate in this country<br />

to have many exceptional<br />

museums dedicated to<br />

preserving and honouring<br />

this heritage. Among the very<br />

best is the <strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong>, which is an inspiration<br />

for anyone who is passionate<br />

about public transport and<br />

the history <strong>of</strong> this great city.<br />

From the early horse-drawn buses and trams,<br />

and the stunning (and still running) 1922<br />

Metropolitan Line Sarah Siddons electric<br />

locomotive, to the iconic Routemaster,<br />

the <strong>Museum</strong> is a reminder <strong>of</strong> the many<br />

pioneering engineers and industrialists<br />

who blazed a trail for the British transport<br />

industry in the 19th and 20th centuries.<br />

But as I look around LTM, it doesn’t make me<br />

feel nostalgic or dewy-eyed about a bygone<br />

golden age for British transport. Instead it<br />

excites me to think that what we’ve achieved<br />

in the past we can achieve again in the future.<br />

‘<strong>The</strong> <strong>Museum</strong> is<br />

in great shape’<br />

Lord Adonis<br />

What I see is a celebration <strong>of</strong> British<br />

design, manufacturing and entrepreneurial<br />

excellence – just the skills and qualities we<br />

will need if we are to meet the requirements<br />

<strong>of</strong> the travelling public in the future, and<br />

if the British transport industry is to take<br />

advantage <strong>of</strong> the significant opportunities<br />

presented by the green transport agenda.<br />

To meet these new challenges, we need to<br />

rediscover the boldness and innovation <strong>of</strong><br />

earlier pioneers. It seems to me that spirit<br />

is going strong. <strong>The</strong> automotive industry<br />

is rising to the challenge <strong>of</strong> delivering<br />

ultra-low-carbon vehicles. We can see<br />

the way ahead for a national high-speed<br />

rail network for Britain. And there is a<br />

focus on more sustainable transport.<br />

I wish this wonderful <strong>Museum</strong> every success<br />

for the future. And I hope that <strong>10</strong>0 years<br />

from now, visitors will be able to reflect on<br />

the early 21st century as another golden era<br />

for British transport, with British companies<br />

and the city <strong>of</strong> <strong>London</strong> at the forefront <strong>of</strong><br />

a global transition to low-carbon travel.<br />

<strong>The</strong> museum as a static<br />

environment, fixing the past<br />

and holding it in place, is no<br />

longer true. <strong>Museum</strong>s today are<br />

places <strong>of</strong> activity – connecting<br />

not just to audiences who<br />

enter them, but helping to<br />

shape the issues <strong>of</strong> the day.<br />

In <strong>2009</strong>, LTM launched a series <strong>of</strong> debates<br />

and events on contemporary and future<br />

transport issues. ‘Connected Britain’ was<br />

a public debate developed in partnership<br />

with our Futures Gallery sponsor, Orange,<br />

and was held at the <strong>Museum</strong> on 3 February<br />

20<strong>10</strong>. Participants debated how the face <strong>of</strong><br />

Britain will change as technology redefines<br />

how we work and travel. A lively panel,<br />

chaired by BBC Radio 4’s Today programme<br />

presenter Evan Davis, included writer and<br />

broadcaster Janet Street-Porter, the <strong>London</strong><br />

Mayor’s transport advisor Kulveer Ranger,<br />

Orange’s Robert Ainger and futurologist<br />

James Bellini. <strong>The</strong> event sold out, with a<br />

long waiting list wanting to get in on the<br />

action. Twitter and Facebook were used in<br />

the publicity campaign and many members<br />

<strong>of</strong> the audience ‘tweeted’ live from the<br />

event. Coverage <strong>of</strong> the event ranged from<br />

the mainstream press to YouTube, where the<br />

debate – as debates should – continues.<br />

A new Thought Leadership programme for<br />

industry, developed in partnership with law<br />

firm Eversheds, was established in <strong>2009</strong>.<br />

Business breakfasts and dinners are held<br />

at the <strong>Museum</strong>, in which participants can<br />

discuss a range <strong>of</strong> cutting-edge topics.<br />

<strong>The</strong> <strong>2009</strong>/<strong>10</strong> programme saw transport<br />

expert Jim Steer and Stephen Glaister,<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>Transport</strong> and Infrastructure<br />

at Imperial College, <strong>London</strong>, present<br />

different views on the funding and<br />

viability <strong>of</strong> high-speed rail.<br />

Former <strong>Transport</strong> Minister Stephen Norris<br />

chaired a pair <strong>of</strong> debates on future trends<br />

and the role <strong>of</strong> technology in transport<br />

strategy. Several events were developed in<br />

partnership with the Independent <strong>Transport</strong><br />

Commission. ‘Decarbonisation and You’<br />

was led by Pr<strong>of</strong>essor Gwyn Prins <strong>of</strong> the<br />

<strong>London</strong> School <strong>of</strong> Economics and explored<br />

the facts behind climate change and how<br />

companies can find the business incentive to<br />

reduce emissions. An event led by Pr<strong>of</strong>essor<br />

Joyce Dargay <strong>of</strong> Leeds University provided<br />

industry leaders with an essential briefing<br />

on important new research, including trends<br />

for the future <strong>of</strong> inter-city travel in the UK.<br />

We were delighted to end the year with a<br />

business breakfast with the then Secretary<br />

<strong>of</strong> State for <strong>Transport</strong> Lord Adonis,<br />

who gave the <strong>Museum</strong>’s invited guests<br />

a preview <strong>of</strong> his ideas on low-carbon<br />

transport strategy before launching to<br />

the press shortly after. His presence at<br />

Covent Garden confirmed the <strong>Museum</strong><br />

as a hub for debate about the future <strong>of</strong><br />

transport in <strong>London</strong> and across the world.<br />

<strong>The</strong> Right Honourable Lord Adonis discussed his low-carbon transport strategy at a<br />

Thought Leadership business breakfast held at the <strong>Museum</strong> on 19 November <strong>2009</strong>.<br />

Claire Williamson leads on marketing and development strategy for the <strong>Museum</strong>.


38 | Feature articles Feature articles | 39<br />

Why Britain needs high-speed rail<br />

Jim Steer, Director, Greengauge 21<br />

<strong>The</strong> uncertain gains <strong>of</strong> high-speed rail<br />

Stephen Glaister, Director, RAC Foundation<br />

Greengauge 21 was established<br />

five years ago to identify the<br />

arguments for (and against)<br />

high-speed rail. Much has<br />

happened since then. <strong>The</strong><br />

Channel Tunnel Rail Link<br />

opened to national acclaim;<br />

Greengauge 21 has brought the<br />

debate into the public domain;<br />

and political will across the<br />

parties has come out in strong<br />

support <strong>of</strong> high-speed rail.<br />

<strong>The</strong> new coalition government is committed<br />

to its implementation. With a hold on<br />

runway expansion in south-east England,<br />

and little wish for a return to major new<br />

highway construction nationally, the<br />

pressure to progress high-speed rail is<br />

palpable. So it is important to be clear<br />

why high-speed rail is needed, why it has<br />

garnered such widespread support and<br />

why it would be a mistake to delay.<br />

High-speed rail is a proven technology. With<br />

suitable demand (typically for journeys <strong>of</strong><br />

over 50 miles), it <strong>of</strong>fers the safest, fastest,<br />

most efficient and most comfortable way<br />

to travel. A large part <strong>of</strong> UK travel demand<br />

is over longer distances. True, the numbers<br />

<strong>of</strong> trips are relatively small (most journeys<br />

are <strong>of</strong> course very short), but trips over 25<br />

miles already account for nearly half <strong>of</strong> all<br />

person-miles travelled in Britain. This is why<br />

getting investments right and seeking to<br />

rebalance transport usage in this category<br />

towards the most environmentally benign<br />

travel mode, as well as <strong>of</strong>fering greatest<br />

customer appeal, is so important.<br />

We cannot sensibly rely on fuel availability<br />

from the oil-producing nations, and<br />

we cannot continue to have nearly half<br />

the vehicle miles travelled on longer<br />

distance journeys increase significantly,<br />

given the serious consequences for<br />

carbon and other emissions.<br />

<strong>The</strong> benefits from high-speed rail are<br />

particularly keenly felt regionally. One <strong>of</strong><br />

our critical assets, Heathrow, is becoming<br />

less and less available for cities outside<br />

the south-east, and access to the capital –<br />

Europe’s great financial centre – is critical<br />

in the real world <strong>of</strong> business activity. For<br />

Britain to function efficiently, it needs<br />

to get better productivity out <strong>of</strong> the<br />

Midlands, the North, Wales and Scotland.<br />

This cannot be achieved if basic transport<br />

communication links are left to decline.<br />

And decline they will without further<br />

investment and a stronger approach at a<br />

national level to regional policy-making.<br />

With forecast population rises, the intercity<br />

connections that the remoter parts<br />

<strong>of</strong> the country use to reach the capital –<br />

whether by road or rail – will be swamped<br />

with ever more long-distance commuting.<br />

So the choice is between different ways<br />

to invest in new capacity. High-speed rail<br />

not only provides the best answer, as all <strong>of</strong><br />

the evidence now shows, but it creates the<br />

opportunity for businesses and government<br />

to think differently about location decisions.<br />

High-speed rail’s high degree <strong>of</strong> political<br />

support stems from the fact that it<br />

solves a known economic problem and<br />

does so in a way that reduces carbon<br />

emissions. <strong>The</strong>re is simply no other way <strong>of</strong><br />

adding capacity to our national transport<br />

infrastructure that has these benefits.<br />

None <strong>of</strong> the work to date on the case<br />

for high-speed rail assumes that it will be<br />

necessary to charge premium fares. To bring<br />

the benefits that can be so clearly foreseen,<br />

high-speed rail needs to be accessible to all.<br />

Consideration <strong>of</strong> transport<br />

infrastructure investment<br />

has to start by asking: what<br />

is the problem to be solved<br />

For surface transport the main<br />

issue is shortage <strong>of</strong> capacity<br />

on both road and rail. This<br />

is likely to worsen. With<br />

population growth in England<br />

estimated to be about 16%<br />

over the next 20 years, there<br />

will be significant new demands<br />

on the transport networks,<br />

particularly on local roads.<br />

High-speed rail is one proposed solution.<br />

In the months leading to the 20<strong>10</strong> General<br />

Election, it dominated the transport debate.<br />

Yet its benefits are highly contested, as<br />

a report by HS2 Ltd, published by the<br />

government, would suggest. In terms <strong>of</strong><br />

diminishing road congestion, HS2 studies<br />

confirm that only 8% <strong>of</strong> high-speed rail’s<br />

forecast passenger demand comes from<br />

roads (with a further 8% from air). Its<br />

implementation would reduce traffic on the<br />

southern section <strong>of</strong> the M1 by a mere 2%.<br />

Claims that high-speed rail would<br />

reduce carbon emissions are also uncertain.<br />

Estimated net carbon savings may be<br />

positive or negative, and are described<br />

by HS2 as ‘a minor consideration’.<br />

What does the general public want<br />

Nationally, rail only carries 7% <strong>of</strong><br />

passenger miles (this includes <strong>London</strong><br />

which has much higher rail use than<br />

average), and only 5% <strong>of</strong> the population<br />

use a train more than once a week. For<br />

most people their daily lives depend on the<br />

road network, so it is not surprising that its<br />

condition and performance is their priority.<br />

<strong>The</strong>n there is the problem <strong>of</strong> the national<br />

finances. If high-speed rail does progress,<br />

it is inevitable that it will compete for<br />

funds against both road and classic rail.<br />

On HS2’s estimate, the <strong>London</strong> to<br />

Birmingham section would require £12 billion<br />

from the Exchequer and the government’s<br />

own Command Paper shows that a larger<br />

network would require far more.<br />

Should high-speed rail be considered an<br />

instrument <strong>of</strong> social policy Little work<br />

seems to have been done on this, but rail<br />

is predominantly used by higher income<br />

groups. It seems unlikely that the<br />

beneficiaries <strong>of</strong> high-speed rail would<br />

be poorer on average than current rail users.<br />

So we are left with two things that highspeed<br />

rail would achieve. It would make the<br />

journey quicker for some rail users and that<br />

is certainly a benefit. And it would provide<br />

a large increase in rail capacity on the<br />

West Coast Main Line corridor, where it is<br />

certainly needed.<br />

But it is only reasonable to ask that<br />

the proposals for high-speed be put into<br />

a context <strong>of</strong> strategic transport policy.<br />

Does it <strong>of</strong>fer good enough value for very<br />

scarce public money and should it be funded<br />

at the expense <strong>of</strong> conventional railways<br />

and roads In particular, it is essential that<br />

high-speed rail be considered even-handedly<br />

within the planning process for railways in<br />

general. Otherwise enthusiasm for it would<br />

fail to take into account the reality that more<br />

high-speed rail will mean less classic rail.<br />

Whatever the merits <strong>of</strong> high-speed<br />

rail proposals, one should not forget<br />

the point made in March 20<strong>10</strong> by<br />

the House <strong>of</strong> Commons <strong>Transport</strong><br />

Select Committee that ‘the major road<br />

network is the most important part <strong>of</strong><br />

the UK’s transport infrastructure’.<br />

Jim Steer is a leading authority on UK transport. He founded the consultancy Steer Davies Gleave,<br />

is Director <strong>of</strong> Greengauge 21 and a columnist for the <strong>Transport</strong> Times.<br />

Pr<strong>of</strong>essor Stephen Glaister is Director <strong>of</strong> the RAC Foundation and<br />

Emeritus Pr<strong>of</strong>essor <strong>of</strong> <strong>Transport</strong> and Infrastructure at Imperial College <strong>London</strong>.


40 | Future Plans for Plans the future<br />

Plans for the future | 41<br />

Plans for the future<br />

Given the strength <strong>of</strong> LTM’s performance since reopening in 2007,<br />

we have a hard act to follow. With the recession affecting our<br />

visitors, supporters and sponsors, our short-term aims are to<br />

consolidate the <strong>Museum</strong>’s success and maintain our high standards<br />

<strong>of</strong> operation, engagement and collections care. Our longer-term<br />

goal is to deliver efficiency and value for money, and increase<br />

self-generated income to support our exciting programme <strong>of</strong><br />

exhibitions, events and activities.<br />

Education and engagement<br />

A three-year programme <strong>of</strong> exhibitions and associated educational activities will be<br />

delivered. <strong>The</strong>se include Senseable City (2011); <strong>London</strong> Journeys, part <strong>of</strong> the Cultural<br />

Olympiad’s Stories <strong>of</strong> the World (2012); and a celebration <strong>of</strong> the 150th anniversary <strong>of</strong><br />

the <strong>London</strong> Underground (2013).<br />

Access and museum operations<br />

LTM aims to attract at least 275,000 visitors to the <strong>Museum</strong> annually (which is nearly<br />

50% more than throughout the last decade <strong>of</strong> the ‘old’ <strong>Museum</strong> before refurbishment)<br />

and to achieve at least 82% customer satisfaction for those visitors. Once the <strong>London</strong><br />

Underground’s needs are better understood, the implementation <strong>of</strong> greater public<br />

access at the <strong>Museum</strong> Depot in Acton will be restarted.<br />

Heritage and collections<br />

Additions to the collection will be targeted to support the exhibition programme,<br />

and our knowledge base expanded by enhancing 50,000 records a year. Many will<br />

incorporate user-generated content drawn from community engagement, online<br />

content and use <strong>of</strong> social networking channels.<br />

29,393: Number<br />

<strong>of</strong> kilowatt hours<br />

<strong>of</strong> electricity<br />

generated by the<br />

solar cells on the<br />

LTM ro<strong>of</strong> – an 11%<br />

increase on the<br />

previous year<br />

Generating funds<br />

Existing funding sources for our youth and community outreach are likely to be under<br />

severe pressure over the next few years. We are exploring new ways to fund and deliver<br />

our important charitable work by being more socially entrepreneurial and developing<br />

greater commercial income from our trading subsidiary.


42 | Income and support Income and support | 43<br />

Income and support<br />

LTM radio advert,<br />

Classic FM<br />

Radio adverts are a<br />

key part <strong>of</strong> the <strong>Museum</strong>’s<br />

marketing mix<br />

Scene-setting<br />

Murmur <strong>of</strong> conversation<br />

and chink <strong>of</strong> glasses, as at<br />

a gallery private view.<br />

Brian Sewell<br />

Gosh, what a remarkable<br />

piece this is. Rarely<br />

have form and function<br />

been combined to such<br />

luminescent effect. <strong>The</strong><br />

elegance <strong>of</strong> the design<br />

belies the brutal content.<br />

But what is the artist<br />

really trying to say<br />

<strong>The</strong> overt message –<br />

Please keep feet <strong>of</strong>f seats,<br />

if you will – leaves the<br />

answer tantalisingly out<br />

<strong>of</strong> reach.<br />

Voice-over<br />

Discover an ever-changing<br />

selection <strong>of</strong> iconic<br />

posters – and some<br />

more everyday transport<br />

artefacts – at <strong>London</strong><br />

<strong>Transport</strong> <strong>Museum</strong>,<br />

Covent Garden…<br />

Get carried away.<br />

<strong>The</strong> wide range <strong>of</strong> charitable activities the <strong>Museum</strong> <strong>of</strong>fers is<br />

supported by income generated from retail and commercial<br />

activities, fundraising, marketing and the generous donations<br />

<strong>of</strong> time and funds by LTM volunteers and Friends.<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

(Trading) Limited<br />

Despite economic conditions and poor<br />

weather in early 20<strong>10</strong>, LTM’s trading<br />

subsidiary maintained turnover at £2.1m<br />

for the year, generating an operating pr<strong>of</strong>it<br />

<strong>of</strong> £187,000. While this is much lower<br />

than in the previous period, it should be<br />

noted that an initial transfer <strong>of</strong> stock at<br />

nil cost significantly boosted pr<strong>of</strong>it in the<br />

company’s inaugural trading period.<br />

Retail<br />

New homewares, stationery and<br />

souvenirs featured designs taken from<br />

posters in the LTM collection. Licensed via<br />

TfL, the products won both Best Licensed<br />

Product and Best Overall Product for <strong>2009</strong><br />

in the Association for Cultural Enterprises<br />

annual awards. <strong>The</strong> range <strong>of</strong> furniture<br />

and accessories was expanded to<br />

include a 1959 Routemaster moquette.<br />

<strong>The</strong> specially commissioned fabric is<br />

an exact match <strong>of</strong> the original pattern.<br />

E-commerce<br />

A print-to-order service was launched<br />

in <strong>2009</strong> for the LTM online collection<br />

<strong>of</strong> more than 5000 posters. Posters are<br />

available in a range <strong>of</strong> finishes and sizes up<br />

to A0. A print-to-order service was also<br />

launched on the LTM and TfL webshops<br />

that allows customers to zoom in on any<br />

part <strong>of</strong> the <strong>London</strong> Underground map and<br />

print the results on mugs, T-shirts and<br />

other merchandise.<br />

Venue hire<br />

<strong>The</strong> Grade II listed building in Covent<br />

Garden now has three main spaces<br />

available for hire: the galleries, for evening<br />

drinks receptions and formal dinners;<br />

the stylish 121-seat Cubic <strong>The</strong>atre<br />

and foyer; and the recently renovated<br />

LTM boardroom for smaller daytime<br />

meetings. Clients and corporate sponsors<br />

appreciated the <strong>Museum</strong>’s unique venue,<br />

quality service and prestigious central<br />

<strong>London</strong> location. Over 200 events<br />

were held in <strong>2009</strong>/<strong>10</strong>, including award<br />

ceremonies, product launches<br />

and conferences.<br />

Marketing<br />

Campaigns in <strong>2009</strong>/<strong>10</strong> targeted families,<br />

young pr<strong>of</strong>essionals, art aficionados<br />

and others. Popular culture and relevant<br />

stories were used to raise awareness <strong>of</strong><br />

the new LTM and increase the <strong>Museum</strong>’s<br />

audience base. A new advertising<br />

campaign featured in print and outdoor<br />

media, while radio promotion included a<br />

Classic FM advert with Evening Standard<br />

art critic Brian Sewell discussing the<br />

<strong>Museum</strong>’s poster collection.<br />

Press coverage <strong>of</strong> <strong>Suburbia</strong> included<br />

BBC Radio 4’s Today programme, and<br />

Gardeners’ Question Time (with a<br />

suburban theme) was recorded at the<br />

<strong>Museum</strong> in October <strong>2009</strong>. <strong>The</strong> exhibition<br />

was covered by <strong>The</strong> One Show on BBC<br />

television and newspaper coverage<br />

included the Telegraph, Guardian,<br />

Independent and Financial Times.<br />

Fundraising<br />

<strong>The</strong> <strong>Suburbia</strong> exhibition was made<br />

possible by the generous sponsorship<br />

<strong>of</strong> American Express, who provided<br />

£125,000, and Clear Channel, who<br />

donated an outdoor advertising campaign<br />

worth £240,000 – enabling LTM literally<br />

to take the <strong>Suburbia</strong> exhibition into<br />

<strong>London</strong>’s suburbs.


44 | Income and support<br />

Income and support | 45<br />

A new series <strong>of</strong> Thought Leadership<br />

events for Corporate Members made LTM<br />

an important destination for transport<br />

industry colleagues to exchange ideas<br />

about topical issues. As a result, we were<br />

able to reverse a decline in Memberships<br />

and end the year with a <strong>10</strong>% increase in<br />

Corporate Membership. <strong>The</strong> Thought<br />

Leadership programme was funded<br />

and developed in partnership with<br />

international law firm, Eversheds.<br />

Cubic <strong>Transport</strong>ation agreed a further<br />

three years’ sponsorship <strong>of</strong> the <strong>Museum</strong>’s<br />

Cubic <strong>The</strong>atre. Along with Visa, the<br />

company has become an enthusiastic<br />

bidder at the LTM annual Fundraising<br />

Dinner and again secured <strong>London</strong>’s<br />

<strong>Transport</strong> Commissioner, Peter Hendy,<br />

as their bus driver for the day.<br />

This year’s dinner and auction were<br />

attended by 350 transport industry guests<br />

and raised £134,000. Mayor <strong>of</strong> <strong>London</strong><br />

Boris Johnson and Peter Hendy both<br />

spoke on transport strategy and their<br />

vision for <strong>London</strong>. <strong>The</strong> date <strong>of</strong> the next<br />

Fundraising Dinner has been set for<br />

28 September 20<strong>10</strong>.<br />

Volunteers<br />

In <strong>2009</strong>/<strong>10</strong>, 170 volunteers contributed<br />

over 9000 hours to assist LTM activities.<br />

<strong>The</strong>y helped in the library, led tours at<br />

Covent Garden and Acton, supported<br />

oral history projects and worked with the<br />

collections. Golders Green walking tours<br />

saw volunteers recruited from the local<br />

community, and volunteers also ran an<br />

object-handling table during Christmas<br />

and February half-term. Youth volunteers<br />

were also recruited for the first time.<br />

A new volunteer uniform was designed<br />

to communicate to visitors the important<br />

part played by volunteers in customerfacing<br />

roles. <strong>The</strong> Voluntary School Liaison<br />

Officer (VSLO) scheme was expanded<br />

and updated this year. VSLOs come<br />

to us from across TfL and other allied<br />

transport companies and are now known<br />

as <strong>Transport</strong> Youth Engagement Officers<br />

to reflect their widened role.<br />

To find out more about volunteering,<br />

visit ltmuseum.co.uk/getinvolved<br />

<strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong> Friends<br />

<strong>The</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

are a charitable organisation established<br />

for the advancement <strong>of</strong> public education<br />

in the history <strong>of</strong> transport. <strong>The</strong>y assist<br />

and encourage the <strong>Museum</strong>’s work and<br />

activities. <strong>The</strong> Friends provide valuable<br />

expertise, knowledge and enthusiasm<br />

as well as financial support to LTM.<br />

Thanks to their generosity, the <strong>Museum</strong><br />

was able to acquire a number <strong>of</strong><br />

significant items for the collection<br />

in <strong>2009</strong>/<strong>10</strong>, as well as fund ongoing<br />

restoration projects such as the Q-stock<br />

underground train and LT-type bus.<br />

To find out more about LTM Friends,<br />

visit ltmuseum.co.uk/friends<br />

Corporate supporters<br />

LTM establishes corporate relationships<br />

that work hard to achieve the business<br />

needs <strong>of</strong> both the <strong>Museum</strong> and its<br />

partners. Corporate Members benefit<br />

from senior level places at our popular<br />

Thought Leadership business breakfasts<br />

and dinners, tickets to our annual<br />

networking reception which attracts<br />

around 400 industry pr<strong>of</strong>essionals, free<br />

admission to the <strong>Museum</strong> for their staff,<br />

a discount at the Fundraising Dinner, and<br />

generous discounts on hire <strong>of</strong> the galleries<br />

and Cubic <strong>The</strong>atre. ‘Leader’ level members<br />

and sponsors receive free use <strong>of</strong> the new<br />

boardroom suite.<br />

LTM also <strong>of</strong>fers multiple opportunities<br />

for industry to partner the <strong>Museum</strong> on<br />

exhibitions and important educational<br />

initiatives. Our emphasis from 20<strong>10</strong> will<br />

be to develop our work in the areas <strong>of</strong><br />

transport sector skills shortages and<br />

apprenticeships. We already work with<br />

over <strong>10</strong>0,000 schoolchildren in <strong>London</strong><br />

and, in partnership with industry and<br />

TfL, will build on this network to<br />

encourage young people to discover<br />

careers in engineering and science to<br />

promote the future prosperity <strong>of</strong> our<br />

transport industry.<br />

To get involved, please contact<br />

LTM Marketing & Development<br />

on 020 7565 7293<br />

Peter Hendy (left), Commissioner<br />

<strong>of</strong> <strong>Transport</strong> for <strong>London</strong>, and<br />

Stephen Shewmaker, President<br />

<strong>of</strong> Cubic <strong>Transport</strong>ation<br />

19: Number<br />

<strong>of</strong> years the<br />

Corporate<br />

Membership<br />

Scheme has<br />

supported the<br />

work <strong>of</strong> LTM


46 | Income and support<br />

Income and support | 47<br />

Corporate members<br />

Sponsors and donors<br />

Leader<br />

Abellio<br />

ALSTOM <strong>Transport</strong>*<br />

Arriva <strong>London</strong><br />

Bombardier <strong>Transport</strong>ation UK<br />

East <strong>London</strong> Bus Group<br />

FirstGroup UK Bus*<br />

Halcrow Group<br />

Serco<br />

Driver<br />

Covent Garden <strong>London</strong><br />

EnterpriseMouchel*<br />

Eversheds*<br />

Fujitsu*<br />

<strong>The</strong> Go-Ahead Group<br />

Invensys Rail*<br />

Mansell Construction<br />

Ringway Jacobs<br />

Sacker & Partners*<br />

Member<br />

Atkins<br />

Capgemini<br />

Citylink Telecommunications<br />

Cubic <strong>Transport</strong>ation Systems*<br />

Deloitte*<br />

EDF Energy Powerlink<br />

Freshfields*<br />

Herbert Smith*<br />

Mott MacDonald*<br />

PricewaterhouseCoopers<br />

SGS UK<br />

Siemens<br />

telent Technology Services<br />

Trapeze<br />

Associate<br />

Balfour Beatty Engineering Services*<br />

Bircham Dyson Bell*<br />

Birse Metro<br />

Canary Wharf Group*<br />

Freight <strong>Transport</strong> Association<br />

Heathrow Express<br />

Hyder Consulting UK<br />

KPMG<br />

Mane Contract Services<br />

Metroline<br />

Radio Taxis Group<br />

YJL Infrastructure<br />

Honorary Corporate Member<br />

4-RAIL Services<br />

Clear Channel Outdoor*<br />

Major funders<br />

<strong>Transport</strong> for <strong>London</strong><br />

Heritage Lottery Fund<br />

Major supporters<br />

DCMS /Wolfson Foundation <strong>Museum</strong>s and<br />

Galleries Improvement Fund<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

Luke Rees-Pulley Charitable Trust<br />

MLA Renaissance<br />

Principal sponsor<br />

Tube Lines*<br />

Sponsors<br />

Alexander Dennis<br />

ALSTOM <strong>Transport</strong>*<br />

Arriva <strong>London</strong><br />

Capita<br />

CBS Outdoor<br />

Compak Ramps<br />

Conran Design Group<br />

Corus<br />

Cubic <strong>Transport</strong>ation Systems*<br />

Docklands Light Railway<br />

East <strong>London</strong> Bus Group<br />

Eversheds*<br />

FirstGroup*<br />

Hammonds<br />

HCL Axon<br />

HP Enterprise Services<br />

Hyder Consulting<br />

<strong>London</strong> Central/<strong>London</strong> General (Go-Ahead)<br />

Macquarie Group<br />

Mercedes-Benz buses and coaches<br />

Metroline<br />

National Express UK<br />

Network Rail<br />

Optare UK<br />

Orange<br />

Parsons Brinckerh<strong>of</strong>f<br />

Peek Traffic*<br />

Renaissance <strong>London</strong><br />

Ringway Jacobs<br />

SAP (UK) Ltd<br />

Serco<br />

Skanska McNicholas<br />

Stagecoach <strong>London</strong><br />

Thales*<br />

Toyota (GB)<br />

Transdev<br />

Volvo Bus<br />

Wrightbus<br />

Donors<br />

Biffaward – a Landfill Communities Fund<br />

Energy Saving Trust<br />

Foresight, Government Office for Science<br />

Garfield Weston Foundation<br />

John Lyon’s Charity<br />

Small donors<br />

Coutts<br />

<strong>The</strong> Fishmongers’ Company<br />

<strong>The</strong> Goldsmiths’ Company<br />

Osborne Clarke<br />

Exhibition sponsors<br />

American Express – <strong>Suburbia</strong><br />

Advertising support<br />

Clear Channel Outdoor*<br />

* Thank you to these companies who purchased tables at our <strong>2009</strong> Covent Garden<br />

dinner and auction, as did Amey, Ashurst, Bechtel, CSC, IBM, Lexicon Partners,<br />

McKinsey & Company, Telefónica O2 and Visa Europe.


48 | Public programme Public programme | 49<br />

Public programme<br />

<strong>The</strong> <strong>Museum</strong> <strong>of</strong>fers a wide and engaging range <strong>of</strong> exhibitions and<br />

programmes that cater to <strong>London</strong>’s diverse community. Below is a<br />

record <strong>of</strong> events and activities <strong>of</strong>fered to visitors during <strong>2009</strong>/<strong>10</strong>.<br />

Family events<br />

Event<br />

Capital Science: <strong>London</strong> Landscapes<br />

Craft workshop<br />

Creation station<br />

Creative play<br />

Eco pots<br />

Craft workshop<br />

Funky floral badges<br />

Craft workshop<br />

Gnome finger puppets<br />

Craft workshop<br />

Let it snow! Snowglobe<br />

Craft workshop<br />

<strong>London</strong> <strong>Transport</strong> Lotto<br />

Bingo with museum objects<br />

Secret gardens<br />

Craft workshop<br />

Sing-a-long <strong>Suburbia</strong><br />

Under 5s song and story<br />

Snowy Stories<br />

Under 5s song and story<br />

Spooky spiders<br />

Craft workshop<br />

Spring hat parade<br />

Craft workshop<br />

Street smart<br />

Road safety learning<br />

Thames tunnel vision<br />

Craft workshop<br />

<strong>Transport</strong> tales and railway rhymes<br />

Under 5s song and story<br />

Partner/speaker/in association with:<br />

<strong>The</strong> Royal Society<br />

Talks, debates, seminars and lectures<br />

Event<br />

Betjeman and Metro-land<br />

Public talk<br />

Connected Britain<br />

Partnership event / Debate<br />

European Capital <strong>of</strong> Culture<br />

Partnership event / Debate<br />

Great <strong>Transport</strong> Debate<br />

Schools debating competition<br />

Home Comforts<br />

Public talk<br />

<strong>London</strong> Moves East: Community Collectors<br />

University lecture / Community event<br />

Revisiting Collections: Working with<br />

communities to reinterpret collections at LTM<br />

Seminar / Community engagement<br />

Transformed by the Tube<br />

Public talk<br />

<strong>Museum</strong> activities and events<br />

Event<br />

An evening with Lorinc Barabas<br />

Jazz concert<br />

Budapest Retro by Gábor Zsigmond Papp<br />

Film screening<br />

Commuter Love<br />

Friday late<br />

Crime in the City<br />

Friday late<br />

Garden Party<br />

Friday late<br />

I Love Budapest by Agnes Incze<br />

Film screening<br />

Linear<br />

Film screening and presentation<br />

<strong>London</strong> on Sea<br />

Friday late<br />

Sounds <strong>of</strong> the Suburbs<br />

Friday late<br />

Suburban Style<br />

Friday late<br />

Waterloo Sunsets<br />

Friday late<br />

Partner/speaker/in association with:<br />

David Bownes, LTM Head <strong>of</strong> Collections, and<br />

John Heald, Vice Chairman <strong>of</strong> the Betjeman Society<br />

Orange<br />

Hungarian Cultural Centre<br />

<strong>The</strong> English Speaking Union<br />

Emmanuelle Dirix, fashion historian<br />

Birkbeck College<br />

<strong>Museum</strong> Pr<strong>of</strong>essionals Group<br />

Oliver Green, LTM Research Fellow<br />

Partner/speaker/in association with:<br />

Hungarian Cultural Centre<br />

Hungarian Cultural Centre<br />

Dating: When the Music Stops<br />

Craft workshops: <strong>The</strong> Make lounge<br />

Author: Cathi Unsworth<br />

Band: <strong>The</strong> Real Tuesday Weld<br />

Richard Reynolds: Guerilla gardening<br />

Art, magic and craft workshops<br />

Heals design consultant<br />

Hungarian Cultural Centre<br />

Art on the Underground, TfL<br />

Artist: Dryden Goodwin<br />

Band: <strong>The</strong> Squadron Leaders<br />

Dancer and author: Karen McLeod<br />

AV DJs: D:Fuse, Electrovision, *Spark and Labmeta<br />

Craft workshops: <strong>The</strong> Make Lounge<br />

DJ: Tunnelsounds<br />

DJ: Saint Etienne<br />

Film screening


50 | Public programme Public programme | 51<br />

Community and schools events<br />

Event<br />

Partner/speaker/in association with:<br />

Community and schools events continued<br />

Event<br />

Partner/speaker/in association with:<br />

1a Film Project<br />

Film project<br />

1a Arts etc<br />

TfL Inspire<br />

Engineering and planning careers programme<br />

TfL, Science <strong>Museum</strong><br />

A <strong>London</strong> Line<br />

Dance performance with young people<br />

Union Dance<br />

Transitions Project<br />

Diploma support programme<br />

Crossrail, ICE, BBC<br />

Bag-making<br />

Craft activity with youth club<br />

Bag-making with girls youth group<br />

Craft session for young people<br />

Balloon Buses<br />

Community activity<br />

Castlehaven Community Centre<br />

Dragon Hall Community Centre<br />

Hornchurch churches<br />

Walk the Line<br />

Winter Celebration<br />

Community forum event<br />

Boundary Women’s Group at St. Hilda’s East<br />

Community Centre, Aspirations Group at Tower<br />

Hamlets College, Senior BEES at Building Exploratory<br />

Bedford House Playscheme<br />

Activities for children<br />

ESOL resources<br />

Community and learning project<br />

Every Object Tells a Story<br />

Reminiscence session<br />

Hackney Junior Citizenship Scheme<br />

Activity for school groups<br />

Journeys <strong>of</strong> Change <strong>Year</strong> 4 (Run by IWM)<br />

Community project<br />

Kew Bridge WW2 day<br />

Festival<br />

<strong>London</strong> <strong>Transport</strong> Lotto<br />

Bingo session<br />

Lost in Transit schools tour<br />

Maida Hill family day<br />

Festival<br />

Memory Lane<br />

Film screenings<br />

Mind the Gap<br />

Drama performance<br />

Platform in Focus<br />

Community project<br />

Race for ideas<br />

Children’s activity<br />

Bedford House<br />

City and Islington College<br />

History Talk, Open Age, Time and Talents, WEA,<br />

Stroke Association, Westminster Adult Education,<br />

Mayfair Library, St. Hilda’s East Community Centre,<br />

Bishop Ho Ming Wah Centre, Beckenham and Penge<br />

Gateway Group, Abbey Centre<br />

Safety and Citizenship Team<br />

Debanma Supplementary School,<br />

Imperial War <strong>Museum</strong><br />

Kew Bridge Steam <strong>Museum</strong><br />

Millman Street Centre<br />

Art <strong>of</strong> regeneration, Lewisham College<br />

Harrow Road Neighbourhood Partnership<br />

St. Hilda’s East Community Centre,<br />

Bishop Ho Ming Wah Centre<br />

Link up<br />

One KX<br />

Camden Council<br />

Heritage vehicle outings<br />

Event<br />

Amersham Heritage Day<br />

Heritage event<br />

Sarah Siddons / RM1 – heritage vehicle outings<br />

Depot Open Weekend<br />

Enthusiast open weekend<br />

RM1 – heritage vehicle outings<br />

Depot Open Weekend<br />

Family open weekend / B-type anniversary<br />

RM1 – heritage vehicle outings<br />

Depot Open Weekend<br />

Family open weekend<br />

RM1 – heritage vehicle outings<br />

District line event<br />

1938 stock – heritage vehicle outings<br />

Hendon Pageant – Northern line run<br />

1938 stock – heritage vehicle outings<br />

Historic Commercial Vehicle Society<br />

<strong>London</strong> to Brighton run<br />

RM1 / LT165 – heritage vehicle outings<br />

Jubilee line event<br />

1938 stock – heritage vehicle outings<br />

Rickmansworth Festival<br />

Sarah Siddons / RM1– heritage vehicle outings<br />

Partner/speaker/in association with:<br />

Heritage committee<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

Amersham event organisers<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

Heritage committee<br />

District line<br />

Heritage committee<br />

RAF <strong>Museum</strong><br />

Heritage committee<br />

Jubilee line<br />

Heritage committee<br />

Rickmansworth Festival<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />

Refugee Week<br />

Community talk<br />

Acton Library<br />

Seminar series<br />

Community forum event<br />

South Bank University Family Days<br />

Family activities and <strong>Museum</strong> visit<br />

South Bank University<br />

Studio Days with Somerset House<br />

Collaborative youth event<br />

Somerset House


52 | Public programme Public programme | 53<br />

Community curator events<br />

Event<br />

Black History Month Takeover Day<br />

Combined community and learning event<br />

Capturing Croydon<br />

Community: Contemporary collecting project<br />

Commuting<br />

Community: Contemporary collecting<br />

Connecting Anerley<br />

Youth film project<br />

Digital Storytelling<br />

Community: Contemporary collecting film project<br />

Line Through the Lens<br />

Community: Contemporary collecting<br />

<strong>London</strong> Moves East<br />

Community poster project<br />

<strong>London</strong> Moves South<br />

Community poster project<br />

Regeneration Southwark<br />

Community art project<br />

Shoreditch Festival<br />

Combined community and learning event<br />

Show Us Your <strong>Suburbia</strong><br />

Community: Web 2.0 / Contemporary<br />

collecting project<br />

Social Surfing<br />

Community skill-building workshops<br />

Suburban Stories: Golders Green Walks<br />

Community: Public walks led by local guides<br />

Partner/speaker/in association with:<br />

In partnership with TfL’s BAME network group<br />

Local residents and TfL, Croydon Local<br />

Studies Library, <strong>Museum</strong> <strong>of</strong> Croydon<br />

Streetwise Youth Centre, Chocolate Films<br />

Tate Modern<br />

Alternative Arts, Photomonth<br />

Artist: James Lambert<br />

Community Collector participants<br />

Forest Hill Boys School<br />

Art in the Park, Rainbow Arts Southwark<br />

United Anglo Caribbean Society<br />

Local residents and TfL<br />

<strong>London</strong>: World City project<br />

<strong>London</strong>: World City is part <strong>of</strong> Stories <strong>of</strong> the World, the <strong>London</strong> 2012 Cultural Olympiad programme<br />

Event<br />

Partner/speaker/in association with:<br />

Bus Shelters art workshops at<br />

Orleans House Gallery<br />

Community art project<br />

Bus Shelters art workshops in Hackney<br />

Community art project<br />

Reinterpretation film made by<br />

Young Consultants<br />

Youth participation: Revisiting collections<br />

Reinterpretation project<br />

Community: Revisiting collections project<br />

Young Consultants recruitment day<br />

Youth participation<br />

HEART group, Jaime Taylor and Postcode Films,<br />

Orleans House Gallery<br />

Pedro Youth Club, Andrew Wright, Eastside<br />

Educational Trust, Chocolate Films<br />

Chocolate Films<br />

Thames Reach, Chocolate Films


54 | Structure, governance and management Structure, governance and management | 55<br />

Structure, governance<br />

and management<br />

Governing documents<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited (LTM) is a registered charity which was incorporated on<br />

6 February 2008 as a company limited by shares and is governed by its Memorandum and<br />

Articles <strong>of</strong> Association. Under the GLA Act 1999, <strong>Transport</strong> for <strong>London</strong> (TfL) has the power to<br />

provide and maintain a museum <strong>of</strong> transport artefacts, records and other exhibits. While it is<br />

more common for charities to be operated by companies limited by guarantee, the <strong>Transport</strong><br />

for <strong>London</strong> (Specified Activities) Order 2000 requires TfL to carry out museum activities<br />

through a company limited by shares.<br />

Under section 5.1 <strong>of</strong> the LTM Memorandum <strong>of</strong> Association, the property and funds <strong>of</strong> the<br />

<strong>Museum</strong> must be used only for promoting the objects and no dividend is payable to TfL.<br />

LTM has a wholly owned subsidiary, <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited (LTMTL),<br />

through which it operates retail, corporate hire and other non-charitable activities to<br />

generate funds for the furtherance <strong>of</strong> the <strong>Museum</strong>’s objects. All the pr<strong>of</strong>its <strong>of</strong> LTMTL<br />

are donated to LTM.<br />

Organisation<br />

<strong>The</strong> <strong>Museum</strong> is governed by a Board <strong>of</strong> Trustees, chaired by Sir David Bell. <strong>The</strong> Board meets up<br />

to six times a year for routine business and convenes meetings as necessary to consider urgent<br />

issues. In addition, Trustees take part in an annual review <strong>of</strong> strategy. Day-to-day management<br />

<strong>of</strong> the <strong>Museum</strong> is delegated to the Managing Director, Sam Mullins, and through him to the<br />

Senior Management Team, employees and volunteers.<br />

Appointment <strong>of</strong> Trustees<br />

<strong>The</strong>re are up to thirteen Trustees, three <strong>of</strong> whom are nominated by TfL and may be members,<br />

<strong>of</strong>ficers or employees <strong>of</strong> TfL or the Greater <strong>London</strong> Assembly. Nine independent Trustees<br />

unconnected with TfL are also appointed by the Board. <strong>The</strong> Managing Director <strong>of</strong> LTM is<br />

automatically a Trustee by virtue <strong>of</strong> his <strong>of</strong>fice. Trustees serve a three-year term following which<br />

they may be elected for another three years. <strong>The</strong> Articles <strong>of</strong> Association make allowance for a<br />

second three-year extension in exceptional circumstances. Other than the Managing Director,<br />

who is an employee <strong>of</strong> LTM, the Trustees receive no remuneration but may claim travel<br />

expenses for attending meetings.<br />

Recruitment <strong>of</strong> Trustees<br />

Independent Trustees are selected on their ability to meet the knowledge and experience<br />

<strong>of</strong> the vacancy to be filled. <strong>The</strong> <strong>Museum</strong> seeks to recruit Trustees with expertise across a<br />

matrix <strong>of</strong> experience significant to its strategy and operation: community outreach, education,<br />

museum practice, commercial transportation, finance and governance, retail operations and<br />

public relations. It is also important to the Trustees that the <strong>Museum</strong> Board is recruited so<br />

as to be representative <strong>of</strong> <strong>London</strong>’s diversity. <strong>The</strong> <strong>Museum</strong> supports TfL’s commitment to<br />

promoting equal opportunity for everyone, eliminating discrimination and promoting good<br />

relations between people <strong>of</strong> different ethnicity, religious belief and sexual orientation.<br />

Trustee induction and training<br />

New Trustees undergo an orientation programme to brief them on their obligations under<br />

charity and company law, the content <strong>of</strong> the Memorandum and Articles <strong>of</strong> Association,<br />

the committee and decision-making processes, the business plan and recent performance<br />

<strong>of</strong> the <strong>Museum</strong>. During their induction they are invited to spend time with the LTM Managing<br />

Director and meet senior staff, and are provided with a pack <strong>of</strong> reference material.<br />

Audit Committee<br />

<strong>The</strong> role <strong>of</strong> the Audit Committee is to assist and advise the Board <strong>of</strong> Trustees <strong>of</strong> LTM on<br />

audit matters and oversee the relationship with TfL Internal Audit and external auditors.<br />

This includes detailed review <strong>of</strong> the Annual Accounts and supporting information, and<br />

consideration <strong>of</strong> Internal Audit Reports.<br />

Risk management<br />

<strong>The</strong> Trustees acknowledge their responsibility to assess and manage the risks facing the<br />

<strong>Museum</strong>. <strong>The</strong> major risks to which the <strong>Museum</strong> is exposed, as identified by the Trustees,<br />

have been reviewed. <strong>The</strong> Trustees have implemented a risk management strategy which<br />

includes the following actions that were undertaken in the year:<br />

∙ Periodic risk reviews by the Managing Director and Senior Management Team, advised<br />

and assisted by the TfL Risk Management department<br />

∙ Annual review <strong>of</strong> risk and risk management by the Trustees<br />

∙ Maintenance <strong>of</strong> the Risk Map and Risk Register<br />

∙ Maintenance <strong>of</strong> systems and procedures to mitigate risks identified in the Risk Map<br />

and Risk Register<br />

∙ Maintenance <strong>of</strong> procedures designed to minimise any potential impact on the <strong>Museum</strong><br />

should those risks materialise<br />

∙ Regular audits <strong>of</strong> <strong>Museum</strong> operations carried out by TfL’s Internal Audit department<br />

∙ Disaster recovery exercises and desktop simulations involving key <strong>Museum</strong> staff<br />

<strong>The</strong> <strong>Museum</strong>’s key risks are identified as those with a potential impact that is rated ‘High’<br />

or ‘Very High’. Of these, three have a Very High to High likelihood <strong>of</strong> occurring. <strong>The</strong>se are:<br />

∙ Loss <strong>of</strong> MLA Renaissance Funding for learning programmes<br />

∙ Significant reduction in trading income<br />

∙ Reduction <strong>of</strong> core funding from TfL<br />

To mitigate these risks, the <strong>Museum</strong> has undertaken the following actions:<br />

∙ Identified and obtained new sponsors for learning activities<br />

∙ Introduced government-funded skills development programmes<br />

∙ Identified and undertaken new online retail opportunities<br />

∙ Formed retail partnerships with commercial businesses<br />

∙ Undertaken an operational cost review<br />

∙ Identified new revenue-generating activities to <strong>of</strong>fset potential decrease in core funding


56 | Structure, governance and management Structure, governance and management | 57<br />

Relationship with TfL<br />

A series <strong>of</strong> written agreements exists between TfL and LTM which sets out the framework<br />

for the continued provision and maintenance <strong>of</strong> the <strong>Museum</strong>, the operation and funding <strong>of</strong><br />

LTM, and the long-term relationship <strong>of</strong> the parties. <strong>The</strong> <strong>Museum</strong> cares for a collection <strong>of</strong> over<br />

350,000 objects which remain the property <strong>of</strong> TfL and subject to a loan agreement between<br />

LTM and TfL.<br />

Employment policies<br />

At the end <strong>of</strong> March 20<strong>10</strong>, the <strong>Museum</strong> employed 111 people.<br />

<strong>The</strong> <strong>Museum</strong> is part <strong>of</strong> the TfL Framework for Consultation and Collective Bargaining.<br />

Pay negotiations are conducted between the TfL Company Council for Collective Bargaining<br />

and the recognised trades unions which are the National Union <strong>of</strong> Rail, Maritime and <strong>Transport</strong><br />

Workers (RMT) and the <strong>Transport</strong> Salaried Staff Association (TSSA).<br />

Charitable objectives and public benefit<br />

When reviewing the <strong>Museum</strong>’s aims and objectives, and in planning future activities, the<br />

Trustees <strong>of</strong> LTM have had due regard to the principles <strong>of</strong> public benefit and the public benefit<br />

guidance published by the Charity Commission. <strong>The</strong> Trustees believe that LTM delivers<br />

important public benefits that uphold these principles.<br />

Principle 1: <strong>The</strong>re are identifiable benefits, related to our aims and balanced<br />

against any harm.<br />

LTM’s aims as a charity are to advance the heritage <strong>of</strong> transport in <strong>London</strong> and to educate<br />

the public about the history <strong>of</strong> transport in <strong>London</strong> through the provision, operation and<br />

maintenance <strong>of</strong> a transport museum for the public benefit. LTM also seeks to educate the<br />

public about the role <strong>of</strong> transport in the life and work <strong>of</strong> <strong>London</strong> past, present and future.<br />

Principle 2: <strong>The</strong> benefits to the public are not unduly restricted and do not exclude<br />

people in poverty. Private benefits are incidental.<br />

LTM delivers benefits to visitors at the <strong>Museum</strong> in Covent Garden and the Depot in Acton,<br />

to users <strong>of</strong> our website and to schoolchildren across Greater <strong>London</strong> who take part in our<br />

educational programmes. Our audience development and community outreach work engages<br />

with people who would not normally visit museums and galleries. <strong>The</strong> <strong>Museum</strong> at Covent<br />

Garden is fully accessible and welcomes visitors 363 days a year.<br />

Our visitors come from across <strong>London</strong> and the world. We take our historic vehicles out onto<br />

the roads and rails, visit schools and work with local community groups across the Capital. Our<br />

comprehensive online <strong>Museum</strong> includes access to all the exhibits available in our main gallery<br />

as well as thousands <strong>of</strong> objects not normally on public display. We also loan objects to other<br />

institutions to extend our reach and increase access to our collections.<br />

Online access is free and the Safety and Citizenship programme is delivered at no cost to<br />

the schools taking part. Although the <strong>Museum</strong> charges admission for entry to the galleries<br />

at Covent Garden, various measures are taken to ensure that charges do not unduly restrict<br />

access to the collection. <strong>The</strong>se include free entry to the <strong>Museum</strong> for children under the age<br />

<strong>of</strong> 16; free entry for carers accompanying disabled visitors; and reduced admission charges for<br />

senior citizens, students and other concessionary groups.<br />

Where the <strong>Museum</strong> delivers private benefits to individuals or companies, these are subject to<br />

appropriate commercial arrangements undertaken through a subsidiary company to generate<br />

funds for the <strong>Museum</strong>. No LTM or TfL staff receive private benefit other than in an incidental<br />

way and, with the exception <strong>of</strong> Sam Mullins who receives a salary in respect <strong>of</strong> his position as<br />

the <strong>Museum</strong>’s Managing Director, the Board receive no payments for their role as Trustees <strong>of</strong><br />

the <strong>Museum</strong>.<br />

<strong>The</strong> <strong>Museum</strong> provides clear and identifiable benefits to the public in three categories<br />

<strong>of</strong> activity: education and engagement, access and museum operations, and heritage<br />

and collections.<br />

LTM does no harm or detriment through its charitable activities. <strong>The</strong> health and safety <strong>of</strong> staff<br />

and visitors are taken very seriously and the <strong>Museum</strong> operates safety management systems<br />

involving trained staff to reduce our risks to a level that is as low as reasonably practicable<br />

for all our operations. We also seek to reduce our impact on the environment by reusing<br />

materials purchased for temporary exhibitions where possible. LTM also uses photovoltaic<br />

solar panels to generate an estimated 2.5% <strong>of</strong> the annual electricity required in the galleries.<br />

This flagship installation is understood to be the largest ever undertaken on a listed building<br />

in the centre <strong>of</strong> <strong>London</strong>.


58 | Trustees’ statement Independent auditors’ report | 59<br />

Trustees’ statement<br />

Independent auditors’ report<br />

Statement <strong>of</strong> responsibilities <strong>of</strong> the Trustees <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong> Limited in respect <strong>of</strong> the Trustees’ Annual Report and the<br />

financial statements<br />

<strong>The</strong> Trustees are responsible for preparing the Trustees’ Annual Report and the financial<br />

statements in accordance with applicable law and regulations.<br />

Company law requires the Trustees to prepare financial statements for each financial year.<br />

Under that law they are required to prepare the group and parent company financial<br />

statements in accordance with UK Accounting Standards and applicable law (UK Generally<br />

Accepted Accounting Practice).<br />

Under company law the Trustees must not approve the financial statements unless they are<br />

satisfied that they give a true and fair view <strong>of</strong> the state <strong>of</strong> affairs <strong>of</strong> the group and charitable<br />

company and <strong>of</strong> the group’s excess <strong>of</strong> income over expenditure for that period. In preparing<br />

each <strong>of</strong> the group and charitable company financial statements, the Trustees are required to:<br />

∙ select suitable accounting policies and then apply them consistently;<br />

∙ make judgements and estimates that are reasonable and prudent;<br />

∙ state whether applicable UK Accounting Standards have been followed, subject to any<br />

material departures disclosed and explained in the financial statements; and<br />

∙ prepare the financial statements on the going concern basis unless it is inappropriate to<br />

presume that the group and the charitable company will continue its activities.<br />

<strong>The</strong> Trustees are responsible for keeping adequate accounting records that are sufficient to<br />

show and explain the charitable company’s transactions and disclose with reasonable accuracy<br />

at any time the financial position <strong>of</strong> the charitable company and enable them to ensure that its<br />

financial statements comply with the Companies Act 2006. <strong>The</strong>y have general responsibility for<br />

taking such steps as are reasonably open to them to safeguard the assets <strong>of</strong> the group and to<br />

prevent and detect fraud and other irregularities.<br />

This report was approved by the Board <strong>of</strong> Trustees on 15 June 20<strong>10</strong> and signed on its<br />

behalf by:<br />

Sam Mullins, Managing Director<br />

Independent auditors’ report to the shareholder <strong>of</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited<br />

We have audited the group and charity financial statements (the ‘financial statements’) <strong>of</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Group for the year ended 31 March 20<strong>10</strong> set out on pages 64–79.<br />

<strong>The</strong>se financial statements have been prepared under the accounting policies set out therein.<br />

This report is made solely to the company’s shareholder in accordance with sections 495<br />

and 496 <strong>of</strong> the Companies Act 2006. Our audit work has been undertaken so that we might<br />

state to the charitable company’s shareholder those matters we are required to state to them<br />

in an auditors’ report and for no other purpose. To the fullest extent permitted by law, we<br />

do not accept or assume responsibility to anyone other than the charitable company and its<br />

shareholder for our audit work, for this report, or for the opinions we have formed.<br />

Respective responsibilities <strong>of</strong> the Trustees and auditors<br />

<strong>The</strong> Trustees (who are also the directors <strong>of</strong> the company for the purposes <strong>of</strong> company law)<br />

are responsible for preparing the Trustees’ Annual Report and the financial statements<br />

in accordance with applicable law and UK Accounting Standards (UK Generally Accepted<br />

Accounting Practice) and for being satisfied that the financial statements give a true and fair<br />

view. <strong>The</strong>se responsibilities are set out in the Statement <strong>of</strong> Trustees’ Responsibilities on page<br />

58. Our responsibility is to audit the financial statements in accordance with relevant legal and<br />

regulatory requirements and International Standards on Auditing (UK and Ireland).<br />

We report to you our opinion as to whether the financial statements give a true and fair view,<br />

have been properly prepared in accordance with UK Generally Accepted Accounting Practice<br />

and have been prepared in accordance with the Companies Act 2006. We also report to you<br />

whether in our opinion the information given in the Trustees’ Annual Report is consistent with<br />

the financial statements.<br />

In addition we report to you if, in our opinion, the charitable company has not kept adequate<br />

accounting records, if the charitable company’s financial statements are not in agreement<br />

with the accounting records and returns, if we have not received all the information and<br />

explanations we require for our audit, or if certain disclosures <strong>of</strong> Trustees’ remuneration<br />

specified by law are not made.<br />

We read the Trustees’ Annual Report and consider the implications for our report if we<br />

become aware <strong>of</strong> any apparent misstatement within it. We read the other information<br />

contained in the Annual Report and consider whether it is consistent with the audited<br />

financial statements. We consider the implications for our report if we become aware <strong>of</strong><br />

any apparent misstatements or material inconsistencies with the financial statements.<br />

Our responsibilities do not extend to any other information.


60 | Independent auditors’ report Trustees and advisors | 61<br />

Independent auditors’ report to the shareholder <strong>of</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited continued<br />

Trustees and advisors<br />

Basis <strong>of</strong> audit opinion<br />

We conducted our audit in accordance with International Standards on Auditing (UK and<br />

Ireland) issued by the Auditing Practices Board. An audit includes examination, on a test<br />

basis, <strong>of</strong> evidence relevant to the amounts and disclosures in the financial statements. It also<br />

includes an assessment <strong>of</strong> the significant estimates and judgements made by the Trustees in<br />

the preparation <strong>of</strong> the financial statements, and <strong>of</strong> whether the accounting policies are<br />

appropriate to the group’s and charitable company’s circumstances, consistently applied and<br />

adequately disclosed.<br />

We planned and performed our audit so as to obtain all the information and explanations<br />

which we considered necessary in order to provide us with sufficient evidence to give<br />

reasonable assurance that the financial statements are free from material misstatement,<br />

whether caused by fraud or other irregularity or error. In forming our opinion we also evaluated<br />

the overall adequacy <strong>of</strong> the presentation <strong>of</strong> information in the financial statements.<br />

Opinion<br />

In our opinion:<br />

∙ the financial statements give a true and fair view <strong>of</strong> the state <strong>of</strong> the group’s and the<br />

charitable company’s affairs as at 31 March 20<strong>10</strong> and <strong>of</strong> the group’s incoming resources and<br />

application <strong>of</strong> resources, including its income and expenditure, for the year then ended;<br />

∙ the financial statements have been properly prepared in accordance with UK Generally<br />

Accepted Accounting Practice;<br />

∙ the financial statements have been prepared in accordance with the Companies Act 2006;<br />

and<br />

∙ the information given in the Trustees’ Annual Report is consistent with the financial<br />

statements.<br />

MG Fallon (Senior Statutory Auditor)<br />

for and on behalf <strong>of</strong> KPMG LLP, Statutory Auditor<br />

21 June 20<strong>10</strong><br />

Directors and Trustees<br />

<strong>The</strong> Directors <strong>of</strong> the charitable company<br />

are its Trustees for the purpose <strong>of</strong> charity<br />

law and throughout this report are<br />

collectively referred to as the Trustees.<br />

Board <strong>of</strong> Trustees<br />

Robert Ian Arthurton<br />

Sir David Bell (Chair)<br />

Howard Collins* (from 1 December <strong>2009</strong>)<br />

Roger Cooke<br />

Leon Daniels<br />

Jeremy Fraser<br />

Judith Garfield<br />

Glenn Lyons<br />

Daniel Moylan* (from 21 May <strong>2009</strong>)<br />

Samuel Mullins (Managing Director)<br />

Timothy O’Toole* (to 30 April <strong>2009</strong>)<br />

Janet Vitmayer<br />

Jeroen Weimar* (from 15 May <strong>2009</strong><br />

to 28 February 20<strong>10</strong>)<br />

David Worthington<br />

* Nominee <strong>of</strong> <strong>Transport</strong> for <strong>London</strong><br />

Audit Committee<br />

Sir David Bell<br />

Roger Cooke (Chair)<br />

Leon Daniels<br />

Company Secretary<br />

Howard Carter<br />

Ellen Howard<br />

Directors <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong> (Trading) Limited<br />

Robert Ian Arthurton (from 8 March 20<strong>10</strong>)<br />

Judith Garfield (from 8 March 20<strong>10</strong>)<br />

Christopher Gilbert<br />

Samuel Mullins<br />

Randeep Sidhu<br />

Michael Walton<br />

David Worthington<br />

Principal Bankers<br />

HSBC<br />

8 Victoria Street<br />

<strong>London</strong> SW1H 0NJ<br />

Auditors<br />

KPMG LLP<br />

1 Forest Gate<br />

Brighton Road<br />

Crawley<br />

West Sussex RH11 9PT<br />

Principal Legal Advisers<br />

TfL In-House Legal Department<br />

6th Floor Windsor House<br />

42–50 Victoria Street<br />

<strong>London</strong> SW1H 0TL<br />

Chartered Accountants<br />

1 Forest Gate<br />

Brighton Road<br />

Crawley<br />

West Sussex<br />

RH11 9PT


62 | Financial review Financial review | 63<br />

Financial review<br />

Following a year <strong>of</strong> successful fundraising, effective cost control and the conservation <strong>of</strong><br />

resources, we ended <strong>2009</strong>/<strong>10</strong> with an operating surplus <strong>of</strong> £1.1m and funds carried forward<br />

<strong>of</strong> £29.4m (<strong>2009</strong>: £28.3m). <strong>The</strong> surplus will enable us to undertake the essential capital<br />

expenditure on the <strong>Museum</strong> premises required to prevent water ingress and repair the damage<br />

caused by the unexpectedly harsh winter. We will also be able to begin the important work to<br />

upgrade the educational facilities and public toilets to sustain a high-quality visitor <strong>of</strong>fer.<br />

This year represents only the second full year <strong>of</strong> the charity’s operation following the Transfer<br />

Scheme which saw £28.8m <strong>of</strong> premises and exhibition assets transferred to <strong>London</strong> <strong>Transport</strong><br />

<strong>Museum</strong> Limited (LTM) on 1 April 2008 along with a grant <strong>of</strong> £1m to meet pre-charitable<br />

liabilities. Adjusting for these atypical transactions, our incoming resources are broadly<br />

equivalent to last year’s at £12.4m with the core grant from TfL <strong>of</strong> £5.6m being our principal<br />

source <strong>of</strong> income.<br />

Turnover from our subsidiary trading company remained static at £2.1m, although pr<strong>of</strong>it was<br />

down without the benefit <strong>of</strong> the one-<strong>of</strong>f stock transfer that boosted results last year. <strong>The</strong><br />

operating pr<strong>of</strong>it made by <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited was £0.2m which will<br />

be donated by Gift Aid to LTM.<br />

Other significant income streams include admission charges to the <strong>Museum</strong>’s galleries and<br />

events (£1m), support for the Safety and Citizenship programme from TfL Surface <strong>Transport</strong><br />

and <strong>London</strong> Underground (£1m), and over £0.4m <strong>of</strong> funding received this year<br />

for exhibitions and youth engagement activities that will take place in 20<strong>10</strong>/11.<br />

Control <strong>of</strong> costs, vacancy management and the renegotiation <strong>of</strong> major contracts such as<br />

cleaning and security helped keep costs down to £11.3m against £12.8m in the previous<br />

period. Savings were made primarily in support costs and did not impact on charitable<br />

outcomes.<br />

Reserves policy<br />

<strong>The</strong> Trustees maintain reserves to provide funds for asset renewals, repairs and future capital<br />

expenditure associated with the <strong>Museum</strong>’s premises, facilities and exhibitions. <strong>The</strong> target<br />

range for reserves for this purpose is between £1m and £2m. This is based on the <strong>Museum</strong>’s<br />

estimated capital expenditure needs <strong>of</strong> between £5m and £8m over the next ten years. In the<br />

current year, transfers to the <strong>Museum</strong> Development Fund have allowed this fund to reach a<br />

level which will enable us to begin our essential capital project work in 20<strong>10</strong>/11.<br />

<strong>The</strong> balance sheet value <strong>of</strong> the <strong>Museum</strong>’s fixed assets at the date <strong>of</strong> transfer from TfL was set<br />

aside in 2008/09 in a Designated Fixed Assets and Buildings Fund. This has been combined<br />

with the Pre-Charitable Liabilities Fund to form a single Capital Fund which currently stands at<br />

£26.7m. Adjustments have been made to provisions raised before charitable status and these<br />

have had a beneficial impact upon the reserves position. As these reserves do not represent<br />

funds readily available for other purposes, they have been set aside as designated funds in the<br />

Capital Fund. <strong>The</strong> Capital Fund is written down annually by the value <strong>of</strong> the depreciation on the<br />

<strong>Museum</strong>’s fixed assets.<br />

As at 31 March 20<strong>10</strong>, the Trustees have designated £0.5m in a fund to reflect income received<br />

in the current year that will be used for the delivery <strong>of</strong> exhibitions and activities in 20<strong>10</strong>/11.<br />

<strong>The</strong>se activities include the Overground uncovered exhibition, the electric vehicle exhibition<br />

and various youth engagement projects.<br />

Investments policy<br />

It is the policy <strong>of</strong> the <strong>Museum</strong> to invest surplus funds in short-term cash deposits within<br />

the UK.<br />

Total reserves are now approaching a level similar to other prudent charities <strong>of</strong> our size and<br />

scope and are more in line with our reserves policy.


64 | Financial review Financial review | 65<br />

Consolidated statement <strong>of</strong> financial activities<br />

Including income and expenditure account – <strong>Year</strong> ending 31 March 20<strong>10</strong><br />

Balance sheets<br />

As at 31 March 20<strong>10</strong><br />

Note<br />

Unrestricted<br />

Funds<br />

£000<br />

20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />

Restricted<br />

Funds<br />

£000<br />

Total<br />

Funds<br />

£000<br />

Total<br />

Funds<br />

£000<br />

Incoming resources<br />

Incoming resources from<br />

generated funds<br />

Voluntary income:<br />

Transfer <strong>of</strong> net assets from TfL – – – 28,834<br />

Core grants 5,609 – 5,609 5,471<br />

Other donations 671 25 696 820<br />

2 6,280 25 6,305 35,125<br />

Activities for generating funds 3 2,813 6 2,819 2,854<br />

Investment income (bank interest) 27 – 27 65<br />

Incoming resources from<br />

charitable activities<br />

Education and engagement 1,305 484 1,789 1,692<br />

Access and museum operations 973 185 1,158 1,179<br />

Heritage and collections 172 135 307 217<br />

4 2,450 804 3,254 3,088<br />

Total incoming resources 11,570 835 12,405 41,132<br />

Resources expended<br />

Cost <strong>of</strong> generating funds<br />

Cost <strong>of</strong> generating voluntary income 535 25 560 600<br />

Commercial trading operations 1,882 – 1,882 1,775<br />

5 2,417 25 2,442 2,375<br />

Cost <strong>of</strong> charitable activities<br />

Education and engagement 2,911 459 3,370 3,799<br />

Access and museum operations 3,495 131 3,626 4,114<br />

Heritage and collections 1,709 <strong>10</strong>8 1,817 2,475<br />

5 8,115 698 8,813 <strong>10</strong>,388<br />

Governance costs 7 46 – 46 65<br />

Total resources expended 5 <strong>10</strong>,578 723 11,301 12,828<br />

Net incoming resources<br />

before transfers<br />

992 112 1,<strong>10</strong>4 28,304<br />

Gross transfers between funds 128 (128) – –<br />

Net movement <strong>of</strong> funds in year 1,120 (16) 1,<strong>10</strong>4 28,304<br />

Reconciliation <strong>of</strong> funds<br />

Total funds brought forward 28,259 45 28,304 –<br />

Total funds carried forward 15 29,379 29 29,408 28,304<br />

20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

Note Group <strong>Museum</strong><br />

£000 £000 £000 £000<br />

Tangible fixed assets 11 26,344 27,609 26,344 27,609<br />

Current assets<br />

Stock 475 682 – –<br />

Debtors 12 932 886 1,360 1,658<br />

Cash 13 3,152 1,529 3,142 1,400<br />

4,559 3,097 4,502 3,058<br />

Creditors<br />

falling due within one year<br />

14 (1,495) (2,402) (1,438) (2,363)<br />

Net current assets 3,064 695 3,064 695<br />

Net assets 29,408 28,304 29,408 28,304<br />

Represented by<br />

Restricted funds 15a 29 45 29 45<br />

Called up share capital 17 – – – –<br />

Unrestricted funds<br />

Designated funds<br />

15a<br />

Capital fund 26,745 27,744 26,745 27,744<br />

Future exhibitions and education 500 – 500 –<br />

<strong>Museum</strong> development 1,900 500 1,900 500<br />

General unrestricted funds 234 15 234 15<br />

15 29,379 28,259 29,379 28,259<br />

29,408 28,304 29,408 28,304<br />

<strong>The</strong>se financial statements were approved by the Trustees on 15 June 20<strong>10</strong> and signed on<br />

their behalf by:<br />

Sam Mullins, Managing Director<br />

Company registration number 6495761<br />

<strong>The</strong> notes on pages 66–79 form part <strong>of</strong> these accounts.<br />

<strong>The</strong> statement <strong>of</strong> financial activities includes all gains and losses recognised in the year.<br />

All incoming resources and resources expended derive from continuing activities.


66 | Financial review Financial review | 67<br />

Notes to the financial statements<br />

1. Accounting policies<br />

a) Basis <strong>of</strong> preparation<br />

<strong>The</strong> financial statements have been prepared under the historic cost convention and in<br />

accordance with the Statement <strong>of</strong> Recommended Practice: ‘Accounting and Reporting<br />

by Charities’ (SORP 2005) as well as the applicable UK Accounting Standards and the<br />

Companies Act 1985. <strong>The</strong> principal accounting policies adopted in the preparation <strong>of</strong><br />

the financial statements are set out below.<br />

b) Group financial statements<br />

<strong>The</strong>se financial statements consolidate the results <strong>of</strong> the charity and its wholly owned<br />

subsidiary <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited on a line by line basis. Neither a<br />

separate statement <strong>of</strong> financial activities nor an income and expenditure account are presented<br />

for the charity itself following the exemptions afforded by section 230 <strong>of</strong> the Companies Act<br />

1985 and paragraph 397 <strong>of</strong> the SORP. <strong>The</strong> charity’s total incoming resources (gross income)<br />

for the year were £<strong>10</strong>.3m; the charity’s net incoming resources (net income) for the period<br />

were £1.1m.<br />

c) Incoming resources<br />

Incoming resources are included in the statement <strong>of</strong> financial activities when the<br />

<strong>Museum</strong> has entitlement and certainty <strong>of</strong> receipt, and the amount can be measured with<br />

sufficient reliability.<br />

Voluntary income includes donations, gifts, legacies and grants that provide core funding or<br />

are <strong>of</strong> a general nature. <strong>The</strong>se are recognised upon receipt. Such income would only be<br />

deferred when:<br />

∙ <strong>The</strong> donor specifies that the grant or donation must only be used in future accounting<br />

periods; or<br />

∙ <strong>The</strong> donor has imposed conditions which must be met before the <strong>Museum</strong> has<br />

unconditional entitlement.<br />

Income from commercial trading and sponsorship activities is recognised as the related goods<br />

and services are provided.<br />

Investment income is recognised on a receivable basis.<br />

Income from charitable activities includes income received under contract or where<br />

entitlement to grant funding is subject to specific performance conditions which is recognised<br />

as the related goods or services are provided.<br />

Goods, facilities and services donated for the <strong>Museum</strong>’s use, where the benefit is quantifiable<br />

and the goods and services would otherwise have had to be purchased, are recognised in the<br />

financial statements, as both income and expenditure, at a reasonable estimate <strong>of</strong> their value<br />

in the period in which they are donated.<br />

e) Resources expended<br />

All outgoing resources are included in the Statement <strong>of</strong> Financial Activities inclusive <strong>of</strong> any<br />

irrecoverable VAT. Expenditure is recognised when a liability is incurred and is classified under<br />

the following principal categories:<br />

∙ Costs <strong>of</strong> generating funds are those costs incurred in attracting voluntary income, and those<br />

incurred in trading activities that raise funds.<br />

∙ Charitable activities include expenditure associated with the operation <strong>of</strong> the <strong>Museum</strong><br />

and its educational and public programmes, and the management and development <strong>of</strong> the<br />

<strong>Museum</strong>’s collections.<br />

∙ Governance costs include those incurred in the governance <strong>of</strong> the <strong>Museum</strong> and its assets<br />

and are primarily associated with constitutional and statutory requirements.<br />

Where costs relate directly to an activity they have been allocated against that activity. Support<br />

costs that relate to more than one activity have been allocated to activity cost categories on<br />

the basis <strong>of</strong> staff numbers in each area <strong>of</strong> activity (see Note 6).<br />

f) Operating leases<br />

Costs relating to operating leases are charged to the Statement <strong>of</strong> Financial Activities on a<br />

straight line basis over the life <strong>of</strong> the lease.<br />

g) Tangible fixed assets<br />

Individual fixed assets over £<strong>10</strong>,000 are capitalised at cost.<br />

Tangible fixed assets are depreciated on a straight line basis over their estimated useful lives as<br />

follows:<br />

∙ Plant and Equipment 3–<strong>10</strong> years<br />

∙ Buildings and Refurbishments <strong>10</strong>–35 years<br />

Structural improvements to the fabric <strong>of</strong> the <strong>Museum</strong> building are depreciated over the<br />

remaining life <strong>of</strong> the lease (34 years).<br />

Other building work is capitalised where it is considered that future economic benefits in<br />

excess <strong>of</strong> the originally assessed standard <strong>of</strong> performance will flow as a result <strong>of</strong> that work.<br />

h) Stock<br />

Stock is valued at the lower <strong>of</strong> cost or net realisable value.<br />

i) Heritage assets<br />

Heritage Assets are those assets <strong>of</strong> historical, artistic or scientific importance that are held to<br />

advance the preservation, conservation and educational objects <strong>of</strong> the <strong>Museum</strong>. <strong>The</strong> <strong>Museum</strong><br />

collections consist <strong>of</strong> over 350,000 items and are on loan from TfL. Assets on loan are not<br />

capitalised within these financial statements although expenditure relating to their use and<br />

maintenance is included.<br />

d) Volunteers<br />

<strong>The</strong> value <strong>of</strong> services provided by volunteers is not incorporated into these financial<br />

statements. Further details <strong>of</strong> the contribution made by volunteers can be found in the body<br />

<strong>of</strong> the Trustees’ Annual Report.


68 | Financial review Financial review | 69<br />

Notes to the financial statements continued<br />

j) Funds structure<br />

Restricted funds are funds to be used for particular purposes laid down by the donors or which<br />

have been raised for a specific purpose.<br />

Unrestricted funds are funds available for use at the discretion <strong>of</strong> the Trustees in furtherance<br />

<strong>of</strong> the <strong>Museum</strong>’s charitable objectives. Designated funds comprise unrestricted funds that<br />

have been set aside by the Trustees for particular purposes. <strong>The</strong> purposes and uses <strong>of</strong> the<br />

funds held in each <strong>of</strong> these categories are given in Note 15.<br />

k) Pensions<br />

<strong>The</strong> <strong>Museum</strong> operates a pension scheme providing benefits based on final pensionable pay.<br />

<strong>The</strong> assets <strong>of</strong> the scheme are held separately from those <strong>of</strong> the <strong>Museum</strong>. <strong>The</strong> parent charity is<br />

a member <strong>of</strong> that pension scheme but is unable to identify its share <strong>of</strong> the underlying assets<br />

and liabilities <strong>of</strong> the scheme on a consistent and reasonable basis and therefore, as permitted<br />

by the multi-employer exemption in FRS 17 ‘Retirement Benefits’, it is accounted for as if<br />

it were a defined contribution scheme. As a result, the amount charged to the Statement<br />

<strong>of</strong> Financial Activities represents the contributions payable to the scheme in respect <strong>of</strong> the<br />

accounting period. <strong>The</strong> disclosures required under FRS 17 are given in Note 18.<br />

l) Related party transactions<br />

Except in so far as disclosed in Note 19, the <strong>Museum</strong> has taken advantage <strong>of</strong> the exemption<br />

set out in FRS 8 not to disclose any transactions with other TfL Group undertakings.<br />

m) Taxation<br />

<strong>The</strong> <strong>Museum</strong> is exempt from tax in respect <strong>of</strong> its income which is applied to its<br />

charitable activities.<br />

n) Cash flow<br />

Following the exemptions afforded by FRS1 and the Companies Act 1985, where the<br />

charity forms part <strong>of</strong> the <strong>Transport</strong> Trading Limited group, a separate cash flow statement<br />

is not required.<br />

2. Voluntary income<br />

Unrestricted<br />

£000<br />

20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />

Restricted<br />

£000<br />

Total<br />

£000<br />

Total<br />

£000<br />

Transfer <strong>of</strong> net assets from TfL – – – 28,834<br />

Core grant from TfL 5,609 – 5,609 5,471<br />

Donated Services<br />

Arriva – – – 20<br />

Clear Channel 240 – 240 352<br />

Seconded staff 121 – 121 121<br />

Donations<br />

Donations, Grants & Gift Aid 3<strong>10</strong> 25 335 325<br />

Legacies – – – 2<br />

6,280 25 6,305 35,125<br />

3. Activities to generate funds<br />

Unrestricted<br />

£000<br />

4. Incoming resources from charitable activities<br />

20<strong>10</strong><br />

Direct costs<br />

20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />

Restricted<br />

£000<br />

20<strong>10</strong><br />

Apportioned<br />

support costs<br />

Total<br />

£000<br />

20<strong>10</strong><br />

Total<br />

Total<br />

£000<br />

Retail sales 1,595 – 1,595 1,651<br />

Other trading activities<br />

Corporate hire 275 – 275 366<br />

Catering income 64 – 64 73<br />

Commercial sponsorships 125 – 125 –<br />

Other activities to generate funds<br />

Fundraising events and sponsorships 692 – 692 717<br />

Other miscellaneous income 62 6 68 47<br />

Group and <strong>Museum</strong><br />

Unrestricted<br />

£000<br />

2,813 6 2,819 2,854<br />

20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />

Restricted<br />

£000<br />

Total<br />

£000<br />

Total<br />

£000<br />

<strong>Museum</strong> admissions 964 – 964 1,018<br />

<strong>London</strong> <strong>Museum</strong>s Hub grants – 785 785 548<br />

Safety and Citizenship income 1,017 – 1,017 1,288<br />

Grants for youth engagement activity 237 19 256 –<br />

Grants for 20<strong>10</strong> exhibitions 150 – 150 –<br />

American Express Foundation grant – – – 126<br />

John Lyon's Charity grant – – – 15<br />

Luke Rees-Pulley Charitable Trust grant – – – 30<br />

Other miscellaneous charitable income 82 – 82 63<br />

5. Resources expended<br />

2,450 804 3,254 3,088<br />

<strong>2009</strong><br />

Total<br />

£000 £000 £000 £000<br />

Costs <strong>of</strong> generating funds<br />

Costs <strong>of</strong> generating voluntary income 283 277 560 600<br />

Cost <strong>of</strong> goods sold 872 – 872 780<br />

Other trading costs 1,0<strong>10</strong> – 1,0<strong>10</strong> 995<br />

Charitable activities<br />

Education and engagement 1,475 1,896 3,370 3,799<br />

Access and museum operations 1,265 2,360 3,626 4,114<br />

Heritage and collections 646 1,171 1,817 2,475<br />

Governance 46 – 46 65<br />

Total 5,597 5,704 11,301 12,828<br />

<strong>The</strong> cost <strong>of</strong> generating voluntary income includes the cost <strong>of</strong> generating core funding.


70 | Financial review Financial review | 71<br />

Notes to the financial statements continued<br />

6. Shared support cost allocation<br />

7. Governance costs<br />

Education &<br />

engagement<br />

20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong><br />

Access &<br />

museum<br />

operations<br />

Heritage &<br />

collections<br />

Activities to<br />

generate<br />

funds<br />

Total<br />

£000 £000 £000 £000 £000<br />

Premises and facilities 1,136 1,414 702 166 3,418<br />

Finance and management 4<strong>10</strong> 5<strong>10</strong> 253 60 1,233<br />

Marketing 199 248 123 29 599<br />

Systems 92 114 57 13 276<br />

Design and presentation 59 73 37 9 178<br />

Total cost 20<strong>10</strong> 1,896 2,359 1,172 277 5,704<br />

Total cost <strong>2009</strong> 2,139 2,902 1,376 305 6,722<br />

Note: A management fee <strong>of</strong> £776,000 (<strong>2009</strong>: £787,000) was charged to the trading subsidiary during the year.<br />

20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

Group <strong>Museum</strong><br />

£000 £000 £000 £000<br />

External audit 16 50 11 45<br />

Consultancy 14 5 5 5<br />

Systems 5 <strong>10</strong> <strong>10</strong> <strong>10</strong><br />

Other 11 – – –<br />

46 65 26 60<br />

LTMTL Balance sheet<br />

20<strong>10</strong> <strong>2009</strong><br />

£000 £000<br />

Current assets<br />

Stock 475 682<br />

Debtors 146 <strong>10</strong>4<br />

Cash 11 129<br />

632 915<br />

Creditors: falling due within one<br />

year (including Gift Aid to LTM)<br />

(632) (915)<br />

Net current assets – –<br />

Called up share capital (£1) – –<br />

9. Staff costs and staff numbers<br />

(a) Total remuneration<br />

20<strong>10</strong> <strong>2009</strong><br />

Group and <strong>Museum</strong> £000 £000<br />

Wages and salaries 3,330 3,452<br />

Social security costs 252 263<br />

Pension costs 802 766<br />

4,384 4,481<br />

8. Trading subsidiary<br />

<strong>The</strong> <strong>Museum</strong> has a single subsidiary company, <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited<br />

(LTMTL), having an issued share capital <strong>of</strong> £1, wholly owned by <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

Limited. LTMTL undertakes retail and venue hire operations.<br />

LTMTL Pr<strong>of</strong>it and loss account<br />

20<strong>10</strong> <strong>2009</strong><br />

£000 £000<br />

<strong>The</strong> wages and salaries figure includes £121,000 (<strong>2009</strong>: £121,000) <strong>of</strong> costs relating to staff<br />

seconded to the <strong>Museum</strong> from TfL and the <strong>Museum</strong>s Association.<br />

<strong>The</strong> Managing Director is the only paid director and received emoluments from the <strong>Museum</strong>,<br />

including salary, fees, benefits in kind and other emoluments totalling £85,864 (<strong>2009</strong>: £90,128).<br />

In addition, the <strong>Museum</strong> made contributions totalling £23,662 (<strong>2009</strong>: £22,708) to the TfL Pension<br />

Fund, a defined benefit scheme on behalf <strong>of</strong> the Managing Director for the period. At 31 March<br />

20<strong>10</strong> the Managing Director had accrued an annual pension <strong>of</strong> £40,901 (<strong>2009</strong>: £39,623) in the<br />

TfL defined benefit pension fund.<br />

Turnover 2,068 2,089<br />

Cost <strong>of</strong> operations (1,881) (1,213)<br />

Operating pr<strong>of</strong>it 187 876<br />

Gift Aid payable to<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

(187) (876)<br />

Pr<strong>of</strong>it/(loss) before taxation – –<br />

Taxation<br />

Result for the year – –<br />

Note: <strong>The</strong> <strong>2009</strong> operating pr<strong>of</strong>it benefited from a one-<strong>of</strong>f stock transfer worth £561,000 at nil consideration.


72 | Financial review Financial review | 73<br />

Notes to the financial statements continued<br />

<strong>The</strong> number <strong>of</strong> employees whose emoluments amounted to over £60,000 in the period was:<br />

£60,001–£70,000<br />

£70,001–£80,000<br />

£80,001–£90,000<br />

£90,001–£<strong>10</strong>0,000<br />

20<strong>10</strong> <strong>2009</strong><br />

No. No.<br />

2<br />

1<br />

–<br />

1<br />

–<br />

–<br />

1<br />

1<br />

Contributions to the defined benefit pension scheme were made in respect <strong>of</strong> the three higher<br />

paid employees and amounted to £62,196 (<strong>2009</strong>:£58,535).<br />

(b) Other than the Managing Director, none <strong>of</strong> the Trustees received any remuneration<br />

for their services. Reimbursements <strong>of</strong> expenses totalled £40 (<strong>2009</strong>: £436).<br />

<strong>10</strong>. Net income<br />

This is stated after charging:<br />

11. Tangible fixed assets<br />

20<strong>10</strong> <strong>2009</strong><br />

£000 £000<br />

Depreciation 1,267 1,266<br />

Auditor's remuneration:<br />

Audit – company 21 50<br />

Audit – subsidiary company 5 5<br />

Audit – other consultancy 5 2<br />

Operating lease rentals – Buildings 1,026 1,203<br />

Operating lease rentals – Office equipment 25 25<br />

(c) <strong>The</strong> average number <strong>of</strong> persons (full-time equivalents) employed during the<br />

year was:<br />

Group and <strong>Museum</strong><br />

Property & Plant & Total<br />

buildings equipment<br />

£000 £000 £000<br />

Group<br />

Group<br />

20<strong>10</strong> <strong>2009</strong><br />

FTE FTE<br />

Education and engagement 21.2 21.0<br />

Access and museum operations 26.4 28.5<br />

Heritage and collections 13.1 13.5<br />

Activities to generate funds 18.1 18.0<br />

Support functions<br />

Premises and facilities 8.5 9.0<br />

Finance and management <strong>10</strong>.5 11.5<br />

Marketing 2.0 2.0<br />

Systems 2.5 2.0<br />

Design and presentation 2.0 2.5<br />

<strong>10</strong>4.3 <strong>10</strong>8.0<br />

Plus seconded staff 3.3 3.5<br />

Cost<br />

At 1 April <strong>2009</strong> 28,206 669 28,875<br />

Additions/adjustments 13 (11) 2<br />

At 31 March 20<strong>10</strong> 28,219 658 28,877<br />

Accumulated depreciation<br />

At 1 April <strong>2009</strong> (1,174) (92) (1,266)<br />

Charge for the year (1,174) (93) (1,267)<br />

At 31 March 20<strong>10</strong> (2,348) (185) (2,533)<br />

Net book value at 31 March 20<strong>10</strong> 25,871 473 26,344<br />

Net book value at 31 March <strong>2009</strong> 27,032 577 27,609<br />

12. Debtors<br />

20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

Group <strong>Museum</strong><br />

£000 £000 £000 £000<br />

Trade debtors 206 144 140 72<br />

Sundry debtors 157 18 129 –<br />

TfL Group debtors 196 247 164 237<br />

Prepayments and accrued income 355 477 352 473<br />

Taxation 18 – – –<br />

Amounts owed by subsidiary undertakings – – 575 876<br />

932 886 1,360 1,658


74 | Financial review Financial review | 75<br />

Notes to the financial statements continued<br />

13. Cash<br />

14. Creditors: amounts falling due within one year<br />

15. Statement <strong>of</strong> group funds<br />

(a) <strong>The</strong> movements on funds are as follows:<br />

20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

Group <strong>Museum</strong><br />

£000 £000 £000 £000<br />

Held in current accounts and in hand 134 222 131 163<br />

Hold in short term deposit accounts 3,018 1,307 3,011 1,237<br />

3,152 1,529 3,142 1,400<br />

20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

Group <strong>Museum</strong><br />

£000 £000 £000 £000<br />

Trade creditors 181 248 149 228<br />

TfL Group creditors 890 697 890 697<br />

Taxation – 19 – –<br />

Accruals 424 1,438 399 1,438<br />

No balances fell due after more than one year.<br />

Group and <strong>Museum</strong><br />

1,495 2,402 1,438 2,363<br />

1 April<br />

<strong>2009</strong><br />

Income Expenditure Transfers 31 March<br />

20<strong>10</strong><br />

£000 £000 £000 £000 £000<br />

Unrestricted funds<br />

Designated funds<br />

Capital fund 27,744 2 (1,401) 400 26,745<br />

Future exhibitions and education – – – 500 500<br />

<strong>Museum</strong> development 500 – – 1,400 1,900<br />

Total designated funds 28,244 2 (1,401) 2,300 29,145<br />

General unrestricted funds 15 11,568 (9,177) (2,172) 234<br />

Total unrestricted funds 28,259 11,570 (<strong>10</strong>,578) 128 29,379<br />

Restricted funds<br />

Luke Rees-Pulley Charitable Trust 30 – (1) – 29<br />

John Lyon's Charity 15 – (15) – –<br />

Wolfson – 23 (23) – –<br />

<strong>London</strong> <strong>Museum</strong>s Hub – 794 (666) (128) –<br />

Acton High Creative Partnership – 18 (18) – –<br />

Total restricted funds 45 835 (723) (128) 29<br />

Total funds 28,304 12,405 (11,301) – 29,408<br />

Designated funds<br />

<strong>The</strong> Fixed Assets and Buildings Fund represents the net book value <strong>of</strong> the <strong>Museum</strong>’s tangible<br />

fixed assets.<br />

<strong>The</strong> transfer <strong>of</strong> £400,000 into the Capital Fund represents balances required to reconcile<br />

pre-charitable liabilities that will not crystallise.<br />

<strong>The</strong> Trustees have transferred £1,500,000 to the <strong>Museum</strong> Development Fund to provide<br />

for future investment in the <strong>Museum</strong>’s facilities, galleries and exhibitions.<br />

<strong>The</strong> Trustees have designated £500,000 in a Future Exhibitions and Education fund for<br />

committed future projects for which the <strong>Museum</strong> has received grants and donations in<br />

the current year.<br />

Restricted funds<br />

<strong>The</strong> Luke Rees-Pulley Charitable Trust made a grant <strong>of</strong> £30,000 in <strong>2009</strong> to fund the<br />

development <strong>of</strong> new learning resources to promote skills and careers in the transport<br />

industry to school-age children.<br />

John Lyon’s Charity made an enabling grant <strong>of</strong> £15,000 in <strong>2009</strong> to develop an educational<br />

programme for the benefit <strong>of</strong> children from schools in Ealing and Westminster.<br />

<strong>The</strong> DCMS/Wolfson <strong>Museum</strong>s and Galleries Improvement Fund agreed a grant <strong>of</strong> £44,000 for<br />

access improvements to the <strong>Museum</strong> library and Depot lecture theatre. <strong>The</strong> grant is drawn<br />

down in arrears following completion <strong>of</strong> work.<br />

(b) Analysis <strong>of</strong> group net assets between funds<br />

Fund balances as at 31 March 20<strong>10</strong><br />

represented by:<br />

16. Operating leases<br />

At 31 March 20<strong>10</strong> the <strong>Museum</strong> has annual commitments as follows:<br />

Unrestricted Restricted Total<br />

funds funds<br />

£000 £000 £000<br />

Fixed assets 26,344 – 26,344<br />

Current assets 4,430 129 4,559<br />

Current liabilities (1,395) (<strong>10</strong>0) (1,495)<br />

Total net assets 29,379 29 29,408<br />

Land & building Other<br />

Expiry date 20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />

£000 £000 £000 £000<br />

Between 2 and 5 years – – 33 30<br />

Over 5 years 978 1,207 – –<br />

Note: <strong>The</strong> Fixed Assets and Building Fund and Pre-Charitable Liabilities Fund have been combined into a<br />

single Capital Fund.


76 | Financial review Financial review | 77<br />

Notes to the financial statements continued<br />

17. Called up share capital<br />

20<strong>10</strong> <strong>2009</strong><br />

£ £<br />

Authorised<br />

1 ordinary share <strong>of</strong> £1 1 1<br />

Allocated, issued and fully paid up<br />

1 ordinary share <strong>of</strong> £1 1 1<br />

At 31 March 20<strong>10</strong> <strong>2009</strong> 2008<br />

% % %<br />

Inflation 3.75 2.90 3.60<br />

Rate <strong>of</strong> increase in salaries 4.50 3.65 5.<strong>10</strong><br />

Rate <strong>of</strong> increase <strong>of</strong> pensions in payment<br />

and deferred pensions<br />

3.75 2.90 3.60<br />

Discount rate 5.50 6.90 6.80<br />

Investment return 7.37 6.40 6.80<br />

18. Pensions<br />

Background<br />

<strong>The</strong> <strong>Museum</strong> <strong>of</strong>fers retirement plans to its employees. <strong>The</strong> majority <strong>of</strong> the <strong>Museum</strong>’s staff<br />

are members <strong>of</strong> the Public Sector Section <strong>of</strong> the TfL Pension Fund. This scheme, to which the<br />

<strong>Museum</strong> contributes, is a defined benefit scheme where the benefits are based on employees’<br />

length <strong>of</strong> service and final pensionable pay. <strong>The</strong> scheme is established under trust. <strong>The</strong> Fund’s<br />

Trustee is the TfL Trustee Company Limited, a wholly owned subsidiary <strong>of</strong> <strong>Transport</strong> for<br />

<strong>London</strong>. Under the rules <strong>of</strong> the Fund, its 18 trustee directors are nominated in equal numbers<br />

by <strong>Transport</strong> for <strong>London</strong> and on behalf <strong>of</strong> the Fund’s membership. <strong>Transport</strong> for <strong>London</strong> and<br />

the <strong>Museum</strong>’s fellow subsidiaries also participate in the Public Sector Section and it is not<br />

possible to identify the <strong>Museum</strong>’s share <strong>of</strong> the underlying assets and liabilities.<br />

<strong>The</strong> Fund’s Actuary makes periodic valuations and recommends the level <strong>of</strong> contributions<br />

to be made by the participating employers to ensure long-term solvency <strong>of</strong> the Fund. <strong>The</strong><br />

latest valuation <strong>of</strong> the Fund was carried out as at 31 March <strong>2009</strong> by the Actuary, a partner <strong>of</strong><br />

consulting actuaries Towers Watson, using the projected unit method.<br />

<strong>The</strong> level <strong>of</strong> contributions paid by the employer is 31.0% <strong>of</strong> pensionable pay.<br />

Accounting<br />

A separate valuation <strong>of</strong> the Public Sector Section has been prepared for accounting purposes<br />

on a FRS 17 basis as at 31 March 20<strong>10</strong>.<br />

It is not possible to identify the <strong>Museum</strong>’s particular share <strong>of</strong> the Public Sector Section’s assets<br />

and liabilities on a consistent and reasonable basis, and as permitted by the multi-employer<br />

exemption in FRS 17, it is accounted for as if it were a defined contribution scheme. <strong>The</strong><br />

Company’s contributions to the Public Sector Section <strong>of</strong> £801,900 (2008/09: £765,600) have<br />

been charged to the pr<strong>of</strong>it and loss account.<br />

FRS 17 specifies how key assumptions should be derived and applied. <strong>The</strong>se assumptions are<br />

<strong>of</strong>ten different to the assumptions adopted by the pension scheme actuary and trustees in<br />

determining the funding position <strong>of</strong> pension schemes.<br />

<strong>The</strong> FRS 17 valuation is broadly based on the Public Sector Section’s assets being valued at<br />

market value at the balance sheet date with the Section’s liabilities being discounted at the<br />

rate <strong>of</strong> return on high-quality corporate bonds <strong>of</strong> equivalent term to the liabilities. <strong>The</strong> major<br />

assumptions used in this valuation were:<br />

<strong>The</strong> fair value <strong>of</strong> the Public Sector Section’s assets, which are not intended to be realised in the<br />

short term and may be subject to significant change before they are realised, and the present<br />

value <strong>of</strong> the Public Sector Section’s liabilities, which are derived from cash flow projections<br />

over long periods and thus inherently uncertain, were as shown below. Also shown are the<br />

expected long-term rates <strong>of</strong> return which are the best estimates chosen from a range <strong>of</strong><br />

possible assumptions and, due to the time-scale covered, may not necessarily be borne<br />

out in practice.<br />

At 31 March<br />

20<strong>10</strong> <strong>2009</strong> 2008<br />

Expected<br />

return<br />

%pa<br />

Value at<br />

31 March<br />

£m<br />

Expected<br />

return<br />

%pa<br />

Value at<br />

31 March<br />

£m<br />

Expected<br />

return<br />

%pa<br />

Value at<br />

31 March<br />

£m<br />

Equities 8.0 3,<strong>10</strong>4.7 8.0 1,957.2 8.2 2,305.0<br />

Bonds 5.0 1,657.6 4.3 1,171.7 4.9 1,605.3<br />

Cash, property<br />

and other assets<br />

Total market value<br />

<strong>of</strong> assets<br />

Actuarial value <strong>of</strong><br />

section liabilities<br />

4.1 <strong>10</strong>7.4 3.7 266.5 5.2 168.7<br />

– 4,869.7 – 3,395.4 – 4,079.0<br />

– (6,965.4) – (4,415.8) – (4,675.7)<br />

Deficit in section – (2,095.7) – (1,020.4) – (596.7)<br />

<strong>The</strong> figures above include the assets and liabilities <strong>of</strong> the entire Public Sector Section <strong>of</strong> the TfL<br />

Pension Fund, and include members who are employed by, and whose contributions are made<br />

by, <strong>Transport</strong> for <strong>London</strong>. This is because, as stated above, it is not possible to identify the<br />

<strong>Museum</strong>’s particular share. Further details <strong>of</strong> the Public Sector Section’s position can be found<br />

in the Statement <strong>of</strong> Accounts <strong>of</strong> <strong>Transport</strong> for <strong>London</strong>.<br />

Unfunded pension costs<br />

<strong>The</strong> <strong>Museum</strong> bears the cost <strong>of</strong>:<br />

∙ Augmentation <strong>of</strong> the pensions <strong>of</strong> certain employees, who retire early under voluntary<br />

severance arrangements<br />

∙ Ex-gratia payments, which are made to certain employees on retirement in respect <strong>of</strong> service<br />

prior to the establishment <strong>of</strong> pension funds for those employees<br />

∙ Supplementary payments, which are made to certain employees who retired prior to index<br />

linking <strong>of</strong> pensions.


78 | Financial review Financial review | 79<br />

Notes to the financial statements continued<br />

19. Related party transactions<br />

<strong>Transport</strong> for <strong>London</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited is a subsidiary company <strong>of</strong> <strong>Transport</strong> Trading Limited (TTL),<br />

a <strong>Transport</strong> for <strong>London</strong> Group company. TfL provides financial assistance to the <strong>Museum</strong> in<br />

the form <strong>of</strong> a core grant for <strong>Museum</strong> operations. In addition, certain divisions <strong>of</strong> TfL provide<br />

financial support to the Safety and Citizenship Programme and other <strong>Museum</strong> operations as<br />

agreed on a project by project basis.<br />

<strong>The</strong> <strong>Museum</strong> also receives benefit from the activities <strong>of</strong> TfL group functions such as Finance,<br />

Human Resources and Payroll. Management Fees are levied upon the <strong>Museum</strong> by TfL and TTL<br />

for services provided. Fees are applied at the same rates as for all other TfL group companies.<br />

TfL group companies receive discounts on the hire <strong>of</strong> <strong>Museum</strong> facilities. All TfL staff receive<br />

free entry to the <strong>Museum</strong> and discounts in the <strong>Museum</strong> shop.<br />

Under FRS 8 – ‘Related Party Disclosures’ the <strong>Museum</strong> is exempt from disclosing transactions<br />

with other TfL Group undertakings but a summary <strong>of</strong> the total value <strong>of</strong> transactions with TfL is<br />

given below.<br />

Related party transactions with TfL Income Expenditure<br />

£000 £000<br />

Core grant 5,609 –<br />

Other income 1,498 –<br />

Group services provided – 434<br />

As at 31 March the following amounts remained outstanding in respect <strong>of</strong> transactions<br />

a-c above.<br />

Related party Debtor Creditor Details<br />

£000 £000<br />

<strong>London</strong> <strong>Museum</strong>s Hub (a) 365 159 Grants<br />

20. Legal status and Ultimate Holding Company<br />

LTM is a company limited by shares and a wholly owned subsidiary company <strong>of</strong> TTL, the<br />

holding company for all the operating companies controlled by <strong>Transport</strong> for <strong>London</strong>. <strong>The</strong><br />

share capital <strong>of</strong> the company is 1 ordinary share <strong>of</strong> £1.<br />

LTM’s Memorandum <strong>of</strong> Association states ‘the property and funds <strong>of</strong> the Charity must be<br />

used only for promoting the Objects and no dividends shall be paid to the Member’.<br />

21. Contingent Liabilities<br />

<strong>The</strong> <strong>Museum</strong> received sponsorship income <strong>of</strong> £125,000 (<strong>2009</strong>: £nil) which may become<br />

repayable in October 20<strong>10</strong>.<br />

Other material related party transactions in the year:<br />

Related party Income Expenditure Details<br />

£000 £000<br />

<strong>London</strong> <strong>Museum</strong>s Hub (a) 718 678 Grants<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends (b) – 3 Volunteer expenses<br />

FirstGroup (c) 14 – Corporate membership<br />

(a) <strong>The</strong> <strong>Museum</strong> is a partner in the <strong>London</strong> <strong>Museum</strong>s Hub together with the <strong>Museum</strong> <strong>of</strong><br />

<strong>London</strong>, the Geffrye <strong>Museum</strong> and the Horniman <strong>Museum</strong>. All Hub museums are in receipt<br />

<strong>of</strong> funding via the <strong>Museum</strong>s, Libraries and Archives (MLA) Renaissance funding stream.<br />

LTM Trustee Janet Vitmayer is Managing Director <strong>of</strong> the Horniman <strong>Museum</strong> and a member<br />

<strong>of</strong> the Renaissance <strong>London</strong> Board alongside LTM Managing Director Samuel Mullins.<br />

(b) LTM Trustee Robert Ian Arthurton is Chairman <strong>of</strong> the <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends,<br />

a registered charity whose aims include assisting and encouraging the work and activities <strong>of</strong><br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong>.<br />

(c) LTM Trustee Leon Daniels is Commercial Director UK Bus at FirstGroup plc.


‘<strong>The</strong> exhibition alludes<br />

to the fact that <strong>London</strong>’s<br />

private transport companies<br />

were the sponsors and <strong>of</strong>ten<br />

the creators <strong>of</strong> suburbia.’<br />

Guardian, 21 November <strong>2009</strong><br />

Design: LTM Design<br />

Editor: Mark Kilfoyle<br />

All images © <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

and <strong>Transport</strong> for <strong>London</strong>, 20<strong>10</strong>


<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

Covent Garden Piazza<br />

<strong>London</strong> WC2E 7BB<br />

Tel +44 (0)20 7379 6344<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Ltd<br />

Charity number 1123122<br />

Company number 6495761<br />

Registered address:<br />

Windsor House<br />

42–50 Victoria Street<br />

<strong>London</strong> SW1H 0TL<br />

<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />

(Trading) Ltd<br />

Company number 6527755<br />

Registered address:<br />

Windsor House<br />

42–50 Victoria Street<br />

<strong>London</strong> SW1H 0TL<br />

Supported by<br />

ltmuseum.co.uk

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