Yearbook 2009/10: The Year of Suburbia - London Transport Museum
Yearbook 2009/10: The Year of Suburbia - London Transport Museum
Yearbook 2009/10: The Year of Suburbia - London Transport Museum
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<strong><strong>Year</strong>book</strong> <strong>2009</strong>/<strong>10</strong><br />
<strong>The</strong> <strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />
∙ Curating the suburbs<br />
∙ Inspiring the next generation<br />
∙ High-speed rail Jim Steer vs Stephen Glaister<br />
∙ Young people and policing
<strong><strong>Year</strong>book</strong> <strong>2009</strong>/<strong>10</strong><br />
<strong>The</strong> <strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />
Incorporating the Annual Report <strong>of</strong> the Trustees and<br />
financial statements for the year ended 31 March 20<strong>10</strong>
05 | Message from the Chair <strong>of</strong> Trustees<br />
and Managing Director<br />
06 | History <strong>of</strong> the <strong>Museum</strong><br />
09 | What we do<br />
<strong>10</strong> | <strong>The</strong> year in summary<br />
13 | Education and engagement<br />
19 | Access and museum operations<br />
25 | Heritage and collections<br />
Feature articles*<br />
31 | Curating the suburbs<br />
David Bownes<br />
32 | Inspiring the next generation<br />
Tim Herbert<br />
33 | Young people and policing<br />
Graham Daly<br />
34 | Young Consultants bridge the gap<br />
LTM Young Consultants<br />
35 | Cubic and the <strong>London</strong><br />
<strong>Transport</strong> <strong>Museum</strong><br />
Roger Crow<br />
36 | A proud tradition <strong>of</strong> entrepreneurs<br />
and innovators<br />
Lord Adonis<br />
37 | Forum for debate<br />
Claire Williamson<br />
38 | Why Britain needs high-speed rail<br />
Jim Steer<br />
39 | <strong>The</strong> uncertain gains <strong>of</strong> high-speed rail<br />
Stephen Glaister<br />
* Feature articles do not form part <strong>of</strong><br />
the audited Report <strong>of</strong> the Trustees.<br />
40 | Plans for the future<br />
43 | Income and support<br />
48 | Public programme<br />
54 | Structure, governance<br />
and management<br />
58 | Trustees’ statement<br />
59 | Independent auditors’ report<br />
61 | Trustees and advisors<br />
62 | Financial review
04 | Introduction Introduction | | 05<br />
Message from the Chair <strong>of</strong> Trustees and Managing Director<br />
Sir David Bell and Sam Mullins<br />
We are pleased to present<br />
the second <strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong> <strong><strong>Year</strong>book</strong>. This review<br />
<strong>of</strong> activities throughout the year<br />
celebrates our wide-ranging<br />
work to share knowledge <strong>of</strong> the<br />
Capital’s remarkable transport,<br />
and is complemented by a<br />
series <strong>of</strong> articles written by our<br />
colleagues and collaborators.<br />
In March 20<strong>10</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
(LTM) celebrated 30 years in Covent<br />
Garden. During that time this young<br />
<strong>Museum</strong> has built an excellent reputation<br />
for audience access and engagement. Its<br />
exhibitions and public events have broken<br />
the static museum mould to reflect the<br />
colour, light and movement <strong>of</strong> <strong>London</strong>’s<br />
transport. We have built a unique<br />
competence in outreach. LTM delivers<br />
engaging programmes to young people to<br />
promote their safety and good citizenship,<br />
undertakes restorative work with young<br />
<strong>of</strong>fenders, and promotes community<br />
curation in support <strong>of</strong> new research and<br />
collecting. We take the <strong>Museum</strong> <strong>of</strong>f-site,<br />
but just as importantly, bring these new<br />
voices and ideas back into the <strong>Museum</strong>.<br />
Since 1980 LTM has welcomed an<br />
estimated six million visitors to the<br />
galleries and many others to the online<br />
collection. We have demonstrated the<br />
ever-present triumph achieved by our<br />
buses and Tubes in moving millions <strong>of</strong><br />
men, women and children round <strong>London</strong><br />
each day, and the rich design heritage <strong>of</strong><br />
stations, signs, vehicles and posters.<br />
<strong>Transport</strong> for <strong>London</strong> and its predecessor<br />
<strong>London</strong> <strong>Transport</strong> have long fostered<br />
the development <strong>of</strong> the world’s leading<br />
museum <strong>of</strong> urban transport – from its<br />
simple beginnings at Syon Park in 1973,<br />
through the far-sighted move to Covent<br />
Garden in 1980, to the steady growth<br />
<strong>of</strong> the multi-faceted museum we have<br />
become today. In 20<strong>10</strong>, LTM is known for<br />
its nationally designated collections and<br />
research library; its topical educational<br />
programmes that achieve real impact in<br />
the Capital; a rich and engaging website;<br />
and a showpiece collection store at<br />
Acton, all supported by a deep base<br />
<strong>of</strong> scholarship and research.<br />
<strong>The</strong> support <strong>of</strong> the Heritage Lottery<br />
Fund, the Renaissance programme <strong>of</strong><br />
the <strong>Museum</strong>s, Libraries and Archives<br />
Council (MLA) and nearly <strong>10</strong>0 corporate<br />
sponsors and partners has been essential<br />
to the <strong>Museum</strong>’s progress. Our Thought<br />
Leadership programme has established<br />
LTM as a forum for debate about<br />
transport and <strong>London</strong>’s future, and<br />
provided networking opportunities<br />
for our corporate partners.<br />
It is already difficult for us to<br />
remember the <strong>Museum</strong> which closed for<br />
refurbishment in 2005. So much has been<br />
achieved in the two and a half years since<br />
the launch <strong>of</strong> the ‘new’ <strong>Museum</strong>. We are<br />
attracting 40% more visitors, mounting<br />
regular high-quality exhibitions, engaging<br />
with the new social opportunities <strong>of</strong><br />
the web and running a busy events<br />
programme throughout the year.<br />
Plans are already in hand for <strong>London</strong><br />
Journeys, our contribution to the Cultural<br />
Olympiad and the 2012 Olympic Games.<br />
We are also preparing a remarkable year<br />
<strong>of</strong> celebration in 2013, when we mark the<br />
opening <strong>of</strong> the world's first underground<br />
railway between Paddington and<br />
Farringdon in January 1863.<br />
Our sincere thanks go to all staff<br />
and volunteers, our fellow Trustees<br />
and the Friends, and everyone who has<br />
supported our work throughout the<br />
year and furthered the <strong>Museum</strong>’s<br />
continuing success.
06 | History <strong>of</strong> the <strong>Museum</strong> History <strong>of</strong> the <strong>Museum</strong> | 07<br />
History <strong>of</strong> the <strong>Museum</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> traces its origins to the formation<br />
by the <strong>London</strong> General Omnibus Company (LGOC) <strong>of</strong> a small<br />
collection <strong>of</strong> early buses at Chiswick Works in the 1920s and 1930s.<br />
In 1929 the LGOC built a replica <strong>of</strong> George Shillibeer’s horse-drawn<br />
omnibus to celebrate the centenary <strong>of</strong> <strong>London</strong>’s first ‘hail and ride’<br />
public bus service in 1829. <strong>The</strong> two original horse buses and the<br />
B-type motorbus now on display at Covent Garden also took part<br />
in the celebrations.<br />
In 1933 the <strong>London</strong> Passenger <strong>Transport</strong><br />
Board was formed. It established a policy<br />
<strong>of</strong> preserving significant vehicles as they<br />
were withdrawn from service. In 1951<br />
the British <strong>Transport</strong> Commission<br />
recommended the preservation <strong>of</strong><br />
transport heritage collections and the<br />
addition <strong>of</strong> further records and vehicles<br />
at the end <strong>of</strong> their operational life. <strong>London</strong><br />
<strong>Transport</strong> and its successors were given<br />
a statutory duty to preserve the material<br />
collected to date.<br />
<strong>The</strong> <strong>Museum</strong> <strong>of</strong> British <strong>Transport</strong> was<br />
set up in a former <strong>London</strong> <strong>Transport</strong><br />
garage at Clapham to house the national<br />
transport collections. A curator was<br />
appointed and a small exhibits section<br />
opened in 1961, followed by the main<br />
hall in 1963. While the main line railway<br />
material was moved to the new National<br />
Railway <strong>Museum</strong> at York which opened in<br />
1975, the <strong>London</strong> material moved to Syon<br />
Park, Brentford, opening as the <strong>London</strong><br />
<strong>Transport</strong> Collection in 1973.<br />
In the 1970s, a more central location<br />
to display this important collection was<br />
identified. <strong>The</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
was created in the former Flower Market<br />
at Covent Garden and opened in 1980.<br />
Since then the <strong>Museum</strong> has been strongly<br />
supported by <strong>London</strong> <strong>Transport</strong> and its<br />
successor <strong>Transport</strong> for <strong>London</strong> (TfL).<br />
A major refurbishment led to the<br />
<strong>Museum</strong>’s relaunch in November 2007,<br />
with extended gallery space and new<br />
displays, upgraded visitor facilities and<br />
a new exhibitions suite.<br />
In April 2008, a new scheme <strong>of</strong><br />
governance made LTM a subsidiary<br />
company <strong>of</strong> TfL with charitable status.<br />
This was adopted to sustain the long-term<br />
future <strong>of</strong> the <strong>Museum</strong>. It has enabled LTM<br />
to retain its close connection with TfL,<br />
but also draw on the benefits <strong>of</strong> being<br />
a charity. In March 20<strong>10</strong>, the <strong>Museum</strong><br />
completed 30 years in Covent Garden,<br />
welcoming <strong>London</strong>ers and visitors to the<br />
Capital to share the important story <strong>of</strong><br />
<strong>London</strong>’s transport and how it has shaped<br />
the city we know today.
08 | What we do What we do | 09<br />
What we do<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> is an educational and heritage<br />
preservation charity.* Its purpose is to conserve and explain the<br />
history <strong>of</strong> <strong>London</strong>’s transport, to <strong>of</strong>fer people an understanding <strong>of</strong><br />
the Capital’s past development and to engage them in the debate<br />
about its future. We deliver public benefit across three main areas<br />
<strong>of</strong> activity:<br />
Education and engagement<br />
Led by the <strong>Museum</strong>’s Learning department, our education and engagement activities<br />
deliver learning opportunities to a wide range <strong>of</strong> audiences through activities on-site<br />
at the <strong>Museum</strong> in Covent Garden and the Depot in Acton, and via a variety <strong>of</strong> outreach<br />
programmes <strong>of</strong>f-site. Educational outcomes are considered for all temporary and<br />
permanent exhibitions and the <strong>Museum</strong> <strong>of</strong>fers a library and information service for<br />
independent learning and research.<br />
Access and museum operations<br />
Led by the Visitor Services and Support Services departments, our access and museum<br />
operations activities make the collection available for the enjoyment <strong>of</strong> people <strong>of</strong> all<br />
ages, abilities and backgrounds through the daily operation <strong>of</strong> the <strong>Museum</strong> and galleries,<br />
special events at the Depot in Acton and via extensive online <strong>Museum</strong> resources.<br />
Heritage and collections<br />
Led by the Collections department, our heritage and collections work involves<br />
preserving, managing, researching and acquiring transport-related objects and material<br />
for the use and enjoyment <strong>of</strong> the public through permanent and temporary exhibitions,<br />
heritage vehicle outings and other collections-based activities. <strong>The</strong> breadth and quality<br />
<strong>of</strong> the collections, now totalling some 350,000 objects, mean that they are relevant to<br />
far more than just transport history and constitute an important resource for the study<br />
and interpretation <strong>of</strong> industrial design and the social, urban and economic history<br />
<strong>of</strong> <strong>London</strong>.<br />
* For full details <strong>of</strong> our approach to governance and public benefit, see page 54
<strong>10</strong> | <strong>The</strong> year in summary <strong>The</strong> year in summary | 11<br />
<strong>The</strong> year in summary<br />
Despite the challenging background <strong>of</strong> the deepest economic<br />
recession since the 1930s, LTM was able to deliver its plans for<br />
<strong>2009</strong>/<strong>10</strong>.<br />
<strong>The</strong> refurbished <strong>Museum</strong> at Covent<br />
Garden enabled us to exceed our<br />
visitor target by 5%, while investment<br />
in online content attracted more web<br />
visitors than ever before. Our high-quality<br />
youth engagement work continued to<br />
attract young people to engineering<br />
as a career and saw the development<br />
<strong>of</strong> new into-work schemes for the<br />
young unemployed.<br />
We exceeded our expectations <strong>of</strong> income<br />
from corporate sources, delivering the<br />
Thought Leadership programme and<br />
deepening our relations with existing<br />
partners and new sponsors.<br />
Although retail growth was constrained<br />
by market conditions, we maintained our<br />
retail turnover and saw a modest increase<br />
in online income. Cost savings were<br />
achieved across the organisation through<br />
better resource management and rigorous<br />
contract negotiation. Plans for the future<br />
development <strong>of</strong> services at Acton Depot<br />
were developed but have been put on<br />
hold while the feasibility <strong>of</strong> access to the<br />
site for new <strong>London</strong> Underground rolling<br />
stock is established.<br />
<strong>Suburbia</strong> was highly<br />
commended for the<br />
20<strong>10</strong> <strong>Museum</strong> & Heritage<br />
Awards for excellence<br />
<strong>Year</strong> <strong>of</strong> <strong>Suburbia</strong><br />
<strong>The</strong> <strong>Museum</strong>’s public programme<br />
in <strong>2009</strong>/<strong>10</strong> was themed around the<br />
relationship between public transport and<br />
the creation <strong>of</strong> the suburbs. <strong>The</strong> <strong>Suburbia</strong><br />
exhibition was our first heritage-led<br />
exhibition since reopening. It broke new<br />
ground by exploring how transport shaped<br />
the suburbs and celebrated suburban<br />
lifestyle, architecture, design and<br />
popular culture.<br />
<strong>Suburbia</strong> used a wide variety <strong>of</strong><br />
collections to illustrate both the myth<br />
and the reality <strong>of</strong> the suburbs, from the<br />
first suburb created by the Tube, Golders<br />
Green in 1907, to the present day. <strong>The</strong><br />
exhibition included contemporary and<br />
community collections, a garden with<br />
pond and gnomes, Gerry and Margot<br />
from the 1970s BBC sitcom <strong>The</strong> Good<br />
Life, as well as photographic content<br />
generated through direct Flickr feeds<br />
into the exhibition.<br />
<strong>The</strong> rich mix <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />
posters, property advertisements,<br />
community video, postcards and personal<br />
accounts was popular with visitors and<br />
the media alike, leading to outstanding<br />
editorial coverage for the exhibition<br />
and programme. <strong>Suburbia</strong> supported<br />
the redefinition <strong>of</strong> a transport museum,<br />
as a place for thought and debate on<br />
the influence <strong>of</strong> transport on place and<br />
identity in <strong>London</strong>. We are grateful to<br />
American Express for their support which<br />
underpinned the success <strong>of</strong> <strong>Suburbia</strong>.<br />
<strong>Suburbia</strong><br />
in numbers<br />
156,293: Number<br />
<strong>of</strong> visitors to the<br />
<strong>Suburbia</strong> exhibition<br />
236: Number <strong>of</strong><br />
objects from the LTM<br />
collection on display<br />
in <strong>Suburbia</strong><br />
5790: Number <strong>of</strong><br />
visitors who used the<br />
gallery interactive to<br />
tell us what suburbia<br />
means to them<br />
718: Number <strong>of</strong><br />
photos submitted<br />
to our ‘Share your<br />
suburbia’ group<br />
on Flickr<br />
15.2%: Proportion<br />
<strong>of</strong> visitors surveyed<br />
who came to <strong>Suburbia</strong><br />
on the recommendation<br />
<strong>of</strong> friends<br />
12: Number <strong>of</strong> garden<br />
gnomes lurking in the<br />
<strong>Suburbia</strong> galleries
Education and engagement
14 | Education and engagement<br />
Education and engagement | 15<br />
Education and engagement<br />
In <strong>2009</strong>/<strong>10</strong>, the Learning Department delivered creative<br />
programmes to a wide range <strong>of</strong> audiences both on-site and<br />
through outreach to schools and communities across <strong>London</strong>.<br />
Families filled the galleries in holiday periods and weekends,<br />
exploring the collections through innovative displays and activities.<br />
<strong>The</strong>re were 16,271 school visits to the<br />
<strong>Museum</strong> and Depot over the course <strong>of</strong><br />
the year. Disappointingly, this was down<br />
from the previous year, with schools<br />
reporting increased economic and<br />
administrative barriers to museum visits<br />
across the sector. To reverse this decline,<br />
we intend to invest in what we <strong>of</strong>fer<br />
schools and improve communication<br />
with teachers about the benefits <strong>of</strong> our<br />
school programmes.<br />
<strong>The</strong> Safety and Citizenship team worked<br />
with young people to improve their skills<br />
in using <strong>London</strong>’s public transport system.<br />
This year the team introduced a mobile<br />
rail display vehicle which recreates the key<br />
elements <strong>of</strong> a station but with inflatable<br />
trains. This allows young people to<br />
experience potential risks while remaining<br />
in a safe environment. <strong>The</strong> initial ambition<br />
to deliver the programme to all <strong>Year</strong> 6<br />
schoolchildren in TfL’s operational region<br />
has, due to reduced funding, been scaled<br />
down to those in the Greater <strong>London</strong><br />
area. Closer cooperation with British<br />
<strong>Transport</strong> Police included the training <strong>of</strong><br />
volunteer <strong>Transport</strong> Youth Engagement<br />
Officers, recognising the expertise <strong>of</strong> our<br />
learning staff in dealing positively with<br />
young people.<br />
To encourage young people to consider<br />
careers in the transport industry, ‘Route<br />
into Work’ was developed. A partnership<br />
with TfL and the <strong>London</strong> Apprenticeship<br />
Company, this new programme uses<br />
practical activities to increase the<br />
employability <strong>of</strong> young people who are<br />
outside the education system. Projects<br />
with local groups across the Capital saw<br />
video productions, dance performances<br />
and new displays help us achieve stronger<br />
relationships with our partners. All helped<br />
to position LTM as an active force in<br />
<strong>London</strong>’s local communities.<br />
Journalists, writers, artists and<br />
students are among those who seek<br />
information from LTM about transport<br />
services and the people who run and use<br />
them. In <strong>2009</strong>/<strong>10</strong>, 734 researchers used<br />
the library, and we provided 3376 in-depth<br />
replies to enquiries by email, phone and in<br />
person. Adults with a wider interest in<br />
transport history attended our courses<br />
through Birkbeck, City Lit and the<br />
Workers’ Education Association.<br />
New and exciting talks and events<br />
attracted diverse audiences looking for a<br />
dose <strong>of</strong> culture with a twist. <strong>The</strong>se ranged<br />
from a lecture on Southgate’s spaceship<br />
(and other amazing Tube stations) to a<br />
spring hat parade and sing-a-long Street<br />
Beat. <strong>The</strong>med Friday Lates cast new light<br />
on the galleries, as musicians, artists, quiz<br />
masters, speed daters and even bingo<br />
callers redrew the map <strong>of</strong> WC2, installing<br />
LTM as the place to be for a fun and<br />
engaging night out.<br />
<strong>The</strong> education pages <strong>of</strong> the <strong>Museum</strong>’s<br />
website were redesigned in <strong>2009</strong>,<br />
providing more Web 2.0 functions. <strong>The</strong><br />
site now includes Flickr feeds, podcasts<br />
and short video clips. <strong>The</strong> expansion <strong>of</strong><br />
this mini-site will eventually replace the<br />
<strong>Museum</strong>’s current website. A virtual<br />
assistant was also launched, with an initial<br />
set <strong>of</strong> <strong>10</strong>0 questions and answers based<br />
on the enquiries most commonly received<br />
by the <strong>Museum</strong>. Topics range from<br />
collection-based queries to questions<br />
about opening hours. <strong>The</strong> trial proved<br />
successful and we aim to add more<br />
questions in 20<strong>10</strong>/11.<br />
1137: Number<br />
<strong>of</strong> schools across<br />
Greater <strong>London</strong><br />
visited by the<br />
Safety and<br />
Citizenship<br />
team in <strong>2009</strong>/<strong>10</strong>
16 | Education and engagement Education and engagement | 17<br />
Key Performance Indicators<br />
Pupils seen by the Safety and<br />
Citizenship programme<br />
140,000<br />
Education visits to the <strong>Museum</strong><br />
25,000<br />
<strong>10</strong>2,979<br />
16,271<br />
0k 20k 40k 60k 80k <strong>10</strong>0k 120k 140k 160k<br />
0k 5k <strong>10</strong>k 15k 20k 25k 30k<br />
Target<br />
Actual<br />
Target<br />
Actual
Access and museum operations
20 | Access and museum operations<br />
Access and museum operations | 21<br />
Access and museum operations<br />
Over 287,000 people visited LTM in <strong>2009</strong>/<strong>10</strong>, making it<br />
another successful year despite difficult economic conditions.<br />
Accreditation under the Visitor Attractions Quality Assurance<br />
Scheme (VAQAS) was maintained for the provision <strong>of</strong> a consistently<br />
high quality <strong>of</strong> customer service. Following extensive visitor<br />
research and feedback, signage and other aspects <strong>of</strong> public<br />
communication are being upgraded. This work will continue<br />
in 20<strong>10</strong>/11 across all sites.<br />
LTM hosted three exhibitions during<br />
<strong>2009</strong>/<strong>10</strong>. A View <strong>of</strong> <strong>London</strong> (18 May –<br />
14 June <strong>2009</strong>) was a collaboration with<br />
the Association <strong>of</strong> Illustrators and<br />
showcased original works <strong>of</strong> art by<br />
some <strong>of</strong> Britain’s leading illustrators.<br />
Street-smart (26 July – 31 August <strong>2009</strong>)<br />
combined displays and activities for<br />
families. <strong>The</strong> hands-on exhibition – from<br />
a super-sized game <strong>of</strong> Skids and Ladders<br />
to driving a remote-controlled mini –<br />
encouraged children’s safe use <strong>of</strong> <strong>London</strong>’s<br />
streets and public transport. <strong>The</strong> year’s<br />
major exhibition was the critically<br />
acclaimed <strong>Suburbia</strong> (15 October <strong>2009</strong> –<br />
30 April 20<strong>10</strong>), which was extended for<br />
one month due to popular demand.<br />
<strong>The</strong> <strong>Museum</strong>’s Depot in Acton opened its<br />
doors in October <strong>2009</strong> and March 20<strong>10</strong><br />
for special events, attracting a total <strong>of</strong><br />
5200 visitors. <strong>The</strong> family-themed October<br />
weekend drew on TfL’s important Safety<br />
and Citizenship programme. <strong>The</strong> March<br />
weekend featured ‘<strong>London</strong> transport in<br />
miniature’, an annual display <strong>of</strong> working<br />
and fixed models which in <strong>2009</strong>/<strong>10</strong><br />
attracted its highest-ever advanced<br />
ticket sales.<br />
For the first time, online ticketing<br />
for special events was made available<br />
in <strong>2009</strong>/<strong>10</strong>. This, in tandem with our social<br />
networking on Facebook and Twitter, has<br />
succeeded in increasing event ticket sales.<br />
<strong>The</strong> <strong>Museum</strong>’s Flickr site was reworked<br />
and expanded its community <strong>of</strong> followers,<br />
who generated live photographic content<br />
that was innovatively incorporated<br />
into three themed displays in the<br />
<strong>Suburbia</strong> exhibition.<br />
<strong>The</strong> LTM film collection got its first<br />
online screening via our new film browser.<br />
An initial set <strong>of</strong> eight films from the<br />
collection, totalling 1.5 hours, went live<br />
in 20<strong>10</strong>, along with catalogue information<br />
about the clips. As anticipated, the film<br />
collection has proved incredibly popular.<br />
It achieved an impressive 30,000 visits in<br />
the first month.<br />
‘Pick + Mix’ is a new user-generated<br />
exhibition resource that allows web<br />
visitors to select and curate any <strong>of</strong> the<br />
<strong>Museum</strong>’s 26,000 photographs, posters<br />
and objects to create, and share, their<br />
own personal gallery. A preview was held<br />
in October <strong>2009</strong> and the web resource<br />
went live in March 20<strong>10</strong>.<br />
2500: Largest<br />
number <strong>of</strong><br />
visitors to LTM<br />
in a single day –<br />
18 February 20<strong>10</strong>
22 | Access and museum operations Access and museum operations | 23<br />
Key Performance Indicators<br />
<strong>Museum</strong> and Depot visitors<br />
Unique visits to <strong>Museum</strong> website*<br />
275,000<br />
900,000<br />
287,663<br />
984,660<br />
150k 170k 190k 2<strong>10</strong>k 230k 250k 270k 290k<br />
860k 880k 900k 920k 940k 960k 980k <strong>10</strong>00k<br />
Target<br />
Actual<br />
Target<br />
Actual<br />
* Visits represent the number <strong>of</strong> individual sessions<br />
initiated by all visitors to the website. Data and<br />
definition from Google Analytics.
Heritage and collections
26 | Heritage and collections<br />
Heritage and collections | 27<br />
Heritage and collections<br />
LTM’s historic collection <strong>of</strong> over 350,000 items is at the heart <strong>of</strong><br />
the <strong>Museum</strong>’s purpose – inspiring and engaging visitors <strong>of</strong> all ages<br />
and providing a rich cultural resource for researchers and heritage<br />
organisations. New ways <strong>of</strong> interpreting the collection, and new<br />
methods <strong>of</strong> collecting material, have ensured the continuing<br />
relevance <strong>of</strong> this amazing resource for special exhibitions, learning<br />
programmes, media requests, loans and audience engagement.<br />
Key Performance Indicator<br />
Number <strong>of</strong> collections records enhanced<br />
Future annual target for records enhancement<br />
50,000<br />
Last year, over 7500 items were added<br />
to the permanent collection, from<br />
humble tickets to significant artworks.<br />
Some were acquired specifically for the<br />
major exhibition, <strong>Suburbia</strong>, which also<br />
showcased artefacts from the reserve<br />
collection, many <strong>of</strong> which were displayed<br />
for the first time.<br />
Our fully restored four-car unit <strong>of</strong> 1938<br />
Tube stock made several successful trips<br />
onto the <strong>London</strong> Underground network<br />
in <strong>2009</strong>, while vehicles from the road<br />
collection appeared at events across<br />
<strong>London</strong>. Our RT bus was judged first in<br />
class by the Historic Commercial Vehicle<br />
Society for its standard <strong>of</strong> restoration<br />
and presentation.<br />
Following a hugely successful run at<br />
Covent Garden, <strong>The</strong> Art <strong>of</strong> the Poster<br />
exhibition went on tour to the Dresden<br />
<strong>Transport</strong> <strong>Museum</strong> in <strong>2009</strong>. It was<br />
seen by over 43,000 visitors during<br />
its four-month run, and received<br />
extensive media coverage in Germany.<br />
<strong>The</strong> exhibition will tour to Denmark<br />
in 20<strong>10</strong>. As a result <strong>of</strong> this successful<br />
collaboration, LTM is now working with<br />
Dresden and Coventry transport museums<br />
to commemorate the <strong>London</strong> Blitz<br />
and the bombing <strong>of</strong> Dresden. <strong>The</strong> joint<br />
exhibition will open at Covent Garden in<br />
September 20<strong>10</strong>.<br />
Community curators work to reflect<br />
the experiences <strong>of</strong> <strong>London</strong>’s diverse<br />
communities. Our projects have added<br />
new layers <strong>of</strong> interpretation to exhibitions<br />
and the collections. ‘Suburban Stories’<br />
was a community-led series <strong>of</strong> walks<br />
exploring Golders Green. Video interviews<br />
with local residents also provided lively<br />
content for the <strong>Suburbia</strong> exhibition.<br />
Working with Tate Modern’s community<br />
film club, ‘Digital Storytelling’ developed<br />
films which reinterpret the collections to<br />
give personal perspectives <strong>of</strong> travel and<br />
transport in <strong>London</strong>.<br />
Co-curation and contemporary collecting<br />
have also been a key feature <strong>of</strong> this<br />
year’s ‘<strong>London</strong> Moves East’ community<br />
collectors project in Hackney. Trained<br />
in curatorial techniques, local residents<br />
and TfL staff produced documentaries,<br />
interviews, photographs and posters<br />
which record the effects <strong>of</strong> constructing<br />
four new <strong>London</strong> Overground stations<br />
in Hackney.<br />
Volunteer projects continue to improve<br />
access to the reserve collection. Ongoing<br />
digitisation has added 5000 photographs<br />
and posters to LTM’s online catalogue,<br />
while at Acton Depot an externally funded<br />
engineering project led to the redisplay<br />
<strong>of</strong> a number <strong>of</strong> large artefacts, including<br />
the remains <strong>of</strong> the Holloway Road ‘spiral<br />
escalator’, one bay <strong>of</strong> an original LGOC<br />
horse stable and an inter-war tram shelter.<br />
0k <strong>10</strong>k 20k 30k 40k 50k<br />
Target<br />
Actual
28 | Heritage and collections Articles | 29<br />
23.2: Total width<br />
in kilometres if<br />
every poster in the<br />
LTM collection was<br />
placed side by side
30 | Articles Feature articles | 31<br />
Curating the suburbs<br />
David Bownes, Head <strong>of</strong> Collections, LTM<br />
Feature articles<br />
Colleagues and collaborators discuss<br />
contemporary transport issues,<br />
safety programmes and more<br />
‘Live in the Land <strong>of</strong> Sunshine at<br />
the End <strong>of</strong> the Underground.’<br />
It may sound like an unlikely<br />
marketing message now,<br />
but for over <strong>10</strong>0 years the<br />
growth <strong>of</strong> <strong>London</strong> has been<br />
shaped by its public transport<br />
network. <strong>The</strong> stories, people,<br />
homes and gnomes behind<br />
this development featured<br />
in <strong>Suburbia</strong> (15 October <strong>2009</strong> –<br />
30 April 20<strong>10</strong>), LTM’s major<br />
<strong>2009</strong>/<strong>10</strong> exhibition, sponsored<br />
by American Express.<br />
Aspiring to be a new type <strong>of</strong> display, <strong>Suburbia</strong><br />
used the LTM collections, interactivity,<br />
co-curation and immersive design to explore<br />
the impact <strong>of</strong> transport on the identity <strong>of</strong><br />
<strong>London</strong> and <strong>London</strong>ers. From the outset, we<br />
decided that the exhibition needed to have<br />
a different look and feel from the permanent,<br />
narrative-driven galleries. Audience research<br />
identified key themes which became the<br />
structure <strong>of</strong> the exhibition: suburban growth,<br />
marketing techniques, architecture, gardens,<br />
commuting, leisure and shopping. <strong>The</strong>re<br />
was little appetite for a rehearsal <strong>of</strong> line<br />
opening dates and vehicle types. Instead,<br />
emphasis was placed on lifestyle choices,<br />
popular culture and personal experiences,<br />
together with a desire to celebrate suburbia<br />
and engage with modern-day suburbanites.<br />
This approach empowered curators to take<br />
a fresh look at the reserve collection as well<br />
as providing a focus for contemporary<br />
collecting and community involvement.<br />
<strong>The</strong> aim was to range as widely as possible,<br />
so that all aspects <strong>of</strong> suburban life could be<br />
examined – from Metro-land to Docklands,<br />
modernist architecture to astro-turf.<br />
<strong>The</strong> resulting exhibition successfully<br />
challenged perceptions that transport<br />
museums are all about historic vehicles.<br />
Interviews with local residents and<br />
commuters along with specially commissioned<br />
films with youth groups from Redbridge and<br />
Kingston played an active part in the display,<br />
as did user-generated content submitted via<br />
Flickr direct to screens in the gallery.<br />
Interactives also drew visitors into the display.<br />
You could name your own suburb or try to<br />
guess the titles <strong>of</strong> suburban pop songs leaked<br />
from the earphones <strong>of</strong> a giant iPod.<br />
<strong>Suburbia</strong> was extremely well received by<br />
press and public alike. National and regional<br />
media coverage was extensive, from the<br />
Daily Mail to the New Statesman. <strong>The</strong><br />
exhibition, after its run was extended by<br />
popular demand, was seen by more than<br />
half <strong>of</strong> all visitors to the <strong>Museum</strong>. Talks and<br />
events attracted our highest participation<br />
rates, with many events either sold out or<br />
near capacity. <strong>The</strong> collection, too, benefited,<br />
with over 400 new items acquired and<br />
over <strong>10</strong>00 records enhanced as a result <strong>of</strong><br />
exhibition research and public involvement.<br />
Taken as a whole, <strong>Suburbia</strong> has changed<br />
the culture <strong>of</strong> LTM, and the lessons<br />
learned from its success are, even now,<br />
being applied to future exhibitions.<br />
‘reveal[s] just how<br />
integral the Underground<br />
has been in creating both<br />
the landscape and character<br />
<strong>of</strong> the suburbs’<br />
Telegraph, 29 September <strong>2009</strong><br />
David Bownes manages a team <strong>of</strong> curators who develop, care for and interpret the <strong>Museum</strong>’s<br />
collection <strong>of</strong> over 350,000 artefacts.
32 | Feature articles Feature articles | 33<br />
Inspiring the next generation<br />
Tim Herbert, Programme Manager, TfL<br />
Young people and policing<br />
Graham Daly, Head <strong>of</strong> Crime Reduction and Police Liaison, TfL<br />
Tackling skills shortages in the<br />
transport sector is an important<br />
aim for TfL. Our <strong>10</strong>-year Skills<br />
and Employment Strategy seeks<br />
to ensure that TfL and its<br />
supply chain continue to have<br />
the workforce we need to<br />
deliver our transport objectives.<br />
Since 2008 TfL has been working with<br />
LTM on two areas <strong>of</strong> the strategy: trying to<br />
maximise interest in the transport industry<br />
and ensuring that disadvantaged groups<br />
benefit from any employment and training<br />
opportunities arising from TfL works.<br />
LTM is playing a crucial role in raising<br />
awareness <strong>of</strong> the transport industry<br />
and the opportunities it has to <strong>of</strong>fer. ‘TfL<br />
Inspire’ is a programme that encourages<br />
children aged 11 to 14 to consider a career<br />
in engineering or transport planning.<br />
TfL engineers and planners are introduced<br />
to young people to explain what they do in<br />
their jobs and challenge any misconceptions.<br />
<strong>The</strong> programme also runs fun activities to<br />
demonstrate how both areas can <strong>of</strong>fer<br />
interesting, dynamic careers. Over <strong>10</strong>00<br />
young people have taken part in the<br />
programme so far and the <strong>Museum</strong> is<br />
actively seeking to expand TfL Inspire.<br />
As part <strong>of</strong> the programme the young people<br />
also visit the LTM Depot at Acton. <strong>The</strong>re<br />
they meet members <strong>of</strong> TfL’s ‘Ambassadors’<br />
programme – pr<strong>of</strong>essionals who describe<br />
the nature <strong>of</strong> their work and experience,<br />
and make themselves available to answer<br />
questions. <strong>The</strong>y then break into groups<br />
to take part in a practical ‘Eggsperiment’,<br />
requiring the safe transport <strong>of</strong> an egg over<br />
a set distance. <strong>The</strong> task demands innovation,<br />
teamwork, budgeting, client liaison and<br />
good practical sense. Working with the<br />
Ambassadors has been fantastic for both the<br />
young people and the engineers themselves,<br />
who develop their communication skills with<br />
a new audience.<br />
A new strand <strong>of</strong> the programme for young<br />
people aged 16 to 18 is called ‘Route into<br />
work’, a partnership between TfL, LTM and<br />
the <strong>London</strong> Apprenticeship Company. <strong>The</strong><br />
project is targeted at young people classified<br />
as NEET (not in employment, education or<br />
training). Reducing the proportion <strong>of</strong> such<br />
young people is a key government priority.<br />
<strong>The</strong> programme’s activities equip them with<br />
skills to become apprentices, gain sustained<br />
employment and widen their horizons.<br />
Over six weeks 60 young people are <strong>of</strong>fered<br />
a structured pre-employment programme.<br />
<strong>The</strong> <strong>London</strong> Apprenticeship Company<br />
undertakes an initial assessment. LTM then<br />
leads a three-day programme at the <strong>Museum</strong><br />
where participants explore the collections to<br />
build their work-related skills. During the<br />
sessions the young people learn about<br />
presentation, how to prepare for an interview<br />
and other fundamental skills for securing<br />
employment. On the third day <strong>of</strong> each week<br />
the young people meet employers from<br />
TfL’s supply chain who are <strong>of</strong>fering training<br />
or job opportunities.<br />
<strong>The</strong> partnership between TfL and LTM<br />
is hugely successful. TfL provides real-life<br />
examples <strong>of</strong> engineering initiatives and<br />
inspiring practitioners, while LTM uses its<br />
collections and unique approach to connect<br />
with young people in a way that can lead<br />
to lasting change. Working together, we<br />
aspire to satisfy the future needs <strong>of</strong> TfL<br />
and its supply chain, while also ensuring<br />
disadvantaged youth within <strong>London</strong> are<br />
given better access to employment and<br />
training opportunities.<br />
<strong>The</strong> times that TfL or the police<br />
get to speak to young people<br />
are rare, and we try to make<br />
the most <strong>of</strong> them. <strong>The</strong>y occur<br />
when the Safety and Citizenship<br />
(S&C) team work with young<br />
people in schools, or when<br />
the TfL-funded Metropolitan<br />
Police Safer <strong>Transport</strong> Teams<br />
(STT) visit schools, patrol bus<br />
stops or travel on buses.<br />
<strong>The</strong> need for such contact is critical –<br />
not just to prevent crime, but to help<br />
young people travel securely and avoid<br />
any risks associated with travelling.<br />
<strong>The</strong> S&C team works with young people<br />
about to use public transport independently<br />
for the first time. <strong>The</strong> programme has a<br />
proven impact in preventing crime and<br />
anti-social behaviour on public transport.<br />
Given the team’s enthusiasm and<br />
adaptability with its different audiences,<br />
I’m not at all surprised by its success.<br />
<strong>The</strong> advice the S&C team provides is now<br />
the standard we use for training Safer<br />
<strong>Transport</strong> Teams (STT) <strong>of</strong> police constables<br />
and community support <strong>of</strong>ficers to engage<br />
with schools. TfL has worked closely with<br />
the LTM team to ensure that liaison with the<br />
police is as effective as it can be. All STTs are<br />
aware <strong>of</strong> the work <strong>of</strong> the S&C team and many<br />
have <strong>of</strong>ficers who are trained volunteers.<br />
Teams that have had this contact with S&C or<br />
received the training are far more effective at<br />
dealing with school-related transport issues.<br />
When young people and transport are<br />
mentioned together, it is usually in relation<br />
to allegations or perceptions <strong>of</strong> their criminal<br />
or anti-social behaviour. Young people do<br />
commit a disproportionate amount <strong>of</strong> crime<br />
on our transport system, although it is worth<br />
remembering that the perpetrators are still<br />
a very small percentage <strong>of</strong> the total number<br />
<strong>of</strong> youth passengers. Police STTs are making<br />
headway in reducing crime on the bus<br />
network in particular (over 18% reduction<br />
in 2008/09 and a further 8.1% in <strong>2009</strong>/<strong>10</strong>).<br />
Where they can engage with schools,<br />
they have had a demonstrably positive<br />
impact in lowering disruptive behaviour.<br />
Young people are also more likely to be<br />
the victims <strong>of</strong> crime. Bullying, robbery and<br />
violence are experienced during school<br />
journeys and the S&C education programme<br />
has now incorporated messages for young<br />
people about their personal safety.<br />
<strong>The</strong> work is developing in new directions.<br />
TfL recently identified a need for the S&C<br />
team to engage with specific secondary<br />
schools, including sixth form colleges. Issues<br />
raised by TfL staff, drivers or police <strong>of</strong>ficers<br />
are assessed using a partnership problemsolving<br />
approach and in many cases the S&C<br />
team are requested to make visits to schools<br />
which have significant crime and disorder<br />
problems. This contact and the ‘personal<br />
face’ representing TfL is a key factor in<br />
bringing about a change <strong>of</strong> behaviour.<br />
From my experience in working with the<br />
police and understanding the causes<br />
<strong>of</strong> anti-social behaviour on transport, I<br />
have no doubt that the work <strong>of</strong> the S&C<br />
team is invaluable in both preventing and<br />
reducing crime, making journeys safer for<br />
all, but especially for young people.<br />
Tim Herbert leads on the development and implementation <strong>of</strong> TfL’s Skills and Employment<br />
requirements within TfL’s supply chain.<br />
Graham Daly is part <strong>of</strong> the TfL team responsible for working with the police to keep the<br />
transport system secure.
34 | Feature articles Feature articles | 35<br />
Young Consultants bridge the gap<br />
Adelah Bilal, William Franco, Elvis Miranda and Aobakwe Mokgalagadi,<br />
LTM Young Consultants<br />
Cubic and the <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
Roger Crow, Managing Director, Cubic <strong>Transport</strong>ation Systems Ltd<br />
We are Young Consultants.<br />
We are here to help change<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
for the better. We are a<br />
bridge between this museum<br />
and the young people <strong>of</strong><br />
today… and tomorrow.<br />
Visit the <strong>Museum</strong> any day and you notice<br />
that the main visitor groups are young<br />
children (with their parents) or older<br />
visitors (perhaps grandparents). <strong>The</strong>re are<br />
few visitors <strong>of</strong> our age, late teens or early<br />
twenties. Many people may assume that<br />
young people are only interested in music,<br />
fashion and the latest trends. Our interests<br />
are actually much broader, and we enjoy<br />
new cultural experiences <strong>of</strong> all kinds.<br />
Young Consultants are part <strong>of</strong> <strong>London</strong>:<br />
World City, a project within Stories <strong>of</strong> the<br />
World, the <strong>London</strong> 2012 Cultural Olympiad<br />
programme <strong>of</strong> museum exhibitions across<br />
the UK. Our role as Young Consultants<br />
is to create pathways between the<br />
<strong>Museum</strong> and our age group, making<br />
decisions that encourage more diverse<br />
visitors to enjoy this cultural experience.<br />
We are here to learn from the <strong>Museum</strong>,<br />
and help LTM learn as well. We are the<br />
first example <strong>of</strong> active participation in<br />
programming by young people at LTM:<br />
we are enjoying what this <strong>Museum</strong> can<br />
<strong>of</strong>fer us, but we are also helping shape<br />
what is <strong>of</strong>fered to other people our age.<br />
How did we become LTM Young<br />
Consultants In November <strong>2009</strong> we took<br />
part in a nerve-racking selection day at<br />
the <strong>Museum</strong>. We four were chosen from<br />
over thirty hopefuls. To succeed against<br />
such strong competition felt fantastic,<br />
but the selection day also showed<br />
the potential interest in working with<br />
museums among many young people.<br />
We are now paid museum pr<strong>of</strong>essionals,<br />
and over the past few months have<br />
helped recruit artists, plan reinterpretation<br />
projects, make films, write articles… and<br />
this is just the start! We will help get other<br />
young people involved and build towards<br />
the <strong>Museum</strong>’s major exhibition in 2012.<br />
At the beginning we were unsure <strong>of</strong><br />
what role we would play, and what<br />
responsibilities we would have. What has<br />
been really rewarding is how our opinions<br />
are listened to, and what we do is valued.<br />
This makes us feel important, pr<strong>of</strong>essional<br />
and a huge part <strong>of</strong> the <strong>Museum</strong> team.<br />
We may not have wanted to work at a<br />
museum before we saw the opportunity to<br />
become Young Consultants, but now we are<br />
getting a fantastic look behind the scenes<br />
<strong>of</strong> a real workplace. We know there are<br />
many ways we can strengthen our current<br />
skills and interests through <strong>London</strong>: World<br />
City. This is important for both our personal<br />
development and our future careers.<br />
LTM is here for everyone, but it is<br />
not always used by everyone. We<br />
are here to help this change.<br />
‘I would like to help<br />
shape the future <strong>of</strong><br />
this museum, and<br />
see how my work<br />
makes a difference.’<br />
Elvis Miranda (17)<br />
Cubic <strong>Transport</strong>ation Systems’<br />
connection to <strong>London</strong> spans<br />
more than three decades.<br />
We provide automated fare<br />
collection systems around<br />
the world – from New York<br />
to Brisbane – and have been<br />
implementing collection<br />
solutions continuously for the<br />
Capital since the late 1970s. We<br />
are proud <strong>of</strong> our longstanding<br />
association with TfL and the<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong>.<br />
<strong>The</strong> <strong>Museum</strong> has rightly won numerous<br />
plaudits and awards for providing visitors<br />
with a fascinating insight into the<br />
development <strong>of</strong> the transport system.<br />
But it also showcases contemporary urban<br />
issues and how <strong>London</strong> is gearing up for<br />
future challenges. This juxtaposition <strong>of</strong> past,<br />
present and future encapsulates how we at<br />
Cubic view our relationship with TfL, the<br />
<strong>Museum</strong> and <strong>London</strong> itself. As more and<br />
more people need to get around this great<br />
city, we’re working hard to keep today’s<br />
Oyster network performing smoothly for<br />
the traveller, and we are excited by the<br />
opportunities to apply cutting-edge<br />
technology to make public transport<br />
as attractive as possible.<br />
As a leading supporter <strong>of</strong> the <strong>Museum</strong>,<br />
we benefit from our relationship with<br />
LTM in a number <strong>of</strong> ways. We were<br />
delighted to sponsor the construction <strong>of</strong><br />
the Cubic <strong>The</strong>atre as part <strong>of</strong> LTM’s major<br />
refurbishment programme in 2005–07.<br />
<strong>The</strong> Cubic <strong>The</strong>atre was <strong>of</strong>ficially opened<br />
in 2008 by Peter Hendy, Commissioner <strong>of</strong><br />
TfL. Cubic employees and guests arrived<br />
following a special hour-long bus trip – with<br />
the Commissioner himself at the wheel.<br />
This unusual arrangement had come<br />
about (and has been subsequently<br />
repeated) following Cubic’s successful<br />
bid at the <strong>Museum</strong>’s annual Fundraising<br />
Dinner to have the Commissioner drive<br />
us along a route <strong>of</strong> our choice in <strong>London</strong>.<br />
We concluded the journey with a short<br />
talk from the Commissioner before he<br />
declared the <strong>The</strong>atre <strong>of</strong>ficially open,<br />
followed by a few celebratory drinks.<br />
Cubic sees the <strong>Museum</strong> as having an<br />
important series <strong>of</strong> functions to fulfil –<br />
to tell the story <strong>of</strong> <strong>London</strong> through its<br />
transportation system; to act as a focal<br />
point for meetings, debate and the exchange<br />
<strong>of</strong> ideas (which the <strong>The</strong>atre certainly helps to<br />
promote); and to inspire young people to use<br />
public transport and consider it as a career.<br />
We welcome the prospect <strong>of</strong> young people<br />
joining the industry – and in some cases<br />
Cubic, <strong>of</strong> course. We are delighted to provide<br />
the means to help make that happen.<br />
As part <strong>of</strong> our ongoing support for the<br />
<strong>Museum</strong>, we use the Cubic <strong>The</strong>atre from<br />
time to time. It is gratifying to learn, when<br />
we enquire as to availability, that the<br />
bookings diary is frequently full and the<br />
waiting list is growing – this is the most<br />
eloquent confirmation <strong>of</strong> the great job<br />
that the Managing Director and his team<br />
at the <strong>Museum</strong> have done in creating a<br />
superb presentation space at the heart<br />
<strong>of</strong> such an impressive institution.<br />
Adelah Bilal, William Franco, Elvis Miranda and Aobakwe Mokgalagadi are part <strong>of</strong> the <strong>London</strong>: World<br />
City project. More information can be found at www.ltmuseum.co.uk/learning/londonworldcity<br />
Roger Crow has overall responsibility for the UK and Nordic businesses <strong>of</strong> Cubic <strong>Transport</strong>ation<br />
Systems Ltd. Cubic has been a partner <strong>of</strong> the <strong>Museum</strong> since 1991.
36 | Feature articles Feature articles | 37<br />
A proud tradition <strong>of</strong> entrepreneurs and innovators<br />
Andrew Adonis, former Secretary <strong>of</strong> State for <strong>Transport</strong><br />
Forum for debate<br />
Claire Williamson, Assistant Director, Marketing & Development, LTM<br />
Britain has a rich transport<br />
heritage – and we are very<br />
fortunate in this country<br />
to have many exceptional<br />
museums dedicated to<br />
preserving and honouring<br />
this heritage. Among the very<br />
best is the <strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong>, which is an inspiration<br />
for anyone who is passionate<br />
about public transport and<br />
the history <strong>of</strong> this great city.<br />
From the early horse-drawn buses and trams,<br />
and the stunning (and still running) 1922<br />
Metropolitan Line Sarah Siddons electric<br />
locomotive, to the iconic Routemaster,<br />
the <strong>Museum</strong> is a reminder <strong>of</strong> the many<br />
pioneering engineers and industrialists<br />
who blazed a trail for the British transport<br />
industry in the 19th and 20th centuries.<br />
But as I look around LTM, it doesn’t make me<br />
feel nostalgic or dewy-eyed about a bygone<br />
golden age for British transport. Instead it<br />
excites me to think that what we’ve achieved<br />
in the past we can achieve again in the future.<br />
‘<strong>The</strong> <strong>Museum</strong> is<br />
in great shape’<br />
Lord Adonis<br />
What I see is a celebration <strong>of</strong> British<br />
design, manufacturing and entrepreneurial<br />
excellence – just the skills and qualities we<br />
will need if we are to meet the requirements<br />
<strong>of</strong> the travelling public in the future, and<br />
if the British transport industry is to take<br />
advantage <strong>of</strong> the significant opportunities<br />
presented by the green transport agenda.<br />
To meet these new challenges, we need to<br />
rediscover the boldness and innovation <strong>of</strong><br />
earlier pioneers. It seems to me that spirit<br />
is going strong. <strong>The</strong> automotive industry<br />
is rising to the challenge <strong>of</strong> delivering<br />
ultra-low-carbon vehicles. We can see<br />
the way ahead for a national high-speed<br />
rail network for Britain. And there is a<br />
focus on more sustainable transport.<br />
I wish this wonderful <strong>Museum</strong> every success<br />
for the future. And I hope that <strong>10</strong>0 years<br />
from now, visitors will be able to reflect on<br />
the early 21st century as another golden era<br />
for British transport, with British companies<br />
and the city <strong>of</strong> <strong>London</strong> at the forefront <strong>of</strong><br />
a global transition to low-carbon travel.<br />
<strong>The</strong> museum as a static<br />
environment, fixing the past<br />
and holding it in place, is no<br />
longer true. <strong>Museum</strong>s today are<br />
places <strong>of</strong> activity – connecting<br />
not just to audiences who<br />
enter them, but helping to<br />
shape the issues <strong>of</strong> the day.<br />
In <strong>2009</strong>, LTM launched a series <strong>of</strong> debates<br />
and events on contemporary and future<br />
transport issues. ‘Connected Britain’ was<br />
a public debate developed in partnership<br />
with our Futures Gallery sponsor, Orange,<br />
and was held at the <strong>Museum</strong> on 3 February<br />
20<strong>10</strong>. Participants debated how the face <strong>of</strong><br />
Britain will change as technology redefines<br />
how we work and travel. A lively panel,<br />
chaired by BBC Radio 4’s Today programme<br />
presenter Evan Davis, included writer and<br />
broadcaster Janet Street-Porter, the <strong>London</strong><br />
Mayor’s transport advisor Kulveer Ranger,<br />
Orange’s Robert Ainger and futurologist<br />
James Bellini. <strong>The</strong> event sold out, with a<br />
long waiting list wanting to get in on the<br />
action. Twitter and Facebook were used in<br />
the publicity campaign and many members<br />
<strong>of</strong> the audience ‘tweeted’ live from the<br />
event. Coverage <strong>of</strong> the event ranged from<br />
the mainstream press to YouTube, where the<br />
debate – as debates should – continues.<br />
A new Thought Leadership programme for<br />
industry, developed in partnership with law<br />
firm Eversheds, was established in <strong>2009</strong>.<br />
Business breakfasts and dinners are held<br />
at the <strong>Museum</strong>, in which participants can<br />
discuss a range <strong>of</strong> cutting-edge topics.<br />
<strong>The</strong> <strong>2009</strong>/<strong>10</strong> programme saw transport<br />
expert Jim Steer and Stephen Glaister,<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>Transport</strong> and Infrastructure<br />
at Imperial College, <strong>London</strong>, present<br />
different views on the funding and<br />
viability <strong>of</strong> high-speed rail.<br />
Former <strong>Transport</strong> Minister Stephen Norris<br />
chaired a pair <strong>of</strong> debates on future trends<br />
and the role <strong>of</strong> technology in transport<br />
strategy. Several events were developed in<br />
partnership with the Independent <strong>Transport</strong><br />
Commission. ‘Decarbonisation and You’<br />
was led by Pr<strong>of</strong>essor Gwyn Prins <strong>of</strong> the<br />
<strong>London</strong> School <strong>of</strong> Economics and explored<br />
the facts behind climate change and how<br />
companies can find the business incentive to<br />
reduce emissions. An event led by Pr<strong>of</strong>essor<br />
Joyce Dargay <strong>of</strong> Leeds University provided<br />
industry leaders with an essential briefing<br />
on important new research, including trends<br />
for the future <strong>of</strong> inter-city travel in the UK.<br />
We were delighted to end the year with a<br />
business breakfast with the then Secretary<br />
<strong>of</strong> State for <strong>Transport</strong> Lord Adonis,<br />
who gave the <strong>Museum</strong>’s invited guests<br />
a preview <strong>of</strong> his ideas on low-carbon<br />
transport strategy before launching to<br />
the press shortly after. His presence at<br />
Covent Garden confirmed the <strong>Museum</strong><br />
as a hub for debate about the future <strong>of</strong><br />
transport in <strong>London</strong> and across the world.<br />
<strong>The</strong> Right Honourable Lord Adonis discussed his low-carbon transport strategy at a<br />
Thought Leadership business breakfast held at the <strong>Museum</strong> on 19 November <strong>2009</strong>.<br />
Claire Williamson leads on marketing and development strategy for the <strong>Museum</strong>.
38 | Feature articles Feature articles | 39<br />
Why Britain needs high-speed rail<br />
Jim Steer, Director, Greengauge 21<br />
<strong>The</strong> uncertain gains <strong>of</strong> high-speed rail<br />
Stephen Glaister, Director, RAC Foundation<br />
Greengauge 21 was established<br />
five years ago to identify the<br />
arguments for (and against)<br />
high-speed rail. Much has<br />
happened since then. <strong>The</strong><br />
Channel Tunnel Rail Link<br />
opened to national acclaim;<br />
Greengauge 21 has brought the<br />
debate into the public domain;<br />
and political will across the<br />
parties has come out in strong<br />
support <strong>of</strong> high-speed rail.<br />
<strong>The</strong> new coalition government is committed<br />
to its implementation. With a hold on<br />
runway expansion in south-east England,<br />
and little wish for a return to major new<br />
highway construction nationally, the<br />
pressure to progress high-speed rail is<br />
palpable. So it is important to be clear<br />
why high-speed rail is needed, why it has<br />
garnered such widespread support and<br />
why it would be a mistake to delay.<br />
High-speed rail is a proven technology. With<br />
suitable demand (typically for journeys <strong>of</strong><br />
over 50 miles), it <strong>of</strong>fers the safest, fastest,<br />
most efficient and most comfortable way<br />
to travel. A large part <strong>of</strong> UK travel demand<br />
is over longer distances. True, the numbers<br />
<strong>of</strong> trips are relatively small (most journeys<br />
are <strong>of</strong> course very short), but trips over 25<br />
miles already account for nearly half <strong>of</strong> all<br />
person-miles travelled in Britain. This is why<br />
getting investments right and seeking to<br />
rebalance transport usage in this category<br />
towards the most environmentally benign<br />
travel mode, as well as <strong>of</strong>fering greatest<br />
customer appeal, is so important.<br />
We cannot sensibly rely on fuel availability<br />
from the oil-producing nations, and<br />
we cannot continue to have nearly half<br />
the vehicle miles travelled on longer<br />
distance journeys increase significantly,<br />
given the serious consequences for<br />
carbon and other emissions.<br />
<strong>The</strong> benefits from high-speed rail are<br />
particularly keenly felt regionally. One <strong>of</strong><br />
our critical assets, Heathrow, is becoming<br />
less and less available for cities outside<br />
the south-east, and access to the capital –<br />
Europe’s great financial centre – is critical<br />
in the real world <strong>of</strong> business activity. For<br />
Britain to function efficiently, it needs<br />
to get better productivity out <strong>of</strong> the<br />
Midlands, the North, Wales and Scotland.<br />
This cannot be achieved if basic transport<br />
communication links are left to decline.<br />
And decline they will without further<br />
investment and a stronger approach at a<br />
national level to regional policy-making.<br />
With forecast population rises, the intercity<br />
connections that the remoter parts<br />
<strong>of</strong> the country use to reach the capital –<br />
whether by road or rail – will be swamped<br />
with ever more long-distance commuting.<br />
So the choice is between different ways<br />
to invest in new capacity. High-speed rail<br />
not only provides the best answer, as all <strong>of</strong><br />
the evidence now shows, but it creates the<br />
opportunity for businesses and government<br />
to think differently about location decisions.<br />
High-speed rail’s high degree <strong>of</strong> political<br />
support stems from the fact that it<br />
solves a known economic problem and<br />
does so in a way that reduces carbon<br />
emissions. <strong>The</strong>re is simply no other way <strong>of</strong><br />
adding capacity to our national transport<br />
infrastructure that has these benefits.<br />
None <strong>of</strong> the work to date on the case<br />
for high-speed rail assumes that it will be<br />
necessary to charge premium fares. To bring<br />
the benefits that can be so clearly foreseen,<br />
high-speed rail needs to be accessible to all.<br />
Consideration <strong>of</strong> transport<br />
infrastructure investment<br />
has to start by asking: what<br />
is the problem to be solved<br />
For surface transport the main<br />
issue is shortage <strong>of</strong> capacity<br />
on both road and rail. This<br />
is likely to worsen. With<br />
population growth in England<br />
estimated to be about 16%<br />
over the next 20 years, there<br />
will be significant new demands<br />
on the transport networks,<br />
particularly on local roads.<br />
High-speed rail is one proposed solution.<br />
In the months leading to the 20<strong>10</strong> General<br />
Election, it dominated the transport debate.<br />
Yet its benefits are highly contested, as<br />
a report by HS2 Ltd, published by the<br />
government, would suggest. In terms <strong>of</strong><br />
diminishing road congestion, HS2 studies<br />
confirm that only 8% <strong>of</strong> high-speed rail’s<br />
forecast passenger demand comes from<br />
roads (with a further 8% from air). Its<br />
implementation would reduce traffic on the<br />
southern section <strong>of</strong> the M1 by a mere 2%.<br />
Claims that high-speed rail would<br />
reduce carbon emissions are also uncertain.<br />
Estimated net carbon savings may be<br />
positive or negative, and are described<br />
by HS2 as ‘a minor consideration’.<br />
What does the general public want<br />
Nationally, rail only carries 7% <strong>of</strong><br />
passenger miles (this includes <strong>London</strong><br />
which has much higher rail use than<br />
average), and only 5% <strong>of</strong> the population<br />
use a train more than once a week. For<br />
most people their daily lives depend on the<br />
road network, so it is not surprising that its<br />
condition and performance is their priority.<br />
<strong>The</strong>n there is the problem <strong>of</strong> the national<br />
finances. If high-speed rail does progress,<br />
it is inevitable that it will compete for<br />
funds against both road and classic rail.<br />
On HS2’s estimate, the <strong>London</strong> to<br />
Birmingham section would require £12 billion<br />
from the Exchequer and the government’s<br />
own Command Paper shows that a larger<br />
network would require far more.<br />
Should high-speed rail be considered an<br />
instrument <strong>of</strong> social policy Little work<br />
seems to have been done on this, but rail<br />
is predominantly used by higher income<br />
groups. It seems unlikely that the<br />
beneficiaries <strong>of</strong> high-speed rail would<br />
be poorer on average than current rail users.<br />
So we are left with two things that highspeed<br />
rail would achieve. It would make the<br />
journey quicker for some rail users and that<br />
is certainly a benefit. And it would provide<br />
a large increase in rail capacity on the<br />
West Coast Main Line corridor, where it is<br />
certainly needed.<br />
But it is only reasonable to ask that<br />
the proposals for high-speed be put into<br />
a context <strong>of</strong> strategic transport policy.<br />
Does it <strong>of</strong>fer good enough value for very<br />
scarce public money and should it be funded<br />
at the expense <strong>of</strong> conventional railways<br />
and roads In particular, it is essential that<br />
high-speed rail be considered even-handedly<br />
within the planning process for railways in<br />
general. Otherwise enthusiasm for it would<br />
fail to take into account the reality that more<br />
high-speed rail will mean less classic rail.<br />
Whatever the merits <strong>of</strong> high-speed<br />
rail proposals, one should not forget<br />
the point made in March 20<strong>10</strong> by<br />
the House <strong>of</strong> Commons <strong>Transport</strong><br />
Select Committee that ‘the major road<br />
network is the most important part <strong>of</strong><br />
the UK’s transport infrastructure’.<br />
Jim Steer is a leading authority on UK transport. He founded the consultancy Steer Davies Gleave,<br />
is Director <strong>of</strong> Greengauge 21 and a columnist for the <strong>Transport</strong> Times.<br />
Pr<strong>of</strong>essor Stephen Glaister is Director <strong>of</strong> the RAC Foundation and<br />
Emeritus Pr<strong>of</strong>essor <strong>of</strong> <strong>Transport</strong> and Infrastructure at Imperial College <strong>London</strong>.
40 | Future Plans for Plans the future<br />
Plans for the future | 41<br />
Plans for the future<br />
Given the strength <strong>of</strong> LTM’s performance since reopening in 2007,<br />
we have a hard act to follow. With the recession affecting our<br />
visitors, supporters and sponsors, our short-term aims are to<br />
consolidate the <strong>Museum</strong>’s success and maintain our high standards<br />
<strong>of</strong> operation, engagement and collections care. Our longer-term<br />
goal is to deliver efficiency and value for money, and increase<br />
self-generated income to support our exciting programme <strong>of</strong><br />
exhibitions, events and activities.<br />
Education and engagement<br />
A three-year programme <strong>of</strong> exhibitions and associated educational activities will be<br />
delivered. <strong>The</strong>se include Senseable City (2011); <strong>London</strong> Journeys, part <strong>of</strong> the Cultural<br />
Olympiad’s Stories <strong>of</strong> the World (2012); and a celebration <strong>of</strong> the 150th anniversary <strong>of</strong><br />
the <strong>London</strong> Underground (2013).<br />
Access and museum operations<br />
LTM aims to attract at least 275,000 visitors to the <strong>Museum</strong> annually (which is nearly<br />
50% more than throughout the last decade <strong>of</strong> the ‘old’ <strong>Museum</strong> before refurbishment)<br />
and to achieve at least 82% customer satisfaction for those visitors. Once the <strong>London</strong><br />
Underground’s needs are better understood, the implementation <strong>of</strong> greater public<br />
access at the <strong>Museum</strong> Depot in Acton will be restarted.<br />
Heritage and collections<br />
Additions to the collection will be targeted to support the exhibition programme,<br />
and our knowledge base expanded by enhancing 50,000 records a year. Many will<br />
incorporate user-generated content drawn from community engagement, online<br />
content and use <strong>of</strong> social networking channels.<br />
29,393: Number<br />
<strong>of</strong> kilowatt hours<br />
<strong>of</strong> electricity<br />
generated by the<br />
solar cells on the<br />
LTM ro<strong>of</strong> – an 11%<br />
increase on the<br />
previous year<br />
Generating funds<br />
Existing funding sources for our youth and community outreach are likely to be under<br />
severe pressure over the next few years. We are exploring new ways to fund and deliver<br />
our important charitable work by being more socially entrepreneurial and developing<br />
greater commercial income from our trading subsidiary.
42 | Income and support Income and support | 43<br />
Income and support<br />
LTM radio advert,<br />
Classic FM<br />
Radio adverts are a<br />
key part <strong>of</strong> the <strong>Museum</strong>’s<br />
marketing mix<br />
Scene-setting<br />
Murmur <strong>of</strong> conversation<br />
and chink <strong>of</strong> glasses, as at<br />
a gallery private view.<br />
Brian Sewell<br />
Gosh, what a remarkable<br />
piece this is. Rarely<br />
have form and function<br />
been combined to such<br />
luminescent effect. <strong>The</strong><br />
elegance <strong>of</strong> the design<br />
belies the brutal content.<br />
But what is the artist<br />
really trying to say<br />
<strong>The</strong> overt message –<br />
Please keep feet <strong>of</strong>f seats,<br />
if you will – leaves the<br />
answer tantalisingly out<br />
<strong>of</strong> reach.<br />
Voice-over<br />
Discover an ever-changing<br />
selection <strong>of</strong> iconic<br />
posters – and some<br />
more everyday transport<br />
artefacts – at <strong>London</strong><br />
<strong>Transport</strong> <strong>Museum</strong>,<br />
Covent Garden…<br />
Get carried away.<br />
<strong>The</strong> wide range <strong>of</strong> charitable activities the <strong>Museum</strong> <strong>of</strong>fers is<br />
supported by income generated from retail and commercial<br />
activities, fundraising, marketing and the generous donations<br />
<strong>of</strong> time and funds by LTM volunteers and Friends.<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
(Trading) Limited<br />
Despite economic conditions and poor<br />
weather in early 20<strong>10</strong>, LTM’s trading<br />
subsidiary maintained turnover at £2.1m<br />
for the year, generating an operating pr<strong>of</strong>it<br />
<strong>of</strong> £187,000. While this is much lower<br />
than in the previous period, it should be<br />
noted that an initial transfer <strong>of</strong> stock at<br />
nil cost significantly boosted pr<strong>of</strong>it in the<br />
company’s inaugural trading period.<br />
Retail<br />
New homewares, stationery and<br />
souvenirs featured designs taken from<br />
posters in the LTM collection. Licensed via<br />
TfL, the products won both Best Licensed<br />
Product and Best Overall Product for <strong>2009</strong><br />
in the Association for Cultural Enterprises<br />
annual awards. <strong>The</strong> range <strong>of</strong> furniture<br />
and accessories was expanded to<br />
include a 1959 Routemaster moquette.<br />
<strong>The</strong> specially commissioned fabric is<br />
an exact match <strong>of</strong> the original pattern.<br />
E-commerce<br />
A print-to-order service was launched<br />
in <strong>2009</strong> for the LTM online collection<br />
<strong>of</strong> more than 5000 posters. Posters are<br />
available in a range <strong>of</strong> finishes and sizes up<br />
to A0. A print-to-order service was also<br />
launched on the LTM and TfL webshops<br />
that allows customers to zoom in on any<br />
part <strong>of</strong> the <strong>London</strong> Underground map and<br />
print the results on mugs, T-shirts and<br />
other merchandise.<br />
Venue hire<br />
<strong>The</strong> Grade II listed building in Covent<br />
Garden now has three main spaces<br />
available for hire: the galleries, for evening<br />
drinks receptions and formal dinners;<br />
the stylish 121-seat Cubic <strong>The</strong>atre<br />
and foyer; and the recently renovated<br />
LTM boardroom for smaller daytime<br />
meetings. Clients and corporate sponsors<br />
appreciated the <strong>Museum</strong>’s unique venue,<br />
quality service and prestigious central<br />
<strong>London</strong> location. Over 200 events<br />
were held in <strong>2009</strong>/<strong>10</strong>, including award<br />
ceremonies, product launches<br />
and conferences.<br />
Marketing<br />
Campaigns in <strong>2009</strong>/<strong>10</strong> targeted families,<br />
young pr<strong>of</strong>essionals, art aficionados<br />
and others. Popular culture and relevant<br />
stories were used to raise awareness <strong>of</strong><br />
the new LTM and increase the <strong>Museum</strong>’s<br />
audience base. A new advertising<br />
campaign featured in print and outdoor<br />
media, while radio promotion included a<br />
Classic FM advert with Evening Standard<br />
art critic Brian Sewell discussing the<br />
<strong>Museum</strong>’s poster collection.<br />
Press coverage <strong>of</strong> <strong>Suburbia</strong> included<br />
BBC Radio 4’s Today programme, and<br />
Gardeners’ Question Time (with a<br />
suburban theme) was recorded at the<br />
<strong>Museum</strong> in October <strong>2009</strong>. <strong>The</strong> exhibition<br />
was covered by <strong>The</strong> One Show on BBC<br />
television and newspaper coverage<br />
included the Telegraph, Guardian,<br />
Independent and Financial Times.<br />
Fundraising<br />
<strong>The</strong> <strong>Suburbia</strong> exhibition was made<br />
possible by the generous sponsorship<br />
<strong>of</strong> American Express, who provided<br />
£125,000, and Clear Channel, who<br />
donated an outdoor advertising campaign<br />
worth £240,000 – enabling LTM literally<br />
to take the <strong>Suburbia</strong> exhibition into<br />
<strong>London</strong>’s suburbs.
44 | Income and support<br />
Income and support | 45<br />
A new series <strong>of</strong> Thought Leadership<br />
events for Corporate Members made LTM<br />
an important destination for transport<br />
industry colleagues to exchange ideas<br />
about topical issues. As a result, we were<br />
able to reverse a decline in Memberships<br />
and end the year with a <strong>10</strong>% increase in<br />
Corporate Membership. <strong>The</strong> Thought<br />
Leadership programme was funded<br />
and developed in partnership with<br />
international law firm, Eversheds.<br />
Cubic <strong>Transport</strong>ation agreed a further<br />
three years’ sponsorship <strong>of</strong> the <strong>Museum</strong>’s<br />
Cubic <strong>The</strong>atre. Along with Visa, the<br />
company has become an enthusiastic<br />
bidder at the LTM annual Fundraising<br />
Dinner and again secured <strong>London</strong>’s<br />
<strong>Transport</strong> Commissioner, Peter Hendy,<br />
as their bus driver for the day.<br />
This year’s dinner and auction were<br />
attended by 350 transport industry guests<br />
and raised £134,000. Mayor <strong>of</strong> <strong>London</strong><br />
Boris Johnson and Peter Hendy both<br />
spoke on transport strategy and their<br />
vision for <strong>London</strong>. <strong>The</strong> date <strong>of</strong> the next<br />
Fundraising Dinner has been set for<br />
28 September 20<strong>10</strong>.<br />
Volunteers<br />
In <strong>2009</strong>/<strong>10</strong>, 170 volunteers contributed<br />
over 9000 hours to assist LTM activities.<br />
<strong>The</strong>y helped in the library, led tours at<br />
Covent Garden and Acton, supported<br />
oral history projects and worked with the<br />
collections. Golders Green walking tours<br />
saw volunteers recruited from the local<br />
community, and volunteers also ran an<br />
object-handling table during Christmas<br />
and February half-term. Youth volunteers<br />
were also recruited for the first time.<br />
A new volunteer uniform was designed<br />
to communicate to visitors the important<br />
part played by volunteers in customerfacing<br />
roles. <strong>The</strong> Voluntary School Liaison<br />
Officer (VSLO) scheme was expanded<br />
and updated this year. VSLOs come<br />
to us from across TfL and other allied<br />
transport companies and are now known<br />
as <strong>Transport</strong> Youth Engagement Officers<br />
to reflect their widened role.<br />
To find out more about volunteering,<br />
visit ltmuseum.co.uk/getinvolved<br />
<strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong> Friends<br />
<strong>The</strong> <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
are a charitable organisation established<br />
for the advancement <strong>of</strong> public education<br />
in the history <strong>of</strong> transport. <strong>The</strong>y assist<br />
and encourage the <strong>Museum</strong>’s work and<br />
activities. <strong>The</strong> Friends provide valuable<br />
expertise, knowledge and enthusiasm<br />
as well as financial support to LTM.<br />
Thanks to their generosity, the <strong>Museum</strong><br />
was able to acquire a number <strong>of</strong><br />
significant items for the collection<br />
in <strong>2009</strong>/<strong>10</strong>, as well as fund ongoing<br />
restoration projects such as the Q-stock<br />
underground train and LT-type bus.<br />
To find out more about LTM Friends,<br />
visit ltmuseum.co.uk/friends<br />
Corporate supporters<br />
LTM establishes corporate relationships<br />
that work hard to achieve the business<br />
needs <strong>of</strong> both the <strong>Museum</strong> and its<br />
partners. Corporate Members benefit<br />
from senior level places at our popular<br />
Thought Leadership business breakfasts<br />
and dinners, tickets to our annual<br />
networking reception which attracts<br />
around 400 industry pr<strong>of</strong>essionals, free<br />
admission to the <strong>Museum</strong> for their staff,<br />
a discount at the Fundraising Dinner, and<br />
generous discounts on hire <strong>of</strong> the galleries<br />
and Cubic <strong>The</strong>atre. ‘Leader’ level members<br />
and sponsors receive free use <strong>of</strong> the new<br />
boardroom suite.<br />
LTM also <strong>of</strong>fers multiple opportunities<br />
for industry to partner the <strong>Museum</strong> on<br />
exhibitions and important educational<br />
initiatives. Our emphasis from 20<strong>10</strong> will<br />
be to develop our work in the areas <strong>of</strong><br />
transport sector skills shortages and<br />
apprenticeships. We already work with<br />
over <strong>10</strong>0,000 schoolchildren in <strong>London</strong><br />
and, in partnership with industry and<br />
TfL, will build on this network to<br />
encourage young people to discover<br />
careers in engineering and science to<br />
promote the future prosperity <strong>of</strong> our<br />
transport industry.<br />
To get involved, please contact<br />
LTM Marketing & Development<br />
on 020 7565 7293<br />
Peter Hendy (left), Commissioner<br />
<strong>of</strong> <strong>Transport</strong> for <strong>London</strong>, and<br />
Stephen Shewmaker, President<br />
<strong>of</strong> Cubic <strong>Transport</strong>ation<br />
19: Number<br />
<strong>of</strong> years the<br />
Corporate<br />
Membership<br />
Scheme has<br />
supported the<br />
work <strong>of</strong> LTM
46 | Income and support<br />
Income and support | 47<br />
Corporate members<br />
Sponsors and donors<br />
Leader<br />
Abellio<br />
ALSTOM <strong>Transport</strong>*<br />
Arriva <strong>London</strong><br />
Bombardier <strong>Transport</strong>ation UK<br />
East <strong>London</strong> Bus Group<br />
FirstGroup UK Bus*<br />
Halcrow Group<br />
Serco<br />
Driver<br />
Covent Garden <strong>London</strong><br />
EnterpriseMouchel*<br />
Eversheds*<br />
Fujitsu*<br />
<strong>The</strong> Go-Ahead Group<br />
Invensys Rail*<br />
Mansell Construction<br />
Ringway Jacobs<br />
Sacker & Partners*<br />
Member<br />
Atkins<br />
Capgemini<br />
Citylink Telecommunications<br />
Cubic <strong>Transport</strong>ation Systems*<br />
Deloitte*<br />
EDF Energy Powerlink<br />
Freshfields*<br />
Herbert Smith*<br />
Mott MacDonald*<br />
PricewaterhouseCoopers<br />
SGS UK<br />
Siemens<br />
telent Technology Services<br />
Trapeze<br />
Associate<br />
Balfour Beatty Engineering Services*<br />
Bircham Dyson Bell*<br />
Birse Metro<br />
Canary Wharf Group*<br />
Freight <strong>Transport</strong> Association<br />
Heathrow Express<br />
Hyder Consulting UK<br />
KPMG<br />
Mane Contract Services<br />
Metroline<br />
Radio Taxis Group<br />
YJL Infrastructure<br />
Honorary Corporate Member<br />
4-RAIL Services<br />
Clear Channel Outdoor*<br />
Major funders<br />
<strong>Transport</strong> for <strong>London</strong><br />
Heritage Lottery Fund<br />
Major supporters<br />
DCMS /Wolfson Foundation <strong>Museum</strong>s and<br />
Galleries Improvement Fund<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
Luke Rees-Pulley Charitable Trust<br />
MLA Renaissance<br />
Principal sponsor<br />
Tube Lines*<br />
Sponsors<br />
Alexander Dennis<br />
ALSTOM <strong>Transport</strong>*<br />
Arriva <strong>London</strong><br />
Capita<br />
CBS Outdoor<br />
Compak Ramps<br />
Conran Design Group<br />
Corus<br />
Cubic <strong>Transport</strong>ation Systems*<br />
Docklands Light Railway<br />
East <strong>London</strong> Bus Group<br />
Eversheds*<br />
FirstGroup*<br />
Hammonds<br />
HCL Axon<br />
HP Enterprise Services<br />
Hyder Consulting<br />
<strong>London</strong> Central/<strong>London</strong> General (Go-Ahead)<br />
Macquarie Group<br />
Mercedes-Benz buses and coaches<br />
Metroline<br />
National Express UK<br />
Network Rail<br />
Optare UK<br />
Orange<br />
Parsons Brinckerh<strong>of</strong>f<br />
Peek Traffic*<br />
Renaissance <strong>London</strong><br />
Ringway Jacobs<br />
SAP (UK) Ltd<br />
Serco<br />
Skanska McNicholas<br />
Stagecoach <strong>London</strong><br />
Thales*<br />
Toyota (GB)<br />
Transdev<br />
Volvo Bus<br />
Wrightbus<br />
Donors<br />
Biffaward – a Landfill Communities Fund<br />
Energy Saving Trust<br />
Foresight, Government Office for Science<br />
Garfield Weston Foundation<br />
John Lyon’s Charity<br />
Small donors<br />
Coutts<br />
<strong>The</strong> Fishmongers’ Company<br />
<strong>The</strong> Goldsmiths’ Company<br />
Osborne Clarke<br />
Exhibition sponsors<br />
American Express – <strong>Suburbia</strong><br />
Advertising support<br />
Clear Channel Outdoor*<br />
* Thank you to these companies who purchased tables at our <strong>2009</strong> Covent Garden<br />
dinner and auction, as did Amey, Ashurst, Bechtel, CSC, IBM, Lexicon Partners,<br />
McKinsey & Company, Telefónica O2 and Visa Europe.
48 | Public programme Public programme | 49<br />
Public programme<br />
<strong>The</strong> <strong>Museum</strong> <strong>of</strong>fers a wide and engaging range <strong>of</strong> exhibitions and<br />
programmes that cater to <strong>London</strong>’s diverse community. Below is a<br />
record <strong>of</strong> events and activities <strong>of</strong>fered to visitors during <strong>2009</strong>/<strong>10</strong>.<br />
Family events<br />
Event<br />
Capital Science: <strong>London</strong> Landscapes<br />
Craft workshop<br />
Creation station<br />
Creative play<br />
Eco pots<br />
Craft workshop<br />
Funky floral badges<br />
Craft workshop<br />
Gnome finger puppets<br />
Craft workshop<br />
Let it snow! Snowglobe<br />
Craft workshop<br />
<strong>London</strong> <strong>Transport</strong> Lotto<br />
Bingo with museum objects<br />
Secret gardens<br />
Craft workshop<br />
Sing-a-long <strong>Suburbia</strong><br />
Under 5s song and story<br />
Snowy Stories<br />
Under 5s song and story<br />
Spooky spiders<br />
Craft workshop<br />
Spring hat parade<br />
Craft workshop<br />
Street smart<br />
Road safety learning<br />
Thames tunnel vision<br />
Craft workshop<br />
<strong>Transport</strong> tales and railway rhymes<br />
Under 5s song and story<br />
Partner/speaker/in association with:<br />
<strong>The</strong> Royal Society<br />
Talks, debates, seminars and lectures<br />
Event<br />
Betjeman and Metro-land<br />
Public talk<br />
Connected Britain<br />
Partnership event / Debate<br />
European Capital <strong>of</strong> Culture<br />
Partnership event / Debate<br />
Great <strong>Transport</strong> Debate<br />
Schools debating competition<br />
Home Comforts<br />
Public talk<br />
<strong>London</strong> Moves East: Community Collectors<br />
University lecture / Community event<br />
Revisiting Collections: Working with<br />
communities to reinterpret collections at LTM<br />
Seminar / Community engagement<br />
Transformed by the Tube<br />
Public talk<br />
<strong>Museum</strong> activities and events<br />
Event<br />
An evening with Lorinc Barabas<br />
Jazz concert<br />
Budapest Retro by Gábor Zsigmond Papp<br />
Film screening<br />
Commuter Love<br />
Friday late<br />
Crime in the City<br />
Friday late<br />
Garden Party<br />
Friday late<br />
I Love Budapest by Agnes Incze<br />
Film screening<br />
Linear<br />
Film screening and presentation<br />
<strong>London</strong> on Sea<br />
Friday late<br />
Sounds <strong>of</strong> the Suburbs<br />
Friday late<br />
Suburban Style<br />
Friday late<br />
Waterloo Sunsets<br />
Friday late<br />
Partner/speaker/in association with:<br />
David Bownes, LTM Head <strong>of</strong> Collections, and<br />
John Heald, Vice Chairman <strong>of</strong> the Betjeman Society<br />
Orange<br />
Hungarian Cultural Centre<br />
<strong>The</strong> English Speaking Union<br />
Emmanuelle Dirix, fashion historian<br />
Birkbeck College<br />
<strong>Museum</strong> Pr<strong>of</strong>essionals Group<br />
Oliver Green, LTM Research Fellow<br />
Partner/speaker/in association with:<br />
Hungarian Cultural Centre<br />
Hungarian Cultural Centre<br />
Dating: When the Music Stops<br />
Craft workshops: <strong>The</strong> Make lounge<br />
Author: Cathi Unsworth<br />
Band: <strong>The</strong> Real Tuesday Weld<br />
Richard Reynolds: Guerilla gardening<br />
Art, magic and craft workshops<br />
Heals design consultant<br />
Hungarian Cultural Centre<br />
Art on the Underground, TfL<br />
Artist: Dryden Goodwin<br />
Band: <strong>The</strong> Squadron Leaders<br />
Dancer and author: Karen McLeod<br />
AV DJs: D:Fuse, Electrovision, *Spark and Labmeta<br />
Craft workshops: <strong>The</strong> Make Lounge<br />
DJ: Tunnelsounds<br />
DJ: Saint Etienne<br />
Film screening
50 | Public programme Public programme | 51<br />
Community and schools events<br />
Event<br />
Partner/speaker/in association with:<br />
Community and schools events continued<br />
Event<br />
Partner/speaker/in association with:<br />
1a Film Project<br />
Film project<br />
1a Arts etc<br />
TfL Inspire<br />
Engineering and planning careers programme<br />
TfL, Science <strong>Museum</strong><br />
A <strong>London</strong> Line<br />
Dance performance with young people<br />
Union Dance<br />
Transitions Project<br />
Diploma support programme<br />
Crossrail, ICE, BBC<br />
Bag-making<br />
Craft activity with youth club<br />
Bag-making with girls youth group<br />
Craft session for young people<br />
Balloon Buses<br />
Community activity<br />
Castlehaven Community Centre<br />
Dragon Hall Community Centre<br />
Hornchurch churches<br />
Walk the Line<br />
Winter Celebration<br />
Community forum event<br />
Boundary Women’s Group at St. Hilda’s East<br />
Community Centre, Aspirations Group at Tower<br />
Hamlets College, Senior BEES at Building Exploratory<br />
Bedford House Playscheme<br />
Activities for children<br />
ESOL resources<br />
Community and learning project<br />
Every Object Tells a Story<br />
Reminiscence session<br />
Hackney Junior Citizenship Scheme<br />
Activity for school groups<br />
Journeys <strong>of</strong> Change <strong>Year</strong> 4 (Run by IWM)<br />
Community project<br />
Kew Bridge WW2 day<br />
Festival<br />
<strong>London</strong> <strong>Transport</strong> Lotto<br />
Bingo session<br />
Lost in Transit schools tour<br />
Maida Hill family day<br />
Festival<br />
Memory Lane<br />
Film screenings<br />
Mind the Gap<br />
Drama performance<br />
Platform in Focus<br />
Community project<br />
Race for ideas<br />
Children’s activity<br />
Bedford House<br />
City and Islington College<br />
History Talk, Open Age, Time and Talents, WEA,<br />
Stroke Association, Westminster Adult Education,<br />
Mayfair Library, St. Hilda’s East Community Centre,<br />
Bishop Ho Ming Wah Centre, Beckenham and Penge<br />
Gateway Group, Abbey Centre<br />
Safety and Citizenship Team<br />
Debanma Supplementary School,<br />
Imperial War <strong>Museum</strong><br />
Kew Bridge Steam <strong>Museum</strong><br />
Millman Street Centre<br />
Art <strong>of</strong> regeneration, Lewisham College<br />
Harrow Road Neighbourhood Partnership<br />
St. Hilda’s East Community Centre,<br />
Bishop Ho Ming Wah Centre<br />
Link up<br />
One KX<br />
Camden Council<br />
Heritage vehicle outings<br />
Event<br />
Amersham Heritage Day<br />
Heritage event<br />
Sarah Siddons / RM1 – heritage vehicle outings<br />
Depot Open Weekend<br />
Enthusiast open weekend<br />
RM1 – heritage vehicle outings<br />
Depot Open Weekend<br />
Family open weekend / B-type anniversary<br />
RM1 – heritage vehicle outings<br />
Depot Open Weekend<br />
Family open weekend<br />
RM1 – heritage vehicle outings<br />
District line event<br />
1938 stock – heritage vehicle outings<br />
Hendon Pageant – Northern line run<br />
1938 stock – heritage vehicle outings<br />
Historic Commercial Vehicle Society<br />
<strong>London</strong> to Brighton run<br />
RM1 / LT165 – heritage vehicle outings<br />
Jubilee line event<br />
1938 stock – heritage vehicle outings<br />
Rickmansworth Festival<br />
Sarah Siddons / RM1– heritage vehicle outings<br />
Partner/speaker/in association with:<br />
Heritage committee<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
Amersham event organisers<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
Heritage committee<br />
District line<br />
Heritage committee<br />
RAF <strong>Museum</strong><br />
Heritage committee<br />
Jubilee line<br />
Heritage committee<br />
Rickmansworth Festival<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends<br />
Refugee Week<br />
Community talk<br />
Acton Library<br />
Seminar series<br />
Community forum event<br />
South Bank University Family Days<br />
Family activities and <strong>Museum</strong> visit<br />
South Bank University<br />
Studio Days with Somerset House<br />
Collaborative youth event<br />
Somerset House
52 | Public programme Public programme | 53<br />
Community curator events<br />
Event<br />
Black History Month Takeover Day<br />
Combined community and learning event<br />
Capturing Croydon<br />
Community: Contemporary collecting project<br />
Commuting<br />
Community: Contemporary collecting<br />
Connecting Anerley<br />
Youth film project<br />
Digital Storytelling<br />
Community: Contemporary collecting film project<br />
Line Through the Lens<br />
Community: Contemporary collecting<br />
<strong>London</strong> Moves East<br />
Community poster project<br />
<strong>London</strong> Moves South<br />
Community poster project<br />
Regeneration Southwark<br />
Community art project<br />
Shoreditch Festival<br />
Combined community and learning event<br />
Show Us Your <strong>Suburbia</strong><br />
Community: Web 2.0 / Contemporary<br />
collecting project<br />
Social Surfing<br />
Community skill-building workshops<br />
Suburban Stories: Golders Green Walks<br />
Community: Public walks led by local guides<br />
Partner/speaker/in association with:<br />
In partnership with TfL’s BAME network group<br />
Local residents and TfL, Croydon Local<br />
Studies Library, <strong>Museum</strong> <strong>of</strong> Croydon<br />
Streetwise Youth Centre, Chocolate Films<br />
Tate Modern<br />
Alternative Arts, Photomonth<br />
Artist: James Lambert<br />
Community Collector participants<br />
Forest Hill Boys School<br />
Art in the Park, Rainbow Arts Southwark<br />
United Anglo Caribbean Society<br />
Local residents and TfL<br />
<strong>London</strong>: World City project<br />
<strong>London</strong>: World City is part <strong>of</strong> Stories <strong>of</strong> the World, the <strong>London</strong> 2012 Cultural Olympiad programme<br />
Event<br />
Partner/speaker/in association with:<br />
Bus Shelters art workshops at<br />
Orleans House Gallery<br />
Community art project<br />
Bus Shelters art workshops in Hackney<br />
Community art project<br />
Reinterpretation film made by<br />
Young Consultants<br />
Youth participation: Revisiting collections<br />
Reinterpretation project<br />
Community: Revisiting collections project<br />
Young Consultants recruitment day<br />
Youth participation<br />
HEART group, Jaime Taylor and Postcode Films,<br />
Orleans House Gallery<br />
Pedro Youth Club, Andrew Wright, Eastside<br />
Educational Trust, Chocolate Films<br />
Chocolate Films<br />
Thames Reach, Chocolate Films
54 | Structure, governance and management Structure, governance and management | 55<br />
Structure, governance<br />
and management<br />
Governing documents<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited (LTM) is a registered charity which was incorporated on<br />
6 February 2008 as a company limited by shares and is governed by its Memorandum and<br />
Articles <strong>of</strong> Association. Under the GLA Act 1999, <strong>Transport</strong> for <strong>London</strong> (TfL) has the power to<br />
provide and maintain a museum <strong>of</strong> transport artefacts, records and other exhibits. While it is<br />
more common for charities to be operated by companies limited by guarantee, the <strong>Transport</strong><br />
for <strong>London</strong> (Specified Activities) Order 2000 requires TfL to carry out museum activities<br />
through a company limited by shares.<br />
Under section 5.1 <strong>of</strong> the LTM Memorandum <strong>of</strong> Association, the property and funds <strong>of</strong> the<br />
<strong>Museum</strong> must be used only for promoting the objects and no dividend is payable to TfL.<br />
LTM has a wholly owned subsidiary, <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited (LTMTL),<br />
through which it operates retail, corporate hire and other non-charitable activities to<br />
generate funds for the furtherance <strong>of</strong> the <strong>Museum</strong>’s objects. All the pr<strong>of</strong>its <strong>of</strong> LTMTL<br />
are donated to LTM.<br />
Organisation<br />
<strong>The</strong> <strong>Museum</strong> is governed by a Board <strong>of</strong> Trustees, chaired by Sir David Bell. <strong>The</strong> Board meets up<br />
to six times a year for routine business and convenes meetings as necessary to consider urgent<br />
issues. In addition, Trustees take part in an annual review <strong>of</strong> strategy. Day-to-day management<br />
<strong>of</strong> the <strong>Museum</strong> is delegated to the Managing Director, Sam Mullins, and through him to the<br />
Senior Management Team, employees and volunteers.<br />
Appointment <strong>of</strong> Trustees<br />
<strong>The</strong>re are up to thirteen Trustees, three <strong>of</strong> whom are nominated by TfL and may be members,<br />
<strong>of</strong>ficers or employees <strong>of</strong> TfL or the Greater <strong>London</strong> Assembly. Nine independent Trustees<br />
unconnected with TfL are also appointed by the Board. <strong>The</strong> Managing Director <strong>of</strong> LTM is<br />
automatically a Trustee by virtue <strong>of</strong> his <strong>of</strong>fice. Trustees serve a three-year term following which<br />
they may be elected for another three years. <strong>The</strong> Articles <strong>of</strong> Association make allowance for a<br />
second three-year extension in exceptional circumstances. Other than the Managing Director,<br />
who is an employee <strong>of</strong> LTM, the Trustees receive no remuneration but may claim travel<br />
expenses for attending meetings.<br />
Recruitment <strong>of</strong> Trustees<br />
Independent Trustees are selected on their ability to meet the knowledge and experience<br />
<strong>of</strong> the vacancy to be filled. <strong>The</strong> <strong>Museum</strong> seeks to recruit Trustees with expertise across a<br />
matrix <strong>of</strong> experience significant to its strategy and operation: community outreach, education,<br />
museum practice, commercial transportation, finance and governance, retail operations and<br />
public relations. It is also important to the Trustees that the <strong>Museum</strong> Board is recruited so<br />
as to be representative <strong>of</strong> <strong>London</strong>’s diversity. <strong>The</strong> <strong>Museum</strong> supports TfL’s commitment to<br />
promoting equal opportunity for everyone, eliminating discrimination and promoting good<br />
relations between people <strong>of</strong> different ethnicity, religious belief and sexual orientation.<br />
Trustee induction and training<br />
New Trustees undergo an orientation programme to brief them on their obligations under<br />
charity and company law, the content <strong>of</strong> the Memorandum and Articles <strong>of</strong> Association,<br />
the committee and decision-making processes, the business plan and recent performance<br />
<strong>of</strong> the <strong>Museum</strong>. During their induction they are invited to spend time with the LTM Managing<br />
Director and meet senior staff, and are provided with a pack <strong>of</strong> reference material.<br />
Audit Committee<br />
<strong>The</strong> role <strong>of</strong> the Audit Committee is to assist and advise the Board <strong>of</strong> Trustees <strong>of</strong> LTM on<br />
audit matters and oversee the relationship with TfL Internal Audit and external auditors.<br />
This includes detailed review <strong>of</strong> the Annual Accounts and supporting information, and<br />
consideration <strong>of</strong> Internal Audit Reports.<br />
Risk management<br />
<strong>The</strong> Trustees acknowledge their responsibility to assess and manage the risks facing the<br />
<strong>Museum</strong>. <strong>The</strong> major risks to which the <strong>Museum</strong> is exposed, as identified by the Trustees,<br />
have been reviewed. <strong>The</strong> Trustees have implemented a risk management strategy which<br />
includes the following actions that were undertaken in the year:<br />
∙ Periodic risk reviews by the Managing Director and Senior Management Team, advised<br />
and assisted by the TfL Risk Management department<br />
∙ Annual review <strong>of</strong> risk and risk management by the Trustees<br />
∙ Maintenance <strong>of</strong> the Risk Map and Risk Register<br />
∙ Maintenance <strong>of</strong> systems and procedures to mitigate risks identified in the Risk Map<br />
and Risk Register<br />
∙ Maintenance <strong>of</strong> procedures designed to minimise any potential impact on the <strong>Museum</strong><br />
should those risks materialise<br />
∙ Regular audits <strong>of</strong> <strong>Museum</strong> operations carried out by TfL’s Internal Audit department<br />
∙ Disaster recovery exercises and desktop simulations involving key <strong>Museum</strong> staff<br />
<strong>The</strong> <strong>Museum</strong>’s key risks are identified as those with a potential impact that is rated ‘High’<br />
or ‘Very High’. Of these, three have a Very High to High likelihood <strong>of</strong> occurring. <strong>The</strong>se are:<br />
∙ Loss <strong>of</strong> MLA Renaissance Funding for learning programmes<br />
∙ Significant reduction in trading income<br />
∙ Reduction <strong>of</strong> core funding from TfL<br />
To mitigate these risks, the <strong>Museum</strong> has undertaken the following actions:<br />
∙ Identified and obtained new sponsors for learning activities<br />
∙ Introduced government-funded skills development programmes<br />
∙ Identified and undertaken new online retail opportunities<br />
∙ Formed retail partnerships with commercial businesses<br />
∙ Undertaken an operational cost review<br />
∙ Identified new revenue-generating activities to <strong>of</strong>fset potential decrease in core funding
56 | Structure, governance and management Structure, governance and management | 57<br />
Relationship with TfL<br />
A series <strong>of</strong> written agreements exists between TfL and LTM which sets out the framework<br />
for the continued provision and maintenance <strong>of</strong> the <strong>Museum</strong>, the operation and funding <strong>of</strong><br />
LTM, and the long-term relationship <strong>of</strong> the parties. <strong>The</strong> <strong>Museum</strong> cares for a collection <strong>of</strong> over<br />
350,000 objects which remain the property <strong>of</strong> TfL and subject to a loan agreement between<br />
LTM and TfL.<br />
Employment policies<br />
At the end <strong>of</strong> March 20<strong>10</strong>, the <strong>Museum</strong> employed 111 people.<br />
<strong>The</strong> <strong>Museum</strong> is part <strong>of</strong> the TfL Framework for Consultation and Collective Bargaining.<br />
Pay negotiations are conducted between the TfL Company Council for Collective Bargaining<br />
and the recognised trades unions which are the National Union <strong>of</strong> Rail, Maritime and <strong>Transport</strong><br />
Workers (RMT) and the <strong>Transport</strong> Salaried Staff Association (TSSA).<br />
Charitable objectives and public benefit<br />
When reviewing the <strong>Museum</strong>’s aims and objectives, and in planning future activities, the<br />
Trustees <strong>of</strong> LTM have had due regard to the principles <strong>of</strong> public benefit and the public benefit<br />
guidance published by the Charity Commission. <strong>The</strong> Trustees believe that LTM delivers<br />
important public benefits that uphold these principles.<br />
Principle 1: <strong>The</strong>re are identifiable benefits, related to our aims and balanced<br />
against any harm.<br />
LTM’s aims as a charity are to advance the heritage <strong>of</strong> transport in <strong>London</strong> and to educate<br />
the public about the history <strong>of</strong> transport in <strong>London</strong> through the provision, operation and<br />
maintenance <strong>of</strong> a transport museum for the public benefit. LTM also seeks to educate the<br />
public about the role <strong>of</strong> transport in the life and work <strong>of</strong> <strong>London</strong> past, present and future.<br />
Principle 2: <strong>The</strong> benefits to the public are not unduly restricted and do not exclude<br />
people in poverty. Private benefits are incidental.<br />
LTM delivers benefits to visitors at the <strong>Museum</strong> in Covent Garden and the Depot in Acton,<br />
to users <strong>of</strong> our website and to schoolchildren across Greater <strong>London</strong> who take part in our<br />
educational programmes. Our audience development and community outreach work engages<br />
with people who would not normally visit museums and galleries. <strong>The</strong> <strong>Museum</strong> at Covent<br />
Garden is fully accessible and welcomes visitors 363 days a year.<br />
Our visitors come from across <strong>London</strong> and the world. We take our historic vehicles out onto<br />
the roads and rails, visit schools and work with local community groups across the Capital. Our<br />
comprehensive online <strong>Museum</strong> includes access to all the exhibits available in our main gallery<br />
as well as thousands <strong>of</strong> objects not normally on public display. We also loan objects to other<br />
institutions to extend our reach and increase access to our collections.<br />
Online access is free and the Safety and Citizenship programme is delivered at no cost to<br />
the schools taking part. Although the <strong>Museum</strong> charges admission for entry to the galleries<br />
at Covent Garden, various measures are taken to ensure that charges do not unduly restrict<br />
access to the collection. <strong>The</strong>se include free entry to the <strong>Museum</strong> for children under the age<br />
<strong>of</strong> 16; free entry for carers accompanying disabled visitors; and reduced admission charges for<br />
senior citizens, students and other concessionary groups.<br />
Where the <strong>Museum</strong> delivers private benefits to individuals or companies, these are subject to<br />
appropriate commercial arrangements undertaken through a subsidiary company to generate<br />
funds for the <strong>Museum</strong>. No LTM or TfL staff receive private benefit other than in an incidental<br />
way and, with the exception <strong>of</strong> Sam Mullins who receives a salary in respect <strong>of</strong> his position as<br />
the <strong>Museum</strong>’s Managing Director, the Board receive no payments for their role as Trustees <strong>of</strong><br />
the <strong>Museum</strong>.<br />
<strong>The</strong> <strong>Museum</strong> provides clear and identifiable benefits to the public in three categories<br />
<strong>of</strong> activity: education and engagement, access and museum operations, and heritage<br />
and collections.<br />
LTM does no harm or detriment through its charitable activities. <strong>The</strong> health and safety <strong>of</strong> staff<br />
and visitors are taken very seriously and the <strong>Museum</strong> operates safety management systems<br />
involving trained staff to reduce our risks to a level that is as low as reasonably practicable<br />
for all our operations. We also seek to reduce our impact on the environment by reusing<br />
materials purchased for temporary exhibitions where possible. LTM also uses photovoltaic<br />
solar panels to generate an estimated 2.5% <strong>of</strong> the annual electricity required in the galleries.<br />
This flagship installation is understood to be the largest ever undertaken on a listed building<br />
in the centre <strong>of</strong> <strong>London</strong>.
58 | Trustees’ statement Independent auditors’ report | 59<br />
Trustees’ statement<br />
Independent auditors’ report<br />
Statement <strong>of</strong> responsibilities <strong>of</strong> the Trustees <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong> Limited in respect <strong>of</strong> the Trustees’ Annual Report and the<br />
financial statements<br />
<strong>The</strong> Trustees are responsible for preparing the Trustees’ Annual Report and the financial<br />
statements in accordance with applicable law and regulations.<br />
Company law requires the Trustees to prepare financial statements for each financial year.<br />
Under that law they are required to prepare the group and parent company financial<br />
statements in accordance with UK Accounting Standards and applicable law (UK Generally<br />
Accepted Accounting Practice).<br />
Under company law the Trustees must not approve the financial statements unless they are<br />
satisfied that they give a true and fair view <strong>of</strong> the state <strong>of</strong> affairs <strong>of</strong> the group and charitable<br />
company and <strong>of</strong> the group’s excess <strong>of</strong> income over expenditure for that period. In preparing<br />
each <strong>of</strong> the group and charitable company financial statements, the Trustees are required to:<br />
∙ select suitable accounting policies and then apply them consistently;<br />
∙ make judgements and estimates that are reasonable and prudent;<br />
∙ state whether applicable UK Accounting Standards have been followed, subject to any<br />
material departures disclosed and explained in the financial statements; and<br />
∙ prepare the financial statements on the going concern basis unless it is inappropriate to<br />
presume that the group and the charitable company will continue its activities.<br />
<strong>The</strong> Trustees are responsible for keeping adequate accounting records that are sufficient to<br />
show and explain the charitable company’s transactions and disclose with reasonable accuracy<br />
at any time the financial position <strong>of</strong> the charitable company and enable them to ensure that its<br />
financial statements comply with the Companies Act 2006. <strong>The</strong>y have general responsibility for<br />
taking such steps as are reasonably open to them to safeguard the assets <strong>of</strong> the group and to<br />
prevent and detect fraud and other irregularities.<br />
This report was approved by the Board <strong>of</strong> Trustees on 15 June 20<strong>10</strong> and signed on its<br />
behalf by:<br />
Sam Mullins, Managing Director<br />
Independent auditors’ report to the shareholder <strong>of</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited<br />
We have audited the group and charity financial statements (the ‘financial statements’) <strong>of</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Group for the year ended 31 March 20<strong>10</strong> set out on pages 64–79.<br />
<strong>The</strong>se financial statements have been prepared under the accounting policies set out therein.<br />
This report is made solely to the company’s shareholder in accordance with sections 495<br />
and 496 <strong>of</strong> the Companies Act 2006. Our audit work has been undertaken so that we might<br />
state to the charitable company’s shareholder those matters we are required to state to them<br />
in an auditors’ report and for no other purpose. To the fullest extent permitted by law, we<br />
do not accept or assume responsibility to anyone other than the charitable company and its<br />
shareholder for our audit work, for this report, or for the opinions we have formed.<br />
Respective responsibilities <strong>of</strong> the Trustees and auditors<br />
<strong>The</strong> Trustees (who are also the directors <strong>of</strong> the company for the purposes <strong>of</strong> company law)<br />
are responsible for preparing the Trustees’ Annual Report and the financial statements<br />
in accordance with applicable law and UK Accounting Standards (UK Generally Accepted<br />
Accounting Practice) and for being satisfied that the financial statements give a true and fair<br />
view. <strong>The</strong>se responsibilities are set out in the Statement <strong>of</strong> Trustees’ Responsibilities on page<br />
58. Our responsibility is to audit the financial statements in accordance with relevant legal and<br />
regulatory requirements and International Standards on Auditing (UK and Ireland).<br />
We report to you our opinion as to whether the financial statements give a true and fair view,<br />
have been properly prepared in accordance with UK Generally Accepted Accounting Practice<br />
and have been prepared in accordance with the Companies Act 2006. We also report to you<br />
whether in our opinion the information given in the Trustees’ Annual Report is consistent with<br />
the financial statements.<br />
In addition we report to you if, in our opinion, the charitable company has not kept adequate<br />
accounting records, if the charitable company’s financial statements are not in agreement<br />
with the accounting records and returns, if we have not received all the information and<br />
explanations we require for our audit, or if certain disclosures <strong>of</strong> Trustees’ remuneration<br />
specified by law are not made.<br />
We read the Trustees’ Annual Report and consider the implications for our report if we<br />
become aware <strong>of</strong> any apparent misstatement within it. We read the other information<br />
contained in the Annual Report and consider whether it is consistent with the audited<br />
financial statements. We consider the implications for our report if we become aware <strong>of</strong><br />
any apparent misstatements or material inconsistencies with the financial statements.<br />
Our responsibilities do not extend to any other information.
60 | Independent auditors’ report Trustees and advisors | 61<br />
Independent auditors’ report to the shareholder <strong>of</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited continued<br />
Trustees and advisors<br />
Basis <strong>of</strong> audit opinion<br />
We conducted our audit in accordance with International Standards on Auditing (UK and<br />
Ireland) issued by the Auditing Practices Board. An audit includes examination, on a test<br />
basis, <strong>of</strong> evidence relevant to the amounts and disclosures in the financial statements. It also<br />
includes an assessment <strong>of</strong> the significant estimates and judgements made by the Trustees in<br />
the preparation <strong>of</strong> the financial statements, and <strong>of</strong> whether the accounting policies are<br />
appropriate to the group’s and charitable company’s circumstances, consistently applied and<br />
adequately disclosed.<br />
We planned and performed our audit so as to obtain all the information and explanations<br />
which we considered necessary in order to provide us with sufficient evidence to give<br />
reasonable assurance that the financial statements are free from material misstatement,<br />
whether caused by fraud or other irregularity or error. In forming our opinion we also evaluated<br />
the overall adequacy <strong>of</strong> the presentation <strong>of</strong> information in the financial statements.<br />
Opinion<br />
In our opinion:<br />
∙ the financial statements give a true and fair view <strong>of</strong> the state <strong>of</strong> the group’s and the<br />
charitable company’s affairs as at 31 March 20<strong>10</strong> and <strong>of</strong> the group’s incoming resources and<br />
application <strong>of</strong> resources, including its income and expenditure, for the year then ended;<br />
∙ the financial statements have been properly prepared in accordance with UK Generally<br />
Accepted Accounting Practice;<br />
∙ the financial statements have been prepared in accordance with the Companies Act 2006;<br />
and<br />
∙ the information given in the Trustees’ Annual Report is consistent with the financial<br />
statements.<br />
MG Fallon (Senior Statutory Auditor)<br />
for and on behalf <strong>of</strong> KPMG LLP, Statutory Auditor<br />
21 June 20<strong>10</strong><br />
Directors and Trustees<br />
<strong>The</strong> Directors <strong>of</strong> the charitable company<br />
are its Trustees for the purpose <strong>of</strong> charity<br />
law and throughout this report are<br />
collectively referred to as the Trustees.<br />
Board <strong>of</strong> Trustees<br />
Robert Ian Arthurton<br />
Sir David Bell (Chair)<br />
Howard Collins* (from 1 December <strong>2009</strong>)<br />
Roger Cooke<br />
Leon Daniels<br />
Jeremy Fraser<br />
Judith Garfield<br />
Glenn Lyons<br />
Daniel Moylan* (from 21 May <strong>2009</strong>)<br />
Samuel Mullins (Managing Director)<br />
Timothy O’Toole* (to 30 April <strong>2009</strong>)<br />
Janet Vitmayer<br />
Jeroen Weimar* (from 15 May <strong>2009</strong><br />
to 28 February 20<strong>10</strong>)<br />
David Worthington<br />
* Nominee <strong>of</strong> <strong>Transport</strong> for <strong>London</strong><br />
Audit Committee<br />
Sir David Bell<br />
Roger Cooke (Chair)<br />
Leon Daniels<br />
Company Secretary<br />
Howard Carter<br />
Ellen Howard<br />
Directors <strong>of</strong> <strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong> (Trading) Limited<br />
Robert Ian Arthurton (from 8 March 20<strong>10</strong>)<br />
Judith Garfield (from 8 March 20<strong>10</strong>)<br />
Christopher Gilbert<br />
Samuel Mullins<br />
Randeep Sidhu<br />
Michael Walton<br />
David Worthington<br />
Principal Bankers<br />
HSBC<br />
8 Victoria Street<br />
<strong>London</strong> SW1H 0NJ<br />
Auditors<br />
KPMG LLP<br />
1 Forest Gate<br />
Brighton Road<br />
Crawley<br />
West Sussex RH11 9PT<br />
Principal Legal Advisers<br />
TfL In-House Legal Department<br />
6th Floor Windsor House<br />
42–50 Victoria Street<br />
<strong>London</strong> SW1H 0TL<br />
Chartered Accountants<br />
1 Forest Gate<br />
Brighton Road<br />
Crawley<br />
West Sussex<br />
RH11 9PT
62 | Financial review Financial review | 63<br />
Financial review<br />
Following a year <strong>of</strong> successful fundraising, effective cost control and the conservation <strong>of</strong><br />
resources, we ended <strong>2009</strong>/<strong>10</strong> with an operating surplus <strong>of</strong> £1.1m and funds carried forward<br />
<strong>of</strong> £29.4m (<strong>2009</strong>: £28.3m). <strong>The</strong> surplus will enable us to undertake the essential capital<br />
expenditure on the <strong>Museum</strong> premises required to prevent water ingress and repair the damage<br />
caused by the unexpectedly harsh winter. We will also be able to begin the important work to<br />
upgrade the educational facilities and public toilets to sustain a high-quality visitor <strong>of</strong>fer.<br />
This year represents only the second full year <strong>of</strong> the charity’s operation following the Transfer<br />
Scheme which saw £28.8m <strong>of</strong> premises and exhibition assets transferred to <strong>London</strong> <strong>Transport</strong><br />
<strong>Museum</strong> Limited (LTM) on 1 April 2008 along with a grant <strong>of</strong> £1m to meet pre-charitable<br />
liabilities. Adjusting for these atypical transactions, our incoming resources are broadly<br />
equivalent to last year’s at £12.4m with the core grant from TfL <strong>of</strong> £5.6m being our principal<br />
source <strong>of</strong> income.<br />
Turnover from our subsidiary trading company remained static at £2.1m, although pr<strong>of</strong>it was<br />
down without the benefit <strong>of</strong> the one-<strong>of</strong>f stock transfer that boosted results last year. <strong>The</strong><br />
operating pr<strong>of</strong>it made by <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited was £0.2m which will<br />
be donated by Gift Aid to LTM.<br />
Other significant income streams include admission charges to the <strong>Museum</strong>’s galleries and<br />
events (£1m), support for the Safety and Citizenship programme from TfL Surface <strong>Transport</strong><br />
and <strong>London</strong> Underground (£1m), and over £0.4m <strong>of</strong> funding received this year<br />
for exhibitions and youth engagement activities that will take place in 20<strong>10</strong>/11.<br />
Control <strong>of</strong> costs, vacancy management and the renegotiation <strong>of</strong> major contracts such as<br />
cleaning and security helped keep costs down to £11.3m against £12.8m in the previous<br />
period. Savings were made primarily in support costs and did not impact on charitable<br />
outcomes.<br />
Reserves policy<br />
<strong>The</strong> Trustees maintain reserves to provide funds for asset renewals, repairs and future capital<br />
expenditure associated with the <strong>Museum</strong>’s premises, facilities and exhibitions. <strong>The</strong> target<br />
range for reserves for this purpose is between £1m and £2m. This is based on the <strong>Museum</strong>’s<br />
estimated capital expenditure needs <strong>of</strong> between £5m and £8m over the next ten years. In the<br />
current year, transfers to the <strong>Museum</strong> Development Fund have allowed this fund to reach a<br />
level which will enable us to begin our essential capital project work in 20<strong>10</strong>/11.<br />
<strong>The</strong> balance sheet value <strong>of</strong> the <strong>Museum</strong>’s fixed assets at the date <strong>of</strong> transfer from TfL was set<br />
aside in 2008/09 in a Designated Fixed Assets and Buildings Fund. This has been combined<br />
with the Pre-Charitable Liabilities Fund to form a single Capital Fund which currently stands at<br />
£26.7m. Adjustments have been made to provisions raised before charitable status and these<br />
have had a beneficial impact upon the reserves position. As these reserves do not represent<br />
funds readily available for other purposes, they have been set aside as designated funds in the<br />
Capital Fund. <strong>The</strong> Capital Fund is written down annually by the value <strong>of</strong> the depreciation on the<br />
<strong>Museum</strong>’s fixed assets.<br />
As at 31 March 20<strong>10</strong>, the Trustees have designated £0.5m in a fund to reflect income received<br />
in the current year that will be used for the delivery <strong>of</strong> exhibitions and activities in 20<strong>10</strong>/11.<br />
<strong>The</strong>se activities include the Overground uncovered exhibition, the electric vehicle exhibition<br />
and various youth engagement projects.<br />
Investments policy<br />
It is the policy <strong>of</strong> the <strong>Museum</strong> to invest surplus funds in short-term cash deposits within<br />
the UK.<br />
Total reserves are now approaching a level similar to other prudent charities <strong>of</strong> our size and<br />
scope and are more in line with our reserves policy.
64 | Financial review Financial review | 65<br />
Consolidated statement <strong>of</strong> financial activities<br />
Including income and expenditure account – <strong>Year</strong> ending 31 March 20<strong>10</strong><br />
Balance sheets<br />
As at 31 March 20<strong>10</strong><br />
Note<br />
Unrestricted<br />
Funds<br />
£000<br />
20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />
Restricted<br />
Funds<br />
£000<br />
Total<br />
Funds<br />
£000<br />
Total<br />
Funds<br />
£000<br />
Incoming resources<br />
Incoming resources from<br />
generated funds<br />
Voluntary income:<br />
Transfer <strong>of</strong> net assets from TfL – – – 28,834<br />
Core grants 5,609 – 5,609 5,471<br />
Other donations 671 25 696 820<br />
2 6,280 25 6,305 35,125<br />
Activities for generating funds 3 2,813 6 2,819 2,854<br />
Investment income (bank interest) 27 – 27 65<br />
Incoming resources from<br />
charitable activities<br />
Education and engagement 1,305 484 1,789 1,692<br />
Access and museum operations 973 185 1,158 1,179<br />
Heritage and collections 172 135 307 217<br />
4 2,450 804 3,254 3,088<br />
Total incoming resources 11,570 835 12,405 41,132<br />
Resources expended<br />
Cost <strong>of</strong> generating funds<br />
Cost <strong>of</strong> generating voluntary income 535 25 560 600<br />
Commercial trading operations 1,882 – 1,882 1,775<br />
5 2,417 25 2,442 2,375<br />
Cost <strong>of</strong> charitable activities<br />
Education and engagement 2,911 459 3,370 3,799<br />
Access and museum operations 3,495 131 3,626 4,114<br />
Heritage and collections 1,709 <strong>10</strong>8 1,817 2,475<br />
5 8,115 698 8,813 <strong>10</strong>,388<br />
Governance costs 7 46 – 46 65<br />
Total resources expended 5 <strong>10</strong>,578 723 11,301 12,828<br />
Net incoming resources<br />
before transfers<br />
992 112 1,<strong>10</strong>4 28,304<br />
Gross transfers between funds 128 (128) – –<br />
Net movement <strong>of</strong> funds in year 1,120 (16) 1,<strong>10</strong>4 28,304<br />
Reconciliation <strong>of</strong> funds<br />
Total funds brought forward 28,259 45 28,304 –<br />
Total funds carried forward 15 29,379 29 29,408 28,304<br />
20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
Note Group <strong>Museum</strong><br />
£000 £000 £000 £000<br />
Tangible fixed assets 11 26,344 27,609 26,344 27,609<br />
Current assets<br />
Stock 475 682 – –<br />
Debtors 12 932 886 1,360 1,658<br />
Cash 13 3,152 1,529 3,142 1,400<br />
4,559 3,097 4,502 3,058<br />
Creditors<br />
falling due within one year<br />
14 (1,495) (2,402) (1,438) (2,363)<br />
Net current assets 3,064 695 3,064 695<br />
Net assets 29,408 28,304 29,408 28,304<br />
Represented by<br />
Restricted funds 15a 29 45 29 45<br />
Called up share capital 17 – – – –<br />
Unrestricted funds<br />
Designated funds<br />
15a<br />
Capital fund 26,745 27,744 26,745 27,744<br />
Future exhibitions and education 500 – 500 –<br />
<strong>Museum</strong> development 1,900 500 1,900 500<br />
General unrestricted funds 234 15 234 15<br />
15 29,379 28,259 29,379 28,259<br />
29,408 28,304 29,408 28,304<br />
<strong>The</strong>se financial statements were approved by the Trustees on 15 June 20<strong>10</strong> and signed on<br />
their behalf by:<br />
Sam Mullins, Managing Director<br />
Company registration number 6495761<br />
<strong>The</strong> notes on pages 66–79 form part <strong>of</strong> these accounts.<br />
<strong>The</strong> statement <strong>of</strong> financial activities includes all gains and losses recognised in the year.<br />
All incoming resources and resources expended derive from continuing activities.
66 | Financial review Financial review | 67<br />
Notes to the financial statements<br />
1. Accounting policies<br />
a) Basis <strong>of</strong> preparation<br />
<strong>The</strong> financial statements have been prepared under the historic cost convention and in<br />
accordance with the Statement <strong>of</strong> Recommended Practice: ‘Accounting and Reporting<br />
by Charities’ (SORP 2005) as well as the applicable UK Accounting Standards and the<br />
Companies Act 1985. <strong>The</strong> principal accounting policies adopted in the preparation <strong>of</strong><br />
the financial statements are set out below.<br />
b) Group financial statements<br />
<strong>The</strong>se financial statements consolidate the results <strong>of</strong> the charity and its wholly owned<br />
subsidiary <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited on a line by line basis. Neither a<br />
separate statement <strong>of</strong> financial activities nor an income and expenditure account are presented<br />
for the charity itself following the exemptions afforded by section 230 <strong>of</strong> the Companies Act<br />
1985 and paragraph 397 <strong>of</strong> the SORP. <strong>The</strong> charity’s total incoming resources (gross income)<br />
for the year were £<strong>10</strong>.3m; the charity’s net incoming resources (net income) for the period<br />
were £1.1m.<br />
c) Incoming resources<br />
Incoming resources are included in the statement <strong>of</strong> financial activities when the<br />
<strong>Museum</strong> has entitlement and certainty <strong>of</strong> receipt, and the amount can be measured with<br />
sufficient reliability.<br />
Voluntary income includes donations, gifts, legacies and grants that provide core funding or<br />
are <strong>of</strong> a general nature. <strong>The</strong>se are recognised upon receipt. Such income would only be<br />
deferred when:<br />
∙ <strong>The</strong> donor specifies that the grant or donation must only be used in future accounting<br />
periods; or<br />
∙ <strong>The</strong> donor has imposed conditions which must be met before the <strong>Museum</strong> has<br />
unconditional entitlement.<br />
Income from commercial trading and sponsorship activities is recognised as the related goods<br />
and services are provided.<br />
Investment income is recognised on a receivable basis.<br />
Income from charitable activities includes income received under contract or where<br />
entitlement to grant funding is subject to specific performance conditions which is recognised<br />
as the related goods or services are provided.<br />
Goods, facilities and services donated for the <strong>Museum</strong>’s use, where the benefit is quantifiable<br />
and the goods and services would otherwise have had to be purchased, are recognised in the<br />
financial statements, as both income and expenditure, at a reasonable estimate <strong>of</strong> their value<br />
in the period in which they are donated.<br />
e) Resources expended<br />
All outgoing resources are included in the Statement <strong>of</strong> Financial Activities inclusive <strong>of</strong> any<br />
irrecoverable VAT. Expenditure is recognised when a liability is incurred and is classified under<br />
the following principal categories:<br />
∙ Costs <strong>of</strong> generating funds are those costs incurred in attracting voluntary income, and those<br />
incurred in trading activities that raise funds.<br />
∙ Charitable activities include expenditure associated with the operation <strong>of</strong> the <strong>Museum</strong><br />
and its educational and public programmes, and the management and development <strong>of</strong> the<br />
<strong>Museum</strong>’s collections.<br />
∙ Governance costs include those incurred in the governance <strong>of</strong> the <strong>Museum</strong> and its assets<br />
and are primarily associated with constitutional and statutory requirements.<br />
Where costs relate directly to an activity they have been allocated against that activity. Support<br />
costs that relate to more than one activity have been allocated to activity cost categories on<br />
the basis <strong>of</strong> staff numbers in each area <strong>of</strong> activity (see Note 6).<br />
f) Operating leases<br />
Costs relating to operating leases are charged to the Statement <strong>of</strong> Financial Activities on a<br />
straight line basis over the life <strong>of</strong> the lease.<br />
g) Tangible fixed assets<br />
Individual fixed assets over £<strong>10</strong>,000 are capitalised at cost.<br />
Tangible fixed assets are depreciated on a straight line basis over their estimated useful lives as<br />
follows:<br />
∙ Plant and Equipment 3–<strong>10</strong> years<br />
∙ Buildings and Refurbishments <strong>10</strong>–35 years<br />
Structural improvements to the fabric <strong>of</strong> the <strong>Museum</strong> building are depreciated over the<br />
remaining life <strong>of</strong> the lease (34 years).<br />
Other building work is capitalised where it is considered that future economic benefits in<br />
excess <strong>of</strong> the originally assessed standard <strong>of</strong> performance will flow as a result <strong>of</strong> that work.<br />
h) Stock<br />
Stock is valued at the lower <strong>of</strong> cost or net realisable value.<br />
i) Heritage assets<br />
Heritage Assets are those assets <strong>of</strong> historical, artistic or scientific importance that are held to<br />
advance the preservation, conservation and educational objects <strong>of</strong> the <strong>Museum</strong>. <strong>The</strong> <strong>Museum</strong><br />
collections consist <strong>of</strong> over 350,000 items and are on loan from TfL. Assets on loan are not<br />
capitalised within these financial statements although expenditure relating to their use and<br />
maintenance is included.<br />
d) Volunteers<br />
<strong>The</strong> value <strong>of</strong> services provided by volunteers is not incorporated into these financial<br />
statements. Further details <strong>of</strong> the contribution made by volunteers can be found in the body<br />
<strong>of</strong> the Trustees’ Annual Report.
68 | Financial review Financial review | 69<br />
Notes to the financial statements continued<br />
j) Funds structure<br />
Restricted funds are funds to be used for particular purposes laid down by the donors or which<br />
have been raised for a specific purpose.<br />
Unrestricted funds are funds available for use at the discretion <strong>of</strong> the Trustees in furtherance<br />
<strong>of</strong> the <strong>Museum</strong>’s charitable objectives. Designated funds comprise unrestricted funds that<br />
have been set aside by the Trustees for particular purposes. <strong>The</strong> purposes and uses <strong>of</strong> the<br />
funds held in each <strong>of</strong> these categories are given in Note 15.<br />
k) Pensions<br />
<strong>The</strong> <strong>Museum</strong> operates a pension scheme providing benefits based on final pensionable pay.<br />
<strong>The</strong> assets <strong>of</strong> the scheme are held separately from those <strong>of</strong> the <strong>Museum</strong>. <strong>The</strong> parent charity is<br />
a member <strong>of</strong> that pension scheme but is unable to identify its share <strong>of</strong> the underlying assets<br />
and liabilities <strong>of</strong> the scheme on a consistent and reasonable basis and therefore, as permitted<br />
by the multi-employer exemption in FRS 17 ‘Retirement Benefits’, it is accounted for as if<br />
it were a defined contribution scheme. As a result, the amount charged to the Statement<br />
<strong>of</strong> Financial Activities represents the contributions payable to the scheme in respect <strong>of</strong> the<br />
accounting period. <strong>The</strong> disclosures required under FRS 17 are given in Note 18.<br />
l) Related party transactions<br />
Except in so far as disclosed in Note 19, the <strong>Museum</strong> has taken advantage <strong>of</strong> the exemption<br />
set out in FRS 8 not to disclose any transactions with other TfL Group undertakings.<br />
m) Taxation<br />
<strong>The</strong> <strong>Museum</strong> is exempt from tax in respect <strong>of</strong> its income which is applied to its<br />
charitable activities.<br />
n) Cash flow<br />
Following the exemptions afforded by FRS1 and the Companies Act 1985, where the<br />
charity forms part <strong>of</strong> the <strong>Transport</strong> Trading Limited group, a separate cash flow statement<br />
is not required.<br />
2. Voluntary income<br />
Unrestricted<br />
£000<br />
20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />
Restricted<br />
£000<br />
Total<br />
£000<br />
Total<br />
£000<br />
Transfer <strong>of</strong> net assets from TfL – – – 28,834<br />
Core grant from TfL 5,609 – 5,609 5,471<br />
Donated Services<br />
Arriva – – – 20<br />
Clear Channel 240 – 240 352<br />
Seconded staff 121 – 121 121<br />
Donations<br />
Donations, Grants & Gift Aid 3<strong>10</strong> 25 335 325<br />
Legacies – – – 2<br />
6,280 25 6,305 35,125<br />
3. Activities to generate funds<br />
Unrestricted<br />
£000<br />
4. Incoming resources from charitable activities<br />
20<strong>10</strong><br />
Direct costs<br />
20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />
Restricted<br />
£000<br />
20<strong>10</strong><br />
Apportioned<br />
support costs<br />
Total<br />
£000<br />
20<strong>10</strong><br />
Total<br />
Total<br />
£000<br />
Retail sales 1,595 – 1,595 1,651<br />
Other trading activities<br />
Corporate hire 275 – 275 366<br />
Catering income 64 – 64 73<br />
Commercial sponsorships 125 – 125 –<br />
Other activities to generate funds<br />
Fundraising events and sponsorships 692 – 692 717<br />
Other miscellaneous income 62 6 68 47<br />
Group and <strong>Museum</strong><br />
Unrestricted<br />
£000<br />
2,813 6 2,819 2,854<br />
20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> <strong>2009</strong><br />
Restricted<br />
£000<br />
Total<br />
£000<br />
Total<br />
£000<br />
<strong>Museum</strong> admissions 964 – 964 1,018<br />
<strong>London</strong> <strong>Museum</strong>s Hub grants – 785 785 548<br />
Safety and Citizenship income 1,017 – 1,017 1,288<br />
Grants for youth engagement activity 237 19 256 –<br />
Grants for 20<strong>10</strong> exhibitions 150 – 150 –<br />
American Express Foundation grant – – – 126<br />
John Lyon's Charity grant – – – 15<br />
Luke Rees-Pulley Charitable Trust grant – – – 30<br />
Other miscellaneous charitable income 82 – 82 63<br />
5. Resources expended<br />
2,450 804 3,254 3,088<br />
<strong>2009</strong><br />
Total<br />
£000 £000 £000 £000<br />
Costs <strong>of</strong> generating funds<br />
Costs <strong>of</strong> generating voluntary income 283 277 560 600<br />
Cost <strong>of</strong> goods sold 872 – 872 780<br />
Other trading costs 1,0<strong>10</strong> – 1,0<strong>10</strong> 995<br />
Charitable activities<br />
Education and engagement 1,475 1,896 3,370 3,799<br />
Access and museum operations 1,265 2,360 3,626 4,114<br />
Heritage and collections 646 1,171 1,817 2,475<br />
Governance 46 – 46 65<br />
Total 5,597 5,704 11,301 12,828<br />
<strong>The</strong> cost <strong>of</strong> generating voluntary income includes the cost <strong>of</strong> generating core funding.
70 | Financial review Financial review | 71<br />
Notes to the financial statements continued<br />
6. Shared support cost allocation<br />
7. Governance costs<br />
Education &<br />
engagement<br />
20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong> 20<strong>10</strong><br />
Access &<br />
museum<br />
operations<br />
Heritage &<br />
collections<br />
Activities to<br />
generate<br />
funds<br />
Total<br />
£000 £000 £000 £000 £000<br />
Premises and facilities 1,136 1,414 702 166 3,418<br />
Finance and management 4<strong>10</strong> 5<strong>10</strong> 253 60 1,233<br />
Marketing 199 248 123 29 599<br />
Systems 92 114 57 13 276<br />
Design and presentation 59 73 37 9 178<br />
Total cost 20<strong>10</strong> 1,896 2,359 1,172 277 5,704<br />
Total cost <strong>2009</strong> 2,139 2,902 1,376 305 6,722<br />
Note: A management fee <strong>of</strong> £776,000 (<strong>2009</strong>: £787,000) was charged to the trading subsidiary during the year.<br />
20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
Group <strong>Museum</strong><br />
£000 £000 £000 £000<br />
External audit 16 50 11 45<br />
Consultancy 14 5 5 5<br />
Systems 5 <strong>10</strong> <strong>10</strong> <strong>10</strong><br />
Other 11 – – –<br />
46 65 26 60<br />
LTMTL Balance sheet<br />
20<strong>10</strong> <strong>2009</strong><br />
£000 £000<br />
Current assets<br />
Stock 475 682<br />
Debtors 146 <strong>10</strong>4<br />
Cash 11 129<br />
632 915<br />
Creditors: falling due within one<br />
year (including Gift Aid to LTM)<br />
(632) (915)<br />
Net current assets – –<br />
Called up share capital (£1) – –<br />
9. Staff costs and staff numbers<br />
(a) Total remuneration<br />
20<strong>10</strong> <strong>2009</strong><br />
Group and <strong>Museum</strong> £000 £000<br />
Wages and salaries 3,330 3,452<br />
Social security costs 252 263<br />
Pension costs 802 766<br />
4,384 4,481<br />
8. Trading subsidiary<br />
<strong>The</strong> <strong>Museum</strong> has a single subsidiary company, <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> (Trading) Limited<br />
(LTMTL), having an issued share capital <strong>of</strong> £1, wholly owned by <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
Limited. LTMTL undertakes retail and venue hire operations.<br />
LTMTL Pr<strong>of</strong>it and loss account<br />
20<strong>10</strong> <strong>2009</strong><br />
£000 £000<br />
<strong>The</strong> wages and salaries figure includes £121,000 (<strong>2009</strong>: £121,000) <strong>of</strong> costs relating to staff<br />
seconded to the <strong>Museum</strong> from TfL and the <strong>Museum</strong>s Association.<br />
<strong>The</strong> Managing Director is the only paid director and received emoluments from the <strong>Museum</strong>,<br />
including salary, fees, benefits in kind and other emoluments totalling £85,864 (<strong>2009</strong>: £90,128).<br />
In addition, the <strong>Museum</strong> made contributions totalling £23,662 (<strong>2009</strong>: £22,708) to the TfL Pension<br />
Fund, a defined benefit scheme on behalf <strong>of</strong> the Managing Director for the period. At 31 March<br />
20<strong>10</strong> the Managing Director had accrued an annual pension <strong>of</strong> £40,901 (<strong>2009</strong>: £39,623) in the<br />
TfL defined benefit pension fund.<br />
Turnover 2,068 2,089<br />
Cost <strong>of</strong> operations (1,881) (1,213)<br />
Operating pr<strong>of</strong>it 187 876<br />
Gift Aid payable to<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
(187) (876)<br />
Pr<strong>of</strong>it/(loss) before taxation – –<br />
Taxation<br />
Result for the year – –<br />
Note: <strong>The</strong> <strong>2009</strong> operating pr<strong>of</strong>it benefited from a one-<strong>of</strong>f stock transfer worth £561,000 at nil consideration.
72 | Financial review Financial review | 73<br />
Notes to the financial statements continued<br />
<strong>The</strong> number <strong>of</strong> employees whose emoluments amounted to over £60,000 in the period was:<br />
£60,001–£70,000<br />
£70,001–£80,000<br />
£80,001–£90,000<br />
£90,001–£<strong>10</strong>0,000<br />
20<strong>10</strong> <strong>2009</strong><br />
No. No.<br />
2<br />
1<br />
–<br />
1<br />
–<br />
–<br />
1<br />
1<br />
Contributions to the defined benefit pension scheme were made in respect <strong>of</strong> the three higher<br />
paid employees and amounted to £62,196 (<strong>2009</strong>:£58,535).<br />
(b) Other than the Managing Director, none <strong>of</strong> the Trustees received any remuneration<br />
for their services. Reimbursements <strong>of</strong> expenses totalled £40 (<strong>2009</strong>: £436).<br />
<strong>10</strong>. Net income<br />
This is stated after charging:<br />
11. Tangible fixed assets<br />
20<strong>10</strong> <strong>2009</strong><br />
£000 £000<br />
Depreciation 1,267 1,266<br />
Auditor's remuneration:<br />
Audit – company 21 50<br />
Audit – subsidiary company 5 5<br />
Audit – other consultancy 5 2<br />
Operating lease rentals – Buildings 1,026 1,203<br />
Operating lease rentals – Office equipment 25 25<br />
(c) <strong>The</strong> average number <strong>of</strong> persons (full-time equivalents) employed during the<br />
year was:<br />
Group and <strong>Museum</strong><br />
Property & Plant & Total<br />
buildings equipment<br />
£000 £000 £000<br />
Group<br />
Group<br />
20<strong>10</strong> <strong>2009</strong><br />
FTE FTE<br />
Education and engagement 21.2 21.0<br />
Access and museum operations 26.4 28.5<br />
Heritage and collections 13.1 13.5<br />
Activities to generate funds 18.1 18.0<br />
Support functions<br />
Premises and facilities 8.5 9.0<br />
Finance and management <strong>10</strong>.5 11.5<br />
Marketing 2.0 2.0<br />
Systems 2.5 2.0<br />
Design and presentation 2.0 2.5<br />
<strong>10</strong>4.3 <strong>10</strong>8.0<br />
Plus seconded staff 3.3 3.5<br />
Cost<br />
At 1 April <strong>2009</strong> 28,206 669 28,875<br />
Additions/adjustments 13 (11) 2<br />
At 31 March 20<strong>10</strong> 28,219 658 28,877<br />
Accumulated depreciation<br />
At 1 April <strong>2009</strong> (1,174) (92) (1,266)<br />
Charge for the year (1,174) (93) (1,267)<br />
At 31 March 20<strong>10</strong> (2,348) (185) (2,533)<br />
Net book value at 31 March 20<strong>10</strong> 25,871 473 26,344<br />
Net book value at 31 March <strong>2009</strong> 27,032 577 27,609<br />
12. Debtors<br />
20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
Group <strong>Museum</strong><br />
£000 £000 £000 £000<br />
Trade debtors 206 144 140 72<br />
Sundry debtors 157 18 129 –<br />
TfL Group debtors 196 247 164 237<br />
Prepayments and accrued income 355 477 352 473<br />
Taxation 18 – – –<br />
Amounts owed by subsidiary undertakings – – 575 876<br />
932 886 1,360 1,658
74 | Financial review Financial review | 75<br />
Notes to the financial statements continued<br />
13. Cash<br />
14. Creditors: amounts falling due within one year<br />
15. Statement <strong>of</strong> group funds<br />
(a) <strong>The</strong> movements on funds are as follows:<br />
20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
Group <strong>Museum</strong><br />
£000 £000 £000 £000<br />
Held in current accounts and in hand 134 222 131 163<br />
Hold in short term deposit accounts 3,018 1,307 3,011 1,237<br />
3,152 1,529 3,142 1,400<br />
20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
Group <strong>Museum</strong><br />
£000 £000 £000 £000<br />
Trade creditors 181 248 149 228<br />
TfL Group creditors 890 697 890 697<br />
Taxation – 19 – –<br />
Accruals 424 1,438 399 1,438<br />
No balances fell due after more than one year.<br />
Group and <strong>Museum</strong><br />
1,495 2,402 1,438 2,363<br />
1 April<br />
<strong>2009</strong><br />
Income Expenditure Transfers 31 March<br />
20<strong>10</strong><br />
£000 £000 £000 £000 £000<br />
Unrestricted funds<br />
Designated funds<br />
Capital fund 27,744 2 (1,401) 400 26,745<br />
Future exhibitions and education – – – 500 500<br />
<strong>Museum</strong> development 500 – – 1,400 1,900<br />
Total designated funds 28,244 2 (1,401) 2,300 29,145<br />
General unrestricted funds 15 11,568 (9,177) (2,172) 234<br />
Total unrestricted funds 28,259 11,570 (<strong>10</strong>,578) 128 29,379<br />
Restricted funds<br />
Luke Rees-Pulley Charitable Trust 30 – (1) – 29<br />
John Lyon's Charity 15 – (15) – –<br />
Wolfson – 23 (23) – –<br />
<strong>London</strong> <strong>Museum</strong>s Hub – 794 (666) (128) –<br />
Acton High Creative Partnership – 18 (18) – –<br />
Total restricted funds 45 835 (723) (128) 29<br />
Total funds 28,304 12,405 (11,301) – 29,408<br />
Designated funds<br />
<strong>The</strong> Fixed Assets and Buildings Fund represents the net book value <strong>of</strong> the <strong>Museum</strong>’s tangible<br />
fixed assets.<br />
<strong>The</strong> transfer <strong>of</strong> £400,000 into the Capital Fund represents balances required to reconcile<br />
pre-charitable liabilities that will not crystallise.<br />
<strong>The</strong> Trustees have transferred £1,500,000 to the <strong>Museum</strong> Development Fund to provide<br />
for future investment in the <strong>Museum</strong>’s facilities, galleries and exhibitions.<br />
<strong>The</strong> Trustees have designated £500,000 in a Future Exhibitions and Education fund for<br />
committed future projects for which the <strong>Museum</strong> has received grants and donations in<br />
the current year.<br />
Restricted funds<br />
<strong>The</strong> Luke Rees-Pulley Charitable Trust made a grant <strong>of</strong> £30,000 in <strong>2009</strong> to fund the<br />
development <strong>of</strong> new learning resources to promote skills and careers in the transport<br />
industry to school-age children.<br />
John Lyon’s Charity made an enabling grant <strong>of</strong> £15,000 in <strong>2009</strong> to develop an educational<br />
programme for the benefit <strong>of</strong> children from schools in Ealing and Westminster.<br />
<strong>The</strong> DCMS/Wolfson <strong>Museum</strong>s and Galleries Improvement Fund agreed a grant <strong>of</strong> £44,000 for<br />
access improvements to the <strong>Museum</strong> library and Depot lecture theatre. <strong>The</strong> grant is drawn<br />
down in arrears following completion <strong>of</strong> work.<br />
(b) Analysis <strong>of</strong> group net assets between funds<br />
Fund balances as at 31 March 20<strong>10</strong><br />
represented by:<br />
16. Operating leases<br />
At 31 March 20<strong>10</strong> the <strong>Museum</strong> has annual commitments as follows:<br />
Unrestricted Restricted Total<br />
funds funds<br />
£000 £000 £000<br />
Fixed assets 26,344 – 26,344<br />
Current assets 4,430 129 4,559<br />
Current liabilities (1,395) (<strong>10</strong>0) (1,495)<br />
Total net assets 29,379 29 29,408<br />
Land & building Other<br />
Expiry date 20<strong>10</strong> <strong>2009</strong> 20<strong>10</strong> <strong>2009</strong><br />
£000 £000 £000 £000<br />
Between 2 and 5 years – – 33 30<br />
Over 5 years 978 1,207 – –<br />
Note: <strong>The</strong> Fixed Assets and Building Fund and Pre-Charitable Liabilities Fund have been combined into a<br />
single Capital Fund.
76 | Financial review Financial review | 77<br />
Notes to the financial statements continued<br />
17. Called up share capital<br />
20<strong>10</strong> <strong>2009</strong><br />
£ £<br />
Authorised<br />
1 ordinary share <strong>of</strong> £1 1 1<br />
Allocated, issued and fully paid up<br />
1 ordinary share <strong>of</strong> £1 1 1<br />
At 31 March 20<strong>10</strong> <strong>2009</strong> 2008<br />
% % %<br />
Inflation 3.75 2.90 3.60<br />
Rate <strong>of</strong> increase in salaries 4.50 3.65 5.<strong>10</strong><br />
Rate <strong>of</strong> increase <strong>of</strong> pensions in payment<br />
and deferred pensions<br />
3.75 2.90 3.60<br />
Discount rate 5.50 6.90 6.80<br />
Investment return 7.37 6.40 6.80<br />
18. Pensions<br />
Background<br />
<strong>The</strong> <strong>Museum</strong> <strong>of</strong>fers retirement plans to its employees. <strong>The</strong> majority <strong>of</strong> the <strong>Museum</strong>’s staff<br />
are members <strong>of</strong> the Public Sector Section <strong>of</strong> the TfL Pension Fund. This scheme, to which the<br />
<strong>Museum</strong> contributes, is a defined benefit scheme where the benefits are based on employees’<br />
length <strong>of</strong> service and final pensionable pay. <strong>The</strong> scheme is established under trust. <strong>The</strong> Fund’s<br />
Trustee is the TfL Trustee Company Limited, a wholly owned subsidiary <strong>of</strong> <strong>Transport</strong> for<br />
<strong>London</strong>. Under the rules <strong>of</strong> the Fund, its 18 trustee directors are nominated in equal numbers<br />
by <strong>Transport</strong> for <strong>London</strong> and on behalf <strong>of</strong> the Fund’s membership. <strong>Transport</strong> for <strong>London</strong> and<br />
the <strong>Museum</strong>’s fellow subsidiaries also participate in the Public Sector Section and it is not<br />
possible to identify the <strong>Museum</strong>’s share <strong>of</strong> the underlying assets and liabilities.<br />
<strong>The</strong> Fund’s Actuary makes periodic valuations and recommends the level <strong>of</strong> contributions<br />
to be made by the participating employers to ensure long-term solvency <strong>of</strong> the Fund. <strong>The</strong><br />
latest valuation <strong>of</strong> the Fund was carried out as at 31 March <strong>2009</strong> by the Actuary, a partner <strong>of</strong><br />
consulting actuaries Towers Watson, using the projected unit method.<br />
<strong>The</strong> level <strong>of</strong> contributions paid by the employer is 31.0% <strong>of</strong> pensionable pay.<br />
Accounting<br />
A separate valuation <strong>of</strong> the Public Sector Section has been prepared for accounting purposes<br />
on a FRS 17 basis as at 31 March 20<strong>10</strong>.<br />
It is not possible to identify the <strong>Museum</strong>’s particular share <strong>of</strong> the Public Sector Section’s assets<br />
and liabilities on a consistent and reasonable basis, and as permitted by the multi-employer<br />
exemption in FRS 17, it is accounted for as if it were a defined contribution scheme. <strong>The</strong><br />
Company’s contributions to the Public Sector Section <strong>of</strong> £801,900 (2008/09: £765,600) have<br />
been charged to the pr<strong>of</strong>it and loss account.<br />
FRS 17 specifies how key assumptions should be derived and applied. <strong>The</strong>se assumptions are<br />
<strong>of</strong>ten different to the assumptions adopted by the pension scheme actuary and trustees in<br />
determining the funding position <strong>of</strong> pension schemes.<br />
<strong>The</strong> FRS 17 valuation is broadly based on the Public Sector Section’s assets being valued at<br />
market value at the balance sheet date with the Section’s liabilities being discounted at the<br />
rate <strong>of</strong> return on high-quality corporate bonds <strong>of</strong> equivalent term to the liabilities. <strong>The</strong> major<br />
assumptions used in this valuation were:<br />
<strong>The</strong> fair value <strong>of</strong> the Public Sector Section’s assets, which are not intended to be realised in the<br />
short term and may be subject to significant change before they are realised, and the present<br />
value <strong>of</strong> the Public Sector Section’s liabilities, which are derived from cash flow projections<br />
over long periods and thus inherently uncertain, were as shown below. Also shown are the<br />
expected long-term rates <strong>of</strong> return which are the best estimates chosen from a range <strong>of</strong><br />
possible assumptions and, due to the time-scale covered, may not necessarily be borne<br />
out in practice.<br />
At 31 March<br />
20<strong>10</strong> <strong>2009</strong> 2008<br />
Expected<br />
return<br />
%pa<br />
Value at<br />
31 March<br />
£m<br />
Expected<br />
return<br />
%pa<br />
Value at<br />
31 March<br />
£m<br />
Expected<br />
return<br />
%pa<br />
Value at<br />
31 March<br />
£m<br />
Equities 8.0 3,<strong>10</strong>4.7 8.0 1,957.2 8.2 2,305.0<br />
Bonds 5.0 1,657.6 4.3 1,171.7 4.9 1,605.3<br />
Cash, property<br />
and other assets<br />
Total market value<br />
<strong>of</strong> assets<br />
Actuarial value <strong>of</strong><br />
section liabilities<br />
4.1 <strong>10</strong>7.4 3.7 266.5 5.2 168.7<br />
– 4,869.7 – 3,395.4 – 4,079.0<br />
– (6,965.4) – (4,415.8) – (4,675.7)<br />
Deficit in section – (2,095.7) – (1,020.4) – (596.7)<br />
<strong>The</strong> figures above include the assets and liabilities <strong>of</strong> the entire Public Sector Section <strong>of</strong> the TfL<br />
Pension Fund, and include members who are employed by, and whose contributions are made<br />
by, <strong>Transport</strong> for <strong>London</strong>. This is because, as stated above, it is not possible to identify the<br />
<strong>Museum</strong>’s particular share. Further details <strong>of</strong> the Public Sector Section’s position can be found<br />
in the Statement <strong>of</strong> Accounts <strong>of</strong> <strong>Transport</strong> for <strong>London</strong>.<br />
Unfunded pension costs<br />
<strong>The</strong> <strong>Museum</strong> bears the cost <strong>of</strong>:<br />
∙ Augmentation <strong>of</strong> the pensions <strong>of</strong> certain employees, who retire early under voluntary<br />
severance arrangements<br />
∙ Ex-gratia payments, which are made to certain employees on retirement in respect <strong>of</strong> service<br />
prior to the establishment <strong>of</strong> pension funds for those employees<br />
∙ Supplementary payments, which are made to certain employees who retired prior to index<br />
linking <strong>of</strong> pensions.
78 | Financial review Financial review | 79<br />
Notes to the financial statements continued<br />
19. Related party transactions<br />
<strong>Transport</strong> for <strong>London</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Limited is a subsidiary company <strong>of</strong> <strong>Transport</strong> Trading Limited (TTL),<br />
a <strong>Transport</strong> for <strong>London</strong> Group company. TfL provides financial assistance to the <strong>Museum</strong> in<br />
the form <strong>of</strong> a core grant for <strong>Museum</strong> operations. In addition, certain divisions <strong>of</strong> TfL provide<br />
financial support to the Safety and Citizenship Programme and other <strong>Museum</strong> operations as<br />
agreed on a project by project basis.<br />
<strong>The</strong> <strong>Museum</strong> also receives benefit from the activities <strong>of</strong> TfL group functions such as Finance,<br />
Human Resources and Payroll. Management Fees are levied upon the <strong>Museum</strong> by TfL and TTL<br />
for services provided. Fees are applied at the same rates as for all other TfL group companies.<br />
TfL group companies receive discounts on the hire <strong>of</strong> <strong>Museum</strong> facilities. All TfL staff receive<br />
free entry to the <strong>Museum</strong> and discounts in the <strong>Museum</strong> shop.<br />
Under FRS 8 – ‘Related Party Disclosures’ the <strong>Museum</strong> is exempt from disclosing transactions<br />
with other TfL Group undertakings but a summary <strong>of</strong> the total value <strong>of</strong> transactions with TfL is<br />
given below.<br />
Related party transactions with TfL Income Expenditure<br />
£000 £000<br />
Core grant 5,609 –<br />
Other income 1,498 –<br />
Group services provided – 434<br />
As at 31 March the following amounts remained outstanding in respect <strong>of</strong> transactions<br />
a-c above.<br />
Related party Debtor Creditor Details<br />
£000 £000<br />
<strong>London</strong> <strong>Museum</strong>s Hub (a) 365 159 Grants<br />
20. Legal status and Ultimate Holding Company<br />
LTM is a company limited by shares and a wholly owned subsidiary company <strong>of</strong> TTL, the<br />
holding company for all the operating companies controlled by <strong>Transport</strong> for <strong>London</strong>. <strong>The</strong><br />
share capital <strong>of</strong> the company is 1 ordinary share <strong>of</strong> £1.<br />
LTM’s Memorandum <strong>of</strong> Association states ‘the property and funds <strong>of</strong> the Charity must be<br />
used only for promoting the Objects and no dividends shall be paid to the Member’.<br />
21. Contingent Liabilities<br />
<strong>The</strong> <strong>Museum</strong> received sponsorship income <strong>of</strong> £125,000 (<strong>2009</strong>: £nil) which may become<br />
repayable in October 20<strong>10</strong>.<br />
Other material related party transactions in the year:<br />
Related party Income Expenditure Details<br />
£000 £000<br />
<strong>London</strong> <strong>Museum</strong>s Hub (a) 718 678 Grants<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends (b) – 3 Volunteer expenses<br />
FirstGroup (c) 14 – Corporate membership<br />
(a) <strong>The</strong> <strong>Museum</strong> is a partner in the <strong>London</strong> <strong>Museum</strong>s Hub together with the <strong>Museum</strong> <strong>of</strong><br />
<strong>London</strong>, the Geffrye <strong>Museum</strong> and the Horniman <strong>Museum</strong>. All Hub museums are in receipt<br />
<strong>of</strong> funding via the <strong>Museum</strong>s, Libraries and Archives (MLA) Renaissance funding stream.<br />
LTM Trustee Janet Vitmayer is Managing Director <strong>of</strong> the Horniman <strong>Museum</strong> and a member<br />
<strong>of</strong> the Renaissance <strong>London</strong> Board alongside LTM Managing Director Samuel Mullins.<br />
(b) LTM Trustee Robert Ian Arthurton is Chairman <strong>of</strong> the <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Friends,<br />
a registered charity whose aims include assisting and encouraging the work and activities <strong>of</strong><br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong>.<br />
(c) LTM Trustee Leon Daniels is Commercial Director UK Bus at FirstGroup plc.
‘<strong>The</strong> exhibition alludes<br />
to the fact that <strong>London</strong>’s<br />
private transport companies<br />
were the sponsors and <strong>of</strong>ten<br />
the creators <strong>of</strong> suburbia.’<br />
Guardian, 21 November <strong>2009</strong><br />
Design: LTM Design<br />
Editor: Mark Kilfoyle<br />
All images © <strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
and <strong>Transport</strong> for <strong>London</strong>, 20<strong>10</strong>
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
Covent Garden Piazza<br />
<strong>London</strong> WC2E 7BB<br />
Tel +44 (0)20 7379 6344<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong> Ltd<br />
Charity number 1123122<br />
Company number 6495761<br />
Registered address:<br />
Windsor House<br />
42–50 Victoria Street<br />
<strong>London</strong> SW1H 0TL<br />
<strong>London</strong> <strong>Transport</strong> <strong>Museum</strong><br />
(Trading) Ltd<br />
Company number 6527755<br />
Registered address:<br />
Windsor House<br />
42–50 Victoria Street<br />
<strong>London</strong> SW1H 0TL<br />
Supported by<br />
ltmuseum.co.uk