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Spring Bulletin No. 220 - January 2002 - The Iowa High School ...

Spring Bulletin No. 220 - January 2002 - The Iowa High School ...

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Brass Choir, Low Brass Choir, French Horn Choir, Trombone Choir, Woodwind Choir,<br />

Flute Choir, and Clarinet Choir.<br />

22. <strong>The</strong> “initial” schedule will be mailed directly to the band/chorus/orchestra directors<br />

shortly after the penalty postmark deadline. It is IMPERATIVE that involved staff<br />

jointly decide upon the location of their various performances and return the initial<br />

schedule to the IHSMA office by the specified date.<br />

23. Solo/Small Ensemble Festival adjudication forms must be completed in every detail<br />

- school name, soloist, selection, etc. - and given to the adjudicator along with the<br />

judge’s score(s) just prior to their performance. DO NOT SEND ADJUDICATION<br />

FORMS TO THE IHSMA!<br />

24. Video-taping of performances is not allowed. Performance rooms cannot typically<br />

accommodate such equipment.<br />

25. Expenses incurred by a participating school (meals, lodging, etc.) should be paid by<br />

the participating school. <strong>The</strong> <strong>Iowa</strong> <strong>High</strong> <strong>School</strong> Music Association assumes no responsibility<br />

in this regard.<br />

BAND/ORCHESTRA ONLY:<br />

26. Instrumental selections written with an accompaniment must be performed in that<br />

manner unless emergency conditions prevent the accompanist from being present.<br />

27. <strong>The</strong> French Horn will be considered a woodwind instrument only in a Mixed Woodwind<br />

Ensemble.<br />

28. <strong>The</strong> only electronic instruments permitted for Solo/Small Ensemble Festival is the<br />

electric bass guitar for Percussion Ensembles, and the Vibraphone.<br />

29. <strong>The</strong> Executive Committee has ruled that the human body is NOT a percussion instrument.<br />

Directors should exclude compositions which utilize exclusively special effects<br />

(hand clapping, body slapping) as the primary compositional device.<br />

30. Wind/Percussion ensembles may not double parts, but may substitute personnel if<br />

there is a transposition of octave (flute/piccolo) or like key (oboe/flute). This regulation<br />

does not pertain to directed choirs.<br />

31. A director MUST construct a reduced/condensed score for instrumental ensembles<br />

for which no conductor’s score is available. Individual parts will not be accepted.<br />

Performances not supplying the adjudicator a score will not be heard and will be<br />

declared disqualified.<br />

32. In case of mechanical difficulty in a performance, the participants shall retire and<br />

return later for the performance. <strong>The</strong> normal time allowance will be accorded for the<br />

second performance.<br />

33. Instrumental directors should be cautioned against providing adjudicators with a piano<br />

score that contains the instrumental line for solo performances. Such copies<br />

normally do not contain the dynamic markings, phrasing, articulations, etc.<br />

VOCAL ONLY<br />

34. <strong>The</strong> method of presentation of vocal performances - accompanied or a cappella - is a<br />

decision of the director. However, judges will be instructed to address the appropriateness<br />

of an accompanied performance of a cappella literature in the “Other Performance<br />

Factors” of the adjudication form.<br />

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